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This programme contains very strong language and scenes of a sexual nature. | 0:00:02 | 0:00:07 | |
Susan Brown is a breathing justification | 0:00:07 | 0:00:09 | |
-of the capitalist system. -You old romantic fool. | 0:00:09 | 0:00:11 | |
It's funny talking to you, Alice. | 0:00:11 | 0:00:14 | |
It's like talking to a feller. | 0:00:14 | 0:00:15 | |
Thanks, honey. | 0:00:15 | 0:00:17 | |
I hear you've been going about with Alice Aisgill. | 0:00:17 | 0:00:19 | |
Going about? I've been for a drink with her a few times. | 0:00:19 | 0:00:22 | |
You make me feel funny inside. | 0:00:34 | 0:00:36 | |
Don't fall in love with me. | 0:00:36 | 0:00:38 | |
It's not the same thing, you know. | 0:00:39 | 0:00:41 | |
Course not. | 0:00:41 | 0:00:42 | |
Loving friends. | 0:00:44 | 0:00:46 | |
You know I love you too, don't you? | 0:00:46 | 0:00:49 | |
How much? | 0:00:49 | 0:00:50 | |
A hundred thousand pounds. | 0:00:52 | 0:00:54 | |
Alice. I'm sorry about everything. | 0:00:54 | 0:00:57 | |
Come to Sparrow Hill. | 0:00:57 | 0:00:59 | |
Please. | 0:00:59 | 0:01:01 | |
That was fine. | 0:01:03 | 0:01:04 | |
Fine? | 0:01:06 | 0:01:07 | |
I don't mean "fine". | 0:01:09 | 0:01:11 | |
I mean fine, | 0:01:13 | 0:01:15 | |
like fine china. | 0:01:17 | 0:01:18 | |
SHE LAUGHS | 0:01:19 | 0:01:20 | |
I love you. | 0:01:24 | 0:01:25 | |
I just mean, now we're together, I'm not lonely any more. | 0:01:28 | 0:01:34 | |
When we were apart, it was like I wanted a fag all the time | 0:01:37 | 0:01:42 | |
and never being able to have one. | 0:01:42 | 0:01:44 | |
Simple as that. | 0:01:47 | 0:01:48 | |
How do you know I'd not got somebody else? | 0:01:52 | 0:01:55 | |
Calling me in the middle of the night. | 0:01:55 | 0:01:57 | |
You haven't, have you? | 0:01:59 | 0:02:01 | |
Alice... | 0:02:06 | 0:02:08 | |
Do you love me? | 0:02:11 | 0:02:12 | |
What do you think? You daft 'aporth. | 0:02:17 | 0:02:20 | |
It doesn't change anything though, you know. | 0:02:27 | 0:02:29 | |
Course it doesn't. | 0:02:36 | 0:02:37 | |
Are you still going around with Susan Brown? | 0:02:44 | 0:02:46 | |
In a manner of speaking. | 0:02:49 | 0:02:50 | |
Her family's not keen. | 0:02:52 | 0:02:54 | |
I bet. No wonder she likes you. | 0:02:54 | 0:02:57 | |
You don't mind, do you? She's me shilling on the pools. | 0:03:03 | 0:03:07 | |
Far be it for me to begrudge a man his flutter. | 0:03:09 | 0:03:11 | |
PHONES RING | 0:03:15 | 0:03:16 | |
TYPEWRITERS CLATTER | 0:03:16 | 0:03:17 | |
HE WHISTLES | 0:03:17 | 0:03:18 | |
What's that in aid of, Hoylake and Noakesy? | 0:03:35 | 0:03:37 | |
SHE GIGGLES | 0:03:41 | 0:03:42 | |
Haven't you got a home to go to? | 0:03:44 | 0:03:45 | |
Dress me. | 0:03:47 | 0:03:48 | |
You sensual old ram. | 0:03:50 | 0:03:52 | |
Would you like me to? | 0:03:52 | 0:03:54 | |
Why do you think I asked? | 0:03:54 | 0:03:56 | |
I like being looked after. | 0:04:14 | 0:04:16 | |
I feel as if you've left your hands all over me. | 0:04:18 | 0:04:20 | |
I can smell you and all your scent. | 0:04:22 | 0:04:25 | |
It's wonderful. | 0:04:28 | 0:04:29 | |
I can't find your bloody socks. | 0:04:37 | 0:04:39 | |
Hey, Alice. | 0:04:41 | 0:04:43 | |
It's all right. | 0:04:46 | 0:04:47 | |
They need darning. | 0:04:49 | 0:04:50 | |
I'd darn your socks. I'd look after you all the time. | 0:04:52 | 0:04:57 | |
I'd... I'd cook and clean your shoes and dress you | 0:04:57 | 0:05:00 | |
if you wanted dressing, and have your children. | 0:05:00 | 0:05:02 | |
I'd love it. You know I would. | 0:05:02 | 0:05:04 | |
It's too late. | 0:05:07 | 0:05:09 | |
Listen. Find me socks. Make us some tea, eh? | 0:05:12 | 0:05:18 | |
Before I give you something to cry about. | 0:05:20 | 0:05:22 | |
Oh. | 0:05:27 | 0:05:28 | |
They're a disgrace. | 0:05:43 | 0:05:45 | |
Let's go away together. | 0:05:49 | 0:05:50 | |
I'm due a week's holiday. | 0:05:51 | 0:05:53 | |
Do you think you can manage it? | 0:05:53 | 0:05:55 | |
Joe. | 0:05:56 | 0:05:57 | |
Eh? | 0:05:57 | 0:05:58 | |
Yes. | 0:06:00 | 0:06:01 | |
Perfect timing. You'll join us, won't you, Joe? | 0:06:04 | 0:06:07 | |
Oh. Shame you weren't here earlier. | 0:06:14 | 0:06:17 | |
I could do with a new partner. | 0:06:17 | 0:06:19 | |
Hell hath no fury like a woman underbid. | 0:06:19 | 0:06:23 | |
I don't play, I'm afraid. | 0:06:23 | 0:06:25 | |
We'll show you the ropes, won't we, Marion? | 0:06:25 | 0:06:26 | |
Yes, of course. Always on the look out for new recruits. | 0:06:26 | 0:06:29 | |
"Victims" might be the more appropriate term. | 0:06:29 | 0:06:32 | |
Well, there you are, then. | 0:06:32 | 0:06:34 | |
No excuses. | 0:06:34 | 0:06:36 | |
So, were you out with Susan Brown? | 0:06:43 | 0:06:46 | |
Not tonight. Friends from work, you know. | 0:06:49 | 0:06:52 | |
Oh, I know, | 0:06:52 | 0:06:54 | |
greasing the wheels, eh? | 0:06:54 | 0:06:56 | |
Aye. Something like that. | 0:06:56 | 0:06:57 | |
No, it's got to be done. | 0:06:57 | 0:06:58 | |
Promotion in the air with Teddy Noakes leaving, I bet. | 0:06:58 | 0:07:01 | |
