Episode 6 Requiem


Episode 6

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Transcript


LineFromTo

John Dee was a scryer. He thought he was talking to angels.

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You can only hear their voices if you're pure of heart, like a small child.

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The dog found something - a child's bones.

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You're saying Carys is dead.

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-There was a bracelet on the wrist.

-What if there were two children?

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What if they took two?

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I feel like there's something in me. I'm scared of what I'm going to see.

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It says the name of a real hospital, a real doctor,

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-a real mother and father.

-That's not me.

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Mother, Janice Gray.

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Why are doing this?

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If you won't stop this, I will.

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PHONE RINGS

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You're saying that she arrived in the area a few

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months before Carys went missing, and then she disappeared?

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-Can you just tell me he's all right?

-No sign of a driver.

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It seems like your friend's disappeared.

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This programme contains some violent scenes, some strong language

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and scenes which some viewers may find disturbing.

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Let me out!

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-Let me out!

-Carys, hey! It's OK. I told you I'd be right back.

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Come on, Carys. I got you sweets.

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Where am I? I want my mummy! I want to go home.

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-All the ones you wanted.

-I want my mummy!

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I've done the mirrors, covered them up. Just like you said.

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-I want my mummy!

-Carys! Shh.

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You have got to quieten down. Or you'll get us both killed.

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Do you understand?

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Good girl. Now, do you remember what I told you? We need to hide.

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Because those people back here, they are bad people.

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And if those bad people find us,

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they are going to do bad things to us.

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Do you understand? Yeah?

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OK? We've got a long drive. Best get going. OK?

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-He can't have just disappeared.

-Straight to voicemail.

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-Maybe it's switched off.

-Police said that he had been to Manchester.

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If he went all the way there, then he must have tried to call me.

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-I could check in the car, maybe it's under the seats.

-Find phone.

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-I'll do find phone.

-What?

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It's an app, Hal put it on my iPad

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and it sets off an alarm on your phone.

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I know what is, but that only works

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when the phone is switched on, doesn't it?

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I don't know. It's worth trying, isn't it?

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PHONE RINGS

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-It's here.

-What? Oh!

-It was just there.

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I looked there, like five minutes ago.

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It was right down, beneath the cushion.

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'Message received today at 11:42am.'

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'Tilly, I know you're angry with me,

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'but I've dug up some stuff about your dad.

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'And just call me as soon as you can, it's important.'

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-'Next new message.

-You need to pick up, Tilly.

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'Your mum, Janice - you were right.

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'She wasn't your mum, she was a cop. Mary McKeown.

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'She changed her name and took the identity of a dead woman

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'and I think she took you.

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'I don't know why or what's going on, but I am heading back now.

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'For God's sake, Matilda, call me when you can.

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'End of messages.'

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-What did he say?

-Nick.

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Did you have my phone?

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No. I... Whatever Hal said, whatever that is, it's not true.

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You did, you took my phone.

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Why the fuck did you do that?

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I'm sorry.

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Why?

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They told me to watch you.

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Jesus. You're in on it.

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No.

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-You lied to me!

-I didn't mean to, I was just trying to...

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-You lied to me!

-I didn't mean to,

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I just wanted to get my money and they said they would sort it out

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if I cooperated, and then Meredith died and I didn't expect her to die!

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-SOBBING:

-I just wanted my money.

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So, they killed Meredith?

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Who?

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Sylvia? The Satlows?

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-They'll know if I say something. They'll know.

-Where's Hal?

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-I don't know.

-Tell me.

-I don't know.

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Please, I just...

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All I do know is that they are planning something tonight,

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something big. Something bad.

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Is Graves in on this?

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-I don't think so.

-Then you're going to come with me.

-No.

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-And you're going to tell her what you know.

-No, no!

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They'll set those things on to her, they'll kill her.

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I've seen what they can do. My uncle, your mum, Meredith, now Hal.

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Are you saying that they've killed Hal?

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-I don't know.

-Are you? You have to tell me!

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Matilda, you've got to just keep your voice down.

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They could be listening. If they do, they will hear us and...

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LOUD CLATTER

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Jesus!

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Sean...

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How did this happen?

