Browse content similar to 06/05/2014. Check below for episodes and series from the same categories and more!
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A short while ago, Mrs Kennedy died of complications | 0:00:22 | 0:00:25 | |
following a gunshot injury. | 0:00:25 | 0:00:26 | |
-Did they say it was Billy who shot her? -No, | 0:00:26 | 0:00:29 | |
but...I mean, who else? | 0:00:29 | 0:00:32 | |
Mr Kennedy is also being charged | 0:00:32 | 0:00:34 | |
with the attempted murder of his wife, Amanda Kennedy. | 0:00:34 | 0:00:37 | |
I want to make an official complaint. | 0:00:37 | 0:00:39 | |
I advised you not to continue with this crusade. | 0:00:39 | 0:00:43 | |
Someone's responsible for Mandy's death. | 0:00:43 | 0:00:45 | |
SLOW JAZZ PLAYS | 0:00:53 | 0:00:56 | |
We were married young. Too young. | 0:01:06 | 0:01:10 | |
I was more married to the job than her. | 0:01:10 | 0:01:13 | |
God! That makes me sound like a cliche. | 0:01:14 | 0:01:17 | |
It makes you sound human. | 0:01:18 | 0:01:20 | |
Well, that makes for a nice change. | 0:01:20 | 0:01:23 | |
What do you see when you look at me? | 0:01:24 | 0:01:27 | |
You're focused. Driven. | 0:01:27 | 0:01:30 | |
-A good cop. -You make me sound like RoboCop! | 0:01:31 | 0:01:35 | |
No. | 0:01:35 | 0:01:37 | |
You're a beautiful... | 0:01:40 | 0:01:42 | |
law-enforcement machine. | 0:01:42 | 0:01:45 | |
I wasn't always like this. | 0:01:50 | 0:01:53 | |
You've been hurt? | 0:01:58 | 0:02:00 | |
It's OK, you don't need to talk about it. | 0:02:05 | 0:02:07 | |
I don't miss being married, but... | 0:02:09 | 0:02:11 | |
I miss this... | 0:02:13 | 0:02:14 | |
..being close to someone... | 0:02:16 | 0:02:19 | |
To matter to somebody. | 0:02:21 | 0:02:24 | |
To make that connection. | 0:02:24 | 0:02:25 | |
Once you've had that, it's hard to live without it. | 0:02:27 | 0:02:31 | |
That level of trust. | 0:02:31 | 0:02:33 | |
Morning. | 0:03:04 | 0:03:06 | |
Good morning. | 0:03:06 | 0:03:07 | |
We must stop meeting like this. | 0:03:11 | 0:03:13 | |
Really? I didn't hear you complaining last night. | 0:03:13 | 0:03:17 | |
Breakfast? | 0:03:24 | 0:03:26 | |
Breakfast. | 0:03:26 | 0:03:27 | |
Craig? | 0:03:31 | 0:03:33 | |
What? | 0:03:34 | 0:03:36 | |
Thanks. | 0:03:36 | 0:03:38 | |
What for? | 0:03:39 | 0:03:41 | |
For looking out for me. | 0:03:41 | 0:03:43 | |
Ow... | 0:04:14 | 0:04:16 | |
HE GROANS | 0:04:16 | 0:04:18 | |
I knew red wine on a school night was a bad idea. | 0:04:18 | 0:04:21 | |
Get that down you, it'll make you feel much better. | 0:04:21 | 0:04:23 | |
-Does it have the power to reverse time? -Unfortunately not. | 0:04:23 | 0:04:26 | |
Ugh. Seriously, though, Robbie, | 0:04:29 | 0:04:32 | |
we need to start thinking about giving up these midweek tipples. | 0:04:32 | 0:04:35 | |
We're getting too old. | 0:04:35 | 0:04:37 | |
Well, I like cosy nights in front of the telly, so we're fine. | 0:04:37 | 0:04:40 | |
What? | 0:04:41 | 0:04:43 | |
Nothing. I was just thinking how lucky I am | 0:04:43 | 0:04:45 | |
-to be getting a second chance with you. -Well, I'm lucky, too. | 0:04:45 | 0:04:49 | |
I'd better get ready for work. | 0:04:49 | 0:04:51 | |
Listen, are you around for lunch today? | 0:04:51 | 0:04:55 | |
How come? | 0:04:55 | 0:04:57 | |
I've been thinking about what you said about fostering. | 0:04:58 | 0:05:01 | |
I think I'm ready. WILL GASPS | 0:05:03 | 0:05:05 | |
-I've downloaded some stuff off the internet, just to get an idea. -OK. | 0:05:05 | 0:05:09 | |
But we should probably go through it together. | 0:05:09 | 0:05:12 | |
That's great. I'd love it. | 0:05:12 | 0:05:15 | |
Oh, thank you. | 0:05:15 | 0:05:17 | |
-Right. I need to get ready. -I know. Go, go! | 0:05:18 | 0:05:21 | |
ROBBIE SIGHS | 0:05:23 | 0:05:25 | |
So, I'll go on ahead. | 0:05:30 | 0:05:33 | |
I know the drill. | 0:05:33 | 0:05:34 | |
I wish it didn't have to be this way. | 0:05:36 | 0:05:38 | |
-All this sneaking around. -I know. | 0:05:38 | 0:05:41 | |
Just at least till the Mandy Kennedy review's over. | 0:05:41 | 0:05:45 | |
It complicates things. | 0:05:45 | 0:05:48 | |
This. | 0:05:48 | 0:05:49 | |
Us. | 0:05:49 | 0:05:50 | |
When is something like this ever not complicated? | 0:05:50 | 0:05:54 | |
I know. | 0:05:54 | 0:05:55 | |
I had fun last night. | 0:05:57 | 0:05:59 | |
I could get used to this. | 0:06:01 | 0:06:03 | |
You are going to be late, Sergeant. | 0:06:11 | 0:06:13 | |
Yes, sir. | 0:06:13 | 0:06:15 | |
SHE GIGGLES | 0:06:15 | 0:06:17 | |
DOOR CLOSES | 0:06:19 | 0:06:21 | |
You do realise you're under no obligation to be here today, | 0:06:41 | 0:06:44 | |
-Mr Brodie? -Well, I'm here, amn't I? | 0:06:44 | 0:06:48 | |
Look, I'm just worried this is going to be another waste of my time. | 0:07:14 | 0:07:18 | |
You'll write out your wee notes, you'll fill out your reports, | 0:07:18 | 0:07:22 | |
and then you'll just brush it all under the carpet. | 0:07:22 | 0:07:25 | |
Just like you did with Mandy. | 0:07:25 | 0:07:27 | |
Mr Brodie, I know there's been a lot chatter in the press, | 0:07:27 | 0:07:31 | |
but the investigation into the death of Mandy Kennedy | 0:07:31 | 0:07:34 | |
is yet to reach its conclusions. | 0:07:34 | 0:07:36 | |
Come on. Everybody knows what's going to happen. | 0:07:36 | 0:07:39 | |
Grant as good as told me. | 0:07:39 | 0:07:42 | |
You lot, you look out for your own. | 0:07:42 | 0:07:45 | |
Mr Brodie, I can assure you | 0:07:45 | 0:07:48 | |
that nothing here is a foregone conclusion. | 0:07:48 | 0:07:50 | |
OK. | 0:07:53 | 0:07:54 | |
Now, if I can start by asking you | 0:07:54 | 0:07:57 | |
what, exactly, was the nature of your relationship with Mrs Kennedy? | 0:07:57 | 0:08:01 | |
What do you mean? | 0:08:01 | 0:08:03 | |
Do you need me to repeat the question? | 0:08:03 | 0:08:05 | |
