Browse content similar to A Good Day's Work. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
. | 0:01:51 | 0:01:58 | |
BEEPING | 0:02:03 | 0:02:04 | |
BEEPING STOPS | 0:02:04 | 0:02:05 | |
RAPID BEEPING | 0:02:05 | 0:02:07 | |
Your husband Tom... | 0:02:30 | 0:02:32 | |
he was on the board of directors of a company called Atlas McDowell. | 0:02:32 | 0:02:36 | |
Did he ever talk to you about this? | 0:02:36 | 0:02:38 | |
My husband was on many boards. | 0:00:37 | 0:00:39 | |
He never talked about any of them. | 0:00:39 | 0:00:41 | |
What time did Kateb's bomb go off in Bali? | 0:02:43 | 0:02:46 | |
Sana'a, Yemen, seven hours ahead of New York City. | 0:02:46 | 0:02:50 | |
So is Cairo, Jakarta 11 hours, Bali 12 hours, | 0:02:50 | 0:02:53 | |
so it was, it was 4.20pm in New York at the time of all of the bombings. | 0:02:53 | 0:02:57 | |
Is this what my life's going to be like from now on? | 0:00:56 | 0:00:59 | |
Do I have to be worried about a tail every time I leave my apartment? | 0:00:59 | 0:01:04 | |
Can you tell me who's the last person to check this out? | 0:03:05 | 0:03:08 | |
David Hadas. | 0:01:11 | 0:01:14 | |
-Will! Will! Yuri Popovich is dead. -What? How? | 0:03:16 | 0:03:20 | |
-Gunned down in Moscow. -Oh, shit! | 0:03:20 | 0:03:24 | |
If Katherine Rhumor spends any further time with Will Travers, | 0:01:23 | 0:01:27 | |
he will be terminated. | 0:01:27 | 0:01:29 | |
And by terminated they mean killed. | 0:01:30 | 0:01:33 | |
I don't know who you think you are, old man, | 0:01:33 | 0:01:36 | |
I don't know what Maggie may have told you, | 0:01:36 | 0:01:38 | |
but you are messing with the wrong guy. | 0:01:38 | 0:01:40 | |
HE GASPS | 0:03:41 | 0:03:44 | |
-Did he see you? -Yes, he did. | 0:03:45 | 0:03:48 | |
Good. And Mrs Rhumor? | 0:03:48 | 0:03:51 | |
She won't be a problem. | 0:01:50 | 0:01:51 | |
VEHICLE BACKUP SIGNAL BEEPING | 0:02:10 | 0:02:13 | |
GROANS SOFTLY | 0:02:14 | 0:02:15 | |
Hey. | 0:02:21 | 0:02:22 | |
I couldn't sleep. | 0:02:22 | 0:02:24 | |
Why not? | 0:02:27 | 0:02:29 | |
Everything OK? | 0:02:29 | 0:02:30 | |
I had a dream. | 0:02:30 | 0:02:32 | |
You were in a Moscow train station, | 0:02:32 | 0:02:34 | |
wearing a fake moustache. | 0:02:34 | 0:02:36 | |
You exchanged matching briefcases | 0:02:36 | 0:02:39 | |
with an older man, | 0:02:39 | 0:02:41 | |
and then you went on your way as if nothing had happened. | 0:02:41 | 0:02:44 | |
Do you ever do stuff like that? | 0:02:46 | 0:02:48 | |
Nobody does stuff like that. | 0:02:48 | 0:02:51 | |
Especially not me. | 0:02:51 | 0:02:53 | |
I mean, if it were anybody, | 0:02:55 | 0:02:57 | |
it would be a field officer, but I'm not one of those, and | 0:02:57 | 0:03:01 | |
nor would I want to be. | 0:03:01 | 0:03:03 | |
You don't like those guys? | 0:03:03 | 0:03:05 | |
No, they're fine, just, er... | 0:03:05 | 0:03:07 | |
slightly...less cerebral. | 0:03:07 | 0:03:12 | |
They're meatheads. | 0:03:12 | 0:03:14 | |
You guys are the AV club, and they're the football players. | 0:03:14 | 0:03:16 | |
I will have you know that I'm very good at sports. | 0:03:16 | 0:03:19 | |
CHUCKLES: Right. | 0:03:19 | 0:03:21 | |
I am good at | 0:03:21 | 0:03:22 | |
hockey, I am good at baseball. | 0:03:22 | 0:03:25 | |
I have a lot of questions about your job. | 0:03:25 | 0:03:28 | |
I'm not going to answer those. | 0:03:31 | 0:03:33 | |
Where are you going? | 0:03:33 | 0:03:34 | |
I have to go to work. | 0:03:34 | 0:03:36 | |
Why so early? | 0:03:36 | 0:03:37 | |
Stay. Keep me warm. | 0:03:37 | 0:03:40 | |
I would if I could. | 0:03:40 | 0:03:43 | |
Dick. | 0:03:43 | 0:03:45 | |
I have a lot to do today. | 0:03:45 | 0:03:47 | |
You've got to fire a tranquilliser gun | 0:03:47 | 0:03:49 | |
into someone's neck and steal their identity. | 0:03:49 | 0:03:51 | |
And you're on to me. | 0:03:51 | 0:03:53 | |
LAUGHS | 0:03:53 | 0:03:55 | |
That wasn't a kiss. | 0:03:56 | 0:03:57 | |
I got to go. | 0:03:57 | 0:03:59 | |
I'll see you later. | 0:03:59 | 0:04:01 | |
