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Thomas Malone, convicted in 1994 for the murder of Lizzie Kilmuir. | 0:00:02 | 0:00:04 | |
Drew McColl called in. His daughter seems to be missing. | 0:00:04 | 0:00:07 | |
My girl...my wee girl... | 0:00:07 | 0:00:09 | |
They've deployed a major investigation team. | 0:00:09 | 0:00:12 | |
They arrive first thing tomorrow morning. | 0:00:12 | 0:00:14 | |
If I find out that you are in any way involved in these new crimes, | 0:00:14 | 0:00:17 | |
you'll be prosecuted a second time for the murder of Lizzie Kilmuir. | 0:00:17 | 0:00:20 | |
HE YELLS | 0:00:20 | 0:00:21 | |
I've told Thomas I won't be seeing him again and that he needs to just | 0:00:21 | 0:00:24 | |
-leave us alone. -Well, he's not listening, | 0:00:24 | 0:00:26 | |
because he's just followed me home from school! | 0:00:26 | 0:00:28 | |
JUST GO AWAY! | 0:00:28 | 0:00:30 | |
Kevin's DNA isn't a match to the DNA that we found on Lizzie's scarf. | 0:00:30 | 0:00:35 | |
Who's Alan's real father? | 0:00:35 | 0:00:37 | |
This is an 8mm film. It could have my biological dad on it. | 0:00:37 | 0:00:42 | |
-Did you kill Sally McColl? -The last I saw of her, | 0:00:42 | 0:00:44 | |
she was arguing with an older man at the festival. | 0:00:44 | 0:00:48 | |
Why didn't you tell me before that you'd spoken to Sally? | 0:00:48 | 0:00:51 | |
-I forgot. -You forgot?! | 0:00:51 | 0:00:53 | |
You forgot you had spoken to a woman who got killed the same night?! | 0:00:53 | 0:00:57 | |
You don't seriously think I had something to do with it, do you? | 0:00:57 | 0:01:01 | |
DI Perez. You're up early. | 0:02:20 | 0:02:23 | |
How can I help? | 0:02:23 | 0:02:25 | |
I haven't had any luck finding Alan's dad. | 0:02:25 | 0:02:28 | |
But you know that, don't you? | 0:02:31 | 0:02:33 | |
Come on, I want to show you something. | 0:02:35 | 0:02:39 | |
Do you recognise this? | 0:02:45 | 0:02:47 | |
It's an old film that Alan found. | 0:02:49 | 0:02:52 | |
It's a birthday party for Kevin on the beach. | 0:02:52 | 0:02:54 | |
Not long before Lizzie died. | 0:02:54 | 0:02:55 | |
Oh, God, so it is. | 0:02:55 | 0:02:57 | |
Where did he find it? | 0:02:59 | 0:03:01 | |
In the basement. | 0:03:01 | 0:03:03 | |
I'd forgotten all about that old camera. | 0:03:03 | 0:03:05 | |
-So who took this? -Kevin, I imagine. | 0:03:05 | 0:03:08 | |
He was the cine buff. | 0:03:08 | 0:03:10 | |
Because I was hoping this might jog your memory. | 0:03:10 | 0:03:13 | |
These men here, can you name any of them? | 0:03:15 | 0:03:18 | |
Not really. | 0:03:18 | 0:03:19 | |
They were work mates of Kevin. | 0:03:19 | 0:03:22 | |
-And what about Alan's father, was he at this party? -No. | 0:03:24 | 0:03:28 | |
He was gone by then. | 0:03:29 | 0:03:30 | |
Something wrong? | 0:03:47 | 0:03:49 | |
Not all of my memories from that time where happy. | 0:03:49 | 0:03:52 | |
I think you know that. | 0:03:52 | 0:03:54 | |
Duncan and Lizzie seem quite close, don't they? | 0:04:00 | 0:04:03 | |
I didn't know either of them well enough to say. | 0:04:03 | 0:04:05 | |
Yet they were at your party? | 0:04:05 | 0:04:07 | |
Kevin's party. | 0:04:07 | 0:04:09 | |
People would just turn up and start drinking. | 0:04:09 | 0:04:13 | |
Duncan was just another one of his boozing buddies. | 0:04:13 | 0:04:16 | |
Where's Perez? | 0:04:25 | 0:04:27 | |
-I can call him. -Lars Bleymann's identified another man seen with | 0:04:27 | 0:04:31 | |
Sally at the music festival - a Duncan Hunter? | 0:04:31 | 0:04:34 | |
Yeah, that's right. | 0:04:34 | 0:04:36 | |
Well, do you know anything about him? Who are we talking about? | 0:04:36 | 0:04:39 | |
He's a local businessman. | 0:04:39 | 0:04:41 | |
-No criminal record? -No. | 0:04:41 | 0:04:44 | |
He was DI Perez's late wife's first husband. | 0:04:47 | 0:04:52 | |
The father of his step-daughter. | 0:04:52 | 0:04:54 | |
Right. Well, we still need to interview him, | 0:04:54 | 0:04:57 | |
even if it's just to rule him out. | 0:04:57 | 0:05:00 | |
And I mean now! | 0:05:00 | 0:05:02 | |
-Do you want a cup? -No, thanks. | 0:05:24 | 0:05:26 | |
You look like the grim reaper, Jimmy. Everything all right? | 0:05:28 | 0:05:31 | |
Uh-huh! Well, if you're thinking about getting me that for Christmas, | 0:05:40 | 0:05:43 | |
the usual bottle of Glenfiddich's fine. | 0:05:43 | 0:05:46 | |
Are you saying to me that you don't recognise that? | 0:05:46 | 0:05:50 | |
No. | 0:05:50 | 0:05:51 | |
That's your scarf. | 0:05:51 | 0:05:53 | |
At least, it was. Back in the day. | 0:05:53 | 0:05:55 | |
That's the scarf that was used to strangle Lizzie Kilmuir. | 0:05:55 | 0:06:00 | |
-I did have a scarf LIKE that. -No. | 0:06:09 | 0:06:11 | |
You had THAT scarf. | 0:06:11 | 0:06:13 | |
It was stuffed in your pocket at the beach party. | 0:06:13 | 0:06:16 | |
OK, I had that scarf. | 0:06:19 | 0:06:21 | |
You have any idea how that ended up | 0:06:23 | 0:06:27 | |
being wrapped around the neck of a dead girl? | 0:06:27 | 0:06:29 | |
I must have given it to her. | 0:06:35 | 0:06:38 | |
At that party, or... | 0:06:38 | 0:06:40 | |