We were friends. | 0:08:05 | 0:08:07 | |
Close. | 0:08:09 | 0:08:10 | |
Intimate? | 0:08:10 | 0:08:12 | |
So Mandy's death must have had a great personal impact on you? | 0:08:16 | 0:08:20 | |
What do you think? | 0:08:20 | 0:08:22 | |
There can often be a great sense of injustice | 0:08:24 | 0:08:27 | |
attached to the loss of someone we care about. | 0:08:27 | 0:08:30 | |
A desire to attribute blame. | 0:08:30 | 0:08:33 | |
No. | 0:08:33 | 0:08:35 | |
Everybody knew what her husband was like. | 0:08:35 | 0:08:38 | |
She knew it, and your DCI knew it. | 0:08:38 | 0:08:41 | |
But yet you left that psychopath free to walk the streets. | 0:08:41 | 0:08:45 | |
You're referring to Billy Kennedy, her husband? | 0:08:45 | 0:08:48 | |
Mandy died because Donald wouldn't protect her. | 0:08:48 | 0:08:51 | |
And she wasn't the only one. | 0:08:54 | 0:08:55 | |
Gareth. Gareth O'Connor. | 0:08:55 | 0:08:58 | |
Donald used that boy as an informant, | 0:08:59 | 0:09:02 | |
but when the time came and he needed protection...pfft! | 0:09:02 | 0:09:06 | |
Mr Brodie, these are very serious allegations. | 0:09:06 | 0:09:09 | |
My question is, do you have any proof? | 0:09:09 | 0:09:12 | |
And here's me thinking that was your job(!) | 0:09:12 | 0:09:15 | |
You know, to find the proof. | 0:09:15 | 0:09:17 | |
Believe me, | 0:09:17 | 0:09:19 | |
if evidence exists to support this complaint, I will find it. | 0:09:19 | 0:09:23 | |
I don't take allegations like these lightly. | 0:09:24 | 0:09:27 | |
Fine. | 0:09:30 | 0:09:32 | |
What do you want to know? | 0:09:34 | 0:09:36 | |
-Morning, Cooper. -Sir. | 0:10:32 | 0:10:34 | |
Thank you, Cooper. | 0:10:44 | 0:10:46 | |
I'll catch you up, yeah? | 0:10:48 | 0:10:51 | |
Assistant Chief Constable Walters. | 0:10:53 | 0:10:55 | |
Detective. | 0:10:55 | 0:10:57 | |
How can we help? | 0:10:57 | 0:10:58 | |
It was my understanding that the investigation | 0:10:58 | 0:11:01 | |
into Mandy Kennedy's shooting was all but concluded? | 0:11:01 | 0:11:03 | |
And what might have given you that impression? Been reading the papers? | 0:11:03 | 0:11:07 | |
I don't know where that leak came from | 0:11:07 | 0:11:09 | |
but I can assure you, it was not my department. | 0:11:09 | 0:11:12 | |
Whatever the case, I'm afraid you'll have to put up with me a bit longer. | 0:11:12 | 0:11:15 | |
I still have some other questions. | 0:11:15 | 0:11:16 | |
Other questions? I'm not sure I follow. | 0:11:16 | 0:11:19 | |
A shooting of this nature raises a lot of negative attention for us. | 0:11:19 | 0:11:23 | |
It's important we put it in a wider context. | 0:11:23 | 0:11:26 | |
I will of course require the full support of your team. | 0:11:26 | 0:11:29 | |
Of course, ma'am. | 0:11:29 | 0:11:30 | |
Good. Now, if you excuse me, I have an interview to finish. | 0:11:30 | 0:11:33 | |
Good morning, sir. | 0:11:39 | 0:11:41 | |
-You all right? -Yeah. | 0:11:43 | 0:11:45 | |
Sir? Sir. | 0:12:00 | 0:12:02 | |
What did Walters want? | 0:12:03 | 0:12:05 | |
Uh, I don't know, exactly. | 0:12:05 | 0:12:08 | |
All I can tell you is, | 0:12:08 | 0:12:10 | |
-she's got Gabriel Brodie in there with her just now. -Brodie? What for? | 0:12:10 | 0:12:13 | |
-His complaint. -No. | 0:12:13 | 0:12:16 | |
Walters said... | 0:12:18 | 0:12:20 | |
Well, she said she wanted to put Mandy's shooting in a wider context. | 0:12:22 | 0:12:28 | |
Meaning what? | 0:12:28 | 0:12:30 | |
Meaning she's probably going to be taking a broader look | 0:12:30 | 0:12:33 | |
at the Kennedy investigation as a whole. | 0:12:33 | 0:12:36 | |
OK. And are you all right with that? | 0:12:36 | 0:12:39 | |
I'm sure it's nothing to worry about. | 0:12:39 | 0:12:41 | |
It certainly won't affect the review into Mandy's shooting, whatever happens. | 0:12:41 | 0:12:46 | |
Just keep your wits about you, yeah? | 0:12:47 | 0:12:49 | |
She'll probably want to speak to you both at some point today. | 0:12:49 | 0:12:53 | |
Sir? | 0:12:55 | 0:12:57 | |
Yes, Cooper? | 0:12:57 | 0:12:59 | |
-How can you be so calm? If she starts... -Hey, hey, hey. | 0:12:59 | 0:13:03 | |
INAUDIBLE | 0:13:13 | 0:13:16 | |
Mr Brodie. | 0:13:40 | 0:13:42 | |
Leaving us so soon? | 0:13:42 | 0:13:44 | |
Enjoying this, are we? | 0:13:44 | 0:13:46 | |
This little storm-in-a-teacup you've created. | 0:13:46 | 0:13:48 | |
No, no, no, no. I just want to see justice done. | 0:13:48 | 0:13:52 | |
Cos, see, a woman lying dying in a street? | 0:13:52 | 0:13:55 | |
That's more than just a storm-in-a-teacup to me. | 0:13:55 | 0:13:57 | |
Justice? Since when have you been interested in justice? | 0:13:57 | 0:14:02 | |
You know, Walters might not see through it yet but, trust me, | 0:14:02 | 0:14:05 | |
this sad little attempt to blame everybody else | 0:14:05 | 0:14:07 | |
for your problems is going nowhere. | 0:14:07 | 0:14:10 | |
You wouldn't be trying to intimidate a witness now, would you? | 0:14:10 | 0:14:13 | |
Because I get the impression you've got enough heat on you already | 0:14:13 | 0:14:16 | |
without adding to that fire. | 0:14:16 | 0:14:18 | |
I've done nothing that wasn't in the interest of protecting the public. | 0:14:18 | 0:14:21 | |
But you? Pimping, petty crime... | 0:14:21 | 0:14:25 | |
-Whose interest were those in, Mr Brodie? -All right, | 0:14:25 | 0:14:27 | |
you want to know the difference between me and you? | 0:14:27 | 0:14:30 | |
See, I know when I've made mistakes. | 0:14:30 | 0:14:32 | |
But you? You believe your own keech, don't you? | 0:14:32 | 0:14:36 | |
See, the thing is, I didn't pull that trigger, | 0:14:36 | 0:14:39 | |
and I didn't leave Billy Kennedy free to walk the streets. | 0:14:39 | 0:14:42 | |
I mean, Mandy, young Gareth - | 0:14:42 | 0:14:44 | |
how many bodies is it going to take before you realise | 0:14:44 | 0:14:47 | |
