Browse content similar to 04/09/2012. Check below for episodes and series from the same categories and more!
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What's he doing here? | 0:00:20 | 0:00:22 | |
He works here. | 0:00:22 | 0:00:23 | |
Not in my pub. | 0:00:23 | 0:00:25 | |
Listen, pal, I'm really sorry. I'm going to have to let you go. | 0:00:25 | 0:00:29 | |
Something has to be done about Kennedy. | 0:00:29 | 0:00:31 | |
People are expecting you to step up to the plate. | 0:00:31 | 0:00:34 | |
Is that right? | 0:00:34 | 0:00:35 | |
Aw, you're a proper saint, aren't you, Dan? Old Liz up there, | 0:00:35 | 0:00:38 | |
doesn't know she's saying cheerio to a tea leaf. | 0:00:38 | 0:00:41 | |
Better than a dirty pimp. | 0:00:41 | 0:00:42 | |
I'm all there is between that psycho and those girls. | 0:00:42 | 0:00:46 | |
INDISTINCT VOICES | 0:01:56 | 0:01:58 | |
Serial numbers? | 0:02:02 | 0:02:04 | |
Gone. It's untraceable. | 0:02:04 | 0:02:06 | |
As I say, these are brand-new. | 0:02:06 | 0:02:09 | |
The cops don't have anything on them. They're clean. | 0:02:09 | 0:02:14 | |
Look, Tony, if you're not interested, | 0:02:14 | 0:02:16 | |
you're not exactly going to break my heart. | 0:02:16 | 0:02:18 | |
These things, they sell themselves. | 0:02:18 | 0:02:21 | |
Can we do this today? | 0:02:21 | 0:02:23 | |
It's not a problem. Cash on collection. | 0:02:23 | 0:02:26 | |
OK, then. | 0:02:26 | 0:02:28 | |
I'll phone you later with the details. | 0:02:28 | 0:02:30 | |
How long have you been standing there? | 0:02:36 | 0:02:39 | |
I've not, I was just... | 0:02:39 | 0:02:41 | |
-Spying on me? -No, Sean. | 0:02:41 | 0:02:43 | |
-I wouldnae do that, honest. -What have you been doing, then? | 0:02:43 | 0:02:47 | |
Look, Angie, just get out my sight. Get back to work. | 0:02:47 | 0:02:51 | |
All right, ladies. | 0:03:00 | 0:03:01 | |
Hey, hey. And the rest. | 0:03:15 | 0:03:18 | |
Cheers. | 0:03:25 | 0:03:26 | |
Hi, Gabriel. | 0:03:38 | 0:03:39 | |
Sorry to bother you at work. | 0:03:41 | 0:03:43 | |
What do you want? | 0:03:43 | 0:03:44 | |
Just a quick chat. | 0:03:44 | 0:03:46 | |
Well, if I'm not under arrest... | 0:03:46 | 0:03:47 | |
Well, I could arrest you, obviously. | 0:03:47 | 0:03:49 | |
We've got enough evidence to put you away for a long time. | 0:03:49 | 0:03:52 | |
That's why you're going to do your bit for society, | 0:03:52 | 0:03:55 | |
and start working with the good guys. | 0:03:55 | 0:03:57 | |
See, if I wanted me or my brother topped, | 0:03:57 | 0:04:00 | |
turning grass would definitely be the way to do it. | 0:04:00 | 0:04:03 | |
It's time, Gabriel. | 0:04:05 | 0:04:06 | |
Don't try my patience. | 0:04:06 | 0:04:08 | |
You can spend tonight in your own bed, or in the cells. | 0:04:09 | 0:04:12 | |
I've got a job for you. | 0:04:24 | 0:04:27 | |
I want you to get rid of Angie. | 0:04:27 | 0:04:29 | |
I'm sending her to Newcastle. | 0:04:30 | 0:04:32 | |
Right. | 0:04:33 | 0:04:35 | |
She's more trouble than she's worth. | 0:04:35 | 0:04:36 | |
The punters are sick of her. | 0:04:36 | 0:04:38 | |
I'm sick of her. | 0:04:39 | 0:04:41 | |
-But why Newcastle? -Got a mate down there. | 0:04:41 | 0:04:43 | |
He's going to put her to work. | 0:04:43 | 0:04:45 | |
You just have to make sure she gets there. | 0:04:45 | 0:04:47 | |
Get her to pack her bag. | 0:04:49 | 0:04:50 | |
Don't let her out of your sight, right? | 0:04:50 | 0:04:53 | |
-How you doing? -What's happening? | 0:04:58 | 0:05:01 | |
You need to pack a bag, OK? | 0:05:07 | 0:05:09 | |
How? | 0:05:09 | 0:05:11 | |
-Just do it. -What's going on? | 0:05:11 | 0:05:13 | |
Tell me what's going on. | 0:05:13 | 0:05:15 | |
I'm taking you to Newcastle. | 0:05:15 | 0:05:17 | |
No. | 0:05:17 | 0:05:19 | |
It's not my decision! | 0:05:19 | 0:05:20 | |
Of course it's not. | 0:05:20 | 0:05:21 | |
Is he still here? | 0:05:21 | 0:05:23 | |
Aye. | 0:05:23 | 0:05:25 | |
So you need to get packing. | 0:05:25 | 0:05:26 | |
Come on! It's just the way it is, OK? | 0:05:29 | 0:05:32 | |
It's not happening. I'm not going. | 0:05:32 | 0:05:34 | |
It can't be any worse than here, can it? | 0:05:34 | 0:05:36 | |
You think he's sending me to some sort of holiday camp? | 0:05:36 | 0:05:39 | |
No... | 0:05:39 | 0:05:40 | |
I don't know. He said something about a pal of his. | 0:05:40 | 0:05:43 | |
Aye, I know all about his pal. | 0:05:43 | 0:05:45 | |
He's got this place. It's like a prison. Locks on the doors. | 0:05:45 | 0:05:50 | |
The last lassie that got sent there topped herself. | 0:05:50 | 0:05:52 | |
That's where you want to send me? | 0:05:54 | 0:05:56 | |
I could try talking to him if you like. | 0:05:56 | 0:05:59 | |
I don't know what else I can do. | 0:05:59 | 0:06:02 | |
Help me! Help me get away! | 0:06:02 | 0:06:04 | |
Aye, very good. And if he finds out?! | 0:06:04 | 0:06:07 | |
Please, Gabriel, please help me. | 0:06:12 | 0:06:14 | |
I'll do anything you want. Anything. | 0:06:14 | 0:06:17 | |
No, Angie. No. | 0:06:17 | 0:06:18 | |
All right? I'm sorry, I cannae. | 0:06:18 | 0:06:21 | |
I always thought you were a good guy. | 0:06:26 | 0:06:28 | |
It was like you didn't belong here somehow. | 0:06:28 | 0:06:30 | |
But that's not true, is it no? No, you're just a yes man. | 0:06:30 | 0:06:34 | |
Totally spineless, totally absolutely spineless. | 0:06:34 | 0:06:37 | |
You quite finished? | 0:06:39 | 0:06:41 | |
What you doing wi' that? | 0:06:46 | 0:06:48 | |
That's Cammy Tennant. | 0:06:52 | 0:06:53 | |
Give me that! | 0:06:53 | 0:06:54 | |
-Did you work for him? -What's it to you? | 0:06:58 | 0:07:00 | |
When you worked for him, did you ever see a girl called Nicole? | 0:07:00 | 0:07:04 | |
Brown hair, about sixteen? | 0:07:04 | 0:07:06 | |
-Did you see her? -What is this? | 0:07:08 | 0:07:10 | |
-Just answer the question. Did you see her? -Aye. I met her. | 0:07:10 | 0:07:13 | |
So what? | 0:07:13 | 0:07:14 | |
Nicole's my niece. | 0:07:16 | 0:07:18 | |
Your niece? | 0:07:18 | 0:07:19 | |
She's my brother's kid. | 0:07:20 | 0:07:22 | |
You're the one that helped her get away, aren't you? | 0:07:30 | 0:07:33 | |
I don't see much packing going on. You're leaving. | 0:07:39 | 0:07:41 | |
Call this number when you get to Newcastle. | 0:07:43 | 0:07:46 | |
They'll tell you where to go. | 0:07:46 | 0:07:48 | |
Got it. | 0:07:48 | 0:07:49 | |
Come on, let's go. | 0:07:58 | 0:07:59 | |
Look, is there somewhere else you can go, | 0:08:31 | 0:08:34 | |
