Browse content similar to 23/07/2013. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
I am asking you, I am begging you, | 0:00:21 | 0:00:25 | |
to get in touch with the police. | 0:00:25 | 0:00:27 | |
No, no. No. | 0:00:27 | 0:00:30 | |
I don't trust the polis to handle this, I'll go myself. | 0:00:30 | 0:00:34 | |
Jimmy, you tell nobody. | 0:00:35 | 0:00:36 | |
Lenny's known since the beginning, | 0:00:36 | 0:00:39 | |
there was a ransom demand, | 0:00:39 | 0:00:40 | |
he did the drop-off, and it went wrong. | 0:00:40 | 0:00:43 | |
They got the money, we didn't get Callum. | 0:00:43 | 0:00:46 | |
What does it mean? Have they hurt him? | 0:00:46 | 0:00:49 | |
-Get out. I said, get out! -Kelly! | 0:00:50 | 0:00:53 | |
Callum would be home by now if you'd just told the truth. | 0:00:53 | 0:00:57 | |
Kelly? | 0:01:22 | 0:01:23 | |
I can hardly smell him. | 0:01:35 | 0:01:37 | |
CAR ENGINE STARTS | 0:02:20 | 0:02:21 | |
That's me got her to bed, but I'm so worried about her. | 0:02:41 | 0:02:44 | |
-You don't think she's... -Don't be daft. | 0:02:44 | 0:02:47 | |
-It's Kelly-Marie we're talking about. -He's been missing three weeks, Jimmy. | 0:02:47 | 0:02:50 | |
In which case, maybe she should go to the doctor's. Get something. | 0:02:50 | 0:02:53 | |
You're joking. She'll no' listen. | 0:02:53 | 0:02:55 | |
Aye, because she doesn't want to be knocked out if there's any news. | 0:02:55 | 0:02:57 | |
-Is that not obvious? -But Jimmy's right, Ma. We cannae just do nothing... | 0:02:57 | 0:03:01 | |
Morning, Sis. We were just... | 0:03:01 | 0:03:04 | |
You all right, darling? | 0:03:04 | 0:03:05 | |
You want a cup of tea? | 0:03:05 | 0:03:07 | |
No. | 0:03:07 | 0:03:09 | |
They haven't come back. | 0:03:09 | 0:03:11 | |
Aye, I noticed. | 0:03:12 | 0:03:14 | |
Who hasn't? | 0:03:14 | 0:03:16 | |
The journalists. Who do you think? | 0:03:16 | 0:03:18 | |
-Morning. -Good morning. | 0:03:24 | 0:03:25 | |
Morning. | 0:03:48 | 0:03:49 | |
-Morning. -Morning, sir. -Anything come in overnight? | 0:03:50 | 0:03:53 | |
'Fraid not, sir. | 0:03:53 | 0:03:55 | |
But Murdoch's been up to his usual nocturnal activities. | 0:03:55 | 0:03:59 | |
The surveillance team are under strict instructions, | 0:03:59 | 0:04:01 | |
if he so much as gets out of that car, they arrest him. | 0:04:01 | 0:04:04 | |
Yeah, well, satisfying as that might be, | 0:04:04 | 0:04:07 | |
it doesn't move the investigation forward any. | 0:04:07 | 0:04:09 | |
Ooh! | 0:04:11 | 0:04:12 | |
We're treading water here. | 0:04:12 | 0:04:14 | |
And all the while, Cal might still be out there. | 0:04:14 | 0:04:17 | |
We need to try something different. | 0:04:17 | 0:04:19 | |
We ran that reconstruction in good faith, but if we'd known it was a gangland ransom, | 0:04:19 | 0:04:23 | |
-there wouldn't have been a poster in sight. -Take them down? | 0:04:23 | 0:04:25 | |
Yeah. Recall everything relating to the public appeal. | 0:04:25 | 0:04:28 | |
-We need to send the kidnappers a signal. -That the heat is off. -Yeah. | 0:04:28 | 0:04:31 | |
They've got their money. | 0:04:31 | 0:04:33 | |
Hopefully, they'll relax and we'll get the boy back. | 0:04:33 | 0:04:35 | |
Or they slip up and we catch them. | 0:04:35 | 0:04:37 | |
What about the media, sir? | 0:04:37 | 0:04:39 | |
We stopped feeding them copy as soon as we got the full picture. | 0:04:39 | 0:04:43 | |
I just hope Murdoch's activities haven't cost us anything. | 0:04:43 | 0:04:47 | |
-Can you get me a team together? -Sure. | 0:04:47 | 0:04:49 | |
Shall I have another crack at persuading the Mullens | 0:04:49 | 0:04:52 | |
to have another FLO? | 0:04:52 | 0:04:53 | |
It's in their best interest. | 0:04:53 | 0:04:55 | |
I don't know Scarlett Mullen very well, | 0:04:55 | 0:04:57 | |
but I'm guessing you'd be wasting your breath. | 0:04:57 | 0:04:59 | |
Oh! You assemble outside, I'll brief on the go. | 0:04:59 | 0:05:03 | |
-What's going on? -Nice drive last night, was it? | 0:05:23 | 0:05:26 | |
We've already charged Jimmy Mullen for taking the law in his hands, | 0:05:26 | 0:05:29 | |
-don't make me do the same with you. -Cut the crap, will you? What's all this about? | 0:05:29 | 0:05:32 | |
You'll be told soon enough. | 0:05:32 | 0:05:34 | |
We haven't found him. It's not that. | 0:05:36 | 0:05:37 | |
Let me talk to the family first, yeah? | 0:05:37 | 0:05:40 | |
Do you want me in with you, sir? | 0:05:41 | 0:05:42 | |
No, no, no, you'll be more useful out here. I'll do this. | 0:05:42 | 0:05:45 | |
So, basically, what you're telling us is now you do nothing?! | 0:05:55 | 0:05:57 | |
No. That wasn't what I said. | 0:05:57 | 0:05:59 | |
The wee man's still out there. | 0:05:59 | 0:06:01 | |
And so are the scumbags that took him! | 0:06:01 | 0:06:02 | |
And there'll be no let-up in our efforts to find him. | 0:06:02 | 0:06:05 | |
-Listen! -Jimmy, shut up and let the guy speak! | 0:06:05 | 0:06:07 | |
Don't you think you've done enough damage? | 0:06:07 | 0:06:10 | |
As DC Cooper explained, further to the evidence we received about a ransom being demanded, | 0:06:12 | 0:06:18 | |
and subsequent communications, | 0:06:18 | 0:06:21 | |
this ceased to be a simple child abduction. | 0:06:21 | 0:06:23 | |
So we continue to treat Cal's disappearance | 0:06:25 | 0:06:27 | |
as a case of attempted extortion. | 0:06:27 | 0:06:29 | |
The target we believe to be Cal's grandfather - Lenny Murdoch. | 0:06:31 | 0:06:35 | |
We've checked all his known associates, | 0:06:35 | 0:06:38 | |
but, so far, they all have verifiable alibis. | 0:06:38 | 0:06:40 | |
We've...drawn a blank. | 0:06:40 | 0:06:43 | |
But we do have one lead, Matty Rhodes. | 0:06:43 | 0:06:46 | |
Our surveillance team have been keeping tabs on Matty, | 0:06:46 | 0:06:49 | |
we've also been monitoring his mobile phone, but nothing. | 0:06:49 | 0:06:53 | |
Which essentially means...no contact, no further demands. | 0:06:53 | 0:06:57 | |
In other words, you're no further forward. | 0:06:57 | 0:07:00 | |
What we're thinking now is that we're at stalemate. | 0:07:03 | 0:07:06 | |
Whoever has Cal wants to move, | 0:07:06 | 0:07:08 | |
but they're wary of the public campaign to find him, | 0:07:08 | 0:07:11 | |
