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|---|---|---|---|
Jerry was in an accident. He's been killed. | 0:00:02 | 0:00:03 | |
He was hit by someone with a metal bumper | 0:00:03 | 0:00:05 | |
-You were close once, weren't you? -It was a long time ago. | 0:00:05 | 0:00:08 | |
If we acquire Mr Dalhousie's land, | 0:00:08 | 0:00:10 | |
we can run the pipeline along the bottom of the loch. | 0:00:10 | 0:00:12 | |
They're trying to destroy me! | 0:00:12 | 0:00:14 | |
-Save The Sound are helping him financially. -And they are? | 0:00:14 | 0:00:16 | |
Evie Watt and her dad. | 0:00:16 | 0:00:18 | |
Smile. It's our wedding day. | 0:00:18 | 0:00:19 | |
You're making a fool of yourself! | 0:00:19 | 0:00:22 | |
"Blood toucheth blood." John? | 0:00:22 | 0:00:24 | |
Hi. Sandy, can you take a Uniform and check the road to Skellwick? | 0:01:04 | 0:01:08 | |
Thanks. | 0:01:08 | 0:01:09 | |
Ready? Follow me. | 0:01:10 | 0:01:13 | |
What have you got? | 0:01:19 | 0:01:22 | |
Blood. | 0:01:22 | 0:01:23 | |
Lots of blood. | 0:01:23 | 0:01:25 | |
What is this? | 0:01:27 | 0:01:29 | |
It appears to be some kind of shrine to his late wife. | 0:01:29 | 0:01:32 | |
I'll need a DNA profile soon as. | 0:01:32 | 0:01:35 | |
I need to know whether he's been attacked, | 0:01:35 | 0:01:37 | |
or if he's the attacker. | 0:01:37 | 0:01:39 | |
Sure. | 0:01:39 | 0:01:40 | |
Welcome back. | 0:01:40 | 0:01:42 | |
Get everyone we have on this. | 0:01:48 | 0:01:51 | |
We really need to find him. | 0:01:51 | 0:01:54 | |
And bag this. | 0:01:54 | 0:01:55 | |
Is this the same as the postcard we found in Jerry's car? | 0:01:57 | 0:02:00 | |
Yep, and that's Jerry handwriting and Jerry's phone number. | 0:02:00 | 0:02:04 | |
"Blood toucheth blood"? | 0:02:04 | 0:02:06 | |
My guess is he was trying to send John Henderson some kind of message. | 0:02:08 | 0:02:11 | |
Henderson's still not answering his mobile. | 0:02:21 | 0:02:24 | |
Only one toothbrush, which suggests | 0:02:24 | 0:02:26 | |
Evie wasn't staying here before the wedding. | 0:02:26 | 0:02:28 | |
And I guess the well-thumbed Bible explains that. | 0:02:28 | 0:02:31 | |
From the blood patterns, I'd say the attack started in the bedroom, | 0:02:33 | 0:02:37 | |
-then the victim staggered, or was carried downstairs. -Right. | 0:02:37 | 0:02:41 | |
There's something else - flecks of paint on the carpet appear to | 0:02:41 | 0:02:44 | |
be similar to the paint we found in Markham's car. | 0:02:44 | 0:02:47 | |
PHONE RINGS | 0:02:47 | 0:02:50 | |
Sandy? You got something? | 0:02:50 | 0:02:51 | |
'John Henderson, I've found him.' | 0:02:51 | 0:02:54 | |
I'm just beyond the straw bride and groom on the coast road to Skellwick. | 0:02:54 | 0:02:59 | |
And? | 0:02:59 | 0:03:01 | |
I can't find a pulse. | 0:03:01 | 0:03:03 | |
SIREN WAILS | 0:03:08 | 0:03:11 | |
He must have started walking towards Skellwick and collapsed. | 0:03:11 | 0:03:14 | |
I can't believe he managed to get this far. | 0:03:14 | 0:03:17 | |
That's as bad a head wound as I've seen. There's stab wounds too. | 0:03:17 | 0:03:21 | |
But it's the blow to the head that killed him. | 0:03:24 | 0:03:26 | |
He may even have fallen into a coma before he died. | 0:03:26 | 0:03:30 | |
Whoever attacked him left him for dead, | 0:03:30 | 0:03:33 | |
not realising he was still alive? | 0:03:33 | 0:03:35 | |
Well, that might be jumping the gun. | 0:03:35 | 0:03:37 | |
But then I'm not as cynical as you lot must be. | 0:03:37 | 0:03:40 | |
Have you got any idea what he was hit with? | 0:03:40 | 0:03:43 | |
A blunt object. Then stabbed with a knife. | 0:03:43 | 0:03:46 | |
Forensics should take a look. | 0:03:46 | 0:03:48 | |
Call Billy and tell him to inform the fiscal as soon as possible. | 0:03:49 | 0:03:53 | |
Then, erm... | 0:03:53 | 0:03:54 | |
..walk from here back to the Henderson house | 0:03:55 | 0:03:57 | |
and see if you can find those murder weapons. | 0:03:57 | 0:04:00 | |
Someone should tell Evie. Before the news gets out. | 0:04:00 | 0:04:03 | |
Aye. | 0:04:05 | 0:04:06 | |
I need to see to Evie. | 0:04:35 | 0:04:37 | |
She's just about to leave. Just waiting for John. | 0:04:37 | 0:04:40 | |
John's not coming. | 0:04:41 | 0:04:43 | |
I need to see her now. | 0:04:43 | 0:04:45 | |
John, I'm still here, waiting. | 0:04:48 | 0:04:49 | |
Can you give me a call when you get this message? | 0:04:49 | 0:04:52 | |
SHE HANGS UP | 0:04:52 | 0:04:54 | |
What is it? What's wrong? | 0:04:59 | 0:05:00 | |
Evie, could we go and sit down for a minute? | 0:05:00 | 0:05:03 | |
-No. What is it? -It's bad news, Evie. | 0:05:04 | 0:05:08 | |
OK. Just tell me, then. | 0:05:09 | 0:05:11 | |
John's been found by the side of the road. He's dead. | 0:05:11 | 0:05:16 | |
-What happened? -He's been killed. | 0:05:17 | 0:05:21 | |
He what? | 0:05:21 | 0:05:22 | |
You what...? | 0:05:22 | 0:05:24 | |
No, don't touch me! Don't touch me! | 0:05:26 | 0:05:28 | |
Leave me! | 0:05:28 | 0:05:30 | |
SHE SOBS | 0:05:30 | 0:05:32 | |
What...? | 0:05:33 | 0:05:35 | |
Do you have any idea why somebody would want to attack John? | 0:05:43 | 0:05:48 | |
SHE SOBS | 0:05:48 | 0:05:50 | |
No. | 0:05:50 | 0:05:51 | |
What was bothering him at the wedding? | 0:05:57 | 0:05:59 | |
We have some savings that we can't agree how to spend. That's all. | 0:06:02 | 0:06:08 | |
Have you any idea why John would lie | 0:06:14 | 0:06:17 | |
about Jerry Markham being in contact with him? | 0:06:17 | 0:06:21 | |
He didn't. | 0:06:21 | 0:06:23 | |
John had a postcard with Jerry's phone number | 0:06:25 | 0:06:28 | |
written on the back of it, in Jerry's handwriting. | 0:06:28 | 0:06:31 | |
Why are you asking me these questions right now? | 0:06:31 | 0:06:33 | |
Had you and Jerry Markham started seeing each other again? | 0:06:33 | 0:06:37 | |
-Is that why John was upset? -No. | 0:06:37 | 0:06:39 | |
There's a room at the top of John's house | 0:06:43 | 0:06:46 | |
that's like a shrine to his late wife. | 0:06:46 | 0:06:50 | |
Didn't that bother you? | 0:06:50 | 0:06:52 | |
You can't pretend that people didn't exist just because they're gone. | 0:06:53 | 0:06:57 | |
