
Browse content similar to 15/10/2013. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
I want a weekend away with my beautiful girlfriend. | 0:00:21 | 0:00:23 | |
I know, it's just, | 0:00:23 | 0:00:24 | |
I really don't want anybody putting two and two together. | 0:00:24 | 0:00:27 | |
Gareth Liam O'Connor. Date of birth 20/10/94. | 0:00:27 | 0:00:32 | |
Just about to turn 19. | 0:00:32 | 0:00:33 | |
Gareth was working for the police. He was a...a grass. | 0:00:33 | 0:00:37 | |
Are you sure about that? | 0:00:37 | 0:00:39 | |
Why do you think he's dead? | 0:00:39 | 0:00:40 | |
Kennedy obviously found out. | 0:00:40 | 0:00:42 | |
Yous are at it again, aren't yous? | 0:00:42 | 0:00:44 | |
Have you no' done enough damage? | 0:00:44 | 0:00:45 | |
Scarlett, I'm no' doing anything wrong. | 0:00:45 | 0:00:48 | |
Try telling that to my son. | 0:00:48 | 0:00:49 | |
Keep away from that baby, you hear me?! | 0:00:49 | 0:00:51 | |
And stay away from my family, do you understand? | 0:00:52 | 0:00:55 | |
There's nothing more you could have done. | 0:00:55 | 0:00:57 | |
None of this is your fault. It can be fixed. | 0:00:57 | 0:01:00 | |
Alls I want to do is get on with the rest of my life. | 0:01:00 | 0:01:02 | |
If I know Bob, that's what he wants an' all. | 0:01:02 | 0:01:04 | |
What the hell was that supposed to be? | 0:01:15 | 0:01:17 | |
It's a rock classic. | 0:01:17 | 0:01:19 | |
1982. | 0:01:19 | 0:01:20 | |
Aye, right, I wasn't born for another ten year. | 0:01:20 | 0:01:22 | |
Neither was I. | 0:01:22 | 0:01:24 | |
Come on, you love it. You know all the words. | 0:01:24 | 0:01:26 | |
I've never heard that before in my life. | 0:01:35 | 0:01:37 | |
# Darling, you've got to let me know... # | 0:01:37 | 0:01:40 | |
Oh, OK. | 0:01:40 | 0:01:41 | |
# Should I stay or should I go? | 0:01:41 | 0:01:43 | |
# And if you say that you are mine | 0:01:45 | 0:01:48 | |
# I'll be here till the end of time | 0:01:49 | 0:01:51 | |
HE IMITATES GUITAR RIFF | 0:01:51 | 0:01:53 | |
# So you've got to let me know | 0:01:53 | 0:01:55 | |
HE IMITATES GUITAR RIFF | 0:01:55 | 0:01:56 | |
BOTH: # Should I stay or should I go? # | 0:01:56 | 0:01:58 | |
MUSIC: "Should I Stay Or Should I Go?" by The Clash | 0:01:58 | 0:02:01 | |
Thank you. | 0:02:15 | 0:02:16 | |
Definitely stay. | 0:02:18 | 0:02:20 | |
What? | 0:02:20 | 0:02:21 | |
The song. | 0:02:21 | 0:02:22 | |
I think you should stay. | 0:02:23 | 0:02:25 | |
And I thought that maybe you could bring your stuff o'er here an' all. | 0:02:28 | 0:02:32 | |
How much stuff? I don't know, everything. | 0:02:36 | 0:02:38 | |
All right. | 0:02:43 | 0:02:44 | |
I love you. | 0:02:46 | 0:02:48 | |
I love you. | 0:02:48 | 0:02:49 | |
MUSIC: "I'm Into Something Good" by Herman's Hermits | 0:02:50 | 0:02:53 | |
# Woke up this morning feeling fine | 0:02:55 | 0:02:58 | |
# Had something special on my mind | 0:02:58 | 0:03:01 | |
# Last night I met a new girl... # | 0:03:01 | 0:03:03 | |
Hiya, pal. | 0:03:03 | 0:03:05 | |
All right, big yin? | 0:03:06 | 0:03:07 | |
# Something tells me I'm into something good... # | 0:03:09 | 0:03:14 | |
PHONES RING | 0:03:16 | 0:03:17 | |
HE SIGHS | 0:03:21 | 0:03:23 | |
No, leave it to me, I'll tell her. | 0:03:23 | 0:03:25 | |
DOORBELL RINGS | 0:03:42 | 0:03:44 | |
Oh, hiya. Hi, Stella. | 0:03:49 | 0:03:51 | |
Mind if I come in for a minute? | 0:03:51 | 0:03:53 | |
How? What's wrong? | 0:03:53 | 0:03:54 | |
Can we talk inside? | 0:03:55 | 0:03:57 | |
Oh, my God. Is it Mark? | 0:03:58 | 0:04:00 | |
Here. Ta. | 0:04:03 | 0:04:04 | |
Do you want to see him? | 0:04:08 | 0:04:09 | |
Is that all right? | 0:04:11 | 0:04:12 | |
OK. | 0:04:15 | 0:04:16 | |
So he is on the streets again? | 0:04:27 | 0:04:30 | |
Yeah. | 0:04:30 | 0:04:31 | |
He missed this morning's methadone because he was locked up in here. | 0:04:33 | 0:04:37 | |
Sorry, I shouldn't have brought you. I thought you'd want to see him. | 0:04:39 | 0:04:42 | |
Don't be daft, I want to know. He's my brother. | 0:04:42 | 0:04:45 | |
I need to know how he's doing. | 0:04:46 | 0:04:48 | |
Well, he's on our radar now. | 0:04:52 | 0:04:53 | |
Feeling better? | 0:05:00 | 0:05:01 | |
Hiya. | 0:05:03 | 0:05:04 | |
What are you doing here? | 0:05:07 | 0:05:09 | |
We couldn't get hold of your mother. | 0:05:09 | 0:05:12 | |
So? | 0:05:12 | 0:05:14 | |
I thought your sister should know. But I'm not a kid. | 0:05:14 | 0:05:16 | |
I can take care of myself, all right? | 0:05:18 | 0:05:20 | |
How are you? | 0:05:24 | 0:05:25 | |
All right, Mark, you're being released on a caution, OK? | 0:05:27 | 0:05:31 | |
Good. I'm out of here. | 0:05:31 | 0:05:32 | |
I'll take you down to the desk and you can collect your stuff. | 0:05:32 | 0:05:36 | |
They should never have bothered you. | 0:05:41 | 0:05:43 | |
Hey. I don't want to see you here again. | 0:05:55 | 0:05:58 | |
So where are you going to go? | 0:06:08 | 0:06:10 | |
I've been going to a crisis centre down Pollston Road. | 0:06:10 | 0:06:13 | |
They're helping me apply for bedsits. | 0:06:14 | 0:06:16 | |
I was going to go and see if my name's come up yet. | 0:06:16 | 0:06:18 | |
Can you not phone them? | 0:06:18 | 0:06:20 | |
I can't. I've no credit on my phone. | 0:06:20 | 0:06:23 | |
Right, well...here, use mine. | 0:06:23 | 0:06:25 | |
Then we can go for something to eat. | 0:06:25 | 0:06:27 | |
No, you're all right. I'm doing fine, honestly. | 0:06:27 | 0:06:30 | |
And I'll be even better once I get my own place. | 0:06:30 | 0:06:32 | |
So you don't need to bother. | 0:06:32 | 0:06:34 | |
I know I don't. | 0:06:34 | 0:06:35 | |
I just want to take you for something to eat. | 0:06:35 | 0:06:38 | |
OK. That would be really nice. | 0:06:40 | 0:06:42 | |
So he's turned up again? | 0:06:53 | 0:06:54 | |
Aye, sort of. | 0:06:55 | 0:06:56 | |
And are you OK with that? | 0:06:58 | 0:06:59 | |
Thanks. | 0:07:05 | 0:07:07 | |
Shoplifting food? | 0:07:07 | 0:07:08 | |
So what? Did you forget your wallet? | 0:07:10 | 0:07:12 | |
Aye, very funny. | 0:07:12 | 0:07:14 | |
No, it's not. | 0:07:14 | 0:07:15 | |
I've been there. | 0:07:15 | 0:07:17 | |
Look, once I get my own place I'll be sorted. | 0:07:17 | 0:07:20 | |
Why did you put Ma down as next of kin anyway? | 0:07:20 | 0:07:22 | |
What was the point in that? | 0:07:22 | 0:07:23 | |
Cos she is. They don't need to know that she couldn't care, | 0:07:23 | 0:07:26 | |
they just need a name for their form. | 0:07:26 | 0:07:28 | |
Why did Will Cooper tell you anyway? | 0:07:30 | 0:07:32 | |
I mean, is there not some law that cops can't pass on your information? | 0:07:32 | 0:07:36 | |
