Browse content similar to 15/05/2012. Check below for episodes and series from the same categories and more!
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Your dad pushed me away. | 0:00:22 | 0:00:23 | |
If you want to blame someone, then blame him. | 0:00:23 | 0:00:26 | |
Ah! | 0:00:26 | 0:00:28 | |
When I give you a job to do, I expect you to do it. | 0:00:28 | 0:00:30 | |
Not when it suits you, but when I tell you to do it. You got that? | 0:00:30 | 0:00:33 | |
-Aye. -Good. | 0:00:33 | 0:00:35 | |
Don't let it happen again, then. | 0:00:35 | 0:00:37 | |
What that? Up there? | 0:00:37 | 0:00:40 | |
Meant nothing. | 0:00:40 | 0:00:42 | |
It seems this conversation's over. | 0:00:42 | 0:00:44 | |
I'll let myself out. | 0:00:44 | 0:00:46 | |
MUSIC: "We Don't Eat" by James Vincent McMorrow | 0:00:49 | 0:00:53 | |
# If this is redemption | 0:00:53 | 0:00:55 | |
# Why do I bother at all? | 0:00:57 | 0:00:59 | |
# There's nothing to mention | 0:01:01 | 0:01:04 | |
# And nothing has changed... # | 0:01:04 | 0:01:08 | |
-Oh, I could get used to this. -Good. | 0:01:13 | 0:01:16 | |
Morning! | 0:01:16 | 0:01:18 | |
-Sleep well? -Not especially. | 0:01:24 | 0:01:27 | |
-Sorry, I'll clean that up. -It's fine. | 0:01:27 | 0:01:31 | |
Will has just made the world's best omelette. You need to try this. | 0:01:31 | 0:01:33 | |
I could whip you one up in two minutes, if you like? | 0:01:33 | 0:01:37 | |
-I'm not hungry, thanks. -OK. | 0:01:37 | 0:01:39 | |
So that must be three times this week you've stayed over? | 0:01:41 | 0:01:45 | |
Something like that. | 0:01:46 | 0:01:48 | |
We'll need to start charging you rent soon. | 0:01:48 | 0:01:50 | |
All right? | 0:01:53 | 0:01:54 | |
DOOR SLAMS > | 0:01:59 | 0:02:01 | |
Och, she's not that bad once you get to know her. | 0:02:06 | 0:02:08 | |
Well, she IS, but she can be funny with it. | 0:02:08 | 0:02:11 | |
-Maybe we've been pushing it a bit. -Well, there's an easy option. | 0:02:11 | 0:02:14 | |
You stay over at mine more? | 0:02:14 | 0:02:16 | |
-Do what the princess of darkness says - start paying rent. -Move in? | 0:02:16 | 0:02:21 | |
-If you like. -Ha-ha! -Why not? | 0:02:21 | 0:02:23 | |
-Robbie! -Will! -You really want me to move in? | 0:02:23 | 0:02:26 | |
It makes no difference to me. | 0:02:26 | 0:02:28 | |
Is that right? | 0:02:28 | 0:02:29 | |
-Yes. -I'll put some thought to it. HORN HONKS | 0:02:29 | 0:02:32 | |
-Whatever. -Right, I'll see you later. | 0:02:32 | 0:02:35 | |
That's my boss. | 0:02:36 | 0:02:38 | |
-Come on, just one wee kiss. Don't be mean! -I need to go. | 0:02:38 | 0:02:41 | |
ENGINE STARTS | 0:02:46 | 0:02:47 | |
-Morning. -Uh-huh. | 0:02:47 | 0:02:49 | |
-Is there a problem? -We've got a lot to do. | 0:02:49 | 0:02:53 | |
OK... | 0:03:10 | 0:03:13 | |
So...our victim's got a name. Alicia Petrauskas. | 0:03:13 | 0:03:17 | |
17 years old, born in Lithuania. | 0:03:17 | 0:03:20 | |
Brought into the UK in 2008 | 0:03:20 | 0:03:22 | |
by a trafficking gang operating down south, | 0:03:22 | 0:03:25 | |
and then sold on to persons unknown. | 0:03:25 | 0:03:27 | |
All this from the Border Agency? | 0:03:27 | 0:03:29 | |
Yeah. They managed to track down her parents. | 0:03:29 | 0:03:32 | |
She sent this photo home some time last year. | 0:03:32 | 0:03:35 | |
They brought her over when she was 14? | 0:03:35 | 0:03:37 | |
Yep. | 0:03:37 | 0:03:39 | |
Poor girl. | 0:03:39 | 0:03:41 | |
Aye, well, this "poor kid" might be just what we've been waiting for. | 0:03:41 | 0:03:45 | |
She's part of something bigger, I don't know what yet, | 0:03:45 | 0:03:48 | |
but Miss Petrauskas could be the key to taking out some real players. | 0:03:48 | 0:03:51 | |
Are we talking Lenny Murdoch? | 0:03:51 | 0:03:53 | |
No, no, no. He always stayed well away from of the vice game, | 0:03:53 | 0:03:56 | |
far too principled for that. | 0:03:56 | 0:03:59 | |
Tommy McCabe, on the other hand, never had any qualms. | 0:03:59 | 0:04:01 | |
And now McCabe's gone? | 0:04:01 | 0:04:04 | |
Sean Kennedy. He worked for McCabe. | 0:04:05 | 0:04:08 | |
From what we're hearing, he's claimed the business for himself. | 0:04:08 | 0:04:11 | |
We've almost got Sean a couple of times, but... | 0:04:11 | 0:04:14 | |
whenever he's involved, witnesses have a habit of losing their nerve. | 0:04:14 | 0:04:17 | |
-Or disappearing. -So what's the plan? | 0:04:17 | 0:04:21 | |
-Back to basics. I need you to do some digging. -MOBILE PHONE RINGS | 0:04:21 | 0:04:24 | |
See these boxes... Excuse me. | 0:04:24 | 0:04:26 | |
Yeah? > | 0:04:26 | 0:04:28 | |
-HE SIGHS: -What now? > | 0:04:28 | 0:04:30 | |
Tell her that's not going to happen. | 0:04:30 | 0:04:33 | |
Well, she's just going to have to... | 0:04:33 | 0:04:34 | |
You know what, I'll go and tell her myself! | 0:04:34 | 0:04:36 | |
Well, I think it's a very good idea. | 0:04:36 | 0:04:39 | |
Look, I've got to go, I'll speak to you later, OK. | 0:04:39 | 0:04:43 | |
I think I know who the other girl is in this photo. | 0:04:43 | 0:04:45 | |
I recognise the tattoo. I think she's a prostitute. I've got a weird kind of memory for little details. | 0:04:45 | 0:04:50 | |
I think her name is Annie or, um... | 0:04:50 | 0:04:53 | |
You remember the tattoo, but you can't remember her name? | 0:04:53 | 0:04:56 | |
-I'm pretty sure it... -Right now, your priority is what's in these boxes. | 0:04:56 | 0:04:59 | |
Every girl that's gone missing in the last five years. | 0:04:59 | 0:05:03 | |
-But... -Look for anything that connects a missing girl | 0:05:03 | 0:05:05 | |
to the faces on this board. I will be back in an hour. | 0:05:05 | 0:05:09 | |
Well, they can't all be open cases. | 0:05:09 | 0:05:11 | |
No, most of them are closed. | 0:05:11 | 0:05:13 | |
Where are you going? | 0:05:13 | 0:05:15 | |
Just get on with your job, all right?! | 0:05:15 | 0:05:17 | |
-It's just not good enough. -It was his boss. -So what?! | 0:05:22 | 0:05:26 | |
-I mean, it's not like he's actually hiding who he is. -It felt like it! | 0:05:26 | 0:05:29 | |
He was just being professional. | 0:05:29 | 0:05:31 | |
Some people actually have respect for their superiors. | 0:05:31 | 0:05:34 | |
-Losers! -Hey! | 0:05:34 | 0:05:36 | |
Oh, like you're my superior? Ha-ha-ha(!) | 0:05:36 | 0:05:39 | |
I'm just saying, imagine he was straight. | 0:05:39 | 0:05:41 | |
-No way! -I bet he'd still feel uncomfortable | 0:05:41 | 0:05:43 | |
if his boss caught him snogging some lassie on the street. | 0:05:43 | 0:05:46 | |
For starters, I am not some lassie! | 0:05:46 | 0:05:49 | |
Plus, he's a policeman, not a hairdresser. | 0:05:49 | 0:05:52 | |
It's a very macho world. | 0:05:52 | 0:05:54 | |
It is a macho world. | 0:05:54 | 0:05:56 | |
So give him a break. | 0:05:56 | 0:05:57 | |
Maybe, just tone it down a wee bit in front of his workmates. | 0:05:57 | 0:06:00 | |
I don't tone it down for anyone. I tone it up! | 0:06:00 | 0:06:03 | |
SHE LAUGHS TO HERSELF | 0:06:05 | 0:06:07 | |
Angie... | 0:06:26 | 0:06:28 | |
Angie, Angie, Angie! | 0:06:29 | 0:06:31 | |
HE CLEARS HIS THROAT | 0:06:31 | 0:06:33 | |
Sandy. Hi, it's Will Cooper. ..I'm very well thank you, you? | 0:06:36 | 0:06:40 | |
