Browse content similar to 18/04/2017. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
You've got this place back. I've got the Candle Rooms back. | 0:00:21 | 0:00:24 | |
-It's been a good day. -Cheers, cuz. | 0:00:24 | 0:00:26 | |
-Thought I'd hang around for a while. -That wasn't the deal. | 0:00:26 | 0:00:29 | |
-I'm not asking for your permission. -At least those children got justice. | 0:00:29 | 0:00:32 | |
But I was protecting the wrong people. I was a coward. | 0:00:32 | 0:00:36 | |
I've left him, Robbie. Your father. We're getting divorced. | 0:00:36 | 0:00:39 | |
Are you in love with him? Why can't you answer my question? | 0:00:39 | 0:00:42 | |
You didn't seem concerned the night you crawled into my bed. | 0:00:42 | 0:00:44 | |
That was one mistake, eight years ago. | 0:00:44 | 0:00:48 | |
MUSIC PLAYS IN BACKGROUND | 0:00:48 | 0:00:50 | |
-Cheers. -Cheers. | 0:00:50 | 0:00:53 | |
-That's so nice. -Yeah, I really enjoyed it. -Do you want another one? | 0:00:54 | 0:00:58 | |
-Please. -Who's the blonde bombshell? -That must be Robbie's date. | 0:00:58 | 0:01:01 | |
He's not with Robbie! | 0:01:01 | 0:01:03 | |
Why not? Robbie's lovely. | 0:01:03 | 0:01:06 | |
Yeah, he's lovely, just not in the same league. | 0:01:06 | 0:01:09 | |
-Maybe he's bisexual. -You wish. | 0:01:14 | 0:01:18 | |
Stop drooling, the pair of you. | 0:01:19 | 0:01:22 | |
Barman, can I get two beers, please, and just put it on the tab? | 0:01:22 | 0:01:24 | |
Hot or what? How jammy am I? | 0:01:24 | 0:01:28 | |
Wish me luck, ladies. | 0:01:29 | 0:01:31 | |
I've said to Greig that I'm going to come home early tonight. | 0:01:32 | 0:01:35 | |
Oh, come on, Cinderella, live a little. | 0:01:35 | 0:01:38 | |
-He just... he needs me at the moment. -And what do you need? | 0:01:38 | 0:01:41 | |
I've had to leave Frankie in charge. | 0:01:41 | 0:01:43 | |
-Hmm. -Exactly. I might need to... | 0:01:43 | 0:01:46 | |
What? | 0:01:48 | 0:01:50 | |
Take some leave from work, just to take care of him. | 0:01:50 | 0:01:54 | |
-Lorna, don't you dare! -You've only just started back. | 0:01:54 | 0:01:57 | |
-It's only until he's up on his feet. -And how long is that going to be? | 0:01:57 | 0:02:02 | |
I mean, they're not going to hold that position for you. | 0:02:02 | 0:02:04 | |
You know that and he knows that. | 0:02:04 | 0:02:07 | |
I haven't mentioned it to anyone in the office yet. | 0:02:07 | 0:02:09 | |
Look, you've only got one life, Lorna, OK? Don't give it up. | 0:02:09 | 0:02:13 | |
Do you mind?! | 0:02:13 | 0:02:15 | |
How rude was he? | 0:02:15 | 0:02:17 | |
Imagine, you could be stuck with someone like him. | 0:02:17 | 0:02:20 | |
Well, I'm sure you can. | 0:02:20 | 0:02:22 | |
He has done a runner on me! Can you believe that? | 0:02:23 | 0:02:26 | |
-Are you sure? -Yeah, I've checked everywhere. His jacket's gone. | 0:02:26 | 0:02:29 | |
He's obviously done a bunk out the back door. | 0:02:29 | 0:02:31 | |
Who does that?! | 0:02:31 | 0:02:33 | |
Well, think yourself lucky, cos you've dodged a bullet there. | 0:02:33 | 0:02:35 | |
Well, it doesnae feel like it. | 0:02:35 | 0:02:37 | |
-I'm going to need something much stronger than a beer. -Me, too. | 0:02:37 | 0:02:40 | |
Barman. Urgent. Can I have a Margarita, please? | 0:02:40 | 0:02:42 | |
Tequila? That's going to make for an interesting evening. | 0:02:42 | 0:02:46 | |
Let's hope so. Do you fancy joining me? | 0:02:46 | 0:02:49 | |
-Yeah, why not? -Make it three. | 0:02:52 | 0:02:55 | |
Oh, Alasdair, it's awfy dark in here! | 0:03:02 | 0:03:05 | |
Right... | 0:03:06 | 0:03:08 | |
Right, now, I thought, if we taped David Attenborough, then we could | 0:03:10 | 0:03:17 | |
see Monster Truckers at 9:40. | 0:03:17 | 0:03:19 | |
Sounds like a plan to me. Is that acceptable to you, Alasdair? | 0:03:21 | 0:03:25 | |
Sorry? | 0:03:25 | 0:03:27 | |
Monster Truckers. They're driving on ice this week. | 0:03:27 | 0:03:31 | |
Ah. Actually, ladies, | 0:03:31 | 0:03:34 | |
I think tonight it's le Carre and early to bed for me. | 0:03:34 | 0:03:39 | |
Already? Are you not feeling well? | 0:03:39 | 0:03:42 | |
Alasdair? | 0:03:44 | 0:03:45 | |
-Bad news, I'm afraid. -Who's deid now? | 0:03:45 | 0:03:49 | |
She blamed me for all those years... | 0:03:49 | 0:03:52 | |
..for her son. | 0:03:53 | 0:03:55 | |
And rightly so. | 0:03:56 | 0:03:58 | |
-Who? Your stalker? -Molly! | 0:03:58 | 0:04:02 | |
She died last week. Cancer. | 0:04:02 | 0:04:04 | |
So sad. | 0:04:05 | 0:04:07 | |
If you'd faced her properly, instead of running, | 0:04:07 | 0:04:10 | |
you wouldnae be feeling so sorry for yourself. | 0:04:10 | 0:04:13 | |
Molly, stop it. | 0:04:13 | 0:04:15 | |
No, Liz. Molly's right. | 0:04:15 | 0:04:19 | |
I could have stopped it. | 0:04:19 | 0:04:21 | |
And that kind of guilt kills you. | 0:04:25 | 0:04:28 | |
TV PLAYS MELANCHOLY MUSIC | 0:04:33 | 0:04:36 | |
FRANKIE GROANS | 0:04:36 | 0:04:38 | |
Come on, Frankie, it's time for bed, love. | 0:04:38 | 0:04:43 | |
-Is it over? -Yeah. -What happened in the end? | 0:04:43 | 0:04:47 | |
I don't know. I must have conked out, too. | 0:04:47 | 0:04:50 | |
-Was it that good, huh? -HE SMIRKS | 0:04:50 | 0:04:52 | |
Is she not home yet? | 0:04:52 | 0:04:55 | |
No. But, hey, it's time for you go to bed. | 0:04:55 | 0:04:58 | |
Why? I don't have school tomorrow. | 0:04:58 | 0:05:01 | |
It's a study day, not a day off. Go on, get going. | 0:05:01 | 0:05:06 | |
You know, it's funny you waiting up for her. | 0:05:06 | 0:05:09 | |
-Used to be the other way around. -What do you mean? | 0:05:09 | 0:05:12 | |
When we lived in the barracks. Do you not remember? | 0:05:12 | 0:05:15 | |
No. | 0:05:15 | 0:05:17 | |
Mum used to go nuts waiting up for you half the night. | 0:05:17 | 0:05:20 | |
Who knows what you were up to? | 0:05:20 | 0:05:22 | |
-Goodnight, sweetheart. -Night, Dad. Love you. | 0:05:24 | 0:05:27 | |
I love you, too. | 0:05:27 | 0:05:29 | |
-Night-night. -Night. | 0:05:31 | 0:05:33 | |
I should've gone for him. Look! | 0:05:36 | 0:05:38 | |
Oh, my lord. Is that really his profile picture? | 0:05:38 | 0:05:43 | |
-I know! Don't rub it in. -I thought that was the idea. | 0:05:43 | 0:05:46 | |
THEY LAUGH | 0:05:46 | 0:05:49 | |
Oh, I love this song! Come on. | 0:05:49 | 0:05:51 | |
No, no, no, I'll leave you to your '80s tribute. | 0:05:51 | 0:05:55 | |
MUSIC: Buffalo Stance by Neneh Cherry | 0:05:55 | 0:05:59 | |
WOMAN STRUGGLES FOR BREATH | 0:06:01 | 0:06:04 | |
Are you OK? Are you all right? | 0:06:04 | 0:06:06 | |
-Are you all right? -Dizzy. I can't... | 0:06:08 | 0:06:12 | |
Oh! Can someone help me here, please? | 0:06:12 | 0:06:15 | |
OK, can you hear me? It's OK, I'm going to call you an ambulance. | 0:06:17 | 0:06:20 | |
No! No. No ambulance. | 0:06:20 | 0:06:22 | |
-Have you taken something you shouldn't have? -No, nothing like... | 0:06:22 | 0:06:25 | |
Still, you should get checked out, OK? | 0:06:25 | 0:06:27 | |
-Your lower eyelid is very white. -What are you, a doctor? | 0:06:27 | 0:06:30 | |
I am, actually. And that's a sign of anaemia. | 0:06:30 | 0:06:33 | |
I'm Doctor Annie Jandhu. | 0:06:33 | 0:06:35 | |
I run the practice on Montego Street, Shieldinch. | 0:06:35 | 0:06:39 | |
Good for you. I need to go. | 0:06:39 | 0:06:44 | |
OK. Do you want me to call you a taxi? | 0:06:44 | 0:06:46 | |
Or I can get your boyfriend to do it. | 0:06:46 | 0:06:49 | |
I saw you with him earlier. | 0:06:49 | 0:06:51 | |
He's not my boyfriend. He's a client. | 0:06:51 | 0:06:55 | |
Look, don't worry about me. | 0:06:57 | 0:07:00 | |