somewhere you'll be safe? | 0:08:34 | 0:08:36 | |
I know some people in London... | 0:08:36 | 0:08:38 | |
Fine. That's where you're going to need to go. | 0:08:38 | 0:08:42 | |
What are you going to tell Sean? | 0:08:42 | 0:08:44 | |
I'm just gonnae tell him you attacked me, and that you got away. | 0:08:44 | 0:08:47 | |
-What? -Just listen to me, Angie. | 0:08:47 | 0:08:49 | |
I need you to hit me really hard in the face. | 0:08:49 | 0:08:52 | |
Are you joking? | 0:08:52 | 0:08:53 | |
There's no other way. | 0:08:53 | 0:08:55 | |
I cannae do that. | 0:08:56 | 0:08:57 | |
Come on, Angie. | 0:08:57 | 0:08:59 | |
You're off your head, I'm not doing that. | 0:08:59 | 0:09:01 | |
You've not got an option. | 0:09:01 | 0:09:02 | |
I cannae. I just cannae. | 0:09:04 | 0:09:06 | |
You want to get away from Sean right, alive? | 0:09:06 | 0:09:09 | |
Then this is what you're gonnae need to do. | 0:09:09 | 0:09:11 | |
And you're gonnae need to make it look real. Just do it. | 0:09:11 | 0:09:15 | |
Hit me. Scratch my face. | 0:09:15 | 0:09:17 | |
Do it. | 0:09:17 | 0:09:18 | |
-Do it or I can't help you. -No! | 0:09:20 | 0:09:21 | |
He's treating you like a bit of dirt on his shoe, | 0:09:26 | 0:09:28 | |
like a piece of meat. | 0:09:28 | 0:09:29 | |
Is that all you'll ever be? | 0:09:29 | 0:09:31 | |
Just a bit of meat? You're just a bit of meat. | 0:09:31 | 0:09:33 | |
-Don't ever forget it. -Get off me! -Scratch me. | 0:09:33 | 0:09:36 | |
Are you all right? | 0:09:42 | 0:09:43 | |
I'm fine. | 0:09:43 | 0:09:44 | |
You're bleeding. | 0:09:44 | 0:09:45 | |
Good. | 0:09:45 | 0:09:47 | |
What if he doesn't believe you? | 0:09:49 | 0:09:52 | |
Don't you worry about that, OK? | 0:09:52 | 0:09:53 | |
Come on, I'll take you to the station. | 0:09:53 | 0:09:56 | |
You're gonnae need to watch yourself. | 0:09:56 | 0:09:58 | |
He's getting into guns, Sean. | 0:09:58 | 0:10:00 | |
Selling them. | 0:10:00 | 0:10:01 | |
Some sort of deal's happening today. | 0:10:03 | 0:10:05 | |
He was talking to a guy called Tony. | 0:10:05 | 0:10:06 | |
I've never seen him before. | 0:10:06 | 0:10:09 | |
Come on. | 0:10:09 | 0:10:11 | |
I can't believe you're leaving today. | 0:10:15 | 0:10:17 | |
Well, I am, and I want to keep it low key, eh? | 0:10:17 | 0:10:22 | |
You must be really excited. | 0:10:22 | 0:10:24 | |
Aye. And a wee bit nervous. | 0:10:24 | 0:10:26 | |
I don't know, I just feel like I don't deserve it or something. | 0:10:26 | 0:10:30 | |
I don't want to hear it. Of course you deserve it. | 0:10:30 | 0:10:32 | |
And you're going to have an amazing time, I know it. | 0:10:32 | 0:10:35 | |
Thanks, Deek. | 0:10:35 | 0:10:37 | |
Have you told him? | 0:10:42 | 0:10:43 | |
Not yet. | 0:10:43 | 0:10:44 | |
-Listen, I'll see you before you go, all right? -Aye. Take care. | 0:10:46 | 0:10:50 | |
'Everyone is going to be so happy to have you home.' | 0:10:50 | 0:10:53 | |
-I've hardly been away. -Even so. | 0:10:53 | 0:10:55 | |
Just take it easy. | 0:10:59 | 0:11:01 | |
There's no rush. | 0:11:01 | 0:11:03 | |
-Why don't you go on ahead? -Oh, it's OK. | 0:11:03 | 0:11:05 | |
I'll keep you company. | 0:11:05 | 0:11:08 | |
Thanks. | 0:11:08 | 0:11:09 | |
There's only healthy food in this kitchen. | 0:11:15 | 0:11:18 | |
And enough of it to feed an army! | 0:11:18 | 0:11:20 | |
Although, who'd go into battle on rice cakes and low fat spread? | 0:11:20 | 0:11:24 | |
Aye, well, there's no harm in making sure you've not missed something. | 0:11:24 | 0:11:27 | |
Up at your end... | 0:11:27 | 0:11:29 | |
Oh, that's it. | 0:11:29 | 0:11:30 | |
Ta-da! Looks pretty good, eh? | 0:11:31 | 0:11:34 | |
Totally. | 0:11:34 | 0:11:36 | |
Oh, aye, what's this? | 0:11:36 | 0:11:39 | |
They're for my elevenses. | 0:11:39 | 0:11:40 | |
-They're going in the bin. -What?! | 0:11:40 | 0:11:42 | |
Right enough, it'd be a shame to waste them. | 0:11:42 | 0:11:44 | |
I'll take them home with me. | 0:11:44 | 0:11:46 | |
You give them back to me! | 0:11:46 | 0:11:47 | |
-There's no sense in putting temptation in his road. -They were hidden! | 0:11:47 | 0:11:51 | |
-Well, if I found them, Bob'll sniff them out in a minute! -Hey! -We're home! | 0:11:51 | 0:11:56 | |
-Oh, welcome back! -You're looking well, Bob. | 0:11:56 | 0:11:59 | |
I'm feeling good, aye. Brand-new. | 0:11:59 | 0:12:01 | |
I came home to look after you while Mum's at work. | 0:12:01 | 0:12:04 | |
Oh, no, listen, I can do that hen, because I've got the day off. | 0:12:04 | 0:12:07 | |
-I'm no' needing looked after. -The doctors did say... | 0:12:07 | 0:12:09 | |
They said I was to be more active. | 0:12:09 | 0:12:11 | |
Yes, but not right away. Gradually. | 0:12:11 | 0:12:13 | |
I think climbing those stairs was enough for today. | 0:12:13 | 0:12:16 | |
I'm not an invalid. | 0:12:16 | 0:12:17 | |
-I think we'll leave you to it, eh? -Aye. | 0:12:17 | 0:12:20 | |
If youse need anything... | 0:12:20 | 0:12:22 | |
Aye, cheers. | 0:12:22 | 0:12:24 | |
See you later. | 0:12:24 | 0:12:25 | |
-Bye. -Bye. | 0:12:25 | 0:12:27 | |
Are you sure you don't need me to hang around? | 0:12:28 | 0:12:31 | |
Cos I could get back to school... | 0:12:31 | 0:12:32 | |
On you go, I'm fine. | 0:12:32 | 0:12:34 | |
OK. Text me if you need me. | 0:12:34 | 0:12:36 | |
I need to go to work. | 0:12:39 | 0:12:40 | |
Aye, sure. | 0:12:40 | 0:12:42 | |
Raymond. | 0:12:54 | 0:12:56 | |
-You all right? -Aye. | 0:12:56 | 0:12:57 | |
I keep thinking it's going to be him, don't I? | 0:12:57 | 0:13:00 | |
No sign, then? No. | 0:13:00 | 0:13:02 | |
Listen, are you sure about this? | 0:13:03 | 0:13:05 | |
I mean I'm happy to be back but... | 0:13:05 | 0:13:07 | |
Hey, this is still my pub. | 0:13:07 | 0:13:09 | |
I employ who I want. | 0:13:09 | 0:13:11 | |
You're back, then, are you? | 0:13:20 | 0:13:21 | |
Aye. | 0:13:23 | 0:13:24 | |
Listen, he's a good worker. | 0:13:24 | 0:13:28 | |
And I can't run this place without decent staff. | 0:13:28 | 0:13:31 | |
I pay the wages, so it's... | 0:13:31 | 0:13:32 | |
Do I look like I've got time for this? | 0:13:32 | 0:13:34 | |
I don't want to be disturbed in there today, OK? | 0:13:34 | 0:13:37 | |
Raymond, did you get me that guy's number? | 0:13:42 | 0:13:45 | |
Not now, Deek, eh? | 0:13:45 | 0:13:47 | |
Hi. | 0:14:01 | 0:14:02 | |
Hi. | 0:14:02 | 0:14:03 | |
Listen, how are things? | 0:14:03 | 0:14:06 | |
Better. | 0:14:09 | 0:14:10 | |
Good. | 0:14:10 | 0:14:11 | |
