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This programme contains scenes which some viewers may find upsetting | 0:00:02 | 0:00:04 | |
-Carys! -My mum killed herself and I think it has something to do | 0:00:04 | 0:00:07 | |
-with your daughter Carys. -23 years gone and you lot are still at it. | 0:00:07 | 0:00:10 | |
SHE GASPS | 0:00:10 | 0:00:11 | |
You're my mother! And I'm your daughter! | 0:00:11 | 0:00:13 | |
I don't want you. | 0:00:13 | 0:00:15 | |
What have you done to her? | 0:00:15 | 0:00:17 | |
-Aron... -What have you done? | 0:00:17 | 0:00:18 | |
Dad? What's happened? | 0:00:18 | 0:00:20 | |
Let's keep this our secret. | 0:00:20 | 0:00:23 | |
If only Matilda could remember something. | 0:00:23 | 0:00:25 | |
Like who took her. | 0:00:26 | 0:00:27 | |
He gazed into a mirror, a black mirror. | 0:00:27 | 0:00:30 | |
He thought he was talking to angels. | 0:00:30 | 0:00:32 | |
I feel like there's something in me, scared of what I'm going to see. | 0:00:32 | 0:00:36 | |
-You can't look away. -And keep watching the mirror. | 0:00:36 | 0:00:39 | |
No matter what, I'll be right here. | 0:00:39 | 0:00:41 | |
That's what the voice said. | 0:00:41 | 0:00:43 | |
She's trapped in a field of yellow flowers. | 0:00:43 | 0:00:46 | |
THUD! Ahhh! | 0:01:21 | 0:01:22 | |
BACKWARDS SPEECH | 0:01:28 | 0:01:31 | |
-CRACKLING -Which brings me to my next guest, | 0:01:32 | 0:01:36 | |
a young cellist who's received rave reviews for her debut recording, | 0:01:36 | 0:01:40 | |
and has already sold out her season at the Royal Elizabeth Hall, | 0:01:40 | 0:01:44 | |
Matilda Gray. | 0:01:44 | 0:01:46 | |
-Welcome. -It's great to be here. | 0:01:46 | 0:01:48 | |
Some cynics may see this as a cycle. | 0:01:48 | 0:01:51 | |
Every few years, we see a young, glamorous musician | 0:01:51 | 0:01:54 | |
held up as a saviour who's going to make classical music relevant again. | 0:01:54 | 0:01:59 | |
Honestly, I'm just a cellist and I don't do this to sell tickets. | 0:01:59 | 0:02:03 | |
So why do you do it? | 0:02:03 | 0:02:04 | |
Because my music, it's in me and it has to get out. | 0:02:06 | 0:02:09 | |
It's me. | 0:02:14 | 0:02:15 | |
I've found her. | 0:02:16 | 0:02:18 | |
BACKWARDS SPEECH | 0:03:06 | 0:03:08 | |
MOBILE CLICKS | 0:03:15 | 0:03:16 | |
ENGINE REVS | 0:03:24 | 0:03:26 | |
Tilly? | 0:03:47 | 0:03:49 | |
Sorry, what? | 0:03:50 | 0:03:52 | |
He's here, and he's brought someone. | 0:03:52 | 0:03:54 | |
David. David, hi. | 0:04:00 | 0:04:01 | |
Sorry, David's my godson. He's staying with me at the moment. | 0:04:03 | 0:04:07 | |
Oh, no, it's fine, he's fine. He's welcome here, right? | 0:04:07 | 0:04:10 | |
Sure thing. | 0:04:10 | 0:04:12 | |
I've got a new game on my computer | 0:04:12 | 0:04:14 | |
and I'm having a bit of trouble beating it. | 0:04:14 | 0:04:17 | |
Do you want to help me out? | 0:04:17 | 0:04:19 | |
Matilda? Shall we? | 0:04:19 | 0:04:21 | |
Carys, in a field of yellow flowers, just like Laura said. | 0:04:24 | 0:04:27 | |
Any child could have done this. | 0:04:30 | 0:04:31 | |
What, that? | 0:04:33 | 0:04:34 | |
Carys was here in this room when she drew this. | 0:04:34 | 0:04:36 | |
-You need to show these to Graves. -Matilda, listen. | 0:04:36 | 0:04:39 | |
You need to get her to reopen the investigation. | 0:04:39 | 0:04:41 | |
I'm not dismissing you. | 0:04:41 | 0:04:42 | |
But I know how the police work, and we're going to need more, | 0:04:42 | 0:04:44 | |
something that links these drawings with Carys. | 0:04:44 | 0:04:46 | |
These were hers, all right? I just, I just know they are. | 0:04:46 | 0:04:50 | |
We can't ask Rose. | 0:04:50 | 0:04:52 | |
If Sean Howell is around, like you say, | 0:04:52 | 0:04:55 | |
he might be able to identify it as his daughter's. | 0:04:55 | 0:04:57 | |
-I can't find him. -He said he had a campsite. | 0:04:57 | 0:05:00 | |
Yeah, I can't find that either. | 0:05:00 | 0:05:01 | |
I was looking for it this morning and I can't find it. | 0:05:01 | 0:05:04 | |
I've got a mate, high up in Cardiff. | 0:05:04 | 0:05:07 | |
I'll send them your photos. If I can get him interested, | 0:05:07 | 0:05:09 | |
-he might recommend a review. -How long will that take? | 0:05:09 | 0:05:11 | |
-I'll push as hard as I can. -How long? | 0:05:11 | 0:05:13 | |
Matilda, I'm on your side but you have to understand, | 0:05:13 | 0:05:15 | |
a 23-year-old case, whatever I do... | 0:05:15 | 0:05:17 | |
..it's not going to be priority. | 0:05:18 | 0:05:20 | |
So? | 0:05:33 | 0:05:35 | |
Dead end? | 0:05:36 | 0:05:37 | |
I thought you said you were flying home? | 0:05:41 | 0:05:43 | |
Got delayed. | 0:05:45 | 0:05:46 | |
Look, I'm sensing some hostility here. | 0:05:48 | 0:05:51 | |
I've got to go. | 0:05:54 | 0:05:55 | |
The reason we decided to put the show on in the boxing gym is... | 0:05:57 | 0:05:59 | |
STATIC | 0:05:59 | 0:06:01 | |
My first guest... | 0:06:01 | 0:06:03 | |
RADIO STATIONS SWITCH | 0:06:03 | 0:06:08 | |
CRACKLING | 0:06:16 | 0:06:18 | |
BACKWARDS SPEECH | 0:06:18 | 0:06:21 | |
CRACKLING INTENSIFIES | 0:06:33 | 0:06:35 | |
I've just put the kettle on. | 0:06:35 | 0:06:37 | |
Everything that Bessie said about Carys was true. | 0:06:37 | 0:06:40 | |
I've seen it with my own eyes. I want her to tell me more. | 0:06:40 | 0:06:44 | |
-That was just my illness. -It's not an illness, it's real. | 0:06:47 | 0:06:50 | |
