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This programme
contains some strong language,
some scenes of a sexual nature | 0:00:02 | 0:00:06 | |
and some scenes which some viewers
may find upsetting. | 0:00:06 | 0:00:08 | |
My mum killed herself,
and I think it | 0:00:08 | 0:00:09 | |
had something to do with your
daughter Carys. 23 years gone
and you lot are still at it. | 0:00:09 | 0:00:13 | |
SHE GASPS | 0:00:13 | 0:00:14 | |
It's me. I'm the girl. | 0:00:14 | 0:00:15 | |
I am telling you,
there's something here. | 0:00:18 | 0:00:20 | |
I've just seen that, that symbol. | 0:00:20 | 0:00:23 | |
I got the pathologist's report
on Ewan Dean. | 0:00:23 | 0:00:26 | |
Oh, yeah? | 0:00:26 | 0:00:27 | |
Still a bit fuzzy
on the time of death, though. | 0:00:27 | 0:00:29 | |
Can I ask you who that man is? | 0:00:29 | 0:00:31 | |
23 years ago,
I had a chat to some bloke. | 0:00:31 | 0:00:34 | |
You expect me
to remember who I was talking to? | 0:00:34 | 0:00:36 | |
I'm his sister, OK? | 0:00:36 | 0:00:39 | |
The last time you did
something like this! | 0:00:39 | 0:00:41 | |
I won't let you do that again!
Do you understand me? | 0:00:41 | 0:00:43 | |
Where did you get this? | 0:00:43 | 0:00:44 | |
I bought it. Half for you,
half for me. | 0:00:44 | 0:00:47 | |
BOYS LAUGH AND CHATTER | 0:01:04 | 0:01:07 | |
Tru, have you got any coins, love? | 0:01:07 | 0:01:09 | |
I've got to make a call.
You watch Carys. | 0:01:16 | 0:01:19 | |
And keep her off the swings. | 0:01:19 | 0:01:21 | |
Her mum said she's had
a funny tummy. | 0:01:21 | 0:01:24 | |
OK. | 0:01:24 | 0:01:25 | |
BOYS LAUGH AND CHATTER | 0:01:25 | 0:01:26 | |
I've got to pee.
No swinging, OK, Carys? | 0:01:29 | 0:01:32 | |
Wicked! Can I have a go? | 0:02:09 | 0:02:11 | |
Ready? | 0:02:19 | 0:02:20 | |
SHE SQUEALS | 0:02:23 | 0:02:24 | |
BOYS LAUGH | 0:02:24 | 0:02:26 | |
They're wrecked.
My mum's going to kill me. | 0:02:28 | 0:02:31 | |
You put too much on. | 0:02:31 | 0:02:32 | |
Trudy? Trudy, where are you? | 0:02:32 | 0:02:36 | |
Coming! | 0:02:36 | 0:02:37 | |
Carys not with you? | 0:02:38 | 0:02:40 | |
No. | 0:02:40 | 0:02:41 | |
Well, where is she, then? | 0:02:41 | 0:02:43 | |
Carys? Carys? | 0:02:44 | 0:02:48 | |
I asked YOU to look after her! | 0:02:48 | 0:02:50 | |
Did you see where she went? | 0:02:50 | 0:02:51 | |
I was in the loo. | 0:02:51 | 0:02:52 | |
Carys, love! Carys! Where are you? | 0:02:55 | 0:03:00 | |
Carys! Carys, where are you? | 0:03:02 | 0:03:09 | |
DOGS BARK IN DISTANCE | 0:03:11 | 0:03:15 | |
Carys! | 0:03:15 | 0:03:16 | |
Carys! | 0:03:22 | 0:03:23 | |
HARRY: Trudy, it's 10.30!
Are you going to close this pub up? | 0:03:32 | 0:03:37 | |
Yeah, I'll be down in a minute, Dad! | 0:03:37 | 0:03:37 | |
Yeah, I'll be down in a minute, Dad! | 0:03:37 | 0:03:39 | |
Do you want me to stop? | 0:03:41 | 0:03:42 | |
No, you can finish. | 0:03:45 | 0:03:46 | |
HE GRUNTS | 0:03:53 | 0:03:55 | |
If I can prove that she was wearing
this when she went missing, | 0:04:29 | 0:04:32 | |
I'll have a direct
link between Carys and Janice, | 0:04:32 | 0:04:37 | |
between me and the Howells. | 0:04:37 | 0:04:39 | |
How did that guy out there
know you had that? | 0:04:39 | 0:04:41 | |
Maybe he recognised me. | 0:04:43 | 0:04:44 | |
Because he's your dad? | 0:04:46 | 0:04:48 | |
You say that like it's ridiculous. | 0:04:48 | 0:04:50 | |
No, I'm just... | 0:04:50 | 0:04:51 | |
I'm just trying to
get my head around it, that's all. | 0:04:52 | 0:04:56 | |
The way he ran away,
it's like he was scared. | 0:04:56 | 0:04:58 | |
If this was Carys' necklace, | 0:05:00 | 0:05:02 | |
then maybe your mate
out there is the kidnapper. | 0:05:02 | 0:05:05 | |
I just don't see how can you
trust some random weirdo | 0:05:05 | 0:05:07 | |
that you met out in the bush.
That weirdo could be my dad.
I think I've found my dad. | 0:05:07 | 0:05:11 | |
Isn't that a good thing? | 0:05:11 | 0:05:12 | |
Sorry. Yeah, you're right. | 0:05:17 | 0:05:20 | |
Of course it's a good thing,
it's a great thing. | 0:05:20 | 0:05:22 | |
Maybe we should go and sleep on it? | 0:05:24 | 0:05:26 | |
I might stay up for a bit. | 0:05:28 | 0:05:30 | |
OK. I'll see you in the morning. | 0:05:34 | 0:05:37 | |
HARRY: I can't do that to her. | 0:06:02 | 0:06:04 | |
ROSE: So what are you saying? | 0:06:04 | 0:06:05 | |
You seriously think
we can stay quiet? | 0:06:05 | 0:06:07 | |
Of course not, no, but...
please, it'll kill her! | 0:06:07 | 0:06:11 | |
CHILD SCREAMS | 0:06:16 | 0:06:16 | |
CHILD SCREAMS | 0:06:16 | 0:06:19 | |
DAVID: Mummy! Mummy! | 0:06:19 | 0:06:23 | |
Mummy! | 0:06:23 | 0:06:26 | |
Mummy! It's OK. Mummy! It's OK. | 0:06:26 | 0:06:29 | |
Oh, Mummy! David, David,
it's OK, I'm here. | 0:06:29 | 0:06:31 | |
Mummy! Ssh! I'm here. | 0:06:31 | 0:06:33 | |
Night terror? | 0:06:38 | 0:06:39 | |
I thought he'd grown out of them. | 0:06:41 | 0:06:42 | |
Listen, why don't I take him? | 0:07:06 | 0:07:09 | |
I've been wanting to see
the lad play anyway. | 0:07:09 | 0:07:12 | |
You're weeks behind on
the Brady house. | 0:07:12 | 0:07:14 | |
One more morning won't hurt. | 0:07:14 | 0:07:16 | |
I've already told Davey I'd do it.
