Browse content similar to Raven Black - Part 2. Check below for episodes and series from the same categories and more!
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The old guy in that croft. Why does everyone think he's weird? | 0:00:03 | 0:00:06 | |
Why does nobody speak to him? | 0:00:06 | 0:00:07 | |
-He's a creepy old man. -I thought you liked creepy older men? | 0:00:07 | 0:00:10 | |
Oh, Catherine and I understood each other very well. | 0:00:10 | 0:00:12 | |
You ever see her outside school? | 0:00:12 | 0:00:14 | |
Not by arrangement, if that's what you're suggesting. | 0:00:14 | 0:00:17 | |
Something was bringing the birds. | 0:00:17 | 0:00:19 | |
So you thought you'd go, have a look? | 0:00:19 | 0:00:21 | |
She was dead. | 0:00:21 | 0:00:23 | |
It's Catherine Ross. | 0:00:23 | 0:00:25 | |
I have some very bad news for you. Your daughter's dead. | 0:00:25 | 0:00:28 | |
It's been a terrible shock for Sally. Though maybe not a surprise. | 0:00:28 | 0:00:32 | |
19 years ago, a child called Catriona Bruce | 0:00:32 | 0:00:35 | |
went missing from Ravenswick. | 0:00:35 | 0:00:37 | |
Catherine and Catriona, it's the same address. | 0:00:37 | 0:00:39 | |
I always throw a midsummer party. Catherine Ross was there. | 0:00:39 | 0:00:43 | |
She was 17. It's very young. | 0:00:43 | 0:00:46 | |
I've been getting calls about a possible serial killer on Shetland. | 0:00:46 | 0:00:49 | |
Am I under arrest? | 0:00:49 | 0:00:51 | |
They've found a body on the hill in Ravenswick. It's Catriona Bruce. | 0:00:51 | 0:00:54 | |
-Sally! -Dad! | 0:00:54 | 0:00:55 | |
He doesn't have an alibi. The man is a recluse! | 0:00:55 | 0:00:59 | |
Jimmy. | 0:01:55 | 0:01:56 | |
Jimmy! | 0:01:58 | 0:01:59 | |
Is it Catriona? | 0:02:03 | 0:02:04 | |
Perfectly preserved. | 0:02:04 | 0:02:05 | |
When did your sister die, Magnus? | 0:02:42 | 0:02:44 | |
A long time ago. She was six. | 0:02:44 | 0:02:48 | |
And your mother? | 0:02:50 | 0:02:52 | |
After that. | 0:02:52 | 0:02:53 | |
Catriona's body's been found, on the hill. | 0:03:00 | 0:03:03 | |
And she's holding a doll. | 0:03:04 | 0:03:06 | |
And I think it's the same doll Agnes has in the photograph. | 0:03:08 | 0:03:11 | |
What do you think? | 0:03:14 | 0:03:16 | |
CROWD SHOUTS ANGRILY | 0:03:23 | 0:03:25 | |
JEERING GETS LOUDER | 0:03:36 | 0:03:38 | |
Step away from the car. | 0:03:39 | 0:03:41 | |
You know why you're here, Magnus? | 0:04:06 | 0:04:08 | |
MAGNUS WHIMPERS | 0:04:09 | 0:04:11 | |
Catriona Bruce was found with this doll. | 0:04:16 | 0:04:19 | |
MAGNUS CONTINUES WHIMPERING | 0:04:22 | 0:04:24 | |
Do you know what Catriona was doing with your sister's doll? | 0:04:29 | 0:04:32 | |
Do you know what happened to Catriona? | 0:04:36 | 0:04:38 | |
MAGNUS CONTINUES WHIMPERING | 0:04:38 | 0:04:40 | |
Magnus? | 0:04:40 | 0:04:42 | |
Magnus. No! | 0:04:54 | 0:04:56 | |
Catriona was holding his sister's doll. And he knew about it. | 0:05:12 | 0:05:18 | |
Which means he was probably hiding something from the police at the time. | 0:05:19 | 0:05:23 | |
But since we got him down to the station, he hasn't said a word. | 0:05:23 | 0:05:27 | |
So, what I want is a custody extension. | 0:05:27 | 0:05:30 | |
Is he the link, Jimmy, do you think he's the link? | 0:05:32 | 0:05:37 | |
Honestly... I don't know. | 0:05:37 | 0:05:40 | |
And what about the teacher? | 0:05:42 | 0:05:44 | |
Hugo Scott. | 0:05:44 | 0:05:45 | |
Well, I mean, he concealed information, lied to us, | 0:05:45 | 0:05:49 | |
wasted our time. But he can't drive, doesn't even have a car. | 0:05:49 | 0:05:53 | |
So we've checked taxi drivers and rogue operators, his friends - | 0:05:54 | 0:05:59 | |
but I don't think we're going to be able to place him in Ravenswick | 0:05:59 | 0:06:02 | |
the night Catherine was killed. | 0:06:02 | 0:06:03 | |
OK. You can have your custody extension. | 0:06:07 | 0:06:09 | |
I'll send someone over with the paperwork. | 0:06:10 | 0:06:13 | |
Rhona? | 0:06:13 | 0:06:14 | |
Thanks. | 0:06:14 | 0:06:16 | |
Don't worry about it. | 0:06:16 | 0:06:17 | |
It was a nice walk on the beach, wondering who landed you one - | 0:06:17 | 0:06:21 | |
at least it took my mind off the fags. | 0:06:21 | 0:06:23 | |
So we're running two murder enquiries now? | 0:06:35 | 0:06:37 | |
Until we get a post mortem on Catriona, she's a suspicious death. | 0:06:37 | 0:06:41 | |
Now, have you had any luck tracing the family? | 0:06:41 | 0:06:44 | |
Still trying. Apparently they went to Canada. | 0:06:44 | 0:06:46 | |
OK. Put it out on Twitter that we're looking for them. | 0:06:46 | 0:06:49 | |
It's all over social media anyway. What about Magnus? | 0:06:49 | 0:06:52 | |
Hasn't said a word. Hasn't eaten. | 0:06:52 | 0:06:55 | |
I've been trying, but it's like he's somewhere else. | 0:06:55 | 0:06:57 | |
OK. Let's get a psychiatric evaluation. | 0:06:57 | 0:07:00 | |
-Did you get an extension to keep him in from the Terminator? -Yup. | 0:07:02 | 0:07:05 | |
She's not sick. She's not ill. | 0:07:10 | 0:07:11 | |
Leave her to sleep! She's been through a lot recently. | 0:07:11 | 0:07:14 | |
Lying in bed of a morning isn't going to bring anyone back, is it? | 0:07:14 | 0:07:17 | |
She needs her rest! | 0:07:17 | 0:07:20 | |
You know, everything you said at the start about the two cases not being linked... | 0:07:47 | 0:07:51 | |
it's still the only thing that makes sense. | 0:07:51 | 0:07:53 | |
Someone who targets children | 0:07:53 | 0:07:56 | |
doesn't just switch their attention to teenagers. | 0:07:56 | 0:07:59 | |
19 years. Maybe his tastes changed. | 0:07:59 | 0:08:02 | |
Maybe it was never anything but opportunism. | 0:08:02 | 0:08:06 | |
Look at the modus operandi! Couldn't be more different. | 0:08:06 | 0:08:10 | |
We don't know how Catriona died, but she was hidden - buried. | 0:08:10 | 0:08:15 | |
Catherine was left for the world to see. | 0:08:15 | 0:08:18 | |
