Browse content similar to Episode 1. Check below for episodes and series from the same categories and more!
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This programme contains some strong language. | 0:00:02 | 0:00:05 | |
# She knows too well that she's the only one | 0:00:16 | 0:00:23 | |
# She doesn't care if you're the lonely one. # | 0:00:23 | 0:00:28 | |
Jochen. Don't make yourself sick. You'll have to walk home. | 0:00:48 | 0:00:52 | |
Mummy? | 0:00:52 | 0:00:55 | |
Yes. | 0:00:55 | 0:00:56 | |
Is Sally your real mummy? | 0:00:56 | 0:00:58 | |
Of course. Why do you ask? | 0:00:58 | 0:01:01 | |
It's just she's so strange. | 0:01:01 | 0:01:03 | |
Well, we're all strange when you come to think about it. | 0:01:05 | 0:01:08 | |
I'm strange, you're strange. | 0:01:08 | 0:01:11 | |
Oi, what are you doing? You stupid woman! | 0:01:27 | 0:01:30 | |
HE MAKES AEROPLANE NOISES | 0:02:26 | 0:02:28 | |
Be careful, Jochen. | 0:02:36 | 0:02:38 | |
Sally? | 0:02:58 | 0:03:00 | |
We're here. | 0:03:00 | 0:03:04 | |
Sally! We're here! | 0:03:04 | 0:03:07 | |
Mum...? | 0:03:10 | 0:03:12 | |
Mum? Sally...? | 0:03:21 | 0:03:24 | |
Ruth! | 0:03:24 | 0:03:27 | |
My God, what's happened? | 0:03:27 | 0:03:30 | |
What's with the wheelchair? | 0:03:30 | 0:03:32 | |
I fell and hurt my back. Doctor said not to overdo the walking. | 0:03:32 | 0:03:35 | |
Did anybody follow you? | 0:03:37 | 0:03:39 | |
No. What are you talking about? Follow us? | 0:03:39 | 0:03:44 | |
Hello, darling. | 0:03:47 | 0:03:49 | |
Hello! | 0:03:49 | 0:03:52 | |
How's the thesis going? | 0:03:52 | 0:03:53 | |
Slowly but surely. | 0:03:53 | 0:03:55 | |
Wouldn't a job be better? | 0:03:55 | 0:03:58 | |
I'll get a better job with a PhD. | 0:03:58 | 0:04:00 | |
A PhD on Anarchist Politics in Post-War Germany? | 0:04:00 | 0:04:04 | |
A PhD is a PhD. | 0:04:04 | 0:04:08 | |
A PhD is a route to getting a job. | 0:04:08 | 0:04:10 | |
Who says I want a job? | 0:04:10 | 0:04:12 | |
How's Jochen getting on? | 0:04:18 | 0:04:20 | |
He's fine. Likes his school. | 0:04:20 | 0:04:23 | |
I'm trying to say, in my clumsy way, | 0:04:25 | 0:04:27 | |
isn't it not too much for you? | 0:04:27 | 0:04:30 | |
Cambridge University thesis, teaching foreign students, | 0:04:30 | 0:04:33 | |
on your own with a young boy? | 0:04:33 | 0:04:35 | |
We're fine, Sal. Don't worry. | 0:04:35 | 0:04:38 | |
We're happy. | 0:04:38 | 0:04:40 | |
Doesn't he miss his father? | 0:04:41 | 0:04:42 | |
Karl-Heinz has a right to see him whenever he wants. | 0:04:42 | 0:04:45 | |
Well, as long as I agree. | 0:04:45 | 0:04:48 | |
-So... Hadn't you better tell me? -What? | 0:04:52 | 0:04:56 | |
What's with this wheelchair lark? | 0:04:56 | 0:04:58 | |
Things are going on... | 0:05:00 | 0:05:01 | |
What things are going on? | 0:05:01 | 0:05:03 | |
There are people in the woods. | 0:05:07 | 0:05:09 | |
Yes, ramblers. People walking their dogs. | 0:05:09 | 0:05:14 | |
-People out for a walk. -People who are watching me. | 0:05:14 | 0:05:18 | |
You need to see a doctor. | 0:05:19 | 0:05:21 | |
All right, all right. I'm sorry. | 0:05:22 | 0:05:25 | |
But you must admit I have good cause. | 0:05:25 | 0:05:28 | |
I'll give you good cause. | 0:05:32 | 0:05:34 | |
What's this? | 0:06:12 | 0:06:13 | |
Read it, you'll see. | 0:06:13 | 0:06:15 | |
Who the hell is Eva Delectorskaya? | 0:06:16 | 0:06:19 | |
I am. | 0:06:21 | 0:06:23 | |
No. No, you're not. You're my mother. | 0:06:26 | 0:06:29 | |
You're Sally Gilmartin. | 0:06:29 | 0:06:32 | |
I am Eva Delectorskaya. | 0:06:32 | 0:06:34 | |
DRUMMING AND SINGING INCREASING IN VOLUME | 0:06:44 | 0:06:48 | |
# Contre nous de la tyrannie, | 0:06:50 | 0:06:55 | |
# L'etendard sanglant est leve | 0:06:55 | 0:06:58 | |
# Entendez-vous dans les campagnes... # | 0:06:58 | 0:07:01 | |
Eva! | 0:07:01 | 0:07:02 | |
Eva. | 0:07:04 | 0:07:06 | |
I'm sorry. What can I say? | 0:07:06 | 0:07:08 | |
Only 40 minutes late. You're getting better, Kolia. | 0:07:08 | 0:07:11 | |
Father's medicine. There was a queue. | 0:07:11 | 0:07:13 | |
-Enormous. Kilometres long. -Of course there was. | 0:07:13 | 0:07:16 | |
I've got to run. I'll see you tomorrow. | 0:07:16 | 0:07:18 | |
I thought we were having lunch? | 0:07:18 | 0:07:20 | |
Eva. Eva, Eva, always nagging. | 0:07:20 | 0:07:23 | |
-Where are you running off to? -A meeting. | 0:07:23 | 0:07:26 | |
What kind of meeting? | 0:07:26 | 0:07:28 | |
A meeting kind of meeting. Don't worry, big sister. | 0:07:28 | 0:07:33 | |
-Well, be careful! -I'll be fine! | 0:07:34 | 0:07:37 | |
Et nous disons aux etrangers qui decident de vivre chez nous. | 0:08:09 | 0:08:12 | |
Vous etes comme les Juifs et les Francmacons. | 0:08:12 | 0:08:16 | |
CHORUS OF SHOUTING | 0:08:16 | 0:08:19 | |
-Vive la France! -Vive la France! | 0:08:23 | 0:08:27 | |
Qu'est-ce que se passe! Hey! | 0:09:17 | 0:09:21 | |
Je suis journaliste! | 0:09:21 | 0:09:23 | |
Allons-y. | 0:09:36 | 0:09:38 | |
FUNERAL MASS IS READ OUT | 0:09:53 | 0:09:57 | |
Really, darling, you didn't need to drive all this way... | 0:10:21 | 0:10:24 | |
Stop right there! You, Eva, or whoever you are, | 0:10:24 | 0:10:27 | |
have just described a young man being horribly kicked to death | 0:10:27 | 0:10:31 | |
by a bunch of fascist thugs! | 0:10:31 | 0:10:32 | |
This Kolia you say is my uncle. Was my uncle. | 0:10:32 | 0:10:35 | |
-He was! -How do you think that makes me feel? | 0:10:35 | 0:10:37 | |
Me! Ruth Gilmartin, as was! Your daughter! | 0:10:37 | 0:10:40 | |
Reading something like that. How do I know what to believe? | 0:10:40 | 0:10:44 | |
Believe it. It's the truth. | 0:10:44 | 0:10:46 | |
But why now, Sal, after all this time? | 0:10:46 | 0:10:49 | |
I don't get it. | 0:10:55 | 0:10:56 | |
What's Dad's memorial service got to do with anything? | 0:10:56 | 0:10:59 | |
Somebody saw that photo. I knew they would. | 0:10:59 | 0:11:01 | |
It's the Cambridge News and Herald, Mum, for God's sake. | 0:11:01 | 0:11:04 | |
They see everything! | 0:11:04 | 0:11:06 | |
Because then I noticed the people in the woods, | 0:11:06 | 0:11:08 | |
the new cars in the village. They'd found me. | 0:11:08 | 0:11:11 | |
Or thought they had. | 0:11:11 | 0:11:12 | |
Then I realised I had to do something. I need your help. | 0:11:12 | 0:11:16 | |
I just don't believe it. | 0:11:16 | 0:11:18 | |
It's happening. It's true. | 0:11:18 | 0:11:21 | |
Suddenly I'm half-Russian? | 0:11:21 | 0:11:23 | |
Yes. Yes, you are. | 0:11:23 | 0:11:27 | |
SOBBING | 0:11:48 | 0:11:51 | |
Mademoiselle Delectorskaya? | 0:12:01 | 0:12:05 | |
Monsieur! S'il vous plait? | 0:12:07 | 0:12:12 | |
Pourquoi vous me suivez, monsieur? | 0:12:12 | 0:12:15 | |
Forgive me, I didn't mean to frighten you. | 0:12:15 | 0:12:18 | |
I wondered if I might have a moment of your time. | 0:12:18 | 0:12:21 | |
How did you know my brother? | 0:12:24 | 0:12:26 | |
My name's Lucas Romer. I was a friend of Kolia's. | 0:12:27 | 0:12:32 | |
-I saw you the day he died. -Yes. Yes, I met with him. | 0:12:34 | 0:12:39 | |
You heard what happened? Robbed and killed. | 0:12:39 | 0:12:42 | |
Actually, I think he was murdered. | 0:12:42 | 0:12:45 | |
I think they took his wallet to make it look like a robbery but... | 0:12:47 | 0:12:50 | |
I'm afraid he was killed by fascists. | 0:12:50 | 0:12:52 | |
What are you talking about? He was a piano teacher. | 0:12:52 | 0:12:57 | |
He was... | 0:12:57 | 0:12:59 | |
Oh. Of course. | 0:12:59 | 0:13:03 | |
