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We all have secrets. No-one knows half the truth about anybody. | 0:00:02 | 0:00:04 | |
-Who the hell is Eva Delectorskaya? -I am. | 0:00:04 | 0:00:07 | |
No, you're not. You're my mother. You're Sally Gilmartin. | 0:00:08 | 0:00:11 | |
I am Eva Delectorskaya. | 0:00:11 | 0:00:13 | |
This programme contains some strong language and some scenes which some viewers may find upsetting. | 0:00:14 | 0:00:18 | |
You look very beautiful tonight, Eva. Has anyone ever told you that? | 0:00:19 | 0:00:23 | |
He's very discreet, this Romer fellow of yours. | 0:00:23 | 0:00:26 | |
-'Lucas Romer, AAS. -How do you know about AAS? Nobody knows about AAS.' | 0:00:30 | 0:00:37 | |
Jesus! | 0:00:42 | 0:00:43 | |
I feel safer, now. | 0:00:43 | 0:00:45 | |
You want to be a little careful, my dear. | 0:00:45 | 0:00:48 | |
When it looks like a grade-A, incontestable, unmistakable suicide, | 0:00:52 | 0:00:56 | |
it probably isn't. | 0:00:56 | 0:00:58 | |
Just say that Morris Devereux was your uncle. | 0:01:03 | 0:01:05 | |
Then watch for his reactions. | 0:01:05 | 0:01:07 | |
'I want you to meet a man called Mason Harding, you know, get to know him.' | 0:01:16 | 0:01:20 | |
'Why?' | 0:01:20 | 0:01:21 | |
We need to know what's happening in the Oval Office. | 0:01:21 | 0:01:24 | |
'If he finds out who you are, we can't rescue you.' | 0:01:24 | 0:01:28 | |
Miss Dalton, do come in. | 0:01:28 | 0:01:30 | |
'What's this all about, Mum?' | 0:01:30 | 0:01:31 | |
Someone is going to try and kill me very soon. | 0:01:31 | 0:01:33 | |
There's only one person that can help me. | 0:01:33 | 0:01:35 | |
-Who? -Lucas Romer. | 0:01:35 | 0:01:37 | |
Lord Romer? Ruth Gilmartin. | 0:01:38 | 0:01:40 | |
'Look, don't get me wrong. We love England. FDR loves England. | 0:01:58 | 0:02:02 | |
'Harry Hopkins loves England. | 0:02:02 | 0:02:03 | |
'If it was up to us we'd be there, fighting the Nazis with you, shoulder to shoulder. Mano a mano.' | 0:02:03 | 0:02:10 | |
But we can't go to war without a vote in Congress. | 0:02:10 | 0:02:12 | |
Which we would never, ever win. Not by a country mile. | 0:02:12 | 0:02:16 | |
80% of Americans are against entering the war in Europe. | 0:02:16 | 0:02:19 | |
80%. | 0:02:19 | 0:02:21 | |
Eight out of ten Americans want nothing to do with your war. | 0:02:21 | 0:02:24 | |
But I can assure you that the Department of Commerce is concerned | 0:02:24 | 0:02:27 | |
by what's happening in Europe. | 0:02:27 | 0:02:30 | |
What's your press agency called? | 0:02:30 | 0:02:31 | |
Transoceanic. | 0:02:31 | 0:02:33 | |
I can't say I've heard of it. | 0:02:33 | 0:02:36 | |
I'm not surprised - we deal only with Latin and South America, | 0:02:36 | 0:02:39 | |
hence the thrust of my questions. | 0:02:39 | 0:02:42 | |
Listen. What you've got to understand is that my boss, | 0:02:42 | 0:02:45 | |
Harry Hopkins, has cancer. So, I'm afraid you're stuck with me. | 0:02:45 | 0:02:49 | |
I don't know DC. Is there a restaurant you could recommend? | 0:02:52 | 0:02:56 | |
What? Yes... | 0:02:58 | 0:03:00 | |
Say, why don't we carry on this delightful conversation | 0:03:01 | 0:03:05 | |
over a cocktail? | 0:03:05 | 0:03:07 | |
I can give you the names of a few nice places to visit. | 0:03:07 | 0:03:10 | |
'Well, I suppose you could say I struck gold. | 0:03:10 | 0:03:14 | |
'He wants to continue the interview tomorrow.' | 0:03:14 | 0:03:16 | |
Good. Take it to the next level. | 0:03:16 | 0:03:19 | |
What do you mean? | 0:03:19 | 0:03:21 | |
'Be extra friendly.' | 0:03:21 | 0:03:23 | |
Right. | 0:03:25 | 0:03:26 | |
'People only betray their country for three reasons. Revenge, | 0:03:26 | 0:03:30 | |
'money and blackmail. | 0:03:30 | 0:03:32 | |
'You have to think it as job, Eva!' | 0:03:32 | 0:03:34 | |
I miss you, Lucas. | 0:03:34 | 0:03:35 | |
I wish you were here with me, just us two. | 0:03:37 | 0:03:40 | |
'How do you feel about me being in bed with Mason Harding?' | 0:03:42 | 0:03:45 | |
You're doing good work, Eva. | 0:03:46 | 0:03:48 | |
'Keep your feelings out of it.' | 0:03:48 | 0:03:50 | |
Well, thank you for a great day. I feel like I know the city now. | 0:04:28 | 0:04:31 | |
I wanted to show you Arlington. Maybe tomorrow? | 0:04:31 | 0:04:34 | |
I'm going back to New York. Sorry. | 0:04:34 | 0:04:37 | |
It's the weekend, stay the weekend. | 0:04:37 | 0:04:40 | |
I'd like you to stay. | 0:04:40 | 0:04:41 | |
Mason! Please! | 0:04:41 | 0:04:43 | |
I find you incredibly attractive. Irresistible. | 0:04:43 | 0:04:46 | |
I'm sure your wife is very attractive, too. | 0:04:46 | 0:04:48 | |
Look, we're not kids. My personal situation has nothing to do with this. | 0:04:48 | 0:04:53 | |
I have to go to Baltimore tomorrow. The Allegany Hotel. | 0:04:53 | 0:04:57 | |
I was talking to Harry Hopkins today. He's feeling a bit stronger. | 0:04:57 | 0:05:02 | |
Maybe we can fix up that interview after all. | 0:05:04 | 0:05:07 | |
The Allegany Hotel, Baltimore. | 0:05:11 | 0:05:12 | |
Six o'clock. | 0:05:14 | 0:05:15 | |
Miss Gilmartin, of the Times. | 0:05:26 | 0:05:28 | |
The Telegraph. | 0:05:28 | 0:05:29 | |
Ah, of course. Who's your editor there? Toby Litton-Fry? | 0:05:29 | 0:05:34 | |
Actually, I'm freelance. Bobbie Von Arnim's my contact. | 0:05:34 | 0:05:38 | |
Bobbie von Arnim, von Arnim... | 0:05:38 | 0:05:41 | |
Don't know him. | 0:05:41 | 0:05:42 | |
World War II specialist. | 0:05:42 | 0:05:44 | |
I wanted to ask you about the setting up of BSC - British Security Coordination - | 0:05:44 | 0:05:49 | |
in New York and what they were doing in America in 1941. | 0:05:49 | 0:05:52 | |
Why on earth would you want to know that? | 0:05:55 | 0:05:58 | |
I thought I was asking the questions! | 0:05:58 | 0:06:00 | |
May I offer you a cup of tea? | 0:06:02 | 0:06:04 | |
I wouldn't mind an alcoholic drink, actually, | 0:06:04 | 0:06:06 | |
if ladies are allowed such a thing. | 0:06:06 | 0:06:08 | |
We're very broad-minded here in Brydges'. Excellent idea. | 0:06:08 | 0:06:12 | |
Now what'll it be? | 0:06:12 | 0:06:13 | |
A whisky and soda. | 0:06:13 | 0:06:15 | |
Be warned - all our measures are doubles in this club. | 0:06:16 | 0:06:20 | |
How wise. | 0:06:20 | 0:06:21 | |
One whisky and soda, Henry. | 0:06:21 | 0:06:25 | |
And tomato juice for me - spicy. | 0:06:25 | 0:06:28 | |
Right away, sir. | 0:06:28 | 0:06:29 | |
I've been looking forward to this meeting, you know. | 0:06:32 | 0:06:35 | |
At my age, one feels wholly forgotten | 0:06:35 | 0:06:37 | |
and then, all of a sudden, out of the blue, | 0:06:37 | 0:06:40 | |
a newspaper rings up wanting an interview. | 0:06:40 | 0:06:44 | |
Strange how that happens, isn't it? | 0:06:45 | 0:06:48 | |
Bobbie von Arnim - | 0:06:49 | 0:06:52 | |
that's the name, is it? | 0:06:52 | 0:06:53 | |
Yes. | 0:06:53 | 0:06:54 | |
I'll give Toby a ring about him. | 0:06:56 | 0:06:59 | |
I always like to know who's correcting the copy. | 0:06:59 | 0:07:03 | |
Your drinks, sir. | 0:07:03 | 0:07:05 | |
