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John Dee was a scryer. He thought he was talking to angels. | 0:00:02 | 0:00:04 | |
You can only hear their voices if you're pure of heart, like a small child. | 0:00:04 | 0:00:07 | |
The dog found something - a child's bones. | 0:00:07 | 0:00:10 | |
You're saying Carys is dead. | 0:00:10 | 0:00:12 | |
-There was a bracelet on the wrist. -What if there were two children? | 0:00:12 | 0:00:15 | |
What if they took two? | 0:00:15 | 0:00:17 | |
I feel like there's something in me. I'm scared of what I'm going to see. | 0:00:17 | 0:00:21 | |
It says the name of a real hospital, a real doctor, | 0:00:21 | 0:00:24 | |
-a real mother and father. -That's not me. | 0:00:24 | 0:00:26 | |
Mother, Janice Gray. | 0:00:26 | 0:00:27 | |
Why are doing this? | 0:00:27 | 0:00:29 | |
If you won't stop this, I will. | 0:00:29 | 0:00:30 | |
PHONE RINGS | 0:00:32 | 0:00:33 | |
You're saying that she arrived in the area a few | 0:00:36 | 0:00:38 | |
months before Carys went missing, and then she disappeared? | 0:00:38 | 0:00:41 | |
-Can you just tell me he's all right? -No sign of a driver. | 0:00:47 | 0:00:50 | |
It seems like your friend's disappeared. | 0:00:50 | 0:00:52 | |
This programme contains some violent scenes, some strong language | 0:00:55 | 0:00:59 | |
and scenes which some viewers may find disturbing. | 0:00:59 | 0:01:02 | |
Let me out! | 0:01:22 | 0:01:25 | |
-Let me out! -Carys, hey! It's OK. I told you I'd be right back. | 0:01:26 | 0:01:31 | |
Come on, Carys. I got you sweets. | 0:01:31 | 0:01:33 | |
Where am I? I want my mummy! I want to go home. | 0:01:33 | 0:01:35 | |
-All the ones you wanted. -I want my mummy! | 0:01:35 | 0:01:37 | |
I've done the mirrors, covered them up. Just like you said. | 0:01:37 | 0:01:40 | |
-I want my mummy! -Carys! Shh. | 0:01:40 | 0:01:42 | |
You have got to quieten down. Or you'll get us both killed. | 0:01:42 | 0:01:46 | |
Do you understand? | 0:01:47 | 0:01:49 | |
Good girl. Now, do you remember what I told you? We need to hide. | 0:01:50 | 0:01:54 | |
Because those people back here, they are bad people. | 0:01:54 | 0:01:56 | |
And if those bad people find us, | 0:01:56 | 0:01:58 | |
they are going to do bad things to us. | 0:01:58 | 0:02:01 | |
Do you understand? Yeah? | 0:02:01 | 0:02:03 | |
OK? We've got a long drive. Best get going. OK? | 0:02:13 | 0:02:18 | |
-He can't have just disappeared. -Straight to voicemail. | 0:02:56 | 0:02:59 | |
-Maybe it's switched off. -Police said that he had been to Manchester. | 0:02:59 | 0:03:02 | |
If he went all the way there, then he must have tried to call me. | 0:03:02 | 0:03:05 | |
-I could check in the car, maybe it's under the seats. -Find phone. | 0:03:05 | 0:03:09 | |
-I'll do find phone. -What? | 0:03:09 | 0:03:11 | |
It's an app, Hal put it on my iPad | 0:03:11 | 0:03:12 | |
and it sets off an alarm on your phone. | 0:03:12 | 0:03:14 | |
I know what is, but that only works | 0:03:14 | 0:03:16 | |
when the phone is switched on, doesn't it? | 0:03:16 | 0:03:18 | |
I don't know. It's worth trying, isn't it? | 0:03:18 | 0:03:20 | |
PHONE RINGS | 0:03:44 | 0:03:47 | |
-It's here. -What? Oh! -It was just there. | 0:03:47 | 0:03:50 | |
I looked there, like five minutes ago. | 0:03:52 | 0:03:54 | |
It was right down, beneath the cushion. | 0:03:54 | 0:03:56 | |
'Message received today at 11:42am.' | 0:04:11 | 0:04:13 | |
'Tilly, I know you're angry with me, | 0:04:15 | 0:04:16 | |
'but I've dug up some stuff about your dad. | 0:04:16 | 0:04:19 | |
'And just call me as soon as you can, it's important.' | 0:04:19 | 0:04:22 | |
-'Next new message. -You need to pick up, Tilly. | 0:04:25 | 0:04:29 | |
'Your mum, Janice - you were right. | 0:04:29 | 0:04:30 | |
'She wasn't your mum, she was a cop. Mary McKeown. | 0:04:30 | 0:04:33 | |
'She changed her name and took the identity of a dead woman | 0:04:33 | 0:04:36 | |
'and I think she took you. | 0:04:36 | 0:04:39 | |
'I don't know why or what's going on, but I am heading back now. | 0:04:39 | 0:04:41 | |
'For God's sake, Matilda, call me when you can. | 0:04:41 | 0:04:44 | |
'End of messages.' | 0:04:46 | 0:04:47 | |
-What did he say? -Nick. | 0:04:56 | 0:04:59 | |
Did you have my phone? | 0:05:01 | 0:05:02 | |
No. I... Whatever Hal said, whatever that is, it's not true. | 0:05:03 | 0:05:09 | |
You did, you took my phone. | 0:05:09 | 0:05:11 | |
Why the fuck did you do that? | 0:05:12 | 0:05:13 | |
