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This programme contains some strong language and some scenes which viewers may find upsetting. | 0:00:02 | 0:00:09 | |
PHONE RINGS | 0:01:15 | 0:01:17 | |
Hey, Rhona, any news? | 0:01:19 | 0:01:20 | |
Well, if you've got plans for the weekend, cancel them. | 0:01:20 | 0:01:23 | |
Malone just won his appeal. | 0:01:23 | 0:01:25 | |
-The advocate general wants to reopen the Kilmuir case. -OK. | 0:01:25 | 0:01:28 | |
It's over, Thomas. | 0:01:50 | 0:01:52 | |
It's over. | 0:01:52 | 0:01:54 | |
So, come on, what do you want to do first? A pint? | 0:01:54 | 0:01:58 | |
No, I... I just want to go home. | 0:01:58 | 0:02:01 | |
Thomas Malone. | 0:02:01 | 0:02:03 | |
Convicted in 1994 for the murder of Lizzie Kilmuir, was released this | 0:02:03 | 0:02:08 | |
morning after he was acquitted at the High Court in Edinburgh. | 0:02:08 | 0:02:12 | |
For those of you that don't know, | 0:02:13 | 0:02:16 | |
Lizzie Kilmuir, she was strangled, | 0:02:16 | 0:02:20 | |
and her body was found inside a kiln on Unst. | 0:02:20 | 0:02:23 | |
Thomas Malone confessed to the murder and was sentenced to life. | 0:02:26 | 0:02:31 | |
The CCRC have presented new evidence that was overlooked at the time | 0:02:31 | 0:02:36 | |
of the original trial. | 0:02:36 | 0:02:39 | |
Secondary DNA from the crime scene always pointed to a second suspect, | 0:02:39 | 0:02:44 | |
but it wasn't tested at the time. | 0:02:44 | 0:02:47 | |
The insinuation from the review commission is pretty clear - | 0:02:49 | 0:02:54 | |
they think that this evidence was withheld deliberately. | 0:02:54 | 0:02:58 | |
I doubt it. I've known Drew McCall, who was the SIO, a long time - | 0:02:58 | 0:03:02 | |
-not his style. -Well, whatever happened, | 0:03:02 | 0:03:05 | |
the charges were dismissed, it's a mistrial, | 0:03:05 | 0:03:09 | |
and it doesn't paint the force in a particularly good light. | 0:03:09 | 0:03:12 | |
I just got word - Malone landed at Sumburgh about 15 minutes ago. | 0:03:12 | 0:03:15 | |
I want everybody to drop whatever it is that you're working on. | 0:03:23 | 0:03:26 | |
The Lizzie Kilmuir case is the priority. | 0:03:26 | 0:03:29 | |
I want to see if we can get some closure for the family. | 0:03:29 | 0:03:32 | |
Billy, look out all the files that we've got | 0:03:32 | 0:03:34 | |
on the Lizzie Kilmuir case. | 0:03:34 | 0:03:36 | |
Tosh, get in touch with the CCRC, | 0:03:36 | 0:03:38 | |
because we're going to need to see everything that they've got - | 0:03:38 | 0:03:41 | |
-both evidential, non-evidential, new statements, whatever. -Sure. | 0:03:41 | 0:03:45 | |
And when we get those new statements, | 0:03:45 | 0:03:47 | |
I want everybody on them, | 0:03:47 | 0:03:49 | |
because there is a second suspect out there, | 0:03:49 | 0:03:53 | |
somewhere. | 0:03:53 | 0:03:54 | |
Sandy. | 0:03:59 | 0:04:01 | |
Can I have a word? | 0:04:01 | 0:04:02 | |
You knew Lizzie Kilmuir, right? | 0:04:04 | 0:04:07 | |
I was at school with her. | 0:04:07 | 0:04:09 | |
I'm still friends with her twin sister, Kate. | 0:04:09 | 0:04:14 | |
-It's not a problem. -I didn't say it was. | 0:04:14 | 0:04:16 | |
-TRADITIONAL MUSIC PLAYS -You all right, Sally? | 0:04:22 | 0:04:24 | |
-I'm fine, Allan. -Right, OK, I'm just asking. | 0:04:24 | 0:04:26 | |
You asked me three times in the car. | 0:04:26 | 0:04:30 | |
Just leave it. | 0:04:30 | 0:04:32 | |
You got the tickets, then, Jo? | 0:04:34 | 0:04:36 | |
Oh, for God's sake, Allan, you've got the attention span of a midge. | 0:04:36 | 0:04:39 | |
You need to look at her. | 0:04:39 | 0:04:42 | |
Sorry, Jo, tickets? | 0:04:42 | 0:04:44 | |
-No worries, I've got them. -Much do I owe you? | 0:04:45 | 0:04:48 | |
-Oh, thank you. -Here, open that, will you? | 0:04:48 | 0:04:51 | |
-Starting early, then? -Uh-huh. | 0:04:51 | 0:04:53 | |
OK. | 0:04:53 | 0:04:55 | |
CORK POPS | 0:05:10 | 0:05:12 | |
-Sure you don't want one? -No, no, I'm fine. | 0:05:14 | 0:05:16 | |
Really, I just wanted to touch base about the Kilmuir case. | 0:05:19 | 0:05:22 | |
No problem, Jimmy. | 0:05:22 | 0:05:24 | |
-Just doing your job. -This unknown DNA comes from a hair | 0:05:24 | 0:05:29 | |
on a scarf found round Lizzie's neck and thought to be the murder weapon. | 0:05:29 | 0:05:33 | |
So why didn't I test it back then? That's your next question, isn't it? | 0:05:34 | 0:05:37 | |
-Yeah. -Well, I didn't think it would yield enough DNA. | 0:05:37 | 0:05:40 | |
And you had your man, so why complicate matters? | 0:05:40 | 0:05:44 | |
No, not quite. | 0:05:44 | 0:05:47 | |
We risked destroying potential evidence, it wasn't worth it. | 0:05:48 | 0:05:51 | |
Best wait till techniques advanced enough to get a proper profile. | 0:05:51 | 0:05:56 | |
The defence was informed of its existence. | 0:05:56 | 0:06:00 | |
They overlooked it. I did explain that to the CCRC. | 0:06:00 | 0:06:03 | |
Kate! Kate! | 0:06:05 | 0:06:07 | |
-Hello. -Hi, Molly. -Hi. | 0:06:07 | 0:06:09 | |
Enjoying the bounce? | 0:06:09 | 0:06:12 | |
It's not exactly Glastonbury, is it? | 0:06:12 | 0:06:14 | |
Well, at least it's no' raining. | 0:06:14 | 0:06:16 | |
-Can I have a word in private? -We heard on the radio that | 0:06:16 | 0:06:19 | |
-Malone was released. -Kate, I'm sorry. | 0:06:19 | 0:06:21 | |
-You've nothing to be sorry about. -We're reopening the case. | 0:06:21 | 0:06:24 | |
As you're Lizzie's only family left, | 0:06:24 | 0:06:27 | |
we'll be in touch. I just wanted you to hear it from me. | 0:06:27 | 0:06:29 | |
OK. So how have you been anyway? | 0:06:29 | 0:06:33 | |
I've not seen much of you since you and Jenny split. | 0:06:33 | 0:06:36 | |
-I'm fine. -Yeah. | 0:06:36 | 0:06:37 | |
Missing the kids, I must admit, but... | 0:06:39 | 0:06:42 | |
..it was for the best. | 0:06:42 | 0:06:44 | |
Can I get you a drink? | 0:06:45 | 0:06:47 | |
-I could have one. -Aye? Do you want a Coke? -Vodka. | 0:06:48 | 0:06:51 | |
No, lass, a Coke. | 0:06:51 | 0:06:54 | |
Right, I'm done. I need another. You coming? | 0:06:54 | 0:06:56 | |