We started picking up chatter early yesterday morning | 0:04:45 | 0:04:47 | |
suggesting Kateb has been activated. | 0:04:47 | 0:04:50 | |
It's just a matter of time until he moves. | 0:04:50 | 0:04:52 | |
Do we know where he is? | 0:04:52 | 0:04:54 | |
We've got him in five different countries right now. | 0:04:54 | 0:04:57 | |
And we've got him in three others. | 0:04:57 | 0:04:59 | |
We've got communications that support all eight scenarios. | 0:04:59 | 0:05:02 | |
MITCHELL: We need API to help sift through the mess. | 0:05:02 | 0:05:05 | |
It's what we do. | 0:05:05 | 0:05:07 | |
CHUCKLES | 0:05:07 | 0:05:09 | |
Any and all resources are at your fingertips. | 0:05:09 | 0:05:11 | |
That goes for all of us. | 0:05:11 | 0:05:13 | |
The US Intelligence apparatus is being mocked. | 0:05:13 | 0:05:17 | |
Politically, this could be disastrous. | 0:05:17 | 0:05:20 | |
Our usefulness is questioned far too often these days. | 0:05:20 | 0:05:24 | |
We need to get ahead on this one, Truxton. | 0:05:24 | 0:05:26 | |
There is a mountain of crap to sift through, | 0:05:26 | 0:05:28 | |
and not a whole hell of a lot of time to do it. | 0:05:28 | 0:05:32 | |
SIGHS | 0:05:32 | 0:05:33 | |
You and your team will take point on this | 0:05:35 | 0:05:37 | |
since you have a history with the subject. | 0:05:37 | 0:05:39 | |
OK. | 0:05:39 | 0:05:41 | |
As far as resources? | 0:05:41 | 0:05:43 | |
Name what you need. | 0:05:43 | 0:05:45 | |
Well, we are short a man. | 0:05:45 | 0:05:47 | |
And Tanya does have a lot of history with these players. | 0:05:47 | 0:05:50 | |
I'll take care of it. | 0:05:50 | 0:05:52 | |
I'd like to get Maggie back, also. | 0:05:52 | 0:05:54 | |
She's good at her job, | 0:05:54 | 0:05:56 | |
and we can't afford any mistakes right now. | 0:05:56 | 0:05:58 | |
No, we can't. | 0:05:58 | 0:05:59 | |
Truxton's taking an active interest in this. | 0:05:59 | 0:06:01 | |
More so than usual. | 0:06:01 | 0:06:03 | |
OK. | 0:06:03 | 0:06:04 | |
Get your team up to speed. | 0:06:04 | 0:06:06 | |
DOOR OPENS | 0:06:09 | 0:06:10 | |
DOOR CLOSES | 0:06:10 | 0:06:12 | |
BRAKES SCREECHING | 0:06:56 | 0:06:58 | |
You want a cab? | 0:06:58 | 0:07:00 | |
HORN HONKS | 0:07:06 | 0:07:08 | |
You want a cab or what? | 0:07:08 | 0:07:10 | |
Thanks for nothing. | 0:07:11 | 0:07:13 | |
MILES: Christ. | 0:07:37 | 0:07:39 | |
Russia, Malaysia, | 0:07:39 | 0:07:41 | |
Greece, France, Egypt. | 0:07:41 | 0:07:43 | |
Pakistan, Mexico and... | 0:07:43 | 0:07:45 | |
GRANT: Jordan. | 0:07:45 | 0:07:46 | |
MILES: Where isn't Kateb? | 0:07:46 | 0:07:48 | |
We're being fed this stuff. | 0:07:48 | 0:07:49 | |
It's hard to tell if any of it's reliable. | 0:07:49 | 0:07:51 | |
And none of the agencies can give us a picture of the guy? | 0:07:51 | 0:07:53 | |
WILL: No-one has one. | 0:07:53 | 0:07:55 | |
How are we supposed to confirm his location | 0:07:55 | 0:07:57 | |
with any certainty if we don't know what he looks like? | 0:07:57 | 0:07:59 | |
We're looking at this the wrong way. | 0:07:59 | 0:08:02 | |
We-we can't head down this path they're clearing for us. | 0:08:02 | 0:08:04 | |
They want us thinking about all this. | 0:08:04 | 0:08:07 | |
We enter the problem from these eight avenues, | 0:08:07 | 0:08:09 | |
we're still going to be sifting through paperwork | 0:08:09 | 0:08:11 | |
when the bomb goes off. | 0:08:11 | 0:08:12 | |
Which is exactly their intention. | 0:08:12 | 0:08:14 | |
Instead of starting from eight locations | 0:08:14 | 0:08:16 | |
and working backwards to figure out the two, | 0:08:16 | 0:08:17 | |
let's start with one man and follow him. Let's profile this guy, | 0:08:17 | 0:08:19 | |
figure out who the hell he is. | 0:08:19 | 0:08:21 | |
I can sketch up what we have real quick. | 0:08:21 | 0:08:23 | |
Great. Great. Nothing speculative. | 0:08:23 | 0:08:25 | |
Only things we absolutely know. | 0:08:25 | 0:08:27 | |
SIGHS | 0:08:50 | 0:08:52 | |
DIALLING | 0:09:36 | 0:09:38 | |
PHONE RINGING THROUGH | 0:09:41 | 0:09:42 | |