I'm sorry. | 0:05:16 | 0:05:17 | |
Why? | 0:05:19 | 0:05:20 | |
They told me to watch you. | 0:05:24 | 0:05:25 | |
Jesus. You're in on it. | 0:05:27 | 0:05:30 | |
No. | 0:05:32 | 0:05:34 | |
-You lied to me! -I didn't mean to, I was just trying to... | 0:05:34 | 0:05:38 | |
-You lied to me! -I didn't mean to, | 0:05:38 | 0:05:40 | |
I just wanted to get my money and they said they would sort it out | 0:05:40 | 0:05:43 | |
if I cooperated, and then Meredith died and I didn't expect her to die! | 0:05:43 | 0:05:47 | |
-SOBBING: -I just wanted my money. | 0:05:47 | 0:05:49 | |
So, they killed Meredith? | 0:05:51 | 0:05:53 | |
Who? | 0:05:53 | 0:05:54 | |
Sylvia? The Satlows? | 0:05:56 | 0:05:59 | |
-They'll know if I say something. They'll know. -Where's Hal? | 0:06:00 | 0:06:05 | |
-I don't know. -Tell me. -I don't know. | 0:06:05 | 0:06:07 | |
Please, I just... | 0:06:09 | 0:06:10 | |
All I do know is that they are planning something tonight, | 0:06:10 | 0:06:13 | |
something big. Something bad. | 0:06:13 | 0:06:15 | |
Is Graves in on this? | 0:06:15 | 0:06:17 | |
-I don't think so. -Then you're going to come with me. -No. | 0:06:17 | 0:06:21 | |
-And you're going to tell her what you know. -No, no! | 0:06:21 | 0:06:23 | |
They'll set those things on to her, they'll kill her. | 0:06:25 | 0:06:27 | |
I've seen what they can do. My uncle, your mum, Meredith, now Hal. | 0:06:27 | 0:06:31 | |
Are you saying that they've killed Hal? | 0:06:33 | 0:06:35 | |
-I don't know. -Are you? You have to tell me! | 0:06:35 | 0:06:38 | |
Matilda, you've got to just keep your voice down. | 0:06:38 | 0:06:40 | |
They could be listening. If they do, they will hear us and... | 0:06:40 | 0:06:42 | |
LOUD CLATTER | 0:06:42 | 0:06:44 | |
Jesus! | 0:06:59 | 0:07:00 | |
Sean... | 0:07:01 | 0:07:02 | |
How did this happen? | 0:07:07 | 0:07:09 | |
-I did this. I did this. -No. -I stabbed you. | 0:07:19 | 0:07:23 | |
It was them, riding you. | 0:07:23 | 0:07:25 | |
Listen, Carys. The thin ones came again. | 0:07:25 | 0:07:29 | |
And they told me you've got to go. Back home, right now, this minute. | 0:07:29 | 0:07:35 | |
-I'm not going anywhere. -There's something out here. | 0:07:35 | 0:07:39 | |
Not like the thin ones. | 0:07:39 | 0:07:41 | |
Something different. It means you harm. | 0:07:41 | 0:07:45 | |
-I won't leave you. And I won't leave Hal. -Then you'll die. | 0:07:46 | 0:07:49 | |
That's what they told me. | 0:07:52 | 0:07:54 | |
If you stay, you're going to die. | 0:07:54 | 0:07:57 | |
We need an ambulance. Nick! Nick! | 0:07:59 | 0:08:03 | |
Shit. | 0:08:03 | 0:08:05 | |
KNOCK AT DOOR | 0:08:31 | 0:08:32 | |
Sorry, love. | 0:08:33 | 0:08:34 | |
I didn't want to interrupt you, but the constable...has some news. | 0:08:34 | 0:08:41 | |
About your English friend? | 0:08:41 | 0:08:43 | |
-We met for coffee. Thank you. -Just before he had his accident? | 0:08:51 | 0:08:56 | |
He was asking about an old copper, | 0:08:57 | 0:08:59 | |
-thought she might be involved in the Carys Howell business. -Involved? | 0:08:59 | 0:09:02 | |
-How? -I don't think he knew himself. | 0:09:02 | 0:09:04 | |
I said I would try to find out what became of her, other than that... | 0:09:06 | 0:09:09 | |
And he seemed OK. Sober? | 0:09:09 | 0:09:12 | |
He was worried about his friend, Matilda. | 0:09:12 | 0:09:15 | |
Otherwise perfectly normal. | 0:09:15 | 0:09:16 | |
We had a bit of drama last night, up at Dean House. | 0:09:18 | 0:09:21 | |
From what I hear, Eddie Fenton and Aron Morgan have been bad boys. | 0:09:21 | 0:09:26 | |
We had a chat, Eddie and me, about the night Ewan died. | 0:09:26 | 0:09:29 | |
He puts you there. | 0:09:30 | 0:09:31 | |
Does he? | 0:09:34 | 0:09:36 | |
Explain that to me, Stephen. | 0:09:38 | 0:09:41 | |
Ewan and I went back 30 years. | 0:09:41 | 0:09:44 | |
He was a good man. Served this community... | 0:09:45 | 0:09:47 | |
I don't give a shit about that. | 0:09:47 | 0:09:49 | |
I need you to tell me, were you involved in that drug cultivation? | 0:09:50 | 0:09:54 | |
I was not. | 0:09:54 | 0:09:56 | |
I knew Ewan had his vices. | 0:09:57 | 0:09:59 | |
I didn't think it fair his reputation be destroyed | 0:09:59 | 0:10:04 | |
-over drugs he might be holding, for personal use. -Personal use? | 0:10:04 | 0:10:07 | |
That's what I expected to find. | 0:10:07 | 0:10:09 | |
In any event, when I got the call saying he was dead, I headed over. | 0:10:09 | 0:10:13 | |
