Browse content similar to 24/05/2016. Check below for episodes and series from the same categories and more!
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You're well shot of that place. | 0:00:20 | 0:00:22 | |
But it was my home. | 0:00:22 | 0:00:24 | |
I'm 25 years old, no' got a girlfriend, nae job, | 0:00:24 | 0:00:26 | |
nae home - nothing. | 0:00:26 | 0:00:28 | |
-You kissed me, Patrick. -I'm sorry. It should never have happened. | 0:00:28 | 0:00:31 | |
Mum, I do want you in my life. Just not here. | 0:00:31 | 0:00:33 | |
See your plans to take over Shieldinch? | 0:00:33 | 0:00:36 | |
-You've met your match. -Want to introduce me to him? | 0:00:36 | 0:00:38 | |
This is your doing, isn't it? | 0:00:38 | 0:00:40 | |
Well, you know, I am a concerned citizen. | 0:00:40 | 0:00:41 | |
-That witch Eileen. This was down to her. -She'll pay for it. | 0:00:41 | 0:00:44 | |
This isn't over. | 0:00:44 | 0:00:46 | |
FOOTSTEPS | 0:00:51 | 0:00:53 | |
You going to drink that or just sit looking at it all night? | 0:00:53 | 0:00:56 | |
Just not in the mood. I had to get out of the house. | 0:00:56 | 0:00:59 | |
Oh, yeah? What's AJ been up to now? | 0:00:59 | 0:01:02 | |
I'm due a break. Why don't I pour myself a glass and I'll join you? | 0:01:05 | 0:01:09 | |
Oh, here we go. | 0:01:10 | 0:01:11 | |
What has to happen before that family are ashamed to show | 0:01:12 | 0:01:15 | |
themselves in here? | 0:01:15 | 0:01:16 | |
-Everything OK? -I need to go... Sorry. | 0:01:21 | 0:01:24 | |
Service here. | 0:01:26 | 0:01:27 | |
A bottle of your finest fizz. | 0:01:29 | 0:01:31 | |
Will you have time to drink it before Amber's curfew? | 0:01:32 | 0:01:35 | |
Oh, don't you worry about that. We've got it covered. | 0:01:35 | 0:01:37 | |
Right, bottle of the best, then, thanks, Gary. | 0:01:37 | 0:01:40 | |
£84, please. | 0:01:40 | 0:01:43 | |
The Ship keeps a classier cellar than it did in your day. | 0:01:43 | 0:01:47 | |
Pay the woman. | 0:01:47 | 0:01:48 | |
You deal with them. | 0:01:52 | 0:01:53 | |
-Do you want me to pour? -Be my guest. | 0:01:54 | 0:01:57 | |
Put your wallet away, son. You're not going to need it. | 0:01:59 | 0:02:01 | |
-Why not? -Just put it away. -What's going on? -Absolutely no idea. | 0:02:01 | 0:02:05 | |
Sorry, ladies and gentlemen, but you're going to have to drink up. | 0:02:07 | 0:02:10 | |
I'm afraid the bar needs to close. | 0:02:10 | 0:02:12 | |
Not my call. It's an edict from the Licensing Committee. | 0:02:12 | 0:02:15 | |
What's going on? | 0:02:15 | 0:02:16 | |
I've had my licence suspended. | 0:02:18 | 0:02:21 | |
There's been complaints from the neighbours about lock-ins | 0:02:21 | 0:02:23 | |
and noise pollution and punters fighting at closing time. | 0:02:23 | 0:02:27 | |
-But that's all nonsense. -This is you. | 0:02:27 | 0:02:29 | |
You've done this as revenge. | 0:02:29 | 0:02:31 | |
Don't you turn away from me! | 0:02:31 | 0:02:34 | |
I am sick of you thinking you can lay down the law around here. | 0:02:34 | 0:02:36 | |
Is this the part where the piano player leaves the saloon? | 0:02:36 | 0:02:40 | |
No, this is the part where you quit thinking you're running things. | 0:02:40 | 0:02:43 | |
Folk are fed up of it. Look at you. You're pathetic! | 0:02:43 | 0:02:46 | |
You're a pathetic wee man who derives all his self-worth | 0:02:46 | 0:02:49 | |
from strutting about and bullying other people. | 0:02:49 | 0:02:52 | |
-You done? -No, I'm not done, so listen up. | 0:02:52 | 0:02:54 | |
If Amber had been recalled to prison for throwing the McLeans | 0:02:54 | 0:02:58 | |
on the street, it would have been her fault, not mine. | 0:02:58 | 0:03:00 | |
So start taking responsibility for your own family's failings. | 0:03:00 | 0:03:04 | |
Yeah, let's talk about family. What about that loopy son of yours? | 0:03:04 | 0:03:07 | |
He's still not allowed to walk the streets. | 0:03:07 | 0:03:09 | |
-You know nothing about Brian. -Are you done with the theatrics? | 0:03:09 | 0:03:12 | |
I'm finished having you mess me about! | 0:03:12 | 0:03:14 | |
However far my enemies are prepared to go, | 0:03:16 | 0:03:18 | |
I'm always prepared to go that one step further. | 0:03:18 | 0:03:21 | |
That's why I'm going to be around here long after you're gone. | 0:03:21 | 0:03:24 | |
Leave the champagne. You haven't paid for it. | 0:03:26 | 0:03:28 | |
Ah! | 0:03:44 | 0:03:45 | |
Aw. | 0:04:06 | 0:04:07 | |
-So sad. -I know! | 0:04:09 | 0:04:10 | |
I was just having a wee laugh at the ads there. Tragic or what? | 0:04:12 | 0:04:15 | |
Honest, you don't need to do that face. I'm happy being single. | 0:04:17 | 0:04:20 | |
Oh, well, that's a shame. Cos I've got a proposition for you. | 0:04:20 | 0:04:24 | |
Well, when I say I'm happy, I mean I'm flexible. | 0:04:24 | 0:04:28 | |
It's not me. | 0:04:28 | 0:04:29 | |
Course not. | 0:04:29 | 0:04:30 | |
But my friend, Cassie. She's seen you around and she'd really | 0:04:30 | 0:04:34 | |
-like to meet you. -Really? -Really. | 0:04:34 | 0:04:37 | |
What's wrong with her? | 0:04:38 | 0:04:39 | |
So, what's next? | 0:04:41 | 0:04:43 | |
What do you mean? | 0:04:43 | 0:04:45 | |
Well, the way Eileen spoke to you last night, you're not going to | 0:04:45 | 0:04:48 | |
leave it at closing her pub. What's the plan? | 0:04:48 | 0:04:52 | |
As the mouse said looking into the trap, "I'm not getting into that". | 0:04:52 | 0:04:56 | |
When are you going to start treating me | 0:04:56 | 0:04:57 | |
-like a part of this business? -When you learn to keep the head. | 0:04:57 | 0:05:00 | |
Until then, you're on the coffee run. Go on, I'll have a latte. | 0:05:00 | 0:05:03 | |
'You should have a record of it,' | 0:05:11 | 0:05:13 | |
because my pub was closed last night by police officers, | 0:05:13 | 0:05:16 | |
acting on an order from your Licensing Committee. | 0:05:16 | 0:05:19 | |
OK, can you put me through to someone further up the food chain? | 0:05:21 | 0:05:25 | |
Hello? | 0:05:28 | 0:05:29 | |
She hung up on me. | 0:05:31 | 0:05:32 | |
You were a bit off. | 0:05:32 | 0:05:34 | |
I've got every right to be. | 0:05:34 | 0:05:36 | |
Every minute the pub's closed, I'm losing money. | 0:05:36 | 0:05:38 | |
Still think Lenny's behind it? | 0:05:38 | 0:05:40 | |
I don't think - I know. And I told him as much. | 0:05:40 | 0:05:43 | |
I heard you did more than that. | 0:05:43 | 0:05:46 | |
Oh, that was just the warm-up. You watch this space. | 0:05:46 | 0:05:49 | |
Only me! | 0:05:49 | 0:05:51 | |
Oh, is that the time? | 0:05:51 | 0:05:52 | |
Morning, dear. I'm just here to pick Stuart up. | 0:05:54 | 0:05:57 | |
Yeah, sorry, Liz, he's still getting dressed. | 0:05:57 | 0:06:00 | |
I'm a bit behind this morning, thanks to Lenny Murdoch. | 0:06:00 | 0:06:03 | |
You can blame Lenny for many things, | 0:06:03 | 0:06:06 | |
but not Stuart being late for school. | 0:06:06 | 0:06:08 | |
You might want to review your morning routine. | 0:06:08 | 0:06:12 | |
I'll just go and hurry him along. | 0:06:12 | 0:06:14 | |
So, that little performance you gave last night | 0:06:16 | 0:06:20 | |
is the talk of the steamie. | 0:06:20 | 0:06:21 | |
Well, somebody has to stand up to him. | 0:06:21 | 0:06:24 | |
-It might as well be me. -I don't think that's wise, Eileen. | 0:06:24 | 0:06:28 | |
We both know that Lenny can be a dangerous enemy. | 0:06:28 | 0:06:33 | |
So why don't you just do what you have to do to get the pub | 0:06:33 | 0:06:36 | |
open again, then just let things lie? | 0:06:36 | 0:06:39 | |
In fact, why not come into town with me and have a coffee? | 0:06:39 | 0:06:43 | |
-I'm meeting Brian there later. -Oh, are you? | 0:06:43 | 0:06:46 | |
Just one of our wee catch-ups. | 0:06:46 | 0:06:49 | |
I seem to have stepped into Malcolm's shoes in that department. | 0:06:49 | 0:06:53 | |
I know. And I appreciate it. Give him my love. | 0:06:53 | 0:06:57 | |
Tell him to drop by sometime. | 0:06:57 | 0:06:59 | |
PHONE RINGS | 0:06:59 | 0:07:01 | |
-I need to take this. -Listen, you'll forget about Lenny. | 0:07:01 | 0:07:04 | |