Teddy? Where's he going, then? | 0:07:01 | 0:07:03 | |
Er. Leicester. Apparently. He got the Deputy Treasurers job. | 0:07:03 | 0:07:05 | |
God, Beattie must be wetting herself. | 0:07:05 | 0:07:08 | |
All those new people she can lord it over | 0:07:08 | 0:07:12 | |
-and show off her ghastly curtains to. -Eva! | 0:07:12 | 0:07:14 | |
"Fully lined", although she'll probably be getting new ones. | 0:07:14 | 0:07:17 | |
Now, won't that be exciting! | 0:07:17 | 0:07:19 | |
But it leaves the field wide open I imagine, eh, Joe? | 0:07:19 | 0:07:23 | |
Chief Audit Clerk. | 0:07:23 | 0:07:24 | |
Oh. You never know. | 0:07:26 | 0:07:28 | |
He's on his way! | 0:07:28 | 0:07:29 | |
-Good night now. -Bye-bye. -Bye! | 0:07:34 | 0:07:36 | |
KNOCK ON DOOR | 0:07:42 | 0:07:45 | |
Scarf. There we are. | 0:07:58 | 0:08:00 | |
You should tell your friends from work to go a bit lighter | 0:08:08 | 0:08:10 | |
on the Chanel No.5. | 0:08:10 | 0:08:12 | |
Charles! I presume you've heard about Noakesy going to Leicester? | 0:08:33 | 0:08:37 | |
Yeah. Bit of a turn up for the books, eh? | 0:08:37 | 0:08:40 | |
You against me, old sport, Chief Audit Clerk. | 0:08:40 | 0:08:44 | |
Field's wide open. Ledgers at dawn! | 0:08:44 | 0:08:47 | |
Oh, I see. | 0:09:03 | 0:09:04 | |
I'd made an arrangement with her, that's all. | 0:09:04 | 0:09:07 | |
Good night. Good evening, Mrs Brown. | 0:09:08 | 0:09:12 | |
"I tried not to listen when people first told me about you | 0:09:29 | 0:09:31 | |
"and her, but now I know that all the time we've been going together | 0:09:31 | 0:09:35 | |
"you've been making love to her. | 0:09:35 | 0:09:39 | |
"You've been very bad to me | 0:09:39 | 0:09:41 | |
"and what hurts the most is that you were telling lies all the time. | 0:09:41 | 0:09:45 | |
"I expect you thought I was too young and silly to make you happy. | 0:09:47 | 0:09:50 | |
"Perhaps I was. | 0:09:52 | 0:09:54 | |
"But now I feel grown-up. | 0:09:56 | 0:09:57 | |
"I hope you will be happy and get all the things you want so much. | 0:09:59 | 0:10:03 | |
"I don't feel angry with you. | 0:10:04 | 0:10:07 | |
"Only sad and hurt. | 0:10:07 | 0:10:09 | |
"As if someone I loved had died." | 0:10:10 | 0:10:12 | |
PANTING | 0:10:20 | 0:10:22 | |
Oh, oh. | 0:10:24 | 0:10:26 | |
Oh, God...yes! | 0:10:26 | 0:10:28 | |
I don't want it. | 0:10:33 | 0:10:34 | |
I don't need anything. Not drink. | 0:10:36 | 0:10:39 | |
Not cigarettes. | 0:10:40 | 0:10:41 | |
This is enough. | 0:10:43 | 0:10:44 | |
You won't take it the wrong way if I do? | 0:10:46 | 0:10:48 | |
Mmm. | 0:10:50 | 0:10:51 | |
Four whole days. | 0:10:54 | 0:10:55 | |
Oh! | 0:11:04 | 0:11:05 | |
HE LAUGHS | 0:11:05 | 0:11:06 | |
Oh. | 0:11:19 | 0:11:20 | |
Oh, oh. | 0:11:20 | 0:11:22 | |
GASPING | 0:11:22 | 0:11:24 | |
Oh, gentle. | 0:11:46 | 0:11:47 | |
Oh, Christ. | 0:11:50 | 0:11:51 | |
Oh, Joe. | 0:11:51 | 0:11:53 | |
MUFFLED THUNDER | 0:12:09 | 0:12:10 | |
You know, people do get divorced. | 0:12:15 | 0:12:17 | |
George would see us | 0:12:19 | 0:12:20 | |
both crawl through broken glass before he'd let me go. | 0:12:20 | 0:12:23 | |
Not because he wants me, of course, | 0:12:25 | 0:12:27 | |
but because of you wanting me. | 0:12:29 | 0:12:30 | |
You don't know what he's like. | 0:12:33 | 0:12:34 | |
I think I've a pretty good idea. | 0:12:36 | 0:12:38 | |
It would finish you at the Town Hall, Joe. | 0:12:40 | 0:12:42 | |
You and the scarlet woman of Warley. | 0:12:43 | 0:12:46 | |
Fuck Warley! | 0:12:47 | 0:12:49 | |
We can move somewhere else. Start again. | 0:12:51 | 0:12:53 | |
I'm well qualified. | 0:12:53 | 0:12:55 | |
I can't pretend it'd be the standard you're used to, living at the Top. | 0:12:55 | 0:12:58 | |
-Well, I don't care about any of that. -I do! | 0:12:58 | 0:13:01 | |
But I care about you more. | 0:13:01 | 0:13:03 | |
Think about it. | 0:13:05 | 0:13:07 | |
Just us. Together. | 0:13:07 | 0:13:10 | |
Why not? | 0:13:13 | 0:13:14 | |
Whatever they put us through, whatever people have to say... Well, won't it be worth it? | 0:13:15 | 0:13:19 | |
Don't cry ... | 0:13:23 | 0:13:24 | |
Please, don't cry, Alice, love. | 0:13:24 | 0:13:26 | |
Fag-ash Lil. | 0:13:46 | 0:13:48 | |
MUTED BACKGROUND CONVERSATION | 0:14:21 | 0:14:23 | |
What are you looking at? | 0:14:25 | 0:14:27 | |
Admiring your suntan. | 0:14:27 | 0:14:28 | |
What bloody suntan? | 0:14:28 | 0:14:30 | |
What? | 0:14:31 | 0:14:33 | |
-Anyone would think you were on the turn. -You could do a lot better for yourself | 0:14:33 | 0:14:36 | |
you know, old sport. | 0:14:36 | 0:14:37 | |
Now I really am worried. | 0:14:38 | 0:14:40 | |
Joan and I are engaged. | 0:14:42 | 0:14:44 | |
I popped the question, as they say, a couple of days back. | 0:14:44 | 0:14:49 | |
Well, about bloody time! | 0:14:52 | 0:14:54 | |
Let me buy you a drink. | 0:14:54 | 0:14:56 | |
Whiskey to go with that, you jammy bastard. She's a lovely girl. | 0:14:56 | 0:14:59 | |
Two Scotches. Doubles. | 0:14:59 | 0:15:00 | |
Aye. | 0:15:04 | 0:15:05 | |
We've reached the age to get married. | 0:15:05 | 0:15:08 | |
No doubt about it. | 0:15:09 | 0:15:11 | |
