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This programme contains some strong language and some scenes which some viewers may find upsetting. | 0:00:02 | 0:00:06 | |
She cut her throat right in front of me. | 0:00:06 | 0:00:07 | |
What's this? She left this out on her bed. | 0:00:07 | 0:00:09 | |
Like she wanted me to find it. | 0:00:09 | 0:00:11 | |
I look at it and I feel like I don't even know my own mum. | 0:00:11 | 0:00:13 | |
Fine, let's go up there then. | 0:00:13 | 0:00:16 | |
-I'm Nick. -Matilda. | 0:00:19 | 0:00:21 | |
My mum killed herself and I think it had something to do | 0:00:21 | 0:00:24 | |
-with your daughter, Carys. -What the bloody hell? | 0:00:24 | 0:00:26 | |
-Please, if you, if you... -23 years gone and you lot are still at it. | 0:00:26 | 0:00:29 | |
It's right here. My very own mansion. | 0:00:29 | 0:00:32 | |
My mum kept a photo of this house. | 0:00:32 | 0:00:34 | |
When I was little, I used to have this dream. | 0:00:34 | 0:00:36 | |
It was dark, I open a door, and I find a child there. | 0:00:36 | 0:00:40 | |
SHE GASPS | 0:00:43 | 0:00:45 | |
It's me. I'm the girl. | 0:00:45 | 0:00:47 | |
I'm Carys. | 0:00:47 | 0:00:49 | |
CHATTER | 0:00:51 | 0:00:54 | |
-There was nothing I could do. -It's so out of character. | 0:00:54 | 0:00:57 | |
I understand that, but that is what happens. | 0:00:57 | 0:00:59 | |
-I cannot believe that. -But the other girl is a troublemaker. | 0:00:59 | 0:01:03 | |
-And where is my Matilda... -Who started it is really not the issue. | 0:01:03 | 0:01:06 | |
The thing for me is making sure it doesn't happen again. | 0:01:06 | 0:01:08 | |
You see, the fight started after Matilda gave her presentation. | 0:01:10 | 0:01:13 | |
I don't know anything about that. | 0:01:13 | 0:01:14 | |
The family tree project they've been working on. | 0:01:14 | 0:01:17 | |
-I wasn't aware... -Still, I think it might be worth taking a look | 0:01:19 | 0:01:22 | |
at what Matilda read out to the class. | 0:01:22 | 0:01:24 | |
How many times have I told you? Stop that, please. | 0:01:37 | 0:01:41 | |
Is it true? | 0:01:42 | 0:01:44 | |
That you spat at a girl? | 0:01:44 | 0:01:46 | |
She called me a liar. | 0:01:47 | 0:01:49 | |
Now... | 0:01:54 | 0:01:56 | |
Now do you understand how hard I work to send you to this place? | 0:01:56 | 0:02:00 | |
What were you thinking? | 0:02:03 | 0:02:04 | |
-Writing this rubbish? -It's not rubbish. | 0:02:04 | 0:02:07 | |
Pfft. | 0:02:07 | 0:02:09 | |
My dad was a war hero in the Gulf. He won the VC. | 0:02:09 | 0:02:11 | |
-Your dad fighting terrorists? -You told me that. | 0:02:11 | 0:02:14 | |
Every single thing I wrote, you told me. | 0:02:16 | 0:02:18 | |
-Maybe when you were little. -You never said any different. | 0:02:19 | 0:02:22 | |
Every time I ask about him, you shut me down. | 0:02:23 | 0:02:26 | |
He was a soldier. | 0:02:30 | 0:02:32 | |
Wasn't he? | 0:02:33 | 0:02:34 | |
I met him in the club. | 0:02:38 | 0:02:39 | |
That was it. I never even knew his surname. | 0:02:42 | 0:02:45 | |
KNOCK ON DOOR | 0:02:46 | 0:02:48 | |
Erm, Tilly. The police are here. | 0:02:48 | 0:02:51 | |
I'll be down in a minute. | 0:02:53 | 0:02:54 | |
You sure you want to do this now? | 0:02:56 | 0:02:58 | |
I said I'll be down in a minute. | 0:03:02 | 0:03:04 | |
Tilly. | 0:03:09 | 0:03:11 | |
If you need to take any of those away, I'm fine with it. | 0:04:06 | 0:04:10 | |
Why would I do that? | 0:04:10 | 0:04:12 | |
I don't know. Forensics? | 0:04:12 | 0:04:14 | |
I'm afraid you're going to have to explain this again, Miss Gray. | 0:04:14 | 0:04:17 | |
Oh, my God, I have already told you twice. | 0:04:17 | 0:04:19 | |
Maybe I'm just a bit thick then. | 0:04:19 | 0:04:21 | |
Carys Howell was kept in this house, probably in this basement. | 0:04:21 | 0:04:24 | |
And you know this because of what, some bad dreams? | 0:04:24 | 0:04:27 | |
They weren't just dreams, they were... | 0:04:27 | 0:04:29 | |
I was here. | 0:04:31 | 0:04:33 | |
But you can't say when. Or why. | 0:04:33 | 0:04:35 | |
Children...sometimes repress traumatic memories. | 0:04:35 | 0:04:39 | |
Are you a psychologist? | 0:04:39 | 0:04:40 | |
-No. -Then let her answer. | 0:04:40 | 0:04:43 | |
Please, Carys was here, all right? | 0:04:46 | 0:04:48 | |
And all you need to do is search this place properly. | 0:04:48 | 0:04:51 | |
There's all this stuff. | 0:04:51 | 0:04:53 | |
Carys was here, I know she was. | 0:04:53 | 0:04:56 | |
I hear there was some fuss at Mr Dean's funeral. | 0:04:56 | 0:04:59 | |
A young couple harassing Rose Morgan, Carys's mum? | 0:04:59 | 0:05:02 | |
-No, all we did was talk to her. -I heard there was a fight. | 0:05:02 | 0:05:06 | |
No, I got pushed over by her thug of a husband. | 0:05:06 | 0:05:08 | |
Anyway, it was probably just a misunderstanding. Right? | 0:05:08 | 0:05:11 | |
I hope it was. | 0:05:11 | 0:05:12 | |
Because Rose Morgan's been through hell. | 0:05:12 | 0:05:15 | |