you're not the good guy here any more? | 0:14:47 | 0:14:50 | |
-Are you OK? -Yeah. Fine. Nothing to worry about. | 0:15:10 | 0:15:13 | |
I just ran into Gabriel Brodie. | 0:15:13 | 0:15:15 | |
He's still determined to pursue this little vendetta of his. | 0:15:15 | 0:15:19 | |
What's he hoping to achieve? | 0:15:19 | 0:15:21 | |
The man's a petty criminal and a drunk, | 0:15:21 | 0:15:24 | |
and if Walters can't see that already, she will soon enough. | 0:15:24 | 0:15:29 | |
And all that before? With DC Cooper? | 0:15:29 | 0:15:32 | |
Oh, it's nothing. | 0:15:32 | 0:15:35 | |
Oh, are you missing something? | 0:15:35 | 0:15:38 | |
Hey. If there was a problem, I'd tell you, wouldn't I? | 0:15:42 | 0:15:45 | |
-We'll talk about it later. -DS Grant. | 0:15:45 | 0:15:48 | |
Thank you for coming in to see me again, Detective. | 0:16:03 | 0:16:07 | |
I spoke to Gabriel Brodie earlier. | 0:16:08 | 0:16:10 | |
He seemed to think you'd given him the impression | 0:16:10 | 0:16:13 | |
that the outcome of the Mandy Kennedy investigation | 0:16:13 | 0:16:16 | |
was a foregone conclusion. | 0:16:16 | 0:16:18 | |
I'm sorry, ma'am, I just... | 0:16:19 | 0:16:21 | |
I did think the report's conclusions would be quite straightforward. | 0:16:22 | 0:16:27 | |
Hmm. | 0:16:27 | 0:16:28 | |
Well, let me just disavow you of that notion right now, | 0:16:28 | 0:16:32 | |
because although we've found no specific fault with | 0:16:32 | 0:16:35 | |
your actions on the day, there are still wider questions that remain. | 0:16:35 | 0:16:40 | |
Such as? | 0:16:40 | 0:16:42 | |
Such as why DCI Donald wasn't on the ground | 0:16:42 | 0:16:45 | |
at the time of Kennedy's arrest? | 0:16:45 | 0:16:47 | |
He let a junior officer proceed without him. | 0:16:47 | 0:16:50 | |
He wasn't to know the tactical commander would be delayed. | 0:16:53 | 0:16:56 | |
Nevertheless, I wonder what must have been | 0:16:56 | 0:17:00 | |
quite so important as to have kept him away on that day. | 0:17:00 | 0:17:03 | |
Isn't that the kind of question you should be putting to the DCI? | 0:17:03 | 0:17:07 | |
Hmm. I will. In time. | 0:17:07 | 0:17:09 | |
But right now I'm asking you, Detective. | 0:17:09 | 0:17:12 | |
As far as I'm aware, he was hoping to interview a potential source. | 0:17:14 | 0:17:19 | |
-Lenny Murdoch. -What, exactly, did he hope to glean from this source? | 0:17:20 | 0:17:24 | |
Kennedy's arrest was already imminent. | 0:17:24 | 0:17:27 | |
I wonder if it's fair to say that the DCI may have lost | 0:17:27 | 0:17:31 | |
some sense of perspective during the Kennedy investigation. | 0:17:31 | 0:17:36 | |
That he may have turned it into a personal crusade. | 0:17:36 | 0:17:39 | |
Slightly overplaying his hand. | 0:17:39 | 0:17:42 | |
No, I... | 0:17:42 | 0:17:44 | |
I wouldn't say so, ma'am. | 0:17:44 | 0:17:47 | |
No? | 0:17:47 | 0:17:49 | |
OK. | 0:17:50 | 0:17:51 | |
Let me bring up another incident I'm sure you're aware of. | 0:17:53 | 0:17:56 | |
The investigation into Kennedy's victim, Paul Malick. | 0:17:57 | 0:18:01 | |
Paul Malick was a prominent member of the legal establishment | 0:18:01 | 0:18:05 | |
that DCI Donald pursued via the use of tax investigations. | 0:18:05 | 0:18:10 | |
Yes, ma'am. I am familiar. | 0:18:10 | 0:18:11 | |
Are you also aware that no evidence was ever brought against this man? | 0:18:11 | 0:18:15 | |
Bad enough if it wasn't for the fact that he wound up dead a day later. | 0:18:15 | 0:18:20 | |
Defence lawyers victimised purely because of who they represent. | 0:18:22 | 0:18:26 | |
Does that still sound like a DCI with a proper sense of perspective? | 0:18:26 | 0:18:31 | |
Detective? | 0:18:32 | 0:18:34 | |
Before we start jumping around too much, | 0:18:37 | 0:18:39 | |
let's go back to how all this started. | 0:18:39 | 0:18:42 | |
Billy Kennedy's return to Glasgow. | 0:18:44 | 0:18:46 | |
I wonder if you might recognise this man. | 0:18:46 | 0:18:49 | |
-Sean Kennedy, Billy Kennedy's son. Or was. -Indeed. | 0:18:51 | 0:18:55 | |
I spoke to DS Grant about this matter | 0:18:55 | 0:18:58 | |
but she informs me it's a little before her time. | 0:18:58 | 0:19:01 | |
You, however, worked quite closely with the DCI | 0:19:01 | 0:19:04 | |
on the Sean Kennedy murder investigation, did you not? | 0:19:04 | 0:19:07 | |
-Ma'am. -I'm hoping you can help me with the order of events. | 0:19:07 | 0:19:11 | |
How it was that this man's death | 0:19:11 | 0:19:14 | |
resulted in the reappearance of Billy Kennedy on our radar? | 0:19:14 | 0:19:17 | |
Well, ma'am, Sean Kennedy was killed | 0:19:17 | 0:19:19 | |
in what we believed to be a gangland dispute. | 0:19:19 | 0:19:22 | |
That would be by this man? | 0:19:22 | 0:19:24 | |
That's correct, Tony Reid. | 0:19:26 | 0:19:28 | |
-It was Tony Reid that killed Sean Kennedy. -Allegedly. | 0:19:28 | 0:19:31 | |
-Ma'am? -Reid himself was killed, or should I say executed, soon after. | 0:19:31 | 0:19:37 | |
And as you know, Detective, you can't try a dead man. | 0:19:37 | 0:19:40 | |
So, technically, no-one was ever convicted of this crime. | 0:19:40 | 0:19:43 | |
But it was pretty obvious he did it. | 0:19:43 | 0:19:45 | |
Billy Kennedy thought so, that's why he killed him. | 0:19:45 | 0:19:48 | |
Revenge, for Sean's murder. | 0:19:48 | 0:19:49 | |
And are you in the habit of drawing conclusions | 0:19:49 | 0:19:52 | |
based on those of a homicidal drug dealer? | 0:19:52 | 0:19:54 | |
So the assumption is, Reid killed Sean Kennedy, | 0:19:55 | 0:19:59 | |
and Billy Kennedy killed Reid in retaliation. | 0:19:59 | 0:20:02 | |
Two murders and yet no conviction. | 0:20:03 | 0:20:06 | |
But, ma'am, that was not our fault. Kennedy walked on a technicality. | 0:20:08 | 0:20:12 | |
Still, it's our job to make sure | 0:20:12 | 0:20:15 | |