Don't worry. Scarlett! How can I help you? | 0:07:04 | 0:07:09 | |
-BOTH: -Oh! | 0:07:15 | 0:07:17 | |
-See?! -You need to call in a plumber. | 0:07:19 | 0:07:21 | |
Can Jimmy not have a go at it with a plunger? | 0:07:21 | 0:07:25 | |
See if you've been pouring chip fat down the plug hole, you'll be in | 0:07:25 | 0:07:28 | |
breach of your tenancy agreement and I'll be landing you with a big bill. | 0:07:28 | 0:07:31 | |
The only thing that's going to be landing round here is a letter from | 0:07:31 | 0:07:35 | |
the Citizens Advice, reminding you of your obligations as a landlady. | 0:07:35 | 0:07:39 | |
And for your information, I only use oven chips! | 0:07:39 | 0:07:41 | |
All right, Ma. I'm sure Eileen will get it sorted. | 0:07:41 | 0:07:44 | |
-Yeah, I'll see what can I do. -Thanks. I'll show you out. | 0:07:44 | 0:07:47 | |
How have you been, anyway? I've not seen you around much. | 0:07:51 | 0:07:53 | |
-Have you been busy at Chrome? -No. That didn't really work out. -Oh? | 0:07:53 | 0:07:57 | |
Don't let me keep you. | 0:07:57 | 0:07:59 | |
Look, it's been ages since we've had a proper catch-up. | 0:07:59 | 0:08:02 | |
-Why don't we pop over to the Oyster? -I'm not even dressed yet. | 0:08:02 | 0:08:05 | |
-Later. Half ten? Come on, it'll do you good. Coffee's on me. -Right. | 0:08:05 | 0:08:11 | |
Alasdair, I'll give you a hand with that. | 0:08:15 | 0:08:18 | |
You're very kind, thank you. | 0:08:18 | 0:08:20 | |
Bit early for you, is it not? | 0:08:21 | 0:08:23 | |
Oh, we don't open until ten. I'm just doing a delivery run. | 0:08:23 | 0:08:26 | |
Donations...obviously. | 0:08:28 | 0:08:29 | |
Just dump them down there, I'll manage the rest of the way. | 0:08:29 | 0:08:34 | |
Sure. | 0:08:34 | 0:08:35 | |
MOBILE RINGTONE | 0:08:35 | 0:08:37 | |
That's your mobile, is it not? | 0:08:37 | 0:08:39 | |
No, don't think so. | 0:08:40 | 0:08:41 | |
Screening your calls, eh? | 0:08:43 | 0:08:45 | |
Thank you. You've been very helpful. | 0:08:54 | 0:08:56 | |
-All right? -Aye. You? | 0:08:58 | 0:09:00 | |
Got that paperwork for you to sign. | 0:09:08 | 0:09:10 | |
On you go, I'll be there in a minute. | 0:09:10 | 0:09:12 | |
-Hi! -Oh, hi. | 0:09:19 | 0:09:21 | |
How you doing? | 0:09:21 | 0:09:22 | |
-Great...I think. Unless you know something I don't. -No, no, no! | 0:09:22 | 0:09:26 | |
Actually, you could help me with something. | 0:09:26 | 0:09:28 | |
-Woke up this morning to some plumbing problems. -You too? | 0:09:29 | 0:09:33 | |
I've just had the same thing over the road. | 0:09:33 | 0:09:36 | |
Yeah, it's all the flats in our stair. | 0:09:36 | 0:09:38 | |
I called the council. They can't get anyone out until this afternoon. | 0:09:38 | 0:09:41 | |
Maybe a wee phone call from Councillor Donachie | 0:09:41 | 0:09:43 | |
-might speed things along. -Course. I'm on it. Actually, is Annie in? | 0:09:43 | 0:09:47 | |
-Uh-huh. -Think I'll just pop up. See if there's any damage. | 0:09:47 | 0:09:52 | |
There isn't. Just the call to the council would do it. | 0:09:52 | 0:09:54 | |
Yeah, yeah, but I should check personally. | 0:09:54 | 0:09:57 | |
I am your landlord. | 0:09:57 | 0:09:59 | |
So it's just the smell? There's not been any... | 0:10:02 | 0:10:05 | |
..bubbling? | 0:10:06 | 0:10:07 | |
No, no. The sooner we can get the council on to it, the better. | 0:10:09 | 0:10:12 | |
OK, I'll do that when I get home. | 0:10:12 | 0:10:15 | |
Actually, I, erm, wanted to check on you, anyway. | 0:10:20 | 0:10:25 | |
Last night in the pub, it seemed like you wanted to chat. | 0:10:26 | 0:10:29 | |
Did I? | 0:10:31 | 0:10:32 | |
Yeah. And then, you left quite abruptly, just as Alex turned up. | 0:10:32 | 0:10:38 | |
Is there something going on between the two of you? | 0:10:41 | 0:10:44 | |
-You are joking me! -Spare me the judgment, Eileen. | 0:10:47 | 0:10:51 | |
You can't be any harder on me than I am on myself. | 0:10:51 | 0:10:54 | |
Sorry, I just didn't have you down as the type. | 0:10:54 | 0:10:56 | |
Like I didn't have you down as the type to sleep with my son? | 0:10:56 | 0:10:59 | |
OK, I asked for that. | 0:10:59 | 0:11:01 | |
I always thought AJ would be the one to destroy our marriage, not me. | 0:11:04 | 0:11:06 | |
This doesn't have to be the end for you and AJ. | 0:11:06 | 0:11:09 | |
-It might even make things better. -Because it evens out the score? | 0:11:09 | 0:11:12 | |
It's driving me crazy. I can't eat. I can't sleep. | 0:11:12 | 0:11:17 | |
I can't seem to settle anything. My head's churning with it. | 0:11:17 | 0:11:22 | |
Hey, you need to stop beating yourself up. You made a mistake. | 0:11:22 | 0:11:26 | |
Now, move on. | 0:11:26 | 0:11:28 | |
It was a mistake, right? | 0:11:31 | 0:11:33 | |
Right. | 0:11:33 | 0:11:35 | |
Swear to me, Eileen. Swear to me you won't say a word. | 0:11:38 | 0:11:42 | |
Of course. | 0:11:42 | 0:11:44 | |
I need to speak to you. | 0:11:50 | 0:11:51 | |
Yep. | 0:11:54 | 0:11:55 | |
Use your contacts on the Licensing Committee to reopen | 0:11:55 | 0:11:59 | |
my pub by lunchtime today or I will make it public knowledge | 0:11:59 | 0:12:03 | |
-that you're having an affair with Annie Jandhu. -Nah, you're all right. | 0:12:03 | 0:12:06 | |
I'm serious. | 0:12:06 | 0:12:07 | |
So am I. I can't think of one person who would be remotely interested | 0:12:07 | 0:12:12 | |
in anything that may, or may not, have happened between me and Annie. | 0:12:12 | 0:12:16 | |
Except maybe AJ. He's the one with everything to lose. His marriage, | 0:12:16 | 0:12:21 | |
-his premises. -His premises? -He leases the Oyster from me. | 0:12:21 | 0:12:26 | |
If he finds out I've been with his wife, | 0:12:26 | 0:12:28 | |
then it's gonnae make things awkward. And I don't like awkward. | 0:12:28 | 0:12:31 | |
But, you know, do your worst. | 0:12:31 | 0:12:32 | |
Or here's an alternative - why don't you give up and ship out? | 0:12:32 | 0:12:37 | |
Cos after what you did to Lenny in the pub last night, | 0:12:37 | 0:12:40 | |
-this isn't going to end well. -Is that some kind of threat? | 0:12:40 | 0:12:43 | |
I'm trying to be nice here. | 0:12:43 | 0:12:45 | |
Sorry to hear that your tenants have got plumbing problems. | 0:12:45 | 0:12:48 | |
-How did you know about that? -Hoi! Eileen! | 0:12:48 | 0:12:51 | |
My lavvy's just backed up all over my lino! | 0:12:51 | 0:12:54 | |
'You're saying that Lenny Murdoch' | 0:12:56 | 0:12:58 | |
has sabotaged the whole street's sewage systems just to get to you? | 0:12:58 | 0:13:01 | |
He knows how many properties I manage in the area. | 0:13:01 | 0:13:04 | |
He's trying to cause problems with my tenants. | 0:13:04 | 0:13:06 | |
-How do you know it was him? -There was a guy messing about | 0:13:06 | 0:13:09 | |
with the drains this morning and when Molly spoke to him | 0:13:09 | 0:13:12 | |
he said he was from the council, but when I phoned the council | 0:13:12 | 0:13:15 | |
they said that they didn't have any contractors in the area. | 0:13:15 | 0:13:18 | |
It must've been one of his men. | 0:13:18 | 0:13:20 | |
Seems like an awful lot of trouble to go to. | 0:13:20 | 0:13:22 | |
He's showing me he can get right into my life, | 0:13:22 | 0:13:24 | |
-even into my tenants' flats. -OK, I'll see if I can track down | 0:13:24 | 0:13:27 | |
these rogue workers, but I don't fancy our chances. | 0:13:27 | 0:13:30 | |
If he gets away with it again... | 0:13:30 | 0:13:33 | |
I'll also speak to the Licensing Committee. Let them know | 0:13:33 | 0:13:36 | |
-any complaints were malicious. -Thanks. | 0:13:36 | 0:13:38 | |
But it doesn't really solve my bigger problem, though, does it? | 0:13:38 | 0:13:41 | |
Eileen, I know you want to get Lenny. I do, too. | 0:13:41 | 0:13:45 | |
But we just need to wait for him to mess up. | 0:13:45 | 0:13:47 | |
-And if he doesn't? -Everyone makes a fatal mistake in the end. | 0:13:47 | 0:13:51 | |
Just make sure it's not you, eh? | 0:13:52 | 0:13:53 | |
Right. Thanks. Bye. | 0:13:53 | 0:13:56 | |
Here we go. | 0:14:18 | 0:14:19 | |
Roll and sausage. Extra brown sauce. | 0:14:21 | 0:14:24 | |