Remove the peanuts, Henry. Never serve peanuts with whisky, never. | 0:07:06 | 0:07:10 | |
Yes, sir. Sorry, sir. | 0:07:10 | 0:07:11 | |
ROMER MUTTERS | 0:07:11 | 0:07:13 | |
Curious. | 0:07:17 | 0:07:19 | |
Cheers. | 0:07:19 | 0:07:21 | |
Cheers. | 0:07:21 | 0:07:23 | |
Now tell me something. What was it you wanted to know? | 0:07:23 | 0:07:28 | |
There was a subdivision of BSC called AAS Ltd. | 0:07:29 | 0:07:33 | |
Later Transoceanic Press. | 0:07:33 | 0:07:36 | |
Are you familiar with them? | 0:07:36 | 0:07:38 | |
Where did you get those names? | 0:07:42 | 0:07:43 | |
How did you come by those names? | 0:07:45 | 0:07:48 | |
There were in a printed source. | 0:07:48 | 0:07:49 | |
Have you seen it, the printed source? | 0:07:49 | 0:07:51 | |
My uncle worked for BSC in New York. | 0:07:53 | 0:07:57 | |
In 1941. | 0:07:57 | 0:07:58 | |
Oh, really? What was his name? | 0:07:58 | 0:08:00 | |
Morris Devereux. | 0:08:01 | 0:08:03 | |
Devereux. Morris Devereux. No, I didn't know him. | 0:08:03 | 0:08:07 | |
But you admit you were part of BSC. | 0:08:07 | 0:08:09 | |
Remind me of your name again? | 0:08:13 | 0:08:15 | |
Ruth Gilmartin. | 0:08:17 | 0:08:19 | |
Oh. Well, I admit nothing, Miss Gilmartin. | 0:08:19 | 0:08:23 | |
Do you know, I'm sorry to be a bore... | 0:08:24 | 0:08:27 | |
..but I've decided to finish with this interview. | 0:08:29 | 0:08:31 | |
May I ask why? | 0:08:31 | 0:08:33 | |
Because I don't really believe a word you've told me. | 0:08:34 | 0:08:37 | |
I'll see you out. | 0:08:37 | 0:08:38 | |
Don't worry, I'll see myself out. | 0:08:38 | 0:08:41 | |
I'm afraid you're not allowed to. | 0:08:41 | 0:08:43 | |
Grovill? Lucas Romer here. | 0:08:58 | 0:09:00 | |
PHONE RINGS | 0:09:06 | 0:09:10 | |
PHONE RINGS | 0:09:15 | 0:09:19 | |
Y'know, somebody told me I should've had you checked out. | 0:09:34 | 0:09:37 | |
A little late now. | 0:09:37 | 0:09:39 | |
# If you were the only girl in the world | 0:09:39 | 0:09:43 | |
# And I were the only boy | 0:09:43 | 0:09:47 | |
# Nothing else would matter in the world today | 0:09:49 | 0:09:53 | |
# A Garden of Eden just made for two. # | 0:09:58 | 0:10:02 | |
HE LAUGHS | 0:10:02 | 0:10:03 | |
HE CONTINUES HUMMING THE TUNE | 0:10:05 | 0:10:08 | |
# If you were the only girl in the world... # | 0:10:11 | 0:10:16 | |
Come to Daddy, baby. | 0:10:27 | 0:10:28 | |
SNORING | 0:10:45 | 0:10:48 | |
BELL PINGS | 0:10:51 | 0:10:54 | |
DOOR OPENS | 0:11:12 | 0:11:14 | |
SHUTTER CLICKS | 0:11:15 | 0:11:16 | |
Jesus! What gives? | 0:11:21 | 0:11:23 | |
Eve? | 0:11:23 | 0:11:24 | |
You bitch! You fucking bitch! | 0:11:26 | 0:11:29 | |
You fucking bitch! | 0:11:29 | 0:11:31 | |
You did very well in Washington. | 0:12:03 | 0:12:05 | |
Mason Harding is being incredibly helpful. | 0:12:05 | 0:12:08 | |
We'll know everything Roosevelt is thinking. | 0:12:08 | 0:12:10 | |
I missed you. | 0:12:14 | 0:12:15 | |
SHE SOBS | 0:12:29 | 0:12:32 | |
I'm sorry... | 0:12:38 | 0:12:40 | |
I'm sorry. | 0:12:46 | 0:12:48 | |
It's just it wasn't... | 0:12:49 | 0:12:52 | |
wasn't very nice. | 0:12:52 | 0:12:53 | |
(I know. I know.) | 0:12:56 | 0:12:57 | |
That's why I thought you might, um, | 0:13:09 | 0:13:13 | |
you might want a bit of a break. A reward. | 0:13:13 | 0:13:16 | |
-What do you mean? -I'm going to London, | 0:13:16 | 0:13:18 | |
and I thought you might like a bit of winter sunshine while I was gone. | 0:13:18 | 0:13:22 | |
What's that? | 0:13:28 | 0:13:30 | |
5,000. First you fly to Albuquerque, pick up a package. | 0:13:32 | 0:13:37 | |
Then you deliver that package and the money to another man. | 0:13:37 | 0:13:39 | |
You'll be told where to go. Just a routine courier job. | 0:13:39 | 0:13:42 | |
But the FBI are very suspicious of us, so you have to be extra careful. | 0:13:42 | 0:13:47 | |
Have I any choice? | 0:13:47 | 0:13:48 | |
I thought it'd be a treat. If you don't fancy it, Sylvia can do it. | 0:13:48 | 0:13:51 | |
Who'll be running me? | 0:13:51 | 0:13:53 | |
Morris, I think. I'll be in London. | 0:13:53 | 0:13:55 | |
Can I think about it? | 0:13:58 | 0:14:00 | |
Take your time. It's up to you. | 0:14:00 | 0:14:01 | |
What is it? | 0:14:05 | 0:14:06 | |
I think I'm falling in love with you. | 0:14:09 | 0:14:11 | |
That would be very dangerous. | 0:14:11 | 0:14:13 | |
Speaking of danger - do you want to take a gun with you on your trip? | 0:14:15 | 0:14:19 | |
SHE CHUCKLES | 0:14:19 | 0:14:20 | |
You said it was a routine courier job! | 0:14:20 | 0:14:22 | |
It's just a suggestion. | 0:14:22 | 0:14:23 | |
Anyway - what would I need a gun for? | 0:14:23 | 0:14:25 | |
Didn't you once say I could always use my nails and my teeth? | 0:14:25 | 0:14:28 | |
Eva Delectorskaya... | 0:14:28 | 0:14:31 | |
Whoever would have thought? | 0:14:33 | 0:14:34 | |
I'd like to kiss you... | 0:14:40 | 0:14:42 | |
But the FBI might be watching? | 0:14:42 | 0:14:43 | |
Goodbye, Eva. | 0:14:45 | 0:14:46 | |
(Please turn around. Please turn around. | 0:14:49 | 0:14:52 | |
(Please turn around. | 0:14:52 | 0:14:54 | |
(Please turn around.) | 0:14:57 | 0:14:59 | |
Jochen! Jochen! | 0:15:11 | 0:15:14 | |
Yes, Mummy? | 0:15:14 | 0:15:15 | |
-Stay in the garden! -OK! OK! | 0:15:15 | 0:15:18 | |
Where the hell were you? I was reporting in as per your instructions. | 0:15:18 | 0:15:22 | |
-I was busy. -Imagine how I felt. You said "call" and you weren't there. | 0:15:22 | 0:15:26 | |
-I thought something might have happened. -I apologise. | 0:15:26 | 0:15:29 | |
He was very suspicious of me. | 0:15:31 | 0:15:32 | |
He asked me more questions than I asked him. | 0:15:32 | 0:15:35 | |
Doesn't matter. The object of the exercise was accomplished. | 0:15:35 | 0:15:40 | |
I must say, you both looked a bit frosty when you said goodbye. | 0:15:40 | 0:15:44 | |
I noticed no handshake. | 0:15:44 | 0:15:47 | |
What? How do you know? | 0:15:47 | 0:15:50 | |
I followed him home. | 0:15:51 | 0:15:53 | |
You followed him home? | 0:15:54 | 0:15:56 | |
I was in the car outside. I followed his Bentley to Knightsbridge. | 0:15:56 | 0:16:00 | |
Two? | 0:16:00 | 0:16:02 | |
That's how I know where he lives. 8 Walton Crescent. | 0:16:04 | 0:16:07 | |
Now we can talk to him in his home. That's much better. | 0:16:07 | 0:16:10 | |
Jesus, Sal! You set me up! | 0:16:10 | 0:16:14 | |
You just had me flush him out... | 0:16:14 | 0:16:16 | |
I couldn't do it without you. You were great. Perfect. | 0:16:16 | 0:16:19 | |
If I'd told you the real plan, you'd have got nervous and given it away. | 0:16:19 | 0:16:22 | |
You're the expert, I suppose. | 0:16:22 | 0:16:24 | |
We make a great team. | 0:16:27 | 0:16:28 | |
Seriously, we do. | 0:16:30 | 0:16:31 | |
SHE LAUGHS RUEFULLY | 0:16:31 | 0:16:32 | |
He'll think something's up. I know him. | 0:16:32 | 0:16:35 | |
He'll be even more careful, more watchful. | 0:16:35 | 0:16:39 | |
That's why we must wait. Stand back for a bit. Let him settle. | 0:16:39 | 0:16:42 | |
Then we speak to him in his home, when he's off guard. | 0:16:43 | 0:16:47 | |