And I'm not going to let you lot drag her back into it. | 0:05:15 | 0:05:18 | |
-Mr Dean, I wonder if you'll show me out. -No, no! | 0:05:19 | 0:05:21 | |
Wait, OK? | 0:05:21 | 0:05:23 | |
There's a passageway down here. | 0:05:25 | 0:05:27 | |
Yeah, like a crawl space. | 0:05:27 | 0:05:28 | |
And it must be hidden... | 0:05:28 | 0:05:30 | |
..behind the panelling. | 0:05:31 | 0:05:33 | |
And all you need to do is look and you'll find it. | 0:05:33 | 0:05:35 | |
SHE KNOCKS There must be a hollow spot. | 0:05:35 | 0:05:38 | |
-Tilly, it's just... -Hal, it could be behind here. | 0:05:38 | 0:05:40 | |
-Tilly, please... -I need to move this. -Tilly, please slow down. | 0:05:40 | 0:05:43 | |
-I need to move this. -Hey, watch it! | 0:05:43 | 0:05:45 | |
LOUD CRASH | 0:05:45 | 0:05:47 | |
-Tilly, come on, sit down. -No, no. | 0:05:48 | 0:05:51 | |
Sorry. | 0:05:56 | 0:05:58 | |
I'll clean it, I'll clean it up. | 0:06:00 | 0:06:02 | |
-Can I ask how long you've known those two? -Just met them. | 0:06:10 | 0:06:13 | |
-And you moved them straight in? -I was trying to help. | 0:06:13 | 0:06:17 | |
She's a pretty girl. | 0:06:17 | 0:06:18 | |
Look, if my uncle had anything to do with this, kidnapping kids | 0:06:20 | 0:06:23 | |
or something, I'm not just going to take it lightly. | 0:06:23 | 0:06:26 | |
Your uncle was a well-respected man. | 0:06:26 | 0:06:28 | |
Oh, yeah, I forgot, because well-respected people | 0:06:28 | 0:06:31 | |
-never do bad things. -Oh, they do. | 0:06:31 | 0:06:33 | |
So do pretty girls. | 0:06:33 | 0:06:35 | |
How sure are you? | 0:06:38 | 0:06:40 | |
About what happened to my uncle? | 0:06:41 | 0:06:43 | |
We should get the preliminary coroner's report today. | 0:06:43 | 0:06:46 | |
I'll be a lot surer when I've seen it. | 0:06:46 | 0:06:49 | |
And you're certain that he fell off the roof? | 0:06:49 | 0:06:51 | |
Windows were locked, had to be. | 0:06:51 | 0:06:53 | |
If I hear any different, I'll let you know. | 0:06:53 | 0:06:55 | |
CAR ENGINE STARTS | 0:06:55 | 0:06:57 | |
DRAMATIC MUSIC | 0:07:30 | 0:07:33 | |
Hey! | 0:07:49 | 0:07:51 | |
Who's there? | 0:07:57 | 0:07:59 | |
Hey. | 0:08:11 | 0:08:12 | |
You OK? | 0:08:13 | 0:08:15 | |
You OK? | 0:08:17 | 0:08:18 | |
-Am I going crazy? -Of course not. | 0:08:20 | 0:08:22 | |
Would you tell me if I was? | 0:08:23 | 0:08:25 | |
I don't... | 0:08:27 | 0:08:29 | |
-ON PHONE: -Death resulted from impact injuries likely caused by a fall. | 0:08:39 | 0:08:43 | |
Time of death, approximately 8.00pm, give or take 30 minutes. | 0:08:43 | 0:08:46 | |
No drugs or alcohol detected. | 0:08:46 | 0:08:48 | |
No sign of a struggle? | 0:08:48 | 0:08:50 | |
All injuries are consistent with a fall. | 0:08:50 | 0:08:52 | |
-There are some burns around his throat. -Burns? | 0:08:52 | 0:08:55 | |
Superficial, almost certainly unrelated. | 0:08:55 | 0:08:58 | |
In any event, we'll be calling it suicide. | 0:08:58 | 0:09:00 | |
-KNOCKING -All right, thanks, Maddie. | 0:09:00 | 0:09:02 | |
I'll get back to you when I've had a proper read. | 0:09:02 | 0:09:04 | |
-I've got a call out. -Where are you headed? | 0:09:04 | 0:09:06 | |
Just up the old Manor Road. | 0:09:06 | 0:09:08 | |
-What, the big house again? -Next door. | 0:09:08 | 0:09:11 | |
Royce Evans is having another panic attack. | 0:09:11 | 0:09:13 | |
Actually, I might take that one myself. | 0:09:15 | 0:09:17 | |
BIRD CRIES | 0:09:22 | 0:09:24 | |
Tilly, last night you said some things. | 0:09:33 | 0:09:36 | |
You said you were Carys. | 0:09:38 | 0:09:40 | |
But you didn't tell that constable. | 0:09:41 | 0:09:43 | |
She'd say I'm mad. | 0:09:47 | 0:09:48 | |
You still think it's true though. | 0:09:50 | 0:09:52 | |
Even talking about this, I feel like a traitor. | 0:09:52 | 0:09:54 | |
-It's not about loyalty, it's... -Isn't it? | 0:09:54 | 0:09:58 | |
Janice was my mum. | 0:09:59 | 0:10:01 | |
And now I'm going to say that, what, she took me? | 0:10:01 | 0:10:03 | |
No. I mean, I knew Janice. | 0:10:03 | 0:10:05 | |
The idea that she's a kidnapper is ridiculous. | 0:10:05 | 0:10:08 | |
My dream, with the little girl, | 0:10:10 | 0:10:13 | |
she's Carys. | 0:10:13 | 0:10:15 | |
I know she is. | 0:10:17 | 0:10:19 | |
And last night, I saw that... | 0:10:21 | 0:10:23 | |
..that she's me too. | 0:10:25 | 0:10:26 | |
-The girl in the dream is me. -It's not possible. | 0:10:26 | 0:10:29 | |
Isn't it? | 0:10:29 | 0:10:31 | |
There must be someone who knew you as a baby. | 0:10:31 | 0:10:34 | |
-Who? -I... -Mum didn't have any family. | 0:10:34 | 0:10:37 | |
If she had friends back in Manchester, | 0:10:37 | 0:10:39 | |
she wasn't in touch with them. | 0:10:39 | 0:10:41 | |
-What about that neighbour? -Kath? -Yeah. | 0:10:41 | 0:10:45 | |
We didn't meet her until after we moved to London | 0:10:45 | 0:10:47 | |
and I was already five at that time. | 0:10:47 | 0:10:49 | |
Baby photos then? | 0:10:49 | 0:10:51 | |