Your English is excellent, by the way. Hardly any accent. | 0:13:07 | 0:13:10 | |
Please. | 0:13:10 | 0:13:13 | |
We had an English governess in the old days. | 0:13:13 | 0:13:16 | |
In Russia, before we came to Paris. | 0:13:16 | 0:13:19 | |
"Lucas Romer. Managing director. AAS." What does that mean? | 0:13:21 | 0:13:26 | |
Actuarial and Accountancy Services. | 0:13:26 | 0:13:29 | |
-You're an accountant? -Please. Miss Delectorskaya, | 0:13:29 | 0:13:32 | |
I just wanted to express my condolences. | 0:13:32 | 0:13:37 | |
I've been looking for the right moment. | 0:13:37 | 0:13:42 | |
My deepest sympathy. | 0:13:42 | 0:13:44 | |
Well... Thank you. | 0:13:48 | 0:13:53 | |
Goodbye. | 0:13:53 | 0:13:55 | |
PHONE RINGS | 0:14:45 | 0:14:49 | |
-Hello? -Ruth. | 0:14:52 | 0:14:54 | |
Hello, Mum. | 0:14:54 | 0:14:55 | |
How are you getting on? Where've you got to? | 0:14:55 | 0:14:58 | |
I've stopped. I don't think I can take much more. | 0:14:58 | 0:15:04 | |
Keep going, darling.. You'll see exactly why I need you. | 0:15:05 | 0:15:09 | |
Mum? | 0:15:14 | 0:15:16 | |
Mum! | 0:15:16 | 0:15:18 | |
Papa? | 0:15:32 | 0:15:33 | |
What are you doing? | 0:15:33 | 0:15:35 | |
Hello, my dear. Will you join us in a drink? | 0:15:35 | 0:15:40 | |
Papa. What is he doing...? | 0:15:40 | 0:15:41 | |
I've been having a most interesting conversation with your father. | 0:15:41 | 0:15:45 | |
Mr Romer says I can be British citizen. | 0:15:45 | 0:15:48 | |
-We can both be British citizen, Eva. -Papa! | 0:15:48 | 0:15:51 | |
I go prepare our supper. Huh? All right? | 0:15:51 | 0:15:54 | |
-This intrusion is completely... -I'll explain. | 0:15:58 | 0:16:00 | |
I work for the British Government. | 0:16:00 | 0:16:02 | |
Please, leave, my father's not well! This kind of excitement is not... | 0:16:02 | 0:16:05 | |
The security services. Kolia was one of us. | 0:16:05 | 0:16:07 | |
He was infiltrating and reporting on fascist organizations in France. | 0:16:07 | 0:16:14 | |
Why are you telling me all of this? | 0:16:17 | 0:16:20 | |
Perhaps we should go for a walk. | 0:16:20 | 0:16:23 | |
But I don't understand. | 0:16:24 | 0:16:26 | |
Why would Kolia join the British Secret Service? It's not like him. | 0:16:26 | 0:16:29 | |
Because there's a war coming. Yes, a war with Germany. | 0:16:29 | 0:16:32 | |
This year, next year. It's just a matter of time, | 0:16:32 | 0:16:35 | |
but for some of us, it's already started. | 0:16:35 | 0:16:37 | |
Kolia was fighting in that war. Think of him as a soldier. | 0:16:37 | 0:16:40 | |
Don't let him have died in vain. | 0:16:40 | 0:16:42 | |
This has nothing to do with me. How can I believe you? | 0:16:42 | 0:16:46 | |
You could tell me anything. | 0:16:46 | 0:16:48 | |
Why would I go to all this trouble just to lie to you? | 0:16:48 | 0:16:51 | |
My brother is dead, that is all I know. It's all I care about. | 0:16:51 | 0:16:54 | |
Perhaps you'll believe me now. | 0:16:54 | 0:16:57 | |
What is this? Some kind of joke? | 0:17:01 | 0:17:04 | |
You're a British citizen. Your name is Eve Dalton. | 0:17:04 | 0:17:06 | |
You work for us, | 0:17:06 | 0:17:08 | |
you'll earn £500 a year and get your father into hospital. | 0:17:08 | 0:17:12 | |
The best treatment. | 0:17:12 | 0:17:13 | |
Don't let Kolia have died in vain. | 0:17:13 | 0:17:16 | |
You can do something to avenge his death. Think of Kolia. | 0:17:16 | 0:17:21 | |
I do. Every minute of the day. | 0:17:21 | 0:17:24 | |
Keep your secret war, Mr Romer. If it killed my brother, | 0:17:24 | 0:17:27 | |
-I want nothing to do with it. -Just think about it. | 0:17:27 | 0:17:29 | |
Think what we can do for your father. | 0:17:29 | 0:17:33 | |
-Do you still have my card? -What? I think so, yes. | 0:17:33 | 0:17:37 | |
Call me on that number. | 0:17:37 | 0:17:39 | |
That won't be necessary, Mr Romer. I've made up my mind. | 0:17:39 | 0:17:42 | |
-Good day. -Kolia asked me to ask you! | 0:17:42 | 0:17:46 | |
Eva, he wanted you to join us! | 0:17:46 | 0:17:50 | |
It was his dearest wish! | 0:17:50 | 0:17:53 | |
Thank you. | 0:17:58 | 0:18:00 | |
Feeling calmer now? | 0:18:10 | 0:18:12 | |
How can I feel calm? | 0:18:12 | 0:18:13 | |
I can't get my head around it. | 0:18:13 | 0:18:15 | |
You're a British spy called Eva Delectorskaya. | 0:18:15 | 0:18:19 | |
That was my name. | 0:18:19 | 0:18:21 | |
Well, go on then. Say something in Russian! | 0:18:21 | 0:18:24 | |
SHE SPEAKS IN RUSSIAN | 0:18:24 | 0:18:30 | |
Oh, my God. What does that mean? | 0:18:32 | 0:18:36 | |
I was saying my daughter is a headstrong young woman | 0:18:36 | 0:18:39 | |
who sometimes makes mistakes. | 0:18:39 | 0:18:41 | |
Did Dad know anything? | 0:18:45 | 0:18:47 | |
No. He didn't. | 0:18:49 | 0:18:51 | |
We were very happy together. That's all that mattered. | 0:18:51 | 0:18:55 | |
Don't look so perplexed, my love. We all have secrets. Everyone. | 0:18:59 | 0:19:05 | |
No-one knows even half the truth about anybody else. | 0:19:05 | 0:19:08 | |
Not even when we're very close. | 0:19:08 | 0:19:10 | |
You went off to Germany for two years, lived in a commune. | 0:19:10 | 0:19:14 | |
Had a baby and didn't tell me about it for months, did you? | 0:19:14 | 0:19:17 | |
And then suddenly, "Oh, I met a man in Berlin called Karl-Heinz, | 0:19:17 | 0:19:22 | |
"who happens to be my professor, | 0:19:22 | 0:19:23 | |
"and, oh, you have a grandson called Jochen." | 0:19:23 | 0:19:26 | |
That's not the same. I was in a different situation. | 0:19:26 | 0:19:29 | |
That's all I'm doing. | 0:19:29 | 0:19:32 | |
Telling you my secrets, that's all. | 0:19:32 | 0:19:35 | |
Excuse me? | 0:19:55 | 0:19:56 | |
-Yes, Miss. -Where exactly are we? | 0:19:56 | 0:19:59 | |
Somewhere between Edinburgh and Inverness, Miss. | 0:19:59 | 0:20:03 | |
Miss Dalton? | 0:20:36 | 0:20:38 | |
Welcome to Lyne Manor. I'm Gerald Laird. | 0:20:38 | 0:20:41 | |
I'm the director here. | 0:20:41 | 0:20:43 | |
I was on the phone to Lucas Romer this morning. | 0:20:43 | 0:20:46 | |
I think he's very pleased you changed your mind. | 0:20:46 | 0:20:49 | |
What's going on here? A house party? | 0:20:49 | 0:20:52 | |
No, no! What were you expecting? | 0:20:52 | 0:20:55 | |
Barracks, a camp... A parade ground. | 0:20:55 | 0:20:59 | |
No, no! We have entirely different methods of training here. | 0:20:59 | 0:21:03 | |
We want you to be efficient and enjoy yourself. | 0:21:03 | 0:21:05 | |
-What kind of training? -It's not what you expect. | 0:21:05 | 0:21:08 | |
-It's very precise. -Very particular. | 0:21:08 | 0:21:10 | |
We concentrate on very specific things...now we're at war. | 0:21:10 | 0:21:14 | |
We'll get you started in the morning. | 0:21:14 | 0:21:17 | |
You have one minute. | 0:21:35 | 0:21:38 | |
Just the very slightest emphasis. It can convey so much. | 0:21:49 | 0:21:52 | |
Let's try it again. You can't possibly be serious. | 0:21:52 | 0:21:55 | |
You can't possibly be serious. | 0:21:55 | 0:21:57 | |
Almost. Just a squidgin more. Once again. | 0:21:57 | 0:21:59 | |
You can't possibly be serious. | 0:21:59 | 0:22:01 | |
Arizona, Phoenix. Arkansas, Little Rock. | 0:22:01 | 0:22:03 | |
California, Sacramento. Colorado, Denver. | 0:22:03 | 0:22:05 | |
Connecticut, Hartford. Delaware, Dover. | 0:22:05 | 0:22:08 | |
Florida, Tallahassee. Georgia, Atlanta. Hawaii, Honolulu, | 0:22:08 | 0:22:11 | |
Idaho, Boise. Illinois, Springfield. Indiana, Indianapolis. | 0:22:11 | 0:22:14 | |
Iowa, Des Moines... | 0:22:14 | 0:22:16 | |