Maybe I lost it and, and she found it. | 0:06:42 | 0:06:45 | |
Or Thomas Malone did. Or somebody else. | 0:06:45 | 0:06:46 | |
Why didn't you mention that to the police at the time? | 0:06:46 | 0:06:49 | |
-I dunno... -HE SIGHS | 0:06:49 | 0:06:52 | |
I probably didn't even notice it was gone. | 0:06:55 | 0:06:58 | |
This was years ago, Jimmy. | 0:07:00 | 0:07:01 | |
You're going to have to tell me about you and Lizzie Kilmuir. | 0:07:12 | 0:07:17 | |
There's nothing to tell. | 0:07:17 | 0:07:18 | |
Are you sure? | 0:07:18 | 0:07:20 | |
Because the camera never really left her the whole day, | 0:07:20 | 0:07:23 | |
and then a hand comes out fae behind the camera | 0:07:23 | 0:07:27 | |
and brushes away a hair from her face. | 0:07:27 | 0:07:31 | |
And you can see the sleeve on the jacket of the cameraman. | 0:07:31 | 0:07:34 | |
And it's your jacket. | 0:07:35 | 0:07:37 | |
So? I did a bit of filming. | 0:07:37 | 0:07:40 | |
-It was a laugh, it was a party. -You can look at it another way. | 0:07:40 | 0:07:43 | |
Like it's the kind of thing you'd do if you were in a relationship | 0:07:43 | 0:07:46 | |
with somebody or you would like to be. | 0:07:46 | 0:07:48 | |
-You could look at it that way, but you'd be wrong. -Would I? | 0:07:48 | 0:07:52 | |
So Donna was enough, then? | 0:07:59 | 0:08:01 | |
Donna, as well? | 0:08:01 | 0:08:03 | |
Well, you're giving me more credit with the ladies than I deserve. | 0:08:06 | 0:08:10 | |
How do you work that out? | 0:08:10 | 0:08:11 | |
By the look on her face when she was watching you dancing wae Lizzie. | 0:08:11 | 0:08:15 | |
And the fact you're getting so wound up | 0:08:15 | 0:08:19 | |
about Cassie getting close to Alan. | 0:08:19 | 0:08:21 | |
It's because he's her half brother, isn't it? Isn't it? | 0:08:23 | 0:08:27 | |
I-I... | 0:08:29 | 0:08:31 | |
I'm just concerned for Cassie's safety, like you are. | 0:08:32 | 0:08:35 | |
Cassie's safe. | 0:08:38 | 0:08:40 | |
You, I'm no' so sure about. | 0:08:43 | 0:08:45 | |
I think you're reading too much into this, Jimmy. I mean, | 0:08:54 | 0:08:57 | |
it's not as if it was the only scarf of it's kind, is it? | 0:08:57 | 0:09:02 | |
It wasn't a one-off. It might not even have been the same scarf. | 0:09:02 | 0:09:05 | |
So you won't mind giving me a DNA swab, then? | 0:09:05 | 0:09:09 | |
Let it go, please. | 0:09:25 | 0:09:27 | |
I cannae do that, Duncan. | 0:09:42 | 0:09:45 | |
I cannae do it. | 0:09:50 | 0:09:52 | |
I'll need that swab today. | 0:09:57 | 0:09:59 | |
And if it turns out it is your DNA on that scarf, | 0:10:01 | 0:10:05 | |
being Alan's dad might turn out to be the least of your worries. | 0:10:05 | 0:10:08 | |
Even if it is his scarf, it doesn't mean he killed Lizzie. | 0:10:51 | 0:10:54 | |
No, but he's connected to both the victims. | 0:10:54 | 0:10:56 | |
There's as much pointing at him as there is at Thomas Malone. | 0:10:56 | 0:11:00 | |
And he doesn't have an alibi for the night Sally died? | 0:11:00 | 0:11:02 | |
No. He got back late. Mary was asleep. | 0:11:02 | 0:11:05 | |
This is Duncan we're talking about. | 0:11:05 | 0:11:07 | |
I know, and if it was anybody else, you'd be the first to say | 0:11:07 | 0:11:11 | |
that we can't make an exception, and you'd be right. | 0:11:11 | 0:11:14 | |
Christ, Rhona, do you think I want this to be happening? | 0:11:15 | 0:11:18 | |
-You really should have shared this information with me sooner. -I'm sharing it now. | 0:11:33 | 0:11:37 | |
If his DNA is found on that scarf, he's your prime suspect. | 0:11:37 | 0:11:39 | |
I'd like a motive. | 0:11:39 | 0:11:41 | |
We can get to that. The DNA is enough to convict. | 0:11:41 | 0:11:44 | |
No, it's not. It's his scarf, so the DNA would already be on there. | 0:11:44 | 0:11:47 | |
Fine! Well, if it wasn't Thomas Malone, and it wasn't Duncan Hunter, | 0:11:47 | 0:11:51 | |
who do you think it was? | 0:11:51 | 0:11:52 | |
I just like to be sure before I start accusing people. | 0:11:52 | 0:11:55 | |
Yes, of course, especially here, | 0:11:55 | 0:11:56 | |
-where everybody knows everybody else. -What are you implying? | 0:11:56 | 0:11:59 | |
You may find it difficult to believe that he's capable of something | 0:11:59 | 0:12:02 | |
like this, but guess what - every killer's family feels the same way. | 0:12:02 | 0:12:06 | |
Let's just wait and see what the DNA results tells us, shall we? | 0:12:06 | 0:12:09 | |
Yeah, yeah. | 0:12:09 | 0:12:10 | |
Who left these? | 0:12:17 | 0:12:20 | |
I haven't been here for ages. | 0:12:20 | 0:12:22 | |
Him? Malone? | 0:12:22 | 0:12:25 | |
I don't know. Is there a card or anything? | 0:12:25 | 0:12:28 | |
No. He's still obsessed with her. | 0:12:30 | 0:12:34 | |
OK. Thank you. | 0:12:43 | 0:12:46 | |
It's a match. | 0:12:53 | 0:12:55 | |
It's Duncan's DNA on the scarf. | 0:12:55 | 0:12:58 | |
He's Alan Killick's father. | 0:12:58 | 0:13:00 | |
OK. | 0:13:23 | 0:13:24 | |
We don't treat him any differently. | 0:13:28 | 0:13:30 | |
He's just another suspect. | 0:13:33 | 0:13:35 | |
You let him know that if there's any tardiness at all, | 0:13:41 | 0:13:44 | |