Well, OK, but Catriona had his sister's doll, Magnus knew about it, | 0:08:18 | 0:08:22 | |
he lied about it and he was one of the last people to see Catherine alive. | 0:08:22 | 0:08:26 | |
I'm not saying he's innocent. | 0:08:26 | 0:08:28 | |
I'm saying I can't see him for both of them. | 0:08:28 | 0:08:31 | |
Catriona - maybe. | 0:08:31 | 0:08:33 | |
Catherine - maybe. | 0:08:33 | 0:08:34 | |
But not both. It just doesn't join up the dots. | 0:08:34 | 0:08:38 | |
And there's another thing that doesn't make sense. | 0:08:38 | 0:08:41 | |
Catherine's father said that she was never without her phone, | 0:08:41 | 0:08:45 | |
but the kids at school told Tosh she was weird | 0:08:45 | 0:08:48 | |
because she wouldn't use social media. | 0:08:48 | 0:08:50 | |
Where are her phone records? | 0:08:52 | 0:08:53 | |
They've been checked. No anomalous calls. | 0:08:53 | 0:08:56 | |
Her dad called around lunchtime, she phoned Sally Henry a bit later. | 0:08:56 | 0:08:59 | |
Nothing after that. | 0:08:59 | 0:09:01 | |
That's it? A teenager's phone calls for a month? | 0:09:02 | 0:09:06 | |
Cassie's bills come in by the yard. | 0:09:06 | 0:09:08 | |
Well, we know she was a bit of a loner. | 0:09:08 | 0:09:10 | |
No. | 0:09:11 | 0:09:13 | |
Sandy's right. She's not using her phone to stay in contact. | 0:09:13 | 0:09:17 | |
So what is she doing with it? | 0:09:17 | 0:09:18 | |
Surfing the net? | 0:09:18 | 0:09:19 | |
Taking pictures. | 0:09:21 | 0:09:22 | |
Everyone takes photographs on their phone. | 0:09:25 | 0:09:27 | |
So Catherine never mentioned anything to you, | 0:09:27 | 0:09:29 | |
like she'd taken a photograph of something specific | 0:09:29 | 0:09:32 | |
or something unusual? | 0:09:32 | 0:09:34 | |
Sorry. | 0:09:37 | 0:09:38 | |
It must have been hard, finding Catriona. | 0:09:44 | 0:09:48 | |
Are you OK? | 0:09:48 | 0:09:49 | |
People are angry that it's taken so long. 19 years. | 0:09:51 | 0:09:57 | |
-Another girl dead. -Yes. I understand the frustration. | 0:09:57 | 0:10:00 | |
But we don't yet know what happened to Catriona. | 0:10:00 | 0:10:03 | |
And we certainly haven't established a link between the two. | 0:10:03 | 0:10:06 | |
You people! What are you waiting for? | 0:10:06 | 0:10:09 | |
-That degenerate cretin is still in his... -Margaret! | 0:10:09 | 0:10:12 | |
What do you want - witnesses who saw him | 0:10:12 | 0:10:15 | |
with his hands around the girls' necks? | 0:10:15 | 0:10:17 | |
Well, that would certainly have the advantage of standing up in court. | 0:10:17 | 0:10:21 | |
Unlike opinion. | 0:10:21 | 0:10:22 | |
Hang on... How did you know it was Catriona? | 0:10:27 | 0:10:30 | |
Well, who else was it going to be? | 0:10:30 | 0:10:32 | |
I was her teacher. | 0:10:34 | 0:10:35 | |
I recognised her shoe. | 0:10:36 | 0:10:38 | |
Her shoe? | 0:10:38 | 0:10:39 | |
After 19 years? | 0:10:42 | 0:10:43 | |
The buckles. She'd been showing them off in class. | 0:10:43 | 0:10:47 | |
Diamante. A present from some uncle in America. | 0:10:47 | 0:10:51 | |
Oh, nothing but the best for that peerie lass. | 0:10:51 | 0:10:54 | |
We're still trying to contact the family. Did you know them? | 0:10:58 | 0:11:02 | |
We were neighbours rather than friends. We didn't keep in touch. | 0:11:04 | 0:11:09 | |
Photographs? Not that she mentioned. | 0:11:16 | 0:11:20 | |
But, like you said, I've not been around much. | 0:11:20 | 0:11:23 | |
Are you sleeping out here? | 0:11:30 | 0:11:31 | |
Outside, it's just the wind and the cold, it's easier. | 0:11:33 | 0:11:37 | |
Inside... | 0:11:40 | 0:11:41 | |
..my mind plays tricks. | 0:11:45 | 0:11:46 | |
The little girl, Catriona, will her family be wanting to come back now? | 0:11:50 | 0:11:55 | |
We're still trying to find them. | 0:11:55 | 0:11:58 | |
If they do, will you tell them from me, | 0:11:58 | 0:12:00 | |
if they want to come to the house, they're very welcome. | 0:12:00 | 0:12:04 | |
Catherine used to talk about her. | 0:12:04 | 0:12:07 | |
About Catriona? | 0:12:07 | 0:12:08 | |
She was...curious, I suppose. | 0:12:08 | 0:12:11 | |
Little lost girl who used to live here. Macabre, really. | 0:12:13 | 0:12:17 | |
But teenagers are, aren't they? | 0:12:19 | 0:12:20 | |
Was it him? | 0:12:27 | 0:12:28 | |
Who? | 0:12:28 | 0:12:29 | |
The old man. Did he kill Catherine too? | 0:12:29 | 0:12:33 | |
We don't know who killed Catherine. Or Catriona. | 0:12:33 | 0:12:37 | |
Euan - you listen to me. | 0:12:40 | 0:12:44 | |
If we don't know, nobody knows. | 0:12:46 | 0:12:49 | |
Least of all the gossips. | 0:12:52 | 0:12:53 | |
Look. There's nothing that's going to make this any better. | 0:13:01 | 0:13:05 | |
But you can make it a hell of a lot worse. | 0:13:07 | 0:13:09 | |
Don't go there. | 0:13:13 | 0:13:14 | |
Please don't go there. | 0:13:15 | 0:13:16 | |
MOBILE PHONE RINGS | 0:13:22 | 0:13:23 | |
Tosh. | 0:13:24 | 0:13:25 | |
Hiya. Look, something's come up. | 0:13:25 | 0:13:27 | |
I thought Aberdeen were taking too long with Catherine's laptop | 0:13:27 | 0:13:30 | |
so I got onto them. It's been wiped. | 0:13:30 | 0:13:33 | |
-How? -Some tool downloaded from the internet. | 0:13:33 | 0:13:35 | |
Not as good as drilling holes in the hard drive, but does the job. | 0:13:35 | 0:13:38 | |
They might be able to retrieve some of the data, | 0:13:38 | 0:13:40 | |
but it's going to take a while. | 0:13:40 | 0:13:42 | |
OK. Thanks for letting me know. | 0:13:42 | 0:13:43 | |
All right. | 0:13:43 | 0:13:45 | |
BIRD SQUAWKS | 0:14:04 | 0:14:06 | |
Has anybody fed this bird? | 0:14:47 | 0:14:48 | |
So Catherine took photographs on her phone. | 0:15:07 | 0:15:10 | |
She downloaded them to her laptop. | 0:15:11 | 0:15:13 | |
And now her phone's gone, the laptop's been wiped and she's dead. | 0:15:13 | 0:15:19 | |
If she was taking photos randomly, did she even know what she had? | 0:15:20 | 0:15:24 | |
See? | 0:15:24 | 0:15:26 | |
Look at the way she's holding the bag. | 0:15:26 | 0:15:29 | |