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-I did this. I did this.

-No.

-I stabbed you.

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It was them, riding you.

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Listen, Carys. The thin ones came again.

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And they told me you've got to go. Back home, right now, this minute.

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-I'm not going anywhere.

-There's something out here.

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Not like the thin ones.

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Something different. It means you harm.

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-I won't leave you. And I won't leave Hal.

-Then you'll die.

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That's what they told me.

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If you stay, you're going to die.

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We need an ambulance. Nick! Nick!

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Shit.

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KNOCK AT DOOR

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Sorry, love.

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I didn't want to interrupt you, but the constable...has some news.

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About your English friend?

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-We met for coffee. Thank you.

-Just before he had his accident?

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He was asking about an old copper,

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-thought she might be involved in the Carys Howell business.

-Involved?

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-How?

-I don't think he knew himself.

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I said I would try to find out what became of her, other than that...

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And he seemed OK. Sober?

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He was worried about his friend, Matilda.

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Otherwise perfectly normal.

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We had a bit of drama last night, up at Dean House.

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From what I hear, Eddie Fenton and Aron Morgan have been bad boys.

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We had a chat, Eddie and me, about the night Ewan died.

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He puts you there.

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Does he?

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Explain that to me, Stephen.

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Ewan and I went back 30 years.

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He was a good man. Served this community...

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I don't give a shit about that.

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I need you to tell me, were you involved in that drug cultivation?

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I was not.

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I knew Ewan had his vices.

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I didn't think it fair his reputation be destroyed

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-over drugs he might be holding, for personal use.

-Personal use?

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That's what I expected to find.

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In any event, when I got the call saying he was dead, I headed over.

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To...clean up the house before the emergency services arrived.

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A call from Aron Morgan?

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So, Morgan calls you, says there's a dead man

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and you don't ask any questions about what Morgan's doing there?

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He was doing me a favour by calling me. I returned it by not prying.

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And in doing so, you turned a blind eye to a major drug cultivation.

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Grown on your watch, officer, not mine.

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Don't be hard on yourself. If we arrested everyone in town who was breaking the law,

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half of Penllynith would be banged up. We both know the game.

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PHONE RINGS

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I know the game because you taught me.

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But now I've had enough.

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PC Graves.

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-Come on, now.

-No, please, please! I don't want it.

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I don't need the medicine! Please! You don't understand!

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You don't understand!

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-Calm down.

-They're on it again!

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You've got to listen to me, please!

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DOOR OPENS

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You were right. It's Sean Howell.

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I've been right about a lot of things.

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OK, I'm listening.

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There are people in this village, a cult or a coven or...

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I don't know.

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I don't know what, but the Satlows are in on it

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and so is Sylvia Walsh.

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Those reel-to-reel recordings up at Dean House, and the mirror,

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they use them for their ceremonies.

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And I think they also use children.

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You're talking about Carys Howell.

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They got hold of another one, before.

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They adopted him from his drug addicted mum,

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and I don't know what they did, but he turned up dead

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and then they took Carys.

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OK. And now your mate, Mr Fine?

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They shut him up because he found out something about Janice.

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He sent me pictures, newspaper articles.

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Look.

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That's her. She was a policewoman.

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And then she disappeared and she changed her name

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and she left her whole life behind. Now, why would she do that to me?

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Explain that.

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The Satlows are good people, they're solid.

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Yeah, they're so bloody solid that no-one ever looks at them.

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All right, let's take a look.

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You stay back here unless I call you in, all right?

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Did you know that she...?

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Matilda.

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Where's Hal?

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PC Graves was telling me about your friend. I'm sorry.

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If you have hurt him, I will kill you. I scarcely met the poor man.

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She's lying. You must be able to see that!

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OK. Let's keep this civil.

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Apparently you also think I had

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something to do with Carys going missing?

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-You took me from my real mum.

-Matilda!

-Away from my family.

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I was doing a shift at the hospital when Carys disappeared,

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-I clearly remember...

-Then your husband took me!

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Matilda, may I ask have you been taking the medication I prescribed?

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I think it would be enormously beneficial if you did.

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-David? They've got David Morgan in there.

-That's right.

