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Allah hu akbar. | 0:02:28 | 0:02:29 | |
HE RECITES AN ARABIC PRAYER | 0:02:33 | 0:02:35 | |
Allah hu akbar. | 0:02:42 | 0:02:43 | |
HE RESUMES THE PRAYER | 0:02:44 | 0:02:47 | |
Allah hu akbar. | 0:02:49 | 0:02:50 | |
Allah hu akbar. | 0:02:51 | 0:02:53 | |
Allah hu akbar. | 0:02:54 | 0:02:56 | |
Allah hu akbar. | 0:03:27 | 0:03:29 | |
LIVELY CARTOON MUSIC PLAYS | 0:03:29 | 0:03:31 | |
Allah hu akbar. | 0:03:33 | 0:03:34 | |
Allah hu akbar. | 0:03:39 | 0:03:41 | |
Allah hu akbar. | 0:03:42 | 0:03:43 | |
Allah hu akbar. | 0:03:45 | 0:03:48 | |
Allah hu akbar. | 0:03:50 | 0:03:52 | |
HE CHUCKLES | 0:03:57 | 0:03:59 | |
(Allah hu akbar.) | 0:04:04 | 0:04:06 | |
(Allah hu akbar.) | 0:04:07 | 0:04:08 | |
HE GRUNTS | 0:05:14 | 0:05:16 | |
No chance he just skipped town? | 0:06:52 | 0:06:55 | |
No, no. | 0:06:55 | 0:06:56 | |
And Travers? | 0:06:58 | 0:07:00 | |
Alive and well. | 0:07:00 | 0:07:02 | |
He just left his apartment a few minutes ago. | 0:07:02 | 0:07:06 | |
We need to put the operation on hold, | 0:07:06 | 0:07:08 | |
at least until we iron out this...wrinkle. | 0:07:08 | 0:07:10 | |
We're past that. | 0:07:10 | 0:07:13 | |
We couldn't stop this now if we wanted to. | 0:07:13 | 0:07:16 | |
This is out of control, this whole situation. | 0:07:16 | 0:07:18 | |
Do not mistake fluidity for chaos. | 0:07:18 | 0:07:21 | |
There is no jeopardy here. | 0:07:21 | 0:07:23 | |
Just sit tight. | 0:07:23 | 0:07:25 | |
Sit tight? | 0:07:25 | 0:07:26 | |
You pretentious son of a bitch. | 0:07:26 | 0:07:29 | |
This whole business has been one sloppy mistake after another! | 0:07:29 | 0:07:33 | |
The train crash, Katherine. Travers knows our names, | 0:07:33 | 0:07:35 | |
for Christ's sake! He's under control. | 0:07:35 | 0:07:37 | |
You left us exposed! | 0:07:37 | 0:07:38 | |
Calm down. | 0:07:38 | 0:07:40 | |
Both of you. | 0:07:40 | 0:07:43 | |
PHONE RINGS | 0:07:43 | 0:07:44 | |
Stop it! | 0:07:44 | 0:07:46 | |
RINGING CONTINUES | 0:07:46 | 0:07:48 | |
Yes? | 0:07:50 | 0:07:52 | |
When? | 0:07:52 | 0:07:54 | |
Are they already there? | 0:07:55 | 0:07:57 | |
Good. I'll be over... 20 minutes. | 0:07:57 | 0:08:00 | |
I have to go. | 0:08:05 | 0:08:07 | |
PHONE RINGS It's started. | 0:08:09 | 0:08:10 | |
What about Travers? | 0:08:16 | 0:08:17 | |
He'll be handled. | 0:08:17 | 0:08:20 | |
Oh, sorry. | 0:08:27 | 0:08:29 | |
Don't be sorry. | 0:08:31 | 0:08:33 | |
Someone tried to kill me last night. | 0:08:33 | 0:08:35 | |
What happened? | 0:08:36 | 0:08:38 | |
Listen, you're in danger here. | 0:08:38 | 0:08:40 | |
Is there someplace else you can go? | 0:08:40 | 0:08:42 | |
Uh, I don't know. | 0:08:42 | 0:08:45 | |
Uh, a hotel? | 0:08:45 | 0:08:46 | |
Hotel, that's fine. Let's get you in a hotel. | 0:08:46 | 0:08:50 | |
I-I found something. | 0:08:53 | 0:08:55 | |
A note from Tom. | 0:08:55 | 0:08:57 | |
What does it say? | 0:08:57 | 0:08:59 | |
Well... | 0:09:00 | 0:09:02 | |
he says he hopes I'll continue | 0:09:02 | 0:09:04 | |
to celebrate our wedding anniversary. | 0:09:04 | 0:09:07 | |
How'd you celebrate your anniversary? What'd you do? Nothing. | 0:09:09 | 0:09:13 | |
Most years, we just had a meal and then we... | 0:09:13 | 0:09:15 | |
We watched the same movie we... saw together on our first date. | 0:09:15 | 0:09:19 | |
What movie? | 0:09:19 | 0:09:20 | |
Meet Me In St Louis. | 0:09:22 | 0:09:25 | |
Do you have it? | 0:09:25 | 0:09:27 | |
Somewhere. It's probably in storage. | 0:09:27 | 0:09:30 | |
PHONE RINGS We need to find it. | 0:09:30 | 0:09:32 | |
Find that movie. | 0:09:32 | 0:09:34 | |
Hello? | 0:09:34 | 0:09:36 | |
You need to get in here. | 0:09:36 | 0:09:37 | |
Is that safe? | 0:09:37 | 0:09:39 | |
It's the safest place you can be. | 0:09:39 | 0:09:42 | |
'Besides, we need you doing your regular job today.' | 0:09:42 | 0:09:44 | |
OK. | 0:09:44 | 0:09:46 | |
Listen, I'm with our friend. She needs someplace secure- how about a hotel? | 0:09:46 | 0:09:50 | |
No. No hotel. | 0:09:50 | 0:09:53 | |
I'll take care of her - just get here. | 0:09:53 | 0:09:56 | |
What the hell is going on out there? | 0:09:56 | 0:09:57 | |
Half of Washington is here. | 0:09:57 | 0:09:59 | |
We had a situation. Several, in fact. | 0:09:59 | 0:10:01 | |
You know my garage on 8th Street? | 0:10:03 | 0:10:05 | |
I need you there in one hour. | 0:10:05 | 0:10:08 | |
I won't waste your time - as you've probably gathered, | 0:10:13 | 0:10:16 | |