Ready. | 0:22:22 | 0:22:23 | |
There were no dustbins... Sorry, trashcans outside number 10. | 0:22:27 | 0:22:31 | |
The car in front of number seven had white-wall tyres. | 0:22:31 | 0:22:34 | |
-..Andrew Johnson, Ulysses Grant, Rutherford Hayes... -Stop. | 0:22:34 | 0:22:38 | |
Nazi Germany and the Soviet Union have agreed to a partition of Poland | 0:22:48 | 0:22:52 | |
following their respective invasions of the country. | 0:22:52 | 0:22:55 | |
The city of Warsaw has surrendered to German forces | 0:22:55 | 0:22:57 | |
as of yesterday evening, And the British Prime Minister, | 0:22:57 | 0:23:00 | |
the Right Honourable Neville Chamberlain... | 0:23:00 | 0:23:03 | |
All right? | 0:24:28 | 0:24:29 | |
Count to 100, please, Miss. | 0:24:48 | 0:24:50 | |
You're the last. Good luck! | 0:24:54 | 0:24:57 | |
First one home, Miss Dalton! | 0:25:53 | 0:25:56 | |
Always full of surprises. | 0:25:56 | 0:25:58 | |
Bravo, Miss Dalton. | 0:25:59 | 0:26:02 | |
Thank you. | 0:26:02 | 0:26:04 | |
GUNSHOTS | 0:26:09 | 0:26:14 | |
Edward? Have you received your weapons training? | 0:26:17 | 0:26:20 | |
Eva, you really shouldn't be asking me that, you know. | 0:26:20 | 0:26:24 | |
Of course. Sorry. | 0:26:24 | 0:26:26 | |
-Sergeant? -Yes, Miss Dalton. | 0:26:33 | 0:26:36 | |
When am I due to have my firearms training? | 0:26:36 | 0:26:39 | |
Let me see... | 0:26:39 | 0:26:41 | |
Ah. You're not to receive any firearms training, Miss Dalton. | 0:26:41 | 0:26:46 | |
-Funny that. -Are you sure? | 0:26:46 | 0:26:49 | |
Everyone else seems to be trained how to use a gun. | 0:26:49 | 0:26:52 | |
That's what it says down here, Miss. Mr Romer says it's not necessary. | 0:26:52 | 0:26:56 | |
Oh... | 0:26:56 | 0:26:58 | |
Paper! Get your paper! | 0:27:07 | 0:27:10 | |
Paper, please. | 0:27:11 | 0:27:13 | |
Taxi! | 0:27:21 | 0:27:23 | |
Come along, don't dawdle, ladies. Come along. | 0:27:33 | 0:27:36 | |
We're going to Drumnadrochit. | 0:27:36 | 0:27:39 | |
Excuse me, can I get to Arthur's Seat from Princes Street? | 0:27:39 | 0:27:42 | |
I was told it took about an hour. | 0:27:42 | 0:27:43 | |
Eva. Congratulations. | 0:28:17 | 0:28:20 | |
The red scarf was a masterstroke. Do you like oysters? | 0:28:20 | 0:28:24 | |
How big was the team following you? Four? | 0:28:26 | 0:28:29 | |
-Six, actually. -Not many people can beat a six-man follow. | 0:28:29 | 0:28:32 | |
-Not even sure I could... -I'll take that as a compliment. | 0:28:32 | 0:28:35 | |
-It is, except you forgot about the close follow. -The close follow? | 0:28:35 | 0:28:38 | |
I was never more than three or four yards from you. | 0:28:38 | 0:28:41 | |
You expect a crow to be following you at a safe distance, | 0:28:41 | 0:28:44 | |
but sometimes crows are on your heels. | 0:28:44 | 0:28:46 | |
Worth bearing in mind. Still, bravo! | 0:28:46 | 0:28:49 | |
I meant to ask, why did I not receive any weapons training? | 0:28:52 | 0:28:56 | |
You won't need weapons in your line of work. | 0:28:56 | 0:28:59 | |
But what if I'm in mortal danger? | 0:28:59 | 0:29:01 | |
Well, it's most unlikely, But if you find yourself in mortal danger, | 0:29:01 | 0:29:05 | |
then use your intuition. Use your animal instincts. | 0:29:05 | 0:29:08 | |
You always have your nails and your teeth. | 0:29:08 | 0:29:11 | |
There's two more identities. | 0:29:11 | 0:29:14 | |
What for? | 0:29:14 | 0:29:16 | |
Lily Fitzroy and Margery Allerdice. | 0:29:16 | 0:29:21 | |
What are these for? | 0:29:22 | 0:29:24 | |
I was getting quite used to being Eve Dalton. | 0:29:24 | 0:29:26 | |
Everyone who works for me is given three identities. | 0:29:26 | 0:29:29 | |
In the Actuarial and Accounting Services, Limited. | 0:29:29 | 0:29:32 | |
Exactly, think of it as a perk, a bonus. | 0:29:32 | 0:29:35 | |
Might need them some day, might be handy. One other thing. | 0:29:35 | 0:29:38 | |
At some point soon, I'd like you to find yourself a safe house. | 0:29:38 | 0:29:41 | |
In London, or another big city. Don't tell anyone. Not even me. | 0:29:41 | 0:29:45 | |
I'll bear it in mind. | 0:29:45 | 0:29:47 | |
It's something I encourage all my operatives to do. One of my tips. | 0:29:47 | 0:29:51 | |
Ah yes. One of Romer's Rules. | 0:29:51 | 0:29:53 | |
-Are there many? -Lots. | 0:29:53 | 0:29:55 | |
But I'll tell you the most important. | 0:29:55 | 0:29:58 | |
Never trust anyone. Ever. | 0:29:58 | 0:30:01 | |
Maybe the only rule you need. Especially not me. | 0:30:01 | 0:30:05 | |
I'd never trust you. | 0:30:07 | 0:30:08 | |
You learn quickly, Miss Dalton. | 0:30:08 | 0:30:11 | |
Thank you, Mr Romer. | 0:30:11 | 0:30:13 | |
Eva Delectorskaya. Who'd have thought? | 0:30:17 | 0:30:21 | |
People are very...pleased with you. | 0:30:21 | 0:30:25 | |
Very. | 0:30:26 | 0:30:28 | |
You ever been to Belgium? | 0:30:31 | 0:30:33 | |
Yes. Yes, I went to Brussels once. For a weekend. | 0:30:33 | 0:30:36 | |
Why? | 0:30:36 | 0:30:38 | |
It's where you're going to be working. | 0:30:38 | 0:30:41 | |
Training's over, you see. | 0:30:43 | 0:30:47 | |
Stakes are raised, massively. | 0:30:47 | 0:30:51 | |
All change. It's real now. | 0:30:51 | 0:30:56 | |
Merci. | 0:31:35 | 0:31:37 | |
BEEPING OF TELEGRAPH MACHINE | 0:31:43 | 0:31:45 | |
Just Spain and Portugal for that one, Alfie. | 0:31:50 | 0:31:53 | |
Let's see what our Spanish news agencies make of this lot. | 0:31:53 | 0:31:57 | |
They do like our war news, the Spaniards. | 0:31:57 | 0:31:59 | |
I think Sylvia's got something for me as well. | 0:31:59 | 0:32:02 | |
Our very own Queen of lies. | 0:32:02 | 0:32:03 | |
Morning, Eve. Make way, make way, cripple approaching! | 0:32:03 | 0:32:07 | |
Morning, Angus. Is Romer in? | 0:32:07 | 0:32:09 | |
His Imperial Majesty has gone to London, so I'm informed. | 0:32:09 | 0:32:13 | |
Morgen, liebchen. Svenska Posten. | 0:32:17 | 0:32:20 | |
They picked up your drowned sailors' story. | 0:32:20 | 0:32:23 | |
"Islandsk fiskebat gick pa en mina utanfoer Narvik. 40 omkomna." | 0:32:23 | 0:32:27 | |
The Swedish nation stirs... Gold star for Eve. | 0:32:27 | 0:32:31 | |
Good God, that was fast. I can never get used to it. | 0:32:31 | 0:32:33 | |
That went out as item number ten on a news bulletin | 0:32:33 | 0:32:37 | |
on a local French radio station, what, three days ago? | 0:32:37 | 0:32:40 | |
-And now this... -It's what we trade in, isn't it? | 0:32:40 | 0:32:43 | |
Lovely stories, so compelling. | 0:32:43 | 0:32:45 | |
Dream it up. Dress it up. | 0:32:45 | 0:32:48 | |
Send it out into the big wide world to stand on its own two feet. | 0:32:48 | 0:32:51 | |
Might drop this in to Alfie. News just broken. | 0:32:53 | 0:32:56 | |
Three new bridges to be built across the River Yser. | 0:32:56 | 0:33:00 | |
Now that is smart. That's where you're one jump ahead of me. | 0:33:00 | 0:33:03 | |
-Is it really happening? -Maybe, who knows? | 0:33:03 | 0:33:06 | |
But three lovely new bridges, why not? | 0:33:06 | 0:33:10 | |
You know, make the Wehrmacht staff officers start altering their maps. | 0:33:10 | 0:33:14 | |
-You are devious, Sylvia. -Yes, I confess, | 0:33:14 | 0:33:17 | |
I'm a very devious woman, I must say. | 0:33:17 | 0:33:19 | |
Morning, sweetheart. Looking lovely today. | 0:33:21 | 0:33:24 | |
-You got Sylvia's press release? -Here we are. | 0:33:24 | 0:33:27 | |
-Morning, Eve. -Angus tells me Romer's in London. | 0:33:27 | 0:33:29 | |
I think he was summoned away. | 0:33:31 | 0:33:33 | |