I told you. I'm nobody. | 0:07:00 | 0:07:02 | |
I mean, I'm sure they wouldn't mind if you... | 0:07:02 | 0:07:04 | |
Get yourself together. There's clients paying good money in here. | 0:07:04 | 0:07:08 | |
Are you OK there? | 0:07:16 | 0:07:18 | |
What are you looking so guilty for? | 0:07:27 | 0:07:29 | |
I just text Andy. | 0:07:29 | 0:07:30 | |
What? I'm only asking if he was OK. | 0:07:32 | 0:07:35 | |
I'm allowed to care about him, aren't I? | 0:07:35 | 0:07:37 | |
Good, sorry, yeah. You won't hear me arguing. | 0:07:39 | 0:07:42 | |
Maybe I shouldn't drink. | 0:07:42 | 0:07:44 | |
Or breathe, or live?(!) | 0:07:44 | 0:07:47 | |
Look, it's none of my business who you text, | 0:07:47 | 0:07:50 | |
but, um...a phone call might be better. | 0:07:50 | 0:07:53 | |
ROBBIE SIGHS IN EXASPERATION | 0:07:53 | 0:07:55 | |
Guess what he has just posted about me! | 0:07:55 | 0:07:57 | |
Robbie, forget about him. He's so not worth it. | 0:07:57 | 0:08:00 | |
Hmm. I do need to flush that man right out of my system. | 0:08:00 | 0:08:03 | |
Right, who's for another? | 0:08:03 | 0:08:05 | |
Oh, no, no, no, not for me. | 0:08:05 | 0:08:07 | |
I've had enough, I'm not really in the mood any more. | 0:08:07 | 0:08:09 | |
Me, neither. Sorry. It's way past my bedtime. | 0:08:09 | 0:08:13 | |
Are you going to be all right on your own? | 0:08:13 | 0:08:15 | |
I'm not. I'm out with Margarita. | 0:08:15 | 0:08:18 | |
Remember and get yourself checked out, OK? | 0:08:21 | 0:08:24 | |
-Bye. -Bye. | 0:08:28 | 0:08:30 | |
-FRONT DOOR BANGS OPEN AND SHUT -Lorna? | 0:08:30 | 0:08:34 | |
-Sorry. -Keep the noise down! -Did I wake you up? | 0:08:34 | 0:08:37 | |
HE SIGHS | 0:08:37 | 0:08:40 | |
No. Could hardly sleep, anyway. | 0:08:40 | 0:08:41 | |
Oh, we met...Oh! Oops. | 0:08:41 | 0:08:44 | |
You're plastered. | 0:08:44 | 0:08:46 | |
A wee bit. | 0:08:46 | 0:08:47 | |
Just leave it, would you! It'll be all right. | 0:08:47 | 0:08:50 | |
I'm glad you had a good night. | 0:08:55 | 0:08:57 | |
I had a great time. I need to do it more often. | 0:08:57 | 0:09:00 | |
You sneaking in like a teenager now, Mother? | 0:09:00 | 0:09:02 | |
Must've learnt that off of you. | 0:09:02 | 0:09:05 | |
Wow. Trolleyed, too. | 0:09:05 | 0:09:08 | |
-Legless. -Yeah, well, that makes two of us. | 0:09:08 | 0:09:10 | |
LORNA LAUGHS | 0:09:10 | 0:09:12 | |
Mum! | 0:09:12 | 0:09:14 | |
Oh, well, I better get to bed. | 0:09:16 | 0:09:18 | |
It is a school night, after all. | 0:09:18 | 0:09:20 | |
-Kids, eh? -You, too. Bed. | 0:09:24 | 0:09:28 | |
PHONE MESSAGE ALERT | 0:09:33 | 0:09:36 | |
Are you even listening to me, Alex? | 0:10:02 | 0:10:04 | |
Of course I am, but I'm just saying, prostitutes? There's no chance. | 0:10:04 | 0:10:07 | |
What else could she have been? | 0:10:07 | 0:10:09 | |
A stockbroker? A spy? | 0:10:09 | 0:10:12 | |
She could've been a lollipop lady, for all you know. | 0:10:12 | 0:10:14 | |
-I'm being serious. -Then don't go jumping to conclusions. | 0:10:14 | 0:10:17 | |
You don't know anything about this girl. | 0:10:17 | 0:10:18 | |
Well, you didn't see the way that man...well, the "client" | 0:10:18 | 0:10:21 | |
was hanging all over her. | 0:10:21 | 0:10:22 | |
Oh, and one of your doormen, they seemed to know her. | 0:10:22 | 0:10:26 | |
Which one? | 0:10:26 | 0:10:27 | |
Well, I don't know, but he escorted her back to the table. | 0:10:27 | 0:10:30 | |
That doesn't mean anything. You said yourself she was ill. | 0:10:30 | 0:10:33 | |
I know what I saw, Alex. | 0:10:33 | 0:10:36 | |
-You didn't tell your sister all this, did you? -No, of course not. | 0:10:36 | 0:10:39 | |
I hope not, cos I don't need these kind of rumours going about. | 0:10:39 | 0:10:42 | |
Oh, and that's what's important here - the club's reputation? | 0:10:42 | 0:10:45 | |
Well, that and getting closed down. | 0:10:45 | 0:10:47 | |
Look, I'll ask about and see if anybody knows anything, OK? | 0:10:47 | 0:10:50 | |
OK. Start with the doorman. | 0:10:50 | 0:10:52 | |
-Maybe I should let you loose on them. -Don't tempt me. | 0:10:52 | 0:10:56 | |
The way that I am feeling this morning, I would be brutal. | 0:10:56 | 0:10:59 | |
I pity your poor patients. | 0:10:59 | 0:11:01 | |
Right, I mean it, Alex. Ask them. | 0:11:01 | 0:11:03 | |
Properly. I know what I saw. | 0:11:03 | 0:11:06 | |
-Message received and understood. -OK, thank you. | 0:11:06 | 0:11:08 | |
See you later. | 0:11:08 | 0:11:10 | |
Try not to be sick on the floor, dear. | 0:11:19 | 0:11:21 | |
HE GROANS | 0:11:21 | 0:11:23 | |
-You look hellish. -Thanks, Mum. | 0:11:23 | 0:11:26 | |
What time did you get in? | 0:11:26 | 0:11:28 | |
So, does that mean it went well? | 0:11:28 | 0:11:31 | |
-Love at first sight, was it? -I don't want to talk about it. | 0:11:31 | 0:11:34 | |
That bad. Well, perhaps he was a little on the young side. | 0:11:34 | 0:11:39 | |
What's that supposed to mean? | 0:11:39 | 0:11:41 | |
Know your limits, darling. | 0:11:41 | 0:11:43 | |
-Why do I need limits? -Because then... | 0:11:43 | 0:11:48 | |
you won't get hurt. | 0:11:48 | 0:11:50 | |
What? | 0:11:58 | 0:12:00 | |
It would appear I am a single woman again. | 0:12:00 | 0:12:04 | |
Is that the divorce, official? | 0:12:05 | 0:12:08 | |
Signed, sealed, delivered. | 0:12:08 | 0:12:11 | |
I'm sorry, Mum. | 0:12:19 | 0:12:21 | |
Don't be. It's not your fault. | 0:12:21 | 0:12:24 | |
Let's do something nice today. Cheer you up. | 0:12:25 | 0:12:28 | |
Like what? What do single girls do? | 0:12:30 | 0:12:35 | |
Get their hair done. | 0:12:35 | 0:12:37 | |
Come on, I'll make you so hot, you'll melt their Zimmer frames. | 0:12:37 | 0:12:41 | |
THEY LAUGH | 0:12:41 | 0:12:43 | |
HE WINCES IN PAIN Oh, darling. | 0:12:43 | 0:12:46 | |
I'll pass that on. Yeah, all right. Cheers, thank you. | 0:12:46 | 0:12:49 | |
Your 8:30 meeting's been cancelled this morning. | 0:12:50 | 0:12:54 | |
Not that you were going to make it in, anyway. | 0:12:54 | 0:12:56 | |
Oh. | 0:12:56 | 0:12:58 | |
Thanks for covering. Katie up yet? | 0:12:59 | 0:13:02 | |
Frankie's taken her to school already. | 0:13:02 | 0:13:05 | |
Oh. | 0:13:05 | 0:13:07 | |
So, how was last night? | 0:13:09 | 0:13:11 | |
Uh, eventful. Robbie's date abandoned him. | 0:13:11 | 0:13:15 | |
You did that to me once in Belfast, | 0:13:17 | 0:13:19 | |
after you poured a drink over my head. | 0:13:19 | 0:13:22 | |
Well, you shouldn't have snogged that girl with the buck teeth then, | 0:13:22 | 0:13:25 | |
-should you? -It's not a very attractive quality, | 0:13:25 | 0:13:27 | |
jealousy, now, is it? | 0:13:27 | 0:13:29 | |
What's going on? | 0:13:31 | 0:13:33 | |
Your work. You better give them a call. | 0:13:33 | 0:13:35 | |
Oh, yeah, and you got a text message, as well. | 0:13:40 | 0:13:43 | |
From Andy. | 0:13:45 | 0:13:47 | |
POP MUSIC PLAYS IN BACKGROUND Big Bobby from Greenock. | 0:13:51 | 0:13:54 | |
I wonder how it would be if I'd stuck with him. | 0:13:55 | 0:13:58 | |
Terrible. I wouldnae be here for a start. I'd be someone else. | 0:13:58 | 0:14:03 | |
Oh, he was a handsome devil, Bobby. | 0:14:03 | 0:14:06 | |
From the rough part of town. Eyes like Paul Newman. | 0:14:06 | 0:14:11 | |
SHE CHUCKLES | 0:14:11 | 0:14:14 | |
His bed squeaked. A lot. | 0:14:14 | 0:14:18 | |
Too much information. Far too much. | 0:14:18 | 0:14:21 | |
-Your father never knew. -I don't want to know, either! | 0:14:21 | 0:14:23 | |
He probably still thinks he was the first. | 0:14:23 | 0:14:25 | |