It's a mug's game, otherwise. | 0:15:11 | 0:15:13 | |
I've been thinking about it myself. | 0:15:16 | 0:15:17 | |
In my capacity, Joseph, as an incipient bridegroom | 0:15:24 | 0:15:27 | |
and pillar of the community, | 0:15:27 | 0:15:29 | |
might I bestow a word of advice? | 0:15:31 | 0:15:33 | |
Bestow away. | 0:15:33 | 0:15:34 | |
Seems to me you want to make the worst of both worlds | 0:15:34 | 0:15:38 | |
if you're thinking of marrying Alice. | 0:15:38 | 0:15:41 | |
You'll be a co-respondent. | 0:15:41 | 0:15:42 | |
I've got the shoes for it. | 0:15:42 | 0:15:44 | |
I'm serious. Dragged through the midden of the divorce courts. | 0:15:44 | 0:15:49 | |
"Midden." Listen to yourself. What about Aisgill? | 0:15:49 | 0:15:51 | |
He's got a mistress, it's common knowledge. They only live together for the sake of appearances. | 0:15:51 | 0:15:55 | |
If you reckon you can get one over on him | 0:15:55 | 0:15:57 | |
you're even more bloody naive than I thought. | 0:15:57 | 0:15:59 | |
George Aisgill's a lot richer than you, chum, | 0:15:59 | 0:16:02 | |
and he's a hell of a lot cleverer. | 0:16:02 | 0:16:04 | |
He'd get detectives on the two of you and you'd be in the Sunday papers | 0:16:04 | 0:16:07 | |
before you could button up your flies. | 0:16:07 | 0:16:09 | |
Midden's about right. | 0:16:14 | 0:16:15 | |
May as well be the bloody Middle Ages. | 0:16:17 | 0:16:19 | |
It's the way it is. | 0:16:19 | 0:16:20 | |
It'd kill you, the scandal. Admit it. | 0:16:20 | 0:16:23 | |
Another thing. | 0:16:28 | 0:16:29 | |
Hoylake's offered me the job, Chief Audit Clerk. | 0:16:30 | 0:16:32 | |
I didn't get a look in, did I? | 0:16:32 | 0:16:36 | |
Face that fits. You know how it is. | 0:16:37 | 0:16:40 | |
Hang around anywhere long enough, your boat comes in. | 0:16:40 | 0:16:44 | |
Aye. | 0:16:44 | 0:16:45 | |
Hey, I'm right pleased for you, you bugger. | 0:16:48 | 0:16:52 | |
Can't afford doubles, this shout, mind. | 0:16:54 | 0:16:56 | |
Let me get 'em. | 0:16:56 | 0:16:57 | |
You're the boss. | 0:16:58 | 0:16:59 | |
Bloody hell. | 0:17:03 | 0:17:04 | |
RAUCOUS CHATTER | 0:17:05 | 0:17:07 | |
Pip, Squeak and bloody Wilfred! | 0:17:07 | 0:17:10 | |
Imperialist brutes. | 0:17:10 | 0:17:12 | |
Keep it down, will yer! | 0:17:12 | 0:17:14 | |
Time you were getting home, gents. | 0:17:14 | 0:17:16 | |
-What about that lot? -They've been told and all. | 0:17:16 | 0:17:19 | |
Coolie cost me 100 chips once, you know. | 0:17:19 | 0:17:21 | |
Mowed him down in Burma when I was one over the eight. | 0:17:23 | 0:17:26 | |
It was the steering on the jeep. | 0:17:29 | 0:17:31 | |
Wasn't what it should be. | 0:17:33 | 0:17:35 | |
Aye, well, we'll be walking home, don't you worry. | 0:17:36 | 0:17:38 | |
HUBBUB OF CHATTER | 0:17:40 | 0:17:42 | |
Put a sock in it! It's time! | 0:17:44 | 0:17:46 | |
Thank you, Sergeant, we're aware of that fact. | 0:17:46 | 0:17:49 | |
-Piss off with the "Sergeant". -I'm sorry, did I mistake your rank? -Sergeant-Observer, actually. | 0:17:49 | 0:17:54 | |
And it was... All that was over a long time ago. | 0:17:54 | 0:17:57 | |
Absolutely. Water under the bridge. | 0:17:57 | 0:18:00 | |
Come on, chaps, let's go somewhere else, eh? | 0:18:00 | 0:18:02 | |
Seen Susan lately? | 0:18:02 | 0:18:05 | |
Yes, as a matter of fact. | 0:18:05 | 0:18:07 | |
Not that it has anything to do with you. | 0:18:07 | 0:18:09 | |
Sorry. Bad form. Bandying a woman's name. Bad show. Sorry, chaps. My apologies. | 0:18:09 | 0:18:14 | |
You really are a chippy little bastard, aren't you, Lampton? | 0:18:14 | 0:18:17 | |
Yes, sir. Sorry, sir. | 0:18:17 | 0:18:19 | |
Get him home, will you? | 0:18:24 | 0:18:26 | |
You're the bloody bastard. You're the bastard. | 0:18:28 | 0:18:30 | |
Bastard! | 0:18:30 | 0:18:32 | |
I'm terribly sorry. He couldn't find his key, Mrs Thompson. | 0:18:44 | 0:18:47 | |
Most terribly sorry. | 0:18:47 | 0:18:49 | |
Oh dear. | 0:18:49 | 0:18:50 | |
Do you need to relieve yourself, Joe? | 0:18:53 | 0:18:57 | |
Come on. Here we go. | 0:19:00 | 0:19:03 | |
It's all right. Come on. | 0:19:06 | 0:19:08 | |
You all right? | 0:19:11 | 0:19:12 | |
Thanks, Dad. | 0:19:16 | 0:19:18 | |
Just try and get 40 winks, that's it. | 0:19:31 | 0:19:33 | |
I love it, you know, I love Warley. | 0:19:41 | 0:19:45 | |
See it all from up 'ere. | 0:19:48 | 0:19:50 | |
Buses. Tebbut's Mill. | 0:19:51 | 0:19:54 | |
All the shops on Market Street. | 0:19:56 | 0:19:58 | |
Wintrips. Finlays with Daks shirts | 0:19:58 | 0:20:04 | |
and Jaeger dressing gowns. | 0:20:04 | 0:20:06 | |
Priestleys, Robbins. | 0:20:07 | 0:20:10 | |
I can't leave it, can I? | 0:20:12 | 0:20:14 | |
I want it. | 0:20:17 | 0:20:18 | |
Here. | 0:20:19 | 0:20:20 | |
I don't know what to do. | 0:20:24 | 0:20:26 | |
It's all right. Just try and get some sleep. | 0:20:27 | 0:20:29 | |
I don't know what to do. | 0:20:31 | 0:20:32 | |
CUTLERY CHINKS | 0:20:39 | 0:20:40 | |
-Morning. -Morning. -Morning. | 0:20:49 | 0:20:51 | |
If you've any washing, Joe, I'm doing it tomorrow. | 0:20:55 | 0:20:58 | |
Leave it in the hamper. | 0:20:58 | 0:20:59 | |