Then he'll help us. | 0:16:47 | 0:16:48 | |
But he's got to help you, hasn't he? | 0:16:49 | 0:16:51 | |
After what you did. | 0:16:52 | 0:16:53 | |
What are you hiding, Sal? What happened in New Mexico? | 0:16:54 | 0:16:58 | |
Hi, glad to see you're looking so well. | 0:19:34 | 0:19:37 | |
I just had a two-week vacation. | 0:19:37 | 0:19:39 | |
Go to the mountains? | 0:19:39 | 0:19:41 | |
I prefer the seaside. | 0:19:41 | 0:19:42 | |
You weren't here lunchtime. | 0:19:44 | 0:19:46 | |
I had to make a detour. | 0:19:46 | 0:19:48 | |
Take the package to Las Cruces. The Alamagordo Inn. | 0:19:48 | 0:19:52 | |
A man called Raul will contact you. | 0:19:52 | 0:19:55 | |
How long do I have to stay there? | 0:19:55 | 0:19:57 | |
Until Raul shows up. He'll tell you exactly what to do. | 0:19:57 | 0:20:00 | |
Nice talking to you. | 0:20:00 | 0:20:02 | |
"Fur Miami, Fur Miami. | 0:20:50 | 0:20:54 | |
"Luftverkehersnetz Von Mexiko. Hauptlinen." | 0:20:54 | 0:20:57 | |
PHONE RINGS | 0:21:03 | 0:21:05 | |
'Hello Sage, Rosemary here.' | 0:21:08 | 0:21:11 | |
'Hello, Rosemary.' | 0:21:11 | 0:21:12 | |
How's the party going? | 0:21:12 | 0:21:14 | |
'Interesting. Although my gift is disappointing.' | 0:21:14 | 0:21:18 | |
I'll get the manager. | 0:21:20 | 0:21:21 | |
Rosemary says her gift is disappointing. | 0:21:22 | 0:21:25 | |
PHONE RINGS | 0:21:28 | 0:21:29 | |
Disappointing? | 0:21:31 | 0:21:32 | |
Inferior material. There's a spelling mistake. | 0:21:32 | 0:21:36 | |
The grammar's wrong also. Are you sure this is our product? | 0:21:36 | 0:21:38 | |
Yes. As far as I know. | 0:21:38 | 0:21:40 | |
Tell the boss and I'll call back tomorrow. | 0:21:43 | 0:21:46 | |
Where are you going? | 0:21:46 | 0:21:47 | |
A place called Las Cruces. | 0:21:47 | 0:21:48 | |
There are also two uninvited guests at the party. | 0:21:52 | 0:21:55 | |
'Any idea who?' | 0:21:55 | 0:21:57 | |
Local boys, I'd say. | 0:21:57 | 0:21:59 | |
Interesting but not unexpected. They're being very nosey. | 0:21:59 | 0:22:04 | |
We're all noticing the new shadows. | 0:22:04 | 0:22:05 | |
'I lost them, anyway.' | 0:22:05 | 0:22:07 | |
Good. Proceed with caution. | 0:22:07 | 0:22:09 | |
'I'll tell the boss.' | 0:22:09 | 0:22:10 | |
All right. | 0:22:12 | 0:22:13 | |
Evening, Ma'am. | 0:23:48 | 0:23:49 | |
I'd like a room. Three nights. I'll pay in advance. Cash. | 0:23:49 | 0:23:53 | |
Yeah! 20, including tax. | 0:23:55 | 0:23:57 | |
It's our, uh, best room. | 0:24:00 | 0:24:02 | |
Are you sure you want to stay here, Ma'am? | 0:24:04 | 0:24:07 | |
There's a new motel just out of town. It's much nicer. | 0:24:07 | 0:24:10 | |
This'll do fine. | 0:24:10 | 0:24:11 | |
DRUNKEN CHATTER | 0:24:18 | 0:24:22 | |
-It's Rosemary. -'Sage here.' | 0:24:30 | 0:24:32 | |
-'What did he say?' -He says it's up to you. It's your party. | 0:24:32 | 0:24:37 | |
If you want to leave, leave. | 0:24:37 | 0:24:39 | |
Or if you want to change the music, go ahead. | 0:24:39 | 0:24:41 | |
He said, and I quote, "Trust your instincts." | 0:24:41 | 0:24:44 | |
"Trust your instincts". | 0:24:46 | 0:24:48 | |
You told him what I thought about the quality of our gift. | 0:24:48 | 0:24:51 | |
'Yes. It's definitely our product. He checked.' | 0:24:51 | 0:24:54 | |
So they must want it distributed. | 0:24:54 | 0:24:56 | |
'I'll give it some thought. Bye.' | 0:24:57 | 0:25:00 | |
Mornin', Ma'am. | 0:25:22 | 0:25:23 | |
That new motel you were talking about. Where is it exactly? | 0:25:23 | 0:25:26 | |
VOICES SPEAKING SPANISH | 0:25:52 | 0:25:56 | |
'I'm sure you'll find this very comfortable.' | 0:26:08 | 0:26:11 | |
How long were you planning on staying? | 0:26:11 | 0:26:14 | |
Three days or so. | 0:26:14 | 0:26:16 | |
And the bathroom is right through there. | 0:26:33 | 0:26:36 | |
It's very nice. | 0:26:36 | 0:26:38 | |
I'd like to pay in advance, three nights. | 0:26:38 | 0:26:41 | |
Certainly. I'll be in the office. | 0:26:41 | 0:26:44 | |
Thank you. | 0:27:39 | 0:27:41 | |
Hi. Glad to see you looking so well. | 0:27:41 | 0:27:44 | |
Thank you. I've just had a two-week vacation. | 0:27:44 | 0:27:47 | |
Go to the mountains? | 0:27:47 | 0:27:49 | |
I prefer the seaside. | 0:27:49 | 0:27:51 | |
I'm Raul. | 0:27:56 | 0:27:57 | |
I got to get a beer. | 0:28:00 | 0:28:01 | |
HE BELCHES | 0:28:37 | 0:28:39 | |
God, I was dying of thirst. | 0:28:39 | 0:28:41 | |
Water doesn't do it for me. | 0:28:41 | 0:28:43 | |
You got something? | 0:28:46 | 0:28:47 | |
There's been a delay. A problem. | 0:28:48 | 0:28:51 | |
Oh, yeah? Nobody told me nothing. | 0:28:52 | 0:28:56 | |
I have to come back next week. They told me to give you this. | 0:28:56 | 0:28:59 | |
Wow. | 0:29:05 | 0:29:06 | |
2,000. Same again next week when I come back. | 0:29:08 | 0:29:10 | |
I ain't complaining. See you next week. When? | 0:29:10 | 0:29:15 | |
You'll be contacted. | 0:29:15 | 0:29:16 | |
Stay another ten minutes, all right? | 0:29:18 | 0:29:20 | |
Buy another beer. | 0:29:20 | 0:29:22 | |
Sure. Have another barrel! | 0:29:22 | 0:29:24 | |
'I'm not enjoying the party any more. I'm going to leave.' | 0:29:30 | 0:29:34 | |
'Fine. It's your call. Come on home.' | 0:29:34 | 0:29:37 | |
Any particular reason? | 0:29:37 | 0:29:39 | |
'My cash payment wasn't expected.' | 0:29:41 | 0:29:43 | |
I wonder why. | 0:29:43 | 0:29:45 | |
Good point. "Trust your instincts", the boss says. | 0:29:47 | 0:29:50 | |
I'll get a plane back tomorrow from Dallas. | 0:29:56 | 0:29:59 | |
See you later. | 0:29:59 | 0:30:00 | |
DOGS BARKING IN DISTANCE | 0:30:18 | 0:30:21 | |
SWING MUSIC BEING PLAYED | 0:30:52 | 0:30:56 | |
SHE GASPS | 0:31:35 | 0:31:37 | |
Move away from the door. | 0:31:37 | 0:31:39 | |
What do you want? | 0:31:47 | 0:31:48 | |
Where's the map? | 0:31:48 | 0:31:50 | |
Under the sideboard. | 0:31:53 | 0:31:55 | |
Get it. | 0:31:55 | 0:31:57 | |
And the money. | 0:31:57 | 0:31:59 | |
Take it out. | 0:32:14 | 0:32:16 | |
Take your clothes off. | 0:32:30 | 0:32:32 | |
I'm unarmed. | 0:32:32 | 0:32:33 | |
Take your clothes off. | 0:32:33 | 0:32:35 | |
OK. Stop. | 0:33:02 | 0:33:04 | |
Get dressed. | 0:33:04 | 0:33:05 | |
What's happening? | 0:33:31 | 0:33:33 | |
You're going to meet someone. | 0:33:33 | 0:33:35 | |
No, I... | 0:33:37 | 0:33:39 | |
I'm not going anywhere. | 0:33:39 | 0:33:41 | |
Sure you are. | 0:33:41 | 0:33:42 | |
We'll take my car. | 0:33:49 | 0:33:50 | |
You're driving. | 0:33:50 | 0:33:52 | |
Turn left here. | 0:34:07 | 0:34:08 | |
Where are we going? | 0:34:16 | 0:34:18 | |
Who lives out here? | 0:34:19 | 0:34:21 | |
Shut your mouth. | 0:34:21 | 0:34:22 | |
Stop here. | 0:34:26 | 0:34:28 | |
Listen, I have more money. | 0:34:32 | 0:34:34 | |
I can get you another 10,000 in an hour. | 0:34:34 | 0:34:37 | |
10,000. | 0:34:37 | 0:34:39 | |
Get out. | 0:34:40 | 0:34:41 | |
Think about it, 10,000... | 0:34:43 | 0:34:45 | |
KNOCKING | 0:36:46 | 0:36:48 | |
Miss Gilmartin? Miss Ruth Gilmartin? | 0:37:00 | 0:37:03 | |
What's wrong? What's happened? | 0:37:03 | 0:37:05 | |