that we have the strongest possible case against a suspect. | 0:20:15 | 0:20:19 | |
We can't shirk our responsibility. | 0:20:19 | 0:20:21 | |
My worry is that this is indicative of a deeper problem. | 0:20:21 | 0:20:25 | |
Sean Kennedy's murder happened some time ago. | 0:20:25 | 0:20:29 | |
Yet, here we are, more than a year later, | 0:20:29 | 0:20:31 | |
and the bodies continue to pile up. | 0:20:31 | 0:20:34 | |
Mandy Kennedy, Paul Malick, Gareth O'Connor. | 0:20:34 | 0:20:37 | |
Surely one of these deaths presented | 0:20:38 | 0:20:40 | |
the opportunity to secure Billy Kennedy's arrest? | 0:20:40 | 0:20:43 | |
We couldn't prove he killed O'Connor. | 0:20:43 | 0:20:45 | |
Billy Kennedy has a knack for making sure things don't stick. | 0:20:47 | 0:20:50 | |
Teflon Billy, eh, Detective? | 0:20:50 | 0:20:53 | |
I can't help thinking that the DCI was waiting for something bigger, | 0:20:53 | 0:20:57 | |
something more headline-grabbing, | 0:20:57 | 0:20:59 | |
rather than pursuing what was in front of him. | 0:20:59 | 0:21:02 | |
OK. Now let's take a closer look at some of those cases. | 0:21:04 | 0:21:10 | |
KNOCK ON DOOR | 0:21:17 | 0:21:18 | |
Come! | 0:21:18 | 0:21:20 | |
Rachel. | 0:21:20 | 0:21:22 | |
Have a seat. | 0:21:23 | 0:21:25 | |
-You all done with Walters? -Yeah. Will's in there with her now. | 0:21:27 | 0:21:31 | |
-And...? -We talked. | 0:21:34 | 0:21:37 | |
About you, mostly. | 0:21:40 | 0:21:41 | |
She asked me why you weren't there the day of Kennedy's arrest. | 0:21:43 | 0:21:46 | |
-And you told her...? -What was I supposed to do? | 0:21:48 | 0:21:52 | |
-I told her the truth. -Of course. | 0:21:52 | 0:21:55 | |
She brought up Malick, too. | 0:21:55 | 0:21:58 | |
Was questioning your decision to go after him with the tax audits. | 0:21:58 | 0:22:03 | |
Paul Malick. | 0:22:03 | 0:22:04 | |
Great(!) | 0:22:04 | 0:22:06 | |
Although I can't say I'm surprised. | 0:22:07 | 0:22:09 | |
This whole things reeks of being political. | 0:22:09 | 0:22:12 | |
That day I went down to visit him at his office, | 0:22:13 | 0:22:16 | |
he was straight on the phone to one of the top brass. | 0:22:16 | 0:22:19 | |
This is probably all down to one of his golfing buddies. | 0:22:19 | 0:22:23 | |
-Anything else? -She asked me about the murder of Billy Kennedy's son. | 0:22:28 | 0:22:34 | |
What did you say? | 0:22:36 | 0:22:37 | |
That I wasn't part of that investigation. | 0:22:37 | 0:22:40 | |
But no doubt she's in there discussing it with Will just now. | 0:22:40 | 0:22:45 | |
No doubt. | 0:22:45 | 0:22:46 | |
Well, thanks for the heads-up. | 0:22:49 | 0:22:52 | |
You know, you never talked about that case. The Sean Kennedy murder? | 0:22:53 | 0:22:58 | |
So...? | 0:22:58 | 0:23:00 | |
Well, I just think it's strange. | 0:23:00 | 0:23:01 | |
And then earlier, when you mentioned to Will | 0:23:01 | 0:23:05 | |
that Walters would want to look at things from the start, | 0:23:05 | 0:23:07 | |
he seemed really spooked by it so I just wondered... | 0:23:07 | 0:23:10 | |
-Sorry, can you excuse me? -Craig... | 0:23:10 | 0:23:13 | |
Craig! | 0:23:14 | 0:23:16 | |
Cooper. | 0:23:21 | 0:23:22 | |
-What happened? -What happened? | 0:23:24 | 0:23:26 | |
I just got out of a major grilling, that's what. | 0:23:26 | 0:23:29 | |
She's in there asking me about old cases, | 0:23:29 | 0:23:31 | |
-showing me head-shots of... -Sir! | 0:23:31 | 0:23:33 | |
Detective Sergeant, can you just give us a minute? | 0:23:33 | 0:23:35 | |
-I... -I said, that'll be all! | 0:23:35 | 0:23:38 | |
Sir. | 0:23:38 | 0:23:40 | |
My office. | 0:23:43 | 0:23:45 | |
I can't believe this. | 0:23:46 | 0:23:48 | |
I was just starting to get my life back together, | 0:23:48 | 0:23:51 | |
even thinking about creating a family, now this happens. | 0:23:51 | 0:23:53 | |
Yeah, well, there was never going to be exactly an ideal time | 0:23:53 | 0:23:56 | |
for this to come up again. Look, from what you've said, | 0:23:56 | 0:24:00 | |
it sounds like Walters is just on some fishing expedition. | 0:24:00 | 0:24:03 | |
We covered up the fact that Raymond Henderson killed Sean Kennedy. | 0:24:03 | 0:24:06 | |
We let an innocent man take the fall for it. | 0:24:06 | 0:24:08 | |
-Reid was hardly innocent. -No, we stuck a great big target on his head | 0:24:08 | 0:24:11 | |
and let Billy do the rest. | 0:24:11 | 0:24:13 | |
If any of this gets out, we are going down. | 0:24:13 | 0:24:16 | |
If you'd have just played it straight for once in your life... | 0:24:16 | 0:24:20 | |
What's that supposed to mean? | 0:24:20 | 0:24:22 | |
She's in there asking me about Mandy, Paul Malick, Gareth. | 0:24:22 | 0:24:24 | |
If you'd have stuck to the book on just one of those, | 0:24:24 | 0:24:27 | |
-then maybe Walters wouldn't be here. -Hey... | 0:24:27 | 0:24:29 | |
DOOR RATTLES | 0:24:29 | 0:24:32 | |
Right, let's not start pointing the finger of blame here, | 0:24:59 | 0:25:02 | |
because something tells me that's not a game you're going to win. | 0:25:02 | 0:25:06 | |
The important thing is, we maintain a united front. | 0:25:07 | 0:25:10 | |
There is no point in going to pieces | 0:25:10 | 0:25:12 | |
-when we don't even know what she knows. -A united front(?) | 0:25:12 | 0:25:15 | |
You mean, just like when Superintendent Cole was here? | 0:25:15 | 0:25:18 | |
Oh, yeah. I remember the last time | 0:25:18 | 0:25:19 | |
this department was under investigation. | 0:25:19 | 0:25:21 | |
You dropped me in it and let me do six months in uniform. | 0:25:21 | 0:25:24 | |
Only this time it's going to be a whole different type of uniform. | 0:25:24 | 0:25:27 | |
This time it's just you and me, | 0:25:27 | 0:25:29 | |
so we have to stick together on this. | 0:25:29 | 0:25:32 | |
I need a breath of fresh air. | 0:25:35 | 0:25:38 | |
HE SIGHS | 0:25:43 | 0:25:46 | |