Yeah. Remember that guy we picked up - McCulloch? | 0:06:40 | 0:06:44 | |
Yeah, um, he had a girl with him, loads of attitude, called Angie. | 0:06:44 | 0:06:48 | |
Angie Warren - that's the one. | 0:06:48 | 0:06:51 | |
Yeah! Yeah, I need an address, yeah. | 0:06:51 | 0:06:54 | |
Oh, OK. | 0:06:56 | 0:06:58 | |
HE SIGHS | 0:06:58 | 0:07:00 | |
Yeah, I'd appreciate that. OK, talk to you soon. | 0:07:00 | 0:07:04 | |
Oh... | 0:07:05 | 0:07:07 | |
Alicia Petrauskas. | 0:07:19 | 0:07:22 | |
-Are you sure you didn't meet her through Cameron Tennant? -No. | 0:07:22 | 0:07:25 | |
I mean, yes, I'm sure. | 0:07:25 | 0:07:27 | |
What about the girl standing next to her? | 0:07:27 | 0:07:30 | |
Take a look at the tattoo on her arm. | 0:07:30 | 0:07:32 | |
Angie! | 0:07:34 | 0:07:36 | |
Is she OK? Has something happened to her? | 0:07:36 | 0:07:39 | |
Now, you said in your statement that she helped you get away from Cameron Tennent. Is that correct? | 0:07:39 | 0:07:44 | |
-Yeah. Do you think she's in trouble for it? -Was she working for him? | 0:07:44 | 0:07:48 | |
He wanted me to work for him too. | 0:07:50 | 0:07:52 | |
He was bringing men over when Angie helped me get away. | 0:07:52 | 0:07:55 | |
-Do you know where we can find her? -No. | 0:07:55 | 0:07:58 | |
This is Sean Kennedy. | 0:08:01 | 0:08:02 | |
Did you ever encounter him when you were with Cameron? | 0:08:02 | 0:08:06 | |
Do you recognise him? | 0:08:10 | 0:08:11 | |
I'm sorry, it's all just a bit... | 0:08:14 | 0:08:16 | |
OK, if you remember anything, anything at all, call me immediately. | 0:08:16 | 0:08:21 | |
HE SIGHS | 0:08:36 | 0:08:38 | |
MOBILE PHONE RINGS | 0:08:38 | 0:08:41 | |
Cooper. | 0:08:43 | 0:08:44 | |
Sandy. | 0:08:44 | 0:08:46 | |
Oh, brilliant, brilliant, hold on a sec. | 0:08:46 | 0:08:48 | |
OK, go ahead. | 0:08:52 | 0:08:55 | |
Yep, yep. | 0:08:55 | 0:08:57 | |
Got it. Amazing. Listen, I owe you one. Bye. | 0:08:57 | 0:09:01 | |
Petrauskas. Alicia Petrauskas. | 0:09:13 | 0:09:15 | |
-Never heard of her. -You sure about that? -Aye. | 0:09:15 | 0:09:18 | |
I don't recognise her. | 0:09:22 | 0:09:23 | |
That's you standing next to her. | 0:09:23 | 0:09:25 | |
What are you talking about? | 0:09:25 | 0:09:27 | |
You can tell by the tattoo. | 0:09:27 | 0:09:28 | |
Look, I want to find who did this. I want to put them away. | 0:09:30 | 0:09:32 | |
-Oh, you really care, do you? -Of course. -Aye, right! | 0:09:32 | 0:09:36 | |
How would you describe your relationship to Miss Petrauskas? | 0:09:36 | 0:09:40 | |
-Don't you want to help her? -I think it's a bit late for that, don't you? | 0:09:40 | 0:09:45 | |
We've reason to believe there's other girls in danger. | 0:09:45 | 0:09:47 | |
Like, this girl, for example. | 0:09:47 | 0:09:49 | |
Never seen her before. Listen! This has nothing to do with me, | 0:09:51 | 0:09:54 | |
so why don't you just get on your way? | 0:09:54 | 0:09:56 | |
-If you don't want to talk here, you can come to the station. -No chance. | 0:09:56 | 0:09:59 | |
-I can detain you if you won't cooperate. -No, you can't, I've not done nothing! | 0:09:59 | 0:10:03 | |
-I have reason to believe you've been making money as a prostitute. -I don't do that any more. | 0:10:03 | 0:10:07 | |
We can discuss that down at the station now, can't we? | 0:10:07 | 0:10:10 | |
DOOR OPENS Come on. > | 0:10:12 | 0:10:14 | |
Take a seat, Angie. | 0:10:22 | 0:10:25 | |
Recognise anyone? | 0:10:34 | 0:10:35 | |
We know for a fact you worked for Cameron Tennant. | 0:10:37 | 0:10:39 | |
How about this guy - Sean Kennedy? Do you know him? | 0:10:47 | 0:10:50 | |
-No. -You sure about that? | 0:10:51 | 0:10:54 | |
MOBILE PHONE RINGS | 0:11:22 | 0:11:24 | |
HE SIGHS | 0:11:24 | 0:11:25 | |
There you go. | 0:11:34 | 0:11:35 | |
What happened to you? | 0:11:35 | 0:11:37 | |
-MOBILE PHONE RINGS AGAIN -I had a late one last night. | 0:11:37 | 0:11:40 | |
-I was through in Edinburgh visiting a mate. -Speak. | 0:11:40 | 0:11:43 | |
Lenny. | 0:11:43 | 0:11:45 | |
I'm glad you picked up, eventually. | 0:11:45 | 0:11:48 | |
-'Listen...' -No! | 0:11:48 | 0:11:50 | |
No, you listen. I don't deal with your kind, OK. | 0:11:50 | 0:11:52 | |
I never have, I never will. You get it? | 0:11:52 | 0:11:55 | |
Don't phone again. | 0:11:55 | 0:11:57 | |
Who was that? | 0:11:59 | 0:12:01 | |
Fancy a coffee? | 0:12:01 | 0:12:03 | |
Aye. | 0:12:03 | 0:12:04 | |
Get me one while you're there, will you? Milk and two sugar. | 0:12:04 | 0:12:07 | |
-I'm happy to stay here all day, if that's what it takes. -Really? You don't look very happy. | 0:12:21 | 0:12:25 | |
I get you're scared, OK. | 0:12:26 | 0:12:28 | |
Look, I want to help you. | 0:12:32 | 0:12:34 | |
Aw, you're not like other polis, is that it? | 0:12:35 | 0:12:37 | |
You're doing this out of the goodness of your heart? Give it a rest, eh? | 0:12:37 | 0:12:40 | |
We both know there's other girls out there in the same situation Alicia was before she died. | 0:12:40 | 0:12:45 | |
-You don't know anything. -So tell me what's going on. | 0:12:47 | 0:12:50 | |
Where's my brief? | 0:12:52 | 0:12:54 | |
Someone's on their way. | 0:12:56 | 0:12:58 | |
Well, I don't have to say it until he gets here, | 0:12:58 | 0:13:00 | |
so be a doll, would you, and tell him to hurry up. | 0:13:00 | 0:13:02 | |
Well, then? What you waiting for? | 0:13:04 | 0:13:06 | |
How about we go back to your house, turn it over, see what we find? | 0:13:06 | 0:13:09 | |
-No bother. You won't find anything! -DC Cooper... | 0:13:09 | 0:13:11 | |
-You'd be surprised what I find when I put my mind to it. -Is that right? | 0:13:11 | 0:13:14 | |
A word, please. | 0:13:14 | 0:13:16 | |
Explain yourself. | 0:13:25 | 0:13:27 | |
That's Angie! | 0:13:27 | 0:13:28 | |
Standing next to Alicia in the photo. She knew her. | 0:13:28 | 0:13:31 | |
-She helped Nicole Brodie get away from Cameron Tennant. It's in her file. -What's she said? | 0:13:31 | 0:13:35 | |
-Nothing yet, but... -I'll talk to her. | 0:13:35 | 0:13:38 | |
DOOR OPENS | 0:13:45 | 0:13:46 | |
Hi, Angie. I'm DCI Donald. | 0:13:46 | 0:13:50 | |
You all right for a drink? Do you want a tea or anything? | 0:13:53 | 0:13:56 | |
My colleague here seems to think you knew Alicia Petrauskas. | 0:13:58 | 0:14:01 | |
Look, Angie, you're not in any trouble, OK? | 0:14:04 | 0:14:07 | |
Anything you tell me'll just be between us. | 0:14:07 | 0:14:10 | |
Oh, I'm supposed to trust you? This one's just after threatening me. | 0:14:10 | 0:14:14 | |
Ignore him. He's new. He gets a bit emotional. | 0:14:14 | 0:14:16 | |
This picture. | 0:14:20 | 0:14:22 | |
It's obviously you, next to Alicia. | 0:14:22 | 0:14:24 | |
Were you two close? | 0:14:24 | 0:14:26 | |
I want my brief. | 0:14:26 | 0:14:29 | |
Look, let's just get this sorted out and you can be on your way, yeah? | 0:14:29 | 0:14:33 | |
Did Alicia work for Cameron Tennant as well? | 0:14:36 | 0:14:38 | |
Angie? | 0:14:41 | 0:14:42 | |
-Did she stay with you? -No! -But you met her? | 0:14:44 | 0:14:49 | |
Just the once. She wasn't a mate. | 0:14:49 | 0:14:51 | |