Mum said that one of our bags got lost when we were moving | 0:10:52 | 0:10:55 | |
and all of our photos were in it. | 0:10:55 | 0:10:57 | |
That sounds like rubbish, doesn't it? | 0:10:58 | 0:11:01 | |
Like the kind of made-up story that you just tell a child. | 0:11:01 | 0:11:03 | |
-No, it's... -Hell, I've racked my brains, and I can't remember | 0:11:03 | 0:11:07 | |
a single thing from before I was five except this house. | 0:11:07 | 0:11:10 | |
I remember this house. | 0:11:10 | 0:11:11 | |
-How can that be? -We'll find out. | 0:11:11 | 0:11:15 | |
That's why we're here, right? To find out. | 0:11:16 | 0:11:18 | |
They always take a lamb or two. You have to accept it. | 0:11:27 | 0:11:29 | |
So how do you know this wasn't foxes? | 0:11:29 | 0:11:32 | |
She'd be stupid, not helpless. | 0:11:32 | 0:11:34 | |
Dog, maybe? | 0:11:35 | 0:11:36 | |
Too much rain last night to make sense of the tracks. | 0:11:36 | 0:11:39 | |
I'd say wolf if we had them. | 0:11:40 | 0:11:42 | |
Well, even if there is a wild dog up here, it's not a police matter. | 0:11:42 | 0:11:45 | |
I think you'd better have a look at this one before you say anything. | 0:11:46 | 0:11:49 | |
It was cut off with a knife. | 0:11:52 | 0:11:54 | |
So you tell me, if she was killed by an animal, who took the leg? | 0:11:56 | 0:12:00 | |
If this happened last night, how come you didn't find them sooner? | 0:12:02 | 0:12:05 | |
Last night I would have walked straight past them. | 0:12:05 | 0:12:08 | |
There was no moon with all the cloud. | 0:12:08 | 0:12:10 | |
Last Monday, cloudy then too, was it? | 0:12:12 | 0:12:14 | |
Yeah, the whole week. What's this got to do with my bloody sheep, man? | 0:12:14 | 0:12:19 | |
Excuse me. Hi. | 0:12:44 | 0:12:46 | |
What can I do for you? | 0:12:49 | 0:12:51 | |
Um... | 0:12:51 | 0:12:53 | |
I will have a half pint of um... | 0:12:53 | 0:12:56 | |
Something local? | 0:12:58 | 0:13:00 | |
No, I'm fine, thank you. | 0:13:02 | 0:13:03 | |
I don't know if you remember us, but we were in here yesterday | 0:13:05 | 0:13:07 | |
-asking about... -Rose Morgan, yeah. | 0:13:07 | 0:13:10 | |
And I was wondering about her ex, Sean? | 0:13:11 | 0:13:16 | |
He a friend of your mum's too, was he? | 0:13:17 | 0:13:20 | |
No, not exactly. | 0:13:21 | 0:13:23 | |
But, I was hoping to talk to him about something, so... | 0:13:23 | 0:13:26 | |
That'll be £1.80. | 0:13:26 | 0:13:28 | |
Right. | 0:13:32 | 0:13:33 | |
Small town. | 0:13:42 | 0:13:44 | |
Events at Ewan's funeral have found you a degree of notoriety. | 0:13:46 | 0:13:49 | |
I'm Sylvia Walsh. | 0:13:51 | 0:13:54 | |
I run the local antique dealership. | 0:13:55 | 0:13:57 | |
-I'm Matilda. -Matilda Gray. | 0:13:57 | 0:14:00 | |
And Hallam Fine. | 0:14:00 | 0:14:02 | |
Your recording... | 0:14:02 | 0:14:05 | |
..of Saint-Saens A minor concerto is the finest I've heard. | 0:14:06 | 0:14:11 | |
Thank you. | 0:14:12 | 0:14:14 | |
You won't find Sean Howell here, | 0:14:14 | 0:14:16 | |
not in Penllynith. | 0:14:16 | 0:14:19 | |
He's moved on...then? | 0:14:19 | 0:14:21 | |
Disappeared... | 0:14:22 | 0:14:23 | |
..about six months after his poor daughter. | 0:14:24 | 0:14:27 | |
People say he had a breakdown | 0:14:29 | 0:14:31 | |
because of what happened, but... | 0:14:31 | 0:14:33 | |
Who knows? | 0:14:34 | 0:14:35 | |
It's, it's a funny place Penllynith. | 0:14:36 | 0:14:39 | |
Powerful place, but odd too. | 0:14:40 | 0:14:43 | |
You're staying up at the big house. | 0:14:44 | 0:14:47 | |
News travels fast around here. | 0:14:47 | 0:14:49 | |
You won't find Sean, but I can give you... | 0:14:49 | 0:14:54 | |
..Rose's home address. | 0:14:56 | 0:14:59 | |
On one condition. | 0:15:00 | 0:15:02 | |
You'll pass my card onto | 0:15:02 | 0:15:05 | |
your Australian host. | 0:15:05 | 0:15:08 | |
His new house is packed with treasures and if he ever | 0:15:08 | 0:15:12 | |
considers selling them, well, I'm his girl. | 0:15:12 | 0:15:17 | |
I will do that, thank you. | 0:15:17 | 0:15:19 | |
Good to meet you, Matilda. | 0:15:19 | 0:15:21 | |
I hope you enjoy being back in Penllynith. | 0:15:25 | 0:15:27 | |
Back? | 0:15:29 | 0:15:30 | |
Oh. I assumed you'd visited before. | 0:15:32 | 0:15:35 | |
No. | 0:15:35 | 0:15:36 | |
My mistake. | 0:15:38 | 0:15:39 | |
KNOCK ON DOOR | 0:15:57 | 0:15:59 | |
They're wherever you left them, Davey. | 0:15:59 | 0:16:01 | |
Rose, I'm so sorry to bother you again. | 0:16:02 | 0:16:05 | |
How did you find my house? | 0:16:05 | 0:16:07 | |
Rose, I've got something that I think you're going to want to see. | 0:16:07 | 0:16:09 | |
Rose, please, just give me ten minutes and then I'll go away | 0:16:09 | 0:16:13 | |
and I won't bother you ever again. I swear. | 0:16:13 | 0:16:15 | |
Where did you get these? | 0:16:23 | 0:16:25 | |
My mum had them. | 0:16:27 | 0:16:28 | |
Put away in a box. | 0:16:28 | 0:16:30 | |
Full of clippings, most of them related to Carys. | 0:16:30 | 0:16:33 | |