PHONE RINGS | 0:25:51 | 0:25:53 | |
-Hiya. -Hi. Tell me something nice. | 0:25:53 | 0:25:57 | |
Oh, in less than two hours, you are going to be having lunch | 0:25:57 | 0:26:04 | |
with the sexiest hairdresser in Glasgow. | 0:26:04 | 0:26:06 | |
Yeah, look, Robbie, I know I said I could but I can't. | 0:26:08 | 0:26:12 | |
Aw, that's a shame. | 0:26:12 | 0:26:13 | |
I was hoping you could help me. | 0:26:13 | 0:26:16 | |
I'm going through all this fostering stuff. | 0:26:16 | 0:26:19 | |
There's a lot to take in. | 0:26:19 | 0:26:21 | |
Yeah, look, I know, but I've got to stick around. | 0:26:21 | 0:26:23 | |
-Something's come up. -Nothing serious, I hope? | 0:26:23 | 0:26:27 | |
No. | 0:26:27 | 0:26:28 | |
I don't know. | 0:26:28 | 0:26:30 | |
It's just Donald. He's up to his usual tricks. | 0:26:30 | 0:26:32 | |
I'll call you about it later, OK? | 0:26:34 | 0:26:37 | |
Mm-hm. | 0:26:37 | 0:26:38 | |
OK. Bye. | 0:26:38 | 0:26:40 | |
Bye. | 0:26:40 | 0:26:42 | |
-Grant... -Sir. | 0:27:09 | 0:27:11 | |
Can I have a word, please? | 0:27:11 | 0:27:13 | |
INDISTINCT | 0:27:18 | 0:27:20 | |
Are we OK, Cooper? | 0:27:33 | 0:27:35 | |
I don't know, sir. You tell me. | 0:27:35 | 0:27:38 | |
We've got each other's backs, yeah? | 0:27:38 | 0:27:41 | |
Yeah, just you, me and... | 0:27:41 | 0:27:43 | |
-What? -Nothing, sir. Forget it. | 0:27:45 | 0:27:47 | |
Rachel, I'm sorry I snapped at you earlier. | 0:28:12 | 0:28:15 | |
It's just Walters and this investigation. | 0:28:15 | 0:28:17 | |
Yeah, well, we're all feeling the pressure. | 0:28:17 | 0:28:20 | |
Why don't you let me make it up to you? | 0:28:20 | 0:28:22 | |
Take you out for a drink tonight somewhere? | 0:28:22 | 0:28:24 | |
What, you think getting me drunk is going to win me over? | 0:28:24 | 0:28:27 | |
It seems to be working out OK for me so far. | 0:28:27 | 0:28:29 | |
FOOTSTEPS | 0:28:29 | 0:28:31 | |
This doesn't affect you, you know? It's me they're gunning for. | 0:28:38 | 0:28:41 | |
Doesn't it? Because I am still under investigation here, too. | 0:28:41 | 0:28:45 | |
Or had you forgotten that? | 0:28:45 | 0:28:46 | |
I just wish you could be a little more honest with me. | 0:28:48 | 0:28:51 | |
-What's that supposed to mean? -You know why. | 0:28:51 | 0:28:54 | |
-No-one's shutting you out... -Craig, tell me the truth. | 0:28:55 | 0:28:59 | |
What is it you're not telling me? | 0:28:59 | 0:29:01 | |
I think you ought to bear in mind | 0:29:01 | 0:29:03 | |
who's still in charge here, Detective. | 0:29:03 | 0:29:05 | |
Just because we spent a few nights together in the sack | 0:29:05 | 0:29:08 | |
doesn't give you some sort of special privilege! | 0:29:08 | 0:29:11 | |
-Rachel... -FOOTSTEPS DEPART | 0:29:16 | 0:29:19 | |
OK. Yeah, that's great. Thank you. | 0:29:19 | 0:29:22 | |
Makes for interesting reading. | 0:30:22 | 0:30:24 | |
I'm beginning to understand now. | 0:30:24 | 0:30:26 | |
Cooper. | 0:30:40 | 0:30:42 | |
DC Cooper! | 0:30:43 | 0:30:45 | |
According to this, we had Reid under close surveillance | 0:30:46 | 0:30:49 | |
three days before Billy Kennedy killed him. | 0:30:49 | 0:30:52 | |
-So...? -So...? So we knew that Kennedy was after him, | 0:30:52 | 0:30:56 | |
and according to this, we should have been able to protect him. | 0:30:56 | 0:30:59 | |
I want to know why that didn't come out in the report! | 0:30:59 | 0:31:02 | |
I couldn't say. | 0:31:02 | 0:31:04 | |
Why don't you talk to Donald about it? | 0:31:04 | 0:31:06 | |
-Look, I don't know what it is you think you know, but... -Oh, save it, | 0:31:12 | 0:31:16 | |
because it's pretty damn obvious what's been going on here. | 0:31:16 | 0:31:19 | |
You had Sean Kennedy's killer under surveillance | 0:31:19 | 0:31:22 | |
because you knew he was at risk. His death could have been prevented. | 0:31:22 | 0:31:25 | |
Except someone somewhere along the line screwed up, | 0:31:25 | 0:31:28 | |
and you decided to bury it. | 0:31:28 | 0:31:29 | |
Yeah, OK, fine. It was a mistake. | 0:31:32 | 0:31:36 | |
A mistake? The man died! | 0:31:36 | 0:31:38 | |
That was regrettable. But what happened, happened. | 0:31:38 | 0:31:41 | |
There is no sense in dragging it up now. | 0:31:41 | 0:31:43 | |
-Well, I'm not sure Walters will see it that way. -Meaning what? | 0:31:43 | 0:31:46 | |
Meaning she'll find out sooner or later. | 0:31:46 | 0:31:48 | |
It didn't take me long, I only had to scratch the surface. | 0:31:48 | 0:31:52 | |
Whatever happened in that surveillance, anyway? | 0:31:52 | 0:31:54 | |
Someone sleeping on the job? | 0:31:54 | 0:31:56 | |
-Taking a tea break? -Yes. Something like that. | 0:31:56 | 0:31:59 | |
HE SIGHS | 0:31:59 | 0:32:02 | |
Look, even if it does come out, you've got nothing to worry about. | 0:32:02 | 0:32:05 | |
The Sean Kennedy case has nothing to do with you, you weren't involved. | 0:32:05 | 0:32:08 | |
No, but I am now, aren't I? | 0:32:08 | 0:32:10 | |
And if they start asking questions, I have to cover for you both now, too. | 0:32:10 | 0:32:14 | |
Someone somewhere is going to slip up. | 0:32:15 | 0:32:17 | |
I may as well just be done with it and go straight to Walters. | 0:32:17 | 0:32:20 | |
You think it'll be that easy? | 0:32:20 | 0:32:22 | |
You don't think she'll suspect you of ulterior motives | 0:32:22 | 0:32:25 | |
when she finds out you were sleeping with the boss? | 0:32:25 | 0:32:27 | |
You think I didn't notice? | 0:32:27 | 0:32:29 | |
All those whispered conversations, touches on the arm. | 0:32:29 | 0:32:32 | |
Give me a break! | 0:32:32 | 0:32:34 | |
Hold on. | 0:32:34 | 0:32:36 | |
Brilliant, Cooper. Brilliant(!) | 0:32:39 | 0:32:42 | |
You really think that helped any? | 0:32:42 | 0:32:44 | |
I don't know. I don't see it getting any worse, do you? | 0:32:44 | 0:32:47 | |
Right, let's just talk this through. | 0:32:47 | 0:32:50 | |
