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This programme contains some scenes which some viewers may find upsetting | 0:00:02 | 0:00:09 | |
Meredith, I think you know something about what happened to Carys. | 0:00:09 | 0:00:12 | |
I understand that you want to protect your brother. | 0:00:12 | 0:00:14 | |
Dad, I met the English girl. | 0:00:14 | 0:00:16 | |
-It's true. -Oh, Jesus Christ! | 0:00:16 | 0:00:18 | |
She is Carys, I'm sure of it. | 0:00:18 | 0:00:19 | |
Dad, what's happened? | 0:00:19 | 0:00:21 | |
Well, let's keep this our secret? | 0:00:21 | 0:00:23 | |
You're my mother. And I'm your daughter! | 0:00:23 | 0:00:26 | |
I don't want you. | 0:00:26 | 0:00:28 | |
I've taken Davey somewhere safe. | 0:00:28 | 0:00:30 | |
Things are getting messy. | 0:00:30 | 0:00:32 | |
No, Aron. I've lost everything. | 0:00:32 | 0:00:35 | |
-Matilda. -What's wrong? | 0:00:37 | 0:00:39 | |
I'm afraid there's bad news. | 0:00:39 | 0:00:41 | |
Nicholas's great-aunt Meredith passed away this evening. | 0:00:41 | 0:00:44 | |
Aaargh! Argh! | 0:00:44 | 0:00:46 | |
KEYS RATTLE IN DOOR | 0:01:02 | 0:01:04 | |
You want another coffee, Sean? | 0:01:08 | 0:01:09 | |
-Any news? -We're still checking up on your alibi. | 0:01:12 | 0:01:16 | |
-Looks like we might have a few more questions. -What do you mean? | 0:01:16 | 0:01:19 | |
You're asking me more questions?! Me?! | 0:01:19 | 0:01:21 | |
Why in God's name aren't you out | 0:01:21 | 0:01:23 | |
looking for the bastard that took my girl, eh? | 0:01:23 | 0:01:26 | |
Nothing he's said's holding up. | 0:01:26 | 0:01:28 | |
What the hell's he doing? | 0:01:50 | 0:01:51 | |
He's scared. | 0:01:55 | 0:01:57 | |
He knows we're watching him. | 0:01:58 | 0:02:01 | |
Funny look on his face, though. | 0:02:01 | 0:02:03 | |
FRYING PAN SIZZLES | 0:04:26 | 0:04:29 | |
What happened to me? | 0:04:37 | 0:04:39 | |
Hey. How are you feeling? | 0:04:39 | 0:04:42 | |
-Diabolical. -Yeah. | 0:04:44 | 0:04:46 | |
Pretty shitty night all round, I figured you'd want something to eat, | 0:04:46 | 0:04:49 | |
-so... -But what happened? | 0:04:49 | 0:04:51 | |
-How do you mean? -I woke up in your bed. | 0:04:51 | 0:04:54 | |
Well, yeah. | 0:04:56 | 0:04:57 | |
Last night you came through. | 0:04:57 | 0:04:59 | |
You said that you had a bad dream. | 0:04:59 | 0:05:01 | |
You seriously don't remember any of this? | 0:05:02 | 0:05:05 | |
I remember finding Rose and... | 0:05:06 | 0:05:08 | |
..I remember getting back here... | 0:05:14 | 0:05:16 | |
..then... | 0:05:17 | 0:05:19 | |
..Lloyd told me about Meredith. | 0:05:19 | 0:05:21 | |
Then I went upstairs to my room, | 0:05:23 | 0:05:25 | |
went to sleep, | 0:05:25 | 0:05:27 | |
after that it's just a blank, until I woke up in your bed. | 0:05:27 | 0:05:30 | |
Erm... | 0:05:34 | 0:05:35 | |
I have something on my neck. | 0:05:35 | 0:05:37 | |
Ooh! | 0:05:37 | 0:05:39 | |
Rash. | 0:05:42 | 0:05:43 | |
Shampoo maybe? Those things are almost always toxic. | 0:05:43 | 0:05:47 | |
MATILDA GASPS | 0:05:53 | 0:05:54 | |
-Hey... -I can't breathe! | 0:05:54 | 0:05:56 | |
I don't understand what's happening to me. | 0:06:17 | 0:06:19 | |
MATILDA'S DISTORTED VOICE ECHOES | 0:06:19 | 0:06:23 | |
Aron? | 0:06:33 | 0:06:35 | |
You all right? | 0:06:37 | 0:06:38 | |
Yeah. Bloody thing ate my coin. | 0:06:39 | 0:06:41 | |
I've just been to see Rose, had a word with her doctor. | 0:06:44 | 0:06:47 | |
-She's still unconscious? -Mm. | 0:06:47 | 0:06:49 | |
The, erm, neurologist is visiting this afternoon, | 0:06:51 | 0:06:54 | |
I'm sure he'll be able to tell us more. | 0:06:54 | 0:06:56 | |
Why would she need that? | 0:06:56 | 0:06:58 | |
They don't know exactly how long Rose was underwater | 0:06:58 | 0:07:01 | |
but extended periods without oxygen can cause brain injuries. | 0:07:01 | 0:07:06 | |
When I was a boy, it was pinball. | 0:07:15 | 0:07:17 | |
I'll show you one day. | 0:07:20 | 0:07:21 | |
How to play. | 0:07:22 | 0:07:23 | |
Here's your dad. | 0:07:27 | 0:07:28 | |
I'll just nip to the loo. | 0:07:28 | 0:07:30 | |
How are you doing? | 0:07:42 | 0:07:45 | |
Went up a level. | 0:07:45 | 0:07:47 | |
Eh? | 0:07:47 | 0:07:48 | |
In my game. | 0:07:48 | 0:07:51 | |
Oh. | 0:07:51 | 0:07:52 | |
Is Mum OK? | 0:07:52 | 0:07:53 | |
She's asleep. | 0:07:56 | 0:07:58 | |
Is she going to die? | 0:07:58 | 0:07:59 | |
God, no! | 0:08:01 | 0:08:03 | |
Hey, come here. | 0:08:05 | 0:08:07 | |
You know you're not supposed to take any medicine | 0:08:10 | 0:08:12 | |
unless the doctor tells you to. | 0:08:12 | 0:08:13 | |
Because if you take the wrong medicine or... | 0:08:16 | 0:08:18 | |
..too much, it can make you sick. | 0:08:18 | 0:08:21 | |
Did Mum take the wrong medicine? | 0:08:21 | 0:08:24 | |
She took too much. It was an accident. | 0:08:25 | 0:08:27 | |