WOMAN: Fishers Island Library. | 0:09:42 | 0:09:43 | |
Please hold. KNOCKING | 0:09:43 | 0:09:45 | |
How's everything going? | 0:09:48 | 0:09:50 | |
Well, I-I... | 0:09:50 | 0:09:52 | |
We're headed in the right direction. | 0:09:52 | 0:09:53 | |
And your other assignments? | 0:09:53 | 0:09:55 | |
I feel I'm very close to coming to a conclusion. | 0:09:59 | 0:10:01 | |
What's in your way? | 0:10:01 | 0:10:03 | |
I think I've exhausted the building's capabilities. | 0:10:05 | 0:10:09 | |
Is there a source in the field that could be of assistance? | 0:10:11 | 0:10:14 | |
I believe so. | 0:10:14 | 0:10:15 | |
How much time would you need? | 0:10:15 | 0:10:17 | |
45 minutes. | 0:10:17 | 0:10:20 | |
Go. | 0:10:21 | 0:10:23 | |
What about Kateb? | 0:10:24 | 0:10:26 | |
Go. Now. | 0:10:26 | 0:10:28 | |
Get back fast. | 0:10:28 | 0:10:30 | |
DOOR OPENS | 0:10:37 | 0:10:38 | |
Hey. | 0:10:38 | 0:10:40 | |
Tanya. | 0:10:40 | 0:10:42 | |
You're back? | 0:10:42 | 0:10:43 | |
For the time being. | 0:10:46 | 0:10:48 | |
To help find Kateb. | 0:10:48 | 0:10:50 | |
How's it going? | 0:10:50 | 0:10:51 | |
Fine. | 0:10:51 | 0:10:54 | |
You can relax. | 0:10:59 | 0:11:01 | |
I'm not gonna start blowing rails | 0:11:01 | 0:11:03 | |
off the conference table. | 0:11:03 | 0:11:04 | |
I didn't think... | 0:11:04 | 0:11:07 | |
Anyways... | 0:11:07 | 0:11:08 | |
What are we doing? | 0:11:08 | 0:11:09 | |
GRANT: You know, Yuri, Tanaz | 0:11:09 | 0:11:12 | |
and George have all been killed. | 0:11:12 | 0:11:13 | |
Yeah. We figured something | 0:11:13 | 0:11:15 | |
was about to happen, and this morning, | 0:11:15 | 0:11:16 | |
NSA gave us the chatter to back that up. | 0:11:16 | 0:11:18 | |
MILES: So, we're compiling | 0:11:18 | 0:11:19 | |
everything we know about Kateb. | 0:11:19 | 0:11:21 | |
Here. Only concrete. | 0:11:21 | 0:11:24 | |
Trusted sources. | 0:11:24 | 0:11:25 | |
Will wants this checked and double-checked. | 0:11:25 | 0:11:28 | |
OK, yeah. | 0:11:28 | 0:11:31 | |
WILL: Uh-huh. | 0:11:31 | 0:11:33 | |
No. Uh, thank you. | 0:11:33 | 0:11:35 | |
I have everything I need. | 0:11:35 | 0:11:37 | |
Hey, there. | 0:11:42 | 0:11:43 | |
You all done? | 0:11:43 | 0:11:44 | |
Yes. Thank you for letting me use your place. | 0:11:44 | 0:11:47 | |
Stay awhile. | 0:11:47 | 0:11:48 | |
I've already been gone way too long. | 0:11:48 | 0:11:50 | |
LAUGHS | 0:11:50 | 0:11:52 | |
Please don't be such a pussy. | 0:11:52 | 0:11:54 | |
I really have to go, OK? | 0:11:54 | 0:11:57 | |
This is important. | 0:11:57 | 0:11:58 | |
I am also important. | 0:11:58 | 0:12:00 | |
You sometimes forget that | 0:12:00 | 0:12:01 | |
because of how tiny your brain is. | 0:12:01 | 0:12:03 | |
I can't do this right now. | 0:12:03 | 0:12:04 | |
What exactly have I asked you to do? | 0:12:04 | 0:12:06 | |
Have this conversation. | 0:12:06 | 0:12:07 | |
You haven't said a word to me since you got here. | 0:12:07 | 0:12:09 | |
It's because I'm busy. | 0:12:09 | 0:12:11 | |
I'm trying to do something. | 0:12:11 | 0:12:13 | |
MUNCHING | 0:12:18 | 0:12:20 | |
The intelligence we have on Kateb says | 0:12:20 | 0:12:23 | |
that he's in eight different places, | 0:12:23 | 0:12:25 | |
which is impossible, unless he's, well, Santa Claus. | 0:12:25 | 0:12:28 | |
I mean, if the intelligence is wrong, | 0:12:28 | 0:12:30 | |
shouldn't it be called something else? | 0:12:30 | 0:12:33 | |
Like stupidity? | 0:12:33 | 0:12:35 | |
Yeah. The stupidity that we got from the CIA suggests | 0:12:35 | 0:12:39 | |
that Kateb is an amazing, magical creature. | 0:12:39 | 0:12:41 | |
CLEARS THROAT | 0:12:41 | 0:12:44 | |
What? | 0:12:44 | 0:12:46 | |
How's it coming? | 0:12:47 | 0:12:49 | |
Um, it's, um... | 0:12:49 | 0:12:51 | |
slow, but, er... but it's, it's steady. | 0:12:51 | 0:12:54 | |
I mean, there- there's a lot to- to go through. | 0:12:54 | 0:12:57 | |
Any progress? | 0:13:01 | 0:13:02 | |
We're...zeroing in | 0:13:05 | 0:13:07 | |
and should have something for you pretty soon. | 0:13:07 | 0:13:10 | |