Now, don't say I'm not good to you. | 0:14:26 | 0:14:28 | |
What are you doing here? AJ could come home any minute. | 0:14:32 | 0:14:35 | |
-He won't. He's on his own in the Oyster. -Come in. | 0:14:35 | 0:14:38 | |
-I thought we agreed not to do this. -That's not why I'm here. | 0:14:42 | 0:14:46 | |
I thought you should know, I ran into Eileen Donachie earlier. | 0:14:46 | 0:14:49 | |
She knows we slept together. | 0:14:49 | 0:14:51 | |
Sorry. She caught me at a low point. | 0:14:52 | 0:14:55 | |
-She said she wouldn't tell anyone. -And you believed her? | 0:14:57 | 0:15:00 | |
-I thought you could handle this. -I can. -Doesn't look like it. | 0:15:00 | 0:15:03 | |
She said we're having "an affair". | 0:15:05 | 0:15:07 | |
Yeah, well, they are her words, not mine. | 0:15:09 | 0:15:12 | |
Glad to hear it. | 0:15:13 | 0:15:15 | |
But I shouldn't have said anything. I'm sorry. That was stupid. | 0:15:17 | 0:15:19 | |
Yeah, it was. The last thing I need is folk knowing my business, | 0:15:19 | 0:15:23 | |
-thinking they have something over me. -That's a bit dramatic. -Is it? | 0:15:23 | 0:15:27 | |
That woman just tried to use her wee bit of gossip to blackmail me. | 0:15:27 | 0:15:30 | |
-What?! -Nothing I can't handle, | 0:15:30 | 0:15:32 | |
-but it might cause you trouble if she decides to tell AJ. -She won't. | 0:15:32 | 0:15:36 | |
You sound very sure. | 0:15:36 | 0:15:39 | |
Whatever Eileen Donachie has on me and you, I've got heaps more on her. | 0:15:39 | 0:15:43 | |
Like what? | 0:15:44 | 0:15:46 | |
It's been like this ever since David died. I'm just doing the minimum. | 0:15:46 | 0:15:51 | |
I don't have the energy to feel bad about it. | 0:15:52 | 0:15:54 | |
-I just feel numb. -You should go and see the doctor. | 0:15:56 | 0:15:59 | |
-I have. -And did it help? | 0:16:00 | 0:16:03 | |
I've lost my marriage, my home, my job...and my baby. | 0:16:05 | 0:16:10 | |
There's not a pill on Earth that can make me feel better. | 0:16:13 | 0:16:15 | |
Maybe revenge would. | 0:16:17 | 0:16:18 | |
I don't know the ins and outs of what happened, Kelly-Marie, | 0:16:20 | 0:16:23 | |
but I do know that you being part of the Murdoch clan | 0:16:23 | 0:16:25 | |
has made your life much harder than it should have been. | 0:16:25 | 0:16:28 | |
-What's this about? -Lenny Murdoch has been a blight on this place | 0:16:28 | 0:16:31 | |
for too long. You've seen him up close. | 0:16:31 | 0:16:34 | |
You know how he works, the skeletons in his closet. | 0:16:34 | 0:16:36 | |
-I can't help you. -You can. | 0:16:38 | 0:16:40 | |
I take him down, I go with him. | 0:16:41 | 0:16:42 | |
How do you mean? | 0:16:44 | 0:16:45 | |
I brought Lenny back to Shieldinch. | 0:16:46 | 0:16:48 | |
He'd gone for good. I brought him back because I needed him | 0:16:49 | 0:16:52 | |
to deal with Billy Kennedy. | 0:16:52 | 0:16:54 | |
And everything that's happened since is because I made that call. | 0:16:56 | 0:17:01 | |
Because with folk like Lenny, there's no final move. | 0:17:03 | 0:17:06 | |
No, they just keep going further and further. | 0:17:06 | 0:17:09 | |
So, what happened? | 0:17:09 | 0:17:10 | |
They declared war. Lenny had Billy done in in jail. | 0:17:11 | 0:17:15 | |
I thought he killed himself. | 0:17:16 | 0:17:18 | |
Once Billy was gone, Martina, she... | 0:17:19 | 0:17:23 | |
Martina was out of control. | 0:17:25 | 0:17:27 | |
And Lenny? Well, he couldn't have that, could he? | 0:17:27 | 0:17:30 | |
So... | 0:17:32 | 0:17:33 | |
Lenny had her...killed? | 0:17:36 | 0:17:37 | |
I've not seen her since David's funeral. I don't think anyone has. | 0:17:39 | 0:17:43 | |
Maybe that's why I feel like this. | 0:17:45 | 0:17:47 | |
I made that one call to bring Lenny back | 0:17:50 | 0:17:53 | |
and now I've got all this blood on my hands. | 0:17:53 | 0:17:56 | |
So I can't help you, | 0:18:01 | 0:18:04 | |
because whatever Lenny's stained with, it's on me, too. | 0:18:04 | 0:18:07 | |
No. You haven't done anything. | 0:18:07 | 0:18:09 | |
But none of this would have happened if I hadn't made that call. | 0:18:09 | 0:18:12 | |
You enjoying that? | 0:18:20 | 0:18:22 | |
MUMBLING | 0:18:22 | 0:18:23 | |
Don't talk with your mouth full. Your mammy never teach you that? | 0:18:23 | 0:18:26 | |
Mind you, I'm not surprised. Manners was never her thing, was it? | 0:18:26 | 0:18:29 | |
How much longer are you going to keep me here? | 0:18:29 | 0:18:32 | |
Oh, don't worry. "The hour approacheth". | 0:18:32 | 0:18:34 | |
I'm not really sure how the rest of that goes. | 0:18:35 | 0:18:38 | |
The Bible was never really my thing. | 0:18:38 | 0:18:41 | |
But as I recall, it was something about hearing voices. | 0:18:41 | 0:18:44 | |
-You'll be good with that. -Why am I here? | 0:18:44 | 0:18:47 | |
Well, things haven't been going that well for you, lately. | 0:18:50 | 0:18:54 | |
You've found yourself, well, living rough, and now you're squatting | 0:18:54 | 0:18:59 | |
in a flat just round the corner from where you used to live. | 0:18:59 | 0:19:02 | |
Being here was messing with your mind. It's made you remember things, | 0:19:02 | 0:19:07 | |
like how much people hate you, especially your mammy. | 0:19:07 | 0:19:10 | |
Things have got on top of you. | 0:19:10 | 0:19:12 | |
So you went, you got yourself a gun, and today... | 0:19:12 | 0:19:17 | |
..you're going to kill yourself. | 0:19:18 | 0:19:21 | |
But first... you're going to kill your mother. | 0:19:21 | 0:19:24 | |
Hope you enjoyed the roll and sausage, son. | 0:19:27 | 0:19:30 | |
That was your Last Supper. | 0:19:30 | 0:19:31 | |
Give it a couple of hours, call Eileen Donachie, | 0:19:33 | 0:19:35 | |
tell her you've found the source of the plumbing problems. | 0:19:35 | 0:19:38 | |
When she gets here, pull the trigger. Stick that back in his gub | 0:19:38 | 0:19:41 | |
and try no' to make too much of a mess. | 0:19:41 | 0:19:43 | |
Just ring me when it's over. | 0:19:46 | 0:19:47 | |
CHUCKLES | 0:19:53 | 0:19:54 | |
Good grief! What kind of person donated this? | 0:19:54 | 0:19:57 | |
A High Court judge, perhaps? | 0:19:57 | 0:20:00 | |
Or maybe not. | 0:20:03 | 0:20:05 | |
Don't you believe it. They judges are a kinky lot. | 0:20:05 | 0:20:08 | |
I could tell you some stories. | 0:20:08 | 0:20:11 | |
Please don't. | 0:20:11 | 0:20:12 | |
You know, I think these might | 0:20:13 | 0:20:16 | |
be theatrical costumes. | 0:20:16 | 0:20:18 | |
Aye, well, | 0:20:18 | 0:20:19 | |
I wouldnae pay to see these articles on a stage. | 0:20:19 | 0:20:23 | |
Ew! | 0:20:23 | 0:20:25 | |
Martina Kennedy's disappeared and Kelly-Marie's told us | 0:20:25 | 0:20:28 | |
that Lenny killed her. | 0:20:28 | 0:20:29 | |
What more do you need? | 0:20:29 | 0:20:30 | |
Evidence. | 0:20:30 | 0:20:31 | |
Can you not search the cab office? | 0:20:31 | 0:20:34 | |
And close Lenny's business for the day, like he's closed yours? | 0:20:34 | 0:20:37 | |
This isn't tit for tat - | 0:20:37 | 0:20:38 | |
the man has murdered somebody. | 0:20:38 | 0:20:40 | |
CHATTER ON POLICE RADIO | 0:20:40 | 0:20:41 | |
Don't break anything. | 0:20:50 | 0:20:51 | |
She did this. | 0:21:02 | 0:21:03 | |
Probably. | 0:21:03 | 0:21:04 | |
If you wouldn't mind coming down the station, | 0:21:08 | 0:21:10 | |
helping us with the inquiry. | 0:21:10 | 0:21:12 | |
-I'll give you a lift. -You charging me? | 0:21:12 | 0:21:14 | |
No. Not yet. | 0:21:14 | 0:21:15 | |
CAR LOCK BEEPS | 0:21:18 | 0:21:20 | |
What if they find something? | 0:21:21 | 0:21:23 | |
Nothing to find. Look, | 0:21:23 | 0:21:25 | |
you've got the rest of the day to yourself, eh? | 0:21:25 | 0:21:27 | |
Root out one of your old pals, take them for lunch. | 0:21:27 | 0:21:30 | |
I can't believe you're being so relaxed about this. | 0:21:30 | 0:21:32 | |
It's called keeping the heid - try it sometimes. | 0:21:32 | 0:21:35 | |
Eileen Donachie doesnae know it, | 0:21:36 | 0:21:38 | |
but she's just played right into my hands. | 0:21:38 | 0:21:41 | |
SHE EXHALES | 0:21:45 | 0:21:46 | |