Erm... Aye, all right. Do you want a drink? | 0:06:56 | 0:06:59 | |
-Yeah, sure. -Cool. | 0:06:59 | 0:07:01 | |
-Why did you go after Malone in the first place? -Cried like a baby | 0:07:13 | 0:07:16 | |
at Lizzie's funeral. It was odd. He was odd. | 0:07:16 | 0:07:21 | |
So I asked about. | 0:07:21 | 0:07:23 | |
Turned out he was fixated on her. | 0:07:23 | 0:07:25 | |
Then a witness came forward putting him on the Unst ferry the | 0:07:25 | 0:07:28 | |
day Lizzie went missing. | 0:07:28 | 0:07:30 | |
So we searched his house, | 0:07:30 | 0:07:32 | |
found chickweed on his shoes. Edmondson's mousehair only | 0:07:32 | 0:07:36 | |
grows on Unst. We had him. It was done and dusted, he confessed. | 0:07:36 | 0:07:40 | |
-They all recounted. -Aye, well, people do. | 0:07:40 | 0:07:42 | |
One lie after another. | 0:07:42 | 0:07:44 | |
It was a strong case. All the court has done is put his conviction | 0:07:45 | 0:07:50 | |
in doubt, nobody said he was innocent. | 0:07:50 | 0:07:52 | |
He did it, Jimmy. | 0:07:52 | 0:07:54 | |
I swear on my wife's grave. | 0:07:54 | 0:07:57 | |
COUNTRY MUSIC PLAYS | 0:07:59 | 0:08:01 | |
Sally! | 0:08:13 | 0:08:14 | |
Here's the search videos, crime scene photos, witness statements. | 0:08:53 | 0:08:57 | |
And that's only one box. | 0:08:57 | 0:08:58 | |
There's dozens of them down there, stacks of unused material. | 0:08:58 | 0:09:02 | |
-What was Drew McCall like to work with? -Aye, he's a good man. | 0:09:07 | 0:09:11 | |
He took early retirement when his wife died. | 0:09:11 | 0:09:13 | |
It's just him and Sally now. | 0:09:13 | 0:09:15 | |
-TAPE: -Interview with Thomas Malone commencing at 9:15pm, conducted | 0:10:46 | 0:10:49 | |
by DI McCall and DS Donovan. | 0:10:49 | 0:10:52 | |
OK, Thomas. This your last chance. | 0:10:52 | 0:10:55 | |
You need to stop lying. | 0:10:55 | 0:10:57 | |
You need to tell the truth for the sake of the Kilmuir family, | 0:10:57 | 0:11:00 | |
-you understand? -We have a witness who saw you, Thomas, on the ferry. | 0:11:00 | 0:11:06 | |
Benny Ray. Or is Benny lying? | 0:11:06 | 0:11:09 | |
Is everybody a liar except you? | 0:11:09 | 0:11:12 | |
I heard she was a bit of a cock tease. | 0:11:12 | 0:11:15 | |
Did she take the mickey out of you? Is that what happened? | 0:11:15 | 0:11:18 | |
Wouldn't blame you for getting angry. Nobody would. | 0:11:18 | 0:11:21 | |
If you admit it, Thomas, it'll mean a shorter sentence. Trust me. | 0:11:21 | 0:11:25 | |
You keep saying you didn't do it and they'll throw away the key. | 0:11:25 | 0:11:28 | |
Are you listening, son? You're going to die in prison. | 0:11:28 | 0:11:33 | |
SOBBING | 0:11:33 | 0:11:35 | |
And your mother, think about her. What would this do to her? | 0:11:35 | 0:11:39 | |
She's not in the best of health, is she? | 0:11:39 | 0:11:42 | |
A long, drawn-out court case would be the end of her. | 0:11:42 | 0:11:44 | |
No, no, no, no, no, no... | 0:11:44 | 0:11:46 | |
For the record, Mr Malone is shaking his head and crying. | 0:11:46 | 0:11:50 | |
-Interview paused at 10:45pm. -SOBBING | 0:11:50 | 0:11:53 | |
Interview resumed at 11:23pm. | 0:12:17 | 0:12:19 | |
Now, Thomas, let's get this straight. | 0:12:19 | 0:12:22 | |
Did you kill Lizzie Kilmuir? | 0:12:22 | 0:12:25 | |
Did you kill Lizzie Kilmuir? | 0:12:27 | 0:12:30 | |
Yeah, I did. Aye, I did. | 0:12:30 | 0:12:34 | |
You did? You did what? | 0:12:34 | 0:12:37 | |
I did, I killed Lizzie Kilmuir. | 0:12:40 | 0:12:43 | |
How did you do that? | 0:12:44 | 0:12:46 | |
I strangled her. | 0:12:47 | 0:12:49 | |
-Why? -Why? Because...because she went out with other people, right? | 0:12:54 | 0:13:00 | |
And not me. | 0:13:00 | 0:13:04 | |
Because she went out with other people and not me! | 0:13:04 | 0:13:08 | |
What are you still doing here? | 0:13:11 | 0:13:13 | |
-You can go. Not expecting you to do an all-nighter. -I'm good, thanks. | 0:13:15 | 0:13:21 | |
-I thought you'd have been at the festival. -The thrill of trying to | 0:13:24 | 0:13:27 | |
pee whilst hovering over a chemical toilet | 0:13:27 | 0:13:30 | |
doesn't hold the same allure as it once did. | 0:13:30 | 0:13:34 | |
Sure. | 0:13:34 | 0:13:35 | |
Any word of your transfer? Seems to be dragging on a wee bit. | 0:13:42 | 0:13:49 | |
I...I got an offer of a placement in Edinburgh. I haven't decided | 0:13:49 | 0:13:53 | |
what to do yet. | 0:13:53 | 0:13:55 | |
You do know that I don't want you to go, right? | 0:13:55 | 0:13:58 | |
I mean, if it was up to me, I'd have you tagged so you couldn't leave. | 0:13:58 | 0:14:01 | |
If you ever want to talk, I'm here. | 0:14:06 | 0:14:09 | |
Hi, this is Gail Callaghan, Life After Appeal. | 0:14:26 | 0:14:29 | |
-Just leave your message... -Come on! | 0:14:29 | 0:14:30 | |
-..and I'll get back to you. Thanks a lot, bye. -Gail. | 0:14:30 | 0:14:34 | |
-Gail, it's me. -HE WHIMPERS | 0:14:34 | 0:14:37 | |
I...I..need to speak to you. | 0:14:39 | 0:14:42 | |
I should never have come back here. | 0:14:48 | 0:14:50 | |
I can't... I just couldn't do it. | 0:14:53 | 0:14:56 | |
I can't do this. I can't. | 0:14:56 | 0:14:58 | |
HE SOBS | 0:15:00 | 0:15:03 | |
-LINE BEEPS -Gail. | 0:15:03 | 0:15:06 | |
HE MUTTERS UNDER HIS BREATH | 0:15:06 | 0:15:09 | |
MOBILE PHONE RINGS | 0:15:20 | 0:15:22 | |
-Hi, Drew. -Hi, Jo, is Sally there? | 0:15:28 | 0:15:30 | |
I'm supposed to have breakfast with her | 0:15:30 | 0:15:32 | |
-and can't get her on her mobile. -Uh, I don't know. | 0:15:32 | 0:15:34 | |
I'll just go and check. | 0:15:34 | 0:15:36 | |
-She's not here, Drew. Maybe she's down at Alan's. -Tried him already. | 0:15:40 | 0:15:44 | |
We have a problem. | 0:15:57 | 0:15:58 | |
Drew McColl called in. His daughter seems to be missing. Flatmate | 0:15:58 | 0:16:01 | |
says she didn't come home from the festival last night. | 0:16:01 | 0:16:04 | |
she didn't turn up for work at the Chronicle, and her boyfriend | 0:16:04 | 0:16:07 | |
says she didn't stay with him. | 0:16:07 | 0:16:09 | |
Check A&E and see if she's had an accident, and hopefully she'll be | 0:16:09 | 0:16:14 | |