First, I thought it was just security, you know? | 0:15:31 | 0:15:35 | |
Like a teddy bear or something. But it's not just that. | 0:15:35 | 0:15:39 | |
She's guarding the contents, she's guarding the phone. | 0:15:39 | 0:15:44 | |
So you're saying, whatever she had, | 0:15:44 | 0:15:46 | |
it was already on the phone at this point? | 0:15:46 | 0:15:49 | |
And that she knew it needed protecting. | 0:15:49 | 0:15:52 | |
And since the first person she went to see when she got off the bus | 0:15:53 | 0:15:57 | |
was Magnus, she obviously thought it didn't need protecting from him. | 0:15:57 | 0:16:03 | |
Catherine's death - it's not Magnus. | 0:16:03 | 0:16:06 | |
They've moved Catriona to the morgue. | 0:16:09 | 0:16:11 | |
Apparently, they're sending in a specialist - | 0:16:14 | 0:16:18 | |
a forensic pathologist from the University of the Highlands and Islands Archaeology department. | 0:16:18 | 0:16:23 | |
There was a rock at the bottom of the trench where Catriona was found. | 0:16:26 | 0:16:30 | |
The jagged edge was in her skull. | 0:16:30 | 0:16:32 | |
The rest of it - all hundredweight of it - was buried in the peat. | 0:16:33 | 0:16:39 | |
Believe me, Jimmy - that's not a rock that anyone hefted and threw. | 0:16:39 | 0:16:43 | |
So you're saying she fell on it? | 0:16:45 | 0:16:47 | |
Moving object, stationary head, | 0:16:47 | 0:16:50 | |
injury to the brain here. | 0:16:50 | 0:16:53 | |
Stationary object, moving head, | 0:16:53 | 0:16:57 | |
injury to the brain here... | 0:16:57 | 0:17:00 | |
AND here. | 0:17:00 | 0:17:02 | |
So it's just an accident? | 0:17:08 | 0:17:09 | |
Christ... | 0:17:15 | 0:17:16 | |
What was she even doing there? | 0:17:18 | 0:17:20 | |
When I was a peerie lass, | 0:17:20 | 0:17:22 | |
we used to play hide and seek in the old peat cuttings. | 0:17:22 | 0:17:26 | |
Talk about lethal. | 0:17:26 | 0:17:27 | |
You'd disappear in them over your head... | 0:17:28 | 0:17:31 | |
and half the time they'd be full of water. | 0:17:31 | 0:17:34 | |
But Christ knows, if you wanted to stay hidden... | 0:17:34 | 0:17:38 | |
..they'd hide you forever. | 0:17:40 | 0:17:42 | |
PHONE RINGS | 0:17:43 | 0:17:44 | |
Sorry. Hello? | 0:17:46 | 0:17:47 | |
Well, if we can't spare uniform to keep a watch on the place, | 0:18:32 | 0:18:34 | |
can we at least have them take it in on patrol? | 0:18:34 | 0:18:37 | |
Last thing we need is some idiot putting petrol through the letter box. | 0:18:37 | 0:18:40 | |
All right. | 0:18:40 | 0:18:42 | |
The pathologist. From the archaeological department. | 0:18:42 | 0:18:45 | |
Hello? | 0:18:45 | 0:18:47 | |
MAGNUS WHIMPERS | 0:18:57 | 0:18:58 | |
Magnus. | 0:18:58 | 0:19:00 | |
I know you didn't kill Catriona. | 0:19:01 | 0:19:04 | |
I don't think you killed Catherine either. | 0:19:06 | 0:19:09 | |
But until I can find out who did, | 0:19:09 | 0:19:11 | |
I'd like it if you stayed here. | 0:19:11 | 0:19:13 | |
It would be protective custody. | 0:19:15 | 0:19:16 | |
So you wouldn't have to be locked in. | 0:19:18 | 0:19:20 | |
See? | 0:19:22 | 0:19:23 | |
See, Magnus. | 0:19:23 | 0:19:24 | |
I've to feed the bird. | 0:19:30 | 0:19:32 | |
-The bird's dead. -Ahh! | 0:19:33 | 0:19:35 | |
I'm sorry. | 0:19:35 | 0:19:37 | |
People do stupid things when they get fired up. | 0:19:37 | 0:19:40 | |
The bird didn't do any harm. | 0:19:40 | 0:19:42 | |
No. Neither did you. | 0:19:42 | 0:19:44 | |
She said she was going to make people angry. | 0:19:48 | 0:19:50 | |
Maybe she meant angry with me. | 0:19:55 | 0:19:56 | |
-Who? -Catherine. | 0:19:58 | 0:20:01 | |
How was she going to make people angry? | 0:20:01 | 0:20:03 | |
She didn't say. | 0:20:05 | 0:20:06 | |
I was thinking maybe you and I could play a game... | 0:20:13 | 0:20:17 | |
..where I say something that I know about Catherine | 0:20:18 | 0:20:22 | |
and then you say something you know. | 0:20:22 | 0:20:23 | |
-What do you think about that? -OK. | 0:20:23 | 0:20:25 | |
Yeah? Well, do you want to start? | 0:20:25 | 0:20:29 | |
Catherine's dead. | 0:20:29 | 0:20:30 | |
Erm... She had blue streaks in her hair. | 0:20:32 | 0:20:36 | |
She has red socks. | 0:20:38 | 0:20:40 | |
OK. Er, she was about, what do you think... | 0:20:40 | 0:20:45 | |
she was about this tall? | 0:20:45 | 0:20:47 | |
She likes Marmite, but I don't. | 0:20:47 | 0:20:49 | |
No. | 0:20:49 | 0:20:51 | |
Erm... She used to babysit you. | 0:20:51 | 0:20:54 | |
She was funny. | 0:20:55 | 0:20:57 | |
She was funny? What did she say that was funny? | 0:20:57 | 0:21:00 | |
That's a question! | 0:21:00 | 0:21:02 | |
So it is! OK, you win. | 0:21:02 | 0:21:04 | |
You probably knew her the best, didn't you? | 0:21:06 | 0:21:08 | |
I'm her favourite girl. | 0:21:08 | 0:21:10 | |
Are you? | 0:21:10 | 0:21:11 | |
She's sending me a present. | 0:21:11 | 0:21:12 | |
What kind of present is she going to send you? | 0:21:16 | 0:21:19 | |
-It's a surprise. -Ah. | 0:21:19 | 0:21:20 | |
-Are you sure, princess? -She said! | 0:21:20 | 0:21:24 | |
Why send it, though? Why not just call round? | 0:21:28 | 0:21:31 | |
Same reason she sent the photograph to Magnus - cos she was kind. | 0:21:32 | 0:21:36 | |
You know what I think? | 0:21:39 | 0:21:40 | |
I think she saw how isolated he was, and the kind of life he was leading | 0:21:42 | 0:21:46 | |
and she just wanted to give him something nice. | 0:21:46 | 0:21:48 | |
A surprise. | 0:21:48 | 0:21:50 | |
So do we think Kitty's present is another photograph? | 0:21:50 | 0:21:53 | |
I don't know. Right, let's get on to the sorting office | 0:21:53 | 0:21:56 | |
and see if they've got anything snarled up in the system. | 0:21:56 | 0:22:00 | |
MOBILE PHONE RINGS Hang on. | 0:22:00 | 0:22:01 | |
Billy. | 0:22:01 | 0:22:03 | |
I did what you said. Put it out on Twitter about Catriona. | 0:22:03 | 0:22:06 | |
Apparently the mother and father are both dead, | 0:22:06 | 0:22:09 | |