Where's Will? | 0:13:16 | 0:13:17 | |
He, er, he stepped out for-for a minute. | 0:13:18 | 0:13:20 | |
I think, er, I think he should be, | 0:13:20 | 0:13:24 | |
should be back in soon. | 0:13:24 | 0:13:26 | |
SIGHS | 0:13:32 | 0:13:34 | |
We're zeroing in? | 0:13:34 | 0:13:36 | |
Tanya, where are you with the NSA stuff? | 0:13:36 | 0:13:39 | |
I'm trying, OK? I'm reading. | 0:13:39 | 0:13:41 | |
I can only read as fast as I can read. | 0:13:41 | 0:13:44 | |
I'm just asking where you are. | 0:13:44 | 0:13:46 | |
I don't know where I am. | 0:13:46 | 0:13:47 | |
Somewhere between the beginning and the end. | 0:13:47 | 0:13:49 | |
I apologise for my pace, Grant. | 0:13:49 | 0:13:52 | |
SPEED-DIALLING | 0:14:28 | 0:14:30 | |
LINE RINGS | 0:14:30 | 0:14:32 | |
WOMAN ON PHONE: Records department. | 0:14:32 | 0:14:34 | |
I'm-I'm sorry, um... | 0:14:36 | 0:14:39 | |
Where am I calling? | 0:14:39 | 0:14:42 | |
Fishers Island Public Library. | 0:14:42 | 0:14:43 | |
Can I help you? | 0:14:44 | 0:14:47 | |
WOMAN: Sir? Hello? | 0:14:57 | 0:14:59 | |
Hello? | 0:14:59 | 0:15:00 | |
Uh, sir? | 0:15:01 | 0:15:03 | |
Thank you. | 0:15:03 | 0:15:05 | |
INHALES DEEPLY | 0:15:33 | 0:15:34 | |
KNOCKING AT WINDOW | 0:15:41 | 0:15:42 | |
INSISTENT KNOCKING | 0:16:10 | 0:16:11 | |
Will, you can't be here. | 0:16:18 | 0:16:20 | |
I know, I know. I'm sorry. I just need to talk to you. | 0:16:20 | 0:16:22 | |
Will, you can't be here. | 0:16:22 | 0:16:23 | |
What happened? | 0:16:23 | 0:16:25 | |
They said I shouldn't talk to you. | 0:16:25 | 0:16:26 | |
Who did? | 0:16:26 | 0:16:27 | |
I don't know. | 0:16:27 | 0:16:29 | |
He said they'd kill you. | 0:16:29 | 0:16:31 | |
I'm scared. | 0:16:32 | 0:16:33 | |
I'm going to be gone in a minute. Please. | 0:16:33 | 0:16:36 | |
Please. I need to talk to you. | 0:16:36 | 0:16:37 | |
Just for a minute. | 0:16:37 | 0:16:40 | |
I took a list of board members | 0:16:40 | 0:16:42 | |
from companies your husband was associated with, | 0:16:42 | 0:16:44 | |
and I cross-referenced them | 0:16:44 | 0:16:46 | |
with property records from Fisher Island in the 1960s. | 0:16:46 | 0:16:49 | |
Now, I came up with seven names. | 0:16:49 | 0:16:51 | |
There are 12 companies | 0:16:54 | 0:16:56 | |
that share at least two of these men | 0:16:56 | 0:17:00 | |
on their board of directors. | 0:17:00 | 0:17:01 | |
OK. | 0:17:01 | 0:17:04 | |
Every one of these companies has profited | 0:17:04 | 0:17:07 | |
from some sort of cataclysm or another. | 0:17:07 | 0:17:09 | |
All vulnerabilities pointed out by API white papers. | 0:17:09 | 0:17:10 | |
I don't understand. | 0:17:10 | 0:17:12 | |
These companies have taken analysis and intelligence | 0:17:12 | 0:17:15 | |
from API and made money | 0:17:15 | 0:17:17 | |
off of "unforeseeable" events worldwide. | 0:17:17 | 0:17:21 | |
Analysis done by me and my colleagues, | 0:17:21 | 0:17:23 | |
and-and-and what's worse is, I-I think | 0:17:23 | 0:17:26 | |
they might have been engineering the events themselves. | 0:17:26 | 0:17:29 | |
Well, what makes you think that? | 0:17:29 | 0:17:30 | |
Gerald Bradley killed himself three weeks | 0:17:30 | 0:17:32 | |
before the 1989 Ufa train disaster in Russia. | 0:17:32 | 0:17:35 | |
A pipeline exploded, took out two trains. 600 people died. | 0:17:35 | 0:17:38 | |
Gas prices skyrocketed. Atlas has record profits. | 0:17:38 | 0:17:42 | |
I think he killed himself because he couldn't live | 0:17:46 | 0:17:49 | |
with what they were about to do. | 0:17:49 | 0:17:51 | |
You think the same was true of Tom? | 0:17:54 | 0:17:56 | |
I do. | 0:17:59 | 0:18:00 | |
And if I'm right, it means something - | 0:18:00 | 0:18:02 | |
something big - is going to happen, | 0:18:02 | 0:18:03 | |
and we need to figure out what. | 0:18:03 | 0:18:05 | |
How? I need you to look | 0:18:05 | 0:18:07 | |
through anything you have of Tom's. Anything. | 0:18:07 | 0:18:09 | |
Information that seems | 0:18:09 | 0:18:11 | |
inconsequential to you. | 0:18:11 | 0:18:12 | |