I want to do it. | 0:07:16 | 0:07:20 | |
I rang Doctor Satlow. | 0:07:25 | 0:07:26 | |
She's got a spot free
at 10 this morning. | 0:07:28 | 0:07:30 | |
I thought I could drop
you off on my way through. | 0:07:30 | 0:07:32 | |
Why would
I need to see a bloody shrink? | 0:07:38 | 0:07:40 | |
If you're feeling stressed.
I'm fine. | 0:07:42 | 0:07:46 | |
I'm perfectly capable of taking
our own son to a rugby match. | 0:07:46 | 0:07:49 | |
I'll see you after work, then. | 0:08:01 | 0:08:02 | |
DOG BARKS | 0:08:29 | 0:08:37 | |
Shut up, Benny man! Come on in. | 0:08:37 | 0:08:39 | |
DOG BARKS | 0:08:39 | 0:08:41 | |
Benny! Come on, dog! Come on!
What's the matter with you? | 0:08:41 | 0:08:45 | |
Dog! | 0:08:52 | 0:08:53 | |
DOG WHINES | 0:09:01 | 0:09:04 | |
DOG BARKS | 0:09:23 | 0:09:26 | |
RUSTLING AND WHISPERING | 0:09:32 | 0:09:34 | |
DOG BARKS | 0:09:34 | 0:09:35 | |
Who's there? | 0:09:35 | 0:09:36 | |
CHILD CRYING | 0:10:00 | 0:10:01 | |
CHILD CRYING | 0:10:07 | 0:10:08 | |
Nick? | 0:10:08 | 0:10:09 | |
CHILD CRYING | 0:10:16 | 0:10:18 | |
CRYING CONTINUES | 0:10:34 | 0:10:42 | |
CRYING | 0:11:02 | 0:11:04 | |
DISEMBODIED VOICE: Here I am! | 0:11:14 | 0:11:16 | |
You OK? What? | 0:11:19 | 0:11:20 | |
The police are here. | 0:11:23 | 0:11:24 | |
We need another chat, Ms Gray.
Down at the station. | 0:11:26 | 0:11:30 | |
Do you know David Morgan? | 0:11:41 | 0:11:43 | |
I've met him. | 0:11:43 | 0:11:44 | |
We've received a formal complaint -
an allegation that | 0:11:44 | 0:11:47 | |
you've been stalking
and harassing him. | 0:11:47 | 0:11:49 | |
What? I haven't harassed anyone. | 0:11:49 | 0:11:52 | |
But you do know David?
Who said this? | 0:11:52 | 0:11:55 | |
The alleged incident took place
at the local school | 0:11:55 | 0:11:57 | |
yesterday afternoon, about 3.30. | 0:11:57 | 0:12:00 | |
It was his father, wasn't it?
Were you there, Ms Gray? | 0:12:00 | 0:12:02 | |
You know the answer. | 0:12:05 | 0:12:06 | |
SHORTLY COUGHS | 0:12:06 | 0:12:07 | |
We'll take that as a yes. | 0:12:10 | 0:12:11 | |
What is going on? | 0:12:24 | 0:12:25 | |
Ms Gray, this is Stephen Kendrick - | 0:12:25 | 0:12:26 | |
formerly Detective
Inspector Kendrick. | 0:12:26 | 0:12:29 | |
Why am I being questioned
by a former inspector? | 0:12:29 | 0:12:32 | |
I was the officer in charge of
investigating Carys Howell's
disappearance. | 0:12:32 | 0:12:36 | |
I understand you have some
evidence to back up your claim
about your true identity. | 0:12:36 | 0:12:40 | |
This belonged to Carys Howell. | 0:12:44 | 0:12:46 | |
My mum - the woman
I always thought was my mum - | 0:12:46 | 0:12:50 | |
she had half of it
hidden in her bedroom. | 0:12:50 | 0:12:53 | |
Now, you tell me -
how did she get that? | 0:12:56 | 0:12:59 | |
And the other half?
Where did you get that? | 0:12:59 | 0:13:02 | |
From Sean Howell. | 0:13:02 | 0:13:03 | |
I met him last night
in the woods outside Dean House. | 0:13:03 | 0:13:06 | |
When Carys Howell went missing... | 0:13:07 | 0:13:09 | |
..I took a detailed
description of what she was wearing. | 0:13:10 | 0:13:13 | |
A friendship necklace was never
mentioned. No, that can't... | 0:13:13 | 0:13:17 | |
That can't be right. | 0:13:17 | 0:13:18 | |
Believe me, I recall every
word of Rose Howell's deposition. | 0:13:18 | 0:13:22 | |
I could recite it verbatim. | 0:13:23 | 0:13:25 | |
Look, how do you know it was
Sean Howell that gave this to you? | 0:13:25 | 0:13:29 | |
Can you describe him? | 0:13:29 | 0:13:30 | |
Yeah. He looked like he'd
been living rough. | 0:13:31 | 0:13:34 | |
He had an overgrown beard, | 0:13:35 | 0:13:38 | |
he had a scar on his face
that went right up to his eye. | 0:13:38 | 0:13:42 | |
Ms Gray, I warned
you about bothering the Morgans. | 0:13:44 | 0:13:48 | |
Now I'll give you a second
and final warning. | 0:13:48 | 0:13:51 | |
I can't force you to leave town but,
if you go near the Morgan kid again, | 0:13:51 | 0:13:54 | |
I will arrest you
and I will charge you. | 0:13:54 | 0:13:57 | |
Understood? | 0:13:57 | 0:13:58 | |
Ms Gray! A quick word. | 0:14:06 | 0:14:08 | |
Now, the card's old,
but I've written my new phone
number on the back. | 0:14:09 | 0:14:13 | |
You see Sean Howell again,
will you ring me? | 0:14:13 | 0:14:15 | |
What, you believe me now? | 0:14:17 | 0:14:18 | |
The last I had on Howell
was 10 years ago. | 0:14:18 | 0:14:21 | |
He was badly beaten in Glasgow,
living rough. | 0:14:21 | 0:14:24 | |
Police reports said that his face
was slashed in the attack. | 0:14:24 | 0:14:28 | |
Next to the eye. | 0:14:28 | 0:14:29 | |
So why didn't you speak up just now
in front of Graves? | 0:14:29 | 0:14:32 | |
Right from word go, | 0:14:32 | 0:14:33 | |
there was something odd about
Sean Howell's statement. | 0:14:33 | 0:14:35 | |
Alibi didn't pan out. Seemed to me
he was hiding something. | 0:14:35 | 0:14:39 | |
Are you telling me
Sean was the kidnapper? | 0:14:39 | 0:14:41 | |
No. Case against him
didn't stand up. | 0:14:41 | 0:14:44 | |
Mind you, by that time, the poor
man's reputation had been destroyed. | 0:14:44 | 0:14:47 | |
So you feel guilty. | 0:14:47 | 0:14:48 | |
When I retired,
they gave me a watch. | 0:14:50 | 0:14:52 | |
I'm supposed to feel proud of it,
I imagine. | 0:14:54 | 0:14:57 | |
But every time I look at it, I see
that little girl and her family. | 0:14:57 | 0:15:01 | |
And I remember I never found her. | 0:15:05 | 0:15:06 | |
What about Rose?