but the brother, Brian - his ferry's docking as we speak. | 0:22:09 | 0:22:13 | |
OK, Billy, thanks for that. | 0:22:13 | 0:22:15 | |
Inspector Perez? | 0:22:25 | 0:22:26 | |
They said to look out for you. | 0:22:28 | 0:22:30 | |
This is Brian, and Pim. | 0:22:30 | 0:22:32 | |
I'm Gret. I'm afraid one of us smells really bad! | 0:22:33 | 0:22:37 | |
-Can you hold on while we change a nappy? -Of course. | 0:22:37 | 0:22:40 | |
Brian didn't tell me about Catriona for a long time. | 0:22:42 | 0:22:45 | |
Then when he did, so much about him made sense. | 0:22:45 | 0:22:49 | |
One big catastrophe that shaped everything that came after. | 0:22:50 | 0:22:54 | |
Two filter coffees and a decaf latte. | 0:22:56 | 0:23:00 | |
Anywhere you're NOT working these days? | 0:23:03 | 0:23:05 | |
The Cop Shop? | 0:23:05 | 0:23:07 | |
Just call if you need anything. | 0:23:07 | 0:23:09 | |
BABY GURGLES | 0:23:18 | 0:23:20 | |
Where is my sister? | 0:23:24 | 0:23:26 | |
She's in the hospital mortuary. | 0:23:27 | 0:23:29 | |
Now, I spoke to the pathologist this morning, | 0:23:30 | 0:23:32 | |
who told me that your sister's death was an accident. | 0:23:32 | 0:23:35 | |
She fell through a crack in the peat. | 0:23:37 | 0:23:40 | |
And she hit her head on a rock. | 0:23:40 | 0:23:42 | |
Do you want to see her? | 0:23:42 | 0:23:44 | |
No. | 0:23:44 | 0:23:45 | |
I'll give a DNA sample - whatever you need to confirm it's Cat, | 0:23:46 | 0:23:50 | |
but...I don't want to see her. | 0:23:50 | 0:23:52 | |
OK. | 0:23:54 | 0:23:55 | |
I want Gret to do it. | 0:23:55 | 0:23:56 | |
We thought someone should say goodbye. Properly. | 0:23:59 | 0:24:03 | |
Can that be allowed? | 0:24:03 | 0:24:04 | |
Of course. | 0:24:05 | 0:24:06 | |
She looks like she fell asleep yesterday. | 0:24:38 | 0:24:41 | |
Yeah. It's the peat. | 0:24:41 | 0:24:44 | |
Nothing perishes. | 0:24:44 | 0:24:46 | |
Goodbye, Catriona. | 0:24:51 | 0:24:52 | |
Du bist so gefehlt. So gefehlt. | 0:24:55 | 0:25:01 | |
It was Sandy - he realised when Catherine told Kitty | 0:25:01 | 0:25:04 | |
she was going to send a present, she didn't necessarily mean by post. | 0:25:04 | 0:25:07 | |
Jess doesn't check her e-mail that often | 0:25:07 | 0:25:09 | |
cos the connection in Ravenswick's not great. | 0:25:09 | 0:25:11 | |
But when we asked her to have a look, she found this waiting in the | 0:25:11 | 0:25:14 | |
inbox. Catherine sent it to Kitty at 22.55 the night she was killed. | 0:25:14 | 0:25:18 | |
Catherine! | 0:25:23 | 0:25:24 | |
So, what do you like best about living in Shetland? | 0:25:24 | 0:25:28 | |
I like the sea. | 0:25:28 | 0:25:30 | |
And my green boots. | 0:25:30 | 0:25:32 | |
What don't you like about living here? | 0:25:32 | 0:25:35 | |
I don't like the yoghurts. | 0:25:35 | 0:25:37 | |
There are some that I do like, | 0:25:38 | 0:25:40 | |
but the ones I like are too expensive. | 0:25:40 | 0:25:43 | |
Anything else? | 0:25:44 | 0:25:46 | |
I don't like Mrs Henry. | 0:25:47 | 0:25:49 | |
Mrs Henry doesn't like me. | 0:25:50 | 0:25:53 | |
She says I am a proper little madam. | 0:25:53 | 0:25:56 | |
Mrs Henry doesn't like anyone. | 0:25:56 | 0:25:58 | |
Why are you asking all these questions? | 0:25:59 | 0:26:02 | |
It's my homework for school. | 0:26:02 | 0:26:04 | |
Now tell me a secret. | 0:26:05 | 0:26:06 | |
That's easy for you to say. | 0:26:11 | 0:26:13 | |
My client would like it noted that he comes here voluntarily. | 0:26:13 | 0:26:16 | |
Good. | 0:26:16 | 0:26:17 | |
You talked about having set your students an end-of-year project. | 0:26:17 | 0:26:20 | |
-What was it? -That was up to them. It could be anything they chose. | 0:26:20 | 0:26:24 | |
What was Catherine doing? | 0:26:24 | 0:26:25 | |
I don't know. | 0:26:25 | 0:26:27 | |
They were due to hand in their proposals at the end | 0:26:28 | 0:26:31 | |
of the midsummer weekend. Catherine didn't come back! | 0:26:31 | 0:26:33 | |
-Is it possible she could have been making a film? -Very possibly. | 0:26:33 | 0:26:36 | |
-About what? -I told you, I don't know. | 0:26:36 | 0:26:38 | |
COME ON! | 0:26:38 | 0:26:39 | |
You knew her! You taught her! | 0:26:39 | 0:26:42 | |
"Receptive, interested and engaged," you said. | 0:26:42 | 0:26:45 | |
My client has already answered your questions and does not need... | 0:26:45 | 0:26:48 | |
What was she interested in? | 0:26:48 | 0:26:50 | |
What were you expecting from her? | 0:26:50 | 0:26:52 | |
Excuse me. | 0:26:55 | 0:26:56 | |
"Life in the raw - John Grierson and the Scottish documentary movement." | 0:27:06 | 0:27:09 | |
The last essay she handed in. It was good. Very good. | 0:27:09 | 0:27:12 | |
It was obviously something she'd really thought about. | 0:27:12 | 0:27:16 | |
Documentary. | 0:27:17 | 0:27:18 | |
A documentary about what? | 0:27:24 | 0:27:27 | |
Well, something that was going to make people angry. | 0:27:27 | 0:27:30 | |
What subject is a 17-year-old going to pick that makes | 0:27:30 | 0:27:33 | |
people angry enough to get her killed? | 0:27:33 | 0:27:35 | |
Maybe it's not the subject, maybe it's the questions. | 0:27:35 | 0:27:39 | |
"What do you like best about living here? | 0:27:39 | 0:27:41 | |
"What do you like least? Tell me a secret." | 0:27:41 | 0:27:44 | |
Catriona, Euan Ross said Catherine was interested | 0:27:44 | 0:27:48 | |
-in what happened to Catriona. -We know what happened to Catriona. | 0:27:48 | 0:27:51 | |
No. We know how she died. That's not the same thing. | 0:27:51 | 0:27:55 | |
I think I might be getting back with Drew. | 0:27:58 | 0:28:00 | |
Drew? | 0:28:02 | 0:28:03 | |
Again? | 0:28:04 | 0:28:05 | |
-Seriously? -It was that school. All those teenagers. | 0:28:08 | 0:28:12 | |
Made me nostalgic. | 0:28:12 | 0:28:15 | |
Then I bumped into him in this bar we used to go to. | 0:28:15 | 0:28:19 | |
Besides, I can't sleep at this time of year. | 0:28:19 | 0:28:21 | |
What else are you going to do to get you through the night? | 0:28:21 | 0:28:24 | |