It's possible we could find a pattern in it. | 0:18:12 | 0:18:15 | |
I am afraid to leave the apartment. | 0:18:15 | 0:18:16 | |
I don't trust anybody anymore. | 0:18:16 | 0:18:19 | |
You can trust me. | 0:18:19 | 0:18:21 | |
Tom and I were together in 1989. | 0:18:28 | 0:18:30 | |
We were still falling in love. | 0:18:30 | 0:18:33 | |
At the same time, he was... | 0:18:33 | 0:18:36 | |
he was killing hundreds | 0:18:36 | 0:18:38 | |
of innocent people for-for... | 0:18:38 | 0:18:41 | |
for profit? | 0:18:41 | 0:18:45 | |
Could be he came out of Chechnya. | 0:18:51 | 0:18:53 | |
Yeah, could be. | 0:18:53 | 0:18:55 | |
WILL: Hey. | 0:18:55 | 0:18:57 | |
Spangler's been breathing down our necks. | 0:18:57 | 0:19:00 | |
Sorry. I got held up. | 0:19:00 | 0:19:01 | |
You want me to fill you in? | 0:19:01 | 0:19:03 | |
No, no, no. Keep going. I'll catch up. | 0:19:03 | 0:19:07 | |
SIGHS | 0:19:07 | 0:19:09 | |
It's odd that we wouldn't know anything | 0:19:09 | 0:19:11 | |
about where he came from or-or who recruited him. | 0:19:11 | 0:19:14 | |
We don't have a single familial connection? | 0:19:14 | 0:19:16 | |
No, but the guy's related to someone. | 0:19:16 | 0:19:18 | |
We got all these unidentifieds over here. | 0:19:18 | 0:19:19 | |
We just got to put the right picture to the name. | 0:19:19 | 0:19:23 | |
Tanya, what do you think? | 0:19:23 | 0:19:26 | |
I don't know. | 0:19:26 | 0:19:29 | |
That's all the information we have right there. | 0:19:29 | 0:19:32 | |
JULIA: All that's confirmed. | 0:19:32 | 0:19:34 | |
TANYA: The guy popped up in 2004, | 0:19:34 | 0:19:36 | |
and suddenly we hear his name all over the place. | 0:19:36 | 0:19:38 | |
It's like he dropped out of the sky. | 0:19:38 | 0:19:40 | |
SIGHS | 0:19:40 | 0:19:43 | |
But people don't drop out of the sky. | 0:19:43 | 0:19:46 | |
Right, Tanya? | 0:19:48 | 0:19:49 | |
You're asking me if people drop out of the sky? | 0:19:49 | 0:19:52 | |
Exactly. | 0:19:52 | 0:19:54 | |
Kateb or Aashif Khaleel appeared | 0:19:54 | 0:19:58 | |
a full-grown adult extremist in 2004. | 0:19:58 | 0:20:01 | |
But as we've established, that's not possible. | 0:20:01 | 0:20:03 | |
So, Kateb may be who this guy is... | 0:20:03 | 0:20:10 | |
but it's not who he was. | 0:20:10 | 0:20:13 | |
It's a manufactured identity. | 0:20:13 | 0:20:16 | |
The reason we don't have anything on this guy's past | 0:20:17 | 0:20:21 | |
is that before 2004, he didn't exist. | 0:20:21 | 0:20:26 | |
For 20-some years, this guy was someone else. | 0:20:26 | 0:20:30 | |
Someone who hated himself. | 0:20:30 | 0:20:33 | |
So, he ditched his old life and became Kateb. | 0:20:33 | 0:20:39 | |
He's a convert. | 0:20:39 | 0:20:40 | |
We need to look at enrollment in Islamic study programmes abroad. | 0:20:40 | 0:20:44 | |
We tag all those classes - I can get that list quick. | 0:20:44 | 0:20:46 | |
We've got to go back through all this, | 0:20:46 | 0:20:48 | |
see if someone we came across fits the mould. | 0:20:48 | 0:20:51 | |
Hey. Um... | 0:21:51 | 0:21:53 | |
Oh. | 0:21:53 | 0:21:54 | |
Sorry. | 0:21:54 | 0:21:56 | |
SNIFFLING:: What's up? | 0:21:56 | 0:21:58 | |
We were going to send somebody | 0:21:58 | 0:21:59 | |
to get some coffees. | 0:21:59 | 0:22:00 | |
So I was wondering if maybe you wanted one? | 0:22:00 | 0:22:02 | |
I'm fine. Thank you. | 0:22:02 | 0:22:04 | |
All right. | 0:22:04 | 0:22:06 | |
Maggie? | 0:22:08 | 0:22:09 | |
Hmm? | 0:22:09 | 0:22:11 | |
Julia's stuff here? | 0:22:11 | 0:22:15 | |
Oh, um... | 0:22:15 | 0:22:17 | |
I'm sure it's just temporary. | 0:22:17 | 0:22:20 | |
Right. | 0:22:20 | 0:22:23 | |
TRUXTON: There's a problem that needs a clean solution. | 0:22:59 | 0:23:04 | |
MR ROY: Which is? | 0:23:04 | 0:23:05 | |
SIGHS | 0:23:05 | 0:23:07 | |
Will Travers. | 0:23:07 | 0:23:09 | |
What's the story? | 0:23:09 | 0:23:12 | |
Not like his predecessor. | 0:23:12 | 0:23:14 | |
I don't want any questions or loose ends. | 0:23:14 | 0:23:16 | |
The simpler, the better. | 0:23:16 | 0:23:19 | |