She was upset and she did it by accident. | 0:08:29 | 0:08:32 | |
Is Mum upset because of me? | 0:08:32 | 0:08:34 | |
Of course not. | 0:08:34 | 0:08:37 | |
Hey. | 0:08:37 | 0:08:38 | |
I was mean to her. | 0:08:38 | 0:08:40 | |
No! | 0:08:40 | 0:08:42 | |
I said mean things. | 0:08:42 | 0:08:43 | |
-No... -I did. -Listen. | 0:08:43 | 0:08:45 | |
Your mum, she's been sad for a long time. | 0:08:49 | 0:08:52 | |
Long before you were even born. | 0:08:56 | 0:08:57 | |
I've been trying to help her. | 0:09:00 | 0:09:01 | |
But I think I've just made everything worse. | 0:09:05 | 0:09:07 | |
CRASH FROM INSIDE | 0:09:46 | 0:09:48 | |
DISTORTED VOICES WHISPER | 0:09:52 | 0:09:54 | |
Hello? | 0:09:57 | 0:09:59 | |
Nick? | 0:09:59 | 0:10:00 | |
-What are you doing? -Reading. | 0:10:45 | 0:10:46 | |
I was just talking to Lloyd. | 0:10:55 | 0:10:57 | |
Got to make arrangements for Meredith. | 0:10:57 | 0:10:59 | |
Turns out I'm next of kin. | 0:11:00 | 0:11:02 | |
It's kind of sad, huh? | 0:11:03 | 0:11:04 | |
She was going to help me. | 0:11:06 | 0:11:08 | |
-Sorry? -She was going to tell me something. | 0:11:09 | 0:11:12 | |
About Carys. | 0:11:12 | 0:11:13 | |
And then she died. | 0:11:15 | 0:11:16 | |
She wrote me a note when no-one else was there | 0:11:16 | 0:11:19 | |
because she was scared. | 0:11:19 | 0:11:20 | |
No, I talked to the ambulance guy and he said it was a stroke, | 0:11:20 | 0:11:24 | |
nothing else. Just a stroke. | 0:11:24 | 0:11:26 | |
I'm sorry. I'm kind of stressed. | 0:11:29 | 0:11:32 | |
Lloyd's wife, Verity... | 0:11:39 | 0:11:41 | |
..she's a doctor. | 0:11:43 | 0:11:44 | |
He said that she could see you today. | 0:11:44 | 0:11:47 | |
I don't need to see a doctor. | 0:11:47 | 0:11:49 | |
Matilda, you blacked out last night. | 0:11:49 | 0:11:51 | |
And you nearly passed out again just now on the lawn. | 0:11:53 | 0:11:56 | |
I'm worried. | 0:11:58 | 0:11:59 | |
I thought you'd be in here. | 0:12:34 | 0:12:36 | |
Eddie. | 0:12:37 | 0:12:38 | |
You lied to me, Tru. | 0:12:38 | 0:12:40 | |
-Sorry. -It's not nice. | 0:12:41 | 0:12:44 | |
I bought us movie tickets. | 0:12:44 | 0:12:45 | |
There was something else I had to do. | 0:12:47 | 0:12:49 | |
The English girl. I wanted to meet her. | 0:12:51 | 0:12:54 | |
You said you didn't believe her. | 0:12:54 | 0:12:56 | |
I just wanted to see her for myself. | 0:12:56 | 0:12:58 | |
I thought it was another guy. | 0:13:07 | 0:13:09 | |
Yeah, well, it wasn't. | 0:13:15 | 0:13:16 | |
You weren't with them, then, last night? | 0:13:18 | 0:13:22 | |
At the Morgans' house? | 0:13:22 | 0:13:24 | |
How do you mean? What happened at the Morgans' house? | 0:13:24 | 0:13:27 | |
-MUTTERS: -Questions... | 0:13:41 | 0:13:42 | |
I brought your breakfast up. | 0:13:42 | 0:13:44 | |
Er... | 0:13:47 | 0:13:48 | |
Please, make yourself at home. | 0:13:50 | 0:13:51 | |
So you've seen that. | 0:13:54 | 0:13:55 | |
That's your car. | 0:13:58 | 0:14:00 | |
Are you going to tell me what the hell you were doing there? | 0:14:00 | 0:14:02 | |
Rose would have died if we hadn't got there when we did. | 0:14:02 | 0:14:05 | |
She wouldn't have done it to herself in the first place | 0:14:05 | 0:14:07 | |
if you two had stayed in bloody London. | 0:14:07 | 0:14:10 | |
At least that's what they'll all be saying. | 0:14:10 | 0:14:12 | |
And what do you think? | 0:14:14 | 0:14:15 | |
I believe her. So if you ask me, she's got every right to be here. | 0:14:20 | 0:14:25 | |
But after that...I will be the only one in town who does. | 0:14:25 | 0:14:27 | |
-SIGHS: -Oh, God! | 0:14:33 | 0:14:35 | |
If only Matilda could remember something. | 0:14:35 | 0:14:38 | |
-Like who took her. -She can't. | 0:14:40 | 0:14:42 | |
Was it a bloke? Was he big, small, young, old? | 0:14:42 | 0:14:46 | |
-She doesn't remember. -Well, she'd better try harder! | 0:14:46 | 0:14:49 | |
Cos until she does, she's just an outsider | 0:14:49 | 0:14:51 | |
who's come in here and made a big, bloody mess. | 0:14:51 | 0:14:54 | |
And people around here, they don't like that. | 0:14:56 | 0:14:58 | |
Sir, it's PC Graves here again. | 0:15:06 | 0:15:09 | |
Sorry, sir, to harass you, but I was wondering... | 0:15:10 | 0:15:14 | |
..did you get my report on the Rose Morgan incident? | 0:15:15 | 0:15:17 | |
Yes, I understand but... | 0:15:19 | 0:15:21 | |
..the mood here in town, it's strong against this Gray woman. | 0:15:21 | 0:15:24 | |
I just feel like moving her along would be to her own benefit. | 0:15:24 | 0:15:27 | |
No. No, it's not clear she's broken any law, but still... | 0:15:28 | 0:15:31 | |
Course I'm not suggesting we beat up charges, sir! | 0:15:34 | 0:15:37 | |
I understand. Thanks for your time. | 0:15:39 | 0:15:41 | |
You've rung Aron Morgan, maintenance and construction. | 0:16:01 | 0:16:04 | |
Leave your name and number. | 0:16:04 | 0:16:05 | |
