Browse content similar to Return of the Native. Check below for episodes and series from the same categories and more!
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This programme contains strong language. | 0:00:03 | 0:00:06 | |
Y'know, you'd be surprised at how quickly these get mixed up. | 0:00:16 | 0:00:20 | |
People come in, lift a pack down, put a pack somewhere else. | 0:00:20 | 0:00:23 | |
Next thing you know, they're all over the place. | 0:00:23 | 0:00:26 | |
Now, I know it's your first day here, but you'll soon get the hang of it. | 0:00:26 | 0:00:29 | |
A lot of these open packs... VOICE FADES | 0:00:29 | 0:00:32 | |
You. | 0:00:43 | 0:00:44 | |
It IS you. | 0:00:45 | 0:00:47 | |
Whoa, you can't come through here. | 0:00:50 | 0:00:52 | |
-Some nerve, showing your face around here. -Whoa, whoa... | 0:00:52 | 0:00:54 | |
No. | 0:02:02 | 0:02:04 | |
SHE WHISTLES IN SURPRISE | 0:02:44 | 0:02:46 | |
BELL DINGS | 0:02:47 | 0:02:49 | |
SHE SIGHS | 0:02:52 | 0:02:54 | |
Shit! | 0:04:40 | 0:04:42 | |
Diarmaid Black? | 0:04:45 | 0:04:47 | |
He's not here at the minute. Can I take a message? | 0:04:47 | 0:04:49 | |
We're here to reclaim. | 0:04:49 | 0:04:52 | |
Six computers, a photocopier, two cameras. | 0:04:52 | 0:04:55 | |
For non-payment of hire purchase. | 0:04:55 | 0:04:57 | |
Problem, Diarmaid? | 0:04:57 | 0:04:59 | |
I sent a cheque. | 0:05:01 | 0:05:03 | |
This one? | 0:05:03 | 0:05:06 | |
It bounced. | 0:05:06 | 0:05:08 | |
-No, no, no, no, lads. You can't take the gear. -We have our orders. | 0:05:08 | 0:05:12 | |
Look, lads, lads, I know what you're doing. | 0:05:12 | 0:05:14 | |
You're turning the screw a wee bit. And fair play, it works. | 0:05:14 | 0:05:17 | |
But leave the computers. I've got some money outside in the car. | 0:05:17 | 0:05:20 | |
If you come with me, I'll sort this out. | 0:05:20 | 0:05:22 | |
-Come on. -I'll need to speak to my boss. -Absolutely! | 0:05:22 | 0:05:26 | |
Cormac! | 0:06:28 | 0:06:31 | |
PHONE RINGS | 0:06:58 | 0:07:00 | |
Janine? | 0:07:39 | 0:07:41 | |
Diarmaid? | 0:08:10 | 0:08:11 | |
Eh? | 0:08:15 | 0:08:17 | |
Well? | 0:09:08 | 0:09:10 | |
Mark Dillon, is it? | 0:09:14 | 0:09:16 | |
Aye. Who wants to know? | 0:09:16 | 0:09:18 | |
I work for the local paper. I want a word with you. | 0:09:18 | 0:09:21 | |
And what is this? What do you want? | 0:09:21 | 0:09:23 | |
I was wondering how you felt, | 0:09:23 | 0:09:24 | |
coming face to face with the parents of the baby you ran over. | 0:09:24 | 0:09:27 | |
And then you're out drinking and driving again. | 0:09:27 | 0:09:29 | |
Easy there, big lad. | 0:09:29 | 0:09:30 | |
We have photographs of you. | 0:09:30 | 0:09:32 | |
Piss off. | 0:09:32 | 0:09:33 | |
And you can get that out of my face. You have no right. | 0:09:33 | 0:09:36 | |
No right at all! | 0:09:37 | 0:09:39 | |
I think he made it pretty clear he doesn't want to talk to you. | 0:09:40 | 0:09:42 | |
-Yes, I understand that, but... -He said no. | 0:09:42 | 0:09:47 | |
OK? | 0:09:47 | 0:09:48 | |
There are channels you can go through. | 0:09:48 | 0:09:50 | |
And I don't want my picture taken. | 0:09:52 | 0:09:54 | |
Now... | 0:09:54 | 0:09:56 | |
if you don't mind... | 0:09:56 | 0:09:58 | |
DOORBELL RINGS Alix... | 0:10:02 | 0:10:04 | |
OK. | 0:11:10 | 0:11:12 | |
GENTLE PIANO MUSIC PLAYS | 0:12:33 | 0:12:36 | |
GLASS SMASHES | 0:12:52 | 0:12:54 | |