I'm letting him go. OK? | 0:13:44 | 0:13:46 | |
Thanks. | 0:13:46 | 0:13:47 | |
I'll catch you later. | 0:13:49 | 0:13:50 | |
Duncan Hunter, you are being detained | 0:14:01 | 0:14:03 | |
on reasonable suspicion of having committed an offence. | 0:14:03 | 0:14:06 | |
I need to tell Cassie. | 0:14:12 | 0:14:15 | |
I've been trying to get hold of her all day. | 0:14:15 | 0:14:17 | |
I'm sorry, you have to come with us now. | 0:14:17 | 0:14:19 | |
One call. That's all I'm asking. | 0:14:21 | 0:14:25 | |
You've had plenty time to tell her. | 0:14:25 | 0:14:29 | |
You can wait a wee bit longer. | 0:14:29 | 0:14:31 | |
What's going on? Jimmy? | 0:14:50 | 0:14:52 | |
I'll call you later. | 0:14:52 | 0:14:54 | |
I need to know what's happening. | 0:14:56 | 0:14:58 | |
Are you OK? | 0:15:23 | 0:15:25 | |
Yeah, I'm fine. | 0:15:25 | 0:15:27 | |
I think DS Jackson and I should conduct this interview. | 0:15:27 | 0:15:30 | |
-No, that isn't necessary. -Yes, it is. This is personal for you. | 0:15:30 | 0:15:34 | |
This is Shetland, so it's always personal. | 0:15:34 | 0:15:37 | |
If this leads anywhere, his lawyers will say you had | 0:15:37 | 0:15:40 | |
a conflict of interest. You know that. | 0:15:40 | 0:15:42 | |
-I know what I'm looking for. -Don't tell me there isn't any tension | 0:15:42 | 0:15:45 | |
-between the two of you. There must be. -How would you know? | 0:15:45 | 0:15:49 | |
Do you have a problem with me | 0:15:49 | 0:15:50 | |
-or is it just being told what to do in general? -No, no, it's just you. | 0:15:50 | 0:15:54 | |
You're the Fiscal. It's your call. | 0:15:55 | 0:15:57 | |
DI Perez leads. | 0:15:57 | 0:15:59 | |
You sit in. I'll make the case. | 0:15:59 | 0:16:03 | |
We would like to talk to you about Donna Killick. | 0:16:13 | 0:16:16 | |
How long did your relationship with her last? | 0:16:18 | 0:16:21 | |
About six months. | 0:16:21 | 0:16:22 | |
-And you were married then? -You know I was. | 0:16:22 | 0:16:24 | |
What's this got to do with Lizzie Kilmuir? | 0:16:24 | 0:16:26 | |
Just answer the question, Mr Hunter. | 0:16:26 | 0:16:28 | |
Yes, I was married. | 0:16:28 | 0:16:30 | |
Who ended the affair? | 0:16:30 | 0:16:32 | |
It was mutual. | 0:16:34 | 0:16:35 | |
-Because she got pregnant? -Yes. | 0:16:36 | 0:16:39 | |
-Is that when you started seeing Lizzie Kilmuir? -No. | 0:16:39 | 0:16:42 | |
-When did you start seeing Lizzie Kilmuir? -I didn't. | 0:16:42 | 0:16:46 | |
Did Lizzie know about your affair with Donna? | 0:16:48 | 0:16:52 | |
-Nobody did. -If she did... | 0:16:52 | 0:16:55 | |
..how do you think she would have felt? | 0:16:56 | 0:16:59 | |
Where are you going with this? | 0:16:59 | 0:17:01 | |
For the record, I'm showing Mr Hunter an image of him | 0:17:05 | 0:17:09 | |
and Lizzie Kilmuir from an 8mm film. | 0:17:09 | 0:17:12 | |
You and Lizzie look very close in that photograph, Duncan. | 0:17:12 | 0:17:19 | |
And Kate Kilmuir said she thought she had a crush on you. | 0:17:19 | 0:17:22 | |
If she did, it wasn't reciprocated. | 0:17:22 | 0:17:24 | |
But you did give her that scarf at this party? | 0:17:24 | 0:17:27 | |
Because she was cold. | 0:17:27 | 0:17:28 | |
OK. Let's move on. | 0:17:30 | 0:17:33 | |
Did you know that Alan Killick was your son? | 0:17:34 | 0:17:37 | |
I-I wasn't sure. | 0:17:39 | 0:17:41 | |
-Did you ask? -No. | 0:17:41 | 0:17:43 | |
I thought Donna would have told me if I was the father, but she didn't. | 0:17:43 | 0:17:46 | |
So, you just filed it away, under what, miscellaneous children? | 0:17:46 | 0:17:50 | |
That's, that's hardly fair, Jimmy, you've never been in that situation. | 0:17:52 | 0:17:56 | |
No, there's a reason for that. | 0:17:56 | 0:17:58 | |
Did Sally McColl know that you were Alan's father? | 0:18:00 | 0:18:04 | |
-Why would she? -That's not what he asked. | 0:18:06 | 0:18:10 | |
Not that I'm aware of, no. | 0:18:10 | 0:18:12 | |
What did you talk about the night that she disappeared? | 0:18:16 | 0:18:19 | |
I told you. She, erm... | 0:18:22 | 0:18:24 | |
..seemed upset about something. I-I thought she had...a bit to drink. | 0:18:25 | 0:18:30 | |
Erm, I offered her a lift home | 0:18:30 | 0:18:33 | |
and...and she turned it down. | 0:18:33 | 0:18:36 | |
Where did you go after the festival? | 0:18:36 | 0:18:39 | |
-Home. -The festival finished at half past ten. | 0:18:39 | 0:18:42 | |
You got home at midnight. | 0:18:42 | 0:18:44 | |
It doesn't take an hour and a half to get to your place. | 0:18:44 | 0:18:46 | |
I-II went to, I went to the holiday lets we've been working on. | 0:18:46 | 0:18:49 | |
I wanted to check the builders hadn't fallen behind. | 0:18:49 | 0:18:51 | |
-At night? -At night, yes. -Alone? -Oh, Jesus, Jimmy! | 0:18:51 | 0:18:54 | |
Do you really think that I murdered Lizzie and Sally? | 0:18:54 | 0:18:57 | |
-Seriously? -Someone did. | 0:18:57 | 0:18:59 | |
Well, it wasn't me! | 0:18:59 | 0:19:01 | |
It w... | 0:19:07 | 0:19:09 | |
It wasn't me. | 0:19:09 | 0:19:11 | |
Oh, sorry, if you're home for lunch, I've used the last of the bread. | 0:19:13 | 0:19:16 | |