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Stephen Kendrick asked us to mind him.

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-We need to get him out of there.

-Matilda, the boy looks fine.

-David!

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-Come back!

-Excuse me!

-Matilda!

-David, we need to go.

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We can go to the hospital and we can see your mum.

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I'm warning you to step away. Let go of the boy! You're crazy!

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-Hey, what the hell is going on?

-I hate you!

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They are going to kill him. I know it.

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-Step back from that child or I will restrain you.

-No! No!

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-You can't have him.

-Drop that!

-You said you would listen to me.

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David, come here.

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I can't believe I listened to you.

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They will hurt him. Something is going to happen.

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You're a danger to this child and you're a danger to yourself.

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You've got to listen! You're not listening to me!

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-Matilda Gray, I'm arresting you...

-These people are killers!

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I know what they are planning.

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..harm your defence, if you fail to mention...

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You've got to listen to me!

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..Anything you do say may be given in evidence.

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BANGING, MATILDA SHOUTS

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I said some hard things to him before he went to Manchester.

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And now I feel like a right bitch.

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What if he doesn't come back?

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Can I sit with you?

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Till the police call?

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-Inspector.

-Not any more, lad.

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Oh, yeah. Sorry. Mr Kendrick.

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So... I heard your boss arrested Miss Gray.

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Yeah, she had been troubling young Davy Morgan again, so...

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PHONE RINGS Excuse me.

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Penllynith Police. Constable Shortly speaking.

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WOMAN'S VOICE ON PHONE

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OK, wait, wait. Calm down.

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And you can still hear them now?

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Right, you must ring 999 immediately.

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-Yes, we are the closest station, but...

-Constable?

-One moment, ma'am.

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-What's wrong?

-It's a lady at the top of the Monmieth Road.

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Says someone's trying to break into the back of her house.

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-Well, get up there, man!

-I can't leave a prisoner unattended.

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I'll attend.

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-It's not procedure.

-You want to risk it?

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I'll get on dispatch, I'll get backup to Monmieth Road,

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you'll be back here in 30 minutes.

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Madam? Lock yourself in the bathroom. I'll be there soon.

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-Thank you, Inspector.

-You're welcome. Now move!

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SHE GASPS

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What's going on?

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Hello?

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Hello?

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Hello?

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Power's gone. So is the CCTV.

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We're in luck.

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Shortly's out, but he won't be long. We've got to be quick.

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What are you doing?

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Matilda, I need your help and I don't have anyone else to ask.

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Please. David's in danger.

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I know where he'll be.

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We need to go to Dean House.

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Coming.

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-Hello? We had a call-out.

-Oh, yeah?

-Someone trying to force entry?

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Not here. 52 Monmieth Road?

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I spoke to an older lady.

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This is 52 but there's no lady here.

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Ah, just a crank call, then, I expect.

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-Must've been, I suppose.

-Sorry to bother you.

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ENGAGED TONE

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All right, Ben, all right.

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GUN COCKS

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WHISPERING

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DOG BARKS

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RUSTLING

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RUSTLING

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DOG BARKS

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Benny! Benny!

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Stand up.

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Stand up or I will shoot.

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Verity Satlow treated Rose through her depression. They were close.

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So, when the Satlows called up and offered to mind David...

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-You thought you could go down the pub.

-I thought I could visit my son.

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He hasn't got long.

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I don't understand why you suddenly believe me about all of this.

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-I spoke to your friend Hal.

-What?

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He asked me about a police officer on the Carys Howell task force,

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Mary McKeown.

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Janice.

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I remember Mary, and I started wondering if she might have

0:23:260:23:29

figured this whole thing out.

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No. She kidnapped me.

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What if she rescued you?

0:23:350:23:37

If she figured out where they had you

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and snatched you away to save you?

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She would have told someone.

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She'd have told Rose at least.

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Maybe she didn't know who she could trust.

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Those photos that she had of Rose.

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She thought Rose was in on it.

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And that's why she couldn't give me back.

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Easy mistake to make.

0:24:070:24:08

You made it yourself, didn't you?

0:24:080:24:11

If she found out what they have been doing,

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she would have been terrified.

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Enough to hide, and stay hidden for 23 years.