It... It's his way of coping. | 0:06:59 | 0:07:01 | |
And no, it doesn't bother me cos it's private and I don't go in that room. | 0:07:01 | 0:07:05 | |
I was going to deal with it when I moved in. | 0:07:07 | 0:07:10 | |
Just...gently. | 0:07:12 | 0:07:14 | |
I thought that... | 0:07:14 | 0:07:15 | |
..that might make you have second thoughts? | 0:07:16 | 0:07:20 | |
No... | 0:07:20 | 0:07:22 | |
I wanted to be with John. | 0:07:22 | 0:07:24 | |
I wanted it so much! | 0:07:26 | 0:07:28 | |
No more. | 0:07:29 | 0:07:31 | |
No more questions. | 0:07:31 | 0:07:34 | |
Someone wanted it to look like a break-in. | 0:07:41 | 0:07:44 | |
I can't tell if there are any valuables missing. | 0:07:44 | 0:07:47 | |
Or if he had any. "By scripture alone", remember? | 0:07:47 | 0:07:50 | |
It was pretty basic, wasn't it? Even the Spartans might have thought, | 0:07:50 | 0:07:54 | |
"A wee doily here and there." | 0:07:54 | 0:07:57 | |
Right, you two go and get some kip. | 0:07:57 | 0:08:00 | |
-We'll start again in the morning. -OK. | 0:08:00 | 0:08:02 | |
Night. | 0:08:04 | 0:08:06 | |
And they're definitely linked? | 0:08:24 | 0:08:26 | |
We discovered traces of paint at both scenes. | 0:08:26 | 0:08:28 | |
If it's the same paint, they're linked. We'll know later today. | 0:08:28 | 0:08:32 | |
And both the victims were in contact with each other. | 0:08:32 | 0:08:35 | |
Both had an interest in Save The Sound. | 0:08:35 | 0:08:37 | |
One death made to look like an accident | 0:08:37 | 0:08:39 | |
and one made to look like a robbery. | 0:08:39 | 0:08:41 | |
I'd say that we proceed on the assumption | 0:08:41 | 0:08:43 | |
that they were both killed by the same person. | 0:08:43 | 0:08:46 | |
"Blood toucheth blood"? | 0:08:46 | 0:08:48 | |
It's according to the King James Bible - | 0:08:48 | 0:08:50 | |
by lying, killing and committing adultery, | 0:08:50 | 0:08:53 | |
bloodshed follows bloodshed. | 0:08:53 | 0:08:55 | |
Seems as though Jerry was trying to appeal to Henderson's faith, | 0:08:55 | 0:08:58 | |
to get him to talk, or to admit to something. | 0:08:58 | 0:09:01 | |
Murder weapon? | 0:09:01 | 0:09:02 | |
Possibly two. I haven't been able to identify them yet. | 0:09:02 | 0:09:05 | |
Lying, killing, adultery? So how many boxes are we ticking? | 0:09:05 | 0:09:09 | |
I'll phone Aberdeen and get the OK for you to stay on for a few days. | 0:09:10 | 0:09:14 | |
You can use Lerwick Hospital's morgue to do the postmortem. | 0:09:14 | 0:09:17 | |
Fine by me. | 0:09:17 | 0:09:19 | |
Fine with you? | 0:09:19 | 0:09:21 | |
Sure. | 0:09:23 | 0:09:24 | |
The head wound is the result of a blow with a blunt object. | 0:09:27 | 0:09:32 | |
It's the stab wounds that are the puzzle. | 0:09:34 | 0:09:37 | |
Bigger and broader than a normal knife, and with ragged sides. | 0:09:37 | 0:09:41 | |
I've never seen anything like it. | 0:09:42 | 0:09:44 | |
Hey, Tosh. Check Crime-link. | 0:09:44 | 0:09:46 | |
Maybe one of the other forces have seen something similar. | 0:09:46 | 0:09:49 | |
I'll keep working on it. | 0:09:49 | 0:09:52 | |
OK. No pressure, but... | 0:09:52 | 0:09:53 | |
we don't really have a case without the murder weapons. | 0:09:53 | 0:09:56 | |
I got the results on the water sample from the fish farm. | 0:10:06 | 0:10:09 | |
It's clean. As a whistle. | 0:10:09 | 0:10:11 | |
Oxygen levels low, but no sign of any chemicals or pesticides. | 0:10:11 | 0:10:15 | |
So if Storne Gas aren't trying to pressure him off the land, | 0:10:15 | 0:10:18 | |
who vandalised the farm? | 0:10:18 | 0:10:20 | |
Well... It could be locals. | 0:10:20 | 0:10:22 | |
There's enough people that want Joe to sell up. | 0:10:22 | 0:10:25 | |
I thought it was odd, so I called the insurance company | 0:10:25 | 0:10:28 | |
to see if they had any information. | 0:10:28 | 0:10:29 | |
Turns out they're unhappy about paying out on the damage. | 0:10:29 | 0:10:32 | |
Joe Dalhousie made similar claims a few years ago, | 0:10:32 | 0:10:35 | |
and they feel the whole thing is a scam. | 0:10:35 | 0:10:37 | |
OK. We have to talk to him again. | 0:10:37 | 0:10:39 | |
All these insurance claims, Joe, | 0:10:43 | 0:10:45 | |
they must be pushing your premiums up something rotten? | 0:10:45 | 0:10:49 | |
Insurance companies! Like trying to get blood frae a stone. | 0:10:49 | 0:10:54 | |
Thing is, they don't feel you've been completely honest yourself. | 0:10:54 | 0:10:58 | |
They would. | 0:10:58 | 0:11:00 | |
You claim - they put up your premium. | 0:11:01 | 0:11:04 | |
They never lose. | 0:11:04 | 0:11:05 | |
Daylight bloody robbery. | 0:11:05 | 0:11:08 | |
These attacks are real. | 0:11:10 | 0:11:11 | |
I have to ask you this. | 0:11:11 | 0:11:13 | |
Where were you the night John Henderson was killed? | 0:11:13 | 0:11:16 | |
-I was walking. -At night? | 0:11:18 | 0:11:20 | |
I sometimes need to get out of the house. I walk and I talk. | 0:11:20 | 0:11:24 | |
Mumbles, my brother used to call it. | 0:11:24 | 0:11:26 | |
All I remember is sitting down by the loch, looking at the water. | 0:11:26 | 0:11:30 | |
-Didn't go anywhere near the Henderson house? -Why would I? | 0:11:30 | 0:11:34 | |
I don't know. | 0:11:34 | 0:11:35 | |
Maybe John found out about all these false claims. | 0:11:36 | 0:11:40 | |
Maybe he was annoyed, | 0:11:40 | 0:11:41 | |
thought you were leading Evie up the garden path? | 0:11:41 | 0:11:44 | |
You seem to have forgotten - | 0:11:44 | 0:11:46 | |
I'm the victim here. | 0:11:46 | 0:11:48 | |
Nobody's poisoning that water, Joe. | 0:11:52 | 0:11:55 | |
It's that clean you could drink it. | 0:11:58 | 0:12:01 | |
I can't explain the vandalism yet, | 0:12:04 | 0:12:06 | |
but whatever is killing your fish, it's not Storne Gas. | 0:12:06 | 0:12:10 | |
What do you think? | 0:12:16 | 0:12:19 | |
He mentioned a brother. See if you can track him down. | 0:12:21 | 0:12:25 | |
See if he knows anything about these insurance claims from way back when. | 0:12:25 | 0:12:29 | |
-And get the car cleaned after you drop them off. -Will do. | 0:12:31 | 0:12:35 | |
Can I help you, miss? | 0:12:41 | 0:12:42 | |