Did her story stand up? | 0:15:07 | 0:15:11 | |
You leave her out of it. | 0:15:11 | 0:15:12 | |
EERIE MUSIC PLAYS | 0:15:50 | 0:15:57 | |
MUSIC CONTINUES | 0:15:59 | 0:16:06 | |
HE HUMS | 0:16:13 | 0:16:15 | |
EERIE MUSIC PLAYS | 0:16:18 | 0:16:25 | |
PHONE CAMERA SHUTTER CLICKS | 0:16:28 | 0:16:31 | |
Excuse me,
is there a password for the Wi-Fi? | 0:16:32 | 0:16:34 | |
There is no customer Wi-Fi. | 0:16:34 | 0:16:36 | |
You might get a few
bars on the high street | 0:16:36 | 0:16:38 | |
if you walk up the hill a bit. | 0:16:38 | 0:16:40 | |
Anyway, breakfast
finishes in 15 minutes, | 0:16:43 | 0:16:44 | |
so you'd better get started. | 0:16:44 | 0:16:46 | |
I clean up on the hour, sharp. | 0:16:46 | 0:16:48 | |
Swung by the bakery for you. | 0:17:01 | 0:17:03 | |
Cheers, love. | 0:17:03 | 0:17:04 | |
What? | 0:17:20 | 0:17:22 | |
Followed young Davey Morgan, shouted
after him, "I'm your sister!" | 0:17:22 | 0:17:25 | |
Can't be true, what she's saying. | 0:17:27 | 0:17:28 | |
Course it's not bloody true. | 0:17:28 | 0:17:30 | |
I just thought you'd be interested. | 0:17:31 | 0:17:33 | |
Thanks for the bread.
I've got customers. | 0:17:34 | 0:17:36 | |
THEY SHOUT ENCOURAGEMENT | 0:17:47 | 0:17:49 | |
INDISTINCT CHATTER | 0:18:08 | 0:18:10 | |
Rosie, how you holding up, love? | 0:18:16 | 0:18:19 | |
Not bad. You know. | 0:18:19 | 0:18:21 | |
Thought you might be struggling. | 0:18:23 | 0:18:24 | |
Why would you think that? | 0:18:26 | 0:18:28 | |
That awful woman,
saying what she did. | 0:18:28 | 0:18:30 | |
Just as well your Aron was there. | 0:18:31 | 0:18:33 | |
You got any idea who she is? | 0:18:34 | 0:18:36 | |
Not a local, from what I've heard. | 0:18:36 | 0:18:39 | |
She's not got anything to do
with your ex, has she? | 0:18:39 | 0:18:41 | |
Rosie? | 0:18:43 | 0:18:44 | |
HE BLOWS WHISTLE | 0:18:49 | 0:18:49 | |
HE BLOWS WHISTLE | 0:18:49 | 0:18:50 | |
What you doing? Facebook. | 0:19:28 | 0:19:29 | |
I don't want him here.
Dad, he's paid for two nights. | 0:19:34 | 0:19:37 | |
Um... Sorry if I've kept you. | 0:19:44 | 0:19:47 | |
My dad wants you out of here. | 0:19:49 | 0:19:50 | |
Sorry? | 0:19:51 | 0:19:52 | |
Your friend, the pretty one. She's
been saying that she's Carys Howell. | 0:19:54 | 0:19:59 | |
Look, my old man hasn't looked at
the guest book in, like, five years. | 0:20:05 | 0:20:09 | |
Keep your head down and he'll have
forgotten all about it by tomorrow. | 0:20:09 | 0:20:12 | |
OK. Thanks. | 0:20:12 | 0:20:14 | |
HE CLEARS THROAT | 0:20:14 | 0:20:15 | |
You a musician, then, yeah? | 0:20:18 | 0:20:20 | |
How did you know? | 0:20:22 | 0:20:23 | |
From your hands. | 0:20:24 | 0:20:25 | |
Really? | 0:20:27 | 0:20:28 | |
No, of course not, you fool!
I googled you. | 0:20:30 | 0:20:33 | |
Ah. That'd make more sense. | 0:20:34 | 0:20:37 | |
This business about her.
Your friend, being Carys... | 0:20:46 | 0:20:51 | |
..is she for real about that? | 0:20:55 | 0:20:56 | |
I think so. | 0:20:58 | 0:20:59 | |
I want to meet her. | 0:21:03 | 0:21:05 | |
No, Matilda's pretty
fragile right now. | 0:21:05 | 0:21:07 | |
You tell her that I was
the last person to see Carys
before she went missing. | 0:21:07 | 0:21:11 | |
We'll see what she says then, yeah? | 0:21:14 | 0:21:16 | |
I just need a break, Dad. | 0:21:21 | 0:21:22 | |
It'd just be for a few days. | 0:21:23 | 0:21:25 | |
But I've got no room for you, Rosie. | 0:21:25 | 0:21:28 | |
Well, we don't need any room. | 0:21:28 | 0:21:30 | |
We can sleep on the floor. | 0:21:30 | 0:21:31 | |
I've got my doctor's
appointment tomorrow. | 0:21:32 | 0:21:36 | |
I could help you with that.
I could drive you in. | 0:21:36 | 0:21:39 | |
No, Rose, it's not what I'm used to. | 0:21:39 | 0:21:40 | |
Anyway, the neighbours wouldn't
like it, me having guests. | 0:21:40 | 0:21:43 | |
You know what it's like. OK. | 0:21:43 | 0:21:44 | |
I've got a tummy ache.
I want to go home. | 0:22:04 | 0:22:09 | |
In a minute. I want to see Dad. | 0:22:09 | 0:22:11 | |
For Christ's sake!
I said in a minute! | 0:22:11 | 0:22:13 | |
Don't be scared, sweetheart.
