28/02/2012 River City


28/02/2012

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Transcript


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What did you JUST say?

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None of your business.

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'Gina threw me out.'

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-I'm sorry.

-SMASH!

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That's him.

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Look again, make sure.

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No, that's him, all right.

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He's got a record for procurement. Specifically underage girls.

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Gets them hooked on drink or drugs and then sells them to the highest bidder.

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'It's not been possible to connect your call. Please try again later.'

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DOOR OPENS

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Nicole?

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You two! Boys!

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Where have you been?

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Well?

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We were out looking for Nicole.

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What? Where?

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-Everywhere.

-Places nobody'd look.

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In gardens and up closes. Shop doorways.

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You crept out of this house...

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Shh.

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You've been out there all night, prowling the streets? On your own?

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-Don't tell Dad.

-Please, Mum. You know he'll go off on one.

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All right. But only because he's got this press conference today.

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He's got enough to worry about.

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Go and get yourselves cleaned up. Come on.

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Come on up to the flat.

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I'm fine where I am.

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Breakfast and a shower,

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it's the best offer you're gonnae get all day.

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Oh, unless, of course, you want to turn up for your work

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unshaven and stinking.

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Yeah. I'll put the coffee on.

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WATER RUNS

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Sorry.

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Raymond said it would be OK.

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Did he now?

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Just grab a seat, relax and get this down your neck.

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And don't you worry about Eileen, you just leave her to m...

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...me.

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He was sleeping in his car.

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That's his problem. Not yours.

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-I couldn't just leave him there.

-He's a grown man!

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He's a mate and he's down on his luck.

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Whose fault is that?

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Look, he just needs a place to stay for a few...

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Oh, no. Tell me you haven't!

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Just till he sorts himself out.

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-Have you forgotten that he's barred?

-Yeah, from the pub. This is my house.

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Yeah. And mine. And Stuart's.

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OK, look, it'll just be for a couple of days.

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What about Gina?

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-She's finished with him, remember?

-So?

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So we can't go taking his side, against my sister.

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Oh, would this be the same sister whose cafe you got shut down?

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I haven't got time for this.

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I've got a busy day ahead of me.

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-What are you doing in here?

-Sorry.

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I...heard you arguing and I didn't like to intrude.

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I just wandered in here

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and then I saw the information sheet for today's press conference.

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I'm sorry about last night.

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DOORBELL RINGS

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And I know this is awkward, but we have to work together,

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so can we put it on the back burner and get through today?

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I don't have much choice, do I?

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We've a lot to handle with the press and the police.

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Not to mention poor Michael and Leyla.

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I can't imagine what they're going through.

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Sorry to bother you.

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Awkward, did you say?

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Now you stay here. I don't want a scene.

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Somebody's smashed the Oyster window.

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-Who?

-I don't know.

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Are you all right?

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Murray!

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-You weren't there when it happened.

-No.

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They take anything?

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I don't know.

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I was too scared to go in by myself.

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Quite right.

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You wait here. I'll go.

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I'm coming with you.

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Just get my jacket.

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What a chancer.

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-Eileen...

-Hope you're not gonnae let him worm his way back in.

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Oh, drop it you, will you?

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I've got enough on my plate right now.

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Right, give me the keys.

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Now be careful. There's glass everywhere.

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The float's still here.

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Doesn't look like anything's been touched.

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-I suppose I should phone the police, eh?

-I'll do it. You sit down.

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I couldn't sit. I'll make us coffee.

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No, don't touch anything.

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Hello?

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Hey, you two, where's your school uniforms?

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Oh, we're not going to school today.

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-I said they didn't have to go.

-Well, I think they should.

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-Mum!

-I've already phoned the school and told them. I thought...

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-This is not an excuse to hang around playing the computer, OK?

-We're not.

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What are you doing, then?

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Messaging Nicole's pals to see if they've heard anything.

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OK, sorry. That's a good idea.

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DOOR OPENS

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Any news?

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No.

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-Not since we heard she's in tow with some lowlife who grooms girls for prostitution.

-Michael!

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-I'm sorry. I can't just...

-We know.

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What youse talking about?

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Nothing.

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Is she going to be OK?

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Yeah, yeah, she will be.

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What if she's not?

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What if she's dead?

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Don't say that. Don't ever say that again.

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That is your sister you're talking about.

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Hey, hey, chill out, Michael.

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DOORBELL RINGS

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Tell you what. Why don't I take the boys for a bit of breakfast, eh?

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Oh, hi, Detective. Come in.

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Good morning. This is Brenda Lloyd, Family Liaison Officer.

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Hello.

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Michael and Leyla Brodie and their sons Conor and Adeeb.

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Gabriel Brodie. Michael's brother.

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Brenda will stay with you. From now on, any news will come through her.

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I'll see you at the press conference. By the way, we've had a very good response from the press.

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Think it'll help?

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Absolutely. Especially now we've got television coverage.

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-I'll leave you to it.

-Thanks.

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Television? That's good, isn't it, Michael?

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Nowhere else has been touched.

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So it's just the Oyster?

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-Who'd want to throw a brick through my window?

-Can you think of anyone with a grudge against you?

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Gina's well-liked around here. Ask anyone.

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Think. Maybe you've had words with someone.

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Gina?

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Ach, it's probably nothing.

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-Oh, hello, dear. Would you like to come in?

-No, it's all right.

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I was just wanting a word wi' Dan, if he's here.

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I thought I heard your voice.

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Hi. I said I'd let you know about tonight. It's fine.

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I've got a baby-sitter.