Well, I, I don't get those voices any more. | 0:06:53 | 0:06:56 | |
I'm better now. | 0:06:58 | 0:06:59 | |
Laura. | 0:07:00 | 0:07:02 | |
There's something up at the old house. | 0:07:06 | 0:07:09 | |
Angels or spirits or... I don't know what they are. | 0:07:09 | 0:07:13 | |
But I saw one last night, | 0:07:13 | 0:07:15 | |
and it was trying to tell me something, | 0:07:15 | 0:07:17 | |
but I couldn't understand, but I think maybe you can. | 0:07:17 | 0:07:19 | |
Please? I'm so close to an answer. | 0:07:21 | 0:07:24 | |
KETTLE WHISTLES | 0:07:29 | 0:07:31 | |
What do you want me to do? | 0:07:31 | 0:07:33 | |
When do you take those? | 0:07:33 | 0:07:35 | |
Oh, I was supposed to take them an hour ago, I... | 0:07:36 | 0:07:39 | |
Let Bessie come back. | 0:07:40 | 0:07:42 | |
-What? -Is that your favourite piece of music? | 0:07:47 | 0:07:50 | |
You asked me what I like, you didn't say what's my favourite. | 0:07:50 | 0:07:52 | |
-OK, I'm asking now, then. -Mm, erm... | 0:07:52 | 0:07:55 | |
-Blues. -Mm. -Probably. -Yeah? -Billie Holiday. | 0:07:58 | 0:08:03 | |
-Yeah. Yeah. -You? -Oh, it's too many. | 0:08:04 | 0:08:08 | |
That's Hal-speak for "You probably haven't heard of any of them." | 0:08:09 | 0:08:12 | |
Hey, you probably haven't! | 0:08:12 | 0:08:13 | |
I've been thinking, maybe I've been too obsessed with classical. | 0:08:17 | 0:08:20 | |
Might be time for something new. | 0:08:21 | 0:08:23 | |
-Wh...? -Um... | 0:08:27 | 0:08:30 | |
-MOBILE RINGS -Oh. -OK. | 0:08:30 | 0:08:33 | |
Hal? It's Kath, Janice's friend. | 0:08:34 | 0:08:37 | |
I got your number from Matilda's agent. | 0:08:37 | 0:08:39 | |
-Hey, Kath, how can I help you? -Well, is Matilda there? | 0:08:39 | 0:08:42 | |
No, she's not here at the moment. | 0:08:42 | 0:08:43 | |
Oh, I wanted to check that she'd received her birth certificate. | 0:08:43 | 0:08:46 | |
I haven't heard from her and I was starting to get worried, so, well, | 0:08:46 | 0:08:50 | |
I thought it's best I try and get hold of her through you. | 0:08:50 | 0:08:53 | |
Her birth, her birth certificate? So, you found it? | 0:08:53 | 0:08:56 | |
Yeah, and I sent it to her a couple of days ago, | 0:08:56 | 0:08:59 | |
but I've not heard back. | 0:08:59 | 0:09:01 | |
I know she needed it urgently for the job in the States. | 0:09:01 | 0:09:03 | |
Yeah, do you know what? | 0:09:03 | 0:09:04 | |
She's been having a really bad run of her phone. | 0:09:04 | 0:09:08 | |
Could you send it again, but send it to me this time? | 0:09:08 | 0:09:10 | |
Oh, you're a darling. I'm doing it right now. | 0:09:10 | 0:09:12 | |
-Yeah, OK. -I'll make sure that she gets it, goodbye. -Bye. | 0:09:12 | 0:09:15 | |
Everything OK? | 0:09:24 | 0:09:26 | |
Erm, yeah, it's fine. | 0:09:28 | 0:09:30 | |
It's... I need to run. | 0:09:32 | 0:09:34 | |
-Oh, OK. -So, erm... | 0:09:35 | 0:09:36 | |
See you. | 0:09:41 | 0:09:43 | |
Something terrible happened in here. | 0:10:06 | 0:10:08 | |
To Carys? | 0:10:10 | 0:10:11 | |
I don't know. | 0:10:13 | 0:10:15 | |
Lloyd said that I should give you something that belonged to her. | 0:10:22 | 0:10:25 | |
No, that wasn't hers. | 0:10:33 | 0:10:35 | |
SHE MUMBLES | 0:11:00 | 0:11:03 | |
GHOSTLY WHISPERING | 0:11:03 | 0:11:06 | |
What does Bessie say? | 0:11:06 | 0:11:08 | |
Oh, I don't know. She's whispering. | 0:11:08 | 0:11:11 | |
SHE BREATHES HEAVILY | 0:11:17 | 0:11:19 | |
BACKWARD SCREAMS | 0:11:24 | 0:11:26 | |
Oh! No! God! | 0:11:30 | 0:11:33 | |
What is it? | 0:11:37 | 0:11:38 | |
She was kept in that room, locked up while they waited. | 0:11:38 | 0:11:42 | |
Who? Who locked her up? | 0:11:42 | 0:11:44 | |
He died in there. | 0:11:48 | 0:11:49 | |
-Alone. -He? | 0:11:50 | 0:11:52 | |
Who are you talking about? | 0:11:53 | 0:11:54 | |
Look. What you saw... | 0:11:54 | 0:11:58 | |
-They're not the danger. -You mean the angels? -The angels. | 0:11:58 | 0:12:01 | |
There's something else, erm, yeah. | 0:12:01 | 0:12:03 | |
The moon'll be full tomorrow and then, they'll be ready. | 0:12:03 | 0:12:06 | |
What will be ready? | 0:12:06 | 0:12:08 | |
I... | 0:12:13 | 0:12:15 | |
No. No. | 0:12:18 | 0:12:22 | |
This... It's gone. | 0:12:23 | 0:12:25 | |
She'll tell me tonight. Best to be stronger then. | 0:12:31 | 0:12:35 | |
-Nick? -Hi, come in. | 0:12:42 | 0:12:45 | |
-How's it going? -Yeah, I'm looking for Matilda, is she...? | 0:12:45 | 0:12:49 | |
Um, inside with her friend. | 0:12:49 | 0:12:51 | |
What the hell? | 0:12:59 | 0:13:00 | |
I asked if she wanted to keep it and she said, "Get it out," so... | 0:13:02 | 0:13:06 | |
Bessie, you like it too? | 0:13:16 | 0:13:18 | |
-You and me, we'll both.. -What's going on? | 0:13:22 | 0:13:25 | |
Erm... | 0:13:26 | 0:13:28 | |
That's Laura. | 0:13:28 | 0:13:30 | |
-I told you about her. -The psychic. -She knows what happened here. | 0:13:30 | 0:13:34 | |
And what would that be? | 0:13:34 | 0:13:36 | |
Hal, I've been reading more about John Dee | 0:13:36 | 0:13:38 | |
and he wasn't just trying to talk to angels, | 0:13:38 | 0:13:42 | |
he was trying to summon them. | 0:13:42 | 0:13:44 | |
-Control them. -Jesus Christ. | 0:13:47 | 0:13:49 | |
And I think someone is still doing it. | 0:13:49 | 0:13:53 | |
And bringing them here. | 0:13:54 | 0:13:56 | |
I've seen them. And Laura sensed them. | 0:13:58 | 0:14:00 | |