fine. But treat her as a vulnerable person, | 0:16:14 | 0:16:16 | |
-and see if you can track her phone. -OK. | 0:16:16 | 0:16:19 | |
Can't really see this place going a bomb on Airbnb, can you? | 0:16:38 | 0:16:41 | |
You should probably know that we're going to reopen the Lizzie Kilmuir | 0:16:44 | 0:16:47 | |
case, so I was wondering if you'd like to talk to us | 0:16:47 | 0:16:52 | |
-about it. -Aye, well, last time I did that... | 0:16:52 | 0:16:56 | |
..it didnae work out too well for me. | 0:16:58 | 0:17:01 | |
Don't you want to find the man who killed Lizzie? | 0:17:01 | 0:17:03 | |
You know... | 0:17:07 | 0:17:08 | |
I walked out of that prison yesterday... | 0:17:10 | 0:17:13 | |
..with nothing. | 0:17:14 | 0:17:15 | |
And the best part of my life is gone. | 0:17:17 | 0:17:19 | |
If I had been guilty, I would have got a liberation grant of... | 0:17:19 | 0:17:25 | |
..78 quid. | 0:17:25 | 0:17:28 | |
That works out about... three quid a year. | 0:17:32 | 0:17:36 | |
But I was innocent, | 0:17:37 | 0:17:39 | |
so there's no support, no benefits, no fuck all. | 0:17:39 | 0:17:44 | |
But, aye, I do, I do want to find the man that killed Lizzie. | 0:17:44 | 0:17:47 | |
I just don't think you do. | 0:17:52 | 0:17:55 | |
If we can find this other suspect, it can only help you. | 0:17:55 | 0:17:59 | |
-HE CHUCKLES -Really? How's that? | 0:17:59 | 0:18:04 | |
Hmm? I mean, look at me. | 0:18:05 | 0:18:09 | |
Look at me! | 0:18:09 | 0:18:10 | |
How are you going to help me? | 0:18:12 | 0:18:14 | |
If anybody gives you any bother at all... | 0:18:15 | 0:18:18 | |
..then give me a call. That's my mobile number. | 0:18:20 | 0:18:23 | |
-What are you doing here? -I'm Detective Inspector Perez. | 0:18:39 | 0:18:42 | |
-This is... -I worked that out. What do you want? | 0:18:42 | 0:18:46 | |
-Are you a relative? -Gail Callaghan, I work for Life After Appeal. | 0:18:46 | 0:18:49 | |
We help people like Thomas to adjust to life outside of prison, | 0:18:49 | 0:18:52 | |
which is more than you lot do. | 0:18:52 | 0:18:53 | |
I know what you do, you've got nothing to worry about. | 0:18:53 | 0:18:55 | |
You do know his blood pressure's sky-high? | 0:18:55 | 0:18:58 | |
That he's got a heart condition? | 0:18:58 | 0:18:59 | |
-This was just a courtesy call. -No apology, though, eh? | 0:18:59 | 0:19:02 | |
We're claiming compensation for a malicious | 0:19:02 | 0:19:05 | |
conviction, just so you know. | 0:19:05 | 0:19:08 | |
Wouldn't want to get on the wrong side of her, would you? | 0:19:10 | 0:19:13 | |
I think we just did. MOBILE PHONE RINGS | 0:19:13 | 0:19:15 | |
-Billy. -I just got a report | 0:19:18 | 0:19:19 | |
of a body being found out at Fladdabister... | 0:19:19 | 0:19:21 | |
..inside an old lime kiln. | 0:19:21 | 0:19:23 | |
Send forensics up there as soon as. We're on our way. | 0:19:25 | 0:19:29 | |
Did you know Sally? Would you recognise her? | 0:19:44 | 0:19:46 | |
-Yeah. -Christ! | 0:19:48 | 0:19:50 | |
She was at the folk festival last night, | 0:20:25 | 0:20:27 | |
and her car is still in the car park. | 0:20:27 | 0:20:29 | |
I checked with the minicab company | 0:20:29 | 0:20:31 | |
and they don't have a booking in her name. | 0:20:31 | 0:20:33 | |
How'd she get up here? | 0:20:33 | 0:20:34 | |
There's no sign of a phone. | 0:20:34 | 0:20:36 | |
How did you get on, Cora? | 0:20:37 | 0:20:39 | |
She's been there about 10 to 12 hours. | 0:20:39 | 0:20:42 | |
My first stab at cause of death is strangulation. | 0:20:43 | 0:20:47 | |
Bruising to the head and lack of defensive wounds suggest she | 0:20:47 | 0:20:49 | |
may have been knocked unconscious first. | 0:20:49 | 0:20:52 | |
-I can't say more, Jimmy, until we do the autopsy. -OK. | 0:20:52 | 0:20:55 | |
I remember giving that girl her measles jab. | 0:20:57 | 0:21:00 | |
Tough as old boots she was. | 0:21:01 | 0:21:03 | |
Malone was at the festival. We saw him. | 0:21:07 | 0:21:10 | |
Well, don't jump the gun, Sandy. Lots of people were at the festival. | 0:21:10 | 0:21:13 | |
Go and speak to the flatmate, see what you can get. | 0:21:13 | 0:21:15 | |
I better go and break the news to Drew McCall. | 0:21:15 | 0:21:18 | |
Gail, I don't think this is a good idea. | 0:21:21 | 0:21:24 | |
I mean, what am I supposed to say? | 0:21:24 | 0:21:25 | |
If you want to be accepted, Thomas, people need to hear your side of it. | 0:21:25 | 0:21:29 | |
And it will help your compensation case, trust me. | 0:21:29 | 0:21:32 | |
Just be yourself. | 0:21:35 | 0:21:38 | |
And now we have an unusual segment on the show. | 0:21:40 | 0:21:43 | |
Thomas Malone is with us. | 0:21:43 | 0:21:45 | |
Now, many of you will know Mr Malone has been freed from prison | 0:21:45 | 0:21:48 | |
after serving 23 years. | 0:21:48 | 0:21:51 | |
Well, he's agreed to come here today and to tell us a little bit about | 0:21:51 | 0:21:55 | |
Life After Appeal, | 0:21:55 | 0:21:56 | |
the organisation helping people in his situation. | 0:21:56 | 0:22:00 | |
Now then, Thomas, | 0:22:00 | 0:22:02 | |
how did it feel to be a free man? | 0:22:02 | 0:22:04 | |
I don't know. | 0:22:04 | 0:22:06 | |
I'm not used to it yet. It takes time, I suppose. | 0:22:06 | 0:22:09 | |
Well, I'm sure it does. | 0:22:09 | 0:22:10 | |
Now, a lot has changed. | 0:22:10 | 0:22:12 | |
Now, when you went to prison, Bill Clinton was president | 0:22:12 | 0:22:16 | |
and a pint of milk was 49p. | 0:22:16 | 0:22:19 | |
How are you coping with all this new technology? | 0:22:19 | 0:22:23 | |
I'm not. The big thing for me is the fact | 0:22:23 | 0:22:27 | |
that my mother isn't around. | 0:22:27 | 0:22:29 | |
She passed away when I was in prison. | 0:22:29 | 0:22:32 | |
That must have been difficult. | 0:22:32 | 0:22:34 | |
I was refused permission to go to her funeral. | 0:22:34 | 0:22:37 | |
If I'd admitted my guilt, I might have gotten out before she died. | 0:22:37 | 0:22:41 | |
But if you claim you're innocent you might as well forget it. | 0:22:41 | 0:22:43 | |
-You'll never get parole. -Why was that? | 0:22:43 | 0:22:46 | |