Thank you. | 0:20:59 | 0:21:01 | |
Always rather a melancholy day, I think - | 0:21:03 | 0:21:05 | |
after you get back from holidays. | 0:21:05 | 0:21:08 | |
Have you any plans? | 0:21:11 | 0:21:12 | |
Not really. I've... | 0:21:14 | 0:21:16 | |
I've a few letters to write. | 0:21:16 | 0:21:18 | |
Look at you | 0:21:42 | 0:21:43 | |
Hello. | 0:21:45 | 0:21:46 | |
Thank you for your letter. | 0:21:53 | 0:21:54 | |
Thank you for yours. | 0:21:56 | 0:21:57 | |
Take me somewhere. | 0:22:11 | 0:22:13 | |
SHE PANTS | 0:22:28 | 0:22:29 | |
Did she let you touch her here? | 0:22:31 | 0:22:33 | |
-And here. -Stop it. | 0:22:41 | 0:22:43 | |
Don't you want me more? | 0:22:46 | 0:22:47 | |
Yes. | 0:22:48 | 0:22:49 | |
BOTH GASP | 0:23:01 | 0:23:02 | |
Go on, then. | 0:23:13 | 0:23:14 | |
Hurt me. | 0:23:17 | 0:23:18 | |
SHE GASPS | 0:23:27 | 0:23:28 | |
Joe. | 0:23:43 | 0:23:44 | |
I love you with all of me now, you know. | 0:23:46 | 0:23:48 | |
Every little bit of me is yours. | 0:23:53 | 0:23:55 | |
It's not funny, is it? | 0:24:10 | 0:24:12 | |
No, just... | 0:24:15 | 0:24:16 | |
I thought you were the one who's supposed to bleed. | 0:24:19 | 0:24:22 | |
Even stevens. | 0:24:37 | 0:24:38 | |
You won't need her now, will you, Joe? | 0:24:43 | 0:24:45 | |
Not now we're serious about each other. | 0:24:47 | 0:24:49 | |
HE SIGHS | 0:24:50 | 0:24:52 | |
RINGING TONE | 0:25:07 | 0:25:08 | |
'Warley 6813. George Aisgill speaking.' | 0:25:10 | 0:25:12 | |
Anything in there for Susan? | 0:25:21 | 0:25:23 | |
Keep looking. | 0:25:24 | 0:25:26 | |
What did you tell your mum and dad? | 0:25:27 | 0:25:29 | |
Oh! | 0:25:31 | 0:25:32 | |
Just said I was going out. | 0:25:32 | 0:25:34 | |
I don't have to tell them everything I do, you know. | 0:25:34 | 0:25:36 | |
They're my parents, not prison guards. | 0:25:36 | 0:25:38 | |
Ah, but you're the princess, I'm the swineherd, | 0:25:38 | 0:25:41 | |
and they're the dragons I have to slay, aren't they? | 0:25:41 | 0:25:43 | |
Charming. Mummy would be so flattered. | 0:25:43 | 0:25:45 | |
But it's true. | 0:25:45 | 0:25:47 | |
You're so beautiful, you'd have to be a princess. | 0:25:48 | 0:25:51 | |
Even if you'd had bad luck and had to go and work in the kitchens, | 0:25:51 | 0:25:54 | |
your prince'd still spot yer. | 0:25:54 | 0:25:56 | |
'Cause you'd left an expensive ring in the cake you'd baked for him. | 0:25:56 | 0:25:59 | |
I've never baked a cake in my life. | 0:25:59 | 0:26:01 | |
And the shock would almost kill him, when you were brought to him | 0:26:01 | 0:26:04 | |
in your donkey skin, with your hands and face dirty, because | 0:26:04 | 0:26:07 | |
he thought he'd fallen in love with a common Grade Ten working girl. | 0:26:07 | 0:26:11 | |
Grade Ten? | 0:26:11 | 0:26:12 | |
Never mind. | 0:26:12 | 0:26:14 | |
And you'd take off your donkey skin | 0:26:15 | 0:26:17 | |
and he'd see your soft, white, delicate skin... | 0:26:17 | 0:26:21 | |
..and know that you were Grade One | 0:26:22 | 0:26:24 | |
and that he could marry and live happily ever after. | 0:26:24 | 0:26:29 | |
That's the way it goes. | 0:26:31 | 0:26:32 | |
You really do talk the most awful nonsense. | 0:26:36 | 0:26:38 | |
You're the oddest man I've met in my life. | 0:26:38 | 0:26:42 | |
Oh, gosh. These seats are hard, aren't they? Reminds me of travelling on the Continent. | 0:26:42 | 0:26:46 | |
-I like your tie, Mr Lampton. -Ta. | 0:26:56 | 0:26:58 | |
Get me the petty cash register, will you, Ray. | 0:26:59 | 0:27:02 | |
Hello, Joe. | 0:27:27 | 0:27:28 | |
Sorry, the office boy said it was all right. | 0:27:31 | 0:27:34 | |
Nice. It's nice to see you. | 0:27:35 | 0:27:38 | |
Come outside. | 0:27:43 | 0:27:45 | |
I called you at the Thompsons'. | 0:27:56 | 0:27:58 | |
Did you get my message? | 0:27:58 | 0:28:00 | |
Yeah. Sorry. It's been tricky. | 0:28:00 | 0:28:04 | |
No, I know. | 0:28:04 | 0:28:07 | |
More than ever. | 0:28:07 | 0:28:08 | |
The way people talk. | 0:28:10 | 0:28:12 | |
Listen. I've got to go into hospital... That's all. | 0:28:14 | 0:28:18 | |
What's wrong? | 0:28:18 | 0:28:19 | |
It's women's problems. You don't want to know. | 0:28:20 | 0:28:22 | |
Well, you're not... | 0:28:22 | 0:28:24 | |
No. No. | 0:28:24 | 0:28:25 | |
I've got to go in for a little while. I thought I'd better tell you. | 0:28:27 | 0:28:30 | |
Well, you're sure it's nothing serious. | 0:28:32 | 0:28:35 | |
I'm not brave about things like that, believe me. | 0:28:35 | 0:28:37 | |
You'd be the first to know if it was anything to bother about. | 0:28:38 | 0:28:41 | |
Can I come and visit you? | 0:28:44 | 0:28:45 | |
Best not. I don't know. | 0:28:48 | 0:28:50 | |
George will be there. It's a public ward. | 0:28:50 | 0:28:52 | |
I thought I'd better let you know. | 0:28:55 | 0:28:56 | |
Alice. | 0:29:01 | 0:29:02 | |
-MOUTHS: -I love you. | 0:29:02 | 0:29:03 | |
I feel perfectly, perfectly happy. | 0:29:17 | 0:29:21 | |
Don't you? | 0:29:26 | 0:29:27 | |
Mm? | 0:29:30 | 0:29:32 | |
What were you thinking about? | 0:29:37 | 0:29:39 | |
I was thinking about Berlin. | 0:29:42 | 0:29:44 | |