What was the occasion? | 0:14:51 | 0:14:53 | |
A party. | 0:14:53 | 0:14:54 | |
That's what they called it anyway. | 0:14:56 | 0:14:58 | |
-That's where the picture's from. -Who else was there? | 0:14:58 | 0:15:00 | |
I didn't catch their names. | 0:15:00 | 0:15:01 | |
Look, I think I remember where the party was. | 0:15:11 | 0:15:13 | |
If I give you the address, will you give me peace? | 0:15:13 | 0:15:15 | |
That would be really good of you. | 0:15:15 | 0:15:17 | |
Oh, thanks a million. | 0:15:27 | 0:15:30 | |
OK, Angie, you're free to go. This officer will see you home. | 0:15:30 | 0:15:34 | |
Thanks again for your help today. We really appreciate it. | 0:15:41 | 0:15:44 | |
Why did you let her go? | 0:15:47 | 0:15:49 | |
Because, right now, that girl is too scared | 0:15:49 | 0:15:51 | |
to tell us anything that might help us. I know her type. | 0:15:51 | 0:15:55 | |
You push her too hard, she's going to clam up for good. | 0:15:55 | 0:15:58 | |
You need to build up trust. | 0:15:58 | 0:15:59 | |
I was getting somewhere. | 0:15:59 | 0:16:01 | |
No, you weren't! | 0:16:01 | 0:16:02 | |
Right, so I'll go and check out the address, yeah? | 0:16:35 | 0:16:38 | |
You've got plenty to be getting on with right here. | 0:16:38 | 0:16:40 | |
-But it's the best lead we got. -That's a matter of opinion, | 0:16:43 | 0:16:46 | |
and it just so happens my opinion's the one that matters. | 0:16:46 | 0:16:49 | |
-Just because... -What? | 0:16:50 | 0:16:52 | |
-Nothing. -No, go on, just because what? | 0:16:52 | 0:16:55 | |
-Just because it was me who found her and not you. -Aw... | 0:16:55 | 0:16:59 | |
I'll pretend you didn't just say that. | 0:16:59 | 0:17:01 | |
Why did you bring me on this case if you won't give me a chance?! | 0:17:01 | 0:17:04 | |
You think it was my decision? | 0:17:04 | 0:17:06 | |
Certain people upstairs thought you'd bring something different to the team. | 0:17:06 | 0:17:09 | |
Sure enough, you've already brought a bit of colour to the place, eh? | 0:17:09 | 0:17:12 | |
Look... Get your head down, work your way through those files, | 0:17:14 | 0:17:17 | |
I'll meet you at the address in an hour. We'll see what's what. | 0:17:17 | 0:17:20 | |
Is that all right with you? | 0:17:21 | 0:17:24 | |
-Yes. -Glad to hear it. | 0:17:24 | 0:17:26 | |
HE SIGHS | 0:17:31 | 0:17:33 | |
MEN CHATTER > | 0:17:33 | 0:17:35 | |
What?! | 0:17:35 | 0:17:37 | |
MOBILE PHONE RINGS | 0:17:37 | 0:17:40 | |
Robbie. | 0:17:45 | 0:17:46 | |
Hiya! So did you like them? | 0:17:46 | 0:17:49 | |
-What? -'The flowers.' | 0:17:49 | 0:17:52 | |
Yeah, they're...nice. | 0:17:53 | 0:17:55 | |
'Nice? You don't have anything else to say,' | 0:17:55 | 0:17:58 | |
like, you know, "Thank you, that was really thoughtful"? | 0:17:58 | 0:18:01 | |
I've got a lot on my plate right now, Robbie. | 0:18:01 | 0:18:03 | |
I know, that's why I sent you the flowers! | 0:18:03 | 0:18:07 | |
Hello? | 0:18:09 | 0:18:10 | |
-Look, it's not appropriate to send me flowers at work, OK? -'Says who?' | 0:18:10 | 0:18:15 | |
Is this a bad line or something? | 0:18:15 | 0:18:17 | |
Just...just stop it. | 0:18:17 | 0:18:19 | |
-Stop what? -I'm trying to get people to take me seriously here. | 0:18:19 | 0:18:23 | |
What's that supposed to mean? | 0:18:23 | 0:18:25 | |
If this is what it's going to be like, I don't think I can do it. | 0:18:25 | 0:18:28 | |
What happened? | 0:18:34 | 0:18:35 | |
I think I just got dumped. | 0:18:35 | 0:18:37 | |
PANTING | 0:18:40 | 0:18:43 | |
HE GASPS | 0:18:43 | 0:18:45 | |
-All right, big man! -All right, Jimmy? -Aye. | 0:18:45 | 0:18:47 | |
-Aw, you'll be dancing up those stairs in no time. -Eh? | 0:18:47 | 0:18:52 | |
-I've heard you're trying to lose a bit of weight. -Who said that? | 0:18:52 | 0:18:56 | |
Er, nobody! It was just, er... | 0:18:56 | 0:18:59 | |
Have folk got nothing better to talk about? | 0:18:59 | 0:19:02 | |
It was only Scarlett, but I mean... | 0:19:02 | 0:19:05 | |
-How's it going anyway? -Fine. -Right. | 0:19:05 | 0:19:09 | |
-I'll catch you later on, eh? -Right. | 0:19:09 | 0:19:12 | |
What are you looking for? | 0:19:26 | 0:19:28 | |
Nothing. | 0:19:28 | 0:19:29 | |
You worrying about Silvie? | 0:19:33 | 0:19:35 | |
I just wish I knew where she was. | 0:19:35 | 0:19:38 | |
It's your birthday. Give yourself a break. | 0:19:38 | 0:19:42 | |
-Hiya. -Hi. -I'm terrible at wrapping, I'm sorry, but there you go. | 0:19:42 | 0:19:46 | |
-Happy birthday... Mwah! ..again. -Thank you. -Ha-ha! It's not much. | 0:19:46 | 0:19:51 | |
Aw, I love it! | 0:19:53 | 0:19:56 | |
Aw, it's lovely! Could you not find one of the three of us, though? | 0:19:56 | 0:20:01 | |
Och, none that I liked. Not of me, anyway. | 0:20:01 | 0:20:05 | |
-Look what Christina gave me. Isn't it beautiful? -Aw, it really suits you! | 0:20:05 | 0:20:09 | |
I have excellent taste. | 0:20:09 | 0:20:10 | |
-Right, about tonight. -We don't have to do anything special. | 0:20:10 | 0:20:14 | |
Scarlett's got it into her head we're having a big family meal, | 0:20:14 | 0:20:17 | |
but I thought it'd be nicer if maybe me and you just did something here. | 0:20:17 | 0:20:20 | |
I'd cook, we'd watch a film. Mum's away at the bingo anyway. | 0:20:20 | 0:20:23 | |
-I'm sure I could find something to do with myself. -What do you reckon? | 0:20:23 | 0:20:26 | |
-It sounds really lovely. -Yeah? -Yeah. -Yey! | 0:20:26 | 0:20:30 | |
HE BLOWS ON THE KNIFE | 0:20:39 | 0:20:41 | |
Chick flicks! They're just for lassies, man! | 0:20:41 | 0:20:45 | |
-Fine, whatever. -But action films, now they're for everybody, | 0:20:45 | 0:20:48 | |
and, anyway, you got to choose the last time. | 0:20:48 | 0:20:50 | |
That's the guy, isn't it? The one in the picture. Sean something. | 0:20:53 | 0:20:58 | |
-You did recognise him before? -Just leave it. -Who is he? -I don't know. | 0:20:59 | 0:21:03 | |
-But what, you saw him at Cammy's? -I don't want to talk about it. | 0:21:03 | 0:21:06 | |
Nicole, if you remember something, you need to tell the polis! | 0:21:06 | 0:21:09 | |
All right, I get it, you want to put the whole thing behind you, | 0:21:11 | 0:21:15 | |
but it's all right. | 0:21:15 | 0:21:17 | |
-Hey, you're safe now. -Am I? | 0:21:17 | 0:21:19 | |
If you don't want to talk to the polis, at least talk to me. | 0:21:19 | 0:21:23 | |
-Come here! -Cammy's dead! | 0:21:23 | 0:21:25 | |
My dad's in jail. I don't want anyone else getting hurt. | 0:21:25 | 0:21:30 | |
Nicole, wait. | 0:21:30 | 0:21:32 | |
-HE LAUGHS: -Aye, I know! | 0:21:42 | 0:21:44 | |
-Hey, where are you going? -Where's Lenny? > | 0:21:44 | 0:21:47 | |
Aye, well, if he wants. | 0:21:47 | 0:21:49 | |
-Why? -I just want a wee chat with him. | 0:21:49 | 0:21:51 | |
Wait a minute, let me get a pen here. | 0:21:51 | 0:21:52 | |
Will you just listen to me for one second?! | 0:21:52 | 0:21:55 | |
-I don't know how long he'll be. -Hold on a wee minute, will you? | 0:21:55 | 0:21:58 | |
And even if I knew where he is, it still isn't any of your business! | 0:21:58 | 0:22:01 | |
Now, look, I'm not going to tell you again! | 0:22:01 | 0:22:05 | |
-< if you'd leave your name... -I'll call you back. | 0:22:05 | 0:22:08 | |