we have a known Al Qaeda operative inside the United States, | 0:10:16 | 0:10:19 | |
and a tidal wave of chatter that makes it pretty clear he's not here on vacation. | 0:10:19 | 0:10:22 | |
Kateb, also known as Joseph or Joe Purcell, | 0:10:22 | 0:10:26 | |
crossed the border two days ago in El Paso, using his own passport. | 0:10:26 | 0:10:31 | |
27 years old, five feet 11, blue eyes, | 0:10:31 | 0:10:33 | |
grew up in New Jersey - he's an American citizen. | 0:10:33 | 0:10:36 | |
We are all hands on deck... | 0:10:36 | 0:10:39 | |
until this boy is in handcuffs or a body bag. | 0:10:39 | 0:10:42 | |
We are also moving to protocol delta four. | 0:10:42 | 0:10:45 | |
So we've got enhanced clearance authorisation and a blank cheque. | 0:10:45 | 0:10:49 | |
Not to be an alarmist... | 0:10:49 | 0:10:51 | |
this could be Times Square - are we clear? | 0:10:51 | 0:10:54 | |
This could be the statue of Liber... This could be Golden Gate Bridge. | 0:10:54 | 0:10:59 | |
Sullivan, you and Team D are assigned to support TSA, | 0:10:59 | 0:11:02 | |
in case this boy tries to get on an airplane. | 0:11:02 | 0:11:04 | |
Travers, I'm sending you and Grant Test with the FBI to Harbor Beach, | 0:11:04 | 0:11:09 | |
New Jersey, setting up a temporary field office there to interview some of Kateb's friends and family. | 0:11:09 | 0:11:15 | |
Team G, going to be working with NSA. | 0:11:15 | 0:11:18 | |
That's all I have for now. | 0:11:18 | 0:11:20 | |
WILL: Odds are he's gonna do whatever he's gonna do at 4:20PM New York time. | 0:11:20 | 0:11:24 | |
Today, tomorrow, the next day... | 0:11:24 | 0:11:26 | |
Exactly. Who the hell knows? | 0:11:26 | 0:11:28 | |
Why is Spangler having me take Grant? | 0:11:28 | 0:11:30 | |
It's unclear. Do you trust him? | 0:11:30 | 0:11:32 | |
Grant? Yeah. | 0:11:32 | 0:11:34 | |
Yes. Good. | 0:11:34 | 0:11:35 | |
Do you? Oh, I don't trust anyone. | 0:11:35 | 0:11:38 | |
How we doing with our friend? I'm taking care of her. | 0:11:38 | 0:11:42 | |
Grant, you and I are headed to Harbor Beach, New Jersey. | 0:11:43 | 0:11:46 | |
We are gonna meet some of Kateb's nearest and dearest. | 0:11:46 | 0:11:49 | |
Miles, you, Julia, Tanya, put your heads together and figure out what he's up to, OK? | 0:11:49 | 0:11:53 | |
- What happened to your head? - Nothing. - Will Travers? | 0:11:53 | 0:11:56 | |
Yes. I'm Special Agent Madero. | 0:11:56 | 0:11:58 | |
This is Agent Tompkins. FBI. | 0:11:58 | 0:12:00 | |
I'm your...baby-sitter. | 0:12:00 | 0:12:02 | |
Great. Well, this is Grant Test. He's going to accompany us, so we'll meet you downstairs in five minutes. | 0:12:02 | 0:12:07 | |
My orders are not to let you out of my sight. | 0:12:07 | 0:12:09 | |
OK. Well, then, you'll have to look at us through the window cos our work here is highly classified. | 0:12:09 | 0:12:14 | |
I'll wait in the hallway. | 0:12:15 | 0:12:18 | |
Thank you. | 0:12:18 | 0:12:19 | |
Miles, you have any thoughts? | 0:12:22 | 0:12:26 | |
ROCK MUSIC PLAYS | 0:12:26 | 0:12:28 | |
# I've been run down | 0:12:30 | 0:12:32 | |
# I've been lied to | 0:12:32 | 0:12:35 | |
# And I don't know why | 0:12:36 | 0:12:38 | |
# I let that mean woman make me a fool | 0:12:38 | 0:12:41 | |
# She took all my money | 0:12:43 | 0:12:45 | |
# Wrecked my new car | 0:12:46 | 0:12:48 | |
# Now she's with one of my good-time buddies | 0:12:50 | 0:12:54 | |
# They're drinking in some Crosstown bar | 0:12:54 | 0:12:57 | |
# Sometimes I feel | 0:12:57 | 0:12:59 | |
# Sometimes I feel | 0:13:01 | 0:13:04 | |
# Like I've been tied to the whipping post... # | 0:13:04 | 0:13:08 | |
WOMAN: Goody Barn. How can I help you? | 0:13:09 | 0:13:13 | |
Hi. I need, er, two hotter than hell dogs, | 0:13:13 | 0:13:15 | |
three Bodacious beef burgers, | 0:13:15 | 0:13:18 | |
er, two large fries, some chicken lickin' fingers, | 0:13:18 | 0:13:22 | |
and a large Cherry Coke, and a chocolate milkshake. | 0:13:22 | 0:13:24 | |
SIRENS WAIL | 0:13:24 | 0:13:27 | |
Look at this. I shouldn't be here. | 0:13:32 | 0:13:35 | |
You'll be fine. | 0:13:35 | 0:13:36 | |
You should have brought Tanya. Brought you. | 0:13:36 | 0:13:39 | |
Who you calling? Lisa? | 0:13:39 | 0:13:41 | |
No. Grant, it's OK. I'd do the same. | 0:13:41 | 0:13:43 | |
What are you going to tell her? | 0:13:46 | 0:13:48 | |
Not to take the subway, or to leave town or something. | 0:13:48 | 0:13:51 | |
If I lost them... | 0:13:51 | 0:13:52 | |