so we feel if we take a little bit of the pressure off, | 0:07:11 | 0:07:13 | |
that might enable them to act. | 0:07:13 | 0:07:15 | |
And then you'll get Cal back? | 0:07:15 | 0:07:17 | |
Kelly-Marie, our overriding priority is the recovery of your son. | 0:07:17 | 0:07:21 | |
Please be assured of that. | 0:07:21 | 0:07:23 | |
I should get back to the station. | 0:07:30 | 0:07:32 | |
If there's any news at all, you'll be the first to know. | 0:07:33 | 0:07:36 | |
I'll walk you down. | 0:07:36 | 0:07:37 | |
DCI Donald knows what he's doing, darling. | 0:07:47 | 0:07:49 | |
At least, we've got to put our trust in him. | 0:07:50 | 0:07:53 | |
And him up there. | 0:07:56 | 0:07:57 | |
If nothing else, we don't have that Will sitting there any more. | 0:08:01 | 0:08:05 | |
-Is that the lot? -Uh-huh. | 0:08:18 | 0:08:20 | |
If I've missed any, I'll get them later. | 0:08:20 | 0:08:22 | |
Thanks. | 0:08:22 | 0:08:23 | |
What are you going to do if it doesn't work out? | 0:08:31 | 0:08:33 | |
Mr Murdoch. | 0:08:33 | 0:08:34 | |
Do you really think who took Cal is going to fall for that wee charade? | 0:08:35 | 0:08:40 | |
Other forces have adopted this tactic before. It's been successful. | 0:08:40 | 0:08:44 | |
Of course that very much relies | 0:08:46 | 0:08:48 | |
upon the co-operation of all parties involved. | 0:08:48 | 0:08:50 | |
We can expect your co-operation? | 0:08:53 | 0:08:56 | |
I'll take the Community Centre. | 0:09:15 | 0:09:16 | |
Moving up the ranks, I hear, Detective Sergeant. | 0:09:16 | 0:09:19 | |
Still hacking out the same old headlines, Millar? | 0:09:19 | 0:09:22 | |
Just giving the people what they want. | 0:09:22 | 0:09:25 | |
So, you going to tell me what's going on? | 0:09:25 | 0:09:28 | |
As you know, the investigation has taken a new path. | 0:09:31 | 0:09:35 | |
In return for full disclosure post-arrest, | 0:09:35 | 0:09:37 | |
we're seeking the media's co-operation in taking this case off the front page. | 0:09:37 | 0:09:42 | |
So why are you here? | 0:09:44 | 0:09:46 | |
You trying to flush these guys out? | 0:09:46 | 0:09:49 | |
We're asking for a halt to speculation. | 0:09:49 | 0:09:52 | |
Unless you feel like being excluded from all future police briefings. | 0:09:53 | 0:09:57 | |
Only had to ask. | 0:09:57 | 0:09:59 | |
I hoped they'd all gone. Knew it was too good to last. | 0:10:16 | 0:10:19 | |
I've only seen two of them today. | 0:10:19 | 0:10:21 | |
At least I'll not be run off my feet as usual. | 0:10:21 | 0:10:23 | |
Bob, I'm sorry. | 0:10:25 | 0:10:27 | |
No, it's all right. | 0:10:27 | 0:10:29 | |
Really. It's not like I don't keep doing the same. | 0:10:29 | 0:10:32 | |
Look, how's your mum coping? | 0:10:32 | 0:10:36 | |
Aye, all right. I think. | 0:10:36 | 0:10:38 | |
You know, if there's anything I can do... | 0:10:38 | 0:10:40 | |
Aye, I'll tell her. | 0:10:40 | 0:10:42 | |
I'm not just saying that, Bob, I mean it, anything. | 0:10:42 | 0:10:46 | |
Cheers, I know. | 0:10:46 | 0:10:47 | |
All right, mate, cheers. | 0:10:47 | 0:10:49 | |
I'm sure Scarlett knows you're thinking of her. | 0:10:53 | 0:10:56 | |
Aye, I suppose. | 0:10:56 | 0:10:57 | |
-Right, what can I get you? -Oh, no, it's a flying visit. I'm late as it is. | 0:10:57 | 0:11:01 | |
-Oh, yeah, what for? -That carpet at your dad's place that keeps coming loose, | 0:11:01 | 0:11:04 | |
-I said I'd tack it down. -That's good of you. | 0:11:04 | 0:11:06 | |
Anyway, I wanted to drop...this off! | 0:11:06 | 0:11:11 | |
SHE CHUCKLES | 0:11:11 | 0:11:13 | |
Right, I'll look at it later, eh? | 0:11:13 | 0:11:16 | |
Well, don't sound too enthusiastic(!) | 0:11:16 | 0:11:18 | |
No, I will. I'll look forward to it... | 0:11:18 | 0:11:21 | |
Is everything OK? | 0:11:22 | 0:11:24 | |
I mean, you were keen as mustard when I mentioned this place before. | 0:11:24 | 0:11:27 | |
And I am. Honest. | 0:11:27 | 0:11:28 | |
OK. | 0:11:30 | 0:11:31 | |
-Well, see you later, then. -OK. | 0:11:32 | 0:11:34 | |
Oh, sir. Good news. | 0:11:50 | 0:11:52 | |
Not about Callum. Anoushka. Jackie Bain's been arrested. | 0:11:52 | 0:11:56 | |
-He's being brought in. -Really? How? | 0:11:56 | 0:11:58 | |
There was an incident in a hotel. | 0:11:58 | 0:12:00 | |
Bain wasn't involved, but the attending officer noticed he was keen to leave. | 0:12:00 | 0:12:03 | |
So they ran a PNC. | 0:12:03 | 0:12:05 | |
Found that Bain was using a false ID, one of his known aliases. | 0:12:05 | 0:12:09 | |
If we can link him and the murder of Anoushka Pattinson back to Billy Kennedy, we're back on track. | 0:12:09 | 0:12:13 | |
-Yeah. -Good work. -I've got a duty brief on call ready to interview. | 0:12:13 | 0:12:17 | |
No, no, you take lead on this one. | 0:12:17 | 0:12:19 | |
Sir...? | 0:12:19 | 0:12:20 | |
You'll achieve anything I could. | 0:12:20 | 0:12:22 | |
Grant. | 0:12:25 | 0:12:26 | |
Sir, we may have a lead on the Callum Adams abduction. | 0:12:26 | 0:12:29 | |
The child was pulling away. He was distressed. | 0:12:29 | 0:12:32 | |
As though the adults weren't his parents. | 0:12:32 | 0:12:34 | |
In whose opinion? That's conjecture. | 0:12:34 | 0:12:36 | |
The caller also said that he was dirty, like he hadn't been washed for a couple of weeks. | 0:12:36 | 0:12:40 | |
-You and I both know there's hundreds of kids in Glasgow who could do with a bath. -It's all we've got, sir. | 0:12:40 | 0:12:46 | |
Yeah, yeah, OK, get this caller re-interviewed. | 0:12:46 | 0:12:49 | |
But keep any search low-key. | 0:12:49 | 0:12:51 | |
-We don't want to take the pressure off only to become too visible again. -Plain clothes, door to door? | 0:12:51 | 0:12:55 | |
If it's OK with you, sir, | 0:12:55 | 0:12:57 | |
I don't think we should let the family know just yet. | 0:12:57 | 0:12:59 | |
Oh, no, no, no. The mother's at breaking point. | 0:12:59 | 0:13:01 | |
I don't want to get their hopes up. | 0:13:01 | 0:13:03 | |
I'm showing Mr Bain a shirt from his suitcase. | 0:13:08 | 0:13:11 | |
We found residue on the shirt, Mr Bain. | 0:13:11 | 0:13:15 | |
From the same cartridge that killed Anoushka Pattinson. | 0:13:15 | 0:13:19 | |
Did you fire that shot? | 0:13:19 | 0:13:20 | |
For the tape, Mr Bain doesn't answer. | 0:13:26 | 0:13:29 | |
Did you know Anoushka Pattinson, Jackie? | 0:13:29 | 0:13:32 | |