You know, one day at a time and all that. | 0:14:11 | 0:14:14 | |
Gabriel, what happened... | 0:14:14 | 0:14:17 | |
What happened to your face? | 0:14:17 | 0:14:18 | |
Nothing. It's fine. | 0:14:18 | 0:14:20 | |
Right... | 0:14:21 | 0:14:23 | |
Well, I better go. | 0:14:23 | 0:14:24 | |
The boys were asking for you. | 0:14:24 | 0:14:26 | |
I know you're probably really busy but... | 0:14:26 | 0:14:29 | |
well... | 0:14:29 | 0:14:31 | |
..you could always come round and see them some time. | 0:14:33 | 0:14:35 | |
If you like. | 0:14:35 | 0:14:36 | |
That would be... | 0:14:36 | 0:14:38 | |
I'd really like that. | 0:14:40 | 0:14:42 | |
Well... | 0:14:42 | 0:14:43 | |
..see you soon, then? | 0:14:45 | 0:14:46 | |
Yep. I'll see you. | 0:14:46 | 0:14:48 | |
Ta. | 0:15:01 | 0:15:02 | |
Aye. | 0:15:04 | 0:15:05 | |
All right, then. | 0:15:07 | 0:15:09 | |
I'll speak to you about that later. | 0:15:09 | 0:15:11 | |
What happened to your face? Where's Angie? | 0:15:15 | 0:15:17 | |
Listen, man... | 0:15:17 | 0:15:19 | |
Where's Angie? | 0:15:19 | 0:15:20 | |
I stopped at a petrol station, and she went nuts. | 0:15:20 | 0:15:24 | |
And? | 0:15:25 | 0:15:26 | |
Well, then she ran away. | 0:15:26 | 0:15:28 | |
There were people everywhere. Cameras all over the place. | 0:15:28 | 0:15:31 | |
You know if I started to drag her back into the van... | 0:15:31 | 0:15:35 | |
and then I drove about, trying to find her. | 0:15:35 | 0:15:38 | |
Nothing. | 0:15:38 | 0:15:39 | |
I'm really sorry. | 0:15:40 | 0:15:42 | |
Do you ever think that you're in the wrong job, Gabriel? | 0:15:42 | 0:15:45 | |
You're gonnae have to get out there and find her, | 0:15:46 | 0:15:50 | |
get on the blower, put the word out. | 0:15:50 | 0:15:52 | |
She cannae get away with this. Sends out the wrong message. | 0:15:52 | 0:15:55 | |
You and all. | 0:15:58 | 0:16:00 | |
-PHONE RINGS -Hello? | 0:16:00 | 0:16:01 | |
Aye. | 0:16:01 | 0:16:03 | |
What are you saying, like? | 0:16:03 | 0:16:05 | |
Oh, Jesus. | 0:16:32 | 0:16:34 | |
I need you for something later on. | 0:16:53 | 0:16:55 | |
A meeting. Now that you're free. | 0:16:55 | 0:16:58 | |
When? | 0:16:59 | 0:17:00 | |
Like I said. Later. | 0:17:00 | 0:17:03 | |
Right. | 0:17:03 | 0:17:05 | |
-What happened to you? -Don't ask. | 0:17:37 | 0:17:39 | |
Too late, I already did. | 0:17:39 | 0:17:41 | |
I got into a spot of bother. | 0:17:41 | 0:17:42 | |
Somebody with long nails, was it? | 0:17:42 | 0:17:45 | |
It's a dirty business he's got you involved in. | 0:17:45 | 0:17:48 | |
I want out. He's getting into guns now. | 0:17:48 | 0:17:51 | |
He's selling them. | 0:17:51 | 0:17:53 | |
Kennedy, selling guns? | 0:17:53 | 0:17:54 | |
Who's buying them? | 0:17:54 | 0:17:55 | |
Some guy called Tony. | 0:17:55 | 0:17:58 | |
You sure about that? | 0:17:58 | 0:17:59 | |
That's what I heard. | 0:17:59 | 0:18:00 | |
Listen, what do you care? | 0:18:03 | 0:18:04 | |
Did you hear what I just said? | 0:18:04 | 0:18:05 | |
So pimping out wee lassies is all right, eh? | 0:18:05 | 0:18:07 | |
What does it matter if one or two of them end up strangled? | 0:18:07 | 0:18:10 | |
-But talk about guns, that keeps you up at night? -I've had enough. | 0:18:10 | 0:18:12 | |
Why don't you tell him, then? I'm sure he'll be very reasonable. | 0:18:12 | 0:18:15 | |
You know what I reckon? With what I know, | 0:18:18 | 0:18:20 | |
if I spoke to the police, maybe they could... | 0:18:20 | 0:18:23 | |
-Are you off your head? -I'm just saying... | 0:18:23 | 0:18:26 | |
You don't talk to the cops. Full stop. | 0:18:26 | 0:18:28 | |
You forgotten what happened last time? | 0:18:28 | 0:18:29 | |
What'll happen to your brother | 0:18:29 | 0:18:31 | |
if Kennedy even suspects that you're a grass? | 0:18:31 | 0:18:33 | |
So what am I supposed to do? | 0:18:33 | 0:18:34 | |
First thing you can do, get a grip. | 0:18:34 | 0:18:38 | |
Cheers. | 0:18:38 | 0:18:39 | |
It's Gabriel Brodie. | 0:18:54 | 0:18:55 | |
I want to talk. | 0:18:57 | 0:18:58 | |
No, no don't tell me, you were looking after a friend's cat. | 0:19:00 | 0:19:03 | |
I was fixing a machine at work. | 0:19:03 | 0:19:05 | |
You need to be more careful. | 0:19:05 | 0:19:07 | |
I want to help you put Sean Kennedy away. | 0:19:09 | 0:19:11 | |
I can give you his whole operation. His girls, | 0:19:11 | 0:19:14 | |
the places he owns, you name it. | 0:19:14 | 0:19:18 | |
We know. | 0:19:18 | 0:19:20 | |
-You're not interested? -Do you have anything new that might | 0:19:22 | 0:19:25 | |
tie Sean Kennedy to the Alicia Petrauskas murder? | 0:19:25 | 0:19:28 | |
No. | 0:19:29 | 0:19:30 | |
Hmmm. That's a pity. | 0:19:30 | 0:19:32 | |
What about guns? | 0:19:32 | 0:19:33 | |
You interested in them? | 0:19:35 | 0:19:37 | |
Depends. | 0:19:37 | 0:19:39 | |
Well, he's selling them. | 0:19:39 | 0:19:40 | |
To whom? | 0:19:40 | 0:19:41 | |
I don't know. There's some sort of meeting happening today. | 0:19:41 | 0:19:45 | |
I'm sure there's a deal being done. | 0:19:45 | 0:19:47 | |
Where? | 0:19:47 | 0:19:48 | |
I'm not sure. | 0:19:48 | 0:19:50 | |
The Tall Ship, maybe. | 0:19:50 | 0:19:52 | |
So this possible meeting, | 0:19:52 | 0:19:54 | |
that's maybe happening at the Tall Ship, you any idea when? | 0:19:54 | 0:19:57 | |
Not yet, but he wants me there. | 0:19:57 | 0:20:00 | |
So I can find out. | 0:20:02 | 0:20:03 | |
-What do you reckon? -You want to earn your freedom, | 0:20:04 | 0:20:07 | |
-I'm going to need something else from you. -Like what? | 0:20:07 | 0:20:12 | |
Lenny Murdoch. | 0:20:12 | 0:20:13 | |
No chance. | 0:20:13 | 0:20:16 | |
Such loyalty. | 0:20:17 | 0:20:18 | |
I'm giving you Sean Kennedy on a plate here. | 0:20:18 | 0:20:21 | |
You are not in a position to negotiate. | 0:20:21 | 0:20:23 | |
Give me Lenny, or go to jail. It's a simple choice. | 0:20:23 | 0:20:27 | |
Tell you what. I'll give you a few hours to see sense, yeah? | 0:20:28 | 0:20:31 | |
Off you go. | 0:20:31 | 0:20:33 | |
The officer outside will show you the way. | 0:20:33 | 0:20:35 | |
-If Sean Kennedy's selling guns... -I know what I'm doing. | 0:20:42 | 0:20:45 | |
Tell the armed response boys we might be needing them in a hurry. | 0:20:46 | 0:20:50 | |
And air support. | 0:20:50 | 0:20:51 | |
PHONE RINGS | 0:20:56 | 0:20:58 | |
Angie. | 0:21:00 | 0:21:02 | |
What? | 0:21:02 | 0:21:03 | |
Where are you? Look, just... | 0:21:06 | 0:21:09 | |
stay where you are. I'm not far. | 0:21:09 | 0:21:11 | |
What happened? | 0:21:21 | 0:21:22 | |