He's a pal, and I'm glad he did tell me, otherwise I wouldn't have known. | 0:07:36 | 0:07:39 | |
That I'd screwed up again? | 0:07:39 | 0:07:40 | |
That you were on the streets. | 0:07:40 | 0:07:42 | |
As if Ma was going to help. | 0:07:44 | 0:07:45 | |
This is great. | 0:07:46 | 0:07:47 | |
First hot food you've had in a couple of days? | 0:07:49 | 0:07:51 | |
Look, I'm no' being cheeky, but see while you're here, | 0:07:53 | 0:07:55 | |
do you want a bath? | 0:07:55 | 0:07:56 | |
Sorry. | 0:07:57 | 0:07:59 | |
Come on. | 0:08:00 | 0:08:01 | |
TV PLAYS | 0:08:08 | 0:08:11 | |
?62?! | 0:08:19 | 0:08:21 | |
Where do you think I'd get that kind of money? | 0:08:21 | 0:08:23 | |
I'll pay it all back! | 0:08:23 | 0:08:25 | |
How? Are you printing it round the back? | 0:08:25 | 0:08:28 | |
Why are you not down at the Social asking for money? | 0:08:28 | 0:08:30 | |
I mean, you're a single mother again! | 0:08:30 | 0:08:32 | |
Cos they need to know why I lost my job! | 0:08:32 | 0:08:35 | |
It comes to something when you're branded a thief by Lenny Murdoch. | 0:08:35 | 0:08:38 | |
Aw, sorry, hen, I really am, but I've no' got any spare this week. | 0:08:41 | 0:08:47 | |
If I don't pay it, they're gonnae put in one of them card meters. | 0:08:47 | 0:08:51 | |
Then Electric are gonnae tell Raymond | 0:08:51 | 0:08:53 | |
and Jimmy's gonnae go aff his head. | 0:08:53 | 0:08:55 | |
Have you no' got something you can sell? | 0:08:55 | 0:08:57 | |
What about your wedding ring? | 0:08:59 | 0:09:01 | |
I mean, you've nae use for it now, have you? | 0:09:01 | 0:09:04 | |
Oh, aye, thanks, cheer me up, why don't you? | 0:09:04 | 0:09:07 | |
Is this any better? | 0:09:16 | 0:09:17 | |
Aye, definitely. | 0:09:19 | 0:09:20 | |
The smell of the street kind of tires after a while, doesn't it? | 0:09:21 | 0:09:25 | |
Look, I'm really glad you came down to the station. | 0:09:26 | 0:09:28 | |
Really? | 0:09:28 | 0:09:30 | |
Because I've not heard from you for weeks. | 0:09:30 | 0:09:33 | |
I didn't think I'd be welcome after what I did. | 0:09:34 | 0:09:37 | |
I was off my skull at the hospital... | 0:09:37 | 0:09:39 | |
No, you weren't. You knew exactly what you were saying. | 0:09:39 | 0:09:42 | |
Aye, and I remember what you said as well. | 0:09:44 | 0:09:46 | |
So I didn't exactly think I'd be welcome for tea and biscuits. | 0:09:46 | 0:09:49 | |
I know why you walked out, and you were dead right. | 0:09:52 | 0:09:55 | |
Stella, I'm really sorry. | 0:09:55 | 0:09:57 | |
Right. What bit are you sorry for? | 0:09:57 | 0:09:59 | |
Cos there's hunners to choose fae. | 0:09:59 | 0:10:01 | |
All of it, obviously, but... | 0:10:01 | 0:10:03 | |
..mostly for taking Gran's ring. | 0:10:05 | 0:10:06 | |
I got it back. | 0:10:13 | 0:10:14 | |
How? | 0:10:14 | 0:10:16 | |
It doesn't matter. | 0:10:16 | 0:10:18 | |
How long have you actually been on the street for? | 0:10:18 | 0:10:21 | |
Not long. A week and a bit. | 0:10:21 | 0:10:23 | |
There must have been somewhere you could've went. | 0:10:23 | 0:10:25 | |
Well, there was, but... But what? | 0:10:25 | 0:10:27 | |
I'm trying to stay off the smack, ain't I? | 0:10:27 | 0:10:30 | |
So I cannae be anywhere near it. | 0:10:30 | 0:10:31 | |
There's certain places I need to keep away from. | 0:10:32 | 0:10:36 | |
Aye, course. | 0:10:36 | 0:10:37 | |
But I'll find somewhere. | 0:10:38 | 0:10:40 | |
I've just got to bide my time. | 0:10:40 | 0:10:42 | |
Are you using? | 0:10:47 | 0:10:48 | |
No, I'm clean. | 0:10:49 | 0:10:51 | |
Aye? | 0:10:52 | 0:10:54 | |
34 days now. | 0:10:54 | 0:10:56 | |
The last time I had any smack was that day I ended up at the hospital. | 0:10:56 | 0:11:00 | |
34 days? | 0:11:02 | 0:11:03 | |
Have you switched it on? | 0:11:08 | 0:11:10 | |
Yeah. | 0:11:10 | 0:11:11 | |
Maybe the new fuse is faulty, eh? | 0:11:13 | 0:11:16 | |
Och, Dad, that's the third one we've tried. | 0:11:16 | 0:11:18 | |
I'm sorry, your telly's bust. | 0:11:18 | 0:11:20 | |
You're going to have to get a new one. | 0:11:20 | 0:11:22 | |
We could have worked that out for ourselves. | 0:11:23 | 0:11:25 | |
I just thought Gina might be able to see the problem. | 0:11:27 | 0:11:29 | |
Hey, there's a sale on... | 0:11:32 | 0:11:33 | |
Oh, goodie! | 0:11:33 | 0:11:35 | |
Giving them away for free, are they? | 0:11:35 | 0:11:37 | |
It's no' the end of the world, Liz. | 0:11:39 | 0:11:41 | |
We can get through that stack of books | 0:11:41 | 0:11:43 | |
that's been at the end of the bed for weeks. | 0:11:43 | 0:11:46 | |
I could get Murray to come over... | 0:11:47 | 0:11:49 | |
Why? | 0:11:49 | 0:11:51 | |
It's broken, isn't it? | 0:11:51 | 0:11:53 | |
Or maybe you're expecting Murray could come over of an evening | 0:11:54 | 0:11:57 | |
and entertain us with thrilling tales of his fishing trips? | 0:11:57 | 0:12:01 | |
Sadie. Sadie has a spare television in her guest room. | 0:12:05 | 0:12:09 | |
I'll call her and ask if we can borrow it. | 0:12:09 | 0:12:11 | |
Look, Liz, I'm sorry. | 0:12:14 | 0:12:16 | |
And there's something your dad and I can do. | 0:12:16 | 0:12:18 | |
We can sit down and count how many times you've said sorry | 0:12:19 | 0:12:23 | |
for giving all our money away! | 0:12:23 | 0:12:26 | |
Oh, come on, Liz. We agreed to drop the matter! | 0:12:26 | 0:12:28 | |
It's happened. | 0:12:28 | 0:12:30 | |
DOOR SLAMS | 0:12:30 | 0:12:31 | |
What's the point in harping on about it? | 0:12:31 | 0:12:33 | |
..percent of the population are involved in the military. | 0:12:37 | 0:12:40 | |
That figure is actually going to rise... | 0:12:40 | 0:12:42 | |
What's that? Did you find it down the back of the sofa? | 0:12:50 | 0:12:54 | |
No, Daddy gave me it as pocket money. | 0:12:54 | 0:12:56 | |
Aw, that's great! What you going to buy with it? | 0:12:56 | 0:12:59 | |
It's for you, for the leccy. | 0:12:59 | 0:13:01 | |
Aw, darling, that's... | 0:13:05 | 0:13:07 | |
That's awfully good of you. | 0:13:07 | 0:13:08 | |
But you know what? | 0:13:09 | 0:13:11 | |
I've got it sorted, so I'll no' need it any more. | 0:13:11 | 0:13:13 | |
But thanks. | 0:13:13 | 0:13:14 | |
You are the best wee lassie any mammy could ever have, | 0:13:16 | 0:13:18 | |
you know that? | 0:13:18 | 0:13:20 | |
Come here. | 0:13:20 | 0:13:21 | |
Honey, I'm home! | 0:13:28 | 0:13:29 | |
I hope you're ready for a bit of Stevie action. | 0:13:32 | 0:13:34 | |
No, no, that's fine. | 0:13:34 | 0:13:35 | |
Aye. | 0:13:37 | 0:13:38 | |
Who's on the phone? | 0:13:39 | 0:13:40 | |
Right, OK, I'll see you next Wednesday then, all right? | 0:13:40 | 0:13:43 | |
Right, bye. Stevie, stop it! | 0:13:43 | 0:13:45 | |