Angus? What can I get you? | 0:21:57 | 0:22:00 | |
Erm...cheapest beverage on the menu, ta. | 0:22:00 | 0:22:02 | |
-Oh, pushing out the boat, are we?(!) -Blind date. | 0:22:02 | 0:22:05 | |
Oh, is this the lucky lady here? | 0:22:05 | 0:22:07 | |
-What? -Angus here's waiting on a blind date. Could it be you? | 0:22:07 | 0:22:10 | |
No. And if it was? | 0:22:10 | 0:22:13 | |
Still no. | 0:22:13 | 0:22:14 | |
Latte, thanks. | 0:22:14 | 0:22:16 | |
Do you know what? Forget that drink. I'm not up for this. | 0:22:16 | 0:22:19 | |
Don't let Amber Murdoch put you off your stroke. | 0:22:19 | 0:22:22 | |
No, it's not that. | 0:22:22 | 0:22:24 | |
I should be saving my cash for investment purposes, | 0:22:24 | 0:22:27 | |
not splashing it on random women. | 0:22:27 | 0:22:28 | |
OK, well, do you want me to give the lassie a message? | 0:22:28 | 0:22:31 | |
Aye. | 0:22:31 | 0:22:33 | |
Aye, tell her... | 0:22:33 | 0:22:35 | |
Tell her I've come down with the scabies. | 0:22:35 | 0:22:37 | |
Scabies? Loving your work. | 0:22:37 | 0:22:39 | |
Angus? | 0:22:40 | 0:22:41 | |
I'm Cassie. Angel's friend. | 0:22:43 | 0:22:45 | |
Angus, should you not be getting along to the doc's? | 0:22:46 | 0:22:49 | |
He's got scabies. | 0:22:50 | 0:22:52 | |
No, I don't. | 0:22:52 | 0:22:54 | |
Let's just have a wee seat. | 0:22:55 | 0:22:57 | |
AJ, if you could just bring my drink over, | 0:22:57 | 0:22:59 | |
and whatever the lady's having. | 0:22:59 | 0:23:01 | |
Espresso, thanks. | 0:23:01 | 0:23:02 | |
-Are you hungry? -I've eaten. | 0:23:02 | 0:23:04 | |
You are already my perfect woman. | 0:23:04 | 0:23:06 | |
Hello, it's me. | 0:23:08 | 0:23:11 | |
Amber. Amber Murdoch. | 0:23:11 | 0:23:14 | |
Listen, I've just got back to Glasgow, | 0:23:14 | 0:23:16 | |
and I was wondering if you fancy meeting up. | 0:23:16 | 0:23:18 | |
Drinks? Dinner? | 0:23:18 | 0:23:20 | |
Actually, it would need to be lunch, | 0:23:21 | 0:23:23 | |
but, you know, lunch can be good. | 0:23:23 | 0:23:25 | |
So...call me. | 0:23:25 | 0:23:27 | |
Or don't. | 0:23:28 | 0:23:29 | |
SHE SIGHS | 0:23:31 | 0:23:33 | |
Cheer up, might never happen. | 0:23:33 | 0:23:35 | |
Nothing ever does round here. | 0:23:35 | 0:23:37 | |
Okey dokes. | 0:23:37 | 0:23:38 | |
I didn't think you were going to show. | 0:23:40 | 0:23:42 | |
Me neither. | 0:23:42 | 0:23:43 | |
I don't usually do blind dates. | 0:23:43 | 0:23:45 | |
I've got a...a knack of attracting weirdos. | 0:23:45 | 0:23:48 | |
You think I'm a weirdo? | 0:23:48 | 0:23:50 | |
No, actually, you seem fine. It's early days, obviously, | 0:23:50 | 0:23:53 | |
but initial signs are positive. | 0:23:53 | 0:23:55 | |
What about me? | 0:23:57 | 0:23:58 | |
I don't know, I'm still weighing you up. | 0:23:58 | 0:24:00 | |
Don't let the scabies thing throw you. | 0:24:00 | 0:24:02 | |
Even if I did have them, which I don't, | 0:24:02 | 0:24:05 | |
they are very treatable these days. | 0:24:05 | 0:24:07 | |
Even the ones that occur in the trouser department. | 0:24:07 | 0:24:10 | |
Ointment from the neck down, and everything in a hot wash. | 0:24:10 | 0:24:13 | |
-Apparently. -Great. | 0:24:13 | 0:24:16 | |
See, you're thinking I know all this | 0:24:16 | 0:24:18 | |
because I've got an infestation, | 0:24:18 | 0:24:19 | |
but what I've really got is an interest | 0:24:19 | 0:24:22 | |
-in parasitic organisms. -OK. | 0:24:22 | 0:24:24 | |
Seriously. We did them in biology at school and I loved them. | 0:24:24 | 0:24:27 | |
In fact, I would go as far as to say that they were my favourite animal. | 0:24:27 | 0:24:31 | |
So how's the whole weighing-up thing going? | 0:24:31 | 0:24:33 | |
You decided if I'm a weirdo yet? | 0:24:33 | 0:24:36 | |
Actually, I think you're kind of cute. | 0:24:36 | 0:24:38 | |
Excellent. But don't let my innocent good looks fool you. | 0:24:38 | 0:24:41 | |
Behind this boyish facade, | 0:24:41 | 0:24:43 | |
I am 100% brute masculinity. | 0:24:43 | 0:24:45 | |
-AJ: -So that's... | 0:24:45 | 0:24:46 | |
one espresso, | 0:24:46 | 0:24:48 | |
and one child's milk. | 0:24:48 | 0:24:51 | |
Cheapest beverage on the menu, mate. | 0:24:51 | 0:24:53 | |
I know what you mean, though, about dating. | 0:24:55 | 0:24:58 | |
I totally suck at it. | 0:24:59 | 0:25:01 | |
No. I don't believe you. | 0:25:01 | 0:25:03 | |
It's true. I always say the wrong thing. | 0:25:03 | 0:25:06 | |
HE LAUGHS | 0:25:06 | 0:25:08 | |
Angus, can I be frank with you? | 0:25:08 | 0:25:10 | |
Shoot. | 0:25:10 | 0:25:12 | |
I'm not here cos I want a date, I'm here cos I want a husband. | 0:25:12 | 0:25:15 | |
Oh, good, you're here. I don't want to keep Brian waiting. | 0:25:22 | 0:25:26 | |
Have a nice time. | 0:25:26 | 0:25:27 | |
I will, I will. | 0:25:27 | 0:25:28 | |
See you tomorrow. | 0:25:28 | 0:25:30 | |
Now, I left some things tucked away under the counter. | 0:25:32 | 0:25:36 | |
Yes, donations, Liz and I sorted them out. | 0:25:36 | 0:25:39 | |
You went through the bags? | 0:25:39 | 0:25:40 | |
Yes, with a pair of tongs. | 0:25:40 | 0:25:43 | |
There was a pair of gent's undercrackers in there | 0:25:43 | 0:25:46 | |
you wouldn't believe. | 0:25:46 | 0:25:47 | |
An incinerator would have been too good for them. | 0:25:47 | 0:25:50 | |
Oh, dear. | 0:25:50 | 0:25:52 | |
Those items weren't meant for sale. | 0:25:52 | 0:25:55 | |
I put them under the counter for safekeeping. | 0:25:55 | 0:25:59 | |
Safekeeping for what? | 0:25:59 | 0:26:00 | |
There are some things there that might have been | 0:26:00 | 0:26:03 | |
-of interest to a specialist dealer. -Oh? | 0:26:03 | 0:26:05 | |
A specialist dealer who | 0:26:05 | 0:26:07 | |
specialises in gents' trolleys | 0:26:07 | 0:26:10 | |
and Cher CDs? | 0:26:10 | 0:26:12 | |
Thank you, Molly, I'll take it from here. | 0:26:12 | 0:26:14 | |
If you could just show me where you've stored the relevant items. | 0:26:14 | 0:26:17 | |
Oh, just round and about. | 0:26:17 | 0:26:19 | |
Apart from the unmentionables - | 0:26:19 | 0:26:21 | |
they're in the bin, | 0:26:21 | 0:26:23 | |
wrapped in three carrier bags. | 0:26:23 | 0:26:25 | |
And the theatre costumes have gone too. | 0:26:25 | 0:26:27 | |
Gone where, pray tell? | 0:26:29 | 0:26:31 | |
Well, a wee wifey came in about half an hour ago | 0:26:31 | 0:26:33 | |
and took the lot for a fiver. | 0:26:33 | 0:26:34 | |
She's gonnae cut them up and make cushion covers. | 0:26:34 | 0:26:37 | |
Hey. Got your message, what's going on? | 0:26:45 | 0:26:47 | |
We can reopen. | 0:26:47 | 0:26:49 | |
The Licensing Committee have accepted DI Donald's | 0:26:49 | 0:26:51 | |
assurance that the complaints were malicious. | 0:26:51 | 0:26:53 | |
Thank goodness. I was worried for my job there. | 0:26:53 | 0:26:55 | |
Are they going to take action against Lenny Murdoch? | 0:26:55 | 0:26:58 | |
No. Cos, funnily enough, he didn't make the complaints | 0:26:58 | 0:27:00 | |
in his own name. But he'll get what's coming to him, | 0:27:00 | 0:27:02 | |
-don't you worry. -What do you mean? | 0:27:02 | 0:27:04 | |
-PHONE RINGS -Oh. | 0:27:04 | 0:27:06 | |
Sorry, need to take this. | 0:27:07 | 0:27:09 | |
Hello? | 0:27:09 | 0:27:11 | |
Who is this? | 0:27:11 | 0:27:13 | |
Right, OK, can you hold on a minute? | 0:27:14 | 0:27:17 | |
Someone's been onto Environmental Health about the plumbing problems, | 0:27:17 | 0:27:20 | |
so can I leave you two in charge | 0:27:20 | 0:27:22 | |
-and deal with this? -Yeah, no bother. | 0:27:22 | 0:27:23 | |
Hi. | 0:27:23 | 0:27:24 | |
Yeah. | 0:27:26 | 0:27:27 | |
Yeah, well, several of my properties have been affected. | 0:27:28 | 0:27:31 | |
Why do you ask? | 0:27:34 | 0:27:35 | |
Buddy, what can I do you for? | 0:27:37 | 0:27:38 | |
-I'm looking for a woman. -Oh, good for you. | 0:27:38 | 0:27:40 | |
No, no, a specific woman. | 0:27:40 | 0:27:42 | |
She was in the charity shop earlier and she happened to mention | 0:27:42 | 0:27:45 | |
to Molly that her next call was here for a coffee. | 0:27:45 | 0:27:47 | |
Small, early sixties, carrying a bag of theatrical costumes? | 0:27:47 | 0:27:51 | |