I'd like to speak to Jimmy Perez, please. | 0:12:42 | 0:12:45 | |
And you are? | 0:12:46 | 0:12:47 | |
I'm Jerry Markham's fiancee. | 0:12:47 | 0:12:50 | |
There's a woman outside to see you. | 0:12:56 | 0:12:58 | |
Says she's Jerry Markham's fiancee. Seems genuine enough. | 0:12:58 | 0:13:02 | |
That puts paid to our theory | 0:13:02 | 0:13:04 | |
that Jerry and Evie were seeing each other again. | 0:13:04 | 0:13:08 | |
A looker as well. | 0:13:08 | 0:13:10 | |
Lucky man. | 0:13:10 | 0:13:12 | |
He talked about you and your wife a lot. | 0:13:20 | 0:13:22 | |
He was very fond of you. | 0:13:22 | 0:13:24 | |
Yeah, we were very fond of him. | 0:13:24 | 0:13:27 | |
Listen, the last time that you last spoke to him, | 0:13:27 | 0:13:30 | |
did he talk to you about what he was working on? | 0:13:30 | 0:13:34 | |
No. | 0:13:34 | 0:13:35 | |
He didn't come here for work. | 0:13:37 | 0:13:39 | |
He told me there was something he needed to sort out | 0:13:40 | 0:13:43 | |
before we could get married. Unfinished business, he called it. | 0:13:43 | 0:13:48 | |
I suspected an old relationship. | 0:13:48 | 0:13:50 | |
He had regrets, he wanted to make amends. | 0:13:50 | 0:13:53 | |
He did send me this, though. | 0:13:55 | 0:13:57 | |
I assumed it was research. | 0:14:02 | 0:14:04 | |
He'd often use a memory stick to back it all up. | 0:14:04 | 0:14:07 | |
He didn't like doing it online, | 0:14:07 | 0:14:09 | |
thought the Government might be spying on him. | 0:14:09 | 0:14:11 | |
That's why he encrypted his calls? | 0:14:13 | 0:14:16 | |
Yes. He made me get that app. | 0:14:16 | 0:14:19 | |
I felt like I was in MI6. | 0:14:19 | 0:14:22 | |
He could be paranoid sometimes. | 0:14:22 | 0:14:24 | |
Having said that, the day that I called, | 0:14:27 | 0:14:30 | |
the day of the accident, he was up at the Fairhead terminal. | 0:14:30 | 0:14:34 | |
You see, um... | 0:14:34 | 0:14:37 | |
I had some good news. | 0:14:37 | 0:14:39 | |
I'm pregnant. | 0:14:42 | 0:14:44 | |
Annabel, I'm so sorry. | 0:14:47 | 0:14:48 | |
I'd, erm... | 0:14:55 | 0:14:56 | |
I'd like to stay, see his parents. | 0:14:56 | 0:15:00 | |
Maybe I could help with the funeral arrangements. | 0:15:00 | 0:15:03 | |
Do you think that they would mind? | 0:15:03 | 0:15:05 | |
-He hadn't told them about you, do you realise that? -Yes, I know. | 0:15:05 | 0:15:10 | |
We were supposed to come up here next week to meet them. | 0:15:12 | 0:15:16 | |
Now I can tell them that they're going to be grandparents. | 0:15:16 | 0:15:20 | |
Open that. | 0:15:36 | 0:15:38 | |
There. "SG" - Storne Gas. | 0:15:49 | 0:15:52 | |
"Slush fund"? | 0:15:58 | 0:16:00 | |
Looks like Storne Gas had been spreading their money about. | 0:16:02 | 0:16:05 | |
Greasing palms to get planning permission? | 0:16:05 | 0:16:08 | |
I can think of a lot of people who would want this story to disappear. | 0:16:08 | 0:16:11 | |
Half the island, probably. | 0:16:11 | 0:16:13 | |
Open "photographs". | 0:16:13 | 0:16:15 | |
What was Jerry doing with these files? | 0:16:16 | 0:16:19 | |
Look at those two at the bottom. | 0:16:19 | 0:16:20 | |
-Can you enlarge that? -Yep. | 0:16:24 | 0:16:26 | |
It's...John Henderson with someone. | 0:16:30 | 0:16:33 | |
And it's not Evie. | 0:16:33 | 0:16:35 | |
Can you explain that? | 0:16:40 | 0:16:42 | |
When did you start seeing John Henderson? | 0:16:46 | 0:16:49 | |
Look, Jenny... | 0:16:51 | 0:16:53 | |
What you do in your private life is your business. But I need to know | 0:16:54 | 0:16:59 | |
if this relationship has anything to do with his death. | 0:16:59 | 0:17:02 | |
It started after his wife died. | 0:17:10 | 0:17:13 | |
He needed someone to talk to. | 0:17:16 | 0:17:18 | |
Then the guilt set in, so it ended. | 0:17:20 | 0:17:23 | |
And then he met Evie. I knew it wasn't right, for either of them, | 0:17:23 | 0:17:28 | |
but she was desperate to get away from her father. | 0:17:28 | 0:17:32 | |
She couldn't breathe in that house. I think John felt sorry for her. | 0:17:32 | 0:17:35 | |
How do you know that? | 0:17:35 | 0:17:37 | |
We still talked. | 0:17:39 | 0:17:41 | |
That was all. | 0:17:41 | 0:17:43 | |
John didn't even want that. | 0:17:43 | 0:17:45 | |
He was nervous. | 0:17:45 | 0:17:47 | |
He said that Markham knew about us | 0:17:47 | 0:17:50 | |
and that he was willing to use the fact. He wanted something from John. | 0:17:50 | 0:17:54 | |
Which was what? | 0:17:59 | 0:18:01 | |
He didn't say. | 0:18:01 | 0:18:03 | |
But I knew he was worried about it. | 0:18:05 | 0:18:07 | |
Does my husband have to know about this? | 0:18:10 | 0:18:12 | |
No. Forget about Andy for the moment, Jenny. | 0:18:12 | 0:18:15 | |
Did Evie know? | 0:18:17 | 0:18:19 | |
Nobody knew, nobody. | 0:18:19 | 0:18:22 | |
Apart from Markham. | 0:18:23 | 0:18:24 | |
Let's just stick to the one-killer theory, just for the moment. | 0:18:30 | 0:18:35 | |
Who had a reason to kill both those men? | 0:18:35 | 0:18:38 | |
Evie Watt. Markham had abandoned her when she was pregnant, | 0:18:38 | 0:18:44 | |
and now he was causing trouble between her and her new man, | 0:18:44 | 0:18:48 | |
and to top it all off, Jerry's fiancee is pregnant. | 0:18:48 | 0:18:52 | |
Now, if she knew that, would that be enough to tip her over the edge? | 0:18:52 | 0:18:57 | |
But why would she attack her brand-new husband? | 0:18:57 | 0:19:00 | |
Maybe the affair never ended, so she lost her temper, lost control... | 0:19:02 | 0:19:07 | |
If Evie was that interested in Jerry, | 0:19:07 | 0:19:10 | |
-she wouldn't care what John was up to. -What about Iain Redford? | 0:19:10 | 0:19:13 | |
If he did have a slush fund, | 0:19:15 | 0:19:17 | |
Markham's story could put his job on the line? | 0:19:17 | 0:19:20 | |
Maybe John Henderson found out? | 0:19:20 | 0:19:22 | |
No, you're right, we can't discount any of them. | 0:19:24 | 0:19:26 | |
HE GROANS | 0:19:28 | 0:19:30 | |
Whatever it is, Evie Watt is at the centre of it. | 0:19:30 | 0:19:34 | |
I want to know every single thing about her. | 0:19:34 | 0:19:38 | |
I want her bank statements. I want her mobile phone records, e-mails... | 0:19:38 | 0:19:42 | |