What? | 0:13:45 | 0:13:46 | |
All right, mate? | 0:13:48 | 0:13:49 | |
He's looking good, isn't he? | 0:13:58 | 0:14:01 | |
Mm-hmm. | 0:14:01 | 0:14:02 | |
He had to leave the hostel after three weeks | 0:14:05 | 0:14:07 | |
cos it was emergency accommodation only. | 0:14:07 | 0:14:09 | |
Right. | 0:14:09 | 0:14:10 | |
Stevie's staying here now. | 0:14:12 | 0:14:14 | |
Right. | 0:14:16 | 0:14:17 | |
Right, I'll make us all something to eat. | 0:14:19 | 0:14:21 | |
Actually, I'm gonnae head. | 0:14:21 | 0:14:23 | |
How? Where are you going? | 0:14:23 | 0:14:24 | |
Just check out the Health Centre. | 0:14:24 | 0:14:27 | |
See if they have a list of hostels. | 0:14:27 | 0:14:28 | |
Better get there before the places go, eh? | 0:14:28 | 0:14:31 | |
Right, well, leave that here, you can pick it up later on. | 0:14:31 | 0:14:34 | |
Then that way you can tell me how it went. | 0:14:34 | 0:14:36 | |
Are you sure? Aye. | 0:14:36 | 0:14:38 | |
OK. Cool. | 0:14:38 | 0:14:40 | |
I'll see you later on. OK, great. Bye. Bye. | 0:14:42 | 0:14:44 | |
DOOR CLOSES | 0:14:46 | 0:14:47 | |
All right, Mark? Can't really talk, mate. | 0:14:54 | 0:14:56 | |
I'm sorry. They never changed their clothes. I gave them some of yours. | 0:15:09 | 0:15:13 | |
He's been clean for over four weeks. | 0:15:17 | 0:15:19 | |
That's great. | 0:15:21 | 0:15:22 | |
And he's on the methadone programme. | 0:15:22 | 0:15:24 | |
He'll need all the help he can get. It's not easy. | 0:15:27 | 0:15:30 | |
I was thinking that maybe he could stay with us | 0:15:35 | 0:15:38 | |
until he finds somewhere. | 0:15:38 | 0:15:41 | |
It'd just be for a few days. | 0:15:41 | 0:15:42 | |
It's your flat, though. Aye, but it's going to be yours and all. | 0:15:46 | 0:15:50 | |
Mark wasn't part of the deal this morning. | 0:15:50 | 0:15:52 | |
So... | 0:15:54 | 0:15:55 | |
Do you not think it's a bit early to make a big decision like that? | 0:15:59 | 0:16:02 | |
Go down and register as soon as possible. | 0:16:05 | 0:16:08 | |
They have only a few beds, but it's a good place. | 0:16:08 | 0:16:12 | |
Strict, though. No alcohol, no... No, it's fine. | 0:16:12 | 0:16:15 | |
I don't mind. | 0:16:15 | 0:16:16 | |
Of course. | 0:16:16 | 0:16:18 | |
You just need a roof over your head. | 0:16:18 | 0:16:20 | |
You are registered for your methadone programme? | 0:16:20 | 0:16:24 | |
Aye. Down at the Crisis Centre. | 0:16:24 | 0:16:26 | |
Well, if it's more convenient to register here, | 0:16:26 | 0:16:29 | |
there's no problem. | 0:16:29 | 0:16:31 | |
Maybe once I'm settled, eh? | 0:16:31 | 0:16:33 | |
OK. We're here to support you. | 0:16:33 | 0:16:36 | |
Aye. Get them all in here. Have a party(!) | 0:16:36 | 0:16:39 | |
All I'm saying is, you've heard nothing from him in a month. | 0:16:44 | 0:16:46 | |
But I walked away from him at the hospital. | 0:16:46 | 0:16:48 | |
Course he wasn't going to stay in touch. | 0:16:48 | 0:16:51 | |
What's he been doing since then? He swears he's off the smack. | 0:16:51 | 0:16:54 | |
They give him methadone at the police station. | 0:16:57 | 0:16:59 | |
He wouldn't have took that if he was using. | 0:16:59 | 0:17:01 | |
So he never just showed up at the door, then? | 0:17:01 | 0:17:03 | |
He was in the cells. | 0:17:03 | 0:17:05 | |
For stealing a loaf of bread and a tin of soup. | 0:17:09 | 0:17:12 | |
Aye, I know it's not exactly Crimewatch material | 0:17:12 | 0:17:15 | |
but it's no good. | 0:17:15 | 0:17:16 | |
He's saying he wants to get his life on track | 0:17:18 | 0:17:20 | |
and that he hasn't used any gear since he was in hospital. | 0:17:20 | 0:17:22 | |
And you believe him? | 0:17:22 | 0:17:24 | |
I don't know. | 0:17:24 | 0:17:26 | |
He seems different. | 0:17:27 | 0:17:28 | |
I'm different. | 0:17:30 | 0:17:31 | |
The last time, I was just so happy to see my wee brother | 0:17:33 | 0:17:35 | |
I wasn't thinking straight. | 0:17:35 | 0:17:37 | |
But now... | 0:17:38 | 0:17:41 | |
I know he's no angel. | 0:17:41 | 0:17:42 | |
All I want to do is help him. | 0:17:44 | 0:17:45 | |
We can both help him. | 0:17:45 | 0:17:47 | |
Maybe find a place or, I don't know, maybe even a wee job. | 0:17:47 | 0:17:51 | |
But he's got to learn to stand on his own two feet. | 0:17:51 | 0:17:54 | |
I know and he's no' denying the mess he's in. | 0:17:54 | 0:17:56 | |
Nor all that before. That's great. Really. | 0:17:56 | 0:17:58 | |
But if he moves in here, | 0:17:58 | 0:18:02 | |
it's going to be harder for him to move back out. | 0:18:02 | 0:18:05 | |
I know what you're like. You won't be able to help yourself. | 0:18:05 | 0:18:08 | |
You'll be feeding him, you'll be doing his washing... | 0:18:08 | 0:18:11 | |
I rest my case. | 0:18:13 | 0:18:15 | |
I don't want him using you. | 0:18:16 | 0:18:18 | |
He's not! | 0:18:18 | 0:18:19 | |
He didn't even give the police my name. | 0:18:19 | 0:18:22 | |
He gave my ma's. | 0:18:22 | 0:18:24 | |
What for? Exactly. | 0:18:24 | 0:18:26 | |
Just think this through, eh? | 0:18:29 | 0:18:31 | |
What's best for...both of yous. | 0:18:31 | 0:18:34 | |
TV: 'It's an exciting thing, this whole fashion process, isn't it? | 0:18:39 | 0:18:42 | |
'Yeah. I can't wait to get stuck in.' | 0:18:42 | 0:18:44 | |
Are you eating the last of the bacon? | 0:18:44 | 0:18:46 | |
That's Madonna's dinner. | 0:18:47 | 0:18:48 | |
What? | 0:18:48 | 0:18:50 | |
I had two bits of bacon left for the wean's tea and now you're eating it! | 0:18:50 | 0:18:54 | |
I didn't know. You should have asked. | 0:18:54 | 0:18:56 | |
You should tell me. | 0:18:56 | 0:18:57 | |
Madonna will just have to have beans on toast now. | 0:18:57 | 0:19:00 | |
You know what? I'm sick of you two sponging off me. | 0:19:00 | 0:19:04 | |
You can stick your hands in your pockets. | 0:19:07 | 0:19:09 | |
You can get me 62 quid by Thursday. | 0:19:09 | 0:19:11 | |
And you. You can doll yourself up in the salon. | 0:19:11 | 0:19:13 | |
Stop using my electric. Wait. 62 quid? Aye, that will be right. | 0:19:13 | 0:19:18 | |
We've been paying extra for weeks. | 0:19:18 | 0:19:19 | |
This is two months overdue. What? | 0:19:22 | 0:19:24 | |
Ma, how've you not told me about this before? | 0:19:24 | 0:19:26 | |
I'm trying to get it sorted but there's been no money coming in. | 0:19:26 | 0:19:29 | |
And now they're going to put in one of those card meters... | 0:19:29 | 0:19:33 | |
And charge us twice as much for the leccy? Are you off your head? | 0:19:33 | 0:19:36 | |
All right. Here. | 0:19:39 | 0:19:40 | |
I'll give you half. | 0:19:42 | 0:19:44 | |
You can find the other half. | 0:19:44 | 0:19:46 | |
Ma, you need to tell us if you're not coping. | 0:19:46 | 0:19:48 | |