I was on the train, waiting to go, it was late. | 0:21:22 | 0:21:26 | |
I seen one of Sean's guys getting on, so I panicked. | 0:21:26 | 0:21:29 | |
-I got off the train and ran. -Did he see you? | 0:21:29 | 0:21:31 | |
I don't know, I don't think so. | 0:21:31 | 0:21:33 | |
-I didn't know what else to do. -What did you come back here for? | 0:21:33 | 0:21:36 | |
Well, I couldn't go to the flat, could I? | 0:21:36 | 0:21:38 | |
I'm sorry, all right? | 0:21:38 | 0:21:40 | |
What do we do now? | 0:21:41 | 0:21:42 | |
It's all right. Come on. | 0:21:42 | 0:21:44 | |
Hoi! | 0:21:54 | 0:21:56 | |
What is this? | 0:22:00 | 0:22:01 | |
It's all right, I found her. | 0:22:01 | 0:22:03 | |
One of the boys in the town clocked her. | 0:22:03 | 0:22:05 | |
I thought you'd be wanting a word. | 0:22:05 | 0:22:07 | |
You trying to do a runner on me? | 0:22:07 | 0:22:08 | |
No, Sean, honest, I'm sorry. | 0:22:08 | 0:22:10 | |
Sorry this, sorry that. You're always sorry, eh? | 0:22:10 | 0:22:12 | |
Just get her to Newcastle. | 0:22:12 | 0:22:14 | |
What about this meeting? | 0:22:14 | 0:22:16 | |
Look, just do your job, right? No mistakes this time. | 0:22:16 | 0:22:19 | |
It's gonnae be OK. Come on, this way. | 0:22:22 | 0:22:25 | |
Come on, come on, answer the door. | 0:22:25 | 0:22:28 | |
(Oh, come on.) | 0:22:31 | 0:22:32 | |
Is Leyla at work? | 0:22:34 | 0:22:35 | |
What's it to you? What happened to your face? | 0:22:35 | 0:22:37 | |
Please, is she at work? | 0:22:37 | 0:22:40 | |
Yeah, she's at work. So what do you want? | 0:22:40 | 0:22:42 | |
Look... | 0:22:42 | 0:22:43 | |
Come on out. | 0:22:43 | 0:22:44 | |
What's going on? | 0:22:47 | 0:22:48 | |
What are you doing with her? | 0:22:48 | 0:22:50 | |
Look... Can we come inside? | 0:22:50 | 0:22:51 | |
We're not safe out here. I'll explain. | 0:22:51 | 0:22:54 | |
On you go. | 0:23:03 | 0:23:04 | |
-Where are the boys? -At a pal's. | 0:23:09 | 0:23:11 | |
Great. | 0:23:11 | 0:23:12 | |
Angie needs to stay here for a bit. Just for the day. | 0:23:13 | 0:23:17 | |
Tell me what's going on. | 0:23:17 | 0:23:18 | |
I'm in trouble, all right? With Sean, remember him? | 0:23:19 | 0:23:23 | |
Gabriel's just helping me out. | 0:23:24 | 0:23:26 | |
You're working for him, aren't you? | 0:23:27 | 0:23:29 | |
Look, I'll be back later. Just stay indoors... | 0:23:29 | 0:23:33 | |
Thanks. | 0:23:37 | 0:23:39 | |
What does Gabriel do for Sean? | 0:23:47 | 0:23:48 | |
What does he do for him? | 0:23:50 | 0:23:51 | |
He looks after us. | 0:23:51 | 0:23:53 | |
The girls. | 0:23:53 | 0:23:54 | |
Collects money off us, that type of thing. | 0:23:55 | 0:23:58 | |
And what about his face, the scratches? | 0:24:02 | 0:24:05 | |
Just tell me. | 0:24:07 | 0:24:09 | |
So, Mr Brodie. | 0:24:29 | 0:24:30 | |
What have you come to tell us? | 0:24:30 | 0:24:32 | |
I'll help you with Sean, but not with Lenny. | 0:24:32 | 0:24:36 | |
But if I have to do this, I want Michael protected. | 0:24:36 | 0:24:41 | |
He's in danger. | 0:24:41 | 0:24:42 | |
You know, I don't see how things could have been so bad | 0:24:49 | 0:24:52 | |
that you'd leave this place to stay with Cammy in that dump. | 0:24:52 | 0:24:55 | |
It wasn't a good time. | 0:24:56 | 0:24:58 | |
I didn't know what I was getting myself into. | 0:24:59 | 0:25:01 | |
Huh. Thought as much. | 0:25:01 | 0:25:03 | |
Ta. | 0:25:03 | 0:25:04 | |
How did you end up back there with Sean? | 0:25:11 | 0:25:14 | |
Sorry, if you don't want to talk about it... | 0:25:15 | 0:25:17 | |
It's just not very interesting. | 0:25:17 | 0:25:20 | |
The last time I saw you, you were getting away from all this. | 0:25:20 | 0:25:23 | |
-It didn't work out. -How not? | 0:25:23 | 0:25:25 | |
What else can I do? | 0:25:26 | 0:25:28 | |
Anything but this. | 0:25:28 | 0:25:30 | |
This is who I am. | 0:25:30 | 0:25:31 | |
I'm not proud of it, but I'll not be ashamed either. | 0:25:31 | 0:25:34 | |
Sorry. | 0:25:35 | 0:25:37 | |
Your dad? | 0:25:46 | 0:25:47 | |
I know his face from the paper. | 0:25:52 | 0:25:54 | |
He's still in the jail? | 0:25:54 | 0:25:56 | |
Yeah. | 0:25:57 | 0:25:59 | |
You miss him? | 0:25:59 | 0:26:01 | |
So much. | 0:26:03 | 0:26:04 | |
I miss Cammy. | 0:26:08 | 0:26:09 | |
I know what you must think of him, but... | 0:26:13 | 0:26:16 | |
See from when I was in care, | 0:26:17 | 0:26:20 | |
from when I first met him, | 0:26:20 | 0:26:23 | |
he was the only one that ever looked out for me. | 0:26:23 | 0:26:25 | |
The only one. | 0:26:26 | 0:26:27 | |
At least until Gabriel. | 0:26:31 | 0:26:33 | |
What're you doing here? Where's Angie? | 0:26:40 | 0:26:42 | |
I got somebody else to take her. | 0:26:42 | 0:26:44 | |
What? | 0:26:44 | 0:26:45 | |
I remember you said you wanted me around for later, | 0:26:45 | 0:26:48 | |
so I got a guy I know to take her. | 0:26:48 | 0:26:49 | |
Don't worry about it, he's brand-new. He's reliable. | 0:26:49 | 0:26:52 | |
And he'll be discreet. | 0:26:52 | 0:26:54 | |
You trying to take me for some sort of fool? | 0:26:55 | 0:26:58 | |
Course not. | 0:26:58 | 0:27:00 | |
Cos if you've got anything that you need to say me, now's the time. | 0:27:00 | 0:27:03 | |
I've not. | 0:27:03 | 0:27:05 | |
Angie was your responsibility. She still is. | 0:27:05 | 0:27:07 | |
I understand. | 0:27:07 | 0:27:09 | |
There won't be any problems. | 0:27:09 | 0:27:11 | |
Get out of here. | 0:27:11 | 0:27:13 | |
But, what about this thing, this meeting... | 0:27:14 | 0:27:16 | |
-What? -When is it? | 0:27:16 | 0:27:19 | |
See by six o'clock tonight, | 0:27:19 | 0:27:20 | |
if Angie isn't where she needs to be, you're a dead man. | 0:27:20 | 0:27:23 | |
Now beat it. | 0:27:23 | 0:27:24 | |
Hey. | 0:27:37 | 0:27:38 | |
Tell Raymond I need a word outside, all right? | 0:27:38 | 0:27:42 | |
Gabriel! | 0:27:43 | 0:27:45 | |
I saw you earlier, with that lassie. | 0:27:48 | 0:27:51 | |
You didn't see anything. | 0:27:54 | 0:27:57 | |
D'you understand me? | 0:27:57 | 0:27:58 | |
Tell Raymond it's important. | 0:28:01 | 0:28:02 | |
What is it? | 0:28:17 | 0:28:18 | |
Sean. He's gonnae have a meeting. Maybe in your pub. | 0:28:18 | 0:28:21 | |
I need you to tell me when it's happening. | 0:28:21 | 0:28:23 | |
Why don't you just ask him? He's your pal, not mine. If it wasn't for you... | 0:28:23 | 0:28:27 | |
Look, Raymond, you want rid of him, | 0:28:27 | 0:28:29 | |
and so do I, so please, just help me out here. | 0:28:29 | 0:28:33 | |