And your cello? | 0:14:03 | 0:14:04 | |
Is that with the angels? | 0:14:06 | 0:14:07 | |
-Don't want to talk about that. -You don't want to talk about that? | 0:14:09 | 0:14:12 | |
Do you want to talk about this? | 0:14:12 | 0:14:13 | |
Kath said she sent it to you on Monday. | 0:14:17 | 0:14:19 | |
When were you going to tell me? | 0:14:21 | 0:14:22 | |
-It's fake. -It's what? | 0:14:27 | 0:14:29 | |
It's a fake, it must be. | 0:14:31 | 0:14:32 | |
So, it says the name of a real hospital, a real doctor, | 0:14:32 | 0:14:36 | |
a real mother and father, your father, by the way. | 0:14:36 | 0:14:39 | |
No, that's not me, that's not me. | 0:14:39 | 0:14:40 | |
-I know who I am. -Yes. | 0:14:41 | 0:14:43 | |
Matilda Joanne Gray, born April 25, 1990, Manchester, | 0:14:43 | 0:14:48 | |
daughter to Ronald Gray, army engineer. | 0:14:48 | 0:14:51 | |
-No! -Mother, Janice Gray. -Why are you doing this? | 0:14:51 | 0:14:54 | |
You, me, us, | 0:14:54 | 0:14:55 | |
we have been nothing short of a disaster for this community. | 0:14:55 | 0:14:58 | |
-We came here because you wanted to. -For you! | 0:14:58 | 0:15:01 | |
I dropped everything and came here for you. | 0:15:01 | 0:15:04 | |
Like, everything I've done since the first time I saw you, | 0:15:04 | 0:15:06 | |
every single thing I've done has been to please you. | 0:15:06 | 0:15:09 | |
And you know... | 0:15:16 | 0:15:17 | |
You know. | 0:15:21 | 0:15:22 | |
Hal. | 0:15:24 | 0:15:26 | |
I feel like I'm coming apart. | 0:15:28 | 0:15:29 | |
I thought that I was figuring out who I am. | 0:15:32 | 0:15:35 | |
The more that I dig, it's like... | 0:15:35 | 0:15:37 | |
It's like I'm unravelling, it's like there's a hole in me. | 0:15:41 | 0:15:45 | |
Then stop it. | 0:15:46 | 0:15:48 | |
-Stop it all. -I can't, I can't! I need to know... | 0:15:49 | 0:15:53 | |
No, you don't. People are being hurt, by you, | 0:15:53 | 0:15:56 | |
-there's a woman in hospital. -That's not my fault! | 0:15:56 | 0:15:58 | |
Then whose fault is it? | 0:15:58 | 0:16:00 | |
Huh? I mean, bloody hell, we pushed a woman to suicide. | 0:16:00 | 0:16:03 | |
Is it really worth that? | 0:16:03 | 0:16:05 | |
I know what you want, you just want me back on my cello, | 0:16:05 | 0:16:07 | |
so you can carry on riding on my coat-tails. | 0:16:07 | 0:16:09 | |
Well, I'm not going back, and I'm not performing any more. | 0:16:09 | 0:16:12 | |
So you can just go back and find someone else to carry you! | 0:16:12 | 0:16:15 | |
Fine, fine. | 0:16:23 | 0:16:25 | |
If you won't stop this, I will. | 0:16:27 | 0:16:28 | |
Message, boss, Croxford Assizes. | 0:16:44 | 0:16:46 | |
-Aron Morgan? -Bail granted. | 0:16:46 | 0:16:49 | |
Magistrate said first offence, sole carer for his son. | 0:16:49 | 0:16:52 | |
He should be heading home right now. | 0:16:52 | 0:16:55 | |
Good news for the young kid. | 0:16:55 | 0:16:56 | |
You all right, boss? | 0:16:58 | 0:17:00 | |
-Yeah, I need to go out. -But you just got back. | 0:17:01 | 0:17:05 | |
Is that...? It's a beauty. | 0:17:08 | 0:17:11 | |
-Ah. -You want to be careful with that. | 0:17:14 | 0:17:16 | |
It's old, you know? | 0:17:19 | 0:17:21 | |
Valuable. | 0:17:22 | 0:17:23 | |
DOOR OPENS | 0:17:41 | 0:17:44 | |
That Laura, | 0:17:48 | 0:17:50 | |
maybe someone ought to be watching her. | 0:17:50 | 0:17:52 | |
You said it was OK, her coming here. | 0:17:52 | 0:17:54 | |
Yeah, I did. | 0:17:54 | 0:17:56 | |
Look, if I've done something to piss you off... | 0:17:56 | 0:17:58 | |
..can you let me know? Cos this vibe here is killing me. | 0:18:01 | 0:18:04 | |
If you want this vibe to improve, maybe start telling me the truth. | 0:18:04 | 0:18:08 | |
I know you lied to me. | 0:18:09 | 0:18:11 | |
You're right. | 0:18:22 | 0:18:23 | |
-I don't know no wine bar. -I don't give a shit about that. | 0:18:25 | 0:18:28 | |
Sorry, you said I was lying and so... | 0:18:28 | 0:18:30 | |
I'm talking about the night that I blacked out. | 0:18:30 | 0:18:33 | |
Sylvia was here. She did something to me. | 0:18:33 | 0:18:35 | |
-She drugged me or... -Wait, wait, Sylvia? | 0:18:35 | 0:18:37 | |
I don't know. I don't know. I don't know what's going on. | 0:18:37 | 0:18:40 | |
I just know that you told me that nothing happened, | 0:18:40 | 0:18:43 | |
and then I woke up in your bed. | 0:18:43 | 0:18:44 | |
But hang on, what I told you is true. | 0:18:44 | 0:18:46 | |
That night, I was in my room, I was asleep. | 0:18:46 | 0:18:48 | |
You came in, you were upset, freaking out. | 0:18:48 | 0:18:51 | |
She was here the other day, hanging out with you. | 0:18:51 | 0:18:53 | |
We were talking about... | 0:18:54 | 0:18:56 | |
..selling some of the old books and antiques in the house. | 0:18:56 | 0:19:00 | |
But listen, if you think that she's done something to you, | 0:19:00 | 0:19:03 | |
I will tell her to piss off, like, | 0:19:03 | 0:19:05 | |
she never comes back to this house again. | 0:19:05 | 0:19:07 | |
OK? | 0:19:09 | 0:19:11 | |
I don't know what to believe. | 0:19:14 | 0:19:16 | |
Stop looking at me. | 0:19:59 | 0:20:01 | |
I can't just turn it on and off, you know. | 0:20:02 | 0:20:04 | |
Maybe we should go up to the room with the pictures, | 0:20:07 | 0:20:11 | |
or down to the basement. | 0:20:11 | 0:20:13 | |
Here or there, best you talk when she's ready. | 0:20:13 | 0:20:16 | |