Don't wait until they come to cut us off. | 0:19:48 | 0:19:50 | |
I am coping! Here's an idea. Why don't you get off your bahookie | 0:19:50 | 0:19:53 | |
and go and find a job? | 0:19:53 | 0:19:54 | |
I'm looking. But I was done for stealing, | 0:19:54 | 0:19:57 | |
which I didn't do, by the way. | 0:19:57 | 0:19:59 | |
Folk out there aren't going to take Lenny's word over yours. | 0:19:59 | 0:20:01 | |
You should be out there knocking on folk's doors. | 0:20:01 | 0:20:04 | |
SCARLETT SIGHS | 0:20:07 | 0:20:08 | |
BOB SIGHS | 0:20:11 | 0:20:12 | |
Let's see that. | 0:20:12 | 0:20:13 | |
How are you going to get it home? | 0:20:15 | 0:20:17 | |
Sadie's going to organise a lift for me. | 0:20:17 | 0:20:20 | |
You'll need help getting it to the car. | 0:20:20 | 0:20:23 | |
Maybe her son will bring it over. | 0:20:23 | 0:20:26 | |
Hey, did Sadie say what size the screen is? | 0:20:26 | 0:20:30 | |
No. And I didn't ask. | 0:20:30 | 0:20:33 | |
But if it's a wee telly, I mean, I'll not know which team is which | 0:20:34 | 0:20:38 | |
when the football is on. | 0:20:38 | 0:20:40 | |
I'll come with you. You'll do nothing of the sort! | 0:20:40 | 0:20:42 | |
The woman is doing us a favour. | 0:20:42 | 0:20:45 | |
I'm not for you telling her her set's not big enough! | 0:20:45 | 0:20:48 | |
DOOR CREAKS OPEN | 0:21:02 | 0:21:05 | |
TV: 'The principal lecturer there...' | 0:21:05 | 0:21:09 | |
I'm off out. | 0:21:09 | 0:21:10 | |
You're going to have to pick up Madonna from school. | 0:21:10 | 0:21:12 | |
A please would be nice(!) | 0:21:12 | 0:21:15 | |
TV: 'Tell us about your activities...' | 0:21:16 | 0:21:18 | |
All right? How'd it go? Good. I got a form to use the food bank | 0:21:21 | 0:21:27 | |
and two agencies to apply for bedsits. That's good. | 0:21:27 | 0:21:29 | |
I tried a couple of shelters but the places had been filled, so... | 0:21:29 | 0:21:34 | |
Erm... I hate to ask this, but is there any chance I can stay tonight? | 0:21:36 | 0:21:41 | |
I really don't think it's a good idea. | 0:21:46 | 0:21:48 | |
It'd just be for tonight. | 0:21:48 | 0:21:49 | |
But then it'll be even harder for you to leave tomorrow. | 0:21:49 | 0:21:52 | |
But I might have found somewhere by tomorrow. Even if I've not, | 0:21:52 | 0:21:55 | |
I'll move on anyway. | 0:21:55 | 0:21:57 | |
If you've got nowhere else to sleep, | 0:21:57 | 0:21:59 | |
they'll keep you on the priority list. | 0:21:59 | 0:22:02 | |
Like I said, it's just for tonight. | 0:22:02 | 0:22:04 | |
Me and Stevie... Don't bother yourselves. | 0:22:06 | 0:22:08 | |
I know the drill. Boyfriend first, family last. | 0:22:08 | 0:22:11 | |
Mum taught you well. Have a nice life. | 0:22:13 | 0:22:15 | |
DOOR SLAMS | 0:22:20 | 0:22:22 | |
BAG THUDS | 0:22:33 | 0:22:35 | |
STEVIE: You did the right thing. | 0:23:15 | 0:23:16 | |
STELLA: Well, if I did the right thing, why do I feel like this? | 0:23:16 | 0:23:20 | |
Stella, Mark knows how to play you. | 0:23:20 | 0:23:22 | |
He knows your weak spots and that's what he'll use. | 0:23:22 | 0:23:26 | |
I used to do the exact same thing with my ma and da. | 0:23:26 | 0:23:29 | |
I did, I put them through hell. | 0:23:29 | 0:23:30 | |
Aye, but you and Mark aren't the same person. I'm not saying that. | 0:23:30 | 0:23:33 | |
I know how his mind works. | 0:23:33 | 0:23:35 | |
He needs to grow up and sort his life out. | 0:23:38 | 0:23:40 | |
This isn't your fault. | 0:23:42 | 0:23:44 | |
Listen, I better get back. | 0:24:00 | 0:24:02 | |
Are you all right? | 0:24:04 | 0:24:06 | |
Sorry, that's a daft question. | 0:24:06 | 0:24:08 | |
I need to go out. What? | 0:24:09 | 0:24:11 | |
I need to make sure he's all right. | 0:24:11 | 0:24:13 | |
You don't even know where he went. He'll be fine. | 0:24:13 | 0:24:16 | |
I know, but... | 0:24:16 | 0:24:17 | |
He never wanted to get in touch with you in the first place. | 0:24:17 | 0:24:19 | |
It's tough for him but it's even tougher for you. | 0:24:19 | 0:24:22 | |
What if something's happened to him? | 0:24:23 | 0:24:25 | |
You can't watch him every minute of every day. | 0:24:25 | 0:24:27 | |
You should probably go, you need to get in before Lenny turns up. | 0:24:29 | 0:24:33 | |
Are you sure you're going to be all right? Aye. | 0:24:35 | 0:24:37 | |
Right. | 0:24:39 | 0:24:41 | |
DOOR CREAKS | 0:25:05 | 0:25:07 | |
# Early this morning | 0:25:08 | 0:25:10 | |
# When you knocked upon my door | 0:25:13 | 0:25:15 | |
# Early this morning | 0:25:20 | 0:25:21 | |
# When you knocked upon my door | 0:25:24 | 0:25:27 | |
# I say, hello, Satan | 0:25:31 | 0:25:34 | |
# I believe it's time to go | 0:25:35 | 0:25:38 | |
# Me and the devil | 0:25:43 | 0:25:45 | |
# Walking side by side... # | 0:25:47 | 0:25:50 | |
HE STRAINS | 0:26:08 | 0:26:10 | |
What are you doing here? | 0:26:22 | 0:26:24 | |
Argh! | 0:26:24 | 0:26:25 | |
Hey, you hear me? | 0:26:27 | 0:26:29 | |
DISTORTED MUSIC PLAYS | 0:26:31 | 0:26:33 | |
I need you to let me know that you're all right. | 0:26:33 | 0:26:36 | |
You know where I am. | 0:26:36 | 0:26:37 | |
Look, Mark, I'm really sorry, OK? | 0:26:39 | 0:26:41 | |
Just phone me back. | 0:26:42 | 0:26:43 | |
SIREN WAILS | 0:26:49 | 0:26:51 | |
You're OK. | 0:26:55 | 0:26:56 | |
HE GROANS | 0:26:56 | 0:26:58 | |
The ambulance will be here soon. | 0:26:58 | 0:27:00 | |
Just...keep still. | 0:27:00 | 0:27:02 | |
SIREN WAILS | 0:27:07 | 0:27:09 | |
Malcolm? Sadie's boy's going to bring it round on Thursday... | 0:27:15 | 0:27:19 | |
Malcolm! | 0:27:24 | 0:27:25 | |
SIREN HALTS | 0:27:27 | 0:27:29 | |
Rrgh! | 0:27:51 | 0:27:52 | |
POLICE RADIO: '19, dark hair, about 5'10"...' | 0:28:08 | 0:28:10 | |
Any spare change, please? | 0:28:16 | 0:28:18 | |
Hi, darling. Any spare change? | 0:28:19 | 0:28:22 | |
Any change? | 0:28:22 | 0:28:24 | |
Hey! | 0:28:26 | 0:28:27 | |
Can you give me a minute? | 0:28:40 | 0:28:41 | |
What did I say to you this morning? | 0:28:47 | 0:28:49 | |
I don't want to see you in here again. | 0:28:49 | 0:28:51 | |
Are you trying to get yourself locked up? | 0:28:51 | 0:28:53 | |
Come on, Mark. I'm intrigued. | 0:28:58 | 0:29:00 | |
Seven hours ago we released you. | 0:29:00 | 0:29:02 | |
Are you trying to break some sort of record? | 0:29:02 | 0:29:05 | |
I saw the door was open, | 0:29:05 | 0:29:06 | |
so I went in to make sure everything was OK. | 0:29:06 | 0:29:08 | |
You went in to see if everything was OK | 0:29:09 | 0:29:13 | |
and ended up hitting a 78-year-old man over the head? | 0:29:13 | 0:29:15 | |
I didn't hit anybody. | 0:29:15 | 0:29:16 | |
So how come his wife found him unconscious, you standing over him? | 0:29:16 | 0:29:20 | |