To...clean up the house before the emergency services arrived. | 0:10:13 | 0:10:17 | |
A call from Aron Morgan? | 0:10:18 | 0:10:19 | |
So, Morgan calls you, says there's a dead man | 0:10:21 | 0:10:24 | |
and you don't ask any questions about what Morgan's doing there? | 0:10:24 | 0:10:27 | |
He was doing me a favour by calling me. I returned it by not prying. | 0:10:27 | 0:10:29 | |
And in doing so, you turned a blind eye to a major drug cultivation. | 0:10:29 | 0:10:32 | |
Grown on your watch, officer, not mine. | 0:10:32 | 0:10:34 | |
Don't be hard on yourself. If we arrested everyone in town who was breaking the law, | 0:10:34 | 0:10:38 | |
half of Penllynith would be banged up. We both know the game. | 0:10:38 | 0:10:40 | |
PHONE RINGS | 0:10:40 | 0:10:41 | |
I know the game because you taught me. | 0:10:47 | 0:10:50 | |
But now I've had enough. | 0:10:50 | 0:10:51 | |
PC Graves. | 0:10:53 | 0:10:54 | |
-Come on, now. -No, please, please! I don't want it. | 0:11:04 | 0:11:07 | |
I don't need the medicine! Please! You don't understand! | 0:11:07 | 0:11:10 | |
You don't understand! | 0:11:10 | 0:11:12 | |
-Calm down. -They're on it again! | 0:11:12 | 0:11:15 | |
You've got to listen to me, please! | 0:11:15 | 0:11:17 | |
DOOR OPENS | 0:11:23 | 0:11:25 | |
You were right. It's Sean Howell. | 0:11:27 | 0:11:29 | |
I've been right about a lot of things. | 0:11:30 | 0:11:32 | |
OK, I'm listening. | 0:11:33 | 0:11:35 | |
There are people in this village, a cult or a coven or... | 0:11:39 | 0:11:43 | |
I don't know. | 0:11:43 | 0:11:45 | |
I don't know what, but the Satlows are in on it | 0:11:45 | 0:11:49 | |
and so is Sylvia Walsh. | 0:11:49 | 0:11:50 | |
Those reel-to-reel recordings up at Dean House, and the mirror, | 0:11:50 | 0:11:55 | |
they use them for their ceremonies. | 0:11:55 | 0:11:57 | |
And I think they also use children. | 0:11:57 | 0:11:59 | |
You're talking about Carys Howell. | 0:11:59 | 0:12:02 | |
They got hold of another one, before. | 0:12:02 | 0:12:05 | |
They adopted him from his drug addicted mum, | 0:12:05 | 0:12:08 | |
and I don't know what they did, but he turned up dead | 0:12:08 | 0:12:12 | |
and then they took Carys. | 0:12:12 | 0:12:13 | |
OK. And now your mate, Mr Fine? | 0:12:13 | 0:12:17 | |
They shut him up because he found out something about Janice. | 0:12:17 | 0:12:20 | |
He sent me pictures, newspaper articles. | 0:12:21 | 0:12:25 | |
Look. | 0:12:27 | 0:12:28 | |
That's her. She was a policewoman. | 0:12:28 | 0:12:32 | |
And then she disappeared and she changed her name | 0:12:32 | 0:12:34 | |
and she left her whole life behind. Now, why would she do that to me? | 0:12:34 | 0:12:37 | |
Explain that. | 0:12:37 | 0:12:39 | |
The Satlows are good people, they're solid. | 0:12:39 | 0:12:42 | |
Yeah, they're so bloody solid that no-one ever looks at them. | 0:12:42 | 0:12:45 | |
All right, let's take a look. | 0:12:48 | 0:12:49 | |
You stay back here unless I call you in, all right? | 0:13:09 | 0:13:12 | |
Did you know that she...? | 0:13:40 | 0:13:42 | |
Matilda. | 0:13:45 | 0:13:47 | |
Where's Hal? | 0:13:47 | 0:13:49 | |
PC Graves was telling me about your friend. I'm sorry. | 0:13:49 | 0:13:52 | |
If you have hurt him, I will kill you. I scarcely met the poor man. | 0:13:52 | 0:13:55 | |
She's lying. You must be able to see that! | 0:13:55 | 0:13:58 | |
OK. Let's keep this civil. | 0:13:58 | 0:13:59 | |
Apparently you also think I had | 0:13:59 | 0:14:01 | |
something to do with Carys going missing? | 0:14:01 | 0:14:03 | |
-You took me from my real mum. -Matilda! -Away from my family. | 0:14:03 | 0:14:06 | |
I was doing a shift at the hospital when Carys disappeared, | 0:14:06 | 0:14:09 | |
-I clearly remember... -Then your husband took me! | 0:14:09 | 0:14:12 | |
Matilda, may I ask have you been taking the medication I prescribed? | 0:14:12 | 0:14:16 | |
I think it would be enormously beneficial if you did. | 0:14:16 | 0:14:21 | |
-David? They've got David Morgan in there. -That's right. | 0:14:21 | 0:14:25 | |
Stephen Kendrick asked us to mind him. | 0:14:25 | 0:14:27 | |
-We need to get him out of there. -Matilda, the boy looks fine. -David! | 0:14:27 | 0:14:31 | |
-Come back! -Excuse me! -Matilda! -David, we need to go. | 0:14:31 | 0:14:34 | |
We can go to the hospital and we can see your mum. | 0:14:34 | 0:14:37 | |
I'm warning you to step away. Let go of the boy! You're crazy! | 0:14:37 | 0:14:40 | |