Don't be scared. I can fix it. | 0:22:16 | 0:22:22 | |
Mummy'll fix it. | 0:22:23 | 0:22:24 | |
VIOLIN PLAYS | 0:22:39 | 0:22:47 | |
PHONE RINGS | 0:23:11 | 0:23:17 | |
Are you sure it's legal, putting
these things out in your paddocks? | 0:23:24 | 0:23:27 | |
No. But then neither is
killing my sheep. | 0:23:27 | 0:23:31 | |
I'll swing by tomorrow, then. | 0:23:32 | 0:23:34 | |
Aye, aye. | 0:23:34 | 0:23:35 | |
CAR DOOR OPENS | 0:23:37 | 0:23:39 | |
CAR DOOR SHUTS | 0:23:39 | 0:23:40 | |
Edward! Fancy seeing you. | 0:23:41 | 0:23:43 | |
What's up? | 0:23:43 | 0:23:44 | |
Here to see some more dead sheep. | 0:23:44 | 0:23:46 | |
The other night, you said you were
coming down the station | 0:23:46 | 0:23:49 | |
to have a word.
You said that. Not me. | 0:23:49 | 0:23:51 | |
If I had reason to think
Ewan Dean's death was sus, | 0:23:51 | 0:23:53 | |
we'd be looking at a murder
investigation. | 0:23:53 | 0:23:55 | |
That means detectives,
from the city. | 0:23:55 | 0:23:57 | |
I already told you what happened. | 0:23:57 | 0:23:59 | |
You sure that's the way you
want to play this? | 0:23:59 | 0:24:01 | |
I'm not playing. | 0:24:01 | 0:24:02 | |
Right. | 0:24:02 | 0:24:04 | |
Neither am I. | 0:24:05 | 0:24:06 | |
Is David all right? | 0:24:24 | 0:24:26 | |
What do you want from me? | 0:24:26 | 0:24:27 | |
I just want you to tell me
the truth. | 0:24:29 | 0:24:31 | |
I let you into my house,
I looked at your photos, | 0:24:31 | 0:24:35 | |
and you said you'd go away. | 0:24:35 | 0:24:37 | |
But you didn't.
You went after my boy. | 0:24:37 | 0:24:39 | |
You lied to me,
and then you went after my boy. | 0:24:39 | 0:24:41 | |
So, you tell me - what's it going to
take to make you leave me alone? | 0:24:41 | 0:24:45 | |
OK. | 0:24:47 | 0:24:49 | |
When I was little,
it was just me and my mum. | 0:24:51 | 0:24:54 | |
But I always used to
pretend that maybe | 0:24:54 | 0:24:58 | |
I had some more family out there,
and that I'd find them one day. | 0:24:58 | 0:25:03 | |
And when I saw you, and Davey... | 0:25:04 | 0:25:08 | |
..I felt...something. | 0:25:09 | 0:25:12 | |
And I think that you did, too. | 0:25:14 | 0:25:15 | |
I'm right, aren't I? | 0:25:20 | 0:25:21 | |
So, why won't you just admit it? | 0:25:24 | 0:25:26 | |
Please, just... | 0:25:41 | 0:25:43 | |
I don't want anything from you. | 0:25:44 | 0:25:46 | |
Just tell me the truth. | 0:25:46 | 0:25:48 | |
After my little girl disappeared,
I had people coming at me | 0:25:54 | 0:25:58 | |
with information,
saying they'd seen her. | 0:25:58 | 0:26:00 | |
One idiot even told me
he was the one who took her. | 0:26:02 | 0:26:05 | |
They all turned out to be liars,
or fucking nutcases. | 0:26:05 | 0:26:08 | |
But do you know what?
I believed every one of 'em. | 0:26:08 | 0:26:11 | |
Every one. Because I wanted to. | 0:26:11 | 0:26:14 | |
I wanted it so much. | 0:26:14 | 0:26:16 | |
I am not trying to trick you... | 0:26:16 | 0:26:18 | |
Do you know what how that feels? | 0:26:18 | 0:26:20 | |
To be given hope, again and again,
and then have it smashed, | 0:26:20 | 0:26:24 | |
every single time? | 0:26:24 | 0:26:26 | |
I can't just walk away. | 0:26:26 | 0:26:29 | |
You're my mother. | 0:26:29 | 0:26:30 | |
And I'm your daughter...
I don't want you, | 0:26:30 | 0:26:33 | |
or your photos! Take them! | 0:26:33 | 0:26:36 | |
Take them, and go! Just go! | 0:26:36 | 0:26:39 | |
I'm not going anywhere. | 0:26:42 | 0:26:44 | |
I won't walk away from this. | 0:26:46 | 0:26:48 | |
So? Graves grabbed me.
She knows I lied about the old man. | 0:26:52 | 0:26:56 | |
What did she say?
Said the times don't work out, | 0:26:56 | 0:26:58 | |
like I must have been there
earlier than I said. And that's it? | 0:26:58 | 0:27:00 | |
She wants me to go in,
make another statement. | 0:27:00 | 0:27:02 | |
No, no! You say nothing,
you understand! | 0:27:02 | 0:27:05 | |
What about the Aussie?
What about him? | 0:27:05 | 0:27:07 | |
Don't you think
I got enough troubles without this? | 0:27:07 | 0:27:10 | |
He asked about the woods,
down past the brook. | 0:27:10 | 0:27:12 | |
And? I told him it wasn't
part of his property. Good. | 0:27:12 | 0:27:15 | |
You stick to that. | 0:27:15 | 0:27:17 | |
This'll tide you over
until we wind this up. | 0:27:23 | 0:27:25 | |
He'll figure it out eventually. | 0:27:33 | 0:27:34 | |
And the moment he does, Eddie... | 0:27:36 | 0:27:38 | |
..you come and tell me. | 0:27:39 | 0:27:41 | |
She's not feeling well.
I don't care. This is important. | 0:27:50 | 0:27:53 | |
Well, so is Meredith's health. | 0:27:53 | 0:27:54 | |
BELL RINGS INDOORS | 0:27:54 | 0:27:56 | |
Just wait there. | 0:27:56 | 0:27:58 | |
MUFFLED VOICES TALK | 0:28:03 | 0:28:07 | |
What do you think you're doing? | 0:28:26 | 0:28:27 | |
I told you, I need to talk to
Meredith. Hey, stop! | 0:28:27 | 0:28:30 | |
Meredith, please listen to me.
Rose Morgan is lying to me, | 0:28:30 | 0:28:32 | |
and I don't know why, but I think
it's got something to do with | 0:28:32 | 0:28:35 | |
your brother... You are not welcome
here. I saw your photos. | 0:28:35 | 0:28:38 | |
Rose worked here, at Dean House...