They think you're in denial. | 0:22:46 | 0:22:49 | |
Well, that must eat away at you, surely. | 0:22:49 | 0:22:53 | |
And even now, this...idea that you got off on a technicality. | 0:22:53 | 0:22:57 | |
Mmm, no, not really. | 0:22:57 | 0:23:00 | |
The police buried evidence. | 0:23:00 | 0:23:02 | |
Evidence that might have made the jury think twice. | 0:23:04 | 0:23:08 | |
Sure, but, I mean, in some people's minds there is still this suspicion | 0:23:08 | 0:23:15 | |
that you really might have done it. | 0:23:15 | 0:23:16 | |
I mean, how do you deal with that? | 0:23:16 | 0:23:19 | |
I didn't do it. | 0:23:21 | 0:23:22 | |
Well, would you say you were the same young man | 0:23:22 | 0:23:25 | |
-who went to jail 22 years ago? -No. | 0:23:25 | 0:23:28 | |
No, prison changes you. | 0:23:28 | 0:23:30 | |
I know how low people will sink | 0:23:30 | 0:23:33 | |
and how cruel and heartless they can be. | 0:23:33 | 0:23:36 | |
You have to be like that to survive. | 0:23:36 | 0:23:39 | |
Well, that is a pretty bleak view of the world. | 0:23:39 | 0:23:42 | |
But I suppose it's understandable in your circumstances. | 0:23:42 | 0:23:46 | |
Now, it appears we have a caller on the line. | 0:23:46 | 0:23:49 | |
Kate Kilmuir. | 0:23:49 | 0:23:53 | |
Now, that name will be familiar to anyone who has read about this case, | 0:23:53 | 0:23:56 | |
but to those of you who haven't, I believe she is the twin sister | 0:23:56 | 0:24:01 | |
of your alleged victim. | 0:24:01 | 0:24:02 | |
-Is that right? -Aye. | 0:24:03 | 0:24:06 | |
Well, let's hear what she has to say. | 0:24:06 | 0:24:10 | |
Kate, you're live on air. Hello. | 0:24:10 | 0:24:13 | |
What would you like to say to Thomas Malone? | 0:24:13 | 0:24:16 | |
Hello, Kate, are you still there? | 0:24:20 | 0:24:21 | |
Yes. | 0:24:23 | 0:24:25 | |
What would you like to say to Thomas Malone? | 0:24:25 | 0:24:27 | |
Just one thing. | 0:24:28 | 0:24:30 | |
I'm sorry. | 0:24:36 | 0:24:37 | |
What, "I'm sorry," is that what you said? | 0:24:37 | 0:24:40 | |
Thomas Malone is as much a victim of this crime as my sister was. | 0:24:40 | 0:24:45 | |
And I am sorry that his life was taken away from him. | 0:24:45 | 0:24:50 | |
Right. Well, yes, that is interesting. | 0:24:55 | 0:24:59 | |
Um, Kate, | 0:24:59 | 0:25:01 | |
is there anything else you would like to say to Thomas? | 0:25:01 | 0:25:05 | |
Kate? Are you still there. | 0:25:05 | 0:25:07 | |
Well, thank you, Thomas, for being so honest. | 0:25:10 | 0:25:15 | |
It's been fascinating. | 0:25:15 | 0:25:17 | |
Now... | 0:25:17 | 0:25:18 | |
Where did you find her? | 0:25:23 | 0:25:24 | |
Fladdabister, inside a lime kiln. | 0:25:25 | 0:25:28 | |
H-how did she die? | 0:25:34 | 0:25:37 | |
We don't need to go into that right now. | 0:25:37 | 0:25:39 | |
-Really, we don't. -How did she die, Jimmy? Just tell me. | 0:25:39 | 0:25:42 | |
We're still waiting for the pathologist's report. | 0:25:47 | 0:25:51 | |
But it looks like she was strangled. | 0:25:51 | 0:25:53 | |
-Bastard. -We don't know who did this. | 0:25:59 | 0:26:01 | |
-HE BANGS ON TABLE -Bastard. | 0:26:01 | 0:26:04 | |
HE CONTINUES BANGING | 0:26:04 | 0:26:06 | |
Bastard. Bastard. | 0:26:06 | 0:26:08 | |
We both know this is revenge, pure and fucking simple. | 0:26:10 | 0:26:13 | |
Look, he's the first person that we're going to be looking at, | 0:26:13 | 0:26:16 | |
-you can be sure of that. -Just go and get him. | 0:26:16 | 0:26:18 | |
Go and get the bastard. | 0:26:18 | 0:26:20 | |
DOOR OPENS | 0:26:28 | 0:26:30 | |
PHONE CHIMES | 0:26:30 | 0:26:33 | |
-Why did you say that? -Hmm? | 0:26:45 | 0:26:46 | |
You said you feel sorry for him. | 0:26:46 | 0:26:48 | |
He killed Aunt Lizzie. | 0:26:48 | 0:26:49 | |
Now, we never knew that was true. | 0:26:49 | 0:26:52 | |
And the police, they're not right all the time. | 0:26:52 | 0:26:54 | |
Have you always thought that? | 0:26:54 | 0:26:56 | |
I don't know what to think. | 0:26:56 | 0:26:58 | |
It's complicated. | 0:26:58 | 0:27:00 | |
You didn't know him when he was younger. | 0:27:00 | 0:27:01 | |
He was quiet and he was kind to us. | 0:27:01 | 0:27:04 | |
I can't believe you. Nobody believes him. | 0:27:04 | 0:27:08 | |
Nobody! | 0:27:08 | 0:27:09 | |
-SHE KNOCKS ON DOOR -She won't hear you. She's deaf. | 0:27:14 | 0:27:17 | |
I just sent her a text. | 0:27:17 | 0:27:18 | |
-PHONE VIBRATES -You've been here before? | 0:27:18 | 0:27:20 | |
A few times. Prowlers, apparently. | 0:27:20 | 0:27:22 | |
DS McIntosh. | 0:27:29 | 0:27:31 | |
Can we have a word? | 0:27:31 | 0:27:32 | |
I just can't believe she's gone, that someone would do this to her. | 0:27:36 | 0:27:40 | |
If you don't mind, can you tell us what you remember about last night? | 0:27:41 | 0:27:45 | |
SHE SIGHS | 0:27:47 | 0:27:50 | |
I didn't want her driving, took her keys off her. | 0:27:50 | 0:27:54 | |
She was going to get a cab home later. | 0:27:54 | 0:27:56 | |
And you? | 0:27:56 | 0:27:57 | |
Alan and I got a cab home together, I dropped him in town, | 0:27:58 | 0:28:02 | |
he wanted to get something to eat. | 0:28:02 | 0:28:05 | |
How long have you two been sharing this place? | 0:28:05 | 0:28:08 | |
Not long. She just moved in. | 0:28:08 | 0:28:10 | |
Did you notice anything | 0:28:12 | 0:28:14 | |
out of the ordinary happen at the festival? | 0:28:14 | 0:28:16 | |
Not really. They had an argument about Sally getting pished, | 0:28:19 | 0:28:23 | |
-but that was all. -Alan and Sally? | 0:28:23 | 0:28:25 | |
That's right. | 0:28:25 | 0:28:26 | |
Then I saw her talking to this young guy, | 0:28:28 | 0:28:32 | |
I didn't get a good look at him. He had his hood up. | 0:28:32 | 0:28:35 | |
I'm pretty sure they weren't speaking English. | 0:28:35 | 0:28:37 | |
-What were they speaking? -Norwegian, I think. | 0:28:37 | 0:28:40 | |
Sally speaks a bit. | 0:28:40 | 0:28:42 | |
She covers all the Norwegian stories for the paper. | 0:28:42 | 0:28:44 | |
We'll need her keys, to search her car. | 0:28:44 | 0:28:47 | |
They're hanging by the front door. | 0:28:47 | 0:28:49 | |