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Maybe she actually saved your life, Matilda.

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Best not to let them know we're coming.

0:24:330:24:36

If Mary was a policewoman based around here,

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you would have been her boss.

0:25:100:25:11

But you're saying she never confided in you.

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She did, didn't she?

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I'd been warned about her.

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She was a wild card, a troublemaker, so, at the time, what she said

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about people doing magic, it sounded like the rantings of a mad woman.

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Well, she was right.

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She was right, and she saved me from them.

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I told you I've made mistakes. Now I'm trying to make up for them.

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Let's walk from here.

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It's only half a mile up the road.

0:25:450:25:47

Nice to see you here at HQ, Graves.

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-Are they putting something in the water in Penllynith?

-Sorry?

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You've been having your own mini crimewave.

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Maybe I'm just catching them faster.

0:26:090:26:11

Happy for you to have a casual chat.

0:26:110:26:13

If you want to make it official, give me a shout and I'll sit in.

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DOOR LOCK BUZZES

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I want Kendrick.

0:26:300:26:31

-What?

-I know he was there at Dean House the night Ewan Dean died.

0:26:310:26:36

All I need to do is connect him to the drugs.

0:26:360:26:39

I expect there's hard men involved in this drug deal of yours.

0:26:410:26:45

But do you really think they will care if you drop an ex-copper in it?

0:26:450:26:50

What I'll guarantee you is this.

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You'll get a big discount on your sentence

0:26:510:26:53

if you help put a crooked police officer away.

0:26:530:26:55

Helps you, helps me.

0:26:550:26:58

Helps your boy. So, I'll ask again.

0:26:580:27:02

Was Stephen Kendrick involved in the cultivation

0:27:020:27:05

-in the property adjacent to Dean House?

-Not to my knowledge.

0:27:050:27:10

-So why was he there?

-I don't know. He just showed up.

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And I thought I was a goner. Old copper on the scene.

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But, no, he said to me, "If I don't see you, you don't see me."

0:27:160:27:19

-Ed said he was cleaning up.

-He was.

0:27:190:27:22

But it wasn't drugs, it was broken glass.

0:27:220:27:25

The way I see it, Ewan Dean had been going about

0:27:250:27:27

smashing up all the mirrors.

0:27:270:27:28

Did Kendrick say anything about it?

0:27:300:27:33

No. Tell you the truth, he looked scared.

0:27:330:27:36

At least until he turned that damn noise off

0:27:360:27:38

and then he just calmed down again.

0:27:380:27:40

-Noise?

-Music. If that's what you want to call out.

0:27:400:27:44

If you were bloody Igor! Sent a shiver down my spine.

0:27:440:27:47

But you know, each to his own.

0:27:470:27:49

'This is Constable Ian Shortly.

0:27:570:27:58

'Please leave a message and I will get back to you.'

0:27:580:28:01

Ian, I need to talk to Matilda Gray.

0:28:010:28:02

I'm heading back into town but it's urgent, so call me back.

0:28:020:28:05

-That Sylvia Walsh's car.

-And the Satlows, they're here.

0:28:220:28:26

-This isn't right.

-Davie needs us. I'm not going to wait.

0:28:330:28:37

-ECHOING:

-Tilly.

0:29:140:29:15

Tilly.

0:29:170:29:18

Matilda.

0:29:280:29:29

Let's be friends.

0:29:300:29:32

At first, I was running.

0:29:570:29:59

Trying not to think about what would happen.

0:29:590:30:02

And then, one day, you were crying again. You cried so much back then.

0:30:040:30:10

And I... I lost it.

0:30:110:30:16

I gave you a shake.

0:30:180:30:20

And at that moment, I could see how frightened you were.

0:30:210:30:26

Of me.

0:30:280:30:29

But still, later that night...

0:30:310:30:33

..you came into my bed...

0:30:360:30:40

and you cuddled up to me, to the scary lady,

0:30:400:30:44

who'd shaken you.

0:30:440:30:46

It's not something I asked for, to be a mum.

0:30:490:30:52

And you didn't ask for me, either, I know.

0:30:550:30:59

But you got me.

0:30:590:31:00

And I did love you.

