Browse content similar to Episode 1. Check below for episodes and series from the same categories and more!
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This programme contains very strong language and scenes of a sexual nature | 0:00:02 | 0:00:09 | |
BIRDSONG | 0:00:09 | 0:00:12 | |
I'm so sorry, I've forgotten to bring you your towels. | 0:00:37 | 0:00:41 | |
I'll put them in the bathroom for you. | 0:00:43 | 0:00:45 | |
Well, I think that's everything. Do say if it isn't. | 0:00:52 | 0:00:55 | |
It's all lovely, Mrs Thompson. | 0:00:55 | 0:00:58 | |
Oh, well, I don't know about that, but I hope it's comfortable for you. | 0:00:58 | 0:01:02 | |
And it's Marion, please. And you'll be Joe, won't you, | 0:01:02 | 0:01:07 | |
-unless you insist on Mr Lampton? -I don't insist. | 0:01:07 | 0:01:10 | |
Chosen in your honour. We've got quite a selection. | 0:01:14 | 0:01:18 | |
You just slip new ones in the frames when you're sick of them | 0:01:18 | 0:01:21 | |
-so if they don't appeal to you, just say. -No, they're marvellous. | 0:01:21 | 0:01:25 | |
Right, well I'll, um, I'll leave you in peace, then. | 0:01:27 | 0:01:30 | |
All tickety-boo, chez Thompson? | 0:02:05 | 0:02:07 | |
Sounded like a cushy billet when Joan passed on the number. | 0:02:07 | 0:02:11 | |
I'd say I've landed on my feet. | 0:02:11 | 0:02:14 | |
You look like you might have a talent for that. | 0:02:14 | 0:02:17 | |
Strictly frottage, old son. | 0:02:20 | 0:02:22 | |
She's got the strength of an all-in wrestler. | 0:02:22 | 0:02:24 | |
-Not worth the effort. Take it from me. -If you say so. | 0:02:24 | 0:02:28 | |
TYPEWRITERS CLATTER LOUDLY | 0:02:28 | 0:02:31 | |
Come in. | 0:02:41 | 0:02:42 | |
-Mr Lampton to see you, Mr Hoylake. -Thank you, Charles. | 0:02:42 | 0:02:46 | |
Senior Audit Clerk is nothing to be ashamed of at your age, Lampton. | 0:02:50 | 0:02:54 | |
But there's plenty of opportunities here to better yourself | 0:02:54 | 0:02:57 | |
if you keep your head down and your nose clean. | 0:02:57 | 0:02:59 | |
That's what I intend, Mr Hoylake. | 0:02:59 | 0:03:01 | |
Good. Oh, thank you, Joan. | 0:03:01 | 0:03:03 | |
-You're not a married man, Lampton? -No. | 0:03:06 | 0:03:09 | |
Take your time, is my advice. | 0:03:09 | 0:03:11 | |
I intend to, Sir. | 0:03:11 | 0:03:14 | |
Save yourself a bit at this stage | 0:03:14 | 0:03:17 | |
and you can give yourself a proper start in life. | 0:03:17 | 0:03:19 | |
Just how I like it - nice and strong. | 0:03:20 | 0:03:23 | |
Ersatz. Now there's a thing. | 0:03:28 | 0:03:32 | |
It's always struck me as ironic that, in spite of winning the war, | 0:03:32 | 0:03:36 | |
we're stuck with ersatz this | 0:03:36 | 0:03:38 | |
-and ersatz that. A German word. -Cedric, chicken. | 0:03:38 | 0:03:42 | |
There's nothing ersatz about that, but you might have to wait | 0:03:42 | 0:03:45 | |
until Cedric's delivered his paper to the Literary Society to get it. | 0:03:45 | 0:03:48 | |
I'm sorry, Joe. | 0:03:48 | 0:03:50 | |
Are you a breast man or a leg man? | 0:03:50 | 0:03:53 | |
White or dark meat? | 0:03:53 | 0:03:55 | |
Oh. I'm not bothered thanks. It all looks delicious. | 0:03:55 | 0:03:58 | |
I've never been to Dufton. What kind of a place is it? | 0:04:09 | 0:04:14 | |
Dead. Dirty. | 0:04:14 | 0:04:16 | |
-Have you lived there all your life? -Well, except for the Air Force. | 0:04:16 | 0:04:19 | |
Well there's plenty of industry here in Warley. | 0:04:23 | 0:04:28 | |
But I suppose we're lucky it's all on the other side of the town. Not where you'll be working. | 0:04:28 | 0:04:32 | |
This is delicious, Mrs Thompson. Er, Marion. | 0:04:33 | 0:04:36 | |
She's a marvel in the kitchen. | 0:04:36 | 0:04:38 | |
Oh! Well, it's...it's lovely to have two men to cook for again. | 0:04:38 | 0:04:43 | |
I...I should give you my ration book. | 0:04:52 | 0:04:54 | |
Well, yes. Whenever you, you know, when you've had chance. | 0:04:54 | 0:04:57 | |
The Food Office is right next to the Town Hall. | 0:04:57 | 0:05:01 | |
You know we miss Maurice very much at times. | 0:05:02 | 0:05:06 | |
But we don't live in a graveyard, do we, Cedric? | 0:05:06 | 0:05:09 | |
We don't mind being reminded of him. | 0:05:09 | 0:05:12 | |
Not at all. You mustn't worry about that, Joe. | 0:05:12 | 0:05:16 | |
All right. | 0:05:17 | 0:05:18 | |
I feel like that about my mother and father sometimes. | 0:05:23 | 0:05:27 | |
He's smashing! | 0:05:34 | 0:05:36 | |
-I'm even more smashing when you get to know me. Hidden charms. -Oh, aye! | 0:05:36 | 0:05:42 | |
He never takes a full bloody hour for his dinner, 'im. It's not fair. | 0:05:42 | 0:05:45 | |
Have you seen his wife? The wonder is he doesn't bring in sandwiches. | 0:05:45 | 0:05:49 | |
I don't smoke, thanks. | 0:05:53 | 0:05:55 | |
-So you're from Dufton, then? -Not any more, thank God. | 0:05:56 | 0:05:59 | |
How are you finding Warley? | 0:05:59 | 0:06:01 | |
I'm finding it greatly to my taste, I must say. | 0:06:03 | 0:06:06 | |
-He's got lodgings at the Top. -Mmm, posh. Whereabouts? | 0:06:06 | 0:06:09 | |
Eagle Road. Not the top of the Top. | 0:06:09 | 0:06:12 | |
-It's lovely round there. -Yeah. It is, isn't it? | 0:06:12 | 0:06:15 | |
CAR HORN BEEPS | 0:06:17 | 0:06:20 | |
Coupons in that skirt. | 0:06:32 | 0:06:34 | |
CHATTER AND LAUGHTER | 0:06:47 | 0:06:50 | |
-Sorry, I can go to my room. -Good, there you are. No, don't go. | 0:06:51 | 0:06:55 | |
This is Bob and Eva Storr. Let me introduce you to Joe Lampton, our famous lodger. | 0:06:55 | 0:07:01 | |
Bob and Eva are friends of ours. | 0:07:01 | 0:07:03 | |
-Nice to meet you. -How d'you do. | 0:07:03 | 0:07:05 | |
Nice to meet you, Joe. | 0:07:05 | 0:07:08 | |
Well, it's lovely to meet you, Joe. It's Joe, is it? Not Joseph? | 0:07:08 | 0:07:12 | |
It is Joseph. But I go by Joe. | 0:07:12 | 0:07:15 | |
-Yeah. It has a manly ring. -Thanks. | 0:07:15 | 0:07:18 | |
Right, well, I'll bring the coffee then and, uh, | 0:07:18 | 0:07:21 | |