Oh. | 0:29:44 | 0:29:45 | |
At the end of the war. | 0:29:48 | 0:29:50 | |
When I got out of the prison camp. | 0:29:50 | 0:29:52 | |
I've never seen anything like it. | 0:29:54 | 0:29:56 | |
Was it horrible? | 0:29:57 | 0:29:59 | |
The little kids, Germans. | 0:30:01 | 0:30:03 | |
They were starving, begging for food. | 0:30:03 | 0:30:09 | |
You'd give them your chocolate ration, Belsen or no Belsen. | 0:30:09 | 0:30:16 | |
Jack was in prison camp, as well, you know. | 0:30:21 | 0:30:23 | |
He escaped. | 0:30:25 | 0:30:26 | |
Did you escape? | 0:30:27 | 0:30:29 | |
No. | 0:30:33 | 0:30:34 | |
No note. Just for Mrs Aisgill. | 0:30:45 | 0:30:48 | |
You can tell her they're from Joe. | 0:30:50 | 0:30:52 | |
-You're hateful and despicable! -Susan. | 0:31:06 | 0:31:08 | |
I don't care! Get off me! | 0:31:08 | 0:31:09 | |
-You've broken my heart once and now I'm happy again you're doing this. -She's ill. | 0:31:09 | 0:31:13 | |
So what! She's not dying, is she? I wouldn't care if she was, at least you wouldn't go back to her. | 0:31:13 | 0:31:18 | |
-She's old! -She's not old! | 0:31:18 | 0:31:19 | |
She's older than you. | 0:31:19 | 0:31:20 | |
Yes. And you, years older! I hate you, I hate... | 0:31:20 | 0:31:23 | |
No, you don't! Listen, you silly bitch. | 0:31:23 | 0:31:25 | |
-Don't call me names! -I'll do what you asked. | 0:31:25 | 0:31:27 | |
-Don't you dare laugh at me! -I'm sorry, it's just you're so... | 0:31:27 | 0:31:30 | |
Listen, all right? | 0:31:31 | 0:31:34 | |
I'll finish it once and for all. | 0:31:34 | 0:31:36 | |
When she's out of hospital. Face-to-face. Not by letter. | 0:31:36 | 0:31:40 | |
It's only decent. | 0:31:40 | 0:31:41 | |
She's not decent. She's an old whore! | 0:31:41 | 0:31:44 | |
-She's had masses of men, everybody knows. She'll go with anyone who'll look at her. -Shut up about her! | 0:31:44 | 0:31:49 | |
I've said what I'll do | 0:31:50 | 0:31:52 | |
and I meant it. | 0:31:52 | 0:31:53 | |
I make the decisions, all right? | 0:31:53 | 0:31:56 | |
Now and in the future. | 0:31:56 | 0:31:58 | |
All right | 0:32:08 | 0:32:09 | |
I meant it too. | 0:32:10 | 0:32:11 | |
I really will finish with you this time. | 0:32:13 | 0:32:15 | |
Fair enough. | 0:32:15 | 0:32:16 | |
We both know where we stand then. | 0:32:18 | 0:32:19 | |
And while we're on the subject of whores, you can tell | 0:32:21 | 0:32:24 | |
Eva Storr to neb out of my business. | 0:32:24 | 0:32:26 | |
I presume it was one of her spies who got on to you about the flowers. | 0:32:27 | 0:32:31 | |
You coming? | 0:32:41 | 0:32:43 | |
Or is Daddy picking you up? | 0:32:44 | 0:32:46 | |
Or Jack? | 0:32:46 | 0:32:48 | |
GIGGLING > | 0:32:56 | 0:32:57 | |
No, I'm sweet enough thanks, Ray. > | 0:32:57 | 0:33:00 | |
Ray! Bring me the cashbox and stamp book, will you! | 0:33:03 | 0:33:06 | |
You know, Ray, unless you're very lucky, | 0:33:14 | 0:33:18 | |
very rich, or very talented, none of which applies to you, | 0:33:18 | 0:33:23 | |
if you do one thing out of line the reference system can | 0:33:23 | 0:33:27 | |
screw you for the rest of your life. | 0:33:27 | 0:33:29 | |
I went over these last month as well. | 0:33:29 | 0:33:31 | |
You damned idiot! I was waiting for you to put it back! | 0:33:32 | 0:33:35 | |
Have you got the money? | 0:33:37 | 0:33:38 | |
No. | 0:33:38 | 0:33:40 | |
'Course you haven't. You've spent it. 15 shillings! | 0:33:40 | 0:33:45 | |
What is it you earn? Around two pound a week? | 0:33:48 | 0:33:50 | |
Near enough. | 0:33:50 | 0:33:51 | |
And your mates from school, they're on what, five, six pound a week. Am I right? | 0:33:51 | 0:33:55 | |
Keeping up with the Joneses. | 0:33:59 | 0:34:01 | |
I'm very sorry, Mr Lampton. | 0:34:01 | 0:34:02 | |
I won't ever do it again, I swear. | 0:34:02 | 0:34:05 | |
Please don't tell on us. Please. | 0:34:05 | 0:34:08 | |
You wouldn't be making two quid a week as a brickie, would you? | 0:34:08 | 0:34:11 | |
No, sir. | 0:34:11 | 0:34:13 | |
Thank you, sir. Thank you. | 0:34:17 | 0:34:18 | |
I'll pay back every penny. I swear I will. | 0:34:18 | 0:34:21 | |
Don't be daft. | 0:34:21 | 0:34:22 | |
Just don't do it again, that's all. | 0:34:24 | 0:34:26 | |
And if I ever catch you again - | 0:34:26 | 0:34:28 | |
even half a penny out - then you go to Mr Hoylake straight away. | 0:34:28 | 0:34:31 | |
Now get out and wash your face. | 0:34:33 | 0:34:35 | |
Going soft in my old age. | 0:34:46 | 0:34:48 | |
# Onward Christian soldiers | 0:34:48 | 0:34:50 | |
PHONE RINGS | 0:34:50 | 0:34:52 | |
# Marching as to war | 0:34:52 | 0:34:56 | |
# With the cross of... # | 0:34:56 | 0:34:58 | |
-Audit Office. Joe Lampton speaking. -# Jesus... # | 0:34:58 | 0:35:00 | |
-'Harry Brown here, Lampton. Are you having a prayer meeting?' -Yeah. Sorry about that. | 0:35:00 | 0:35:04 | |
-Are you sure it's me you want to speak to, Mr Brown? -'Aye. Quite sure. | 0:35:04 | 0:35:07 | |
'Lunch at Con Club. One.' | 0:35:07 | 0:35:09 | |
PHONE HANGS UP | 0:35:09 | 0:35:10 | |
Well, if you don't want it I'll hang onto it. | 0:35:31 | 0:35:33 | |