0:31:030:31:05

I love my clever little girl.

0:31:060:31:09

Did you love me, Tilly?

0:31:150:31:16

Even a bit?

0:31:190:31:21

HE BREATHES HEAVILY

0:31:310:31:33

What are you doing?

0:31:390:31:41

The trap door down to the basement, it's standing open.

0:31:410:31:45

SWITCH CLICKS

0:32:000:32:02

Light.

0:32:090:32:10

-There's a door here.

-What?

0:32:130:32:16

And here you are.

0:32:430:32:45

At last.

0:32:450:32:47

-It's OK.

-Where's Davey?

0:32:520:32:54

Upstairs, asleep, safe.

0:32:540:32:56

-This was never about him.

-Get out of my way!

0:32:560:32:58

I will. Just calm down first.

0:32:580:33:00

I'm sorry.

0:33:020:33:04

It was important you came of your own will...

0:33:040:33:06

-..with pure heart.

-To save the child.

0:33:060:33:09

That's why things didn't work out properly last time.

0:33:110:33:15

When you were little.

0:33:150:33:17

Pure of heart, you were.

0:33:170:33:19

But not here willingly.

0:33:200:33:22

Now we can put that right.

0:33:240:33:26

Put that right? You've killed people, children.

0:33:260:33:30

You sent those things to kill my mother.

0:33:300:33:32

That woman wasn't your mother.

0:33:320:33:34

SHE SCREAMS

0:33:370:33:39

-Help!

-Matilda! Matilda!

0:33:390:33:41

SHE GROANS

0:33:410:33:42

SHE SOBS

0:33:460:33:47

That boy...

0:34:080:34:10

we buried near the caravan park.

0:34:100:34:12

He did die, but that was an accident.

0:34:130:34:17

Too much sedative,

0:34:170:34:20

and it forced us to take you, instead and...

0:34:200:34:24

..I think you were a far better choice.

0:34:270:34:29

Sit up, Matilda.

0:34:340:34:35

Sit up.

0:34:390:34:40

You see...

0:34:430:34:44

..we need you.

0:34:480:34:49

What are you going to do to me?

0:34:530:34:55

Incredible things.

0:34:560:34:58

She would have helped my boy, Matilda.

0:34:580:35:01

Take away the pain.

0:35:010:35:02

-You're mad.

-She's done amazing things.

0:35:040:35:06

I can make your dreams come true, too.

0:35:090:35:11

I don't want anything from you.

0:35:110:35:13

You want to find out who you really are,

0:35:130:35:16

to solve the mystery of your past. Isn't that true?

0:35:160:35:19

There's...always been something inside you.

0:35:200:35:24

Like an itch you can't reach.

0:35:250:35:27

Well, here's your chance to scratch it.

0:35:280:35:31

No.

0:35:350:35:36

You're free to leave, if you want.

0:35:400:35:42

But if you go...

0:35:520:35:53

..it's over.

0:35:540:35:55

You'll never know the truth.

0:35:560:35:58

Then there are the criminal charges against you.

0:36:000:36:02

Although Verity will recommend you be sectioned instead and...

0:36:030:36:08

..even if you did escape that, what would you be returning to?

0:36:100:36:14

Your friend Hal...

0:36:160:36:17

..gone.

0:36:180:36:20

Your career...

0:36:200:36:21

..gone.

0:36:230:36:24

Your real mother, in a coma.

0:36:240:36:27

You did that.

0:36:270:36:29

You. You took it all from me.

0:36:310:36:33

No, Matilda.

0:36:340:36:35

You did it.

0:36:370:36:38

All those things,

0:36:400:36:42

you sacrificed them to get to here.

0:36:420:36:44

LOCK CLANKS

0:36:460:36:48

The answer's in here.

0:36:550:36:56

The answer to all your questions.

0:36:580:37:00

An answer so incredible...

0:37:020:37:03

..you can't imagine.

0:37:050:37:06

She's telling the truth, Matilda.

0:37:080:37:10

I swear it.

0:37:100:37:11

-ECHOING:

-Here I am...

0:37:140:37:15

You've burnt so many bridges to get here.

0:37:190:37:22

How could you back away now?