Can I ask you, who that man is? | 0:16:35 | 0:16:39 | |
-I don't know. -But... | 0:16:39 | 0:16:40 | |
-But no, but that's you. -23 years ago, I had a chat to some bloke. | 0:16:41 | 0:16:45 | |
You expect me to remember who I was talking to? | 0:16:45 | 0:16:47 | |
My mum. | 0:16:52 | 0:16:53 | |
You don't recognise her? | 0:16:56 | 0:16:58 | |
No. | 0:16:58 | 0:16:59 | |
I'm...I'm trying to understand why she came here | 0:17:03 | 0:17:06 | |
and why she took these pictures. | 0:17:06 | 0:17:07 | |
After it happened, this place was a circus. | 0:17:09 | 0:17:12 | |
Every day, I had people like your mum, vultures, taking pictures, | 0:17:12 | 0:17:16 | |
-following me everywhere I went. -But my mum's not like that. | 0:17:16 | 0:17:19 | |
And she took my photo without my permission. | 0:17:19 | 0:17:21 | |
So how's she any different? | 0:17:21 | 0:17:23 | |
What about me? | 0:17:24 | 0:17:26 | |
Do you know me? | 0:17:29 | 0:17:31 | |
-Mum, I've got to get going. -Davey, go back downstairs. | 0:17:33 | 0:17:36 | |
-I'll get in trouble if I'm late. -Davey, I need a moment, please. | 0:17:36 | 0:17:40 | |
-You've got kids. -One child. | 0:17:42 | 0:17:44 | |
-Rose... -You said if I talk to you, then you'd go away. | 0:17:44 | 0:17:47 | |
Well, I've talked. | 0:17:47 | 0:17:49 | |
I wrote my number down. | 0:17:49 | 0:17:51 | |
In case you remember anything. | 0:17:52 | 0:17:55 | |
-No, I want those. -No, these are my mum's. -They're photos of me. | 0:17:58 | 0:18:01 | |
That's fair enough, isn't it? | 0:18:01 | 0:18:03 | |
Please, Mum, I'll get in trouble if I'm late. | 0:18:55 | 0:18:58 | |
Oh, we don't want that. | 0:19:00 | 0:19:01 | |
Best get going, hadn't we? | 0:19:01 | 0:19:03 | |
Some sort of grudge, maybe? | 0:19:06 | 0:19:08 | |
Against the Dean family? | 0:19:08 | 0:19:10 | |
If I had to guess, I'd say she really believed it. | 0:19:10 | 0:19:13 | |
Bonkers then. That's bad. | 0:19:13 | 0:19:15 | |
Lot harder to move her on. | 0:19:15 | 0:19:17 | |
Back in the day, did anybody look at the big house? | 0:19:17 | 0:19:20 | |
Oh, for God's sake, we looked at everything. Twice. | 0:19:20 | 0:19:22 | |
And then took another bloody look just for good measure. | 0:19:22 | 0:19:25 | |
You don't credit this girl, do you? | 0:19:27 | 0:19:29 | |
Nah, it's just that if she goes around telling people you and Dean... | 0:19:29 | 0:19:32 | |
Here we are. Orange juice for them that have to work, | 0:19:32 | 0:19:34 | |
a pint of bitter for those that don't. | 0:19:34 | 0:19:36 | |
Tell your dad he's still doing the best roast lamb in Wales. | 0:19:36 | 0:19:39 | |
Not only in Wales. | 0:19:39 | 0:19:41 | |
So do I warn the Morgans? | 0:19:43 | 0:19:44 | |
Rose is fragile. The last thing you want is to hurt her for no reason. | 0:19:45 | 0:19:48 | |
Yeah, exactly. | 0:19:48 | 0:19:50 | |
But if I don't... | 0:19:50 | 0:19:52 | |
You took the girl's details? | 0:19:55 | 0:19:57 | |
I'll have a look. | 0:20:04 | 0:20:06 | |
Us retirees need to keep busy. | 0:20:07 | 0:20:10 | |
-Can I have a roastie? -No. -Please? -Order some lunch. | 0:20:10 | 0:20:13 | |
-I can't have lunch, I'm on duty. -Break the law. | 0:20:13 | 0:20:16 | |
Hi, Kath, it's Matilda. Janice's daughter. | 0:20:16 | 0:20:19 | |
-ON PHONE: -Hey, how are you coping, love? | 0:20:19 | 0:20:21 | |
All right, you know, holding up. | 0:20:23 | 0:20:25 | |
I'm out of town and I need a copy of my birth certificate | 0:20:26 | 0:20:29 | |
for a job in the US. | 0:20:29 | 0:20:31 | |
I'm sure your mum would have had a copy put away. | 0:20:33 | 0:20:35 | |
DISTORTED WHISPERING | 0:20:35 | 0:20:38 | |
-Tilly? Are you still there? -Yeah. No, no, no, no. | 0:20:44 | 0:20:47 | |
I know, but I...I forgot to dig it out | 0:20:47 | 0:20:49 | |
and I'm away at the moment, so I was wondering | 0:20:49 | 0:20:52 | |
if you might go round to Mum's and have a look. | 0:20:52 | 0:20:56 | |
I know that's a favour to ask, but... | 0:20:56 | 0:20:58 | |
No, no. I've got a spare key, I can go round there tomorrow after work. | 0:20:58 | 0:21:02 | |
Kath, that is wonderful. | 0:21:02 | 0:21:05 | |
You're a life-saver, thank you. | 0:21:05 | 0:21:06 | |
-OK, Tilly, take care, love. -Yeah, I will, you too. | 0:21:06 | 0:21:09 | |
Bye. | 0:21:09 | 0:21:11 | |
VIOLIN PLAYS | 0:21:11 | 0:21:13 | |
-She'll do it. -Good old Kath. | 0:21:16 | 0:21:19 | |
-Um, the park? -Oh, apparently it's just down there, | 0:21:19 | 0:21:22 | |
about a five-minute walk. | 0:21:22 | 0:21:23 | |
-OK. -But you know, we don't have to go if... | 0:21:23 | 0:21:26 | |
That would be where she was last seen. | 0:21:41 | 0:21:44 | |
Can you imagine? | 0:21:46 | 0:21:48 | |
Turn around and suddenly your child's gone. | 0:21:48 | 0:21:50 | |
She wasn't with her mum when it happened. | 0:21:50 | 0:21:53 | |
She was with a family friend. | 0:21:53 | 0:21:55 | |
Rose lied to me. | 0:22:01 | 0:22:03 | |
About what? | 0:22:03 | 0:22:04 | |