OK, so, great, you've been lying to my Dad for 30-odd years? | 0:14:25 | 0:14:27 | |
For years, I thought your dad was straight, but now he's | 0:14:27 | 0:14:30 | |
skipping down the street with lover-boy. | 0:14:30 | 0:14:33 | |
We were only ever on show for the golf club. | 0:14:34 | 0:14:37 | |
He loved you, in his way. | 0:14:39 | 0:14:41 | |
Not the right way. Not like Bobby. | 0:14:41 | 0:14:45 | |
-Mum! -SHE LAUGHS | 0:14:45 | 0:14:49 | |
Well, maybe he did. Who knows? | 0:14:50 | 0:14:55 | |
Right. A new look for a new beginning. | 0:14:57 | 0:15:00 | |
Oh, it makes me look less like a pensioner. Thank you, sweetheart. | 0:15:00 | 0:15:04 | |
HE CRIES OUT IN PAIN | 0:15:04 | 0:15:07 | |
Oh darling, you've been standing too long. | 0:15:07 | 0:15:09 | |
No, standing's fine and so is sitting. | 0:15:09 | 0:15:11 | |
It's just...the bit in between that hurts. | 0:15:11 | 0:15:14 | |
-Take a tablet. -I'm all out of the strong stuff. -Then get some more. | 0:15:14 | 0:15:17 | |
I'm sure they could squeeze you in a quick appointment. | 0:15:17 | 0:15:20 | |
-I'll hold the fort downstairs. -You don't mind? | 0:15:20 | 0:15:22 | |
No. Give me a chance to show off my locks. | 0:15:22 | 0:15:26 | |
MOCK AMERICAN ACCENT: It's not every day a girl gets a divorce. | 0:15:26 | 0:15:30 | |
Can I talk to you? Please. | 0:15:40 | 0:15:42 | |
-Yeah. -Inside. | 0:15:42 | 0:15:44 | |
Yeah, of course. Come in. | 0:15:44 | 0:15:47 | |
Well, like I said, it's a free country. | 0:15:48 | 0:15:50 | |
You can talk to whoever you like. | 0:15:50 | 0:15:52 | |
It's just a stupid drunken text that I don't even remember sending. | 0:15:52 | 0:15:56 | |
Yeah, but you still think about him! | 0:15:56 | 0:15:58 | |
No! Not like that. Look, I was just concerned about him. | 0:15:58 | 0:16:03 | |
-Read it. -You're all right. | 0:16:03 | 0:16:06 | |
Look. We're not even flirting. | 0:16:06 | 0:16:08 | |
Yeah, but after a few drinks, | 0:16:08 | 0:16:10 | |
he's the first person you think about, Lorna. | 0:16:10 | 0:16:12 | |
-Greig, don't. -It's all right, I get it. I get it. | 0:16:12 | 0:16:15 | |
You get plastered, you text the ex. You've got to keep | 0:16:15 | 0:16:18 | |
-your options open, eh? -It's not like that. | 0:16:18 | 0:16:20 | |
Annie ordered champagne and you know what I get like on that stuff. | 0:16:20 | 0:16:24 | |
Yeah, and I bet she encouraged you all the way. | 0:16:24 | 0:16:26 | |
-Don't start on her. -I know exactly how Annie feels about me. | 0:16:26 | 0:16:30 | |
I bet she stuck her tuppenceworth in, anyway. | 0:16:30 | 0:16:32 | |
-FRONT DOOR OPENS ELLIE: -It's only me. | 0:16:32 | 0:16:37 | |
-Oh, morning, Ellie. -Oh, hey, sorry. Am I early? | 0:16:37 | 0:16:41 | |
-I thought you'd be at the office. -No, I'm working from home today. | 0:16:41 | 0:16:44 | |
-That's code for hungover. -ELLIE LAUGHS | 0:16:44 | 0:16:47 | |
Yes, thank you Frankie. I thought you were taking Katie to school. | 0:16:47 | 0:16:50 | |
-I did. -And how long have you been back? | 0:16:50 | 0:16:53 | |
Ages. | 0:16:53 | 0:16:55 | |
Aye, well, you cannae trust a teenager | 0:16:56 | 0:16:59 | |
-to keep your secrets, can you? -LORNA FORCES A LAUGH | 0:16:59 | 0:17:02 | |
Oh! I say, you're an early bird. | 0:17:07 | 0:17:10 | |
Yeah. It's just you're good with antiques | 0:17:10 | 0:17:12 | |
and that, like Drew's guitar. | 0:17:12 | 0:17:14 | |
Would you know how much this is worth? | 0:17:14 | 0:17:16 | |
Jules, my dear, is it yours? | 0:17:21 | 0:17:24 | |
My mum gave it to me. I don't want to get ripped off. | 0:17:24 | 0:17:26 | |
Well, of course you don't, but does she know? | 0:17:26 | 0:17:28 | |
Well, if I pawn it, then I can get it back again, if I want. | 0:17:28 | 0:17:31 | |
-Isn't that how it works? -Yes, but why would you? | 0:17:31 | 0:17:34 | |
-Because I need to. -What's the need for money? | 0:17:34 | 0:17:36 | |
-Can you help or not? -Well, I can't tell you its value. | 0:17:36 | 0:17:40 | |
Jewellery's not one of my strong points, you see. | 0:17:40 | 0:17:42 | |
OK, forget it. | 0:17:42 | 0:17:44 | |
-If it's just pocket money you require... -It isn't. | 0:17:44 | 0:17:47 | |
So, do you have a balanced diet? | 0:17:52 | 0:17:55 | |
I think so. | 0:17:55 | 0:17:57 | |
Right. | 0:17:57 | 0:17:59 | |
We just need to check if you're getting enough of the right | 0:17:59 | 0:18:01 | |
nutrients and vitamins. | 0:18:01 | 0:18:03 | |
It narrows things down. | 0:18:03 | 0:18:06 | |
I don't eat meat. | 0:18:06 | 0:18:09 | |
-But that's not going to kill me, is it? -No. | 0:18:09 | 0:18:12 | |
So, where are you from originally? | 0:18:12 | 0:18:14 | |
Why? | 0:18:14 | 0:18:17 | |
No, it's not a trick question. It's a standard one. | 0:18:17 | 0:18:20 | |
I have to ask. | 0:18:20 | 0:18:22 | |
Ukraine. Kholoyev. You won't have heard of it. | 0:18:23 | 0:18:28 | |
I bet you it's beautiful, though. | 0:18:31 | 0:18:34 | |
It has bad places and good places, just like here. | 0:18:34 | 0:18:37 | |
I couldn't wait to get out. | 0:18:39 | 0:18:41 | |
Yeah, I know the feeling. | 0:18:41 | 0:18:42 | |
So, Faith...you eat regular meals? | 0:18:44 | 0:18:49 | |
I eat when I can. | 0:18:49 | 0:18:51 | |
OK. And how is your sleep? I mean, are you getting enough or... | 0:18:51 | 0:18:55 | |
..or do you work most nights? | 0:18:55 | 0:18:57 | |
Well...you said that man was your client, you know, in the club, | 0:18:58 | 0:19:02 | |
and...and, um, I just... I wondered... | 0:19:02 | 0:19:04 | |
Wondered what? If I'm a call girl? | 0:19:04 | 0:19:07 | |
Are you? | 0:19:07 | 0:19:08 | |
I'm a prostitute. | 0:19:13 | 0:19:16 | |
Let's call me what I am. | 0:19:17 | 0:19:19 | |
Look, I am not judging you. | 0:19:21 | 0:19:24 | |
Getting an idea of your lifestyle, it can help us indicate | 0:19:24 | 0:19:27 | |
the cause of your problem, that is all. | 0:19:27 | 0:19:30 | |
-Is that it? -Look, I need you to come back, | 0:19:30 | 0:19:32 | |
just so the nurse can take some blood samples for testing. | 0:19:32 | 0:19:35 | |
-When? -Well, I mean, today would be good. Um, 11:30? | 0:19:35 | 0:19:39 | |
-Right. -And I will need your full name and address, | 0:19:40 | 0:19:43 | |
-cos we're sending this out... -No. | 0:19:43 | 0:19:45 | |
Look, anaemia can be an indication of a more serious condition. | 0:19:45 | 0:19:48 | |
OK? Leukaemia. Crohn's. | 0:19:48 | 0:19:52 | |
You urgently need to be tested. Look, even a...a postcode will do. | 0:19:52 | 0:19:56 | |
I can't. | 0:19:57 | 0:19:59 | |
Do you not even want to know if you're ill? | 0:20:00 | 0:20:03 | |
Look, if not, why did you come here? | 0:20:03 | 0:20:05 | |
-I'll see you later, OK? -Right. | 0:20:12 | 0:20:15 | |
I can bring the rest through, if you like. | 0:20:24 | 0:20:26 | |
Oh, that's enough for now. It's very kind of you. | 0:20:26 | 0:20:30 | |
No worries, doll. Can't have you lugging boxes. | 0:20:30 | 0:20:33 | |
Not today of all days. I like the hair, by the way. | 0:20:33 | 0:20:37 | |
Oh, I'm glad to see somebody's paying attention. | 0:20:37 | 0:20:40 | |
You should have a celebration. | 0:20:40 | 0:20:43 | |
Oh, no, I don't think so. | 0:20:43 | 0:20:44 | |
Why not? Invite some fellow divorcees. | 0:20:44 | 0:20:47 | |
-Winkle them out their shells. See who's available. -SHE SCOFFS | 0:20:47 | 0:20:51 | |
Give them a free drink or two. | 0:20:51 | 0:20:53 | |
You're too good to go to waste. | 0:20:54 | 0:20:56 | |
Oh, you just can't help yourself, can you? | 0:20:56 | 0:20:59 | |
When I see a beautiful woman, I have to let them know, that's all. | 0:20:59 | 0:21:04 | |