No, you're all right. | 0:19:18 | 0:19:19 | |
Do you know where Duncan is? | 0:19:19 | 0:19:21 | |
He left a message, it sounded odd. I tried to give him a call back | 0:19:21 | 0:19:23 | |
-but he's not answering. -I need to talk to you about that. | 0:19:23 | 0:19:26 | |
Come on inside. | 0:19:26 | 0:19:28 | |
There isn't an easy way, for me to tell you this, Cass. | 0:19:37 | 0:19:41 | |
We have been trying to match Alan's DNA with an unknown sample | 0:19:45 | 0:19:50 | |
that we've got on file. | 0:19:50 | 0:19:52 | |
And we've found a match. | 0:19:53 | 0:19:55 | |
And it's Duncan. | 0:19:57 | 0:19:59 | |
It turns out that he and... | 0:20:06 | 0:20:08 | |
..Donna Killick had an affair. | 0:20:09 | 0:20:12 | |
So that means that Alan is your half brother. | 0:20:13 | 0:20:16 | |
Was he with Mum when this was going on? | 0:20:25 | 0:20:28 | |
Yeah. | 0:20:30 | 0:20:33 | |
He was. | 0:20:33 | 0:20:34 | |
How could he do that to Mum? | 0:20:37 | 0:20:40 | |
To us? What was he thinking? | 0:20:41 | 0:20:44 | |
Oh, darling, I don't think he was thinking at all. | 0:20:44 | 0:20:48 | |
That's why he's been going on about Alan. | 0:20:52 | 0:20:54 | |
Why didn't he just tell me? | 0:20:57 | 0:20:59 | |
Does this mean Duncan's mixed up in these killings? | 0:21:09 | 0:21:12 | |
Not necessarily, no. | 0:21:12 | 0:21:14 | |
-That's not a no. -I know. | 0:21:14 | 0:21:16 | |
I want to hear a definite no. | 0:21:16 | 0:21:19 | |
I can't give it to you. | 0:21:19 | 0:21:21 | |
Not yet. | 0:21:21 | 0:21:22 | |
I'm sorry. | 0:21:25 | 0:21:26 | |
Can I come in? | 0:22:09 | 0:22:10 | |
What do you want from me? | 0:22:39 | 0:22:41 | |
It was you who left flowers at my Aunt Lizzie's grave, wasn't it? | 0:22:42 | 0:22:46 | |
Aye. So? | 0:22:48 | 0:22:50 | |
Why did you do that? | 0:22:52 | 0:22:54 | |
Because... | 0:22:55 | 0:22:56 | |
..she was my friend. | 0:22:58 | 0:23:00 | |
So, not out of guilt, then? | 0:23:02 | 0:23:05 | |
No. No, not guilt, no. | 0:23:05 | 0:23:09 | |
Do you remember the last time you saw her? | 0:23:11 | 0:23:13 | |
Yes, I do. | 0:23:15 | 0:23:17 | |
The day she died. | 0:23:17 | 0:23:19 | |
No. | 0:23:25 | 0:23:27 | |
So you didn't see her the day she went missing? | 0:23:27 | 0:23:30 | |
If you tell me what really happened, | 0:23:32 | 0:23:34 | |
I'll let you do all the things that Lizzie wouldn't. | 0:23:34 | 0:23:37 | |
I would like... | 0:23:43 | 0:23:45 | |
I would like you to leave now. | 0:23:45 | 0:23:47 | |
Am I making you nervous? | 0:23:48 | 0:23:50 | |
Are you scared you'll lose control like you did before? | 0:23:52 | 0:23:55 | |
Tell me what you did to her! | 0:23:58 | 0:24:01 | |
I need to speak to you about your relationship with Lizzie again. | 0:24:19 | 0:24:23 | |
When was the last time that you saw her? Do you remember? | 0:24:26 | 0:24:29 | |
Probably at that beach party. | 0:24:35 | 0:24:36 | |
Duncan, you're sitting in a jail cell. "Probably" isnae good enough. | 0:24:36 | 0:24:39 | |
Why are you doing this to me? | 0:24:39 | 0:24:42 | |
Is it because of Fran or cos of Cass? Just so I know. | 0:24:42 | 0:24:44 | |
Duncan, I'm trying to help you. | 0:24:44 | 0:24:47 | |
Now, you listen to me. | 0:24:47 | 0:24:48 | |
Your DNA is on the scarf that killed Lizzie Kilmuir, | 0:24:48 | 0:24:51 | |
you were seen talking to Sally McColl just before she disappeared. | 0:24:51 | 0:24:55 | |
See that team through there? | 0:24:55 | 0:24:57 | |
They're trying to build a case against you as we speak. | 0:24:57 | 0:25:01 | |
So I can ask you these questions or they can. | 0:25:01 | 0:25:04 | |
Which would you prefer? It's your choice. | 0:25:04 | 0:25:07 | |
Were you sleeping with Lizzie? | 0:25:09 | 0:25:12 | |
No. | 0:25:12 | 0:25:13 | |
Did she have a thing for you? | 0:25:13 | 0:25:15 | |
She might have. | 0:25:19 | 0:25:21 | |
I didn't encourage it. | 0:25:24 | 0:25:26 | |
Donna got annoyed with her flirting with me. I do know that. | 0:25:26 | 0:25:30 | |
The truth is, things were getting complicated, so I bailed out. | 0:25:32 | 0:25:37 | |
-Lizzie didn't threaten to tell Fran? -No. | 0:25:37 | 0:25:40 | |
Are you sure? Cos you were spinning a lot of plates back then | 0:25:40 | 0:25:43 | |
and I need to know if things got out of control. | 0:25:43 | 0:25:46 | |
Nothing...got out of control. | 0:25:46 | 0:25:49 | |
I did not kill Lizzie. | 0:25:51 | 0:25:54 | |
I did not kill Sally. | 0:25:54 | 0:25:56 | |
And when I say that to you, Jimmy... | 0:25:58 | 0:26:02 | |
..I expect you to believe me. | 0:26:04 | 0:26:06 | |
Then why did you lie to me... | 0:26:10 | 0:26:13 | |
..twice? | 0:26:13 | 0:26:16 | |
When I asked you what you talked to Sally about at the festival. | 0:26:16 | 0:26:21 | |
Cos you lied. | 0:26:21 | 0:26:23 | |
You lied to me! | 0:26:25 | 0:26:27 | |
Sally knew I was Alan's Dad. | 0:26:34 | 0:26:36 | |
Donna must have told her, I dunno why. | 0:26:36 | 0:26:39 | |
She started having a go at me. | 0:26:41 | 0:26:43 | |
Telling me that she'd tell him. | 0:26:43 | 0:26:45 | |