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Great. Do you want to come in for a coffee?

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No, I can't. I'm getting Callum ready for nursery school.

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OK. Catch you later.

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Aye.

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-Top-up?

-No, thanks, I'm good.

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I take it you'll not be joining us for dinner tonight.

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-No. Sorry.

-Oh, don't apologise. She's a very nice girl.

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Yes, she is.

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Despite the family that she comes from.

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Look, Liz...

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Oh, sorry.

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You must think I'm just a silly, interfering old woman.

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I don't.

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Nothing better to do than stick her nose into other people's business.

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I don't think that, honestly.

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That's good, then.

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You're not getting serious with her, are you?

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It's early days.

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It's obvious that she likes you.

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And I like her, but I'm still battle-scarred from my marriage,

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Kelly-Marie's got a wee boy, so do I,

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so it's best not to rush anything.

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I better get to the health centre. Michael and Leyla aren't in today.

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See you later, then.

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What do you think? Is this too dressy?

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-No, that looks fine.

-Maybe I could wear this one.

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But it's a bit dull, a bit dowdy. Almost like we've given up.

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Wear the first one, if it's the kind of thing you normally wear.

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You should look like yourself,

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so if Nicole does see you, it looks familiar.

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Not dressed up, acting up for the cameras.

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For goodness' sake!

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What?

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My daughter is out there with some nutter,

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and you two are talking about clothes!

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Michael...

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Is there something useful you could do, like help find this creep before he puts Nicole on the streets?

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We are doing everything we can, Dr Brodie.

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I know.

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I'm sorry.

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The camera takes in the whole street,

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so with any luck, we should get a good look.

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Here you g...

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Oh, no. I do not believe this.

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Eileen, come here.

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What? Hello.

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Didn't you change the disc for the CCTV yesterday?

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Um...

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I'm sure I asked you.

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Yeah. You asked me if I'd done it, and I said I hadn't.

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-So you didn't?

-Didn't what?

-Change the disc?

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I think I did.

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I did, didn't I? Oh, no, wait, didn't you say you'd do it yourself?

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-I can't remember!

-What? And you want me to remember for you?

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I'm just asking. I'm not accusing you.

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Really? Excuse me, I've got work to go to.

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I did ask her.

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Is it your wife who usually changes the disc?

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She's not my wife.

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Oh! What's happened here?

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Ach, just vandals.

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How's Malcolm?

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-He's well, thank you.

-Liz, I've got to stay with the joiner.

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But when he's gone, I'll come over and see him.

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Look, I'll stay. You go and see your dad.

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Murray, thanks.

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So where's he taking you?

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Out for a meal just.

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What do you mean "just"? A meal's the business.

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-Means he's keen.

-Ach, I don't know.

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Think about it. Two hours of him giein' you his undivided attention.

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Digging his hand in his pocket for the privilege.

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And it's no' even the weekend!

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No, he's keen.

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-You really think?

-Trust me.

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Right, enjoy yourself, missus.

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Yes, Liz?

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Just this, thank you.

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You know, you really shouldn't be getting that poor girl's hopes up.

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Sorry?

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Kelly-Marie.

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I don't think our doctor is looking for anything serious.

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What? Has he said something?

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Over breakfast.

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He's not over his wife yet, not ready for any kind of involvement.

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Especially not with someone with a child.

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Would you be better off at school?

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No... I want to be here, if there's bad news.

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What were you thinking about, Christina?

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Covering for Nicole like that?

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Leave her alone. She knows she did wrong.

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I'm not blaming her!

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I just wish she'd thought it through.

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DOORBELL RINGS

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I'll get it.

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Where is she, Bob?

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What if we never see her again?

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Don't talk like that.

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Have they found her?

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No.

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Dr Brodie, I'm sorry. I really am. I wish I could go back...

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What's done is done, Christina.

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I wanted to give you this.

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It was the £300 you gave her.

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Ach, it doesn't matter the now.

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Please, take it.

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I'm sorry.

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Dr Brodie.

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Is there news on Nicole?

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No. No, there isn't.

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It's Nicole, isn't it? Is it bad?

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-Well...

-Wait.

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Conor! Adeeb!

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-You are?

-Constable Fraser and this is Constable Croft.

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I'm the FLO. There's a missing teenager.

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We're not here about that.

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It's about the Oyster Cafe.

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The Oyster?

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The glass door was smashed last night.

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-Adeeb, where's Conor?

-He doesn't want to come down right now.

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We'd like to speak to both boys.

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I'm sorry. Conor's very upset about his sister.

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I understand you and Conor had a run-in with Gina Hamilton yesterday evening outside the cafe.

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What's this?

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Nothing. Just Gina had a go at us.

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What?

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And we had a go back. That's all.

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Adeeb!

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I'm sorry.

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Look, as I said, this is a very upsetting time for all of us.

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And sometimes people act out of character when they're upset.

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Tell me, son, where were you and Conor last night?

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After ten o'clock?

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They were at home. With me. Both of them.

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This really isn't a good time. Can I have a word?

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It's all right.

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It's not Nicole.

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You all right?

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Yeah. I just need to pop out, clear my head.

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Hi. What's all this about?

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Dr Brodie.

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I've just had the police at my door.

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-About Nicole?

-To question Conor and Adeeb.

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-About the Oyster being vandalised?

-What?

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Apparently, they had some sort of run-in with Gina.

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Then they were out all night. They snuck out. Begged me not to tell their dad.

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Said they were looking for Nicole.

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And? Oh, no. You don't think that they could've... Come on!

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You saw how upset they were this morning. How ready to snap.