Oh, yeah. Sorry, you missed her. | 0:27:51 | 0:27:53 | |
-HE GROANS -Was it something important? | 0:27:53 | 0:27:55 | |
-Only my past, my future, my everything. -Oh. | 0:27:55 | 0:27:59 | |
In that case, it might be worth | 0:27:59 | 0:28:01 | |
popping next door to the pharmacy. | 0:28:01 | 0:28:03 | |
Her name's Maureen, she works there. | 0:28:03 | 0:28:05 | |
Oh! Oh, thank you. That's wonderful. | 0:28:05 | 0:28:08 | |
-Erm, she IS married. -No concern of mine. | 0:28:08 | 0:28:11 | |
Can I help you? | 0:28:28 | 0:28:30 | |
No, thanks. | 0:28:30 | 0:28:31 | |
Only you're ringing the doorbell of one my properties. | 0:28:31 | 0:28:34 | |
Yes, I am. | 0:28:34 | 0:28:36 | |
Because, surprise, surprise, | 0:28:36 | 0:28:37 | |
number 13 Montego Street has been found to be the source of all | 0:28:37 | 0:28:40 | |
the plumbing problems my tenants have been experiencing. | 0:28:40 | 0:28:42 | |
-How is that even possible? -I don't know. | 0:28:42 | 0:28:44 | |
The Environmental Health Officer's got a few theories | 0:28:44 | 0:28:46 | |
to discuss. He's in there... | 0:28:46 | 0:28:48 | |
-MUFFLED CRIES -..ripping up floorboards, checking waste pipes. | 0:28:48 | 0:28:50 | |
-If you don't mind... -If there's a maintenance situation | 0:28:50 | 0:28:53 | |
in one of our properties | 0:28:53 | 0:28:54 | |
then I'm going to deal with it, not you. | 0:28:54 | 0:28:57 | |
You know, you don't need to be like him, Amber. | 0:28:57 | 0:29:00 | |
You really don't. | 0:29:00 | 0:29:01 | |
MUFFLED YELLS | 0:29:22 | 0:29:24 | |
Amber? | 0:29:27 | 0:29:29 | |
Dave? | 0:29:30 | 0:29:31 | |
HE PANTS | 0:29:31 | 0:29:33 | |
Her course at uni finished, | 0:29:33 | 0:29:35 | |
but she wants to stay in Scotland. | 0:29:35 | 0:29:37 | |
So she needs to get married? | 0:29:37 | 0:29:39 | |
Did she not explain this to you? | 0:29:39 | 0:29:40 | |
She might have, but I was running out the door at the time. | 0:29:40 | 0:29:43 | |
You do know she's paying, right? | 0:29:43 | 0:29:45 | |
The guy that marries her gets five grand. | 0:29:45 | 0:29:47 | |
-Five? -No strings. | 0:29:47 | 0:29:49 | |
You're always saying you're looking for investors, so... | 0:29:50 | 0:29:53 | |
Aye, investors in the business, no' in my surname. | 0:29:53 | 0:29:55 | |
Look, nae offence, right, but when I get married, | 0:29:55 | 0:29:58 | |
it's gonnae have to be for real. | 0:29:58 | 0:30:00 | |
Sorry. | 0:30:00 | 0:30:01 | |
I should've figured you were an old-fashioned kind of guy. | 0:30:01 | 0:30:04 | |
Sue me. | 0:30:04 | 0:30:06 | |
-See you about. -Sure. | 0:30:06 | 0:30:08 | |
Sorry. | 0:30:08 | 0:30:09 | |
So he chatting you up again? | 0:30:11 | 0:30:13 | |
Would it matter if he was? | 0:30:13 | 0:30:15 | |
Course not. | 0:30:16 | 0:30:17 | |
You're not seeing anyone, are you? | 0:30:19 | 0:30:21 | |
No. Why? | 0:30:21 | 0:30:23 | |
Well, I've got an American friend, she wants UK residency | 0:30:23 | 0:30:26 | |
and she's looking for a guy to marry her. | 0:30:26 | 0:30:28 | |
And you thought of me? | 0:30:28 | 0:30:30 | |
Why not? | 0:30:30 | 0:30:31 | |
So you want me to get involved in some fake wedding? | 0:30:32 | 0:30:35 | |
It could suit you perfectly. | 0:30:35 | 0:30:37 | |
She's paying five grand, | 0:30:37 | 0:30:39 | |
and you're always saying you don't do commitment, so... | 0:30:39 | 0:30:41 | |
You say the same thing - why don't you marry her? | 0:30:41 | 0:30:45 | |
You know what? Maybe I will. | 0:30:45 | 0:30:46 | |
It's not like I'm ever going to find a decent bloke. | 0:30:46 | 0:30:49 | |
Maybe it's because you've got no idea | 0:30:49 | 0:30:51 | |
what makes a decent relationship. | 0:30:51 | 0:30:52 | |
SHE SCOFFS | 0:30:52 | 0:30:54 | |
You don't know that. | 0:30:54 | 0:30:55 | |
I know you think it's all right to marry for money. | 0:30:55 | 0:30:58 | |
Sorry, did I miss the bit where every guy around here | 0:30:58 | 0:31:00 | |
turned from a commitment-phobe to a hopeless romantic? | 0:31:00 | 0:31:03 | |
Maybe you've been hanging about with creeps so long | 0:31:03 | 0:31:05 | |
you've forgot what a decent one is. | 0:31:05 | 0:31:07 | |
And that's you, is it? | 0:31:07 | 0:31:09 | |
I don't pretend to know myself. | 0:31:09 | 0:31:11 | |
But if I'm gonnae have a relationship, then... | 0:31:12 | 0:31:14 | |
I want it to be real. | 0:31:14 | 0:31:16 | |
You wouldn't know a "real" relationship | 0:31:16 | 0:31:18 | |
if it hit you in the face. | 0:31:18 | 0:31:19 | |
Yep. | 0:31:20 | 0:31:22 | |
Maybe you're right. | 0:31:22 | 0:31:23 | |
Hey, Dad, only me. | 0:31:27 | 0:31:29 | |
Listen, I just had an interesting encounter with Big Dave. | 0:31:30 | 0:31:33 | |
Apparently he had plans for a party | 0:31:33 | 0:31:35 | |
and I turned up and spoiled things, | 0:31:35 | 0:31:38 | |
so he suggested rescheduling. | 0:31:38 | 0:31:40 | |
He says call him. | 0:31:40 | 0:31:41 | |
Oh, and I also bumped into someone | 0:31:41 | 0:31:44 | |
who's keen to chat, | 0:31:44 | 0:31:46 | |
but he's a bit tied up at the minute. | 0:31:46 | 0:31:48 | |
Call me when you get this. | 0:31:48 | 0:31:50 | |
HE GROANS, GASPS | 0:32:09 | 0:32:11 | |
Talk to me. | 0:32:17 | 0:32:19 | |
What happened that night, Lenny? | 0:32:19 | 0:32:21 | |
Why was Martina Kennedy at the cab office? | 0:32:21 | 0:32:23 | |
She was upset. She called me. | 0:32:23 | 0:32:26 | |
I went over. | 0:32:26 | 0:32:27 | |
There's history there. | 0:32:27 | 0:32:28 | |
All right, spare me the gory details. | 0:32:28 | 0:32:31 | |
I'd like to enjoy my tea tonight. | 0:32:31 | 0:32:32 | |
I understand. | 0:32:32 | 0:32:34 | |
I'd feel the same way thinking about you and Eileen Donachie going at it. | 0:32:34 | 0:32:37 | |
Martina said she needed to get away for a wee bit. | 0:32:39 | 0:32:42 | |
So me and Alex, we took her back to the cab office, got her a car. | 0:32:42 | 0:32:45 | |
You couldn't just send one to the house? | 0:32:45 | 0:32:48 | |
Or did you require a specific driver for the task? | 0:32:48 | 0:32:51 | |
I cannae remember now. | 0:32:53 | 0:32:55 | |
You know, you can answer these questions | 0:32:57 | 0:33:01 | |
and be out that door in five minutes. | 0:33:01 | 0:33:03 | |
Or I can caution you, and you'll be hanging around here | 0:33:04 | 0:33:07 | |
till your 24 hours are up. | 0:33:07 | 0:33:08 | |
Like I said... | 0:33:11 | 0:33:12 | |
..I'm no' in a hurry today. | 0:33:14 | 0:33:16 | |
Your call. | 0:33:20 | 0:33:21 | |
Take his statement. | 0:33:23 | 0:33:24 | |
CHATTER ON POLICE RADIO | 0:33:42 | 0:33:44 | |
-You told them? -I never mentioned your name. | 0:33:50 | 0:33:52 | |
You're a liar. Do you have any idea what they'll | 0:33:52 | 0:33:55 | |
do if they find out it was me? | 0:33:55 | 0:33:56 | |
"They"? Is there somebody else involved? Is it Alex? | 0:33:56 | 0:33:58 | |
Stop it! I need to get away fae this. | 0:33:58 | 0:34:01 | |
What a happy coincidence. | 0:34:01 | 0:34:03 | |
Let's have a wee chat, eh? | 0:34:03 | 0:34:05 | |
You just gonnae let this happen? | 0:34:08 | 0:34:10 | |
SHE EXHALES | 0:34:13 | 0:34:15 | |
So... | 0:34:15 | 0:34:16 | |
what are the chances the McLeans left behind | 0:34:16 | 0:34:19 | |
some decent coffee? | 0:34:19 | 0:34:20 | |
Make that zero. | 0:34:26 | 0:34:28 | |
So what now, then? | 0:34:31 | 0:34:32 | |
When Lenny gets back? | 0:34:32 | 0:34:34 | |
We'll have to wait and see. | 0:34:34 | 0:34:36 | |
Why does he hate my mum so much? | 0:34:36 | 0:34:38 | |
Probably because she reported me to the cops. | 0:34:39 | 0:34:42 | |
And she's trying to get in the way of his new legit business. | 0:34:42 | 0:34:45 | |
So he wants to go straight so bad that he'll murder to make it happen? | 0:34:45 | 0:34:49 | |
-I need to pee. -Be my guest. | 0:34:56 | 0:34:58 | |
HE SCOFFS | 0:34:58 | 0:35:00 | |
I can't believe Eileen did this. | 0:35:00 | 0:35:02 | |
Lenny has no idea that our investigation's | 0:35:02 | 0:35:04 | |
got anything to do with you. | 0:35:04 | 0:35:06 | |
Who's to say we're not acting on a variety of tip-offs? | 0:35:06 | 0:35:08 | |