Listen, if you can get me a hold of her old school report card, | 0:19:42 | 0:19:46 | |
I will read that. | 0:19:46 | 0:19:48 | |
Didn't mean to butt in like that. | 0:19:50 | 0:19:52 | |
The paint used for the graffiti at Dalhousie's farm. | 0:19:52 | 0:19:55 | |
We should take a closer look at it. It's similar to the flecks | 0:19:55 | 0:19:58 | |
we found in Markham's car and Henderson's bedroom. | 0:19:58 | 0:20:01 | |
There could be a link. | 0:20:01 | 0:20:03 | |
That's a good idea. | 0:20:06 | 0:20:08 | |
Your dad and I have been talking about the Edinburgh trip | 0:20:12 | 0:20:15 | |
-and he's not keen for you to go. -You're not serious? | 0:20:15 | 0:20:18 | |
-Next year, OK? -Come on! It's the Edinburgh Festival. | 0:20:19 | 0:20:24 | |
We'll be sitting in some church hall watching a student production of Antigone. | 0:20:24 | 0:20:27 | |
-Hardly a Bacchanalian orgy. -What's she talking about? | 0:20:27 | 0:20:30 | |
Well, I'm glad you think this is funny. | 0:20:30 | 0:20:32 | |
Next year, I won't ask your permission. I'll just leave. | 0:20:32 | 0:20:35 | |
And I might not even come back! | 0:20:35 | 0:20:37 | |
SHE GOES UPSTAIRS | 0:20:39 | 0:20:41 | |
DOOR SLAMS | 0:20:42 | 0:20:44 | |
Did you have to say, "HE doesn't want you to go"? | 0:20:45 | 0:20:48 | |
Do I need to be the bad cop all the time? | 0:20:48 | 0:20:51 | |
OK. Next time, I'll take point. | 0:20:51 | 0:20:54 | |
It's just... | 0:20:54 | 0:20:56 | |
I know that you want to spoil her, but it really doesn't help me much. | 0:20:56 | 0:21:01 | |
It's not that. I just don't agree with you all the time. | 0:21:01 | 0:21:04 | |
Well, she lives here. | 0:21:05 | 0:21:07 | |
I am responsible for her and I have to make the right calls. | 0:21:09 | 0:21:13 | |
And you have to support me. | 0:21:13 | 0:21:15 | |
I want a divorce. | 0:21:19 | 0:21:22 | |
JIMMY LAUGHS | 0:21:22 | 0:21:24 | |
PHONE VIBRATES | 0:21:25 | 0:21:28 | |
HE SIGHS | 0:21:28 | 0:21:30 | |
Right, I need to deal with his. | 0:21:38 | 0:21:40 | |
And you need to deal with that. | 0:21:41 | 0:21:43 | |
Just go and speak to the girl, will you? | 0:21:49 | 0:21:53 | |
We don't even know who she is. | 0:21:55 | 0:21:58 | |
She could be lying. I couldn't stand it. | 0:21:58 | 0:22:02 | |
Maria, don't make the same mistake twice. | 0:22:03 | 0:22:08 | |
This girl is carrying our grandchild. | 0:22:09 | 0:22:12 | |
The paint on Henderson's carpet and Markham's mat | 0:22:28 | 0:22:31 | |
are both semi-gloss acrylic. | 0:22:31 | 0:22:33 | |
Marine paint. For below the waterline. | 0:22:33 | 0:22:36 | |
-Common on Shetland, I suppose. -Used it myself. | 0:22:36 | 0:22:38 | |
-Navy blue? -Yeah. -Same colour as Cameron Watt's Yoal? | 0:22:38 | 0:22:42 | |
Which Evie painted, right? | 0:22:42 | 0:22:44 | |
So she could have been in Jerry's car on the day he died. | 0:22:44 | 0:22:47 | |
So could a number of people, her dad included. | 0:22:47 | 0:22:50 | |
As you said, it's widely used on Shetland. | 0:22:50 | 0:22:53 | |
It also matches the graffiti at Dalhousie's farm. | 0:22:53 | 0:22:56 | |
So whoever attacked Henderson | 0:22:56 | 0:22:58 | |
and Markham may have vandalised Dalhousie's place. | 0:22:58 | 0:23:01 | |
You had any luck with the murder weapons yet? | 0:23:06 | 0:23:08 | |
Nothing that fits. | 0:23:08 | 0:23:10 | |
I'll keep looking. | 0:23:10 | 0:23:12 | |
You're wasted here. You do know that, don't you? | 0:23:15 | 0:23:18 | |
I'm where I want to be. | 0:23:23 | 0:23:26 | |
Don't you need some excitement? | 0:23:26 | 0:23:28 | |
Other than the work, I mean. | 0:23:29 | 0:23:31 | |
Yes. | 0:23:32 | 0:23:34 | |
Yeah, of course I do. | 0:23:35 | 0:23:38 | |
I'd be lying if I said I didn't. | 0:23:38 | 0:23:40 | |
But it's not easy, you know? | 0:23:41 | 0:23:43 | |
I'm not a free agent. I've got a teenage daughter. | 0:23:43 | 0:23:46 | |
My son's about the same age. They'll both be gone soon. | 0:23:46 | 0:23:50 | |
You should think about your future. YOUR future. | 0:23:52 | 0:23:55 | |
So, you alone? Is that what your wife would have wanted? | 0:23:57 | 0:24:01 | |
No. | 0:24:01 | 0:24:03 | |
But I never listened to her when she was alive, so why would I start now? | 0:24:03 | 0:24:06 | |
Deflecting the conversation with humour. Very sly. | 0:24:06 | 0:24:09 | |
You'll not get away that easily, Perez. | 0:24:09 | 0:24:12 | |
You don't want to end up like John Henderson, do you? | 0:24:13 | 0:24:16 | |
Unable to move on with your life. | 0:24:18 | 0:24:20 | |
No. | 0:24:22 | 0:24:24 | |
I just... | 0:24:25 | 0:24:27 | |
..can't...yet. | 0:24:29 | 0:24:32 | |
Markham's old articles. He wrote about a spillage at Fairhead | 0:24:42 | 0:24:45 | |
and accused Andy Belshaw of trying to cover it up. | 0:24:45 | 0:24:49 | |
Right. Bring Belshaw in. | 0:24:50 | 0:24:52 | |
-Now? -No, Easter(!) | 0:24:52 | 0:24:53 | |
I've got a chocolate egg for him(!) | 0:24:53 | 0:24:56 | |
And if you're not too busy revising, | 0:24:56 | 0:24:58 | |
I need a search warrant for Evie Watt's house. Today. | 0:24:58 | 0:25:01 | |
So, the article that Jerry wrote about the Fairhead oil spill - | 0:25:07 | 0:25:10 | |
did that just slip your mind? | 0:25:10 | 0:25:12 | |
Minor spillage. | 0:25:14 | 0:25:16 | |
We didn't even get the boom out. | 0:25:16 | 0:25:19 | |
Markham blew it all out of proportion. | 0:25:19 | 0:25:22 | |
But you should still have told us. | 0:25:22 | 0:25:24 | |
Water under the bridge. | 0:25:24 | 0:25:26 | |
What about John Henderson? How well did you know him? | 0:25:26 | 0:25:30 | |
Not as well as my wife, it would appear. | 0:25:30 | 0:25:32 | |
What did you do after the wedding? Did you go on anywhere? | 0:25:32 | 0:25:36 | |
No, just walked home. | 0:25:36 | 0:25:38 | |
-Anybody with you? -No. | 0:25:38 | 0:25:41 | |
Jenny stayed behind to help clear up. | 0:25:42 | 0:25:45 | |
And where were you the night Jerry Markham was killed? | 0:25:45 | 0:25:49 | |
I was over in Yell, drinking with a friend. | 0:25:49 | 0:25:52 | |
You must be aware that you now have a motive for killing both these men. | 0:25:55 | 0:25:59 | |
