Browse content similar to 28/02/2012. Check below for episodes and series from the same categories and more!
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What did you JUST say? | 0:00:34 | 0:00:35 | |
None of your business. | 0:00:35 | 0:00:37 | |
'Gina threw me out.' | 0:00:37 | 0:00:39 | |
-I'm sorry. -SMASH! | 0:00:39 | 0:00:41 | |
That's him. | 0:00:43 | 0:00:45 | |
Look again, make sure. | 0:00:45 | 0:00:47 | |
No, that's him, all right. | 0:00:47 | 0:00:50 | |
He's got a record for procurement. Specifically underage girls. | 0:00:50 | 0:00:53 | |
Gets them hooked on drink or drugs and then sells them to the highest bidder. | 0:00:53 | 0:00:58 | |
'It's not been possible to connect your call. Please try again later.' | 0:02:05 | 0:02:10 | |
DOOR OPENS | 0:02:29 | 0:02:32 | |
Nicole? | 0:02:32 | 0:02:34 | |
You two! Boys! | 0:02:36 | 0:02:38 | |
Where have you been? | 0:02:38 | 0:02:40 | |
Well? | 0:02:40 | 0:02:41 | |
We were out looking for Nicole. | 0:02:41 | 0:02:44 | |
What? Where? | 0:02:44 | 0:02:46 | |
-Everywhere. -Places nobody'd look. | 0:02:46 | 0:02:50 | |
In gardens and up closes. Shop doorways. | 0:02:50 | 0:02:54 | |
You crept out of this house... | 0:02:54 | 0:02:56 | |
Shh. | 0:02:56 | 0:02:58 | |
You've been out there all night, prowling the streets? On your own? | 0:02:58 | 0:03:02 | |
-Don't tell Dad. -Please, Mum. You know he'll go off on one. | 0:03:02 | 0:03:06 | |
All right. But only because he's got this press conference today. | 0:03:06 | 0:03:10 | |
He's got enough to worry about. | 0:03:10 | 0:03:13 | |
Go and get yourselves cleaned up. Come on. | 0:03:13 | 0:03:17 | |
Come on up to the flat. | 0:04:37 | 0:04:39 | |
I'm fine where I am. | 0:04:39 | 0:04:42 | |
Breakfast and a shower, | 0:04:42 | 0:04:44 | |
it's the best offer you're gonnae get all day. | 0:04:44 | 0:04:46 | |
Oh, unless, of course, you want to turn up for your work | 0:04:46 | 0:04:50 | |
unshaven and stinking. | 0:04:50 | 0:04:51 | |
Yeah. I'll put the coffee on. | 0:04:51 | 0:04:55 | |
WATER RUNS | 0:05:14 | 0:05:17 | |
Sorry. | 0:05:17 | 0:05:19 | |
Raymond said it would be OK. | 0:05:19 | 0:05:22 | |
Did he now? | 0:05:22 | 0:05:24 | |
Just grab a seat, relax and get this down your neck. | 0:05:32 | 0:05:37 | |
And don't you worry about Eileen, you just leave her to m... | 0:05:37 | 0:05:40 | |
...me. | 0:05:42 | 0:05:44 | |
He was sleeping in his car. | 0:05:54 | 0:05:55 | |
That's his problem. Not yours. | 0:05:55 | 0:05:57 | |
-I couldn't just leave him there. -He's a grown man! | 0:05:57 | 0:06:00 | |
He's a mate and he's down on his luck. | 0:06:00 | 0:06:02 | |
Whose fault is that? | 0:06:02 | 0:06:03 | |
Look, he just needs a place to stay for a few... | 0:06:03 | 0:06:06 | |
Oh, no. Tell me you haven't! | 0:06:06 | 0:06:09 | |
Just till he sorts himself out. | 0:06:09 | 0:06:11 | |
-Have you forgotten that he's barred? -Yeah, from the pub. This is my house. | 0:06:11 | 0:06:14 | |
Yeah. And mine. And Stuart's. | 0:06:14 | 0:06:18 | |
OK, look, it'll just be for a couple of days. | 0:06:18 | 0:06:20 | |
What about Gina? | 0:06:20 | 0:06:22 | |
-She's finished with him, remember? -So? | 0:06:22 | 0:06:25 | |
So we can't go taking his side, against my sister. | 0:06:25 | 0:06:28 | |
Oh, would this be the same sister whose cafe you got shut down? | 0:06:28 | 0:06:31 | |
I haven't got time for this. | 0:06:31 | 0:06:33 | |
I've got a busy day ahead of me. | 0:06:33 | 0:06:35 | |
-What are you doing in here? -Sorry. | 0:06:47 | 0:06:50 | |
I...heard you arguing and I didn't like to intrude. | 0:06:50 | 0:06:54 | |
I just wandered in here | 0:06:54 | 0:06:55 | |
and then I saw the information sheet for today's press conference. | 0:06:55 | 0:06:58 | |
I'm sorry about last night. | 0:07:00 | 0:07:02 | |
DOORBELL RINGS | 0:07:02 | 0:07:04 | |
And I know this is awkward, but we have to work together, | 0:07:04 | 0:07:08 | |
so can we put it on the back burner and get through today? | 0:07:08 | 0:07:12 | |
I don't have much choice, do I? | 0:07:12 | 0:07:15 | |
We've a lot to handle with the press and the police. | 0:07:15 | 0:07:18 | |
Not to mention poor Michael and Leyla. | 0:07:18 | 0:07:20 | |
I can't imagine what they're going through. | 0:07:20 | 0:07:24 | |
Sorry to bother you. | 0:07:24 | 0:07:25 | |
Awkward, did you say? | 0:07:25 | 0:07:27 | |
Now you stay here. I don't want a scene. | 0:07:27 | 0:07:30 | |
Somebody's smashed the Oyster window. | 0:07:33 | 0:07:37 | |
-Who? -I don't know. | 0:07:37 | 0:07:39 | |
Are you all right? | 0:07:39 | 0:07:40 | |
Murray! | 0:07:40 | 0:07:41 | |
-You weren't there when it happened. -No. | 0:07:41 | 0:07:44 | |
They take anything? | 0:07:44 | 0:07:45 | |
I don't know. | 0:07:45 | 0:07:46 | |
I was too scared to go in by myself. | 0:07:46 | 0:07:48 | |
Quite right. | 0:07:48 | 0:07:50 | |
You wait here. I'll go. | 0:07:50 | 0:07:51 | |
I'm coming with you. | 0:07:51 | 0:07:53 | |
Just get my jacket. | 0:07:53 | 0:07:55 | |
What a chancer. | 0:07:56 | 0:07:58 | |
-Eileen... -Hope you're not gonnae let him worm his way back in. | 0:07:58 | 0:08:01 | |
Oh, drop it you, will you? | 0:08:01 | 0:08:03 | |
I've got enough on my plate right now. | 0:08:03 | 0:08:05 | |
Right, give me the keys. | 0:08:15 | 0:08:17 | |
Now be careful. There's glass everywhere. | 0:08:22 | 0:08:25 | |
The float's still here. | 0:08:35 | 0:08:37 | |
Doesn't look like anything's been touched. | 0:08:37 | 0:08:39 | |
-I suppose I should phone the police, eh? -I'll do it. You sit down. | 0:08:39 | 0:08:44 | |
I couldn't sit. I'll make us coffee. | 0:08:44 | 0:08:47 | |
No, don't touch anything. | 0:08:47 | 0:08:49 | |
Hello? | 0:08:51 | 0:08:52 | |
Hey, you two, where's your school uniforms? | 0:08:58 | 0:09:01 | |
Oh, we're not going to school today. | 0:09:01 | 0:09:03 | |
-I said they didn't have to go. -Well, I think they should. | 0:09:03 | 0:09:06 | |
-Mum! -I've already phoned the school and told them. I thought... | 0:09:06 | 0:09:10 | |
-This is not an excuse to hang around playing the computer, OK? -We're not. | 0:09:10 | 0:09:13 | |
What are you doing, then? | 0:09:13 | 0:09:15 | |
Messaging Nicole's pals to see if they've heard anything. | 0:09:15 | 0:09:18 | |
OK, sorry. That's a good idea. | 0:09:18 | 0:09:21 | |
DOOR OPENS | 0:09:21 | 0:09:22 | |
Any news? | 0:09:22 | 0:09:23 | |
No. | 0:09:23 | 0:09:24 | |
-Not since we heard she's in tow with some lowlife who grooms girls for prostitution. -Michael! | 0:09:24 | 0:09:29 | |