0:37:230:37:24

Here I am...

0:37:340:37:36

EERIE AMBIENT MUSIC

0:38:190:38:23

SCRATCHING

0:40:110:40:12

INDISTINCT ECHOING VOICE

0:40:180:40:20

I can feel you.

0:40:200:40:21

We can talk.

0:40:280:40:30

INDISTINCT ECHOING VOICE

0:40:360:40:38

I'm your...

0:41:060:41:08

I'm...

0:41:110:41:12

Here I am.

0:41:160:41:20

DISTORTED: Here I am.

0:41:220:41:26

-DEEP, ECHOING:

-Here I am...

0:41:290:41:34

Ah!

0:41:410:41:43

Aargh!

0:41:430:41:44

Argh...

0:41:450:41:47

CRACKING

0:41:480:41:49

CRUNCHING

0:41:530:41:55

SHE PANTS

0:41:580:41:59

Ah!

0:42:040:42:05

Ugh.

0:42:060:42:07

INDISTINCT ECHOING VOICE

0:42:100:42:12

SHE GASPS

0:42:160:42:17

ECHOING VOICE INTENSIFIES

0:42:210:42:24

SHE GASPS

0:42:280:42:29

Ah!

0:42:340:42:35

CRACK

0:42:370:42:38

SHE BREATHES HEAVILY

0:42:400:42:42

SHUDDERING

0:42:430:42:46

SHE SCREAMS

0:42:560:42:57

VIOLENT CRACKING

0:42:570:43:00

ECHOING BREATH

0:43:010:43:03

SILENCE

0:43:060:43:07

It's time.

0:43:350:43:36

We need to get her out.

0:43:370:43:38

Those things, are they inside her?

0:43:410:43:44

Those things scuttling around this house are nothing.

0:43:440:43:48

Errand boys.

0:43:500:43:51

What's in her is a great one.

0:43:520:43:54

An Archangel.

0:43:560:43:57

A shard of the divine.

0:43:580:44:00

It been in her all the time, just below the surface...

0:44:020:44:06

..unable to rise up to take control.

0:44:070:44:09

All we've done is complete what we started 23 years ago.

0:44:110:44:14

We've released it,

0:44:160:44:18

and I will stand on its right hand.

0:44:180:44:20

We all will.

0:44:230:44:24

She hasn't moved.

0:45:150:45:17

I expect it'll take a while for it to recover.

0:45:170:45:19

To get used to being in control.

0:45:210:45:22

Verity...

0:45:220:45:23

Well, why don't you go and check on the boy?

0:45:260:45:29

Go.

0:45:320:45:33

-I think I'm going to be sick.

-Oh, for heaven's sake.

0:45:420:45:44

Why don't you make yourself useful, and put the kettle on?

0:45:450:45:48

Nicholas could soon become a problem.

0:45:580:46:01

He already is.

0:46:010:46:03

As is your wife.

0:46:040:46:05

I sorted Ewan out when he wouldn't come back into the fold.

0:46:070:46:11

I can quite easily do the same with Verity.

0:46:110:46:13

I...

0:46:150:46:16

Oh, Lloyd.

0:46:160:46:18

Cheer up.

0:46:200:46:21

This is a happy day, not a sad one.

0:46:240:46:29

Hmm?

0:46:290:46:31

Is he all right?

0:46:350:46:37

I only gave him a mild dosage, should be fine.

0:46:370:46:40

LOUD THUD

0:46:400:46:41

Could something else have crossed over?

0:46:450:46:47

THUD

0:46:490:46:51

CREAKING

0:46:510:46:52

Who's there?

0:47:030:47:04

Who's there?

0:47:210:47:22

Hello?

0:47:250:47:26

RASPING HOWL

0:47:330:47:35

THUD

0:47:350:47:36

FALTERING BREATH

0:47:360:47:37

Stephen?

0:47:390:47:40

Stephen!

0:47:430:47:44

CREAKING

0:47:460:47:47

WATER BOILS

0:47:530:47:54

LOUD THUD

0:47:570:47:58

Matilda?

0:48:020:48:03

Is it you?

0:48:050:48:06

What I said before, it's true.