He fell, I was helping him. Oh, dear. | 0:29:20 | 0:29:22 | |
I swear to God, I never touched him. Don't push me, Mark, all right? | 0:29:22 | 0:29:24 | |
Cos I'm not in the mood. | 0:29:24 | 0:29:26 | |
You setting me up, aye? | 0:29:26 | 0:29:28 | |
Oh, for God's sake. | 0:29:28 | 0:29:29 | |
I don't believe this, man. | 0:29:29 | 0:29:31 | |
Look, when the old guy wakes up, he'll remember that when I came in | 0:29:31 | 0:29:34 | |
he was moving the telly, he fell and hit his head off the fireplace. | 0:29:34 | 0:29:37 | |
Really? I called an ambulance, check that. | 0:29:37 | 0:29:40 | |
I want a phone call. | 0:29:42 | 0:29:44 | |
You'll get your phone call later. MARK SIGHS | 0:29:45 | 0:29:48 | |
But in the meantime... | 0:29:48 | 0:29:50 | |
TAPE WHINES | 0:29:51 | 0:29:54 | |
Well, that's great, eh? | 0:30:06 | 0:30:08 | |
Mm? Oh, yes, yes. | 0:30:13 | 0:30:16 | |
A relief to know that he's already behind bars. | 0:30:16 | 0:30:21 | |
Thank you very much. | 0:30:21 | 0:30:23 | |
Right, I'll get you out. Bye, then. | 0:30:23 | 0:30:25 | |
Liz, I... I don't think I can take much more. | 0:30:30 | 0:30:34 | |
DOOR CLOSES | 0:30:34 | 0:30:36 | |
I just don't understand how he got in. | 0:30:38 | 0:30:41 | |
Yeah, well, he didn't get far, eh? | 0:30:41 | 0:30:44 | |
What is this world coming to? | 0:30:44 | 0:30:46 | |
You'd think you'd be safe enough in your own home. | 0:30:47 | 0:30:50 | |
He said there wasn't any sign of forced entry. | 0:30:53 | 0:30:56 | |
Dad...you didnae let him in, did you? | 0:30:56 | 0:30:59 | |
No! | 0:30:59 | 0:31:01 | |
Why would I? | 0:31:01 | 0:31:02 | |
Did Gabriel ever get that door fixed? | 0:31:04 | 0:31:07 | |
How many times have I told you? You have to pull it behind you | 0:31:07 | 0:31:09 | |
when you come in. | 0:31:09 | 0:31:11 | |
Are you saying it's my fault for leaving the door open? | 0:31:11 | 0:31:13 | |
Folk round here never used to have to lock their doors. | 0:31:13 | 0:31:16 | |
Of course not. | 0:31:16 | 0:31:18 | |
Look... | 0:31:18 | 0:31:19 | |
I...I'm just relieved you're OK. | 0:31:19 | 0:31:22 | |
Well, I'm not OK. | 0:31:22 | 0:31:24 | |
I've worked hard all my life and never asked anybody for anything, | 0:31:24 | 0:31:27 | |
now the world and its mother's thieving from me. | 0:31:27 | 0:31:30 | |
Don't upset yourself, Malcolm. | 0:31:30 | 0:31:32 | |
You brought that thief Greg into our home and he took every last penny. | 0:31:32 | 0:31:36 | |
And some wee ned wanders in off the street and takes whatever's left. | 0:31:36 | 0:31:40 | |
Please, please, Malcolm. | 0:31:40 | 0:31:41 | |
Dad, I know that you... No, you don't. | 0:31:41 | 0:31:43 | |
You're young enough to make it right. | 0:31:44 | 0:31:46 | |
Liz and I don't have that luxury. This is us for the rest of our life. | 0:31:46 | 0:31:50 | |
Can't afford a telly, can't even afford to get our door fixed! | 0:31:50 | 0:31:55 | |
You have got no idea. | 0:31:55 | 0:31:58 | |
I'm gonnae get you a telly! | 0:31:58 | 0:32:01 | |
And I'll get the door fixed. Ahh! | 0:32:01 | 0:32:04 | |
Dad... | 0:32:04 | 0:32:06 | |
Liz... Liz... | 0:32:12 | 0:32:14 | |
I'm sorry. | 0:32:16 | 0:32:18 | |
Just go, Gina! | 0:32:18 | 0:32:21 | |
SHE SOBS | 0:32:21 | 0:32:22 | |
MARK: Look, I know I shouldn't have been there in the first place, | 0:32:28 | 0:32:31 | |
but I swear I never touched him. | 0:32:31 | 0:32:34 | |
I just needed to explain. Look, I'd never do anything like that. | 0:32:34 | 0:32:39 | |
I phoned an ambulance, I didn't want him to get hurt. | 0:32:41 | 0:32:43 | |
Look, Stella, I'm really sorry. | 0:32:45 | 0:32:48 | |
I'm really sorry for the way I left this morning, | 0:32:48 | 0:32:50 | |
it was just me mouthing off, as usual. | 0:32:50 | 0:32:52 | |
HE SIGHS Just - look, I'm really sorry. | 0:32:52 | 0:32:55 | |
PHONE RINGS | 0:33:10 | 0:33:12 | |
You all right on your ain for a bit? | 0:33:22 | 0:33:24 | |
Aye. | 0:33:24 | 0:33:25 | |
Hey... The key works. | 0:34:03 | 0:34:05 | |
What's up? | 0:34:12 | 0:34:13 | |
Mark's been arrested. What? | 0:34:15 | 0:34:18 | |
At least now you know. | 0:34:18 | 0:34:21 | |
Know what? | 0:34:21 | 0:34:22 | |
That you did the right hing, showing him the door. | 0:34:22 | 0:34:24 | |
No, I didnae, I didnae do the right thing at all. | 0:34:24 | 0:34:27 | |
What? If I'd have said to him to stay here, | 0:34:27 | 0:34:29 | |
he wouldnae have been out... Course he would have been out there! | 0:34:29 | 0:34:31 | |
Causing havoc, that's what addicts dae. | 0:34:31 | 0:34:34 | |
He's in recovery. | 0:34:34 | 0:34:36 | |
This is the last thing he needs, he's terrified. | 0:34:36 | 0:34:38 | |
They said that he broke in, and something happened, and then... | 0:34:38 | 0:34:42 | |
Hold on, slow down. Start again. | 0:34:42 | 0:34:44 | |
What happened? | 0:34:45 | 0:34:46 | |
Malcolm got hurt. | 0:34:48 | 0:34:49 | |
He broke into Malcolm's? | 0:34:51 | 0:34:52 | |
You trying to tell me he hurt Malcolm?! | 0:34:53 | 0:34:55 | |
No, he would never dae that! | 0:34:55 | 0:34:57 | |
He said it was an accident. Oh, my God. Don't tell me you believe him! | 0:34:57 | 0:35:00 | |
My wee brother would never hurt anybody. | 0:35:00 | 0:35:02 | |
Of course he would. He's a lying, thieving junkie! | 0:35:02 | 0:35:05 | |
He would do anything. | 0:35:05 | 0:35:06 | |
I'm going to ask them to tell me when he's out on bail, | 0:35:06 | 0:35:09 | |
then he's coming back and he's staying here. | 0:35:09 | 0:35:11 | |
Nah, no danger. You've got to be having a laugh! | 0:35:11 | 0:35:13 | |
No, I'm no'. | 0:35:13 | 0:35:14 | |
Look, you don't know Mark! | 0:35:15 | 0:35:17 | |
You don't know what's best for him... | 0:35:17 | 0:35:20 | |
It's only ever been me and him, | 0:35:20 | 0:35:21 | |
and you have nae idea what that feels like. | 0:35:21 | 0:35:23 | |
Aye, aye. You and him against the world and all that. | 0:35:23 | 0:35:25 | |
Oh, my God, this is ridiculous, man. The one time that I need your help! | 0:35:25 | 0:35:29 | |
Are you seriously asking me to choose between him and you? | 0:35:32 | 0:35:35 | |
I need you to be on my side. | 0:35:35 | 0:35:37 | |
I am on your side! I'm not the bad guy. | 0:35:37 | 0:35:40 | |
And neither's Mark. | 0:35:40 | 0:35:41 | |
You made me push him out of the door when he needed me most. | 0:35:43 | 0:35:46 | |
When I needed your support. | 0:35:46 | 0:35:48 | |
Come on, you cannae be serious. What, I made you do that, aye? Aye. | 0:35:48 | 0:35:52 | |
And I'm no' walking away, no' now. | 0:35:52 | 0:35:54 | |
If he needs my help, then I'm going to be there for him. | 0:35:54 | 0:35:57 | |