Perhaps someone paid for her murder? | 0:13:35 | 0:13:37 | |
Does it not bother you? That someone wants a young mother executed? | 0:13:49 | 0:13:53 | |
And doesn't care if her child is there at the time? | 0:13:53 | 0:13:56 | |
Or maybe that's something you can live with? | 0:14:00 | 0:14:02 | |
Tell Malcolm it was nothing. | 0:14:07 | 0:14:08 | |
Well, I'm sure he'll want to recompense you in his own way. | 0:14:08 | 0:14:12 | |
There's really no need. Bye! | 0:14:12 | 0:14:14 | |
Oh, wait... How's Gina? Are the two of you any closer to naming the day? | 0:14:14 | 0:14:19 | |
I wish. Gina's been putting it off. | 0:14:19 | 0:14:21 | |
I don't suppose she's said anything to you about it, has she? | 0:14:21 | 0:14:24 | |
About what? | 0:14:24 | 0:14:25 | |
I'm afraid she's getting cold feet. | 0:14:25 | 0:14:28 | |
Oh, I can't believe that's the case. | 0:14:28 | 0:14:31 | |
No, she'll be upset, of course, about wee Callum. We all are. | 0:14:31 | 0:14:35 | |
I'm sure she's not short of people telling her to slow down. | 0:14:35 | 0:14:38 | |
Gina is the steady one of those two sisters. | 0:14:38 | 0:14:41 | |
And she'll not allow herself to be persuaded into anything | 0:14:41 | 0:14:45 | |
until she's absolutely sure. | 0:14:45 | 0:14:48 | |
Here you go. | 0:15:04 | 0:15:05 | |
First chance I've had to take the weight off all day. | 0:15:05 | 0:15:08 | |
Are you all right? | 0:15:10 | 0:15:11 | |
I've been too pushy about this wedding, haven't I? | 0:15:13 | 0:15:16 | |
Moving things along too fast. | 0:15:16 | 0:15:18 | |
And now, I've put you off the whole idea. | 0:15:19 | 0:15:22 | |
And who said that? | 0:15:22 | 0:15:24 | |
Gina, you hardly looked at that brochure this morning. | 0:15:24 | 0:15:27 | |
I just had a million things to do. That's all. | 0:15:27 | 0:15:30 | |
It looked to me like you'd gone off the idea. | 0:15:30 | 0:15:33 | |
Oh! | 0:15:33 | 0:15:35 | |
Greg, it's not you. It's just...everything that's going on. | 0:15:35 | 0:15:41 | |
It just feels wrong to be organising something so happy | 0:15:41 | 0:15:45 | |
when my best friend's feeling...God knows what. | 0:15:45 | 0:15:50 | |
Until Cal's home, I can't even think about inviting her. | 0:15:50 | 0:15:54 | |
Of course. | 0:15:54 | 0:15:55 | |
We can put it on hold, for now. | 0:15:56 | 0:15:59 | |
To tell you the truth, I'm relieved. | 0:16:00 | 0:16:03 | |
You are? | 0:16:03 | 0:16:05 | |
I thought I was the problem. | 0:16:05 | 0:16:06 | |
Don't be daft! | 0:16:06 | 0:16:08 | |
I don't believe that I didn't think of putting it on hold myself. | 0:16:10 | 0:16:13 | |
I mean, talk about insensitive... | 0:16:13 | 0:16:16 | |
That's the last thing you are. | 0:16:16 | 0:16:18 | |
Are you sure you don't mind? | 0:16:18 | 0:16:20 | |
YOU are worth waiting for. | 0:16:22 | 0:16:26 | |
Hello again. | 0:16:33 | 0:16:34 | |
I had a very interesting chat with Gregory earlier on. | 0:16:42 | 0:16:46 | |
Tells me that you've decided to take it slowly. | 0:16:46 | 0:16:49 | |
You know, just until the stuff with Cal's sorted. | 0:16:49 | 0:16:54 | |
Exactly what I said. | 0:16:54 | 0:16:56 | |
Now, I'm not interfering, Gina, | 0:16:57 | 0:16:59 | |
but if there's one thing I've learnt, | 0:16:59 | 0:17:03 | |
it's to take what's there when it's offered. | 0:17:03 | 0:17:07 | |
None of us knows what's lurking around the next corner. | 0:17:07 | 0:17:11 | |
So just grab the good stuff while you can. | 0:17:11 | 0:17:14 | |
-Oh, Liz, I don't know. -Well, but I do. | 0:17:14 | 0:17:17 | |
I mean, look at me and Malcolm. Yes, I know we've got trials coming. | 0:17:17 | 0:17:23 | |
But I'm just so grateful | 0:17:23 | 0:17:26 | |
for all the great times we've had together, and still do have. | 0:17:26 | 0:17:30 | |
Now, it would've been the easiest thing in the world | 0:17:31 | 0:17:34 | |
for me to delay our wedding. | 0:17:34 | 0:17:37 | |
Until the bold Eileen was reconciled. | 0:17:37 | 0:17:40 | |
But look what would've happened if I'd have done that, | 0:17:41 | 0:17:45 | |
look what I would have thrown away. | 0:17:45 | 0:17:47 | |
That magical day. | 0:17:47 | 0:17:49 | |
Oh, now, that reminds me... | 0:17:49 | 0:17:51 | |
Mum's brooch? | 0:17:56 | 0:17:57 | |
Malcolm and I would like you to have it, dear. | 0:17:58 | 0:18:01 | |
Now, it doesn't matter if you wear it on the day | 0:18:02 | 0:18:06 | |
or not or even if there's going to be a day. | 0:18:06 | 0:18:08 | |
But he gave it to you. | 0:18:08 | 0:18:10 | |
Yes, and I'm giving it to you. | 0:18:10 | 0:18:13 | |
It just...feels right, Gina, | 0:18:14 | 0:18:18 | |
after all we've been through together. | 0:18:18 | 0:18:21 | |
Now, you must do as you see fit, of course, but... | 0:18:26 | 0:18:30 | |
..it'd bring Dad such joy to know you were happy. | 0:18:32 | 0:18:36 | |
Kelly... | 0:18:58 | 0:18:59 | |
..what you're doing now, hen, this shutting yourself off... | 0:19:01 | 0:19:06 | |
..that's not you giving up, is it? | 0:19:08 | 0:19:10 | |
Because we owe it to that wee boy to keep hoping. | 0:19:11 | 0:19:15 | |
You do know that, don't you? | 0:19:15 | 0:19:17 | |
Hoping? | 0:19:19 | 0:19:21 | |
We've got to believe that Cal will be back here soon safe and well. | 0:19:21 | 0:19:26 | |
No, you just said "hoping". | 0:19:26 | 0:19:31 | |
So is that all it is now? | 0:19:33 | 0:19:35 | |
What, like hoping we get what we want for Christmas? | 0:19:35 | 0:19:38 | |
Oh, come on, Kelly-Marie. | 0:19:38 | 0:19:41 | |
That's not what I meant, and you know that. | 0:19:41 | 0:19:44 | |
Gran, if I stop thinking he's gonnae come back, what else have I got? | 0:19:44 | 0:19:50 | |
Oh, I'm sorry, hen, I'm sorry, me and my big mouth. | 0:19:50 | 0:19:55 | |
I didn't mean it the way it came out... | 0:19:55 | 0:19:59 | |
-I'm going out. -Where? | 0:19:59 | 0:20:01 | |
I need some air. I'm suffocating in here. | 0:20:01 | 0:20:05 | |
Kelly. Kelly! | 0:20:05 | 0:20:07 | |
Ms Adams. Iain Millar. | 0:20:48 | 0:20:51 | |
It's OK, I'm not going to hassle you. | 0:20:51 | 0:20:53 | |
Who are you? | 0:20:53 | 0:20:55 | |
I'm a journalist. | 0:20:55 | 0:20:56 | |
I appreciate the police will have told you not to talk to us. | 0:20:56 | 0:20:59 | |