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What if they did this? What if this is just the start? What if they go off the rails?

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Hey, come on.

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I lied to the police.

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I said they were at home all night. That was wrong.

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That's not helping them, is it? I don't know what to do.

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My head's swimming. I can't tell Michael.

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Leyla, you need to calm down.

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Why don't you let me try talking to them?

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Would you?

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Yeah.

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Thank you.

0:19:340:19:36

He actually said that?

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That he doesn't want to be lumbered with somebody else's wean?

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No, that's not what I heard.

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But that's what he meant.

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You know what this means, don't you? He's not even serious about Kelly-Marie.

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-He's just wanting a bit of fun.

-No, he's not like that.

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I cannae believe this.

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Just wait till Scarlett finds out.

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-I wish I hadn't said anything now.

-I'll tell her. You'll just make it worse.

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No. It's better that she hears it from her mother.

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Don't worry, I'll play it down.

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Hey. I want a word with you.

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Hey, Scarlett.

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Don't you, "Hey, Scarlett" me.

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-Who do you think you are, bad-moothin' my lassie?

-What?

-And my grandson.

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-Think you're too good for her cos you're a doctor?

-I don't know what you're talking about!

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You do. You've been giving it all that. Think you can just use her. For a laugh, like she's nothing.

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-Keep your voice down!

-I've got nothing to be ashamed of.

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I'm no' carrying on behind my wife's back, dragging some good lassie's name through the mud.

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-I don't know what you've heard, but if you'd let me get a word in...

-Save it. Stay away from Kelly-Marie.

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You come near her or my grandson, and you'll be sorry. You got that?

0:20:510:20:55

-What can I get you, darling?

-Wine, please.

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-White?

-Aye, that'll be fine.

0:20:590:21:01

We were out looking for Nicole.

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No, I know that. But you didn't find her, did you?

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So how'd that make you feel?

0:21:170:21:19

Did it make you feel angry?

0:21:210:21:23

Gabriel, any news?

0:21:230:21:26

-No.

-Sorry.

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You must be sick of people asking.

0:21:290:21:32

-The joiner's finished.

-Great. Thanks for waiting.

0:21:360:21:41

-I've got to get to the community centre. Press conference.

-Can I help?

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-With the press conference?

-Anything?

0:21:450:21:47

Make tea? Come on, there must be something I can do.

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That's really good of you.

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Not at all.

0:21:510:21:53

It'll make me feel useful. I'll just get my coat.

0:21:530:21:55

So did you do it?

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Did you break the window?

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No.

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Look, I'm not going to give you any trouble,

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and I promise, I'm not going to be angry with you.

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This isn't fair.

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Look, nothing's fair right now, son. But I need you to tell me the truth.

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I'm telling the truth! I didn't smash that stupid window!

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Look, this is serious. I need you to face up...

0:22:190:22:22

We never done anything.

0:22:220:22:24

It was you, wasn't it?

0:22:240:22:26

Look, please, just don't say anything to Michael.

0:22:260:22:30

I'm really sorry, Gina. I'll pay for the damage, and I promise they'll never do anything like this again.

0:22:300:22:36

They're going through a hard time at the moment. Whatever you do, please don't tell the police.

0:22:360:22:41

I won't.

0:22:410:22:42

Look, I know you're having a hard time with your sister,

0:22:420:22:45

but what you did was wrong.

0:22:450:22:47

-But...

-He knows.

0:22:470:22:48

Youse have got it wrong.

0:22:480:22:50

We'll say no more about it.

0:22:500:22:52

Gina, I don't think...

0:22:520:22:54

Not another word.

0:22:540:22:56

Thanks, Gina. Right, what do you say?

0:22:560:22:58

-This isn't fair.

-Conor...

0:22:580:23:00

-It's not fair, it's not bloody fair.

-Come here.

0:23:000:23:03

HE WHISPERS

0:23:030:23:07

Is everything all right?

0:23:100:23:11

Come on, let's get inside.

0:23:130:23:15

-What do you want?

-Is Kelly-Marie there, please?

0:23:190:23:23

-What's it to you?

-I just want to talk to her.

0:23:230:23:26

Look, Doc, she doesn't want to see you.

0:23:260:23:28

Just five minutes.

0:23:280:23:29

You deaf or something?

0:23:290:23:31

-Well, will you pass her message then?

-Have you not got it? She doesn't want anything to do with you.

0:23:330:23:38

On your bike. Go on.

0:23:380:23:39

I think you should go. It's for the best.

0:23:390:23:42

That's telt him.

0:23:570:23:59

He'll no' be bothering you again, hen.

0:23:590:24:02

You all right, darlin'?

0:24:020:24:03

Maybe I should go and talk to him.

0:24:030:24:06

No way, Kelly. Don't even give him the time of day.

0:24:060:24:10

After the way he's treated you!

0:24:100:24:12

I want to tell him what I think of him. To his face.

0:24:120:24:15

Look, I never said any of those things. You must know that.

0:24:170:24:20

-How do you explain...

-Your crazy family? I wouldn't know where to start.

0:24:200:24:23

Look, this morning, Liz was poking her nose in.

0:24:250:24:30

I said it was early days, I'm just out of a marriage,

0:24:300:24:33

nothing I haven't already said to you.

0:24:330:24:35

She must've gone out and repeated it, embellished it. I'm sorry.

0:24:350:24:41

So am I.

0:24:440:24:45

Yeah, that's good of Gina.

0:24:450:24:47

They're saying they didn't do it, though.

0:24:470:24:50

Can we just draw a line under it? I don't want to put them through any more.