-Figure out how we're going to play it. -Play it? | 0:32:50 | 0:32:52 | |
At the moment, Grant doesn't suspect anything. | 0:32:52 | 0:32:54 | |
-She just thinks we screwed up. -And how long before she works it out? | 0:32:54 | 0:32:58 | |
How long before Walters works it out? | 0:32:58 | 0:33:00 | |
The main thing is, we keep her on side. | 0:33:00 | 0:33:03 | |
There's no point antagonising her. | 0:33:03 | 0:33:04 | |
Oh, for God's sake, have you heard yourself? | 0:33:04 | 0:33:07 | |
Keep her on side?! | 0:33:07 | 0:33:08 | |
We both know that the only side you're on is your own. | 0:33:08 | 0:33:11 | |
PHONE RINGS | 0:33:13 | 0:33:15 | |
Yes, ma'am. | 0:33:20 | 0:33:22 | |
He's using you. | 0:33:29 | 0:33:30 | |
What? | 0:33:30 | 0:33:32 | |
You know that, don't you? | 0:33:32 | 0:33:33 | |
You're just another card in his deck in case something goes wrong. | 0:33:33 | 0:33:37 | |
What would you know about it? | 0:33:37 | 0:33:38 | |
Nothing. Except that's what he does. You, me, whoever's convenient. | 0:33:38 | 0:33:42 | |
You really think it makes you any different | 0:33:44 | 0:33:46 | |
-just because you slept with him? -HE SCOFFS | 0:33:46 | 0:33:50 | |
KNOCK ON DOOR | 0:34:02 | 0:34:04 | |
You wanted to see me, ma'am? | 0:34:08 | 0:34:10 | |
Come in, Detective. Shut the door. | 0:34:10 | 0:34:13 | |
HE CLEARS HIS THROAT | 0:34:18 | 0:34:20 | |
I must say, today's been very informative. | 0:34:22 | 0:34:25 | |
Really. And how's that? | 0:34:25 | 0:34:28 | |
After speaking to your team, | 0:34:28 | 0:34:29 | |
I feel I've got a much clearer picture | 0:34:29 | 0:34:32 | |
of how this station is run. | 0:34:32 | 0:34:34 | |
Let me tell you, it's not a pretty one. | 0:34:34 | 0:34:36 | |
Opportunities missed for conviction. | 0:34:36 | 0:34:39 | |
Lawyers harassed. | 0:34:39 | 0:34:42 | |
Informants dying whilst under your care. | 0:34:42 | 0:34:45 | |
Should I go on? | 0:34:46 | 0:34:49 | |
And the worst part - | 0:34:49 | 0:34:50 | |
when the moment came and Kennedy's arrest was imminent, | 0:34:50 | 0:34:53 | |
you weren't even there! | 0:34:53 | 0:34:55 | |
You were off, chasing higher glory. | 0:34:55 | 0:34:57 | |
Trying to bring an entire drugs empire to its knees | 0:34:57 | 0:35:01 | |
like some kind of avenging angel. | 0:35:01 | 0:35:03 | |
Now, believe it or not, I don't doubt your good intentions. | 0:35:05 | 0:35:10 | |
But when the actions of one man become so reckless, | 0:35:11 | 0:35:15 | |
my only concern is how much more is there. | 0:35:15 | 0:35:19 | |
-Ma'am? -I can't help feeling I've opened a can of worms here. | 0:35:20 | 0:35:25 | |
What I need to do now is find a way of getting a lid | 0:35:25 | 0:35:27 | |
back on the situation. | 0:35:27 | 0:35:30 | |
This is fast becoming a salvage operation. | 0:35:30 | 0:35:33 | |
You realise that this whole Mandy debacle | 0:35:33 | 0:35:36 | |
has cost us any chance of an attempted murder conviction? | 0:35:36 | 0:35:40 | |
What? | 0:35:40 | 0:35:41 | |
Well, how would it look? | 0:35:41 | 0:35:43 | |
Us trying to charge Kennedy with an attempt on his wife's life, | 0:35:43 | 0:35:46 | |
when it was one of our team put a bullet in her. | 0:35:46 | 0:35:49 | |
You are not seriously telling me we're going let him | 0:35:49 | 0:35:51 | |
get away with that just to save face? | 0:35:51 | 0:35:55 | |
That is the reality in which we find ourselves. | 0:35:55 | 0:35:58 | |
The only hope now is that the murder charge over Malick sticks, | 0:35:59 | 0:36:03 | |
which is precisely why I can't afford | 0:36:03 | 0:36:06 | |
any more unpleasant home truths emerging. | 0:36:06 | 0:36:10 | |
What do you mean? | 0:36:10 | 0:36:12 | |
The charges levelled against you amount to serious misconduct. | 0:36:12 | 0:36:16 | |
If you were you to admit to at least some of them, | 0:36:18 | 0:36:20 | |
there might be a way to draw a line in the sand. | 0:36:20 | 0:36:23 | |
So you're looking for a patsy. | 0:36:23 | 0:36:25 | |
I am looking for someone to take responsibility! | 0:36:25 | 0:36:29 | |
Think about it. | 0:36:30 | 0:36:31 | |
A full and frank admission from yourself | 0:36:31 | 0:36:34 | |
would satisfy my superiors | 0:36:34 | 0:36:36 | |
and might JUST halt the damage already caused. | 0:36:36 | 0:36:40 | |
This would mean demotion may be necessary, | 0:36:42 | 0:36:45 | |
but the work of this department is more important than any one man. | 0:36:45 | 0:36:50 | |
I got results. I put that psychopath in jail, where he belongs. | 0:36:52 | 0:36:56 | |
We haven't secured a conviction yet. | 0:36:56 | 0:36:59 | |
Tomorrow, I'll be returning | 0:37:02 | 0:37:04 | |
and I will be bringing with me Superintendents Travers and Woods. | 0:37:04 | 0:37:08 | |
You will be called again, this time to make a deposition under oath. | 0:37:08 | 0:37:13 | |
I suggest you think very carefully about what you want to say to me. | 0:37:13 | 0:37:17 | |
Yes, ma'am. | 0:37:21 | 0:37:23 | |
DOOR OPENS | 0:38:00 | 0:38:02 | |
Kennedy, come on. | 0:38:02 | 0:38:04 | |
Leave it. | 0:38:07 | 0:38:08 | |
Leave it, I said. | 0:38:08 | 0:38:10 | |
Listen, you touch any of my things...or me... | 0:38:14 | 0:38:20 | |
..they'll be picking bits of you up with a mop. | 0:38:21 | 0:38:24 | |
Understand? | 0:38:25 | 0:38:27 | |
-I said, do you understand? -Aye. | 0:38:30 | 0:38:32 | |
I've good news and bad. Your trial date's been set. | 0:38:46 | 0:38:50 | |
-A month from now. -Is that the good news or the bad news(?) | 0:38:50 | 0:38:53 | |
One of the charges has been dropped. The attempted murder on your wife. | 0:38:53 | 0:38:57 | |
Looks like the police's little accident | 0:38:57 | 0:38:59 | |
means they're too embarrassed to pursue it. | 0:38:59 | 0:39:02 | |
Looks like they've done us a favour twice over, doesn't it? | 0:39:03 | 0:39:07 | |