Young widower, overcome with grief... | 0:23:19 | 0:23:24 | |
unable to handle the stress of his job, his life | 0:23:24 | 0:23:28 | |
turns to drugs. | 0:23:28 | 0:23:31 | |
Keeps it a secret until... | 0:23:31 | 0:23:34 | |
Where? | 0:23:34 | 0:23:36 | |
Home. | 0:23:38 | 0:23:39 | |
What's the time frame? | 0:23:39 | 0:23:43 | |
This is a priority. | 0:23:43 | 0:23:46 | |
I'll get right on it. | 0:23:46 | 0:23:49 | |
DOORBELL BUZZES | 0:24:02 | 0:24:04 | |
DOORBELL BUZZES | 0:24:12 | 0:24:14 | |
Hello, Mrs Rhumor. | 0:24:25 | 0:24:27 | |
Hello, Judith. | 0:24:27 | 0:24:28 | |
I'm happy to tell you that nearly all of the furniture | 0:24:28 | 0:24:31 | |
from the 73rd Street residence sold just like that. | 0:24:31 | 0:24:33 | |
That's great. | 0:24:33 | 0:24:35 | |
Now, I just wanted to hand-deliver this cheque | 0:24:35 | 0:24:38 | |
and thank you again so much for your business. | 0:24:38 | 0:24:41 | |
Thank you. | 0:24:41 | 0:24:42 | |
Oh, um, just one last thing, Katherine, | 0:24:42 | 0:24:44 | |
er, you wanted us to let you know | 0:24:44 | 0:24:46 | |
if there was anything "out of the ordinary." | 0:24:46 | 0:24:48 | |
Yes, I did. | 0:24:48 | 0:24:49 | |
Yes, well, there was one odd piece. | 0:24:49 | 0:24:51 | |
Unlike the rest of your things, which were gorgeous, | 0:24:51 | 0:24:52 | |
it's not really of any value. | 0:24:52 | 0:24:55 | |
In fact, it's basically worthless- | 0:24:55 | 0:24:58 | |
a little jewellery box | 0:24:58 | 0:25:00 | |
with a rose painted on the lid. | 0:25:00 | 0:25:02 | |
You find that in the townhouse? | 0:25:04 | 0:25:06 | |
Yes, in the master bathroom, I think. | 0:25:06 | 0:25:09 | |
Bring it to me. | 0:25:10 | 0:25:12 | |
I'm sorry? | 0:25:12 | 0:25:13 | |
Bring it to me, please. | 0:25:13 | 0:25:16 | |
Here. | 0:25:28 | 0:25:29 | |
Who's this guy? | 0:25:31 | 0:25:33 | |
The white guy. | 0:25:36 | 0:25:37 | |
MILES: Right, right, I've got his stuff | 0:25:37 | 0:25:40 | |
over here somewhere. | 0:25:40 | 0:25:42 | |
Uh, the man in the photo is | 0:25:42 | 0:25:44 | |
Joseph Purcell of New Jersey. | 0:25:44 | 0:25:47 | |
Moved to Yemen | 0:25:49 | 0:25:50 | |
in 2003 for a post-grad programme. | 0:25:50 | 0:25:54 | |
What else do you have on him? | 0:25:54 | 0:25:55 | |
That's about it, | 0:25:55 | 0:25:56 | |
but, I mean, he's the right age, | 0:25:56 | 0:25:58 | |
and remember, an asset described Kateb as "light-skinned." | 0:25:58 | 0:26:01 | |
That's, that's a hurdle that Joe Purcell obviously clears. | 0:26:01 | 0:26:05 | |
A lot of Al-Qaeda recruiting goes on at those universities. | 0:26:05 | 0:26:08 | |
Students studying in Muslim-majority countries, | 0:26:08 | 0:26:10 | |
impressionable, predisposed | 0:26:10 | 0:26:11 | |
to sympathise with the cause. | 0:26:11 | 0:26:13 | |
The timeline is perfect. Psychologically, it tracks. | 0:26:13 | 0:26:15 | |
OK, let's take a look. | 0:26:22 | 0:26:24 | |
Let's request information on Purcell | 0:26:24 | 0:26:25 | |
and see what they can come up with. | 0:26:25 | 0:26:28 | |
It's going to take four or five hours | 0:26:28 | 0:26:30 | |
for them to turn around a report. | 0:26:30 | 0:26:33 | |
Everyone should go home. | 0:26:33 | 0:26:35 | |
Try to get as much sleep as you can. | 0:26:35 | 0:26:36 | |
We're gonna need some fresh eyes in the morning. | 0:26:36 | 0:26:39 | |
Good work. | 0:26:39 | 0:26:42 | |
Now go home, | 0:26:42 | 0:26:44 | |
get some sleep. | 0:26:44 | 0:26:46 | |
I'll need the same from you tomorrow. | 0:26:46 | 0:26:48 | |
Will. | 0:27:01 | 0:27:03 | |
Long day. | 0:27:04 | 0:27:06 | |
Yeah- yes, sir. CHUCKLES | 0:27:06 | 0:27:09 | |
Come, come, sit with me a minute. | 0:27:09 | 0:27:12 | |
Is that David's? | 0:27:28 | 0:27:30 | |
Yes. | 0:27:30 | 0:27:32 | |
I miss David. | 0:27:35 | 0:27:37 | |
Me, too. | 0:27:41 | 0:27:44 | |
He was a great man. | 0:27:44 | 0:27:46 | |
He did great things for us. | 0:27:46 | 0:27:49 | |
Taught me everything I know. | 0:27:51 | 0:27:53 | |
I can see that. | 0:27:55 | 0:27:56 | |
You remind me of him. | 0:27:56 | 0:27:59 | |