0:24:500:24:55

-Don't worry. I'll keep an eye on them.

-Everything all right?

0:24:550:24:57

Yeah. We're just discussing the boys.

0:24:570:25:00

I was offering to look after them

0:25:000:25:02

while you're at the press conference.

0:25:020:25:04

I know it's difficult,

0:25:040:25:05

but be careful the boys don't catch you whispering about them.

0:25:050:25:09

-It'll make them feel you're hiding something.

-Thanks. I'll bear that in mind.

0:25:090:25:12

Come on. Let's do this.

0:25:150:25:17

16-year-old Nicole Brodie was thought to have been in France for a school trip,

0:25:200:25:24

but yesterday, her parents reported her missing when she failed to return with the rest of her classmates...

0:25:240:25:29

REPORTERS ALL TALK AT ONCE

0:25:290:25:32

So you're not gonnae take any further action?

0:25:450:25:47

How could I with what they're going through?

0:25:470:25:50

I know. The pictures that go through your head.

0:25:520:25:55

Michael and Leyla must be terrified.

0:25:550:25:57

You want to tell them it'll be OK. That she's safe, she'll come home. But they don't always, do they?

0:25:570:26:03

So, how's it going with you and him?

0:26:070:26:10

Fine.

0:26:100:26:12

-What?

-Yesterday you couldn't see him far enough.

0:26:130:26:16

A lot's happened since yesterday.

0:26:160:26:18

And right now, there are more important things to be worrying about, eh?

0:26:180:26:22

How are you bearing up?

0:26:330:26:35

Fine.

0:26:350:26:36

The purpose of this is to get as much press coverage as possible

0:26:380:26:42

in the hope that we can reach Nicole herself or anyone who may have information regarding her.

0:26:420:26:48

I will briefly state the facts -

0:26:480:26:50

age, appearance, last seen wearing, that kind of thing.

0:26:500:26:54

Then I will ask you to make your statement.

0:26:540:26:57

Then if Leyla wants to add anything...

0:26:570:26:59

Me?

0:26:590:27:01

Maybe a direct appeal to Nicole herself,

0:27:010:27:05

or a plea to the general public.

0:27:050:27:07

I don't know if I can.

0:27:070:27:10

I might be too emotional.

0:27:120:27:13

Emotional's good, Leyla. It touches people.

0:27:130:27:16

Lets them see what you're going through.

0:27:160:27:18

Brenda, if you could take Dr Brodie through the itinerary?

0:27:180:27:22

Ready to start in ten minutes?

0:27:260:27:28

Leyla!

0:27:320:27:34

Hey!

0:27:380:27:41

It'll be all right.

0:27:470:27:50

I can't do this. I can't.

0:27:500:27:52

Look, I know it's hard. But remember what it's for.

0:27:520:27:57

It's to help find Nicole. And it could. It really could.

0:27:570:28:03

Michael needs you.

0:28:050:28:06

He doesn't. He's pushing me away.

0:28:060:28:10

He's terrified he's gonnae crack in front of everyone.

0:28:100:28:13

Deep down, it's you that's holding him together.

0:28:130:28:17

Us men, we like to think we're strong,

0:28:190:28:22

but we're lost without you.

0:28:220:28:26

Don't look at the press. Forget about them.

0:28:280:28:31

I'll be there.

0:28:310:28:33

Just... Just pretend you're talking to me.

0:28:330:28:37

OK?

0:28:370:28:38

Come on.

0:28:400:28:41

Well done.

0:28:480:28:49

Right, first I'm going to give you both a hug,

0:28:570:29:02

because I know you were only looking out for me.

0:29:020:29:06

Now I'm going to box you round the ears for being so stupid!

0:29:060:29:09

-What's that for?

-Steady!

0:29:090:29:12

Where do I start? You got the wrong end of the stick.

0:29:120:29:16

You jumped to conclusions? You never thought twice.

0:29:160:29:19

-You never looked before you leapt right in.

-What?

-Don't make me go through that again.

0:29:190:29:23

You're not making any sense.

0:29:230:29:25

Right. Let's just discuss this calmly.

0:29:250:29:28

I've just been speaking to Dan.

0:29:280:29:30

No way. He's not been trying to soft-soap you, has he?

0:29:300:29:33

Will you wheesht and just listen, for once!

0:29:330:29:37

It seems he cannae remember what he said this morning,

0:29:370:29:40

something like, "It's early days, it's complicated because I've got a child."

0:29:400:29:44

A child? That's a complication?

0:29:440:29:46

Jimmy!

0:29:460:29:47

Sorry.

0:29:470:29:49

-Tattie then hears Liz talking in the deli...

-Oh, so now it's Tattie's fault?

0:29:490:29:52

Would you shut up? Tattie then tells my gran. My gran!

0:29:520:29:57

She then tells my ma.

0:29:570:30:00

Only by now, it's gotten completely out of hand.

0:30:000:30:03

Dan's a monster and I'm a total victim that cannae talk for herself.

0:30:030:30:07

-We just didn't want to see you get hurt.

-Again.

0:30:070:30:10

I won't be.

0:30:100:30:12

No' this time.

0:30:120:30:14

I'm not barring him.

0:30:250:30:27

How no'? After what he said about my lassie?

0:30:270:30:29

Let it go, Scarlett.

0:30:290:30:30

-Well, don't expect me to serve him.

-I said, let it go.

0:30:300:30:33

-Do you not think there's more important things to worry about right now?

-Aye, I suppose.