Fancy a spot of lunch? | 0:33:35 | 0:33:38 | |
No. You are doing well. Romer will be very pleased. | 0:33:38 | 0:33:43 | |
Why is Romer in London? | 0:33:43 | 0:33:46 | |
"Ours not to reason why..." | 0:33:46 | 0:33:49 | |
Probably talking to Mr X. | 0:33:52 | 0:33:54 | |
Who is Mr X? | 0:33:56 | 0:33:58 | |
Mr X is our esteemed boss's boss. | 0:33:58 | 0:34:01 | |
A kind of Cardinal Richelieu figure | 0:34:01 | 0:34:03 | |
who allows Lucas Romer to do more or less as he pleases. | 0:34:03 | 0:34:08 | |
Have you known Romer long? | 0:34:09 | 0:34:12 | |
Well... A good few years, now. | 0:34:12 | 0:34:17 | |
Always in AAS? | 0:34:17 | 0:34:20 | |
Sorry. Curiosity killed the cat. | 0:34:21 | 0:34:24 | |
Shall we be very naughty and have a brandy? | 0:34:26 | 0:34:28 | |
Yes, let's! | 0:34:28 | 0:34:31 | |
Ah, there you are, naughty girl. | 0:34:35 | 0:34:37 | |
We were wondering what had happened to you. | 0:34:37 | 0:34:40 | |
Oh. My God, bit of a shock. | 0:34:40 | 0:34:45 | |
You're late. | 0:34:45 | 0:34:47 | |
Did you buy something to drink? I'm gasping. | 0:34:47 | 0:34:49 | |
Ah, yes, wine, wine, wine. Perfect. I'll open that. | 0:34:49 | 0:34:54 | |
I did some shopping on the way back. | 0:34:54 | 0:34:58 | |
-Thought I was off duty. -You're never off duty. | 0:34:58 | 0:35:01 | |
Yes, sir. | 0:35:03 | 0:35:04 | |
Pack an overnight bag. You and I are going on a little trip. | 0:35:04 | 0:35:08 | |
-Oh, are we going to London? -Sorry. | 0:35:08 | 0:35:10 | |
A little town in Holland, actually. | 0:35:10 | 0:35:12 | |
Holland. Little town, right. | 0:35:12 | 0:35:17 | |
Sorry. Must have nodded off. | 0:35:46 | 0:35:49 | |
Sweet dreams? | 0:35:49 | 0:35:51 | |
No, not really. | 0:35:51 | 0:35:53 | |
Actually, I was dreaming about Kolia... | 0:35:53 | 0:35:57 | |
-Do you want me to take over? -We're nearly there. | 0:36:02 | 0:36:06 | |
-Prenslo? -That's where we're going. | 0:36:09 | 0:36:11 | |
-What's important about Prenslo? -It's on the border with Germany. | 0:36:11 | 0:36:15 | |
We're perfectly safe. Holland is neutral, remember? | 0:36:36 | 0:36:39 | |
I had heard. Just like the good old US of A. | 0:36:39 | 0:36:43 | |
-Why do you say that? -It's true, isn't it? | 0:36:43 | 0:36:46 | |
I had to do all that American stuff at Lyne. | 0:36:46 | 0:36:49 | |
I couldn't understand why. | 0:36:49 | 0:36:50 | |
-You've never been to America, have you? -No. | 0:36:50 | 0:36:53 | |
Are we going to go into Germany? | 0:36:53 | 0:36:55 | |
No, but a German is coming to us. | 0:36:57 | 0:37:00 | |
A Wehrmacht general is defecting. | 0:37:00 | 0:37:04 | |
I have a feeling this meeting is a direct result | 0:37:04 | 0:37:06 | |
-of our stories from the Agency. -Score one for the AAS. | 0:37:06 | 0:37:10 | |
You'd think so, but we're not going to get the credit. | 0:37:10 | 0:37:13 | |
Our Head of Station from Holland, a very pompous fellow called Fowler, | 0:37:13 | 0:37:17 | |
has decided he wants to meet this general. | 0:37:17 | 0:37:20 | |
Coming in to Prenslo personally to bring him in. | 0:37:20 | 0:37:23 | |
Claim it's all his doing, I feel it in my bones. | 0:37:23 | 0:37:27 | |
I know these people. Dead wood. | 0:37:27 | 0:37:30 | |
No, I just want to get the true story. | 0:37:30 | 0:37:32 | |
Let him know we're on the case also. | 0:37:32 | 0:37:35 | |
A defecting German officer. Very exciting isn't it? | 0:37:35 | 0:37:38 | |
On the contrary, it's just routine. | 0:37:38 | 0:37:40 | |
We're not here to participate, just watch. | 0:37:40 | 0:37:43 | |
KNOCKING AT DOOR | 0:37:57 | 0:37:59 | |
Come in. | 0:38:00 | 0:38:02 | |
Come and have a look. How's your room - all right? | 0:38:16 | 0:38:21 | |
Fine. Yes. | 0:38:21 | 0:38:23 | |
The meeting is in that cafe. | 0:38:25 | 0:38:28 | |
So there will be two British SIS officers there, | 0:38:28 | 0:38:31 | |
Fowler and his number two, and a Dutch agent. | 0:38:31 | 0:38:35 | |
A staff car will come through from the German side | 0:38:35 | 0:38:37 | |
some point between one and three o'clock this afternoon. | 0:38:37 | 0:38:41 | |
What do I do? | 0:38:41 | 0:38:42 | |
Go down there, have a long lunch and wait for our German defector. | 0:38:42 | 0:38:46 | |
Watch, note. You're my eyes and ears. | 0:38:46 | 0:38:50 | |
I want you to make yourself known to the Dutch agent | 0:38:50 | 0:38:53 | |
before the German comes across. | 0:38:53 | 0:38:55 | |
Make sure Fowler and his man doesn't see you. | 0:38:55 | 0:38:58 | |
-You know the passwords? -Yes, yes. | 0:38:58 | 0:39:01 | |
-"Have you fire? French Cigarettes. The Hague." -Just stay alert. | 0:39:01 | 0:39:06 | |
I need to know absolutely everything that happens. | 0:39:06 | 0:39:09 | |
Every tiny little thing. No matter how insignificant. Right? | 0:39:09 | 0:39:13 | |
It was what I was trained for. | 0:39:13 | 0:39:15 | |
Let's see if it worked. | 0:39:15 | 0:39:17 | |
I'll be up here, watching. | 0:39:20 | 0:39:24 | |
TOILET FLUSHES | 0:41:04 | 0:41:08 | |
Ein koffie, alstublieft. | 0:41:11 | 0:41:15 | |
-Do you speak English? -Yes. -Have you any fire? | 0:41:38 | 0:41:42 | |
Thank you. Do you know where I can buy any French cigarettes? | 0:41:48 | 0:41:51 | |
You could try Amsterdam. | 0:41:51 | 0:41:53 | |
Of course, thank you so much. | 0:41:53 | 0:41:56 | |
SHOUTING AND GLASS SMASHING | 0:43:16 | 0:43:19 | |
HE SHOUTS IN GERMAN | 0:43:35 | 0:43:39 | |
WINDOW SHATTERS | 0:43:39 | 0:43:42 | |
GUNSHOTS | 0:44:10 | 0:44:11 | |
GUNSHOTS | 0:44:17 | 0:44:20 | |
'I need to know every tiny little thing. No matter how insignificant.' | 0:44:46 | 0:44:50 | |
'Do you speak English? | 0:44:51 | 0:44:53 | |
'Every tiny little thing. No matter how insignificant. | 0:44:53 | 0:44:56 | |
'You're my eyes and ears.' | 0:44:56 | 0:44:58 | |
You could try Amsterdam. | 0:45:07 | 0:45:10 | |
Lucas? It's me. | 0:45:16 | 0:45:19 | |
Lucas? | 0:45:19 | 0:45:22 | |
Romer? | 0:45:24 | 0:45:27 | |
Hello, yes, I'm looking for Mr Romer. He checked in this morning. | 0:45:35 | 0:45:39 | |
He's gone? Where...? | 0:45:41 | 0:45:42 | |
I see. When did he leave? | 0:45:42 | 0:45:46 | |
30 minutes ago. Thank you. No, no, no, that's all. | 0:45:46 | 0:45:50 | |
GLASS SHATTERS | 0:45:54 | 0:45:56 | |
Hello, yes, I need a number in Belgium, please. | 0:46:04 | 0:46:08 | |
Ostend. 4721. | 0:46:08 | 0:46:12 | |
Hello? Agence Nadal? I have a story about a windmill. | 0:46:15 | 0:46:19 | |
PHONE RINGS | 0:46:19 | 0:46:21 | |
The windmill is black. | 0:46:21 | 0:46:25 | |
Eve? Are you all right? | 0:46:25 | 0:46:28 | |
Yes, I'm fine. | 0:46:28 | 0:46:30 | |
We thought you might have been taken. Or even... | 0:46:30 | 0:46:34 | |
No, no. I'm fine. Number one is gone. | 0:46:34 | 0:46:37 | |
We've heard nothing from number one. | 0:46:37 | 0:46:39 | |
He reported the incident, then nothing. | 0:46:39 | 0:46:43 | |
There's no trace of him. I'm here alone in the hotel. | 0:46:43 | 0:46:47 | |
That's normal procedure. He would have aborted immediately. | 0:46:47 | 0:46:50 | |
Yes, yes, yes, of course. | 0:46:52 | 0:46:53 | |
Make your way back here as soon as you can. | 0:46:53 | 0:46:56 | |
Take a bus. | 0:46:56 | 0:46:58 | |
Yes. All right. | 0:46:58 | 0:47:00 | |
All right. | 0:47:02 | 0:47:04 | |
-Tag! -Tag! -Careful! | 0:47:23 | 0:47:25 | |
-Hiya. -See you later. Bye, Jochen. -Bye! | 0:47:25 | 0:47:30 | |
Come on, boys. | 0:47:30 | 0:47:32 | |
Yes. It arrived on Monday. | 0:48:36 | 0:48:39 | |