You know she's calling you. | 0:20:17 | 0:20:19 | |
It's a nice bit of real estate, this, isn't it? | 0:20:22 | 0:20:25 | |
Everyone says old man Dean was a good sort. | 0:20:26 | 0:20:29 | |
Look at all this. You sell one of these vases, | 0:20:29 | 0:20:33 | |
you could pay my rent for a year. | 0:20:33 | 0:20:35 | |
How can you call someone generous when they hoard all this lot away? | 0:20:36 | 0:20:40 | |
Do you know what, I'm going to have one of them as well. | 0:20:41 | 0:20:43 | |
Good idea. Do you want some ice with that? | 0:20:43 | 0:20:46 | |
Hey! What did you just do with that? | 0:20:46 | 0:20:48 | |
-What? -That thing you were holding, you pocketed it. | 0:20:48 | 0:20:51 | |
-Nick! -No, you did, I saw you. -Let go... | 0:20:51 | 0:20:53 | |
No, she's a bloody junkie and she's stealing my... | 0:20:53 | 0:20:56 | |
SHE GULPS | 0:20:56 | 0:20:59 | |
-What do we do? -Help me. | 0:21:01 | 0:21:02 | |
Shall we stop her, like, swallowing her tongue? | 0:21:02 | 0:21:05 | |
Pwll Halen, Pwll Halen, Pwll Halen, Pwll Halen, Pwll Halen... | 0:21:05 | 0:21:10 | |
-What are you doing? -Pwll Halen, Pwll Halen, Pwll Halen... | 0:21:12 | 0:21:17 | |
-SHE WHEEZES -I'm calling an ambulance. | 0:21:24 | 0:21:27 | |
Nick, don't, no, she's all right. | 0:21:29 | 0:21:31 | |
You're OK. | 0:21:33 | 0:21:34 | |
OK now. | 0:21:35 | 0:21:37 | |
WHISPERING | 0:21:41 | 0:21:45 | |
I'm perfectly capable of taking her home. | 0:21:53 | 0:21:55 | |
-I think it's better if you don't. -I didn't mean Laura any harm. | 0:21:58 | 0:22:02 | |
But still, you've done her harm. | 0:22:02 | 0:22:04 | |
Good night, Matilda. | 0:22:05 | 0:22:07 | |
Please don't contact Laura again. | 0:22:07 | 0:22:10 | |
Follow me. That's it... | 0:22:15 | 0:22:17 | |
DOOR OPENS | 0:22:21 | 0:22:24 | |
EERIE RUMBLING | 0:23:16 | 0:23:18 | |
TWIG SNAPS | 0:23:57 | 0:23:59 | |
This is PC Graves. | 0:24:09 | 0:24:10 | |
I'm at the rear of Dean House, over the stream on Weatherhill Lane, | 0:24:10 | 0:24:13 | |
requesting urgent backup. | 0:24:13 | 0:24:15 | |
Ahhh! Ugh! | 0:24:20 | 0:24:22 | |
Aron! | 0:24:25 | 0:24:26 | |
Aron! Are you all right? | 0:24:33 | 0:24:35 | |
-Shit. -You're done, Ed! Give up, it'll be easier. | 0:24:38 | 0:24:41 | |
GHOSTLY WHISPERS | 0:24:45 | 0:24:48 | |
Pwll Halen, Pwll Halen, Pwll Halen, Pwll Halen... | 0:25:45 | 0:25:51 | |
Pwll Halen, Pwll Hal... | 0:25:54 | 0:25:56 | |
Pwll Halen, Pwll Halen, Pwll Halen, Pwll Halen... | 0:25:56 | 0:26:01 | |
Pwll Halen, Pwll Halen, Pwll Halen, Pwll Halen... | 0:26:01 | 0:26:06 | |
Pwll Halen, Pwll Halen, Pwll Halen, Pwll Halen... | 0:26:06 | 0:26:10 | |
FOOTSTEPS | 0:26:24 | 0:26:26 | |
-Here you go, still warm from the dryer. -Thank you. | 0:26:26 | 0:26:29 | |
So, this fella you're looking for in Manchester, | 0:26:32 | 0:26:37 | |
the one called Gray, | 0:26:37 | 0:26:39 | |
-how do you know he'll still be there? -I don't. | 0:26:39 | 0:26:42 | |
But he was in the Queen's Engineers and there's a base at Sale, | 0:26:42 | 0:26:45 | |
so I need to go to Manchester. | 0:26:45 | 0:26:46 | |
And Matilda can't do it herself, because...? | 0:26:48 | 0:26:51 | |
It's complicated. | 0:26:51 | 0:26:52 | |
I never thought anything would change in this place, | 0:26:57 | 0:27:00 | |
but you two coming here... | 0:27:00 | 0:27:02 | |
Well, it feels like a new start. | 0:27:03 | 0:27:05 | |
For me, at least. | 0:27:05 | 0:27:07 | |
OK, let's get you to the train, then. | 0:27:11 | 0:27:12 | |
Actually, I need to tell you something. | 0:27:12 | 0:27:14 | |
-You're married? -No. | 0:27:18 | 0:27:19 | |
-Girlfriend? -No! | 0:27:19 | 0:27:21 | |
Matilda's mum had a box of photos. | 0:27:29 | 0:27:31 | |
Really? | 0:27:33 | 0:27:34 | |
Your dad was in them. | 0:27:34 | 0:27:36 | |
-That's Rose. -Yeah. | 0:27:45 | 0:27:46 | |
Yeah, there's more, there's a sequence. | 0:27:48 | 0:27:49 | |
First they're shouting, | 0:27:49 | 0:27:51 | |
then she tries to walk away and he has his arms around her. | 0:27:51 | 0:27:54 | |
Matilda thought Rose was hiding something. | 0:27:56 | 0:27:58 | |
Maybe it's not about Carys, maybe it was just about... | 0:27:58 | 0:28:01 | |
..this. | 0:28:04 | 0:28:05 | |
When this photo was taken, my mother was dying. | 0:28:07 | 0:28:09 | |
Slowly. | 0:28:15 | 0:28:17 | |
And now you're telling me that my dad... | 0:28:17 | 0:28:20 | |
..was screwing Rose Howell? | 0:28:22 | 0:28:24 | |
I'm not, I... | 0:28:24 | 0:28:25 | |
I wasn't even sure whether to show you the photo. | 0:28:27 | 0:28:30 | |
-But I care about you so much. -No. | 0:28:30 | 0:28:32 | |
-Get yourself to the bloody station. -Trudy... | 0:28:32 | 0:28:35 | |
Curing shed. All the high-grade hydroponic crop ready to go. | 0:28:40 | 0:28:44 | |
My guess is they were taking it out for sale. | 0:28:45 | 0:28:48 | |
-To who? -Usual suspects. | 0:28:48 | 0:28:50 | |
Well, apparently, Morgan's keeping his mouth shut. | 0:28:52 | 0:28:55 | |
Eddie'll spill. | 0:28:55 | 0:28:56 | |
We just need to find him. | 0:28:57 | 0:28:59 | |
We had a lot of good times. | 0:29:06 | 0:29:08 | |
I need to ask you something. | 0:29:10 | 0:29:11 | |
That day. | 0:29:13 | 0:29:15 | |
With Carys. | 0:29:16 | 0:29:17 | |
Mum was... | 0:29:19 | 0:29:21 | |
..crying on the stairs and when you came home, | 0:29:22 | 0:29:25 | |