you can reveal your dark purpose to Joe. | 0:07:21 | 0:07:23 | |
You have been warned! | 0:07:23 | 0:07:26 | |
-What about? -White slavery. | 0:07:26 | 0:07:29 | |
-Actually, worse. -Eva! | 0:07:29 | 0:07:32 | |
-Amateur dramatics. -We're short of men. | 0:07:32 | 0:07:36 | |
Always short of men. | 0:07:36 | 0:07:38 | |
We got terribly excited when Marion told us there was new blood to be had. | 0:07:38 | 0:07:42 | |
Didn't we, Bob? So have you ever dabbled, Joe, with thespians? | 0:07:42 | 0:07:48 | |
A bit. In the forces. They had the opposite problem, though. | 0:07:48 | 0:07:52 | |
You should see my Betty Grable. Actually, you shouldn't. | 0:07:52 | 0:07:56 | |
-I bet you've got the legs for it. -Darling! | 0:07:56 | 0:07:58 | |
You'll frighten the poor man off. We really do need him. | 0:07:58 | 0:08:00 | |
He doesn't look like he scares that easily. Do you, Joe? | 0:08:00 | 0:08:06 | |
I wouldn't say so. | 0:08:06 | 0:08:08 | |
Cast members up stage, please. Careful with your glasses. | 0:08:08 | 0:08:12 | |
Hang the casting committee. I wanted to lead you astray. | 0:08:12 | 0:08:15 | |
-Feel free. -No, I've got to be wholesome, apparently. | 0:08:15 | 0:08:18 | |
I don't know what Alice has got that I haven't, | 0:08:18 | 0:08:20 | |
but she always seems to get the pornographic parts. | 0:08:20 | 0:08:22 | |
Maybe Bob's trying to tell me something. | 0:08:22 | 0:08:24 | |
Top of page four. | 0:08:24 | 0:08:26 | |
Have you met her? | 0:08:26 | 0:08:28 | |
Who? | 0:08:28 | 0:08:29 | |
Alice. Alice Aisgill. She's Hester to your Joshua. | 0:08:29 | 0:08:34 | |
The strength of a giant and the heart of a child. That's you. | 0:08:34 | 0:08:38 | |
Are you strong? | 0:08:39 | 0:08:40 | |
-They said she was dead as soon as she hit the ground. -Not bad. | 0:08:40 | 0:08:44 | |
-I'm Joe. -Oh, thank you. I'm Susan. | 0:08:46 | 0:08:50 | |
-Oh, you are strong! -I used to box. | 0:08:52 | 0:08:56 | |
Oh, if you went professional I'd run away with you. | 0:08:56 | 0:08:58 | |
I couldn't resist a big, brutal, sweaty boxer. | 0:08:58 | 0:09:02 | |
-What do you want? -You know what I want. | 0:09:16 | 0:09:18 | |
Not here. | 0:09:18 | 0:09:21 | |
Run away with me, then. | 0:09:21 | 0:09:23 | |
Well, maybe we could manage a weekend. | 0:09:23 | 0:09:25 | |
I'm looking for my wife. | 0:09:29 | 0:09:30 | |
They were taking measurements for costumes. I think they're still up on the stage. | 0:09:32 | 0:09:36 | |
Nice suit. | 0:09:42 | 0:09:44 | |
George Aisgill. He's always well turned-out. | 0:09:44 | 0:09:47 | |
They've got no children to spend it on. | 0:09:47 | 0:09:50 | |
-Night! -Night, Susan. | 0:09:56 | 0:09:58 | |
-Night, Susan. -Oh! Goodnight, Joe. | 0:10:03 | 0:10:06 | |
How do you do? I don't think we've met. I'm Jack. Jack Wales. | 0:10:06 | 0:10:09 | |
-Joe Lampton. -Joe's got a part in the play. | 0:10:09 | 0:10:13 | |
-Oh. Where angels fear to tread, eh? -You not an actor, then? | 0:10:13 | 0:10:16 | |
No. I'm afraid I have to go back to varsity in a couple of weeks. | 0:10:16 | 0:10:19 | |
Otherwise, Susan would have roped me in. | 0:10:19 | 0:10:21 | |
Thought they'd do plenty of that kind of thing at Oxford. | 0:10:21 | 0:10:23 | |
Cambridge, actually. | 0:10:23 | 0:10:25 | |
Nice to have met you. | 0:10:28 | 0:10:29 | |
-That's enough. -No-one can see. | 0:10:53 | 0:10:55 | |
I thought we were going to have a weekend together. | 0:11:02 | 0:11:05 | |
Yeah, well, we'd both had a few drinks. | 0:11:05 | 0:11:08 | |
Bob's a stickler for turning up on time. | 0:11:10 | 0:11:13 | |
He'll take your part off you, if you're not careful. | 0:11:13 | 0:11:16 | |
They said she was dead as soon as she hit the ground. | 0:11:26 | 0:11:30 | |
They had to shoot the horse. | 0:11:30 | 0:11:33 | |
-Did you see the accident, Joshua? -Nay, Madam. | 0:11:33 | 0:11:36 | |
There was no light on the road, save from the workman's brassiere. | 0:11:36 | 0:11:39 | |
CHUCKLING | 0:11:39 | 0:11:41 | |
-Sorry. -Brazier. -Brazier. | 0:11:41 | 0:11:43 | |
-Did you see the accident, Joshua? -Nay, Madam. | 0:11:43 | 0:11:47 | |
There was no light on the road, save from the workman's brazier. | 0:11:47 | 0:11:50 | |
It didn't give off any heat, neither did... | 0:11:50 | 0:11:53 | |
It didn't give off any heat neither. Did they say who was in the car? | 0:11:53 | 0:11:58 | |
It didn't give off any heat, neither. Did they say who was in the car? | 0:12:00 | 0:12:04 | |
Can we do the whole thing from the beginning? | 0:12:04 | 0:12:06 | |
I've rather lost the will to live. Shall we call it a night? | 0:12:06 | 0:12:10 | |
Strong stuff, isn't it? Erotic vices among the working class? | 0:12:24 | 0:12:29 | |
I'm working class. | 0:12:29 | 0:12:30 | |
Good for you. | 0:12:32 | 0:12:33 | |
Don't suppose you'd like some coffee? | 0:12:36 | 0:12:39 | |
I'm not a great coffee man, ta. | 0:12:39 | 0:12:41 | |
Good. You can buy me a beer, then. | 0:12:41 | 0:12:45 | |
Right. | 0:12:46 | 0:12:48 | |
-Clarence? -I know somewhere better. | 0:12:48 | 0:12:51 | |
No thespians. | 0:12:51 | 0:12:53 | |
Wouldn't have thought this was your sort of place. | 0:13:02 | 0:13:06 | |
Really? I love it. | 0:13:06 | 0:13:08 | |
It's on my way home, | 0:13:08 | 0:13:10 | |
so I don't have to worry about driving far when I've had one over the eight. | 0:13:10 | 0:13:13 | |
You live right at t'Top, I suppose? | 0:13:13 | 0:13:15 | |
Yes. Linnet Road. You're Eagle Road, aren't you? | 0:13:15 | 0:13:19 | |
-I lodge there. -God, Joe. | 0:13:19 | 0:13:22 | |
Can you consider taking the chip off your shoulder for a minute? | 0:13:22 | 0:13:26 | |
Try the Old. It's real beer. Dark. If you like that. | 0:13:27 | 0:13:34 | |
And I'm paying. But just the first round, | 0:13:34 | 0:13:38 | |
so don't get your knickers in a twist. | 0:13:38 | 0:13:39 | |
Two pints of Old, please, and a packet of potato crisps. | 0:13:39 | 0:13:43 | |