The Franchi PA7 with five-cartridge magazine. | 0:48:39 | 0:48:42 | |
They do make nice-looking guns, the Italians. | 0:48:42 | 0:48:45 | |
I want 4BB lead shot, not steel. | 0:48:45 | 0:48:47 | |
Yes, fine. | 0:48:47 | 0:48:50 | |
There you are. | 0:48:50 | 0:48:53 | |
Thank you. Special licence? | 0:48:53 | 0:48:58 | |
Yes. ID. This is your primary address, is, it Mrs Gilmartin? | 0:48:58 | 0:49:01 | |
-Rose Cottage, Middleashton? -Yes. | 0:49:01 | 0:49:05 | |
This will fell a bull elephant. | 0:49:16 | 0:49:19 | |
Yes. | 0:49:19 | 0:49:21 | |
My cottage backs on to this wood, you see. | 0:49:21 | 0:49:23 | |
The foxes keep coming for my hens. | 0:49:23 | 0:49:25 | |
Ah, foxes, right. | 0:49:25 | 0:49:28 | |
It will be £275 and 50 pence. | 0:49:28 | 0:49:31 | |
Yes, I know, thank you. | 0:49:31 | 0:49:33 | |
-What the fuck is going on, Mum? -Oh, hello, darling. | 0:49:33 | 0:49:36 | |
-I'm buying a shotgun. -Good hunting, Mrs Gilmartin. | 0:49:36 | 0:49:40 | |
Thank you so much. Bag. | 0:49:40 | 0:49:44 | |
-Goodbye. -Bye. | 0:49:44 | 0:49:46 | |
I think we need to have a proper talk. | 0:49:46 | 0:49:50 | |
SHE COCKS THE SHOTGUN Jesus! Do you mind? | 0:49:50 | 0:49:53 | |
-This is madness, you know. -I feel safer now. | 0:49:56 | 0:49:58 | |
Makes all the difference. I can sleep. | 0:49:58 | 0:50:01 | |
When you call in future, I want you to ring three times, then hang up, | 0:50:05 | 0:50:10 | |
then call back, then I'll know it's you. | 0:50:10 | 0:50:12 | |
We must be careful what we say to each other. | 0:50:12 | 0:50:14 | |
Are you saying the phone is tapped? | 0:50:14 | 0:50:17 | |
It's entirely possible. | 0:50:17 | 0:50:19 | |
And when you drive here, | 0:50:19 | 0:50:20 | |
I want you to take a little diversion each time, | 0:50:20 | 0:50:23 | |
make sure no-one's following you. | 0:50:23 | 0:50:25 | |
What's this all about, Mum? | 0:50:25 | 0:50:26 | |
The war's been over for 30 years, for God's sake. | 0:50:26 | 0:50:29 | |
Why're you carrying on with all this cloak and dagger stuff? | 0:50:29 | 0:50:33 | |
Someone is going to try and kill me very soon. | 0:50:33 | 0:50:37 | |
Oh, come on. Don't be ridiculous. | 0:50:37 | 0:50:40 | |
I need you! | 0:50:40 | 0:50:44 | |
I need you to do something for me. | 0:50:44 | 0:50:48 | |
What? | 0:50:48 | 0:50:49 | |
Well, you see, there's only one person who can help me. | 0:50:51 | 0:50:54 | |
After all this time. Only one. | 0:50:54 | 0:50:57 | |
Who? | 0:50:57 | 0:50:59 | |
-Lucas Romer. -Is he still alive? | 0:50:59 | 0:51:04 | |
How would I know how to find him? | 0:51:04 | 0:51:06 | |
You could ask your supervisor. You said he knows everyone. | 0:51:06 | 0:51:09 | |
Bobby von Arnim? | 0:51:09 | 0:51:12 | |
Well, he's pretty well connected, I suppose. | 0:51:12 | 0:51:15 | |
Particularly if there's some sort of World War II involvement. | 0:51:15 | 0:51:19 | |
Why Lucas Romer? | 0:51:21 | 0:51:23 | |
He's the only one I can trust. | 0:51:23 | 0:51:28 | |
He's the only one that can help. | 0:51:30 | 0:51:33 | |
-Splash of water? -Yes, please. Gallons of water. | 0:51:50 | 0:51:55 | |
Well, I suppose it was too much | 0:51:57 | 0:52:00 | |
to hope for a new chapter of your fascinating thesis, | 0:52:00 | 0:52:04 | |
but it's a delight to see you, Ruth Gilmartin, | 0:52:04 | 0:52:10 | |
for whatever reason. | 0:52:10 | 0:52:12 | |
Beggars can't be choosers. My day is made. | 0:52:12 | 0:52:16 | |
-My week is made. Prost. -Cheers. | 0:52:16 | 0:52:20 | |
So, any luck with the elusive Lucas Romer? | 0:52:24 | 0:52:28 | |
Well, I've found somebody who... Who might fit the bill. | 0:52:28 | 0:52:35 | |
He's very discreet, this Romer fellow of yours. | 0:52:35 | 0:52:39 | |
Who's Who, Debrett's... Nothing at all. However, | 0:52:39 | 0:52:43 | |
there's a certain Baron Mansfield of Hampton Cleeve, | 0:52:43 | 0:52:48 | |
a crossbencher in the House of Lords who might be him. | 0:52:48 | 0:52:51 | |
War years a total blank. | 0:52:51 | 0:52:54 | |
But he does admit to a Croix de Guerre from Belgium. | 0:52:54 | 0:52:58 | |
-Must be a clue. -How would I get to see him? | 0:52:58 | 0:53:02 | |
You want to meet him? Why? | 0:53:02 | 0:53:07 | |
I've some questions for him. | 0:53:08 | 0:53:11 | |
You want to be a little careful, my dear. | 0:53:11 | 0:53:14 | |
Really? Why? | 0:53:14 | 0:53:17 | |
Because I suspect your Lord Romer was a spy. | 0:53:17 | 0:53:20 | |
A spy? Nonsense. | 0:53:20 | 0:53:23 | |
The various noticeable gaps in the information always give it away. | 0:53:23 | 0:53:27 | |
Then the obscure foreign decoration, no home address given. | 0:53:27 | 0:53:32 | |
Why do you want to know about Lucas Romer? | 0:53:41 | 0:53:45 | |
Just, you know, helping an old friend trying to track him down. | 0:53:45 | 0:53:51 | |
Used to work with him in some organization called AAS Ltd. | 0:53:51 | 0:53:55 | |
AAS? How do you know about that? | 0:53:55 | 0:54:00 | |
Nobody knows about AAS. | 0:54:00 | 0:54:03 | |
-This friend mentioned it. -Can I meet this friend of yours? | 0:54:03 | 0:54:07 | |
I'd be most interested to ask a few questions. | 0:54:07 | 0:54:11 | |
-I doubt it. I don't think she... -She? | 0:54:11 | 0:54:14 | |
Even more interesting. | 0:54:14 | 0:54:16 | |
Look, you were going to tell me how to meet this Romer. | 0:54:16 | 0:54:21 | |
Well, with these people, the only thing to do is flatter them. | 0:54:21 | 0:54:27 | |
Say you're writing a piece for The Times. No, The Telegraph. | 0:54:27 | 0:54:31 | |
That usually flushes them out. | 0:54:31 | 0:54:34 | |
Look, I'd better go. | 0:54:35 | 0:54:39 | |
Do be careful, my dear Ruth. | 0:54:39 | 0:54:42 | |
These people are... | 0:54:44 | 0:54:46 | |
Let's say, you'll never know what you uncover once you lift the lid. | 0:54:48 | 0:54:53 | |
-Good morning. -Good morning. | 0:55:46 | 0:55:47 | |
Everything all right? | 0:55:52 | 0:55:54 | |
Well, wasn't in the sunniest of moods. | 0:55:54 | 0:55:57 | |
Something's up, but he wasn't saying. | 0:55:57 | 0:55:59 | |
What exactly did you say to him? | 0:56:03 | 0:56:05 | |
I said, "Do you know where I can buy some French cigarettes?' | 0:56:05 | 0:56:08 | |
Exactly those words? | 0:56:11 | 0:56:13 | |
-I think so. -Thinking's not good enough, Eva. | 0:56:13 | 0:56:16 | |
You need to be absolutely precise. | 0:56:16 | 0:56:18 | |
-We lost two British agents in Prenslo. -Sorry. | 0:56:18 | 0:56:22 | |
That's what I said. | 0:56:22 | 0:56:25 | |
What did he say? | 0:56:29 | 0:56:31 | |
He said, "You could try Amsterdam," | 0:56:31 | 0:56:33 | |
but he should have said, "The Hague". | 0:56:33 | 0:56:36 | |
Why are we going through all of this again? | 0:56:36 | 0:56:40 | |
I made it clear in my report. How many times do I have to... | 0:56:40 | 0:56:43 | |
C wants to talk to you about Prenslo. | 0:56:43 | 0:56:45 | |
-C? My God. Why me? -It's your evidence that's vital. | 0:56:45 | 0:56:50 | |
Very important you get it right, Eva. | 0:56:51 | 0:56:55 | |
The future of AAS is on the line. | 0:56:55 | 0:56:58 | |
Everything we've created here, everything we've been trying to do | 0:56:58 | 0:57:02 | |
with our elegant and misleading stories. | 0:57:02 | 0:57:06 | |
When does he want to see me? | 0:57:11 | 0:57:13 | |
In about one hour. | 0:57:16 | 0:57:18 | |
Why are we meeting in a hotel? | 0:57:18 | 0:57:20 | |
They love meeting in hotels. | 0:57:20 | 0:57:22 | |
90% of intelligence meetings take place in hotels. | 0:57:22 | 0:57:25 | |