I said I'd tell him when the time was right | 0:26:46 | 0:26:49 | |
and to mind her own business. | 0:26:49 | 0:26:51 | |
I didn't tell you | 0:26:56 | 0:26:59 | |
because I was ashamed. | 0:26:59 | 0:27:01 | |
I didn't want Cassie to know. | 0:27:03 | 0:27:05 | |
I swear on Cassie's life... | 0:27:07 | 0:27:11 | |
..I did not harm any of those women. | 0:27:13 | 0:27:16 | |
PEREZ BANGS ON DOOR | 0:27:21 | 0:27:24 | |
Well, I think he's telling the truth. | 0:27:32 | 0:27:35 | |
With respect, is this because you want it to be true? | 0:27:37 | 0:27:40 | |
What is it? | 0:27:43 | 0:27:44 | |
It doesn't make complete sense. | 0:27:47 | 0:27:49 | |
Duncan says that | 0:27:51 | 0:27:54 | |
Donna told Sally that Alan was his son. | 0:27:54 | 0:27:58 | |
Why would she do that... | 0:27:58 | 0:28:00 | |
..if she's kept that a secret for so long? | 0:28:01 | 0:28:04 | |
If Sally knew that, what else did she know? | 0:28:04 | 0:28:07 | |
Dig out her articles and all the research that came with it | 0:28:07 | 0:28:11 | |
and make a start on that. I have to go and talk with Donna Killick. | 0:28:11 | 0:28:14 | |
Oh, come on. Come on. Come on. | 0:28:16 | 0:28:18 | |
PHONE RINGS | 0:28:22 | 0:28:23 | |
-Thomas? -Kate, it's me. | 0:28:31 | 0:28:35 | |
Er, listen. | 0:28:35 | 0:28:38 | |
I-I need you to come and get your daughter. Now. | 0:28:38 | 0:28:41 | |
Wait, what do you mean? | 0:28:41 | 0:28:42 | |
No. Now! | 0:28:42 | 0:28:44 | |
OK. | 0:28:44 | 0:28:45 | |
Hurry! Please! | 0:28:45 | 0:28:47 | |
Yeah, no, I'm coming. Yeah, I'm coming! | 0:28:47 | 0:28:49 | |
Tosh, could you take a look at this? | 0:29:14 | 0:29:17 | |
One of the photo's on Sally's flash drive amongst the NDA video clips, | 0:29:18 | 0:29:24 | |
it's definitely on the Unst ferry. | 0:29:24 | 0:29:27 | |
But look at it. | 0:29:27 | 0:29:28 | |
Look who's in the background. | 0:29:32 | 0:29:33 | |
-Is that Donna Killick? -Yes. | 0:29:35 | 0:29:39 | |
-Are you sure? -Yeah, we're sure. | 0:29:39 | 0:29:41 | |
Right, can we date these photographs? | 0:29:42 | 0:29:45 | |
I think so. It was scanned front and back. | 0:29:45 | 0:29:47 | |
I'm guessing that translates as "Ferry to Unst June, 1993". | 0:29:49 | 0:29:54 | |
It coincides with the murder of Lizzie Kilmuir. | 0:29:54 | 0:29:56 | |
Right, we need to know who took those photos | 0:29:56 | 0:30:00 | |
and how they got on Sally's memory stick. | 0:30:00 | 0:30:03 | |
-Yeah, OK, I'll organise a search. -OK. | 0:30:03 | 0:30:06 | |
Molly! Molly! | 0:30:20 | 0:30:23 | |
Molly! | 0:30:25 | 0:30:27 | |
What happened? | 0:30:32 | 0:30:34 | |
Are you all right? | 0:30:35 | 0:30:37 | |
I wanted to make him confess. | 0:30:44 | 0:30:47 | |
I wanted to record him saying that he killed Aunt Lizzie. | 0:30:47 | 0:30:51 | |
Oh, Molly, what were you thinking of? | 0:30:51 | 0:30:54 | |
You said you wanted this all to end. | 0:30:54 | 0:30:57 | |
The both of you, get out now. | 0:31:03 | 0:31:07 | |
I'm sorry. | 0:31:07 | 0:31:09 | |
Come on, love. | 0:31:09 | 0:31:11 | |
She thought she was trying to help. | 0:31:20 | 0:31:22 | |
Oh, er... | 0:31:27 | 0:31:28 | |
..they've arrested Duncan Hunter. | 0:31:30 | 0:31:32 | |
Just so you know. | 0:31:32 | 0:31:34 | |
-For Lizzie? -Aye. | 0:31:34 | 0:31:36 | |
Come on, love. | 0:31:36 | 0:31:38 | |
Donna Killick interview commencing at 4.36 | 0:31:48 | 0:31:50 | |
-with DI Cole and... -DI Perez. | 0:31:50 | 0:31:54 | |
For the record, | 0:31:54 | 0:31:56 | |
I'm showing Mrs Killick a photograph taken in June 1993. | 0:31:56 | 0:32:01 | |
I don't understand. | 0:32:03 | 0:32:05 | |
Sally McColl had that photograph saved on a memory stick. | 0:32:05 | 0:32:09 | |
Is that you in the background? | 0:32:09 | 0:32:11 | |
-Could be. -Do you remember that photograph being taken? | 0:32:11 | 0:32:15 | |
-No. -Do you know the woman in the photograph? -No. | 0:32:15 | 0:32:18 | |
-And if I asked you for an exact date? -No idea. | 0:32:18 | 0:32:21 | |
I don't remember being on the Unst ferry that often. | 0:32:21 | 0:32:24 | |
I didn't say that was on the Unst ferry. | 0:32:27 | 0:32:29 | |
Well, it looks like it. | 0:32:32 | 0:32:34 | |
If you didn't go on it very often, | 0:32:37 | 0:32:39 | |
you'd remember that trip, wouldn't you? | 0:32:39 | 0:32:41 | |
I could have been going to visit a friend at Gardiesfauld. | 0:32:44 | 0:32:48 | |
-She worked in the youth hostel there. -Has she got a name? | 0:32:48 | 0:32:53 | |
Anna McCleod. | 0:32:53 | 0:32:54 | |
But you don't remember the exact date? | 0:32:54 | 0:32:57 | |
Well, it must have been during the summer. | 0:32:57 | 0:33:00 | |
June the 14th? | 0:33:00 | 0:33:02 | |
No, not that day. | 0:33:02 | 0:33:04 | |
-Why are you so sure about that? -You know why not. | 0:33:04 | 0:33:06 | |
-It's the day after Lizzie Kilmuir went missing. -So? | 0:33:09 | 0:33:12 | |
So I remember what I was doing that day. | 0:33:12 | 0:33:14 | |
I remember I was in the house | 0:33:14 | 0:33:16 | |
and I heard it on the radio. | 0:33:16 | 0:33:19 | |
Not according to that photograph, you weren't. | 0:33:19 | 0:33:21 | |
