Browse content similar to 05/06/2012. Check below for episodes and series from the same categories and more!
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I need you to get a grip. | 0:00:21 | 0:00:23 | |
You stay away from him, | 0:00:23 | 0:00:24 | |
and you take responsibility for the family we have left. | 0:00:24 | 0:00:27 | |
Do you hear me? | 0:00:27 | 0:00:28 | |
You should report them, whoever's doing this to you. | 0:00:28 | 0:00:31 | |
-Who would listen? -I would. | 0:00:31 | 0:00:33 | |
We've agreed it might be easier | 0:00:33 | 0:00:35 | |
-if we get a place of our own. -It was just the drink. | 0:00:35 | 0:00:37 | |
-Where have you been? -I'm knackered, I just needed some time to myself. | 0:00:37 | 0:00:40 | |
That's not part of our deal, though, is it? | 0:00:40 | 0:00:43 | |
He's your pimp, isn't he? | 0:00:43 | 0:00:44 | |
Don't be daft, what d'you think I am? | 0:00:44 | 0:00:47 | |
MUSIC: "Firestarter" by The Prodigy | 0:00:48 | 0:00:54 | |
INDISTINCT SHOUTING | 0:01:10 | 0:01:13 | |
Silvie, where the hell were you last... | 0:01:13 | 0:01:14 | |
Christina! | 0:01:50 | 0:01:53 | |
-Hurry up! -Coming! | 0:01:53 | 0:01:56 | |
SHE GASPS | 0:02:12 | 0:02:14 | |
-Sorry. Did I startle you? -No, I'm fine. | 0:02:16 | 0:02:19 | |
Who's putting the kettle on? You or me? | 0:02:19 | 0:02:21 | |
Me. | 0:02:21 | 0:02:22 | |
PHONE BEEPS | 0:02:22 | 0:02:24 | |
Something wrong? | 0:02:27 | 0:02:28 | |
No. Everything's fine. Coffee? | 0:02:28 | 0:02:30 | |
Yes, please. | 0:02:30 | 0:02:31 | |
Actually, I'm sorry. I can't. | 0:02:35 | 0:02:38 | |
I'll be five minutes. | 0:02:38 | 0:02:39 | |
Silvie? | 0:02:53 | 0:02:54 | |
Oh, my God. | 0:03:05 | 0:03:06 | |
Don't touch me. | 0:03:06 | 0:03:08 | |
You need to let the doctor look at you. | 0:03:08 | 0:03:10 | |
I want him to go. Tell him to go. | 0:03:10 | 0:03:13 | |
Either you want help or you don't. Which is it? | 0:03:13 | 0:03:16 | |
-Argh! -Come on. Just calm down. | 0:03:18 | 0:03:21 | |
-Who did this to you? -What is it to you? | 0:03:23 | 0:03:25 | |
Silvie... | 0:03:25 | 0:03:27 | |
A punter. All right? | 0:03:27 | 0:03:28 | |
A regular? | 0:03:28 | 0:03:30 | |
-Does it matter? -It might to the police. | 0:03:30 | 0:03:33 | |
I'm not going to the police. You can't make me. | 0:03:33 | 0:03:36 | |
Just stay still, all right? | 0:03:36 | 0:03:37 | |
I want out. You said you'd help me. | 0:03:39 | 0:03:43 | |
Right. I'll need to give you a few butterfly stitches. | 0:03:45 | 0:03:48 | |
Then you're good to go. | 0:03:48 | 0:03:49 | |
Stitches? | 0:03:49 | 0:03:50 | |
I'm a doctor. That's all we're good for, I'm afraid. | 0:03:50 | 0:03:54 | |
Maybe we could find you a room. | 0:03:56 | 0:03:58 | |
Tattie? We could phone round the hostels? | 0:03:58 | 0:04:01 | |
I don't know. Maybe. | 0:04:01 | 0:04:03 | |
I want to stop. I want away from him. | 0:04:03 | 0:04:06 | |
You said you'd help me. | 0:04:06 | 0:04:08 | |
How come you sent me your number if you weren't going to do anything? | 0:04:08 | 0:04:11 | |
You stole from me. I neglected my family for you. | 0:04:11 | 0:04:14 | |
-I nearly lost my job. -But you said... | 0:04:14 | 0:04:17 | |
We'll do what we can. The rest is up to you. | 0:04:17 | 0:04:20 | |
What? What can I do? | 0:04:20 | 0:04:22 | |
Unless I know she's serious, what can I do? | 0:04:22 | 0:04:26 | |
Will you go to the police? Will you stay away from Sean? | 0:04:26 | 0:04:29 | |
Will you stop taking whatever it is you're taking? | 0:04:29 | 0:04:31 | |
I'm not taking anything! | 0:04:31 | 0:04:33 | |
Silvie, you're clearly... | 0:04:33 | 0:04:35 | |
See? She can't be honest about anything. | 0:04:35 | 0:04:38 | |
Right. That's me. Tattie's going to apply these stitches | 0:04:38 | 0:04:41 | |
and I'm going to sort you out some antibiotics. I'll give you two a couple of minutes. | 0:04:41 | 0:04:45 | |
It was Sean. | 0:05:01 | 0:05:03 | |
What was Sean? | 0:05:03 | 0:05:04 | |
He's the one that beat me up. Again. | 0:05:05 | 0:05:08 | |
One of the other lassies disappeared. | 0:05:11 | 0:05:13 | |
We woke up and she was gone. | 0:05:14 | 0:05:16 | |
Sean said the punters had got bored of her so they shipped her off to Manchester. Just like that. | 0:05:16 | 0:05:23 | |
Just packaged her up and sent her off like... | 0:05:23 | 0:05:26 | |
Like... I don't know. | 0:05:28 | 0:05:30 | |
So I tried to phone her, to see if she was all right. | 0:05:32 | 0:05:35 | |
Sean didn't like that. Thought he'd better teach me a lesson. | 0:05:35 | 0:05:40 | |
I want out. Before he sends me off, too. | 0:05:41 | 0:05:45 | |
Or worse. | 0:05:46 | 0:05:47 | |
This is going to be great. | 0:05:54 | 0:05:55 | |
I love it. I love it, love it, love it. | 0:05:55 | 0:06:00 | |
Thanks, Will. | 0:06:01 | 0:06:02 | |
-For what? -Well, you know... For this... Us... | 0:06:02 | 0:06:07 | |
Look, I got you something. | 0:06:07 | 0:06:10 | |
What's this? | 0:06:10 | 0:06:11 | |
It's for you. Well, us... | 0:06:11 | 0:06:14 | |
Call it a house warming. | 0:06:14 | 0:06:16 | |
What do you think? | 0:06:16 | 0:06:18 | |
Yeah, it's... | 0:06:18 | 0:06:20 | |
I thought we could put it here | 0:06:20 | 0:06:22 | |
so it's the first thing people see when they come in. | 0:06:22 | 0:06:25 | |
Right, well... Yeah, it's a thought. | 0:06:25 | 0:06:27 | |
PHONE RINGS | 0:06:27 | 0:06:28 | |
It's the station. Yes? | 0:06:31 | 0:06:33 | |
What? Now? | 0:06:35 | 0:06:36 | |
Fine, I'll be right there. | 0:06:38 | 0:06:40 | |
You are kidding. | 0:06:40 | 0:06:41 | |
-I'm sorry. -How long are you going to be? | 0:06:41 | 0:06:43 | |
I don't know, Robbie. As long as it takes. | 0:06:43 | 0:06:46 | |
I'm sorry. I know your work's dead important. | 0:06:46 | 0:06:48 | |
It's not like buzz cuts and blow-dries. | 0:06:48 | 0:06:50 | |
I'd better get changed. | 0:06:52 | 0:06:54 | |
Oh, when my stuff arrives, can you leave it? | 0:06:54 | 0:06:57 | |
I'll unpack it when I get back. | 0:06:57 | 0:06:59 | |
HUMMING | 0:07:06 | 0:07:07 | |
Oh, sorry, I didn't re... | 0:07:07 | 0:07:09 | |
You? Who let you in here? | 0:07:09 | 0:07:13 | |
-Tattie. -We'll soon see about this. | 0:07:13 | 0:07:14 | |
How could you let her in here? | 0:07:15 | 0:07:18 | |
She needed help. | 0:07:18 | 0:07:19 | |
You tried to help her before, remember? | 0:07:20 | 0:07:22 | |
Bad enough she plays you for a fool once. Wee besom. | 0:07:22 | 0:07:25 | |
She's hurt. Where else should she go? | 0:07:25 | 0:07:29 | |
Don't worry. This time it's purely professional. | 0:07:29 | 0:07:32 | |
Good. I'm glad to hear it. | 0:07:32 | 0:07:33 | |
-She looks half deid. -Yeah, well. | 0:07:35 | 0:07:38 | |