Extra salt. | 0:13:43 | 0:13:44 | |
I've low tastes. I warn you. | 0:13:45 | 0:13:48 | |
Oh, God! That's divine. | 0:13:58 | 0:14:03 | |
Why haven't I thought of it before? You clever man. | 0:14:03 | 0:14:06 | |
Well, I can't claim it as my invention, | 0:14:06 | 0:14:08 | |
although crushing the crisps, that's a Lampton touch. | 0:14:08 | 0:14:10 | |
It's a master stroke. | 0:14:10 | 0:14:13 | |
Now, listen, we're going to be doing this play together. | 0:14:16 | 0:14:20 | |
So I thought we'd better get everything straight between us. | 0:14:20 | 0:14:24 | |
I don't care if you're working class or Little Lord Fauntleroy, | 0:14:24 | 0:14:28 | |
but if you've got an inferiority complex, don't take it out on the rest of us. | 0:14:28 | 0:14:32 | |
I'm sorry, but you were like a bear with a sore head in rehearsals. | 0:14:35 | 0:14:39 | |
Fair enough. I was just in a bad mood, that's all. | 0:14:41 | 0:14:43 | |
Eva's a certified prick tease. Excuse my French. | 0:14:45 | 0:14:48 | |
Yeah, well, I wasn't taking her seriously. | 0:14:48 | 0:14:50 | |
Good. There's plenty more fish in the small pond. | 0:14:50 | 0:14:55 | |
Susan Brown. She's gorgeous. | 0:14:57 | 0:14:59 | |
-Grade two. -What does that mean? | 0:15:00 | 0:15:04 | |
Hang on, get us another drink. | 0:15:04 | 0:15:07 | |
Grades correspond to the income of husbands and fiances, | 0:15:13 | 0:15:16 | |
ranging from one - millionaires, film stars, dictators - | 0:15:16 | 0:15:20 | |
to 12 - under 350 a year, with no hope of getting any more. | 0:15:20 | 0:15:23 | |
And what grade are you, then? | 0:15:23 | 0:15:25 | |
The whole point of the scheme is husbands are chosen on eventual, as well as actual, salary | 0:15:25 | 0:15:30 | |
so I'm currently grade seven - 600 and over, Deputy and Assistant Head group. | 0:15:30 | 0:15:37 | |
The Lampton Report on Love! | 0:15:37 | 0:15:39 | |
It's depressingly accurate, I promise you. | 0:15:40 | 0:15:43 | |
Sometimes a grade seven man might hook himself a grade three wife. | 0:15:43 | 0:15:48 | |
Oh, well, there you go, then. | 0:15:48 | 0:15:50 | |
Yeah, but you also get self-made grade three men with grade ten wives. | 0:15:50 | 0:15:53 | |
They've hooked before they made their pile. They get grade three mistresses. | 0:15:53 | 0:15:57 | |
I don't know whether that's Marxism or defeatism. | 0:15:57 | 0:16:00 | |
Realism. | 0:16:02 | 0:16:03 | |
And Susan Brown's a grade two, you say? | 0:16:05 | 0:16:07 | |
If not one. | 0:16:07 | 0:16:08 | |
20 grand a year you'd have to make. | 0:16:08 | 0:16:10 | |
What does your husband do? | 0:16:12 | 0:16:14 | |
Cars. | 0:16:15 | 0:16:17 | |
Why don't you ask her out? | 0:16:18 | 0:16:21 | |
She's not engaged, you know. | 0:16:21 | 0:16:23 | |
Unless you feel inferior, in some way, to what's-his-name? | 0:16:23 | 0:16:26 | |
Jack Wales? Do I heck, as like. | 0:16:26 | 0:16:30 | |
Blokes like him think they've got a divine right. | 0:16:30 | 0:16:34 | |
I can see she's just used to him and he thinks he owns her. | 0:16:34 | 0:16:38 | |
Then ask her out. Man the barricades! | 0:16:39 | 0:16:43 | |
It's funny talking to you, Alice. It's like talking to a fella. | 0:16:45 | 0:16:50 | |
Thank you, honey. | 0:16:50 | 0:16:53 | |
Cheers. | 0:16:54 | 0:16:56 | |
-'Joe! Hello!' -I've two tickets to the ballet, The Haunted Ballroom. | 0:17:04 | 0:17:08 | |
'Oh, how marvellous! I've been dying to see that.' | 0:17:08 | 0:17:10 | |
Well, I'll pick you up, then. Saturday night. I mean, evening. | 0:17:10 | 0:17:14 | |
'No, no, I'll meet you there. What time does it start? | 0:17:14 | 0:17:17 | |
'Oh. Hang on. I'm all tangled up. I've just had a bath.' | 0:17:17 | 0:17:22 | |
Uh... It starts at seven. | 0:17:22 | 0:17:23 | |
Are you sure you don't want picking up? | 0:17:23 | 0:17:26 | |
'No. It's very kind of you. I'll meet you at quarter to. | 0:17:26 | 0:17:28 | |
'That's it. | 0:17:28 | 0:17:30 | |
'I've found my engagement book. You're officially inscribed. | 0:17:30 | 0:17:33 | |
-'Saturday evening, it is.' -Right. | 0:17:33 | 0:17:35 | |
I'll look forward to it, then. Goodbye. | 0:17:35 | 0:17:38 | |
'Goodbye. Thank you for calling.' | 0:17:38 | 0:17:40 | |
Susan Brown? | 0:17:49 | 0:17:50 | |
Charles, please! | 0:17:50 | 0:17:52 | |
My intentions are those commonly described as "honourable". | 0:17:52 | 0:17:55 | |
-A box of chocolates, a kiss on the cheek at the end of the night, if I'm lucky. -What's your game, Lampton? | 0:17:55 | 0:18:00 | |
A long game, Charles. A very, very long game. | 0:18:00 | 0:18:05 | |
She's lovely. | 0:18:07 | 0:18:08 | |
So's that, but I can't afford it! | 0:18:08 | 0:18:11 | |
-HE BELCHES -Sorry. Corned beef. | 0:18:12 | 0:18:16 | |
What you've got to realise is, | 0:18:16 | 0:18:17 | |
Susan Brown is a walking, breathing justification of the capitalist system. | 0:18:17 | 0:18:22 | |
You old romantic fool. | 0:18:22 | 0:18:24 | |
Anyway, a little bird tells me you've been going about with Alice Aisgill. | 0:18:26 | 0:18:29 | |
I've been for a drink with her a few times. We're in this play together. | 0:18:29 | 0:18:32 | |
-I have to make torrid love to her. -Lucky man. | 0:18:32 | 0:18:36 | |
More than her husband's been doing, if you listen to gossip. | 0:18:36 | 0:18:39 | |
He's got a fancy woman up in Leddersford. | 0:18:39 | 0:18:41 | |
Don't say you'd say no. | 0:18:41 | 0:18:43 | |
Oh, she's a bit long in the tooth, isn't she? | 0:18:44 | 0:18:47 | |
No, it's a platonic thing. I like the woman. Really. | 0:18:47 | 0:18:51 | |
Ah, platonic. Like me and Joan. | 0:18:51 | 0:18:53 | |
I might take her away for a platonic weekend. | 0:18:53 | 0:18:56 | |
And maybe she'll end up having my platonic baby. | 0:18:56 | 0:18:58 | |
Now THAT is fine. | 0:19:01 | 0:19:03 | |
More than a week's wages for a shirt? | 0:19:04 | 0:19:07 | |
-That's barmy, lad. -Don't you want it, though? | 0:19:07 | 0:19:09 | |