Matilda. | 0:16:25 | 0:16:27 | |
Verity Satlow. Come on through. | 0:16:27 | 0:16:29 | |
You're a psychiatrist. | 0:16:44 | 0:16:45 | |
But I was a GP for eight years before I specialised. | 0:16:45 | 0:16:48 | |
Right. Well, your blood pressure is up, but not alarmingly. | 0:16:50 | 0:16:54 | |
Other than that, everything looks perfectly normal. | 0:16:55 | 0:16:58 | |
I don't feel normal. | 0:17:02 | 0:17:03 | |
You're not taking any prescription drugs? | 0:17:05 | 0:17:07 | |
-No. -Non-prescription? | 0:17:07 | 0:17:09 | |
Erm, no. | 0:17:09 | 0:17:10 | |
Any history of fainting spells? | 0:17:13 | 0:17:15 | |
No. | 0:17:15 | 0:17:16 | |
Family history of mental illness? | 0:17:20 | 0:17:23 | |
Does suicide run in families? | 0:17:27 | 0:17:30 | |
Have you had suicidal thoughts? | 0:17:30 | 0:17:32 | |
I just feel like there's something in me. | 0:17:35 | 0:17:37 | |
Like, er, it's always been there. | 0:17:37 | 0:17:39 | |
And I've just been ignoring it but now I can't and I... | 0:17:40 | 0:17:46 | |
..I'm scared of what I'm going to see, but I... | 0:17:49 | 0:17:52 | |
You can't look away. | 0:17:52 | 0:17:53 | |
Mm. | 0:17:54 | 0:17:55 | |
Everyone responds to trauma in their own way. | 0:17:55 | 0:17:58 | |
And the things you've been through, well, | 0:17:58 | 0:18:01 | |
it would be strange if they weren't having an impact. | 0:18:01 | 0:18:04 | |
I'll give you a referral to a dermatologist | 0:18:06 | 0:18:09 | |
for that rash around your neck. | 0:18:09 | 0:18:12 | |
And this might also be useful. | 0:18:12 | 0:18:14 | |
It's a mild sedative. | 0:18:15 | 0:18:17 | |
Not a long-term fix, but it'll help with the anxiety. | 0:18:17 | 0:18:20 | |
Sorry, what if my problem's not just anxiety? | 0:18:26 | 0:18:29 | |
Well, we shall keep talking. | 0:18:30 | 0:18:32 | |
I'm always here. | 0:18:32 | 0:18:34 | |
Are you completely shameless, woman? | 0:20:00 | 0:20:02 | |
I come down here looking for her husband, but who do I find instead? | 0:20:02 | 0:20:04 | |
I just wanted to see how she's doing. | 0:20:06 | 0:20:08 | |
Not so well, thanks to you and your mate. | 0:20:08 | 0:20:10 | |
Wait up. | 0:20:12 | 0:20:13 | |
What's that? | 0:20:15 | 0:20:17 | |
-POLICE RADIO: -Constable, we have an incident. | 0:20:17 | 0:20:18 | |
Valley Hospital casualty department. | 0:20:18 | 0:20:20 | |
Staff have requested backup. Over. | 0:20:20 | 0:20:22 | |
-I'm right here. Will attend. Over. -Roger that. | 0:20:22 | 0:20:25 | |
You stay away from Rose Morgan. | 0:20:25 | 0:20:28 | |
That really is your last warning. | 0:20:28 | 0:20:30 | |
I need something for my back. | 0:20:40 | 0:20:42 | |
Whoa! Laura, what's the trouble now? | 0:20:42 | 0:20:44 | |
I'm in pain, that's what! | 0:20:44 | 0:20:45 | |
We've been asking her to leave and she... | 0:20:45 | 0:20:46 | |
Listen, do you know what I've been through with my back? | 0:20:46 | 0:20:49 | |
Do you know? I've got rights, you know. | 0:20:49 | 0:20:50 | |
-I've got a right to treatment. -Let's talk about this outside. | 0:20:50 | 0:20:53 | |
Oh, right, what, you think I'm just going to disappear, do you? | 0:20:53 | 0:20:56 | |
Well, I'm not. I'm not. | 0:20:56 | 0:20:57 | |
I'm here. Here I am. | 0:20:57 | 0:20:58 | |
Here I am! | 0:20:58 | 0:20:59 | |
Laura, let's calm it down, eh? | 0:20:59 | 0:21:01 | |
Here I am! Here I am! | 0:21:01 | 0:21:04 | |
Laura, let's calm it down. | 0:21:04 | 0:21:06 | |
Here I am. I'm here. | 0:21:06 | 0:21:09 | |
-WHISPERS: -Here...I...am. | 0:21:09 | 0:21:13 | |
-DEEP VOICE: -Here I am. | 0:21:13 | 0:21:14 | |
We can talk about all of that when you've stepped outside. | 0:21:14 | 0:21:17 | |
Here I am. | 0:21:17 | 0:21:19 | |
Come on. | 0:21:19 | 0:21:21 | |
Hey, excuse me. | 0:21:30 | 0:21:32 | |
I need to talk to you. | 0:21:32 | 0:21:34 | |
What, you police, are you? | 0:21:36 | 0:21:37 | |
No, no, no. You said something back there | 0:21:37 | 0:21:40 | |
and I think that I need to talk to you. | 0:21:40 | 0:21:42 | |
It's about Carys Howell. | 0:21:44 | 0:21:45 | |
My mum, she was right into it. | 0:21:57 | 0:21:59 | |
You know, reading the papers and... | 0:21:59 | 0:22:02 | |
..and watching the news and that. | 0:22:02 | 0:22:05 | |
Please, sit. | 0:22:05 | 0:22:06 | |
Yeah, she was at the same school as Sean Howell, she said. | 0:22:08 | 0:22:13 | |
What did you think about it? | 0:22:13 | 0:22:16 | |
Well, it was like a scary story, wasn't it? | 0:22:16 | 0:22:19 | |
Like a movie. | 0:22:19 | 0:22:21 | |
I didn't... I didn't really feel it, | 0:22:21 | 0:22:23 | |
you know, that she was a real girl, she was just a picture in the paper. | 0:22:23 | 0:22:27 | |
Till I started... | 0:22:30 | 0:22:33 | |
..hearing her voice. | 0:22:33 | 0:22:34 | |
Carys's voice? | 0:22:36 | 0:22:37 | |
Oh, er... | 0:22:38 | 0:22:39 | |