We've done what we can here. | 0:07:38 | 0:07:41 | |
She needs to speak to the police and then we'll see about a hostel. | 0:07:41 | 0:07:44 | |
-I told you, I can't speak to the police. -You have to if you want my help. | 0:07:44 | 0:07:48 | |
-But he'll kill me. -You tell the police what he's done | 0:07:48 | 0:07:50 | |
and he won't be able to hurt you again. OK? | 0:07:50 | 0:07:53 | |
I'll come back later, eh? | 0:07:53 | 0:07:54 | |
Why don't I let you think about it, OK? | 0:08:04 | 0:08:06 | |
OK... | 0:08:17 | 0:08:19 | |
Super's going ballistic. Wants a result. Double quick. | 0:08:19 | 0:08:23 | |
-Don't we all. -He doesn't seem to think so. Reckons we're not taking this case seriously enough. | 0:08:23 | 0:08:27 | |
I know. But what can you do? | 0:08:27 | 0:08:30 | |
Anyway, we need to start treating this girl like she's a real person, apparently. | 0:08:30 | 0:08:36 | |
She's more than just a working girl, DC Cooper. | 0:08:36 | 0:08:39 | |
I know. | 0:08:39 | 0:08:40 | |
Of course you do. | 0:08:40 | 0:08:42 | |
But the media are starting to think we're dragging our heels. | 0:08:42 | 0:08:44 | |
We've got nothing new, have we? | 0:08:44 | 0:08:46 | |
Then we find something new. We go back over everything. | 0:08:46 | 0:08:49 | |
Every photo, every statement, everything. | 0:08:49 | 0:08:51 | |
PHONE RINGS | 0:08:51 | 0:08:53 | |
I'm moving house today. You know how it is. | 0:08:56 | 0:08:59 | |
D'you want to go? | 0:08:59 | 0:09:01 | |
-Am I keeping you from your soft furnishings or something equally important? -No. | 0:09:01 | 0:09:05 | |
You start on that lot. I'll go back over the CCTV. | 0:09:05 | 0:09:08 | |
So what do you think? | 0:09:13 | 0:09:16 | |
Um...it's informative, I guess. | 0:09:17 | 0:09:20 | |
That bad? | 0:09:20 | 0:09:21 | |
Oh, here. You had any luck with that dating site yet? | 0:09:28 | 0:09:30 | |
SHE LAUGHS | 0:09:30 | 0:09:33 | |
Maybe you just need a second opinion. A fresh pair of eyes. Go on. | 0:09:33 | 0:09:37 | |
All right, just don't expect too much. | 0:09:39 | 0:09:42 | |
Ooh. | 0:09:46 | 0:09:48 | |
Nope. | 0:09:48 | 0:09:50 | |
Mike's not bad. | 0:09:52 | 0:09:54 | |
That might not be a lazy eye. Could just be the lighting. | 0:09:54 | 0:09:57 | |
He hates his job, his ideal woman's Lara Croft | 0:09:57 | 0:10:00 | |
and his favourite book's FHM. | 0:10:00 | 0:10:02 | |
You know, it might just be nice, for once, to meet a guy | 0:10:03 | 0:10:08 | |
that's my age, with a sense of humour and a brain. | 0:10:08 | 0:10:12 | |
Maybe Mike's trying a bit too hard. | 0:10:12 | 0:10:14 | |
Some folk'll say anything in these things. | 0:10:14 | 0:10:17 | |
Right, come on, we should probably show face. | 0:10:17 | 0:10:19 | |
I'll get this finished up at the salon, | 0:10:19 | 0:10:21 | |
and it should be ready for the printers by lunchtime. | 0:10:21 | 0:10:24 | |
Cool. | 0:10:24 | 0:10:25 | |
There's nothing wrong with being picky, | 0:10:28 | 0:10:30 | |
but sometimes you're just going to have to go for it. | 0:10:30 | 0:10:33 | |
Yeah, I know. Just not today. | 0:10:34 | 0:10:36 | |
You made a decision yet? | 0:10:57 | 0:10:58 | |
I really can't let you stay here indefinitely. | 0:11:01 | 0:11:04 | |
The longer you leave it, | 0:11:05 | 0:11:07 | |
the harder it's going to be for us to find you a bed. | 0:11:07 | 0:11:10 | |
Sorry. Got caught up with a few patients. Everything OK? | 0:11:13 | 0:11:16 | |
I don't know. That's kind of up to Silvie. | 0:11:16 | 0:11:20 | |
Well, here's that prescription. That should see off any infection. | 0:11:20 | 0:11:23 | |
And we should talk about how we're going to manage your withdrawal. | 0:11:23 | 0:11:26 | |
How long's it been? Since your last fix. | 0:11:29 | 0:11:31 | |
I don't know. About 12 hours? | 0:11:34 | 0:11:36 | |
You feeling OK? | 0:11:37 | 0:11:39 | |
I'm assuming you want to come off it. | 0:11:42 | 0:11:45 | |
Aye. I never wanted on the stuff in the first place. | 0:11:45 | 0:11:49 | |
What happened? Last time I saw you, you were clean, weren't you? | 0:11:49 | 0:11:52 | |
Sean said it'd make things easier. | 0:11:52 | 0:11:55 | |
Meant it would make me easier. Stop me from running off. | 0:11:55 | 0:11:58 | |
PHONE RINGS | 0:11:58 | 0:12:00 | |
You can do this, Silvie. You can make this stop. | 0:12:09 | 0:12:13 | |
Don't you want to do that? | 0:12:13 | 0:12:16 | |
VOICEMAIL MESSAGE | 0:12:18 | 0:12:20 | |
You can't run forever, darlin'. You hear me? | 0:12:24 | 0:12:27 | |
I'm coming for you, OK? | 0:12:27 | 0:12:29 | |
We still haven't interviewed Sean Kennedy. | 0:12:40 | 0:12:42 | |
There's no point. We've got nothing solid on him. | 0:12:42 | 0:12:45 | |
Not yet. But we know he's in the mixer. Angie as good as told us. | 0:12:45 | 0:12:48 | |
Yes, but it was off the record. | 0:12:48 | 0:12:50 | |
She didn't give us anything concrete, Cooper. | 0:12:50 | 0:12:52 | |
We can't pull Kennedy in till we've got some actual proof that connects him to this girl. | 0:12:52 | 0:12:56 | |
PHONE RINGS | 0:12:56 | 0:12:57 | |
DC Cooper. | 0:12:57 | 0:13:00 | |
OK. I'll come to you. Don't go anywhere. | 0:13:04 | 0:13:06 | |
I'll see you soon, then. | 0:13:06 | 0:13:08 | |
There's our connection. The last person to see Alicia alive. | 0:13:08 | 0:13:11 | |
Prostitute. Works for a guy called Sean. | 0:13:11 | 0:13:15 | |
Sean Kennedy? | 0:13:15 | 0:13:17 | |
I'd put money on it. | 0:13:17 | 0:13:18 | |
You don't know? | 0:13:18 | 0:13:19 | |
OK. OK. | 0:13:19 | 0:13:21 | |
She's connected to our victim. | 0:13:21 | 0:13:24 | |
That is as much as we know for now. | 0:13:24 | 0:13:26 | |
And it's also the best lead we've got. | 0:13:26 | 0:13:28 | |
We want to use any of this, she's got to make it official. | 0:13:28 | 0:13:31 | |
-I know, but at least we're doing something. -I'll take the lead on this, yeah? | 0:13:31 | 0:13:34 | |
She's very scared. And in the early stages of heroin withdrawal. | 0:13:42 | 0:13:46 | |
Her anxiety levels are already pretty high. So please, be gentle. | 0:13:46 | 0:13:51 | |
I'm DCI Donald. | 0:13:59 | 0:14:02 | |
And this is DC Cooper. | 0:14:02 | 0:14:03 | |
You're Silvie, right? | 0:14:04 | 0:14:06 | |
We're investigating a murder. A friend of yours, I think. | 0:14:07 | 0:14:10 | |
Her name was Alicia. | 0:14:13 | 0:14:15 | |
I don't know her. | 0:14:15 | 0:14:16 | |
But...this is you, isn't it? | 0:14:18 | 0:14:22 | |
And this is Alicia. | 0:14:22 | 0:14:23 | |
All right. I do know her. I knew her. | 0:14:27 | 0:14:29 | |
Do you know who killed her? | 0:14:31 | 0:14:33 | |
Did you work together? | 0:14:36 | 0:14:37 | |
Who did you work for, Silvie? | 0:14:37 | 0:14:40 | |