A three-guinea linen shirt, Aston Martin, girl with a Riviera suntan? | 0:19:09 | 0:19:13 | |
Why not, Charles? | 0:19:13 | 0:19:14 | |
Why shouldn't we have everything Warley has to offer? | 0:19:14 | 0:19:18 | |
Marry Princess Margaret, that'll sort you out. | 0:19:20 | 0:19:23 | |
Eh, best bib and tucker, eh? You been stood up? | 0:19:36 | 0:19:39 | |
Looks like it. | 0:19:39 | 0:19:41 | |
Oh, I'm so sorry. You must have thought I'd forgotten. | 0:19:50 | 0:19:53 | |
Are we too late? | 0:19:53 | 0:19:55 | |
-Oh, God, Joe! How sweet! -Come on. | 0:19:56 | 0:19:58 | |
Mmm! It's gorgeous, isn't it? Oh, I simply adore ballet. | 0:20:09 | 0:20:14 | |
Music makes me feel all squashy inside. | 0:20:14 | 0:20:16 | |
Have you seen Fontaine? | 0:20:16 | 0:20:19 | |
No. No, I'd love to. | 0:20:20 | 0:20:22 | |
She's beautiful. An artist. | 0:20:22 | 0:20:25 | |
Did you see her in London, Joe? | 0:20:28 | 0:20:29 | |
-A few times. -What in? | 0:20:30 | 0:20:33 | |
Oh, you know, the classics. | 0:20:33 | 0:20:36 | |
-I'm not sure I don't prefer this though. More modern. -Mmm. | 0:20:36 | 0:20:40 | |
I'm not sure I'm clever enough to understand it all. | 0:20:40 | 0:20:43 | |
I think you're being modest. | 0:20:43 | 0:20:45 | |
-You sure you wouldn't like a drink or an ice cream? -Oh, no, thank you. | 0:20:48 | 0:20:51 | |
I'm perfectly happy as I am. | 0:20:51 | 0:20:54 | |
I have to say, I had you down as a dear kipper. | 0:20:54 | 0:20:57 | |
-A what? -A dear kipper. | 0:20:57 | 0:21:00 | |
When I was little and I wanted this, that, and the other, | 0:21:00 | 0:21:04 | |
my mother would say, "You're a dear kipper, you!" Because it all costs money. | 0:21:04 | 0:21:07 | |
I think it sounds lovely. "A dear kipper." | 0:21:07 | 0:21:11 | |
Does your mother still call you that? | 0:21:17 | 0:21:20 | |
-She's dead. She died in the war with my dad. -Oh. | 0:21:20 | 0:21:25 | |
But I like talking about her. | 0:21:27 | 0:21:29 | |
I don't live in a graveyard. | 0:21:29 | 0:21:32 | |
BELL RINGS | 0:21:34 | 0:21:36 | |
I'd like to take you to Sadler's Wells. | 0:21:36 | 0:21:40 | |
I'd like to go. | 0:21:42 | 0:21:44 | |
BELL RINGS | 0:21:45 | 0:21:47 | |
Joshua, I never know anything of what you're thinking, | 0:21:48 | 0:21:52 | |
especially what you're thinking of me, | 0:21:52 | 0:21:54 | |
the woman who loves you with all her heart. | 0:21:54 | 0:21:57 | |
Everything I have to give, I give to you. | 0:21:57 | 0:22:01 | |
I know, my darling. I know. | 0:22:01 | 0:22:04 | |
And you should know that my heart belongs to you. | 0:22:04 | 0:22:08 | |
-Joshua. -Hush, woman! | 0:22:08 | 0:22:11 | |
There'll be no harvest now. | 0:22:14 | 0:22:16 | |
APPLAUSE | 0:22:16 | 0:22:21 | |
Well done. | 0:22:22 | 0:22:23 | |
CHEERING AND APPLAUSE | 0:22:29 | 0:22:31 | |
Susan! Coming to The Clarence? | 0:22:37 | 0:22:40 | |
Oh, I'd love to, but Jack's waiting for me. | 0:22:40 | 0:22:43 | |
He's taking me out to supper. | 0:22:43 | 0:22:45 | |
Oh. Back, is he? He's only been at Cambridge five minutes. | 0:22:45 | 0:22:48 | |
Disgraceful, isn't it? | 0:22:48 | 0:22:49 | |
They have very short terms. See you later, Joe. | 0:22:49 | 0:22:52 | |
Yeah, maybe next week some time. | 0:22:52 | 0:22:54 | |
Fancy a quick one at the St Clair? Or a slow one even? | 0:22:57 | 0:23:00 | |
Absolutely. | 0:23:00 | 0:23:02 | |
Darling, you don't mind me bringing my lover, do you? | 0:23:02 | 0:23:05 | |
The more the merrier. | 0:23:05 | 0:23:07 | |
You're a Town Hall wallah, aren't you? | 0:23:11 | 0:23:14 | |
Treasurers. | 0:23:14 | 0:23:16 | |
Must be a bit dull. | 0:23:16 | 0:23:18 | |
Oh, you'd be surprised. | 0:23:18 | 0:23:20 | |
There's always some businessman on the fiddle. | 0:23:20 | 0:23:22 | |
My God, you lot hate paying rates! | 0:23:22 | 0:23:24 | |
Not guilty, old man. My place isn't in Warley. | 0:23:24 | 0:23:28 | |
We don't like that, either. Depriving your home town of income. | 0:23:28 | 0:23:32 | |
Oh, God, no shop. I beg you. | 0:23:32 | 0:23:34 | |
Couldn't you of put a bit of make-up on? | 0:23:37 | 0:23:39 | |
Just taken all that filthy stage stuff off. It's terrible for the skin. | 0:23:41 | 0:23:46 | |
Sorry to offend, gents. | 0:23:47 | 0:23:49 | |
Better? | 0:23:57 | 0:23:58 | |
Slightly. | 0:23:58 | 0:24:00 | |
-Same again? -No, it's my shout. | 0:24:00 | 0:24:03 | |
Rubbish! You're our guest. | 0:24:03 | 0:24:05 | |
Wasn't too bad tonight, I thought. | 0:24:13 | 0:24:16 | |
I'll miss it. | 0:24:16 | 0:24:18 | |
Me, too. | 0:24:19 | 0:24:20 | |
You look so sad. | 0:24:24 | 0:24:26 | |
Must be the make-up. | 0:24:27 | 0:24:28 | |
George was right. | 0:24:28 | 0:24:30 | |
What you up to over Christmas? | 0:24:36 | 0:24:38 | |
Nothing. Well, worse than nothing. Dufton. | 0:24:39 | 0:24:43 | |
Staying at my auntie's. | 0:24:45 | 0:24:47 | |
And how is your campaign going? With Susan? | 0:24:56 | 0:24:59 | |
It's looking like a bust to me. | 0:25:01 | 0:25:03 | |
Jack Wales is back on the scene. | 0:25:03 | 0:25:05 | |
Well, maybe you should play hard to get. | 0:25:05 | 0:25:09 | |
-Do you think? -It's been known to work. | 0:25:09 | 0:25:12 | |
And I'd say Susan's the kind of girl who's used to getting everything offered to her on a plate. | 0:25:12 | 0:25:17 | |
She's bound to be a bit spoilt. | 0:25:17 | 0:25:19 | |
Who's this? | 0:25:19 | 0:25:21 | |
Susan Brown. Joe's taken a fancy to her. | 0:25:21 | 0:25:26 | |
Oh, good man. I wouldn't take her dad on, though. | 0:25:26 | 0:25:29 | |
Not without plenty of ammo. He fights a pretty dirty game, does Harry. | 0:25:29 | 0:25:32 | |
It's not him I'm keen on. | 0:25:32 | 0:25:34 | |
-Here. -Thank you, honey. | 0:25:39 | 0:25:42 | |
-Merry Christmas, Joe. -Merry Christmas. | 0:25:45 | 0:25:48 | |
KNOCK AT DOOR | 0:26:00 | 0:26:02 | |
We'll miss you, Joe. | 0:26:06 | 0:26:08 | |
Thanks for the gloves. You shouldn't have. | 0:26:09 | 0:26:12 | |
You were supposed to save that for Christmas Day. Something to unwrap. | 0:26:12 | 0:26:16 | |