-Hey, what the hell is going on? -I hate you! | 0:14:40 | 0:14:43 | |
They are going to kill him. I know it. | 0:14:43 | 0:14:45 | |
-Step back from that child or I will restrain you. -No! No! | 0:14:45 | 0:14:48 | |
-You can't have him. -Drop that! -You said you would listen to me. | 0:14:48 | 0:14:51 | |
David, come here. | 0:14:51 | 0:14:52 | |
I can't believe I listened to you. | 0:14:52 | 0:14:54 | |
They will hurt him. Something is going to happen. | 0:14:54 | 0:14:55 | |
You're a danger to this child and you're a danger to yourself. | 0:14:55 | 0:14:58 | |
You've got to listen! You're not listening to me! | 0:14:58 | 0:14:59 | |
-Matilda Gray, I'm arresting you... -These people are killers! | 0:14:59 | 0:15:02 | |
I know what they are planning. | 0:15:02 | 0:15:04 | |
..harm your defence, if you fail to mention... | 0:15:04 | 0:15:06 | |
You've got to listen to me! | 0:15:06 | 0:15:07 | |
..Anything you do say may be given in evidence. | 0:15:07 | 0:15:09 | |
BANGING, MATILDA SHOUTS | 0:15:17 | 0:15:20 | |
I said some hard things to him before he went to Manchester. | 0:16:00 | 0:16:04 | |
And now I feel like a right bitch. | 0:16:05 | 0:16:07 | |
What if he doesn't come back? | 0:16:29 | 0:16:31 | |
Can I sit with you? | 0:16:36 | 0:16:37 | |
Till the police call? | 0:16:40 | 0:16:41 | |
-Inspector. -Not any more, lad. | 0:17:44 | 0:17:47 | |
Oh, yeah. Sorry. Mr Kendrick. | 0:17:47 | 0:17:51 | |
So... I heard your boss arrested Miss Gray. | 0:17:51 | 0:17:57 | |
Yeah, she had been troubling young Davy Morgan again, so... | 0:17:57 | 0:18:00 | |
PHONE RINGS Excuse me. | 0:18:02 | 0:18:04 | |
Penllynith Police. Constable Shortly speaking. | 0:18:07 | 0:18:10 | |
WOMAN'S VOICE ON PHONE | 0:18:10 | 0:18:12 | |
OK, wait, wait. Calm down. | 0:18:13 | 0:18:15 | |
And you can still hear them now? | 0:18:15 | 0:18:18 | |
Right, you must ring 999 immediately. | 0:18:19 | 0:18:21 | |
-Yes, we are the closest station, but... -Constable? -One moment, ma'am. | 0:18:23 | 0:18:26 | |
-What's wrong? -It's a lady at the top of the Monmieth Road. | 0:18:26 | 0:18:29 | |
Says someone's trying to break into the back of her house. | 0:18:29 | 0:18:30 | |
-Well, get up there, man! -I can't leave a prisoner unattended. | 0:18:30 | 0:18:33 | |
I'll attend. | 0:18:33 | 0:18:34 | |
-It's not procedure. -You want to risk it? | 0:18:34 | 0:18:36 | |
I'll get on dispatch, I'll get backup to Monmieth Road, | 0:18:36 | 0:18:39 | |
you'll be back here in 30 minutes. | 0:18:39 | 0:18:41 | |
Madam? Lock yourself in the bathroom. I'll be there soon. | 0:18:44 | 0:18:48 | |
-Thank you, Inspector. -You're welcome. Now move! | 0:18:49 | 0:18:52 | |
SHE GASPS | 0:19:42 | 0:19:43 | |
What's going on? | 0:19:46 | 0:19:48 | |
Hello? | 0:19:50 | 0:19:52 | |
Hello? | 0:20:00 | 0:20:02 | |
Hello? | 0:20:07 | 0:20:09 | |
Power's gone. So is the CCTV. | 0:20:11 | 0:20:15 | |
We're in luck. | 0:20:15 | 0:20:17 | |
Shortly's out, but he won't be long. We've got to be quick. | 0:20:17 | 0:20:19 | |
What are you doing? | 0:20:19 | 0:20:21 | |
Matilda, I need your help and I don't have anyone else to ask. | 0:20:21 | 0:20:25 | |
Please. David's in danger. | 0:20:25 | 0:20:27 | |
I know where he'll be. | 0:20:30 | 0:20:32 | |
We need to go to Dean House. | 0:20:35 | 0:20:37 | |
Coming. | 0:20:40 | 0:20:42 | |
-Hello? We had a call-out. -Oh, yeah? -Someone trying to force entry? | 0:20:42 | 0:20:46 | |
Not here. 52 Monmieth Road? | 0:20:46 | 0:20:49 | |
I spoke to an older lady. | 0:20:49 | 0:20:51 | |
This is 52 but there's no lady here. | 0:20:51 | 0:20:54 | |
Ah, just a crank call, then, I expect. | 0:20:54 | 0:20:57 | |
-Must've been, I suppose. -Sorry to bother you. | 0:20:57 | 0:20:59 | |
ENGAGED TONE | 0:21:07 | 0:21:09 | |
All right, Ben, all right. | 0:21:26 | 0:21:28 | |
GUN COCKS | 0:21:33 | 0:21:34 | |
WHISPERING | 0:21:45 | 0:21:47 | |
DOG BARKS | 0:21:55 | 0:21:56 | |
RUSTLING | 0:21:56 | 0:21:58 | |
RUSTLING | 0:22:03 | 0:22:05 | |
DOG BARKS | 0:22:05 | 0:22:07 | |
Benny! Benny! | 0:22:10 | 0:22:12 | |
Stand up. | 0:22:22 | 0:22:23 | |
Stand up or I will shoot. | 0:22:25 | 0:22:26 | |
Verity Satlow treated Rose through her depression. They were close. | 0:22:49 | 0:22:54 | |
So, when the Satlows called up and offered to mind David... | 0:22:54 | 0:22:57 | |
-You thought you could go down the pub. -I thought I could visit my son. | 0:22:57 | 0:23:00 | |