you didn't even want to know what was wrong. | 0:29:25 | 0:29:28 | |
All you wanted to do was wash your clothes. | 0:29:29 | 0:29:31 | |
It was a long time ago. | 0:29:36 | 0:29:38 | |
I remember every single thing about that day. | 0:29:42 | 0:29:44 | |
There could have been a million reasons. | 0:29:45 | 0:29:48 | |
I could have been dirty from the cellar. | 0:29:48 | 0:29:50 | |
So, why did you ask me to keep it a secret? | 0:29:50 | 0:29:52 | |
-We should talk about this later. -About you and Rose? | 0:29:53 | 0:29:56 | |
Is that lad from London feeding you this? | 0:29:57 | 0:29:59 | |
At the play park, Mum went to call someone. | 0:29:59 | 0:30:01 | |
She left me with Carys. It was you she called, wasn't it? | 0:30:01 | 0:30:04 | |
-No. -Rose, then. | 0:30:04 | 0:30:05 | |
I never thought we lied to each other. | 0:30:07 | 0:30:09 | |
We fought, yeah, but we never lied. | 0:30:10 | 0:30:13 | |
-Love, this is 20 years past. -Not for me! | 0:30:14 | 0:30:19 | |
It's not for me! | 0:30:20 | 0:30:21 | |
Mum got worse again and then she died, | 0:30:23 | 0:30:26 | |
and I have always thought that I did that by losing Carys, | 0:30:26 | 0:30:30 | |
that I did that to her, and all this time, | 0:30:30 | 0:30:33 | |
you have let me think that when really it was you, | 0:30:33 | 0:30:35 | |
it was you who pushed her over the edge, all you! | 0:30:35 | 0:30:39 | |
Trudy? | 0:31:02 | 0:31:04 | |
Are you all right? | 0:31:05 | 0:31:07 | |
Yeah, I'm just a bit... | 0:31:07 | 0:31:09 | |
A bit dizzy. | 0:31:10 | 0:31:11 | |
I'm sorry. | 0:31:13 | 0:31:14 | |
I was hoping that you could help me with something. | 0:31:17 | 0:31:19 | |
Pwll Halen, Pwll Halen, Pwll Halen... | 0:31:22 | 0:31:25 | |
Well, it's Welsh. | 0:31:27 | 0:31:29 | |
"Pwll halen". Salt pool. | 0:31:30 | 0:31:32 | |
-Is there a salt... A saltwater pool near here? -No. | 0:31:34 | 0:31:38 | |
But Pwll Halen's the name of a caravan site. | 0:31:40 | 0:31:42 | |
It's a local hippie hang-out, it's a short drive from here. | 0:31:44 | 0:31:47 | |
-Can you show me? -Yeah. | 0:31:47 | 0:31:49 | |
There's a formal procedure | 0:31:54 | 0:31:56 | |
for requesting a relative's service record. | 0:31:56 | 0:31:58 | |
I can see that. | 0:31:58 | 0:32:00 | |
It's just I've driven all the way from London to Manchester | 0:32:03 | 0:32:06 | |
and this project, tracking down the extended family, | 0:32:06 | 0:32:09 | |
is actually my gran's dream. | 0:32:09 | 0:32:11 | |
She's 87. | 0:32:11 | 0:32:12 | |
Well, we can't hand out details about current personnel, | 0:32:12 | 0:32:15 | |
but I'll tell you there's no Ronald Gray | 0:32:15 | 0:32:18 | |
presently stationed here. | 0:32:18 | 0:32:19 | |
Would you be able to check whether he was here? | 0:32:19 | 0:32:22 | |
Maybe in the '90s? | 0:32:22 | 0:32:23 | |
Look, my gran really isn't well. | 0:32:23 | 0:32:26 | |
She hasn't got much time left. | 0:32:26 | 0:32:28 | |
Celia, this gentleman's looking for a relative, a Sgt Ronald Gray. | 0:32:29 | 0:32:34 | |
Do you remember anyone by that name stationed here, | 0:32:34 | 0:32:36 | |
maybe back in the '90s? | 0:32:36 | 0:32:37 | |
Well, there was a Ron Gray. | 0:32:39 | 0:32:41 | |
But he's dead, love. Must be 25 years since... | 0:32:43 | 0:32:47 | |
-Dead how? -Car accident. | 0:32:47 | 0:32:49 | |
Happened just as I started here. | 0:32:49 | 0:32:51 | |
-Horrible thing. -And would you know if his family stayed in the area? | 0:32:53 | 0:32:56 | |
They were killed too, I think. | 0:32:58 | 0:33:00 | |
Wife and young daughter. | 0:33:00 | 0:33:02 | |
And sorry, would you know the names? | 0:33:02 | 0:33:04 | |
No idea. | 0:33:06 | 0:33:07 | |
Mind, you could find out easy enough. | 0:33:08 | 0:33:10 | |
It was in all the papers. | 0:33:10 | 0:33:12 | |
Thank you. | 0:33:13 | 0:33:14 | |
Oh, Jesus. | 0:33:18 | 0:33:19 | |
I think I'm going to puke. | 0:33:21 | 0:33:22 | |
-I can drive. -No, no, it's just these potholes. | 0:33:24 | 0:33:27 | |
Over there. | 0:33:27 | 0:33:29 | |
Welcome to the lovely Pwll Halen, | 0:33:34 | 0:33:36 | |
for all your tie-dye and incense needs. | 0:33:36 | 0:33:39 | |
I'm just going to stay here and let my stomach settle. | 0:33:39 | 0:33:42 | |
See you in a minute. | 0:33:42 | 0:33:44 | |
MOBILE BUZZES | 0:34:05 | 0:34:07 | |
-ANSWERPHONE: -Hi, this is Matilda Gray. | 0:34:22 | 0:34:24 | |
Leave a message and I will get back to you as soon as I can. | 0:34:24 | 0:34:27 | |
Tilly, I know you're angry with me, | 0:34:27 | 0:34:29 | |
but I've dug up some stuff about your dad. | 0:34:29 | 0:34:31 | |
Just call me as soon as you can, it's important. | 0:34:32 | 0:34:35 | |
So... | 0:34:44 | 0:34:45 | |
What are we looking for? | 0:34:45 | 0:34:47 | |
That. | 0:35:10 | 0:35:11 | |
Hello. Is this yours? | 0:35:20 | 0:35:22 | |
No-one will talk to you, you know. | 0:35:24 | 0:35:26 | |
They think you're police. | 0:35:27 | 0:35:29 | |
That symbol. | 0:35:31 | 0:35:33 | |
I wanted to ask you about it. | 0:35:34 | 0:35:36 | |
I'll put the kettle on. | 0:35:42 | 0:35:43 | |
So, is this about the child? | 0:35:53 | 0:35:57 | |
What child? | 0:35:59 | 0:36:00 | |
I'm trying to find out about Carys Howell. | 0:36:03 | 0:36:06 | |
The girl who went missing from Penllynith. | 0:36:07 | 0:36:09 | |
That symbol on your bus... | 0:36:10 | 0:36:12 | |
The more I look, the more it keeps cropping up. | 0:36:14 | 0:36:16 | |