I'm glad they fit. | 0:26:17 | 0:26:19 | |
Like a glove! | 0:26:19 | 0:26:21 | |
-Happy Christmas, Mrs Thompson. -Oh! | 0:26:31 | 0:26:34 | |
PHONE RINGS AT OTHER END | 0:26:59 | 0:27:02 | |
'Warley 6813?' | 0:27:05 | 0:27:07 | |
Alice, it's Joe. Joe Lampton. | 0:27:07 | 0:27:10 | |
-'Happy New Year, Joe.' -Happy New Year. | 0:27:11 | 0:27:15 | |
Come and get warm. | 0:27:32 | 0:27:33 | |
Was your Christmas as ghastly as mine? | 0:27:50 | 0:27:53 | |
It's for kids, really, isn't it? | 0:27:53 | 0:27:56 | |
No point to it, that I can see, once you've grown up. | 0:27:56 | 0:27:58 | |
No. | 0:27:58 | 0:28:00 | |
They were going to have all sorts of things up here once. | 0:28:02 | 0:28:06 | |
Then it all came to nothing. | 0:28:08 | 0:28:09 | |
Same old story - the war. | 0:28:11 | 0:28:14 | |
I think we blame the war for too much sometimes. | 0:28:16 | 0:28:18 | |
I'm not knocking it. It shook things up for me. | 0:28:18 | 0:28:23 | |
Got me out of Dufton. | 0:28:25 | 0:28:28 | |
Passing me exams. | 0:28:28 | 0:28:29 | |
Got me... | 0:28:31 | 0:28:32 | |
Got me laid. | 0:28:33 | 0:28:35 | |
That would have happened sooner or later. | 0:28:37 | 0:28:40 | |
You light it for me. Like in the films. | 0:28:46 | 0:28:49 | |
COUGHING AND SPLUTTERING | 0:29:16 | 0:29:18 | |
God, they're rough! | 0:29:18 | 0:29:20 | |
Sorry! It's all they had in t'shop. | 0:29:21 | 0:29:27 | |
You know, I didn't smoke before the RAF. | 0:29:27 | 0:29:31 | |
You got breaks in training. | 0:29:32 | 0:29:34 | |
Cigarette breaks. You just get into the habit. | 0:29:34 | 0:29:38 | |
There were this one bloke in my hut. | 0:29:42 | 0:29:44 | |
He used to set his alarm, believe it or not, | 0:29:44 | 0:29:47 | |
so he could have a fag in the middle of the night. | 0:29:47 | 0:29:50 | |
Said it soothed his nerves. | 0:29:50 | 0:29:52 | |
He bought it, though. | 0:29:54 | 0:29:56 | |
Just on a recce. | 0:29:58 | 0:29:59 | |
Fuel tank exploded 50 yards from base. | 0:30:01 | 0:30:05 | |
Fried in his own fat, like bacon. | 0:30:05 | 0:30:07 | |
It's a very moral kind of car. | 0:30:50 | 0:30:52 | |
I was just thinking. How nice it is to have... | 0:31:26 | 0:31:30 | |
..to make love to a woman... | 0:31:32 | 0:31:36 | |
who don't weep with shame afterwards. | 0:31:36 | 0:31:39 | |
Or eat fish and chips while we're doing it! | 0:31:40 | 0:31:43 | |
Come on. | 0:31:45 | 0:31:47 | |
Let's go and get warm. Oh, God, you are. | 0:31:47 | 0:31:49 | |
Beautiful hands you've got. | 0:31:51 | 0:31:54 | |
Brutal. | 0:31:54 | 0:31:56 | |
Warm hands...cold heart. | 0:31:58 | 0:32:02 | |
The other way round, surely? | 0:32:08 | 0:32:10 | |
We'll still be friends, won't we, Joe? | 0:32:19 | 0:32:21 | |
Loving friends. | 0:32:23 | 0:32:25 | |
Yeah. Exactly. | 0:32:25 | 0:32:27 | |
Don't fall in love with me. | 0:32:28 | 0:32:30 | |
It's not the same thing, you know. | 0:32:31 | 0:32:33 | |
Course not. | 0:32:33 | 0:32:36 | |
Loving friends. | 0:32:36 | 0:32:38 | |
SHE MOANS | 0:32:55 | 0:32:56 | |
SHE MOANS AND PANTS | 0:33:09 | 0:33:11 | |
SHE GIGGLES | 0:33:27 | 0:33:29 | |
Actually, I could murder some fish and chips. | 0:33:32 | 0:33:34 | |
Warley! | 0:33:56 | 0:33:57 | |
HE WHISTLES "D'YE KEN JOHN PEEL?" | 0:34:07 | 0:34:10 | |
Beryl. | 0:34:15 | 0:34:16 | |
And how are you, Joan, queen of my heart? | 0:34:16 | 0:34:19 | |
HE WHISTLES | 0:34:21 | 0:34:23 | |
Oh, aye. What's all this in aid of? | 0:34:24 | 0:34:27 | |
What could you mean, Charlie boy? | 0:34:27 | 0:34:29 | |
Note the knife-blade crease in Mr Lampton's rather questionable trousers, Raymond. | 0:34:29 | 0:34:34 | |
A sure sign that said articles of clothing have not been worn much recently. | 0:34:34 | 0:34:38 | |
That, with the gratuitously jaunty whistling, can only signify one thing - | 0:34:38 | 0:34:42 | |
how's your father?! | 0:34:42 | 0:34:44 | |
You've got sex on the brain, that's your trouble. | 0:34:44 | 0:34:46 | |
Only ruddy place I have got it. That's my trouble. | 0:34:46 | 0:34:49 | |
Did you take this, Ray? | 0:34:54 | 0:34:55 | |
Yeah, Mr Lampton. | 0:34:55 | 0:34:58 | |
It were only five minutes back. | 0:34:58 | 0:35:00 | |
You got the account for Nantwiches? | 0:35:07 | 0:35:08 | |
Reckon we might have got them for teeming and lading. | 0:35:08 | 0:35:11 | |
Well, that would make my day. | 0:35:11 | 0:35:13 | |
There's something going on with Crosskills. | 0:35:13 | 0:35:15 | |
I'll show you the entries. Here. | 0:35:15 | 0:35:17 | |
I wish we could sleep together. | 0:35:29 | 0:35:31 | |
I mean, really sleep. Spend the whole night. | 0:35:33 | 0:35:37 | |
We could manage something, couldn't we? | 0:35:39 | 0:35:42 | |
Doesn't he go away sometimes? | 0:35:42 | 0:35:45 | |
Now and again. | 0:35:47 | 0:35:48 | |
Oi. | 0:36:00 | 0:36:02 | |
Esther'll be back soon. | 0:36:03 | 0:36:04 | |
She's probably walking around in the cold, God love her. | 0:36:05 | 0:36:10 | |
I didn't think you were beautiful at all when I first met you. | 0:36:10 | 0:36:14 | |
I must have been blind. | 0:36:14 | 0:36:16 | |
You know, sometimes you could be about 18. | 0:36:18 | 0:36:21 | |
I'm just a crazy mixed-up kid. | 0:36:22 | 0:36:24 | |
Mmm... | 0:36:27 | 0:36:28 | |
You should have been a navvy. | 0:36:35 | 0:36:37 | |
I hate to think of you ever wearing clothes. | 0:36:38 | 0:36:41 | |
I don't think you could have ever met a navvy, love. | 0:36:41 | 0:36:44 | |
They wear a lot more than accountants do. | 0:36:44 | 0:36:46 | |
Careful. You're looking babies. | 0:36:53 | 0:36:57 | |
If you look long enough, you'll see a baby. | 0:36:59 | 0:37:03 | |
Actually, I can... I can see myself. | 0:37:09 | 0:37:13 | |
THEY LAUGH | 0:37:13 | 0:37:15 | |
Bless you. | 0:37:19 | 0:37:20 | |
Oh. > | 0:37:31 | 0:37:33 | |
Sorry, my darlings. | 0:37:34 | 0:37:36 | |
I held as long as I could, but it's absolute brass monkeys out there. | 0:37:36 | 0:37:39 | |