-I'm sorry. I can't just... -We know. | 0:09:29 | 0:09:31 | |
What youse talking about? | 0:09:31 | 0:09:33 | |
Nothing. | 0:09:33 | 0:09:34 | |
Is she going to be OK? | 0:09:34 | 0:09:36 | |
Yeah, yeah, she will be. | 0:09:38 | 0:09:41 | |
What if she's not? | 0:09:41 | 0:09:43 | |
What if she's dead? | 0:09:43 | 0:09:45 | |
Don't say that. Don't ever say that again. | 0:09:45 | 0:09:48 | |
That is your sister you're talking about. | 0:09:48 | 0:09:50 | |
Hey, hey, chill out, Michael. | 0:09:50 | 0:09:52 | |
DOORBELL RINGS | 0:09:52 | 0:09:53 | |
Tell you what. Why don't I take the boys for a bit of breakfast, eh? | 0:09:53 | 0:09:56 | |
Oh, hi, Detective. Come in. | 0:09:56 | 0:09:59 | |
Good morning. This is Brenda Lloyd, Family Liaison Officer. | 0:10:00 | 0:10:05 | |
Hello. | 0:10:05 | 0:10:07 | |
Michael and Leyla Brodie and their sons Conor and Adeeb. | 0:10:07 | 0:10:10 | |
Gabriel Brodie. Michael's brother. | 0:10:10 | 0:10:13 | |
Brenda will stay with you. From now on, any news will come through her. | 0:10:13 | 0:10:17 | |
I'll see you at the press conference. By the way, we've had a very good response from the press. | 0:10:17 | 0:10:21 | |
Think it'll help? | 0:10:21 | 0:10:23 | |
Absolutely. Especially now we've got television coverage. | 0:10:23 | 0:10:26 | |
-I'll leave you to it. -Thanks. | 0:10:26 | 0:10:27 | |
Television? That's good, isn't it, Michael? | 0:10:27 | 0:10:31 | |
Nowhere else has been touched. | 0:10:32 | 0:10:34 | |
So it's just the Oyster? | 0:10:34 | 0:10:37 | |
-Who'd want to throw a brick through my window? -Can you think of anyone with a grudge against you? | 0:10:37 | 0:10:41 | |
Gina's well-liked around here. Ask anyone. | 0:10:41 | 0:10:44 | |
Think. Maybe you've had words with someone. | 0:10:44 | 0:10:47 | |
Gina? | 0:10:48 | 0:10:49 | |
Ach, it's probably nothing. | 0:10:51 | 0:10:54 | |
-Oh, hello, dear. Would you like to come in? -No, it's all right. | 0:10:54 | 0:10:58 | |
I was just wanting a word wi' Dan, if he's here. | 0:10:58 | 0:11:00 | |
I thought I heard your voice. | 0:11:00 | 0:11:02 | |
Hi. I said I'd let you know about tonight. It's fine. | 0:11:02 | 0:11:04 | |
I've got a baby-sitter. | 0:11:04 | 0:11:07 | |
Great. Do you want to come in for a coffee? | 0:11:07 | 0:11:10 | |
No, I can't. I'm getting Callum ready for nursery school. | 0:11:10 | 0:11:13 | |
OK. Catch you later. | 0:11:13 | 0:11:16 | |
Aye. | 0:11:16 | 0:11:17 | |
-Top-up? -No, thanks, I'm good. | 0:11:28 | 0:11:31 | |
I take it you'll not be joining us for dinner tonight. | 0:11:31 | 0:11:36 | |
-No. Sorry. -Oh, don't apologise. She's a very nice girl. | 0:11:36 | 0:11:42 | |
Yes, she is. | 0:11:42 | 0:11:44 | |
Despite the family that she comes from. | 0:11:44 | 0:11:48 | |
Look, Liz... | 0:11:48 | 0:11:49 | |
Oh, sorry. | 0:11:49 | 0:11:52 | |
You must think I'm just a silly, interfering old woman. | 0:11:52 | 0:11:56 | |
I don't. | 0:11:56 | 0:11:58 | |
Nothing better to do than stick her nose into other people's business. | 0:11:58 | 0:12:02 | |
I don't think that, honestly. | 0:12:02 | 0:12:05 | |
That's good, then. | 0:12:05 | 0:12:07 | |
You're not getting serious with her, are you? | 0:12:08 | 0:12:13 | |
It's early days. | 0:12:13 | 0:12:15 | |
It's obvious that she likes you. | 0:12:15 | 0:12:18 | |
And I like her, but I'm still battle-scarred from my marriage, | 0:12:18 | 0:12:22 | |
Kelly-Marie's got a wee boy, so do I, | 0:12:22 | 0:12:23 | |
so it's best not to rush anything. | 0:12:23 | 0:12:26 | |
I better get to the health centre. Michael and Leyla aren't in today. | 0:12:26 | 0:12:30 | |
See you later, then. | 0:12:30 | 0:12:32 | |
What do you think? Is this too dressy? | 0:12:36 | 0:12:40 | |
-No, that looks fine. -Maybe I could wear this one. | 0:12:40 | 0:12:44 | |
But it's a bit dull, a bit dowdy. Almost like we've given up. | 0:12:44 | 0:12:49 | |
Wear the first one, if it's the kind of thing you normally wear. | 0:12:49 | 0:12:52 | |
You should look like yourself, | 0:12:52 | 0:12:54 | |
so if Nicole does see you, it looks familiar. | 0:12:54 | 0:12:57 | |
Not dressed up, acting up for the cameras. | 0:12:57 | 0:12:59 | |
For goodness' sake! | 0:12:59 | 0:13:01 | |
What? | 0:13:01 | 0:13:02 | |
My daughter is out there with some nutter, | 0:13:02 | 0:13:06 | |
and you two are talking about clothes! | 0:13:06 | 0:13:07 | |
Michael... | 0:13:07 | 0:13:09 | |
Is there something useful you could do, like help find this creep before he puts Nicole on the streets? | 0:13:09 | 0:13:14 | |
We are doing everything we can, Dr Brodie. | 0:13:14 | 0:13:17 | |
I know. | 0:13:17 | 0:13:19 | |
I'm sorry. | 0:13:19 | 0:13:21 | |
The camera takes in the whole street, | 0:13:27 | 0:13:29 | |
so with any luck, we should get a good look. | 0:13:29 | 0:13:32 | |
Here you g... | 0:13:32 | 0:13:35 | |
Oh, no. I do not believe this. | 0:13:35 | 0:13:38 | |
Eileen, come here. | 0:13:38 | 0:13:40 | |
What? Hello. | 0:13:40 | 0:13:42 | |
Didn't you change the disc for the CCTV yesterday? | 0:13:42 | 0:13:46 | |
Um... | 0:13:46 | 0:13:48 | |
I'm sure I asked you. | 0:13:48 | 0:13:49 | |
Yeah. You asked me if I'd done it, and I said I hadn't. | 0:13:49 | 0:13:52 | |
-So you didn't? -Didn't what? -Change the disc? | 0:13:53 | 0:13:56 | |
I think I did. | 0:13:56 | 0:13:58 | |
I did, didn't I? Oh, no, wait, didn't you say you'd do it yourself? | 0:13:58 | 0:14:01 | |
-I can't remember! -What? And you want me to remember for you? | 0:14:01 | 0:14:04 | |
I'm just asking. I'm not accusing you. | 0:14:04 | 0:14:06 | |
Really? Excuse me, I've got work to go to. | 0:14:06 | 0:14:09 | |
I did ask her. | 0:14:10 | 0:14:11 | |
Is it your wife who usually changes the disc? | 0:14:11 | 0:14:14 | |
She's not my wife. | 0:14:14 | 0:14:17 | |
Oh! What's happened here? | 0:14:22 | 0:14:25 | |
Ach, just vandals. | 0:14:25 | 0:14:27 | |
How's Malcolm? | 0:14:27 | 0:14:28 | |
-He's well, thank you. -Liz, I've got to stay with the joiner. | 0:14:28 | 0:14:32 | |
But when he's gone, I'll come over and see him. | 0:14:32 | 0:14:35 | |
Look, I'll stay. You go and see your dad. | 0:14:35 | 0:14:37 | |
Murray, thanks. | 0:14:37 | 0:14:40 | |
So where's he taking you? | 0:14:46 | 0:14:49 | |
Out for a meal just. | 0:14:49 | 0:14:51 | |
What do you mean "just"? A meal's the business. | 0:14:51 | 0:14:54 | |
-Means he's keen. -Ach, I don't know. | 0:14:54 | 0:14:55 | |
Think about it. Two hours of him giein' you his undivided attention. | 0:14:55 | 0:14:59 | |