And are you? | 0:35:08 | 0:35:09 | |
-Oh, my God! -Kelly-Marie, | 0:35:10 | 0:35:13 | |
I can get you protection, but I need something in return. | 0:35:13 | 0:35:16 | |
So what do you know about the disappearance of Martina Kennedy? | 0:35:16 | 0:35:20 | |
Nothing. | 0:35:20 | 0:35:21 | |
-I don't believe you. -Well, believe what you like, | 0:35:23 | 0:35:25 | |
you're not getting anything fae me. | 0:35:25 | 0:35:28 | |
Why won't you help us? | 0:35:28 | 0:35:29 | |
Because I don't want to wind up dead. | 0:35:31 | 0:35:33 | |
That's shocking. I remember marriage used to mean something. | 0:35:34 | 0:35:38 | |
Says the woman who got hitched in Vegas(!) | 0:35:38 | 0:35:40 | |
I was drunk, it was different. | 0:35:40 | 0:35:42 | |
Aye, but it's the money that makes it really bad. | 0:35:44 | 0:35:46 | |
Like she wanted to buy you | 0:35:46 | 0:35:48 | |
like you were a slab of meat. | 0:35:48 | 0:35:50 | |
I know. | 0:35:50 | 0:35:51 | |
I feel pure objectified. | 0:35:51 | 0:35:53 | |
Mind you - five grand, eh? | 0:35:53 | 0:35:55 | |
Away you go. He's worth much more than that. | 0:35:56 | 0:36:00 | |
Aw. Thanks, babe(!) | 0:36:00 | 0:36:02 | |
True, but, innit? | 0:36:03 | 0:36:05 | |
We need to back off this. | 0:36:11 | 0:36:12 | |
When you get Lenny, you need to get him | 0:36:12 | 0:36:14 | |
with his finger on the trigger or not at all. | 0:36:14 | 0:36:16 | |
We keep pushing through with this, | 0:36:16 | 0:36:18 | |
Kelly-Marie's going to be in danger. | 0:36:18 | 0:36:19 | |
-And for nothing - we've no evidence. -Can you not find some? | 0:36:19 | 0:36:22 | |
Not unless we find the car that Martina left in. | 0:36:23 | 0:36:26 | |
What about Alex? | 0:36:26 | 0:36:28 | |
Has he not given you anything? | 0:36:28 | 0:36:30 | |
To be honest, I don't think he's going to be worth talking to. | 0:36:30 | 0:36:32 | |
Please. It's got to be worth a try. He might let something slip. | 0:36:32 | 0:36:35 | |
HE SIGHS | 0:36:36 | 0:36:37 | |
Ah-ha! | 0:36:39 | 0:36:41 | |
Success. | 0:36:41 | 0:36:43 | |
I followed a lead and tracked | 0:36:45 | 0:36:47 | |
our buyer down to the pharmacy. | 0:36:47 | 0:36:49 | |
These are your things. | 0:36:49 | 0:36:51 | |
No, it's not what you think. | 0:36:51 | 0:36:53 | |
Theatrical costumes? | 0:36:54 | 0:36:56 | |
A gentleman's waist clincher? | 0:36:56 | 0:36:58 | |
I am no Columbo, | 0:37:00 | 0:37:02 | |
but there's only one man I know | 0:37:02 | 0:37:04 | |
that fits that profile, | 0:37:04 | 0:37:06 | |
and I am looking at him. | 0:37:06 | 0:37:08 | |
Although where the grubby underpants fit into the equation | 0:37:08 | 0:37:11 | |
is anybody's guess. | 0:37:11 | 0:37:14 | |
They're my lucky pants... | 0:37:14 | 0:37:16 | |
for first nights... | 0:37:16 | 0:37:18 | |
on the stage. | 0:37:18 | 0:37:19 | |
Aye, well, not in the boudoir! | 0:37:19 | 0:37:21 | |
You'd no' get lucky with them. | 0:37:21 | 0:37:23 | |
Oh, dear. | 0:37:23 | 0:37:24 | |
It seems I've been rumbled. | 0:37:24 | 0:37:26 | |
So what is it? A moonlight flit? | 0:37:28 | 0:37:31 | |
Or do you owe the landlord rent? | 0:37:31 | 0:37:33 | |
That would fit with all those phone calls you're not answering. | 0:37:33 | 0:37:36 | |
No, it's nothing to do with cash. | 0:37:36 | 0:37:38 | |
A woman has become obsessed with me. | 0:37:39 | 0:37:42 | |
Aye, right(!) | 0:37:43 | 0:37:45 | |
Unlikely as it seems, it's true. | 0:37:45 | 0:37:48 | |
We performed together several years ago | 0:37:48 | 0:37:51 | |
and she imagined we had a frisson. | 0:37:51 | 0:37:54 | |
"A frisson"? | 0:37:54 | 0:37:56 | |
Is that what they call it in Perth? | 0:37:56 | 0:37:58 | |
I managed to shake her off, | 0:37:58 | 0:37:59 | |
but every now and again she tracks me down. | 0:37:59 | 0:38:02 | |
And when she does, I must move on. | 0:38:02 | 0:38:04 | |
Sounds like a tall tale to me. | 0:38:06 | 0:38:08 | |
And what irresistible quality | 0:38:08 | 0:38:10 | |
does this woman see in you that evades the rest of us? | 0:38:10 | 0:38:13 | |
It's not a laughing matter. | 0:38:13 | 0:38:15 | |
When this woman has me in her sights, | 0:38:18 | 0:38:20 | |
my every waking moment becomes a living hell. | 0:38:20 | 0:38:23 | |
Her pursuit of me is so dogged, so relentless, | 0:38:23 | 0:38:26 | |
I am condemned to abandon all I hold dear | 0:38:26 | 0:38:29 | |
and fly hither and thither like a hunted animal, | 0:38:29 | 0:38:33 | |
hoping that one day she will tire of the chase. | 0:38:33 | 0:38:36 | |
I'm...I'm sorry. I mean, I didn't know. | 0:38:38 | 0:38:40 | |
Well, you do now. | 0:38:40 | 0:38:41 | |
Which is why I must ask for your discretion. | 0:38:43 | 0:38:46 | |
If she calls here, please, I beg you, | 0:38:47 | 0:38:50 | |
don't give me away. | 0:38:50 | 0:38:51 | |
I've never heard of you. | 0:38:54 | 0:38:56 | |
Am I going to have to take you down the station? | 0:38:57 | 0:39:00 | |
I've told you what I know. | 0:39:00 | 0:39:01 | |
What if I don't believe you? | 0:39:01 | 0:39:03 | |
Get some evidence. | 0:39:03 | 0:39:04 | |
Or ask yourself whether you're working | 0:39:04 | 0:39:07 | |
from a reliable source of information. | 0:39:07 | 0:39:09 | |
What's that supposed to mean? | 0:39:09 | 0:39:10 | |
We both know that it was Councillor Donachie | 0:39:10 | 0:39:12 | |
who set this little train in motion. | 0:39:12 | 0:39:14 | |
But I don't know why you're acting on the suspicions of a woman | 0:39:14 | 0:39:17 | |
who facilitated the escape of a wanted murderer. | 0:39:17 | 0:39:19 | |
Hey. How was Brian? | 0:39:27 | 0:39:28 | |
I don't know. | 0:39:28 | 0:39:29 | |
He didn't turn up. | 0:39:29 | 0:39:31 | |
Well, maybe he forgot. | 0:39:31 | 0:39:32 | |
No, no, he's always very reliable. | 0:39:32 | 0:39:34 | |
So I walked up to where he's been staying, | 0:39:34 | 0:39:36 | |
and they told me he hasn't been seen in nearly a week. | 0:39:36 | 0:39:40 | |
There you go. | 0:39:46 | 0:39:48 | |
One statement, signed, sealed, and delivered. | 0:39:48 | 0:39:50 | |
Oh! | 0:39:51 | 0:39:53 | |
Any chance of a cup of coffee and a sandwich, for me being so helpful? | 0:39:53 | 0:39:56 | |
AMBER ON VOICEMAIL: 'Hey, Dad, only me. | 0:40:08 | 0:40:11 | |
'Listen, I just had an interesting encounter with Big Dave. | 0:40:11 | 0:40:15 | |
'Apparently he had plans for a party, | 0:40:15 | 0:40:17 | |
'but I turned up and spoiled things, so he suggested rescheduling.' | 0:40:17 | 0:40:21 | |
I know you can't breach confidentiality, but you have | 0:40:21 | 0:40:25 | |
to be able to tell me if he's been turning up for his appointments. | 0:40:25 | 0:40:29 | |
I'm his mother and I'm really concerned for his safety. | 0:40:29 | 0:40:32 | |
He's a vulnerable adult! | 0:40:32 | 0:40:34 | |
Oh, dear! | 0:40:34 | 0:40:35 | |
OK. Are you sure? | 0:40:35 | 0:40:37 | |
Right, thanks. Thanks for your help. | 0:40:39 | 0:40:42 | |
-Well? -He missed his counselling session. | 0:40:42 | 0:40:45 | |
Oh, no! | 0:40:45 | 0:40:47 | |
Something's happened to him. I just know it. | 0:40:47 | 0:40:50 | |
Oh, Craig! Thank goodness you're here! | 0:40:50 | 0:40:52 | |
Look, something's happened to Brian. | 0:40:52 | 0:40:54 | |
Would you excuse us just for a minute, please? | 0:40:54 | 0:40:57 | |
Oh, yes, of course. | 0:40:57 | 0:40:58 | |
-Did you give Stevie Burns the money he needed to make his escape? -No. | 0:41:00 | 0:41:04 | |
Not even a flinch. | 0:41:05 | 0:41:07 | |
-I know you are lying through your teeth. -I'm not lying! | 0:41:07 | 0:41:10 | |
I just took a sworn statement from Annie Jandhu! | 0:41:10 | 0:41:12 | |
OK. I lied to you... | 0:41:14 | 0:41:17 | |
-because I couldn't compromise your integrity. -Integrity?! | 0:41:17 | 0:41:21 | |
Eileen, have you any idea what that word even means? | 0:41:21 | 0:41:25 | |
How many times have I stuck my neck out for you? | 0:41:25 | 0:41:27 | |
Over Raymond. Over Paton. Over...over Lenny! | 0:41:27 | 0:41:29 | |
Just this morning, I pulled strings to get you your licence back. | 0:41:29 | 0:41:33 | |
I've pushed this investigation into Lenny | 0:41:33 | 0:41:35 | |