Did something happened to you? | 0:28:53 | 0:28:54 | |
It's just, I noticed all the locks. | 0:28:54 | 0:28:56 | |
I was in an abusive relationship. | 0:28:59 | 0:29:03 | |
That's why I came up here. | 0:29:04 | 0:29:06 | |
To get away from him. | 0:29:06 | 0:29:08 | |
You were at the music festival, is that right? | 0:29:13 | 0:29:16 | |
I never planned to go. | 0:29:16 | 0:29:18 | |
I just went for a walk and found myself there. | 0:29:18 | 0:29:21 | |
So you didn't go looking for anybody in particular, then? | 0:29:21 | 0:29:25 | |
I don't know Sally McCall. | 0:29:25 | 0:29:28 | |
Thomas, the daughter of the policeman that put you in prison | 0:29:28 | 0:29:31 | |
has been found dead. You want me to help you, | 0:29:31 | 0:29:34 | |
you're going to have to start telling me the truth. | 0:29:34 | 0:29:37 | |
I couldn't even tell you what the girl looks like. | 0:29:37 | 0:29:39 | |
He's telling the truth. He was on the phone to me most of last night. | 0:29:39 | 0:29:41 | |
I don't think you should answer any more questions | 0:29:41 | 0:29:44 | |
without a lawyer present, Thomas. | 0:29:44 | 0:29:45 | |
-You cannae trust these people. -Well, he can trust me... | 0:29:45 | 0:29:49 | |
..if he's telling the truth. | 0:29:49 | 0:29:50 | |
See if you're not, you're going to wish you'd never set eyes on me. | 0:29:53 | 0:29:57 | |
DOOR OPENS | 0:30:05 | 0:30:07 | |
The boot's been jemmied. | 0:30:18 | 0:30:20 | |
You got anything? | 0:30:25 | 0:30:27 | |
No sign of a struggle. | 0:30:27 | 0:30:28 | |
Nothing except a... | 0:30:30 | 0:30:32 | |
..used boarding pass, | 0:30:32 | 0:30:34 | |
for a flight to Bergen. It's dated last week. | 0:30:34 | 0:30:37 | |
-Right, get forensics up here. I'll check the Chronicle. -Sure. | 0:30:37 | 0:30:40 | |
The only girl I know with dads on group text. | 0:30:43 | 0:30:46 | |
-You have any idea what's going on? -No. | 0:30:46 | 0:30:49 | |
You don't think she's pregnant, do you? | 0:30:49 | 0:30:51 | |
Well, I do now. | 0:30:53 | 0:30:54 | |
-SHE SIGHS -Is there anything you know | 0:31:03 | 0:31:05 | |
that might shed some light on what happened? | 0:31:05 | 0:31:07 | |
No. Well, not really, no. | 0:31:07 | 0:31:09 | |
Sally worked 24/7. | 0:31:09 | 0:31:11 | |
She was a real grafter, you know? | 0:31:11 | 0:31:14 | |
She's saw herself as a campaigning journalist. | 0:31:14 | 0:31:18 | |
Had she had any contact with Thomas Malone? | 0:31:18 | 0:31:22 | |
Not that I'm aware, no. | 0:31:22 | 0:31:24 | |
She was working on an article on her dad's career to coincide | 0:31:24 | 0:31:28 | |
with Malone's appeal. | 0:31:28 | 0:31:30 | |
She probably just wanted to put his side of the story. | 0:31:30 | 0:31:33 | |
Oh, and she did our Norway View column as well. | 0:31:33 | 0:31:37 | |
-Forst Energy? -Aye, some angle she had on an accident on one | 0:31:38 | 0:31:43 | |
of the Norwegian oil fields. | 0:31:43 | 0:31:46 | |
Who's AH? | 0:31:46 | 0:31:48 | |
I don't know. Maybe a source. | 0:31:48 | 0:31:50 | |
Em, can I have a look at her laptop? | 0:31:50 | 0:31:53 | |
She always took that home. | 0:31:53 | 0:31:55 | |
Oh. | 0:31:55 | 0:31:56 | |
You want to tell me what happened? | 0:31:58 | 0:31:59 | |
He met someone else. | 0:32:01 | 0:32:03 | |
PHONE RINGS | 0:32:03 | 0:32:06 | |
-SHE SIGHS -Are you really going to ignore that? | 0:32:06 | 0:32:08 | |
I can't. Not for long. | 0:32:09 | 0:32:12 | |
RINGING STOPS | 0:32:13 | 0:32:14 | |
They found a body out at Fladdabister. | 0:32:14 | 0:32:16 | |
Don't worry. Just drop me off. | 0:32:18 | 0:32:20 | |
OK. | 0:32:22 | 0:32:23 | |
But tonight, right? We can have dinner. | 0:32:23 | 0:32:27 | |
And then we can talk. | 0:32:27 | 0:32:29 | |
We can't find her laptop. It wasn't in her croft or the car, | 0:33:07 | 0:33:10 | |
and we know she took it home every night. | 0:33:10 | 0:33:12 | |
And what about this place? | 0:33:12 | 0:33:14 | |
Billy checked all the hotels for AH, no luck. | 0:33:14 | 0:33:16 | |
But one name jumped out - Jan Hansen. | 0:33:16 | 0:33:19 | |
-It's the Norwegian equivalent of John Smith. -Right. | 0:33:19 | 0:33:21 | |
It could be fake. | 0:33:21 | 0:33:22 | |
So who do you think this AH is? | 0:33:24 | 0:33:26 | |
Sally's boss thinks it might have been someone she was investigating. | 0:33:26 | 0:33:29 | |
Anything strike you about this guy Hansen, anything different? | 0:33:32 | 0:33:37 | |
Only that he paid in cash, | 0:33:37 | 0:33:39 | |
which is rare these days. | 0:33:39 | 0:33:40 | |
-Do you think you'd recognise him if you seen him again? -I doubt it. | 0:33:42 | 0:33:46 | |
I'm not even sure what age he'd be. | 0:33:46 | 0:33:47 | |
There's a ticket stub for the festival. | 0:33:54 | 0:33:56 | |
Can we see your CCTV, please? | 0:33:58 | 0:34:00 | |
See if the chemical in the hands print lab | 0:34:06 | 0:34:08 | |
can get any prints off of that ticket stub, will you? | 0:34:08 | 0:34:11 | |
Jo Halley says that she saw you and Sally having an argument. | 0:34:36 | 0:34:40 | |
I thought she was drinking too much and she... | 0:34:42 | 0:34:45 | |
..was pissed off with me. | 0:34:45 | 0:34:47 | |
Jo also mentioned that she saw Sally talking to some Norwegian. | 0:34:49 | 0:34:53 | |
Do you have any idea who that might have been? | 0:34:53 | 0:34:56 | |
Not really. | 0:34:58 | 0:34:59 | |
So not a mutual friend, then? | 0:35:01 | 0:35:03 | |
To be honest with you, she had been acting pretty secretive recently. | 0:35:03 | 0:35:06 | |
HE CLEARS THROAT | 0:35:06 | 0:35:09 | |
Deleting texts on her phone. | 0:35:09 | 0:35:10 | |
Well, you start to think the worst, don't you, | 0:35:10 | 0:35:12 | |
when someone's holding back? I... | 0:35:12 | 0:35:15 | |
..thought that she'd met someone in Bergen so I did... | 0:35:15 | 0:35:19 | |
..the smart thing, I accused her, | 0:35:21 | 0:35:23 | |
and she just... | 0:35:23 | 0:35:25 | |
..looked at me disgusted that I'd even asked. | 0:35:27 | 0:35:29 | |
So did you not believe her? | 0:35:33 | 0:35:34 | |
I didn't know what to believe. | 0:35:34 | 0:35:36 | |