The policemen are just trying to help. | 0:14:40 | 0:14:42 | |
They can't do that if you won't talk, Silvie. | 0:14:42 | 0:14:45 | |
Do you recognise this man? | 0:14:46 | 0:14:48 | |
His name's Sean Kennedy. | 0:14:48 | 0:14:50 | |
You're pimp's called Sean, isn't he? Is this him? | 0:14:50 | 0:14:53 | |
Was he Alicia's pimp too? | 0:14:53 | 0:14:56 | |
I don't know him. I'm sorry. | 0:14:56 | 0:14:58 | |
See this Sean guy? He's the one we want. | 0:14:59 | 0:15:03 | |
We know the rackets he runs, we know he's a scumbag, | 0:15:03 | 0:15:06 | |
we just can't nail him. | 0:15:06 | 0:15:08 | |
He did this to you, didn't he, Silvie? | 0:15:08 | 0:15:10 | |
Has he threatened you? | 0:15:10 | 0:15:12 | |
With what he'll do to you if you talk? | 0:15:12 | 0:15:15 | |
Or try to get away? | 0:15:15 | 0:15:16 | |
He can't do anything to you if he's behind bars. | 0:15:19 | 0:15:23 | |
Was this man Alicia's pimp? | 0:15:23 | 0:15:26 | |
Did he hurt her? | 0:15:26 | 0:15:28 | |
Did Sean kill Alicia? | 0:15:28 | 0:15:31 | |
She's terrified. | 0:15:31 | 0:15:33 | |
All the more reason to get him off the streets. | 0:15:33 | 0:15:35 | |
Silvie, look at him. Look at him! | 0:15:35 | 0:15:38 | |
I can't do this! | 0:15:38 | 0:15:39 | |
Do you want to be the next one? Do you want to end up like Alicia? | 0:15:39 | 0:15:43 | |
Come on. We're getting nowhere here. | 0:15:45 | 0:15:48 | |
You need to talk to them, Silvie. | 0:15:48 | 0:15:49 | |
What's the point? She's clearly got no interest in anyone but herself. | 0:15:49 | 0:15:53 | |
I think you should leave now. | 0:16:02 | 0:16:03 | |
What? | 0:16:03 | 0:16:05 | |
We had a deal. | 0:16:05 | 0:16:06 | |
But I've nowhere to go. | 0:16:06 | 0:16:08 | |
I still need to phone round the hostels. | 0:16:09 | 0:16:12 | |
-I'll let you know if I find anywhere. -And that's it? | 0:16:12 | 0:16:14 | |
What do you expect? You've messed me around, messed the police around. | 0:16:14 | 0:16:19 | |
So I don't deserve your help? | 0:16:19 | 0:16:21 | |
I am helping. But this is not a community centre. | 0:16:21 | 0:16:25 | |
It's time you left. | 0:16:27 | 0:16:28 | |
-I really thought we'd get somewhere there, sir. -Yeah, well. We didn't. | 0:16:39 | 0:16:42 | |
I'm going to go back to the office. | 0:16:43 | 0:16:45 | |
You, make yourself useful. Ask around. | 0:16:45 | 0:16:48 | |
See if you can find Sean Kennedy. | 0:16:48 | 0:16:50 | |
Or someone who'll speak about him. Anyone. On the record. | 0:16:50 | 0:16:53 | |
You take the car. | 0:16:53 | 0:16:55 | |
Nice catch. | 0:16:56 | 0:16:57 | |
-Hiya. -Hi! -Wait till you see these. | 0:17:02 | 0:17:04 | |
They are brilliant. Perfect. | 0:17:05 | 0:17:08 | |
Aren't they? | 0:17:08 | 0:17:10 | |
This dating stuff is doing my head in. | 0:17:10 | 0:17:11 | |
Hiya, Deek. We're fine, thanks(!) | 0:17:11 | 0:17:14 | |
Sorry. Hiya. | 0:17:14 | 0:17:16 | |
So? | 0:17:16 | 0:17:17 | |
Yeah. This dating site... | 0:17:17 | 0:17:18 | |
Don't even talk to me about it. It's a pure nightmare. | 0:17:18 | 0:17:21 | |
I know. I mean, how do you choose? | 0:17:21 | 0:17:23 | |
What? | 0:17:23 | 0:17:24 | |
I've got, like, ten totally amazing matches. | 0:17:24 | 0:17:28 | |
Seriously? | 0:17:28 | 0:17:29 | |
Yeah. Why? How many have you got? | 0:17:29 | 0:17:31 | |
Tons. | 0:17:31 | 0:17:33 | |
So how you going to choose? | 0:17:33 | 0:17:34 | |
I don't know. | 0:17:34 | 0:17:36 | |
Or is it OK just to date them all? | 0:17:36 | 0:17:38 | |
Deek! | 0:17:38 | 0:17:39 | |
Is that bad? What if I told them first? | 0:17:39 | 0:17:43 | |
Women like honesty, right? | 0:17:43 | 0:17:45 | |
Not that kind of honesty, Deek. | 0:17:45 | 0:17:47 | |
Right. | 0:17:47 | 0:17:48 | |
Maybe I should just work my way through them all, one at a time. Start with the least best. | 0:17:48 | 0:17:52 | |
Maybe. | 0:17:52 | 0:17:54 | |
Brilliant. That's what I'll do then. Thanks. | 0:17:54 | 0:17:57 | |
PHONE RINGS | 0:17:57 | 0:17:58 | |
Ha. I have a date. | 0:18:01 | 0:18:04 | |
Really? Who with? | 0:18:04 | 0:18:05 | |
Mike. | 0:18:05 | 0:18:07 | |
Deek's going on ten dates. Deek! | 0:18:08 | 0:18:11 | |
It's not a competition, Hayley. | 0:18:11 | 0:18:12 | |
Right, come on, these flyers won't hand themselves out. | 0:18:12 | 0:18:15 | |
Hiya. | 0:18:20 | 0:18:23 | |
Good afternoon, madam. What can I do for you today? | 0:18:23 | 0:18:25 | |
What's going on? | 0:18:25 | 0:18:27 | |
Is there something particular you're after? Biscuits, maybe? | 0:18:27 | 0:18:31 | |
Um... yes. | 0:18:31 | 0:18:33 | |
Tom Clarke. Regional finance director. | 0:18:35 | 0:18:38 | |
He's been sent here by Head Office to check up on me. | 0:18:38 | 0:18:41 | |
What's he like? | 0:18:41 | 0:18:42 | |
Kind of quiet. Very professional. But nice enough. | 0:18:42 | 0:18:46 | |
And that suit fits like a glove. | 0:18:46 | 0:18:48 | |
So try to and make me look good, all right? | 0:18:48 | 0:18:50 | |
Was there anything else? | 0:18:52 | 0:18:54 | |
Yes, actually. Can I leave you a stack of these for the counter? | 0:18:54 | 0:18:58 | |
Just trying to drum up a bit of business for Kelly-Marie. | 0:18:58 | 0:19:00 | |
There's some quite good discounts in there. | 0:19:00 | 0:19:02 | |
I'm sorry, that's not going to happen. | 0:19:02 | 0:19:05 | |
It's against company policy. | 0:19:05 | 0:19:07 | |
But you've done it before. | 0:19:07 | 0:19:09 | |
The local businesses need to support each other. | 0:19:09 | 0:19:11 | |
We're not a local business. We've got shops all over Scotland. | 0:19:11 | 0:19:14 | |
We've got standards to maintain. I am sorry. | 0:19:14 | 0:19:17 | |
I don't see what harm it would do. | 0:19:17 | 0:19:19 | |
It's just a couple of leaflets. | 0:19:19 | 0:19:21 | |
Maybe you could bend the rules just this once. | 0:19:21 | 0:19:24 | |
No. If I bend the rules for you, where's it going to end? | 0:19:24 | 0:19:27 | |
Ooh, I don't know. Anarchy? | 0:19:27 | 0:19:29 | |
Yeah. That's funny. | 0:19:30 | 0:19:31 | |
Fine. | 0:19:34 | 0:19:36 | |
You going to pay for those? | 0:19:36 | 0:19:38 | |
No joy? | 0:19:56 | 0:19:57 | |
Bloody men. I don't know why we bother with them. | 0:19:57 | 0:20:00 | |
Some officious wee pen pusher thinks the mini market's too classy for flyers. | 0:20:00 | 0:20:04 | |
PHONE RINGS | 0:20:04 | 0:20:05 | |
Brilliant(!) | 0:20:10 | 0:20:11 | |
What? | 0:20:11 | 0:20:13 | |
YOU'RE not his type? | 0:20:15 | 0:20:17 | |
That's it. Romance is dead. I mean, how dare he?! | 0:20:17 | 0:20:21 | |
I'm a pure catch. Aren't I? | 0:20:21 | 0:20:24 | |
Course you are. Clearly Mike's looking for someone ugly and stupid. | 0:20:24 | 0:20:27 | |
Well, I give up. Relationships are for idiots. | 0:20:27 | 0:20:30 | |