So if you want to change my mind about that, | 0:26:01 | 0:26:03 | |
then why don't you tell me something that'll help me? | 0:26:03 | 0:26:07 | |
I don't blame John Henderson for what happened. | 0:26:10 | 0:26:13 | |
He was a good man. | 0:26:14 | 0:26:16 | |
I blame myself. | 0:26:16 | 0:26:18 | |
Now, this may sound conceited, | 0:26:19 | 0:26:22 | |
but I just didn't think that Jenny would be interested in anybody else. | 0:26:22 | 0:26:25 | |
Is that the warrant? | 0:26:29 | 0:26:31 | |
Yes. And the results on Dalhousie's fish. | 0:26:31 | 0:26:33 | |
Acute furunculosis. Tail rot. | 0:26:33 | 0:26:37 | |
So, have you news for us? | 0:26:44 | 0:26:47 | |
No. But I do have a search warrant. | 0:26:47 | 0:26:49 | |
Is this really necessary? | 0:26:49 | 0:26:51 | |
Aye. We'll be as quick as we can. Sandy... | 0:26:51 | 0:26:54 | |
I think Evie has answered enough questions. | 0:27:29 | 0:27:32 | |
Circumstances have changed since we last spoke. | 0:27:32 | 0:27:35 | |
Evie, did you paint the Yoal outside? | 0:27:35 | 0:27:39 | |
-Yeah. -What has that got to do with anything? | 0:27:44 | 0:27:46 | |
Whose is the boiler suit? | 0:27:46 | 0:27:48 | |
I wear it when I'm working with Dad. | 0:27:48 | 0:27:51 | |
OK, now, if I said to you that the paint you used | 0:27:51 | 0:27:55 | |
was found in Jerry Markham's car, what would you say? | 0:27:55 | 0:27:58 | |
I don't understand. | 0:27:58 | 0:28:00 | |
Well, you said you didn't speak to Jerry Markham | 0:28:00 | 0:28:03 | |
but you were in his car, weren't you? | 0:28:03 | 0:28:06 | |
Jerry's fiancee said that he had unfinished business up here. | 0:28:22 | 0:28:26 | |
Was he trying to make amends? | 0:28:29 | 0:28:31 | |
Is that why he was looking into Storne Gas in the first place? | 0:28:31 | 0:28:33 | |
-Was it for you? -No. No, I never spoke to him. | 0:28:33 | 0:28:37 | |
Thinking of buying a place in Edinburgh? | 0:28:46 | 0:28:48 | |
Evie would never leave. | 0:28:48 | 0:28:50 | |
She's carrying on the old traditions. | 0:28:51 | 0:28:53 | |
Isn't that right, Evie? | 0:28:53 | 0:28:56 | |
Jenny and John... | 0:28:56 | 0:28:58 | |
You knew they'd had an affair, right? | 0:28:59 | 0:29:02 | |
What? | 0:29:03 | 0:29:05 | |
What are you talking about? When? | 0:29:05 | 0:29:07 | |
Evie, unless you tell me everything you know, | 0:29:07 | 0:29:11 | |
and I find out down the line you've lied to me, I'll charge you | 0:29:11 | 0:29:15 | |
with obstructing the course of justice, at the very least. | 0:29:15 | 0:29:18 | |
I told you. | 0:29:19 | 0:29:21 | |
I never got in his car. | 0:29:23 | 0:29:26 | |
I can't say I blame her for wanting a change of scenery. | 0:29:27 | 0:29:30 | |
So would I if my husband had a shrine to his dead wife | 0:29:30 | 0:29:33 | |
in the attic, never mind sleeping with my best friend. | 0:29:33 | 0:29:36 | |
"By scripture alone"? I don't think so. | 0:29:36 | 0:29:39 | |
And the father's clinging to her like a limpet. | 0:29:39 | 0:29:42 | |
Have the fund paperwork looked at by a forensic accountant. | 0:29:45 | 0:29:49 | |
And tell them it's urgent. | 0:29:49 | 0:29:51 | |
Joe... | 0:30:09 | 0:30:11 | |
-your fish have got... -Tail rot. I know. | 0:30:11 | 0:30:14 | |
Why can't they leave me alone, | 0:30:19 | 0:30:22 | |
leave me in peace? | 0:30:22 | 0:30:24 | |
They think you're holding up progress. | 0:30:25 | 0:30:29 | |
So, what do you think? | 0:30:29 | 0:30:30 | |
I think it's your land... | 0:30:33 | 0:30:35 | |
..your decision. | 0:30:37 | 0:30:39 | |
Is that your brother? | 0:30:44 | 0:30:46 | |
William. Yeah. | 0:30:46 | 0:30:48 | |
Do you see him much? | 0:30:50 | 0:30:52 | |
No. | 0:30:53 | 0:30:55 | |
But I still miss him. | 0:30:55 | 0:30:57 | |
There's not a day I don't think of him. | 0:30:58 | 0:31:01 | |
He wanted to see the world. | 0:31:04 | 0:31:06 | |
Wanderlust, they call it. | 0:31:06 | 0:31:08 | |
After Father passed, it was only him and me. | 0:31:09 | 0:31:12 | |
It was lonely at first. | 0:31:13 | 0:31:15 | |
But you get used to it... | 0:31:17 | 0:31:20 | |
the silence. | 0:31:20 | 0:31:22 | |
Finally, you come to love it. | 0:31:24 | 0:31:26 | |
By the loch, | 0:31:29 | 0:31:31 | |
I can hear the water | 0:31:31 | 0:31:33 | |
ripple at the wind... | 0:31:33 | 0:31:36 | |
..the clouds moving in the sky. | 0:31:39 | 0:31:41 | |
I hear the world as it's meant to be. | 0:31:43 | 0:31:47 | |
Folks say, "Take the money, put thy feet up." | 0:31:54 | 0:31:57 | |
I know every inch of this land, | 0:31:59 | 0:32:02 | |
every bird, every animal. | 0:32:02 | 0:32:04 | |
They're my family now. | 0:32:07 | 0:32:09 | |
What if you can't make the business work? | 0:32:13 | 0:32:16 | |
This place... | 0:32:18 | 0:32:20 | |
I'll get it back upon its feet... | 0:32:20 | 0:32:22 | |
..and I'll no' need Evie's money for ever. | 0:32:23 | 0:32:26 | |
What's that you're looking at? | 0:32:33 | 0:32:35 | |
It's the fund accounts. | 0:32:35 | 0:32:37 | |
The bank statements show substantial sums were withdrawn | 0:32:37 | 0:32:40 | |
in the lead up to the wedding. | 0:32:40 | 0:32:42 | |
Then, on the night of the wedding, Henderson used online banking | 0:32:42 | 0:32:45 | |
to deposit the same amounts back in. | 0:32:45 | 0:32:47 | |
So, they took money out and then they put it back in again? | 0:32:47 | 0:32:53 | |
Well, SHE took the money out and HE put it back in. | 0:32:53 | 0:32:58 | |
Could that be what they were arguing about? | 0:32:58 | 0:33:01 | |
No. She's taken money out from the fund to pay | 0:33:01 | 0:33:03 | |
for the house in Edinburgh. | 0:33:03 | 0:33:05 | |
Pick her up. | 0:33:08 | 0:33:10 | |
Your hooded man from the night of the break-in, | 0:34:13 | 0:34:15 | |
he makes a quick call then disappears again. | 0:34:15 | 0:34:18 | |
I traced the call. Unregistered mobile. | 0:34:18 | 0:34:20 | |
But I've got the number. | 0:34:20 | 0:34:22 | |
Good work. | 0:34:22 | 0:34:24 | |
You keep on it. | 0:34:24 | 0:34:26 | |
How's it going, anyway? | 0:34:29 | 0:34:31 | |
Those on-line examination guides, are they any good? | 0:34:31 | 0:34:34 | |