- We're setting up our command centre here. | 0:13:52 | 0:13:54 | |
Give me a minute to get you two badges? | 0:13:54 | 0:13:57 | |
You're going to have to bear with me today. | 0:14:07 | 0:14:10 | |
There's a lot going on, | 0:14:10 | 0:14:11 | |
and I'm not going to have time to explain it all. | 0:14:11 | 0:14:14 | |
You have to follow me carefully. OK. | 0:14:14 | 0:14:16 | |
I want you to assume that her home is being monitored. | 0:14:16 | 0:14:20 | |
Monitored? Watched, listened to. | 0:14:20 | 0:14:22 | |
Do not use my name or your name or Will's name. | 0:14:22 | 0:14:27 | |
Try not to frighten her, but she has to come with you. | 0:14:27 | 0:14:32 | |
Yes? Hi. You must be Katherine. | 0:14:37 | 0:14:41 | |
So if you wanted to go look at that apartment, we could go any time. | 0:14:47 | 0:14:52 | |
Wait just a second. | 0:14:54 | 0:14:57 | |
I can go now. Just let me get my purse. | 0:15:00 | 0:15:03 | |
It doesn't make any sense. You can't start with a tactic. The target follows the tactic. | 0:15:05 | 0:15:09 | |
It's not the other way around. | 0:15:09 | 0:15:11 | |
The order is to assess population clusters vulnerable to a single... | 0:15:11 | 0:15:14 | |
But Al-Qaeda isn't after body count. You assess whatever clusters you need to, | 0:15:14 | 0:15:18 | |
but we've got pages of Kateb-related intercepts from the past six months. | 0:15:18 | 0:15:21 | |
That's where the answer is. That is not the priority. | 0:15:21 | 0:15:25 | |
It's our priority. Our orders are to work with you | 0:15:25 | 0:15:27 | |
to identify vulnerable population centres that Kateb could hit in the next 72 hours. | 0:15:27 | 0:15:32 | |
Where? Exactly. | 0:15:32 | 0:15:33 | |
In the United States. | 0:15:33 | 0:15:35 | |
All right, so let's divide it up. I can do Pacific time zone. | 0:15:37 | 0:15:40 | |
No, we're not doing this. | 0:15:40 | 0:15:41 | |
Aren't you supposed to be helping us, not the other way around? | 0:15:41 | 0:15:44 | |
Tanya, I got this. | 0:15:44 | 0:15:46 | |
We're helping each other. | 0:15:46 | 0:15:48 | |
No, you're wasting our time. | 0:15:48 | 0:15:49 | |
Opportunity is not a meaningful criteria. | 0:15:49 | 0:15:53 | |
HE SIGHS | 0:15:53 | 0:15:55 | |
We have to identify the objective, | 0:15:55 | 0:15:57 | |
and then, design... | 0:15:57 | 0:16:00 | |
We have to know why Kateb is here | 0:16:02 | 0:16:04 | |
before we can figure out where. | 0:16:04 | 0:16:07 | |
HE SIGHS | 0:16:10 | 0:16:11 | |
WOMAN: I didn't know he was in Indianesia. | 0:16:15 | 0:16:17 | |
Last time Dad heard from him, he was still in Yemen. | 0:16:17 | 0:16:20 | |
MADERO: How long ago was that? | 0:16:20 | 0:16:22 | |
I don't know. Five, six years. | 0:16:22 | 0:16:25 | |
And there's been no contact since then? | 0:16:25 | 0:16:27 | |
No. I mean, I thought he was probably dead. | 0:16:27 | 0:16:30 | |
Or, like, abducted or something. | 0:16:30 | 0:16:32 | |
He didn't do anything bad, did he? | 0:16:32 | 0:16:34 | |
We just want to find him. | 0:16:34 | 0:16:36 | |
We think he might be in danger. | 0:16:36 | 0:16:38 | |
I told him not to go over there. | 0:16:38 | 0:16:40 | |
Those people scare me. | 0:16:40 | 0:16:42 | |
You can't smoke in here. | 0:16:42 | 0:16:44 | |
No? It's a school. | 0:16:44 | 0:16:46 | |
Listen, er, maybe you can tell us | 0:16:46 | 0:16:49 | |
about Joe's conversion to Islam. | 0:16:49 | 0:16:51 | |
You grew up what? Er, Lutheran? | 0:16:51 | 0:16:54 | |
We didn't really grow up nothing. | 0:16:54 | 0:16:56 | |
I mean, we weren't, like, religious, really. Especially Joey. | 0:16:56 | 0:16:59 | |
The Islamic thing started after 9-1-1. | 0:16:59 | 0:17:02 | |
He joined a group to try and, like, talk to the Muslims. | 0:17:02 | 0:17:05 | |
His friend Maddy lost an uncle in the Trade Center, | 0:17:05 | 0:17:08 | |
so they joined together. To talk to the Muslims? | 0:17:08 | 0:17:10 | |
Yeah. So they could get them to stop hating us. | 0:17:10 | 0:17:12 | |
I guess he was good at it. | 0:17:12 | 0:17:14 | |
I mean, that's what everyone said. | 0:17:14 | 0:17:16 | |
What he said. | 0:17:16 | 0:17:18 | |
Finally found something he was really good at. | 0:17:18 | 0:17:20 | |
He was never really good at stuff. | 0:17:20 | 0:17:24 | |
I mean, not like a total loser, but not like...good. | 0:17:24 | 0:17:28 | |
DISTANT SIRENS WAIL | 0:17:30 | 0:17:32 | |
You'll stay here for a while, | 0:17:39 | 0:17:41 | |
until I sort a few things out. | 0:17:41 | 0:17:43 | |
Why am I hiding? | 0:17:48 | 0:17:50 | |