And anyone who thinks otherwise obviously needs their head tested. | 0:20:30 | 0:20:33 | |
Gabes. Hold up. | 0:20:36 | 0:20:39 | |
-You got a minute? -Not really, no. | 0:20:46 | 0:20:49 | |
You seen her? | 0:20:50 | 0:20:52 | |
No. | 0:20:52 | 0:20:54 | |
Do us a favour. Keep an eye out for her. | 0:20:54 | 0:20:56 | |
-Last time she ran off, she turned up here. -"Last time"? | 0:20:56 | 0:20:59 | |
It's getting to become a bit of a bad habit. | 0:20:59 | 0:21:01 | |
As if I've not got enough to do chasing her all over Glasgow. | 0:21:01 | 0:21:04 | |
If she's that much hassle, why not let her go? | 0:21:04 | 0:21:06 | |
Last time she was here, she hooked up with some bird called Tatiana. | 0:21:06 | 0:21:10 | |
Tatiana O'Hara. She's a nurse. Know where I might find her? | 0:21:11 | 0:21:15 | |
Nope. No idea. | 0:21:15 | 0:21:17 | |
This is Silvie. | 0:21:18 | 0:21:20 | |
You find her, you let me know. | 0:21:21 | 0:21:23 | |
She needs her wings clipped. One way or another. | 0:21:23 | 0:21:26 | |
Yes, I'll hold. | 0:21:31 | 0:21:33 | |
I won't be long. Sorry. | 0:21:44 | 0:21:45 | |
S'all right, darlin'. I've got what I came for. Cheers. | 0:21:45 | 0:21:50 | |
Hello? | 0:21:54 | 0:21:56 | |
Nothing at all? | 0:21:58 | 0:22:00 | |
OK. Thank you. | 0:22:00 | 0:22:01 | |
That's her all right. Park up somewhere round the corner, eh? | 0:22:12 | 0:22:15 | |
I want to see where she lives. | 0:22:15 | 0:22:17 | |
-And that's everything? -That's it. | 0:22:24 | 0:22:26 | |
-See you. -See you! -Cheers. | 0:22:26 | 0:22:29 | |
KNOCK AT DOOR | 0:22:46 | 0:22:47 | |
Come on in. | 0:22:48 | 0:22:50 | |
What do you think? | 0:22:53 | 0:22:54 | |
Nice. | 0:22:55 | 0:22:56 | |
It will be when I'm finish wi' it. | 0:22:56 | 0:22:59 | |
Where's Will? | 0:22:59 | 0:23:01 | |
Got called in to work. | 0:23:01 | 0:23:02 | |
-Oh. Shame. -Well, he has got a dead important job. | 0:23:02 | 0:23:05 | |
And some seriously stylish soft furnishings. | 0:23:05 | 0:23:10 | |
-Want a hand to unpack? -Och no. | 0:23:10 | 0:23:12 | |
Well, it's going to be weird not having you around. | 0:23:14 | 0:23:17 | |
Yeah, I know. | 0:23:17 | 0:23:19 | |
You didn't have to move out, you know. We could have made it work. | 0:23:21 | 0:23:24 | |
Maybe. But... | 0:23:24 | 0:23:25 | |
I know. I get it. You just want to be together. | 0:23:25 | 0:23:29 | |
Yeah, we do. | 0:23:29 | 0:23:31 | |
Well, I suppose I better go and let you get on. | 0:23:33 | 0:23:36 | |
Fancy a drink later? | 0:23:36 | 0:23:37 | |
I was actually thinking about having a wee housewarming. You up for it? | 0:23:37 | 0:23:41 | |
Yeah. OK. | 0:23:41 | 0:23:42 | |
-See you about eight? -All right. | 0:23:42 | 0:23:45 | |
-Well, enjoy. -See you later! | 0:23:45 | 0:23:47 | |
Hey, mister. You looking for a bit of company? | 0:24:00 | 0:24:01 | |
You better get away from here. | 0:24:01 | 0:24:04 | |
Come on. 20 quid. We could go round there. | 0:24:04 | 0:24:06 | |
-You're keen! Money first! -Button it, Silvie. | 0:24:06 | 0:24:09 | |
I work for Sean, all right? Hey, hey! | 0:24:09 | 0:24:11 | |
Let me go. Let go of me! | 0:24:11 | 0:24:13 | |
It's all right! Shhh! | 0:24:13 | 0:24:15 | |
I'm not going to hurt you, all right? But he might. | 0:24:16 | 0:24:19 | |
He's looking for you, so the best thing you can do is get the hell out of here, OK? | 0:24:19 | 0:24:24 | |
Look. I've no' seen you, right. Now just go. Go! | 0:24:25 | 0:24:30 | |
Gabe. | 0:25:20 | 0:25:21 | |
Anything? | 0:25:30 | 0:25:31 | |
No. Sorry. I've looked everywhere. | 0:25:31 | 0:25:34 | |
And I've asked about, nobody's seen her. | 0:25:34 | 0:25:36 | |
-Found that nurse but. -Oh aye? | 0:25:36 | 0:25:39 | |
Listen, I've got somewhere I need to be. | 0:25:39 | 0:25:42 | |
-I could do with having you with me. -What for? | 0:25:42 | 0:25:45 | |
Just a bit of business. You're not busy, are you? | 0:25:47 | 0:25:49 | |
No. Not really. | 0:25:49 | 0:25:51 | |
Wait here. Call me, right, if you see anything. Anything, right? | 0:25:53 | 0:25:57 | |
Any luck? | 0:26:08 | 0:26:10 | |
I left it too late. | 0:26:10 | 0:26:11 | |
You mustn't blame yourself. | 0:26:11 | 0:26:13 | |
I should never have sent her away. | 0:26:13 | 0:26:15 | |
Look, she didn't give you much choice. Did she? | 0:26:15 | 0:26:17 | |
Silvie? | 0:26:20 | 0:26:22 | |
What have you done? | 0:26:22 | 0:26:24 | |
I'm sorry. | 0:26:24 | 0:26:26 | |
Oh, in the name of the wee man! | 0:26:28 | 0:26:29 | |
Silvie? Can you hear me? | 0:26:29 | 0:26:31 | |
Let's get her to my office. | 0:26:31 | 0:26:33 | |
Got a pulse. It's weak, though. | 0:26:40 | 0:26:42 | |
Pinpoint pupils. Opiate overdose. Get me a venflon and some Naloxone. | 0:26:46 | 0:26:51 | |
BP's 70 over 40. | 0:26:58 | 0:27:00 | |
Can you put that on for me. | 0:27:00 | 0:27:03 | |
As quick as you can, Tattie, we could lose her. | 0:27:03 | 0:27:05 | |
I can't get a vein. | 0:27:10 | 0:27:12 | |
OK, let's try her other arm. | 0:27:12 | 0:27:13 | |
-We've got to find a vein. -I know, I know. | 0:27:20 | 0:27:23 | |
OK. That's it. | 0:27:37 | 0:27:40 | |
All right, Silvie. | 0:27:42 | 0:27:44 | |
Come back to us, come on. | 0:27:44 | 0:27:47 | |
Please, Silvie! | 0:27:48 | 0:27:49 | |
Good of you to join us. | 0:28:05 | 0:28:07 | |
-Nearly had my tyres slashed in the middle of Springmuir. -What were you doing there? | 0:28:07 | 0:28:12 | |
-Tip-off to the whereabouts of Sean Kennedy. -Only he wasn't there. | 0:28:12 | 0:28:17 | |
No one's seen him in a week. At least. | 0:28:17 | 0:28:19 | |
You know, despite her clamming up, | 0:28:23 | 0:28:26 | |
I reckon this Silvie's worth trying again. | 0:28:26 | 0:28:28 | |
Really? So you think she does know him? Sean? | 0:28:28 | 0:28:30 | |
I do, aye. You see how she reacted to his photo? | 0:28:30 | 0:28:33 | |
It's a good lead. | 0:28:35 | 0:28:36 | |
Well done. | 0:28:37 | 0:28:38 | |
Look, why don't you go home? | 0:28:40 | 0:28:42 | |
-What? -Today was meant to be a day off, wasn't it? | 0:28:42 | 0:28:45 | |
-I know, sir, but... -You've done enough for one day. | 0:28:45 | 0:28:48 | |
Go and...hang your curtains or something. | 0:28:48 | 0:28:51 | |
Go on, before I change my mind. | 0:28:51 | 0:28:53 | |
-Are you out of your mind? -She has to stay somewhere. | 0:28:55 | 0:28:58 | |
-What's up with the hospital? -She'd run away again. | 0:28:58 | 0:29:01 | |
-Are you sure about that? -Yes, I am. She can't be left alone. | 0:29:01 | 0:29:06 | |
Please, Molly, let me do this for her. | 0:29:06 | 0:29:09 | |
Why? | 0:29:09 | 0:29:10 | |
She asked me for help and I sent her away. | 0:29:10 | 0:29:12 | |