The photos. | 0:22:06 | 0:22:08 | |
She said she didn't know who the man was, but I could see that she did. | 0:22:08 | 0:22:12 | |
It's been 23 years. I mean, maybe she just wants to move on. | 0:22:13 | 0:22:16 | |
Her child was taken from her. | 0:22:16 | 0:22:18 | |
-Yeah. -How could anyone move on from that? | 0:22:21 | 0:22:23 | |
LEAVES RUSTLE | 0:22:27 | 0:22:30 | |
DOG BARKS | 0:22:40 | 0:22:42 | |
CHILDREN SHOUT | 0:22:42 | 0:22:44 | |
I'll see you back at the house, OK? | 0:22:46 | 0:22:48 | |
What? Why, why, why? | 0:22:48 | 0:22:50 | |
What's going on? | 0:22:50 | 0:22:52 | |
Just don't look so worried, OK? | 0:22:52 | 0:22:53 | |
I'm just going to go for a walk, just to think. | 0:22:53 | 0:22:55 | |
OK? | 0:22:55 | 0:22:56 | |
SHE BREATHES DEEPLY | 0:24:34 | 0:24:37 | |
WIND WHISTLES | 0:24:37 | 0:24:39 | |
Just walking around in a circle now. | 0:24:56 | 0:24:59 | |
INDISTINCT CHATTER | 0:25:01 | 0:25:03 | |
Don't drop it. | 0:25:05 | 0:25:07 | |
That going on the tab, is it? | 0:25:15 | 0:25:17 | |
Still keeping a tab on me, are you? | 0:25:18 | 0:25:21 | |
Evening, Tru. | 0:25:26 | 0:25:28 | |
Half a bitter, please. | 0:25:28 | 0:25:30 | |
All right, Eddie boy? | 0:25:30 | 0:25:31 | |
Oh, I got the pathologist report on Ewan Dean. | 0:25:34 | 0:25:37 | |
-Oh, yeah? -Yeah. | 0:25:39 | 0:25:42 | |
Still a bit fuzzy on the time of death though. | 0:25:42 | 0:25:44 | |
be good if we could pin down exactly what time you found him. | 0:25:44 | 0:25:47 | |
Well, he phoned you, didn't he? | 0:25:47 | 0:25:49 | |
Reported it, so you must know what time he called. | 0:25:49 | 0:25:52 | |
Excuse me, love. | 0:25:53 | 0:25:55 | |
Go on, Tru. | 0:25:56 | 0:25:57 | |
Customers first. | 0:25:57 | 0:25:59 | |
She's right, you called in at 9:01pm. | 0:26:06 | 0:26:08 | |
I'm asking what time you got there. | 0:26:08 | 0:26:10 | |
Here's what you told me. | 0:26:12 | 0:26:14 | |
I pulled up, got out of my car, about to unload the tray | 0:26:20 | 0:26:24 | |
and turned, saw Mr Dean's body at the bottom of the house. | 0:26:24 | 0:26:26 | |
I checked him out, he wasn't breathing, | 0:26:26 | 0:26:29 | |
so I called the police. | 0:26:29 | 0:26:31 | |
That's what happened. | 0:26:31 | 0:26:33 | |
Last Monday the sun set at 7:38pm. | 0:26:34 | 0:26:37 | |
You couldn't have seen the nose on your face by nine o'clock, | 0:26:37 | 0:26:39 | |
much less a body 30 metres from where you parked. | 0:26:39 | 0:26:42 | |
Why don't you come in tomorrow. | 0:26:43 | 0:26:45 | |
We'll have another chat about the whole thing. | 0:26:45 | 0:26:47 | |
See if we can get those times straight. | 0:26:47 | 0:26:49 | |
Wow. | 0:26:58 | 0:26:59 | |
Thanks, Dad. | 0:26:59 | 0:27:01 | |
First game for the club, you deserve it, my boy. | 0:27:02 | 0:27:05 | |
I just wish I wasn't bloody working. | 0:27:05 | 0:27:07 | |
-Those look expensive. -So what? | 0:27:07 | 0:27:09 | |
I'm not having my son play his first game in an old pair of trainers. | 0:27:09 | 0:27:13 | |
KNOCK ON DOOR | 0:27:13 | 0:27:15 | |
Morgans? | 0:27:17 | 0:27:18 | |
Mr and Mrs Morgan? | 0:27:18 | 0:27:20 | |
-Rosie, how are you? -Stephen, come in. | 0:27:20 | 0:27:23 | |
No, I can't stop, but is Aron home? | 0:27:23 | 0:27:25 | |
-Is something wrong? -No, no. | 0:27:27 | 0:27:29 | |
Good timing. Just had dinner. | 0:27:30 | 0:27:32 | |
I'm sorry to interrupt you, but can I have a quick word? | 0:27:32 | 0:27:34 | |
Secret men's business. | 0:27:34 | 0:27:36 | |
-I'll see you later then, Stephen. -See you, Rosie. | 0:27:37 | 0:27:40 | |
DISTORTED MUSIC | 0:28:05 | 0:28:08 | |
FAINT WHISPERING | 0:28:50 | 0:28:52 | |
-ON PHONE: -Darling, I know your head's not on work right now. | 0:29:05 | 0:29:07 | |
No, it's not. | 0:29:07 | 0:29:09 | |
We really need to make some reassuring noises for the Americans. | 0:29:09 | 0:29:12 | |
I spoke to Benedict yesterday and he fears they're going to cancel. | 0:29:12 | 0:29:15 | |
OK, but... | 0:29:15 | 0:29:17 | |
OK, but Renata, can't you handle that? | 0:29:18 | 0:29:21 | |
Up to a point, but darling, you're supposed to be arriving in New York | 0:29:21 | 0:29:24 | |
in three weeks so we need to get things moving. | 0:29:24 | 0:29:27 | |
Yeah. Um, fine. | 0:29:27 | 0:29:29 | |
-Can I call you tomorrow morning? -I'm available any time on my mobile. | 0:29:31 | 0:29:34 | |
-And I will get it... -Fine, I'll call you tomorrow. | 0:29:34 | 0:29:37 | |
How long's it been? | 0:29:48 | 0:29:50 | |
You know you'll lose your touch. | 0:29:50 | 0:29:52 | |
THUDDING | 0:30:23 | 0:30:25 | |
Hey... | 0:30:25 | 0:30:26 | |
I'm in here. | 0:30:28 | 0:30:30 | |
Hal, what are you doing? | 0:30:30 | 0:30:32 | |
ELECTRICAL PULSATING | 0:30:35 | 0:30:38 | |
Nick? | 0:30:42 | 0:30:43 | |
Nick, this isn't funny. | 0:30:46 | 0:30:49 | |
ELECTROMAGNETIC WHOOSH | 0:30:49 | 0:30:51 | |
SLOW DISTORTED SPEECH | 0:30:55 | 0:30:57 | |
ELECTROMAGNETIC WHOOSH | 0:31:04 | 0:31:06 | |