You're not hiding. You're just staying out of sight for a little while. | 0:17:50 | 0:17:56 | |
Where's Will? | 0:17:56 | 0:17:57 | |
Will's in New Jersey. | 0:17:57 | 0:18:00 | |
He's doing something for work. | 0:18:00 | 0:18:04 | |
We all work together. | 0:18:04 | 0:18:05 | |
For API? | 0:18:05 | 0:18:07 | |
Yeah. | 0:18:07 | 0:18:09 | |
Do you need a glass of water? | 0:18:09 | 0:18:12 | |
Please. | 0:18:16 | 0:18:17 | |
I just want to know why all this is happening. | 0:18:22 | 0:18:26 | |
It's because of your late husband, I'm afraid. | 0:18:26 | 0:18:31 | |
Tom? You knew Tom? | 0:18:31 | 0:18:33 | |
No, I didn't, but I'm familiar with the circumstances. | 0:18:33 | 0:18:38 | |
Do you know Roman history? | 0:18:41 | 0:18:44 | |
Cato was a leader in the Roman senate, | 0:18:44 | 0:18:47 | |
known to be incorruptible, a man of honour. | 0:18:47 | 0:18:51 | |
During the war in Gaul, some of his colleagues | 0:18:51 | 0:18:53 | |
began to fear that Caesar had grown so powerful, | 0:18:53 | 0:18:56 | |
he might become a dictator. | 0:18:56 | 0:18:59 | |
They ordered him to disband his army. | 0:18:59 | 0:19:01 | |
Caesar refused, | 0:19:01 | 0:19:02 | |
and turned his army south across the Rubicon river toward Rome. | 0:19:02 | 0:19:05 | |
Now, for Cato, defeat was inevitable. | 0:19:05 | 0:19:09 | |
But he himself refused to surrender. | 0:19:09 | 0:19:13 | |
He chose to take his own life | 0:19:13 | 0:19:16 | |
so that those he loved could make peace with Caesar | 0:19:16 | 0:19:19 | |
and a life of their own. | 0:19:19 | 0:19:21 | |
SHE SIGHS | 0:19:21 | 0:19:23 | |
Tom killed himself to protect me? | 0:19:23 | 0:19:25 | |
I believe so. | 0:19:25 | 0:19:27 | |
I have to go. | 0:19:29 | 0:19:30 | |
Maggie will stay here with you. | 0:19:30 | 0:19:33 | |
Do not open that door for anyone but me. | 0:19:35 | 0:19:39 | |
I'll come back. | 0:19:39 | 0:19:41 | |
MILES: We have no indication that he had that kind of training, that... | 0:19:52 | 0:19:57 | |
Has anyone seen Kale Ingram? | 0:19:59 | 0:20:01 | |
Uh, no, sir. | 0:20:01 | 0:20:03 | |
HE SIGHS | 0:20:03 | 0:20:06 | |
How's it going? | 0:20:09 | 0:20:10 | |
Uh, we're doing our best, sir. | 0:20:10 | 0:20:14 | |
Can I help? | 0:20:14 | 0:20:17 | |
Well, | 0:20:18 | 0:20:19 | |
sir, there do seem to be conflicting priorities. | 0:20:19 | 0:20:23 | |
Well, I guess not priorities. I mean, we all want to stop this guy. But conflicting strategies. | 0:20:23 | 0:20:28 | |
Go on. | 0:20:28 | 0:20:30 | |
MILES SIGHS | 0:20:30 | 0:20:32 | |
I believe our best hope | 0:20:32 | 0:20:33 | |
is to use the known information about Al Qaeda's goals, | 0:20:33 | 0:20:37 | |
and what little we know about Kateb's history | 0:20:37 | 0:20:39 | |
to quickly hone in on a list of potential targets. | 0:20:39 | 0:20:43 | |
Sensible. | 0:20:43 | 0:20:45 | |
Well, our colleagues from uptown think that this is too slow and unreliable, | 0:20:45 | 0:20:49 | |
and that we should make a top ten list of worst-case terrorist scenarios and work that list. | 0:20:49 | 0:20:53 | |
So... | 0:20:53 | 0:20:55 | |
if Kateb picks the 11th worst case scenario, | 0:20:55 | 0:20:59 | |
we're screwed. Yes. Now, to be fair, | 0:20:59 | 0:21:02 | |
I mean, they're all guesses, but then, some guesses are... | 0:21:02 | 0:21:05 | |
Who's your direct? | 0:21:05 | 0:21:07 | |
Perlmutter. Get him on the phone, hmm? | 0:21:07 | 0:21:09 | |
It's Elice. I need Perlmutter. | 0:21:15 | 0:21:17 | |
Chet? Truxton Spangler. | 0:21:22 | 0:21:25 | |
Listen, I'm pretty sure you have a better use for my top analysts | 0:21:25 | 0:21:29 | |
than having them rework the same list you must have made 100 times before. | 0:21:29 | 0:21:33 | |
Good. | 0:21:33 | 0:21:35 | |
Oh, that's... That's what I thought. | 0:21:37 | 0:21:39 | |
No, no, no, no. No, I'll tell them. | 0:21:39 | 0:21:42 | |
Yeah. Mm. | 0:21:42 | 0:21:44 | |
Do what he says, hmm? | 0:21:50 | 0:21:51 | |
It's been five years since any of us have spoke to Joey, | 0:22:09 | 0:22:11 | |
so, I-I don't have any information. | 0:22:11 | 0:22:14 | |
MAN: There's been no recent contact? | 0:22:14 | 0:22:16 | |
You have some sort of problem with your hearing? | 0:22:16 | 0:22:17 | |
MAN: You said you hadn't spoken to him, | 0:22:17 | 0:22:20 | |
but perhaps you have had other contact. | 0:22:20 | 0:22:22 | |
Look at all this stuff. | 0:22:22 | 0:22:24 | |
How come we don't have any stuff? | 0:22:24 | 0:22:26 | |