Just tell them everything you told me. Be completely honest. | 0:57:25 | 0:57:29 | |
The truth, the whole truth and nothing but. | 0:57:29 | 0:57:32 | |
Well, there's rather a lot at stake. | 0:57:32 | 0:57:34 | |
A big new operation for us. | 0:57:34 | 0:57:37 | |
I have a feeling how you come across this morning will... | 0:57:37 | 0:57:40 | |
Well, it'll have a bearing on it all. | 0:57:40 | 0:57:43 | |
Right. Under no pressure at all, then. | 0:57:43 | 0:57:46 | |
Take a seat. They'll call you when they're ready. | 0:57:51 | 0:57:54 | |
-Good luck. -Where are you going? | 0:57:59 | 0:58:02 | |
I'm off to the pub to have a drink. | 0:58:02 | 0:58:05 | |
I'll come and get you when you're finished. | 0:58:05 | 0:58:08 | |
-Break a leg. -Thanks. | 0:58:08 | 0:58:11 | |
DOOR OPENS | 0:58:22 | 0:58:23 | |
Miss Dalton. | 0:58:23 | 0:58:25 | |
-..we need to concentrate on. -I do suggest that you ask these... | 0:58:37 | 0:58:42 | |
Miss Dalton, thank you for your patience. | 0:58:45 | 0:58:47 | |
The double password. Who gave you the details? | 0:59:04 | 0:59:07 | |
Mr Romer. | 0:59:07 | 0:59:10 | |
You're certain you heard it correctly? | 0:59:12 | 0:59:15 | |
Yes. | 0:59:15 | 0:59:16 | |
Why a double password? | 0:59:22 | 0:59:25 | |
We routinely use double passwords. | 0:59:25 | 0:59:29 | |
We? | 0:59:29 | 0:59:31 | |
The team. Those of us who that work under Mr Romer. | 0:59:31 | 0:59:35 | |
How would you describe Lt Joseph's response to your second question, | 0:59:37 | 0:59:41 | |
"Do you know where I can buy French cigarettes?" | 0:59:41 | 0:59:45 | |
I don't understand. | 0:59:46 | 0:59:47 | |
Was his voice flat? Nervous? Casual? Knowing? Professional? | 0:59:47 | 0:59:53 | |
Yes, I see. No, I would say, absolutely, that he thought | 0:59:53 | 0:59:57 | |
he was giving me the correct answer to the second password. | 0:59:57 | 1:00:01 | |
Excuse me. | 1:00:21 | 1:00:22 | |
What were you yourself doing in Cafe Backus that day? | 1:00:23 | 1:00:26 | |
It was Mr Romer's idea. | 1:00:28 | 1:00:30 | |
I was there to observe what happened | 1:00:30 | 1:00:33 | |
and to make myself known to the Dutch agent. | 1:00:33 | 1:00:36 | |
It was entirely Mr Romer's idea. | 1:00:38 | 1:00:40 | |
Yes. | 1:00:42 | 1:00:44 | |
I was simply to observe. | 1:00:44 | 1:00:45 | |
Thank you very much, Miss Dalton. You may go. | 1:00:54 | 1:00:57 | |
Please - wait outside. | 1:01:04 | 1:01:06 | |
DOOR CLOSES | 1:01:34 | 1:01:36 | |
Well done. Excellent. | 1:01:44 | 1:01:46 | |
What did I do? | 1:01:46 | 1:01:48 | |
Take the rest of the day off. You deserve it. | 1:01:48 | 1:01:50 | |
Right. Thanks. | 1:01:50 | 1:01:51 | |
No, let's have supper. Soho. Frith Street. | 1:01:51 | 1:01:53 | |
There's an Italian restaurant called Luigi's. I'll see you there at 8. | 1:01:53 | 1:01:56 | |
-I'm afraid I'm can't... -Nonsense. | 1:01:56 | 1:01:58 | |
We're celebrating. See you at 8. I'd better get back. | 1:01:58 | 1:02:00 | |
Yes, I keep getting post for lodgers who moved out months ago. | 1:02:09 | 1:02:13 | |
No forwarding addresses. What can I do? That's the war for you. | 1:02:13 | 1:02:16 | |
This is the rent for the next six months. | 1:02:16 | 1:02:18 | |
I won't expect you'll see much of me | 1:02:18 | 1:02:20 | |
but I just like to keep my London base safe and sound. | 1:02:20 | 1:02:22 | |
If only all my ladies were like you, Miss Fitzroy. I'd have no complaints. | 1:02:22 | 1:02:26 | |
I only come here for the Chianti. Best Chianti in London. | 1:02:56 | 1:02:59 | |
Aren't we at war with Italy? | 1:02:59 | 1:03:01 | |
We mustn't let the war interfere with our pleasures. | 1:03:01 | 1:03:03 | |
There seems to be an endless supply of the stuff, I must say. | 1:03:03 | 1:03:06 | |
Here's to head office. They'll be paying the bill. | 1:03:06 | 1:03:09 | |
No, here's to you, Eva. You did very well today. | 1:03:09 | 1:03:11 | |
Bravo - "brava", rather. You saved our bacon. | 1:03:11 | 1:03:15 | |
Thank you. | 1:03:15 | 1:03:16 | |
Was the full board of directors there today? | 1:03:16 | 1:03:19 | |
Almost. | 1:03:19 | 1:03:21 | |
Was "X" there? | 1:03:21 | 1:03:22 | |
He was, as a matter of fact. | 1:03:27 | 1:03:28 | |
Which one was he? | 1:03:28 | 1:03:30 | |
You look very... | 1:03:31 | 1:03:33 | |
Very smart. | 1:03:35 | 1:03:37 | |
How did I save your bacon? | 1:03:39 | 1:03:42 | |
The board of directors are convinced that the problem | 1:03:42 | 1:03:45 | |
at Prenslo arose at the Dutch end of the operation, not the British. | 1:03:45 | 1:03:48 | |
We were let down by the Dutch - a rotten apple at The Hague. | 1:03:48 | 1:03:50 | |
What do the Dutch say? | 1:03:50 | 1:03:52 | |
Oh, they're very angry. They blame us. | 1:03:52 | 1:03:54 | |
Their executive was forcibly retired, after all. | 1:03:54 | 1:03:58 | |
Of course. | 1:03:58 | 1:03:59 | |
Everything you said confirmed their suspicions | 1:03:59 | 1:04:02 | |
that the Dutch were to blame. | 1:04:02 | 1:04:04 | |
Well, I'm glad I could be of some use. | 1:04:04 | 1:04:06 | |
You look very beautiful tonight, Eva. | 1:04:08 | 1:04:11 | |
Has anyone ever told you that? | 1:04:11 | 1:04:12 | |
Yes. Now and then. | 1:04:14 | 1:04:17 | |
Taxi! Taxi! | 1:04:25 | 1:04:27 | |
At least they're out and about. We'll get one. | 1:04:30 | 1:04:33 | |
I'm in no hurry. | 1:04:33 | 1:04:34 | |
Whereabouts do you live? Hampstead? | 1:04:38 | 1:04:40 | |
Er, Bayswater. | 1:04:40 | 1:04:42 | |
I suppose we can always get the Tube. What do you think? | 1:04:53 | 1:04:57 | |
I told you, I'm in no hurry. A taxi will come. | 1:04:57 | 1:05:01 | |
Yeah, I'm sure. | 1:05:01 | 1:05:03 | |
A tin of pilchards! | 1:05:59 | 1:06:00 | |
And a bottle of whisky. | 1:06:00 | 1:06:02 | |
You do live very frugally. | 1:06:02 | 1:06:03 | |
Well, I'm not here very often. | 1:06:03 | 1:06:05 | |
Here you are. | 1:06:07 | 1:06:09 | |
We shouldn't have done that. | 1:06:19 | 1:06:21 | |
I'm not complaining1 It was lovely. | 1:06:21 | 1:06:23 | |
But I'm breaking all my rules! | 1:06:23 | 1:06:25 | |
Ah, yes, Romer's rules! It's not the end of the world. | 1:06:25 | 1:06:28 | |
Eva Delectorskaya - who would have thought? | 1:06:31 | 1:06:35 | |
You never told me why we were celebrating. | 1:06:35 | 1:06:38 | |
I didn't, did I? Promise to keep a secret. | 1:06:38 | 1:06:40 | |
Promise. | 1:06:40 | 1:06:42 | |
Well, we are all going on a little trip abroad. | 1:06:42 | 1:06:47 | |
Somewhere interesting? | 1:06:47 | 1:06:48 | |
Yes. Thanks to you, Eva Delectorskaya, | 1:06:48 | 1:06:52 | |
we're going to the United States of America. | 1:06:52 | 1:06:55 | |
Ah! | 1:06:55 | 1:06:56 | |
SHE SQUEALS DELIGHTEDLY | 1:06:56 | 1:06:58 | |
Do you think your Bobby von Arnim is right? | 1:07:31 | 1:07:34 | |
I did some more research. The dates fit. | 1:07:34 | 1:07:38 | |
Everything sort of vaguely fits. | 1:07:38 | 1:07:40 | |
So I've written to him care of the House of Lords. | 1:07:40 | 1:07:44 | |
Said I'm a journalist working for the Telegraph. | 1:07:44 | 1:07:47 | |
Asking for an interview. | 1:07:47 | 1:07:49 | |
About what? | 1:07:49 | 1:07:50 | |
I said secret intelligence service operations, | 1:07:52 | 1:07:55 | |
World War Two, that sort of thing. | 1:07:55 | 1:07:58 | |
Good. | 1:07:58 | 1:08:00 | |
That's very good. He'll be intrigued. | 1:08:00 | 1:08:02 | |
Who are these people trying to kill you, Mum? | 1:08:05 | 1:08:08 | |
Romer will know. He'll have all the answers. | 1:08:08 | 1:08:11 | |