DOOR CREAKS | 0:31:10 | 0:31:13 | |
SLOW DISTORTED SPEECH | 0:31:40 | 0:31:42 | |
THUMPING | 0:31:42 | 0:31:44 | |
Look, look. It's complicated. | 0:32:08 | 0:32:11 | |
Look, Jackie, I was not bullshitting you, OK? | 0:32:11 | 0:32:14 | |
I'm going to get the money. | 0:32:14 | 0:32:16 | |
No, I know, I'm just... | 0:32:16 | 0:32:17 | |
I'm doing my best. | 0:32:17 | 0:32:19 | |
Hal! | 0:32:24 | 0:32:26 | |
Hal! | 0:32:27 | 0:32:29 | |
Hal, come up here! | 0:32:29 | 0:32:31 | |
-You all right? -There's something in there. | 0:32:34 | 0:32:37 | |
-What? -The power's out, are you guys all right? | 0:32:37 | 0:32:39 | |
Listen. | 0:32:39 | 0:32:41 | |
SLOW DISTORTED SPEECH | 0:32:41 | 0:32:43 | |
Bloody hell... | 0:32:45 | 0:32:47 | |
Do you have a key? | 0:32:57 | 0:32:59 | |
No, I didn't think the bedrooms even had locks on them. | 0:32:59 | 0:33:02 | |
This one does. | 0:33:02 | 0:33:03 | |
Blue door's at the end of the corridor, right? | 0:33:06 | 0:33:09 | |
-Yeah, all the windows are closed so... -One, two, three, four. | 0:33:09 | 0:33:12 | |
There's five rooms on that side, there's only four windows. | 0:33:12 | 0:33:15 | |
That's not right. | 0:33:15 | 0:33:16 | |
The last window's been bricked up. | 0:33:17 | 0:33:19 | |
Hey! You! | 0:33:26 | 0:33:28 | |
Hey! Tilly, wait! | 0:33:29 | 0:33:31 | |
SHE BREATHES HEAVILY | 0:33:34 | 0:33:37 | |
Tilly! | 0:33:37 | 0:33:38 | |
Oh, shit! | 0:33:44 | 0:33:45 | |
What are you doing? | 0:33:58 | 0:34:00 | |
-I was chasing him. -Chasing who? | 0:34:00 | 0:34:02 | |
He's gone now, but you must've seen him. | 0:34:03 | 0:34:05 | |
All I saw was myself tripping over that bloody rock. | 0:34:05 | 0:34:08 | |
It's not a rock. | 0:34:13 | 0:34:15 | |
I've just seen that, that symbol. | 0:34:17 | 0:34:20 | |
FLOORBOARDS CREAK | 0:34:27 | 0:34:29 | |
DOOR CREAKS | 0:34:31 | 0:34:33 | |
Did you lock up? | 0:35:01 | 0:35:03 | |
Rosie? | 0:35:07 | 0:35:08 | |
What did Stephen want? | 0:35:11 | 0:35:13 | |
Oh, nothing. He's passing on a message. | 0:35:14 | 0:35:16 | |
Tell me. | 0:35:18 | 0:35:19 | |
That woman at the funeral. | 0:35:22 | 0:35:24 | |
She's still in town, | 0:35:26 | 0:35:27 | |
still talking about Carys. | 0:35:27 | 0:35:30 | |
What's she saying? | 0:35:31 | 0:35:32 | |
-It's silly. -Tell me. | 0:35:34 | 0:35:36 | |
She reckons that Ewan Dean was involved. | 0:35:41 | 0:35:44 | |
-Well, why did she say that? -Because she's mad. | 0:35:44 | 0:35:46 | |
What did she say? | 0:35:46 | 0:35:48 | |
She reckons that she remembers stuff from when she was kid. | 0:35:51 | 0:35:54 | |
Stuff with the big house. | 0:35:55 | 0:35:56 | |
It's all rubbish, isn't it? | 0:35:58 | 0:35:59 | |
She...was here too. | 0:36:01 | 0:36:03 | |
-What? -She came here today. | 0:36:05 | 0:36:07 | |
-You didn't tell me. -I'm telling you now. | 0:36:11 | 0:36:13 | |
What did she want? | 0:36:13 | 0:36:15 | |
Nothing. | 0:36:15 | 0:36:16 | |
Like you said, it's all rubbish. | 0:36:18 | 0:36:20 | |
Cheeky bastard, the lock's rusted. | 0:37:14 | 0:37:17 | |
You're a locksmith, there must be a way of opening it. | 0:37:17 | 0:37:21 | |
Tilly, he's doing his best. | 0:37:21 | 0:37:23 | |
-There we go, madam. -Maybe I should go in first. | 0:37:28 | 0:37:31 | |
Jesus, it's freezing in here. | 0:37:37 | 0:37:39 | |
-Creepy. -Of course it's creepy. | 0:37:40 | 0:37:42 | |
It's a windowless room in an old house. | 0:37:42 | 0:37:45 | |
LOW MOANING | 0:37:51 | 0:37:53 | |
DISTORTED SPEECH | 0:38:03 | 0:38:06 | |
RUMBLING | 0:38:09 | 0:38:11 | |
DISTORTED SPEECH | 0:38:27 | 0:38:30 | |
LOUD WHOOSHING | 0:38:30 | 0:38:32 | |
There's your moaning sound. The fireplace is blocked up. | 0:38:35 | 0:38:39 | |
The chimney would be like a wind tunnel. | 0:38:39 | 0:38:41 | |
Yeah, and the knocking? | 0:38:43 | 0:38:45 | |
If the draught was strong enough, | 0:38:46 | 0:38:48 | |
maybe it would make this thing knock something, right? | 0:38:48 | 0:38:51 | |
A strong draught wouldn't block the fireplace. | 0:38:51 | 0:38:53 | |
Maybe there was a bird in the chimney. | 0:38:53 | 0:38:56 | |
Or an animal, or... | 0:38:56 | 0:38:58 | |
I can't stand it in here. | 0:38:58 | 0:39:00 | |
RATTLING | 0:39:05 | 0:39:07 | |
FOOTSTEPS | 0:39:14 | 0:39:17 | |
Someone's watching me. | 0:39:21 | 0:39:22 | |
They have been ever since we got here. | 0:39:24 | 0:39:27 | |
Tilly, this is getting crazy. | 0:39:31 | 0:39:32 | |
I guess I asked for that. I told you to tell me if I might seem mad. | 0:39:36 | 0:39:39 | |
I'm not saying you're mad. | 0:39:39 | 0:39:41 | |
-But? -If something suspicious is going on, | 0:39:41 | 0:39:45 | |
then we should head back to London, talk to that detective. | 0:39:45 | 0:39:47 | |
Why would she believe me when no-one else does? | 0:39:47 | 0:39:50 | |
Fine. | 0:39:50 | 0:39:52 | |
Fine, but even if we don't go back, | 0:39:52 | 0:39:54 | |
-let's at least get away from this house. -You're not listening! | 0:39:54 | 0:39:57 | |