-You did what you could for her. -And then this happened! | 0:29:12 | 0:29:15 | |
So now you somehow think it's your fault? | 0:29:17 | 0:29:20 | |
In part, yes. | 0:29:20 | 0:29:21 | |
It'll only be for one night. | 0:29:21 | 0:29:23 | |
We'll speak to social services first thing in the morning. | 0:29:23 | 0:29:26 | |
Organise a safe place for her. Proper treatment. | 0:29:26 | 0:29:29 | |
Look, I can't say I'm entirely happy about it either. | 0:29:29 | 0:29:34 | |
It's not good for Christina and Bob won't be impressed. | 0:29:34 | 0:29:37 | |
And she's messed me around once already. | 0:29:37 | 0:29:39 | |
But... She's at risk. | 0:29:40 | 0:29:42 | |
I'm not happy about this. | 0:29:47 | 0:29:48 | |
She's here. | 0:30:10 | 0:30:11 | |
We're out of painkillers. | 0:30:13 | 0:30:15 | |
And it might be an idea to get you some sleeping tablets for later. | 0:30:15 | 0:30:18 | |
I'll be ten minutes. Don't leave her alone. | 0:30:18 | 0:30:22 | |
-I've got to get to my work. -Ten minutes. That's all. -Don't you make me late! | 0:30:22 | 0:30:26 | |
I've got my eye on you, lady. I'm no' the soft touch Tattie is. | 0:30:39 | 0:30:43 | |
-Look, I know you don't like me. -I don't trust you. | 0:30:43 | 0:30:46 | |
KNOCK AT DOOR | 0:30:46 | 0:30:47 | |
Stay right where you are. | 0:30:47 | 0:30:49 | |
Sorry to bother you, missus. Wonder if you can help me. > | 0:30:59 | 0:31:02 | |
I'm looking for my sister. > | 0:31:02 | 0:31:03 | |
My wee sister. Silvie. | 0:31:03 | 0:31:05 | |
My poor old ma's going out her mind with worry. | 0:31:05 | 0:31:08 | |
-I heard she might be here. -Aye, well, you heard right. | 0:31:08 | 0:31:10 | |
Oh thank you! I cannae wait to see her. | 0:31:10 | 0:31:13 | |
-I'm afraid you're going to have to wait a bit longer, she's no' here now. -She's no' here? | 0:31:13 | 0:31:17 | |
I chased her! Told her if I saw her back here again I'd tell the police. | 0:31:17 | 0:31:22 | |
Thieving wee toerag. | 0:31:22 | 0:31:23 | |
You any idea where she's gone? | 0:31:24 | 0:31:26 | |
I don't know and I don't care. | 0:31:26 | 0:31:30 | |
Now, I think I've had more than enough bother for the one day. | 0:31:30 | 0:31:34 | |
He's gone. You can come out now. | 0:31:48 | 0:31:51 | |
Brother, my bahookie. Looks nothing like you. | 0:31:56 | 0:32:00 | |
Why did you lie for me? | 0:32:01 | 0:32:02 | |
You might be a thief and a junkie and... whatever else. | 0:32:04 | 0:32:08 | |
But you're nothing like him. Dead behind the eyes, that one. | 0:32:08 | 0:32:13 | |
Nobody should spend their life being terrified by somebody like him. | 0:32:13 | 0:32:18 | |
Thank you. | 0:32:20 | 0:32:21 | |
Now you listen, and you listen good. | 0:32:29 | 0:32:33 | |
Tattie's giving you a chance to get away from that animal. | 0:32:35 | 0:32:38 | |
You take it. | 0:32:38 | 0:32:40 | |
OK? | 0:32:40 | 0:32:41 | |
No more running. | 0:32:41 | 0:32:44 | |
No more messing her about. | 0:32:44 | 0:32:47 | |
You don't need to go back to that. | 0:32:51 | 0:32:53 | |
Right. I've got to go and get myself ready for my work. | 0:32:56 | 0:32:59 | |
Is my good silver safe? | 0:33:01 | 0:33:03 | |
Better be! | 0:33:04 | 0:33:06 | |
KNOCK AT DOOR | 0:33:27 | 0:33:29 | |
KNOCKING CONTINUES | 0:33:39 | 0:33:41 | |
Molly? Let me in. > | 0:33:41 | 0:33:43 | |
You took your time. I should be mopping Lenny's floor by now! | 0:33:43 | 0:33:46 | |
-I'm sorry. -Aye. Sure you are. See youse later. | 0:33:46 | 0:33:50 | |
DOOR OPENS | 0:33:55 | 0:33:56 | |
Hiya. | 0:34:00 | 0:34:01 | |
Isn't that...? What's her name? | 0:34:06 | 0:34:08 | |
The girl that stole your purse? | 0:34:08 | 0:34:11 | |
-Silvie. Yes, it's her. -Does Molly know she's here? -Yes. | 0:34:11 | 0:34:14 | |
-And Bob? -No. It's only for tonight, so... | 0:34:14 | 0:34:17 | |
She's staying here tonight? After what happened last time? | 0:34:17 | 0:34:22 | |
-Are you off your head? -Christina, she needs our help. | 0:34:22 | 0:34:25 | |
I tried to turn her away but she's so fragile. | 0:34:25 | 0:34:29 | |
She took an overdose. | 0:34:30 | 0:34:32 | |
Brilliant(!) So she's a junkie as well as a prostitute! | 0:34:32 | 0:34:35 | |
She is scared and alone and she could be in danger. | 0:34:35 | 0:34:38 | |
-I'm not staying here with her. -No. I thought you might like to stay with Nicole. | 0:34:38 | 0:34:43 | |
-What? You're kicking me out for her? -I'm not kicking you out! | 0:34:44 | 0:34:47 | |
She's not having my bed! | 0:34:47 | 0:34:49 | |
It might be safer for you to be somewhere else. | 0:34:49 | 0:34:52 | |
You don't need to be exposed to what she's gone through. | 0:34:52 | 0:34:55 | |
Whatever. Let me know when it's safe to come home. | 0:34:55 | 0:34:57 | |
She's so stupid. Always doing crazy things. | 0:35:01 | 0:35:05 | |
She's just trying to be nice. | 0:35:05 | 0:35:07 | |
But this girl - we don't know anything about her. | 0:35:07 | 0:35:10 | |
If your mum thinks she needs help, then maybe she does. | 0:35:10 | 0:35:13 | |
Course she needs help. But from someone who can do it properly. | 0:35:13 | 0:35:17 | |
She's a nurse. I'm sure she knows what she's doing. | 0:35:17 | 0:35:20 | |
There's something else though, isn't there? | 0:35:25 | 0:35:27 | |
She's a prostitute. | 0:35:28 | 0:35:29 | |
Right. | 0:35:32 | 0:35:33 | |
Mum reckons she's in danger. | 0:35:33 | 0:35:35 | |
That she's been through things I shouldn't be exposed to. | 0:35:35 | 0:35:38 | |
She's probably right. | 0:35:38 | 0:35:40 | |
Which means maybe there's someone like Cammie after her. Don't you think? | 0:35:40 | 0:35:45 | |
Maybe. | 0:35:45 | 0:35:46 | |
I never want to meet a guy like that again. | 0:35:48 | 0:35:52 | |
Me neither. | 0:35:52 | 0:35:53 | |
But maybe there's somebody out there right now. Maybe this Silvie's brought him to my doorstep. | 0:35:53 | 0:35:58 | |
-Doesn't mean that folk shouldn't try and help her. -Really? | 0:35:58 | 0:36:00 | |
Cammie made me believe everything he said. He lied to me. | 0:36:00 | 0:36:05 | |
He made me like him. Offered me drugs. | 0:36:05 | 0:36:07 | |
It could have been so easy. | 0:36:07 | 0:36:09 | |
-Oh, come on! -I could've ended up just like her. | 0:36:09 | 0:36:12 | |
Frightened and desperate. Doing anything for a fix. | 0:36:12 | 0:36:16 | |
Hating him. But needing him. | 0:36:16 | 0:36:18 | |
But you got away. | 0:36:18 | 0:36:20 | |
Don't you think that's what this Silvie's trying to do? | 0:36:20 | 0:36:23 | |
She just needs a break, Christina. | 0:36:24 | 0:36:26 | |
Sorry. I didn't mean to wake you. | 0:36:32 | 0:36:35 | |
It's OK. | 0:36:35 | 0:36:36 | |
How are you feeling? | 0:36:38 | 0:36:40 | |
Not great. Feel a bit achy and kinda sick. | 0:36:40 | 0:36:44 | |