He hasn't got long. | 0:23:02 | 0:23:04 | |
I don't understand why you suddenly believe me about all of this. | 0:23:10 | 0:23:14 | |
-I spoke to your friend Hal. -What? | 0:23:14 | 0:23:17 | |
He asked me about a police officer on the Carys Howell task force, | 0:23:17 | 0:23:20 | |
Mary McKeown. | 0:23:20 | 0:23:22 | |
Janice. | 0:23:22 | 0:23:23 | |
I remember Mary, and I started wondering if she might have | 0:23:26 | 0:23:29 | |
figured this whole thing out. | 0:23:29 | 0:23:32 | |
No. She kidnapped me. | 0:23:32 | 0:23:35 | |
What if she rescued you? | 0:23:35 | 0:23:37 | |
If she figured out where they had you | 0:23:37 | 0:23:39 | |
and snatched you away to save you? | 0:23:39 | 0:23:41 | |
She would have told someone. | 0:23:43 | 0:23:45 | |
She'd have told Rose at least. | 0:23:45 | 0:23:47 | |
Maybe she didn't know who she could trust. | 0:23:50 | 0:23:52 | |
Those photos that she had of Rose. | 0:23:57 | 0:24:00 | |
She thought Rose was in on it. | 0:24:00 | 0:24:02 | |
And that's why she couldn't give me back. | 0:24:04 | 0:24:07 | |
Easy mistake to make. | 0:24:07 | 0:24:08 | |
You made it yourself, didn't you? | 0:24:08 | 0:24:11 | |
If she found out what they have been doing, | 0:24:11 | 0:24:13 | |
she would have been terrified. | 0:24:13 | 0:24:14 | |
Enough to hide, and stay hidden for 23 years. | 0:24:14 | 0:24:17 | |
Maybe she actually saved your life, Matilda. | 0:24:19 | 0:24:22 | |
Best not to let them know we're coming. | 0:24:33 | 0:24:36 | |
If Mary was a policewoman based around here, | 0:25:07 | 0:25:10 | |
you would have been her boss. | 0:25:10 | 0:25:11 | |
But you're saying she never confided in you. | 0:25:11 | 0:25:14 | |
She did, didn't she? | 0:25:16 | 0:25:18 | |
I'd been warned about her. | 0:25:18 | 0:25:20 | |
She was a wild card, a troublemaker, so, at the time, what she said | 0:25:20 | 0:25:24 | |
about people doing magic, it sounded like the rantings of a mad woman. | 0:25:24 | 0:25:27 | |
Well, she was right. | 0:25:27 | 0:25:29 | |
She was right, and she saved me from them. | 0:25:30 | 0:25:33 | |
I told you I've made mistakes. Now I'm trying to make up for them. | 0:25:37 | 0:25:42 | |
Let's walk from here. | 0:25:42 | 0:25:43 | |
It's only half a mile up the road. | 0:25:45 | 0:25:47 | |
Nice to see you here at HQ, Graves. | 0:26:00 | 0:26:03 | |
-Are they putting something in the water in Penllynith? -Sorry? | 0:26:03 | 0:26:06 | |
You've been having your own mini crimewave. | 0:26:06 | 0:26:09 | |
Maybe I'm just catching them faster. | 0:26:09 | 0:26:11 | |
Happy for you to have a casual chat. | 0:26:11 | 0:26:13 | |
If you want to make it official, give me a shout and I'll sit in. | 0:26:13 | 0:26:15 | |
DOOR LOCK BUZZES | 0:26:15 | 0:26:17 | |
I want Kendrick. | 0:26:30 | 0:26:31 | |
-What? -I know he was there at Dean House the night Ewan Dean died. | 0:26:31 | 0:26:36 | |
All I need to do is connect him to the drugs. | 0:26:36 | 0:26:39 | |
I expect there's hard men involved in this drug deal of yours. | 0:26:41 | 0:26:45 | |
But do you really think they will care if you drop an ex-copper in it? | 0:26:45 | 0:26:50 | |
What I'll guarantee you is this. | 0:26:50 | 0:26:51 | |
You'll get a big discount on your sentence | 0:26:51 | 0:26:53 | |
if you help put a crooked police officer away. | 0:26:53 | 0:26:55 | |
Helps you, helps me. | 0:26:55 | 0:26:58 | |
Helps your boy. So, I'll ask again. | 0:26:58 | 0:27:02 | |
Was Stephen Kendrick involved in the cultivation | 0:27:02 | 0:27:05 | |
-in the property adjacent to Dean House? -Not to my knowledge. | 0:27:05 | 0:27:10 | |
-So why was he there? -I don't know. He just showed up. | 0:27:10 | 0:27:14 | |
And I thought I was a goner. Old copper on the scene. | 0:27:14 | 0:27:16 | |
But, no, he said to me, "If I don't see you, you don't see me." | 0:27:16 | 0:27:19 | |
-Ed said he was cleaning up. -He was. | 0:27:19 | 0:27:22 | |
But it wasn't drugs, it was broken glass. | 0:27:22 | 0:27:25 | |
The way I see it, Ewan Dean had been going about | 0:27:25 | 0:27:27 | |
smashing up all the mirrors. | 0:27:27 | 0:27:28 | |
Did Kendrick say anything about it? | 0:27:30 | 0:27:33 | |
No. Tell you the truth, he looked scared. | 0:27:33 | 0:27:36 | |
At least until he turned that damn noise off | 0:27:36 | 0:27:38 | |
and then he just calmed down again. | 0:27:38 | 0:27:40 | |
-Noise? -Music. If that's what you want to call out. | 0:27:40 | 0:27:44 | |