I've been here 20 years, since the slate works finished. | 0:36:19 | 0:36:25 | |
Always had a few traps in the woods... | 0:36:25 | 0:36:27 | |
..to make ends meet. | 0:36:28 | 0:36:29 | |
One time, I was out, | 0:36:32 | 0:36:35 | |
checking 'em and, er... | 0:36:35 | 0:36:37 | |
..the dog found something. | 0:36:38 | 0:36:40 | |
Bones. | 0:36:42 | 0:36:43 | |
A child's bones. | 0:36:45 | 0:36:46 | |
As soon as I found 'em, I called the police, two came by, | 0:36:49 | 0:36:53 | |
Penllynith coppers, put 'em in a bag, took 'em away... | 0:36:53 | 0:36:56 | |
..and told me it was a sheep. | 0:36:57 | 0:36:59 | |
How do you know it wasn't? | 0:37:02 | 0:37:03 | |
Have you ever seen a child's skeleton? Hm? | 0:37:05 | 0:37:08 | |
No. | 0:37:11 | 0:37:12 | |
Anyhow, there was a bracelet on the wrist. | 0:37:14 | 0:37:18 | |
Ever heard of a sheep wearing a bracelet? | 0:37:18 | 0:37:21 | |
The bracelet had that symbol on the side of my bus. | 0:37:24 | 0:37:28 | |
I've never been able to... | 0:37:30 | 0:37:31 | |
..get it out of my head. | 0:37:33 | 0:37:34 | |
And when was this? | 0:37:35 | 0:37:37 | |
Oh, about three years after... | 0:37:38 | 0:37:41 | |
..young Carys disappeared. | 0:37:42 | 0:37:45 | |
You're saying Carys is dead? | 0:37:48 | 0:37:51 | |
They searched everywhere for that little girl. | 0:37:54 | 0:37:57 | |
I was like everyone else, I thought she had just vanished... | 0:37:59 | 0:38:03 | |
..until that day. | 0:38:08 | 0:38:10 | |
I come here when I can. | 0:38:17 | 0:38:21 | |
To remember. | 0:38:22 | 0:38:24 | |
I feel like someone ought to. | 0:38:25 | 0:38:27 | |
And you never said anything? To anyone? All these years? | 0:38:29 | 0:38:34 | |
The cops told me to shut up about it. | 0:38:34 | 0:38:37 | |
I was on a suspended sentence for burglary, so, er... | 0:38:38 | 0:38:43 | |
..when the law tells you to shut up, you... | 0:38:45 | 0:38:47 | |
You shut up. | 0:38:48 | 0:38:50 | |
-The police who came out here, do you remember their names? -No. | 0:38:53 | 0:38:57 | |
One uniform, one plainclothes. | 0:38:58 | 0:39:00 | |
A detective, I figured. | 0:39:01 | 0:39:03 | |
I, erm... | 0:39:09 | 0:39:11 | |
I buy her flowers when I can. | 0:39:12 | 0:39:14 | |
Would you have... | 0:39:16 | 0:39:17 | |
..a few pounds to spare? | 0:39:19 | 0:39:20 | |
Oh, God bless you. | 0:39:25 | 0:39:27 | |
Guardian, Manchester Post, Manchester Chronicle. | 0:39:30 | 0:39:34 | |
-September 17th and a few days after. -OK, thank you. | 0:39:34 | 0:39:38 | |
Need anything else, let me know. | 0:39:39 | 0:39:41 | |
Janice. | 0:40:45 | 0:40:46 | |
-Kendrick! -Hey. I was going to call you. | 0:40:56 | 0:41:00 | |
-Why didn't you tell me? -Tell you what? | 0:41:00 | 0:41:02 | |
Went out to Pwll Halen, heard about the body, the child's body, | 0:41:02 | 0:41:05 | |
-covered up by the local police. -Is that right? | 0:41:05 | 0:41:08 | |
Spoke to a witness, the police came down to his caravan, | 0:41:08 | 0:41:11 | |
back when you were in charge, and took the body away. | 0:41:11 | 0:41:14 | |
-Told him it was a sheep. -Stan. His name, wasn't it? | 0:41:14 | 0:41:17 | |
-Yeah, you know him? -When a child goes missing... | 0:41:17 | 0:41:20 | |
..all the crazies come out of the woodwork. | 0:41:21 | 0:41:23 | |
Our Stan, he was one of the most persistent. | 0:41:23 | 0:41:26 | |
I haven't heard of him since I retired. | 0:41:26 | 0:41:28 | |
-Seems he's still going, then. -He showed me the grave! | 0:41:28 | 0:41:31 | |
Yeah, and he asked you for a few quid to put flowers on it. | 0:41:31 | 0:41:35 | |
Am I right? | 0:41:35 | 0:41:36 | |
I can't believe a bright girl like you would fall for that. | 0:41:36 | 0:41:39 | |
Oh, and I was going to tell you that I sent your photographs off | 0:41:42 | 0:41:45 | |
to my mate in Cardiff and he promised to look at them | 0:41:45 | 0:41:47 | |
as soon as he could. | 0:41:47 | 0:41:49 | |
You probably don't want any more dealings | 0:41:49 | 0:41:51 | |
with a bent old copper like me. | 0:41:51 | 0:41:53 | |
PHONE RINGING | 0:42:02 | 0:42:05 | |
ANSWERPHONE: Hi, this is Matilda Gray, | 0:42:05 | 0:42:08 | |
leave a message and I will get back to you as soon as I can. | 0:42:08 | 0:42:11 | |
Jesus, Matilda! | 0:42:11 | 0:42:12 | |
ENGINE REVS | 0:42:14 | 0:42:16 | |
-Tru? -Jesus! | 0:42:55 | 0:42:57 | |
-Oh, you scared me. -I'm in trouble, Tru. | 0:42:59 | 0:43:02 | |
-Big trouble. -What happened? | 0:43:02 | 0:43:04 | |
-It wasn't my idea, I swear. -Just tell me what's happened. | 0:43:04 | 0:43:07 | |
Behind the big house. | 0:43:07 | 0:43:08 | |
We were growing weed. | 0:43:10 | 0:43:11 | |
I knew we should have stopped when the old man died, | 0:43:13 | 0:43:15 | |
-but now Graves has found it. -Oh, Ed! Ed. | 0:43:15 | 0:43:18 | |
How much weed? | 0:43:20 | 0:43:21 | |
Aron said... | 0:43:22 | 0:43:24 | |
..it might be half a million pounds' worth. | 0:43:25 | 0:43:27 | |
HE SOBS I think I'm going to prison, Tru. | 0:43:27 | 0:43:30 | |
-Oh, Ed, you're a bloody fool. -I know, I know! | 0:43:30 | 0:43:34 | |
That's why I did it. I needed money so bad. | 0:43:34 | 0:43:37 | |
I knew I'd never do anything off my own bat. | 0:43:37 | 0:43:39 | |
That's no excuse. We all need bloody money. | 0:43:39 | 0:43:41 | |
-But I made a promise. -What promise? -To you. | 0:43:41 | 0:43:44 | |