I thought I was losing her. | 0:35:36 | 0:35:38 | |
It's a terrible waste. She was so bright. | 0:35:40 | 0:35:43 | |
She wasn't scared to poke fires. | 0:35:43 | 0:35:45 | |
I don't think she would have stayed in Shetland much longer. | 0:35:45 | 0:35:47 | |
-Well, she never mentioned anything about leaving. -I just... | 0:35:47 | 0:35:50 | |
..mean that she was... | 0:35:50 | 0:35:51 | |
..talented and ambitious. | 0:35:51 | 0:35:53 | |
Do you remember seeing Sally with anybody else at the festival? | 0:35:56 | 0:35:59 | |
Thomas Malone, for instance. | 0:36:01 | 0:36:02 | |
No. | 0:36:05 | 0:36:06 | |
I left. | 0:36:08 | 0:36:10 | |
I left her. | 0:36:10 | 0:36:12 | |
He got back here about 11:00. | 0:36:14 | 0:36:15 | |
OK. | 0:36:22 | 0:36:23 | |
The boyfriend suspected that Sally was having an affair, | 0:36:29 | 0:36:32 | |
possibly with this Norwegian. | 0:36:32 | 0:36:34 | |
What about Malone? Did he see him? | 0:36:34 | 0:36:36 | |
Why would Malone jeopardise his freedom in that way? | 0:36:36 | 0:36:39 | |
Why did he confess to killing Lizzie and then change his mind? | 0:36:40 | 0:36:43 | |
Why does he do anything? | 0:36:43 | 0:36:45 | |
OK, Sally's mobile phone and laptop are missing. | 0:36:45 | 0:36:48 | |
That might have something to do with this article | 0:36:48 | 0:36:51 | |
that she was writing - check if there was a Jan Hansen | 0:36:51 | 0:36:53 | |
in any flights in and out. | 0:36:53 | 0:36:54 | |
Are we saying this guy is our main suspect? | 0:36:54 | 0:36:56 | |
No, I didn't say that. | 0:36:56 | 0:36:57 | |
Cos he wouldn't have been the only Norwegian at the festival. | 0:36:57 | 0:37:00 | |
No, but he would have been the only one | 0:37:00 | 0:37:02 | |
trying to make himself invisible. | 0:37:02 | 0:37:03 | |
So, get a list of all the Norwegian nationals living here | 0:37:03 | 0:37:06 | |
and run a check on the number... BANGING ON DOOR | 0:37:06 | 0:37:11 | |
I want to know why Malone isn't in one of your fuckin' cells right now! | 0:37:11 | 0:37:15 | |
He thinks he's untouchable. | 0:37:15 | 0:37:17 | |
He knows you're too scared to arrest him again. | 0:37:17 | 0:37:19 | |
He did it then, and he's done it again! | 0:37:19 | 0:37:22 | |
He's laughing at us, Jimmy! | 0:37:22 | 0:37:23 | |
He's laughing at all of us! | 0:37:23 | 0:37:25 | |
Come on, come with me. | 0:37:31 | 0:37:33 | |
We'll go and find somewhere quiet to talk. Come on. | 0:37:35 | 0:37:37 | |
-VOICE MAIL: -Hi, this is Cassie Perez, please leave a message. | 0:38:55 | 0:38:59 | |
Hey, Cassie, probably not going to be home till late, | 0:38:59 | 0:39:02 | |
but if you're still up, we could talk then. | 0:39:02 | 0:39:04 | |
I... I love you. I'll see you later. Bye. | 0:39:05 | 0:39:07 | |
Is Cassie OK? | 0:39:12 | 0:39:13 | |
No, I don't think so. | 0:39:14 | 0:39:16 | |
What have you got? | 0:39:18 | 0:39:19 | |
The number on the post-it from the Chronicle | 0:39:19 | 0:39:22 | |
was a mobile registered to an Andreas Hagan. | 0:39:22 | 0:39:25 | |
He's a health and safety officer at Forst Energy. | 0:39:25 | 0:39:27 | |
Were they in the news recently? | 0:39:29 | 0:39:30 | |
Yeah. There was an accident on one of their rigs. | 0:39:30 | 0:39:32 | |
A Shetland man was killed - | 0:39:32 | 0:39:34 | |
and there's been claims of negligence | 0:39:34 | 0:39:36 | |
on the part of the company. | 0:39:36 | 0:39:37 | |
If that's what Sally was working on | 0:39:37 | 0:39:39 | |
it would explain why she was being so shifty. | 0:39:39 | 0:39:41 | |
OK. Go and talk to the dead man's family | 0:39:41 | 0:39:43 | |
and see if Sally has been in touch. | 0:39:43 | 0:39:45 | |
How's Drew? | 0:39:52 | 0:39:53 | |
SHE SIGHS | 0:39:55 | 0:39:56 | |
I don't know how he'll ever get over this. | 0:39:57 | 0:39:59 | |
I really don't... and he's got a point, you know. | 0:39:59 | 0:40:01 | |
We are on dangerous ground with Malone at liberty. | 0:40:01 | 0:40:04 | |
The only reason that we are looking at him for Sally | 0:40:04 | 0:40:07 | |
is because of Lizzie - and I'm not convinced he killed Lizzie. | 0:40:07 | 0:40:11 | |
There's some pretty damning evidence against Malone - | 0:40:11 | 0:40:13 | |
and he confessed, remember? | 0:40:13 | 0:40:15 | |
Maybe I don't buy the confession. | 0:40:15 | 0:40:17 | |
He denied it, there was a break, THEN he admitted it. | 0:40:17 | 0:40:21 | |
I would just like to know what happened | 0:40:21 | 0:40:24 | |
between those two interviews to make him change his mind - | 0:40:24 | 0:40:28 | |
because something did. | 0:40:28 | 0:40:30 | |
Danny was a roughneck in the Norwegian sector. | 0:40:32 | 0:40:34 | |
Before he was killed he told me that the company were cutting corners, | 0:40:40 | 0:40:43 | |
safety regulations being ignored. | 0:40:43 | 0:40:45 | |
-In what way, exactly? -Equipment not being maintained properly. | 0:40:45 | 0:40:48 | |
We were told he was working on the drilling deck | 0:40:48 | 0:40:51 | |
when his arm got snagged in the drive shaft. | 0:40:51 | 0:40:54 | |
They spin 800 times a minute. | 0:40:54 | 0:40:56 | |
Tore his arm clean off. | 0:40:56 | 0:40:58 | |
He bled to death. | 0:40:58 | 0:40:59 | |
And since the moment it happened, | 0:41:00 | 0:41:02 | |
Forst Energy have been trying to blame Danny | 0:41:02 | 0:41:05 | |
so they don't have to pay out. | 0:41:05 | 0:41:06 | |
They say he'd been drinking. | 0:41:06 | 0:41:08 | |
They've got blood tests and everything - | 0:41:08 | 0:41:10 | |
but it's a barefaced lie. | 0:41:10 | 0:41:12 | |
And you spoke to Sally McColl about this? | 0:41:12 | 0:41:14 | |
I told her I knew for a fact there wasn't a guard on that drive shaft. | 0:41:14 | 0:41:17 | |
Danny told me he'd complained about it loads of times. | 0:41:17 | 0:41:20 | |
What about the name Andreas Hagan? | 0:41:21 | 0:41:23 | |
Does that mean anything to you? | 0:41:23 | 0:41:26 | |
Mean anything?! | 0:41:26 | 0:41:28 | |
Hagan wrote the report. | 0:41:28 | 0:41:29 | |
He's the one saying that Danny was drunk. | 0:41:29 | 0:41:32 | |
What's all this? | 0:41:35 | 0:41:36 | |