0:30:330:30:38

-Do you think this press conference thingy's gonnae do any good?

-You'd try anything, wouldn't you?

0:30:380:30:42

Aye.

0:30:420:30:44

Our boys might be locked up, but at least we know they're safe.

0:30:440:30:49

Yeah, well, that's one way of looking at it, I suppose.

0:30:490:30:52

-Think it'll be on the telly?

-Dunno.

0:30:520:30:55

I saw a crew going in, right enough.

0:30:550:30:57

You should have a set down here.

0:30:570:30:59

-Do you know, that's actually not a bad idea.

-I mean, it's all folk can think about right now.

0:30:590:31:04

I'll go get one.

0:31:040:31:07

Ma. Right, don't go off on one but I've sorted things out with Dan.

0:31:080:31:12

What do you mean "sortit"? What did I tell you?

0:31:120:31:15

HE GROANS

0:31:240:31:26

She was last seen yesterday in a squat in the city centre.

0:31:390:31:43

She was wearing blue skinny jeans, a pink V-neck jumper,

0:31:430:31:47

a black jacket with a fur-trimmed hood and beige ankle boots.

0:31:470:31:51

We are very concerned for Nicole's safety.

0:31:510:31:54

I will now ask Nicole's father, Dr Michael Brodie, to say a few words.

0:31:540:31:59

If there is anyone who has seen Nicole or has any information

0:32:020:32:06

regarding her whereabouts, I urge you to get in touch.

0:32:060:32:10

Don't let anyone force you to do anything you don't want to do.

0:32:380:32:42

Please, Nicole.

0:32:420:32:44

Nicole, we love you so much.

0:32:500:32:52

Conor and...

0:32:540:32:56

Conor...

0:32:570:32:59

Conor and Adeeb are really worried about you.

0:33:020:33:06

They want you to come home. We all do.

0:33:080:33:10

Come home, Nicole. Please.

0:33:120:33:16

We'll wind up here.

0:33:160:33:19

If Nicole or anyone with any information

0:33:190:33:22

would like to get in touch,

0:33:220:33:24

please call this number - 0141 469 0999.

0:33:240:33:30

It's active 24 hours a day and is completely confidential.

0:33:300:33:35

There'll be no questions. Thank you all for coming.

0:33:350:33:39

Can I ask you all to please leave quietly and give the family privacy?

0:33:390:33:44

Well done.

0:33:460:33:47

Thanks. You, too.

0:33:470:33:49

You did really well, both of you.

0:33:550:33:57

So what happens now?

0:34:080:34:10

Um... We wait.

0:34:100:34:12

What are the chances?

0:34:120:34:14

It's impossible to say.

0:34:140:34:17

-Well, what's your gut feeling?

-I really can't say.

0:34:170:34:21

Can't or won't?

0:34:210:34:23

Michael...

0:34:230:34:24

We are doing everything we can, Michael.

0:34:240:34:27

Well, me know the minute you hear anything. I want to be kept involved about every development.

0:34:270:34:32

If we do find her, we'll see her and we'll talk to her,

0:34:320:34:36

but we need her permission to reveal her whereabouts.

0:34:360:34:40

Well, that's ludicrous. I'm her father.

0:34:400:34:42

-Please, Michael.

-Surely I have the right to be the first to...

-I'm sorry. It's procedure.

0:34:420:34:47

Procedure?

0:34:470:34:48

People go missing for a reason. Not everyone wants to be found.

0:34:480:34:54

What you doing?

0:35:210:35:23

Seeing if she's phoned.

0:35:230:35:25

She won't have.

0:35:270:35:29

Well, it's worth checking.

0:35:290:35:31

It'd be awful if she phoned and no-one was here to answer.

0:35:310:35:34

That's a point. We should make sure the house is never empty, in case...

0:35:430:35:48

PHONE RINGS

0:35:500:35:52

Hello?

0:36:000:36:02

Hello?

0:36:060:36:08

Nicole, is that you?

0:36:120:36:13

Nicole, it's Leyla.

0:36:180:36:20

There's definitely someone there.

0:36:200:36:22

Nicole, it's Dad here.

0:36:240:36:27

Take your time.

0:36:300:36:32

I'm here. Just take all the time you need.

0:36:320:36:36

I love you very much, Nicole.

0:36:360:36:39

You are not in any kind of trouble at all.

0:36:390:36:44

I'm sorry...

0:36:440:36:46

I'm sorry if...I ever...um...

0:36:460:36:51

Ask her a question.

0:36:510:36:53

Nicole, are you OK?

0:36:530:36:56

MAN: 'Ha, ha, got you!'

0:36:560:36:57

Who is this?

0:36:570:36:59

LAUGHTER

0:36:590:37:00

How did you get this number?

0:37:000:37:02

-This isn't funny.

-It's a hoax.

0:37:020:37:04

What kind of sick and twisted...

0:37:070:37:10

I thought...

0:37:120:37:15

I really thought...

0:37:170:37:19

I know. So did I.

0:37:200:37:22

I'll... I'll put the kettle on.

0:37:260:37:30

Not for me, thanks.

0:37:300:37:33

Where are you going?

0:37:330:37:34

The health centre.

0:37:340:37:37

Michael...

0:37:370:37:39

No...

0:37:480:37:50

No... Please, no.

0:37:500:37:53

Thanks for your help today.

0:38:130:38:15

I didn't do anything.

0:38:150:38:18

It was good having you around.

0:38:180:38:20

We can do this, can't we?

0:38:220:38:25

Do what?

0:38:250:38:26

Stay friends?

0:38:260:38:28

Good friends?