Well, I could maybe make a banner, announce it across the bar. | 0:21:06 | 0:21:10 | |
-Uh, I don't think so. -Well, Pete was just saying | 0:21:10 | 0:21:15 | |
maybe I should have some sort of divorce party. | 0:21:15 | 0:21:17 | |
I know, I heard, and I said, I don't think so. | 0:21:17 | 0:21:20 | |
Well, you said I should do something to cheer myself up. | 0:21:20 | 0:21:24 | |
And I have the hair... | 0:21:24 | 0:21:26 | |
A new hairdo is one thing, but a party is, um...it's quite another. | 0:21:26 | 0:21:30 | |
Out with the old life, in with the new. Make an entrance. | 0:21:30 | 0:21:35 | |
Make a fool of herself, more like. Nice try, pal, but it's not for us. | 0:21:35 | 0:21:39 | |
Get your free drink elsewhere. | 0:21:39 | 0:21:41 | |
Right, I'll see you later. | 0:21:43 | 0:21:45 | |
You only live once. | 0:21:54 | 0:21:57 | |
Sorry, Alasdair, flying solo today. | 0:22:00 | 0:22:02 | |
You'll get a seat once Jules finishes her free glass of water. | 0:22:02 | 0:22:06 | |
-I'm sure I won't starve while I wait. -So, what'll it be? | 0:22:06 | 0:22:10 | |
A bacon roll for me, please. | 0:22:10 | 0:22:13 | |
And whatever this young lady would like. | 0:22:13 | 0:22:16 | |
I'm OK with water. | 0:22:16 | 0:22:17 | |
Tell you what, AJ, get her the same as me, | 0:22:17 | 0:22:20 | |
and then bring us a couple of coffees, too. | 0:22:20 | 0:22:23 | |
-No, really, I'm OK. -I insist. | 0:22:23 | 0:22:26 | |
I'll bring it over. | 0:22:26 | 0:22:27 | |
Why did you do that? | 0:22:31 | 0:22:33 | |
Selling prized possessions, drinking tap water. | 0:22:33 | 0:22:36 | |
You're clearly skint. | 0:22:36 | 0:22:37 | |
I'm not asking for hand-outs. | 0:22:37 | 0:22:39 | |
No, but I want to buy something. Information. | 0:22:39 | 0:22:42 | |
You're going to tell me what's happening with you - | 0:22:42 | 0:22:44 | |
and the price is one bacon roll. | 0:22:44 | 0:22:46 | |
Throw in a chocolate milkshake and it's a deal. | 0:22:49 | 0:22:52 | |
Lorna thinks she might be here illegally. | 0:22:52 | 0:22:54 | |
I'm gonnae sack the doorman responsible, Annie. | 0:22:54 | 0:22:56 | |
-What else do you want? -But that just moves the problem on. | 0:22:56 | 0:22:59 | |
Mm-hmm, but out of my club. | 0:22:59 | 0:23:00 | |
But she'll still be working. She's going to be stuck in | 0:23:00 | 0:23:04 | |
-some stinking back-alley brothel. -I doubt it. | 0:23:04 | 0:23:09 | |
Well, how do you know? | 0:23:09 | 0:23:10 | |
Cos girls like that don't get all glammed-up in nightclubs. | 0:23:10 | 0:23:13 | |
She sounds more like your top-end stuff. | 0:23:13 | 0:23:15 | |
And how do you know so much about it? | 0:23:15 | 0:23:17 | |
-Did you know about this? -No! I've run bars my whole life. | 0:23:20 | 0:23:24 | |
And I know some of those girls earn good money. | 0:23:24 | 0:23:27 | |
So, you've been around prostitutes? | 0:23:27 | 0:23:29 | |
I'm no' the bad guy here. Don't make this about me. | 0:23:29 | 0:23:32 | |
I'm not, but are you not even concerned? | 0:23:32 | 0:23:36 | |
I mean, she might be trafficked. | 0:23:36 | 0:23:39 | |
Why are you getting so het up about this girl? | 0:23:39 | 0:23:42 | |
Because there is no-one else looking out for her, OK? | 0:23:42 | 0:23:45 | |
And she...well, she might be seriously ill. | 0:23:45 | 0:23:48 | |
So, what do you want me to do? | 0:23:48 | 0:23:50 | |
-We could help her. -I run a nightclub, not a refuge. | 0:23:50 | 0:23:53 | |
If I interfere, do you know the grief that could bring us? | 0:23:53 | 0:23:56 | |
So, we just look the other way, then? | 0:23:56 | 0:23:58 | |
Yeah. You don't mess with these people. They're not nice. | 0:23:58 | 0:24:02 | |
I'll keep them out the club, I promise, | 0:24:02 | 0:24:04 | |
but we've done all we can. And that is it. | 0:24:04 | 0:24:06 | |
So, you're "sofa surfing", as you so eloquently put it? | 0:24:09 | 0:24:13 | |
Don't even have that option any more. | 0:24:13 | 0:24:16 | |
Do your parents know where you are? | 0:24:16 | 0:24:18 | |
-Uh...doubt it. -Well, we must ring them. | 0:24:18 | 0:24:21 | |
-I don't think so. -They must be frantic. | 0:24:22 | 0:24:26 | |
Um... My... | 0:24:28 | 0:24:30 | |
My parents are dead. I've been living with my sister. | 0:24:32 | 0:24:36 | |
Oh, I had no idea. | 0:24:37 | 0:24:41 | |
I'm so sorry. | 0:24:41 | 0:24:43 | |
Car crash. A long time ago. | 0:24:43 | 0:24:45 | |
You poor thing. Why didn't I know about this? | 0:24:45 | 0:24:50 | |
Why would you? They don't make you wear a badge. | 0:24:50 | 0:24:53 | |
Why aren't you at your sister's place? | 0:24:53 | 0:24:57 | |
It's...it's complicated. | 0:24:57 | 0:25:00 | |
Look, just for once, let someone help you. | 0:25:00 | 0:25:04 | |
-Where are they? -I'll go and see where they are. | 0:25:11 | 0:25:15 | |
-Oh, hi. On you go. -Thanks. | 0:25:15 | 0:25:17 | |
If you've come for Lorna so as you can go and get drunk again, | 0:25:18 | 0:25:21 | |
-she's not in. -What's your problem? | 0:25:21 | 0:25:24 | |
You are. Sticking your nose in where nobody wants it. | 0:25:24 | 0:25:28 | |
Really? | 0:25:28 | 0:25:29 | |
And how's the rehab going? | 0:25:30 | 0:25:34 | |
So slow that she may have to give up her job, I heard. | 0:25:34 | 0:25:37 | |
Change her mind, did you? | 0:25:37 | 0:25:39 | |
You're not gonnae turn my sister into a wee wifey indoors. | 0:25:39 | 0:25:42 | |
What, is that what I'm doing? | 0:25:42 | 0:25:44 | |
What is the matter, Greig? | 0:25:46 | 0:25:48 | |
I mean, you're worried if she's let loose, she'll work out | 0:25:48 | 0:25:50 | |
-she's better off with someone else? -Like you did, Annie? | 0:25:50 | 0:25:55 | |
I remember exactly how you are when you're let loose. | 0:25:55 | 0:25:58 | |
You took advantage. DOOR OPENS AND CLOSES | 0:25:58 | 0:26:00 | |
You knew exactly what you were doing. | 0:26:00 | 0:26:02 | |
That night with you was the biggest mistake of my life! | 0:26:02 | 0:26:05 | |
And taking you back, that's my sister's biggest mistake! | 0:26:05 | 0:26:09 | |
What's going on? | 0:26:09 | 0:26:11 | |
It's just your Auntie Annie. | 0:26:11 | 0:26:13 | |
She can't take a joke, as per usual. | 0:26:13 | 0:26:15 | |
That's cos nothing your dad says is funny. | 0:26:15 | 0:26:17 | |
Tell Lorna I'll see her later. | 0:26:17 | 0:26:19 | |
Didn't sound like nothing. | 0:26:23 | 0:26:25 | |
Huh? Oh, here come the cavalry. | 0:26:25 | 0:26:28 | |
See you later, love, huh? All right, mate? | 0:26:28 | 0:26:31 | |
Oh, just put it over there, out of sight. | 0:26:38 | 0:26:41 | |
There was loads of Christmas stuff, | 0:26:43 | 0:26:45 | |
but I didn't think Santa in April was right. | 0:26:45 | 0:26:48 | |
Maybe this isn't such a good idea, hmm? | 0:26:50 | 0:26:52 | |
Perhaps a celebration is a bit inappropriate. | 0:26:53 | 0:26:56 | |
No. Start as you mean to go on. | 0:26:56 | 0:26:58 | |
A brave new single world. | 0:26:58 | 0:27:01 | |
Brave? I'm terrified, if truth be known. | 0:27:01 | 0:27:05 | |
You? Why? You can go where you like. | 0:27:05 | 0:27:09 | |
See who you like. | 0:27:09 | 0:27:11 | |
-Hmm. I'm not as young as I used to be. -More experienced. | 0:27:11 | 0:27:15 | |
More to say, less to look at. | 0:27:15 | 0:27:18 | |
No way. A classy-looking lady, like you? | 0:27:18 | 0:27:21 | |
You'll be fighting them off. | 0:27:21 | 0:27:23 | |
Oh, thank you. You don't have to be kind. | 0:27:23 | 0:27:27 | |
-I'm not. I just say it how it is. -Oh... | 0:27:27 | 0:27:31 | |
I got a wee bit over-ambitious with the dance moves. | 0:27:31 | 0:27:33 | |