further than any of the evidence warrants. | 0:41:35 | 0:41:37 | |
I did all those things cos I thought we were on the same team! | 0:41:37 | 0:41:39 | |
We are! Stevie didn't mean to kill that guy and he didn't deserve jail! | 0:41:39 | 0:41:44 | |
Not your call! | 0:41:44 | 0:41:45 | |
You talk about Lenny thinking he's above the law. | 0:41:45 | 0:41:49 | |
You and him are two sides of the same coin! | 0:41:49 | 0:41:51 | |
I'm sorry, but I'm done. | 0:41:52 | 0:41:54 | |
I'm shutting down the investigation | 0:41:54 | 0:41:56 | |
into Martina Kennedy's disappearance. | 0:41:56 | 0:41:58 | |
There's no evidence of any wrongdoing. | 0:41:58 | 0:42:00 | |
OK, OK! But what about Brian? Will you help me look for him? | 0:42:00 | 0:42:03 | |
Eileen...! | 0:42:03 | 0:42:04 | |
See, from now on, | 0:42:05 | 0:42:06 | |
if you've got a problem that requires the police, | 0:42:06 | 0:42:09 | |
don't call me. | 0:42:09 | 0:42:11 | |
Tell me you never left a weapon in that house. | 0:42:11 | 0:42:14 | |
Good. | 0:42:14 | 0:42:16 | |
No, no, you stay where you are. I'll come and get it, OK? | 0:42:16 | 0:42:19 | |
Oh, and when this is over, me and you will need to have a wee chat. | 0:42:19 | 0:42:22 | |
-Hi. -Hi. | 0:42:29 | 0:42:31 | |
Are you wanting to become a member? | 0:42:31 | 0:42:33 | |
Actually, I'm looking for my friend. Angel? | 0:42:33 | 0:42:35 | |
-Oh, right. She's in the back. I'll get her. -Hey, you're Patrick, right? | 0:42:35 | 0:42:39 | |
Depends who's asking. | 0:42:41 | 0:42:42 | |
I don't owe you money, do I? SHE LAUGHS | 0:42:42 | 0:42:45 | |
You're clever. I'm Cassie. | 0:42:45 | 0:42:47 | |
-Patrick. -I knew it. | 0:42:47 | 0:42:49 | |
Angel talks about you all the time. | 0:42:49 | 0:42:51 | |
Oh, so you're the, er... husband hunter, then? | 0:42:51 | 0:42:54 | |
You got it. But don't worry, I'm not going to proposition you. | 0:42:54 | 0:42:57 | |
Cassie. Everything all right? | 0:42:59 | 0:43:01 | |
I was just introducing myself to Patrick here. | 0:43:01 | 0:43:04 | |
I know you said he was gorgeous, but you never told me he was smart. | 0:43:04 | 0:43:08 | |
CASSIE LAUGHS | 0:43:08 | 0:43:10 | |
I never said gorgeous. | 0:43:10 | 0:43:12 | |
Oh... OK. | 0:43:13 | 0:43:15 | |
Do you want a get a coffee or something? I'll just get my coat. | 0:43:16 | 0:43:19 | |
Sure. | 0:43:19 | 0:43:21 | |
-I never said gorgeous. -Mm-hm. | 0:43:21 | 0:43:23 | |
-BRIAN: -'So how long did you do?' | 0:43:26 | 0:43:28 | |
Five years. | 0:43:28 | 0:43:29 | |
I was the model inmate. | 0:43:30 | 0:43:32 | |
Me too. | 0:43:32 | 0:43:34 | |
-Well, you're better now. -I deal with it. | 0:43:35 | 0:43:37 | |
Do what I need to do to keep my head straight. | 0:43:39 | 0:43:41 | |
You know, I try and avoid stressful situations. | 0:43:41 | 0:43:43 | |
-How's that working out for you? -Look, let me go! | 0:43:43 | 0:43:46 | |
-I can't. -Please? | 0:43:46 | 0:43:48 | |
I'm sorry. | 0:43:48 | 0:43:49 | |
-I need to get some air. -Take me with you. | 0:43:53 | 0:43:55 | |
I'm only going to get coffees. | 0:43:57 | 0:43:58 | |
Well, then untie me and you can say that I escaped whilst you were gone. | 0:43:58 | 0:44:01 | |
He won't buy that. | 0:44:01 | 0:44:03 | |
Listen, you need to do something. He's going to kill me! | 0:44:03 | 0:44:05 | |
-Do you want another murder on your conscience? -That's not fair! | 0:44:05 | 0:44:09 | |
You can change this. Talk to him, make him let me go. | 0:44:09 | 0:44:12 | |
You don't know my dad. | 0:44:12 | 0:44:14 | |
I'm sorry. | 0:44:15 | 0:44:17 | |
If I could anything, I would. | 0:44:17 | 0:44:19 | |
SHE WALKS BACK | 0:44:24 | 0:44:26 | |
Open up. | 0:44:36 | 0:44:37 | |
I've got a bad feeling about this! | 0:44:37 | 0:44:40 | |
Something's not right. | 0:44:40 | 0:44:42 | |
You don't think it might be to do with Lenny? | 0:44:42 | 0:44:45 | |
What, you mean...? You think Lenny might have done something to Brian? | 0:44:46 | 0:44:52 | |
Well, he's targeted both my businesses. | 0:44:52 | 0:44:54 | |
Who's to say my family won't be next? | 0:44:54 | 0:44:57 | |
But the police were at his office all day. | 0:44:58 | 0:45:01 | |
You don't really think he does his own dirty work, do you? | 0:45:01 | 0:45:05 | |
Amber. | 0:45:05 | 0:45:07 | |
I saw Amber at the McLean's house earlier. | 0:45:07 | 0:45:09 | |
If Lenny DOES have something to do with this, she'll know. | 0:45:09 | 0:45:12 | |
Oh, dear! Do be careful! | 0:45:12 | 0:45:15 | |
MUFFLED CRIES | 0:45:17 | 0:45:20 | |
BANGING ON DOOR | 0:45:21 | 0:45:23 | |
-EILEEN: -Hello! | 0:45:23 | 0:45:25 | |
-Hello, Amber! Are you in there? -HE GASPS | 0:45:25 | 0:45:27 | |
BANGING ON DOOR, MUFFLED SCREAMS | 0:45:27 | 0:45:29 | |
PHONE RINGS | 0:45:41 | 0:45:43 | |
RINGING CONTINUES | 0:45:57 | 0:46:00 | |
MOBILE PHONE RINGS | 0:46:16 | 0:46:18 | |
What part of "don't call me" do you not get? | 0:46:18 | 0:46:20 | |
Amber Murdoch has got my son Brian in the McLean house. | 0:46:20 | 0:46:23 | |
She's doing something to him in there. | 0:46:23 | 0:46:26 | |
Well, I wouldn't buy a hat just yet. | 0:46:26 | 0:46:27 | |
She's probably just getting her hand back in. Slim pickings in that jail. | 0:46:27 | 0:46:30 | |
Will you take this seriously?! He's in danger! | 0:46:30 | 0:46:33 | |
You ever heard the story of the boy who cried wolf? | 0:46:33 | 0:46:35 | |
Just get here, please! | 0:46:35 | 0:46:38 | |
Absolutely, on it(!) | 0:46:38 | 0:46:40 | |
HE SCOFFS | 0:46:40 | 0:46:41 | |
Amber Murdoch, let me in or I'm going to shout the street down! | 0:46:49 | 0:46:52 | |
DOOR OPENS | 0:46:52 | 0:46:53 | |
If you don't keep off this property, I'll call the police. | 0:46:53 | 0:46:56 | |
They're already on their way. | 0:46:56 | 0:46:58 | |
-Oh, dear God! -MUFFLED CRIES | 0:47:00 | 0:47:03 | |
Are you OK? Have they hurt you? | 0:47:03 | 0:47:05 | |
-Get away from him! -Shut up! | 0:47:05 | 0:47:07 | |
They'll kill you and make it look like I did it. | 0:47:07 | 0:47:09 | |
-We need to get out of here! -That's what we're going to do. | 0:47:09 | 0:47:12 | |
We're going to get out of this house, this place, this madness! | 0:47:12 | 0:47:15 | |
-You're going nowhere. -Ain't that the truth? | 0:47:15 | 0:47:17 | |
I've called the police. They'll be here any minute. | 0:47:17 | 0:47:19 | |
So whatever you've got planned, it's not going to happen. | 0:47:19 | 0:47:22 | |
I don't hear any sirens. Anybody else? | 0:47:22 | 0:47:24 | |
They're on their way and they'll get you for this | 0:47:24 | 0:47:27 | |
-and for everything else you've done! -Oh, you know that, do you? | 0:47:27 | 0:47:29 | |
I know more than you give me credit for. | 0:47:29 | 0:47:32 | |
I know that you killed Martina Kennedy! | 0:47:32 | 0:47:34 | |
You know... You don't really need to give me another excuse to shoot you. | 0:47:41 | 0:47:45 | |
GUN CLICKS | 0:47:45 | 0:47:47 | |
But thanks for the thought. | 0:47:47 | 0:47:49 | |
Please, talk to him. | 0:47:49 | 0:47:51 | |
-Right, Dad, you've made your point. -No, I haven't. | 0:47:51 | 0:47:54 | |
You've not thought this through. | 0:47:54 | 0:47:56 | |
You listen to her. | 0:47:56 | 0:47:57 | |
If the police come through that door and find us here, | 0:47:57 | 0:48:00 | |
they'll do you for kidnap, and for having that gun, | 0:48:00 | 0:48:03 | |
and that's before you've even fired it. | 0:48:03 | 0:48:05 | |
Lenny, you're not a well man. | 0:48:05 | 0:48:07 | |
You'll die before you've done your time. | 0:48:08 | 0:48:10 | |
So...no reason to worry about an extra two charges, then, eh? | 0:48:10 | 0:48:14 | |
Dad, please stop. This is crazy! | 0:48:15 | 0:48:17 | |
You make her a part of my murder and she'll never see daylight again. | 0:48:17 | 0:48:21 | |
Look at her. | 0:48:23 | 0:48:24 | |
Look at her! Is it worth it? | 0:48:26 | 0:48:27 | |
Is getting rid of me worth a daughter in jail? | 0:48:28 | 0:48:31 | |
All to bolster an empire that's already cost you two sons? | 0:48:31 | 0:48:34 | |
-You keep my family out of this! -You've not got family, Lenny. | 0:48:34 | 0:48:38 | |