Digging his hand in his pocket for the privilege. | 0:14:59 | 0:15:01 | |
And it's no' even the weekend! | 0:15:01 | 0:15:03 | |
No, he's keen. | 0:15:03 | 0:15:05 | |
-You really think? -Trust me. | 0:15:05 | 0:15:06 | |
Right, enjoy yourself, missus. | 0:15:06 | 0:15:09 | |
Yes, Liz? | 0:15:13 | 0:15:15 | |
Just this, thank you. | 0:15:15 | 0:15:17 | |
You know, you really shouldn't be getting that poor girl's hopes up. | 0:15:19 | 0:15:24 | |
Sorry? | 0:15:24 | 0:15:25 | |
Kelly-Marie. | 0:15:25 | 0:15:27 | |
I don't think our doctor is looking for anything serious. | 0:15:27 | 0:15:32 | |
What? Has he said something? | 0:15:32 | 0:15:34 | |
Over breakfast. | 0:15:34 | 0:15:36 | |
He's not over his wife yet, not ready for any kind of involvement. | 0:15:36 | 0:15:42 | |
Especially not with someone with a child. | 0:15:42 | 0:15:46 | |
Would you be better off at school? | 0:15:46 | 0:15:48 | |
No... I want to be here, if there's bad news. | 0:15:48 | 0:15:52 | |
What were you thinking about, Christina? | 0:15:52 | 0:15:54 | |
Covering for Nicole like that? | 0:15:54 | 0:15:56 | |
Leave her alone. She knows she did wrong. | 0:15:56 | 0:15:58 | |
I'm not blaming her! | 0:15:58 | 0:16:00 | |
I just wish she'd thought it through. | 0:16:00 | 0:16:03 | |
DOORBELL RINGS | 0:16:03 | 0:16:04 | |
I'll get it. | 0:16:04 | 0:16:06 | |
Where is she, Bob? | 0:16:06 | 0:16:08 | |
What if we never see her again? | 0:16:08 | 0:16:11 | |
Don't talk like that. | 0:16:11 | 0:16:13 | |
Have they found her? | 0:16:17 | 0:16:19 | |
No. | 0:16:19 | 0:16:21 | |
Dr Brodie, I'm sorry. I really am. I wish I could go back... | 0:16:21 | 0:16:25 | |
What's done is done, Christina. | 0:16:25 | 0:16:27 | |
I wanted to give you this. | 0:16:30 | 0:16:32 | |
It was the £300 you gave her. | 0:16:32 | 0:16:37 | |
Ach, it doesn't matter the now. | 0:16:37 | 0:16:38 | |
Please, take it. | 0:16:38 | 0:16:41 | |
I'm sorry. | 0:16:43 | 0:16:45 | |
Dr Brodie. | 0:16:47 | 0:16:49 | |
Is there news on Nicole? | 0:16:49 | 0:16:51 | |
No. No, there isn't. | 0:16:51 | 0:16:54 | |
It's Nicole, isn't it? Is it bad? | 0:17:04 | 0:17:07 | |
-Well... -Wait. | 0:17:07 | 0:17:09 | |
Conor! Adeeb! | 0:17:09 | 0:17:10 | |
-You are? -Constable Fraser and this is Constable Croft. | 0:17:10 | 0:17:13 | |
I'm the FLO. There's a missing teenager. | 0:17:13 | 0:17:16 | |
We're not here about that. | 0:17:16 | 0:17:18 | |
It's about the Oyster Cafe. | 0:17:18 | 0:17:20 | |
The Oyster? | 0:17:20 | 0:17:21 | |
The glass door was smashed last night. | 0:17:21 | 0:17:24 | |
-Adeeb, where's Conor? -He doesn't want to come down right now. | 0:17:24 | 0:17:28 | |
We'd like to speak to both boys. | 0:17:28 | 0:17:29 | |
I'm sorry. Conor's very upset about his sister. | 0:17:29 | 0:17:34 | |
I understand you and Conor had a run-in with Gina Hamilton yesterday evening outside the cafe. | 0:17:34 | 0:17:39 | |
What's this? | 0:17:39 | 0:17:40 | |
Nothing. Just Gina had a go at us. | 0:17:40 | 0:17:43 | |
What? | 0:17:43 | 0:17:44 | |
And we had a go back. That's all. | 0:17:44 | 0:17:46 | |
Adeeb! | 0:17:46 | 0:17:47 | |
I'm sorry. | 0:17:47 | 0:17:50 | |
Look, as I said, this is a very upsetting time for all of us. | 0:17:50 | 0:17:53 | |
And sometimes people act out of character when they're upset. | 0:17:53 | 0:17:57 | |
Tell me, son, where were you and Conor last night? | 0:17:57 | 0:17:59 | |
After ten o'clock? | 0:17:59 | 0:18:02 | |
They were at home. With me. Both of them. | 0:18:02 | 0:18:05 | |
This really isn't a good time. Can I have a word? | 0:18:05 | 0:18:08 | |
It's all right. | 0:18:20 | 0:18:22 | |
It's not Nicole. | 0:18:22 | 0:18:25 | |
You all right? | 0:18:26 | 0:18:28 | |
Yeah. I just need to pop out, clear my head. | 0:18:28 | 0:18:32 | |
Hi. What's all this about? | 0:18:32 | 0:18:34 | |
Dr Brodie. | 0:18:34 | 0:18:37 | |
I've just had the police at my door. | 0:18:39 | 0:18:43 | |
-About Nicole? -To question Conor and Adeeb. | 0:18:43 | 0:18:47 | |
-About the Oyster being vandalised? -What? | 0:18:47 | 0:18:51 | |
Apparently, they had some sort of run-in with Gina. | 0:18:51 | 0:18:54 | |
Then they were out all night. They snuck out. Begged me not to tell their dad. | 0:18:54 | 0:18:58 | |
Said they were looking for Nicole. | 0:18:58 | 0:18:59 | |
And? Oh, no. You don't think that they could've... Come on! | 0:18:59 | 0:19:03 | |
You saw how upset they were this morning. How ready to snap. | 0:19:03 | 0:19:06 | |
What if they did this? What if this is just the start? What if they go off the rails? | 0:19:06 | 0:19:10 | |
Hey, come on. | 0:19:10 | 0:19:12 | |
I lied to the police. | 0:19:12 | 0:19:15 | |
I said they were at home all night. That was wrong. | 0:19:15 | 0:19:19 | |
That's not helping them, is it? I don't know what to do. | 0:19:19 | 0:19:23 | |
My head's swimming. I can't tell Michael. | 0:19:23 | 0:19:25 | |
Leyla, you need to calm down. | 0:19:25 | 0:19:28 | |
Why don't you let me try talking to them? | 0:19:28 | 0:19:31 | |
Would you? | 0:19:31 | 0:19:33 | |
Yeah. | 0:19:33 | 0:19:34 | |
Thank you. | 0:19:34 | 0:19:36 | |
He actually said that? | 0:19:41 | 0:19:43 | |
That he doesn't want to be lumbered with somebody else's wean? | 0:19:43 | 0:19:46 | |
No, that's not what I heard. | 0:19:46 | 0:19:48 | |
But that's what he meant. | 0:19:48 | 0:19:49 | |
You know what this means, don't you? He's not even serious about Kelly-Marie. | 0:19:49 | 0:19:53 | |
-He's just wanting a bit of fun. -No, he's not like that. | 0:19:53 | 0:19:56 | |
I cannae believe this. | 0:19:56 | 0:19:58 | |
Just wait till Scarlett finds out. | 0:19:58 | 0:20:01 | |
-I wish I hadn't said anything now. -I'll tell her. You'll just make it worse. | 0:20:01 | 0:20:06 | |
No. It's better that she hears it from her mother. | 0:20:06 | 0:20:09 | |
Don't worry, I'll play it down. | 0:20:09 | 0:20:12 | |
Hey. I want a word with you. | 0:20:17 | 0:20:20 | |
Hey, Scarlett. | 0:20:20 | 0:20:22 | |
Don't you, "Hey, Scarlett" me. | 0:20:22 | 0:20:24 | |
-Who do you think you are, bad-moothin' my lassie? -What? -And my grandson. | 0:20:24 | 0:20:28 | |
-Think you're too good for her cos you're a doctor? -I don't know what you're talking about! | 0:20:28 | 0:20:32 | |
You do. You've been giving it all that. Think you can just use her. For a laugh, like she's nothing. | 0:20:32 | 0:20:37 | |
-Keep your voice down! -I've got nothing to be ashamed of. | 0:20:37 | 0:20:40 | |
I'm no' carrying on behind my wife's back, dragging some good lassie's name through the mud. | 0:20:40 | 0:20:45 | |