Not just the laptop, then? | 0:28:31 | 0:28:33 | |
Was Catherine interested in what happened to Catriona? | 0:28:34 | 0:28:38 | |
She used to ask people about it, | 0:28:40 | 0:28:42 | |
about what they thought had happened. | 0:28:42 | 0:28:44 | |
I think a lot of folk found that... | 0:28:44 | 0:28:47 | |
-ghoulish. -Did she have any ideas herself? | 0:28:47 | 0:28:51 | |
Any kind of pet theories? | 0:28:51 | 0:28:54 | |
DOORBELL RINGS | 0:28:54 | 0:28:55 | |
Hello. | 0:28:57 | 0:28:59 | |
We're so sorry. | 0:29:00 | 0:29:01 | |
-So this is Pim. -How old? | 0:29:06 | 0:29:08 | |
-Five months. -Five. | 0:29:08 | 0:29:09 | |
-Do you want to hold her? -Can I? | 0:29:09 | 0:29:12 | |
Yeah. Just like this. | 0:29:12 | 0:29:14 | |
Are you all right? | 0:29:22 | 0:29:24 | |
Sorry, I need some air. | 0:29:24 | 0:29:26 | |
Are you all right? | 0:29:40 | 0:29:41 | |
Gret was a wee bit worried about you. | 0:29:43 | 0:29:45 | |
He was having an affair. | 0:29:47 | 0:29:49 | |
-Who? -Dad. | 0:29:49 | 0:29:50 | |
Me and Cat didn't know anything about it. | 0:29:52 | 0:29:55 | |
I only found out years later. | 0:29:55 | 0:29:57 | |
Mum was talking about leaving him and taking us. | 0:29:58 | 0:30:01 | |
And in the middle of them trying to work out what to do... | 0:30:02 | 0:30:06 | |
Catriona. | 0:30:06 | 0:30:07 | |
The house felt different to the way I remember. | 0:30:09 | 0:30:13 | |
Childhood memories are strange, aren't they? | 0:30:14 | 0:30:16 | |
Mine are made up mostly of what things tasted like. | 0:30:16 | 0:30:19 | |
Cat had this... | 0:30:22 | 0:30:23 | |
..secret stash of sweets. Erm... | 0:30:24 | 0:30:28 | |
I don't remember how I found it in the end. I just remember the | 0:30:29 | 0:30:33 | |
pattern on the carpet and the feel of the empty wrappers in my hands. | 0:30:33 | 0:30:37 | |
Kids must make crap witnesses, eh? Remembering all the wrong details. | 0:30:39 | 0:30:43 | |
What happened when she found out the sweets were gone? | 0:30:45 | 0:30:49 | |
-She threw a plate at my head. -She threw a plate at you? | 0:30:49 | 0:30:52 | |
Oh, Cat was a handful. | 0:30:53 | 0:30:55 | |
Her teacher hated her. | 0:30:57 | 0:30:59 | |
And my mother struggled. | 0:30:59 | 0:31:01 | |
Which didn't help the guilt after. | 0:31:03 | 0:31:05 | |
She'd shut Cat in her room that day as a punishment for something and... | 0:31:07 | 0:31:11 | |
..she climbed out the window. | 0:31:12 | 0:31:14 | |
It was my mother's worst nightmare that someone had hurt her. | 0:31:17 | 0:31:21 | |
Tell me, what did you think of Catherine Ross? | 0:31:30 | 0:31:33 | |
She wasn't the friend I'd have chosen for Sally, that's for sure. | 0:31:33 | 0:31:37 | |
Why? | 0:31:37 | 0:31:39 | |
She liked to court trouble. | 0:31:39 | 0:31:41 | |
I worried she'd land them | 0:31:42 | 0:31:43 | |
in a situation my daughter wouldn't be able to get herself out of. | 0:31:43 | 0:31:47 | |
You taught Catriona. | 0:31:48 | 0:31:50 | |
Yes. | 0:31:50 | 0:31:52 | |
Did Catherine ever ask you about her? | 0:31:52 | 0:31:55 | |
Maybe. I don't recall. | 0:31:56 | 0:31:58 | |
The day Catriona went missing. You saw her on the cliffs | 0:32:05 | 0:32:09 | |
and you called for her to come back. | 0:32:09 | 0:32:11 | |
-Is that right? -Yes. | 0:32:11 | 0:32:14 | |
She didn't listen. | 0:32:14 | 0:32:15 | |
That girl never did a thing anyone said! | 0:32:16 | 0:32:19 | |
So, if you thought it was dangerous, then why didn't you go after her? | 0:32:19 | 0:32:24 | |
It was the holidays. None of my concern. | 0:32:24 | 0:32:26 | |
She was seven. | 0:32:26 | 0:32:27 | |
Where were you the night Catherine was killed? | 0:32:36 | 0:32:38 | |
God above! | 0:32:38 | 0:32:40 | |
You think dislike is a justification for murder? | 0:32:40 | 0:32:43 | |
If it were, I'd have half my class laid out in their graves. | 0:32:45 | 0:32:49 | |
To say nothing of their parents. | 0:32:49 | 0:32:51 | |
Now, I have already made a statement to your colleagues... | 0:32:51 | 0:32:53 | |
Go through it again. | 0:32:53 | 0:32:54 | |
-I was here. -All night? | 0:32:56 | 0:32:58 | |
School the next day. | 0:32:58 | 0:32:59 | |
Can anybody corroborate your whereabouts? | 0:32:59 | 0:33:02 | |
HE KNOCKS ON THE TABLE | 0:33:04 | 0:33:05 | |
Mrs Henry? | 0:33:06 | 0:33:07 | |
Sally was asleep in bed. So was my husband. | 0:33:09 | 0:33:12 | |
So, no. | 0:33:12 | 0:33:14 | |
They can't. | 0:33:14 | 0:33:15 | |
Sandy said you were looking into why Magnus might have been | 0:33:42 | 0:33:45 | |
finger-printed in the past. | 0:33:45 | 0:33:47 | |
1969. | 0:33:47 | 0:33:49 | |
Magnus was interviewed about an assault on a girl | 0:33:49 | 0:33:52 | |
here on holiday with her family. | 0:33:52 | 0:33:54 | |
Someone else was charged and convicted. | 0:33:54 | 0:33:56 | |
But, thing is, when I looked for a record of the actual interview, | 0:33:56 | 0:34:00 | |
there was nothing. | 0:34:00 | 0:34:02 | |
So, I dug a little deeper, and found this. | 0:34:02 | 0:34:07 | |
The day after he was interviewed, | 0:34:07 | 0:34:10 | |
Magnus was admitted to hospital. | 0:34:10 | 0:34:12 | |
Broken ribs, two broken fingers... | 0:34:12 | 0:34:16 | |
a fractured skull. | 0:34:16 | 0:34:18 | |
Magnus. | 0:34:24 | 0:34:25 | |
The reason I wanted you to stay here, | 0:34:31 | 0:34:34 | |
is because I wanted you to be safe. | 0:34:34 | 0:34:36 | |
But I get the feeling that | 0:34:39 | 0:34:42 | |
you will probably never feel safe in here. | 0:34:42 | 0:34:45 | |
Because I think something happened to you here. | 0:34:45 | 0:34:48 | |
So we're going to find somewhere else to move you to. | 0:34:48 | 0:34:51 | |
And then maybe you and me can have a proper talk. | 0:34:51 | 0:34:54 | |
Do you understand, Magnus? Is that OK? | 0:34:57 | 0:35:00 | |
OK. | 0:35:06 | 0:35:07 | |
LAUGHING: Whee! | 0:35:07 | 0:35:09 | |
Wa-hoo! | 0:35:09 | 0:35:11 | |