Yeah. Good. Good. | 0:34:34 | 0:34:36 | |
-It's tomorrow, isn't it? -Tomorrow. | 0:34:39 | 0:34:42 | |
Look, I mean, I know why you want to move on, Sandy. | 0:34:43 | 0:34:48 | |
It's just that you know every inch of these islands, people trust you, | 0:34:48 | 0:34:53 | |
so if you have to leave, it's going to make my job | 0:34:53 | 0:34:57 | |
twice as difficult... | 0:34:57 | 0:34:59 | |
..which is why I'm going to make a case to have | 0:35:02 | 0:35:05 | |
a DC based at this station. | 0:35:05 | 0:35:08 | |
Really? | 0:35:08 | 0:35:10 | |
Hmm. | 0:35:10 | 0:35:11 | |
I can't promise you it's going to work, but I'll try. | 0:35:11 | 0:35:15 | |
DOOR CREAKS | 0:35:15 | 0:35:17 | |
Evie Watt's here. | 0:35:17 | 0:35:19 | |
The money from the fund, where did it come from again? | 0:35:40 | 0:35:43 | |
I said. | 0:35:46 | 0:35:47 | |
Donations. | 0:35:49 | 0:35:50 | |
Environmental grants. | 0:35:52 | 0:35:55 | |
And you were using that money to pay Joe Dalhousie's mortgage, | 0:35:55 | 0:35:59 | |
his running costs | 0:35:59 | 0:36:01 | |
and generally keep the fish farm afloat? | 0:36:01 | 0:36:04 | |
Just helping him through some bad times. | 0:36:05 | 0:36:09 | |
What else did you use the money for? | 0:36:09 | 0:36:11 | |
I pay myself some expenses, | 0:36:13 | 0:36:15 | |
travel... | 0:36:15 | 0:36:17 | |
Not much. | 0:36:17 | 0:36:18 | |
We print leaflets, organise meetings. | 0:36:20 | 0:36:23 | |
We? I thought this was pretty much a one-woman show, isn't it? | 0:36:23 | 0:36:28 | |
No. John helps. | 0:36:28 | 0:36:30 | |
Helped. | 0:36:36 | 0:36:37 | |
But people trust you, don't they, with the money? | 0:36:37 | 0:36:40 | |
Yeah. There's a lot of support for a wave farm... | 0:36:43 | 0:36:48 | |
or a wildlife sanctuary, anything but the pipeline. | 0:36:48 | 0:36:52 | |
This would be so much easier if you'd just tell me the truth. | 0:36:56 | 0:37:01 | |
And what is that? | 0:37:03 | 0:37:05 | |
That you were desperate to get away from your dad | 0:37:06 | 0:37:09 | |
and the memory of John's late wife. | 0:37:09 | 0:37:12 | |
So, you found yourself a house in Edinburgh. | 0:37:13 | 0:37:15 | |
They don't come cheap. | 0:37:15 | 0:37:17 | |
You took money from the fund to pay for a deposit | 0:37:17 | 0:37:21 | |
and hoped John would agree to move. | 0:37:21 | 0:37:23 | |
Then Jerry Markham comes home, | 0:37:23 | 0:37:26 | |
looking into this so-called campaign against Joe Dalhousie... | 0:37:26 | 0:37:30 | |
..but you can't have him looking too closely at your fund, can you? | 0:37:31 | 0:37:36 | |
Jerry Markham ruined your life once | 0:37:36 | 0:37:39 | |
and now he was threatening to do it again, | 0:37:39 | 0:37:41 | |
so that made you extremely angry, | 0:37:41 | 0:37:44 | |
angry enough to run him off the road... | 0:37:44 | 0:37:47 | |
..and John would want to do the right thing, | 0:37:48 | 0:37:51 | |
regardless of the consequences, wouldn't he? | 0:37:51 | 0:37:54 | |
Now, was he threatening to tell us about the embezzling? | 0:37:54 | 0:37:58 | |
Is that why you attacked him? | 0:38:00 | 0:38:02 | |
You were rejected by the man you loved once. | 0:38:06 | 0:38:08 | |
That's hard to take. | 0:38:09 | 0:38:11 | |
Twice... | 0:38:13 | 0:38:15 | |
..I would think that was unbearable. | 0:38:16 | 0:38:19 | |
You're right. | 0:38:22 | 0:38:24 | |
I took the money. | 0:38:26 | 0:38:28 | |
But I didn't kill anyone. | 0:38:31 | 0:38:33 | |
Why should we believe that? | 0:38:34 | 0:38:37 | |
Because I've got nothing left to lose. | 0:38:42 | 0:38:45 | |
Everyone I ever loved has gone. | 0:38:48 | 0:38:50 | |
You believe her?! She had motive and opportunity. | 0:39:03 | 0:39:07 | |
Cameron Watt's kicking off about Evie getting a lawyer. | 0:39:07 | 0:39:10 | |
And Jenny Belshaw just called. You need to speak to her. | 0:39:10 | 0:39:13 | |
SHIP'S HORN BLOWS | 0:39:13 | 0:39:16 | |
-Is it Jerry Markham's? -Did you touch it? -No. | 0:39:48 | 0:39:53 | |
Do you know how it got here? | 0:39:53 | 0:39:55 | |
-If you had to guess. -My husband. | 0:39:57 | 0:39:59 | |
Tosh, dust it, take it down the station | 0:40:02 | 0:40:04 | |
and see if you can access anything. | 0:40:04 | 0:40:07 | |
How did you come by the laptop, Andy? | 0:40:19 | 0:40:21 | |
Oh... | 0:40:21 | 0:40:23 | |
I know what you're thinking. | 0:40:23 | 0:40:25 | |
I ran him off the road and stole the laptop? | 0:40:25 | 0:40:27 | |
I'm happy to stand corrected. | 0:40:29 | 0:40:30 | |
He left it at the Fairhead terminal. | 0:40:30 | 0:40:33 | |
He got a call, seemed to be good news. He was distracted. | 0:40:33 | 0:40:36 | |
Yeah, it was his fiancee telling him she was pregnant. | 0:40:36 | 0:40:40 | |
I was going to hand it in. | 0:40:41 | 0:40:43 | |
But I decided to take a look first. | 0:40:44 | 0:40:46 | |
He'd left it logged on. | 0:40:47 | 0:40:49 | |
I thought I'd see what the bastard was writing about this time. | 0:40:49 | 0:40:52 | |
That's when I found out about John Henderson and my wife. | 0:40:52 | 0:40:55 | |
So, you decided to destroy it? | 0:40:55 | 0:40:57 | |
I was going to chuck it in the sea first chance I got. | 0:40:57 | 0:41:01 | |
If I'd handed it over, | 0:41:01 | 0:41:03 | |
their affair would have been all over the islands. | 0:41:03 | 0:41:06 | |
I couldn't bear the humiliation. | 0:41:06 | 0:41:08 | |
I told you. | 0:41:08 | 0:41:10 | |
I was in Yell the night Jerry died. | 0:41:10 | 0:41:12 | |
You know, Jerry Markham never cared for the islands. | 0:41:15 | 0:41:18 | |
He didn't remember what it was like before the oil. | 0:41:19 | 0:41:23 | |
If he had, he wouldn't have been siding with Joe Dalhousie. | 0:41:23 | 0:41:27 | |
The land belongs to Joe. He's perfectly entitled to stay. | 0:41:27 | 0:41:30 | |
Only because he drove his brother away. | 0:41:30 | 0:41:34 | |
William inherited that farm, not Joe. | 0:41:34 | 0:41:36 | |
Have you got any idea who caused the damage out at the Dalhousie place? | 0:41:39 | 0:41:42 | |
It did cross my mind that maybe you'd decided to take matters | 0:41:42 | 0:41:46 | |
into your own hands and give Joe a wee nudge. | 0:41:46 | 0:41:49 | |