It's OK. I can give you something for that. | 0:36:44 | 0:36:47 | |
We'll work out how to manage your withdrawal properly tomorrow. | 0:36:49 | 0:36:53 | |
-Thanks for this. -That's OK. | 0:36:53 | 0:36:55 | |
I'm sorry for messing you about. With the police and everything. | 0:36:57 | 0:37:01 | |
You were scared. I can understand that. | 0:37:01 | 0:37:04 | |
I have no idea what you've been through. | 0:37:04 | 0:37:07 | |
I should have been more patient. | 0:37:07 | 0:37:10 | |
How did it... How did it come to this? | 0:37:13 | 0:37:17 | |
You don't want to know. | 0:37:17 | 0:37:19 | |
Not if you don't want to tell me. | 0:37:19 | 0:37:21 | |
It's nae fairy tale. | 0:37:23 | 0:37:24 | |
Didn't think it would be. | 0:37:26 | 0:37:27 | |
How did you meet him? Sean? | 0:37:29 | 0:37:31 | |
I've known him since I was at school. | 0:37:34 | 0:37:36 | |
He was my pal's cousin or something. | 0:37:36 | 0:37:39 | |
My dad was an alkie. Usually he was all talk... | 0:37:39 | 0:37:44 | |
..but this one time he gie'd me two black eyes. | 0:37:45 | 0:37:47 | |
Sean found out. | 0:37:48 | 0:37:50 | |
He threatened to put my dad in hospital if he done it again. | 0:37:50 | 0:37:53 | |
Said I could move in with him if I wanted. | 0:37:53 | 0:37:55 | |
How old were you? | 0:37:57 | 0:37:58 | |
15, nearly 16. | 0:38:00 | 0:38:02 | |
So I moved in wi'him. | 0:38:04 | 0:38:05 | |
He was really nice. Always giving me wee things. | 0:38:09 | 0:38:13 | |
There was always drink about. And drugs sometimes. | 0:38:14 | 0:38:18 | |
Then after about three months, he told me that his pal had this massive crush on me. | 0:38:21 | 0:38:26 | |
Said that he wouldnae stop talking about me. | 0:38:26 | 0:38:29 | |
I didn't really want to go with him, but... | 0:38:29 | 0:38:31 | |
Sean talked me round. | 0:38:34 | 0:38:35 | |
It's OK. You don't have to go on. | 0:38:35 | 0:38:38 | |
I've never told anybody before. | 0:38:39 | 0:38:42 | |
Naebody's wanted to know. | 0:38:42 | 0:38:44 | |
Kind of makes you feel like it doesnae matter. | 0:38:44 | 0:38:47 | |
It matters. Of course it matters. | 0:38:47 | 0:38:50 | |
I'm listening. | 0:38:50 | 0:38:52 | |
So then there was others. | 0:38:56 | 0:38:58 | |
Sean stopped letting me go out. | 0:38:59 | 0:39:02 | |
Moved me to a different flat. | 0:39:02 | 0:39:03 | |
I still didn't really get what was going on. | 0:39:05 | 0:39:08 | |
Till he spelt it out for me. | 0:39:08 | 0:39:10 | |
I told him I wouldn't do it. | 0:39:12 | 0:39:13 | |
Ended up with two black eyes again. | 0:39:16 | 0:39:18 | |
So from then on, I did what he wanted. | 0:39:18 | 0:39:22 | |
And that's about it. | 0:39:24 | 0:39:26 | |
Until now. | 0:39:26 | 0:39:27 | |
You can do this, Silvie. | 0:39:30 | 0:39:33 | |
People want to help you. | 0:39:33 | 0:39:35 | |
Mum? | 0:39:35 | 0:39:36 | |
How long have you been here? | 0:39:38 | 0:39:41 | |
Not long. I just wondered if you needed any help. | 0:39:41 | 0:39:44 | |
Really? | 0:39:44 | 0:39:46 | |
That's very sweet, but stay with Nicole. | 0:39:48 | 0:39:51 | |
-Just for tonight. OK? -You sure? | 0:39:51 | 0:39:54 | |
I'm sorry. | 0:39:56 | 0:39:57 | |
For what I said before. I was wrong. | 0:39:57 | 0:40:01 | |
It's all right. | 0:40:01 | 0:40:04 | |
I know it seems crazy. It is crazy, but... | 0:40:04 | 0:40:07 | |
She deserves a break. | 0:40:07 | 0:40:08 | |
If you need anything... clothes or whatever... you can use mine. | 0:40:08 | 0:40:14 | |
-Thank you. -I'd better get some stuff for tonight. OK? | 0:40:16 | 0:40:21 | |
What? | 0:40:36 | 0:40:37 | |
Can I speak to you about something? | 0:40:37 | 0:40:40 | |
No. | 0:40:40 | 0:40:42 | |
This fella came to my door. His name's Sean something or other. | 0:40:42 | 0:40:46 | |
-He's some kind of pimp. -Sean? -Uh-huh. | 0:40:46 | 0:40:51 | |
What's he look like? | 0:40:51 | 0:40:52 | |
Wiry. Greyish hair. | 0:40:52 | 0:40:56 | |
Weasely looking. Bad teeth. | 0:40:56 | 0:40:59 | |
He was in here a couple of weeks ago. | 0:40:59 | 0:41:01 | |
You know him, don't you? | 0:41:01 | 0:41:03 | |
Oh, I know him. Aye. Nasty piece of work. | 0:41:03 | 0:41:06 | |
-What's he doing on your doorstep? -Looking for one of his lassies. | 0:41:08 | 0:41:11 | |
You know what Tattie's like with her waifs and strays. | 0:41:11 | 0:41:15 | |
So you could tell him not to bother us again, couldn't you? | 0:41:15 | 0:41:18 | |
No, no. No, I don't bother with his type. | 0:41:18 | 0:41:21 | |
Oh, come on, Lenny. We're practically family. | 0:41:21 | 0:41:23 | |
Hiya. | 0:41:29 | 0:41:31 | |
You looking for something special? | 0:41:31 | 0:41:33 | |
Not really, one of the reds will do. | 0:41:33 | 0:41:36 | |
-Just the one? -Yeah. | 0:41:36 | 0:41:38 | |
-Not much of a party if that's all the booze you're getting in. -Sorry? -The housewarming? | 0:41:38 | 0:41:42 | |
Oh... the housewarming. | 0:41:43 | 0:41:45 | |
Robbie mentioned it earlier. | 0:41:45 | 0:41:47 | |
-Right, yeah. Of course. -Not a problem, is there? -No. Not at all. | 0:41:47 | 0:41:52 | |
Actually, I was wondering if Tom could come. | 0:41:52 | 0:41:56 | |
Why not? Bring Dick and Harry too! | 0:41:56 | 0:41:58 | |
He didn't seem too keen, did he? | 0:42:03 | 0:42:05 | |
No. Bad day at the office maybe. | 0:42:05 | 0:42:08 | |
You'll still come though, aye? | 0:42:09 | 0:42:12 | |
Oh, go on. At least come for a few drinks first. We're meeting in the Tall Ship at seven. | 0:42:13 | 0:42:18 | |
OK. | 0:42:19 | 0:42:21 | |
Excuse me! Excuse me! You're from the police, aren't you? | 0:42:24 | 0:42:27 | |
You know Lenny Murdoch, don't you? | 0:42:27 | 0:42:29 | |
Well, I went to him for help with something | 0:42:29 | 0:42:32 | |
and he says I was to go to the police. | 0:42:32 | 0:42:35 | |
Look, Mrs... | 0:42:35 | 0:42:36 | |
O'Hara. Molly. He just fobbed me off, so he did. | 0:42:36 | 0:42:40 | |
And I'm great-grandmother to his grandson. | 0:42:40 | 0:42:44 | |
I mean, we're nearly related. | 0:42:44 | 0:42:47 | |
Hey, Will. Please tell me there's some single, | 0:42:47 | 0:42:49 | |
straight policemen coming to this party tonight. | 0:42:49 | 0:42:52 | |
-Actually, I really... -Do you mind, sunshine? | 0:42:52 | 0:42:55 | |
-This is an important conversation! -I'll see you later. | 0:42:55 | 0:42:58 | |
Honestly, some folk! Anyway, I just wanted him to warn this guy off. | 0:43:00 | 0:43:05 | |
The guy that came to my door... | 0:43:05 | 0:43:07 | |
You know what, Molly? This is meant to be my day off. So if you don't mind... | 0:43:07 | 0:43:10 | |
Lenny Murdoch told me to go to the police. | 0:43:10 | 0:43:15 | |
Lenny Murdoch, advising people to go the police? | 0:43:15 | 0:43:19 | |