-Just go away! -I will. | 0:20:59 | 0:21:01 | |
But I want you to know we're only doing what we're told. | 0:21:01 | 0:21:04 | |
So it was the police that told you to move on? | 0:21:05 | 0:21:07 | |
Our readers are still as concerned for Cal as you are. | 0:21:07 | 0:21:10 | |
They still want to help. | 0:21:10 | 0:21:12 | |
But, as I say, when the cops tell us to do something | 0:21:12 | 0:21:15 | |
or not to print something... | 0:21:15 | 0:21:17 | |
Anyway, here's my mobile. | 0:21:18 | 0:21:21 | |
I won't be door-stepping you, that's not my thing, | 0:21:21 | 0:21:24 | |
but any time you want to chat, just give me a bell. | 0:21:24 | 0:21:27 | |
The polis were here. | 0:21:52 | 0:21:54 | |
They wanted all the posters in the cars taken down. | 0:21:54 | 0:21:56 | |
Aye, they took them down in the pub earlier. | 0:21:56 | 0:21:59 | |
Lenny, I know the rule is "don't ask", but these scumbags, | 0:21:59 | 0:22:04 | |
Rhodes and whoever, I mean...they've been in touch, aye? | 0:22:04 | 0:22:07 | |
Your family wanted the polis running things. | 0:22:08 | 0:22:11 | |
Why don't you go and ask them? | 0:22:11 | 0:22:12 | |
What does that mean? You're just going to leave it? | 0:22:12 | 0:22:15 | |
What am I supposed to do? | 0:22:15 | 0:22:17 | |
After your wee escapade, the polis are all over Rhodes like a rash. | 0:22:17 | 0:22:21 | |
You know and I know he's got something to do with it, | 0:22:21 | 0:22:23 | |
-but I cannae get near him. -Why don't you ask Gareth? | 0:22:23 | 0:22:26 | |
Do you think I haven't done that? He's come up with nothing. | 0:22:26 | 0:22:29 | |
So we just sit on our hands, eh? | 0:22:31 | 0:22:33 | |
You think I like it any better than you? | 0:22:33 | 0:22:35 | |
Where have they gone? Cal's posters from the shop, where are they? | 0:22:55 | 0:22:58 | |
The...the police told me to take them away. | 0:22:58 | 0:23:01 | |
What? | 0:23:01 | 0:23:02 | |
Zinnie's right. They must've told you? | 0:23:02 | 0:23:05 | |
No... | 0:23:05 | 0:23:06 | |
Eileen said the Community Centre thing's done too. | 0:23:06 | 0:23:09 | |
But how are people supposed to know? | 0:23:09 | 0:23:11 | |
I mean, how are folk supposed to look out for him? | 0:23:11 | 0:23:13 | |
I don't know. | 0:23:13 | 0:23:14 | |
They must know what they're doing. | 0:23:17 | 0:23:19 | |
Tuesday...at six. | 0:23:37 | 0:23:41 | |
-Right. Thank you, bye. -Thanks, bye. | 0:23:41 | 0:23:44 | |
Sorry about that. | 0:23:44 | 0:23:45 | |
It's all right. Can't just stop work cos I pitch up. | 0:23:45 | 0:23:48 | |
-What can I help you with? -You mentioned you might have someone to take my place. | 0:23:50 | 0:23:53 | |
The shares in this place. | 0:23:53 | 0:23:55 | |
Right. Well...we should sit down and go through the papers and that. | 0:23:55 | 0:23:59 | |
-What's going on? -What's happened? | 0:23:59 | 0:24:02 | |
Where are Cal's posters? | 0:24:02 | 0:24:03 | |
Didn't DCI Donald explain? | 0:24:03 | 0:24:05 | |
And where have you been? | 0:24:05 | 0:24:07 | |
I'm working on something else. | 0:24:07 | 0:24:08 | |
So you're doing something more important, is that it? | 0:24:08 | 0:24:11 | |
No, no, no. It's just another case. | 0:24:11 | 0:24:13 | |
-Which is more important than finding Cal? -No. | 0:24:13 | 0:24:15 | |
So what is it? Does my son not matter any more, no? | 0:24:15 | 0:24:18 | |
Kelly, nobody thinks that! | 0:24:18 | 0:24:20 | |
Well, that's how it looks! | 0:24:20 | 0:24:22 | |
I need to go after her. | 0:24:25 | 0:24:26 | |
No, leave her. Just...let her calm down. | 0:24:26 | 0:24:28 | |
It doesn't make sense. | 0:24:42 | 0:24:44 | |
Before, they wanted people looking out for him. | 0:24:44 | 0:24:46 | |
That's for the police to sort. | 0:24:46 | 0:24:47 | |
What they do is up to them. | 0:24:47 | 0:24:50 | |
Miss Adams, the way it works is this. | 0:24:50 | 0:24:52 | |
The police tell us stuff. | 0:24:52 | 0:24:53 | |
Then, they say what we can and can't disclose. | 0:24:53 | 0:24:56 | |
Why they want a media blackout now, I've no idea. | 0:24:56 | 0:24:59 | |
We just do as we're told. | 0:24:59 | 0:25:01 | |
I guess some of it could come down to fatigue. | 0:25:02 | 0:25:04 | |
How do you mean? | 0:25:04 | 0:25:06 | |
There's only so much they can ask the public before people switch off. | 0:25:06 | 0:25:09 | |
You know, if it was a little girl, photogenic... | 0:25:09 | 0:25:12 | |
But a lot of boys go missing. | 0:25:12 | 0:25:14 | |
This is my little boy! | 0:25:14 | 0:25:15 | |
I know. But to the cops, he's just a case number. | 0:25:15 | 0:25:19 | |
Would you rather I lied to you? | 0:25:21 | 0:25:23 | |
So...what do I do? | 0:25:25 | 0:25:29 | |
Only way I can get the newsroom interested | 0:25:29 | 0:25:32 | |
is if there's something new. | 0:25:32 | 0:25:34 | |
But if the police aren't giving us anything, then... | 0:25:34 | 0:25:36 | |
But you said they had. So what was it? | 0:25:36 | 0:25:39 | |
According to my source, | 0:25:41 | 0:25:42 | |
they're looking at a lad called Matty Rhodes. | 0:25:42 | 0:25:44 | |
They had him in custody, then they released him. | 0:25:44 | 0:25:48 | |
Is that a name you've heard? | 0:25:48 | 0:25:50 | |
What about him? | 0:25:50 | 0:25:51 | |
You didn't get this from me. | 0:25:56 | 0:25:58 | |
But if they think it's him, I don't get why they let him go. | 0:25:58 | 0:26:01 | |
Rhodes is an unsavoury character. He spent time in juvenile custody. | 0:26:01 | 0:26:06 | |
He slashed a classmate. A knife attack. | 0:26:06 | 0:26:09 | |
The boy survived, but he lost the sight in one eye. | 0:26:09 | 0:26:11 | |
I'm sorry you had to hear it from me. | 0:26:18 | 0:26:20 | |
Kelly, I want to help you. So does our readership. | 0:26:22 | 0:26:25 | |
But right now, our hands are tied. | 0:26:25 | 0:26:27 | |
Of course, if you were to talk to us... | 0:26:29 | 0:26:31 | |
help to keep Callum in the public eye... | 0:26:31 | 0:26:34 | |
Let me get you a coffee. | 0:26:38 | 0:26:39 | |
I just feel so helpless. | 0:26:50 | 0:26:52 | |
I've covered Kelly-Marie's shifts, but... | 0:26:52 | 0:26:55 | |
Robbie, you can't blame yourself for any of this. I know you. | 0:26:55 | 0:26:59 | |
-You'll have done everything you could. -So why's she shutting me out? | 0:26:59 | 0:27:03 | |