0:38:280:38:29

Yeah.

0:38:290:38:31

The best.

0:38:310:38:32

I hate the thought of not having you in my life.

0:38:360:38:40

And I hate the thought of you sleeping in that car.

0:38:420:38:45

I've slept in worse places.

0:38:450:38:47

Even so...

0:38:470:38:49

Don't worry about it.

0:38:490:38:51

You know you can stay at the flat, Murray.

0:38:510:38:53

I don't think that's such a good idea.

0:38:530:38:57

Why not?

0:38:570:38:59

Murray?

0:39:000:39:01

I don't want us to end up like...

0:39:020:39:05

Like what?

0:39:050:39:08

Eileen and Raymond.

0:39:100:39:13

Where are you going?

0:39:130:39:15

I need to find Murray.

0:39:150:39:17

He's over there.

0:39:170:39:18

Get him away before he gets his claws back into my sister.

0:39:180:39:21

As long as they're living together, Raymond's never gonnae move on.

0:39:210:39:26

And that's what you want, is it?

0:39:260:39:28

What I want, I can't have.

0:39:300:39:34

So I need to move on.

0:39:370:39:39

Are you sure about that?

0:39:420:39:44

About moving on?

0:39:440:39:46

At not being able to have what you want?

0:39:460:39:49

You made that pretty plain to me yesterday.

0:39:490:39:52

Yeah, well, a lot of things have changed since then.

0:39:520:39:55

Murray, can I have a word?

0:39:560:39:59

Yeah, what is it?

0:39:590:40:00

-Upstairs, in private.

-Can't it wait?

0:40:000:40:03

No, it can't.

0:40:030:40:04

I'll see you later, eh?

0:40:060:40:08

This had better be important.

0:40:080:40:10

-What are you doing?

-Nothing.

0:40:140:40:16

-You're not getting back with him. Tell me you're not.

-Butt out!

0:40:160:40:19

-What is wrong with you?

-No. What is wrong with you?

0:40:190:40:22

Do you want me to be miserable just because you are?

0:40:220:40:26

-What are you doing here?

-Just a couple of things I need to check on.

0:40:350:40:39

You don't have to.

0:40:390:40:41

Yeah, well, I'm here now. I might as well.

0:40:410:40:43

-Look, I've got things covered. Go home.

-It's fine.

0:40:430:40:46

I said go home.

0:40:460:40:47

And I said it's fine, all right?

0:40:470:40:49

Look, you're going through a really difficult time. You're not ready...

0:40:490:40:53

Look, I don't need this right now, OK? I don't need special treatment.

0:40:530:40:56

I don't need spoken to in hushed tones, or treated with kid gloves, all right?

0:40:560:41:01

Then what do you need, Michael?

0:41:010:41:02

Why are you here?

0:41:020:41:04

I need...

0:41:040:41:07

I need...

0:41:070:41:09

I just need...

0:41:100:41:12

Turn it off.

0:41:370:41:39

I'm sorry.

0:41:430:41:45

So am I, mate. So am I.

0:41:450:41:48

I thought you were one of the good guys.

0:41:520:41:54

Don't!

0:41:540:41:55

But this! This is nasty.

0:41:550:41:58

It's ugly, it's sleekit...

0:41:580:42:01

I know.

0:42:010:42:03

So, what, you smashed her window in

0:42:030:42:05

so you could play the knight in shining armour and win her back?

0:42:050:42:10

I never... You've got it all wrong.

0:42:100:42:13

Watch it again, will we?

0:42:130:42:14

No.

0:42:140:42:16

I did do it, obviously.

0:42:160:42:19

But it wasn't part of some big ploy to win Gina back.

0:42:190:42:23

I'm not that clever.

0:42:230:42:25

Why, then?

0:42:250:42:28

I don't know.

0:42:290:42:31

She hurt me.

0:42:320:42:33

Oh, come on.

0:42:330:42:35

I was mad at her for pushing me away.

0:42:350:42:38

I tried everything in my power yesterday, but she didn't want me.

0:42:380:42:41

I just wanted to hurt her back.

0:42:440:42:46

I lay in my car, getting madder and madder till something snapped.

0:42:460:42:53

So you never planned it?

0:42:530:42:56

No!

0:42:560:42:57

But this morning,

0:42:580:42:59

when I saw the state she was in, something clicked

0:42:590:43:04

and I just wanted to look after her.

0:43:040:43:06

And I kind of blanked that it was me that did it and just...

0:43:060:43:11

Saw an opportunity and took it?

0:43:110:43:13

It wasn't like that.

0:43:130:43:14

Well, what was it like? Cos I'm struggling here.

0:43:140:43:17

I'd lost her, Raymond. I've been losing her for months.

0:43:170:43:22

Imagine how I felt about myself. How she'd made me feel.

0:43:240:43:28

I thought about walking away. But I couldn't.

0:43:300:43:34

I just...hung around.

0:43:350:43:38

But then, today she needed me again, and it felt good.

0:43:400:43:46

Nothing else mattered.

0:43:460:43:48

That doesn't excuse...

0:43:480:43:49

I know!

0:43:490:43:51

And I would do anything to put it right.

0:43:510:43:54

Tell me what to do.

0:43:580:44:00

Murray...

0:44:000:44:01

Please, Raymond.

0:44:010:44:03

Come on.

0:44:130:44:15

What?

0:44:150:44:16

Now.

0:44:160:44:18

Every time the phone rings, every knock at the door...

0:44:190:44:24

it rips me apart.

0:44:240:44:27

It's Nicole, and the nightmare's over.