Stop disturbing her... | 0:28:38 | 0:28:40 | |
For Christ's sake, someone's got
to tell me the fucking truth! | 0:28:40 | 0:28:43 | |
What's she saying? | 0:28:46 | 0:28:48 | |
Ewan used to hire extra staff... | 0:28:52 | 0:28:54 | |
..for the parties,
and to help clean up afterwards. | 0:28:55 | 0:28:58 | |
Local girls from the village.
Rose was one of them. | 0:28:59 | 0:29:01 | |
And she'd bring Carys with her,
to work? | 0:29:01 | 0:29:03 | |
Sometimes. | 0:29:03 | 0:29:06 | |
Most of the time
she left her with a friend. | 0:29:06 | 0:29:08 | |
And the day that Carys went missing?
Was Rose working here that day? | 0:29:08 | 0:29:11 | |
She called in sick. | 0:29:13 | 0:29:14 | |
And where was Ewan?
What was Ewan doing that day? | 0:29:17 | 0:29:19 | |
MEREDITH COUGHS | 0:29:19 | 0:29:21 | |
It's in the bathroom, but... | 0:29:21 | 0:29:23 | |
She wants her cough medicine.
I'll be back in a moment. | 0:29:26 | 0:29:29 | |
I think you know something
about what happened to Carys. | 0:29:31 | 0:29:34 | |
I understand you want to protect
your brother, that's natural, but... | 0:29:34 | 0:29:37 | |
Here you are. | 0:29:52 | 0:29:54 | |
You were right. | 0:29:54 | 0:29:55 | |
I'll let Meredith rest. | 0:29:55 | 0:29:57 | |
Matilda, lovely to see you again. | 0:30:29 | 0:30:32 | |
And thank you for matchmaking me
with this delightful gentleman. | 0:30:32 | 0:30:36 | |
That symbol, on the...
The key stone. Monas Hieroglyphica. | 0:30:37 | 0:30:41 | |
You know it. | 0:30:41 | 0:30:43 | |
It's become very
popular in mystical circles. | 0:30:43 | 0:30:46 | |
Probably because no-one really
knows what it means, | 0:30:46 | 0:30:49 | |
which of course makes it
wonderfully attractive. | 0:30:49 | 0:30:52 | |
I just figured it was
a coat of arms. | 0:30:52 | 0:30:54 | |
In a sense, it is. | 0:30:54 | 0:30:56 | |
The Monas was invented by
a fellow called John Dee. | 0:30:56 | 0:30:59 | |
He was an advisor to Queen Liz
herself, the first one. | 0:30:59 | 0:31:02 | |
He was a notable alchemist,
among other things. | 0:31:02 | 0:31:06 | |
And he lived here? | 0:31:06 | 0:31:07 | |
No, but Ewan believed that
John Dee's son, Theodorus, did. | 0:31:07 | 0:31:11 | |
Thought he founded the Dean family. | 0:31:11 | 0:31:14 | |
Looking at this,
it seems that Ewan was right. | 0:31:14 | 0:31:17 | |
Descended from a royal advisor. | 0:31:17 | 0:31:19 | |
That's kind of nice, huh? | 0:31:19 | 0:31:21 | |
You ask the locals, they'll tell
you. | 0:31:21 | 0:31:24 | |
This area has always been special. | 0:31:24 | 0:31:27 | |
Milk tastes better,
soil's richer, water's clearer. | 0:31:28 | 0:31:32 | |
The druids certainly thought so. | 0:31:33 | 0:31:36 | |
Maybe Theodorus Dee did, too. | 0:31:36 | 0:31:38 | |
So, you're saying
he moved here for the milk? | 0:31:38 | 0:31:41 | |
To continue his father's work. | 0:31:41 | 0:31:43 | |
At least that's what
poor old Ewan believed. | 0:31:49 | 0:31:51 | |
So, you knew Ewan quite well? | 0:31:51 | 0:31:53 | |
Ah!
I'd haunted the poor man for years. | 0:31:53 | 0:31:56 | |
We antique dealers
are like vultures, you see - | 0:31:56 | 0:31:59 | |
we circle the old, and, then,
when they kick off, we swoop. | 0:31:59 | 0:32:03 | |
Talking of which... | 0:32:05 | 0:32:06 | |
Ah, Sylvia and I have some
business to talk about. | 0:32:06 | 0:32:09 | |
PHONE CHIMES | 0:32:17 | 0:32:19 | |
SHE BANGS ON GLASS | 0:32:20 | 0:32:21 | |
What on earth are you doing out
here? I need to talk to you alone, | 0:32:24 | 0:32:26 | |
without that Australian idiot
butting in. | 0:32:26 | 0:32:28 | |
Very mature. You look terrible. | 0:32:28 | 0:32:30 | |
Thanks.
You look pretty shitty yourself. | 0:32:30 | 0:32:32 | |
I've been up all night. That's what
I need to talk to you about. | 0:32:32 | 0:32:35 | |
Jesus, Eddie! | 0:32:41 | 0:32:43 | |
Sorry, Tru. | 0:32:43 | 0:32:45 | |
I got us tickets, for the cinema. | 0:32:45 | 0:32:49 | |
That new film,
with that fella you liked. | 0:32:49 | 0:32:51 | |
Cinema? Where'd this come from? | 0:32:51 | 0:32:54 | |
I just thought it'd be good to
get out for a bit. | 0:32:54 | 0:32:56 | |
Have a talk. | 0:32:56 | 0:32:57 | |
I can't. I've got to do the VAT. | 0:32:57 | 0:33:00 | |
Come on, Tru,
we only get one night a week. | 0:33:00 | 0:33:02 | |
I know, but... I already bought
tickets. Please, Tru? | 0:33:02 | 0:33:05 | |
Take your mum, yeah?
She'd love to get out. | 0:33:06 | 0:33:09 | |
You want to chuck this pub in,
get away from this town, | 0:33:09 | 0:33:12 | |
you oughta stick with me. | 0:33:12 | 0:33:13 | |
You're going to get me
out of here, are you? | 0:33:14 | 0:33:16 | |
I got something coming up. | 0:33:16 | 0:33:18 | |
And when it pays off,
I'll have plenty of cash. | 0:33:18 | 0:33:21 | |
Fine, and when you do, we'll catch
a film, with a large popcorn. | 0:33:22 | 0:33:26 | |
Till then, I really do need to get
on with the VAT so... | 0:33:26 | 0:33:29 | |
Give my love to your mum, yeah? | 0:33:30 | 0:33:32 | |
I just couldn't get it
out of my head. So I wrote it down. | 0:33:36 | 0:33:39 | |
What, note by note? Mm. | 0:33:39 | 0:33:41 | |
Do you remember Professor Carling?
Taught comparative musicology... | 0:33:41 | 0:33:44 | |
You thought he hated you. | 0:33:44 | 0:33:46 | |
He did hate me. | 0:33:46 | 0:33:48 | |
Still, weird music is his forte,
so I thought he'd be interested. | 0:33:48 | 0:33:51 | |
Was he? Yeah.