-I don't know what you've heard, but if you'd let me get a word in... -Save it. Stay away from Kelly-Marie. | 0:20:45 | 0:20:51 | |
You come near her or my grandson, and you'll be sorry. You got that? | 0:20:51 | 0:20:55 | |
-What can I get you, darling? -Wine, please. | 0:20:55 | 0:20:59 | |
-White? -Aye, that'll be fine. | 0:20:59 | 0:21:01 | |
We were out looking for Nicole. | 0:21:10 | 0:21:13 | |
No, I know that. But you didn't find her, did you? | 0:21:13 | 0:21:17 | |
So how'd that make you feel? | 0:21:17 | 0:21:19 | |
Did it make you feel angry? | 0:21:21 | 0:21:23 | |
Gabriel, any news? | 0:21:23 | 0:21:26 | |
-No. -Sorry. | 0:21:26 | 0:21:29 | |
You must be sick of people asking. | 0:21:29 | 0:21:32 | |
-The joiner's finished. -Great. Thanks for waiting. | 0:21:36 | 0:21:41 | |
-I've got to get to the community centre. Press conference. -Can I help? | 0:21:41 | 0:21:45 | |
-With the press conference? -Anything? | 0:21:45 | 0:21:47 | |
Make tea? Come on, there must be something I can do. | 0:21:47 | 0:21:50 | |
That's really good of you. | 0:21:50 | 0:21:51 | |
Not at all. | 0:21:51 | 0:21:53 | |
It'll make me feel useful. I'll just get my coat. | 0:21:53 | 0:21:55 | |
So did you do it? | 0:22:00 | 0:22:01 | |
Did you break the window? | 0:22:01 | 0:22:03 | |
No. | 0:22:03 | 0:22:04 | |
Look, I'm not going to give you any trouble, | 0:22:04 | 0:22:07 | |
and I promise, I'm not going to be angry with you. | 0:22:07 | 0:22:09 | |
This isn't fair. | 0:22:09 | 0:22:10 | |
Look, nothing's fair right now, son. But I need you to tell me the truth. | 0:22:10 | 0:22:14 | |
I'm telling the truth! I didn't smash that stupid window! | 0:22:14 | 0:22:19 | |
Look, this is serious. I need you to face up... | 0:22:19 | 0:22:22 | |
We never done anything. | 0:22:22 | 0:22:24 | |
It was you, wasn't it? | 0:22:24 | 0:22:26 | |
Look, please, just don't say anything to Michael. | 0:22:26 | 0:22:30 | |
I'm really sorry, Gina. I'll pay for the damage, and I promise they'll never do anything like this again. | 0:22:30 | 0:22:36 | |
They're going through a hard time at the moment. Whatever you do, please don't tell the police. | 0:22:36 | 0:22:41 | |
I won't. | 0:22:41 | 0:22:42 | |
Look, I know you're having a hard time with your sister, | 0:22:42 | 0:22:45 | |
but what you did was wrong. | 0:22:45 | 0:22:47 | |
-But... -He knows. | 0:22:47 | 0:22:48 | |
Youse have got it wrong. | 0:22:48 | 0:22:50 | |
We'll say no more about it. | 0:22:50 | 0:22:52 | |
Gina, I don't think... | 0:22:52 | 0:22:54 | |
Not another word. | 0:22:54 | 0:22:56 | |
Thanks, Gina. Right, what do you say? | 0:22:56 | 0:22:58 | |
-This isn't fair. -Conor... | 0:22:58 | 0:23:00 | |
-It's not fair, it's not bloody fair. -Come here. | 0:23:00 | 0:23:03 | |
HE WHISPERS | 0:23:03 | 0:23:07 | |
Is everything all right? | 0:23:10 | 0:23:11 | |
Come on, let's get inside. | 0:23:13 | 0:23:15 | |
-What do you want? -Is Kelly-Marie there, please? | 0:23:19 | 0:23:23 | |
-What's it to you? -I just want to talk to her. | 0:23:23 | 0:23:26 | |
Look, Doc, she doesn't want to see you. | 0:23:26 | 0:23:28 | |
Just five minutes. | 0:23:28 | 0:23:29 | |
You deaf or something? | 0:23:29 | 0:23:31 | |
-Well, will you pass her message then? -Have you not got it? She doesn't want anything to do with you. | 0:23:33 | 0:23:38 | |
On your bike. Go on. | 0:23:38 | 0:23:39 | |
I think you should go. It's for the best. | 0:23:39 | 0:23:42 | |
That's telt him. | 0:23:57 | 0:23:59 | |
He'll no' be bothering you again, hen. | 0:23:59 | 0:24:02 | |
You all right, darlin'? | 0:24:02 | 0:24:03 | |
Maybe I should go and talk to him. | 0:24:03 | 0:24:06 | |
No way, Kelly. Don't even give him the time of day. | 0:24:06 | 0:24:10 | |
After the way he's treated you! | 0:24:10 | 0:24:12 | |
I want to tell him what I think of him. To his face. | 0:24:12 | 0:24:15 | |
Look, I never said any of those things. You must know that. | 0:24:17 | 0:24:20 | |
-How do you explain... -Your crazy family? I wouldn't know where to start. | 0:24:20 | 0:24:23 | |
Look, this morning, Liz was poking her nose in. | 0:24:25 | 0:24:30 | |
I said it was early days, I'm just out of a marriage, | 0:24:30 | 0:24:33 | |
nothing I haven't already said to you. | 0:24:33 | 0:24:35 | |
She must've gone out and repeated it, embellished it. I'm sorry. | 0:24:35 | 0:24:41 | |
So am I. | 0:24:44 | 0:24:45 | |
Yeah, that's good of Gina. | 0:24:45 | 0:24:47 | |
They're saying they didn't do it, though. | 0:24:47 | 0:24:50 | |
Can we just draw a line under it? I don't want to put them through any more. | 0:24:50 | 0:24:55 | |
-Don't worry. I'll keep an eye on them. -Everything all right? | 0:24:55 | 0:24:57 | |
Yeah. We're just discussing the boys. | 0:24:57 | 0:25:00 | |
I was offering to look after them | 0:25:00 | 0:25:02 | |
while you're at the press conference. | 0:25:02 | 0:25:04 | |
I know it's difficult, | 0:25:04 | 0:25:05 | |
but be careful the boys don't catch you whispering about them. | 0:25:05 | 0:25:09 | |
-It'll make them feel you're hiding something. -Thanks. I'll bear that in mind. | 0:25:09 | 0:25:12 | |
Come on. Let's do this. | 0:25:15 | 0:25:17 | |
16-year-old Nicole Brodie was thought to have been in France for a school trip, | 0:25:20 | 0:25:24 | |
but yesterday, her parents reported her missing when she failed to return with the rest of her classmates... | 0:25:24 | 0:25:29 | |
REPORTERS ALL TALK AT ONCE | 0:25:29 | 0:25:32 | |
So you're not gonnae take any further action? | 0:25:45 | 0:25:47 | |
How could I with what they're going through? | 0:25:47 | 0:25:50 | |
I know. The pictures that go through your head. | 0:25:52 | 0:25:55 | |
Michael and Leyla must be terrified. | 0:25:55 | 0:25:57 | |
You want to tell them it'll be OK. That she's safe, she'll come home. But they don't always, do they? | 0:25:57 | 0:26:03 | |
So, how's it going with you and him? | 0:26:07 | 0:26:10 | |
Fine. | 0:26:10 | 0:26:12 | |
-What? -Yesterday you couldn't see him far enough. | 0:26:13 | 0:26:16 | |
A lot's happened since yesterday. | 0:26:16 | 0:26:18 | |
And right now, there are more important things to be worrying about, eh? | 0:26:18 | 0:26:22 | |
How are you bearing up? | 0:26:33 | 0:26:35 | |
Fine. | 0:26:35 | 0:26:36 | |
The purpose of this is to get as much press coverage as possible | 0:26:38 | 0:26:42 | |
in the hope that we can reach Nicole herself or anyone who may have information regarding her. | 0:26:42 | 0:26:48 | |
I will briefly state the facts - | 0:26:48 | 0:26:50 | |