She's protecting herself. | 0:27:03 | 0:27:06 | |
Don't think of it as shutting you out, it's more locking herself in. | 0:27:06 | 0:27:11 | |
But she knows you're a good friend. | 0:27:11 | 0:27:13 | |
And she's lucky to have you. | 0:27:13 | 0:27:15 | |
And how about you? How are you coping? | 0:27:17 | 0:27:19 | |
You're always going to put yourself in their shoes. | 0:27:19 | 0:27:24 | |
But what does it matter about my feelings | 0:27:24 | 0:27:26 | |
compared to what Kelly-Marie must be going through? | 0:27:26 | 0:27:29 | |
You will look after yourself, though, won't you? | 0:27:38 | 0:27:40 | |
Don't worry about me. | 0:27:40 | 0:27:42 | |
And vice versa. | 0:27:42 | 0:27:44 | |
Oh, the papers... | 0:27:46 | 0:27:48 | |
Let's not worry about that just now. | 0:27:50 | 0:27:52 | |
We'll find the time to sit down and go through it properly. | 0:27:52 | 0:27:55 | |
Thanks. | 0:27:55 | 0:27:56 | |
Bye. | 0:27:56 | 0:27:57 | |
Can't be easy being back here. | 0:28:22 | 0:28:24 | |
A photograph of you at the scene | 0:28:27 | 0:28:28 | |
is more likely to capture the public's imagination. | 0:28:28 | 0:28:31 | |
Can we just get this over with? | 0:28:31 | 0:28:33 | |
Kelly, can I be blunt with you? | 0:28:37 | 0:28:39 | |
When I mentioned Matty Rhodes' name, | 0:28:39 | 0:28:41 | |
-that wasn't the first time you'd heard it, was it? -No. | 0:28:41 | 0:28:45 | |
-So, what did the police tell you about him? -Only that he may be involved. | 0:28:45 | 0:28:48 | |
But they gave you no idea as to why they're handling him with kid gloves? | 0:28:48 | 0:28:52 | |
-I don't know. -I think you do. | 0:28:52 | 0:28:55 | |
Kelly, we want the same thing. You need to help me. | 0:28:55 | 0:28:58 | |
I know Jimmy Mullen's been charged with his assault. | 0:29:00 | 0:29:02 | |
Has that got anything to do with it? | 0:29:02 | 0:29:05 | |
Kelly... | 0:29:05 | 0:29:07 | |
for Cal's sake. | 0:29:07 | 0:29:09 | |
He was only trying to help. There were two of them. | 0:29:09 | 0:29:12 | |
-Jimmy and someone else. -So how did that happen? | 0:29:12 | 0:29:15 | |
They were trying to find Cal. | 0:29:15 | 0:29:17 | |
Jimmy asked Rhodes if he knew where he was. | 0:29:17 | 0:29:20 | |
Understandable. I've got kids myself. | 0:29:20 | 0:29:23 | |
I know it was wrong, what he did, | 0:29:23 | 0:29:26 | |
but he told Jimmy that there was a couple...that they had Cal, | 0:29:26 | 0:29:29 | |
so he must know where they were, | 0:29:29 | 0:29:31 | |
-but then, when the police questioned him, he... -He shut down, denied everything. | 0:29:31 | 0:29:35 | |
-And then, they let him go. -Inadmissible evidence or something. | 0:29:35 | 0:29:38 | |
Kelly, how exactly did Mr Mullen go about getting this information? | 0:29:38 | 0:29:42 | |
Can we stop this now, please? | 0:29:46 | 0:29:48 | |
You did everything you could. Bain would've been well-paid. | 0:30:12 | 0:30:15 | |
He knows that a prison term goes with the territory. | 0:30:15 | 0:30:18 | |
Leaves us no closer to getting Kennedy though, does it? | 0:30:18 | 0:30:20 | |
No-one's untouchable, Cooper. | 0:30:20 | 0:30:23 | |
He'll overstretch himself soon enough. | 0:30:25 | 0:30:27 | |
Any news on the Adams case? | 0:30:27 | 0:30:29 | |
We're doing a door-to-door on a housing estate on the south side. | 0:30:29 | 0:30:32 | |
Anything I can do? | 0:30:32 | 0:30:34 | |
No, just tie up the loose ends on the Jackie Bain arrest | 0:30:34 | 0:30:36 | |
and get that over to the Fiscal. | 0:30:36 | 0:30:38 | |
Sir. Sir! | 0:30:49 | 0:30:50 | |
Oh, tell me you're kidding! | 0:30:57 | 0:30:58 | |
That DCI said that the police had the press on board. | 0:31:01 | 0:31:03 | |
How are we supposed to believe that they know what they're doing? | 0:31:03 | 0:31:06 | |
Why are you asking me? | 0:31:06 | 0:31:08 | |
And how's it gonnae affect me? I mean... | 0:31:08 | 0:31:11 | |
It's gonnae suggest to any jury that I tortured him. | 0:31:12 | 0:31:15 | |
Jimmy, what do you want me to say? | 0:31:15 | 0:31:17 | |
You shouldn't have done it. You know that. | 0:31:17 | 0:31:19 | |
Oh, cheers, Bob(!) I did what I did cos I cared! | 0:31:19 | 0:31:22 | |
And they're agreeing with you. | 0:31:22 | 0:31:23 | |
They're saying the polis should've acted on what you got. | 0:31:23 | 0:31:26 | |
Making you out the good guy - what more do you want? | 0:31:26 | 0:31:29 | |
I just want Cal back. | 0:31:29 | 0:31:30 | |
-I want things to be like they were. -And you think we don't? | 0:31:31 | 0:31:34 | |
The difference is, we don't think we can sort it all on our own! | 0:31:34 | 0:31:37 | |
I just tried to help! | 0:31:37 | 0:31:38 | |
No, you just tried to be the big man. | 0:31:38 | 0:31:40 | |
Mate, get lost, eh? | 0:31:42 | 0:31:44 | |
You! | 0:31:44 | 0:31:45 | |
Do you vultures never give up? | 0:31:47 | 0:31:49 | |
Mr Mullen, Iain Millar... | 0:31:49 | 0:31:51 | |
-I know who you are. -Wonder if I could have a word? | 0:31:51 | 0:31:53 | |
Oh, aye, just like you did with Michael Brodie? | 0:31:53 | 0:31:56 | |
Or did you think I'd forgotten the name? | 0:31:56 | 0:31:58 | |
You've a good memory. But Dr Brodie was a different case entirely. | 0:31:58 | 0:32:03 | |
Aye, what was it you called him again? Dr Death. | 0:32:03 | 0:32:07 | |
Get out my face. | 0:32:07 | 0:32:09 | |
At least hear me out. You've read the article. | 0:32:09 | 0:32:11 | |
Oh, I've read it all right. | 0:32:11 | 0:32:12 | |
Of course we can't condone violence, but there's a lot of fathers and grandfathers out there | 0:32:12 | 0:32:17 | |
-that will applaud you for your actions. -Cut the crap! | 0:32:17 | 0:32:20 | |
All you want to do is sell papers. | 0:32:20 | 0:32:22 | |
Not at all. We want this to have a happy outcome for everyone. | 0:32:22 | 0:32:24 | |
Back off! You're just making it worse. | 0:32:24 | 0:32:27 | |
Beat it. And you keep away from my family. | 0:32:27 | 0:32:31 | |
'Well, at least, he was trying to help,' | 0:32:33 | 0:32:35 | |
which was more than you were doing! | 0:32:35 | 0:32:37 | |
No, Kelly, this is how Millar works. | 0:32:37 | 0:32:40 | |
You should have seen what mincemeat he made of Michael Brodie. | 0:32:40 | 0:32:43 | |
-That was the same guy? -Yeah. | 0:32:45 | 0:32:46 | |
