Browse content similar to Part 1. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains some violent scenes | 0:00:02 | 0:00:10 | |
and scenes which some viewers may find upsetting. | 0:00:10 | 0:00:17 | |
OK. We have a deceased, as yet unidentified female through there. | 0:00:27 | 0:00:31 | |
Looks like she's been stabbed to death. | 0:00:31 | 0:00:35 | |
Now, we've secured this floor but not the next. | 0:00:35 | 0:00:37 | |
So confine your work to down here only. | 0:00:37 | 0:00:40 | |
A-a-agh! A-a-a-a-a-agh! | 0:01:10 | 0:01:14 | |
A-agh! A-agh! A-a-agh! A-a-a-agh! | 0:01:14 | 0:01:19 | |
# Testator silens | 0:01:27 | 0:01:35 | |
# Costestes e spiritu | 0:01:35 | 0:01:43 | |
# Silentium. # | 0:01:43 | 0:01:51 | |
"And death shall have no dominion | 0:02:22 | 0:02:25 | |
"Dead men naked they shall be one | 0:02:27 | 0:02:31 | |
"With the man in the wind and the west moon | 0:02:31 | 0:02:35 | |
"When their bones are picked clean and the clean bones gone | 0:02:36 | 0:02:42 | |
"They shall have stars at elbow and foot | 0:02:42 | 0:02:46 | |
"Though they go mad they shall be sane | 0:02:48 | 0:02:50 | |
"Though they sink through the sea they shall rise again | 0:02:50 | 0:02:56 | |
"Though lovers be lost love shall not | 0:03:04 | 0:03:09 | |
"And death shall have no dominion." | 0:03:09 | 0:03:13 | |
-Right, it's time to go, girls. -GIRLS: Coming, Dad! | 0:03:15 | 0:03:18 | |
Right, we're off, Lizzie. Back in about an hour or so, yeah? | 0:03:18 | 0:03:21 | |
GIRLS: Bye, Mum. | 0:03:23 | 0:03:24 | |
"And death shall have no dominion | 0:03:24 | 0:03:27 | |
"Under the windings of the sea | 0:03:27 | 0:03:30 | |
"They lying long shall not die windily | 0:03:30 | 0:03:34 | |
"Twisting on racks when sinews give way | 0:03:34 | 0:03:39 | |
"Strapped to a wheel, yet they shall not break..." | 0:03:39 | 0:03:42 | |
See you. | 0:03:44 | 0:03:45 | |
"Faith in their hands shall snap in two | 0:03:45 | 0:03:48 | |
"And the unicorn evils run them through..." | 0:03:48 | 0:03:53 | |
HEAVY METAL MUSIC PLAYS | 0:03:53 | 0:03:55 | |
"Split all ends up | 0:04:00 | 0:04:02 | |
"they shan't crack | 0:04:02 | 0:04:05 | |
"And death shall have no dominion." | 0:04:05 | 0:04:09 | |
HEAVY METAL MUSIC PLAYS | 0:04:15 | 0:04:18 | |
"And death shall have no dominion | 0:04:21 | 0:04:25 | |
"No more may gulls cry at their ears | 0:04:25 | 0:04:28 | |
"Or waves break loud on the seashores | 0:04:28 | 0:04:33 | |
"Where blew a flower may a flower no more | 0:04:33 | 0:04:36 | |
"lift its head to the blows of the rain | 0:04:36 | 0:04:40 | |
"Though they be mad and dead as nails | 0:04:40 | 0:04:43 | |
"Heads of the characters hammer through daisies | 0:04:43 | 0:04:46 | |
"Break in the sun till the sun breaks down | 0:04:48 | 0:04:53 | |
"And death shall have no dominion." | 0:04:55 | 0:04:59 | |
Do it. Do it. | 0:05:12 | 0:05:15 | |
It's lovely to see you, Derek. | 0:05:26 | 0:05:28 | |
Take care. | 0:05:28 | 0:05:29 | |
All right? | 0:05:37 | 0:05:39 | |
-Funny Leo didn't turn up. -Actually it's not. He texted me. | 0:05:42 | 0:05:46 | |
Texted you? | 0:05:46 | 0:05:48 | |
Yeah. Uh, Lizzie Fraser committed suicide this afternoon. | 0:05:48 | 0:05:53 | |
The police are going to pay for this. | 0:06:06 | 0:06:10 | |
I mean it. | 0:06:10 | 0:06:11 | |
BEEPING | 0:06:11 | 0:06:12 | |
Work. | 0:06:12 | 0:06:15 | |
Things were OK with your father, weren't they? Last couple of years. | 0:06:28 | 0:06:32 | |
They were OK. | 0:06:34 | 0:06:36 | |
MOBILE PHONES RING | 0:06:39 | 0:06:42 | |
SIRENS WAIL | 0:08:33 | 0:08:36 | |
DS Charlie Winter. | 0:09:03 | 0:09:05 | |