When you go to meet him, I want you to dress differently. | 1:08:11 | 1:08:15 | |
What do you mean? | 1:08:15 | 1:08:17 | |
Be smart, efficient, attractive. | 1:08:17 | 1:08:19 | |
Thanks, Mum(!) | 1:08:19 | 1:08:20 | |
I'll give you a list of questions to ask him. | 1:08:20 | 1:08:23 | |
Nothing too close to the bone. Just to get his interest piqued. | 1:08:23 | 1:08:26 | |
Should I mention you? | 1:08:26 | 1:08:27 | |
No. Absolutely not. | 1:08:27 | 1:08:30 | |
Leave that to me. | 1:08:30 | 1:08:31 | |
Once the contact has been made, I'll follow up. | 1:08:31 | 1:08:35 | |
I found this. In a magazine. | 1:08:46 | 1:08:49 | |
It was taken about five years ago at his son's wedding. | 1:08:49 | 1:08:52 | |
There are no other published photos of him as far as I can tell. | 1:08:52 | 1:08:56 | |
This is what he looks like, now. | 1:08:56 | 1:08:59 | |
Do you want to see it? | 1:08:59 | 1:09:01 | |
Yes. | 1:09:05 | 1:09:07 | |
What if it's not him? | 1:09:07 | 1:09:09 | |
We'll keep looking. | 1:09:09 | 1:09:11 | |
Now you believe me. | 1:09:43 | 1:09:46 | |
I think I always believed you. | 1:09:46 | 1:09:49 | |
Well, maybe not at first... | 1:09:49 | 1:09:51 | |
But you won me over. | 1:09:51 | 1:09:53 | |
Were you ever scared? | 1:10:00 | 1:10:02 | |
At first it was more interesting than frightening. | 1:10:07 | 1:10:10 | |
It only got frightening later on. Once we went to America. | 1:10:13 | 1:10:18 | |
See you Monday. | 1:10:36 | 1:10:37 | |
What's your weekend? | 1:10:37 | 1:10:39 | |
One of my radio stations. Upstate. Very boring. | 1:10:39 | 1:10:42 | |
Best of luck. | 1:10:42 | 1:10:43 | |
SHOWER STARTS | 1:11:19 | 1:11:21 | |
Good morning. | 1:11:32 | 1:11:33 | |
Some of us have a job to do. | 1:11:33 | 1:11:35 | |
Come back to bed. | 1:11:39 | 1:11:41 | |
They think I'm in Canada. | 1:11:41 | 1:11:43 | |
I'm sure they're suspicious as hell. | 1:11:43 | 1:11:45 | |
No, I'm very careful. | 1:11:45 | 1:11:48 | |
Very. | 1:11:48 | 1:11:49 | |
SHE GIGGLES | 1:11:58 | 1:11:59 | |
What time's your meet? | 1:11:59 | 1:12:01 | |
8:30. | 1:12:01 | 1:12:02 | |
All right. See you in Manhattan. | 1:12:07 | 1:12:10 | |
SHOWER STARTS | 1:12:10 | 1:12:13 | |
RADIO: 'Charles A Lindbergh, the famous aviator, | 1:12:51 | 1:12:54 | |
'speaking at an America First rally in Chicago today | 1:12:54 | 1:12:56 | |
'said that American democracy can only be preserved | 1:12:56 | 1:12:58 | |
'by keeping out of the present war in Europe. | 1:12:58 | 1:13:01 | |
'Any attempt to involve America in war abroad | 1:13:01 | 1:13:03 | |
'should be fiercely resisted. | 1:13:03 | 1:13:05 | |
'Mr Lindbergh declared that it was incumbent on the US Government | 1:13:05 | 1:13:09 | |
'and the president to build national defence at home | 1:13:09 | 1:13:12 | |
'and that those calling for intervention in Europe | 1:13:12 | 1:13:14 | |
'were only going to weaken our great country. | 1:13:14 | 1:13:17 | |
'Mr Lindbergh added that the pro-war interventionist movement | 1:13:17 | 1:13:20 | |
'was in fact anti-patriotic...' | 1:13:20 | 1:13:22 | |
Coffee. | 1:13:29 | 1:13:31 | |
Thanks. | 1:13:35 | 1:13:37 | |
Hello, you. Good trip? | 1:14:03 | 1:14:05 | |
Think so, the fish are biting. | 1:14:06 | 1:14:08 | |
Excellent news. | 1:14:08 | 1:14:10 | |
Morning, ladies. Race you to the coffee machine. | 1:14:10 | 1:14:12 | |
-Coffee is a poison. -Did you hear about the raids? | 1:14:12 | 1:14:15 | |
No. I was kind of out of touch. | 1:14:15 | 1:14:17 | |
-800 bombs. -All on London? | 1:14:17 | 1:14:19 | |
Yes, docks in the East End. Romer's right. | 1:14:19 | 1:14:22 | |
America's got to join this war or we'll have no London to go home to. | 1:14:22 | 1:14:26 | |
Has anyone seen him recently? | 1:14:26 | 1:14:28 | |
Romer? No. Not in a while. I hear he was in Canada. | 1:14:28 | 1:14:31 | |
Yes, yes, I heard that. | 1:14:31 | 1:14:33 | |
Ah, Canada! | 1:14:33 | 1:14:34 | |
Let's hope your story lands, Miss Dalton. | 1:14:44 | 1:14:47 | |
Fingers crossed, everyone. | 1:14:47 | 1:14:49 | |
RADIO: 'WNLR News-flash. | 1:14:49 | 1:14:51 | |
'Nazi sailors at the French port of La Rochelle today welcomed | 1:14:51 | 1:14:54 | |
'the return of U-Boat U-549 that torpedoed the US destroyer Kearny, | 1:14:54 | 1:14:58 | |
'south of Iceland last Wednesday. | 1:14:58 | 1:15:01 | |
'11 sailors died in the attack. | 1:15:01 | 1:15:03 | |
'On the conning tower of the Nazi boat were 11 American flags. | 1:15:03 | 1:15:07 | |
'Those are our boys, Herr Hitler. We won't forget.' | 1:15:07 | 1:15:11 | |
Excellent. | 1:15:11 | 1:15:12 | |
We can get that out coast-to-coast now it's broadcast. | 1:15:12 | 1:15:15 | |
Now it was on the news, after all, it's become news. | 1:15:15 | 1:15:18 | |
Sylvia, run that one everywhere, | 1:15:18 | 1:15:21 | |
particularly South America, Argentina, Mexico. | 1:15:21 | 1:15:24 | |
-Eve, get that to your Russian contacts. -Will do. | 1:15:24 | 1:15:27 | |
PHONE RINGS | 1:15:27 | 1:15:28 | |
Hello? | 1:15:28 | 1:15:29 | |
Yes, sure. It's Morris. | 1:15:29 | 1:15:32 | |
Morris? | 1:15:32 | 1:15:34 | |
Yes. Where? | 1:15:34 | 1:15:36 | |
All right, I'll be right there. | 1:15:40 | 1:15:42 | |
Something Russian's come up. How funny. | 1:15:42 | 1:15:44 | |
So, over to our Russian expert. | 1:15:44 | 1:15:47 | |
My God. | 1:16:06 | 1:16:08 | |
What happened? | 1:16:10 | 1:16:11 | |
Suicide... | 1:16:13 | 1:16:14 | |
So they say. | 1:16:16 | 1:16:18 | |
Who is he? | 1:16:21 | 1:16:23 | |
He's a Russian spy. | 1:16:23 | 1:16:26 | |
Defected from the NKVD a year ago. | 1:16:26 | 1:16:29 | |
He's a mine of information about Russian penetration, | 1:16:29 | 1:16:33 | |
here in the US and in England. | 1:16:33 | 1:16:35 | |
Was a mine of information. | 1:16:35 | 1:16:37 | |
Of course. | 1:16:37 | 1:16:39 | |
Too late. | 1:16:39 | 1:16:41 | |
What's he got to do with you? | 1:16:41 | 1:16:43 | |
I was meant to meet him today. | 1:16:44 | 1:16:47 | |
He told the Americans everything they wanted to hear. | 1:16:47 | 1:16:50 | |
It was our turn. | 1:16:50 | 1:16:52 | |
I think I've met him before. | 1:17:02 | 1:17:04 | |
Really? | 1:17:06 | 1:17:07 | |
When I was being interviewed by "C" after the Prenslo incident. | 1:17:10 | 1:17:14 | |
In London. He was there. | 1:17:14 | 1:17:17 | |
How fascinating. In London? | 1:17:17 | 1:17:20 | |
"C" was in the room? | 1:17:20 | 1:17:22 | |
I believe so. What does that prove? | 1:17:22 | 1:17:25 | |
His name was Alexandr Nekitch. | 1:17:29 | 1:17:32 | |
He was going to give me some vital information. | 1:17:32 | 1:17:35 | |
That's why he committed suicide. | 1:17:35 | 1:17:38 | |
How did you get in this room? Isn't this the scene of a crime? | 1:17:42 | 1:17:46 | |
I've got some contacts in the New York Police Department. | 1:17:46 | 1:17:50 | |
I needed to see this for myself. The windows were closed. | 1:17:50 | 1:17:55 | |
The door was locked from the inside, key in the lock. | 1:17:55 | 1:17:59 | |
They're bloody good, these Russians. | 1:17:59 | 1:18:02 | |
What do you mean? | 1:18:02 | 1:18:03 | |
When it looks like a grade-A, incontestable, unmistakable suicide, | 1:18:03 | 1:18:08 | |
(..it probably isn't.) | 1:18:10 | 1:18:12 | |
What's this got to do with me? | 1:18:14 | 1:18:16 | |
I need you to ask your Russian contacts - Tass, Pravda - | 1:18:16 | 1:18:21 | |
if there's been any new faces in town. | 1:18:21 | 1:18:24 | |
See what their word is on Nekitch's death. | 1:18:24 | 1:18:27 | |