-It's all right. Alice has gone. -Cup of tea. | 0:37:39 | 0:37:43 | |
Can I tempt you, darling? One to send you on your way? | 0:37:43 | 0:37:47 | |
You're all right. I'd best get off. | 0:37:48 | 0:37:50 | |
Alice is a very lucky girl. | 0:38:13 | 0:38:16 | |
Mind you, she deserves a bit of luck. We all do. | 0:38:16 | 0:38:20 | |
She has a heart of gold, you know. Always has had. | 0:38:22 | 0:38:25 | |
Do you love her? | 0:38:27 | 0:38:29 | |
It's about time someone did. | 0:38:31 | 0:38:34 | |
But I can tell you're not the type to wear your heart on your sleeve. | 0:38:34 | 0:38:39 | |
What do you mean "someone"? | 0:38:39 | 0:38:40 | |
George isn't exactly love's young dream | 0:38:42 | 0:38:44 | |
and roses round the door, is he? | 0:38:44 | 0:38:47 | |
My god. Your sort are always the jealous ones. | 0:38:47 | 0:38:50 | |
You're all right. I've got work to do. | 0:38:54 | 0:38:57 | |
Why do you think she married him? | 0:39:05 | 0:39:07 | |
He asked her. | 0:39:10 | 0:39:12 | |
-KNOCK AT THE DOOR -Joe! | 0:39:20 | 0:39:22 | |
Come in. | 0:39:24 | 0:39:25 | |
I'm sorry to disturb you. | 0:39:27 | 0:39:29 | |
I've just been on the telephone to Eva Storr. | 0:39:29 | 0:39:31 | |
She's having a birthday party next Saturday | 0:39:31 | 0:39:33 | |
and she's invited us all along. | 0:39:33 | 0:39:35 | |
I'll have to take her a present, won't I? | 0:39:35 | 0:39:37 | |
Well, you can leave it to me, if you like. | 0:39:37 | 0:39:39 | |
I know the kind of thing she likes. | 0:39:39 | 0:39:41 | |
And I promise not to break you. | 0:39:41 | 0:39:43 | |
You're too good to me, you know. | 0:39:43 | 0:39:45 | |
I enjoy it. | 0:39:45 | 0:39:47 | |
You could do with a bit of fun. | 0:39:50 | 0:39:51 | |
You've had your nose to the grindstone too long with exams. | 0:39:51 | 0:39:54 | |
Dark circles under your eyes. | 0:39:54 | 0:39:57 | |
Uh... | 0:40:14 | 0:40:15 | |
I don't bear such close scrutiny, honey. | 0:40:16 | 0:40:19 | |
You've got a fabulous figure. | 0:40:21 | 0:40:22 | |
You should have seen me ten years ago. | 0:40:26 | 0:40:28 | |
Actually, you can somewhere. | 0:40:30 | 0:40:32 | |
I did life modelling when I was in rep. | 0:40:33 | 0:40:35 | |
There's probably a drawing room in the Home Counties | 0:40:35 | 0:40:37 | |
where I'm displayed in all my former glory. | 0:40:37 | 0:40:41 | |
You never told me. | 0:40:50 | 0:40:51 | |
Why didn't you tell me? | 0:40:53 | 0:40:54 | |
There's a lot you don't know about me. My disreputable past. | 0:40:54 | 0:40:59 | |
Sweetheart, it's nothing to worry about. | 0:41:07 | 0:41:10 | |
Well, maybe you better tell me everything. | 0:41:14 | 0:41:16 | |
Oh, for God's sake, Joe. | 0:41:18 | 0:41:20 | |
It was an art college. | 0:41:20 | 0:41:21 | |
I needed the money. The room was freezing cold. | 0:41:21 | 0:41:25 | |
I got cramp. I wasn't very good. | 0:41:25 | 0:41:26 | |
And I did a bit for a photographer I met at a party. | 0:41:26 | 0:41:29 | |
-He had a gas fire. -Did he now? | 0:41:29 | 0:41:30 | |
Yes. | 0:41:31 | 0:41:33 | |
Oh, God, you can be so bloody provincial! | 0:41:34 | 0:41:37 | |
That's what you like, isn't it? | 0:41:40 | 0:41:42 | |
Leg-show and lingerie. Ooh-la-la. Slap and tickle. | 0:41:43 | 0:41:47 | |
You stupid bitch! | 0:41:47 | 0:41:50 | |
Get off me. | 0:41:50 | 0:41:52 | |
Esther isn't made of money, you know. This isn't a hotel. | 0:42:06 | 0:42:11 | |
Well, give her that, then. Tell her I broke the bottle. | 0:42:13 | 0:42:16 | |
I actually thought you were different. | 0:42:22 | 0:42:24 | |
What kind of sap am I? | 0:42:24 | 0:42:26 | |
I'm not you dirty private postcard, Joe. | 0:42:26 | 0:42:30 | |
I own my body. | 0:42:30 | 0:42:33 | |
Tits. Cunt. | 0:42:33 | 0:42:35 | |
Yeah. I can say those words. | 0:42:35 | 0:42:39 | |
And I'm not ashamed of them. And I'm not ashamed of anything I've ever done. | 0:42:39 | 0:42:43 | |
If you'd ever mixed with intelligent people, you'd have an inkling of that. | 0:42:43 | 0:42:46 | |
-I can't help where I come from! -Oh, change the bloody record! | 0:42:46 | 0:42:49 | |
Not that it makes any difference, but I was damned near starvation | 0:42:52 | 0:42:56 | |
when I transgressed your peculiar morality. | 0:42:56 | 0:42:58 | |
You make a great to-do about your humble beginnings, | 0:42:58 | 0:43:01 | |
but you've never gone hungry, have you? | 0:43:01 | 0:43:04 | |
Didn't someone else always go short for you, Joe? | 0:43:04 | 0:43:08 | |
Mummy's boy. Teacher's pet. Housewife's choice. | 0:43:08 | 0:43:14 | |
What do you think a prisoner-of-war gets to eat? | 0:43:16 | 0:43:18 | |
We ought to be sensible about it. | 0:43:23 | 0:43:26 | |
We both agreed there'd be nothing permanent. | 0:43:27 | 0:43:29 | |
All right. If that's what you want. We'll call it a day. | 0:43:33 | 0:43:37 | |
There's nothing more to say, is there? | 0:43:39 | 0:43:42 | |
Alice. | 0:43:44 | 0:43:45 | |
I'm sorry. | 0:43:47 | 0:43:51 | |
I'm grateful to you. | 0:43:51 | 0:43:53 | |
Truly. | 0:43:53 | 0:43:55 | |
Oh, happy birthday, Eva. You look lovely. | 0:44:13 | 0:44:17 | |
I bought you some chocolates. | 0:44:17 | 0:44:19 | |
Hello. I hoped you'd be coming. | 0:44:19 | 0:44:22 | |
You look good enough to eat. | 0:44:22 | 0:44:23 | |
I'm not sure you've got room on the plate. | 0:44:23 | 0:44:26 | |
Watch out, Susan, our Joe has a huge appetite for everything. | 0:44:26 | 0:44:30 | |
Iron guts they used to call me in the RAF. | 0:44:30 | 0:44:33 | |
-If he were fatter, he'd be just like Henry VIII. -Eva. You're horrid. | 0:44:33 | 0:44:37 | |
I like to see a man eat. | 0:44:38 | 0:44:40 | |
Henry was famous for more than just eating. | 0:44:40 | 0:44:43 | |
Rest assured, love, if I was going to chop anyone's head off, you'd be first in the queue. | 0:44:43 | 0:44:47 | |
No wives to speak of...yet. | 0:44:49 | 0:44:51 | |
Glad to hear it. | 0:44:52 | 0:44:54 | |
I always thought you liked older women. | 0:44:54 | 0:44:56 | |