If you see or hear anything, just let me know, straight away. | 0:28:33 | 0:28:37 | |
Has Lenny put you up to this? | 0:28:37 | 0:28:39 | |
-No. -The police? | 0:28:39 | 0:28:41 | |
No. | 0:28:41 | 0:28:44 | |
What was in that briefcase? Drugs? | 0:28:44 | 0:28:46 | |
Say I see something. | 0:28:49 | 0:28:51 | |
I let you know. What happens then? | 0:28:51 | 0:28:53 | |
-I don't know. -Very reassuring(!) | 0:28:53 | 0:28:56 | |
Look, Sean seems to be getting really settled into your pub. | 0:28:56 | 0:28:59 | |
I mean, can you even call it your pub any more? | 0:28:59 | 0:29:02 | |
So you want rid of him, right? | 0:29:03 | 0:29:04 | |
And you want your family back in there. | 0:29:04 | 0:29:07 | |
Then you'll need to pull your finger out and do something about it. | 0:29:07 | 0:29:10 | |
Look, the police have been watching me working for Sean. | 0:29:27 | 0:29:29 | |
For weeks. Months. | 0:29:29 | 0:29:32 | |
I don't know. | 0:29:32 | 0:29:33 | |
They've got photos, videos, you name it. | 0:29:34 | 0:29:38 | |
You've been talking to them? | 0:29:38 | 0:29:40 | |
I didn't have a choice. | 0:29:40 | 0:29:41 | |
Did you talk to them about me? | 0:29:42 | 0:29:45 | |
They asked about you. | 0:29:45 | 0:29:47 | |
Yeah? | 0:29:47 | 0:29:48 | |
What did you say? | 0:29:48 | 0:29:50 | |
Nothing. | 0:29:50 | 0:29:51 | |
I said I'd help them with Sean, not you. | 0:29:51 | 0:29:54 | |
Tell me. | 0:29:54 | 0:29:55 | |
You expect me to believe that? | 0:29:55 | 0:29:58 | |
Would I really be telling you this if I'd given you up? | 0:29:58 | 0:30:01 | |
I don't know. See, I'm trying to make up my mind here, | 0:30:01 | 0:30:05 | |
whether you've got a death wish or you're just plain stupid. | 0:30:05 | 0:30:08 | |
I should have levelled with you sooner, all right? I'm sorry. | 0:30:08 | 0:30:11 | |
Was it Donald? | 0:30:16 | 0:30:17 | |
Is he making a move on Kennedy? | 0:30:21 | 0:30:23 | |
I said I'd tell him when Sean's meeting was happening. | 0:30:23 | 0:30:25 | |
But Sean's cut me out the loop, because of this girl. | 0:30:25 | 0:30:28 | |
Oh. So I'm not the only one having a problem trusting you right now? | 0:30:28 | 0:30:32 | |
Please, Lenny. | 0:30:32 | 0:30:34 | |
You've got the contacts, | 0:30:34 | 0:30:36 | |
Someone must know something. | 0:30:36 | 0:30:38 | |
You go behind my back and talk to the polis | 0:30:38 | 0:30:41 | |
and you expect me to help you? | 0:30:41 | 0:30:43 | |
No. I expect you to use the head and make the smart move. | 0:30:44 | 0:30:47 | |
-Excuse me? -Kennedy's practically moved into the Tall Ship, | 0:30:47 | 0:30:51 | |
right on your doorstep. | 0:30:51 | 0:30:53 | |
You think that's a coincidence? | 0:30:53 | 0:30:55 | |
You think he's not got you in his sights? | 0:30:55 | 0:30:57 | |
He's an eejit. | 0:30:59 | 0:31:00 | |
You just keep telling yourself that, | 0:31:02 | 0:31:04 | |
because sooner or later you're going to get a nasty surprise. | 0:31:04 | 0:31:08 | |
You know, giving somebody the benefit of the doubt's... | 0:31:12 | 0:31:15 | |
not normally something I do. | 0:31:15 | 0:31:17 | |
I know that. | 0:31:17 | 0:31:18 | |
Get out. | 0:31:21 | 0:31:22 | |
What about Sean, the meeting? | 0:31:22 | 0:31:24 | |
I'll ask around. | 0:31:24 | 0:31:25 | |
Thanks. | 0:31:26 | 0:31:27 | |
Hey. | 0:31:31 | 0:31:32 | |
If I find out you've not been straight with me... | 0:31:37 | 0:31:40 | |
I was thinking about that flat you've got upstairs. | 0:31:48 | 0:31:51 | |
What about it? | 0:31:52 | 0:31:54 | |
It could be put to better use, couldn't it? | 0:31:54 | 0:31:57 | |
It's my home. | 0:31:58 | 0:31:59 | |
Don't be so sentimental, Raymond. People move house all the time. | 0:31:59 | 0:32:02 | |
I reckon, right, if you get rid of all that junk you've got up there, | 0:32:02 | 0:32:06 | |
give it a good a lick of paint, could be just the ticket. | 0:32:06 | 0:32:08 | |
For what? | 0:32:08 | 0:32:10 | |
Entertainment purposes. After hours sort of thing. | 0:32:10 | 0:32:13 | |
A card table in the living room. A girl in the bedroom. | 0:32:13 | 0:32:16 | |
Aw, come on, Sean, look... the lock-ins were one thing. | 0:32:16 | 0:32:20 | |
Raymond, you need to find a sense of humour, mate. | 0:32:20 | 0:32:24 | |
I'm winding you up. | 0:32:24 | 0:32:26 | |
Honestly! | 0:32:26 | 0:32:28 | |
Hiya, any joy? | 0:32:29 | 0:32:32 | |
Eh? | 0:32:32 | 0:32:33 | |
Did you find the number of that guy who fixes watches? | 0:32:33 | 0:32:36 | |
You said you'd look it out for me. | 0:32:38 | 0:32:40 | |
I know you're getting on a bit, but... | 0:32:40 | 0:32:42 | |
You not think I've got better things to do? What am I? | 0:32:42 | 0:32:44 | |
Your personal information service? | 0:32:44 | 0:32:46 | |
Oi. Take it easy. What's up with you today? | 0:32:46 | 0:32:49 | |
-Nothing. -Oh, really? You could have fooled me. | 0:32:49 | 0:32:51 | |
I'll see you later. | 0:32:51 | 0:32:53 | |
So I'm thinking these ones for beside the pool and on the beach. | 0:33:08 | 0:33:12 | |
And these ones for on the plane, | 0:33:14 | 0:33:17 | |
and when I'm going through airport security, | 0:33:17 | 0:33:19 | |
so I look more like a film star trying to go unnoticed. | 0:33:19 | 0:33:21 | |
D'you no want to look like a film star on the beach? | 0:33:21 | 0:33:25 | |
Derek, that's a very good point. | 0:33:25 | 0:33:27 | |
Still, it's good to have options, though. | 0:33:27 | 0:33:30 | |
-Aye. -So you've gotten over your nerves then? | 0:33:30 | 0:33:33 | |
Just about. Can't wait. | 0:33:33 | 0:33:35 | |
Hi! | 0:33:37 | 0:33:38 | |
-Bob! -You all right? | 0:33:38 | 0:33:40 | |
Aye. | 0:33:40 | 0:33:42 | |
I better get going. | 0:33:42 | 0:33:44 | |
-I'll see you two later. -See you later. | 0:33:44 | 0:33:46 | |
HE PANTS | 0:33:46 | 0:33:48 | |
I thought you were meant to be taking it easy. | 0:33:51 | 0:33:53 | |
The doctors told me I had to be more active. | 0:33:53 | 0:33:56 | |
Go for a walk. | 0:33:56 | 0:33:57 | |
The way folk are talking, you'd think I was at death's door. | 0:33:57 | 0:34:00 | |
Well, I mean... | 0:34:00 | 0:34:02 | |
Can I get you a wee drink of water or something? | 0:34:02 | 0:34:05 | |
I want to work. When can I start back? | 0:34:05 | 0:34:07 | |
Tomorrow? Today? | 0:34:07 | 0:34:09 | |
C'mon, I'm bored stiff over at the house. | 0:34:10 | 0:34:12 | |
It's like a prison, with healthy snacks. | 0:34:12 | 0:34:15 | |
Have the doctors said you can come back to work? | 0:34:15 | 0:34:17 | |