Casual questions, you know, nothing to raise suspicions. | 1:18:27 | 1:18:32 | |
All right. Of course. | 1:18:34 | 1:18:36 | |
Must dash. | 1:18:41 | 1:18:43 | |
PHONE RINGS | 1:18:52 | 1:18:53 | |
PHONE RINGS | 1:19:00 | 1:19:02 | |
PHONE CONTINUES RINGING | 1:19:11 | 1:19:13 | |
Ruth? | 1:19:15 | 1:19:16 | |
'Hello, Mum.' | 1:19:16 | 1:19:18 | |
What's happening? | 1:19:18 | 1:19:19 | |
'Lucas Romer replied. | 1:19:19 | 1:19:22 | |
'He's prepared to meet me. At his country club.' | 1:19:22 | 1:19:25 | |
'Mum? Are you still there?' | 1:19:28 | 1:19:30 | |
Good. | 1:19:33 | 1:19:34 | |
Come and see me and I'll give you all the information you need. Bye. | 1:19:34 | 1:19:38 | |
Everything all right? | 1:19:58 | 1:20:00 | |
I had a couple of ghosts on my tail on the way here. | 1:20:00 | 1:20:03 | |
Took some shaking. Very efficient. How about you? | 1:20:03 | 1:20:05 | |
Nothing. I took all precautions. Romer's rules. | 1:20:05 | 1:20:09 | |
I loved our weekend. | 1:20:11 | 1:20:12 | |
No one suspects anything? | 1:20:12 | 1:20:15 | |
Probably. They're all too clever. Little probing questions, you know. | 1:20:15 | 1:20:19 | |
Morris didn't, though. | 1:20:19 | 1:20:21 | |
When did you see Morris? | 1:20:21 | 1:20:23 | |
About an hour ago. He showed me the most horrible scene. | 1:20:23 | 1:20:27 | |
Some NKVD agent committed suicide in a hotel room. | 1:20:27 | 1:20:30 | |
NKVD? What's it got to do with Morris? | 1:20:30 | 1:20:31 | |
He was supposed to meet this man, Nekitch. But he died before. | 1:20:31 | 1:20:34 | |
Nekitch? | 1:20:34 | 1:20:36 | |
How odd. Why don't I know about this? | 1:20:36 | 1:20:39 | |
I assumed you did. | 1:20:40 | 1:20:42 | |
Anyway, next Wednesday I've got to go to a radio station in Chicago. | 1:20:45 | 1:20:49 | |
-I thought maybe we could... -No. | 1:20:49 | 1:20:51 | |
Something else has come up. I want you to go to Washington. | 1:20:51 | 1:20:54 | |
Now. | 1:20:56 | 1:20:57 | |
Washington? | 1:20:59 | 1:21:01 | |
-Coffee? -Please. | 1:21:01 | 1:21:02 | |
What do I do in Washington? | 1:21:02 | 1:21:04 | |
One white coffee, and a whiskey and branch water please. | 1:21:04 | 1:21:06 | |
Yes sir. | 1:21:06 | 1:21:08 | |
I want you to meet a man called Mason Harding. | 1:21:08 | 1:21:10 | |
I want you to interview this Mason Harding for Transoceanic. | 1:21:10 | 1:21:13 | |
Set it up. Make it an official appointment. | 1:21:13 | 1:21:15 | |
Then, you know, get to know him. | 1:21:15 | 1:21:19 | |
What do you mean? Make a date? Go for a drink? | 1:21:19 | 1:21:23 | |
Yes. Make it personal. | 1:21:23 | 1:21:24 | |
Why? | 1:21:24 | 1:21:26 | |
Mason Harding is number two to Harry Hopkins. | 1:21:28 | 1:21:31 | |
Harry Hopkins is the President's right hand. | 1:21:31 | 1:21:34 | |
Harry Hopkins knows Roosevelt's every thought. | 1:21:34 | 1:21:36 | |
Now, we need to know what is happening in the Oval Office. | 1:21:36 | 1:21:42 | |
We need to be THAT close. | 1:21:42 | 1:21:44 | |
Right now, we're THAT close. | 1:21:44 | 1:21:45 | |
So I get to know this Mason Harding. We have a few drinks. And then what? | 1:21:53 | 1:22:00 | |
How personal do you want this to get? | 1:22:00 | 1:22:03 | |
I'll tell you. | 1:22:03 | 1:22:04 | |
Maybe I'll pop down to Washington - it's an interesting place. | 1:22:04 | 1:22:08 | |
You can do it. | 1:22:08 | 1:22:10 | |
No man can stand in your way when you set your mind to it. | 1:22:10 | 1:22:13 | |
Look at me. | 1:22:13 | 1:22:15 | |
I'll take that as a compliment. | 1:22:15 | 1:22:17 | |
Here's the information. And money. Buy yourself a new wardrobe. | 1:22:17 | 1:22:20 | |
A change of look would be wise. | 1:22:20 | 1:22:22 | |
How will you feel if I get to know this man well? | 1:22:26 | 1:22:28 | |
How I feel has nothing to do with it. | 1:22:28 | 1:22:30 | |
How YOU feel has nothing to do with it either. | 1:22:30 | 1:22:33 | |
We're losing this war, Eva. | 1:22:33 | 1:22:34 | |
And we'll lose it for sure if we don't get the Americas on our side. | 1:22:34 | 1:22:37 | |
It's as simple as that. | 1:22:37 | 1:22:39 | |
And this Mason Harding is the weak link? The way in? | 1:22:39 | 1:22:43 | |
Yes. | 1:22:43 | 1:22:45 | |
We think so. | 1:22:45 | 1:22:46 | |
It's very important, Eva. | 1:22:52 | 1:22:54 | |
Of course. | 1:22:57 | 1:22:58 | |
Why would Morris think you'd be interested in a Russian agent's death? | 1:23:15 | 1:23:21 | |
He wanted me to sound out the Russian press agencies. | 1:23:21 | 1:23:23 | |
See what the word was. | 1:23:23 | 1:23:25 | |
Really? Most unusual. | 1:23:25 | 1:23:27 | |
Anyway. Call me when you've checked into the hotel. | 1:23:29 | 1:23:33 | |
I'll give you all the information you need. | 1:23:33 | 1:23:36 | |
This is Operation Eldorado. Mason Harding is "Gold". Good luck. | 1:23:36 | 1:23:40 | |
Just say that Morris Devereux was your uncle. No more. | 1:24:20 | 1:24:23 | |
Then watch for his reactions. Very closely. | 1:24:23 | 1:24:26 | |
Any little sign. | 1:24:26 | 1:24:28 | |
You've already told me that. Why are you so nervous? | 1:24:28 | 1:24:30 | |
You're making me jumpy. | 1:24:30 | 1:24:32 | |
I'm not nervous. | 1:24:32 | 1:24:33 | |
We've gone over everything. I know what to do. | 1:24:33 | 1:24:36 | |
Look, I'll miss my train. | 1:24:36 | 1:24:38 | |
Relax. I'm just going to have a chat with a man. | 1:24:38 | 1:24:42 | |
It's not that simple. | 1:24:42 | 1:24:44 | |
It's very important to me. | 1:24:44 | 1:24:45 | |
Lucas Romer, he's the only one that can help me. | 1:24:47 | 1:24:51 | |
The only one. | 1:24:51 | 1:24:53 | |
Look, I'll call you when I get back. It'll be fine. | 1:24:53 | 1:24:56 | |
CAR HORN BEEPS | 1:25:36 | 1:25:37 | |
All right! | 1:25:37 | 1:25:39 | |
I'm showing you to the ladies' waiting room, miss. | 1:26:01 | 1:26:04 | |
How can you tell if I'm a lady? | 1:26:04 | 1:26:05 | |
I beg your pardon? | 1:26:05 | 1:26:07 | |
Nothing, nothing. | 1:26:07 | 1:26:08 | |
If you wish to use the convenience, | 1:26:08 | 1:26:10 | |
could you ring the bell and wait. Somebody will be along. | 1:26:10 | 1:26:14 | |
Very reassuring. | 1:26:14 | 1:26:16 | |
Lord Romer will be with you shortly. | 1:26:16 | 1:26:19 | |
Excuse me, Miss Dalton. Mr Harding will see you now. | 1:26:35 | 1:26:38 | |
Lord Romer will see you in the library. | 1:26:40 | 1:26:42 | |
Miss Dalton. Do come in. | 1:26:49 | 1:26:51 | |
Lord Romer? How do you do. Ruth Gilmartin. | 1:27:02 | 1:27:06 | |
Eight out of ten Americans want nothing to do with your war. | 1:27:16 | 1:27:20 | |
Look, we're not kids. | 1:27:20 | 1:27:21 | |
My personal situation has nothing to do with this. | 1:27:21 | 1:27:23 | |
You have to watch for the tiniest thing. It may save your life. | 1:27:23 | 1:27:27 | |
Hello? | 1:27:27 | 1:27:28 | |
What is it? | 1:27:28 | 1:27:29 | |
I think I'm falling in love with you. | 1:27:29 | 1:27:31 | |
There wasn't a plan. I didn't have a plan. | 1:27:31 | 1:27:34 | |
If you'd just followed the instructions, none of this would've happened. | 1:27:34 | 1:27:37 | |
People only betray their country for three reasons - | 1:27:37 | 1:27:40 | |
Revenge, money and blackmail. | 1:27:40 | 1:27:42 | |
Things aren't adding up. | 1:27:42 | 1:27:43 | |
Where's the gun? | 1:27:43 | 1:27:44 | |
He trained me, he knew me incredibly well. | 1:27:44 | 1:27:46 | |
GUNSHOT FIRES | 1:27:46 | 1:27:48 | |
Someone wants all of us dead. | 1:27:48 | 1:27:49 | |
Subtitling by Red Bee Media Ltd | 1:28:11 | 1:28:14 |