ALARM BLARES | 0:13:20 | 0:13:22 | |
Jesus! | 0:13:30 | 0:13:32 | |
Where's Tommy? | 0:13:53 | 0:13:54 | |
I don't know. | 0:13:54 | 0:13:56 | |
No! | 0:13:56 | 0:13:58 | |
HE COUGHS | 0:14:00 | 0:14:02 | |
Tommy! | 0:14:08 | 0:14:09 | |
Tommy, are you in there? | 0:14:09 | 0:14:11 | |
-Tommy! -SIREN WAILS | 0:14:13 | 0:14:15 | |
Mr Brady? What happened? | 0:15:07 | 0:15:10 | |
-What the hell do you think? -HE COUGHS | 0:15:10 | 0:15:13 | |
They burned us out. But I'll tell you something. | 0:15:14 | 0:15:18 | |
I'd be dead now if it wasn't for Mark Dillon. | 0:15:18 | 0:15:20 | |
He got me out. And he nearly killed himself doing it. | 0:15:20 | 0:15:25 | |
Put that in your paper! | 0:15:25 | 0:15:26 | |
Oh, hi! | 0:16:08 | 0:16:10 | |
DOOR BUZZER | 0:18:47 | 0:18:48 | |
'Hello?' | 0:18:51 | 0:18:54 | |
"Baby"? | 0:18:58 | 0:18:59 | |
PEOPLE CHATTERING | 0:20:28 | 0:20:30 | |
It turns out you're quite the hero, Mr Dillon. | 0:20:43 | 0:20:45 | |
Oh, it's "Mr" now, is it? | 0:20:45 | 0:20:48 | |
Not "public enemy number one"? | 0:20:48 | 0:20:50 | |
HE COUGHS | 0:20:50 | 0:20:53 | |
-"Hero"? Is that what you're going to write? -Yes. | 0:20:53 | 0:20:55 | |
Well, no. But that IS what people are saying. | 0:20:55 | 0:20:59 | |
-Would you like to tell me what happened? -Not really, no. | 0:20:59 | 0:21:02 | |
Were you burned? Any smoke inhalation? | 0:21:02 | 0:21:03 | |
I don't want anything in the paper. | 0:21:03 | 0:21:05 | |
Yes, but it's a good story, and we have to write it, | 0:21:05 | 0:21:08 | |
so it's probably better that we have your input. | 0:21:08 | 0:21:11 | |
Might help to rehabilitate you in the community. | 0:21:11 | 0:21:13 | |
Oh, you'd do that for me, would you(?) | 0:21:13 | 0:21:16 | |
You know, I might just say you were unavailable for comment. | 0:21:16 | 0:21:18 | |
Look, I... | 0:21:25 | 0:21:26 | |
Peggy's parents were friends of mine. I used to baby-sit her. | 0:21:28 | 0:21:33 | |
Now you're out to get me? | 0:21:33 | 0:21:34 | |
No. | 0:21:36 | 0:21:37 | |
Of course you are. | 0:21:37 | 0:21:39 | |
I know what I did was terrible, but... | 0:21:41 | 0:21:44 | |
I can't change it. | 0:21:45 | 0:21:46 | |
I can't change it. | 0:21:47 | 0:21:50 | |
A million fires won't make any difference. | 0:21:50 | 0:21:53 | |
I'm sorry. | 0:21:55 | 0:21:57 | |
Did you never think of telling them that? | 0:22:01 | 0:22:03 | |
I'm not brave enough for that. | 0:22:05 | 0:22:07 | |
No, I, erm... | 0:22:09 | 0:22:11 | |
No, I was stupid to think I could come back here. | 0:22:11 | 0:22:14 | |
It's the only place I know. | 0:22:16 | 0:22:18 | |
But I... | 0:22:18 | 0:22:20 | |
I thought somehow...it would be OK. | 0:22:20 | 0:22:23 | |
Even my own family won't speak to me. | 0:22:26 | 0:22:29 | |
If I don't write this... | 0:22:33 | 0:22:36 | |
somebody else will. | 0:22:36 | 0:22:37 | |
I'll be fair. | 0:22:40 | 0:22:42 | |
KNOCK AT DOOR | 0:23:51 | 0:23:53 | |
MUSIC: "Queen Bitch" by David Bowie | 0:24:18 | 0:24:21 | |
# Ah, yeah! | 0:24:28 | 0:24:29 | |
# Oh, yeah! | 0:24:32 | 0:24:33 | |
# I'm up on the eleventh floor and I'm watching the cruisers below | 0:24:35 | 0:24:40 | |
# He's down on the street and he's trying hard to pull Sister Flo | 0:24:42 | 0:24:47 | |
# Oh, my heart's in the basement My weekend's at an all-time low. # | 0:24:49 | 0:24:54 | |
Subtitles by Red Bee Media Ltd | 0:24:55 | 0:24:56 |