-KITTY: -I don't like Mrs Henry... | 0:35:12 | 0:35:14 | |
Mrs Henry doesn't like me. | 0:35:15 | 0:35:17 | |
-Hey. -Hey. -All packed? -Yep. | 0:35:19 | 0:35:21 | |
Well, thanks for taking Cassie. | 0:35:23 | 0:35:25 | |
Always a pleasure. | 0:35:25 | 0:35:27 | |
Oh, and I don't want the strange old man in my room. | 0:35:27 | 0:35:29 | |
You have my bed, he can have yours. | 0:35:29 | 0:35:31 | |
Yeah, go and check if you have got everything. | 0:35:31 | 0:35:33 | |
OK. | 0:35:33 | 0:35:35 | |
Strange old man? Is that what you've told her. | 0:35:35 | 0:35:37 | |
Aye. Because I'm no' you. | 0:35:37 | 0:35:39 | |
HE SIGHS | 0:35:40 | 0:35:42 | |
It was nothing - a wee flirt. Just... | 0:35:43 | 0:35:47 | |
..me feeling old, wanting to check that I still got it. | 0:35:51 | 0:35:54 | |
You saying I walked in in the middle of your mid-life crisis? | 0:35:54 | 0:35:57 | |
I'm putting it down to the poor quality malt | 0:35:57 | 0:35:59 | |
that Alex Henry and his mates plied me with | 0:35:59 | 0:36:01 | |
at their all-night poker game. | 0:36:01 | 0:36:03 | |
You'd think environmental officers would be caring types, | 0:36:03 | 0:36:05 | |
but they're a bunch of ruthless bastards. | 0:36:05 | 0:36:07 | |
And, yes! I was safe to drive the next morning. | 0:36:07 | 0:36:09 | |
No, that's not what I mean... | 0:36:09 | 0:36:11 | |
You mean the night Catherine Ross was killed, | 0:36:11 | 0:36:13 | |
you were at an all-night poker game with Alex Henry? | 0:36:13 | 0:36:17 | |
Yeah, and it was a long one. | 0:36:17 | 0:36:18 | |
Hello? | 0:36:18 | 0:36:20 | |
KNOCK ON DOOR Aye, come away in, Billy. | 0:36:20 | 0:36:22 | |
Hi, Magnus. Come in. | 0:36:25 | 0:36:26 | |
Make yourself at home. | 0:36:28 | 0:36:30 | |
So totally your room! | 0:36:31 | 0:36:32 | |
OK. Goodbye. | 0:36:32 | 0:36:35 | |
-Bye. -See you. | 0:36:35 | 0:36:36 | |
INDISTINCT CONVERSATIONS | 0:36:50 | 0:36:52 | |
CHILDREN CHATTERING | 0:37:02 | 0:37:05 | |
I'm about to ring the bell for school. | 0:37:07 | 0:37:09 | |
Yes, just hang on. | 0:37:09 | 0:37:10 | |
You told me your husband was asleep with you in bed | 0:37:11 | 0:37:15 | |
the night Catherine was killed. | 0:37:15 | 0:37:17 | |
That's not true, is it? | 0:37:17 | 0:37:19 | |
He didn't kill anyone and nor did I. | 0:37:19 | 0:37:22 | |
Why should I have to air our dirty linen to prove it? | 0:37:22 | 0:37:24 | |
Which dirty linen? | 0:37:24 | 0:37:26 | |
Mrs Henry, do you actually know where your husband was? | 0:37:29 | 0:37:32 | |
You thought it was another woman. | 0:37:33 | 0:37:36 | |
You didn't ask? | 0:37:36 | 0:37:37 | |
Perhaps you didn't feel you had the right to question him. | 0:37:41 | 0:37:44 | |
You didn't like Catriona Bruce, did you? | 0:37:46 | 0:37:48 | |
You can't expect to like everyone. | 0:37:49 | 0:37:51 | |
Because she was - what? Wilful. Spoilt? | 0:37:51 | 0:37:54 | |
-Her mother ruined her. -And her father was having an affair. | 0:37:54 | 0:37:57 | |
Who else knew? | 0:38:14 | 0:38:16 | |
His wife and your husband... | 0:38:17 | 0:38:20 | |
Who else? | 0:38:22 | 0:38:23 | |
No-one. | 0:38:23 | 0:38:25 | |
Mm. | 0:38:27 | 0:38:28 | |
Magnus. | 0:38:30 | 0:38:31 | |
What did you call him? | 0:38:37 | 0:38:39 | |
"A degenerate cretin"? | 0:38:39 | 0:38:42 | |
Yes, well... He was watching. | 0:38:42 | 0:38:43 | |
Through the window. | 0:38:43 | 0:38:45 | |
Filthy... | 0:38:45 | 0:38:46 | |
And Catriona - did she know? | 0:38:49 | 0:38:51 | |
She was with him. | 0:38:54 | 0:38:55 | |
She saw? | 0:39:00 | 0:39:01 | |
It was all so quick, I thought maybe I'd imagined her face. | 0:39:09 | 0:39:12 | |
Then ten minutes later, his wife came banging on the door | 0:39:15 | 0:39:18 | |
saying Catriona had run away. | 0:39:18 | 0:39:20 | |
We all went looking. | 0:39:22 | 0:39:23 | |
I saw her on the cliff. | 0:39:26 | 0:39:27 | |
I called her. | 0:39:28 | 0:39:29 | |
She ran. | 0:39:31 | 0:39:32 | |
And that was the last I saw of her. | 0:39:34 | 0:39:36 | |
And her father never knew anything about that. | 0:39:40 | 0:39:43 | |
How would that have helped him? | 0:39:45 | 0:39:47 | |
The man was destroyed already. | 0:39:50 | 0:39:52 | |
How did Catherine find out? | 0:39:56 | 0:39:58 | |
Did Magnus Bain tell her? | 0:40:00 | 0:40:02 | |
Oh, Catherine Ross didn't know a thing! | 0:40:02 | 0:40:04 | |
Oh, if she had, she'd have let me feel it. | 0:40:05 | 0:40:08 | |
She wouldn't have passed up that opportunity - not that girl. | 0:40:09 | 0:40:12 | |
No. | 0:40:14 | 0:40:15 | |
The only one who knew... was Magnus Bain. | 0:40:17 | 0:40:20 | |
BELL TINKLES | 0:40:24 | 0:40:28 | |
Magnus? | 0:40:33 | 0:40:34 | |
Who's that? | 0:40:37 | 0:40:39 | |
That's my wife, that's Fran. | 0:40:39 | 0:40:41 | |
Where is she? | 0:40:43 | 0:40:44 | |
She's dead. | 0:40:46 | 0:40:47 | |
Oh... | 0:40:47 | 0:40:49 | |
There's a lot of dead folk in the world. | 0:40:50 | 0:40:53 | |
Magnus, when I asked you what you and Catherine Ross talked about, | 0:40:53 | 0:40:57 | |
and you said you couldn't remember. | 0:40:57 | 0:40:59 | |
Is that because what you talked about was Catriona, but... | 0:41:00 | 0:41:04 | |
you didn't want to tell me that? | 0:41:04 | 0:41:07 | |
She wanted to know a secret. | 0:41:10 | 0:41:12 | |
So you told her about Catriona? | 0:41:13 | 0:41:15 | |
She'd found her hiding place. | 0:41:17 | 0:41:19 | |
She was curious about her. | 0:41:20 | 0:41:22 | |
She had a hiding place? | 0:41:22 | 0:41:24 | |
Aye, in the house. | 0:41:24 | 0:41:26 | |
PUNCHES PHONE KEYS | 0:41:28 | 0:41:30 | |
DIALLING TONE | 0:41:30 | 0:41:31 | |
-Tosh? -Inspector? | 0:41:31 | 0:41:33 | |
Catriona Bruce had a hiding place and Catherine Ross found it. | 0:41:33 | 0:41:36 | |
-OK. -Now, what if she used it? | 0:41:36 | 0:41:38 | |
What if she'd made a backup of her documentary? | 0:41:38 | 0:41:41 | |
Well, where is this hiding place? | 0:41:41 | 0:41:42 | |