Tag team dads. | 0:41:36 | 0:41:37 | |
Jimmy said he'd given you a dizzy, so I'm filling in. | 0:41:38 | 0:41:41 | |
You have to eat! | 0:41:43 | 0:41:44 | |
And quickly, it would appear. | 0:41:46 | 0:41:48 | |
This boy of yours, you do know he's got no taste, don't you? | 0:41:54 | 0:41:59 | |
You haven't seen his new girlfriend. | 0:41:59 | 0:42:00 | |
Well, then...he's very shallow and he disnae deserve you. | 0:42:00 | 0:42:06 | |
-Come on, tuck in. -I will in a bit. | 0:42:08 | 0:42:10 | |
OK. | 0:42:12 | 0:42:13 | |
This could be a blessing in disguise, you know? | 0:42:17 | 0:42:20 | |
All this - I mean, you could go back to university. | 0:42:20 | 0:42:23 | |
I want to hang round here for a bit. | 0:42:23 | 0:42:25 | |
I'm thinking of doing something voluntary. | 0:42:25 | 0:42:28 | |
Working with a charity, maybe. | 0:42:28 | 0:42:29 | |
That's a good idea. | 0:42:29 | 0:42:31 | |
Apart from the fact you don't get paid. | 0:42:31 | 0:42:33 | |
Yeah, but I just need to do something fun. | 0:42:33 | 0:42:36 | |
Something that'll give me a bit of faith in people again. | 0:42:36 | 0:42:39 | |
-Is six all right? Mum? -Mm-hm? | 0:42:52 | 0:42:55 | |
Look... | 0:42:55 | 0:42:56 | |
It's OK. | 0:43:03 | 0:43:04 | |
Thank you. | 0:43:08 | 0:43:10 | |
For what you said on the radio. | 0:43:10 | 0:43:12 | |
No need. | 0:43:12 | 0:43:13 | |
You know... | 0:43:16 | 0:43:17 | |
You know, I always believed that you thought it was me. | 0:43:19 | 0:43:22 | |
I never said that. | 0:43:22 | 0:43:23 | |
I thought the world of your Lizzie, you know that? | 0:43:26 | 0:43:28 | |
I know you did. I remember. | 0:43:28 | 0:43:30 | |
I just wish that none of this had happened to you. | 0:43:30 | 0:43:33 | |
Thank you. | 0:43:39 | 0:43:40 | |
Your wee girl, eh? | 0:43:42 | 0:43:43 | |
Looks just like you and Lizzie did. | 0:43:46 | 0:43:48 | |
You OK? | 0:44:03 | 0:44:04 | |
What was he saying? | 0:44:06 | 0:44:07 | |
He just wanted to say hello. | 0:44:07 | 0:44:09 | |
That was all. | 0:44:09 | 0:44:11 | |
It's all right. OK? It's all right. | 0:44:11 | 0:44:14 | |
I think she's been drowning her sorrows. | 0:44:25 | 0:44:27 | |
Aye. She'll bounce back. | 0:44:27 | 0:44:28 | |
Might take more than a bottle of wine and a pizza, though. | 0:44:28 | 0:44:31 | |
I'm more worried she disnae want to go back to uni. | 0:44:31 | 0:44:33 | |
Let's give her a wee bit of time. | 0:44:39 | 0:44:41 | |
You must remember what it was like. | 0:44:42 | 0:44:44 | |
No, you've got no idea what it was like. | 0:44:47 | 0:44:49 | |
You've never been chucked. | 0:44:49 | 0:44:50 | |
No! | 0:44:52 | 0:44:53 | |
I was always the chucker, never the chuckee. | 0:44:53 | 0:44:56 | |
HE CHUCKLES | 0:44:56 | 0:44:58 | |
She needs to get into the big bad world, Jimmy, you know? | 0:45:01 | 0:45:04 | |
If she settles in here, she'll never leave. | 0:45:04 | 0:45:06 | |
What's wrong with that? | 0:45:06 | 0:45:08 | |
What, you want her wasting her talents? | 0:45:08 | 0:45:10 | |
No, but if she disnae want to go, I'm not going to force her. | 0:45:10 | 0:45:13 | |
I want her to be happy, wherever she is. | 0:45:13 | 0:45:15 | |
Aye, so do I - I just... I want her to fulfil her potential you know? | 0:45:15 | 0:45:20 | |
Aye. | 0:45:20 | 0:45:21 | |
Cass... | 0:45:24 | 0:45:25 | |
You're better off in your bed, darling. | 0:45:27 | 0:45:30 | |
What time is it? | 0:45:30 | 0:45:31 | |
It's late. Did you... get any of that to eat? | 0:45:31 | 0:45:35 | |
I wasn't hungry. | 0:45:35 | 0:45:37 | |
Darling, I can make you something now, if you like. | 0:45:37 | 0:45:40 | |
The fridge is empty. | 0:45:40 | 0:45:43 | |
What have you been living on, anyway? | 0:45:43 | 0:45:44 | |
I'm surprised you don't have scurvy. | 0:45:44 | 0:45:46 | |
Och, honey... | 0:45:53 | 0:45:54 | |
It's like someone died. | 0:45:59 | 0:46:01 | |
-Mm. -Sorry, that was stupid. | 0:46:01 | 0:46:04 | |
That's exactly what it's like. | 0:46:04 | 0:46:05 | |
Like nothing's ever going to be the same again. | 0:46:05 | 0:46:08 | |
Yer man had his chance, and he blew it. | 0:46:11 | 0:46:14 | |
I just can't get used to the fact I'll never see his face again. | 0:46:18 | 0:46:21 | |
"Now my ladder's gone... | 0:46:25 | 0:46:27 | |
"..I must lie down where all ladders start, | 0:46:28 | 0:46:33 | |
"in the foul rag and bone shop of the heart." | 0:46:33 | 0:46:37 | |
The only poem I remember from school. | 0:46:39 | 0:46:42 | |
It'll get better. | 0:46:42 | 0:46:43 | |
I promise. | 0:46:45 | 0:46:46 | |
She was strangled using a scarf - or possibly a soft belt. | 0:47:45 | 0:47:49 | |
No skin under her fingernails and no foreign DNA on her. | 0:47:49 | 0:47:53 | |
There any defensive wounds? | 0:47:53 | 0:47:54 | |
No. | 0:47:54 | 0:47:55 | |
Right, so...she either knew her attacker, or they surprised her. | 0:47:57 | 0:48:02 | |
Or she passed out. | 0:48:02 | 0:48:04 | |
How similar is this to the Lizzie Kilmuir case? | 0:48:05 | 0:48:07 | |
Can you remember? | 0:48:07 | 0:48:08 | |
It could be coincidence that the body was found in a lime kiln... | 0:48:08 | 0:48:12 | |
..or a copycat, | 0:48:13 | 0:48:14 | |
or maybe even someone deliberately wanting you to believe | 0:48:14 | 0:48:17 | |
it was Thomas Malone. | 0:48:17 | 0:48:18 | |
One thing that is similar is the victims. | 0:48:20 | 0:48:22 | |
Lizzie and Sally were alike - | 0:48:23 | 0:48:26 | |
both strong willed, and very bright. | 0:48:26 | 0:48:29 | |
But you already knew that. | 0:48:30 | 0:48:32 | |
SHE CHUCKLES | 0:48:32 | 0:48:33 | |
Can I have a word? | 0:48:35 | 0:48:36 | |
I was checking the paperwork on Tosh's transfer. | 0:48:39 | 0:48:42 | |
It appears she withdrew the request - weeks ago. | 0:48:42 | 0:48:46 | |
She's not going anywhere. | 0:48:48 | 0:48:49 | |
Mum thought I'd find you here. | 0:49:07 | 0:49:09 | |
She wants you to come to our house for some food. | 0:49:09 | 0:49:11 | |
I don't feel like eating, son. | 0:49:11 | 0:49:13 | |
Me, too - but that won't help. | 0:49:13 | 0:49:16 | |
Malone. | 0:49:21 | 0:49:23 | |