< ..I'll pass it on to Mr Murdoch. Are you deaf?! | 0:22:08 | 0:22:11 | |
< Leave your name and I'll pass it on. | 0:22:11 | 0:22:14 | |
Lenny. | 0:22:15 | 0:22:17 | |
And you stay right where you are! | 0:22:17 | 0:22:19 | |
It's all right, Molly. | 0:22:19 | 0:22:21 | |
Listen, why don't you take a walk round the block? Get a cup of tea. | 0:22:21 | 0:22:25 | |
-Are you soft in the head? -I've got a proposition for you. | 0:22:37 | 0:22:40 | |
Does it involve you walking out of here before I lose my temper? | 0:22:40 | 0:22:44 | |
We should be working together. | 0:22:44 | 0:22:46 | |
I know the way you operate. It's not for me. | 0:22:46 | 0:22:48 | |
See, the way things are going, you might find that working with me | 0:22:48 | 0:22:53 | |
is a lot less...dangerous than working against me. | 0:22:53 | 0:22:56 | |
You hear what I'm saying? | 0:22:56 | 0:22:57 | |
I'll take my chances. | 0:22:57 | 0:22:59 | |
Beat it. | 0:22:59 | 0:23:01 | |
-Problem? -No, no. | 0:23:02 | 0:23:05 | |
Escort the lady from the premises, will you? | 0:23:05 | 0:23:08 | |
-Sean Kennedy. -Very good. | 0:23:08 | 0:23:10 | |
The door's that way, pal. | 0:23:10 | 0:23:12 | |
Aye, easy, big man. I'm leaving. | 0:23:12 | 0:23:14 | |
Gabriel Brodie? | 0:23:33 | 0:23:35 | |
-I've been hearing good things about you. -From who? -People. | 0:23:35 | 0:23:40 | |
How long you been working for Lenny? | 0:23:40 | 0:23:41 | |
Who wants to know? | 0:23:41 | 0:23:43 | |
Treat you well, does he? | 0:23:43 | 0:23:45 | |
Listen... you know he's a dinosaur, right? | 0:23:45 | 0:23:49 | |
I mean, if you want to get on, | 0:23:50 | 0:23:52 | |
you'd be better off coming in with me and my boys. | 0:23:52 | 0:23:55 | |
-I think you'd be better getting on your way, pal. -Here's the thing, eh? | 0:23:55 | 0:23:59 | |
I've just imported a load of booze from the continent. A lot of it. | 0:23:59 | 0:24:03 | |
But my buyer fell through, we had a wee fallin' out. | 0:24:03 | 0:24:06 | |
Shame. | 0:24:06 | 0:24:08 | |
I was hoping Lenny might be able to help me out. Anyway... | 0:24:08 | 0:24:11 | |
..if you know anyone who might be interested in a very good deal... | 0:24:13 | 0:24:17 | |
..I'm offering a very generous finder's fee. | 0:24:20 | 0:24:23 | |
Hey! Jimmy Mullen, eh, as I live and breathe! | 0:24:26 | 0:24:30 | |
Sean. | 0:24:30 | 0:24:31 | |
That was a terrible business, you getting stabbed like that. | 0:24:31 | 0:24:35 | |
Terrible business. I mean... | 0:24:35 | 0:24:38 | |
if you're going to stab somebody in the gut, | 0:24:38 | 0:24:40 | |
at least do a decent job and actually kill them, know what I mean? But hey, | 0:24:40 | 0:24:45 | |
it's good to see you back on your feet again, mate. | 0:24:45 | 0:24:49 | |
I'll see youse later, right? | 0:24:49 | 0:24:51 | |
-What was he after? -Nothing. | 0:24:57 | 0:25:00 | |
Hey! | 0:25:00 | 0:25:01 | |
Guys like him, they don't muck about. | 0:25:01 | 0:25:05 | |
Cheers for the tip. | 0:25:05 | 0:25:07 | |
Are you sure? I mean, we could just have it in here. | 0:25:14 | 0:25:16 | |
Then you wouldn't have to think about clearing up! | 0:25:16 | 0:25:19 | |
It's so kind of you to offer, but a quiet night in is... | 0:25:19 | 0:25:22 | |
Just like every other night! | 0:25:22 | 0:25:23 | |
-Hey, it's the birthday girl! -Hi. -Happy birthday! -Thank you. | 0:25:23 | 0:25:28 | |
Right, well... | 0:25:28 | 0:25:30 | |
I was going to wrap this and give you it later, but here you go. | 0:25:30 | 0:25:34 | |
Oh... | 0:25:34 | 0:25:36 | |
What do you think? | 0:25:36 | 0:25:38 | |
That's so kind. Oh, I love it! Thanks! | 0:25:38 | 0:25:41 | |
We know how to do birthdays right in this family, don't we, Mum? | 0:25:41 | 0:25:44 | |
-Well, somebody's just after saying they want a quiet night in. -What? | 0:25:44 | 0:25:48 | |
-Bob suggested we stay in... -Aye, it's not his birthday, is it? -No, but... | 0:25:48 | 0:25:53 | |
No, we should go out. Dinner and drinks. | 0:25:53 | 0:25:55 | |
I know a great wee place you can bring your own bottle. | 0:25:55 | 0:25:57 | |
-I'm sure I can get a good wee crowd together. -I'm not sure if... | 0:25:57 | 0:26:00 | |
See, when you don't feel like a night out, that's when you really need one. | 0:26:00 | 0:26:04 | |
Aye, it wouldn't do my brother any harm to get his fat bahookie off the sofa for a night! | 0:26:04 | 0:26:08 | |
-See you later! -See you. -Bahoo...? | 0:26:08 | 0:26:11 | |
-SHE LAUGHS: Oh, I see! -So what do you reckon? | 0:26:11 | 0:26:14 | |
-I suppose I could... -Brilliant! I'll start letting people know. | 0:26:14 | 0:26:19 | |
Why are you standing in the middle of my office? | 0:26:27 | 0:26:30 | |
-What was he wanting? -Who? | 0:26:30 | 0:26:33 | |
That guy - Sean. | 0:26:33 | 0:26:35 | |
Never you mind him. | 0:26:35 | 0:26:36 | |
He said something about shifting some booze. | 0:26:36 | 0:26:39 | |
-Did he now? -Aye. | 0:26:39 | 0:26:41 | |
I've got a mate, he owns some pubs, clubs... | 0:26:41 | 0:26:43 | |
Not interested. | 0:26:43 | 0:26:45 | |
-You never even heard what I had to say. -Cos I don't have to! | 0:26:45 | 0:26:47 | |
Look, you wouldn't need to do anything, I can handle it. | 0:26:47 | 0:26:51 | |
Fine. | 0:26:56 | 0:26:58 | |
Sir? I'm outside the property. Been here 40 minutes. | 0:27:51 | 0:27:55 | |
Talk to you soon. | 0:27:55 | 0:27:56 | |
DOG BARKS | 0:28:18 | 0:28:21 | |
YOUTHS CHATTER | 0:28:21 | 0:28:23 | |
CHATTER CONTINUES | 0:28:29 | 0:28:30 | |
PAGER BEEPS | 0:28:32 | 0:28:34 | |
Police! Stay where you are! | 0:28:34 | 0:28:35 | |
PUNCH! Agh! | 0:28:35 | 0:28:37 | |
Hey! Come here! | 0:28:37 | 0:28:40 | |
Just calm down! Calm down, will you?! | 0:28:41 | 0:28:44 | |
THUD! Oof! Agh! | 0:28:44 | 0:28:46 | |
I told you to wait for me. | 0:29:06 | 0:29:08 | |
I saw two suspicious guys, I just...I followed them in. | 0:29:08 | 0:29:11 | |
And? | 0:29:11 | 0:29:13 | |
I challenged them and they just pushed past me. | 0:29:13 | 0:29:16 | |
Look, I waited for you for about... | 0:29:18 | 0:29:19 | |
I said we would check it out, not go marching in. | 0:29:19 | 0:29:23 | |
You'd no idea who might have been in there. | 0:29:23 | 0:29:25 | |
-Oh, it's like amateur hour! -I didn't know how long you'd be! | 0:29:25 | 0:29:28 | |
Your job was to wait for me! Is it really worth getting yourself killed just so you can be the big hero? | 0:29:28 | 0:29:34 | |
Hey! You're skating on very thin ice, d'you understand? | 0:29:34 | 0:29:37 | |
-So what did you find inside? -Nothing. Angie was having us on. | 0:29:39 | 0:29:43 | |
And the two guys you followed in? | 0:29:43 | 0:29:44 | |
I found a needle. I just think they were just looking for somewhere to shoot up. | 0:29:44 | 0:29:48 | |
Get yourself cleaned up and get in your car. | 0:29:48 | 0:29:50 | |
We're going back to see Angie. | 0:29:50 | 0:29:52 | |
And, you, do not say a word to her! | 0:29:55 | 0:29:59 | |
-You want a drink? -Can you help me out on that? | 0:30:08 | 0:30:11 | |
Aye, I can. So how much booze are we talking about? | 0:30:11 | 0:30:15 | |
Lenny doesn't know you're here, I take it. | 0:30:15 | 0:30:18 | |