Ask Brian Bruce where his sister hid her sweets and search the house. | 0:41:42 | 0:41:47 | |
-Tosh! -Drew. | 0:41:48 | 0:41:49 | |
Brian Bruce. Is he in? | 0:41:50 | 0:41:52 | |
Checked out first thing. On the eight o'clock ferry. | 0:41:52 | 0:41:55 | |
SHE SIGHS | 0:41:55 | 0:41:56 | |
Thanks. | 0:41:56 | 0:41:57 | |
Did you tell Catherine Ross about Catriona's father | 0:41:59 | 0:42:01 | |
and Margaret Henry? | 0:42:01 | 0:42:03 | |
No. | 0:42:05 | 0:42:06 | |
That's not my secret. | 0:42:06 | 0:42:09 | |
What's your secret, Magnus? | 0:42:09 | 0:42:11 | |
You know what I think, Magnus? | 0:42:27 | 0:42:29 | |
On the day Catriona went missing, I think she saw something. | 0:42:31 | 0:42:36 | |
I think she saw something happen between her father | 0:42:39 | 0:42:42 | |
and Margaret Henry. | 0:42:42 | 0:42:43 | |
And then I think she went to your croft. | 0:42:45 | 0:42:47 | |
And I don't know what happened next. | 0:42:50 | 0:42:52 | |
But I've seen your sister's room. | 0:42:54 | 0:42:56 | |
And I know the things in it are very precious. | 0:42:58 | 0:43:00 | |
Aye... | 0:43:02 | 0:43:04 | |
she came looking for her father. | 0:43:04 | 0:43:06 | |
I'd seen him going to the Henry house. | 0:43:10 | 0:43:12 | |
I said I'd take her. | 0:43:15 | 0:43:16 | |
I wouldn't have... | 0:43:17 | 0:43:18 | |
..had I known. | 0:43:19 | 0:43:21 | |
And that's why you took her back to your croft, | 0:43:22 | 0:43:24 | |
because she was upset about what she'd seen? | 0:43:24 | 0:43:27 | |
Aye. | 0:43:27 | 0:43:29 | |
She always liked Agnes's room. | 0:43:29 | 0:43:31 | |
But...that day... | 0:43:35 | 0:43:37 | |
She took Agnes's doll. She wouldn't gie it back. | 0:43:42 | 0:43:45 | |
I shouted at her. I chased her. | 0:43:45 | 0:43:47 | |
I shouldn't have done that. | 0:43:49 | 0:43:52 | |
She was only a peerie lass. | 0:43:52 | 0:43:54 | |
And she was that upset about her father, crying to the heart. | 0:43:54 | 0:43:59 | |
If I'd known that she was hiding in the peat... | 0:44:02 | 0:44:06 | |
..I'd have gone after her. | 0:44:08 | 0:44:10 | |
Aye, it's gey dangerous for children. | 0:44:12 | 0:44:16 | |
Why didn't you tell the police? | 0:44:18 | 0:44:20 | |
I didn't want them to hurt me again. | 0:44:26 | 0:44:28 | |
PHONE RINGS | 0:44:40 | 0:44:43 | |
Sandy. | 0:44:43 | 0:44:44 | |
Inspector. | 0:44:44 | 0:44:45 | |
We've found it. | 0:44:50 | 0:44:51 | |
-Found it then, yeah? -Yeah. | 0:44:55 | 0:44:57 | |
-Cool. -You got me a drink? | 0:44:57 | 0:44:59 | |
-Yeah. -Thanks! | 0:44:59 | 0:45:01 | |
Of course I'm going to get you a drink. | 0:45:02 | 0:45:05 | |
-SHE LAUGHS -Is it whisky? | 0:45:05 | 0:45:08 | |
Yeah. It's a good malt. | 0:45:08 | 0:45:09 | |
Oh. It's strong! | 0:45:09 | 0:45:13 | |
LAUGHTER | 0:45:13 | 0:45:14 | |
Yeah. | 0:45:14 | 0:45:16 | |
So... | 0:45:16 | 0:45:18 | |
On you go. Ask away. | 0:45:20 | 0:45:22 | |
What do you like best about living in Shetland? | 0:45:22 | 0:45:24 | |
Oh. What do I like best? | 0:45:26 | 0:45:29 | |
Guess. | 0:45:33 | 0:45:34 | |
Um... | 0:45:34 | 0:45:35 | |
The girls? | 0:45:37 | 0:45:38 | |
CHUCKLING | 0:45:38 | 0:45:40 | |
The girls. You got that right. | 0:45:40 | 0:45:42 | |
Shall I tell you...a secret? | 0:45:43 | 0:45:47 | |
You're getting ahead of the script. Secrets come last. | 0:45:47 | 0:45:51 | |
Well, I'm going to tell you anyway. | 0:45:51 | 0:45:53 | |
You're one of the girls that I like. | 0:45:54 | 0:45:56 | |
Ah... | 0:45:56 | 0:45:57 | |
LAUGHTER | 0:45:57 | 0:45:59 | |
-You wouldn't be too bad if you made a bit of an effort, but... -Really? | 0:45:59 | 0:46:03 | |
LAUGHTER | 0:46:03 | 0:46:04 | |
Yeah. Quite the little lady. | 0:46:04 | 0:46:07 | |
If you did something thing with your hair. | 0:46:07 | 0:46:09 | |
CHUCKLING | 0:46:09 | 0:46:12 | |
I'm probably a bit old for you though - 17. | 0:46:12 | 0:46:15 | |
HE LAUGHS | 0:46:15 | 0:46:17 | |
What do you mean? | 0:46:19 | 0:46:21 | |
I thought the younger the better for you. | 0:46:21 | 0:46:23 | |
Sally's only 16. Isn't that why you went for her? | 0:46:23 | 0:46:26 | |
Cos anyone who was old enough to know anything would see straight through you... | 0:46:26 | 0:46:30 | |
Shit. | 0:46:30 | 0:46:31 | |
Call the school. Call the school and find out if Sally Henry's there and safe. | 0:46:31 | 0:46:35 | |
I heard one of your girls was only 14. Is that true? | 0:46:38 | 0:46:40 | |
Who said... Who told you that? | 0:46:40 | 0:46:42 | |
I mean, course you like living here! | 0:46:42 | 0:46:44 | |
Big man in a small place, impressing girls half your age with | 0:46:44 | 0:46:47 | |
-the big car and the big boat and the cheesy lines... -Just turn that off! | 0:46:47 | 0:46:51 | |
-The way you were coming on to me! -I asked you to turn that off. -"Quite the little lady"... | 0:46:51 | 0:46:55 | |
Turn that off! | 0:46:55 | 0:46:56 | |
She's not at school. Apparently she called in sick this morning. | 0:46:57 | 0:47:00 | |
OK. Put out an urgent call for obs on Isbister's car. | 0:47:00 | 0:47:03 | |
I also want you and Sandy to check on Isbister's alibi | 0:47:03 | 0:47:06 | |
for the night Catherine was killed. | 0:47:06 | 0:47:08 | |
Alibis can be bought. | 0:47:08 | 0:47:10 | |
-Where are you going to be? -Ravenswick. | 0:47:10 | 0:47:12 | |
HORN BLARES | 0:47:20 | 0:47:23 | |
TYRES SQUEAL | 0:47:23 | 0:47:24 | |
Is Sally home? | 0:47:36 | 0:47:38 | |
Sally's at school. | 0:47:38 | 0:47:39 | |
No. School just said she phoned in sick today. | 0:47:39 | 0:47:42 | |
Sally? | 0:47:43 | 0:47:45 | |
Sally? | 0:47:46 | 0:47:47 | |
What is it? What's wrong? | 0:47:53 | 0:47:54 | |
Sally didn't turn up at school. | 0:47:54 | 0:47:56 | |
What are you talking about? Of course she did. | 0:47:56 | 0:47:58 | |
I saw her leave this morning. | 0:47:58 | 0:48:00 | |
Tosh? She's not here. | 0:48:00 | 0:48:02 | |
OK, Sandy's on his way to you. We tracked down Isbister's alibi. | 0:48:02 | 0:48:05 | |