age, appearance, last seen wearing, that kind of thing. | 0:26:50 | 0:26:54 | |
Then I will ask you to make your statement. | 0:26:54 | 0:26:57 | |
Then if Leyla wants to add anything... | 0:26:57 | 0:26:59 | |
Me? | 0:26:59 | 0:27:01 | |
Maybe a direct appeal to Nicole herself, | 0:27:01 | 0:27:05 | |
or a plea to the general public. | 0:27:05 | 0:27:07 | |
I don't know if I can. | 0:27:07 | 0:27:10 | |
I might be too emotional. | 0:27:12 | 0:27:13 | |
Emotional's good, Leyla. It touches people. | 0:27:13 | 0:27:16 | |
Lets them see what you're going through. | 0:27:16 | 0:27:18 | |
Brenda, if you could take Dr Brodie through the itinerary? | 0:27:18 | 0:27:22 | |
Ready to start in ten minutes? | 0:27:26 | 0:27:28 | |
Leyla! | 0:27:32 | 0:27:34 | |
Hey! | 0:27:38 | 0:27:41 | |
It'll be all right. | 0:27:47 | 0:27:50 | |
I can't do this. I can't. | 0:27:50 | 0:27:52 | |
Look, I know it's hard. But remember what it's for. | 0:27:52 | 0:27:57 | |
It's to help find Nicole. And it could. It really could. | 0:27:57 | 0:28:03 | |
Michael needs you. | 0:28:05 | 0:28:06 | |
He doesn't. He's pushing me away. | 0:28:06 | 0:28:10 | |
He's terrified he's gonnae crack in front of everyone. | 0:28:10 | 0:28:13 | |
Deep down, it's you that's holding him together. | 0:28:13 | 0:28:17 | |
Us men, we like to think we're strong, | 0:28:19 | 0:28:22 | |
but we're lost without you. | 0:28:22 | 0:28:26 | |
Don't look at the press. Forget about them. | 0:28:28 | 0:28:31 | |
I'll be there. | 0:28:31 | 0:28:33 | |
Just... Just pretend you're talking to me. | 0:28:33 | 0:28:37 | |
OK? | 0:28:37 | 0:28:38 | |
Come on. | 0:28:40 | 0:28:41 | |
Well done. | 0:28:48 | 0:28:49 | |
Right, first I'm going to give you both a hug, | 0:28:57 | 0:29:02 | |
because I know you were only looking out for me. | 0:29:02 | 0:29:06 | |
Now I'm going to box you round the ears for being so stupid! | 0:29:06 | 0:29:09 | |
-What's that for? -Steady! | 0:29:09 | 0:29:12 | |
Where do I start? You got the wrong end of the stick. | 0:29:12 | 0:29:16 | |
You jumped to conclusions? You never thought twice. | 0:29:16 | 0:29:19 | |
-You never looked before you leapt right in. -What? -Don't make me go through that again. | 0:29:19 | 0:29:23 | |
You're not making any sense. | 0:29:23 | 0:29:25 | |
Right. Let's just discuss this calmly. | 0:29:25 | 0:29:28 | |
I've just been speaking to Dan. | 0:29:28 | 0:29:30 | |
No way. He's not been trying to soft-soap you, has he? | 0:29:30 | 0:29:33 | |
Will you wheesht and just listen, for once! | 0:29:33 | 0:29:37 | |
It seems he cannae remember what he said this morning, | 0:29:37 | 0:29:40 | |
something like, "It's early days, it's complicated because I've got a child." | 0:29:40 | 0:29:44 | |
A child? That's a complication? | 0:29:44 | 0:29:46 | |
Jimmy! | 0:29:46 | 0:29:47 | |
Sorry. | 0:29:47 | 0:29:49 | |
-Tattie then hears Liz talking in the deli... -Oh, so now it's Tattie's fault? | 0:29:49 | 0:29:52 | |
Would you shut up? Tattie then tells my gran. My gran! | 0:29:52 | 0:29:57 | |
She then tells my ma. | 0:29:57 | 0:30:00 | |
Only by now, it's gotten completely out of hand. | 0:30:00 | 0:30:03 | |
Dan's a monster and I'm a total victim that cannae talk for herself. | 0:30:03 | 0:30:07 | |
-We just didn't want to see you get hurt. -Again. | 0:30:07 | 0:30:10 | |
I won't be. | 0:30:10 | 0:30:12 | |
No' this time. | 0:30:12 | 0:30:14 | |
I'm not barring him. | 0:30:25 | 0:30:27 | |
How no'? After what he said about my lassie? | 0:30:27 | 0:30:29 | |
Let it go, Scarlett. | 0:30:29 | 0:30:30 | |
-Well, don't expect me to serve him. -I said, let it go. | 0:30:30 | 0:30:33 | |
-Do you not think there's more important things to worry about right now? -Aye, I suppose. | 0:30:33 | 0:30:38 | |
-Do you think this press conference thingy's gonnae do any good? -You'd try anything, wouldn't you? | 0:30:38 | 0:30:42 | |
Aye. | 0:30:42 | 0:30:44 | |
Our boys might be locked up, but at least we know they're safe. | 0:30:44 | 0:30:49 | |
Yeah, well, that's one way of looking at it, I suppose. | 0:30:49 | 0:30:52 | |
-Think it'll be on the telly? -Dunno. | 0:30:52 | 0:30:55 | |
I saw a crew going in, right enough. | 0:30:55 | 0:30:57 | |
You should have a set down here. | 0:30:57 | 0:30:59 | |
-Do you know, that's actually not a bad idea. -I mean, it's all folk can think about right now. | 0:30:59 | 0:31:04 | |
I'll go get one. | 0:31:04 | 0:31:07 | |
Ma. Right, don't go off on one but I've sorted things out with Dan. | 0:31:08 | 0:31:12 | |
What do you mean "sortit"? What did I tell you? | 0:31:12 | 0:31:15 | |
HE GROANS | 0:31:24 | 0:31:26 | |
She was last seen yesterday in a squat in the city centre. | 0:31:39 | 0:31:43 | |
She was wearing blue skinny jeans, a pink V-neck jumper, | 0:31:43 | 0:31:47 | |
a black jacket with a fur-trimmed hood and beige ankle boots. | 0:31:47 | 0:31:51 | |
We are very concerned for Nicole's safety. | 0:31:51 | 0:31:54 | |
I will now ask Nicole's father, Dr Michael Brodie, to say a few words. | 0:31:54 | 0:31:59 | |
If there is anyone who has seen Nicole or has any information | 0:32:02 | 0:32:06 | |
regarding her whereabouts, I urge you to get in touch. | 0:32:06 | 0:32:10 | |
Don't let anyone force you to do anything you don't want to do. | 0:32:38 | 0:32:42 | |
Please, Nicole. | 0:32:42 | 0:32:44 | |
Nicole, we love you so much. | 0:32:50 | 0:32:52 | |
Conor and... | 0:32:54 | 0:32:56 | |
Conor... | 0:32:57 | 0:32:59 | |
Conor and Adeeb are really worried about you. | 0:33:02 | 0:33:06 | |
They want you to come home. We all do. | 0:33:08 | 0:33:10 | |
Come home, Nicole. Please. | 0:33:12 | 0:33:16 | |
We'll wind up here. | 0:33:16 | 0:33:19 | |
If Nicole or anyone with any information | 0:33:19 | 0:33:22 | |
would like to get in touch, | 0:33:22 | 0:33:24 | |
please call this number - 0141 469 0999. | 0:33:24 | 0:33:30 | |
It's active 24 hours a day and is completely confidential. | 0:33:30 | 0:33:35 | |
There'll be no questions. Thank you all for coming. | 0:33:35 | 0:33:39 | |
Can I ask you all to please leave quietly and give the family privacy? | 0:33:39 | 0:33:44 | |
Well done. | 0:33:46 | 0:33:47 | |
Thanks. You, too. | 0:33:47 | 0:33:49 | |
You did really well, both of you. | 0:33:55 | 0:33:57 | |
So what happens now? | 0:34:08 | 0:34:10 | |
Um... We wait. | 0:34:10 | 0:34:12 | |
What are the chances? | 0:34:12 | 0:34:14 | |
It's impossible to say. | 0:34:14 | 0:34:17 | |
-Well, what's your gut feeling? -I really can't say. | 0:34:17 | 0:34:21 | |