-I promised you I'd get you out of this town. -Jesus... | 0:43:45 | 0:43:47 | |
And I needed money to go on with it. | 0:43:47 | 0:43:49 | |
-What's this? -Oh, Jesus. | 0:43:58 | 0:44:00 | |
I'm sorry. | 0:44:04 | 0:44:06 | |
I was going to tell you. | 0:44:07 | 0:44:08 | |
Marry me, Tru. | 0:44:10 | 0:44:11 | |
-What? -I don't care about the English fella. | 0:44:12 | 0:44:15 | |
I mean, as far as I'm concerned, it's all bygones. | 0:44:15 | 0:44:17 | |
No, no, I'm not going to bloody marry you. | 0:44:17 | 0:44:19 | |
You're all that I've got. | 0:44:20 | 0:44:21 | |
No. | 0:44:24 | 0:44:25 | |
I never asked you to do this, | 0:44:29 | 0:44:31 | |
and I'm not going to let you make it into a problem. | 0:44:31 | 0:44:33 | |
This is down to you, Eddie, and you alone. | 0:44:37 | 0:44:39 | |
I'm missing something. | 0:44:56 | 0:44:58 | |
A group of adults, not just Ewan, | 0:44:59 | 0:45:02 | |
trying to summon angels. | 0:45:02 | 0:45:04 | |
But Sean said angels can't live in our world, | 0:45:05 | 0:45:08 | |
so what are they trying to achieve? | 0:45:08 | 0:45:09 | |
And if they weren't just scrying, then why do they need a child? | 0:45:11 | 0:45:17 | |
Laura said he died in here. | 0:45:30 | 0:45:32 | |
What if there were two? | 0:45:39 | 0:45:41 | |
-Two of what? -What if there were two children? | 0:45:42 | 0:45:44 | |
What if they took two? | 0:45:44 | 0:45:46 | |
OK. | 0:46:44 | 0:46:45 | |
So, who was Aron selling to, Ed? | 0:46:47 | 0:46:50 | |
I don't know. | 0:46:52 | 0:46:54 | |
But it was his idea? | 0:46:54 | 0:46:56 | |
I told you, no. | 0:46:56 | 0:46:58 | |
Whose, then? | 0:46:58 | 0:46:59 | |
Ed. | 0:47:02 | 0:47:03 | |
-He's dead now. What does it matter? -Dead? | 0:47:06 | 0:47:09 | |
Mr Dean. | 0:47:12 | 0:47:13 | |
You and Dean? | 0:47:15 | 0:47:17 | |
He told me he was going to let me go. | 0:47:17 | 0:47:18 | |
Money troubles. | 0:47:19 | 0:47:21 | |
I went to Aron, he had a word with Mr Dean. | 0:47:21 | 0:47:24 | |
Next thing I know, we're putting strip lights up in the shed. | 0:47:25 | 0:47:28 | |
-"Easy money," Aron said. -OK... | 0:47:29 | 0:47:32 | |
So, why delay calling the police after Mr Dean died? | 0:47:33 | 0:47:36 | |
We wanted to clean the house up. | 0:47:37 | 0:47:39 | |
Aron? He wanted to hide drugs? | 0:47:39 | 0:47:42 | |
Aron didn't do it. | 0:47:42 | 0:47:43 | |
Well, who, then? | 0:47:45 | 0:47:46 | |
Oh, come on, Ed! You've done so well. | 0:47:48 | 0:47:51 | |
Who cleaned up the house? | 0:47:52 | 0:47:54 | |
Oh, your call was well-timed. | 0:47:58 | 0:48:00 | |
Dropped young David off with some friends, so got the afternoon off. | 0:48:01 | 0:48:04 | |
Oh, nice. | 0:48:04 | 0:48:05 | |
You, on the other hand, look rather tense. | 0:48:07 | 0:48:09 | |
Yeah, it's Matilda. The Dean House is all locked up | 0:48:09 | 0:48:12 | |
-and she's not answering her phone... -Relax. I just saw her. | 0:48:12 | 0:48:15 | |
Maybe an hour ago, in town. | 0:48:16 | 0:48:19 | |
-And she was OK? -Erm, not entirely. | 0:48:19 | 0:48:21 | |
Been talking to some local kook whose filled her head | 0:48:23 | 0:48:25 | |
with more nonsense about poor Carys. | 0:48:25 | 0:48:28 | |
Something else bothering you? | 0:48:28 | 0:48:30 | |
Well, the real reason I called you... | 0:48:30 | 0:48:32 | |
There was a police officer originally out of Manchester | 0:48:36 | 0:48:39 | |
-called Mary McEwan. -Why are you asking? | 0:48:39 | 0:48:42 | |
Do you know her? | 0:48:42 | 0:48:44 | |
She transferred here, | 0:48:44 | 0:48:46 | |
back when I was running the show. | 0:48:46 | 0:48:48 | |
She'd had some problems over in Manchester, | 0:48:48 | 0:48:51 | |
made some enemies on the job, so... | 0:48:51 | 0:48:53 | |
When was this? | 0:48:53 | 0:48:55 | |
Late '93. | 0:48:55 | 0:48:58 | |
But she wasn't here long. She went Awol. | 0:48:58 | 0:49:01 | |
You mean she disappeared? | 0:49:01 | 0:49:03 | |
There had been some questions about her mental stability. | 0:49:03 | 0:49:06 | |
We'd had complaints about her harassing people and behaving oddly, | 0:49:08 | 0:49:12 | |
so when she went missing, it wasn't really treated as suspicious. | 0:49:12 | 0:49:15 | |
Hm, but... | 0:49:15 | 0:49:17 | |
Sorry... | 0:49:17 | 0:49:19 | |
That's '93, so you're saying that she arrived in the area | 0:49:19 | 0:49:23 | |
a few months before Carys went missing, and then she disappeared? | 0:49:23 | 0:49:27 | |
Not long after. | 0:49:27 | 0:49:29 | |
You think Mary McEwan had something to do with taking the girl? | 0:49:31 | 0:49:35 | |
Two people died in a car crash in Manchester and I have the idea... | 0:49:35 | 0:49:40 | |
..maybe Mary used their identities. | 0:49:42 | 0:49:44 | |
I mean, not... I mean, used their names to establish | 0:49:45 | 0:49:49 | |
a new identity for herself, and maybe Carys too. | 0:49:49 | 0:49:53 | |
The way things were back in the '90s, it could have been done. | 0:49:54 | 0:49:59 | |
-But why would she? -Cos you said she was unstable. | 0:49:59 | 0:50:02 | |
Let me dig out my old files, see what I can find on her. | 0:50:04 | 0:50:08 | |
OK, thank you, thank you, that's brilliant. | 0:50:09 | 0:50:11 | |
-I'm going to head into town and track Matilda down. -OK. | 0:50:13 | 0:50:16 | |
I'll ring you when I've had a look and if there is anything in this, | 0:50:16 | 0:50:21 | |