-Ended up on a table at one point. -SHE LAUGHS | 0:27:33 | 0:27:35 | |
-Well, that's tequila for you. -I know. | 0:27:35 | 0:27:38 | |
I cannae even remember getting home. | 0:27:38 | 0:27:40 | |
Please don't tell me that. I'm not your pal at the moment, | 0:27:40 | 0:27:43 | |
-I am your doctor. -You are my pal. | 0:27:43 | 0:27:46 | |
Well, look, have you tried yoga? Pilates? I mean, all that helps. | 0:27:46 | 0:27:50 | |
-Yoga? Really? Never again. -THEY LAUGH | 0:27:50 | 0:27:55 | |
-No. -I haven't got the time. Running the pub, | 0:27:55 | 0:27:57 | |
It's, like, lugging barrels and humphing crates, | 0:27:57 | 0:28:00 | |
it's wear and tear. | 0:28:00 | 0:28:02 | |
Look, I wouldnae be asking if I wasnae desperate. | 0:28:02 | 0:28:05 | |
Right, OK. | 0:28:05 | 0:28:07 | |
-Just promise me that you will try other methods, OK? -Promise. | 0:28:07 | 0:28:11 | |
-Not just pills. -I'll even buy a leotard. | 0:28:11 | 0:28:15 | |
-Thank you. You're a life saver. -OK, see you later. -Bye-bye. | 0:28:16 | 0:28:20 | |
-Any sign of her? -No. No phone call, either. | 0:28:24 | 0:28:28 | |
OK. Thanks. | 0:28:28 | 0:28:30 | |
Could you please not eat that on there? | 0:28:33 | 0:28:36 | |
Dad eats in bed all the time. | 0:28:36 | 0:28:38 | |
Well, he doesn't have a choice, does he? | 0:28:38 | 0:28:41 | |
And he doesn't need you winding him up, as well. | 0:28:41 | 0:28:43 | |
What, as well as you, you mean? Or Annie? | 0:28:43 | 0:28:47 | |
Nobody winds him up as well as your Auntie Annie. | 0:28:47 | 0:28:49 | |
Why is that, do you think? | 0:28:51 | 0:28:55 | |
Why does she hate him? | 0:28:55 | 0:28:57 | |
She doesn't hate him. They both care about us and... | 0:28:57 | 0:29:02 | |
they clash. | 0:29:02 | 0:29:03 | |
Sounded like she was trying to split you and Dad up. | 0:29:04 | 0:29:08 | |
You heard me and your dad talking earlier, didn't you? | 0:29:09 | 0:29:13 | |
Look, nothing is happening, I promise. | 0:29:13 | 0:29:16 | |
I only ever texted Andy out of concern | 0:29:16 | 0:29:18 | |
and Annie didn't encourage me. Your dad's wrong about that. | 0:29:18 | 0:29:22 | |
But that's not what she was saying earlier, on the stairs. | 0:29:22 | 0:29:26 | |
When? | 0:29:26 | 0:29:28 | |
-When Dad was off to physio. -How? What did they say? | 0:29:28 | 0:29:32 | |
That you were making a big mistake, being with Dad. | 0:29:32 | 0:29:36 | |
She was, like, really in his face, | 0:29:36 | 0:29:38 | |
you know, like, proper nasty. | 0:29:38 | 0:29:40 | |
She wouldn't. | 0:29:40 | 0:29:42 | |
Well, she did. I heard her. | 0:29:42 | 0:29:44 | |
SIREN WAILS IN DISTANCE | 0:29:52 | 0:29:57 | |
PHONE RINGS | 0:30:30 | 0:30:34 | |
-FAITH (through intercom): -Who is it? | 0:30:41 | 0:30:43 | |
Oh, hi, Faith, it's Annie. Um, Annie Jandhu. | 0:30:43 | 0:30:46 | |
DOG BARKS | 0:30:49 | 0:30:54 | |
What are you doing here?! You'll get me into trouble! | 0:30:54 | 0:30:57 | |
You didn't come in for your blood test! | 0:30:57 | 0:30:59 | |
And look, I just came because I brought you these. | 0:30:59 | 0:31:03 | |
Having a clear-out? | 0:31:06 | 0:31:08 | |
My mother is. It's just stuff from the spare room. | 0:31:08 | 0:31:11 | |
She wants it dumped. | 0:31:11 | 0:31:13 | |
-Even this wee fella? -ROBBIE GASPS | 0:31:13 | 0:31:15 | |
I didnae know she still had him. This is Teddy. | 0:31:15 | 0:31:18 | |
Teddy, this is Pete. | 0:31:18 | 0:31:21 | |
-An old friend, I take it? -Yeah, my dad gave him to me. | 0:31:21 | 0:31:24 | |
He wanted me to get into rugby, but... Loved Teddy, hated rugby. | 0:31:24 | 0:31:28 | |
-Poor Dad. -At least you've got one thing in common, eh? | 0:31:28 | 0:31:32 | |
THEY LAUGH Maybe. | 0:31:32 | 0:31:36 | |
They always seemed happy. You know, at least to me. | 0:31:36 | 0:31:39 | |
But they were just pretending. Trying to make it work. | 0:31:40 | 0:31:43 | |
-Maybe everybody does that. -You're asking the wrong man. | 0:31:43 | 0:31:48 | |
I thought they'd go on forever, you know? Like The Archers. | 0:31:48 | 0:31:52 | |
At least you've got your mum here with you here now. Even better. | 0:31:52 | 0:31:55 | |
ROBBIE SCOFFS Is it? | 0:31:55 | 0:31:57 | |
Single and living with Mother, bickering into our old age, | 0:31:57 | 0:32:00 | |
-like Jack and Victor. -Your mum doesn't want that. | 0:32:00 | 0:32:02 | |
And suddenly, you're an expert on my mother? | 0:32:02 | 0:32:04 | |
I've been through it, haven't I? Moving on. | 0:32:04 | 0:32:07 | |
I mean, why keep all that baggage? | 0:32:07 | 0:32:10 | |
For the memories. | 0:32:10 | 0:32:11 | |
Who needs reminding? Now is all that matters. | 0:32:11 | 0:32:15 | |
At the end of the day, the past is a box of old garbage. | 0:32:16 | 0:32:19 | |
This is not garbage! | 0:32:19 | 0:32:21 | |
Get rid. Live in the moment, like your mum's doing. | 0:32:21 | 0:32:25 | |
This isn't garbage. | 0:32:25 | 0:32:27 | |
Is this the kind of life that you want, though? | 0:32:32 | 0:32:35 | |
Could be worse. A lot worse. | 0:32:35 | 0:32:38 | |
But...were you trafficked? | 0:32:40 | 0:32:43 | |
I wasn't stolen off the streets, if that's what you think. | 0:32:45 | 0:32:50 | |
What, you chose to do this? | 0:32:50 | 0:32:51 | |
Who chooses this?! | 0:32:51 | 0:32:54 | |
I wanted to be a teacher. | 0:32:59 | 0:33:01 | |
Well, then why don't you just do that? Run away? Leave? | 0:33:02 | 0:33:06 | |
I owe them money. | 0:33:08 | 0:33:10 | |
I also make them money. Lots of it. Do you understand? | 0:33:12 | 0:33:17 | |
Yeah, but can you not just go - disappear? | 0:33:17 | 0:33:22 | |
-And what would I do? Where would I go? -Back home. | 0:33:22 | 0:33:26 | |
That's the first place they'll look. | 0:33:26 | 0:33:29 | |
And if I'm not there, then my mother will have to pay. | 0:33:29 | 0:33:33 | |
There must be somewhere safe. | 0:33:33 | 0:33:35 | |
Not for me. | 0:33:36 | 0:33:39 | |
This is home now. | 0:33:40 | 0:33:42 | |
-It's not that bad. And they...they trust me. -SHE LAUGHS UNCONVINCINGLY | 0:33:45 | 0:33:49 | |
LOUD BUMP FROM UPSTAIRS | 0:33:49 | 0:33:52 | |
Thank you for these. I promise I will take them, | 0:33:57 | 0:34:00 | |
but please don't come back here again, OK? Ever. | 0:34:00 | 0:34:03 | |
At least take my card. | 0:34:03 | 0:34:05 | |
Go home, Doctor Jandhu. | 0:34:05 | 0:34:07 | |
-Get oot my hoose, you bampot! -I'm calling the police! | 0:34:16 | 0:34:19 | |
Oh, look, it's Jules. | 0:34:19 | 0:34:22 | |
What are you doing here, dear? | 0:34:22 | 0:34:24 | |
Alasdair said it was OK. | 0:34:24 | 0:34:26 | |
You nearly gave us a heart attack. We heard the television, | 0:34:26 | 0:34:29 | |
we thought we had a burglar. | 0:34:29 | 0:34:31 | |
Sorry, Alasdair said he'd ask you. I'm so embarrassed. | 0:34:31 | 0:34:33 | |
Jules? Jules, dear? | 0:34:33 | 0:34:35 | |
What's the hurry? | 0:34:35 | 0:34:37 | |
You nearly took her head off with that! | 0:34:37 | 0:34:40 | |
Now, we should call Alasdair. | 0:34:40 | 0:34:42 | |
Call him? Are you kidding? Back down these stairs. | 0:34:42 | 0:34:45 | |
Me and him are gonnae have words! | 0:34:45 | 0:34:47 | |
Is this your dirty washing that you're hanging? | 0:34:54 | 0:34:56 | |
It might as well be. | 0:34:56 | 0:34:59 | |
This isn't happening. | 0:34:59 | 0:35:01 | |
I'm afraid it is. | 0:35:01 | 0:35:03 | |
Allow me, Madam. | 0:35:03 | 0:35:05 | |
To the rescue again, Sir Peter. | 0:35:05 | 0:35:08 | |
This isn't just about you. | 0:35:08 | 0:35:10 | |
This is my childhood that you two are dancing all over. | 0:35:10 | 0:35:13 | |