Oh, aye, and how'd that work out for you last time? | 0:35:57 | 0:35:59 | |
He nearly died! What, are you saying that was my fault? | 0:35:59 | 0:36:01 | |
Just like Malcolm getting skelped is my fault! | 0:36:01 | 0:36:04 | |
Oh, d'you know what? | 0:36:04 | 0:36:05 | |
Oh, magic. | 0:36:08 | 0:36:09 | |
Brilliant, so you've made your choice. | 0:36:11 | 0:36:13 | |
You said it, me or Mark. | 0:36:13 | 0:36:15 | |
Cheers. | 0:36:16 | 0:36:17 | |
# Hard times here and everywhere you go | 0:36:28 | 0:36:34 | |
# Times is harder than ever been before... # | 0:36:34 | 0:36:39 | |
Do you want to watch where you're going, auld yin?! | 0:36:39 | 0:36:42 | |
How come you never told me there was a job going down here? | 0:36:58 | 0:37:01 | |
I've just been down the Jobcentre | 0:37:01 | 0:37:03 | |
and I found out there's a job on my doorstep. | 0:37:03 | 0:37:05 | |
How'd you no' say? | 0:37:05 | 0:37:07 | |
I didnae know it had been advertised yet. | 0:37:07 | 0:37:08 | |
Eh, what job? | 0:37:08 | 0:37:10 | |
What do you mean "yet"? Wait, why is there another job? | 0:37:10 | 0:37:14 | |
Because the two of us sit here all day doing nothing? | 0:37:14 | 0:37:16 | |
I was going to tell you but I was... What? You were rushed off your feet? | 0:37:16 | 0:37:19 | |
Here it is. | 0:37:19 | 0:37:20 | |
Working with another part-time assistant? | 0:37:26 | 0:37:28 | |
Am I being made part-time? | 0:37:30 | 0:37:32 | |
Aye. | 0:37:32 | 0:37:33 | |
You can't just cut my hours! That's outrageous! | 0:37:33 | 0:37:36 | |
According to the boss, it's in your contract. | 0:37:36 | 0:37:38 | |
Nice wee lassie down the Jobcentre helped me print this up. | 0:37:38 | 0:37:41 | |
So, when do I start? | 0:37:44 | 0:37:46 | |
Oh, well, there's to be interviews... | 0:37:46 | 0:37:48 | |
You do the interviews. It's your decision, I checked. | 0:37:48 | 0:37:51 | |
Aye... | 0:37:51 | 0:37:53 | |
But it's meant to be for a school leaver, it's minimum wage. | 0:37:53 | 0:37:56 | |
That's age discrimination. I checked. | 0:37:56 | 0:37:58 | |
Look, I need to... Let me check something else. | 0:37:58 | 0:38:01 | |
KEYPAD BEEPS | 0:38:01 | 0:38:02 | |
Do I need to tell Ma? | 0:38:02 | 0:38:03 | |
Please...forgive the mess. | 0:38:09 | 0:38:13 | |
You wouldn't believe the day we've had. | 0:38:13 | 0:38:16 | |
Is Malcolm about? | 0:38:16 | 0:38:17 | |
No. He's sleeping. | 0:38:17 | 0:38:20 | |
He's exhausted, with one thing and another. | 0:38:20 | 0:38:23 | |
But he is all right? | 0:38:23 | 0:38:25 | |
You heard, then, about our intruder? | 0:38:27 | 0:38:29 | |
He's, eh...he's a bit shaken. | 0:38:30 | 0:38:34 | |
As am I. | 0:38:34 | 0:38:35 | |
Sit down, dear. | 0:38:37 | 0:38:38 | |
So... So, Gina told you? | 0:38:40 | 0:38:43 | |
I'm really sorry, Liz. | 0:38:44 | 0:38:46 | |
Pardon? What are you sorry for? | 0:38:46 | 0:38:49 | |
Mark's never done anything like this before. | 0:38:49 | 0:38:51 | |
I mean, I know that's nae excuse, but... | 0:38:51 | 0:38:53 | |
Hold on, hold on? Who is Mark? | 0:38:53 | 0:38:55 | |
My wee brother. | 0:38:56 | 0:38:57 | |
The... | 0:39:00 | 0:39:01 | |
drug addict? | 0:39:01 | 0:39:03 | |
Are you telling me that was your brother? | 0:39:05 | 0:39:08 | |
He swears that he never hurt Malcolm. | 0:39:08 | 0:39:10 | |
He said it was an accident... I don't care what he said! | 0:39:10 | 0:39:13 | |
I came through that door to see that creature standing over Malcolm... | 0:39:13 | 0:39:18 | |
Aye, but... Malcolm was unconscious, he was bleeding! | 0:39:18 | 0:39:22 | |
I'm really sorry. | 0:39:22 | 0:39:24 | |
And what about your wee brother? Is he sorry? | 0:39:25 | 0:39:28 | |
Of course he is. | 0:39:28 | 0:39:30 | |
Mark's in a mess, but he's no' a bad boy. | 0:39:30 | 0:39:33 | |
Well, I would never hold you responsible for him, | 0:39:33 | 0:39:36 | |
but he is a nasty piece of work. | 0:39:36 | 0:39:40 | |
I didnae come round here to upset you. | 0:39:43 | 0:39:46 | |
I just wanted to make sure you were both all right... | 0:39:46 | 0:39:49 | |
I'm really sorry. | 0:39:51 | 0:39:52 | |
All right? All right. | 0:40:07 | 0:40:09 | |
What's all this? Trouble in paradise already, eh? | 0:40:09 | 0:40:13 | |
Aye. | 0:40:13 | 0:40:14 | |
Her wee brother, waste of space, showed up oot the blue. | 0:40:14 | 0:40:18 | |
I thought he was gone for good. How's Stella with that? | 0:40:18 | 0:40:21 | |
She's off her heid. | 0:40:21 | 0:40:23 | |
She's blaming herself for the mess he's made of his ain life. | 0:40:23 | 0:40:26 | |
It's the same old story, man. | 0:40:26 | 0:40:28 | |
And now Stella wants him to snuggle up in the flat | 0:40:28 | 0:40:30 | |
so she can look after him. | 0:40:30 | 0:40:32 | |
A wee bit of love and attention and he'll be off the smack | 0:40:32 | 0:40:35 | |
and we'll all live happy ever after? Load o' mince. | 0:40:35 | 0:40:38 | |
What? | 0:40:40 | 0:40:41 | |
Stella must be in bits. It cannae be easy for her. | 0:40:41 | 0:40:44 | |
I know that. | 0:40:45 | 0:40:46 | |
Do you? | 0:40:46 | 0:40:48 | |
See, I can remember when it was you making the mess | 0:40:48 | 0:40:50 | |
and everyone else was clearing up. | 0:40:50 | 0:40:52 | |
You cannae blame the girl for wanting to help her brother. | 0:40:52 | 0:40:54 | |
I don't. But Raymond, she's not listening to any sense. | 0:40:54 | 0:40:58 | |
She's not listening to you, you mean? | 0:40:58 | 0:41:00 | |
Well, I know what I'm talking about. | 0:41:00 | 0:41:02 | |
Mark's just gonnae let her doon. | 0:41:02 | 0:41:03 | |
He won't be able to help himself. Lying, thieving... | 0:41:03 | 0:41:06 | |
And he's been in the cells already, two nights in a row. | 0:41:06 | 0:41:08 | |
Yeah. I remember the pattern. | 0:41:08 | 0:41:10 | |
How many goes did it take you to get it right? | 0:41:11 | 0:41:14 | |
More than one, I seem to remember. Aye, I'm sorry... | 0:41:14 | 0:41:17 | |
And maybe one day he'll be sorry an' all. | 0:41:17 | 0:41:20 | |
I'm no' saying he won't. This is like deja vu for me. | 0:41:20 | 0:41:22 | |
I've had this conversation before. | 0:41:22 | 0:41:25 | |
Except it wasn't you sat there, it was Eileen, | 0:41:25 | 0:41:28 | |
and it wasn't Stella's brother we were talking about, it was you. | 0:41:28 | 0:41:32 | |
What did Mark do to get the jail, anyway? | 0:41:37 | 0:41:40 | |
It's not my place to say. But... | 0:41:40 | 0:41:43 | |
he crossed a line. | 0:41:43 | 0:41:45 | |
And this has got nothing to do with | 0:41:45 | 0:41:46 | |
you not wanting to live with another recovering smack addict? No. | 0:41:46 | 0:41:50 | |
Right. | 0:41:51 | 0:41:53 | |