Can't or won't? | 0:34:21 | 0:34:23 | |
Michael... | 0:34:23 | 0:34:24 | |
We are doing everything we can, Michael. | 0:34:24 | 0:34:27 | |
Well, me know the minute you hear anything. I want to be kept involved about every development. | 0:34:27 | 0:34:32 | |
If we do find her, we'll see her and we'll talk to her, | 0:34:32 | 0:34:36 | |
but we need her permission to reveal her whereabouts. | 0:34:36 | 0:34:40 | |
Well, that's ludicrous. I'm her father. | 0:34:40 | 0:34:42 | |
-Please, Michael. -Surely I have the right to be the first to... -I'm sorry. It's procedure. | 0:34:42 | 0:34:47 | |
Procedure? | 0:34:47 | 0:34:48 | |
People go missing for a reason. Not everyone wants to be found. | 0:34:48 | 0:34:54 | |
What you doing? | 0:35:21 | 0:35:23 | |
Seeing if she's phoned. | 0:35:23 | 0:35:25 | |
She won't have. | 0:35:27 | 0:35:29 | |
Well, it's worth checking. | 0:35:29 | 0:35:31 | |
It'd be awful if she phoned and no-one was here to answer. | 0:35:31 | 0:35:34 | |
That's a point. We should make sure the house is never empty, in case... | 0:35:43 | 0:35:48 | |
PHONE RINGS | 0:35:50 | 0:35:52 | |
Hello? | 0:36:00 | 0:36:02 | |
Hello? | 0:36:06 | 0:36:08 | |
Nicole, is that you? | 0:36:12 | 0:36:13 | |
Nicole, it's Leyla. | 0:36:18 | 0:36:20 | |
There's definitely someone there. | 0:36:20 | 0:36:22 | |
Nicole, it's Dad here. | 0:36:24 | 0:36:27 | |
Take your time. | 0:36:30 | 0:36:32 | |
I'm here. Just take all the time you need. | 0:36:32 | 0:36:36 | |
I love you very much, Nicole. | 0:36:36 | 0:36:39 | |
You are not in any kind of trouble at all. | 0:36:39 | 0:36:44 | |
I'm sorry... | 0:36:44 | 0:36:46 | |
I'm sorry if...I ever...um... | 0:36:46 | 0:36:51 | |
Ask her a question. | 0:36:51 | 0:36:53 | |
Nicole, are you OK? | 0:36:53 | 0:36:56 | |
MAN: 'Ha, ha, got you!' | 0:36:56 | 0:36:57 | |
Who is this? | 0:36:57 | 0:36:59 | |
LAUGHTER | 0:36:59 | 0:37:00 | |
How did you get this number? | 0:37:00 | 0:37:02 | |
-This isn't funny. -It's a hoax. | 0:37:02 | 0:37:04 | |
What kind of sick and twisted... | 0:37:07 | 0:37:10 | |
I thought... | 0:37:12 | 0:37:15 | |
I really thought... | 0:37:17 | 0:37:19 | |
I know. So did I. | 0:37:20 | 0:37:22 | |
I'll... I'll put the kettle on. | 0:37:26 | 0:37:30 | |
Not for me, thanks. | 0:37:30 | 0:37:33 | |
Where are you going? | 0:37:33 | 0:37:34 | |
The health centre. | 0:37:34 | 0:37:37 | |
Michael... | 0:37:37 | 0:37:39 | |
No... | 0:37:48 | 0:37:50 | |
No... Please, no. | 0:37:50 | 0:37:53 | |
Thanks for your help today. | 0:38:13 | 0:38:15 | |
I didn't do anything. | 0:38:15 | 0:38:18 | |
It was good having you around. | 0:38:18 | 0:38:20 | |
We can do this, can't we? | 0:38:22 | 0:38:25 | |
Do what? | 0:38:25 | 0:38:26 | |
Stay friends? | 0:38:26 | 0:38:28 | |
Good friends? | 0:38:28 | 0:38:29 | |
Yeah. | 0:38:29 | 0:38:31 | |
The best. | 0:38:31 | 0:38:32 | |
I hate the thought of not having you in my life. | 0:38:36 | 0:38:40 | |
And I hate the thought of you sleeping in that car. | 0:38:42 | 0:38:45 | |
I've slept in worse places. | 0:38:45 | 0:38:47 | |
Even so... | 0:38:47 | 0:38:49 | |
Don't worry about it. | 0:38:49 | 0:38:51 | |
You know you can stay at the flat, Murray. | 0:38:51 | 0:38:53 | |
I don't think that's such a good idea. | 0:38:53 | 0:38:57 | |
Why not? | 0:38:57 | 0:38:59 | |
Murray? | 0:39:00 | 0:39:01 | |
I don't want us to end up like... | 0:39:02 | 0:39:05 | |
Like what? | 0:39:05 | 0:39:08 | |
Eileen and Raymond. | 0:39:10 | 0:39:13 | |
Where are you going? | 0:39:13 | 0:39:15 | |
I need to find Murray. | 0:39:15 | 0:39:17 | |
He's over there. | 0:39:17 | 0:39:18 | |
Get him away before he gets his claws back into my sister. | 0:39:18 | 0:39:21 | |
As long as they're living together, Raymond's never gonnae move on. | 0:39:21 | 0:39:26 | |
And that's what you want, is it? | 0:39:26 | 0:39:28 | |
What I want, I can't have. | 0:39:30 | 0:39:34 | |
So I need to move on. | 0:39:37 | 0:39:39 | |
Are you sure about that? | 0:39:42 | 0:39:44 | |
About moving on? | 0:39:44 | 0:39:46 | |
At not being able to have what you want? | 0:39:46 | 0:39:49 | |
You made that pretty plain to me yesterday. | 0:39:49 | 0:39:52 | |
Yeah, well, a lot of things have changed since then. | 0:39:52 | 0:39:55 | |
Murray, can I have a word? | 0:39:56 | 0:39:59 | |
Yeah, what is it? | 0:39:59 | 0:40:00 | |
-Upstairs, in private. -Can't it wait? | 0:40:00 | 0:40:03 | |
No, it can't. | 0:40:03 | 0:40:04 | |
I'll see you later, eh? | 0:40:06 | 0:40:08 | |
This had better be important. | 0:40:08 | 0:40:10 | |
-What are you doing? -Nothing. | 0:40:14 | 0:40:16 | |
-You're not getting back with him. Tell me you're not. -Butt out! | 0:40:16 | 0:40:19 | |
-What is wrong with you? -No. What is wrong with you? | 0:40:19 | 0:40:22 | |
Do you want me to be miserable just because you are? | 0:40:22 | 0:40:26 | |
-What are you doing here? -Just a couple of things I need to check on. | 0:40:35 | 0:40:39 | |
You don't have to. | 0:40:39 | 0:40:41 | |
Yeah, well, I'm here now. I might as well. | 0:40:41 | 0:40:43 | |
-Look, I've got things covered. Go home. -It's fine. | 0:40:43 | 0:40:46 | |
I said go home. | 0:40:46 | 0:40:47 | |
And I said it's fine, all right? | 0:40:47 | 0:40:49 | |
Look, you're going through a really difficult time. You're not ready... | 0:40:49 | 0:40:53 | |
Look, I don't need this right now, OK? I don't need special treatment. | 0:40:53 | 0:40:56 | |
I don't need spoken to in hushed tones, or treated with kid gloves, all right? | 0:40:56 | 0:41:01 | |
Then what do you need, Michael? | 0:41:01 | 0:41:02 | |
Why are you here? | 0:41:02 | 0:41:04 | |
I need... | 0:41:04 | 0:41:07 | |
I need... | 0:41:07 | 0:41:09 | |
I just need... | 0:41:10 | 0:41:12 | |
Turn it off. | 0:41:37 | 0:41:39 | |
I'm sorry. | 0:41:43 | 0:41:45 | |
So am I, mate. So am I. | 0:41:45 | 0:41:48 | |
I thought you were one of the good guys. | 0:41:52 | 0:41:54 | |
Don't! | 0:41:54 | 0:41:55 | |
But this! This is nasty. | 0:41:55 | 0:41:58 | |
It's ugly, it's sleekit... | 0:41:58 | 0:42:01 | |
I know. | 0:42:01 | 0:42:03 | |
So, what, you smashed her window in | 0:42:03 | 0:42:05 | |
so you could play the knight in shining armour and win her back? | 0:42:05 | 0:42:10 | |
I never... You've got it all wrong. | 0:42:10 | 0:42:13 | |
Watch it again, will we? | 0:42:13 | 0:42:14 | |
No. | 0:42:14 | 0:42:16 | |
I did do it, obviously. | 0:42:16 | 0:42:19 | |
But it wasn't part of some big ploy to win Gina back. | 0:42:19 | 0:42:23 | |
I'm not that clever. | 0:42:23 | 0:42:25 | |