-No-one is dancing on anything. -No, right, so while I'm trying | 0:35:13 | 0:35:16 | |
to pick myself up off the floor, you're partying? | 0:35:16 | 0:35:18 | |
Do you think this is easy for me? | 0:35:18 | 0:35:20 | |
I thought I would grow old with the man I married. | 0:35:20 | 0:35:24 | |
And now I'm doing my best not to hit the floor. | 0:35:24 | 0:35:28 | |
Because if I go down, I won't get back up, | 0:35:28 | 0:35:31 | |
so to hell with that! | 0:35:31 | 0:35:33 | |
And if it's my dirty washing, I couldn't care less. | 0:35:35 | 0:35:39 | |
All I'm saying is...the whole thing makes me really sad. | 0:35:40 | 0:35:45 | |
I know! And I'm sorry your childhood is over. | 0:35:45 | 0:35:50 | |
But perhaps it's time you finally grew up. | 0:35:53 | 0:35:56 | |
-That's it Suzie, girl. Stick to your guns. -Hmm. | 0:36:04 | 0:36:07 | |
KNOCKING AT DOOR | 0:36:14 | 0:36:16 | |
Not interrupting, am I? | 0:36:16 | 0:36:19 | |
No, come in. | 0:36:19 | 0:36:20 | |
-Everything all right? -Aye, aye, nothing major. | 0:36:22 | 0:36:26 | |
Whoa! She's a stunner. Is that the wife? | 0:36:26 | 0:36:30 | |
-Girlfriend. -Even better. | 0:36:30 | 0:36:32 | |
-We're engaged. -Spoilsport. | 0:36:32 | 0:36:35 | |
-Drink? -Aye. Never too early for me. | 0:36:37 | 0:36:39 | |
My father has the same philosophy. | 0:36:41 | 0:36:44 | |
So, what can I do for you? | 0:36:47 | 0:36:51 | |
It's a bit embarrassing, really. | 0:36:51 | 0:36:53 | |
It's about somebody at the club. A doorman? Carl? | 0:36:53 | 0:36:56 | |
The guy I sacked this morning? | 0:36:56 | 0:36:58 | |
Aye, he's an old acquaintance of mine, you know, school days. | 0:36:58 | 0:37:01 | |
-Cheers. -Right. And? | 0:37:01 | 0:37:05 | |
He knows we have business dealings, so he's been on the blower, | 0:37:05 | 0:37:08 | |
he's all sorry and that, | 0:37:08 | 0:37:09 | |
hoping I could help him get his job back. | 0:37:09 | 0:37:11 | |
Look, I don't want to get involved, but the boy's got two weans | 0:37:11 | 0:37:15 | |
to feed, so I told him I'd put in a word. | 0:37:15 | 0:37:17 | |
And did he happen to mention why he got sacked? | 0:37:19 | 0:37:22 | |
Naw. Drugs, was it? | 0:37:22 | 0:37:25 | |
Naw. Ladies. "Of the night" variety. | 0:37:25 | 0:37:29 | |
But then, you know that. | 0:37:29 | 0:37:32 | |
This is down to you, isn't it? | 0:37:32 | 0:37:33 | |
It's bringing good business through your door. | 0:37:33 | 0:37:35 | |
I don't need that kind of business. | 0:37:35 | 0:37:37 | |
Look, I'm no' gonnae lie to you. It'd be a big loss of income to me | 0:37:37 | 0:37:40 | |
if you're going to be a killjoy. | 0:37:40 | 0:37:42 | |
I don't care how much it makes, it can't happen in my club. | 0:37:42 | 0:37:47 | |
Are you sure you don't want to reconsider? | 0:37:47 | 0:37:49 | |
Not in my club, Rick. | 0:37:52 | 0:37:54 | |
Not now, not ever. And I mean it. | 0:37:54 | 0:37:57 | |
Now, was that all? | 0:37:59 | 0:38:02 | |
Aye, well, I suppose you have to run things the way you see fit. | 0:38:11 | 0:38:16 | |
Cheers for the drink. | 0:38:20 | 0:38:22 | |
-What have you been saying to Greig behind my back? -What, when? | 0:38:29 | 0:38:32 | |
In the close, apparently. | 0:38:32 | 0:38:34 | |
Why? What's he saying I said? | 0:38:34 | 0:38:36 | |
Frankie said she heard you telling him that I'm making a big mistake. | 0:38:36 | 0:38:39 | |
-Well, keep out of this! -Ssshhh! -This is my life, my choices! | 0:38:39 | 0:38:43 | |
And this is hard enough as it is, without you sticking your oar in. | 0:38:43 | 0:38:46 | |
You're not helping me. | 0:38:46 | 0:38:48 | |
Look, Frankie got it wrong. | 0:38:48 | 0:38:51 | |
I swear. | 0:38:51 | 0:38:53 | |
Look, I don't know what she thinks she heard, but she got it wrong. | 0:38:53 | 0:38:59 | |
Greig and I were just doing our usual, OK? | 0:38:59 | 0:39:02 | |
He was winding me up and I didn't see the funny side. | 0:39:02 | 0:39:05 | |
Ask him yourself. | 0:39:05 | 0:39:07 | |
Why is Frankie saying something different? | 0:39:07 | 0:39:10 | |
Why does she do half the things she does? | 0:39:10 | 0:39:13 | |
So, you never said any of those things? | 0:39:14 | 0:39:17 | |
No. | 0:39:17 | 0:39:18 | |
I don't know where Frankie got it from, but it wasn't from me. | 0:39:20 | 0:39:22 | |
ANNIE RECEIVES A TEXT Oh, I think I might have an idea. | 0:39:22 | 0:39:26 | |
It's Faith. She's given me her number. | 0:39:26 | 0:39:28 | |
Why? | 0:39:28 | 0:39:30 | |
I went to see her. | 0:39:30 | 0:39:31 | |
Annie! | 0:39:31 | 0:39:33 | |
Look, I can't talk about it here. Come on. | 0:39:33 | 0:39:36 | |
She's not in the cafe. | 0:39:39 | 0:39:40 | |
Well, she's no' in there, either. | 0:39:40 | 0:39:42 | |
I feel awful. | 0:39:42 | 0:39:44 | |
If only you'd told us before, we would never have let her go. | 0:39:44 | 0:39:49 | |
You two head home. | 0:39:49 | 0:39:51 | |
There's no reason why you should be chasing around Shieldinch | 0:39:51 | 0:39:53 | |
on my behalf. | 0:39:53 | 0:39:55 | |
I made that promise to that girl. | 0:39:55 | 0:39:56 | |
Oh-ho! What're you promising now, Sir Galahad? | 0:39:56 | 0:40:00 | |
To help her with her accommodation. | 0:40:00 | 0:40:01 | |
Looks like she doesn't want your help! | 0:40:01 | 0:40:03 | |
But she needs it. | 0:40:03 | 0:40:05 | |
And so do I. | 0:40:05 | 0:40:06 | |
Ooh, Jiminy Cricket chirping loudly on the old shoulder, is he? | 0:40:06 | 0:40:11 | |
Yes, Molly. | 0:40:11 | 0:40:13 | |
I admit it. I don't want to let another young person down. | 0:40:13 | 0:40:17 | |
Not again. | 0:40:17 | 0:40:18 | |
I want a chance, maybe, to right some of my past wrongs. | 0:40:19 | 0:40:23 | |
Is that so terrible of me? | 0:40:23 | 0:40:24 | |
Oh, how can it be? | 0:40:24 | 0:40:26 | |
What was the plan, bringing her to the flat? | 0:40:26 | 0:40:28 | |
-Well, it was only for a night at the most... -Oh, no, no. | 0:40:28 | 0:40:31 | |
Jules is a sweet lassie, | 0:40:31 | 0:40:33 | |
but I cannot have a teenager living on my sofa. | 0:40:33 | 0:40:37 | |
-But Molly... -No. | 0:40:37 | 0:40:39 | |
We put you up when you had nowhere else to go. | 0:40:39 | 0:40:42 | |
That's where my charity ends. | 0:40:42 | 0:40:45 | |
Is someone looking for somewhere to stay? | 0:40:45 | 0:40:48 | |
Yes. Jules Belmont. A lovely wee girl. | 0:40:48 | 0:40:50 | |
She's desperate for a roof over her head. | 0:40:50 | 0:40:52 | |
Well, if she doesn't mind living above a pub, | 0:40:52 | 0:40:56 | |
she's welcome to our spare room. Would she be interested? | 0:40:56 | 0:40:59 | |
I'm sure she'd be delighted. | 0:40:59 | 0:41:00 | |
Oh, fabulous. Well, tell her to pop by whenever suits. | 0:41:00 | 0:41:03 | |
I will! | 0:41:03 | 0:41:04 | |
Now I've just got to find her. | 0:41:05 | 0:41:07 | |
I mean, she talks tough, but she's scared. | 0:41:08 | 0:41:11 | |
Well, there's no point in getting her to go to the police, then. | 0:41:11 | 0:41:15 | |
Won't they protect her, though? | 0:41:15 | 0:41:17 | |
If they can. | 0:41:17 | 0:41:18 | |
But it's going to be her word against some very violent people. | 0:41:18 | 0:41:21 | |
Well, then, she could just stay with me, then. | 0:41:22 | 0:41:25 | |
Annie, you can't do that. You hardly even know this girl. | 0:41:25 | 0:41:28 | |
Yeah, but I can't just give up on her, without trying. | 0:41:28 | 0:41:31 | |
She came here to teach, Lorna. | 0:41:32 | 0:41:34 | |
She came here illegally. | 0:41:34 | 0:41:36 | |
She has no rights. | 0:41:36 | 0:41:37 | |
There's no point. | 0:41:37 | 0:41:38 | |
Then, how does she get rights? | 0:41:38 | 0:41:40 | |