First, they get rid of the stupid cow for me, then they drop the charge. | 0:39:07 | 0:39:11 | |
Result. | 0:39:13 | 0:39:14 | |
-Anything else? -Yeah, here comes the bad. | 0:39:15 | 0:39:19 | |
Jimmy Mullen's still going to testify. | 0:39:19 | 0:39:21 | |
-And with the circumstantial evidence... -Whoa. | 0:39:21 | 0:39:25 | |
You think I'm going down for that? | 0:39:26 | 0:39:28 | |
Do you? | 0:39:30 | 0:39:32 | |
We'll see about that. | 0:39:33 | 0:39:35 | |
MUSIC PLAYS | 0:39:39 | 0:39:42 | |
DOOR OPENS | 0:39:42 | 0:39:44 | |
-Hiya. -Hi. -I wasn't sure if you were even going to come back here tonight. | 0:39:44 | 0:39:48 | |
Did you get your thing sorted? | 0:39:48 | 0:39:50 | |
Actually, I'm glad you're here, | 0:39:50 | 0:39:53 | |
because I've been going through some of the requirements | 0:39:53 | 0:39:57 | |
for this fostering process and I really think we should be... | 0:39:57 | 0:40:00 | |
Um, I thought we weren't drinking red wine on a school night? | 0:40:02 | 0:40:05 | |
I've had a bit of a day of it. | 0:40:07 | 0:40:09 | |
Do you want to talk about it? | 0:40:13 | 0:40:16 | |
If it helps... | 0:40:16 | 0:40:18 | |
I don't know what to tell you. | 0:40:19 | 0:40:22 | |
It's difficult. | 0:40:22 | 0:40:24 | |
How do you mean? | 0:40:24 | 0:40:26 | |
WILL SIGHS | 0:40:26 | 0:40:28 | |
Look, I know you want to make plans together | 0:40:28 | 0:40:31 | |
and I don't want to let you down, but... | 0:40:31 | 0:40:33 | |
OK, now you're worrying me. | 0:40:36 | 0:40:38 | |
I'm scared I might not have a career tomorrow. | 0:40:38 | 0:40:41 | |
They're going after Donald. | 0:40:44 | 0:40:45 | |
He's been covering up some dodgy stuff, | 0:40:45 | 0:40:47 | |
but there's every chance he could drag me down with him, so... | 0:40:47 | 0:40:51 | |
What about DS Grant? What's she saying to it? | 0:40:51 | 0:40:54 | |
She's sleeping with him. | 0:40:55 | 0:40:57 | |
Really? | 0:40:57 | 0:40:59 | |
Is that even allowed? | 0:41:00 | 0:41:02 | |
I knew something was going on. | 0:41:04 | 0:41:07 | |
Why didn't you say something sooner? | 0:41:14 | 0:41:16 | |
I only found out today. | 0:41:16 | 0:41:18 | |
And you can't tell me any more. | 0:41:20 | 0:41:22 | |
OPERA PLAYS | 0:41:36 | 0:41:38 | |
KNOCK ON DOOR | 0:42:17 | 0:42:19 | |
Rachel. | 0:42:34 | 0:42:36 | |
Don't! | 0:42:38 | 0:42:39 | |
Is this what this what this was all about? | 0:42:39 | 0:42:42 | |
-Sleeping with me to keep me on side? -Don't be ridiculous. | 0:42:42 | 0:42:45 | |
So this is what it means to you to be connected? | 0:42:45 | 0:42:48 | |
-To matter to someone? -Hey, come here. Come here. Ssh. Ssh. | 0:42:48 | 0:42:52 | |
SHE SOBS | 0:42:52 | 0:42:54 | |
Oh... | 0:42:54 | 0:42:56 | |
I am sorry if it felt that way. | 0:42:56 | 0:42:59 | |
HE SIGHS | 0:42:59 | 0:43:01 | |
Hey... | 0:43:01 | 0:43:03 | |
At least if I go to Walters now, | 0:43:14 | 0:43:16 | |
I can walk away with a bit of my integrity. | 0:43:16 | 0:43:20 | |
Hey, hold on. | 0:43:22 | 0:43:25 | |
Hold on. | 0:43:25 | 0:43:26 | |
You do that now, with everything else that's going on, | 0:43:26 | 0:43:30 | |
you'll just hand Walters an excuse to bury me. | 0:43:30 | 0:43:34 | |
Then the Kennedy conviction, everything we've worked for, us, | 0:43:34 | 0:43:40 | |
it'll all at risk. | 0:43:40 | 0:43:42 | |
Is that going to make your conscience any clearer? | 0:43:42 | 0:43:45 | |
How dare you? | 0:43:45 | 0:43:48 | |
How dare you put that on me? | 0:43:48 | 0:43:50 | |
It was your decisions that led to this. Your arrogance. | 0:43:50 | 0:43:55 | |
We worked together for the Kennedy conviction. We were a team. | 0:43:56 | 0:44:00 | |
It was you that put that at risk, no-one else. | 0:44:00 | 0:44:03 | |
-Let's talk about this. -There's nothing more to say. | 0:44:03 | 0:44:06 | |
No, we can work this out, if you just let me explain... | 0:44:06 | 0:44:09 | |
Would you just stop?! | 0:44:09 | 0:44:11 | |
I've had enough of your excuses. | 0:44:12 | 0:44:14 | |
Enough. | 0:44:16 | 0:44:18 | |
It's time for you to stop playing the martyr and face the facts. | 0:44:19 | 0:44:23 | |
You've done this to yourself. | 0:44:25 | 0:44:28 | |
DOOR SLAMS | 0:44:34 | 0:44:36 | |
MUSIC REACHES CRESCENDO | 0:44:44 | 0:44:47 | |
Will? | 0:45:23 | 0:45:25 | |
DOOR CLOSES | 0:45:26 | 0:45:28 | |
Detective Chief Inspector Donald, | 0:47:11 | 0:47:13 | |
I'm sure you know Superintendent Woods, Superintendent Travers. | 0:47:13 | 0:47:18 | |
They'll be assisting in the proceedings today. | 0:47:18 | 0:47:21 | |
I see you've chosen not to bring along a representative. | 0:47:21 | 0:47:24 | |
Ma'am. | 0:47:24 | 0:47:26 | |
Just to explain how this will work. | 0:47:26 | 0:47:28 | |
I will be detailing a list of allegations against you. | 0:47:28 | 0:47:32 | |
You will then have a chance to respond to each one | 0:47:32 | 0:47:36 | |
-before we proceed. -Perhaps I can stop you there, ma'am. | 0:47:36 | 0:47:39 | |
You should know I won't be contesting. | 0:47:40 | 0:47:43 | |
The allegations, I won't be challenging them. | 0:47:48 | 0:47:51 | |
I'm admitting the charge of misconduct. | 0:47:52 | 0:47:55 | |
Go on. | 0:47:55 | 0:47:57 | |
First, I should have been there... | 0:47:58 | 0:48:00 | |
There she is, the bearer of broken promises. | 0:48:05 | 0:48:08 | |
So, is that it, then? Aye? | 0:48:11 | 0:48:13 | |
All that crap that you fed me about getting to the truth | 0:48:13 | 0:48:16 | |
and you're giving up already? | 0:48:16 | 0:48:17 | |
I phoned. To check my complaint. | 0:48:17 | 0:48:20 | |
They told me it was already concluded. | 0:48:20 | 0:48:23 | |
The investigation is yet to report its official findings. | 0:48:23 | 0:48:26 | |
-And...? -What I can tell you, off the record, is yes, | 0:48:26 | 0:48:29 | |