Oh, did I not mention? The Aisgills can't make it, by the way. | 0:44:56 | 0:44:59 | |
George telephoned just to say that they have a previous engagement. | 0:44:59 | 0:45:03 | |
Don't mind the birthday girl. | 0:45:03 | 0:45:05 | |
-She's jealous, cos you're the most beautiful girl here. -Don't make fun. | 0:45:05 | 0:45:09 | |
I wasn't. Not of you. | 0:45:09 | 0:45:12 | |
Christ, Susan, you're the loveliest thing I've ever seen. | 0:45:23 | 0:45:26 | |
Are you angry with me? | 0:45:32 | 0:45:34 | |
I telephoned. Didn't you get the message? | 0:45:34 | 0:45:37 | |
Ah, well, I've been busy. I've got exams coming up and... | 0:45:39 | 0:45:44 | |
-You seemed busy yourself over Christmas. -You mean Jack. | 0:45:44 | 0:45:46 | |
Joe... | 0:45:46 | 0:45:48 | |
We go about together but it's nothing serious. | 0:45:48 | 0:45:51 | |
Mummy likes him. | 0:45:51 | 0:45:53 | |
Right, well, that's the main thing, isn't it? | 0:45:53 | 0:45:57 | |
Don't be like that, please. | 0:45:57 | 0:45:58 | |
It's not like... | 0:46:00 | 0:46:02 | |
The times we went out together, you never even tried to kiss me. | 0:46:03 | 0:46:08 | |
The times I took you out, I just gave it up. | 0:46:08 | 0:46:11 | |
You seemed so cold and proper. | 0:46:11 | 0:46:14 | |
It didn't seem any use. | 0:46:14 | 0:46:16 | |
You know when a woman wants to be kissed. | 0:46:18 | 0:46:20 | |
Maybe she doesn't always know herself. | 0:46:22 | 0:46:24 | |
There's a pure kiss for you. | 0:46:32 | 0:46:33 | |
I don't want a pure kiss. | 0:46:36 | 0:46:38 | |
You make me feel funny inside. I... | 0:46:48 | 0:46:51 | |
I've never felt like that before. | 0:46:51 | 0:46:53 | |
Come in. | 0:47:03 | 0:47:04 | |
Well, you're picking up the work very well, I must say. | 0:47:05 | 0:47:09 | |
And I'm most gratified to see that you're acquiring the qualifications to do even better. | 0:47:11 | 0:47:15 | |
Plenty of room for promotion here, you know. | 0:47:15 | 0:47:19 | |
You like it here, don't you? | 0:47:21 | 0:47:23 | |
Very much. I love it. | 0:47:23 | 0:47:27 | |
Joe, you may resent what I'm going to say now. | 0:47:27 | 0:47:31 | |
What you do in your spare time is, of course, your business... | 0:47:32 | 0:47:36 | |
within limits. | 0:47:36 | 0:47:38 | |
And I needn't tell you what those limits are. | 0:47:38 | 0:47:41 | |
Have there been any complaints? | 0:47:41 | 0:47:43 | |
Oh, for heaven's sake, don't misunderstand me. | 0:47:43 | 0:47:46 | |
Whatever the limits of decorum are, you have not, I assure you, | 0:47:46 | 0:47:50 | |
transgressed them. | 0:47:50 | 0:47:52 | |
Well, that's a relief. | 0:47:52 | 0:47:54 | |
Let me put it this way... | 0:47:54 | 0:47:56 | |
You have, I'm sure, some notion of the workings of local government. | 0:47:56 | 0:48:01 | |
In theory, the most important cog in the machine is the councillor. | 0:48:01 | 0:48:06 | |
In practice, we know it's the senior official who runs the show. | 0:48:06 | 0:48:10 | |
But promotion is another matter. | 0:48:10 | 0:48:13 | |
Promotion, whatever the head of the department may recommend, | 0:48:15 | 0:48:20 | |
is dependent on the majority vote of the Establishments Committee. | 0:48:20 | 0:48:23 | |
And councillors are like sheep. | 0:48:23 | 0:48:26 | |
If a powerful personality declares himself against an official's promotion, | 0:48:26 | 0:48:32 | |
then the majority will follow him, just to curry favour. | 0:48:32 | 0:48:37 | |
-Do I make myself clear? -Not entirely, if I'm honest. | 0:48:39 | 0:48:42 | |
Councillor Brown is the Chairman of the Establishments Committee. | 0:48:44 | 0:48:50 | |
He's a very wealthy and powerful man. | 0:48:50 | 0:48:53 | |
Engineer by trade, you know? | 0:48:53 | 0:48:56 | |
He likes everything to run like a piece of first-class machinery, | 0:48:56 | 0:49:00 | |
including his family. | 0:49:00 | 0:49:03 | |
Well, perhaps I'd better apply for a job elsewhere, then, eh? | 0:49:03 | 0:49:05 | |
Oh, good God, dear chap, don't take the wrong end of the stick. | 0:49:05 | 0:49:08 | |
As I said, we're very pleased with your work. | 0:49:08 | 0:49:11 | |
Are you planning on going to the Civic Ball? | 0:49:16 | 0:49:19 | |
Yeah. I mean, a lot of the department's going. | 0:49:21 | 0:49:25 | |
Plenty of pretty girls there. | 0:49:25 | 0:49:27 | |
Guaranteed. I'll introduce you to them, if you like. | 0:49:27 | 0:49:31 | |
You're not actually courting, are you? | 0:49:31 | 0:49:33 | |
No. | 0:49:35 | 0:49:36 | |
No, not as such. | 0:49:37 | 0:49:40 | |
Well, save yourself a guinea and go solo. | 0:49:40 | 0:49:43 | |
You don't take a bottle of beer into the pub with you, do you? | 0:49:43 | 0:49:45 | |
Well, this is like Chekov, isn't it? | 0:49:49 | 0:49:53 | |
We sit here drinking tea, discussing life. | 0:49:54 | 0:49:57 | |
We'll begin by examining Joseph Lampton. Born January 1921 at Dufton. | 0:50:06 | 0:50:13 | |
Father, John Lampton. Occupation, overseer. | 0:50:13 | 0:50:17 | |
Education, Dufton Grammar School. | 0:50:17 | 0:50:20 | |
Junior Clerk, Dufton UDC, 1937. | 0:50:20 | 0:50:25 | |
Sergeant-Observer, 1940. | 0:50:25 | 0:50:27 | |
1943-1945, Stalag E91, Silesia. | 0:50:27 | 0:50:33 | |
Present post, Senior Audit Clerk, Warley UDC. | 0:50:33 | 0:50:38 | |
Prospects - might well be Treasurer of Warley, one day. | 0:50:38 | 0:50:43 | |
You'll do. | 0:50:43 | 0:50:44 | |
Lampton has risen remarkably high, considering his humble beginnings, | 0:50:48 | 0:50:53 | |
but in our considered opinion, he lacks the necessary background, | 0:50:53 | 0:50:59 | |
poise and breeding to succeed, in our sense of the word. | 0:50:59 | 0:51:05 | |
In short, he is, essentially, vulgar. | 0:51:05 | 0:51:10 | |
In addition, we learned, to our astonishment and horror, | 0:51:10 | 0:51:14 | |
that Lampton has entered upon a clandestine relationship | 0:51:14 | 0:51:17 | |
with a young Grade Two woman. She'll be here, you know. | 0:51:17 | 0:51:20 | |