0:48:110:48:13

I swear.

0:48:140:48:16

I didn't want any of this.

0:48:160:48:17

They forced me to.

0:48:190:48:22

You know that, right?

0:48:240:48:26

HEAVY KNOCK

0:48:460:48:47

KNOCKING

0:48:570:48:59

Oh, my God.

0:49:070:49:09

Where have you...? What's happened?

0:49:090:49:11

Matilda.

0:49:110:49:12

It's too late. It's too late.

0:49:120:49:15

OK. OK, let's get you inside. Come on.

0:49:150:49:19

Come on, it's OK.

0:49:190:49:20

The power's out and she's not in the lock-up.

0:49:240:49:26

I'm going to Dean House. Meet me there.

0:49:260:49:28

I'm sorry, boss. Inspector...

0:49:500:49:52

-I mean, Mr Kendrick, he said...

-What's the situation here?

0:49:520:49:55

I've been knocking but there's no-one answering.

0:49:550:49:57

Oh, bloody hell!

0:50:020:50:03

Hello?

0:50:060:50:08

You check the back.

0:50:080:50:09

Hello?

0:50:090:50:10

The trap door was opened under that basement room

0:50:250:50:28

but there's no-one there.

0:50:280:50:29

OK.

0:50:320:50:33

Hello?

0:50:380:50:39

Hello?

0:50:460:50:47

DEEP ECHOING NOISE

0:50:590:51:00

I think David needs to see a doctor.

0:51:180:51:20

Find out.

0:51:270:51:30

Just check.

0:51:300:51:33

SHE WHISPERS INDISTINCTLY

0:51:330:51:35

They were wrong.

0:51:510:51:53

You're OK.

0:51:530:51:54

I think so.

0:51:560:51:57

And you?

0:51:590:52:01

I've had a shower now.

0:52:010:52:03

I don't smell so.

0:52:030:52:04

Will you come with me to see Rose?

0:52:150:52:17

I can't. Not yet.

0:52:170:52:19

You go for me.

0:52:200:52:21

Go on.

0:52:250:52:26

Hi.

0:52:550:52:56

I'm sorry to intrude on you.

0:52:580:52:59

You two probably want some time alone, yeah?

0:52:590:53:02

No, stay.

0:53:020:53:04

I missed you.

0:53:180:53:19

I missed you so much.

0:53:220:53:24

Matilda? We do need to have a chat.

0:53:320:53:35

I'll be back in a minute, OK?

0:53:400:53:41

What's that for?

0:53:500:53:52

I just wanted to.

0:53:520:53:53

Still no sign of the Satlows...

0:54:100:54:12

..Sylvia Walsh, Nick Dean or Stephen Kendrick.

0:54:130:54:15

Even though all their cars are up at Dean House.

0:54:160:54:20

If I knew anything at all, I would tell you.

0:54:200:54:23

But, like I said, I don't remember.

0:54:230:54:25

Do you know how convenient that sounds?

0:54:250:54:28

I've been having blackouts, OK?

0:54:280:54:30

Check my medical records.

0:54:300:54:32

The last thing I know from last night, I was in your cells.

0:54:320:54:35

Then you woke up at Dean House and heard David upstairs crying.

0:54:350:54:39

You've spoken to David. What does he say?

0:54:390:54:41

That the Satlows gave him orange juice and he fell asleep.

0:54:430:54:46

Next thing he knew, he was with you at Dean House.

0:54:460:54:48

Which is exactly what I told you.

0:54:480:54:50

For now, I'm dropping the charges

0:54:520:54:53

relating to what happened at the Satlows'.

0:54:530:54:55

But I am going to have to interview you again

0:54:550:54:57

about how you got out of the lock-up.

0:54:570:54:59

-I'm happy to do that, but as I said...

-You don't remember anything.

0:54:590:55:02

I'll be in touch.

0:55:060:55:08

SHE BREATHES HEAVILY

0:55:510:55:53

SHE GASPS

0:56:020:56:04

INDISTINCT ECHOING VOICE

0:56:100:56:12

CRACKING

0:56:190:56:21

RUSTLING

0:56:270:56:30

PHONE BUZZES

0:57:470:57:49

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