Nothing. Just a few questions. | 0:37:05 | 0:37:07 | |
I'm Detective Sergeant Mason. | 0:37:07 | 0:37:09 | |
-Mason? -Yes. May we come in? | 0:37:09 | 0:37:12 | |
We won't keep you long. | 0:37:12 | 0:37:13 | |
Karl-Heinz Kleist is your ex-husband. | 0:37:17 | 0:37:20 | |
No. | 0:37:20 | 0:37:22 | |
We never married. We lived together. We had a child. | 0:37:23 | 0:37:27 | |
What's this got to do with Karl-Heinz? | 0:37:27 | 0:37:29 | |
The German police want to talk to him, | 0:37:29 | 0:37:31 | |
but he's not at his home address. | 0:37:31 | 0:37:33 | |
Perhaps he's on holiday. | 0:37:34 | 0:37:36 | |
Perhaps. | 0:37:36 | 0:37:38 | |
Has he come to Cambridge to see his son? | 0:37:38 | 0:37:40 | |
How do you know our child's a boy? | 0:37:41 | 0:37:44 | |
I have a few facts here. | 0:37:44 | 0:37:46 | |
I haven't seen Karl-Heinz in over two years. | 0:37:47 | 0:37:49 | |
Any other family members he might visit? | 0:37:51 | 0:37:54 | |
No. | 0:37:54 | 0:37:55 | |
Nobody in the neighbourhood? A relative, perhaps? | 0:37:55 | 0:37:59 | |
No. | 0:38:00 | 0:38:02 | |
Did someone send you to interview me? | 0:38:09 | 0:38:11 | |
No. Just an enquiry from the Bundeskriminalamt in Berlin. | 0:38:11 | 0:38:14 | |
The BKA? | 0:38:14 | 0:38:16 | |
What do they want to talk to Karl Heinz about? | 0:38:17 | 0:38:19 | |
Apparently it's to do with contacts he has with the Baader-Meinhoff group. | 0:38:19 | 0:38:23 | |
You could arrest half the intellectuals in Germany on those grounds. | 0:38:23 | 0:38:26 | |
I'm just following up. | 0:38:27 | 0:38:29 | |
Of course you are. | 0:38:30 | 0:38:31 | |
Do give us a call | 0:38:31 | 0:38:33 | |
if Herr Kleist should pay you a visit. | 0:38:33 | 0:38:36 | |
He won't come here. | 0:38:37 | 0:38:39 | |
We're pretty much estranged. | 0:38:39 | 0:38:41 | |
Thank you so much, Miss Gilmartin. | 0:38:45 | 0:38:48 | |
It's been most helpful. | 0:38:48 | 0:38:50 | |
We'll see ourselves out. | 0:38:50 | 0:38:52 | |
Did you hear about the accident? | 0:39:07 | 0:39:08 | |
No. What accident? | 0:39:08 | 0:39:10 | |
This elderly woman in a wheelchair in Meadingley, | 0:39:10 | 0:39:13 | |
seriously injured crossing the road by a speeding driver. | 0:39:13 | 0:39:16 | |
Hit-and-run. | 0:39:16 | 0:39:18 | |
That's awful. | 0:39:18 | 0:39:20 | |
I've been in a wheelchair recently. | 0:39:20 | 0:39:23 | |
The woman was the same age as me. | 0:39:23 | 0:39:25 | |
The hit-and-run car was stolen. | 0:39:25 | 0:39:27 | |
Now, Sal, no, no, I'm not letting you get away with that... | 0:39:27 | 0:39:30 | |
I think they thought that that woman in the chair was me. | 0:39:30 | 0:39:33 | |
I think they thought that they'd got me. | 0:39:33 | 0:39:36 | |
The police came round to my flat. | 0:39:48 | 0:39:50 | |
Said they were looking for Karl-Heinz. | 0:39:51 | 0:39:53 | |
-Did you believe them? -I don't know. | 0:39:53 | 0:39:56 | |
I don't know anything now. | 0:39:56 | 0:39:57 | |
Never assume anything is a coincidence. | 0:39:57 | 0:39:59 | |
It's a very important rule. | 0:39:59 | 0:40:02 | |
You don't know what they're like. | 0:40:02 | 0:40:05 | |
You have to watch for the tiniest thing, the tiniest indication. | 0:40:05 | 0:40:10 | |
It may save your life. | 0:40:10 | 0:40:12 | |
I'll get the rest of the stuff out of the car. | 0:40:16 | 0:40:18 | |
Hello? | 0:41:03 | 0:41:05 | |
Don't be frightened, Ruth. | 0:41:08 | 0:41:10 | |
It's just me. | 0:41:10 | 0:41:11 | |
Jesus! | 0:41:12 | 0:41:14 | |
Karl-Heinz, you can't just come here without telling me. | 0:41:14 | 0:41:17 | |
I wanted to see my son. | 0:41:17 | 0:41:18 | |
My boy. | 0:41:20 | 0:41:21 | |
Where is he? | 0:41:24 | 0:41:26 | |
He's staying the night with a friend. | 0:41:26 | 0:41:27 | |
Oh. That's... | 0:41:27 | 0:41:30 | |
..too bad. | 0:41:32 | 0:41:34 | |
I'm leaving tomorrow. | 0:41:35 | 0:41:37 | |
The police came round here asking after you. | 0:41:38 | 0:41:41 | |
What have you done? | 0:41:42 | 0:41:44 | |
Me? | 0:41:44 | 0:41:46 | |
Nothing. | 0:41:46 | 0:41:48 | |
I'm on holiday. | 0:41:49 | 0:41:50 | |
What, with your Baader-Meinhof buddies? | 0:41:50 | 0:41:53 | |
HE LAUGHS | 0:41:53 | 0:41:54 | |
Oh, Ruth, sometimes I miss you. | 0:41:56 | 0:41:59 | |
It's not mutual. | 0:41:59 | 0:42:00 | |
I assume you won't be telling the police about this meeting. | 0:42:07 | 0:42:10 | |
Think of Jochen. | 0:42:13 | 0:42:14 | |
I'd get out of here if I were you. | 0:42:20 | 0:42:22 | |
-Ruth! -No. | 0:42:26 | 0:42:27 | |
'Trust your instincts.' | 0:42:49 | 0:42:50 | |
'There's been a delay. A problem. | 0:42:55 | 0:42:58 | |
'Oh, yeah? Nobody told me nothing.' | 0:42:58 | 0:43:01 | |
Wow. | 0:43:01 | 0:43:02 | |
'You'll be told where to go. It's just a routine courier job.' | 0:43:05 | 0:43:09 | |
'The FBI are very suspicious of us.' | 0:43:11 | 0:43:13 | |
PHONE RINGING | 0:43:26 | 0:43:30 | |
'Thank God. Where are you?' | 0:43:40 | 0:43:42 | |
I'm in my safe place. | 0:43:42 | 0:43:44 | |
-Well, come into the office. -'I'm not coming in, Lucas.' | 0:43:44 | 0:43:47 | |
Oh, don't be ridiculous. | 0:43:47 | 0:43:48 | |
-'I was sold.' -No, that's not possible. | 0:43:48 | 0:43:50 | |
You come in, your friends are here, Eva. | 0:43:50 | 0:43:52 | |
I was sold! Somebody in Transoceanic or Head Office sold me. | 0:43:52 | 0:43:57 | |
Please, Eva, we need to talk. | 0:43:57 | 0:43:59 | |
Meet me on the corner of 44th and 3rd. | 0:44:01 | 0:44:03 | |
All's well that ends well. | 0:44:06 | 0:44:08 | |
Don't jump the gun, Alfie. She's not quite back yet. | 0:44:08 | 0:44:10 | |
Don't turn round. | 0:44:39 | 0:44:41 | |
How are you, Eva? You all right? You well? | 0:44:41 | 0:44:43 | |
I'm fine. We have a problem, however. | 0:44:43 | 0:44:46 | |
I don't know what went wrong. Transoceanic is tight. | 0:44:46 | 0:44:49 | |
Well, someone's not "tight". | 0:44:49 | 0:44:51 | |
Maybe someone in Head Office. | 0:44:51 | 0:44:53 | |
Head Office would give you a medal if they could. | 0:44:53 | 0:44:55 | |
You've done an amazing job. Can I turn round? | 0:44:55 | 0:44:57 | |
Let's get a drink. Celebrate your amazing achievement. | 0:44:59 | 0:45:02 | |
'When you reported the crash,' | 0:45:02 | 0:45:04 | |
the Sheriff of Dona Ana County himself went out to investigate. | 0:45:04 | 0:45:08 | |
He found the map and the money. He thought it was suspicious, | 0:45:08 | 0:45:10 | |
so he called the local FBI agent to investigate. | 0:45:10 | 0:45:13 | |
The agent took one look at the map | 0:45:13 | 0:45:15 | |
and he sent it straight to Hoover in Washington. | 0:45:15 | 0:45:17 | |
Hoover himself put the map on Roosevelt's desk. | 0:45:17 | 0:45:20 | |
My God. | 0:45:20 | 0:45:21 | |
The FBI's on fire. Well, how do you explain it? | 0:45:21 | 0:45:24 | |
The death of a Mexican detective in a road crash near the border. | 0:45:24 | 0:45:29 | |
A map, in German, outlining proposed Lufthansa airline flights | 0:45:29 | 0:45:33 | |
between Mexico and the USA. | 0:45:33 | 0:45:35 | |