-I'm telling you there's something here. -OK. | 0:39:57 | 0:40:00 | |
OK. | 0:40:01 | 0:40:02 | |
DOG BARKS IN DISTANCE | 0:40:04 | 0:40:07 | |
No. | 0:40:09 | 0:40:11 | |
Look, I'm obviously annoying you. | 0:40:14 | 0:40:16 | |
Maybe it's...best if I stay in that pub tonight, give you some space. | 0:40:16 | 0:40:20 | |
Whatever you like. | 0:40:20 | 0:40:22 | |
Well, I'll see you tomorrow then. | 0:40:25 | 0:40:27 | |
CROCKERY CLANK | 0:40:35 | 0:40:38 | |
Go on, get a move on. | 0:40:41 | 0:40:43 | |
Come on, Davey... | 0:40:45 | 0:40:47 | |
-Go and get your bag together. -I can't find my hoodie, Dad. | 0:40:52 | 0:40:54 | |
-It's on the chair. -You turned off my alarm. | 0:40:54 | 0:40:56 | |
-No, no, I thought you deserved the rest. -I've got to get his school lunch sorted. | 0:40:56 | 0:41:00 | |
No, it's done. It's all done. I'm taking him into school today. | 0:41:00 | 0:41:02 | |
-Come on, please. -OK. -You just relax, and leave everything to me, OK? | 0:41:02 | 0:41:07 | |
-Go on, go. -I'm coming. -There's no time, gotta go, gotta go. | 0:41:07 | 0:41:10 | |
Go, go, go, go, go, go, go, go. | 0:41:10 | 0:41:13 | |
RUSTLING | 0:41:55 | 0:41:57 | |
TWIGS SNAP Please, I know you're there. | 0:42:13 | 0:42:16 | |
DOG BARKS IN DISTANCE | 0:42:17 | 0:42:20 | |
Well, I looked at the fuse box and everything seemed to be fine. | 0:42:44 | 0:42:49 | |
Electrician's coming tomorrow, so maybe he'll figure it out. | 0:42:49 | 0:42:53 | |
So, I was thinking that we should... | 0:42:55 | 0:42:58 | |
..we should have a talk about the will sometime. | 0:43:00 | 0:43:02 | |
Now's fine. | 0:43:04 | 0:43:06 | |
Well, maybe the best way that we could manage this trust thing | 0:43:06 | 0:43:09 | |
is if we were to work together. | 0:43:09 | 0:43:12 | |
See, I live in Australia. | 0:43:12 | 0:43:14 | |
And having all this property in Wales, | 0:43:14 | 0:43:16 | |
I was thinking perhaps, well we should, | 0:43:16 | 0:43:19 | |
we should sell off some land and free up some cash. | 0:43:19 | 0:43:22 | |
-We won't be selling anything. -But it wouldn't affect you. | 0:43:22 | 0:43:26 | |
It would just, it'd just be a couple of paddocks. | 0:43:26 | 0:43:28 | |
-Nothing. -So how do I get any money out of this setup? | 0:43:28 | 0:43:31 | |
You don't. | 0:43:31 | 0:43:33 | |
But I'm the beneficiary. | 0:43:33 | 0:43:35 | |
And I'm the trustee. | 0:43:35 | 0:43:37 | |
Which means I make the decisions. | 0:43:38 | 0:43:40 | |
Sorry, am I interrupting? | 0:43:44 | 0:43:46 | |
Meredith, this is Matilda. | 0:43:46 | 0:43:49 | |
Matilda, this is my great-aunt Meredith | 0:43:49 | 0:43:51 | |
who lives over at the old Huntsman's Lodge on MY property. | 0:43:51 | 0:43:56 | |
We're just leaving. | 0:43:57 | 0:43:59 | |
The girl can walk with us. | 0:44:04 | 0:44:06 | |
She says, what do you want to ask her? | 0:44:26 | 0:44:28 | |
How do you mean? | 0:44:28 | 0:44:29 | |
You have questions for me, so ask them. | 0:44:32 | 0:44:34 | |
Why does she want me to walk with you? | 0:44:34 | 0:44:37 | |
Waste of a question. Ask again. | 0:44:39 | 0:44:41 | |
Were you living here when Carys Howell was taken? | 0:44:43 | 0:44:45 | |
Who took her? | 0:44:47 | 0:44:49 | |
Everyone in town thought it was her father. | 0:44:52 | 0:44:54 | |
But not you. | 0:44:54 | 0:44:56 | |
Do you know a Janice Gray? | 0:44:58 | 0:45:01 | |
Never heard of her. | 0:45:03 | 0:45:04 | |
What about you and Dean? | 0:45:04 | 0:45:06 | |
Was he involved in the kidnapping? | 0:45:06 | 0:45:09 | |
My brother was not a bad man. | 0:45:11 | 0:45:13 | |
He was just easily led. | 0:45:14 | 0:45:16 | |
It's not an answer. | 0:45:17 | 0:45:19 | |
My turn to ask. | 0:45:19 | 0:45:21 | |
Why are you here? | 0:45:22 | 0:45:23 | |
I want to know who I am. | 0:45:25 | 0:45:26 | |
Go home. Silly girl. | 0:45:29 | 0:45:31 | |
Before you make even more trouble. | 0:45:34 | 0:45:36 | |
I'm not a girl. | 0:45:47 | 0:45:50 | |
-And you can't just go now. -Yes, she can. | 0:45:50 | 0:45:52 | |
I'm sorry, but Meredith is very tired. | 0:45:53 | 0:45:56 | |
It's time she had a lie down. | 0:45:56 | 0:45:58 | |
LEAVES RUSTLE | 0:46:20 | 0:46:22 | |
HE SIGHS | 0:47:06 | 0:47:08 | |
Hi. | 0:47:14 | 0:47:15 | |
My name's Tilly. | 0:47:19 | 0:47:21 | |
I'm Davey. | 0:47:22 | 0:47:24 | |
I need to talk to your mum again, Davey. Is she picking you up today? | 0:47:29 | 0:47:32 | |
Did she say anything to you about why I came by yesterday? | 0:47:37 | 0:47:40 | |
-I told you not to talk to strangers. -Dad? -Aron, Aron, wait. | 0:47:56 | 0:47:59 | |
I don't mean any harm, I just wanted to talk to your wife. | 0:47:59 | 0:48:02 | |
-We are going home. -Dad, please. | 0:48:02 | 0:48:04 | |
Hey, hey, it's not his fault. He hasn't done anything. | 0:48:04 | 0:48:06 | |
-You are hurting him. -Get away from my son. | 0:48:06 | 0:48:09 | |
-Hey, there, what's going on here? -She's harassing my boy. | 0:48:09 | 0:48:12 | |