See, I...I call her... | 0:22:42 | 0:22:44 | |
..Bessie. | 0:22:45 | 0:22:47 | |
But she told me about Carys, that she was... | 0:22:48 | 0:22:54 | |
..that she was still alive. | 0:22:54 | 0:22:56 | |
That she was... | 0:22:57 | 0:22:59 | |
..nearby and that... | 0:23:00 | 0:23:02 | |
..that...that she was afraid. | 0:23:02 | 0:23:06 | |
How did Bessie know that? | 0:23:06 | 0:23:08 | |
She never said, but... | 0:23:08 | 0:23:10 | |
See, I...I saw this show on the telly | 0:23:10 | 0:23:13 | |
about psychics and spirit guides. | 0:23:13 | 0:23:18 | |
I figure maybe... | 0:23:18 | 0:23:19 | |
..maybe that's what Bessie was. | 0:23:19 | 0:23:21 | |
Did you tell anyone what Bessie told you? | 0:23:22 | 0:23:25 | |
Well, yeah, yeah, but, see, back then, I wasn't, you know, | 0:23:25 | 0:23:30 | |
settled in my moods and whatnot. | 0:23:30 | 0:23:32 | |
I was a bit manic and, in the end, | 0:23:32 | 0:23:36 | |
they sent me up to Glyncollen House | 0:23:36 | 0:23:39 | |
and the doctors put me on the meds and a lot of other stuff. | 0:23:39 | 0:23:43 | |
You know, it took a while, but... | 0:23:44 | 0:23:47 | |
..in the end, they...they shut her up. | 0:23:48 | 0:23:51 | |
Do you remember, Laura, what exactly the voice told you? | 0:23:54 | 0:23:57 | |
See, I don't just remember, I... | 0:23:59 | 0:24:02 | |
..I...I got it all down. | 0:24:02 | 0:24:04 | |
Here. | 0:24:10 | 0:24:11 | |
See, er... | 0:24:14 | 0:24:15 | |
..Bessie sort of described stuff. | 0:24:16 | 0:24:20 | |
Oh, and then you would draw what she would describe? | 0:24:20 | 0:24:22 | |
That's it. So if I asked her who took Carys, | 0:24:22 | 0:24:27 | |
she wouldn't give me a name, she'd just describe how they looked. | 0:24:27 | 0:24:31 | |
That's it there. | 0:24:33 | 0:24:34 | |
-Or if I asked her, where is Carys...? -Can you show me that one? | 0:24:41 | 0:24:45 | |
Oh, yes. | 0:24:45 | 0:24:47 | |
That's what the voice said. | 0:24:50 | 0:24:51 | |
"She is trapped in a field of yellow flowers." | 0:24:52 | 0:24:56 | |
That's mad, innit? | 0:25:02 | 0:25:03 | |
You see, that's why they sent me up to Glyncollen. | 0:25:04 | 0:25:08 | |
What are these? | 0:25:19 | 0:25:21 | |
All right, so...so I asked her, what's going to happen to Carys? | 0:25:21 | 0:25:26 | |
And that's what Bessie said. | 0:25:26 | 0:25:28 | |
See, mirrors. | 0:25:28 | 0:25:30 | |
Black mirrors. | 0:25:31 | 0:25:33 | |
That's bonkers, innit? | 0:25:34 | 0:25:35 | |
Sylvia said that John Dee was an alchemist | 0:25:44 | 0:25:46 | |
but these books say that he was a scryer. | 0:25:46 | 0:25:48 | |
Do you know what that means? | 0:25:48 | 0:25:50 | |
Fortune-teller? Gazing into crystal balls? | 0:25:50 | 0:25:52 | |
Right, but Dee gazed into a mirror, a black mirror. | 0:25:52 | 0:25:55 | |
Just like the one Laura drew, | 0:25:55 | 0:25:58 | |
which is exactly like the one that we found in the basement. | 0:25:58 | 0:26:00 | |
And he wasn't just telling fortunes, he thought he was talking to angels. | 0:26:00 | 0:26:04 | |
So you think Uncle Ewan is doing the same thing? | 0:26:04 | 0:26:07 | |
Chatting to angels? | 0:26:07 | 0:26:08 | |
Well, look at all the stuff that we found in the house. | 0:26:08 | 0:26:11 | |
The music for ceremonial use. | 0:26:11 | 0:26:13 | |
-Black mirror. The Monas symbol. -OK, but even if that was true, | 0:26:14 | 0:26:17 | |
how is that in any way connected to Carys? | 0:26:17 | 0:26:20 | |
Dee couldn't hear the angels himself. | 0:26:20 | 0:26:22 | |
You can only hear their voices if you're pure of heart. | 0:26:22 | 0:26:25 | |
Like a small child. | 0:26:27 | 0:26:29 | |
John Dee used his four-year-old son and got him to listen. | 0:26:30 | 0:26:33 | |
Ewan didn't have any children. | 0:26:35 | 0:26:36 | |
So who do you think he might have used? | 0:26:37 | 0:26:39 | |
-What about Rose? -Any news on her? | 0:26:43 | 0:26:45 | |
Nice subject change. | 0:26:47 | 0:26:48 | |
Sorry, it's just... | 0:26:48 | 0:26:50 | |
You're so focused on this, but I can't stop seeing her in that bath. | 0:26:50 | 0:26:54 | |
You think I can? | 0:26:54 | 0:26:56 | |
Hal, I feel like something bad is going to happen. | 0:26:58 | 0:27:01 | |
Like it's coming. | 0:27:03 | 0:27:05 | |
Don't you feel it? | 0:27:07 | 0:27:08 | |
FOOTSTEPS APPROACH | 0:27:08 | 0:27:11 | |
Trudy. | 0:27:12 | 0:27:13 | |
I, erm... | 0:27:15 | 0:27:16 | |
..thought you might want some help, | 0:27:17 | 0:27:20 | |
remembering. | 0:27:20 | 0:27:21 | |
So you just need to sign here. | 0:27:28 | 0:27:31 | |
-And here. -So, does this mean that... | 0:27:34 | 0:27:37 | |
Well, as executor, I can now make payments to you and, as requested, | 0:27:37 | 0:27:40 | |
I have withdrawn all the cash from Ewan's savings account. | 0:27:40 | 0:27:45 | |
£655. | 0:27:45 | 0:27:47 | |
That's it? | 0:27:47 | 0:27:49 | |