Is this the mother's brother, or the father's? Father's. | 0:22:26 | 0:22:29 | |
'I'm not answering any more bullshit questions unless you tell me what's going on.' | 0:22:29 | 0:22:32 | |
Calm down, sir. 'I am not calming down. | 0:22:32 | 0:22:34 | |
'Look, asshole, you'd better call my lawyer because this is total bull.' | 0:22:34 | 0:22:38 | |
Your lawyer's been contacted, sir. He's on his way, but you're not under investigation here. | 0:22:38 | 0:22:42 | |
We are simply trying to locate your nephew. | 0:22:42 | 0:22:45 | |
'Why?' We need to speak to him. | 0:22:45 | 0:22:47 | |
'Do I look as dumb as you seem to think I am?' | 0:22:47 | 0:22:49 | |
Sir, who in your family was Joe closest to? | 0:22:49 | 0:22:52 | |
- Does all this strike you as totally disorganised? | 0:22:52 | 0:22:56 | |
Totally. | 0:22:56 | 0:22:58 | |
We know this guy. | 0:22:59 | 0:23:01 | |
John Walker Lindh, Omar Hammami, Adam Gadahn. | 0:23:01 | 0:23:04 | |
Smart but troubled teenager finds meaning in jihad. | 0:23:04 | 0:23:07 | |
But why does a kid do that | 0:23:07 | 0:23:09 | |
instead of, say, becoming a skinhead, | 0:23:09 | 0:23:12 | |
or an eco-terrorist or a Marine? | 0:23:12 | 0:23:14 | |
Right, or an intelligence analyst. I don't know. | 0:23:14 | 0:23:17 | |
Same be-a-part-of-something-bigger impulse. | 0:23:17 | 0:23:20 | |
I think it's because they're afraid of women. | 0:23:20 | 0:23:22 | |
All men are afraid of women. | 0:23:22 | 0:23:24 | |
HE GRUNTS | 0:23:45 | 0:23:47 | |
No, nothing really. What about you? You making any progress? | 0:24:17 | 0:24:20 | |
Eh, a little. Did you see these travel records for Tanaz that Langley dropped on us? | 0:24:20 | 0:24:25 | |
The ones that put her in Sofia with George and Yuri? | 0:24:25 | 0:24:28 | |
'No, no, that's old.' | 0:24:28 | 0:24:29 | |
There's a whole new set. I guess now she's dead, they don't mind telling us about her. | 0:24:29 | 0:24:34 | |
'This lady must have more frequent flyer miles than God - Riyadh, Capetown, Montreal.' | 0:24:34 | 0:24:39 | |
She ever set foot in the US? | 0:24:39 | 0:24:42 | |
Uh... Yeah, New York, Washington - couple of times. | 0:24:42 | 0:24:45 | |
Uh, what's... What's the most recent? | 0:24:45 | 0:24:48 | |
Hold on. Can you see if the agency guys have full travel records for Tanaz? | 0:24:48 | 0:24:51 | |
Sure. Thank you. Miles? | 0:24:51 | 0:24:53 | |
'Seems like the most recent is, er, last fall.' | 0:24:53 | 0:24:56 | |
September '09 - New York and DC. | 0:24:56 | 0:24:59 | |
Maybe a UN general assembly meeting or, er, Bill Clinton's thing. | 0:24:59 | 0:25:02 | |
Check the list for both. We need to find out what she was doing here. | 0:25:02 | 0:25:06 | |
'Will do.' Thank you. | 0:25:06 | 0:25:07 | |
Doubtful, but they're looking. Why, what are you thinking? | 0:25:07 | 0:25:11 | |
I have a hunch. | 0:25:12 | 0:25:14 | |
Feel like sharing? | 0:25:14 | 0:25:16 | |
No. | 0:25:17 | 0:25:18 | |
Hey, Maggie, it's Will. Listen, I need you to do me a favour. | 0:25:18 | 0:25:21 | |
'It's a pretty big one. I need you to...' | 0:25:21 | 0:25:24 | |
get something for me. | 0:25:24 | 0:25:26 | |
- I can pick it up tonight. - Actually, it has to be right now, and I can't do it. | 0:25:26 | 0:25:29 | |
I'm with Mrs Rhumour. | 0:25:29 | 0:25:32 | |
She's safe, but I can't leave her. | 0:25:32 | 0:25:34 | |
Maggie, this is important. | 0:25:34 | 0:25:37 | |
'Where? Where are you guys - at the safehouse?' Yeah. | 0:25:37 | 0:25:40 | |
OK, she's going to be OK. Tell her to stay put. | 0:25:40 | 0:25:43 | |
I will meet you back at the office. Let me talk to her. | 0:25:43 | 0:25:46 | |
Um, it's Will. | 0:25:46 | 0:25:48 | |
Hello. | 0:25:51 | 0:25:52 | |
Listen, did you find it - the tape? | 0:25:52 | 0:25:54 | |
No, not yet. | 0:25:54 | 0:25:55 | |
We need that tape. | 0:25:55 | 0:25:58 | |
Your friends are telling me that I have to stay here. | 0:25:58 | 0:26:01 | |
Well, they're right - you should just stay put, and, er... | 0:26:01 | 0:26:04 | |
Don't worry about it. | 0:26:04 | 0:26:06 | |
We'll find the tape later, OK? I'll talk to you later. Bye. | 0:26:06 | 0:26:09 | |
I hope he told you. | 0:26:12 | 0:26:14 | |
I have to go. | 0:26:15 | 0:26:17 | |
Promise me you'll stay here. | 0:26:17 | 0:26:20 | |
Keep the door locked. | 0:26:25 | 0:26:27 | |
I'll be right back. | 0:26:27 | 0:26:29 | |
KNOCK AT DOOR | 0:26:43 | 0:26:44 | |
Enter. | 0:26:44 | 0:26:46 | |
This came in from the atlas courier. | 0:26:48 | 0:26:51 | |