0:44:270:44:31

Or it's the police to say they've found a body.

0:44:310:44:36

And than I realise this isn't a nightmare.

0:44:360:44:40

Right now, not knowing,

0:44:400:44:41

that's nothing compared to what...what could happen.

0:44:410:44:45

I'm sorry, I shouldn't be landing all this on you.

0:44:470:44:51

Michael, come on.

0:44:510:44:52

I can't talk to Leyla.

0:44:520:44:54

I can't even look at her.

0:44:540:44:56

Because I just see my own terror reflected back at me.

0:44:570:45:00

I can't bear it.

0:45:000:45:01

There's something else, isn't there?

0:45:010:45:04

Are you stupid? My daughter is missing.

0:45:050:45:08

She could be on drugs, on the street,

0:45:080:45:11

getting pawed over by the scum of the Earth.

0:45:110:45:14

She could've been...

0:45:140:45:15

She could be dead.

0:45:170:45:19

You know, the day she was born, I took her in my hands

0:45:270:45:33

and I counted her fingers and her wee toes.

0:45:330:45:38

She was perfect.

0:45:400:45:43

She was just this perfect wee thing, you know?

0:45:430:45:47

She doesn't want to be found.

0:45:510:45:54

Not by me.

0:45:540:45:55

You can't know that.

0:45:570:45:59

It's me she's running away from.

0:45:590:46:01

I was too hard on her.

0:46:020:46:05

I was trying to protect her, but I drove her away.

0:46:050:46:08

Even if the police find her, they won't tell me,

0:46:100:46:13

because she won't want me to know.

0:46:130:46:15

How can you say that?

0:46:150:46:17

It's what I deserve.

0:46:190:46:21

I'm keeping you back.

0:46:230:46:25

No, you're not.

0:46:260:46:28

I missed so much of her childhood because of the army.

0:46:290:46:33

I just wanted her to know right from wrong,

0:46:350:46:37

I wanted her to make something of her life.

0:46:370:46:41

But I was too strict.

0:46:410:46:43

I tried to control her and she kicked against me.

0:46:430:46:46

Is she doing this to punish me?

0:46:490:46:53

What we'll do is, you and me will watch a wee film.

0:46:560:46:59

We'll watch one of your favourites. What shall we watch?

0:46:590:47:02

Well, let's have a look.

0:47:020:47:05

And we just press that, and...

0:47:050:47:08

Ah, look, shall we watch that one?

0:47:080:47:11

It's your favourite.

0:47:110:47:13

Oh.

0:47:130:47:15

OK.

0:47:150:47:17

Just give Mummy one wee minute.

0:47:190:47:23

Mummy just wants to watch...

0:47:230:47:25

THIS wee DVD.

0:47:250:47:28

Oh!

0:47:290:47:30

Right, come on, let's get you pair home. Come on.

0:47:570:48:01

You have to tell her.

0:48:080:48:10

Not now. Not when there's a chance of us getting back together.

0:48:100:48:14

Oh, you could live with that, could you? Building your future on a lie?

0:48:140:48:17

It's better than nothing. Better than being alone.

0:48:170:48:20

You know that's not true.

0:48:200:48:22

Right. Here we are.

0:48:220:48:24

I really don't think I can do this.

0:48:240:48:27

You have to. You do know that?

0:48:270:48:28

-I don't even know what to say.

-The truth.

0:48:280:48:31

Tell her how you really feel. Women like that.

0:48:310:48:33

Tomorrow. Let me sleep on it.

0:48:330:48:35

Not in my house. Not unless you've faced up to what you've done.

0:48:350:48:39

-She's not in.

-Give it a minute. She could be in the bath or something.

0:48:500:48:53

I'll come back later.

0:48:530:48:56

Hey, you two.

0:48:560:48:59

Loitering with intent or what?

0:48:590:49:02

I, er...

0:49:040:49:06

What?

0:49:060:49:08

Murray's got something he wants to say to you.

0:49:080:49:11

It can wait.

0:49:110:49:12

No, it can't.

0:49:120:49:14

Right, well you both better come up, then.

0:49:160:49:19

Gina! Gina!

0:49:210:49:23

You need to see this.

0:49:230:49:26

No, she doesn't. Leave it, Eileen.

0:49:260:49:28

-We'll go upstairs, I can explain.

-No, don't. It's Murray. He threw the brick through the window.

0:49:280:49:33

What?

0:49:330:49:35

It's all on here.

0:49:350:49:36

It was you?

0:49:390:49:41

Why would you do that to me?

0:49:430:49:46

I'm sorry.

0:49:460:49:47

Do something so despicable and then lie to my face?

0:49:470:49:51

It's outrageous.

0:49:510:49:52

Stay out of it, Eileen.

0:49:520:49:54

I think you two should go upstairs and talk about this in private.

0:49:540:49:57

No. No, I've got nothing to say to him. I don't even want to look at him.

0:49:570:50:01

D'you want to phone the police?

0:50:010:50:02

Eileen!

0:50:020:50:04

And those boys!

0:50:060:50:08

You let them take the blame when all the while it was you.

0:50:100:50:15

That was the last thing I wanted. Look, I'm sorry.

0:50:150:50:18

I can't tell you how sorry I am.

0:50:180:50:21

Yeah? Well, you're not sorry enough.

0:50:210:50:24

Ow!

0:50:240:50:25

I mean, what kind of snake are you?

0:50:250:50:27

-D'you not think these kids have been through enough? Let me go, Raymond!

-No' in front of the boys, Gabriel!