Well, the estate had been running at a loss for quite some time. | 0:27:49 | 0:27:51 | |
In fact, Ewan had a considerable overdraft on his current account. | 0:27:51 | 0:27:54 | |
OK, so we sell the car and we sell the house. | 0:27:54 | 0:27:57 | |
Well, if...if that's what you want. | 0:27:57 | 0:28:00 | |
Yeah, I do. | 0:28:00 | 0:28:02 | |
I need to get home immediately and I'm going to need more money. | 0:28:02 | 0:28:05 | |
You will be staying for Meredith's funeral, I trust? | 0:28:05 | 0:28:08 | |
People would expect it. | 0:28:08 | 0:28:10 | |
Do you think...that they'll be doing an autopsy... | 0:28:12 | 0:28:16 | |
-..on Meredith? -Why would they? | 0:28:18 | 0:28:20 | |
No, they wouldn't. | 0:28:21 | 0:28:22 | |
Of course not. | 0:28:23 | 0:28:25 | |
Listen, Lloyd, | 0:28:25 | 0:28:27 | |
if we could keep this business about selling the house between us, | 0:28:27 | 0:28:31 | |
you know, discreet, like... | 0:28:31 | 0:28:33 | |
-Yeah. -As your solicitor, that's my duty. | 0:28:35 | 0:28:38 | |
We used to picnic with the Howells every Sunday... | 0:28:44 | 0:28:47 | |
..before Mum got sick. | 0:28:49 | 0:28:50 | |
-That's your mum? -Mm-hm. | 0:28:52 | 0:28:53 | |
And that's yours. | 0:28:55 | 0:28:56 | |
I wanted hair just like hers, it annoyed the hell out of my mum. | 0:28:58 | 0:29:01 | |
I don't remember it. | 0:29:08 | 0:29:10 | |
None of it. | 0:29:11 | 0:29:12 | |
This was the Christmas just before it happened. | 0:29:18 | 0:29:22 | |
Christmas lunch. | 0:29:22 | 0:29:24 | |
Last one we ever had together. | 0:29:24 | 0:29:26 | |
Your folks didn't have any family round here, so they'd come to us. | 0:29:27 | 0:29:31 | |
You were happy. | 0:29:34 | 0:29:35 | |
Excuse me a sec. | 0:29:39 | 0:29:40 | |
Well, there must be something you can do. | 0:29:57 | 0:30:00 | |
DNA test. Easy enough if you can get the police onside. | 0:30:00 | 0:30:04 | |
There was, like, an ex-policeman who gave me his card, he wanted to help. | 0:30:06 | 0:30:10 | |
-Stephen Kendrick? -Yeah. | 0:30:10 | 0:30:12 | |
So, why don't you call him? | 0:30:13 | 0:30:15 | |
Because he seemed kind of dodgy. | 0:30:15 | 0:30:17 | |
And he's retired now, so... | 0:30:18 | 0:30:20 | |
Kendrick took early retirement to look after his son. | 0:30:20 | 0:30:23 | |
"Dodgy", it's not a word I'd use for that man. | 0:30:25 | 0:30:28 | |
Do you really think that he'd help me? | 0:30:31 | 0:30:33 | |
If you can get some evidence that you're Carys, | 0:30:33 | 0:30:36 | |
I'm sure he'd do plenty. | 0:30:36 | 0:30:37 | |
I've got a shift so I'd better get going. | 0:30:41 | 0:30:46 | |
You should have this. | 0:30:46 | 0:30:48 | |
Are you sure? | 0:30:49 | 0:30:50 | |
It's you... | 0:30:52 | 0:30:54 | |
..so you should keep it. | 0:30:54 | 0:30:55 | |
-You want more? -Mum always says two scoops is enough. | 0:31:19 | 0:31:23 | |
She's right. But just for today, it won't hurt, will it? | 0:31:23 | 0:31:26 | |
There we are, then. | 0:31:26 | 0:31:28 | |
Another bowl of ice cream, Harry. | 0:31:28 | 0:31:30 | |
And another one of these, please, sir. | 0:31:31 | 0:31:33 | |
You've already got a full one. | 0:31:33 | 0:31:35 | |
Aron. | 0:31:43 | 0:31:45 | |
-Better. -You're not driving, are you? -Well, of course I'm driving. | 0:31:45 | 0:31:48 | |
I'm not going to carry the boy home, am I? | 0:31:48 | 0:31:50 | |
How about I call Stephen? He can give you a lift. | 0:31:51 | 0:31:55 | |
You're not trying to embarrass me in front of my son, are you? | 0:31:55 | 0:31:59 | |
-I'm trying to help. -Dad, I don't want any more ice cream. | 0:31:59 | 0:32:03 | |
Yeah. You're right. | 0:32:08 | 0:32:09 | |
-Best we get off, then. -Aron! | 0:32:11 | 0:32:13 | |
Come on, Davey, let's go now. | 0:32:15 | 0:32:17 | |
I'm starting my shift in a minute, so... | 0:32:24 | 0:32:27 | |
Thanks for helping... with the photos and... | 0:32:27 | 0:32:30 | |
I'm not just doing it for her, you know. | 0:32:30 | 0:32:33 | |
Are you taking the piss? | 0:32:37 | 0:32:39 | |
I can't believe you! | 0:32:39 | 0:32:41 | |
Are you following me? Is he following me? | 0:32:41 | 0:32:42 | |
No, he's staying here. | 0:32:42 | 0:32:44 | |
What is it? You and your mate, you still haven't had enough? | 0:32:44 | 0:32:46 | |
I'm so, so sorry about what happened with Rose... | 0:32:46 | 0:32:48 | |
If you're so sorry, why don't you just go and leave us alone? | 0:32:48 | 0:32:51 | |
-Matilda believes she's Rose's daughter. -Rose says she isn't. | 0:32:51 | 0:32:53 | |
Are you saying she wouldn't recognise her own daughter? | 0:32:53 | 0:32:56 | |
-Are you stupid? -No, I'm not. -Are you saying that Rose is stupid? | 0:32:56 | 0:32:58 | |
No, maybe she did recognise her, but was too scared to say anything. | 0:32:58 | 0:33:01 | |
Scared of what? | 0:33:03 | 0:33:05 | |
-No, I didn't mean... I wasn't saying... -Oh, really? | 0:33:05 | 0:33:07 | |