Ingram? | 0:26:54 | 0:26:56 | |
Back in the building. I'm sure he's on his way. | 0:26:56 | 0:26:59 | |
KNOCK AT DOOR | 0:27:42 | 0:27:44 | |
What? | 0:27:46 | 0:27:48 | |
You wanted to see me. | 0:27:49 | 0:27:51 | |
Come in. Cl...close the door. | 0:27:53 | 0:27:56 | |
40 years in the intelligence business, I... | 0:28:05 | 0:28:08 | |
somehow thought I was past being surprised. | 0:28:08 | 0:28:13 | |
I couldn't find you...earlier. | 0:28:20 | 0:28:24 | |
My apologies, I was... | 0:28:24 | 0:28:27 | |
No, no. | 0:28:27 | 0:28:29 | |
Please. | 0:28:29 | 0:28:31 | |
I was simply reminded | 0:28:34 | 0:28:37 | |
how profoundly I-I rely on you. | 0:28:37 | 0:28:41 | |
I don't know how we'd manage without you. | 0:28:48 | 0:28:51 | |
Nothing to worry about. API is just as much my home as it is yours. | 0:28:51 | 0:28:55 | |
I don't imagine either one of us leaving | 0:28:55 | 0:28:59 | |
until they carry us out. | 0:28:59 | 0:29:01 | |
HE CHUCKLES | 0:29:01 | 0:29:03 | |
Indeed. | 0:29:03 | 0:29:04 | |
How are we progressing downstairs? | 0:29:22 | 0:29:26 | |
We're working hard. | 0:29:26 | 0:29:28 | |
Is there anything else? | 0:29:38 | 0:29:40 | |
Thank you. | 0:29:45 | 0:29:46 | |
What for? | 0:29:48 | 0:29:49 | |
Everything. | 0:29:53 | 0:29:55 | |
DOOR CLOSES | 0:30:02 | 0:30:04 | |
Andy? | 0:30:13 | 0:30:15 | |
Yes. | 0:30:15 | 0:30:17 | |
Hi, I'm Maggie, um, | 0:30:17 | 0:30:20 | |
Will Travers' assistant. | 0:30:20 | 0:30:22 | |
Will Travers, the disappearing historian? | 0:30:22 | 0:30:25 | |
I guess so. | 0:30:25 | 0:30:27 | |
He, er... He said he, um, left something here that he wanted me to pick up. | 0:30:27 | 0:30:34 | |
He sent you to get his stuff? | 0:30:35 | 0:30:37 | |
Just a book. Some military historic thing, | 0:30:37 | 0:30:41 | |
blue cover. | 0:30:41 | 0:30:42 | |
He said he left it by, er, the bed. | 0:30:44 | 0:30:46 | |
I'll look. | 0:30:47 | 0:30:49 | |
Hey, do you mind if I, er, use your bathroom? | 0:30:50 | 0:30:53 | |
Go ahead, it's on your right. | 0:30:53 | 0:30:55 | |
TOILET FLUSHES | 0:31:18 | 0:31:21 | |
It wasn't there. | 0:31:24 | 0:31:25 | |
Oh, really? SHE SIGHS | 0:31:25 | 0:31:28 | |
Really. Uh... | 0:31:28 | 0:31:29 | |
I'll tell him. | 0:31:29 | 0:31:31 | |
Thanks. I'm sorry if I bothered you. | 0:31:31 | 0:31:33 | |
Hey. | 0:31:35 | 0:31:37 | |
Are you sleeping with him, too? | 0:31:39 | 0:31:42 | |
No. | 0:31:42 | 0:31:44 | |
We just work together. | 0:31:45 | 0:31:47 | |
This is a waste of time. | 0:31:56 | 0:31:57 | |
I have to get back to API. | 0:31:57 | 0:31:59 | |
I'm ready when you are. | 0:31:59 | 0:32:00 | |
No, you need to stay. | 0:32:00 | 0:32:01 | |
Neither of you can leave right now. | 0:32:01 | 0:32:03 | |
I don't have anyone to drive you back. | 0:32:03 | 0:32:04 | |
Find someone. I'll be outside. | 0:32:04 | 0:32:07 | |
We're on. | 0:32:09 | 0:32:10 | |
He was never really my boyfriend, | 0:32:10 | 0:32:13 | |
but we were friends and I always really liked him. | 0:32:13 | 0:32:18 | |
GRANT: what was it about him? | 0:32:18 | 0:32:20 | |
Well, uh, | 0:32:20 | 0:32:22 | |
he was so lost... but not in a sad way, | 0:32:22 | 0:32:27 | |
just confused. | 0:32:27 | 0:32:29 | |
He really wanted the world to make more sense. | 0:32:29 | 0:32:32 | |
He wanted to find his... | 0:32:32 | 0:32:35 | |
It was like he just couldn't figure things out. | 0:32:36 | 0:32:38 | |
And you liked that? | 0:32:38 | 0:32:40 | |
It was sweet, you know, sincere. | 0:32:40 | 0:32:43 | |
We were 16 or 17, | 0:32:43 | 0:32:45 | |
and other boys just wanted to get drunk or fool around, | 0:32:45 | 0:32:48 | |
but Joe was different. | 0:32:49 | 0:32:52 | |
He... he always called me Virginia, | 0:32:52 | 0:32:56 | |
never Ginna like everyone else, so yeah, I liked that. | 0:32:56 | 0:32:59 | |
GRANT: What happened? | 0:32:59 | 0:33:01 | |
I mean, | 0:33:01 | 0:33:02 | |
why didn't you get together? | 0:33:02 | 0:33:04 | |
Oh, well, uh... | 0:33:04 | 0:33:08 | |
when he started with the Muslim stuff, things really changed. | 0:33:08 | 0:33:10 | |
Changed how? I don't know, exactly. | 0:33:10 | 0:33:12 | |
Um, he told me that Allah believed in him. | 0:33:12 | 0:33:17 | |
MADERO: Believed in him? | 0:33:17 | 0:33:19 | |
Yeah, he said, | 0:33:19 | 0:33:21 | |
"I believe in Allah and Allah believes in me." | 0:33:21 | 0:33:25 | |
That's what he said. | 0:33:25 | 0:33:28 | |
What do you think he meant? | 0:33:28 | 0:33:31 | |