He got back almost immediately. | 0:33:51 | 0:33:53 | |
It was only a short e-mail -
he's at a conference in the States - | 0:33:53 | 0:33:56 | |
but he said it reminded him
of a suite composed by | 0:33:56 | 0:33:59 | |
some nutjob from the 1920s. | 0:33:59 | 0:34:01 | |
"For ceremonial use." What kind of
ceremony? He didn't say. | 0:34:01 | 0:34:05 | |
But I googled the name and it was
some aristocrat, died in jail. | 0:34:05 | 0:34:09 | |
Convicted of indecent dealings
with minors. He was also a Satanist. | 0:34:09 | 0:34:13 | |
Satanist, like the devil? Yeah,
well, I don't believe in the devil | 0:34:13 | 0:34:16 | |
any more than I believe in ghosts. | 0:34:16 | 0:34:18 | |
But if Uncle Ewan
was into something like that... | 0:34:18 | 0:34:21 | |
He might have taken a child. Maybe. | 0:34:21 | 0:34:23 | |
But no talk of Satan
in front of Trudy. | 0:34:23 | 0:34:26 | |
We don't want to scare her off, OK? | 0:34:26 | 0:34:27 | |
Matilda, this is Trudy. | 0:34:30 | 0:34:32 | |
Get a move on, will you? | 0:34:32 | 0:34:34 | |
Anyone sees me with you two,
my name'll be shit. | 0:34:34 | 0:34:37 | |
Well...that's nice to know.
Where are we going? | 0:34:38 | 0:34:42 | |
Just drive. I'll tell you
when we get there. | 0:34:42 | 0:34:44 | |
ENGINE STARTS | 0:34:44 | 0:34:46 | |
You enjoyed it, then? | 0:34:50 | 0:34:51 | |
It was OK. The first bit was... | 0:34:51 | 0:34:57 | |
Davey,
maybe you should go downstairs. | 0:34:57 | 0:34:59 | |
But I just got my dinner. | 0:34:59 | 0:35:01 | |
Hang on - what do you mean,
the first bit? | 0:35:01 | 0:35:04 | |
Mum dragged me off the pitch. | 0:35:04 | 0:35:06 | |
Walked out in the middle of play
and dragged me off. | 0:35:06 | 0:35:09 | |
Davey, I told you to go downstairs. | 0:35:09 | 0:35:11 | |
So just do as you're told. | 0:35:11 | 0:35:13 | |
Davey. Do as your mum says, please. | 0:35:17 | 0:35:20 | |
Kids at school say you're crazy. | 0:35:20 | 0:35:22 | |
Downstairs, now! | 0:35:22 | 0:35:24 | |
They're all talking about us. | 0:35:36 | 0:35:38 | |
Everyone in town. | 0:35:40 | 0:35:41 | |
So what if they are? | 0:35:41 | 0:35:43 | |
I can't face it again. | 0:35:43 | 0:35:44 | |
Yes, you can. I know you can. | 0:35:44 | 0:35:47 | |
He's ashamed of me. My boy. | 0:35:47 | 0:35:49 | |
He's not. You've done it,
speaking against me. | 0:35:49 | 0:35:52 | |
I wouldn't, Rosie, I've never said
a word against you, never. | 0:35:52 | 0:35:55 | |
Yesterday...I was an arse,
I know that. And I'm sorry. | 0:35:57 | 0:36:01 | |
We both want what's
best for the boy. Right? | 0:36:03 | 0:36:05 | |
Maybe he remembers the last time... | 0:36:07 | 0:36:09 | |
No, no, he doesn't. | 0:36:09 | 0:36:12 | |
Hey, come on, it's a lovely night. | 0:36:13 | 0:36:16 | |
I'll put Davey to bed, do his
reading, I'll clean up the kitchen. | 0:36:16 | 0:36:20 | |
Why don't you go down to the pub, | 0:36:20 | 0:36:22 | |
and get ourselves
a bottle of something nice. | 0:36:22 | 0:36:25 | |
Then we can have a glass... | 0:36:26 | 0:36:28 | |
..we can sit down together | 0:36:29 | 0:36:32 | |
and discuss how we're going to
handle this. | 0:36:32 | 0:36:33 | |
Make a plan. Just like we used to. | 0:36:36 | 0:36:39 | |
You see the dirt road. Turn there. | 0:36:55 | 0:36:58 | |
Just her. Anything happens,
I'll be right here. OK? | 0:37:05 | 0:37:09 | |
This is where they lived.
The Howells. | 0:37:38 | 0:37:41 | |
Feel like you're home? | 0:37:41 | 0:37:43 | |
I don't feel anything. | 0:37:43 | 0:37:46 | |
What about me? | 0:37:51 | 0:37:53 | |
You remember me? | 0:37:54 | 0:37:56 | |
I'm sorry, no. | 0:37:57 | 0:37:59 | |
Carys's second toe was longer
than her big toe. | 0:38:01 | 0:38:05 | |
I was self-conscious about it
at school and never wanted to go | 0:38:13 | 0:38:16 | |
swimming, because I didn't want
the other girls to see. | 0:38:16 | 0:38:18 | |
Kind of silly to be
so upset about a toe. | 0:38:18 | 0:38:22 | |
I googled it, you know.
Before coming up here. | 0:38:25 | 0:38:28 | |
It's pretty common. | 0:38:30 | 0:38:32 | |
Do you know what, it's cold. | 0:38:33 | 0:38:34 | |
And if you don't believe that
I'm Carys, then let's just go home. | 0:38:34 | 0:38:37 | |
My parents were best friends
with her parents. | 0:38:37 | 0:38:40 | |
My mum used to mind Carys,
and Rose would mind me. | 0:38:43 | 0:38:46 | |
She was so sick... | 0:38:48 | 0:38:49 | |
..but she took Carys anyway,
cos Rose had to go to work. | 0:38:52 | 0:38:55 | |
Cos she was a kind person. | 0:38:57 | 0:38:59 | |
And look how that came out for her. | 0:39:02 | 0:39:04 | |
What was Carys like? | 0:39:06 | 0:39:09 | |
She used to talk with this... | 0:39:14 | 0:39:16 | |
..stupid, bloody lisp. | 0:39:18 | 0:39:20 | |
I used to tease her about it... | 0:39:22 | 0:39:25 | |
..do her voice. | 0:39:27 | 0:39:28 | |
She was into dinosaurs. | 0:39:31 | 0:39:33 | |
I taught her all the names. | 0:39:36 | 0:39:38 | |
She used to say "tyana-sauce" | 0:39:41 | 0:39:45 | |
instead of "tyrannosaurus." | 0:39:45 | 0:39:46 | |
Hal said that you wanted
to tell me something. | 0:39:50 | 0:39:52 | |
I don't think my mum ever forgave
herself for what happened. | 0:39:57 | 0:40:01 | |
But it wasn't her fault.