I'm sorry...I think you need to wait until they do. | 0:34:20 | 0:34:24 | |
-And what am I supposed to do until then? -Get better. | 0:34:24 | 0:34:28 | |
Come on, there's worse things in life than taking it easy for a bit. | 0:34:28 | 0:34:32 | |
Ugh...not you as well! | 0:34:32 | 0:34:33 | |
I'm sorry, I didn't mean to lecture you... | 0:34:33 | 0:34:36 | |
You've replaced me? | 0:34:43 | 0:34:44 | |
No, of course not. | 0:34:44 | 0:34:46 | |
I've replaced myself. | 0:34:46 | 0:34:47 | |
I thought you weren't going away for a while yet. | 0:34:50 | 0:34:52 | |
Well...actually, the thing is... | 0:34:52 | 0:34:56 | |
-I meant to... -When? | 0:34:56 | 0:34:58 | |
Today. I'm just gonnae go up north for a bit and then... | 0:34:58 | 0:35:02 | |
..away. | 0:35:03 | 0:35:04 | |
HE EXHALES | 0:35:06 | 0:35:07 | |
Wow. | 0:35:07 | 0:35:08 | |
Well, after all that's happened, I just thought... | 0:35:08 | 0:35:11 | |
You only get one chance in life. | 0:35:11 | 0:35:14 | |
I'm going to do a bit of travelling and then try living somewhere new. | 0:35:14 | 0:35:19 | |
I'm sure you'll manage without me. | 0:35:21 | 0:35:22 | |
Aye! | 0:35:25 | 0:35:26 | |
Listen...I could maybe pop in later, before I go? | 0:35:27 | 0:35:31 | |
Sure. | 0:35:31 | 0:35:33 | |
Well...I'll see you later then? | 0:35:33 | 0:35:35 | |
Aye. | 0:35:35 | 0:35:37 | |
'C'mon, slowcoach.' | 0:35:42 | 0:35:44 | |
Will you get a move on? Oh! | 0:35:44 | 0:35:46 | |
What are you doing out? | 0:35:50 | 0:35:52 | |
I'm just getting some fresh air. Relax, I'm all right. | 0:35:52 | 0:35:55 | |
-You sure? -Aye. | 0:35:55 | 0:35:56 | |
How was the park? | 0:35:56 | 0:35:58 | |
Like a terrible nightmare. | 0:35:58 | 0:36:00 | |
I don't know what's worse, the weans or the parents. I'm just going for a few messages. | 0:36:00 | 0:36:04 | |
I'll take wee Madonna up the house. | 0:36:04 | 0:36:05 | |
Why don't you wait for me? | 0:36:05 | 0:36:08 | |
I'm just gonnae be a minute and she's being quite the little madam. | 0:36:08 | 0:36:12 | |
-I can handle it. -I know, son, but I mean... | 0:36:12 | 0:36:14 | |
I can handle it. Please. | 0:36:14 | 0:36:18 | |
Well... | 0:36:19 | 0:36:21 | |
if you're absolutely sure. | 0:36:21 | 0:36:22 | |
I'll see you back at the house. | 0:36:22 | 0:36:25 | |
OK. | 0:36:25 | 0:36:26 | |
Right, you want to take my hand? | 0:36:28 | 0:36:30 | |
-No. -Madonna, come back. | 0:36:30 | 0:36:32 | |
Come back! Madonna, come back! | 0:36:32 | 0:36:34 | |
Madonna! | 0:36:34 | 0:36:36 | |
Madonna! | 0:36:36 | 0:36:37 | |
-Oh, no! -Bob! | 0:36:37 | 0:36:40 | |
-Bob...are you OK? -What happened? | 0:36:45 | 0:36:46 | |
I don't know. I'm going to get help. | 0:36:46 | 0:36:49 | |
-Where's Madonna? -She ran into the cafe. | 0:36:49 | 0:36:50 | |
-Madonna! -Wait here, I'll get a doctor. | 0:36:50 | 0:36:53 | |
Bob, it's all right, it's me. | 0:36:53 | 0:36:55 | |
What were you thinking?! | 0:37:11 | 0:37:13 | |
Talk to me. What where you thinking? | 0:37:17 | 0:37:21 | |
I just went to the shop. I wasn't trying to climb Ben Lomond. | 0:37:21 | 0:37:24 | |
We could have lost you, and for what? | 0:37:24 | 0:37:26 | |
So you could prove you were just fine? You're not fine. | 0:37:26 | 0:37:29 | |
That heart attack could have killed you. | 0:37:29 | 0:37:32 | |
Aye, well, thanks for reminding me. | 0:37:32 | 0:37:34 | |
What if something happened to Madonna today? | 0:37:34 | 0:37:35 | |
-Please. -Don't you care? | 0:37:35 | 0:37:38 | |
Of course I care! I was trying to feel useful. | 0:37:38 | 0:37:41 | |
You know? I can't work, I can't provide for my family. | 0:37:41 | 0:37:46 | |
I'm just a burden, a big waste of space. | 0:37:46 | 0:37:49 | |
-Bob... -And how do you think I feel, eh? | 0:37:52 | 0:37:55 | |
-I'm sorry. -I'm terrified. | 0:37:55 | 0:37:57 | |
I spend all those years on my own, | 0:37:57 | 0:37:59 | |
and then I finally find you and then this happens. | 0:37:59 | 0:38:03 | |
It's not fair. | 0:38:03 | 0:38:04 | |
Hey, you're still here, and so am I. | 0:38:06 | 0:38:10 | |
We've still got a future to look forward to. | 0:38:11 | 0:38:14 | |
Getting our own house, | 0:38:14 | 0:38:17 | |
all the places we talked about going to, | 0:38:17 | 0:38:20 | |
we can still do all of it. | 0:38:20 | 0:38:21 | |
Can we? | 0:38:24 | 0:38:25 | |
Of course we can! | 0:38:25 | 0:38:27 | |
But all this has to be is a little detour. | 0:38:27 | 0:38:30 | |
You just need to be patient, take things slowly. | 0:38:30 | 0:38:34 | |
Do a little more each day. | 0:38:35 | 0:38:37 | |
See if I didn't have you... | 0:38:39 | 0:38:40 | |
Well, you do, so come here. | 0:38:40 | 0:38:43 | |
And listen to me. | 0:38:48 | 0:38:50 | |
You could never be a burden, OK? | 0:38:50 | 0:38:53 | |
We all love you too much for that. | 0:38:53 | 0:38:56 | |
Deek, son! | 0:39:07 | 0:39:08 | |
Oh, look who it is. | 0:39:10 | 0:39:13 | |
I'm sorry, all right? | 0:39:13 | 0:39:14 | |
Look, it's just, I've just got a lot on my mind right now. | 0:39:15 | 0:39:18 | |
Aye, I thought as much. What's been happening? | 0:39:18 | 0:39:21 | |
-Nothing for you to worry about. -Raymond, come on. | 0:39:21 | 0:39:24 | |
Give me the watch, eh? Let me get it sorted. | 0:39:24 | 0:39:27 | |
It's the least I could do. | 0:39:27 | 0:39:28 | |
Here, isn't that...? | 0:39:33 | 0:39:34 | |
Aye. It was Grandad's. | 0:39:34 | 0:39:36 | |
Of course it was. | 0:39:36 | 0:39:38 | |
Don't ask me why he gave it to me and not you. | 0:39:38 | 0:39:41 | |
I wish you'd said. | 0:39:42 | 0:39:44 | |
I thought I could get it fixed up and maybe one day, | 0:39:44 | 0:39:47 | |
I could give it to Stuart. | 0:39:47 | 0:39:48 | |
Let me help. | 0:39:50 | 0:39:52 | |
I can sort it, honestly. | 0:39:52 | 0:39:53 | |
Please. | 0:39:53 | 0:39:54 | |
Fine, if you insist. | 0:39:55 | 0:39:58 | |
I do. | 0:39:58 | 0:39:59 | |
D'you know what? We should catch up properly some time. | 0:39:59 | 0:40:03 | |
I know, it's been a while. | 0:40:04 | 0:40:05 | |
-I can't remember the last time. -What you doing later? | 0:40:05 | 0:40:09 | |
Actually, I was gonnae go and visit Mum's grave. | 0:40:11 | 0:40:14 | |
-I'll come with you. -You don't have to. | 0:40:14 | 0:40:16 | |
I know I don't have to, I want to. These things are important. | 0:40:16 | 0:40:20 | |
You've got time? | 0:40:20 | 0:40:21 | |
I'll make time. | 0:40:21 | 0:40:23 | |
I've got stuff to do in town first, | 0:40:23 | 0:40:25 | |