And then I realised you wouldn't be that stupid. | 0:41:49 | 0:41:51 | |
It would cost you your job. | 0:41:51 | 0:41:54 | |
Only if you could prove it. | 0:41:54 | 0:41:55 | |
You're all right. | 0:41:57 | 0:41:59 | |
I'll stick with destroying evidence in a murder enquiry. | 0:41:59 | 0:42:02 | |
That should keep us busy. | 0:42:02 | 0:42:05 | |
Doubt this is a coincidence. I found it in the phone box. | 0:42:09 | 0:42:12 | |
This is number the guy in the hoodie called. | 0:42:12 | 0:42:15 | |
Got that list of vehicles with chrome bumpers. | 0:42:15 | 0:42:18 | |
Sorry it took a while. It's long. | 0:42:18 | 0:42:20 | |
Cameron, Dalhousie and Belshaw, they're all on it. | 0:42:20 | 0:42:23 | |
What about Belshaw's drinking buddy on Yell? | 0:42:24 | 0:42:27 | |
Belshaw's alibi for Markham is watertight. | 0:42:27 | 0:42:29 | |
Any joy finding Dalhousie's brother yet? | 0:42:31 | 0:42:34 | |
I can't find a William Dalhousie that age anywhere. | 0:42:34 | 0:42:37 | |
No criminal record, no health record, death certificate. | 0:42:37 | 0:42:40 | |
Not on any electoral register. | 0:42:40 | 0:42:42 | |
People don't just disappear, not these days anyway. | 0:42:42 | 0:42:45 | |
Also, the memory on the laptop's damaged, | 0:42:45 | 0:42:47 | |
but I managed to access a few e-mails. | 0:42:47 | 0:42:49 | |
The files from Storne, | 0:42:49 | 0:42:51 | |
they came from an address registered to Iain Redford. | 0:42:51 | 0:42:54 | |
CROWD CHANTS: Save the sound! | 0:43:45 | 0:43:49 | |
Care to explain these? Files found on Jerry Markham's laptop, | 0:43:55 | 0:43:59 | |
traced back to your e-mail address. | 0:43:59 | 0:44:00 | |
I've no idea what you're talking about. | 0:44:00 | 0:44:03 | |
Proof that this company indulged in dubious, | 0:44:05 | 0:44:07 | |
potentially criminal business practices. | 0:44:07 | 0:44:10 | |
-Would you keep your voice down? -While we're at it, do you want | 0:44:10 | 0:44:13 | |
-to explain the break-in at my house the other night? -What break-in? | 0:44:13 | 0:44:16 | |
Someone was calling you from the town centre that night. | 0:44:16 | 0:44:19 | |
Do you want to tell me who that was? | 0:44:19 | 0:44:20 | |
Every thief in Lerwick knows where I live | 0:44:20 | 0:44:22 | |
and none of them would be stupid enough to rob me, | 0:44:22 | 0:44:25 | |
unless somebody made it seriously worth their while. | 0:44:25 | 0:44:27 | |
You put my daughter in danger. | 0:44:27 | 0:44:29 | |
I want to know why, and what exactly was it that you were looking for? | 0:44:31 | 0:44:35 | |
Proof I leaked the Storne files. | 0:44:41 | 0:44:43 | |
Why would you turn whistle-blower against your own company now? | 0:44:46 | 0:44:49 | |
Evie. | 0:44:49 | 0:44:51 | |
She wouldn't speak to Jerry, | 0:44:52 | 0:44:54 | |
but I knew he could help her campaign to save the sound. | 0:44:54 | 0:44:57 | |
I made a choice. Evie or Storne Gas. No competition. | 0:44:57 | 0:45:01 | |
-She didn't know? -No. I couldn't tell her. I love and respect her. | 0:45:01 | 0:45:06 | |
She didn't sell out, like me. | 0:45:06 | 0:45:09 | |
Well, I hate to disappoint you, Iain. | 0:45:12 | 0:45:14 | |
Evie wasn't planning to save the world. | 0:45:14 | 0:45:17 | |
She was going to buy a house in Edinburgh. | 0:45:18 | 0:45:21 | |
You know, there is one other person who's got a motive to kill both those men, | 0:45:45 | 0:45:49 | |
and he's on our list as having a chrome bumper. | 0:45:49 | 0:45:52 | |
Evie... | 0:45:59 | 0:46:00 | |
Did your dad know that Jerry Markham had found out | 0:46:01 | 0:46:05 | |
that you stole money from the fund? | 0:46:05 | 0:46:08 | |
Because the thought of you going to prison would have terrified him. | 0:46:08 | 0:46:12 | |
You were his whole world, | 0:46:12 | 0:46:14 | |
he would have done anything to keep you here, wouldn't he? | 0:46:14 | 0:46:18 | |
Evie? | 0:46:22 | 0:46:24 | |
Was your dad at home the night you came back from the hen party? | 0:46:27 | 0:46:32 | |
Dammit, Evie, I'm talking to you! | 0:46:36 | 0:46:38 | |
He wouldn't... He wouldn't kill anyone. | 0:46:38 | 0:46:41 | |
Look, one of you was in Jerry Markham's car. | 0:46:41 | 0:46:44 | |
SHE SOBS | 0:46:44 | 0:46:47 | |
I'd had a lot to drink. I went to sleep. | 0:46:50 | 0:46:53 | |
I assumed he was asleep. I don't know... I don't know... | 0:46:53 | 0:46:56 | |
Sandy, we need to pick up Cameron Watt. | 0:47:01 | 0:47:04 | |
Tosh, get Uniform and see if he is at Danny McIvor's office. | 0:47:04 | 0:47:09 | |
You check the front door. I'll check the boathouse. | 0:47:22 | 0:47:26 | |
-HE KNOCKS ON DOOR -Police! | 0:47:40 | 0:47:43 | |
Is there anyone in the property? | 0:47:46 | 0:47:49 | |
MOBILE PHONE RINGS | 0:48:14 | 0:48:17 | |
No. There's no sign of him. | 0:48:20 | 0:48:22 | |
No, same here. | 0:48:22 | 0:48:23 | |
'What now?' | 0:48:23 | 0:48:25 | |
Give Tosh a phone, see if she's picked him up. | 0:48:25 | 0:48:28 | |
'Will do.' | 0:48:28 | 0:48:30 | |
FLOORBOARDS CREAK | 0:48:32 | 0:48:35 | |
Have you brought Evie home? | 0:48:37 | 0:48:39 | |
No, I haven't. | 0:48:45 | 0:48:47 | |
Get off my property. | 0:48:47 | 0:48:49 | |
No. | 0:48:50 | 0:48:52 | |
I can't do that. | 0:48:52 | 0:48:54 | |
Not until I know where you were | 0:48:54 | 0:48:56 | |
when Jerry Markham's car got run off the road. | 0:48:56 | 0:48:59 | |
Right here - with Evie. | 0:48:59 | 0:49:01 | |
Aye, you see, she's not so sure about that. | 0:49:01 | 0:49:04 | |
She was stealing money from the fund. | 0:49:05 | 0:49:08 | |
My daughter would never take what wasn't hers. | 0:49:08 | 0:49:11 | |
Yes, she would. | 0:49:11 | 0:49:13 | |
And do you know why she did it? | 0:49:13 | 0:49:15 | |
To get away from you. | 0:49:15 | 0:49:17 | |
She was so desperate to get away from you that she risked | 0:49:17 | 0:49:20 | |
her marriage, her job, everything. | 0:49:20 | 0:49:24 | |
-I've never raised my hand to her. -You didn't have to, did you? | 0:49:26 | 0:49:29 | |
What you did was much worse. | 0:49:29 | 0:49:32 | |
You tried to control every single thought she had. | 0:49:33 | 0:49:36 | |