We've confirmed that photograph | 0:33:24 | 0:33:25 | |
was definitely taken the morning after Lizzie went missing. | 0:33:25 | 0:33:29 | |
What we need to know now is | 0:33:30 | 0:33:32 | |
whether Lizzie's body was in the boot of your car. | 0:33:32 | 0:33:36 | |
Did Duncan Hunter kill Lizzie? | 0:33:37 | 0:33:41 | |
Did he force you to get rid of the body? | 0:33:41 | 0:33:44 | |
Were you trying to cover up the affair? Is that what happened? | 0:33:47 | 0:33:51 | |
Donna, at the moment, we're looking at disposing of a body, | 0:33:55 | 0:33:58 | |
which is serious, but it's not murder. | 0:33:58 | 0:34:02 | |
So, help yourself. | 0:34:04 | 0:34:06 | |
Tell us what happened. | 0:34:08 | 0:34:10 | |
It's unusual for a woman to use strangulation as a means to kill, | 0:34:11 | 0:34:18 | |
but not unheard of. | 0:34:18 | 0:34:20 | |
If I'd strangled Lizzie Kilmuir, my DNA would be on that scarf, | 0:34:21 | 0:34:24 | |
wouldn't it? | 0:34:24 | 0:34:27 | |
Well, wouldn't it? | 0:34:27 | 0:34:28 | |
If you'd used gloves, no. | 0:34:30 | 0:34:33 | |
But we can check the scarf again, that's not a problem. | 0:34:36 | 0:34:39 | |
Then I can take your house apart brick by brick, | 0:34:39 | 0:34:43 | |
and see if there is so much as a trace of Lizzie's DNA in there, | 0:34:43 | 0:34:46 | |
I will find it. | 0:34:46 | 0:34:48 | |
Don't you think that after 23 years | 0:34:48 | 0:34:51 | |
Kate Kilmuir deserves the truth? | 0:34:51 | 0:34:54 | |
Duncan Hunter did not do your dirty work for you. | 0:34:54 | 0:34:58 | |
He had nothing to do with this. | 0:34:58 | 0:35:00 | |
You killed Lizzie to save yourself. | 0:35:00 | 0:35:02 | |
She was a nasty, spiteful girl. | 0:35:02 | 0:35:06 | |
Everyone knew it. | 0:35:06 | 0:35:08 | |
She wasn't anything like Kate. | 0:35:08 | 0:35:10 | |
She was mean-spirited and jealous. | 0:35:10 | 0:35:12 | |
-What, of you and Duncan? -She came to me, | 0:35:12 | 0:35:16 | |
telling me she would tell Kevin. | 0:35:16 | 0:35:19 | |
I begged... | 0:35:24 | 0:35:26 | |
I begged her not to say anything. | 0:35:26 | 0:35:30 | |
I told her I was pregnant, that... | 0:35:30 | 0:35:33 | |
..he would beat me, that he would probably kill me. | 0:35:36 | 0:35:40 | |
And she...didn't care! | 0:35:41 | 0:35:45 | |
So you strangled her? | 0:35:50 | 0:35:52 | |
Has Thomas Malone sat in a cell | 0:35:55 | 0:35:58 | |
for 23 years | 0:35:58 | 0:36:00 | |
for a crime he didn't commit? | 0:36:00 | 0:36:02 | |
I didn't know what else to do! | 0:36:02 | 0:36:06 | |
I tried to talk to her, | 0:36:07 | 0:36:09 | |
I tried and she just wouldn't listen. | 0:36:09 | 0:36:12 | |
I had no choice. | 0:36:13 | 0:36:16 | |
It was her or me. | 0:36:16 | 0:36:19 | |
And the baby. | 0:36:22 | 0:36:24 | |
Just to be clear - are you saying you killed Lizzie Kilmuir? | 0:36:30 | 0:36:33 | |
YES! | 0:36:33 | 0:36:34 | |
Yes! Yes! | 0:36:34 | 0:36:37 | |
Donna Killick, I'm charging you with the murder of Lizzie Kilmuir | 0:36:47 | 0:36:50 | |
-and Sally McColl... -No. | 0:36:50 | 0:36:52 | |
No, no, no, no. No, not that. You can't. You can't do that. | 0:36:52 | 0:36:55 | |
You can't say that. | 0:36:55 | 0:36:57 | |
I, er, I did tell Sally | 0:36:57 | 0:37:00 | |
that Duncan was Alan's father, but I didn't touch her. | 0:37:00 | 0:37:03 | |
So... | 0:37:06 | 0:37:07 | |
..who did? Somebody who was trying to protect you? | 0:37:08 | 0:37:13 | |
I don't know. | 0:37:13 | 0:37:14 | |
Somebody who knew what you'd done? | 0:37:16 | 0:37:18 | |
I don't know! | 0:37:18 | 0:37:20 | |
I don't know who it was! | 0:37:20 | 0:37:22 | |
I managed to speak to a Janne Ronning from Bergen | 0:37:37 | 0:37:41 | |
who claims she was on holiday on Shetland | 0:37:41 | 0:37:43 | |
at the time Malone was arrested, | 0:37:43 | 0:37:45 | |
and gave the police photographs she'd taken on the Unst ferry | 0:37:45 | 0:37:47 | |
shortly after Lizzie disappeared. | 0:37:47 | 0:37:50 | |
She thought they might be of some help. | 0:37:50 | 0:37:52 | |
They said they'd be in touch but they never were. | 0:37:52 | 0:37:56 | |
-They definitely took possession of the photographs? -They did. | 0:37:56 | 0:37:59 | |
In fact, she'd recently written to the officer requesting them back | 0:37:59 | 0:38:02 | |
for sentimental reasons - her late husband was in some of them. | 0:38:02 | 0:38:06 | |
Then, out of the blue, Sally contacted her, | 0:38:06 | 0:38:09 | |
said she was in Bergen, wanted to see any other photographs | 0:38:09 | 0:38:12 | |
she might have, | 0:38:12 | 0:38:13 | |
saying they might prove the wrong person went to prison. | 0:38:13 | 0:38:16 | |
Could she remember the name of the officer she sent the photographs to? | 0:38:16 | 0:38:20 | |
Detective Drew McColl. | 0:38:20 | 0:38:22 | |
She still has his card. | 0:38:25 | 0:38:27 | |
I hear you're looking at Duncan Hunter. Is that right? | 0:39:37 | 0:39:40 | |
For Lizzie? And Sally? | 0:39:41 | 0:39:44 | |
No. | 0:39:45 | 0:39:47 | |
We released Duncan Hunter. | 0:39:47 | 0:39:48 | |
Good. | 0:39:50 | 0:39:51 | |
Glad to hear it. | 0:39:51 | 0:39:53 | |