We're not allowed to accept gratuities, sir. | 0:35:33 | 0:35:35 | |
-No, thanks. -You're sensible. | 0:35:48 | 0:35:52 | |
Bad habit before meals. Mind, it's the only way you are sensible. | 0:35:52 | 0:35:55 | |
In every other way you've been a bloody fool. | 0:35:55 | 0:35:58 | |
I'm very annoyed at you, young man. | 0:35:58 | 0:36:00 | |
If you just asked me here to lay down the law about Susan, there's no point in me staying, is there? | 0:36:00 | 0:36:04 | |
Don't be any dafter than you can help. | 0:36:04 | 0:36:06 | |
Anyway, you might as well have lunch before you walk out on me. | 0:36:08 | 0:36:12 | |
Not that you'll have a good one. Place has gone right downhill since rationing started. | 0:36:14 | 0:36:19 | |
-Is this the first time you've been here? -To this or any Conservative Club. | 0:36:20 | 0:36:24 | |
My father'd turn in his grave if he could see me now. | 0:36:24 | 0:36:26 | |
So would mine, lad. | 0:36:26 | 0:36:28 | |
But we're not bound by our fathers, are we? | 0:36:28 | 0:36:31 | |
I'm thinking of setting you up in business. | 0:36:43 | 0:36:45 | |
You're joking. | 0:36:47 | 0:36:48 | |
You're a very bright young man. | 0:36:48 | 0:36:50 | |
You don't want to work at the Town Hall all your life, do you? | 0:36:50 | 0:36:52 | |
And now's the time accountants can do well for themselves. | 0:36:52 | 0:36:55 | |
Supposing I was to lend you what was necessary to buy a partnership somewhere. | 0:36:58 | 0:37:02 | |
You better tell me the catch. | 0:37:04 | 0:37:06 | |
All right. | 0:37:08 | 0:37:09 | |
You're never to see Susan again or communicate with her in any way. | 0:37:13 | 0:37:16 | |
And I'm to leave Warley too, I suppose. | 0:37:17 | 0:37:20 | |
Oh, yes, you're to leave Warley too. | 0:37:20 | 0:37:22 | |
Could have been hotter. | 0:37:24 | 0:37:26 | |
Well, you don't have to think about it twice, do you? | 0:37:28 | 0:37:30 | |
No. | 0:37:31 | 0:37:33 | |
The answer's no. I reckon nowt to your bloody rotten offer. | 0:37:35 | 0:37:38 | |
-I'll dig ditches before I'll be bought. -Well, there's a turn-up for the books. | 0:37:38 | 0:37:42 | |
I'll bring it before the magistrates, if I have to. | 0:37:42 | 0:37:45 | |
-And if you manage to buy them off, I'll kick up a hell of a row. -You'll do no such thing. -Just watch me. | 0:37:45 | 0:37:49 | |
You'll do no such thing 'cause you're marrying her. With my consent. And right quick. | 0:37:49 | 0:37:53 | |
Oh, I'll turn into a bloody chicken at this rate. | 0:37:56 | 0:37:58 | |
It seems to be the only thing off ration. Is that all right for you? | 0:37:58 | 0:38:02 | |
Yes, thanks. | 0:38:04 | 0:38:07 | |
Who says I want to marry her? | 0:38:15 | 0:38:17 | |
Oh, you're an awkward bloody article, aren't you, Lampton. | 0:38:17 | 0:38:20 | |
-I don't like being told what to do. -Well, what are your intentions? | 0:38:20 | 0:38:23 | |
Are you telling me you think you can do better than Susan? | 0:38:23 | 0:38:26 | |
No. Um... | 0:38:27 | 0:38:29 | |
Bloody hell. | 0:38:32 | 0:38:33 | |
Is Susan... | 0:38:34 | 0:38:36 | |
Is she in the family way? | 0:38:38 | 0:38:39 | |
I didn't... She never said... | 0:38:41 | 0:38:43 | |
No. She didn't tell you because she didn't want you to | 0:38:43 | 0:38:47 | |
wed her out of a sense of duty. | 0:38:47 | 0:38:48 | |
I didn't tell you because I didn't want you to wed her as a financial proposition. | 0:38:48 | 0:38:52 | |
Why the hell should I present you with a gun to hold to my head? | 0:38:52 | 0:38:55 | |
This is not how I'd planned to see my daughter wed, I can tell you. | 0:38:58 | 0:39:01 | |
You know, some fathers have their daughters sent away to nursing homes. | 0:39:03 | 0:39:08 | |
Aye. But Susan's got a mind of her own. | 0:39:08 | 0:39:12 | |
You've got that to look forward to, lad. | 0:39:12 | 0:39:14 | |
Now. There's business to talk about. Ways and means. | 0:39:16 | 0:39:20 | |
You don't want to work for the Corporation all your life, do you? | 0:39:20 | 0:39:24 | |
One last thing, Lampton. | 0:39:28 | 0:39:30 | |
Leave off Alice Aisgill. | 0:39:30 | 0:39:31 | |
I won't have my son-in-law in the divorce courts over | 0:39:31 | 0:39:34 | |
an old whore like her. | 0:39:34 | 0:39:35 | |
There's no need to use that word. | 0:39:35 | 0:39:37 | |
It's all... It's all over between us, any road. | 0:39:39 | 0:39:42 | |
I'm glad you're feeling better. | 0:40:03 | 0:40:05 | |
You look well, Alice. | 0:40:06 | 0:40:07 | |
I look terrible. | 0:40:09 | 0:40:10 | |
Is that why you haven't touched me? | 0:40:11 | 0:40:13 | |
You got the flowers? | 0:40:15 | 0:40:16 | |
-In hospital? -Yes. It was very sweet of you. | 0:40:17 | 0:40:20 | |
Joe, you better tell me what's on your mind or I'm going to have to scream. | 0:40:22 | 0:40:26 | |
We can't see each other any more. | 0:40:29 | 0:40:31 | |
I don't think it's a good idea. | 0:40:36 | 0:40:38 | |
I really look that bad, do I? | 0:40:40 | 0:40:42 | |
You look... You look beautiful. | 0:40:44 | 0:40:48 | |
I could... | 0:40:48 | 0:40:49 | |
Like I say, I don't think it's a good idea for us to carry on. | 0:40:53 | 0:40:58 | |