-No, I didn't mean that. -You think she's scared of me? | 0:33:07 | 0:33:09 | |
-No, I... -No, I'll show you scary. -Let's just go inside. | 0:33:09 | 0:33:11 | |
Oh, Aron, leave off, mate, he's not worth it! | 0:33:13 | 0:33:16 | |
-Hey, hey, hey, calm down. -Want some? Come on! | 0:33:16 | 0:33:19 | |
-You calm down! -Aron, no! No! | 0:33:20 | 0:33:22 | |
How about a bit of that? | 0:33:22 | 0:33:24 | |
Leave him alone. | 0:33:24 | 0:33:25 | |
-Get off! -Stay back! -Leave him alone! | 0:33:25 | 0:33:28 | |
-Get off! -Dad! Dad! Please stop! | 0:33:28 | 0:33:31 | |
Dad, please! I want to see Mum! Can we see Mum now? | 0:33:31 | 0:33:36 | |
Yeah. | 0:33:41 | 0:33:43 | |
OK. Come on, let's go see Mum. | 0:33:43 | 0:33:45 | |
Calling the police, Aron Morgan! | 0:33:48 | 0:33:50 | |
Hey, can you get up? | 0:33:51 | 0:33:53 | |
That's it. Come on. Up you get. | 0:33:53 | 0:33:56 | |
-Sorry. -Jesus. | 0:34:45 | 0:34:47 | |
I didn't know if it was you in there. | 0:34:47 | 0:34:49 | |
Who else would it have been? | 0:34:49 | 0:34:51 | |
Erm...no-one. | 0:34:51 | 0:34:53 | |
Look, I'm going to be going home. | 0:34:54 | 0:34:57 | |
To Australia. Maybe... | 0:34:57 | 0:34:59 | |
..like tomorrow if I can get a flight. | 0:35:00 | 0:35:02 | |
So you're going to need me out of here, then? | 0:35:02 | 0:35:04 | |
No. I was more thinking maybe... | 0:35:04 | 0:35:07 | |
..maybe you could come with me? | 0:35:07 | 0:35:08 | |
To Australia? | 0:35:08 | 0:35:11 | |
Sure, you could stay with me. | 0:35:11 | 0:35:13 | |
Nick... | 0:35:13 | 0:35:14 | |
Wait, I... Erm... | 0:35:17 | 0:35:19 | |
You've been really generous but I think that | 0:35:19 | 0:35:21 | |
I may have given you the wrong idea about us. | 0:35:21 | 0:35:24 | |
No, no, no, no, no, no, I mean, | 0:35:24 | 0:35:26 | |
you don't have to stay with me if you don't want to. | 0:35:26 | 0:35:28 | |
That's fine. I was just meaning you should go to Sydney. | 0:35:28 | 0:35:31 | |
You know, you should take a break. | 0:35:31 | 0:35:33 | |
And then when you're chilled out, you should go to New York, | 0:35:33 | 0:35:36 | |
cos you've got that job offer... | 0:35:36 | 0:35:37 | |
Nick, wait, wait. I can't. | 0:35:37 | 0:35:39 | |
I've got things here that I need to do. | 0:35:39 | 0:35:41 | |
Yeah. Yeah, of course, right. Sure. | 0:35:43 | 0:35:45 | |
Is there something wrong? | 0:35:47 | 0:35:49 | |
I've got to get going. | 0:35:51 | 0:35:52 | |
But, listen, | 0:35:53 | 0:35:55 | |
some of the people in town are going to be chasing me, | 0:35:55 | 0:35:59 | |
trying to get some money and stuff, so... | 0:35:59 | 0:36:01 | |
..maybe keep it to yourself about me leaving. | 0:36:03 | 0:36:05 | |
-If you're OK with that. -Yeah, I suppose so. | 0:36:07 | 0:36:10 | |
We should have put ice on this straightaway. | 0:36:23 | 0:36:26 | |
-I did suggest that. -Are you always such a smart arse? | 0:36:26 | 0:36:30 | |
Yeah, I'm told I usually am. | 0:36:30 | 0:36:31 | |
You know, this would be a lot easier if you just took your trousers off. | 0:36:33 | 0:36:37 | |
Erm... | 0:36:40 | 0:36:41 | |
No. | 0:36:41 | 0:36:43 | |
It's fine. I should probably start packing anyway. | 0:36:43 | 0:36:47 | |
Well, you don't have to leave. | 0:36:49 | 0:36:51 | |
My dad will pull his head in now, since you got belted. | 0:36:51 | 0:36:55 | |
Er, I didn't just get belted, I was nearly killed! | 0:36:55 | 0:36:59 | |
As much as I enjoy your cooked breakfasts, | 0:37:01 | 0:37:04 | |
I'm not sure they're quite worth it. | 0:37:04 | 0:37:06 | |
Well, you'll struggle to find anywhere else to stay now. | 0:37:06 | 0:37:09 | |
Touristy sort of area, how hard can it be? | 0:37:09 | 0:37:11 | |
My room's round the side. | 0:37:15 | 0:37:17 | |
Private entrance. You could always... | 0:37:20 | 0:37:23 | |
..stay there... | 0:37:23 | 0:37:25 | |
..till you find somewhere. | 0:37:27 | 0:37:29 | |
I'd like that. | 0:37:32 | 0:37:33 | |
Aron, we need to have a word. | 0:37:47 | 0:37:49 | |
It'll have to be down at the station, I'm afraid. | 0:37:52 | 0:37:54 | |
We've had an official complaint, | 0:37:55 | 0:37:57 | |
about what happened at the pub. | 0:37:57 | 0:37:59 | |
What's going to happen with Davey? | 0:38:01 | 0:38:03 | |
Stephen Kendrick's his godfather, right? | 0:38:03 | 0:38:06 | |
How would you feel if I gave him a call, | 0:38:06 | 0:38:08 | |
got him to come down, pick David up? | 0:38:08 | 0:38:10 | |
Yeah. | 0:38:13 | 0:38:14 | |
I'll stay with him till Stephen arrives. | 0:38:17 | 0:38:19 | |
-We're parked out back, Aron. -Yes, thank you. | 0:38:22 | 0:38:24 | |
Hello, mate. | 0:39:07 | 0:39:09 | |
ETHEREAL MUSIC PLAYS | 0:39:59 | 0:40:04 | |
DISTORTED SOUND RUSHES | 0:40:57 | 0:41:01 | |
Hello? | 0:41:03 | 0:41:05 | |
DISTORTED WHISPERING | 0:41:05 | 0:41:09 | |