-No. -Cos if I find out you're trying to play me, | 0:30:18 | 0:30:21 | |
having Lenny Murdoch standing behind you isnae going to help you. | 0:30:21 | 0:30:24 | |
-So how much are we talking about? -Two van loads, spirits. | 0:30:24 | 0:30:28 | |
I'm looking for three grand. | 0:30:28 | 0:30:30 | |
It's a bargain, but it needs to happen today. | 0:30:30 | 0:30:33 | |
You'll double your money on this, even if you sell it on the cheap. | 0:30:33 | 0:30:36 | |
-Where's the buyer? -South side. | 0:30:36 | 0:30:39 | |
I'll need a deposit, eh? | 0:30:39 | 0:30:41 | |
Let's say...20%? | 0:30:41 | 0:30:44 | |
That's 600 quid. | 0:30:44 | 0:30:46 | |
Your guy pays the balance on delivery. | 0:30:46 | 0:30:49 | |
Fine. But he'll need to check out what he's buying first. | 0:30:49 | 0:30:53 | |
I'll take that now, then. The deposit. | 0:30:53 | 0:30:56 | |
Well, I'll need five minutes. Just wait here. I'll be right back. | 0:30:58 | 0:31:02 | |
'No, it needs to be today.' | 0:31:07 | 0:31:10 | |
Hey, good man! Look, I'll tell you what, | 0:31:10 | 0:31:13 | |
I'll give you a phone back when I found out what time, right? | 0:31:13 | 0:31:15 | |
-Cheers for that, Laurence. -What you doing with my money? | 0:31:15 | 0:31:18 | |
If you're going to rob the place, try to be more subtle about it. | 0:31:20 | 0:31:23 | |
-I was just heading to the bank. -Fair enough. | 0:31:23 | 0:31:26 | |
-Wait a minute, the bank you're going to, is it the one in the town? -Aye. | 0:31:26 | 0:31:29 | |
-How you getting there? -I've not thought about it. | 0:31:29 | 0:31:31 | |
Take a taxi, on the house. Tell Molly, she'll sort it out. | 0:31:31 | 0:31:34 | |
-Right, OK, cheers. -I was thinking, listen, see on your way back.. | 0:31:34 | 0:31:37 | |
-It's a dry cleaning receipt! -I know. I'm going down the casino tonight. I want my lucky suit. | 0:31:40 | 0:31:45 | |
Hey, it was you that came to me in the first place, wanting me to get involved, remember? | 0:31:45 | 0:31:49 | |
-Eh? -I'm not some errand boy! | 0:31:49 | 0:31:51 | |
You know I've been around, I know a few people! | 0:31:51 | 0:31:53 | |
You know I can get things done. I'm not some sort of kid. | 0:31:53 | 0:31:56 | |
Ho! | 0:31:56 | 0:31:58 | |
I just knew you'd be passing! | 0:31:58 | 0:32:00 | |
It'll take you a couple of secs. | 0:32:00 | 0:32:02 | |
I'll send a driver. | 0:32:02 | 0:32:04 | |
Sorry. | 0:32:04 | 0:32:05 | |
Quite the hissy fit. | 0:32:06 | 0:32:08 | |
Right, what's this about? Sean and his dodgy booze? | 0:32:09 | 0:32:12 | |
No. | 0:32:12 | 0:32:14 | |
-HE SIGHS: -Look... | 0:32:14 | 0:32:16 | |
This is not about me not thinking you're up to it, right? | 0:32:16 | 0:32:19 | |
I know you are, but this guy, he's toxic. Seriously. | 0:32:19 | 0:32:23 | |
Sure. | 0:32:23 | 0:32:25 | |
Right, give us it. | 0:32:25 | 0:32:27 | |
-It's all right... -No, give me it. -It's all right, I'll get it. | 0:32:27 | 0:32:31 | |
Fine. | 0:32:32 | 0:32:33 | |
But I thought you were up for a quiet night in just the two of us? | 0:32:36 | 0:32:40 | |
-I was, but I spoke to Scarlett and... -I've started cooking. | 0:32:40 | 0:32:45 | |
OK, well... | 0:32:45 | 0:32:48 | |
How about we still have dinner together, the two of us, | 0:32:48 | 0:32:51 | |
and then we meet everyone else at the pub? | 0:32:51 | 0:32:54 | |
Who's everyone else? | 0:32:54 | 0:32:56 | |
I don't know. Kelly-Marie is letting people know. | 0:32:56 | 0:32:58 | |
-What's it got to do with her?! -She's being nice. -And I'm not? | 0:32:58 | 0:33:02 | |
Look, I wasn't sure at first, but we do stay in most nights and... | 0:33:02 | 0:33:08 | |
It's what I want, so let's just enjoy it, OK? | 0:33:08 | 0:33:12 | |
Aye, aye. OK. | 0:33:14 | 0:33:16 | |
HE SIGHS | 0:33:21 | 0:33:22 | |
Unfortunately, we didn't find anything at that address you gave us. | 0:33:30 | 0:33:34 | |
-I must have remembered wrong. -Och, well, no harm done. | 0:33:34 | 0:33:38 | |
What? | 0:33:38 | 0:33:40 | |
What happened to your face, then? Somebody give you a smack? | 0:33:40 | 0:33:45 | |
May I? | 0:33:45 | 0:33:47 | |
So you did know Alicia a bit, then? | 0:33:58 | 0:34:01 | |
Not really. | 0:34:01 | 0:34:03 | |
-I was using back then, so... -You're not using now? | 0:34:03 | 0:34:06 | |
No. I'm on the methadone. | 0:34:06 | 0:34:08 | |
Well, one step at a time. | 0:34:08 | 0:34:12 | |
Good for you. | 0:34:12 | 0:34:13 | |
Cheers. And I'm not on the game any more either. | 0:34:14 | 0:34:17 | |
I'm trying to find a job and all. | 0:34:17 | 0:34:20 | |
-Sounds like you're really turning things around. -I do my best. | 0:34:20 | 0:34:24 | |
HE SIGHS LOUDLY > | 0:34:26 | 0:34:28 | |
Look, sit down, would you?! You're making us nervous. | 0:34:28 | 0:34:31 | |
-So what is he, like a trainee or something? -Pretty much. | 0:34:41 | 0:34:44 | |
Is it your first day, aye? | 0:34:44 | 0:34:47 | |
-Look, why don't you just...? -Sit there and hold your tongue or you can wait outside. | 0:34:47 | 0:34:51 | |
So what can you tell us about Alicia from when you knew her? | 0:34:57 | 0:35:00 | |
-Her English wasn't that good, so you couldn't really have a conversation with her. -But did you like her? | 0:35:00 | 0:35:06 | |
Aye, she was all right. Sweet. | 0:35:06 | 0:35:09 | |
Look, if I could've done something for her, I would've. | 0:35:10 | 0:35:13 | |
Well, by the sounds of things, you'd enough on your own plate. | 0:35:13 | 0:35:17 | |
Aye. | 0:35:18 | 0:35:20 | |
Look... | 0:35:21 | 0:35:23 | |
there's nothing we can do for Alicia now, | 0:35:23 | 0:35:27 | |
but think about all the other girls we can help. | 0:35:27 | 0:35:30 | |
I'm trying to help you, all right?! | 0:35:30 | 0:35:31 | |
-You don't know what these people are like! -We can keep you safe. | 0:35:31 | 0:35:35 | |
Oh, stop wasting our time and just tell us what you know! | 0:35:38 | 0:35:41 | |
-Was Cameron Tennant Alicia's pimp? -Detective Constable Cooper! Wait outside! | 0:35:41 | 0:35:45 | |
-You're a pretty good actress, but do you expect us to believe... -Enough! | 0:35:45 | 0:35:49 | |
-..you give a toss about anyone? -Outside! Now! | 0:35:49 | 0:35:51 | |
-So you got lucky and made it out, so sod the rest of them? -Get out! | 0:35:53 | 0:35:56 | |
-Angie, he's just leaving. -Both of you! | 0:35:56 | 0:35:58 | |
-Angie... -Stop saying my name, all right?! | 0:35:58 | 0:36:00 | |
You don't care about me or Alicia or anybody else, | 0:36:00 | 0:36:03 | |
so stop pretending like you do! | 0:36:03 | 0:36:04 | |
-No, I'm nothing to youse lot! -Let's just take a minute... | 0:36:05 | 0:36:09 | |
What are you still doing here? I told youse to get out! | 0:36:09 | 0:36:13 | |
Go on! | 0:36:15 | 0:36:17 | |
She wasn't going to tell us anything. | 0:36:24 | 0:36:26 | |
Well, thanks to you, we'll never know for sure! Do you think I give two hoots about that girl? | 0:36:26 | 0:36:30 | |
You think I was giving her all that chat out of a sense of genuine concern? I was working her. | 0:36:30 | 0:36:34 | |
Saying what needed to be said to try and get her to open up. | 0:36:34 | 0:36:37 | |