It was mine. | 0:40:06 | 0:40:09 | |
I was supposed to be looking
after her. And I wasn't. | 0:40:12 | 0:40:15 | |
You must've been a kid yourself,
it's not your fault. | 0:40:15 | 0:40:18 | |
The day it happened,
something was wrong. | 0:40:18 | 0:40:20 | |
My mum she was in a state,
she was scared or... | 0:40:22 | 0:40:25 | |
She got on the phone... | 0:40:27 | 0:40:29 | |
..arguing with someone.
It was like... | 0:40:32 | 0:40:34 | |
It's like she knew something
bad was going to happen. | 0:40:37 | 0:40:40 | |
So, you think that she was involved? | 0:40:40 | 0:40:41 | |
No. | 0:40:41 | 0:40:43 | |
I don't know. | 0:40:47 | 0:40:49 | |
And you never told
anyone about this? | 0:40:53 | 0:40:55 | |
I was 10. She was my mum. | 0:40:55 | 0:40:57 | |
What would you have done? | 0:40:58 | 0:41:00 | |
You're right. It's freezing in here. | 0:41:06 | 0:41:07 | |
Aren't you coming? No, I'm going to
walk home. Trudy. Trudy! | 0:41:12 | 0:41:17 | |
Why did you tell me all that? | 0:41:19 | 0:41:21 | |
I wanted to say sorry
that I'm sorry... | 0:41:23 | 0:41:25 | |
..that I teased you
about your lisp. | 0:41:28 | 0:41:30 | |
Every night of my life,
I wish I hadn't. | 0:41:32 | 0:41:34 | |
Aron? | 0:41:48 | 0:41:50 | |
Hello? | 0:41:51 | 0:41:52 | |
Davey? | 0:41:54 | 0:41:55 | |
Where are you, love? | 0:41:58 | 0:41:59 | |
PHONE RINGS OUT | 0:42:02 | 0:42:04 | |
'Rose...'
Where are you? What's happened? | 0:42:06 | 0:42:09 | |
'I'm sorry,
I didn't mean to scare you.' | 0:42:09 | 0:42:11 | |
What's wrong? Just tell me! | 0:42:11 | 0:42:15 | |
'I've taken Davey somewhere safe. | 0:42:15 | 0:42:17 | |
'He's going to stay
there for a little while.' | 0:42:17 | 0:42:21 | |
You've what? | 0:42:21 | 0:42:22 | |
'Things are getting messy.
I'm not blaming you, | 0:42:22 | 0:42:24 | |
'but if it goes like last time...'
No. Please, no, not my boy. | 0:42:24 | 0:42:27 | |
'You'll thank me later...'
No, Aron... | 0:42:30 | 0:42:31 | |
'when you're feeling better
again.' ..I've lost everything. | 0:42:31 | 0:42:34 | |
I've lost everything. | 0:42:36 | 0:42:38 | |
'I'll be home soon.' | 0:42:38 | 0:42:40 | |
No. I'll go to the police...
'The police know the history, Rosie. | 0:42:40 | 0:42:43 | |
'Who's side do you think
they'll take?' | 0:42:43 | 0:42:46 | |
Where are my car keys? | 0:42:46 | 0:42:47 | |
'I'll be back soon.' No! No... | 0:42:47 | 0:42:50 | |
'I love you, Rosie. I love you.' | 0:42:50 | 0:42:53 | |
SHE WEEPS | 0:42:53 | 0:42:56 | |
You OK? Mm. | 0:43:46 | 0:43:49 | |
That was good, wasn't it? | 0:43:49 | 0:43:51 | |
She knew about Carys, and she
believed you. She believed you. | 0:43:51 | 0:43:54 | |
Look! What? That's Aron's truck. | 0:43:54 | 0:43:57 | |
Maybe. We need to go over there
right now. Why on earth | 0:43:59 | 0:44:01 | |
would we do that? Aron's heading out
of town so Rose'll be home alone. | 0:44:01 | 0:44:04 | |
Tilly, she's already said
she doesn't believe you. | 0:44:04 | 0:44:06 | |
On the morning Carys went missing,
Rose told Trudy's mum | 0:44:06 | 0:44:08 | |
that she was working. But
she wasn't - she phoned in sick. | 0:44:08 | 0:44:11 | |
Now I'm going to look at her in the
eye and tell her that she's a liar. | 0:44:11 | 0:44:14 | |
No, Tilly, I'm not doing it.
All right, then, I'm going to walk. | 0:44:14 | 0:44:16 | |
Wait! | 0:44:16 | 0:44:17 | |
Wait! Wait, you win. | 0:44:18 | 0:44:21 | |
Where've you been?
What's happened? | 0:44:28 | 0:44:30 | |
I fell down the back stairs.
Let me have a look. | 0:44:30 | 0:44:32 | |
I'd still be lying there,
on the bloody floor, | 0:44:32 | 0:44:34 | |
if it hadn't been for young Edward. | 0:44:34 | 0:44:35 | |
I should get a move on.
Get back home to mum. | 0:44:35 | 0:44:38 | |
Good lad. Give her my best,
all right? | 0:44:38 | 0:44:40 | |
You ought to see a doctor, Dad.
I'm fine. | 0:44:40 | 0:44:43 | |
Come on, let me have a look.
I'm fine, really. Stop fussing. | 0:44:43 | 0:44:45 | |
Dad, I met the English girl. | 0:44:48 | 0:44:50 | |
What? | 0:44:51 | 0:44:52 | |
It's true. | 0:44:52 | 0:44:53 | |
It's her. | 0:44:55 | 0:44:56 | |
Jesus Christ. She's Carys,
I'm sure of it. | 0:44:57 | 0:44:59 | |
I don't want to listen
to this rubbish. | 0:44:59 | 0:45:01 | |
She's alive, and she's back.
Aren't you glad? | 0:45:01 | 0:45:04 | |
Why aren't you glad? | 0:45:04 | 0:45:05 | |
That whole thing,
it's over, long over, | 0:45:05 | 0:45:07 | |
and it's time everyone
just let it go! | 0:45:07 | 0:45:10 | |
Let's get you up them stairs, then. | 0:45:18 | 0:45:20 | |
Why do you think Rose was
so keen to get rid of me? | 0:45:33 | 0:45:35 | |
I don't know.
I do. It's because she's guilty. | 0:45:35 | 0:45:37 | |
Two days ago you thought Ewan
was behind it, | 0:45:37 | 0:45:39 | |
yesterday you thought Janice,
now Rose? | 0:45:39 | 0:45:41 | |
Maybe it's all of them.