RUSTLING WHOOSH | 0:41:24 | 0:41:27 | |
DISTORTED WHISPERS | 0:41:27 | 0:41:31 | |
HISSING SCREAM ECHOES | 0:41:32 | 0:41:35 | |
SLOW HEAVY BREATHING | 0:41:39 | 0:41:44 | |
DISTORTED VOICES OVERLAP | 0:42:04 | 0:42:10 | |
It's not safe here. Come on! Now! | 0:42:21 | 0:42:24 | |
DISTORTED VOICES INTENSIFY | 0:42:24 | 0:42:32 | |
We need to have a chat. | 0:42:43 | 0:42:45 | |
I already told it all to your mate out there. | 0:42:45 | 0:42:47 | |
No, it's not about that business at the Arms. | 0:42:47 | 0:42:49 | |
I'm trying to finalise the report on Ewan Dean's death. | 0:42:50 | 0:42:53 | |
Thought you could help me pin down Ed Fenton's movements that night. | 0:42:53 | 0:42:56 | |
-What would I know about it? -I don't know. | 0:42:56 | 0:42:59 | |
You might have seen him. Might have talked to him on the phone. | 0:42:59 | 0:43:02 | |
Yeah, might have. | 0:43:03 | 0:43:05 | |
He does some work for me from time to time. | 0:43:05 | 0:43:08 | |
What if I told you he rang you three times... | 0:43:08 | 0:43:10 | |
..after he found Ewan's body? | 0:43:10 | 0:43:12 | |
-What about it? -Are you saying you don't recall those conversations? | 0:43:14 | 0:43:17 | |
Even though Ed had just found a body, didn't mention it? | 0:43:18 | 0:43:21 | |
Well, I'm guessing I didn't get the calls. | 0:43:21 | 0:43:23 | |
You know, half this county's got no phone coverage. | 0:43:23 | 0:43:26 | |
One of those calls lasted over three minutes. | 0:43:26 | 0:43:28 | |
Well... | 0:43:28 | 0:43:29 | |
..Eddie is given to leaving long messages. | 0:43:31 | 0:43:33 | |
THEY CHUCKLE MIRTHLESSLY | 0:43:33 | 0:43:34 | |
Can I listen to them? | 0:43:34 | 0:43:36 | |
I would have deleted them, wouldn't I? | 0:43:36 | 0:43:38 | |
When he starts banging on like that, who can be bothered? | 0:43:40 | 0:43:44 | |
Don't make this worse for yourself, Aron. | 0:43:44 | 0:43:46 | |
My wife is in hospital. | 0:43:47 | 0:43:49 | |
And, thanks to you, my son has got no bloody parents. | 0:43:51 | 0:43:54 | |
Doesn't get any worse than that. | 0:43:55 | 0:43:57 | |
Lamb. | 0:44:15 | 0:44:17 | |
That's all I've got, lots of lamb. | 0:44:17 | 0:44:20 | |
-That's fine. -I thought maybe you don't like it, | 0:44:20 | 0:44:24 | |
-but I've got nothing else, so... -I love lamb. | 0:44:24 | 0:44:26 | |
My mum... | 0:44:26 | 0:44:28 | |
The woman who raised me, Janice, | 0:44:32 | 0:44:36 | |
she used to make lamb stew every Monday night. | 0:44:36 | 0:44:41 | |
So, Janice was... She's the one that took you? | 0:44:43 | 0:44:46 | |
I suppose she must have done, but I don't really know. | 0:44:46 | 0:44:49 | |
Did she hurt you? | 0:44:49 | 0:44:51 | |
I don't remember. | 0:44:53 | 0:44:54 | |
I don't know how I got here, either. | 0:44:57 | 0:44:59 | |
I was in the basement and suddenly I was in the forest. | 0:45:00 | 0:45:03 | |
You warned me about the thin ones. | 0:45:03 | 0:45:07 | |
What are they? | 0:45:08 | 0:45:09 | |
And that place, the cave? | 0:45:15 | 0:45:18 | |
Blaidd Carreg. | 0:45:18 | 0:45:19 | |
Someone brings them here. | 0:45:20 | 0:45:21 | |
Tears them out of their place and brings them here. | 0:45:25 | 0:45:27 | |
Makes them do things. | 0:45:30 | 0:45:32 | |
John Dee thought they were angels. | 0:45:32 | 0:45:34 | |
Yeah, when they come here, they're angry. | 0:45:34 | 0:45:36 | |
Scared. | 0:45:37 | 0:45:39 | |
They can't last, see, in our world. | 0:45:40 | 0:45:43 | |
It's like they've got no bodies, | 0:45:43 | 0:45:45 | |
so they can't last, but they can't go home, neither. | 0:45:45 | 0:45:48 | |
So they head to Blaidd Carreg. It draws them. | 0:45:49 | 0:45:53 | |
That's why you were heading there. | 0:45:53 | 0:45:55 | |
One of them was riding you. | 0:45:56 | 0:45:58 | |
-Riding? -They can get hold of you for a time. | 0:45:58 | 0:46:01 | |
Push you along one way or another. | 0:46:02 | 0:46:04 | |
Make you do things. | 0:46:06 | 0:46:08 | |
Last night... | 0:46:08 | 0:46:09 | |
-..I blacked out. -Sometimes you remember, sometimes you don't. | 0:46:11 | 0:46:14 | |
Sometimes they'll tell you things, too. | 0:46:16 | 0:46:18 | |
That's how I knew you were back. | 0:46:19 | 0:46:21 | |
So this has happened to you, too? | 0:46:21 | 0:46:23 | |
Janice had the marks... | 0:46:33 | 0:46:36 | |
..on her neck... | 0:46:36 | 0:46:37 | |
..and she killed herself. | 0:46:39 | 0:46:40 | |
Could they do that? | 0:46:42 | 0:46:43 | |
Could they... | 0:46:44 | 0:46:45 | |
..ride her, force her to kill herself? | 0:46:47 | 0:46:49 | |
-Maybe. -Then.. | 0:46:50 | 0:46:52 | |
..these things, then, they're killers. | 0:46:53 | 0:46:55 | |
I told you, someone brings them here. | 0:46:55 | 0:46:57 | |
Uses them. Forces them. | 0:46:59 | 0:47:01 | |
Way back after you was taken... | 0:47:04 | 0:47:05 | |
..the police accused me. | 0:47:09 | 0:47:11 | |