-I know that. -Do you, though? -Why have you got such a problem with me? | 0:36:37 | 0:36:40 | |
Hey, I could have you disciplined for the way you carried on today. | 0:36:40 | 0:36:43 | |
Was it seeing me and my boyfriend this morning? | 0:36:43 | 0:36:46 | |
-What?! -Is that it? -Do yourself a favour - stop talking. | 0:36:46 | 0:36:49 | |
-Try and act professionally for five minutes, all right? -Oh?! | 0:36:49 | 0:36:51 | |
What about you? Swanning off for hours at a time. | 0:36:51 | 0:36:54 | |
So it's OK for you to have a personal life, is it? | 0:36:54 | 0:36:56 | |
This has nothing to do with my personal life or anybody else's. | 0:36:56 | 0:37:00 | |
As it happens, yes, you've probably heard, my divorce is not what you'd call amicable. | 0:37:00 | 0:37:05 | |
So pardon me if I've been a bit out of sorts. | 0:37:05 | 0:37:07 | |
But my personal life's the way it is, because I always put the job first. Always! | 0:37:07 | 0:37:13 | |
I am sick of baby-sitting you! | 0:37:13 | 0:37:15 | |
HE KNOCKS ON THE WINDOW | 0:37:24 | 0:37:26 | |
-Am I off the case? -You'd love that, wouldn't you? | 0:37:29 | 0:37:31 | |
So you can bleat to the chief about how you weren't given a fair go. No! | 0:37:31 | 0:37:35 | |
No, you're not off the case, but when you see the pointless | 0:37:35 | 0:37:37 | |
and, frankly, mind-numbing guff I'm going to have you doing, | 0:37:37 | 0:37:40 | |
you'll wish you'd never heard of it! | 0:37:40 | 0:37:42 | |
There you are. | 0:37:48 | 0:37:50 | |
-Is he in? -Oh, ho-ho! | 0:37:50 | 0:37:52 | |
Doing his washing now? | 0:37:52 | 0:37:55 | |
Is he in? | 0:37:55 | 0:37:56 | |
-He'll be back in a minute. -Just make sure he gets this, then, will you? | 0:37:56 | 0:38:00 | |
You know, I've got a big pile of washing back at the house | 0:38:00 | 0:38:04 | |
if you're looking for something to fill your time. | 0:38:04 | 0:38:07 | |
But I wouldn't want you handling my delicates. | 0:38:07 | 0:38:10 | |
SHE LAUGHS LOUDLY | 0:38:10 | 0:38:13 | |
Ha-ha(!) There's no danger of that, believe me. | 0:38:13 | 0:38:16 | |
MOBILE PHONE RINGS | 0:38:16 | 0:38:18 | |
Hello, Lawrence. | 0:38:19 | 0:38:21 | |
How'd it go? | 0:38:21 | 0:38:23 | |
Aw, that's magic! Brilliant, listen I'll catch you later, all right? | 0:38:23 | 0:38:27 | |
What do you think? | 0:38:34 | 0:38:36 | |
< It's gorgeous! | 0:38:36 | 0:38:38 | |
You sure? Are you sure it's not too...? | 0:38:38 | 0:38:41 | |
Mum, you'll look hot. Bob, don't you think? | 0:38:41 | 0:38:44 | |
-Mmm? -What do you think of Mum's new top? | 0:38:44 | 0:38:47 | |
Aye. Aye, you'll look beautiful. | 0:38:47 | 0:38:50 | |
Thank you. | 0:38:51 | 0:38:53 | |
I'd better go to the salon. | 0:38:53 | 0:38:55 | |
What time are we eating? | 0:38:55 | 0:38:57 | |
There's no rush. | 0:38:57 | 0:38:59 | |
But we are going to have an early one, so we can go to the pub? | 0:38:59 | 0:39:03 | |
Aye, well, it doesn't matter if we're late. The pub doesn't shut till 11 anyway, so we're all right. | 0:39:03 | 0:39:07 | |
-You can't have a birthday party without the guest of honour now, can you? -I suppose not. | 0:39:07 | 0:39:12 | |
HESITANTLY: OK. | 0:39:12 | 0:39:13 | |
I'll see you later. | 0:39:13 | 0:39:16 | |
Bye. | 0:39:16 | 0:39:17 | |
DOOR CLOSES | 0:39:17 | 0:39:19 | |
-You want to tell me what's going on? -There's nothing to tell. | 0:39:22 | 0:39:26 | |
Why don't you want to go to the pub? | 0:39:27 | 0:39:29 | |
What's wrong? | 0:39:35 | 0:39:37 | |
-Bob... -I just don't really want to be around a lot of people the now, right? | 0:39:38 | 0:39:43 | |
Why not? | 0:39:43 | 0:39:44 | |
Look, you saw how good your mum's going to look in that new top. | 0:39:46 | 0:39:50 | |
And? | 0:39:50 | 0:39:52 | |
Well, how am I going to feel standing next to her? | 0:39:53 | 0:39:56 | |
I don't know, proud, happy maybe? | 0:39:56 | 0:39:59 | |
You think? Looking like this? | 0:39:59 | 0:40:02 | |
-Bob... -Look, just leave it. Leave me alone. | 0:40:04 | 0:40:07 | |
-And don't say anything to your mother. -I won't. | 0:40:07 | 0:40:10 | |
-But maybe you should say something. -No! | 0:40:10 | 0:40:14 | |
Look, maybe...maybe you won't feel so bad when you get there. | 0:40:16 | 0:40:21 | |
Aye, maybe. | 0:40:22 | 0:40:24 | |
Don't all men have like a lucky shirt or something? | 0:40:30 | 0:40:33 | |
-What? -The one they save for special occasions when they want to be at their best. | 0:40:33 | 0:40:38 | |
Aye, well, there is the one I wore the night I met your mother, aye. | 0:40:39 | 0:40:42 | |
Sounds pretty lucky to me. | 0:40:42 | 0:40:45 | |
-I've not worn it in a while. -Well, there you go. | 0:40:45 | 0:40:48 | |
-I bet, if you wear it tonight, you'll feel invincible. -Invincible? | 0:40:48 | 0:40:52 | |
Absolutely. | 0:40:52 | 0:40:54 | |
There's your deposit back and your finder's fee. | 0:41:05 | 0:41:07 | |
-Glad to hear it all went so smoothly. -Yep. | 0:41:07 | 0:41:11 | |
I meant what I said earlier. | 0:41:11 | 0:41:13 | |
Hitching your wagon to Lenny Murdoch | 0:41:13 | 0:41:15 | |
is not the smart thing to be doing right now. He's on the way out. | 0:41:15 | 0:41:19 | |
Everybody knows that. | 0:41:19 | 0:41:21 | |
Whereas me on the other hand... | 0:41:21 | 0:41:23 | |
I don't want a new boss. | 0:41:23 | 0:41:25 | |
You sure? | 0:41:25 | 0:41:26 | |
I've got a lot on at the moment and I need good people. | 0:41:26 | 0:41:29 | |
I like being self-employed. I don't want to be anybody's lackey. | 0:41:29 | 0:41:33 | |
Sure? | 0:41:33 | 0:41:35 | |
But if you want to do business, well, you know my number. | 0:41:35 | 0:41:38 | |
Let's talk. Tonight. | 0:41:38 | 0:41:40 | |
I'll let you know where and when. | 0:41:40 | 0:41:42 | |
-There you go and enjoy the rest of your birthday. -Thank you. | 0:41:56 | 0:42:00 | |
I'll see you both at the pub later, yes? | 0:42:00 | 0:42:02 | |
-Definitely. -Probably. | 0:42:02 | 0:42:05 | |
What moany-face means is, "Yes, thank you for inviting me." | 0:42:05 | 0:42:08 | |
Yes, thank you for asking me. | 0:42:08 | 0:42:11 | |
-Good. -Although, actually, I'm not sure I'm in the mood for a party. | 0:42:11 | 0:42:15 | |
-But you just said... -I wouldn't want to bring anybody down. | 0:42:15 | 0:42:18 | |
It's meant to be a happy occasion, isn't it? I'd be like a dark cloud. | 0:42:18 | 0:42:22 | |
OK, well, see how you feel. Bye. | 0:42:22 | 0:42:25 | |
-Bye. -Bye. | 0:42:25 | 0:42:26 | |
Hi. | 0:42:30 | 0:42:33 | |
Look, I'm sorry about before, on the phone. Robbie... | 0:42:33 | 0:42:37 | |
I'm actually at work here, so it's not really "appropriate", OK? | 0:42:37 | 0:42:41 | |
-It just wasn't a great moment and I may have overreacted. -You're right! | 0:42:41 | 0:42:45 | |
I shouldn't have sent the flowers. I should've walked into that office and sat on your knee! | 0:42:45 | 0:42:49 | |
Whoa! I'm not ashamed of who I am. | 0:42:49 | 0:42:51 | |
-What about who I am? -Not one bit. -Aye, right(!) | 0:42:51 | 0:42:54 | |
I've been under a lot of pressure and I've not dealt with it very well. | 0:42:54 | 0:42:58 | |
Whatever. | 0:42:58 | 0:42:59 | |
Knowing I get to see you at the end of the day is what gets me through, all right? | 0:42:59 | 0:43:02 | |