but I was going to head along about half four. | 0:40:25 | 0:40:28 | |
-Great, I'll see you at the gates. -Right, see you there. Thanks. | 0:40:28 | 0:40:32 | |
Hey, that's what uncles are for. | 0:40:32 | 0:40:34 | |
Yeah. Tomorrow would be ideal. | 0:40:49 | 0:40:52 | |
It's still working, but it's just running a bit slow... | 0:40:52 | 0:40:56 | |
OK. That'd be great. See you then. Cheers. | 0:40:56 | 0:41:00 | |
How long have they been there? | 0:41:11 | 0:41:13 | |
No' long. | 0:41:13 | 0:41:14 | |
Any sign of Kennedy? | 0:41:16 | 0:41:17 | |
DOORBELL RINGS | 0:41:24 | 0:41:26 | |
Don't even think about it. | 0:41:26 | 0:41:28 | |
Aye, well, I'm quite comfy, right enough. | 0:41:31 | 0:41:33 | |
Iona, please, come in. | 0:41:35 | 0:41:37 | |
Well, I'll just be a second. | 0:41:37 | 0:41:40 | |
Oh, don't get up, it's fine... | 0:41:40 | 0:41:42 | |
You want a cup of tea or something? | 0:41:47 | 0:41:49 | |
Eh, no, I've actually got a taxi waiting outside. | 0:41:49 | 0:41:52 | |
You're off? | 0:41:52 | 0:41:53 | |
Aye. | 0:41:53 | 0:41:55 | |
Look, I think it's brilliant what you're doing. | 0:41:59 | 0:42:03 | |
And I'm... | 0:42:04 | 0:42:06 | |
I'm dead happy for you. | 0:42:06 | 0:42:07 | |
Really? Cos earlier on, I thought... | 0:42:07 | 0:42:11 | |
No, that was just a wee bit of a shock. | 0:42:11 | 0:42:13 | |
So did the doctor say you were all right? | 0:42:13 | 0:42:16 | |
Aye, aye. Well, I will be. | 0:42:16 | 0:42:18 | |
As long as I take better care of myself. | 0:42:18 | 0:42:21 | |
Well... | 0:42:21 | 0:42:23 | |
promise me you will. | 0:42:23 | 0:42:24 | |
I promise. | 0:42:24 | 0:42:26 | |
Good luck. | 0:42:28 | 0:42:29 | |
Thanks. | 0:42:29 | 0:42:30 | |
Stay in touch. | 0:42:31 | 0:42:32 | |
Always. | 0:42:34 | 0:42:36 | |
I'll miss you. | 0:42:43 | 0:42:44 | |
Bye, then. | 0:42:49 | 0:42:50 | |
Hey, did you think you could sneak off without saying goodbye? | 0:43:04 | 0:43:08 | |
I thought I could try. | 0:43:08 | 0:43:10 | |
Come here, you. | 0:43:10 | 0:43:12 | |
What are we going to do without you? | 0:43:14 | 0:43:16 | |
I'm sure you'll think of something. | 0:43:16 | 0:43:18 | |
Look after yourself, all right? And have fun. | 0:43:18 | 0:43:22 | |
I will. | 0:43:22 | 0:43:23 | |
And keep him out of trouble for me. | 0:43:25 | 0:43:27 | |
I'll try, but I'm not making any promises. | 0:43:29 | 0:43:32 | |
Don't you go forgetting about us now, all right? | 0:43:32 | 0:43:34 | |
As if I could. | 0:43:34 | 0:43:36 | |
Cheery. | 0:43:38 | 0:43:40 | |
See you later. | 0:43:40 | 0:43:42 | |
Take care of yourself. | 0:43:42 | 0:43:43 | |
-Sean. -All right, Tony. | 0:44:32 | 0:44:34 | |
Just make yourselves comfortable through the back there, aye? | 0:44:34 | 0:44:36 | |
As I said earlier, no disturbances. | 0:44:40 | 0:44:44 | |
Sure. | 0:44:44 | 0:44:45 | |
Let's have a look at that watch you've got for a sec. | 0:44:47 | 0:44:51 | |
I used to have one just like that. | 0:44:51 | 0:44:53 | |
I'll buy it off you. | 0:44:53 | 0:44:56 | |
No, thanks. | 0:44:56 | 0:44:57 | |
C'mon Raymond, I've not got time to haggle with you. | 0:44:57 | 0:44:59 | |
How much d'you want for it? | 0:44:59 | 0:45:00 | |
It's not for sale. | 0:45:02 | 0:45:03 | |
I'll just have to accept it as a gift, then. | 0:45:04 | 0:45:07 | |
Raymond. | 0:45:11 | 0:45:13 | |
Don't embarrass yourself. | 0:45:13 | 0:45:15 | |
Cheers. | 0:45:15 | 0:45:16 | |
And remember, do not disturb. | 0:45:19 | 0:45:22 | |
I'm late, I know, it couldn't be avoided. | 0:45:26 | 0:45:28 | |
What's happened? | 0:45:30 | 0:45:31 | |
Nothing for you to worry about. | 0:45:33 | 0:45:35 | |
Oh, jeez... | 0:45:52 | 0:45:54 | |
What is it? | 0:45:54 | 0:45:56 | |
It's Gabriel Brodie. The meeting is at the Tall Ship, right now. | 0:45:59 | 0:46:03 | |
100%. | 0:46:06 | 0:46:07 | |
What's going on? I don't like being left in the dark. | 0:46:27 | 0:46:31 | |
Aye, because what you like and don't like is a massive concern to me. | 0:46:31 | 0:46:34 | |
Just tell me. | 0:46:34 | 0:46:35 | |
No! | 0:46:35 | 0:46:37 | |
Hiya. | 0:46:38 | 0:46:40 | |
What will it be? | 0:46:40 | 0:46:41 | |
I rather fancy... | 0:46:41 | 0:46:43 | |
Now is not a good time. | 0:46:43 | 0:46:45 | |
I'm sorry? | 0:46:45 | 0:46:47 | |
I can't... Look, just... | 0:46:47 | 0:46:49 | |
come back later and you can have whatever you like on the house. | 0:46:49 | 0:46:53 | |
What is this? | 0:46:53 | 0:46:54 | |
Please. Just go. | 0:46:54 | 0:46:56 | |
Not without an explanation. | 0:46:56 | 0:46:59 | |
Just go! | 0:46:59 | 0:47:00 | |
Right, Malcolm, come on. We'll have a drink in the house. | 0:47:02 | 0:47:05 | |
What's going on here? | 0:47:05 | 0:47:07 | |
Come on, dear. | 0:47:07 | 0:47:08 | |
Raymond... | 0:47:10 | 0:47:12 | |
Tidy the beer garden. Both of you. | 0:47:17 | 0:47:19 | |
Look, if something's wrong... | 0:47:19 | 0:47:21 | |
I want it spotless. | 0:47:21 | 0:47:22 | |
Don't come back in until I tell you. | 0:47:22 | 0:47:25 | |
No. I'm not leaving until... | 0:47:25 | 0:47:27 | |
What do you mean, asking questions? | 0:47:28 | 0:47:30 | |
Well, who was it? | 0:47:30 | 0:47:31 | |
Lenny Murdoch? | 0:47:33 | 0:47:34 | |
You sure about that? | 0:47:36 | 0:47:38 | |
SIRENS | 0:47:44 | 0:47:46 | |
Armed police! Get on the floor! | 0:47:56 | 0:47:59 | |
Hands behind your head! | 0:47:59 | 0:48:01 | |
Get out from behind the bar! MOVE! | 0:48:01 | 0:48:03 | |
Down on the floor. Come on. | 0:48:03 | 0:48:06 | |
Down on the floor! | 0:48:06 | 0:48:07 | |
'What's happened?' | 0:48:10 | 0:48:11 | |
Look, just go back inside, Nicole. | 0:48:11 | 0:48:13 | |
Stevie's in there! | 0:48:13 | 0:48:15 | |
Just leave it! Get back, Nicole. | 0:48:15 | 0:48:17 | |
HELICOPTER OVERHEAD | 0:48:17 | 0:48:19 | |
Stevie! | 0:48:33 | 0:48:34 | |
I'm all right, darling. | 0:48:34 | 0:48:36 | |
Where is he? | 0:48:42 | 0:48:44 | |
He got away. | 0:48:44 | 0:48:45 | |
How? | 0:48:45 | 0:48:46 | |
You tell me. | 0:48:46 | 0:48:47 | |
Hey. I still own you. Don't forget that. | 0:48:49 | 0:48:51 | |
-All this, and they didn't even get him. -What happened? | 0:48:54 | 0:48:58 | |
He got a phone call, just before the police arrived. | 0:48:58 | 0:49:01 | |
He walked straight out the back door. | 0:49:01 | 0:49:03 | |
What d'you mean phone call, Raymond? Nobody knew. | 0:49:03 | 0:49:06 | |
From what I could tell, | 0:49:06 | 0:49:07 | |
he'd heard Lenny was asking about the meeting. | 0:49:07 | 0:49:10 | |
Raymond! | 0:49:23 | 0:49:24 | |