Good. | 0:41:53 | 0:41:55 | |
Stella's going to need help through this mess. | 0:41:55 | 0:41:58 | |
And by the way... | 0:41:58 | 0:42:00 | |
Jimmy's nabbed your bed. | 0:42:00 | 0:42:02 | |
So I'm sorry, son. There's no room at the inn. | 0:42:02 | 0:42:06 | |
Wha'? | 0:42:06 | 0:42:07 | |
Yeah, I've just got it through now. Thanks. | 0:42:14 | 0:42:17 | |
MARK ON RECORDING: 'Look, he's fell back | 0:42:20 | 0:42:22 | |
'and hit his head off the fireplace. He's bleeding and he needs help.' | 0:42:22 | 0:42:25 | |
'They're on the way. Just stay with him.' | 0:42:25 | 0:42:28 | |
'Right, OK, I will.' | 0:42:28 | 0:42:30 | |
MARK ON VOICEMAIL: '..the way I left this morning, | 0:42:40 | 0:42:42 | |
'it was just me mouthing off, as usual.' | 0:42:42 | 0:42:44 | |
'Just - look, I'm really sorry.' | 0:42:44 | 0:42:47 | |
PHONE HANGS UP | 0:42:47 | 0:42:48 | |
'Stella, look. I'm in trouble. | 0:42:53 | 0:42:54 | |
'Whatever you heard, I didn't hit that old guy. | 0:42:54 | 0:42:57 | |
'Look, I know I shouldn't have been there in the first place, but... | 0:42:57 | 0:43:01 | |
'I swear I never hurt him. | 0:43:01 | 0:43:02 | |
'I just need to explain. I'd never do anything like that. | 0:43:04 | 0:43:08 | |
'I phoned an ambulance, I didn't want him to get hurt. | 0:43:10 | 0:43:13 | |
'Look, Stella, I'm really sorry. | 0:43:16 | 0:43:18 | |
'I'm really sorry for the way I left this morning. It was just me | 0:43:18 | 0:43:21 | |
'mouthing off as usual. | 0:43:21 | 0:43:23 | |
'Just - look, I'm really sorry.' | 0:43:23 | 0:43:26 | |
MACHINE BEEPS | 0:43:26 | 0:43:27 | |
Ahh! | 0:43:44 | 0:43:45 | |
HE SIGHS | 0:43:58 | 0:43:59 | |
Malcolm! What are you doing? | 0:44:19 | 0:44:23 | |
I'm sorry, pet. I was just... | 0:44:23 | 0:44:25 | |
I was thinking about this afternoon. | 0:44:25 | 0:44:28 | |
I think I did something, and somebody... | 0:44:29 | 0:44:33 | |
I think this afternoon is best forgotten. Now come on back to bed. | 0:44:33 | 0:44:40 | |
Something just doesn't make sense. | 0:44:40 | 0:44:43 | |
Well, if everything in life made sense, | 0:44:43 | 0:44:46 | |
we'd all sleep a lot sounder, eh? Come on. | 0:44:46 | 0:44:50 | |
That's a good one! We're a family business now. | 0:45:06 | 0:45:10 | |
Any chance of a job for me, son? | 0:45:10 | 0:45:13 | |
Looks like you could do with a clean-up. Right. | 0:45:13 | 0:45:16 | |
Well, it's my day off so, Zinnie, you're in charge of Scarlett's induction. | 0:45:16 | 0:45:20 | |
Excuse me? It's all down there, | 0:45:20 | 0:45:21 | |
all you've got to do is not miss out any health and safety stuff. | 0:45:21 | 0:45:24 | |
That is not my job description. Oh, don't tell me, it's in the contract. | 0:45:24 | 0:45:28 | |
Aye, it's in all that wee writing nobody ever reads. | 0:45:28 | 0:45:31 | |
I've got my name badge already! | 0:45:31 | 0:45:33 | |
What is up with your face? | 0:45:34 | 0:45:36 | |
It's been tripping me since I got the job. | 0:45:36 | 0:45:38 | |
Aren't you just the tiniest bit ashamed that you've taken | 0:45:38 | 0:45:41 | |
a job meant specifically for a school leaver? No, I am not. | 0:45:41 | 0:45:43 | |
Specifically, I am a school leaver. It's just been a few years. | 0:45:43 | 0:45:47 | |
What's it got to do with you anyway? | 0:45:47 | 0:45:50 | |
If you're so bothered, why don't you give your job to a school leaver? | 0:45:50 | 0:45:54 | |
After all, the only reason you are here is | 0:45:54 | 0:45:57 | |
because you'll not get off your bahookie and look for a proper job. | 0:45:57 | 0:46:00 | |
This is a proper job! | 0:46:00 | 0:46:02 | |
No, I mean, you're the smart one, so YOU say. | 0:46:02 | 0:46:05 | |
I've yet to see evidence of it myself. | 0:46:05 | 0:46:07 | |
Why are you not out there getting yourself a career? | 0:46:07 | 0:46:10 | |
And why do all these school kids get the jobs? They're young. | 0:46:10 | 0:46:15 | |
As the years pass, so do the chances of getting anything better. | 0:46:15 | 0:46:19 | |
I mean, this will be as good as it gets for Scarlett. | 0:46:19 | 0:46:22 | |
HE CHUCKLES | 0:46:31 | 0:46:33 | |
So, where did you get the money for it? | 0:46:33 | 0:46:36 | |
Tax rebate. | 0:46:36 | 0:46:38 | |
Just a couple of hundred quid, not enough to sort us out | 0:46:38 | 0:46:41 | |
but enough to replace the telly, eh, Dad? | 0:46:41 | 0:46:44 | |
Good news at last, eh? Yes. At last. | 0:46:44 | 0:46:49 | |
Should you not be needing the money for yourself? No, Dad, you're fine. | 0:46:49 | 0:46:52 | |
Did we not talk about this yesterday? | 0:46:52 | 0:46:55 | |
I've been trying to piece it all together. Dad, it doesn't matter. | 0:46:55 | 0:47:00 | |
But...I know something is not right. I just... | 0:47:00 | 0:47:05 | |
I just wish I could remember. I was here... | 0:47:05 | 0:47:09 | |
And... | 0:47:09 | 0:47:10 | |
Morning. Hello. Hi. | 0:47:10 | 0:47:13 | |
Sorry, the door was open. | 0:47:13 | 0:47:15 | |
No, no, we've phoned a joiner to come and fix it. Hi, Liz. Hello. | 0:47:15 | 0:47:19 | |
Malcolm, how are you doing? Better than yesterday, thanks. | 0:47:21 | 0:47:24 | |
Now, I hope that young hoodlum is still locked up. | 0:47:24 | 0:47:29 | |
Stella came round last night to apologise. Stella? | 0:47:29 | 0:47:33 | |
Oh... Has she not told you? | 0:47:33 | 0:47:37 | |
It was her brother. | 0:47:37 | 0:47:39 | |
That's actually the other reason why I'm here. | 0:47:39 | 0:47:41 | |
I need to check a few things with Malcolm, if that's OK? | 0:47:41 | 0:47:44 | |
If you can remember, Malcolm? Well, I have been trying my very best. | 0:47:44 | 0:47:48 | |
Don't upset yourself, Dad. I mean, what else is there to check? | 0:47:48 | 0:47:53 | |
It's perfectly obvious what happened. | 0:47:53 | 0:47:55 | |
Malcolm interrupted a burglary and got hit in the process. No, no, no! | 0:47:55 | 0:48:01 | |
No, listen. No. I... | 0:48:01 | 0:48:05 | |
I was trying to shift the telly to make way for Sadie's | 0:48:05 | 0:48:10 | |
and...then he came in. I got the fright of my life. | 0:48:10 | 0:48:15 | |
I lost my balance and hurt my head. Yes. | 0:48:15 | 0:48:19 | |
And he was talking to me, saying, "Just you lie still. | 0:48:20 | 0:48:25 | |
"The ambulance is coming." | 0:48:25 | 0:48:27 | |
Yes, yes. | 0:48:27 | 0:48:30 | |
But he was in our house to steal from us. | 0:48:30 | 0:48:34 | |
I don't know what he was doing in here, | 0:48:34 | 0:48:36 | |
but I really don't think he meant you any harm. | 0:48:36 | 0:48:38 | |
Well, he did do us harm, and he should pay for it. | 0:48:40 | 0:48:44 | |
About time somebody did. I mean, he left me lying there, | 0:48:44 | 0:48:48 | |