Why, then? | 0:42:25 | 0:42:28 | |
I don't know. | 0:42:29 | 0:42:31 | |
She hurt me. | 0:42:32 | 0:42:33 | |
Oh, come on. | 0:42:33 | 0:42:35 | |
I was mad at her for pushing me away. | 0:42:35 | 0:42:38 | |
I tried everything in my power yesterday, but she didn't want me. | 0:42:38 | 0:42:41 | |
I just wanted to hurt her back. | 0:42:44 | 0:42:46 | |
I lay in my car, getting madder and madder till something snapped. | 0:42:46 | 0:42:53 | |
So you never planned it? | 0:42:53 | 0:42:56 | |
No! | 0:42:56 | 0:42:57 | |
But this morning, | 0:42:58 | 0:42:59 | |
when I saw the state she was in, something clicked | 0:42:59 | 0:43:04 | |
and I just wanted to look after her. | 0:43:04 | 0:43:06 | |
And I kind of blanked that it was me that did it and just... | 0:43:06 | 0:43:11 | |
Saw an opportunity and took it? | 0:43:11 | 0:43:13 | |
It wasn't like that. | 0:43:13 | 0:43:14 | |
Well, what was it like? Cos I'm struggling here. | 0:43:14 | 0:43:17 | |
I'd lost her, Raymond. I've been losing her for months. | 0:43:17 | 0:43:22 | |
Imagine how I felt about myself. How she'd made me feel. | 0:43:24 | 0:43:28 | |
I thought about walking away. But I couldn't. | 0:43:30 | 0:43:34 | |
I just...hung around. | 0:43:35 | 0:43:38 | |
But then, today she needed me again, and it felt good. | 0:43:40 | 0:43:46 | |
Nothing else mattered. | 0:43:46 | 0:43:48 | |
That doesn't excuse... | 0:43:48 | 0:43:49 | |
I know! | 0:43:49 | 0:43:51 | |
And I would do anything to put it right. | 0:43:51 | 0:43:54 | |
Tell me what to do. | 0:43:58 | 0:44:00 | |
Murray... | 0:44:00 | 0:44:01 | |
Please, Raymond. | 0:44:01 | 0:44:03 | |
Come on. | 0:44:13 | 0:44:15 | |
What? | 0:44:15 | 0:44:16 | |
Now. | 0:44:16 | 0:44:18 | |
Every time the phone rings, every knock at the door... | 0:44:19 | 0:44:24 | |
it rips me apart. | 0:44:24 | 0:44:27 | |
It's Nicole, and the nightmare's over. | 0:44:27 | 0:44:31 | |
Or it's the police to say they've found a body. | 0:44:31 | 0:44:36 | |
And than I realise this isn't a nightmare. | 0:44:36 | 0:44:40 | |
Right now, not knowing, | 0:44:40 | 0:44:41 | |
that's nothing compared to what...what could happen. | 0:44:41 | 0:44:45 | |
I'm sorry, I shouldn't be landing all this on you. | 0:44:47 | 0:44:51 | |
Michael, come on. | 0:44:51 | 0:44:52 | |
I can't talk to Leyla. | 0:44:52 | 0:44:54 | |
I can't even look at her. | 0:44:54 | 0:44:56 | |
Because I just see my own terror reflected back at me. | 0:44:57 | 0:45:00 | |
I can't bear it. | 0:45:00 | 0:45:01 | |
There's something else, isn't there? | 0:45:01 | 0:45:04 | |
Are you stupid? My daughter is missing. | 0:45:05 | 0:45:08 | |
She could be on drugs, on the street, | 0:45:08 | 0:45:11 | |
getting pawed over by the scum of the Earth. | 0:45:11 | 0:45:14 | |
She could've been... | 0:45:14 | 0:45:15 | |
She could be dead. | 0:45:17 | 0:45:19 | |
You know, the day she was born, I took her in my hands | 0:45:27 | 0:45:33 | |
and I counted her fingers and her wee toes. | 0:45:33 | 0:45:38 | |
She was perfect. | 0:45:40 | 0:45:43 | |
She was just this perfect wee thing, you know? | 0:45:43 | 0:45:47 | |
She doesn't want to be found. | 0:45:51 | 0:45:54 | |
Not by me. | 0:45:54 | 0:45:55 | |
You can't know that. | 0:45:57 | 0:45:59 | |
It's me she's running away from. | 0:45:59 | 0:46:01 | |
I was too hard on her. | 0:46:02 | 0:46:05 | |
I was trying to protect her, but I drove her away. | 0:46:05 | 0:46:08 | |
Even if the police find her, they won't tell me, | 0:46:10 | 0:46:13 | |
because she won't want me to know. | 0:46:13 | 0:46:15 | |
How can you say that? | 0:46:15 | 0:46:17 | |
It's what I deserve. | 0:46:19 | 0:46:21 | |
I'm keeping you back. | 0:46:23 | 0:46:25 | |
No, you're not. | 0:46:26 | 0:46:28 | |
I missed so much of her childhood because of the army. | 0:46:29 | 0:46:33 | |
I just wanted her to know right from wrong, | 0:46:35 | 0:46:37 | |
I wanted her to make something of her life. | 0:46:37 | 0:46:41 | |
But I was too strict. | 0:46:41 | 0:46:43 | |
I tried to control her and she kicked against me. | 0:46:43 | 0:46:46 | |
Is she doing this to punish me? | 0:46:49 | 0:46:53 | |
What we'll do is, you and me will watch a wee film. | 0:46:56 | 0:46:59 | |
We'll watch one of your favourites. What shall we watch? | 0:46:59 | 0:47:02 | |
Well, let's have a look. | 0:47:02 | 0:47:05 | |
And we just press that, and... | 0:47:05 | 0:47:08 | |
Ah, look, shall we watch that one? | 0:47:08 | 0:47:11 | |
It's your favourite. | 0:47:11 | 0:47:13 | |
Oh. | 0:47:13 | 0:47:15 | |
OK. | 0:47:15 | 0:47:17 | |
Just give Mummy one wee minute. | 0:47:19 | 0:47:23 | |
Mummy just wants to watch... | 0:47:23 | 0:47:25 | |
THIS wee DVD. | 0:47:25 | 0:47:28 | |
Oh! | 0:47:29 | 0:47:30 | |
Right, come on, let's get you pair home. Come on. | 0:47:57 | 0:48:01 | |
You have to tell her. | 0:48:08 | 0:48:10 | |
Not now. Not when there's a chance of us getting back together. | 0:48:10 | 0:48:14 | |
Oh, you could live with that, could you? Building your future on a lie? | 0:48:14 | 0:48:17 | |
It's better than nothing. Better than being alone. | 0:48:17 | 0:48:20 | |
You know that's not true. | 0:48:20 | 0:48:22 | |
Right. Here we are. | 0:48:22 | 0:48:24 | |
I really don't think I can do this. | 0:48:24 | 0:48:27 | |
You have to. You do know that? | 0:48:27 | 0:48:28 | |
-I don't even know what to say. -The truth. | 0:48:28 | 0:48:31 | |
Tell her how you really feel. Women like that. | 0:48:31 | 0:48:33 | |
Tomorrow. Let me sleep on it. | 0:48:33 | 0:48:35 | |
Not in my house. Not unless you've faced up to what you've done. | 0:48:35 | 0:48:39 | |
-She's not in. -Give it a minute. She could be in the bath or something. | 0:48:50 | 0:48:53 | |
I'll come back later. | 0:48:53 | 0:48:56 | |
Hey, you two. | 0:48:56 | 0:48:59 | |
Loitering with intent or what? | 0:48:59 | 0:49:02 | |
I, er... | 0:49:04 | 0:49:06 | |
What? | 0:49:06 | 0:49:08 | |
Murray's got something he wants to say to you. | 0:49:08 | 0:49:11 | |
It can wait. | 0:49:11 | 0:49:12 | |
No, it can't. | 0:49:12 | 0:49:14 | |
Right, well you both better come up, then. | 0:49:16 | 0:49:19 | |
Gina! Gina! | 0:49:21 | 0:49:23 | |
You need to see this. | 0:49:23 | 0:49:26 | |
No, she doesn't. Leave it, Eileen. | 0:49:26 | 0:49:28 | |
-We'll go upstairs, I can explain. -No, don't. It's Murray. He threw the brick through the window. | 0:49:28 | 0:49:33 | |
What? | 0:49:33 | 0:49:35 | |
It's all on here. | 0:49:35 | 0:49:36 | |
It was you? | 0:49:39 | 0:49:41 | |