I think he just wanted someone to tell him | 0:33:31 | 0:33:34 | |
that he was the special one, | 0:33:34 | 0:33:36 | |
that he had a purpose. | 0:33:36 | 0:33:39 | |
Whatever day it is, it'll probably be afternoon, | 0:36:23 | 0:36:25 | |
roughly 4:20 Eastern. | 0:36:25 | 0:36:28 | |
Why? | 0:36:28 | 0:36:29 | |
Because that's what he does. | 0:36:29 | 0:36:31 | |
That's not in any of the reports. | 0:36:31 | 0:36:33 | |
Yes, it is. You just didn't see it. | 0:36:33 | 0:36:36 | |
I've been very thoroughly briefed. OK. You know what? It's all right. | 0:36:36 | 0:36:38 | |
We've been working this for months. | 0:36:38 | 0:36:40 | |
There's-there's no way you could get caught up this fast. | 0:36:40 | 0:36:42 | |
I'm caught up. I'm just saying it wasn't in the report. | 0:36:42 | 0:36:44 | |
Do you want me to show it to you? | 0:36:44 | 0:36:45 | |
I'd like to see some supporting evidence | 0:36:45 | 0:36:47 | |
for that kind of suggestion. Tanya? | 0:36:47 | 0:36:49 | |
Yeah? | 0:36:49 | 0:36:50 | |
Will you tell him about the 4:20 thing? | 0:36:51 | 0:36:52 | |
Um... Kateb's attacks all take place at 21:20 GMT. | 0:36:52 | 0:36:58 | |
Or 4:20 eastern. | 0:36:58 | 0:37:02 | |
Like, in New Jersey. | 0:37:04 | 0:37:07 | |
Hey. Hey. | 0:37:13 | 0:37:16 | |
What happened? | 0:37:16 | 0:37:17 | |
I had to get Will. | 0:37:17 | 0:37:18 | |
You left her? | 0:37:18 | 0:37:19 | |
No. I-I-I'm going back. | 0:37:19 | 0:37:21 | |
No. | 0:37:21 | 0:37:22 | |
Don't bother. | 0:37:22 | 0:37:25 | |
Stay here. | 0:37:25 | 0:37:27 | |
Damn it, Maggie. | 0:37:29 | 0:37:32 | |
You get the papers? | 0:37:36 | 0:37:37 | |
Yeah. | 0:37:38 | 0:37:39 | |
You okay? uh... | 0:37:40 | 0:37:42 | |
Yeah, yeah. | 0:37:42 | 0:37:44 | |
Hey. How are you? | 0:37:50 | 0:37:51 | |
Good morning. | 0:37:51 | 0:37:52 | |
I need everybody out. | 0:39:16 | 0:39:18 | |
Right now. | 0:39:18 | 0:39:19 | |
Now. | 0:39:23 | 0:39:24 | |
Miles, stay. You stay. | 0:39:26 | 0:39:28 | |
Could you guys move quicker, please?! | 0:39:31 | 0:39:33 | |
Tanya, close the door behind you. | 0:39:37 | 0:39:39 | |
Tanaz's travel records? You have them? | 0:39:44 | 0:39:46 | |
Will? | 0:39:49 | 0:39:50 | |
I... Here, here, here. | 0:39:52 | 0:39:54 | |
September 2009. | 0:39:54 | 0:39:55 | |
She arrives in New York on the 15th. | 0:39:58 | 0:40:00 | |
Stays for four days. | 0:40:00 | 0:40:01 | |
February 2010? | 0:40:01 | 0:40:03 | |
Washington on the ninth. | 0:40:06 | 0:40:08 | |
They're working together. | 0:40:11 | 0:40:13 | |
Who? Will, what are you talking about? I got him! | 0:40:13 | 0:40:15 | |
I got that son of a bitch. | 0:40:15 | 0:40:17 | |
Donald... Will? I pulled these records | 0:40:21 | 0:40:23 | |
for you. Kale, it's Will. | 0:40:23 | 0:40:24 | |
WILL: Listen to me. Bloom and Tanaz. | 0:40:24 | 0:40:26 | |
They were working together. | 0:40:26 | 0:40:28 | |
Are you calling from the office? | 0:40:28 | 0:40:30 | |
No, no, no. Don't you get it? It's all connected. | 0:40:30 | 0:40:32 | |
All of it. All of it. Bloom. | 0:40:32 | 0:40:33 | |
Tanaz. Kateb. | 0:40:33 | 0:40:34 | |
The crosswords. It's all connected. | 0:40:34 | 0:40:35 | |
It's all the same thing. | 0:40:36 | 0:40:37 | |
What was the Houston problem? | 0:40:39 | 0:40:41 | |
David Hadas's paper on Houston. What was that about? | 0:40:41 | 0:40:44 | |
Why? | 0:40:44 | 0:40:45 | |
Bloom was in Houston. | 0:40:45 | 0:40:47 | |
Every time he saw Tanaz, | 0:40:47 | 0:40:50 | |
he came from Houston. | 0:40:50 | 0:40:51 | |
What was David writing about? | 0:40:51 | 0:40:52 | |
Damn it. Oil. | 0:40:52 | 0:40:55 | |
Vulnerabilities in the oil supply. | 0:40:56 | 0:40:59 | |
Uh, import, refining, distribution. | 0:40:59 | 0:41:01 | |
Houston was the bottleneck. | 0:41:01 | 0:41:03 | |
You sink a tanker in Galveston Bay, | 0:41:03 | 0:41:05 | |
block it up for months, | 0:41:05 | 0:41:07 | |
domino effect will cripple the nation. | 0:41:07 | 0:41:10 | |
That's it. | 0:41:11 | 0:41:13 | |
That's where Kateb is headed. Galveston Bay. | 0:41:14 | 0:41:16 | |
Turn on the TV. | 0:41:17 | 0:41:19 | |
What? | 0:41:19 | 0:41:20 | |
Anchorwoman: Reports from Galveston Bay, Texas, | 0:41:25 | 0:41:27 | |
where terrorists appear... Turn on the TV. | 0:41:27 | 0:41:29 | |
...to have attacked and blown up an American oil tanker. | 0:41:29 | 0:41:31 | |
What channel? | 0:41:31 | 0:41:33 | |
Any one of them. | 0:41:33 | 0:41:35 | |
We're getting conflicting reports. | 0:41:35 | 0:41:36 | |