we feel we've reached a satisfactory conclusion. | 0:48:29 | 0:48:32 | |
Meaning what? | 0:48:32 | 0:48:34 | |
Meaning that the substance of your allegations has been noted, | 0:48:34 | 0:48:37 | |
and the officer in question will be dealt with accordingly. | 0:48:37 | 0:48:41 | |
Oh, I get it. | 0:48:41 | 0:48:42 | |
Just a wee slap on your DCI's wrist and everything goes back to normal? | 0:48:42 | 0:48:47 | |
Well, I tell you, I am not giving up on this one. | 0:48:47 | 0:48:50 | |
I'll go to the press, if I have to. I'm sure they'd be interested in | 0:48:50 | 0:48:53 | |
how this corrupt little station runs. | 0:48:53 | 0:48:55 | |
Mr Brodie, you do that and your name will be dragged through the mud. | 0:48:55 | 0:48:59 | |
Your previous convictions, your past, | 0:48:59 | 0:49:01 | |
it will all come out, and when it does, you'll be written off | 0:49:01 | 0:49:05 | |
as just another petty criminal with a grudge. | 0:49:05 | 0:49:07 | |
-Really? -Believe me, I'm not trying to stop you. | 0:49:07 | 0:49:11 | |
Aye(!) | 0:49:11 | 0:49:12 | |
But my honest advice? | 0:49:12 | 0:49:14 | |
Just let it go. | 0:49:14 | 0:49:16 | |
No, I'm not letting it go. You're all the same, you lot. | 0:49:16 | 0:49:20 | |
You're probably in there inter-mingling. | 0:49:20 | 0:49:22 | |
Do you think I'm daft? | 0:49:22 | 0:49:23 | |
We're not the bad guys here. | 0:49:24 | 0:49:26 | |
There's only one person responsible for Mandy's death, | 0:49:26 | 0:49:29 | |
and that's Billy Kennedy. | 0:49:29 | 0:49:32 | |
Just try and keep that in mind. | 0:49:32 | 0:49:34 | |
What happened? | 0:49:45 | 0:49:47 | |
It seems Walters' review into the Billy Kennedy investigation | 0:49:47 | 0:49:51 | |
is to be wrapped up early. | 0:49:51 | 0:49:53 | |
My scalp should be enough to satisfy the brass. | 0:49:54 | 0:49:57 | |
What did you say to them? | 0:49:57 | 0:49:59 | |
The truth. | 0:50:01 | 0:50:03 | |
About how I'd lost sight of things. | 0:50:03 | 0:50:06 | |
My mistakes. | 0:50:07 | 0:50:09 | |
But I don't get it. | 0:50:09 | 0:50:11 | |
I mean, you would admit to all that, so... | 0:50:11 | 0:50:13 | |
So no further investigation, no follow-up, and it all stays buried. | 0:50:17 | 0:50:21 | |
I guess they'll never know the truth. | 0:50:21 | 0:50:23 | |
I guess I won't, either. | 0:50:25 | 0:50:27 | |
What'll happen to you? | 0:50:31 | 0:50:33 | |
Suspension for now, but demotion's sure to follow. | 0:50:35 | 0:50:39 | |
Rachel, what you said last night, about us, | 0:50:47 | 0:50:51 | |
it's not true, you know? | 0:50:51 | 0:50:53 | |
I really did hope... | 0:50:53 | 0:50:55 | |
I'm sorry if I hurt you at all. | 0:50:55 | 0:50:57 | |
This job... | 0:51:02 | 0:51:04 | |
It's lonely, and sometimes you forget that... | 0:51:06 | 0:51:11 | |
Well, you need to let people in. | 0:51:12 | 0:51:15 | |
Don't lose your way, Detective. | 0:51:26 | 0:51:28 | |
Not like I did. | 0:51:28 | 0:51:30 | |
And don't let this job swallow you up. | 0:51:32 | 0:51:35 | |
Yeah? | 0:51:35 | 0:51:37 | |
What happened? What did he say? | 0:52:09 | 0:52:12 | |
DOOR CLOSES | 0:52:31 | 0:52:34 | |
Hi. | 0:52:36 | 0:52:38 | |
I thought you were working today. | 0:52:38 | 0:52:39 | |
I was, but some things are more important. | 0:52:39 | 0:52:43 | |
So, what happened with everything? | 0:52:47 | 0:52:50 | |
Donald's taken the rap. He's going to get demoted. | 0:52:52 | 0:52:55 | |
Really? | 0:52:55 | 0:52:57 | |
And you're OK? | 0:52:57 | 0:52:59 | |
Yeah, I am. | 0:52:59 | 0:53:01 | |
What's this? | 0:53:04 | 0:53:06 | |
I went to the social work department today, | 0:53:06 | 0:53:08 | |
booked an appointment, and they gave me an official information pack. | 0:53:08 | 0:53:12 | |
Look, Robbie, I'm sorry about last night. | 0:53:14 | 0:53:17 | |
Finding out about Grant and Donald, I guess it just freaked me out. | 0:53:18 | 0:53:22 | |
Is there anything else you haven't told me? | 0:53:24 | 0:53:26 | |
No. | 0:53:28 | 0:53:29 | |
Why don't we go over that together? I can give it more attention now. | 0:53:31 | 0:53:35 | |
-Can we have dinner first? -Yes. | 0:53:35 | 0:53:38 | |
INAUDIBLE | 0:54:09 | 0:54:12 | |
KNOCK ON DOOR | 0:54:26 | 0:54:28 | |
Hi. | 0:54:34 | 0:54:36 | |
Come in. | 0:54:36 | 0:54:38 | |
I just came by because I got word from Walters earlier. | 0:54:44 | 0:54:47 | |
The Mandy Kennedy review is over. | 0:54:47 | 0:54:50 | |
Yeah. | 0:54:50 | 0:54:52 | |
She said you took responsibility for what happened that day. | 0:54:52 | 0:54:55 | |
I suppose I should thank you. | 0:54:58 | 0:55:00 | |
You don't owe me that. You don't owe me anything. | 0:55:00 | 0:55:03 | |
I know. But still, here I am. | 0:55:03 | 0:55:07 | |
Look, Craig, last night I said some things. | 0:55:09 | 0:55:13 | |
I was very angry. It doesn't mean that I regret... | 0:55:13 | 0:55:17 | |
It's fine. | 0:55:17 | 0:55:19 | |
You don't need to explain. | 0:55:19 | 0:55:21 | |
I let you down. | 0:55:22 | 0:55:24 | |
I also wanted to tell you that I'll be putting in for a transfer. | 0:55:25 | 0:55:30 | |
Is that really necessary? | 0:55:30 | 0:55:32 | |
Hey. Hey. | 0:55:37 | 0:55:39 | |
Stay. | 0:55:43 | 0:55:45 | |
Rachel... | 0:56:02 | 0:56:04 | |
Good luck, yeah? | 0:56:06 | 0:56:08 | |
Sir. | 0:56:08 | 0:56:11 | |
-I think it's great you want to get back out there. -Yeah, can't wait. | 0:56:53 | 0:56:58 | |
-Look at this place. -I'm leaving tomorrow, Gabriel. | 0:56:58 | 0:57:02 | |
I've seen Jamie. He wants me to give you this. | 0:57:02 | 0:57:04 | |
Please just see what he has to say. | 0:57:04 | 0:57:07 | |
-You need to let go, Leyla. -She's back working in a bar. | 0:57:07 | 0:57:10 | |
-I think it'll be too much for her. -Zinnie needs support, | 0:57:10 | 0:57:13 | |
not interference. | 0:57:13 | 0:57:14 | |
Ah! Get off me. | 0:57:15 | 0:57:18 |