And that's when I first saw them. | 0:47:14 | 0:47:15 | |
Always in mirrors. | 0:47:16 | 0:47:18 | |
They was trying to help me. | 0:47:21 | 0:47:23 | |
Telling me a message. | 0:47:24 | 0:47:25 | |
But I didn't know, didn't know how to listen. | 0:47:27 | 0:47:29 | |
That's how I feel, too. Like they're trying to communicate. | 0:47:29 | 0:47:32 | |
Well, it's you they talk about. | 0:47:32 | 0:47:34 | |
Whole thing, all about you. | 0:47:36 | 0:47:37 | |
If they are trying to tell me something, | 0:47:50 | 0:47:51 | |
I need to know what it is. | 0:47:51 | 0:47:53 | |
So... | 0:47:54 | 0:47:56 | |
..if I want to hear their message... | 0:47:56 | 0:47:58 | |
Oh, you need to open yourself to it. | 0:47:59 | 0:48:02 | |
-You can show me how? -Well, it's not safe. | 0:48:02 | 0:48:06 | |
I don't care. | 0:48:06 | 0:48:07 | |
Please. | 0:48:07 | 0:48:09 | |
You have to show me. | 0:48:12 | 0:48:13 | |
I said I'll get the cash, | 0:48:17 | 0:48:19 | |
it's just going to take a bit longer, OK? | 0:48:19 | 0:48:21 | |
No, I know what I said, it's just it didn't work out like that! | 0:48:21 | 0:48:24 | |
Look, Jackie, I'm going to be rocking up at the airport | 0:48:26 | 0:48:29 | |
with, like, ten bucks in my pocket. | 0:48:29 | 0:48:31 | |
I'm asking you, please, could you come and pick me up? | 0:48:31 | 0:48:34 | |
OK. Thank you. | 0:48:36 | 0:48:37 | |
Yeah, no, no. I'll have to explain when I see you. | 0:48:37 | 0:48:40 | |
Love to Arlo. I'll see you soon. | 0:48:40 | 0:48:41 | |
THUD | 0:48:53 | 0:48:55 | |
HE BREATHES SHAKILY | 0:48:57 | 0:48:59 | |
Matilda?! | 0:48:59 | 0:49:01 | |
Hello? | 0:49:06 | 0:49:07 | |
DOOR OPENS | 0:49:25 | 0:49:27 | |
How did you get in here? | 0:49:34 | 0:49:36 | |
Dear, oh, dear, Nick. | 0:49:36 | 0:49:38 | |
That's not what I call a polite greeting. | 0:49:38 | 0:49:40 | |
I think we need to have another little talk. | 0:49:44 | 0:49:46 | |
Come. | 0:49:52 | 0:49:53 | |
Mate, my wife could be dying. | 0:49:56 | 0:49:59 | |
Could I have a bit of privacy, please? | 0:50:00 | 0:50:03 | |
PHONE RINGS | 0:50:17 | 0:50:19 | |
-Hello? -Ed. | 0:50:19 | 0:50:21 | |
Aron? Where are you? | 0:50:21 | 0:50:23 | |
I'm in the bloody nick. | 0:50:23 | 0:50:25 | |
What?! | 0:50:25 | 0:50:26 | |
I told you Graves was on to this. | 0:50:26 | 0:50:28 | |
Listen, listen. Not sure when I'm going to be out, | 0:50:28 | 0:50:31 | |
so you're going to have to manage things until I'm back. | 0:50:31 | 0:50:33 | |
No. No, no, I can't. | 0:50:33 | 0:50:35 | |
We promised them it's going to go ahead, so it's going ahead, OK? | 0:50:35 | 0:50:39 | |
-No, I can't. -You can. You will. | 0:50:39 | 0:50:41 | |
Because if you don't, | 0:50:41 | 0:50:42 | |
I'll make sure they know that you screwed them. | 0:50:42 | 0:50:45 | |
Understand me? | 0:50:45 | 0:50:46 | |
Do you understand? | 0:50:50 | 0:50:51 | |
I understand. | 0:50:54 | 0:50:56 | |
HE BELLOWS | 0:51:10 | 0:51:12 | |
Well, it looks quiet. | 0:51:49 | 0:51:51 | |
We want them to come. | 0:51:56 | 0:51:58 | |
They'll come. | 0:51:58 | 0:51:59 | |
I can feel them. | 0:52:01 | 0:52:02 | |
-Don't do it, love. -You said. | 0:52:24 | 0:52:26 | |
They're focused on me. | 0:52:27 | 0:52:29 | |
And I need to know why. | 0:52:31 | 0:52:33 | |
HE BREATHES HEAVILY | 0:52:33 | 0:52:36 | |
Sit in there. | 0:52:40 | 0:52:41 | |
You'll be able to see it here. | 0:52:44 | 0:52:46 | |
If one of them rests on you, don't fight. | 0:52:49 | 0:52:52 | |
Otherwise, you'll never hear them clear. | 0:52:52 | 0:52:55 | |
And keep watching the mirror, no matter what. | 0:52:55 | 0:52:57 | |
I'll be right here. | 0:52:58 | 0:53:00 | |
-What if I want it to stop? -It'll stop when it's ready. | 0:53:02 | 0:53:05 | |
Thank you... | 0:53:08 | 0:53:09 | |
..Dad. | 0:53:12 | 0:53:13 | |
OVERLAPPING VOICES WHISPER | 0:53:35 | 0:53:39 | |
VOICES CONTINUE | 0:53:54 | 0:53:59 | |
BIRD FLAPS AND CAWS | 0:54:15 | 0:54:17 | |
FAINT RUSTLING, MATILDA GASPS | 0:54:22 | 0:54:24 | |
THRUMMING, DISTORTED VOICES | 0:54:29 | 0:54:34 | |
DISTORTED WHISPERS | 0:54:37 | 0:54:40 | |
DISTORTED VOICES SWELL | 0:54:49 | 0:54:53 | |
DEEP BREATHS AND WHISPERING | 0:54:59 | 0:55:03 | |
DOOR SLAMS, SHORT BURST OF SCREAMING | 0:55:03 | 0:55:05 | |
THUDS AND GASPING | 0:55:05 | 0:55:09 | |
-WHISPERS: -It's just a tiny little pill. | 0:55:09 | 0:55:12 | |
Sean? | 0:55:17 | 0:55:19 | |
Dad! | 0:55:23 | 0:55:24 | |
I was worried about you. | 0:55:48 | 0:55:49 | |
-You weren't answering your... -I've got to get upstairs. | 0:55:49 | 0:55:52 | |
Matilda? | 0:55:52 | 0:55:53 | |
Are you OK? | 0:56:37 | 0:56:39 | |
Laura was right. | 0:56:47 | 0:56:49 | |
They kept me here. | 0:56:54 | 0:56:55 | |
Jesus! Are you bleeding? | 0:57:03 | 0:57:05 | |
No. | 0:57:06 | 0:57:07 | |
It's not my blood. | 0:57:10 | 0:57:11 | |
So, whose is it? | 0:57:13 | 0:57:14 |