Grass to the police to get rid of a rival? | 0:49:37 | 0:49:42 | |
You call me scum? | 0:49:42 | 0:49:44 | |
You say I've got no class? | 0:49:44 | 0:49:45 | |
You're not a rival. | 0:49:45 | 0:49:47 | |
You're just an annoyance. | 0:49:50 | 0:49:51 | |
Say that again. | 0:49:51 | 0:49:52 | |
Lenny! | 0:49:52 | 0:49:54 | |
C'mon now, Sean, what're you doing? | 0:49:54 | 0:49:56 | |
-Stay where you are. -Hey, hey, hey, let's settle down here, eh? | 0:49:56 | 0:50:00 | |
Don't you take another step. | 0:50:00 | 0:50:01 | |
It was you, wasn't it? | 0:50:03 | 0:50:05 | |
Far as I hear, you've got a lot bigger problems than him. | 0:50:05 | 0:50:07 | |
What're you on about? | 0:50:08 | 0:50:09 | |
You've made a lot of enemies round here lately. | 0:50:09 | 0:50:12 | |
What happened today, that's just the start. | 0:50:12 | 0:50:15 | |
I'll do you both. | 0:50:15 | 0:50:16 | |
No, you won't. | 0:50:16 | 0:50:18 | |
You know how much the armed police want to see some real action? | 0:50:19 | 0:50:23 | |
Stay where you are! | 0:50:23 | 0:50:24 | |
See that door? | 0:50:25 | 0:50:27 | |
Do yourself a favour, eh? Use it. | 0:50:30 | 0:50:33 | |
Or what? Go out in a blaze of glory. | 0:50:34 | 0:50:36 | |
It's up to you. | 0:50:36 | 0:50:37 | |
But know this. | 0:50:38 | 0:50:40 | |
You raise a gun to me or mine, the game's changed. | 0:50:40 | 0:50:44 | |
You want to keep playing, find another playground. | 0:50:45 | 0:50:49 | |
(Oh, Jesus.) | 0:51:01 | 0:51:04 | |
I can't believe they didn't get him. | 0:51:19 | 0:51:21 | |
Tell me about it. | 0:51:21 | 0:51:22 | |
I heard some of them talking. | 0:51:22 | 0:51:24 | |
They said something about guns, but surely...? | 0:51:24 | 0:51:27 | |
Yeah, I've been hearing that too. | 0:51:27 | 0:51:30 | |
-But imagine... -I'm trying not to. | 0:51:31 | 0:51:33 | |
This is ridiculous. What are they playing at? | 0:51:43 | 0:51:46 | |
-Zinnie, they're just doing their job. -I didn't see anything! | 0:51:46 | 0:51:50 | |
We better still get paid for tonight. | 0:51:50 | 0:51:52 | |
It's not my fault the pub's closed. | 0:51:52 | 0:51:54 | |
You're a class act, man, you really are. | 0:51:54 | 0:51:57 | |
Raymond. I heard what happened. Is everyone all right? | 0:51:58 | 0:52:01 | |
It's fine. Look, we're a bit shaken up, but... | 0:52:01 | 0:52:05 | |
-Sorry I stood you up. -Don't be daft. | 0:52:05 | 0:52:07 | |
-As long as you're OK. -Yeah. | 0:52:07 | 0:52:09 | |
And by the way, there's no rush for the watch, it's fine. | 0:52:09 | 0:52:12 | |
Actually, it's not. | 0:52:12 | 0:52:13 | |
I lost it. | 0:52:17 | 0:52:19 | |
You what? | 0:52:20 | 0:52:21 | |
It's gone. I guess you could say it was stolen, but... | 0:52:21 | 0:52:24 | |
I'm sorry. | 0:52:24 | 0:52:26 | |
I really am. | 0:52:26 | 0:52:27 | |
Right. | 0:52:28 | 0:52:29 | |
Look, I'll make it up to you. | 0:52:29 | 0:52:31 | |
-Forget about it. -But... | 0:52:31 | 0:52:32 | |
Really, it's only a watch, isn't it? No big deal. | 0:52:32 | 0:52:37 | |
I'll see you later. | 0:52:37 | 0:52:39 | |
See you, son. | 0:52:39 | 0:52:40 | |
First time you've had a gun pointed at you? | 0:52:46 | 0:52:49 | |
Believe me, it never gets any easier. | 0:52:49 | 0:52:52 | |
So what about Sean? D'you think he's going to run? | 0:53:00 | 0:53:04 | |
The raid's going to hurt him. | 0:53:04 | 0:53:05 | |
Him getting away while everybody else got collared | 0:53:05 | 0:53:08 | |
is going to look a bit iffy. | 0:53:08 | 0:53:09 | |
Especially when some bad rumours get spread about him. | 0:53:09 | 0:53:11 | |
If he had any sense, he wouldnae show his face round here again. | 0:53:11 | 0:53:15 | |
Of course, the question you've got to ask yourself is... | 0:53:16 | 0:53:20 | |
does Sean Kennedy have any sense? | 0:53:20 | 0:53:22 | |
So, what're you gonnae do? | 0:53:23 | 0:53:26 | |
You going to stick around, take your chances? | 0:53:26 | 0:53:29 | |
Aye. I think I am. | 0:53:30 | 0:53:34 | |
Cheers. | 0:53:34 | 0:53:35 | |
Single, please, mate. | 0:53:51 | 0:53:52 | |
Ta. | 0:53:55 | 0:53:56 | |
-There you go. -Thanks. | 0:53:59 | 0:54:01 | |
No bother. Just you look after yourself, all right? | 0:54:01 | 0:54:04 | |
Text me when you get there. | 0:54:04 | 0:54:05 | |
As soon as I know it's safe for you to come back, I'll give you a shout. | 0:54:05 | 0:54:09 | |
What about you? | 0:54:10 | 0:54:11 | |
I'll be fine. | 0:54:11 | 0:54:13 | |
You are a good guy, you know that, right? | 0:54:17 | 0:54:19 | |
If you say so. | 0:54:21 | 0:54:23 | |
You're saving my life here. | 0:54:23 | 0:54:24 | |
And you know what? | 0:54:26 | 0:54:27 | |
It suits me better. | 0:54:29 | 0:54:31 | |
Probably right. | 0:54:32 | 0:54:33 | |
I'm off, then. | 0:54:36 | 0:54:38 | |
You take care. | 0:54:38 | 0:54:39 | |
Thanks. | 0:54:39 | 0:54:40 | |
-Hi. -Did she get away OK? | 0:55:27 | 0:55:30 | |
-Aye. -You coming in? | 0:55:30 | 0:55:32 | |
No, no. | 0:55:32 | 0:55:33 | |
I just wanted to say thanks again for today. | 0:55:33 | 0:55:35 | |
You don't have to. | 0:55:35 | 0:55:36 | |
Just come in. The boys'll be back any minute. | 0:55:36 | 0:55:40 | |
Hi, Gabriel. | 0:55:40 | 0:55:42 | |
I was just about to make a start on dinner. | 0:55:42 | 0:55:45 | |
Well, I'll leave you to it, then. | 0:55:45 | 0:55:47 | |
No, I meant...why don't you join us? | 0:55:47 | 0:55:50 | |
If that's all right with you, Nic? | 0:55:50 | 0:55:52 | |
Can't leave you standing there like an idiot, can I? | 0:55:52 | 0:55:55 | |
All right, then. | 0:55:57 | 0:55:58 | |
Great. | 0:55:58 | 0:55:59 | |
After you. | 0:55:59 | 0:56:01 | |
I'll tell you what you should try and do. | 0:56:15 | 0:56:17 | |
-Stop gossiping about the case down at the salon. -What? | 0:56:17 | 0:56:20 | |
Of all the embarrassing cliches, the gossiping gay hairdresser. | 0:56:20 | 0:56:24 | |
Have you heard the news, Eileen? Sean Kennedy is gone. | 0:56:24 | 0:56:26 | |
-The police have got him? -Everyone says he's left town. | 0:56:26 | 0:56:29 | |
They're suspending your licence until they look into | 0:56:29 | 0:56:32 | |
last night's police raid. | 0:56:32 | 0:56:33 | |
Have you heard from Angie? Did she get to London OK? | 0:56:33 | 0:56:36 | |
I asked her to text me once she got there. | 0:56:36 | 0:56:37 | |
But she's still not got in touch. You know, hopefully, | 0:56:37 | 0:56:40 | |
she's putting this sorry mess behind her. | 0:56:40 | 0:56:42 | |
Subtitles by Red Bee Media Ltd | 0:56:58 | 0:57:01 |