If you were bloody Igor! Sent a shiver down my spine. | 0:27:44 | 0:27:47 | |
But you know, each to his own. | 0:27:47 | 0:27:49 | |
'This is Constable Ian Shortly. | 0:27:57 | 0:27:58 | |
'Please leave a message and I will get back to you.' | 0:27:58 | 0:28:01 | |
Ian, I need to talk to Matilda Gray. | 0:28:01 | 0:28:02 | |
I'm heading back into town but it's urgent, so call me back. | 0:28:02 | 0:28:05 | |
-That Sylvia Walsh's car. -And the Satlows, they're here. | 0:28:22 | 0:28:26 | |
-This isn't right. -Davie needs us. I'm not going to wait. | 0:28:33 | 0:28:37 | |
-ECHOING: -Tilly. | 0:29:14 | 0:29:15 | |
Tilly. | 0:29:17 | 0:29:18 | |
Matilda. | 0:29:28 | 0:29:29 | |
Let's be friends. | 0:29:30 | 0:29:32 | |
At first, I was running. | 0:29:57 | 0:29:59 | |
Trying not to think about what would happen. | 0:29:59 | 0:30:02 | |
And then, one day, you were crying again. You cried so much back then. | 0:30:04 | 0:30:10 | |
And I... I lost it. | 0:30:11 | 0:30:16 | |
I gave you a shake. | 0:30:18 | 0:30:20 | |
And at that moment, I could see how frightened you were. | 0:30:21 | 0:30:26 | |
Of me. | 0:30:28 | 0:30:29 | |
But still, later that night... | 0:30:31 | 0:30:33 | |
..you came into my bed... | 0:30:36 | 0:30:40 | |
and you cuddled up to me, to the scary lady, | 0:30:40 | 0:30:44 | |
who'd shaken you. | 0:30:44 | 0:30:46 | |
It's not something I asked for, to be a mum. | 0:30:49 | 0:30:52 | |
And you didn't ask for me, either, I know. | 0:30:55 | 0:30:59 | |
But you got me. | 0:30:59 | 0:31:00 | |
And I did love you. | 0:31:03 | 0:31:05 | |
I love my clever little girl. | 0:31:06 | 0:31:09 | |
Did you love me, Tilly? | 0:31:15 | 0:31:16 | |
Even a bit? | 0:31:19 | 0:31:21 | |
HE BREATHES HEAVILY | 0:31:31 | 0:31:33 | |
What are you doing? | 0:31:39 | 0:31:41 | |
The trap door down to the basement, it's standing open. | 0:31:41 | 0:31:45 | |
SWITCH CLICKS | 0:32:00 | 0:32:02 | |
Light. | 0:32:09 | 0:32:10 | |
-There's a door here. -What? | 0:32:13 | 0:32:16 | |
And here you are. | 0:32:43 | 0:32:45 | |
At last. | 0:32:45 | 0:32:47 | |
-It's OK. -Where's Davey? | 0:32:52 | 0:32:54 | |
Upstairs, asleep, safe. | 0:32:54 | 0:32:56 | |
-This was never about him. -Get out of my way! | 0:32:56 | 0:32:58 | |
I will. Just calm down first. | 0:32:58 | 0:33:00 | |
I'm sorry. | 0:33:02 | 0:33:04 | |
It was important you came of your own will... | 0:33:04 | 0:33:06 | |
-..with pure heart. -To save the child. | 0:33:06 | 0:33:09 | |
That's why things didn't work out properly last time. | 0:33:11 | 0:33:15 | |
When you were little. | 0:33:15 | 0:33:17 | |
Pure of heart, you were. | 0:33:17 | 0:33:19 | |
But not here willingly. | 0:33:20 | 0:33:22 | |
Now we can put that right. | 0:33:24 | 0:33:26 | |
Put that right? You've killed people, children. | 0:33:26 | 0:33:30 | |
You sent those things to kill my mother. | 0:33:30 | 0:33:32 | |
That woman wasn't your mother. | 0:33:32 | 0:33:34 | |
SHE SCREAMS | 0:33:37 | 0:33:39 | |
-Help! -Matilda! Matilda! | 0:33:39 | 0:33:41 | |
SHE GROANS | 0:33:41 | 0:33:42 | |
SHE SOBS | 0:33:46 | 0:33:47 | |
That boy... | 0:34:08 | 0:34:10 | |
we buried near the caravan park. | 0:34:10 | 0:34:12 | |
He did die, but that was an accident. | 0:34:13 | 0:34:17 | |
Too much sedative, | 0:34:17 | 0:34:20 | |
and it forced us to take you, instead and... | 0:34:20 | 0:34:24 | |
..I think you were a far better choice. | 0:34:27 | 0:34:29 | |
Sit up, Matilda. | 0:34:34 | 0:34:35 | |
Sit up. | 0:34:39 | 0:34:40 | |
You see... | 0:34:43 | 0:34:44 | |
..we need you. | 0:34:48 | 0:34:49 | |
What are you going to do to me? | 0:34:53 | 0:34:55 | |
Incredible things. | 0:34:56 | 0:34:58 | |
She would have helped my boy, Matilda. | 0:34:58 | 0:35:01 | |
Take away the pain. | 0:35:01 | 0:35:02 | |
-You're mad. -She's done amazing things. | 0:35:04 | 0:35:06 | |
I can make your dreams come true, too. | 0:35:09 | 0:35:11 | |
I don't want anything from you. | 0:35:11 | 0:35:13 | |
You want to find out who you really are, | 0:35:13 | 0:35:16 | |
to solve the mystery of your past. Isn't that true? | 0:35:16 | 0:35:19 | |
There's...always been something inside you. | 0:35:20 | 0:35:24 | |
Like an itch you can't reach. | 0:35:25 | 0:35:27 | |
Well, here's your chance to scratch it. | 0:35:28 | 0:35:31 | |
No. | 0:35:35 | 0:35:36 | |
You're free to leave, if you want. | 0:35:40 | 0:35:42 | |
But if you go... | 0:35:52 | 0:35:53 | |
..it's over. | 0:35:54 | 0:35:55 | |