He's in Whalsay, I'm going to go and speak to him now. | 0:48:05 | 0:48:07 | |
But no luck with Isbister himself. | 0:48:07 | 0:48:09 | |
His office said he hasn't been in this morning, | 0:48:09 | 0:48:12 | |
-and he's not answering his phone. -OK. | 0:48:12 | 0:48:14 | |
What if she's freight? | 0:48:16 | 0:48:17 | |
If an alibi can be bought, surely a truck driver can? | 0:48:17 | 0:48:20 | |
That detective... | 0:49:09 | 0:49:11 | |
he kept coming back. | 0:49:11 | 0:49:12 | |
I just wanted it all to go away. I just wanted to be with you. | 0:49:13 | 0:49:16 | |
Look... | 0:49:16 | 0:49:17 | |
Will you stop talking about the police? | 0:49:19 | 0:49:22 | |
OK? I never brought you here to talk. | 0:49:22 | 0:49:24 | |
I didn't tell him anything. | 0:49:25 | 0:49:27 | |
I knew where Catherine was the night before. | 0:49:29 | 0:49:31 | |
She was at your party. But I didn't say anything. | 0:49:31 | 0:49:33 | |
I don't... | 0:49:37 | 0:49:38 | |
I don't want to speak ill of the dead... | 0:49:38 | 0:49:41 | |
but she WAS a silly bitch, your friend. | 0:49:41 | 0:49:43 | |
You're not going to be a silly bitch...are you? | 0:49:48 | 0:49:52 | |
How many more of these are there? | 0:49:58 | 0:49:59 | |
30 odd. That's not so many. | 0:49:59 | 0:50:02 | |
If I were them, I'd sell the pelagic trawler | 0:50:02 | 0:50:04 | |
and get another fleet like this. | 0:50:04 | 0:50:06 | |
But that is me. | 0:50:06 | 0:50:08 | |
I like trucks. | 0:50:08 | 0:50:10 | |
It was always the trawler Alan talked about. | 0:50:10 | 0:50:12 | |
-Not the trucks, the trawler. -Thanks. | 0:50:12 | 0:50:15 | |
-Whereabouts...? -North Roe. | 0:50:15 | 0:50:17 | |
HE SIGHS | 0:50:20 | 0:50:22 | |
HE PANTS | 0:50:25 | 0:50:27 | |
We could get a drink in a minute. | 0:50:35 | 0:50:38 | |
Hey... | 0:50:38 | 0:50:39 | |
Don't get dressed. | 0:50:43 | 0:50:45 | |
There's ice in the kitchen. | 0:51:05 | 0:51:07 | |
Do you want some? | 0:51:07 | 0:51:08 | |
I just need to go to the bathroom. | 0:51:09 | 0:51:11 | |
It's just down there. | 0:51:14 | 0:51:15 | |
PHONE RINGS | 0:51:39 | 0:51:40 | |
Tosh? | 0:51:43 | 0:51:44 | |
Inspector, I've just finished speaking to Isbister's alibi. | 0:51:44 | 0:51:47 | |
And he says they were together all of Sunday night. | 0:51:47 | 0:51:50 | |
-What? -Isbister's alibi checks out. | 0:51:50 | 0:51:52 | |
Isbister's alibi checks out. | 0:51:58 | 0:52:00 | |
Alan! | 0:52:07 | 0:52:10 | |
Alan! | 0:52:10 | 0:52:11 | |
Alan! | 0:52:17 | 0:52:18 | |
Ice and a slice. | 0:52:22 | 0:52:23 | |
DOOR OPENS | 0:52:23 | 0:52:25 | |
Step away from her. | 0:52:25 | 0:52:26 | |
What for? She's 16. | 0:52:26 | 0:52:28 | |
-I said step away from her. -She's 16! | 0:52:28 | 0:52:30 | |
Sally? | 0:52:40 | 0:52:41 | |
You are going to have to come with me now. | 0:52:42 | 0:52:44 | |
Why? | 0:52:46 | 0:52:47 | |
You know why. | 0:52:49 | 0:52:51 | |
SIRENS IN DISTANCE | 0:52:51 | 0:52:53 | |
SIRENS APPROACH | 0:52:57 | 0:52:58 | |
Oh, Sally... | 0:53:01 | 0:53:02 | |
Was he really worth it? | 0:53:04 | 0:53:05 | |
-OK. -I don't understand. What's going on? | 0:53:10 | 0:53:12 | |
Get a solicitor and come down the police station. | 0:53:12 | 0:53:15 | |
What's the charge? | 0:53:15 | 0:53:16 | |
Assaulting Catherine Ross, along with questions about another matter. | 0:53:16 | 0:53:20 | |
And for God's sake, man, do your trousers up. | 0:53:20 | 0:53:23 | |
POLICE RADIO CHATTER | 0:53:25 | 0:53:27 | |
What's going on? Where's he going? | 0:53:29 | 0:53:31 | |
Why isn't that man in handcuffs? | 0:53:31 | 0:53:33 | |
Mrs Henry, you and your husband | 0:53:33 | 0:53:35 | |
are going to have to come down to the station. | 0:53:35 | 0:53:37 | |
We're going to be charging Sally with the murder of Catherine Ross. | 0:53:37 | 0:53:40 | |
Oh, don't be ridiculous, man! | 0:53:40 | 0:53:42 | |
Alex! | 0:53:43 | 0:53:44 | |
Sally! | 0:53:48 | 0:53:50 | |
MRS HENRY SOBS | 0:53:53 | 0:53:55 | |
When did Catherine show you the film? | 0:54:01 | 0:54:04 | |
Sunday night. It was on her phone. | 0:54:05 | 0:54:09 | |
And is that when you killed her? | 0:54:09 | 0:54:11 | |
She was her friend! | 0:54:11 | 0:54:13 | |
Sally? | 0:54:18 | 0:54:19 | |
I don't want them in here. | 0:54:21 | 0:54:24 | |
-Sally... -I don't want them in here. | 0:54:24 | 0:54:26 | |
You know... | 0:54:42 | 0:54:43 | |
..people say "friend" like that means it's simple. | 0:54:45 | 0:54:51 | |
But it's not... | 0:54:51 | 0:54:52 | |
..it's really complicated being close. | 0:54:53 | 0:54:56 | |
Why would you hurt someone who didn't matter? | 0:54:59 | 0:55:02 | |
She knew I liked him. | 0:55:10 | 0:55:11 | |
She knew. | 0:55:13 | 0:55:15 | |
And she made him look like a stupid thug. | 0:55:18 | 0:55:20 | |
She said she was going to put it on YouTube. | 0:55:26 | 0:55:29 | |
She knew my life... | 0:55:35 | 0:55:37 | |
..how crap everything is. | 0:55:39 | 0:55:41 | |
She was so confident, she could have anything she wanted. | 0:55:46 | 0:55:49 | |
And she couldn't even leave me the crumbs. | 0:55:49 | 0:55:51 | |
It took time, what you did. | 0:55:54 | 0:55:55 | |
Minutes...not seconds. | 0:55:57 | 0:56:00 | |
You could have stopped. | 0:56:02 | 0:56:03 | |
You could have let go. | 0:56:05 | 0:56:06 | |
I didn't want to let go. | 0:56:07 | 0:56:08 | |
She called me "baby girl". | 0:56:11 | 0:56:13 | |
I was crying and she said, "Poor baby girl." | 0:56:14 | 0:56:17 | |
I really miss her. | 0:56:21 | 0:56:23 | |
I really miss her. | 0:56:28 | 0:56:29 | |
SHE SOBS | 0:56:34 | 0:56:35 | |
-Are you OK? -Aye. | 0:56:53 | 0:56:55 | |
Is there anything you need? | 0:57:10 | 0:57:12 | |
Anything I can help you with? | 0:57:13 | 0:57:14 | |
Magnus. | 0:57:23 | 0:57:24 | |
What happened to you before, in the police station... | 0:57:29 | 0:57:33 | |
that was wrong. | 0:57:33 | 0:57:34 | |
Whar's du fae? | 0:57:42 | 0:57:44 | |
I'm fae Fair Isle. | 0:57:47 | 0:57:49 | |
Fair Isle. | 0:57:54 | 0:57:56 |