And you're not the only one to call me out for being an idiot today. | 0:43:02 | 0:43:06 | |
-I nearly got booted off the murder case. -What happened? | 0:43:06 | 0:43:10 | |
-Oh, it was nothing. It's my fault. Occupational hazard. -You were injured in the line of duty? | 0:43:10 | 0:43:14 | |
-Well, technically, yeah, but... -There's a first aid kit in the flat. | 0:43:14 | 0:43:18 | |
Robbie, it's just a scratch... | 0:43:18 | 0:43:20 | |
Cancel the rest of my appointments. I've got wounds to attend to! | 0:43:20 | 0:43:23 | |
But you don't have any other appointments. | 0:43:23 | 0:43:27 | |
Right, I'm away, | 0:43:30 | 0:43:33 | |
as soon as I find my keys, that is. | 0:43:33 | 0:43:36 | |
Did you get dressed in the dark or are you wearing that shirt for a bet? | 0:43:41 | 0:43:45 | |
-What's wrong with it? -It doesn't fit. | 0:43:45 | 0:43:47 | |
Well...maybe it shrunk in the wash a little. | 0:43:47 | 0:43:50 | |
Are you saying I don't know how to wash a shirt? | 0:43:50 | 0:43:53 | |
It's the boy that's gotten bigger, not the shirt that's shrunk. ..You better get changed | 0:43:53 | 0:43:58 | |
before a button flies off and takes somebody's eye out. | 0:43:58 | 0:44:01 | |
SHE LAUGHS | 0:44:01 | 0:44:03 | |
LAUGHTER CONTINUES | 0:44:05 | 0:44:08 | |
Have a lovely night. | 0:44:08 | 0:44:10 | |
-So what do you think he's doing in Shieldinch? -Who? | 0:44:23 | 0:44:26 | |
-The guy on the street. -What guy? | 0:44:26 | 0:44:28 | |
The one that... You know who I'm talking about. | 0:44:28 | 0:44:32 | |
Do I? | 0:44:32 | 0:44:33 | |
It's got you scared, I'm not blind. | 0:44:33 | 0:44:35 | |
You're seriously doing my head in. | 0:44:35 | 0:44:37 | |
Talk to the polis! | 0:44:37 | 0:44:39 | |
-This has got nothing to do with you! -Of course it has! | 0:44:39 | 0:44:42 | |
Look... I care. I don't want to see you like this. | 0:44:42 | 0:44:47 | |
But what...? | 0:44:54 | 0:44:55 | |
What if it gets out that I've said something? | 0:44:57 | 0:45:00 | |
What if Angie gets hurt because of it? | 0:45:00 | 0:45:03 | |
And what if she gets hurt, because of something you didn't say? | 0:45:03 | 0:45:06 | |
It sounds to me like a simple case of overcompensating, at work I mean. | 0:45:16 | 0:45:21 | |
-It's more complicated than that. -Is it, though? | 0:45:21 | 0:45:24 | |
You're worried they'll think you're not as rough and tough as them | 0:45:24 | 0:45:28 | |
because you're gay, so you try and prove them wrong. | 0:45:28 | 0:45:31 | |
Maybe. | 0:45:31 | 0:45:34 | |
Charging into dodgy buildings on your own? | 0:45:35 | 0:45:38 | |
There's no maybe about it, is there? | 0:45:38 | 0:45:41 | |
HE LAUGHS No, there's not. | 0:45:41 | 0:45:43 | |
Do you know what, you are one very lucky detective constable | 0:45:43 | 0:45:47 | |
having me to sort all this out for you. | 0:45:47 | 0:45:50 | |
MOBILE PHONE RINGS | 0:45:57 | 0:45:59 | |
Hi. | 0:46:01 | 0:46:03 | |
SHE LAUGHS | 0:46:03 | 0:46:06 | |
No, we've just finished. ..OK. | 0:46:06 | 0:46:09 | |
SHE LAUGHS | 0:46:09 | 0:46:11 | |
Well, we shouldn't be too long. | 0:46:11 | 0:46:13 | |
OK. Well, I'll see you soon. | 0:46:15 | 0:46:18 | |
Bye. | 0:46:18 | 0:46:19 | |
There's plenty more, I made loads. | 0:46:22 | 0:46:24 | |
Oh, I couldn't, you know me and rich food. | 0:46:24 | 0:46:27 | |
Oh, well, I was going to make something healthier, but I thought, | 0:46:27 | 0:46:30 | |
-it's your birthday, so... -I wasn't complaining. It was delicious. | 0:46:30 | 0:46:34 | |
Kelly-Marie is already at the pub. Shall we have a quick coffee and...? | 0:46:34 | 0:46:38 | |
-Well, there's pudding and I'm making you a cake. -Making? | 0:46:38 | 0:46:42 | |
Well, maybe we could go to the pub just now and have the cake after? | 0:46:42 | 0:46:48 | |
I just don't get why you'd rather spend your birthday | 0:46:48 | 0:46:50 | |
with a bunch of randoms than your husband. | 0:46:50 | 0:46:53 | |
Kelly-Marie is family. Scarlett is family. | 0:46:55 | 0:47:00 | |
And the others are my friends. | 0:47:00 | 0:47:03 | |
Can't I be with them AND my husband? | 0:47:03 | 0:47:06 | |
-It's my birthday, after all. -Fine. | 0:47:06 | 0:47:10 | |
Look, just you go on and I'll catch up with you in a minute. | 0:47:10 | 0:47:14 | |
-Fine. -Right. | 0:47:14 | 0:47:15 | |
-Thanks for a lovely dinner. -Aye! | 0:47:17 | 0:47:20 | |
-< No, I'm not letting you! -Robbie! -No! Move! | 0:47:25 | 0:47:28 | |
LAUGHTER > | 0:47:28 | 0:47:30 | |
-Right, I just want to be clear, it's not that they're gay. -I know. | 0:47:30 | 0:47:35 | |
It's just...all the time. | 0:47:35 | 0:47:37 | |
I know! | 0:47:37 | 0:47:39 | |
Have a shower here! > | 0:47:39 | 0:47:41 | |
But I need to go home to get changed. > | 0:47:41 | 0:47:44 | |
-< I'll see you at the pub. -Fine! Bye, then. | 0:47:44 | 0:47:48 | |
Bye! DOOR OPENS AND CLOSES > | 0:47:48 | 0:47:50 | |
Anyway, I thought you liked him? | 0:47:50 | 0:47:52 | |
Hiya! | 0:47:55 | 0:47:56 | |
Life's just amazing, in't it? | 0:47:56 | 0:47:59 | |
MOBILE PHONE RINGS | 0:48:07 | 0:48:10 | |
Hello? ..Uh-huh. | 0:48:14 | 0:48:16 | |
Sure. | 0:48:16 | 0:48:18 | |
Right. Well, no, I'll come to you. Where are you? | 0:48:18 | 0:48:21 | |
OK, yeah. | 0:48:21 | 0:48:23 | |
So...what was it you wanted to tell me? | 0:48:31 | 0:48:33 | |
-Did you find Angie? -I did. | 0:48:33 | 0:48:35 | |
-And she's OK? -Yeah, she's doing well. | 0:48:35 | 0:48:38 | |
She's off the drugs and no longer working as a prostitute. | 0:48:38 | 0:48:41 | |
Did she say anything about...? | 0:48:41 | 0:48:44 | |
Did you show her the same photo you showed me? | 0:48:44 | 0:48:47 | |
Unfortunately, she wasn't very forthcoming. | 0:48:47 | 0:48:51 | |
Did...did you remember something? | 0:48:51 | 0:48:54 | |
No. Sorry, I'm wasting your time. I don't want to get her in trouble. | 0:48:56 | 0:49:02 | |
You're very loyal to her. | 0:49:04 | 0:49:06 | |
If it wasn't for her, I don't know what would've happened to me. | 0:49:06 | 0:49:10 | |
HE CLEARS HIS THROAT | 0:49:13 | 0:49:14 | |
Nicole...You know a bit of what life is like for these girls, don't you? | 0:49:14 | 0:49:18 | |
Well, Angie getting out, it doesn't happen very often, | 0:49:20 | 0:49:24 | |
and, to be honest, until we find the people behind this, | 0:49:24 | 0:49:27 | |
we can't say she's 100% safe. | 0:49:27 | 0:49:30 | |
-That guy whose photo you showed me. -Sean Kennedy? | 0:49:35 | 0:49:38 | |
I saw him at Cammy's one night. | 0:49:38 | 0:49:41 | |
-Are you sure? -I didn't talk to him or anything. | 0:49:41 | 0:49:44 | |
He just turned up one night. | 0:49:44 | 0:49:47 | |
And I saw him today, in Shieldinch, just down the road. | 0:49:47 | 0:49:51 | |
How was he with Cammy? How would you describe their relationship? | 0:49:51 | 0:49:55 | |
Cammy was scared of him. Everyone was scared of him. | 0:49:56 | 0:50:00 | |
-But that's all I know, honestly, I'm sorry. -Don't be. You've been extremely helpful. | 0:50:01 | 0:50:06 | |
Actually, there's one more thing you can help me with. | 0:50:10 | 0:50:12 | |
LAUGHTER AND CHATTER | 0:50:33 | 0:50:36 | |