he could have scarpered but he didn't. And I'm grateful for it. | 0:48:48 | 0:48:55 | |
Excuse me, you're meant to call me if you're taking a card payment. | 0:49:01 | 0:49:05 | |
You're not authorised. I know how to process a card. Thank you. | 0:49:05 | 0:49:07 | |
That is not the point, I'm meant to be inducting you. I'm in charge. | 0:49:07 | 0:49:10 | |
You've been skiving in the back for the last hour. | 0:49:10 | 0:49:12 | |
I have not, I have been busy... Oh, my God. It IS you. | 0:49:12 | 0:49:16 | |
Zinnie Hassoun. | 0:49:16 | 0:49:19 | |
We were at school together, although I was a couple of years ahead, | 0:49:19 | 0:49:22 | |
but Zinnie here was always hanging out with the seniors, weren't you? | 0:49:22 | 0:49:27 | |
Yeah. Pippa Valentine. | 0:49:27 | 0:49:28 | |
Well, what have you been doing? | 0:49:28 | 0:49:31 | |
I heard you took a gap year, went travelling? | 0:49:31 | 0:49:33 | |
Oh, aye, you name it, she's been there - Shieldinch, Partick, | 0:49:33 | 0:49:36 | |
Maryhill. Even got as far as Pollockshields once! | 0:49:36 | 0:49:40 | |
Well, this is the last place on earth I would imagine finding you. | 0:49:40 | 0:49:44 | |
Oh, but it is just temporary. | 0:49:44 | 0:49:46 | |
I just came in to help out a friend and then just got sucked in, | 0:49:46 | 0:49:50 | |
recruitment, like, staff training. | 0:49:50 | 0:49:54 | |
Good. But you are still going to uni, aren't you? Oh, yeah, | 0:49:54 | 0:49:57 | |
I'm just considering my options. | 0:49:57 | 0:49:59 | |
What was it you wanted to do again? Medicine? | 0:49:59 | 0:50:03 | |
Yes. Well, that's me done, | 0:50:03 | 0:50:05 | |
my four years' long slog | 0:50:05 | 0:50:06 | |
and I'm making some serious money at long last. | 0:50:06 | 0:50:09 | |
We need to take this further. | 0:50:11 | 0:50:13 | |
You need to get ahead of the crowd. | 0:50:13 | 0:50:16 | |
That is still the Zinnie Hassoun way, is it? Of course. | 0:50:16 | 0:50:20 | |
OK. Dinner soon. | 0:50:20 | 0:50:23 | |
The girls are going to be amazed I found you. We thought you were dead. | 0:50:23 | 0:50:28 | |
No! I was just in Shieldinch. | 0:50:28 | 0:50:30 | |
'To delete all messages, press the same key again.' | 0:50:50 | 0:50:55 | |
DOORBELL RINGS | 0:50:59 | 0:51:00 | |
You know, somewhere inside Mark, | 0:51:16 | 0:51:18 | |
there's a decent lad trying to get out. | 0:51:18 | 0:51:20 | |
But that's not going to happen if he ends up in jail. True. | 0:51:20 | 0:51:24 | |
One more step out of line, he is looking at a substantial sentence. | 0:51:24 | 0:51:27 | |
Stella...I don't mean to put all the pressure on you, but... | 0:51:29 | 0:51:32 | |
There's nobody else. | 0:51:32 | 0:51:34 | |
Right, Mark. Sign that. | 0:51:40 | 0:51:43 | |
You need to get to the sheriff court today to pay your fine, OK? | 0:51:44 | 0:51:47 | |
This is your last chance, Mark, do you understand? Fine. | 0:51:49 | 0:51:52 | |
Stella, I am really sorry. I just... Never meant it? | 0:52:00 | 0:52:03 | |
That will be on your gravestone. But it is true. | 0:52:03 | 0:52:06 | |
I couldn't take it if you thought I'd do anything like that. | 0:52:06 | 0:52:09 | |
Hurt somebody. Honestly, I wouldn't, I swear. | 0:52:09 | 0:52:13 | |
Look, I really appreciate you coming down here. | 0:52:15 | 0:52:18 | |
I know I don't deserve it but, Stella, I promise... | 0:52:18 | 0:52:21 | |
Don't make promises you can't keep. | 0:52:21 | 0:52:23 | |
But I need to. Whatever. Come on. | 0:52:25 | 0:52:27 | |
You can stay with me until you find a place of your own | 0:52:28 | 0:52:31 | |
but that is only if you actually look for somewhere. | 0:52:31 | 0:52:34 | |
Find yourself a job and stay out of trouble, all right? | 0:52:34 | 0:52:37 | |
You say you want to change, but... Stella, I do want to change. | 0:52:37 | 0:52:40 | |
Then show me. I don't want to hear it, I want to see it. | 0:52:40 | 0:52:44 | |
Otherwise we're done. | 0:52:45 | 0:52:47 | |
Well, you know where your room is. | 0:53:20 | 0:53:23 | |
I really appreciate this. | 0:53:26 | 0:53:29 | |
I know I'm, like, the last thing you need in your life right now. | 0:53:29 | 0:53:32 | |
You're my brother. And I couldn't walk away from you even if I tried. | 0:53:32 | 0:53:36 | |
But it does hurt. So just... | 0:53:38 | 0:53:42 | |
don't make me regret it, OK? | 0:53:42 | 0:53:43 | |
Gina! | 0:54:08 | 0:54:09 | |
How's Malcolm doing? He's good, darling. Thanks for asking. | 0:54:12 | 0:54:16 | |
Silly old galoot trying to move furniture at his age. | 0:54:17 | 0:54:21 | |
Did Stella's wee brother not hit him? No. | 0:54:21 | 0:54:24 | |
No, he let himself in, but... | 0:54:24 | 0:54:26 | |
Apparently my dad had slipped but it was Mark that phoned the ambulance. | 0:54:27 | 0:54:31 | |
Really? | 0:54:31 | 0:54:33 | |
I'll see you later, Gina. All right. | 0:54:36 | 0:54:38 | |
DOORBELL RINGS | 0:54:43 | 0:54:46 | |
So he knows he's on his last warning with the police and with me. Right. | 0:55:19 | 0:55:26 | |
Well, you didn't run. You stayed and helped a scared, hurt old man. | 0:55:33 | 0:55:37 | |
And it's official now, what is it, 35 days clean? | 0:55:41 | 0:55:44 | |
Well done, wee man. | 0:55:47 | 0:55:49 | |
Well, I want Stella to be proud of me. | 0:55:50 | 0:55:53 | |
Not ashamed. And, look, | 0:55:53 | 0:55:55 | |
I will never forget that you're always there for me. Cheers, Stel. | 0:55:55 | 0:56:01 | |
Give me a hug. | 0:56:04 | 0:56:05 | |
Right, come on you. We need to get into work. | 0:56:13 | 0:56:15 | |
Scarlett needed a job. She's family, so you found her one. | 0:56:43 | 0:56:45 | |
That's not fair. What's not fair is you cutting my hours and putting me | 0:56:45 | 0:56:48 | |
down as part-time to save money on my benefits. | 0:56:48 | 0:56:51 | |
Firstly, I don't do business on sob stories. | 0:56:51 | 0:56:53 | |
Secondly, I don't deal in promises, | 0:56:53 | 0:56:55 | |
so 30,000 in my hand and the place is all yours. | 0:56:55 | 0:56:59 | |
Is this a brothel? No! It's an escort agency. | 0:56:59 | 0:57:03 | |
It's me. I have a date for you this evening if you're interested. | 0:57:03 | 0:57:07 | |
I've just got to get my dad's money back to him. | 0:57:07 | 0:57:10 | |
I'll lend you the money. | 0:57:10 | 0:57:11 | |
I'm not dropping everything to deal with you | 0:57:11 | 0:57:14 | |
and your sordid machinations. Always did like a turn of phrase, didn't you? | 0:57:14 | 0:57:18 | |
And you always did like to stir up trouble, Uncle Billy. | 0:57:18 | 0:57:20 | |
Hello? Is that Zinnie? | 0:57:20 | 0:57:23 | |
Yeah, who is this? Look behind you. | 0:57:23 | 0:57:25 | |
Subtitles by Red Bee Media Ltd | 0:57:35 | 0:57:38 |