If she got asylum status, but that could take months. | 0:41:40 | 0:41:44 | |
She told me that she can't go home. | 0:41:44 | 0:41:46 | |
So, can we try that? | 0:41:46 | 0:41:47 | |
I suppose... | 0:41:48 | 0:41:50 | |
Does that mean you'll talk to her? | 0:41:50 | 0:41:52 | |
Come on, please. | 0:41:53 | 0:41:54 | |
Look, just at least make her see that she's got choices. | 0:41:55 | 0:41:59 | |
-She's got no-one else. -OK. | 0:42:00 | 0:42:03 | |
I'll talk to her, if she's willing to talk to me. | 0:42:03 | 0:42:06 | |
Thank you. | 0:42:06 | 0:42:07 | |
Sorry about what I said. | 0:42:07 | 0:42:09 | |
You'd think I'd be used to Frankie's ways by now. | 0:42:10 | 0:42:13 | |
Yeah, well, don't give her too hard a time, eh? | 0:42:13 | 0:42:16 | |
I remember you were a bit of a drama queen at that age. | 0:42:16 | 0:42:19 | |
-Look who's talking! -Mm. | 0:42:19 | 0:42:21 | |
-I'll see you later. -See you later. | 0:42:21 | 0:42:23 | |
Anyone on there for me? | 0:42:42 | 0:42:44 | |
This isn't for your eyes, trust me. | 0:42:44 | 0:42:46 | |
Oh, I trust you. | 0:42:46 | 0:42:48 | |
It's me you don't trust. | 0:42:48 | 0:42:50 | |
We're more alike than you think. | 0:42:57 | 0:42:59 | |
So, come on, spit it out. | 0:42:59 | 0:43:01 | |
Something happened last night. | 0:43:01 | 0:43:03 | |
The guy ran off. | 0:43:06 | 0:43:08 | |
I was left standing there with his drink in my hand. | 0:43:08 | 0:43:10 | |
Oh, no, Robbie. | 0:43:10 | 0:43:12 | |
And then he posted afterwards and said I was "Not As Advertised". | 0:43:12 | 0:43:16 | |
It was so humiliating. | 0:43:16 | 0:43:17 | |
Well, he's probably just some little idiot who treats it like a game. | 0:43:19 | 0:43:23 | |
But it is a game, Mum. That's what I'm trying to tell you. | 0:43:23 | 0:43:26 | |
How you advertise yourself is everything. | 0:43:26 | 0:43:28 | |
Well, I'm not advertising. I'm re-branding. | 0:43:28 | 0:43:31 | |
Maybe you should, too. | 0:43:33 | 0:43:35 | |
I'm not sure what it is I want any more. | 0:43:35 | 0:43:37 | |
And soon, it's going to be too late. Game over. | 0:43:37 | 0:43:40 | |
Oh, nonsense! Look at your father. | 0:43:40 | 0:43:43 | |
Oh, I hate to say it, but if he can find true love at 65, | 0:43:43 | 0:43:48 | |
then so can you. | 0:43:48 | 0:43:50 | |
And so can I. | 0:43:50 | 0:43:52 | |
Nothing's over till it's over. | 0:43:53 | 0:43:54 | |
Mm. | 0:43:54 | 0:43:56 | |
Just at least meet her, Faith. OK? That's all I'm asking. | 0:43:57 | 0:44:01 | |
Even if it's just for half an hour. | 0:44:02 | 0:44:04 | |
Yeah, but... but if you didn't want help, | 0:44:06 | 0:44:09 | |
then why did you text me your number? | 0:44:09 | 0:44:12 | |
Great. | 0:44:15 | 0:44:16 | |
Look, just text me where you want to meet, OK? | 0:44:16 | 0:44:19 | |
I'll be there later. | 0:44:19 | 0:44:20 | |
You won't regret this. I promise. | 0:44:21 | 0:44:23 | |
I've been looking for you. | 0:44:41 | 0:44:42 | |
I couldn't stay. I scared them to death! | 0:44:44 | 0:44:47 | |
And I haven't totally run out of friends yet. | 0:44:47 | 0:44:51 | |
But what if I were to tell you that I've found you a room? | 0:44:51 | 0:44:54 | |
At the Tall Ship. | 0:44:54 | 0:44:56 | |
Thanks, Alasdair, but I can't afford that. | 0:44:56 | 0:44:58 | |
No money required. | 0:44:58 | 0:45:00 | |
What's the catch? | 0:45:00 | 0:45:01 | |
No catch. Suzie says you can have her spare room. | 0:45:01 | 0:45:04 | |
No charge. | 0:45:04 | 0:45:05 | |
-Seriously? -Mm. | 0:45:05 | 0:45:06 | |
Look, I don't need pity. | 0:45:08 | 0:45:10 | |
It's not that. | 0:45:10 | 0:45:12 | |
It's free until you get back on your feet. | 0:45:12 | 0:45:14 | |
Why are you doing this? | 0:45:15 | 0:45:17 | |
You hardly know me. | 0:45:17 | 0:45:18 | |
I'm not being totally selfless, I can assure you. | 0:45:20 | 0:45:23 | |
Maybe there are some things I can't change, | 0:45:25 | 0:45:27 | |
even if I wanted to... | 0:45:27 | 0:45:28 | |
..but helping you means I can sleep at night. | 0:45:30 | 0:45:33 | |
Should you not be getting ready? | 0:45:42 | 0:45:44 | |
I'm not going down. | 0:45:47 | 0:45:48 | |
I don't want you upset. | 0:45:50 | 0:45:51 | |
I won't be. | 0:45:52 | 0:45:54 | |
Come on. Let's go downstairs and have a great time. | 0:45:54 | 0:45:57 | |
SHE SIGHS | 0:46:03 | 0:46:05 | |
Hmm! | 0:46:05 | 0:46:07 | |
-Oh... -Oh, yeah. | 0:46:07 | 0:46:09 | |
There's not going to be enough. | 0:46:09 | 0:46:11 | |
Yeah, there is. | 0:46:11 | 0:46:12 | |
Look, just spread that last bit out, go on, right up to the edge. | 0:46:13 | 0:46:16 | |
There you go, see? | 0:46:16 | 0:46:18 | |
Now, put it to the side until the oven's ready. | 0:46:18 | 0:46:21 | |
Simple. | 0:46:21 | 0:46:22 | |
I don't know why you're sucking up to her. | 0:46:25 | 0:46:27 | |
It shouldn't be you in the doghouse. | 0:46:27 | 0:46:29 | |
it should be Auntie Annie, if anyone. | 0:46:29 | 0:46:31 | |
Why do you say that? | 0:46:31 | 0:46:33 | |
Because she's slagging you off to Mum, isn't she? | 0:46:33 | 0:46:35 | |
No. She's looking after her sister. | 0:46:35 | 0:46:38 | |
Well, that's what you women do. | 0:46:38 | 0:46:40 | |
Now, go on, turn the oven to 180. | 0:46:40 | 0:46:42 | |
-That's you. -But you even said it. | 0:46:44 | 0:46:46 | |
I heard you talking... | 0:46:47 | 0:46:49 | |
-about the text to Andy. -Frankie, just... | 0:46:49 | 0:46:51 | |
Keep out of this, please. | 0:46:51 | 0:46:53 | |
OK? It's parent stuff. Thank you. | 0:46:53 | 0:46:55 | |
But say if, like... | 0:46:55 | 0:46:56 | |
..if Mum were to leave... | 0:46:57 | 0:46:58 | |
Yeah, it's not up for public discussion, Frankie, | 0:46:58 | 0:47:00 | |
so if you could just drop it. DOOR OPENS | 0:47:00 | 0:47:02 | |
'Hi!' | 0:47:02 | 0:47:03 | |
Daddy, look what I made! | 0:47:05 | 0:47:06 | |
Oh, what's this? | 0:47:06 | 0:47:08 | |
That's you! | 0:47:08 | 0:47:09 | |
Oh, check you out! You're a proper little Picasso, aren't you? | 0:47:09 | 0:47:13 | |
Oh, you're a child genius, so you are. | 0:47:13 | 0:47:15 | |
Right, darlin', go and put your stuff away | 0:47:15 | 0:47:17 | |
and get your wee hands washed. | 0:47:17 | 0:47:19 | |
Oh, and, Katie, we've made you your favourite for dinner tonight - | 0:47:19 | 0:47:22 | |
-Shepherd's pie. -Yuck! | 0:47:22 | 0:47:24 | |
I like pizza. | 0:47:24 | 0:47:25 | |
-Pizza(!) -You've made us dinner! | 0:47:27 | 0:47:29 | |
And to what do we owe the pleasure? | 0:47:29 | 0:47:32 | |
Dunno, you tell me. | 0:47:32 | 0:47:33 | |
Frankie! | 0:47:35 | 0:47:36 | |
I know... | 0:47:43 | 0:47:45 | |
none of this is easy on any of us. | 0:47:45 | 0:47:48 | |
Especially not Frankie and... | 0:47:49 | 0:47:51 | |
I guess we've all got to let some steam off, somehow. | 0:47:51 | 0:47:54 | |
I know I have a lot to be grateful for. | 0:47:58 | 0:48:00 | |
I do. | 0:48:00 | 0:48:02 | |
And for what it's worth... | 0:48:02 | 0:48:04 | |
..I'm really sorry. | 0:48:06 | 0:48:07 | |
So, is this true? Free drinks for divorcees? | 0:48:09 | 0:48:11 | |
One. And only one. | 0:48:11 | 0:48:13 | |
Nothing for you. Somebody's got to want to marry you first. | 0:48:13 | 0:48:17 | |
-I was, once. Actually. -What? -Married. Aye. | 0:48:17 | 0:48:22 | |
And divorced. | 0:48:22 | 0:48:23 | |
Twice, I think. | 0:48:23 | 0:48:25 | |
You think? | 0:48:25 | 0:48:26 | |
I scarpered, before she wanted any money, | 0:48:26 | 0:48:29 | |
so who knows? | 0:48:29 | 0:48:31 | |
Second time was in Vegas, but that doesn't count. | 0:48:31 | 0:48:34 | |
What are the rules here? | 0:48:34 | 0:48:35 | |