Not if we don't get a move on, she won't. | 0:51:20 | 0:51:22 | |
Joan will think I've fallen in. | 0:51:22 | 0:51:25 | |
You're worse than a bloody woman, you. | 0:51:25 | 0:51:28 | |
It's the same every year. | 0:51:35 | 0:51:38 | |
You either pay the Earth for shorts or blow yourself up with bottled beer. | 0:51:38 | 0:51:43 | |
I can stand it, just for the night. | 0:51:43 | 0:51:44 | |
-Good evening, Susan. Jack. -Hello, Joe. | 0:52:17 | 0:52:21 | |
-Mummy, Daddy, this is Joe Lampton, the young man I told you about. -How do you do, Mrs Brown? | 0:52:23 | 0:52:27 | |
-Mr Brown. We met at my interview for the Treasurer's Office. -I remember. | 0:52:27 | 0:52:31 | |
Dufton lad. He was in the forces like you, Jack. | 0:52:31 | 0:52:34 | |
Where was it you said you did your basic, Lampton? | 0:52:34 | 0:52:36 | |
Lincolnshire. Frinton Bassett. The 51st. | 0:52:36 | 0:52:39 | |
-Good God, then you must know Chick. Chick Darrow. -Sorry, no. | 0:52:39 | 0:52:43 | |
Thoroughly decent chap. I went to school with him. | 0:52:43 | 0:52:46 | |
-Went for a Burton over the Ruhr, though. -How sad. | 0:52:46 | 0:52:48 | |
I don't know him, I'm afraid. | 0:52:48 | 0:52:50 | |
The officers didn't mix much with the NCOs. | 0:52:50 | 0:52:51 | |
Dufton, did you say? Do you know Cannon Jones? | 0:52:53 | 0:52:56 | |
Sorry, no. | 0:52:56 | 0:52:58 | |
-Can I buy anyone a drink? -No, no, no, old boy. | 0:53:02 | 0:53:05 | |
It's frightfully dear stuff, this. | 0:53:05 | 0:53:07 | |
Extraordinary, really. You couldn't miss old Chick. | 0:53:07 | 0:53:10 | |
Bright red hair, terrific baritone. Good enough to be a professional. | 0:53:10 | 0:53:14 | |
If Joe didn't know him, he simply didn't know him. | 0:53:14 | 0:53:16 | |
Oh, come now. He's a Dufton lad. | 0:53:16 | 0:53:18 | |
George Pullman. You must know him. | 0:53:18 | 0:53:20 | |
-I know the name, yes. -Amazing chap. | 0:53:20 | 0:53:22 | |
He'll kill himself in that old Alpha. Drives it like a maniac. you must have seen him. | 0:53:22 | 0:53:27 | |
I'm afraid I can't find much to admire in a tallyman. | 0:53:27 | 0:53:29 | |
I don't follow you, old man. | 0:53:31 | 0:53:32 | |
He sells clothes on credit for around 50% over the retail price, | 0:53:32 | 0:53:36 | |
then charges interest on top of that. | 0:53:36 | 0:53:38 | |
It's money lending dressed as trade. It stinks. | 0:53:38 | 0:53:42 | |
You're sure I can't get anyone a drink? | 0:53:46 | 0:53:48 | |
What do you reckon, Joe? | 0:53:55 | 0:53:57 | |
Are Warley's finances up to another round? | 0:53:57 | 0:54:00 | |
We're solvent, if that's the question. | 0:54:00 | 0:54:02 | |
More than can be said for the country as a whole, eh? | 0:54:02 | 0:54:05 | |
Winnie was right. We're under a Gestapo with this lot. | 0:54:05 | 0:54:08 | |
Can't disagree with you there, Mr Hoylake. | 0:54:08 | 0:54:11 | |
What do you reckon, Mr Lampton? | 0:54:11 | 0:54:13 | |
You're talking to the wrong man, I'm afraid. I voted Labour. | 0:54:13 | 0:54:18 | |
Did you now? Out with the old, in with the new, eh? | 0:54:18 | 0:54:21 | |
We'll buy our own, then. | 0:54:22 | 0:54:24 | |
"Can't disagree with you there, Mr Hoylake." | 0:54:25 | 0:54:29 | |
Steady on. Voted Labour myself, as it happens. | 0:54:29 | 0:54:32 | |
Why didn't you bloody stand up to him, then? | 0:54:32 | 0:54:35 | |
What's ever, ever going to change if we just lie down | 0:54:35 | 0:54:38 | |
and let the bastards walk all over us? | 0:54:38 | 0:54:41 | |
Talk about the ruddy Gestapo. | 0:54:41 | 0:54:43 | |
All right! Got the job to think of. | 0:54:43 | 0:54:45 | |
They don't grow on trees. | 0:54:45 | 0:54:47 | |
Sod this for a game of soldiers. I'll have some of Joan's. | 0:54:50 | 0:54:54 | |
You're not wrong about tallymen. | 0:54:56 | 0:55:00 | |
I wouldn't worry yourself about the way the world's run, lad. | 0:55:02 | 0:55:07 | |
Pick your battles. Enjoy yourself while you're young. | 0:55:07 | 0:55:11 | |
I'll do me best. | 0:55:14 | 0:55:15 | |
No. | 0:55:42 | 0:55:43 | |
There you are. | 0:55:54 | 0:55:56 | |
You've seen more than Jack's ever seen... | 0:55:56 | 0:55:58 | |
or likely to. | 0:55:58 | 0:55:59 | |
Take me somewhere. Another day. | 0:56:05 | 0:56:06 | |
Aren't you frightened of what I might do to you? | 0:56:08 | 0:56:11 | |
Terrified. | 0:56:11 | 0:56:13 | |
You better not be stringing me along. | 0:56:14 | 0:56:16 | |
Why would I do that? | 0:56:19 | 0:56:20 | |
Cos it feels nice. | 0:56:20 | 0:56:22 | |
This feels nice. | 0:56:29 | 0:56:31 | |
Why are you so touchy about being made a fool of? | 0:56:33 | 0:56:36 | |
I don't know, really. | 0:56:39 | 0:56:40 | |
I suppose...I'm horribly shy, deep down. | 0:56:43 | 0:56:48 | |
Could never believe a woman would love me enough...to let me do this. | 0:56:50 | 0:56:54 | |
-Oh, God, Susan. I'm bone-sick of myself sometimes. -You're wonderful. | 0:57:00 | 0:57:04 | |
You are the wonderfullest man in the whole world. | 0:57:04 | 0:57:08 | |
I think I'm falling in love with you. | 0:57:12 | 0:57:14 | |
Look at you. | 0:57:14 | 0:57:15 | |
It's not even that you look clean. | 0:57:17 | 0:57:21 | |
You look like you've never been dirty. | 0:57:21 | 0:57:24 | |
You know, I love you too, don't you? | 0:57:24 | 0:57:27 | |
-Do you really? -You know I do. | 0:57:27 | 0:57:30 | |
How much? | 0:57:32 | 0:57:34 | |
A hundred thousand pounds' worth. | 0:57:36 | 0:57:39 | |
A hundred thousand pounds. | 0:57:39 | 0:57:41 | |
HE VOMITS | 0:57:44 | 0:57:47 | |
Told you! | 0:57:47 | 0:57:49 | |
PHONE RINGS | 0:58:21 | 0:58:23 | |
'36813.' | 0:58:25 | 0:58:27 | |
-I've got to see you. -'Have you any idea of the time?' | 0:58:27 | 0:58:30 | |
I'm sorry, Alice. I'm sorry about everything. | 0:58:30 | 0:58:34 | |
Come to Spanaway, please. | 0:58:35 | 0:58:38 | |
You've got to save me. | 0:58:38 | 0:58:40 | |
Please. | 0:58:41 | 0:58:43 | |
I'm so sorry. | 0:58:43 | 0:58:45 | |
Subtitles by Red Bee Media Ltd | 0:59:11 | 0:59:14 |