He told you that to get shot of you. | 0:43:19 | 0:43:21 | |
Surprise! | 0:43:36 | 0:43:37 | |
What d'you think? | 0:43:37 | 0:43:38 | |
-WILL SIGHS -What? | 0:43:38 | 0:43:41 | |
Robbie, I said I'd do it when I got back. | 0:43:41 | 0:43:43 | |
I know, I got a wee bit carried away. I didn't think you'd mind. | 0:43:43 | 0:43:46 | |
Like I wouldn't mind you organizing the party without telling me either? | 0:43:46 | 0:43:49 | |
I didn't know I needed permission. | 0:43:49 | 0:43:51 | |
Will you please get this out of my sight! | 0:43:51 | 0:43:53 | |
-How's my favourite girls? -Bob. | 0:44:01 | 0:44:03 | |
-Good day? -Not really. | 0:44:03 | 0:44:06 | |
-How? What happened? -A lassie overdosed in the doctor's. | 0:44:06 | 0:44:10 | |
Seriously? | 0:44:10 | 0:44:11 | |
Dan and Tattie sorted it out. You'd have been proud. | 0:44:11 | 0:44:13 | |
Are you OK? Why did you not tell me about it? | 0:44:13 | 0:44:15 | |
It all happened so quickly. | 0:44:15 | 0:44:18 | |
But she's all right? | 0:44:18 | 0:44:19 | |
She will be. | 0:44:19 | 0:44:21 | |
But she needed a place to stay. Just for tonight. | 0:44:21 | 0:44:24 | |
Her? Seriously? | 0:44:24 | 0:44:26 | |
D'you need a bucket, hen? | 0:44:26 | 0:44:29 | |
No, I'm fine, thanks. | 0:44:29 | 0:44:30 | |
Are you off your head? Letting her in after last time? | 0:44:35 | 0:44:38 | |
-If you'd just let me explain... -Go on then. I'm all ears. | 0:44:38 | 0:44:42 | |
-She wants to stop. She wants out. -And you believe that, do you? | 0:44:42 | 0:44:47 | |
-Yes. -Oh, Tattie. -What? -Even if she does mean it... | 0:44:47 | 0:44:50 | |
-She does. -Even if she does, this is heavy stuff. You shouldn't be bringing this home. | 0:44:50 | 0:44:55 | |
One night. That's all I'm asking. | 0:44:55 | 0:44:58 | |
But you didn't ask, did you? | 0:44:58 | 0:45:00 | |
-This is not my home too? -Of course it is. | 0:45:00 | 0:45:03 | |
I can do nothing without permission from you? | 0:45:03 | 0:45:05 | |
I didn't mean it like that. | 0:45:05 | 0:45:08 | |
I fell in love with you because I thought you had a big heart. | 0:45:08 | 0:45:12 | |
Now you want me to throw that girl back onto the streets. | 0:45:12 | 0:45:15 | |
-I never... -She's maybe a year older than Christina. | 0:45:15 | 0:45:18 | |
And you... can't even show her some kindness. | 0:45:18 | 0:45:22 | |
Don't make this about me, Tattie. This is about you. | 0:45:22 | 0:45:24 | |
I'm just trying to do the right thing for this girl. | 0:45:24 | 0:45:27 | |
Fine. But why am I the last to know? | 0:45:27 | 0:45:29 | |
There was no time to tell you. | 0:45:29 | 0:45:32 | |
Aye, there was. I'm your husband. I'm the one that you should come to. | 0:45:33 | 0:45:37 | |
-I'm the one that should hold your hand, make things easier. -I know, but... | 0:45:37 | 0:45:41 | |
I never am, am I? You never come to me. | 0:45:41 | 0:45:45 | |
Why is that? | 0:45:45 | 0:45:47 | |
Hiya. I seriously need a drink! What you having? | 0:45:58 | 0:46:02 | |
Now, don't go mad but... | 0:46:02 | 0:46:04 | |
Gin and tonic. Iona thought you might want one. | 0:46:04 | 0:46:07 | |
What are you bringing him here for? | 0:46:08 | 0:46:10 | |
Oh, Hayley, he is so handsome! | 0:46:10 | 0:46:13 | |
He's a jobsworth. | 0:46:13 | 0:46:14 | |
Just play nice, eh? For me. | 0:46:14 | 0:46:16 | |
All right, I'll try. | 0:46:18 | 0:46:19 | |
Anything else I've done wrong? | 0:46:38 | 0:46:40 | |
Look, I'm tired. I've had a rotten day. | 0:46:40 | 0:46:43 | |
So you come home and you take it out on me? | 0:46:43 | 0:46:45 | |
I asked you to wait for me. | 0:46:46 | 0:46:48 | |
I made a mistake. I'm sorry, OK? | 0:46:48 | 0:46:51 | |
-I didn't realise it was going to be such a big deal. -I wanted us to do it together. | 0:46:51 | 0:46:55 | |
I know. I tried to phone you. | 0:46:55 | 0:46:56 | |
I can't always take your call. I'm in the middle of a murder investigation, | 0:46:56 | 0:47:00 | |
-just in case you've forgotten. -How can you say that? | 0:47:00 | 0:47:03 | |
I did this because I know how hard you're working. | 0:47:03 | 0:47:05 | |
-Oh, great. A guilt trip. That's all I need. -Where are you going? -Out. | 0:47:05 | 0:47:10 | |
So, how's your hotel? | 0:47:14 | 0:47:16 | |
Fine. It's a hotel, you know. They're all the same these days. | 0:47:16 | 0:47:19 | |
So does this look like it could be a permanent move? | 0:47:19 | 0:47:22 | |
Depends on whether Head Office want me here full time. | 0:47:22 | 0:47:25 | |
-Right. And is that likely? -I'd say so, aye. | 0:47:25 | 0:47:29 | |
There's enough new stores in Glasgow to warrant it anyway. | 0:47:29 | 0:47:31 | |
Fascinating(!) | 0:47:31 | 0:47:33 | |
Sorry. I hate it when folk talk shop. So, what is it you do? | 0:47:33 | 0:47:37 | |
I'm a hairdresser. | 0:47:37 | 0:47:39 | |
Really? | 0:47:39 | 0:47:41 | |
Really. Why? | 0:47:41 | 0:47:43 | |
-Just didn't see you doing something so frivolous. -Frivolous? | 0:47:43 | 0:47:46 | |
You know, it's a wee bit shallow, isn't it? | 0:47:46 | 0:47:48 | |
And I suppose you're out there changing the world, one mini market at a time. | 0:47:48 | 0:47:52 | |
Course not. But it's wee bit more important than cutting hair, is it not? | 0:47:52 | 0:47:56 | |
Oh look, there's Deek. | 0:47:56 | 0:47:59 | |
-That's an expensive haircut you've got there, isn't it? -I guess. | 0:47:59 | 0:48:02 | |
Makes you feel good, doesn't it? You look good, you feel good. | 0:48:02 | 0:48:07 | |
I make people feel good. You sell them biscuits. | 0:48:07 | 0:48:09 | |
Deek, Stella, Bob. This is Tom, from Head Office. | 0:48:09 | 0:48:13 | |
-DEEK: -Hiya. Will I get us a drink? | 0:48:13 | 0:48:15 | |
It's a bit busy the now, Should we not just head? | 0:48:15 | 0:48:18 | |
That sounds like a great idea. | 0:48:18 | 0:48:19 | |
-Tom? -You asked him?! | 0:48:19 | 0:48:22 | |
Actually, I've got some work I should be getting on with. | 0:48:24 | 0:48:26 | |
See you in the morning. Bright and early. Have a nice evening. | 0:48:26 | 0:48:30 | |
What? Right, are we going then or what? | 0:48:31 | 0:48:35 | |
Lovely to see you all. Come away in. | 0:48:37 | 0:48:39 | |
I love it! | 0:48:39 | 0:48:41 | |
Yeah, great, isn't it? | 0:48:41 | 0:48:43 | |
Where's Will? | 0:48:43 | 0:48:44 | |
-He had to nip out for a bit. -Missing his own party? That's a shame. | 0:48:44 | 0:48:47 | |
He won't be too long. Right, so who's for a Mai Tai? | 0:48:47 | 0:48:51 | |
Oh, me, thanks! | 0:48:51 | 0:48:54 | |
Everything all right with you two? | 0:48:58 | 0:49:00 | |
Aye, of course. It's fine. Here, help me out with them. | 0:49:00 | 0:49:02 | |
OK. | 0:49:02 | 0:49:04 | |
Here we go. | 0:49:07 | 0:49:08 | |