Why would you do that to me? | 0:49:43 | 0:49:46 | |
I'm sorry. | 0:49:46 | 0:49:47 | |
Do something so despicable and then lie to my face? | 0:49:47 | 0:49:51 | |
It's outrageous. | 0:49:51 | 0:49:52 | |
Stay out of it, Eileen. | 0:49:52 | 0:49:54 | |
I think you two should go upstairs and talk about this in private. | 0:49:54 | 0:49:57 | |
No. No, I've got nothing to say to him. I don't even want to look at him. | 0:49:57 | 0:50:01 | |
D'you want to phone the police? | 0:50:01 | 0:50:02 | |
Eileen! | 0:50:02 | 0:50:04 | |
And those boys! | 0:50:06 | 0:50:08 | |
You let them take the blame when all the while it was you. | 0:50:10 | 0:50:15 | |
That was the last thing I wanted. Look, I'm sorry. | 0:50:15 | 0:50:18 | |
I can't tell you how sorry I am. | 0:50:18 | 0:50:21 | |
Yeah? Well, you're not sorry enough. | 0:50:21 | 0:50:24 | |
Ow! | 0:50:24 | 0:50:25 | |
I mean, what kind of snake are you? | 0:50:25 | 0:50:27 | |
-D'you not think these kids have been through enough? Let me go, Raymond! -No' in front of the boys, Gabriel! | 0:50:27 | 0:50:33 | |
CONOR: Now do you believe us? | 0:50:33 | 0:50:34 | |
Come on. | 0:50:36 | 0:50:37 | |
Let's go. Go. | 0:50:37 | 0:50:40 | |
Gabriel, boys... | 0:50:40 | 0:50:42 | |
I'll make it up to you. I'm sorry. | 0:50:44 | 0:50:46 | |
Gina... | 0:50:48 | 0:50:49 | |
Stay away from her. | 0:50:49 | 0:50:51 | |
Leave me. | 0:50:53 | 0:50:55 | |
Murray... | 0:50:55 | 0:50:57 | |
Just leave me. | 0:50:57 | 0:50:58 | |
'Murray Crozier?' | 0:51:05 | 0:51:06 | |
'Yep.' | 0:51:06 | 0:51:08 | |
That's unbelievable. He was so kind and helpful today. | 0:51:08 | 0:51:11 | |
I'm sorry I ever doubted you. | 0:51:11 | 0:51:13 | |
Yeah, me, too. | 0:51:13 | 0:51:14 | |
It's all right. | 0:51:14 | 0:51:16 | |
-Yeah, can we just focus on Nicole? -You are good boys. | 0:51:16 | 0:51:19 | |
-Can we go now? -Yeah. | 0:51:22 | 0:51:25 | |
Come here. | 0:51:35 | 0:51:37 | |
Hey. | 0:51:39 | 0:51:40 | |
You OK? | 0:51:46 | 0:51:49 | |
Yeah, I'm fine. | 0:51:49 | 0:51:51 | |
Listen, I'll leave you guys alone. | 0:51:52 | 0:51:56 | |
No. Stay. Please. | 0:51:58 | 0:52:01 | |
It's good having you around. | 0:52:01 | 0:52:03 | |
Gina is well shot of that rat. | 0:52:09 | 0:52:12 | |
Why didn't you phone the police? | 0:52:12 | 0:52:15 | |
Why didn't you tell me? | 0:52:15 | 0:52:17 | |
Because I knew how you'd react. That you wouldn't stop and think. | 0:52:17 | 0:52:20 | |
You'd rush right out, announce it to the whole world | 0:52:20 | 0:52:23 | |
-and totally humiliate him. -You saw what he did. | 0:52:23 | 0:52:25 | |
-Why are you defending him? -I'm not. I just don't want to see the guy crucified. | 0:52:25 | 0:52:29 | |
I don't get it with you and him. | 0:52:29 | 0:52:31 | |
No, you wouldn't, would you? | 0:52:31 | 0:52:33 | |
I don't think you've ever had a real friend in your whole life. | 0:52:33 | 0:52:37 | |
Where are you headed? | 0:52:56 | 0:52:58 | |
I don't know yet. | 0:52:58 | 0:53:01 | |
Are you planning on doing any fishing? | 0:53:02 | 0:53:05 | |
I might be. Why? | 0:53:05 | 0:53:08 | |
It's just that I fair fancy a wee bit of that. | 0:53:08 | 0:53:12 | |
Well, then, what are you waiting for? | 0:53:15 | 0:53:18 | |
Drive. | 0:53:18 | 0:53:19 | |
ENGINE STARTS, REVS | 0:53:23 | 0:53:24 | |
BBC NEWS THEME PLAYS ON TV | 0:53:27 | 0:53:30 | |
'Concern is mounting for a 16-year-old girl | 0:53:37 | 0:53:39 | |
'who's been missing from her home in Shieldinch for more than a week. | 0:53:39 | 0:53:43 | |
'Our correspondent James Cook has the latest. | 0:53:43 | 0:53:45 | |
'16-year-old Nicole Brodie was thought to have been in France for a school trip. | 0:53:45 | 0:53:50 | |
'But yesterday, her parents reported her missing | 0:53:50 | 0:53:53 | |
'when she failed to return with the rest of her classmates. | 0:53:53 | 0:53:57 | |
'Nicole is thought to have deliberately cancelled her place on the outing. | 0:53:57 | 0:54:01 | |
'But, now, a week on, concern is mounting for her safety. | 0:54:01 | 0:54:04 | |
'The news of her disappearance has devastated the local community here in Shieldinch. | 0:54:04 | 0:54:08 | |
'And earlier today, Dr Brodie and his wife faced the media. | 0:54:08 | 0:54:14 | |
'If there's anyone out there who has seen Nicole | 0:54:14 | 0:54:17 | |
'or has any information regarding her whereabouts, | 0:54:17 | 0:54:20 | |
'I urge you to get in touch. | 0:54:20 | 0:54:22 | |
'Nicole, we love you very much. | 0:54:24 | 0:54:26 | |
'we can't imagine life without you. | 0:54:26 | 0:54:29 | |
'You have a family that loves you more than anything in the world. | 0:54:29 | 0:54:33 | |
'No matter what's happened, there's nothing we can't deal with. | 0:54:34 | 0:54:39 | |
'Nothing we can't put right. | 0:54:39 | 0:54:41 | |
'Please, Nicole, please, come home. | 0:54:42 | 0:54:45 | |
'That's all we want more than anything. | 0:54:45 | 0:54:49 | |
'But if you're not ready yet, then please just let us know you're OK. | 0:54:49 | 0:54:54 | |
'A phone call. Let us hear your voice. | 0:54:54 | 0:54:59 | |
'Please, Nicole, I'm begging you, wherever you are, | 0:54:59 | 0:55:03 | |
'whoever you're with, | 0:55:03 | 0:55:05 | |
'don't let anyone force you to do anything you don't want to do. | 0:55:05 | 0:55:09 | |
'Please, Nicole. | 0:55:09 | 0:55:11 | |
'Nicole, we love you so much. | 0:55:28 | 0:55:31 | |
'Conor...' | 0:55:31 | 0:55:33 | |
What are you doing? | 0:55:43 | 0:55:45 | |
Sleeping Beauty. I didnae mean to wake you. | 0:55:45 | 0:55:49 | |
Where are you going with that? | 0:55:49 | 0:55:52 | |
Sorry, babes, I need to sell it. | 0:55:52 | 0:55:55 | |
We've got nae cash. | 0:55:55 | 0:55:57 | |
Already? | 0:55:57 | 0:55:59 | |
I'll go to the chippy. | 0:56:00 | 0:56:03 | |
Here y'are. | 0:56:06 | 0:56:07 | |
-I won't be long. -Thanks. | 0:56:09 | 0:56:11 | |
You're beautiful. | 0:56:21 | 0:56:23 | |
I don't feel very beautiful. | 0:56:23 | 0:56:24 | |
Have you seen Cal's nursery bill? You'd think he was at uni. | 0:56:26 | 0:56:29 | |
-You a bit short the now? -I'm all right, Ma. | 0:56:29 | 0:56:32 | |
-Where are you going? -Just to sign on. Don't look at me like that. | 0:56:32 | 0:56:36 | |
-Have you got something she could wear? -Of course, help yourself. -Thanks. | 0:56:36 | 0:56:41 | |
Oh, I've got something better than cash, but it's first come, first served. See you soon. | 0:56:41 | 0:56:45 | |
She looks amazing. | 0:56:45 | 0:56:46 | |
I look like a tart. | 0:56:46 | 0:56:47 | |
Subtitles by Red Bee Media Ltd | 0:57:03 | 0:57:07 |