He latches onto anyone he considers vulnerable. | 0:32:48 | 0:32:51 | |
They're meat and drink to him. | 0:32:51 | 0:32:53 | |
I'm not vulnerable! | 0:32:53 | 0:32:55 | |
I just want to know people are still looking for Cal. | 0:32:55 | 0:32:57 | |
-I don't want him forgotten. -He's not. | 0:32:57 | 0:32:59 | |
We still believe this is about money. | 0:33:01 | 0:33:03 | |
So as long as the people get what they want, | 0:33:03 | 0:33:05 | |
they've no reason to harm Cal. | 0:33:05 | 0:33:07 | |
The danger arises if they feel spooked. | 0:33:08 | 0:33:11 | |
If they fear they've been spotted or in the public eye. | 0:33:11 | 0:33:15 | |
If they do feel threatened, then they'll have two choices. | 0:33:15 | 0:33:19 | |
The one we hope they'd take is to leave Cal | 0:33:20 | 0:33:23 | |
where he could be quickly found, | 0:33:23 | 0:33:26 | |
like a supermarket or a service station. | 0:33:26 | 0:33:28 | |
The other choice, well... | 0:33:28 | 0:33:31 | |
Kelly, I know you were just trying to help. | 0:33:33 | 0:33:36 | |
But we know what we're doing, so please leave the investigation | 0:33:36 | 0:33:39 | |
and any dealings with the media to us, OK? | 0:33:39 | 0:33:42 | |
I'm sorry there was no other way to tell you. | 0:33:44 | 0:33:47 | |
MOBILE PHONE RINGS | 0:34:10 | 0:34:13 | |
We're doing it today. We'll tell you know later when. | 0:34:13 | 0:34:17 | |
Price is 400 grand. | 0:34:17 | 0:34:19 | |
Whoa, whoa, whoa. Hold on a minute. 400? What are you, mental? | 0:34:19 | 0:34:22 | |
And no police. If they're there, you don't see him again. | 0:34:22 | 0:34:26 | |
OK, OK. | 0:34:26 | 0:34:27 | |
Right. Put the boy on. | 0:34:29 | 0:34:31 | |
Come on, put Cal on. I need to know he's OK. | 0:34:35 | 0:34:37 | |
Put my grandson on the phone. | 0:34:41 | 0:34:43 | |
I just want to hear his voice. | 0:34:45 | 0:34:46 | |
Put him on. | 0:34:48 | 0:34:49 | |
You know you're going to pay for this for the rest of your life. | 0:34:52 | 0:34:55 | |
You harm that boy and... | 0:34:55 | 0:34:56 | |
Come on, hen, we've got this far. | 0:35:14 | 0:35:19 | |
We have to stay strong. | 0:35:19 | 0:35:21 | |
What if I've done the wrong thing, Gran? | 0:35:22 | 0:35:25 | |
What if I've put him in more danger? | 0:35:25 | 0:35:27 | |
You did what you thought was best for him! | 0:35:27 | 0:35:31 | |
SHE YELLS | 0:35:31 | 0:35:33 | |
Kelly, you OK? | 0:35:33 | 0:35:34 | |
Scarlett, Scarlett, get in here! | 0:35:34 | 0:35:37 | |
Hamish, it's me. | 0:37:01 | 0:37:03 | |
I've managed to raise half of it. | 0:37:04 | 0:37:07 | |
How's the rest coming along? | 0:37:07 | 0:37:09 | |
The DCI's in with the editor now. | 0:37:12 | 0:37:15 | |
I wouldn't want to be her. | 0:37:15 | 0:37:17 | |
What happens now? | 0:37:21 | 0:37:23 | |
I should've gone with her. | 0:37:27 | 0:37:29 | |
Hey, it's a setback, that's all. | 0:37:29 | 0:37:31 | |
What? It's not your fault. The DCI put you on other duties. | 0:37:33 | 0:37:37 | |
That was his decision. | 0:37:37 | 0:37:39 | |
Part of me was glad he did. | 0:37:39 | 0:37:41 | |
I felt like a fraud. | 0:37:44 | 0:37:45 | |
Being with the family, reassuring them | 0:37:45 | 0:37:47 | |
when I didn't believe half of what I was saying myself. | 0:37:47 | 0:37:49 | |
That Callum would be found alive? | 0:37:49 | 0:37:51 | |
I was scared. | 0:37:53 | 0:37:54 | |
If the worst did happen... | 0:37:56 | 0:37:57 | |
..I don't think I could have been the one to tell her. | 0:38:00 | 0:38:02 | |
You're better at this than you think, you know. | 0:38:02 | 0:38:04 | |
TELEPHONE RINGS | 0:38:04 | 0:38:08 | |
DS Grant. | 0:38:08 | 0:38:09 | |
We'll be there. | 0:38:11 | 0:38:13 | |
That was door to door, they've found something. | 0:38:14 | 0:38:17 | |
Some sort of drug. Inhalant. | 0:38:50 | 0:38:53 | |
They drugged the boy to keep him quiet. | 0:38:56 | 0:38:58 | |
Bag these! | 0:39:05 | 0:39:06 | |
Drug phials, blood on the hoodie. | 0:39:45 | 0:39:48 | |
And no sign of Cal. | 0:39:48 | 0:39:49 | |
How recently did they leave the flat? | 0:39:50 | 0:39:52 | |
No more than two days ago. | 0:39:52 | 0:39:54 | |
The food they left hadn't gone mouldy. | 0:39:54 | 0:39:56 | |
We're positive it's where they were holding Cal. | 0:39:56 | 0:39:58 | |
Chances are they sussed they were seen and moved straightaway. | 0:39:58 | 0:40:02 | |
They probably had their next safe house set up and waiting. | 0:40:02 | 0:40:04 | |
It's a professional set-up. | 0:40:04 | 0:40:06 | |
Whoever's running things knows exactly what they're doing. | 0:40:06 | 0:40:09 | |
It's definitely Cal's? | 0:40:11 | 0:40:12 | |
How do you plan on playing it? | 0:40:13 | 0:40:16 | |
We've no choice. We're going to have to get Kelly-Marie to identify the hoodie. | 0:40:16 | 0:40:19 | |
And although this is not an official murder enquiry yet, | 0:40:19 | 0:40:23 | |
we do need to start preparing the family for the fact | 0:40:23 | 0:40:25 | |
that the next thing we find may well be a body. | 0:40:25 | 0:40:27 | |
If there was a body there, the dogs would be able to tell us? | 0:40:27 | 0:40:30 | |
Hmm, only if it was in situ long enough. | 0:40:30 | 0:40:33 | |
You know, if they get nothing, | 0:40:33 | 0:40:34 | |
-it might just be cos the body had been moved straightaway. -Or he's still alive. | 0:40:34 | 0:40:39 | |
DS Grant, you speak to the family. | 0:40:39 | 0:40:41 | |
No, sir. It should be me. | 0:40:41 | 0:40:44 | |
Kelly has a right to expect that. | 0:40:44 | 0:40:45 | |
Hi, Kelly. I need you to take a seat. | 0:40:56 | 0:40:58 | |
Has someone seen him? | 0:40:58 | 0:40:59 | |
-Please, if you just sit down... -Just tell me! -Please, Kelly. | 0:40:59 | 0:41:03 | |
We've found a piece of clothing we think might be Cal's. | 0:41:08 | 0:41:11 | |
We need you to identify it. | 0:41:11 | 0:41:13 | |
OK. | 0:41:13 | 0:41:14 | |
We think it's the top that Cal was wearing when he was taken. | 0:41:14 | 0:41:18 | |
But you need to be prepared for the fact there's blood on it. | 0:41:18 | 0:41:21 | |
So...so what are you saying? | 0:41:23 | 0:41:27 | |
They've hurt him? | 0:41:27 | 0:41:28 | |
-Will you answer her! -We don't know. We don't know. | 0:41:30 | 0:41:33 | |
We've matched the DNA though. It's Cal's blood. | 0:41:33 | 0:41:37 | |