0:50:270:50:33

CONOR: Now do you believe us?

0:50:330:50:34

Come on.

0:50:360:50:37

Let's go. Go.

0:50:370:50:40

Gabriel, boys...

0:50:400:50:42

I'll make it up to you. I'm sorry.

0:50:440:50:46

Gina...

0:50:480:50:49

Stay away from her.

0:50:490:50:51

Leave me.

0:50:530:50:55

Murray...

0:50:550:50:57

Just leave me.

0:50:570:50:58

'Murray Crozier?'

0:51:050:51:06

'Yep.'

0:51:060:51:08

That's unbelievable. He was so kind and helpful today.

0:51:080:51:11

I'm sorry I ever doubted you.

0:51:110:51:13

Yeah, me, too.

0:51:130:51:14

It's all right.

0:51:140:51:16

-Yeah, can we just focus on Nicole?

-You are good boys.

0:51:160:51:19

-Can we go now?

-Yeah.

0:51:220:51:25

Come here.

0:51:350:51:37

Hey.

0:51:390:51:40

You OK?

0:51:460:51:49

Yeah, I'm fine.

0:51:490:51:51

Listen, I'll leave you guys alone.

0:51:520:51:56

No. Stay. Please.

0:51:580:52:01

It's good having you around.

0:52:010:52:03

Gina is well shot of that rat.

0:52:090:52:12

Why didn't you phone the police?

0:52:120:52:15

Why didn't you tell me?

0:52:150:52:17

Because I knew how you'd react. That you wouldn't stop and think.

0:52:170:52:20

You'd rush right out, announce it to the whole world

0:52:200:52:23

-and totally humiliate him.

-You saw what he did.

0:52:230:52:25

-Why are you defending him?

-I'm not. I just don't want to see the guy crucified.

0:52:250:52:29

I don't get it with you and him.

0:52:290:52:31

No, you wouldn't, would you?

0:52:310:52:33

I don't think you've ever had a real friend in your whole life.

0:52:330:52:37

Where are you headed?

0:52:560:52:58

I don't know yet.

0:52:580:53:01

Are you planning on doing any fishing?

0:53:020:53:05

I might be. Why?

0:53:050:53:08

It's just that I fair fancy a wee bit of that.

0:53:080:53:12

Well, then, what are you waiting for?

0:53:150:53:18

Drive.

0:53:180:53:19

ENGINE STARTS, REVS

0:53:230:53:24

BBC NEWS THEME PLAYS ON TV

0:53:270:53:30

'Concern is mounting for a 16-year-old girl

0:53:370:53:39

'who's been missing from her home in Shieldinch for more than a week.

0:53:390:53:43

'Our correspondent James Cook has the latest.

0:53:430:53:45

'16-year-old Nicole Brodie was thought to have been in France for a school trip.

0:53:450:53:50

'But yesterday, her parents reported her missing

0:53:500:53:53

'when she failed to return with the rest of her classmates.

0:53:530:53:57

'Nicole is thought to have deliberately cancelled her place on the outing.

0:53:570:54:01

'But, now, a week on, concern is mounting for her safety.

0:54:010:54:04

'The news of her disappearance has devastated the local community here in Shieldinch.

0:54:040:54:08

'And earlier today, Dr Brodie and his wife faced the media.

0:54:080:54:14

'If there's anyone out there who has seen Nicole

0:54:140:54:17

'or has any information regarding her whereabouts,

0:54:170:54:20

'I urge you to get in touch.

0:54:200:54:22

'Nicole, we love you very much.

0:54:240:54:26

'we can't imagine life without you.

0:54:260:54:29

'You have a family that loves you more than anything in the world.

0:54:290:54:33

'No matter what's happened, there's nothing we can't deal with.

0:54:340:54:39

'Nothing we can't put right.

0:54:390:54:41

'Please, Nicole, please, come home.

0:54:420:54:45

'That's all we want more than anything.

0:54:450:54:49

'But if you're not ready yet, then please just let us know you're OK.

0:54:490:54:54

'A phone call. Let us hear your voice.

0:54:540:54:59

'Please, Nicole, I'm begging you, wherever you are,

0:54:590:55:03

'whoever you're with,

0:55:030:55:05

'don't let anyone force you to do anything you don't want to do.

0:55:050:55:09

'Please, Nicole.

0:55:090:55:11

'Nicole, we love you so much.

0:55:280:55:31

'Conor...'

0:55:310:55:33

What are you doing?

0:55:430:55:45

Sleeping Beauty. I didnae mean to wake you.

0:55:450:55:49

Where are you going with that?

0:55:490:55:52

Sorry, babes, I need to sell it.

0:55:520:55:55

We've got nae cash.

0:55:550:55:57

Already?

0:55:570:55:59

I'll go to the chippy.

0:56:000:56:03

Here y'are.

0:56:060:56:07

-I won't be long.

-Thanks.

0:56:090:56:11

You're beautiful.

0:56:210:56:23

I don't feel very beautiful.

0:56:230:56:24

Have you seen Cal's nursery bill? You'd think he was at uni.

0:56:260:56:29

-You a bit short the now?

-I'm all right, Ma.

0:56:290:56:32

-Where are you going?

-Just to sign on. Don't look at me like that.

0:56:320:56:36

-Have you got something she could wear?

-Of course, help yourself.

-Thanks.

0:56:360:56:41

Oh, I've got something better than cash, but it's first come, first served. See you soon.

0:56:410:56:45

She looks amazing.

0:56:450:56:46

I look like a tart.

0:56:460:56:47

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0:57:030:57:07

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