Now, if you love her, now is your chance to show it. | 0:49:36 | 0:49:41 | |
She's in trouble, | 0:49:41 | 0:49:42 | |
and the only thing that's going to help her now is the truth. | 0:49:42 | 0:49:47 | |
I can't confess to something I didn't do. | 0:49:47 | 0:49:50 | |
Why are there paint marks | 0:49:50 | 0:49:51 | |
from your Ness Yoal in Jerry Markham's car? | 0:49:51 | 0:49:54 | |
It was either you or Evie. | 0:49:54 | 0:49:56 | |
I went to see him that morning. | 0:50:00 | 0:50:02 | |
I wanted him to leave Evie alone. He wouldn't stop calling. | 0:50:03 | 0:50:09 | |
It was causing problems between her and John. | 0:50:09 | 0:50:11 | |
I was frightened he was going to take her away from me. | 0:50:13 | 0:50:17 | |
I tried to persuade him to go away, | 0:50:17 | 0:50:19 | |
but he said he'd discovered something too important to ignore. | 0:50:19 | 0:50:25 | |
And what was that? | 0:50:25 | 0:50:27 | |
He didn't tell me. | 0:50:27 | 0:50:30 | |
But he wanted Evie to stop paying Dalhousie's mortgage. | 0:50:30 | 0:50:33 | |
To STOP paying it? | 0:50:33 | 0:50:35 | |
John wouldn't listen to him either. Why would he? | 0:50:35 | 0:50:38 | |
I was glad when he had his accident, I won't lie, | 0:50:38 | 0:50:42 | |
but I had nothing to do with it. | 0:50:42 | 0:50:45 | |
Seems the more I tried to keep her close, the further away she got. | 0:50:48 | 0:50:53 | |
I've been a stupid man. | 0:50:59 | 0:51:01 | |
-Billy? -Hmm? | 0:51:20 | 0:51:22 | |
Come here and look at this. | 0:51:22 | 0:51:24 | |
And? | 0:51:27 | 0:51:28 | |
It's the truck. | 0:51:28 | 0:51:30 | |
It's clean. | 0:51:30 | 0:51:32 | |
Everything else in Dalhousie's place is filthy and falling apart. | 0:51:32 | 0:51:37 | |
Where's those photographs Jerry took? | 0:51:37 | 0:51:40 | |
You see? That's the one Jerry took. It's dirty. | 0:51:43 | 0:51:47 | |
Oh, aye. | 0:51:47 | 0:51:48 | |
Which means he must have cleaned it after Jerry's accident. | 0:51:48 | 0:51:52 | |
The murder weapon, it could be a fishing gaff. Check it out. | 0:51:54 | 0:51:57 | |
Used to take fish out the water. | 0:52:05 | 0:52:08 | |
We assumed whoever did the graffiti brought their own paint, | 0:52:08 | 0:52:11 | |
but what if the "get out" was an afterthought | 0:52:11 | 0:52:13 | |
and they used paint just lying around? | 0:52:13 | 0:52:15 | |
That would link Dalhousie with both murders. | 0:52:15 | 0:52:18 | |
Not two weapons, one. | 0:52:18 | 0:52:21 | |
But why? Why would he do it? | 0:52:21 | 0:52:24 | |
Because Jerry Markham discovered something... | 0:52:28 | 0:52:31 | |
..that Joe Dalhousie didn't want anybody else to know about. | 0:52:33 | 0:52:36 | |
And then, for... | 0:52:36 | 0:52:39 | |
for whatever reason, | 0:52:39 | 0:52:41 | |
Jerry told John Henderson. | 0:52:41 | 0:52:44 | |
"Blood toucheth blood." | 0:52:46 | 0:52:49 | |
'Blood, as in family. | 0:52:49 | 0:52:52 | |
'As in brother.' | 0:52:53 | 0:52:56 | |
Jerry Markham opened up a whole can of worms | 0:53:53 | 0:53:55 | |
when he came to talk to you, didn't he? | 0:53:55 | 0:53:58 | |
No, thanks. | 0:53:59 | 0:54:01 | |
He was trying to trace your brother. | 0:54:01 | 0:54:04 | |
He came to the same conclusion as I did. He wasn't going to find him. | 0:54:04 | 0:54:09 | |
That's why you didn't want to sell the land. Couldn't sell the land. | 0:54:12 | 0:54:16 | |
Because William is still here somewhere, isn't he? | 0:54:19 | 0:54:22 | |
Evie wouldn't talk to Jerry. | 0:54:24 | 0:54:27 | |
So, he had to try and convince Henderson to help him. | 0:54:27 | 0:54:31 | |
He even resorted to blackmail. | 0:54:32 | 0:54:34 | |
Then, when that didn't work, told him | 0:54:34 | 0:54:36 | |
the truth about William's disappearance. | 0:54:36 | 0:54:39 | |
Trouble was, Henderson didn't believe Jerry. | 0:54:39 | 0:54:43 | |
Not till after the accident. | 0:54:43 | 0:54:45 | |
Then, he confronted you at the wedding, didn't he? | 0:54:46 | 0:54:51 | |
And then you followed him home. | 0:54:51 | 0:54:53 | |
You assaulted him...with this. | 0:54:53 | 0:54:57 | |
You're a clever man, Perez. | 0:54:57 | 0:55:00 | |
The only thing that I can't work out | 0:55:06 | 0:55:09 | |
is what happened between you and your brother? | 0:55:09 | 0:55:12 | |
William was the eldest. | 0:55:16 | 0:55:19 | |
When Father died, it all came to him. | 0:55:20 | 0:55:23 | |
I thought we would work the place together, | 0:55:26 | 0:55:28 | |
but no, he wanted to sell up. | 0:55:28 | 0:55:32 | |
He had no love for the land. | 0:55:34 | 0:55:36 | |
He would have left me with nothing. | 0:55:37 | 0:55:39 | |
I just... | 0:55:41 | 0:55:44 | |
I just lost my head. | 0:55:44 | 0:55:46 | |
I weighted him down | 0:55:47 | 0:55:50 | |
and laid him to rest. | 0:55:50 | 0:55:53 | |
You mean he's in the loch? | 0:55:54 | 0:55:57 | |
Markham or Henderson were to dredge the loch... | 0:56:00 | 0:56:03 | |
I could never let that happen. | 0:56:05 | 0:56:07 | |
HE SOBS | 0:56:09 | 0:56:12 | |
It was such a long time ago. | 0:56:12 | 0:56:14 | |
It's like it... | 0:56:18 | 0:56:20 | |
It's like it never really happened. | 0:56:20 | 0:56:23 | |
One thing you should understand. | 0:56:26 | 0:56:29 | |
I loved my brother. | 0:56:29 | 0:56:32 | |
I always will. | 0:56:32 | 0:56:34 | |
I just loved this land more. | 0:56:40 | 0:56:42 | |
How could you have done this to me? | 0:57:12 | 0:57:15 | |
After everything that I did for you? | 0:57:15 | 0:57:20 | |
-SHE SOBS -Come on, Evie. | 0:57:20 | 0:57:23 | |
If you're ever in Aberdeen... | 0:57:33 | 0:57:35 | |
..give us call. | 0:57:37 | 0:57:39 | |
Bye. | 0:57:53 | 0:57:54 | |
Just remember, conditions apply. There's no booze, no boys. | 0:57:54 | 0:57:59 | |
Is one out of two OK? | 0:57:59 | 0:58:01 | |
Only joking. | 0:58:01 | 0:58:03 | |
-Bye, love. -See you soon. | 0:58:03 | 0:58:06 | |
-Have fun. Bye. -Safe journey. | 0:58:06 | 0:58:10 | |
-I'm worried already. -So am I. | 0:58:10 | 0:58:12 | |
I suppose we all have to learn when to let go, eh? | 0:58:15 | 0:58:18 | |
You know what, Duncan? | 0:58:28 | 0:58:30 | |
This could be the beginning of a beautiful friendship. | 0:58:30 | 0:58:33 |