Mexico could be a Nazi state on the borders with the USA. | 0:45:35 | 0:45:38 | |
The sheer, amazing, exceptional beauty of it all | 0:45:40 | 0:45:44 | |
is that the map found its way to Roosevelt without a trace, | 0:45:44 | 0:45:47 | |
without a hint of the devious British on it. | 0:45:47 | 0:45:49 | |
This has worked out better than anyone could possibly imagine. | 0:45:49 | 0:45:53 | |
They can't point the finger at us | 0:45:53 | 0:45:55 | |
and say, "Another of your British dirty tricks to trap us into your European war." | 0:45:55 | 0:45:59 | |
They found this themselves in their own back yard. | 0:45:59 | 0:46:02 | |
What can the Anglophobes or the Isolationists say? | 0:46:02 | 0:46:04 | |
What can America First say? | 0:46:04 | 0:46:06 | |
This is hard evidence. | 0:46:06 | 0:46:08 | |
The Nazis are planning airline routes | 0:46:08 | 0:46:10 | |
between Mexico City and Texas, for Christ's sake. | 0:46:10 | 0:46:13 | |
They're on your doorstep, USA. | 0:46:13 | 0:46:14 | |
It's not something happening across the Atlantic in distant Europe - | 0:46:14 | 0:46:18 | |
this war is coming to you. | 0:46:18 | 0:46:19 | |
But the map was bad, there was a spelling mistake, | 0:46:19 | 0:46:21 | |
-It's not "Fur Miami", it's "Nach Miami"... -It's not important. | 0:46:21 | 0:46:24 | |
Raul was just going to hand the map in to a local newspaper, | 0:46:24 | 0:46:27 | |
to feed it in to the system - until your plan took over. | 0:46:27 | 0:46:29 | |
There wasn't a plan. I didn't have a plan. | 0:46:29 | 0:46:32 | |
London is very pleased. | 0:46:32 | 0:46:34 | |
Very. | 0:46:36 | 0:46:37 | |
'I was sold, Morris.' | 0:46:39 | 0:46:41 | |
I'm lucky to be here. | 0:46:41 | 0:46:43 | |
You must agree. | 0:46:43 | 0:46:44 | |
I suppose I do. | 0:46:46 | 0:46:48 | |
I keep thinking, what was their plan? | 0:46:48 | 0:46:50 | |
By luck I foiled it and turned it into some great triumph, | 0:46:50 | 0:46:54 | |
but I was supposed to be found shot dead in a desert in New Mexico, | 0:46:54 | 0:46:57 | |
with a dubious map and a big wad of dollars on me - why? | 0:46:57 | 0:47:01 | |
What was it all about? | 0:47:01 | 0:47:03 | |
Who was running me? | 0:47:06 | 0:47:08 | |
I was. With Angus and Sylvia. It was my party. | 0:47:08 | 0:47:11 | |
Well, I should probably be suspicious of you then. | 0:47:14 | 0:47:16 | |
Yes. So it would seem. | 0:47:16 | 0:47:20 | |
You lost the two crows who were following you to Albuquerque. | 0:47:20 | 0:47:23 | |
-Yes. -But they were waiting for you in Las Cruces. | 0:47:23 | 0:47:25 | |
Not them. Someone else must have been. | 0:47:25 | 0:47:27 | |
You knew I was going to Las Cruces. | 0:47:29 | 0:47:31 | |
Yes. You told me. | 0:47:31 | 0:47:32 | |
We all knew you were in Las Cruces. | 0:47:32 | 0:47:35 | |
You think the first crows were local? | 0:47:35 | 0:47:37 | |
Standard FBI. Men in suits with pork-pie hats. | 0:47:37 | 0:47:41 | |
Which suggests to me that the Las Cruces crows weren't. | 0:47:41 | 0:47:44 | |
They were too good. Too good even for you. | 0:47:44 | 0:47:47 | |
Well, if it wasn't the FBI, | 0:47:47 | 0:47:48 | |
then who was waiting for me in Las Cruces, hmm? | 0:47:48 | 0:47:51 | |
Let's follow it through. | 0:47:51 | 0:47:53 | |
They wanted you dead with the map on you. | 0:47:53 | 0:47:56 | |
You could be identified as a British agent, | 0:47:56 | 0:47:58 | |
because the FBI had followed you to Albuquerque | 0:47:58 | 0:48:01 | |
and clearly knew who you were, before you lost them. | 0:48:01 | 0:48:04 | |
But how did the Mexican detective know I'd moved to the motor lodge? | 0:48:04 | 0:48:07 | |
No-one knew I was staying there. | 0:48:07 | 0:48:08 | |
I swear, I had no shadows. I kept my back. | 0:48:08 | 0:48:11 | |
You must have had shadows. Think about it. | 0:48:11 | 0:48:13 | |
They must have had a big team on you in Las Cruces, | 0:48:13 | 0:48:16 | |
six people, maybe eight. | 0:48:16 | 0:48:17 | |
Men and women, maybe. | 0:48:17 | 0:48:19 | |
They were good. | 0:48:19 | 0:48:21 | |
There was a woman in a red coupe. | 0:48:23 | 0:48:25 | |
And at the bar that Raul took me to there were women there. | 0:48:26 | 0:48:30 | |
I wasn't looking for a woman, that's true. | 0:48:30 | 0:48:32 | |
And the desk clerk in the Alamogordo - he suggested the motel to me. | 0:48:35 | 0:48:39 | |
Had to be a big team. | 0:48:39 | 0:48:41 | |
So what was the point? One dead British agent? | 0:48:41 | 0:48:43 | |
Yes, what does that gain anyone? | 0:48:45 | 0:48:47 | |
Cui Bono, "who gains?" - that's the key. | 0:48:47 | 0:48:50 | |
I'll keep thinking. | 0:48:51 | 0:48:53 | |
Something's bothering me, I don't know what it is. | 0:48:53 | 0:48:56 | |
I'll see you later. | 0:48:56 | 0:48:58 | |
So, what's for supper? | 0:49:16 | 0:49:18 | |
Steak, fried egg, roast potatoes, good red wine? | 0:49:18 | 0:49:22 | |
Sounds wonderful. | 0:49:23 | 0:49:25 | |
PHONE RINGS | 0:49:26 | 0:49:28 | |
-MORRIS: -'Meet me on the stairs, now.' | 0:49:30 | 0:49:32 | |
-Why didn't you just give the map to Raul? -Sorry? | 0:49:52 | 0:49:55 | |
It was a simple job - pick up the package, the map, | 0:49:55 | 0:49:58 | |
-and give it to Raul. -Yes. | 0:49:58 | 0:50:00 | |
So why didn't you? | 0:50:00 | 0:50:01 | |
Because I checked it and there were mistakes. Inferior material. | 0:50:01 | 0:50:04 | |
Why did you check it? Did anyone ask you to? | 0:50:04 | 0:50:07 | |
No. | 0:50:07 | 0:50:08 | |
So why did you? | 0:50:17 | 0:50:18 | |
I just... | 0:50:18 | 0:50:19 | |
Because... Because I thought I should. | 0:50:19 | 0:50:23 | |
Instinct, I suppose. Good procedure. | 0:50:23 | 0:50:26 | |
Instinct... That's the key. | 0:50:26 | 0:50:28 | |
If you'd just followed instructions | 0:50:28 | 0:50:30 | |
and given the map to Raul, none of this would have happened. | 0:50:30 | 0:50:33 | |
Everything happened because you didn't do what you'd been told to. | 0:50:33 | 0:50:37 | |
I don't follow. Are you saying this is somehow my own fault? | 0:50:37 | 0:50:41 | |
I have to do some more checks. | 0:50:41 | 0:50:43 | |
Let's meet tomorrow, not here. | 0:50:45 | 0:50:46 | |
What's going on, Morris? You can't just leave me in the dark like this. | 0:50:46 | 0:50:49 | |
I think the crows in Las Cruces were our friends in grey. | 0:50:51 | 0:50:54 | |
The Abwehr? | 0:50:54 | 0:50:55 | |
The Sicherheitsdienst. No-one else could be that good. | 0:50:55 | 0:50:59 | |
German agents? That doesn't make any sense. | 0:50:59 | 0:51:02 | |
I've got to go. | 0:51:02 | 0:51:03 | |
We'll talk tomorrow. | 0:51:04 | 0:51:06 | |
-Has Morris been in today? -Nope. Are you looking for him? | 0:51:16 | 0:51:19 | |
I just wondered where he was. | 0:51:19 | 0:51:21 | |
-Hm. What's up? -Oh, nothing important, | 0:51:21 | 0:51:24 | |
just not convinced by this four-engine bomber story. | 0:51:24 | 0:51:26 | |
God, is that the time? Must dash. | 0:51:26 | 0:51:29 | |
Eve? What's going on? | 0:51:29 | 0:51:30 | |
Shall we go for a drink tonight? | 0:51:31 | 0:51:33 | |
'Yes?' | 0:51:37 | 0:51:38 | |