You'll never know the truth. | 0:35:56 | 0:35:58 | |
Then there are the criminal charges against you. | 0:36:00 | 0:36:02 | |
Although Verity will recommend you be sectioned instead and... | 0:36:03 | 0:36:08 | |
..even if you did escape that, what would you be returning to? | 0:36:10 | 0:36:14 | |
Your friend Hal... | 0:36:16 | 0:36:17 | |
..gone. | 0:36:18 | 0:36:20 | |
Your career... | 0:36:20 | 0:36:21 | |
..gone. | 0:36:23 | 0:36:24 | |
Your real mother, in a coma. | 0:36:24 | 0:36:27 | |
You did that. | 0:36:27 | 0:36:29 | |
You. You took it all from me. | 0:36:31 | 0:36:33 | |
No, Matilda. | 0:36:34 | 0:36:35 | |
You did it. | 0:36:37 | 0:36:38 | |
All those things, | 0:36:40 | 0:36:42 | |
you sacrificed them to get to here. | 0:36:42 | 0:36:44 | |
LOCK CLANKS | 0:36:46 | 0:36:48 | |
The answer's in here. | 0:36:55 | 0:36:56 | |
The answer to all your questions. | 0:36:58 | 0:37:00 | |
An answer so incredible... | 0:37:02 | 0:37:03 | |
..you can't imagine. | 0:37:05 | 0:37:06 | |
She's telling the truth, Matilda. | 0:37:08 | 0:37:10 | |
I swear it. | 0:37:10 | 0:37:11 | |
-ECHOING: -Here I am... | 0:37:14 | 0:37:15 | |
You've burnt so many bridges to get here. | 0:37:19 | 0:37:22 | |
How could you back away now? | 0:37:23 | 0:37:24 | |
Here I am... | 0:37:34 | 0:37:36 | |
EERIE AMBIENT MUSIC | 0:38:19 | 0:38:23 | |
SCRATCHING | 0:40:11 | 0:40:12 | |
INDISTINCT ECHOING VOICE | 0:40:18 | 0:40:20 | |
I can feel you. | 0:40:20 | 0:40:21 | |
We can talk. | 0:40:28 | 0:40:30 | |
INDISTINCT ECHOING VOICE | 0:40:36 | 0:40:38 | |
I'm your... | 0:41:06 | 0:41:08 | |
I'm... | 0:41:11 | 0:41:12 | |
Here I am. | 0:41:16 | 0:41:20 | |
DISTORTED: Here I am. | 0:41:22 | 0:41:26 | |
-DEEP, ECHOING: -Here I am... | 0:41:29 | 0:41:34 | |
Ah! | 0:41:41 | 0:41:43 | |
Aargh! | 0:41:43 | 0:41:44 | |
Argh... | 0:41:45 | 0:41:47 | |
CRACKING | 0:41:48 | 0:41:49 | |
CRUNCHING | 0:41:53 | 0:41:55 | |
SHE PANTS | 0:41:58 | 0:41:59 | |
Ah! | 0:42:04 | 0:42:05 | |
Ugh. | 0:42:06 | 0:42:07 | |
INDISTINCT ECHOING VOICE | 0:42:10 | 0:42:12 | |
SHE GASPS | 0:42:16 | 0:42:17 | |
ECHOING VOICE INTENSIFIES | 0:42:21 | 0:42:24 | |
SHE GASPS | 0:42:28 | 0:42:29 | |
Ah! | 0:42:34 | 0:42:35 | |
CRACK | 0:42:37 | 0:42:38 | |
SHE BREATHES HEAVILY | 0:42:40 | 0:42:42 | |
SHUDDERING | 0:42:43 | 0:42:46 | |
SHE SCREAMS | 0:42:56 | 0:42:57 | |
VIOLENT CRACKING | 0:42:57 | 0:43:00 | |
ECHOING BREATH | 0:43:01 | 0:43:03 | |
SILENCE | 0:43:06 | 0:43:07 | |
It's time. | 0:43:35 | 0:43:36 | |
We need to get her out. | 0:43:37 | 0:43:38 | |
Those things, are they inside her? | 0:43:41 | 0:43:44 | |
Those things scuttling around this house are nothing. | 0:43:44 | 0:43:48 | |
Errand boys. | 0:43:50 | 0:43:51 | |
What's in her is a great one. | 0:43:52 | 0:43:54 | |
An Archangel. | 0:43:56 | 0:43:57 | |
A shard of the divine. | 0:43:58 | 0:44:00 | |
It been in her all the time, just below the surface... | 0:44:02 | 0:44:06 | |
..unable to rise up to take control. | 0:44:07 | 0:44:09 | |
All we've done is complete what we started 23 years ago. | 0:44:11 | 0:44:14 | |
We've released it, | 0:44:16 | 0:44:18 | |
and I will stand on its right hand. | 0:44:18 | 0:44:20 | |
We all will. | 0:44:23 | 0:44:24 | |
She hasn't moved. | 0:45:15 | 0:45:17 | |
I expect it'll take a while for it to recover. | 0:45:17 | 0:45:19 | |
To get used to being in control. | 0:45:21 | 0:45:22 | |
Verity... | 0:45:22 | 0:45:23 | |
Well, why don't you go and check on the boy? | 0:45:26 | 0:45:29 | |
Go. | 0:45:32 | 0:45:33 | |
-I think I'm going to be sick. -Oh, for heaven's sake. | 0:45:42 | 0:45:44 | |
Why don't you make yourself useful, and put the kettle on? | 0:45:45 | 0:45:48 | |
Nicholas could soon become a problem. | 0:45:58 | 0:46:01 | |
He already is. | 0:46:01 | 0:46:03 | |
As is your wife. | 0:46:04 | 0:46:05 | |
I sorted Ewan out when he wouldn't come back into the fold. | 0:46:07 | 0:46:11 | |
I can quite easily do the same with Verity. | 0:46:11 | 0:46:13 | |
I... | 0:46:15 | 0:46:16 | |
Oh, Lloyd. | 0:46:16 | 0:46:18 | |
Cheer up. | 0:46:20 | 0:46:21 | |
This is a happy day, not a sad one. | 0:46:24 | 0:46:29 | |
Hmm? | 0:46:29 | 0:46:31 | |
Is he all right? | 0:46:35 | 0:46:37 | |
I only gave him a mild dosage, should be fine. | 0:46:37 | 0:46:40 | |
LOUD THUD | 0:46:40 | 0:46:41 | |
Could something else have crossed over? | 0:46:45 | 0:46:47 | |
THUD | 0:46:49 | 0:46:51 | |