Look who it is! We were worried you'd got lost. | 0:50:38 | 0:50:40 | |
-All right, Bob? -All right? | 0:50:40 | 0:50:42 | |
Hi. | 0:50:42 | 0:50:44 | |
D'you want a drink? | 0:50:46 | 0:50:47 | |
-Er... -There's a spare one here if you want it. Gin and tonic. -Cheers. | 0:50:47 | 0:50:50 | |
Slimline tonic, come to think of it. | 0:50:50 | 0:50:53 | |
What's that supposed to mean? | 0:50:53 | 0:50:55 | |
It means you can drink twice as much without getting fat! | 0:50:55 | 0:50:59 | |
Was he trying to be funny? | 0:50:59 | 0:51:01 | |
Bob... | 0:51:01 | 0:51:03 | |
What? Did youse work this out between youse, did youse? | 0:51:03 | 0:51:06 | |
He didn't mean anything by it, just relax. | 0:51:06 | 0:51:10 | |
Here, Tattie was telling us what a lovely meal you cooked for her. | 0:51:12 | 0:51:14 | |
You just think I'm a big joke, don't you? | 0:51:14 | 0:51:17 | |
-Bob, stop it! -What are you on about?! | 0:51:17 | 0:51:19 | |
You think I'm just here for your entertainment?! | 0:51:19 | 0:51:21 | |
-Well, this is a birthday party and you are acting like a clown. -Don't ever laugh at me again! | 0:51:21 | 0:51:26 | |
-Why do you want to ruin my birthday? -Just leave me alone! | 0:51:37 | 0:51:41 | |
I tried to meet you halfway, but it wasn't enough for you. | 0:51:41 | 0:51:45 | |
If you didn't want me to come out, you should've just said! | 0:51:45 | 0:51:48 | |
Of course I want you to come out! | 0:51:48 | 0:51:51 | |
-I thought it would be good for you. -I'll decide what's good for me. | 0:51:51 | 0:51:54 | |
Well, if I'd known you were going to embarrass me in front of everyone, | 0:51:54 | 0:51:58 | |
I wouldn't have bothered. | 0:51:58 | 0:52:00 | |
That's all I am, isn't it? | 0:52:00 | 0:52:02 | |
-Just an embarrassment. -What?! | 0:52:02 | 0:52:04 | |
Well, who wouldn't be ashamed married to this? | 0:52:04 | 0:52:07 | |
Bob... | 0:52:08 | 0:52:11 | |
I love you. | 0:52:11 | 0:52:12 | |
I want to be with you until we are old. | 0:52:12 | 0:52:17 | |
You know that's the only reason I want you to lose weight. | 0:52:17 | 0:52:21 | |
I'm so proud you're my husband, I could never be ashamed of you. | 0:52:23 | 0:52:28 | |
Let's go home. | 0:52:31 | 0:52:32 | |
Just you go back to your party. I'm all right. | 0:52:36 | 0:52:39 | |
What are you doing here? What are you doing with him? | 0:52:50 | 0:52:53 | |
-I just wanted to say... -What have you been saying to him?! | 0:52:53 | 0:52:56 | |
-Nothing. -Look, Angie, I just want to say... | 0:52:56 | 0:52:59 | |
I'm not talking to you, so just you shut your hole! | 0:52:59 | 0:53:01 | |
Angie, I never got the chance to thank you properly | 0:53:03 | 0:53:06 | |
for letting me go that night. | 0:53:06 | 0:53:07 | |
I try not to think about what might have happened if you hadn't. | 0:53:07 | 0:53:11 | |
You might have ended up like me, you mean? | 0:53:11 | 0:53:13 | |
No, I was thinking more like the girl that got murdered. | 0:53:13 | 0:53:17 | |
Angie....when Nicole told me what you did for her, | 0:53:19 | 0:53:22 | |
I realised that I'd got you all wrong. | 0:53:22 | 0:53:24 | |
I am sorry for that, I truly am. | 0:53:24 | 0:53:27 | |
It took real guts. | 0:53:27 | 0:53:29 | |
Something special. I know you would have helped Alicia too if you could. | 0:53:29 | 0:53:33 | |
I know that's the type of person you are. | 0:53:33 | 0:53:35 | |
I know that Sean Kennedy was around when Cameron Tennant was | 0:53:38 | 0:53:41 | |
"looking after you". | 0:53:41 | 0:53:43 | |
Just tell me this, was Cameron passing money to Sean, | 0:53:43 | 0:53:48 | |
money that he earned from you and the other girls? | 0:53:48 | 0:53:50 | |
Have you any idea what happens to folk that grass on Sean Kennedy? | 0:53:52 | 0:53:56 | |
Is that a yes? | 0:53:57 | 0:53:59 | |
Straight to voicemail! Again! | 0:54:07 | 0:54:10 | |
You not going to join us? | 0:54:19 | 0:54:22 | |
Maybe later. | 0:54:22 | 0:54:24 | |
-Is, er...is Leyla coming down? -Aye, she said she was. | 0:54:24 | 0:54:27 | |
You OK? | 0:54:32 | 0:54:34 | |
Gabriel? | 0:54:34 | 0:54:36 | |
-Sorry, no, I'm fine. I'll, er, I'll catch you later. -Aye, see you later. | 0:54:37 | 0:54:43 | |
OK. ..Aye, same again please. > | 0:54:43 | 0:54:45 | |
I wasn't sure you'd still be here. | 0:54:55 | 0:54:57 | |
Look, I want to apologise for today. I was totally out of line. | 0:55:00 | 0:55:05 | |
Oh, well. That's OK, then. | 0:55:05 | 0:55:07 | |
You were right about going through the files. | 0:55:08 | 0:55:10 | |
Nicole Brodie turned out to be pretty significant. | 0:55:10 | 0:55:13 | |
She saw Sean Kennedy and Cameron Tennant together... | 0:55:13 | 0:55:15 | |
..which made me think I'd better go and try again with Angie. | 0:55:17 | 0:55:22 | |
And? | 0:55:22 | 0:55:23 | |
Cameron Tennant was passing money to Sean Kennedy. | 0:55:23 | 0:55:26 | |
He was working for him, no doubt about it, | 0:55:26 | 0:55:29 | |
which connects Angie to Sean. | 0:55:29 | 0:55:31 | |
And Sean to Alicia. | 0:55:31 | 0:55:33 | |
So supercop let you down? | 0:55:44 | 0:55:46 | |
You know that's a real shame, but some things just aren't meant to be. | 0:55:46 | 0:55:50 | |
D'you know how hard it is to find a decent bunch of flowers at this time of night? | 0:55:54 | 0:55:57 | |
You really expect me to believe you've spent this whole time looking for flowers. | 0:55:57 | 0:56:01 | |
-HE SNIFFS: -You've not been home yet either! -Something came up at work. | 0:56:01 | 0:56:04 | |
-Long story short, I'm back in the boss's good books. -That's brilliant! | 0:56:04 | 0:56:08 | |
Also, in the spirit of not letting incredible opportunities pass me by, | 0:56:08 | 0:56:11 | |
I was wondering if that offer was still open? | 0:56:11 | 0:56:14 | |
HE GASPS | 0:56:14 | 0:56:15 | |
HE LAUGHS | 0:56:15 | 0:56:17 | |
-I can't remember the last time somebody bought me a bunch of flowers. -They're overrated. | 0:56:17 | 0:56:22 | |
-DEEK: Still, it's the thought that counts or so they say. -Great news! | 0:56:22 | 0:56:25 | |
-You're moving out? -Will's moving in! | 0:56:25 | 0:56:28 | |
-DEEK GULPS AND COUGHS -Congratulations. | 0:56:28 | 0:56:31 | |
WILL: Thank you. | 0:56:31 | 0:56:32 | |
COUGHING CONTINUES | 0:56:32 | 0:56:34 | |
I'll pay my way, obviously. | 0:56:34 | 0:56:36 | |
I'm fine! | 0:56:36 | 0:56:38 | |
I think he's pleased. | 0:56:38 | 0:56:40 | |
What is it? | 0:56:49 | 0:56:51 | |
I'm not sure. | 0:56:51 | 0:56:52 | |
Listen mate, he's hurt his leg, he'll need a hand at the other end. | 0:56:56 | 0:56:59 | |
-Nobody hears a word of this! -Look, I told you, it's between you and me. | 0:56:59 | 0:57:02 | |
Call that doctor, will you? Tell him I'll see the specialist. | 0:57:02 | 0:57:05 | |
Where's the money for the gas, and the leccy, and the TV licence | 0:57:05 | 0:57:09 | |
that you've been going to give us for the past four months? | 0:57:09 | 0:57:11 | |
Look, I've told you Raymond is slow at paying, you'll get it. | 0:57:11 | 0:57:14 | |
Hey, good news about Michael and Gabe patching things up. | 0:57:14 | 0:57:17 | |
-Sorry? -Michael's asked him to go and visit. | 0:57:17 | 0:57:20 | |
Subtitles by Red Bee Media Ltd | 0:57:32 | 0:57:35 |