(AMERICAN ACCENT) May I speak with Elizabeth Wesley, please? | 0:51:38 | 0:51:41 | |
-'You have the wrong number.' -Oh. So sorry. | 0:51:43 | 0:51:46 | |
Hi! I've just been with John and Mary Weiss and I couldn't remember | 0:51:54 | 0:51:57 | |
if they're on the 17th or the 18th floor. | 0:51:57 | 0:52:00 | |
I've left my train ticket with them, you see. | 0:52:00 | 0:52:02 | |
Oh, dear, the Weisses, I don't know them. | 0:52:02 | 0:52:04 | |
Angus? What's happening? | 0:52:22 | 0:52:24 | |
You'd better get out, Eve. It's a System Blue, here. | 0:52:25 | 0:52:28 | |
System Blue? Good God! Where's Morris? | 0:52:28 | 0:52:31 | |
I'm supposed to be meeting him for a drink. | 0:52:31 | 0:52:34 | |
Morris is dead. He killed himself. | 0:52:34 | 0:52:35 | |
-What? No. -No, no. Eve, Eve! | 0:52:35 | 0:52:38 | |
What're you doing here? | 0:52:41 | 0:52:42 | |
Morris had asked me over for a drink. What happened? | 0:52:44 | 0:52:47 | |
He shot himself. | 0:52:50 | 0:52:51 | |
Doors locked, windows locked. | 0:52:52 | 0:52:53 | |
Some note - doesn't make sense. Something about some boy. | 0:52:53 | 0:52:57 | |
How'd you get in? The doorman didn't call up. | 0:52:58 | 0:53:00 | |
He was busy. | 0:53:00 | 0:53:01 | |
I gave him a wave and got in the lift. | 0:53:01 | 0:53:03 | |
-You weren't looking for Elizabeth Wesley, then? -Who? | 0:53:04 | 0:53:07 | |
Never underestimate the resourcefulness | 0:53:11 | 0:53:13 | |
of our Miss Delectorskaya. Hey? | 0:53:13 | 0:53:17 | |
Never underestimate her...instincts. | 0:53:17 | 0:53:21 | |
< Romer? | 0:53:22 | 0:53:23 | |
You know Miss Dalton. | 0:53:24 | 0:53:26 | |
Ah, Miss Dalton. Our heroine. | 0:53:26 | 0:53:29 | |
She was due to meet Morris. | 0:53:29 | 0:53:31 | |
Can I see him? | 0:53:31 | 0:53:33 | |
It isn't pretty. | 0:53:35 | 0:53:36 | |
It's all right. I'll be fine. | 0:53:37 | 0:53:39 | |
My God. | 0:53:49 | 0:53:50 | |
Morris. | 0:53:52 | 0:53:53 | |
-MORRIS: -'When it looks like... When it looks like... | 0:53:53 | 0:53:56 | |
'When it looks like a grade-A, incontestable, | 0:53:56 | 0:53:59 | |
'unmistakable suicide... | 0:53:59 | 0:54:01 | |
'probably isn't.' | 0:54:01 | 0:54:03 | |
'Everything happened because you didn't do what you'd been told to. | 0:54:11 | 0:54:15 | |
'Instinct, that's the key.' | 0:54:15 | 0:54:17 | |
-ROMER: -'Never underestimate the resourcefulness | 0:54:17 | 0:54:19 | |
'of our Miss Delectorskaya.' | 0:54:19 | 0:54:22 | |
'He said, and I quote, "Trust your instincts."' | 0:54:22 | 0:54:24 | |
'Never underestimate HER instincts.' | 0:54:24 | 0:54:27 | |
Miss Dalton? | 0:54:27 | 0:54:29 | |
Sorry? | 0:54:33 | 0:54:34 | |
This may not be the right time | 0:54:34 | 0:54:36 | |
but C would like to meet with you, tonight. | 0:54:36 | 0:54:38 | |
It seems Mr Roosevelt's going to show the world | 0:54:38 | 0:54:41 | |
your Mexico map next week. | 0:54:41 | 0:54:43 | |
And C would like to meet his shining star | 0:54:43 | 0:54:45 | |
and shake you by the hand. | 0:54:45 | 0:54:47 | |
C? In New York? Tonight? Well, of course, I... | 0:54:47 | 0:54:50 | |
-I'll pick you up at your apartment. Ten o'clock? -Ten. I'll be there. | 0:54:50 | 0:54:53 | |
SHE PANTS | 0:54:54 | 0:54:57 | |
PHONE RINGS | 0:55:37 | 0:55:40 | |
Sylvia, it's me. Say nothing. | 0:55:44 | 0:55:46 | |
We have a System Blue, here. | 0:55:47 | 0:55:49 | |
Morris is... Has gone on a long holiday. | 0:55:49 | 0:55:53 | |
Romer wants us all out of the city. | 0:55:54 | 0:55:56 | |
'Hire a car. | 0:55:56 | 0:55:58 | |
'Bring walking boots.' | 0:55:58 | 0:56:00 | |
Meet me at the diner. Main Street. Albany. As soon as you can. | 0:56:00 | 0:56:04 | |
I'll be waiting for you. | 0:56:04 | 0:56:06 | |
'I'll tell you everything then.' | 0:56:06 | 0:56:08 | |
DIAL TONE | 0:56:08 | 0:56:11 | |
You all right? You said System Blue, my God. | 0:56:33 | 0:56:36 | |
I came as fast as I could. Is it true about Morris? | 0:56:36 | 0:56:39 | |
Suicide. | 0:56:39 | 0:56:41 | |
Of course. Sure. | 0:56:41 | 0:56:43 | |
Romer wants us both over the Canadian border tonight. Secretly. | 0:56:43 | 0:56:46 | |
Tonight? | 0:56:46 | 0:56:47 | |
How? | 0:56:49 | 0:56:50 | |
There are tracks... | 0:56:51 | 0:56:52 | |
Hunters' trails up through the woods near Champlain. We'll find our way. | 0:56:52 | 0:56:56 | |
But both of us? Why? | 0:56:56 | 0:56:58 | |
We're being rolled up, Sylvia. Someone wants all of us dead. | 0:57:00 | 0:57:04 | |
Let's go. | 0:57:06 | 0:57:07 | |
There's no tail. I was very careful. | 0:57:36 | 0:57:39 | |
Did anyone call you? Did Angus? | 0:57:41 | 0:57:45 | |
Angus? No, I left right after you telephoned. | 0:57:45 | 0:57:50 | |
We should keep following the trail. | 0:57:53 | 0:57:55 | |
When the sun comes up we should make sure we keep it on our right-hand side. | 0:57:55 | 0:57:59 | |
It'll take a good few hours. Then we'll be in Canada, French Canada. | 0:57:59 | 0:58:02 | |
How is your French, Mademoiselle? | 0:58:03 | 0:58:05 | |
What is it? | 0:58:06 | 0:58:07 | |
I'm not coming with you. | 0:58:08 | 0:58:09 | |
It's better I should stay behind and watch your back, | 0:58:09 | 0:58:12 | |
say you've gone to Mexico. | 0:58:12 | 0:58:13 | |
We are all going to be killed, Sylvia. I tell you. | 0:58:13 | 0:58:16 | |
Something is wrong. | 0:58:16 | 0:58:17 | |
Don't tell me anything. The less I know, the safer I'll be. | 0:58:19 | 0:58:23 | |
I've brought you some sandwiches. | 0:58:26 | 0:58:28 | |
Chopped liver and onion. Just the thing. | 0:58:29 | 0:58:32 | |
You can trust me, you know. | 0:59:00 | 0:59:02 | |
I know. I know. | 0:59:02 | 0:59:05 | |
Take care. | 0:59:10 | 0:59:12 | |
Get outta here, girl. | 0:59:16 | 0:59:17 | |
GUNFIRE | 1:00:10 | 1:00:12 | |
RADIO PLAYS MUSIC | 1:01:21 | 1:01:24 | |
-RADIO: -'We interrupt this programme | 1:01:25 | 1:01:27 | |
'to bring you an important news flash. | 1:01:27 | 1:01:29 | |
'Reports are coming in that this morning | 1:01:29 | 1:01:31 | |
'Japanese aircraft have attacked the US Naval base | 1:01:31 | 1:01:33 | |
'at Pearl Harbor in Hawaii. | 1:01:33 | 1:01:35 | |
'No warning was given. | 1:01:35 | 1:01:36 | |
'The latest estimate is that three capital ships have been sunk. | 1:01:36 | 1:01:39 | |
'Fires are burning and there have been many casualties. | 1:01:39 | 1:01:42 | |
'As a result, it has been declared that a state of war | 1:01:42 | 1:01:46 | |
'now exists between the USA and Japan. | 1:01:46 | 1:01:48 | |
'Stand by for further bulletins as we receive them. | 1:01:48 | 1:01:51 | |
'And now, back to your programme.' | 1:01:51 | 1:01:53 | |
MUSIC PLAYS AGAIN | 1:01:53 | 1:01:55 | |
Thank you. | 1:02:06 | 1:02:07 | |
-Ooh! -Awful sorry. Is your drink safe? That's the main thing. | 1:02:32 | 1:02:35 | |
Safe as houses. | 1:02:35 | 1:02:37 | |
Can I trouble you for a light? | 1:02:42 | 1:02:44 | |
Of course. | 1:02:46 | 1:02:47 | |
Well... | 1:02:57 | 1:02:58 | |
And that's how I met your father. | 1:03:33 | 1:03:35 | |