Malone's your man. | 0:39:53 | 0:39:54 | |
-You'll get there in the end. -Yeah, I did. | 0:39:54 | 0:39:57 | |
I know you buried the evidence. | 0:39:57 | 0:40:01 | |
I know that you framed Thomas Malone. | 0:40:01 | 0:40:03 | |
And I know why you did it. | 0:40:04 | 0:40:07 | |
Donna Killick confessed, Drew. | 0:40:07 | 0:40:09 | |
-Confessed to what? -Killing Lizzie Kilmuir. | 0:40:11 | 0:40:14 | |
Donna had nothing to do with any of this. | 0:40:16 | 0:40:18 | |
Don't listen to a word she says. She's trying to protect me. | 0:40:18 | 0:40:21 | |
I killed her. | 0:40:25 | 0:40:27 | |
I killed Lizzie. It was me. | 0:40:29 | 0:40:31 | |
See if you lie to me one more time, | 0:40:35 | 0:40:37 | |
I swear to God, I'll break your neck. | 0:40:37 | 0:40:41 | |
Donna killed Lizzie Kilmuir. | 0:40:46 | 0:40:49 | |
And you destroyed the evidence that proved it. | 0:40:49 | 0:40:52 | |
What evidence? | 0:40:52 | 0:40:54 | |
The photographs from the Unst ferry. | 0:40:54 | 0:40:57 | |
And you forced the confession | 0:40:57 | 0:41:00 | |
and then you got a witness to lie. | 0:41:00 | 0:41:02 | |
All of that. | 0:41:04 | 0:41:05 | |
I fabricated evidence, I admit that. But I believed Malone was guilty. | 0:41:07 | 0:41:12 | |
I didn't see the photograph from the ferry until after he was charged. | 0:41:12 | 0:41:15 | |
So what? What did you do then? | 0:41:15 | 0:41:19 | |
You did nothing! | 0:41:21 | 0:41:22 | |
Why did you cover up for her? | 0:41:24 | 0:41:26 | |
I loved her. | 0:41:26 | 0:41:28 | |
I loved her then and I love her still. That's why. | 0:41:30 | 0:41:33 | |
And Thomas Malone? | 0:41:33 | 0:41:34 | |
It's only a matter of time before he harmed some girl. He's a predator. | 0:41:34 | 0:41:38 | |
I was doing us all a favour. | 0:41:38 | 0:41:40 | |
Right. | 0:41:50 | 0:41:51 | |
You need to tell me about Sally. | 0:41:54 | 0:41:56 | |
I met her after the festival. | 0:42:04 | 0:42:06 | |
We drove home. | 0:42:08 | 0:42:10 | |
She told me she knew everything. | 0:42:14 | 0:42:16 | |
Said I disgusted her. | 0:42:18 | 0:42:20 | |
That I was the lowest of the low. | 0:42:20 | 0:42:22 | |
It's a terrible thing, knowing your daughter hates you. | 0:42:26 | 0:42:29 | |
And she did. | 0:42:29 | 0:42:30 | |
Ever since her mother killed herself, | 0:42:31 | 0:42:33 | |
we just pretended to be a family. But we never were. Not really. | 0:42:33 | 0:42:38 | |
I pleaded with her to forget about it. | 0:42:38 | 0:42:41 | |
Malone was free. Just leave it. | 0:42:43 | 0:42:45 | |
But she wouldn't listen. | 0:42:46 | 0:42:48 | |
She kept saying to me, | 0:42:50 | 0:42:52 | |
how could I slept at night? | 0:42:52 | 0:42:54 | |
She wanted to destroy me. And that was fine, I didn't care about me | 0:42:54 | 0:42:57 | |
but I couldn't let her do that to Donna. | 0:42:57 | 0:42:59 | |
You don't understand, Jimmy. | 0:42:59 | 0:43:01 | |
Donna wasn't in her right mind when she killed Lizzie. | 0:43:01 | 0:43:03 | |
She was terrified of Kevin Killick. | 0:43:03 | 0:43:05 | |
He was a monster and there was nothing I could do about it. | 0:43:05 | 0:43:07 | |
I had to help her, I had to. But still... | 0:43:07 | 0:43:10 | |
Still...Sally wouldn't listen. | 0:43:12 | 0:43:18 | |
She was going to expose us and tell you everything. | 0:43:18 | 0:43:23 | |
I lost it with her. | 0:43:23 | 0:43:24 | |
I can't remember what happened after that. | 0:43:30 | 0:43:33 | |
I think you can. | 0:43:38 | 0:43:39 | |
What does it matter? | 0:43:43 | 0:43:46 | |
You know what I did. | 0:43:46 | 0:43:48 | |
I need you to say it. | 0:43:52 | 0:43:54 | |
Say it. | 0:44:04 | 0:44:05 | |
I strangled her. | 0:44:10 | 0:44:11 | |
There you have it. | 0:44:16 | 0:44:18 | |
I killed her. | 0:44:21 | 0:44:23 | |
I didn't mean to do it. I just... | 0:44:23 | 0:44:26 | |
The way she looked at me... | 0:44:26 | 0:44:28 | |
The hatred in her eyes. | 0:44:29 | 0:44:32 | |
Your own daughter? | 0:44:35 | 0:44:36 | |
Your own daughter. | 0:44:57 | 0:44:58 | |
DISTORTED AND MUFFLED SCREAMING | 0:45:09 | 0:45:14 | |
That was Christine | 0:45:20 | 0:45:21 | |
saying Thomas Malone was seen in the high street with a shotgun... | 0:45:21 | 0:45:25 | |
Get out. | 0:45:25 | 0:45:27 | |
Just get out, Mary, now. | 0:45:37 | 0:45:41 | |
Now! | 0:45:42 | 0:45:43 | |
Please, please, please... | 0:45:47 | 0:45:50 | |
PHONE RINGS | 0:45:52 | 0:45:54 | |
Mary? | 0:46:05 | 0:46:06 | |
Jimmy! Malone's here at the house, he's got a shotgun! | 0:46:06 | 0:46:11 | |
I think he's going to kill Duncan! Please come. | 0:46:11 | 0:46:13 | |
-Mary, don't do anything. I'm... -You've got to come! | 0:46:13 | 0:46:16 | |
I'm on my way now, OK? | 0:46:16 | 0:46:19 | |
What is it you want, Thomas? | 0:46:28 | 0:46:31 | |
I want you | 0:46:33 | 0:46:35 | |
to admit | 0:46:35 | 0:46:37 | |
to what you did. | 0:46:37 | 0:46:39 | |
I don't know what you've heard but I haven't done anything. | 0:46:39 | 0:46:42 | |
You think you'll get away with it again, | 0:46:44 | 0:46:47 | |
don't you? | 0:46:47 | 0:46:49 | |
Not this time. | 0:46:49 | 0:46:50 | |