CREAKING | 0:46:51 | 0:46:52 | |
Who's there? | 0:47:03 | 0:47:04 | |
Who's there? | 0:47:21 | 0:47:22 | |
Hello? | 0:47:25 | 0:47:26 | |
RASPING HOWL | 0:47:33 | 0:47:35 | |
THUD | 0:47:35 | 0:47:36 | |
FALTERING BREATH | 0:47:36 | 0:47:37 | |
Stephen? | 0:47:39 | 0:47:40 | |
Stephen! | 0:47:43 | 0:47:44 | |
CREAKING | 0:47:46 | 0:47:47 | |
WATER BOILS | 0:47:53 | 0:47:54 | |
LOUD THUD | 0:47:57 | 0:47:58 | |
Matilda? | 0:48:02 | 0:48:03 | |
Is it you? | 0:48:05 | 0:48:06 | |
What I said before, it's true. | 0:48:11 | 0:48:13 | |
I swear. | 0:48:14 | 0:48:16 | |
I didn't want any of this. | 0:48:16 | 0:48:17 | |
They forced me to. | 0:48:19 | 0:48:22 | |
You know that, right? | 0:48:24 | 0:48:26 | |
HEAVY KNOCK | 0:48:46 | 0:48:47 | |
KNOCKING | 0:48:57 | 0:48:59 | |
Oh, my God. | 0:49:07 | 0:49:09 | |
Where have you...? What's happened? | 0:49:09 | 0:49:11 | |
Matilda. | 0:49:11 | 0:49:12 | |
It's too late. It's too late. | 0:49:12 | 0:49:15 | |
OK. OK, let's get you inside. Come on. | 0:49:15 | 0:49:19 | |
Come on, it's OK. | 0:49:19 | 0:49:20 | |
The power's out and she's not in the lock-up. | 0:49:24 | 0:49:26 | |
I'm going to Dean House. Meet me there. | 0:49:26 | 0:49:28 | |
I'm sorry, boss. Inspector... | 0:49:50 | 0:49:52 | |
-I mean, Mr Kendrick, he said... -What's the situation here? | 0:49:52 | 0:49:55 | |
I've been knocking but there's no-one answering. | 0:49:55 | 0:49:57 | |
Oh, bloody hell! | 0:50:02 | 0:50:03 | |
Hello? | 0:50:06 | 0:50:08 | |
You check the back. | 0:50:08 | 0:50:09 | |
Hello? | 0:50:09 | 0:50:10 | |
The trap door was opened under that basement room | 0:50:25 | 0:50:28 | |
but there's no-one there. | 0:50:28 | 0:50:29 | |
OK. | 0:50:32 | 0:50:33 | |
Hello? | 0:50:38 | 0:50:39 | |
Hello? | 0:50:46 | 0:50:47 | |
DEEP ECHOING NOISE | 0:50:59 | 0:51:00 | |
I think David needs to see a doctor. | 0:51:18 | 0:51:20 | |
Find out. | 0:51:27 | 0:51:30 | |
Just check. | 0:51:30 | 0:51:33 | |
SHE WHISPERS INDISTINCTLY | 0:51:33 | 0:51:35 | |
They were wrong. | 0:51:51 | 0:51:53 | |
You're OK. | 0:51:53 | 0:51:54 | |
I think so. | 0:51:56 | 0:51:57 | |
And you? | 0:51:59 | 0:52:01 | |
I've had a shower now. | 0:52:01 | 0:52:03 | |
I don't smell so. | 0:52:03 | 0:52:04 | |
Will you come with me to see Rose? | 0:52:15 | 0:52:17 | |
I can't. Not yet. | 0:52:17 | 0:52:19 | |
You go for me. | 0:52:20 | 0:52:21 | |
Go on. | 0:52:25 | 0:52:26 | |
Hi. | 0:52:55 | 0:52:56 | |
I'm sorry to intrude on you. | 0:52:58 | 0:52:59 | |
You two probably want some time alone, yeah? | 0:52:59 | 0:53:02 | |
No, stay. | 0:53:02 | 0:53:04 | |
I missed you. | 0:53:18 | 0:53:19 | |
I missed you so much. | 0:53:22 | 0:53:24 | |
Matilda? We do need to have a chat. | 0:53:32 | 0:53:35 | |
I'll be back in a minute, OK? | 0:53:40 | 0:53:41 | |
What's that for? | 0:53:50 | 0:53:52 | |
I just wanted to. | 0:53:52 | 0:53:53 | |
Still no sign of the Satlows... | 0:54:10 | 0:54:12 | |
..Sylvia Walsh, Nick Dean or Stephen Kendrick. | 0:54:13 | 0:54:15 | |
Even though all their cars are up at Dean House. | 0:54:16 | 0:54:20 | |
If I knew anything at all, I would tell you. | 0:54:20 | 0:54:23 | |
But, like I said, I don't remember. | 0:54:23 | 0:54:25 | |
Do you know how convenient that sounds? | 0:54:25 | 0:54:28 | |
I've been having blackouts, OK? | 0:54:28 | 0:54:30 | |
Check my medical records. | 0:54:30 | 0:54:32 | |
The last thing I know from last night, I was in your cells. | 0:54:32 | 0:54:35 | |
Then you woke up at Dean House and heard David upstairs crying. | 0:54:35 | 0:54:39 | |
You've spoken to David. What does he say? | 0:54:39 | 0:54:41 | |
That the Satlows gave him orange juice and he fell asleep. | 0:54:43 | 0:54:46 | |
Next thing he knew, he was with you at Dean House. | 0:54:46 | 0:54:48 | |
Which is exactly what I told you. | 0:54:48 | 0:54:50 | |
For now, I'm dropping the charges | 0:54:52 | 0:54:53 | |
relating to what happened at the Satlows'. | 0:54:53 | 0:54:55 | |
But I am going to have to interview you again | 0:54:55 | 0:54:57 | |
about how you got out of the lock-up. | 0:54:57 | 0:54:59 | |
-I'm happy to do that, but as I said... -You don't remember anything. | 0:54:59 | 0:55:02 | |
I'll be in touch. | 0:55:06 | 0:55:08 | |
SHE BREATHES HEAVILY | 0:55:51 | 0:55:53 | |
SHE GASPS | 0:56:02 | 0:56:04 | |
INDISTINCT ECHOING VOICE | 0:56:10 | 0:56:12 | |
CRACKING | 0:56:19 | 0:56:21 | |
RUSTLING | 0:56:27 | 0:56:30 | |
PHONE BUZZES | 0:57:47 | 0:57:49 |