Mai Tai daft in this house. | 0:49:08 | 0:49:10 | |
Everyone! | 0:49:12 | 0:49:13 | |
Welcome to our housewarming. Thank you all so much for coming. | 0:49:14 | 0:49:17 | |
It means a lot | 0:49:17 | 0:49:19 | |
to have you all here in my first proper, grown-up house. | 0:49:19 | 0:49:22 | |
Although to be fair, most of the grown-up stuff is actually Will's. | 0:49:22 | 0:49:26 | |
So eat, drink, sit on his sofa. It's dead comfy. | 0:49:26 | 0:49:29 | |
Here, listen, some of you might refer to this as the living room, | 0:49:29 | 0:49:33 | |
but with the amount of soft furnishings, it's clearly a lounge. | 0:49:33 | 0:49:36 | |
Clearly. | 0:49:36 | 0:49:37 | |
Here. Give that a squeeze. It's fabulous, isn't it? | 0:49:37 | 0:49:40 | |
So, lounge away. Mi casa es su casa and all that. | 0:49:40 | 0:49:44 | |
Oh, here, look at all this stuff. | 0:49:44 | 0:49:46 | |
I know. He's got great taste, hasn't he? | 0:49:46 | 0:49:48 | |
Course he has. He chose you, didn't he? | 0:49:48 | 0:49:50 | |
-Hi, Will. -Hello. | 0:49:50 | 0:49:52 | |
We're just saying, the place is lovely. | 0:49:52 | 0:49:54 | |
That's down to Robbie. He did all the work. | 0:49:54 | 0:49:56 | |
And I haven't even thanked him yet. | 0:49:56 | 0:49:59 | |
Thanks, Robbie. (Sorry.) | 0:49:59 | 0:50:02 | |
What's this? | 0:50:04 | 0:50:06 | |
That is Robbie's housewarming gift to me. What do you think? | 0:50:06 | 0:50:10 | |
-It's very Robbie. -Isn't it? | 0:50:10 | 0:50:12 | |
I know, cheap and tacky! | 0:50:12 | 0:50:14 | |
No. It's fun and silly and just a little bit camp. | 0:50:14 | 0:50:19 | |
It should go right there | 0:50:19 | 0:50:20 | |
so it's the first thing people see when they walk in. | 0:50:20 | 0:50:24 | |
I'm sorry, Tattie. For all the trouble I've caused you. | 0:50:30 | 0:50:34 | |
It's all right. | 0:50:34 | 0:50:35 | |
It's not. I heard you and your husband fighting cos of me. | 0:50:35 | 0:50:38 | |
No, Silvie, it wasn't cos of you. | 0:50:38 | 0:50:41 | |
-Can you sort it? -I don't know. | 0:50:41 | 0:50:44 | |
There's things we have to talk about, but we can't. | 0:50:44 | 0:50:49 | |
Come on, you. Bed. | 0:50:50 | 0:50:54 | |
It will help you get to sleep. | 0:51:04 | 0:51:07 | |
If you start to feeling unwell through the night, let me know, OK? | 0:51:07 | 0:51:13 | |
It will be worse tomorrow. | 0:51:13 | 0:51:15 | |
Try to have some rest now. | 0:51:15 | 0:51:17 | |
D'you really think I can do this? | 0:51:18 | 0:51:20 | |
Get clean? | 0:51:20 | 0:51:22 | |
Get off the game? | 0:51:22 | 0:51:24 | |
Yes, you can. With the right support. | 0:51:24 | 0:51:27 | |
It won't be easy, but you owe it to yourself to try. | 0:51:28 | 0:51:32 | |
I don't know where to start. | 0:51:32 | 0:51:34 | |
You've done it. You left him. | 0:51:34 | 0:51:38 | |
You're getting help. You're on your way. | 0:51:38 | 0:51:41 | |
Yeah. Maybe. | 0:51:41 | 0:51:42 | |
Definitely. And once you're clean, you can do anything you want. | 0:51:42 | 0:51:48 | |
Really? | 0:51:48 | 0:51:51 | |
Anything. | 0:51:51 | 0:51:52 | |
Hello, Fraser-Cooper residence? | 0:52:00 | 0:52:02 | |
Hello, Malcolm? Liz has left her shoes here! | 0:52:02 | 0:52:04 | |
THEY LAUGH | 0:52:04 | 0:52:07 | |
-A top-up, Iona? -Aye, please. | 0:52:07 | 0:52:09 | |
So, Hayley, tell me about this guy who's been horrible to you, then. | 0:52:11 | 0:52:14 | |
-Oh, aye. Tell us. -Some stuffed shirt from the Deli. | 0:52:14 | 0:52:19 | |
He was rude, officious, obstructive, charmless. | 0:52:19 | 0:52:24 | |
Eh, you were just as bad. | 0:52:24 | 0:52:26 | |
Oh, please, just because you've got the hots for him. | 0:52:26 | 0:52:28 | |
-You do not, you dirty dog! -Oh, Robbie, he is so classy. | 0:52:28 | 0:52:31 | |
You must be desperate. | 0:52:31 | 0:52:33 | |
Well, aye. | 0:52:33 | 0:52:35 | |
But he is the most handsome guy I have seen in years. No offence, Will. | 0:52:35 | 0:52:40 | |
-None taken. -He's not that attractive. | 0:52:40 | 0:52:42 | |
-You're just ticked off because he said you were frivolous. -He said that? | 0:52:42 | 0:52:46 | |
I'm a hairdresser. Apparently that makes me shallow. | 0:52:46 | 0:52:48 | |
Well, in that case, I don't like him either. | 0:52:48 | 0:52:50 | |
You can have him. Can't she, Hayley? | 0:52:50 | 0:52:52 | |
Absolutely. | 0:52:52 | 0:52:54 | |
DOOR OPENS | 0:53:15 | 0:53:17 | |
You coming to bed or you going to watch her all night? | 0:53:25 | 0:53:27 | |
I'll be in Christina's room. | 0:53:29 | 0:53:30 | |
-Leave those. I'll clear up before I go to work. -Sure? | 0:53:47 | 0:53:51 | |
Yeah, come on. You look tired. | 0:53:51 | 0:53:54 | |
-So, do you want to talk about it? -About what? | 0:53:57 | 0:53:59 | |
Why you came home in such a foul mood. | 0:53:59 | 0:54:01 | |
I'm just frustrated, that's all. | 0:54:01 | 0:54:05 | |
We've hit a brick wall with this investigation. The Super's leaning on the DCI | 0:54:05 | 0:54:08 | |
-and he's taking it out on me. -So, no new developments? | 0:54:08 | 0:54:12 | |
You know I can't tell you that. But no. There's not. | 0:54:12 | 0:54:16 | |
I'm sorry. I know how much this means to your career. | 0:54:17 | 0:54:20 | |
It's not just my career, Robbie. | 0:54:20 | 0:54:22 | |
There's other girls out there, still in danger. | 0:54:22 | 0:54:24 | |
Until we find this guy, he's not going to stop. | 0:54:24 | 0:54:26 | |
MUSIC: "Mojo Pin" by Jeff Buckley | 0:55:05 | 0:55:09 | |
She's gone. | 0:55:32 | 0:55:34 | |
You sure? | 0:55:34 | 0:55:36 | |
She could turn up at the Health Centre, like we talked about. | 0:55:40 | 0:55:44 | |
She won't, will she? | 0:55:48 | 0:55:50 | |
She probably went out for another fix. Couldn't help herself. | 0:55:51 | 0:55:55 | |
You need to let her go, Tattie. | 0:55:57 | 0:55:59 | |
I can't. Not yet. | 0:55:59 | 0:56:02 | |
MOBILE PHONE RINGS | 0:56:18 | 0:56:22 | |
'Hiya, it's Silvie. | 0:56:34 | 0:56:36 | |
'Sorry I can't speak to you the now. Please leave a message.' | 0:56:36 | 0:56:39 | |
I asked you to do one thing. | 0:56:41 | 0:56:43 | |
Dan hadn't a clue where I'd been. | 0:56:43 | 0:56:44 | |
I meant to go round, but Tom came in and it went out of my head. | 0:56:44 | 0:56:47 | |
Shows how much you care. | 0:56:47 | 0:56:49 | |
No wonder Silvie thought she wasn't wanted. | 0:56:49 | 0:56:51 | |
I need your help. | 0:56:51 | 0:56:53 | |
You're a dad - how would you feel if one of those girls had been Amber? | 0:56:55 | 0:56:59 | |
We couldn't have held him all day, he's screaming for his brief! | 0:56:59 | 0:57:02 | |
-The whole point on pulling him in was to ask about the girl. -And we had 12 hours to do that! | 0:57:02 | 0:57:06 | |
Subtitles by Red Bee Media Ltd | 0:57:24 | 0:57:28 |