Because, technically, I should have two free drinks, | 0:48:35 | 0:48:39 | |
because I've been divorced twice. | 0:48:39 | 0:48:41 | |
And what about the twice widowed? Surely that deserves a double. | 0:48:41 | 0:48:45 | |
Right, stop it, the lot of you, | 0:48:45 | 0:48:46 | |
or you'll be wearing your first drink as aftershave. | 0:48:46 | 0:48:50 | |
Jules is here. | 0:48:53 | 0:48:54 | |
Oh, she looks delightful. | 0:48:58 | 0:49:00 | |
Now, that'll be £75 a week all-in. | 0:49:00 | 0:49:02 | |
Oh... | 0:49:02 | 0:49:03 | |
I didn't think there'd be any rent. I thought it might be... | 0:49:03 | 0:49:06 | |
What? For free? | 0:49:06 | 0:49:09 | |
Oh, stop it! | 0:49:09 | 0:49:10 | |
Oh... | 0:49:10 | 0:49:12 | |
Oh, first drinks are one thing, but lodgers? | 0:49:12 | 0:49:15 | |
I'll pay! | 0:49:18 | 0:49:20 | |
On one condition - you don't tell Jules. | 0:49:20 | 0:49:23 | |
Why ever not? | 0:49:23 | 0:49:24 | |
She needs a helping hand, but she's proud. | 0:49:24 | 0:49:27 | |
So, our secret, please? | 0:49:27 | 0:49:29 | |
Oh, you're a kind man, Alasdair. | 0:49:29 | 0:49:31 | |
£75 a week, or £300 at the end of the month. | 0:49:31 | 0:49:35 | |
Up to you. | 0:49:35 | 0:49:37 | |
There's some serviettes in the drawers, there, as well. | 0:49:42 | 0:49:45 | |
Where are we - Downton Abbey? | 0:49:45 | 0:49:47 | |
HE CHUCKLES | 0:49:47 | 0:49:48 | |
Are you going out? | 0:49:51 | 0:49:53 | |
Dinner's nearly ready. | 0:49:53 | 0:49:54 | |
You guys can go ahead. | 0:49:54 | 0:49:55 | |
I'll just heat it up when I get back in. | 0:49:55 | 0:49:57 | |
Why, where are you going? | 0:49:57 | 0:49:59 | |
Only to Annie's. | 0:49:59 | 0:50:00 | |
I promised her I'd see that girl that I told you about. | 0:50:01 | 0:50:04 | |
She's coming over this evening. Annie texted. | 0:50:04 | 0:50:07 | |
Told you. | 0:50:08 | 0:50:09 | |
What's that meant to mean? | 0:50:11 | 0:50:13 | |
Nothing. She's just got a stupid idea in her head. | 0:50:14 | 0:50:17 | |
It's not stupid. Annie's a stirrer. | 0:50:17 | 0:50:19 | |
If anyone is a stirrer, it's you. | 0:50:21 | 0:50:23 | |
How, exactly? | 0:50:23 | 0:50:24 | |
Making out that they were arguing on the stairs, | 0:50:24 | 0:50:26 | |
-when they've done no such thing. -What's this? | 0:50:26 | 0:50:29 | |
She said that Annie told you | 0:50:31 | 0:50:33 | |
that I was making a big mistake taking you back. | 0:50:33 | 0:50:35 | |
Is that true? | 0:50:36 | 0:50:38 | |
Go on, Dad. Tell her. | 0:50:40 | 0:50:41 | |
I told you, darlin', | 0:50:43 | 0:50:44 | |
me and your Auntie Annie, we were just messing around. | 0:50:44 | 0:50:47 | |
-You just took it the wrong way, that's all. -Dad. | 0:50:47 | 0:50:50 | |
There's nothing to it, Frankie. | 0:50:52 | 0:50:54 | |
Fancy meeting you here. | 0:52:06 | 0:52:07 | |
Oh, Frankie. Look, I don't have time... | 0:52:18 | 0:52:20 | |
Why do people lie? Lie to people's faces? | 0:52:20 | 0:52:23 | |
-What? -It's to cover something up, isn't it? | 0:52:23 | 0:52:25 | |
-Well, who's lying? -You. | 0:52:25 | 0:52:27 | |
-Me? -Yes. You and my Dad. | 0:52:27 | 0:52:31 | |
-Look, Frankie, I... -You're lying through your teeth. | 0:52:31 | 0:52:34 | |
I don't have time for this, OK? I need to meet someone. | 0:52:34 | 0:52:36 | |
"The biggest mistake of your life." That's what you said. | 0:52:36 | 0:52:41 | |
That's what you were talking to my dad about on the stairs. | 0:52:41 | 0:52:44 | |
Well, you must have misheard. | 0:52:44 | 0:52:46 | |
Now, I've got to meet someone, OK? and it's urgent. | 0:52:46 | 0:52:49 | |
What was the big mistake, Annie? | 0:52:49 | 0:52:50 | |
I was talking about your mum, OK? | 0:52:54 | 0:52:55 | |
and I'm sorry if that upset you. | 0:52:55 | 0:52:57 | |
No, you weren't. Otherwise, why would my dad lie? | 0:52:57 | 0:53:00 | |
Why would he cover for you? | 0:53:00 | 0:53:02 | |
I heard it right. There was no joke. | 0:53:04 | 0:53:07 | |
Look, I don't know what you think you heard, OK? | 0:53:08 | 0:53:14 | |
but when I was talking about "that night", | 0:53:14 | 0:53:17 | |
I was talking about the night your mum took your dad back. | 0:53:17 | 0:53:20 | |
What happened "that night", Annie? Something with my Dad? | 0:53:20 | 0:53:25 | |
No. No, look, I... | 0:53:25 | 0:53:27 | |
You argued with him like he was your ex lover. | 0:53:27 | 0:53:30 | |
Now you're being ridiculous. | 0:53:31 | 0:53:33 | |
You know, he's given me his side of things. | 0:53:34 | 0:53:36 | |
How you're hiding feelings for him. | 0:53:36 | 0:53:38 | |
How you came onto him. | 0:53:38 | 0:53:40 | |
Now, that IS a lie! | 0:53:40 | 0:53:41 | |
-You slept with him. -No. | 0:53:46 | 0:53:48 | |
I know, Auntie Annie. You can't deny it now. | 0:53:48 | 0:53:50 | |
I didn't, OK? | 0:53:50 | 0:53:51 | |
-I'm not... -Don't embarrass yourself. | 0:53:51 | 0:53:53 | |
Stop it. | 0:53:53 | 0:53:55 | |
What about Mum? | 0:53:55 | 0:53:56 | |
Are you going to tell her or should I? | 0:53:57 | 0:54:00 | |
Tell her what? | 0:54:00 | 0:54:01 | |
You've made up another story... | 0:54:03 | 0:54:06 | |
another lie? | 0:54:06 | 0:54:07 | |
Who's going to believe you, Frankie? | 0:54:09 | 0:54:11 | |
Look at you. | 0:54:12 | 0:54:14 | |
It's written all over your face. | 0:54:15 | 0:54:17 | |
Frankie! | 0:54:17 | 0:54:18 | |
Ahem! | 0:54:35 | 0:54:36 | |
Oh, this is much cheerier, isn't it? | 0:54:39 | 0:54:41 | |
Aye, we'll be dancing together next. | 0:54:41 | 0:54:44 | |
Oh, see? We may be single, my darling, but we're not alone. | 0:54:44 | 0:54:48 | |
Is it OK if I take my stuff up? | 0:54:50 | 0:54:52 | |
Yes, of course, my dear. It's on the left. | 0:54:52 | 0:54:55 | |
Make yourself at home. | 0:54:55 | 0:54:56 | |
What's that about? | 0:54:58 | 0:54:59 | |
Our new lodger. I told you we weren't alone. | 0:54:59 | 0:55:01 | |
Ugh! | 0:55:05 | 0:55:06 | |
It's not for me. | 0:55:41 | 0:55:42 | |
Oh, thank heavens you're still here. | 0:56:07 | 0:56:09 | |
Look, I'm so sorry that I'm late. | 0:56:09 | 0:56:11 | |
I'm not coming with you. | 0:56:11 | 0:56:12 | |
Look, I know you're nervous, OK? It's understandable. | 0:56:12 | 0:56:15 | |
Who do you think you are? | 0:56:15 | 0:56:16 | |
You know nothing about my life | 0:56:16 | 0:56:18 | |
and you think you can walk into it with your expensive heels | 0:56:18 | 0:56:22 | |
and easy answers - and what? | 0:56:22 | 0:56:24 | |
Save me? | 0:56:24 | 0:56:26 | |
But..you're ill. | 0:56:26 | 0:56:28 | |
I haven't asked to be saved. | 0:56:28 | 0:56:30 | |
ENGINE STARTS | 0:56:30 | 0:56:31 | |
Go save African babies | 0:56:37 | 0:56:39 | |
or adopt a donkey or whatever you ladies do... | 0:56:39 | 0:56:42 | |
..but stay away from me! | 0:56:46 | 0:56:47 | |
You are not needed. | 0:56:50 | 0:56:51 | |
Shieldinch is the swinging capital o' Glesga! | 0:57:13 | 0:57:15 | |
But not Cassie and Angus, surely? | 0:57:15 | 0:57:18 | |
Since when do you like swing music? | 0:57:18 | 0:57:19 | |
You don't know everything about me. | 0:57:19 | 0:57:21 | |
Oh, look at that rock! | 0:57:21 | 0:57:24 | |
Have you told AJ? | 0:57:24 | 0:57:25 | |
It's not like you to be stuck for words. | 0:57:25 | 0:57:26 | |
Please, Amber, I need your help. I'm in trouble. | 0:57:26 | 0:57:28 | |
When were you going to tell me this Fraser character's back in town? | 0:57:28 | 0:57:31 | |
If Lenny sees you, he will try and take her off you. | 0:57:31 | 0:57:33 | |
Can you take me home, please? | 0:57:33 | 0:57:35 | |
Um, sorry to bother you, boss, but I've got a bit of a situation. | 0:57:35 | 0:57:38 |