This time! | 0:46:55 | 0:46:57 | |
This time! | 0:46:57 | 0:46:58 | |
There's going to be justice now. | 0:47:00 | 0:47:02 | |
What do you think I did? You think I killed Lizzie? | 0:47:02 | 0:47:04 | |
I don't think! | 0:47:04 | 0:47:06 | |
I know you killed her! | 0:47:07 | 0:47:09 | |
And McColl, | 0:47:12 | 0:47:14 | |
he helped you get away with it, didn't he? | 0:47:14 | 0:47:17 | |
I gave the girl a scarf when she was cold 20-odd years ago. | 0:47:17 | 0:47:20 | |
-That's it, that's all. -Shut up! You're a lying bastard, Hunter! | 0:47:20 | 0:47:24 | |
Jimmy! Jimmy! Jimmy, please! | 0:47:28 | 0:47:30 | |
You're a lying bastard and you always have been! | 0:47:30 | 0:47:33 | |
Thomas, it's Jimmy Perez. | 0:47:35 | 0:47:37 | |
Duncan isnae lying to you. | 0:47:40 | 0:47:42 | |
He's telling you the truth. | 0:47:42 | 0:47:44 | |
No, I don't think so. | 0:47:47 | 0:47:48 | |
Just put down the gun | 0:47:48 | 0:47:50 | |
and I swear to you, I'll explain it to you. | 0:47:50 | 0:47:52 | |
His time has come. | 0:47:54 | 0:47:56 | |
23 years of my life... | 0:47:57 | 0:48:00 | |
..my life he owes me. | 0:48:01 | 0:48:04 | |
And you know what? I'm going to take it right now. | 0:48:06 | 0:48:09 | |
Thomas. | 0:48:09 | 0:48:10 | |
Thomas, he had nothing to do wae it. | 0:48:10 | 0:48:12 | |
He'd nothing to do wae it. | 0:48:12 | 0:48:14 | |
You do know that they're going to put me away again... | 0:48:17 | 0:48:20 | |
..unless he admits to what he did. | 0:48:23 | 0:48:27 | |
Thomas, listen to me. | 0:48:27 | 0:48:28 | |
Listen to me! | 0:48:28 | 0:48:31 | |
It was Donna Killick. | 0:48:31 | 0:48:33 | |
She's been arrested. | 0:48:35 | 0:48:37 | |
Drew McColl's admitted that he killed his daughter, Sally. | 0:48:37 | 0:48:40 | |
He's been arrested! | 0:48:40 | 0:48:42 | |
How do I know this is true? | 0:48:44 | 0:48:46 | |
You're going to have to trust me. | 0:48:46 | 0:48:48 | |
I'm going to have to trust YOU? | 0:48:52 | 0:48:54 | |
I know it's difficult for you, I understand. | 0:48:54 | 0:48:58 | |
But you've got a second chance here, Thomas. | 0:49:00 | 0:49:03 | |
Think about it - | 0:49:04 | 0:49:06 | |
no more threats, | 0:49:06 | 0:49:09 | |
no more suspicion. | 0:49:09 | 0:49:11 | |
Come on, that's the life you were hoping for, right? | 0:49:13 | 0:49:18 | |
Aye. | 0:49:18 | 0:49:20 | |
If you pull that trigger, you're going to die in jail. | 0:49:20 | 0:49:23 | |
All those years that you spent inside | 0:49:24 | 0:49:27 | |
when you could've been free, | 0:49:27 | 0:49:28 | |
all of that, it's going to be for nothing. | 0:49:28 | 0:49:31 | |
Now, please don't do that to yourself, | 0:49:39 | 0:49:41 | |
cos you really don't deserve it. | 0:49:41 | 0:49:43 | |
Trust me. | 0:49:45 | 0:49:46 | |
Trust me. | 0:49:49 | 0:49:51 | |
-SOBBING: -Get away from me. | 0:50:06 | 0:50:08 | |
Please. Please. | 0:50:08 | 0:50:10 | |
It's over, Thomas. | 0:50:11 | 0:50:13 | |
It's all over. | 0:50:15 | 0:50:17 | |
Come on. | 0:50:55 | 0:50:57 | |
Hey! | 0:51:01 | 0:51:02 | |
In here, please. | 0:51:02 | 0:51:05 | |
Thomas? | 0:51:07 | 0:51:09 | |
We just need a statement, | 0:51:22 | 0:51:24 | |
then you can go home, OK? | 0:51:24 | 0:51:27 | |
OK. | 0:51:29 | 0:51:31 | |
Y'know, Thomas, you have been very badly treated. | 0:51:35 | 0:51:38 | |
I hope you don't let fear and... | 0:51:45 | 0:51:50 | |
..anger and resentment eat away at you. | 0:51:50 | 0:51:54 | |
Just go and live your life. | 0:52:00 | 0:52:02 | |
OK. | 0:52:03 | 0:52:05 | |
So he's going to be all right? | 0:52:16 | 0:52:18 | |
He's fine. | 0:52:19 | 0:52:21 | |
And of course we... | 0:52:23 | 0:52:25 | |
-..we won't be pressing any charges. -So he'll be released? | 0:52:25 | 0:52:29 | |
Later. | 0:52:29 | 0:52:30 | |
-Kate... -Hm? | 0:52:34 | 0:52:36 | |
We have charged Donna Killick | 0:52:38 | 0:52:44 | |
with Lizzie's murder. | 0:52:44 | 0:52:46 | |
Donna? | 0:52:46 | 0:52:48 | |
I'm sorry, Kate. Yeah, Donna. | 0:52:50 | 0:52:54 | |
Argh! | 0:53:04 | 0:53:05 | |
HE GROANS AND PANTS | 0:53:09 | 0:53:14 | |
No... | 0:53:17 | 0:53:18 | |
Argh! | 0:53:29 | 0:53:31 | |
Argh! Ugh! | 0:53:38 | 0:53:42 | |
Thomas. | 0:53:56 | 0:53:57 | |
GENTLE PIANO MUSIC PLAYS | 0:53:58 | 0:54:02 | |
NO AUDIBLE DIALOGUE THROUGHOUT SCENE | 0:54:02 | 0:54:07 | |
THUNDEROUS BOOM | 0:55:02 | 0:55:03 | |
BIRDS CRY | 0:55:07 | 0:55:11 | |
How you doing? You OK? | 0:55:52 | 0:55:56 | |
Kinda. | 0:55:57 | 0:55:58 | |
Are we OK? | 0:56:01 | 0:56:03 | |
Kinda. | 0:56:05 | 0:56:06 | |
I love you. | 0:56:12 | 0:56:13 | |
I know. | 0:56:16 | 0:56:17 | |
Ya numpty. | 0:56:19 | 0:56:21 | |
You're going to have to speak to Duncan. | 0:56:27 | 0:56:29 | |
-I'm just so disappointed in him. -I know. | 0:56:32 | 0:56:35 | |
But see if your mum was still here... | 0:56:37 | 0:56:41 | |
..I think she'd probably want you to forgive him. | 0:56:41 | 0:56:44 | |
You probably know that, right? | 0:56:47 | 0:56:49 | |
Plus, Alan's going to need the both of you. | 0:56:52 | 0:56:55 | |
You called him. | 0:57:08 | 0:57:10 | |
I did. | 0:57:12 | 0:57:13 |