CHUCKLES | 0:27:59 | 0:28:00 | |
Well, that's the nicest thing anyone has ever said to me. | 0:28:00 | 0:28:05 | |
CHUCKLES | 0:28:07 | 0:28:10 | |
Brilliant, principled. | 0:28:10 | 0:28:14 | |
He was the conscience of this place. | 0:28:14 | 0:28:17 | |
He steered me away from disaster | 0:28:17 | 0:28:19 | |
on many occasion. | 0:28:19 | 0:28:23 | |
It's not the same here without him. | 0:28:28 | 0:28:31 | |
No. | 0:28:32 | 0:28:36 | |
No, it isn't. | 0:28:36 | 0:28:38 | |
So... | 0:28:42 | 0:28:44 | |
..where did we land? | 0:28:45 | 0:28:49 | |
Uh, we think Kateb might be | 0:28:49 | 0:28:52 | |
an alias of a Joseph Purcell. | 0:28:52 | 0:28:55 | |
American? | 0:28:55 | 0:28:57 | |
Jersey. | 0:28:57 | 0:28:58 | |
Studied abroad - 2003, possibly co-opted by Al-Qaeda. | 0:28:58 | 0:29:02 | |
We found him at Boeck's wedding. | 0:29:02 | 0:29:03 | |
Interesting. I assume he's... | 0:29:03 | 0:29:06 | |
Oh, he's Johnny All-American. | 0:29:06 | 0:29:08 | |
Implications of this are obvious. | 0:29:08 | 0:29:11 | |
Yes. | 0:29:11 | 0:29:13 | |
And you tagged him. | 0:29:15 | 0:29:17 | |
We're running him right now. | 0:29:17 | 0:29:20 | |
We'll get a full report in the morning. | 0:29:20 | 0:29:22 | |
OK. | 0:29:24 | 0:29:26 | |
Good work. | 0:29:26 | 0:29:28 | |
Good work. | 0:29:37 | 0:29:38 | |
Not just today. | 0:29:38 | 0:29:41 | |
You've done a great job at API. | 0:29:41 | 0:29:44 | |
Thank you. | 0:29:46 | 0:29:48 | |
Now... | 0:29:50 | 0:29:52 | |
..go home. | 0:29:53 | 0:29:56 | |
Such a shame about David. | 0:29:59 | 0:30:02 | |
I really do miss him. | 0:30:04 | 0:30:07 | |
LIGHT SWITCH FLIPS ON | 0:30:12 | 0:30:13 | |
RUSTLING | 0:30:19 | 0:30:20 | |
DOOR UNLOCKING | 0:31:15 | 0:31:17 | |
HINGES CREAKING | 0:31:18 | 0:31:20 | |
BOLT FASTENING | 0:31:21 | 0:31:23 | |
KEYS CLATTER ON TABLE | 0:31:31 | 0:31:33 | |
BOTTLE CAP CLATTERS ON TABLE | 0:31:45 | 0:31:47 | |
SIGHS | 0:32:15 | 0:32:17 | |
BLOOM GRUNTING | 0:32:39 | 0:32:40 | |
WILL YELLS | 0:32:40 | 0:32:41 | |
WILL CHOKING | 0:32:56 | 0:32:57 | |
CHOKING | 0:33:13 | 0:33:15 | |
GASPING FOR AIR | 0:33:17 | 0:33:18 | |
PHONE RINGING | 0:34:00 | 0:34:03 | |
Will? | 0:34:04 | 0:34:06 | |
Will? | 0:34:07 | 0:34:09 | |
Will? Will, stop. | 0:34:09 | 0:34:11 | |
Stop. Listen to me. | 0:34:11 | 0:34:13 | |
Listen to me. | 0:34:13 | 0:34:13 | |
How long has it been? | 0:34:13 | 0:34:16 | |
OK, that's good. | 0:34:17 | 0:34:19 | |
Do not move. | 0:34:19 | 0:34:20 | |
Do not touch anything. | 0:34:20 | 0:34:22 | |
I'll be there in 15 minutes. | 0:34:22 | 0:34:24 | |
Do nothing until I get there. | 0:34:24 | 0:34:27 | |
PHONE BEEPS OFF | 0:34:27 | 0:34:29 | |
SOTTO VOCE:: Geez. | 0:34:29 | 0:34:31 | |
PHONE BEEPS ON | 0:34:33 | 0:34:34 | |
SPEAKING POLISH:: ..Marcus King. Potrzebuje Numer. | 0:34:36 | 0:34:40 | |
Jesus, Will! | 0:34:43 | 0:34:45 | |
Are you injured? | 0:34:46 | 0:34:48 | |
Will, are you injured? Mm. | 0:34:48 | 0:34:50 | |
Do we call the cops? CHUCKLES:: No. | 0:34:50 | 0:34:53 | |
I didn't do anything wrong. | 0:34:53 | 0:34:54 | |
That's absolutely irrelevant. | 0:34:54 | 0:34:56 | |
He, er, he was... | 0:34:58 | 0:35:00 | |
LOUD ROCK MUSIC PLAYING | 0:35:08 | 0:35:10 | |
KNOCKING | 0:35:20 | 0:35:21 | |
LOUD ROCK MUSIC CONTINUES | 0:35:24 | 0:35:26 | |
LOUD MUSIC CONTINUES | 0:35:38 | 0:35:41 | |
LOUD MUSIC CONTINUES | 0:35:49 | 0:35:51 | |
LOUD ROCK MUSIC CONTINUES | 0:36:04 | 0:36:06 | |
POWER TOOL WHIRRING | 0:36:22 | 0:36:24 | |
KNOCKING, DOOR OPENS | 0:36:29 | 0:36:31 | |
LAUGHS: Ah... Mr Test. | 0:36:34 | 0:36:37 | |
I'm glad I caught you before you left. | 0:36:37 | 0:36:40 | |
Do you drink scotch? | 0:36:42 | 0:36:44 | |
Of course. | 0:36:44 | 0:36:46 | |
I-I love scotch. | 0:36:46 | 0:36:48 | |
Well, I'm not gonna | 0:36:48 | 0:36:50 | |
bring it over to you. | 0:36:50 | 0:36:51 | |
Oh, of course, of course. | 0:36:51 | 0:36:54 | |
CLEARS THROAT | 0:36:54 | 0:36:56 | |
Lagavulin, from the island of Islay. | 0:36:56 | 0:37:00 | |