Drew! Wait! | 0:49:23 | 0:49:25 | |
Malone! | 0:49:25 | 0:49:26 | |
Drew, what are you doing? Leave him. | 0:49:29 | 0:49:31 | |
I'm talking to you! | 0:49:31 | 0:49:32 | |
Why did you have to come back here? | 0:49:32 | 0:49:34 | |
Don't get into a fight with him, please! | 0:49:34 | 0:49:36 | |
-You just wanted to punish us, didn't you? -Drew! -Didn't you?! | 0:49:36 | 0:49:39 | |
Drew! | 0:49:39 | 0:49:40 | |
Well, enjoy your freedom, Malone. | 0:49:40 | 0:49:42 | |
Enjoy the sun on your face. | 0:49:42 | 0:49:44 | |
Live every minute like it will be your last - | 0:49:44 | 0:49:46 | |
because you are going back inside! | 0:49:46 | 0:49:48 | |
You know, your daughter, she didnae deserve this... | 0:49:50 | 0:49:53 | |
-..but you did. -Bastard! | 0:49:54 | 0:49:57 | |
-Agh! -Stop it! | 0:49:57 | 0:49:58 | |
Stop it! | 0:49:58 | 0:50:01 | |
Get off him. | 0:50:01 | 0:50:02 | |
Get off! | 0:50:02 | 0:50:03 | |
Just stop it, the pair of you. | 0:50:03 | 0:50:05 | |
Thomas... | 0:50:05 | 0:50:06 | |
It's all right, OK? | 0:50:09 | 0:50:10 | |
HE GROANS | 0:50:12 | 0:50:14 | |
It's OK. It's all right. | 0:50:14 | 0:50:15 | |
They just followed Thomas down the road, and attacked him. | 0:50:24 | 0:50:27 | |
Who hit who first? | 0:50:29 | 0:50:31 | |
The younger man. He just started shouting and punching him. | 0:50:31 | 0:50:34 | |
I imagine what happened to Sally has... | 0:50:38 | 0:50:40 | |
..thrown everyone. | 0:50:43 | 0:50:44 | |
I was listening to you on the radio. | 0:50:48 | 0:50:51 | |
Do you mind me asking what made you phone in in the first place? | 0:50:51 | 0:50:55 | |
I didn't like the tone of the interview. | 0:50:55 | 0:50:57 | |
Now, is that because you've always thought that Thomas was innocent? | 0:50:59 | 0:51:03 | |
I had my doubts. | 0:51:03 | 0:51:04 | |
Well, then, do you mind me asking why didn't you say that at the time? | 0:51:06 | 0:51:10 | |
Nobody asked. | 0:51:10 | 0:51:11 | |
You were never interviewed by the police? | 0:51:15 | 0:51:17 | |
No, they said they didn't want to put me under | 0:51:17 | 0:51:19 | |
any unnecessary pressure if they didn't need to. | 0:51:19 | 0:51:22 | |
Mm. | 0:51:24 | 0:51:26 | |
Because you're one of the very, very few people on this island | 0:51:30 | 0:51:33 | |
that doesn't think Thomas Malone killed your sister. | 0:51:33 | 0:51:36 | |
There are very few people on the island who actually knew my sister. | 0:51:36 | 0:51:39 | |
KEYPAD BEEPS | 0:51:43 | 0:51:44 | |
LOCK BUZZES | 0:51:44 | 0:51:46 | |
So, how do you want to play this? | 0:51:50 | 0:51:52 | |
If we don't charge Alan Killick with common assault, | 0:51:52 | 0:51:55 | |
it'll be open season on Malone. | 0:51:55 | 0:51:56 | |
He was provoked. | 0:51:56 | 0:51:58 | |
We've got about a dozen witnesses saying he wasn't. | 0:51:58 | 0:52:01 | |
Give him a conditional caution. | 0:52:01 | 0:52:03 | |
If it happens again it counts as a charge. | 0:52:04 | 0:52:07 | |
And what about Drew McColl? | 0:52:09 | 0:52:11 | |
Come on, Drew. | 0:52:32 | 0:52:33 | |
I'm going to give you lift home. | 0:52:33 | 0:52:35 | |
Do you still miss Fran? | 0:52:53 | 0:52:54 | |
I still have bad days, every now and then. | 0:52:58 | 0:53:01 | |
My Eileen killed herself. | 0:53:04 | 0:53:06 | |
-You probably heard that. -Mm-hm. | 0:53:06 | 0:53:08 | |
Sally always blamed me. | 0:53:10 | 0:53:11 | |
She never said it, but it was there. | 0:53:11 | 0:53:13 | |
Felt I...didn't threat her depression seriously. | 0:53:13 | 0:53:17 | |
Now I've lost 'em both. | 0:53:19 | 0:53:21 | |
Never take your daughter for granted, Jimmy. | 0:53:25 | 0:53:27 | |
Don't let her slip away. | 0:53:29 | 0:53:30 | |
Molly was checking the town centre CCTV | 0:53:45 | 0:53:47 | |
from the night Sally went missing. | 0:53:47 | 0:53:49 | |
There he is, getting a takeaway at midnight. | 0:53:49 | 0:53:53 | |
Alan Killick. | 0:53:53 | 0:53:54 | |
According to Donna, he was home by 11:00. Then this. | 0:53:56 | 0:53:58 | |
Either he decided he wasn't hungry | 0:53:58 | 0:54:00 | |
or he was deliberately trying to give himself an alibi. | 0:54:00 | 0:54:02 | |
All right, check the Taj. See what they remember. | 0:54:02 | 0:54:05 | |
See if he went anywhere else. | 0:54:05 | 0:54:06 | |
Any news on that ticket stub? | 0:54:11 | 0:54:13 | |
First attempt failed to get a usable print. | 0:54:13 | 0:54:16 | |
They said they'd have another go, but it's not looking good. | 0:54:16 | 0:54:18 | |
Also, I checked Gail Callahan's phone records. | 0:54:18 | 0:54:22 | |
The call between her and Thomas Malone | 0:54:22 | 0:54:23 | |
on the night Sally went missing lasted no more than three minutes - | 0:54:23 | 0:54:27 | |
so she's either telling porkies or she's "misremembered". | 0:54:27 | 0:54:31 | |
Right, don't stay too late. | 0:54:34 | 0:54:36 | |
Night. | 0:54:39 | 0:54:40 | |
I've withdrawn my transfer request. | 0:54:41 | 0:54:43 | |
I just... | 0:54:44 | 0:54:45 | |
I don't feel ready yet. | 0:54:47 | 0:54:48 | |
OK. | 0:54:50 | 0:54:51 | |
I didn't want to tell you. | 0:54:54 | 0:54:55 | |
I thought you'd think I was a bit... | 0:54:57 | 0:55:00 | |
..pathetic. | 0:55:00 | 0:55:01 | |
I think whatever decision you made, | 0:55:03 | 0:55:05 | |
either to stay or go, it was going to be hard. | 0:55:05 | 0:55:08 | |
I'm just glad you're staying. | 0:55:11 | 0:55:12 | |
CAR PULLS UP | 0:55:58 | 0:56:00 | |
ENGINE REVS | 0:56:06 | 0:56:08 | |
MEN SHOUT OUTSIDE | 0:56:21 | 0:56:25 | |
Go on! | 0:56:25 | 0:56:26 | |
-Where are you, Thomas? Come on. -You're dead! | 0:56:28 | 0:56:31 | |
Get the fuck out of my house! | 0:56:31 | 0:56:33 | |
It wasn't me! It wasn't me! | 0:56:36 | 0:56:38 | |
HE SCREAMS | 0:57:01 | 0:57:03 | |
Take a good look, Malone. This is where we're going to bury you - | 0:57:03 | 0:57:06 | |
if you don't admit what you did. | 0:57:06 | 0:57:07 | |
It wasnae me. | 0:57:07 | 0:57:08 | |
Just say it. SAY IT! | 0:57:08 | 0:57:10 | |
It wasnae... It wasnae me. | 0:57:11 | 0:57:13 | |
Bury him. | 0:57:13 | 0:57:15 | |
HE SCREAMS | 0:57:15 | 0:57:18 |