anything at all, I promise you, I will find it. | 0:50:21 | 0:50:24 | |
OK. Thank you. | 0:50:25 | 0:50:27 | |
MUSIC: Crazy He Calls Me by Billie Holiday | 0:50:42 | 0:50:45 | |
# I say I'll move the mountains | 0:50:54 | 0:50:58 | |
# And I'll move the mountains | 0:50:58 | 0:51:02 | |
# If he wants them out of the way | 0:51:02 | 0:51:06 | |
# Crazy he calls me | 0:51:09 | 0:51:13 | |
# Sure, I'm crazy | 0:51:13 | 0:51:16 | |
# Crazy in love, I say... # | 0:51:16 | 0:51:19 | |
GHOSTLY WHISPERS | 0:51:19 | 0:51:21 | |
# I say I'll go through fire | 0:51:21 | 0:51:25 | |
# And I'll go through fire | 0:51:25 | 0:51:28 | |
# As he wants it, so it will be | 0:51:29 | 0:51:33 | |
# Crazy, he calls me | 0:51:36 | 0:51:38 | |
# Sure, I'm crazy | 0:51:39 | 0:51:42 | |
# Crazy in love, you see | 0:51:42 | 0:51:46 | |
# Like the wind that shakes the bough... # | 0:51:49 | 0:51:53 | |
RADIO STATIC | 0:51:53 | 0:51:56 | |
GHOSTLY WHISPERS | 0:52:09 | 0:52:13 | |
SHRIEKING | 0:52:27 | 0:52:28 | |
False alarm, it's just some newsagent. | 0:52:44 | 0:52:46 | |
-Are these made locally? -All made right here. | 0:52:57 | 0:53:00 | |
-After something for the little one? -No, I was actually... | 0:53:01 | 0:53:04 | |
I'm looking for something like this. | 0:53:06 | 0:53:08 | |
Oh, my goodness. | 0:53:08 | 0:53:11 | |
I haven't stocked these for years. My mam used to make them. | 0:53:11 | 0:53:14 | |
-Is your mum around? -Oh, dead, love. Long time now. | 0:53:14 | 0:53:17 | |
So, you wouldn't have any record of who bought this? | 0:53:19 | 0:53:22 | |
How could I? We'd have sold dozens of them. | 0:53:22 | 0:53:26 | |
Right, sure. I'm sorry to waste your time. | 0:53:26 | 0:53:28 | |
Oh, God! | 0:53:28 | 0:53:30 | |
-Sorry? -Well, this. | 0:53:32 | 0:53:34 | |
I think it's one of the originals. | 0:53:35 | 0:53:38 | |
My mam made these for my kids, her grandkids. | 0:53:38 | 0:53:41 | |
So, this would have belonged to one of your children? | 0:53:41 | 0:53:43 | |
Oh, no, not this one. | 0:53:43 | 0:53:46 | |
I'm sorry, I don't understand. | 0:53:46 | 0:53:48 | |
There was this young lad, lived down the road, his mam was a right mess. | 0:53:48 | 0:53:52 | |
Drugs and the rest. | 0:53:52 | 0:53:54 | |
-So, your mum made him a toy? -She was like that, always helping. | 0:53:54 | 0:53:58 | |
Erm... | 0:53:58 | 0:54:00 | |
-What happened the boy? -He was adopted, I think. | 0:54:00 | 0:54:04 | |
-MOBILE BEEPS -No, what am I thinking. -Hello? | 0:54:04 | 0:54:07 | |
He went into care, that's what the doctor said. | 0:54:07 | 0:54:11 | |
The doctor? | 0:54:11 | 0:54:12 | |
Oh, she came out to collect him. | 0:54:12 | 0:54:14 | |
-Doctor and her husband. -You knew them? | 0:54:14 | 0:54:16 | |
Of course. Dr Satlow. | 0:54:16 | 0:54:18 | |
Verity Satlow, lives just outside town. | 0:54:18 | 0:54:21 | |
The boy's mam cleared off shortly after. | 0:54:23 | 0:54:25 | |
Came into some money, they said, but the boy, well, whatever happened, | 0:54:25 | 0:54:29 | |
he was better off away from her. | 0:54:29 | 0:54:31 | |
Bloody druggies. Should sterilise them all. | 0:54:31 | 0:54:34 | |
Erm, Matilda. | 0:54:35 | 0:54:36 | |
Sorry, it's Graves. The cop. | 0:54:38 | 0:54:41 | |
Excuse me, miss, there's been an accident. | 0:55:05 | 0:55:07 | |
I know there's been a bloody accident. | 0:55:07 | 0:55:09 | |
-Where's Hal? -PC Graves will be over in a minute. | 0:55:09 | 0:55:12 | |
She'll explain everything. | 0:55:12 | 0:55:14 | |
Can you just tell me he's all right? | 0:55:16 | 0:55:18 | |
He's gone. | 0:55:18 | 0:55:20 | |
When I arrived at the scene, the vehicle was empty. | 0:55:25 | 0:55:29 | |
No sign of a driver. | 0:55:29 | 0:55:31 | |
Seems like your friend's disappeared. | 0:55:32 | 0:55:35 | |
OK, thanks for letting me know. | 0:55:55 | 0:55:57 | |
OK, bye. | 0:55:58 | 0:56:00 | |
So? | 0:56:03 | 0:56:04 | |
It seems there's been a car accident. | 0:56:05 | 0:56:07 | |
Just outside of town. | 0:56:09 | 0:56:10 | |
-English boy. -Oh, well. | 0:56:11 | 0:56:14 | |
You know how these tourists drive. | 0:56:14 | 0:56:17 | |
Bound to happen, eventually. | 0:56:17 | 0:56:18 | |
You know... | 0:56:21 | 0:56:22 | |
..no matter how many times we call them, I still feel it. | 0:56:23 | 0:56:27 | |
Every time. | 0:56:28 | 0:56:29 | |
The wonder. | 0:56:31 | 0:56:33 | |
When you see what we call forth tonight, | 0:56:34 | 0:56:39 | |
then you'll know what wonder is. | 0:56:39 | 0:56:41 | |
I think I'm a little afraid. | 0:56:43 | 0:56:45 | |
Long is the way, and hard, | 0:56:47 | 0:56:51 | |
that out of hell leads up to light. | 0:56:51 | 0:56:55 | |
Sorry, David was hungry. | 0:56:57 | 0:57:00 | |
Ah, well, you've come to the right place. | 0:57:00 | 0:57:03 | |
Here you are, my boy. Tuck in. | 0:57:03 | 0:57:05 | |
-Just one, David. -Rubbish. You can have as many as you want. | 0:57:06 | 0:57:10 | |
Oh, and I got you another present. | 0:57:12 | 0:57:14 | |
It's a lucky charm. | 0:57:14 | 0:57:15 | |
Helps sick people get better. | 0:57:17 | 0:57:21 | |
Isn't that right, doctor? | 0:57:22 | 0:57:24 | |
You keep that on. | 0:57:25 | 0:57:27 | |
Never take it off. | 0:57:27 | 0:57:29 | |
It'll help your mother get well. | 0:57:29 | 0:57:31 | |
-Wouldn't that be nice, huh? -Good boy. | 0:57:31 | 0:57:34 | |
Your mother would be so proud. | 0:57:35 | 0:57:37 |