16-year-old... | 0:37:00 | 0:37:02 | |
single malt. | 0:37:02 | 0:37:04 | |
Or as I like to refer to it, | 0:37:04 | 0:37:06 | |
"The good shit." LAUGHS | 0:37:06 | 0:37:08 | |
Ha-ha! | 0:37:08 | 0:37:10 | |
GROANS QUIETLY | 0:37:12 | 0:37:14 | |
CHUCKLES I figure we deserve a little scotch... | 0:37:14 | 0:37:17 | |
after a day like this one. | 0:37:17 | 0:37:18 | |
Yes. | 0:37:18 | 0:37:21 | |
Mmm... | 0:37:27 | 0:37:28 | |
CHUCKLES | 0:37:28 | 0:37:29 | |
I heard about your analysis of the Kateb situation. | 0:37:29 | 0:37:34 | |
That's good work. | 0:37:34 | 0:37:36 | |
Thank you. | 0:37:36 | 0:37:38 | |
A lot of smart people come in and out of this building, | 0:37:38 | 0:37:41 | |
but...not many have what it takes | 0:37:41 | 0:37:44 | |
to lead. | 0:37:44 | 0:37:46 | |
I see that in you. | 0:37:46 | 0:37:50 | |
Thank you. | 0:37:51 | 0:37:52 | |
You have any ambitions? | 0:37:53 | 0:37:55 | |
Towards leadership. | 0:37:55 | 0:37:58 | |
Absolutely. | 0:37:58 | 0:38:00 | |
Good. | 0:38:02 | 0:38:04 | |
EXHALES: Oh. | 0:38:13 | 0:38:14 | |
"Oh, my dearest Kath... | 0:38:28 | 0:38:30 | |
"Katherine, if you... | 0:38:30 | 0:38:31 | |
"I... | 0:38:31 | 0:38:34 | |
"I'm sorry... | 0:38:34 | 0:38:36 | |
"I... I... | 0:38:38 | 0:38:41 | |
"I hope that you can find it in your heart... | 0:38:41 | 0:38:44 | |
"to forgive me... | 0:38:44 | 0:38:47 | |
...you will continue to celebrate our anniversary." | 0:38:47 | 0:38:51 | |
"Continue to celebrate our anniversary." | 0:38:53 | 0:38:56 | |
SIGHS | 0:38:56 | 0:38:59 | |
"Continue to celebrate our anniversary." | 0:38:59 | 0:39:03 | |
SIGHS | 0:39:04 | 0:39:05 | |
Hey. Are you team E? | 0:39:24 | 0:39:27 | |
Yeah. Julia Harwell. | 0:39:27 | 0:39:28 | |
I'm supposed to give this to you. | 0:39:28 | 0:39:30 | |
Thanks. | 0:39:30 | 0:39:31 | |
What is it? | 0:39:44 | 0:39:46 | |
I love these long nights. | 0:40:03 | 0:40:05 | |
Reminds me of the old days. | 0:40:05 | 0:40:08 | |
SIGHS: Working till dawn, shoulder to shoulder. | 0:40:08 | 0:40:12 | |
Am I boring you? | 0:40:14 | 0:40:15 | |
God, no. No. | 0:40:16 | 0:40:18 | |
Oh, but I-I... | 0:40:18 | 0:40:19 | |
do need to... | 0:40:19 | 0:40:21 | |
get home. | 0:40:21 | 0:40:23 | |
No-one works late anymore. | 0:40:23 | 0:40:26 | |
CHUCKLES | 0:40:26 | 0:40:28 | |
It's a shame. | 0:40:28 | 0:40:30 | |
RAPID KNOCKING | 0:40:30 | 0:40:32 | |
Enter. | 0:40:32 | 0:40:34 | |
MILES PANTING | 0:40:34 | 0:40:37 | |
Yes? | 0:40:38 | 0:40:39 | |
Yeah, sorry. This just came in. | 0:40:39 | 0:40:41 | |
We got a hit | 0:40:41 | 0:40:41 | |
on Joseph Purcell's passport. | 0:40:41 | 0:40:43 | |
He crossed the border in from Mexico | 0:40:43 | 0:40:45 | |
36 hours ago- Kateb is here. | 0:40:45 | 0:40:47 | |
He's in the United States. | 0:40:47 | 0:40:49 | |
MUTED ROCK MUSIC PLAYING, TAP RUNNING | 0:40:56 | 0:41:00 | |
KNOCK ON DOOR | 0:41:01 | 0:41:02 | |
DOOR OPENS | 0:41:02 | 0:41:03 | |
ROCK MUSIC BLARING | 0:41:03 | 0:41:06 | |
LOUD ROCK MUSIC CONTINUES | 0:41:29 | 0:41:31 | |
LOUD ROCK MUSIC CONTINUES | 0:41:48 | 0:41:51 | |
LOUD ROCK MUSIC CONTINUES | 0:42:17 | 0:42:20 | |
TURNS MUSIC OFF | 0:42:24 | 0:42:25 | |
DOOR CLOSES | 0:42:29 | 0:42:30 | |
KNOCKING | 0:42:43 | 0:42:44 | |
I saw your light on. | 0:43:08 | 0:43:10 | |
I'm sorry about earlier. | 0:43:10 | 0:43:12 | |
I don't know what gets into me. | 0:43:12 | 0:43:14 | |
It's not a problem. | 0:43:15 | 0:43:16 | |
I'm having fun with you. | 0:43:16 | 0:43:19 | |
There's no reason we can't keep having fun. | 0:43:19 | 0:43:23 | |
You need to go home. | 0:43:24 | 0:43:26 | |
LAUGHS: Come on. | 0:43:26 | 0:43:28 | |
I said I was sorry. | 0:43:28 | 0:43:30 | |
I know you want me to come in. | 0:43:30 | 0:43:32 | |
What do you say | 0:43:34 | 0:43:36 | |
we put on a show for these perverts? | 0:43:36 | 0:43:39 | |
Go home. | 0:43:39 | 0:43:41 | |
And don't come back. | 0:43:43 | 0:43:46 | |
DOOR SLAMS | 0:43:46 | 0:43:47 | |
BOLT FASTENS | 0:43:47 | 0:43:48 | |
SETS BAT DOWN | 0:43:59 | 0:44:01 |