You've got kids that want what you've got, | 0:48:38 | 0:48:40 | |
and that's not the same thing. | 0:48:40 | 0:48:41 | |
Shut up! | 0:48:41 | 0:48:42 | |
That's not true. | 0:48:42 | 0:48:44 | |
It's over, Lenny. | 0:48:48 | 0:48:49 | |
I'm leaving. | 0:48:50 | 0:48:51 | |
Not cos you've scared me away, but because this place is poison! | 0:48:53 | 0:48:57 | |
It's already nearly destroyed one son. | 0:48:58 | 0:49:00 | |
I'm not going to let it claim another. | 0:49:00 | 0:49:02 | |
Now...I've made a lot of mistakes as a parent, but today, it stops. | 0:49:04 | 0:49:09 | |
From now on, my boys come first. | 0:49:09 | 0:49:12 | |
SIRENS WAIL IN THE DISTANCE | 0:49:12 | 0:49:14 | |
I can turn you in. | 0:49:16 | 0:49:17 | |
And her. | 0:49:19 | 0:49:20 | |
And I think you know...you're looking at serious jail time. | 0:49:21 | 0:49:25 | |
Or I could help. | 0:49:26 | 0:49:28 | |
Let you have a bit of a future together. | 0:49:30 | 0:49:32 | |
Give her the chance to do things differently. | 0:49:34 | 0:49:36 | |
But you need to give me that gun. | 0:49:39 | 0:49:41 | |
And why would I do that? | 0:49:42 | 0:49:44 | |
Because I can put it in my pocket and walk out of here. You can't. | 0:49:46 | 0:49:50 | |
SIRENS GET LOUDER | 0:49:50 | 0:49:52 | |
And I should trust you, why? | 0:49:56 | 0:49:58 | |
Because I'm a better person than you. | 0:50:00 | 0:50:02 | |
This way. | 0:50:14 | 0:50:15 | |
FRONT DOOR OPENS | 0:50:19 | 0:50:22 | |
I'm sorry, um... I shouldn't have called you. | 0:50:22 | 0:50:25 | |
I thought Brian was being held against his will, | 0:50:25 | 0:50:27 | |
but he's been squatting in Mr Murdoch's property. | 0:50:27 | 0:50:30 | |
Mr Murdoch has generously agreed not to take any further action. | 0:50:30 | 0:50:34 | |
That's very benevolent. | 0:50:36 | 0:50:37 | |
You know me. | 0:50:37 | 0:50:39 | |
I'm a very benevolent kind of guy. | 0:50:39 | 0:50:41 | |
-What is going on here? -Nothing. | 0:50:44 | 0:50:47 | |
Nothing's going on. | 0:50:47 | 0:50:48 | |
-HE SIGHS -Have it your way. | 0:50:50 | 0:50:53 | |
You know, I could book you all for wasting police time. | 0:50:53 | 0:50:56 | |
If anything like this happens again, I will. | 0:50:56 | 0:50:58 | |
You won't be hearing from me again. | 0:50:58 | 0:51:00 | |
Make sure you pat down Mr Benevolent there. | 0:51:05 | 0:51:08 | |
Oh, I was just going to go for a drink. | 0:51:17 | 0:51:21 | |
Do you want to come? | 0:51:21 | 0:51:22 | |
Actually, I'm here to see Angel. | 0:51:22 | 0:51:25 | |
-OK. Oh, of course. She's inside. -Cheers. | 0:51:25 | 0:51:29 | |
You were wrong about me. | 0:51:46 | 0:51:47 | |
You were right about one thing, though. | 0:51:49 | 0:51:51 | |
I am gorgeous. | 0:51:51 | 0:51:53 | |
SHE LAUGHS | 0:51:53 | 0:51:55 | |
Hi. | 0:52:12 | 0:52:14 | |
It's all yours. | 0:52:14 | 0:52:15 | |
Angus, wait. | 0:52:15 | 0:52:17 | |
I'm sorry, OK, if I offended you. | 0:52:17 | 0:52:19 | |
I just don't see marriage the same way as other people. | 0:52:19 | 0:52:22 | |
I used to. I was even engaged to this guy back home once, | 0:52:22 | 0:52:25 | |
but then I found out he was sleeping with somebody he worked with, | 0:52:25 | 0:52:27 | |
and that's when I, like, you know, fell out of love with romance. | 0:52:27 | 0:52:31 | |
I don't think I'll ever trust anyone again, | 0:52:31 | 0:52:33 | |
never mind get married for real, so what the hell, I might as well | 0:52:33 | 0:52:36 | |
do it for a residency permit and, if that makes me a monster, | 0:52:36 | 0:52:39 | |
well, at least I'm an honest one, | 0:52:39 | 0:52:42 | |
which is more than my ex-fiance was. | 0:52:42 | 0:52:44 | |
When I say I'm "honest", obviously I'm talking on a personal level, | 0:52:47 | 0:52:50 | |
and not in terms of my relationship with the UK Border Agency. | 0:52:50 | 0:52:54 | |
I hope you understand. | 0:52:54 | 0:52:55 | |
Actually, I do. | 0:52:59 | 0:53:00 | |
Completely. | 0:53:01 | 0:53:02 | |
ATM BEEPS | 0:53:02 | 0:53:04 | |
Ahem, BTdubs, you should probably grab your money | 0:53:05 | 0:53:07 | |
-before the machine eats it up again. -Oh, I didn't get any cash. | 0:53:07 | 0:53:11 | |
I couldn't make the tenner. ATM BEEPS AGAIN | 0:53:11 | 0:53:14 | |
-I'm a bit strapped at the moment. Investments. -Well... | 0:53:14 | 0:53:18 | |
There's definitely something there. | 0:53:18 | 0:53:20 | |
A fiver! | 0:53:22 | 0:53:23 | |
That never happens. | 0:53:27 | 0:53:30 | |
That's like a...super-rare fiver in a cash machine sighting. | 0:53:30 | 0:53:34 | |
Looks like it's your lucky day. | 0:53:34 | 0:53:36 | |
Looks like it is. | 0:53:38 | 0:53:39 | |
Listen, I think I'm going to take this bad boy | 0:53:40 | 0:53:43 | |
and splash it in the cafe. | 0:53:43 | 0:53:45 | |
If you fancy chumming me, I could buy you something | 0:53:45 | 0:53:48 | |
with a retail value of less than £2.50. | 0:53:48 | 0:53:50 | |
That sounds perfect. | 0:53:51 | 0:53:52 | |
'We thought we'd be happy here. | 0:54:00 | 0:54:01 | |
'A proper family. | 0:54:04 | 0:54:05 | |
'I gave it a good shot, but it's time for me and Stuart to move on. | 0:54:08 | 0:54:11 | |
'And be the mother Brian deserves. | 0:54:13 | 0:54:16 | |
'We will be happy. | 0:54:20 | 0:54:22 | |
'I know we will.' | 0:54:22 | 0:54:23 | |
-All set? -Yep. | 0:54:25 | 0:54:27 | |
-We don't need old photos, do we? -No. | 0:54:30 | 0:54:32 | |
We could make nice new ones. | 0:54:34 | 0:54:36 | |
Right, let's go. We want to get on the road before it gets dark. | 0:54:37 | 0:54:42 | |
Let's go. | 0:54:42 | 0:54:43 | |
Go on, in you go. | 0:54:49 | 0:54:50 | |
Are you sure you don't want to come along for the ride? | 0:54:52 | 0:54:55 | |
Oh, no, thank you, dear. | 0:54:55 | 0:54:56 | |
No, no. My life is here, for better or for worse. | 0:54:56 | 0:55:01 | |
You will visit. | 0:55:01 | 0:55:03 | |
-You'll be sick of the sight of me. -Good. | 0:55:03 | 0:55:06 | |
I'm really glad you're doing this, dear. | 0:55:08 | 0:55:11 | |
Malcolm would've been so proud. | 0:55:11 | 0:55:13 | |
Oh... | 0:55:13 | 0:55:14 | |
-Enough. Or I'm going to blub. -SHE LAUGHS AWKWARDLY | 0:55:16 | 0:55:19 | |
-Bye. -Bye. -Bye. | 0:55:19 | 0:55:22 | |
-Good riddance! -Gran! -Well... -BOB SIGHS | 0:55:22 | 0:55:26 | |
-That's Eileen away. -Aye, I see that. | 0:55:28 | 0:55:31 | |
-Fancy going for a pint? -Nae cash. | 0:55:31 | 0:55:34 | |
-I just spent the last of it on a bird. -Oh, aye, what bird's that? | 0:55:34 | 0:55:39 | |
My fiance. | 0:55:39 | 0:55:40 | |
You sure you don't mind us tagging along? | 0:55:45 | 0:55:47 | |
-As long as you don't boss me about, I think we'll get on fine. -OK. | 0:55:47 | 0:55:50 | |
-Let's do it. -OK. | 0:55:52 | 0:55:54 | |
-ENGINE STARTS -Bye. | 0:55:54 | 0:55:57 | |
Thanks for the memories. | 0:55:57 | 0:55:58 | |
You won. | 0:56:15 | 0:56:16 | |
I guess I did. | 0:56:18 | 0:56:19 | |
I came back because this is home. | 0:56:20 | 0:56:23 | |
-No' for the money, then? -All I ever wanted was your respect. | 0:56:24 | 0:56:27 | |
Families... You don't get to choose them. | 0:56:31 | 0:56:34 | |
Or the ways they let you down. | 0:56:36 | 0:56:38 | |
Yeah, well... Sorry to be a disappointment. | 0:56:39 | 0:56:41 | |
I wasn't talking about you. | 0:56:43 | 0:56:45 | |
ANGEL: Robbie says he's staying at Gary's again, | 0:56:53 | 0:56:55 | |
so you could stay over this time. | 0:56:55 | 0:56:57 | |
You have got to be kidding me! My husband no' enough for you, no? | 0:56:57 | 0:57:00 | |
You want to be with her, I can't be in your life. | 0:57:00 | 0:57:02 | |
I could help you get your story across. | 0:57:02 | 0:57:05 | |
A journalist called me from court. You gave him the story, didn't you? | 0:57:05 | 0:57:08 | |
Out of order - kicking a single ma and her wean out on the street. | 0:57:08 | 0:57:11 | |
I know a decent room. You'd have to stay with two guys, | 0:57:11 | 0:57:14 | |
but they're a good laugh. | 0:57:14 | 0:57:15 | |
I don't suppose I could maybe move in with you guys for a bit. | 0:57:15 | 0:57:18 |