I'm sorry. | 0:40:59 | 0:41:00 | |
Christ. | 0:41:05 | 0:41:07 | |
I've always wondered why you never tried to escape from the Stalag...whatever it was. | 0:41:15 | 0:41:19 | |
91. | 0:41:21 | 0:41:22 | |
What's that got to do with anything? | 0:41:24 | 0:41:26 | |
You're right. It doesn't make any difference now. | 0:41:27 | 0:41:32 | |
What was the point? | 0:41:39 | 0:41:40 | |
Escaping and getting myself killed for nothing. | 0:41:43 | 0:41:45 | |
Public school types were all right being all gung-ho. | 0:41:45 | 0:41:49 | |
They'd had a decent life before they got caught. | 0:41:49 | 0:41:52 | |
I did my exams in there. | 0:41:54 | 0:41:56 | |
It was my chance to keep my head down and better myself. | 0:41:59 | 0:42:05 | |
You're a timid little soul when it comes down to it, aren't you? | 0:42:20 | 0:42:23 | |
I know which side my bread's buttered on. | 0:42:23 | 0:42:26 | |
Alice. It would have blown up in our faces, you know it would. | 0:42:32 | 0:42:37 | |
Eva Storr's been telling the world and his wife about us. | 0:42:37 | 0:42:40 | |
It's only a matter of time before George knows, if he doesn't know already. | 0:42:40 | 0:42:43 | |
-And I'm going in no mucky divorce courts and that's flat. -Mucky? | 0:42:43 | 0:42:47 | |
It's not long ago, is it, since you fucked me. | 0:42:47 | 0:42:50 | |
Kissed my breasts. Licked my cunt. | 0:42:52 | 0:42:54 | |
-There's no need to... -Let me suck your cock. | 0:42:54 | 0:42:57 | |
-Let me ride you. -Well, you don't have to talk like that! | 0:42:57 | 0:43:00 | |
We did it, didn't we? | 0:43:02 | 0:43:03 | |
Why can't you be honest, Joe? | 0:43:08 | 0:43:10 | |
For God's sake, it's the least you can bloody do. | 0:43:13 | 0:43:16 | |
I'm engaged to Susan Brown and I'm going to work for her father. | 0:43:22 | 0:43:27 | |
-But that's not why we've got to call it a day. -Oh, really? | 0:43:29 | 0:43:31 | |
Seems like an awfully good reason to me. | 0:43:33 | 0:43:36 | |
It's perfectly simple. | 0:43:36 | 0:43:37 | |
Understandable. | 0:43:39 | 0:43:41 | |
And cold-blooded. | 0:43:41 | 0:43:42 | |
Oh, Christ, Alice! | 0:43:42 | 0:43:43 | |
I don't want to hurt you. | 0:43:43 | 0:43:45 | |
Truly, I don't. But... You don't belong to Warley. Do you? | 0:43:45 | 0:43:50 | |
I can't have you and have Warley. | 0:43:51 | 0:43:55 | |
-And that's the truth of it. -Oh, bloody Warley! | 0:43:55 | 0:43:57 | |
You're welcome to it! | 0:43:57 | 0:44:00 | |
Believe it or not, Joe, there's more to the world than this. | 0:44:03 | 0:44:05 | |
SHE SOBS | 0:44:05 | 0:44:06 | |
I did love you. | 0:44:08 | 0:44:09 | |
I really did. | 0:44:13 | 0:44:14 | |
But I can't... | 0:44:19 | 0:44:20 | |
Let's just leave it at that. | 0:44:22 | 0:44:23 | |
Take care, Alice. | 0:44:32 | 0:44:33 | |
I do care about you. You know that. | 0:44:37 | 0:44:40 | |
Good luck. | 0:44:41 | 0:44:42 | |
Thank you. | 0:44:52 | 0:44:54 | |
-You swapped my pictures. The prints. -Yes, when I changed the bed. | 0:45:29 | 0:45:35 | |
Oh, we've got a drawer full - it seems a shame not to circulate them. | 0:45:35 | 0:45:38 | |
I just thought you'd fancy a change. | 0:45:40 | 0:45:42 | |
I did. It's odd... | 0:45:42 | 0:45:46 | |
-whenever you want something you get it. -Well... | 0:45:48 | 0:45:52 | |
you always get what you want when you're young. | 0:45:53 | 0:45:57 | |
The whole world's in a conspiracy to give you things. | 0:45:59 | 0:46:02 | |
I'm just composing my farewell to you all. | 0:46:24 | 0:46:27 | |
The lush pastures of private enterprise, I'll put in a good word for you if you like. | 0:46:27 | 0:46:30 | |
It's Alice Aisgill. | 0:46:33 | 0:46:34 | |
She's dead. | 0:46:37 | 0:46:39 | |
Ran her car into a wall on Warley Moor. | 0:46:39 | 0:46:43 | |
She'd been drinking all night in the Clarendon. | 0:46:48 | 0:46:52 | |
And the St Clair. | 0:46:52 | 0:46:54 | |
Wouldn't serve her any more at the St Clair. | 0:46:54 | 0:46:56 | |
Let her drive home, though, didn't they? | 0:47:01 | 0:47:04 | |
She must have been going a hell-of-a lick though to come off the road. | 0:47:04 | 0:47:08 | |
Joe... | 0:47:08 | 0:47:09 | |
They say the car were bent like that. | 0:47:19 | 0:47:22 | |
There's blood all over the tarmac. | 0:47:22 | 0:47:24 | |
You knew Alice Aisgill, didn't you? | 0:47:26 | 0:47:30 | |
-Yeah. -It's a terrible business. | 0:47:30 | 0:47:32 | |
To think someone can be gone like that in a second. | 0:47:32 | 0:47:35 | |
Well, it took longer than a second. | 0:47:35 | 0:47:37 | |
My cousin's a porter at the Infirmary, you know, our Roy. | 0:47:37 | 0:47:41 | |
He said that she was crawling about the road when the worker | 0:47:41 | 0:47:43 | |
from the farm found her this morning. She was scalped. | 0:47:43 | 0:47:45 | |
-The steering column right... -Joe, are you all right? | 0:47:45 | 0:47:49 | |
I'm going home. Just tell Hoylake I'm sick. | 0:47:51 | 0:47:53 | |
Let's be having you, chum. | 0:48:15 | 0:48:17 | |
This is the terminus - Dufton. | 0:48:17 | 0:48:20 | |
-Hey. -Dufton? | 0:48:22 | 0:48:25 | |
Dufton, aye. | 0:48:25 | 0:48:28 | |