He was posted back to London, and I came home. | 1:03:35 | 1:03:37 | |
Amazing. You'd done it. You were safe. | 1:03:38 | 1:03:43 | |
No, I wasn't safe. That's the terrible problem. | 1:03:43 | 1:03:47 | |
You're never really truly safe again, ever. | 1:03:48 | 1:03:51 | |
I had to see Alfie to find out the truth. | 1:03:52 | 1:03:57 | |
'Scuse me. Is this seat free? | 1:04:32 | 1:04:34 | |
Help yourself, dear. | 1:04:34 | 1:04:35 | |
-(Hello.) -Eve! | 1:04:38 | 1:04:40 | |
-What? -Alfie... | 1:04:40 | 1:04:42 | |
(I'm not the traitor.) | 1:04:45 | 1:04:47 | |
(Is that what they told you? Me and Morris?) | 1:04:50 | 1:04:54 | |
Yes. | 1:04:55 | 1:04:56 | |
They said Morris killed himself | 1:04:58 | 1:05:00 | |
because he was about to be exposed... | 1:05:00 | 1:05:03 | |
..and you had flown. | 1:05:04 | 1:05:05 | |
I'm not the traitor, Alfie. | 1:05:05 | 1:05:07 | |
Someone tried to have ME killed in New Mexico. | 1:05:07 | 1:05:09 | |
-Who would that be, then? -Someone had Morris killed | 1:05:09 | 1:05:11 | |
because Morris realised who the traitor was. | 1:05:11 | 1:05:14 | |
I had to fly, otherwise I'd be killed, too, if I hadn't. | 1:05:14 | 1:05:17 | |
And then Sylvia was killed. | 1:05:17 | 1:05:18 | |
Why would I be sitting here talking to you if I wasn't telling the truth? | 1:05:18 | 1:05:22 | |
I'd be long gone, wouldn't I? | 1:05:22 | 1:05:24 | |
Not sitting in a London pub talking to you. | 1:05:24 | 1:05:26 | |
-Angus? -Angus is dead. | 1:05:30 | 1:05:32 | |
Plane he was on was shot down when he was coming back from the States. | 1:05:35 | 1:05:39 | |
It was a Flying Boat, Lisbon to Southampton... Shot down. | 1:05:39 | 1:05:45 | |
They never found a body. | 1:05:48 | 1:05:49 | |
I told you... | 1:05:52 | 1:05:53 | |
We're being rolled up, Alfie. Someone is rolling us up. | 1:05:55 | 1:05:59 | |
First Morris, then me, then Sylvia, now Angus. | 1:05:59 | 1:06:03 | |
Don't you see who's going to be next? | 1:06:03 | 1:06:06 | |
You have to be very careful, Alfie. | 1:06:09 | 1:06:11 | |
Perhaps we should warn Mr Romer. | 1:06:12 | 1:06:15 | |
It's us that's at risk. | 1:06:16 | 1:06:18 | |
Don't worry. He can take care of himself. | 1:06:18 | 1:06:21 | |
Where do you live, Alfie? | 1:06:24 | 1:06:26 | |
I think we'll be safer meeting there, alone. | 1:06:26 | 1:06:29 | |
Yeah, all right. | 1:06:29 | 1:06:30 | |
DOG BARKS | 1:06:34 | 1:06:36 | |
THUMP | 1:06:43 | 1:06:44 | |
RAISED VOICES NEXT DOOR | 1:06:51 | 1:06:54 | |
RADIO PLAYS MUSIC | 1:06:57 | 1:06:59 | |
BUZZER | 1:07:21 | 1:07:24 | |
-You all right, Alfie? -Couldn't be better. Cup of tea? | 1:07:31 | 1:07:35 | |
Lovely. Thanks. | 1:07:35 | 1:07:37 | |
How you keeping, Alfie? | 1:07:53 | 1:07:54 | |
Mustn't grumble, Eve. Mustn't grumble. | 1:07:54 | 1:07:57 | |
Romer. | 1:08:06 | 1:08:08 | |
-Milk in first or after? -After, please. | 1:08:13 | 1:08:16 | |
-Haven't any sugar, I'm... -Ooh! | 1:08:22 | 1:08:24 | |
Sorry, Alfie. I'm so sorry! | 1:08:29 | 1:08:31 | |
SIREN BLARES | 1:08:34 | 1:08:36 | |
You've got to go... Go straight down in the shelter. | 1:08:36 | 1:08:39 | |
EXPLOSION | 1:08:59 | 1:09:02 | |
BABY WAILS | 1:09:06 | 1:09:09 | |
Eva! | 1:10:32 | 1:10:33 | |
Quite a raid. | 1:11:01 | 1:11:02 | |
Yes. | 1:11:05 | 1:11:07 | |
It's not very sensible to be out there, wandering about. | 1:11:11 | 1:11:15 | |
I got lost. | 1:11:16 | 1:11:18 | |
What were you doing in the East End? | 1:11:20 | 1:11:22 | |
I was looking for someone. | 1:11:26 | 1:11:28 | |
A man. | 1:11:31 | 1:11:32 | |
Did you find him? | 1:11:36 | 1:11:37 | |
Yes, I did, actually. | 1:11:41 | 1:11:43 | |
I wanted to say goodbye to him. | 1:11:46 | 1:11:48 | |
And did you? | 1:11:52 | 1:11:53 | |
Yes... | 1:11:57 | 1:11:58 | |
..for ever. | 1:12:00 | 1:12:01 | |
There. | 1:12:10 | 1:12:12 | |
That's more like you now. | 1:12:12 | 1:12:14 | |
Thank you, Sean. | 1:12:16 | 1:12:18 | |
Irish whiskey? | 1:12:21 | 1:12:24 | |
Bliss. | 1:12:24 | 1:12:25 | |
Erm... Talking of Ireland... I was just thinking... | 1:12:29 | 1:12:32 | |
..I've some leave due. Thought I might head home to Dublin. | 1:12:34 | 1:12:38 | |
Oh... | 1:12:40 | 1:12:43 | |
..right. | 1:12:44 | 1:12:46 | |
Well, that'll be very nice for you. | 1:12:48 | 1:12:50 | |
Yeah. | 1:12:50 | 1:12:51 | |
Would you like to come? | 1:12:52 | 1:12:54 | |
Yes, I would, please. Very much. | 1:12:57 | 1:13:00 | |
More than words can say. | 1:13:01 | 1:13:04 | |
I'll arrange everything. | 1:13:05 | 1:13:08 | |
PHONE RINGS | 1:13:40 | 1:13:45 | |
PHONE RINGS | 1:13:53 | 1:13:55 | |
Mum! | 1:14:15 | 1:14:17 | |
Mum! | 1:14:22 | 1:14:25 | |
Fuck! | 1:14:32 | 1:14:33 | |
Fuck! | 1:14:58 | 1:15:00 | |
I will not let you kill him. Do you understand me? | 1:15:32 | 1:15:35 | |
I'm not going to kill him. | 1:15:35 | 1:15:37 | |
Where's the gun? | 1:15:37 | 1:15:38 | |
Jesus Christ! You can't... | 1:15:44 | 1:15:46 | |
TYRES MOVING | 1:15:46 | 1:15:48 | |
Lord Romer, may I have a word? | 1:16:11 | 1:16:13 | |
Who are you? | 1:16:13 | 1:16:14 | |
I'm Ruth Gilmartin. We met the other day at your club. | 1:16:14 | 1:16:16 | |
I interviewed you. I have to tell you something... | 1:16:16 | 1:16:19 | |
I've nothing to say to you. Please leave me alone. | 1:16:19 | 1:16:21 | |
No. I have to tell you something. | 1:16:21 | 1:16:22 | |
Goodbye, Miss Gilmartin. Please, go away. Leave me alone. | 1:16:22 | 1:16:25 | |
Hello, Lucas. | 1:16:25 | 1:16:27 | |
Who are you? | 1:16:28 | 1:16:29 | |
My God. | 1:16:33 | 1:16:35 | |
Eva Delectorskaya. | 1:16:36 | 1:16:38 | |
Who would've thought? | 1:16:41 | 1:16:43 | |
Forgive the enquiry, but what relation do you have with this woman? | 1:16:46 | 1:16:50 | |
She's my mother. | 1:16:50 | 1:16:51 | |
Jesus Christ. | 1:16:52 | 1:16:54 | |
I don't believe it. | 1:16:56 | 1:16:58 | |
A chip off the old block, Lucas. | 1:16:58 | 1:17:00 | |
What do you want? | 1:17:04 | 1:17:06 | |
I should tell you that Ruth knows everything. | 1:17:06 | 1:17:08 | |
I wrote everything down and I gave it to her. | 1:17:08 | 1:17:11 | |
Your secret life is over, Lucas. | 1:17:13 | 1:17:15 | |
Very soon, everyone will know what you did. | 1:17:17 | 1:17:19 | |
It's finished. | 1:17:21 | 1:17:22 | |
As far as the British Government's concerned, you are a wartime | 1:17:22 | 1:17:26 | |
traitor who has still to be brought to justice. | 1:17:26 | 1:17:30 | |
I just need to pick up this telephone here | 1:17:30 | 1:17:32 | |
and you'll be arrested. | 1:17:32 | 1:17:34 | |
I wish you would. Please, call the authorities. | 1:17:34 | 1:17:38 | |
It's all finally gone wrong, let's face it, Lucas. | 1:17:38 | 1:17:40 | |
Actually, it all went wrong at Pearl Harbor, | 1:17:44 | 1:17:47 | |
thanks to the Japanese. Pearl Harbor rather fucked everything up. | 1:17:47 | 1:17:53 | |
Why were you working for the Germans? | 1:17:55 | 1:17:57 | |
It wasn't the Germans. | 1:17:57 | 1:18:00 | |
It was the Russians. | 1:18:00 | 1:18:02 | |
The NKVD. | 1:18:02 | 1:18:04 | |
At the end of 1941, the last thing the Russians wanted | 1:18:05 | 1:18:08 | |