How? How was he hurt? | 0:41:37 | 0:41:40 | |
We won't know till we find him. | 0:41:40 | 0:41:42 | |
Murdoch? You in here?! | 0:41:57 | 0:41:58 | |
I want a word with you! | 0:42:01 | 0:42:03 | |
You telling me what I did to that piece of filth, Rhodes, was wrong! | 0:42:03 | 0:42:07 | |
No, I shouldn't have stopped until he told me where Cal really was! | 0:42:07 | 0:42:11 | |
I'm not getting you. What is it? | 0:42:11 | 0:42:12 | |
The polis, they found his hoodie. It's covered in blood. | 0:42:12 | 0:42:17 | |
They can say what they like, but they're treating this as murder! | 0:42:19 | 0:42:21 | |
You hear me? | 0:42:21 | 0:42:24 | |
He's dead! | 0:42:24 | 0:42:26 | |
The boy is dead! | 0:42:26 | 0:42:27 | |
If you hadn't sat back, he might still be here! | 0:42:28 | 0:42:31 | |
Get out. | 0:42:40 | 0:42:41 | |
It's important that you take your time. | 0:43:33 | 0:43:36 | |
Only say if you're absolutely certain. Do you understand? | 0:43:36 | 0:43:39 | |
I'm...I'm sorry. I really am. | 0:43:42 | 0:43:45 | |
This is my fault. | 0:44:02 | 0:44:05 | |
This is all my fault! I did this! | 0:44:05 | 0:44:08 | |
I did this. | 0:44:08 | 0:44:09 | |
I'm here for you, darling. | 0:44:09 | 0:44:10 | |
Is that it? Can you leave her alone now? | 0:44:14 | 0:44:18 | |
She needs time. | 0:44:18 | 0:44:19 | |
I'm sorry, we need permission to access Cal's dental records. | 0:44:21 | 0:44:26 | |
SHE SOBS No! | 0:44:26 | 0:44:28 | |
No! What have I done? | 0:44:29 | 0:44:32 | |
This is all my fault. | 0:44:32 | 0:44:35 | |
I should never have spoke to that journalist. | 0:44:35 | 0:44:38 | |
No, Kelly, it's not. The blood was dry. | 0:44:38 | 0:44:41 | |
Any injuries Cal sustained happened before the article came out, OK? | 0:44:41 | 0:44:45 | |
When? When was he hurt? | 0:44:45 | 0:44:47 | |
We don't know. I'm sorry. | 0:44:49 | 0:44:51 | |
-No! -Sweetheart. | 0:44:51 | 0:44:54 | |
No. I can't believe this. | 0:44:54 | 0:44:58 | |
No. A bit of blood means nothing! | 0:44:58 | 0:45:02 | |
He could've fallen over or cut himself. | 0:45:02 | 0:45:06 | |
So you do what you have to do. | 0:45:06 | 0:45:09 | |
I believe that my boy is out there somewhere. | 0:45:09 | 0:45:13 | |
And I am not giving up on him even if the rest of you are! | 0:45:13 | 0:45:17 | |
You've dragged him around like a piece of meat. | 0:45:32 | 0:45:34 | |
-So where is he now? -I dunno. | 0:45:34 | 0:45:37 | |
We found his hoodie, covered in blood and the drugs you gave him. | 0:45:37 | 0:45:41 | |
Where's Callum, Matty? What have you done with him? | 0:45:41 | 0:45:44 | |
I don't know what you're on about. | 0:45:44 | 0:45:45 | |
Haven't you heard? | 0:46:00 | 0:46:01 | |
Jimmy was here. | 0:46:04 | 0:46:05 | |
So...what? You're just going to sit there? | 0:46:05 | 0:46:08 | |
What else do you want me to do? | 0:46:10 | 0:46:12 | |
Meaning what? | 0:46:12 | 0:46:13 | |
You mean you believe it too? | 0:46:13 | 0:46:16 | |
Do you believe he's dead as well? | 0:46:16 | 0:46:18 | |
What, because they say? | 0:46:18 | 0:46:21 | |
-You believe everything they say? -No. | 0:46:21 | 0:46:24 | |
Because it makes sense, Kelly. | 0:46:24 | 0:46:26 | |
Do you think I wanted this? | 0:46:26 | 0:46:28 | |
Do you? | 0:46:28 | 0:46:30 | |
We don't know for a fact. | 0:46:30 | 0:46:33 | |
-All they have is some blood! -I dunno... | 0:46:33 | 0:46:36 | |
I dunno, maybe...maybe Cal cried once too often. | 0:46:36 | 0:46:41 | |
Maybe they never had any intention to give us him back alive. | 0:46:41 | 0:46:45 | |
All he ever was to them was something to bargain with. | 0:46:45 | 0:46:48 | |
No, no, you don't believe that. | 0:46:48 | 0:46:51 | |
You're going to have to stop pretending now, OK? | 0:46:51 | 0:46:54 | |
I mean, even the polis are treating it as murder. | 0:46:54 | 0:46:56 | |
You're just prolonging the agony here! He was taken for money. Money! | 0:46:56 | 0:47:00 | |
And they got it. | 0:47:02 | 0:47:03 | |
At least the first part. | 0:47:06 | 0:47:07 | |
The first part? | 0:47:11 | 0:47:12 | |
What's it matter? | 0:47:20 | 0:47:21 | |
No! What did you mean? Have they asked for more money? | 0:47:21 | 0:47:25 | |
What, and you didn't pay it? | 0:47:27 | 0:47:29 | |
-You're the reason they killed Cal. -No, he was already dead! | 0:47:29 | 0:47:32 | |
What? | 0:47:32 | 0:47:33 | |
I got a phone call in the afternoon. Now, Cal must've been already dead, | 0:47:33 | 0:47:39 | |
because I asked to speak to him and they wouldn't let me. | 0:47:39 | 0:47:42 | |
I just wanted to hear his voice again. | 0:47:44 | 0:47:46 | |
Now, I never will. | 0:47:48 | 0:47:50 | |
No, Lenny! Why would they want to meet up if he was already dead? | 0:47:50 | 0:47:55 | |
-Eh? Why?! -You work it out, eh? | 0:47:56 | 0:47:59 | |
They got my money once, why not take it again? | 0:47:59 | 0:48:01 | |
Maybe they've still got Cal! | 0:48:01 | 0:48:03 | |
Maybe Cal's still alive! | 0:48:03 | 0:48:05 | |
-Where was this? When? -What does it matter now? | 0:48:06 | 0:48:09 | |
Look, I don't care if he is... | 0:48:09 | 0:48:13 | |
I just want him back. | 0:48:13 | 0:48:15 | |
HE COUGHS | 0:48:15 | 0:48:16 | |
No! You don't get to do this! | 0:48:16 | 0:48:20 | |
You don't have the right. | 0:48:20 | 0:48:21 | |
Is this what they want? | 0:48:32 | 0:48:34 | |
-Is this what they want?! -Just leave the money. | 0:48:34 | 0:48:37 | |
You're coming with me. | 0:48:37 | 0:48:38 | |
I'm going nowhere, hen. | 0:48:39 | 0:48:41 | |
Yes, you are. Don't you dare give up on Callum! | 0:48:41 | 0:48:44 | |
That wee boy loves you. | 0:48:46 | 0:48:48 | |
So if you don't do it for me, then you do it for him. | 0:48:48 | 0:48:50 | |
How you doing? | 0:49:22 | 0:49:24 | |
There's a car parked out the back. | 0:49:24 | 0:49:25 | |
Give me the keys. | 0:49:29 | 0:49:30 | |
-What for? -You've been drinking! Give! | 0:49:30 | 0:49:33 | |
Now we wait. | 0:50:22 | 0:50:24 | |
Rhodes will want to make sure I've not got any back-up. | 0:50:25 | 0:50:27 | |
He'll be checking the side streets, looking for polis. | 0:50:27 | 0:50:31 | |
And have you got back-up? | 0:50:31 | 0:50:32 | |
I don't want any more violence. | 0:50:34 | 0:50:36 | |
We'll let her get past. We won't want anybody in the road. | 0:50:37 | 0:50:41 | |