I think we have Mark on the ground there. | 0:41:36 | 0:41:38 | |
Mark, are you there? | 0:41:38 | 0:41:40 | |
MARK: Well, Beth, police have stopped me | 0:41:40 | 0:41:41 | |
about two miles from the scene. | 0:41:41 | 0:41:43 | |
But even from here, I can see smoke billowing into the sky. | 0:41:43 | 0:41:46 | |
BETH: Have you heard any reports from the site itself? | 0:41:46 | 0:41:49 | |
MARK: I've been told the flames are shooting into the air | 0:41:49 | 0:41:51 | |
at least 50 feet, and that thick clouds of smoke are hindering efforts | 0:41:51 | 0:41:54 | |
to extinguish the conflagration. | 0:41:54 | 0:41:56 | |
Oil is spilling into the bay as the tanker lists and starts to sink. | 0:41:56 | 0:41:59 | |
Beth: Homeland Security officials in Washington | 0:41:59 | 0:42:01 | |
seem to have been taken completely by surprise. | 0:42:01 | 0:42:04 | |
A severe, or red, terrorist alert has been declared. | 0:42:04 | 0:42:07 | |
Our borders and airports have been closed. | 0:42:07 | 0:42:10 | |
The FBI and Texas state troopers are rushing to the scene. | 0:42:10 | 0:42:13 | |
Of course, the greatest fear is that this is merely the start | 0:42:13 | 0:42:16 | |
of something even worse, a coordinated attack | 0:42:16 | 0:42:17 | |
of some kind, reminiscent of 9/11. | 0:42:17 | 0:42:20 | |
I've just heard that all major bridges in New York City... | 0:42:20 | 0:42:24 | |
A boat? All this to sink a boat? | 0:42:24 | 0:42:26 | |
WILL: One quarter of America's oil supply moves through Houston. | 0:42:26 | 0:42:31 | |
Cleaning this up will block the harbour for at least three months. | 0:42:31 | 0:42:35 | |
BP just dumped a zillion gallons of oil into the Gulf, and this is supposed to scare us? | 0:42:35 | 0:42:40 | |
That was just a nosebleed. | 0:42:40 | 0:42:42 | |
This is the jugular. | 0:42:42 | 0:42:45 | |
An aneurysm in the energy system. | 0:42:45 | 0:42:48 | |
Brilliant. | 0:42:48 | 0:42:50 | |
'To sum things up, it appears our worst nightmare is realised. | 0:42:50 | 0:42:52 | |
'The United States is once again under attack.' | 0:42:52 | 0:42:55 | |
Sorry, sir. They're calling from Langley and Fort Meade | 0:43:02 | 0:43:07 | |
and the Pentagon. | 0:43:07 | 0:43:09 | |
That's fine, it's fine. | 0:43:13 | 0:43:15 | |
We can wait a few minutes. | 0:43:16 | 0:43:19 | |
Yes, sir. | 0:43:21 | 0:43:22 | |
DOOR CLOSES | 0:43:25 | 0:43:27 | |
DOOR UNLOCKS | 0:43:28 | 0:43:31 | |
HE SOBS | 0:44:29 | 0:44:31 | |
We picked up chatter yesterday morning, suggesting Kateb has been activated. | 0:02:18 | 0:02:22 | |
-It's just a matter of time until he moves. -Do we know where he is? -What are we doing? | 0:00:06 | 0:00:11 | |
-You know Uri, Tenaz and George have been killed? -The stupidity that we got from the CIA | 0:00:11 | 0:00:16 | |
suggests that Kateb is an amazing, magical creature. | 0:00:16 | 0:00:19 | |
HE CLEARS HIS THROAT | 0:02:35 | 0:02:38 | |
-Where am I calling? -'Fisher's Island Public Library.' | 0:02:38 | 0:02:42 | |
'Can I help you?' | 0:02:43 | 0:02:45 | |
Every one of these companies has profited from some sort of cataclysm or another. | 0:02:46 | 0:02:50 | |
All vulnerabilities pointed out by API white papers. | 0:02:50 | 0:02:53 | |
-I don't understand. -These companies have taken analysis and intelligence from API | 0:02:53 | 0:02:59 | |
and made money off of unforseeable events, worldwide. | 0:02:59 | 0:03:03 | |
The reason we don't have anything on this guy's past... | 0:00:47 | 0:00:51 | |
is that before 2004, he didn't exist. | 0:00:51 | 0:00:55 | |
-It's a problem that needs a clean solution. -Which is? | 0:03:11 | 0:03:17 | |
Will Travers. | 0:01:03 | 0:01:05 | |
Who's this guy? | 0:01:05 | 0:01:06 | |
-The white guy? -Right. Er...the man in the photo is... | 0:01:07 | 0:01:12 | |
Joseph Purcell of New Jersey. | 0:01:12 | 0:01:14 | |
Moved to Yemen in 2003 for a post-grad programme. | 0:01:16 | 0:01:20 | |
Do not move. Do not touch anything. I'll be there in 15 minutes. | 0:03:46 | 0:03:50 | |
Do nothing until I get there. | 0:03:50 | 0:03:53 | |
MUSIC PLAYS | 0:03:53 | 0:03:56 | |
This just came in. We got a hit on Joseph Purcell's passport. | 0:04:07 | 0:04:10 | |
He crossed the border in from Mexico 36 hours ago. Kateb is here. | 0:04:10 | 0:04:14 | |
He's in the United States. | 0:04:14 | 0:04:16 | |
I saw your light on. | 0:02:05 | 0:02:06 | |
Go home. | 0:04:22 | 0:04:24 | |
And don't come back. | 0:04:26 | 0:04:27 |