Unless you want to pay the bob back and make a day of it. | 0:48:28 | 0:48:30 | |
Hello. | 0:48:56 | 0:48:58 | |
I used to live here, you know. The Lamptons. Do you remember them? | 0:48:58 | 0:49:03 | |
Your Mum and Dad will. | 0:49:05 | 0:49:06 | |
Jerries blew our house sky-high, they'll tell you. | 0:49:08 | 0:49:11 | |
Come here. I want to talk to you. | 0:49:11 | 0:49:15 | |
It's all right - I'm from round here. | 0:49:16 | 0:49:19 | |
Can I have a brandy, please. | 0:49:29 | 0:49:31 | |
-Are you ill? -What? | 0:49:31 | 0:49:34 | |
I said. Are - you - ill? | 0:49:34 | 0:49:37 | |
'Course not. I just want a brandy. | 0:49:38 | 0:49:42 | |
I'll buy you one, dear, | 0:49:42 | 0:49:44 | |
-if Ronnie's too mean to serve you. -You'll get yourself into trouble. | 0:49:44 | 0:49:48 | |
Yes, please! | 0:49:48 | 0:49:50 | |
-I like your tie. -Thanks. | 0:49:52 | 0:49:55 | |
-Can I get you a drink? -No, I've told you. | 0:49:55 | 0:49:58 | |
It's on me. Just a tonic and lemon. | 0:50:00 | 0:50:04 | |
-Keeping your wits about you. -For now. | 0:50:07 | 0:50:10 | |
Cheers, handsome. | 0:50:19 | 0:50:20 | |
I'm George. | 0:50:26 | 0:50:27 | |
-Lancelot. -Don't get many of those. | 0:50:27 | 0:50:29 | |
Can I call you Lance? | 0:50:29 | 0:50:32 | |
You can call me whatever you like... | 0:50:32 | 0:50:35 | |
George. | 0:50:35 | 0:50:37 | |
Same again? | 0:50:42 | 0:50:44 | |
You'll spend all your money on me if you're not careful. | 0:50:44 | 0:50:48 | |
Got to pay a visit. | 0:50:50 | 0:50:51 | |
You never. | 0:51:10 | 0:51:12 | |
Swear to God, ladies' underwear. | 0:51:12 | 0:51:14 | |
I've sold thousands of pairs of knickers this week. | 0:51:14 | 0:51:17 | |
You devil! Will you get me a free sample? | 0:51:17 | 0:51:21 | |
If you're a good girl. | 0:51:21 | 0:51:23 | |
I'm Marla. | 0:51:27 | 0:51:29 | |
Nice to meet you, Marla. | 0:51:29 | 0:51:32 | |
I'm Jack. | 0:51:32 | 0:51:33 | |
Jack Wales. | 0:51:35 | 0:51:37 | |
-No! I'm with somebody. -I'm not having this. -No! | 0:51:39 | 0:51:42 | |
-You're embarrassing me. -Oi! | 0:51:42 | 0:51:44 | |
What you doing? Leave her alone, pal. | 0:51:44 | 0:51:47 | |
-And who the hell are you? -None of your business. | 0:51:48 | 0:51:50 | |
Now do the off, will you. | 0:51:50 | 0:51:53 | |
-Come on. -No. -Come on. | 0:51:53 | 0:51:55 | |
-Dennis, get off me, will you. -You're coming with me! -I've told him. | 0:51:55 | 0:51:58 | |
-She don't want to go with you, now get your hands off her. -Piss off! | 0:51:58 | 0:52:01 | |
NO! | 0:52:01 | 0:52:02 | |
HEAVY BREATHING AND GRUNTING | 0:52:34 | 0:52:37 | |
Ohh... Can't hang on to it tonight. | 0:53:10 | 0:53:13 | |
Catch must be broken. | 0:53:13 | 0:53:15 | |
-Cheap bit of rubbish. -Here. | 0:53:15 | 0:53:19 | |
Let me give you something to buy yourself a new one. | 0:53:19 | 0:53:25 | |
Give over. | 0:53:25 | 0:53:26 | |
You've spent pounds on me. | 0:53:26 | 0:53:28 | |
I'm not like that, Jack. | 0:53:28 | 0:53:30 | |
If I like a lad, I like him. | 0:53:30 | 0:53:32 | |
Besides, I take home good money, me. | 0:53:32 | 0:53:35 | |
-I took home £6 last week. -£6! | 0:53:35 | 0:53:41 | |
That's good money, Marla. You'll be able to save for your bottom drawer. | 0:53:43 | 0:53:49 | |
Well, got to find a chap first. | 0:53:50 | 0:53:53 | |
Oh, you've lovely soft hands, eh? | 0:53:53 | 0:53:56 | |
They're not lovely. | 0:54:00 | 0:54:02 | |
Warm hands, cold heart. Murderer's hands. | 0:54:02 | 0:54:10 | |
I'm a murderer, Marla. I killed her. | 0:54:10 | 0:54:14 | |
SOBS: I killed... | 0:54:15 | 0:54:19 | |
You're drunk, love. | 0:54:19 | 0:54:20 | |
Hey. | 0:54:20 | 0:54:22 | |
Look, I'd better be going home then. My dad'll have my guts for garters. | 0:54:22 | 0:54:27 | |
All right. Steady on. | 0:54:41 | 0:54:43 | |
Dennis, is it? | 0:54:43 | 0:54:46 | |
Come on, Dennis. It were just a bit of fun. She's all yours. | 0:54:50 | 0:54:54 | |
Come on. | 0:55:02 | 0:55:04 | |
That's enough. | 0:55:12 | 0:55:14 | |
Still alive. | 0:55:52 | 0:55:53 | |
Oh, God. Still fucking alive. | 0:55:53 | 0:55:57 | |
You can't actually see our house from here, can you? We're further up. | 0:56:40 | 0:56:45 | |
-It's a nice view though. -I'll miss it. | 0:56:45 | 0:56:49 | |
No. No. No, you won't. | 0:56:52 | 0:56:55 | |
Oi! We need to get into training. | 0:56:58 | 0:57:01 | |
Your parents are having me under their roof under the strict | 0:57:01 | 0:57:04 | |
understanding there'll be no carrying on before the wedding night. | 0:57:04 | 0:57:07 | |
Well, there's carpet in the hall. They won't hear the floorboards. | 0:57:07 | 0:57:11 | |
Go on. | 0:57:28 | 0:57:30 | |
I got it in London when I was meant to be looking at wedding dresses. | 0:57:32 | 0:57:36 | |
I bought it with my own money. | 0:57:38 | 0:57:40 | |
It's for our honeymoon. | 0:57:44 | 0:57:46 | |
You like it, don't you? | 0:58:04 | 0:58:05 | |
I love it. | 0:58:11 | 0:58:14 | |
I'd wear it out. | 0:58:15 | 0:58:17 | |
-SHE LAUGHS -You can't. | 0:58:17 | 0:58:19 | |
I know. | 0:58:19 | 0:58:21 | |
MAN WHISTLES A TUNE | 0:58:58 | 0:59:02 | |
Subtitles by Red Bee Media Ltd | 0:59:16 | 0:59:19 |