was America entering the war in Europe. | 1:18:08 | 1:18:11 | |
Oh, no, Europe was for Russia. So they instructed their very | 1:18:11 | 1:18:17 | |
special secret agent high up in the British Secret Service | 1:18:17 | 1:18:23 | |
to find a way of destroying the credibility of British | 1:18:23 | 1:18:27 | |
efforts to persuade the Americans to join the war. | 1:18:27 | 1:18:30 | |
The more the British were trying to manipulate American public opinion, | 1:18:31 | 1:18:35 | |
the more the Americans would turn away from joining the war. | 1:18:35 | 1:18:38 | |
Hence the Mexican map. | 1:18:38 | 1:18:39 | |
An obvious forgery, found on the body of a dead British agent. | 1:18:39 | 1:18:44 | |
Who would believe anything we said after that? | 1:18:44 | 1:18:47 | |
Lucas Romer, spy of spies. | 1:18:48 | 1:18:51 | |
The ultimate double agent. | 1:18:52 | 1:18:55 | |
That was your mission, wasn't it? Those were your instructions. | 1:18:58 | 1:19:02 | |
So you're the Sixth Man. | 1:19:04 | 1:19:06 | |
I have nothing to say to you. | 1:19:06 | 1:19:08 | |
You should have left me alone. | 1:19:08 | 1:19:11 | |
You shouldn't have kept on looking for me. | 1:19:11 | 1:19:13 | |
-None of this would have happened. -What on earth are you talking about? | 1:19:13 | 1:19:17 | |
Sally, please! | 1:19:17 | 1:19:18 | |
All right, all right... | 1:19:18 | 1:19:20 | |
Sally! | 1:19:24 | 1:19:26 | |
Don't worry, darling. I just wanted to see what it was like... | 1:19:28 | 1:19:31 | |
..having him at my mercy for a moment or two. | 1:19:33 | 1:19:37 | |
Worth every second. | 1:19:41 | 1:19:42 | |
Actually, you shot me once before, Eva - during that air raid. | 1:19:49 | 1:19:54 | |
Hit me in the shoulder. | 1:19:54 | 1:19:55 | |
Damn. I missed. | 1:19:55 | 1:19:57 | |
One mission, but it didn't go according to plan, alas. | 1:20:01 | 1:20:05 | |
Thanks to you, Eva. So, I've been very busy ever since. | 1:20:05 | 1:20:11 | |
Some consolation. | 1:20:11 | 1:20:13 | |
But why? Why Russia? | 1:20:13 | 1:20:15 | |
Was it for the money? Blackmail? | 1:20:15 | 1:20:19 | |
You wouldn't know. You came here from exile. | 1:20:20 | 1:20:25 | |
You could never understand how, for an Englishman, | 1:20:25 | 1:20:28 | |
sometimes it's as easy to hate your country as it is to love it. | 1:20:28 | 1:20:34 | |
I could never find you, Eva. | 1:20:38 | 1:20:41 | |
And, believe me, I tried. | 1:20:43 | 1:20:45 | |
You were very good. | 1:20:48 | 1:20:50 | |
Very. | 1:20:50 | 1:20:51 | |
But I didn't think you needed to kill poor Alfie, however. | 1:20:58 | 1:21:02 | |
What would you have done? | 1:21:10 | 1:21:12 | |
Time to go, dear. | 1:21:14 | 1:21:15 | |
Bye, Lucas. | 1:21:19 | 1:21:22 | |
Remember this evening, remember what I said. | 1:21:22 | 1:21:26 | |
You'll never see me again. | 1:21:27 | 1:21:29 | |
So he wanted you to be killed with the map and the money on you. | 1:21:39 | 1:21:44 | |
This was the man I loved, the man I thought loved me. | 1:21:44 | 1:21:47 | |
He trained me, he knew me incredibly well. | 1:21:49 | 1:21:52 | |
He knew he didn't have to tell me what to do in New Mexico, | 1:21:52 | 1:21:55 | |
because he knew I'd do it anyway. | 1:21:55 | 1:21:57 | |
That's what was so damn clever. | 1:21:57 | 1:21:59 | |
He didn't need to tell you to check the map. | 1:21:59 | 1:22:01 | |
Exactly - because he knew I would. | 1:22:01 | 1:22:03 | |
And he knew I'd see there was something wrong - | 1:22:03 | 1:22:05 | |
that I wouldn't go though with the plan, | 1:22:05 | 1:22:07 | |
that I'd go off on my own. | 1:22:07 | 1:22:09 | |
But Morris had figured it out. | 1:22:09 | 1:22:11 | |
Before I did. | 1:22:11 | 1:22:12 | |
And they got to him first and faked his suicide. | 1:22:14 | 1:22:17 | |
I was next. | 1:22:19 | 1:22:21 | |
And you had to kill Alfie. | 1:22:25 | 1:22:28 | |
Yes. | 1:22:32 | 1:22:33 | |
I wouldn't be sitting here, otherwise. | 1:22:33 | 1:22:36 | |
Romer will kill himself tonight. | 1:23:43 | 1:23:45 | |
The moment he saw me, he knew that his life was over. | 1:23:46 | 1:23:49 | |
He was a dead man. | 1:23:49 | 1:23:51 | |
It'll look like a heart attack or a massive stroke. | 1:23:53 | 1:23:56 | |
Something natural. An injection, a pill. | 1:23:56 | 1:23:59 | |
Something he's had ready for years. | 1:24:01 | 1:24:04 | |
But I worry that I made a mistake. | 1:24:04 | 1:24:06 | |
I took a risk. One risk. | 1:24:06 | 1:24:08 | |
What? | 1:24:10 | 1:24:11 | |
He knows you're my daughter. He knows your name. Ruth Gilmartin. | 1:24:11 | 1:24:15 | |
They can find me now. And you. | 1:24:16 | 1:24:19 | |
You've got him cold, Sal. He knows that. | 1:24:19 | 1:24:22 | |
I worry that he might have left something written. | 1:24:22 | 1:24:25 | |
Some last instructions. | 1:24:26 | 1:24:29 | |
Look at them all. Romer would be delighted. | 1:24:45 | 1:24:48 | |
His vanity would be flattered. | 1:24:48 | 1:24:50 | |
His last laugh... | 1:24:51 | 1:24:53 | |
All the great and the good turning up like this | 1:24:55 | 1:24:57 | |
to pay their respects to the great man. | 1:24:57 | 1:25:02 | |
All the trappings of the establishment. | 1:25:02 | 1:25:05 | |
He would've all loved that. | 1:25:05 | 1:25:07 | |
All the time, laughing inside. Laughing at them. | 1:25:08 | 1:25:13 | |
Look. | 1:25:18 | 1:25:19 | |
Isn't that the Foreign Secretary? | 1:25:19 | 1:25:22 | |
Where are we having lunch? | 1:25:22 | 1:25:24 | |
At a lovely hotel called the Ritz. | 1:25:24 | 1:25:26 | |
We're going to drink champagne. | 1:25:26 | 1:25:28 | |
I like champagne. Can I have some? | 1:25:28 | 1:25:31 | |
Yes, of course you can! | 1:25:31 | 1:25:33 | |
We're going to raise a glass to Eva Delectorskaya. | 1:25:33 | 1:25:36 | |
She won in the end. | 1:25:37 | 1:25:40 | |
You won. | 1:25:40 | 1:25:42 | |
Yes, I suppose I did. | 1:25:43 | 1:25:47 | |
Are you sure? We can stay the night if you like. | 1:26:02 | 1:26:06 | |
I'm fine. Off you go. | 1:26:06 | 1:26:08 | |
-Jochen. -Yep. -Run around and see if you've left anything. | 1:26:08 | 1:26:12 | |
Yes, Mum. | 1:26:12 | 1:26:13 | |
Mum, seriously, are you all right? | 1:26:15 | 1:26:18 | |
You seem a bit... | 1:26:18 | 1:26:19 | |
I'm worried about my mistake. | 1:26:19 | 1:26:21 | |
I should have sent you under an assumed name to meet him. | 1:26:21 | 1:26:24 | |
I've been so foolish. | 1:26:24 | 1:26:25 | |
Mum, stop it. It's over. | 1:26:25 | 1:26:28 | |
He's gone. It's over. | 1:26:28 | 1:26:31 | |
I nearly left these. | 1:26:31 | 1:26:32 | |
Look, we'd better go. | 1:26:32 | 1:26:35 | |
I'll see you Saturday! | 1:26:35 | 1:26:36 | |
Bye, Granny! | 1:26:36 | 1:26:37 | |
Bye. Drive carefully. | 1:26:37 | 1:26:39 | |
Where's your jacket? | 1:26:49 | 1:26:52 | |
Er, I left it in the kitchen. | 1:26:52 | 1:26:54 | |
Stay here. I'll get it. | 1:26:54 | 1:26:56 | |
Mum. | 1:27:18 | 1:27:19 | |
It's only me. | 1:27:20 | 1:27:22 | |
He left his jacket. | 1:27:22 | 1:27:24 | |
Subtitles by Red Bee Media Ltd | 1:28:41 | 1:28:45 |