Did you bring what we asked for? | 0:50:46 | 0:50:48 | |
Who's this? | 0:50:48 | 0:50:50 | |
Where's Rhodes? | 0:50:50 | 0:50:52 | |
-Have you got it? -I've got it. | 0:50:52 | 0:50:54 | |
OK, car keys on out the window. | 0:50:55 | 0:50:58 | |
Hands on the dashboard. | 0:51:01 | 0:51:02 | |
Who the hell is this? You were supposed to come on your own. | 0:51:06 | 0:51:09 | |
-Where's my son? -You tooled up? -No. | 0:51:09 | 0:51:11 | |
Money first. In here. | 0:51:17 | 0:51:20 | |
No, not you, her. | 0:51:20 | 0:51:23 | |
-Put the money in the buggy, then get back in the car. -I'll get it. | 0:51:23 | 0:51:27 | |
-I said her! -No! You get nothing till we get proof of life, OK? | 0:51:27 | 0:51:30 | |
-Now, where is he? -I told you what to do. | 0:51:30 | 0:51:32 | |
-Where is he? -Look, it's fine, it's fine. -Kelly! -I'm here. | 0:51:32 | 0:51:36 | |
I've got it. No tricks. I'm begging you...where is he? | 0:51:36 | 0:51:41 | |
He is my little boy. Please, just tell me where he is. | 0:51:41 | 0:51:44 | |
Show us the money. | 0:51:44 | 0:51:46 | |
Look, see. I don't care about the money. | 0:51:50 | 0:51:53 | |
You've been with Cal, right? You know what he's like. | 0:51:53 | 0:51:56 | |
You know how much I want him back. | 0:51:56 | 0:51:59 | |
So, please, just tell me where he is! | 0:51:59 | 0:52:01 | |
-Lenny, no! -What was it, eh? What was it? | 0:52:01 | 0:52:03 | |
You get the money, we get a dead body later on? Is that what it is? | 0:52:03 | 0:52:06 | |
-Please, no! -Lenny, put the gun down! | 0:52:06 | 0:52:08 | |
Think I've got any qualms about shooting a woman? | 0:52:08 | 0:52:10 | |
-You've killed my grandson! -No, he's alive! | 0:52:10 | 0:52:12 | |
Please, just give me the money, you'll get him back. | 0:52:12 | 0:52:15 | |
You're getting nothing. Now, where is he?! | 0:52:15 | 0:52:17 | |
-You want a bit of pain first, eh? -No, he's alive! | 0:52:17 | 0:52:20 | |
-You're lying! -I'm not. He's alive! | 0:52:20 | 0:52:22 | |
-Lenny, just give her the money! -Stay out of this. | 0:52:22 | 0:52:24 | |
OK, last time. Where is he? | 0:52:24 | 0:52:26 | |
-Your choice. -No, Lenny! No! | 0:52:27 | 0:52:28 | |
GUNSHOT | 0:52:28 | 0:52:30 | |
-What the hell are you doing?! -You were going to kill her! | 0:52:30 | 0:52:33 | |
Wait! Where is he? Wait! | 0:52:33 | 0:52:34 | |
Lenny! No! | 0:52:37 | 0:52:39 | |
GUNSHOT | 0:52:39 | 0:52:40 | |
He's here. | 0:52:40 | 0:52:42 | |
He has to be here. | 0:52:43 | 0:52:45 | |
Callum! Callum, where are you? Mummy's here! | 0:52:45 | 0:52:48 | |
You believe a word she says? She's only saying what she had to. | 0:52:48 | 0:52:52 | |
Callum, where are you?! | 0:52:52 | 0:52:53 | |
It's over, Kelly. | 0:52:55 | 0:52:56 | |
Callum? Callum! | 0:53:04 | 0:53:06 | |
-Callum? -Mummy! -Oh, my baby, my darling. | 0:53:08 | 0:53:12 | |
Oh, it's OK. | 0:53:12 | 0:53:13 | |
Mummy's here. You're safe now, Mummy's here. | 0:53:13 | 0:53:16 | |
SHE SOBS | 0:53:16 | 0:53:19 | |
Mummy's here. You're going to be safe now. | 0:53:19 | 0:53:23 | |
You're going to be so safe. | 0:53:23 | 0:53:24 | |
SIRENS WAILING | 0:53:24 | 0:53:26 | |
Mummy's here, darling. | 0:53:26 | 0:53:28 | |
He has a nasty gash to his arm and there's glass embedded, | 0:53:45 | 0:53:48 | |
so he'll require surgery. | 0:53:48 | 0:53:49 | |
But the doctors say there's no cause for alarm. | 0:53:49 | 0:53:52 | |
But he's OK? | 0:53:52 | 0:53:53 | |
Well, he's dehydrated, but they've put him on fluids. | 0:53:53 | 0:53:56 | |
The main thing is he's safe. | 0:53:56 | 0:53:58 | |
And what about Kelly-Marie? | 0:53:58 | 0:54:00 | |
-She's bearing up, but we'll leave it till tomorrow to interview her. -Through here. -Right. | 0:54:00 | 0:54:04 | |
You and me need a word. | 0:54:26 | 0:54:28 | |
Now is not the time. | 0:54:28 | 0:54:30 | |
Now is exactly the time. Want to tell me what happened? | 0:54:30 | 0:54:33 | |
I got a call. Nothing more to be said. | 0:54:33 | 0:54:35 | |
-And no ransom was paid? -No. | 0:54:35 | 0:54:37 | |
And the reports of a weapon being discharged? | 0:54:37 | 0:54:39 | |
I never heard anything. | 0:54:39 | 0:54:41 | |
You do know I will find whoever did this. | 0:54:42 | 0:54:45 | |
Why don't you just back off, eh? | 0:54:45 | 0:54:47 | |
There's a woman in there got her wean back and it's no thanks to you. | 0:54:47 | 0:54:51 | |
Just be grateful your grandson's safe. | 0:54:53 | 0:54:55 | |
Right. I don't care how much it costs, | 0:55:17 | 0:55:19 | |
everybody in here gets a drink! | 0:55:19 | 0:55:20 | |
-All right, Bob! -They found him. Everybody, they found Cal. | 0:55:22 | 0:55:24 | |
THEY CHEER | 0:55:24 | 0:55:25 | |
-You're joking?! -He's good. He's going to be all right! | 0:55:25 | 0:55:28 | |
Forget paying, this one's on the house. | 0:55:28 | 0:55:30 | |
What happened? Was it the polis found him? | 0:55:30 | 0:55:33 | |
Did my ma not phone you? | 0:55:33 | 0:55:34 | |
I don't know what happened, but it was Kelly-Marie and Lenny. | 0:55:34 | 0:55:37 | |
-All I know is he's looking great. -You've seen him? | 0:55:37 | 0:55:39 | |
Aye, I'm just back from the hospital. | 0:55:39 | 0:55:41 | |
My ma and my gran wanted to stay there, but Kelly needs her rest and I need a drink. | 0:55:41 | 0:55:45 | |
-What're you having? -A pint and a chaser up too. | 0:55:45 | 0:55:48 | |
We will need to talk to him, Kelly. | 0:56:40 | 0:56:42 | |
See what he remembers, | 0:56:42 | 0:56:43 | |
and we'll need to get a statement from you too. | 0:56:43 | 0:56:47 | |
I'm not going to talk about it in front of Cal. | 0:56:47 | 0:56:49 | |
Somebody must know who took my boy. | 0:56:49 | 0:56:51 | |
They're probably miles away by now. | 0:56:51 | 0:56:53 | |
I want that 500 grand they took off me. | 0:56:53 | 0:56:56 | |
Is that all? | 0:56:56 | 0:56:57 | |
I do not want you looking for revenge. | 0:56:57 | 0:56:59 | |
You need to stay away from Matty Rhodes and the kidnappers. | 0:56:59 | 0:57:02 | |
Leave this to us. | 0:57:02 | 0:57:03 | |
As far as I'm concerned, this is over. | 0:57:03 | 0:57:06 | |
You don't need to worry about us doing something stupid. | 0:57:06 | 0:57:09 | |
Did you miss me? | 0:57:10 | 0:57:12 | |
Subtitles by Red Bee Media Ltd | 0:57:31 | 0:57:34 |