Maybe Janice bought me. | 0:45:41 | 0:45:43 | |
Bought you?! You read about
that sort of shit, | 0:45:43 | 0:45:45 | |
people trading in babies. If Ewan
was some kind of Satanistic pervert, | 0:45:45 | 0:45:48 | |
and Rose was, I dunno,
shagging him or something. | 0:45:48 | 0:45:50 | |
Listen, there was something
dodgy going on up at that house. | 0:45:50 | 0:45:53 | |
I can see that now.
But this isn't going to help us. | 0:45:53 | 0:45:55 | |
Something's wrong.
Tilly, you need to listen to me. | 0:45:58 | 0:46:00 | |
Hello, Rose? | 0:46:03 | 0:46:04 | |
Hey. What if Morgan gets home? | 0:46:22 | 0:46:25 | |
Rose! | 0:46:54 | 0:46:55 | |
MUSIC DROWNS OUT SPEECH | 0:47:43 | 0:47:47 | |
What have you done to her?
Open this door. | 0:48:34 | 0:48:37 | |
What have you done? Answer me!
Who are you? Who are you?! | 0:48:37 | 0:48:40 | |
Who the hell are you? | 0:48:40 | 0:48:43 | |
Aron, that's enough! | 0:48:43 | 0:48:44 | |
SHOUTING CONTINUES | 0:48:44 | 0:48:46 | |
You may need to make another
statement tomorrow. | 0:48:46 | 0:48:48 | |
But for now, we should go.
Is she OK? | 0:48:48 | 0:48:51 | |
She took an overdose.
They'll know more tomorrow. | 0:48:51 | 0:48:53 | |
I need to go to the hospital. | 0:48:53 | 0:48:55 | |
No, Tilly. No!
You need to stay away now! | 0:48:55 | 0:48:57 | |
ENGINE STARTS | 0:49:00 | 0:49:02 | |
Matilda. | 0:49:14 | 0:49:15 | |
What's wrong? | 0:49:22 | 0:49:23 | |
I'm afraid there's bad news. | 0:49:23 | 0:49:25 | |
Nicholas's great-aunt Meredith
passed away this evening. | 0:49:26 | 0:49:29 | |
She passed away? Oh, my God. | 0:49:31 | 0:49:33 | |
It was almost certainly a stroke. | 0:49:33 | 0:49:36 | |
It's no wonder. | 0:49:36 | 0:49:38 | |
She'd been so ill,
I'd been trying to keep her calm, | 0:49:38 | 0:49:41 | |
but then you came storming in,
shouting at her. | 0:49:41 | 0:49:43 | |
Carl, please. No, I'm sorry,
it's the rudest behaviour | 0:49:43 | 0:49:46 | |
I've seen in my life.
Oh, for God's sake, | 0:49:46 | 0:49:48 | |
the woman was disposed
toward strokes. | 0:49:48 | 0:49:50 | |
Matilda had nothing to do with that. | 0:49:50 | 0:49:52 | |
How can you say that? Please can we
just drop this line of conversation? | 0:49:52 | 0:49:55 | |
Could I pour you a drink? | 0:49:58 | 0:50:00 | |
No. | 0:50:00 | 0:50:02 | |
I'm going to go to my room. | 0:50:02 | 0:50:04 | |
Tilly...
Hal, just get away from me. | 0:50:06 | 0:50:09 | |
Nick, it's getting late. Verity
and I probably ought to be home. | 0:50:40 | 0:50:44 | |
Once again, our condolences. | 0:50:46 | 0:50:48 | |
Look, under the terms of the will, | 0:50:48 | 0:50:51 | |
I will now be taking
over as trustee, so... | 0:50:51 | 0:50:54 | |
..we should have a talk soon, see
about freeing up some cash for you. | 0:50:54 | 0:50:58 | |
Just give me a call, all right? | 0:50:59 | 0:51:01 | |
All right. | 0:51:01 | 0:51:03 | |
Well, sad as this is, | 0:51:10 | 0:51:14 | |
there's the proverbial
silver lining, eh? | 0:51:14 | 0:51:17 | |
MATILDA'S MUSIC REVERBERATES | 0:52:07 | 0:52:11 | |
WIND PICKS UP | 0:52:19 | 0:52:22 | |
MUSIC BEGINS TO RESEMBLE
BASEMENT TAPES | 0:53:14 | 0:53:22 | |
PHONE VIBRATES | 0:53:44 | 0:53:46 | |
Kath? | 0:53:56 | 0:53:58 | |
'Hello, love. How are you?' | 0:53:58 | 0:54:00 | |
I can't talk. | 0:54:03 | 0:54:05 | |
'Oh, it's late, I know. | 0:54:05 | 0:54:07 | |
'It's just that business,
with your birth certificate, | 0:54:07 | 0:54:10 | |
'you said it was urgent. | 0:54:10 | 0:54:11 | |
My birth certificate?
'You wanted me to find it. | 0:54:13 | 0:54:17 | |
'Wasn't easy, but I've got it here, | 0:54:17 | 0:54:19 | |
'and you said it was urgent, so...' | 0:54:19 | 0:54:22 | |
What does it say? | 0:54:25 | 0:54:26 | |
'Well, Terry's scanned it, so I'm
sending it through now, all right?' | 0:54:26 | 0:54:30 | |
Kath, I'll call you. | 0:54:32 | 0:54:34 | |
Oh, my darling,
how did it ever come to this? | 0:54:49 | 0:54:52 | |
So much fuss... | 0:54:54 | 0:54:56 | |
..and so much damage
done as a result. | 0:54:58 | 0:55:00 | |
SHE SHOUTS | 0:55:51 | 0:55:53 | |
WOMAN: What was I thinking of,
leaving her with Trudy? | 0:56:49 | 0:56:52 | |
SHE WEEPS | 0:56:52 | 0:56:54 | |
Oh, God! | 0:56:54 | 0:56:56 | |
They still haven't found a thing. | 0:57:00 | 0:57:02 | |
I don't know what to do.
They told me to stay home, | 0:57:03 | 0:57:06 | |
but how can I just sit here,
when it's my fault? | 0:57:06 | 0:57:09 | |
SHE CRIES | 0:57:09 | 0:57:11 | |
Dad? | 0:57:22 | 0:57:23 | |
What's happened? | 0:57:25 | 0:57:26 | |
Love... | 0:57:27 | 0:57:28 | |
I'm just a little bit late. | 0:57:30 | 0:57:32 | |
I got some muck on my shirt. | 0:57:32 | 0:57:34 | |
So I'm giving it a wash
so I don't have to bother your mum. | 0:57:34 | 0:57:37 | |
So let's keep this our secret? | 0:57:39 | 0:57:42 | |
All right? | 0:57:48 | 0:57:49 |