-I'm not harassing his boy. -She's stalking him. -I'm not stalking him. | 0:48:13 | 0:48:16 | |
Are you a parent? | 0:48:16 | 0:48:18 | |
Are you a relative of one of the children here? | 0:48:18 | 0:48:21 | |
Are you? | 0:48:21 | 0:48:22 | |
I'm his sister. | 0:48:28 | 0:48:30 | |
I'm his fucking sister! | 0:48:30 | 0:48:32 | |
OK? | 0:48:32 | 0:48:34 | |
So you're saying that she doesn't have to give me a cent? | 0:48:48 | 0:48:51 | |
-ON PHONE: -You can challenge her decision and you'll probably win, | 0:48:51 | 0:48:53 | |
but it would require a court action. | 0:48:53 | 0:48:55 | |
Look, I should tell you, I'm in the process of winding up my practice | 0:48:55 | 0:48:58 | |
so you'll probably need to start looking for a new lawyer soon. | 0:48:58 | 0:49:01 | |
The whole region's been feeling the pinch, I'm afraid, so... | 0:49:01 | 0:49:04 | |
What about all the stuff here? | 0:49:04 | 0:49:06 | |
You know, antiques and old books. | 0:49:06 | 0:49:09 | |
Can we sell them? | 0:49:09 | 0:49:11 | |
Strictly speaking, the contents of the house are also in trust. | 0:49:11 | 0:49:14 | |
But... | 0:49:14 | 0:49:15 | |
..keeping an eye on it all is next to impossible, so... | 0:49:17 | 0:49:19 | |
FRONT DOOR SLAMS | 0:49:19 | 0:49:21 | |
Lloyd, I'm going to have to give you a call back... | 0:49:23 | 0:49:25 | |
Wait, wait. | 0:49:29 | 0:49:31 | |
I'm very into this, but are you sure...? | 0:49:32 | 0:49:35 | |
How's Davey? | 0:49:57 | 0:49:59 | |
In his room. | 0:50:00 | 0:50:02 | |
That English bitch was at the school. | 0:50:04 | 0:50:06 | |
She told him that she's his sister. | 0:50:07 | 0:50:09 | |
-What? -You heard me. | 0:50:12 | 0:50:14 | |
I felt it. | 0:50:15 | 0:50:17 | |
The minute I saw her. | 0:50:18 | 0:50:20 | |
What? | 0:50:20 | 0:50:22 | |
-You don't believe her, do you? -No, what I mean, | 0:50:22 | 0:50:25 | |
I knew she was going to say something like that. | 0:50:25 | 0:50:27 | |
Then why did you let her into our house? | 0:50:28 | 0:50:31 | |
You shouldn't have done it, Rosie. | 0:50:31 | 0:50:33 | |
-You got her started. -No, I didn't... -Yes. -..I told her to go. | 0:50:34 | 0:50:38 | |
-And now she's pushing... -Well, I'm sorry. | 0:50:38 | 0:50:40 | |
..and she's going to keep on pushing, and it'll be our boy who'll suffer. Our son. | 0:50:40 | 0:50:43 | |
-Oh, no, you've got no idea! -Keep it down! | 0:50:43 | 0:50:46 | |
It was my girl they took. | 0:50:46 | 0:50:48 | |
-Mine, not yours. -Yes, and she's dead. | 0:50:48 | 0:50:51 | |
-My boy is alive. -I hate you! | 0:50:51 | 0:50:53 | |
That's the last time you do something like this. | 0:50:53 | 0:50:57 | |
I won't let you do that again. Do you understand me? | 0:50:57 | 0:50:59 | |
I won't let you break up this family! | 0:50:59 | 0:51:01 | |
You can break my arm if you want. | 0:51:05 | 0:51:07 | |
You think I care? | 0:51:08 | 0:51:09 | |
I'm sorry. | 0:51:14 | 0:51:15 | |
Mmm... | 0:51:20 | 0:51:22 | |
You good? | 0:51:22 | 0:51:24 | |
I'm hungry. | 0:51:26 | 0:51:27 | |
First time in, like, forever. | 0:51:27 | 0:51:29 | |
Well... | 0:51:29 | 0:51:31 | |
..you have not lived until you've had my avocado fusilli. | 0:51:32 | 0:51:35 | |
Oh, my God. You're a massive wanker, did you know that? | 0:51:35 | 0:51:38 | |
Yeah, always. | 0:51:40 | 0:51:41 | |
Better hop before it gets too dark to cook down there though. | 0:51:43 | 0:51:46 | |
Smashing avos is a fine art. | 0:51:50 | 0:51:52 | |
SHE TUNES CELLO | 0:52:28 | 0:52:31 | |
DRAMATIC CLASSICAL PIECE | 0:52:39 | 0:52:42 | |
LOUD BANG | 0:53:16 | 0:53:18 | |
RUSTLING | 0:54:03 | 0:54:06 | |
Hello? | 0:54:47 | 0:54:49 | |
I know you're there. | 0:54:51 | 0:54:53 | |
DISTORTED WHISPERING | 0:55:20 | 0:55:22 | |
TWIG SNAPS | 0:56:02 | 0:56:04 | |
Hello? | 0:56:04 | 0:56:06 | |
Where did you get this? | 0:56:16 | 0:56:19 | |
I bought it. | 0:56:23 | 0:56:25 | |
Half for you, half for me. | 0:56:26 | 0:56:29 | |
Do you know me... | 0:56:42 | 0:56:44 | |
..Sean? | 0:56:44 | 0:56:45 | |
Don't be scared. It's OK. | 0:56:46 | 0:56:48 | |
Please don't go. | 0:56:49 | 0:56:51 | |
-I smell bad. -I don't care. | 0:56:51 | 0:56:53 | |
I just want to see you. | 0:56:53 | 0:56:55 | |
Matilda! | 0:57:02 | 0:57:03 | |
Sean! | 0:57:03 | 0:57:04 | |
Wait! It's OK, it's OK. He's my friend. | 0:57:04 | 0:57:07 | |
-Where are you? -Careful. | 0:57:07 | 0:57:09 | |
Thin ones in here. | 0:57:09 | 0:57:12 | |
And they're hurting, and when they're hurting, they're wild. | 0:57:12 | 0:57:14 | |
Wait! | 0:57:16 | 0:57:17 | |
Matilda? | 0:57:17 | 0:57:19 | |
Wait, come back. Sean! | 0:57:19 | 0:57:21 | |
You all right? | 0:57:26 | 0:57:27 | |
WHIRRING | 0:57:45 | 0:57:47 | |
ELECTRICAL BUZZING | 0:57:49 | 0:57:51 | |
Please can I go home now? | 0:58:00 | 0:58:03 | |
You don't want to go yet, do you, Carys? | 0:58:03 | 0:58:06 | |
We're going to have so much fun, you don't want to... | 0:58:08 | 0:58:11 |