Detective Inspector Connie James. Nice to meet you, Charlie. | 0:09:05 | 0:09:09 | |
So you're heading this one up, are you? | 0:09:09 | 0:09:12 | |
No, I just happened to be passing by a major crime scene. | 0:09:12 | 0:09:14 | |
Thought I'd look in. | 0:09:14 | 0:09:16 | |
I'm up here, by the way. | 0:09:16 | 0:09:18 | |
Lead on, DS Winter, please. | 0:09:18 | 0:09:21 | |
Oh, thanks. | 0:09:46 | 0:09:48 | |
DI Connie James. | 0:09:51 | 0:09:52 | |
I'm Harry Cunningham, pathologist. This is Professor Leo Dalton. | 0:09:52 | 0:09:56 | |
Hi. | 0:09:56 | 0:09:58 | |
His bus pass and Game loyalty card identify him as Luke Francis. | 0:09:58 | 0:10:02 | |
Who would do this? | 0:10:02 | 0:10:04 | |
Who would do this? | 0:10:06 | 0:10:08 | |
For what it's worth the till's empty, | 0:10:08 | 0:10:10 | |
as is the safe below the counter, apart from a few deposit slips. | 0:10:10 | 0:10:13 | |
Don't tell me in all this he didn't leave his DNA. | 0:10:13 | 0:10:17 | |
Those wounds to his chest. They're too shallow | 0:10:17 | 0:10:19 | |
to have left all this blood. | 0:10:19 | 0:10:21 | |
-Is that a question? -He was found with a bag over his head | 0:10:22 | 0:10:25 | |
and there were signs of petechial haemorrhaging in his eyes. | 0:10:25 | 0:10:28 | |
So COD was asphyxia? | 0:10:28 | 0:10:30 | |
If we establish cause of death, it'll be at the postmortem. | 0:10:30 | 0:10:34 | |
In the mortuary. | 0:10:34 | 0:10:35 | |
So where'd all this blood come from? | 0:10:37 | 0:10:38 | |
There was another body recovered in the house with substantial injuries. | 0:10:38 | 0:10:43 | |
Mick Francis, the homeowner. | 0:10:43 | 0:10:44 | |
Looks like he was handcuffed to that pipe but managed to break free. | 0:10:44 | 0:10:48 | |
-And the missing piece? -There. | 0:10:50 | 0:10:54 | |
How'd it get all the way over there? | 0:10:54 | 0:10:56 | |
You can see all these circular lacerations on the wrist. | 0:10:56 | 0:11:00 | |
And these paint chips round the cuffs look like they're the same colour | 0:11:00 | 0:11:03 | |
as the pipe from the shop. | 0:11:03 | 0:11:04 | |
-So he managed to free himself, then? -Maybe. Temporarily. | 0:11:04 | 0:11:08 | |
-Is that the emblem of the SAS? -I believe it is. | 0:11:09 | 0:11:12 | |
Doesn't really go with the earring and the Easy Rider poster, does it? | 0:11:12 | 0:11:16 | |
So where'd the fire start? | 0:11:16 | 0:11:18 | |
Up here. | 0:11:18 | 0:11:20 | |
-Do we have an ID? -Jessie Francis, apparently. | 0:11:35 | 0:11:38 | |
Daughter of Mick Francis, the guy on the stairs | 0:11:38 | 0:11:40 | |
and, er, mother of... | 0:11:40 | 0:11:42 | |
..Luke, the boy. | 0:11:44 | 0:11:45 | |
Christ. | 0:11:45 | 0:11:47 | |
-She was raped, wasn't she? -She was partially clothed | 0:11:49 | 0:11:52 | |
when she was set on fire but sexual assault may be hard to prove. | 0:11:52 | 0:11:55 | |
Thank you. | 0:11:56 | 0:11:58 | |
Sorry, just need some air. | 0:11:59 | 0:12:03 | |
I almost envy her. | 0:12:25 | 0:12:26 | |
-The baby? -Her shock. -Oh. | 0:12:27 | 0:12:30 | |
Ever since Dad, I feel... I don't even want to say it. | 0:12:33 | 0:12:37 | |
Numb. | 0:12:37 | 0:12:38 | |
How we handle pain, I suppose. | 0:12:39 | 0:12:42 | |
-What if we never get it back again? -He was your dad. | 0:12:43 | 0:12:46 | |
Perhaps the death of strangers just won't register for a while. | 0:12:46 | 0:12:50 | |
Frightening thought. | 0:12:52 | 0:12:54 | |
Perhaps I'm not meant to do this job forever. | 0:12:56 | 0:12:59 | |
-All right? -Yeah. | 0:13:14 | 0:13:17 | |
Sort of. | 0:13:18 | 0:13:20 | |
It is a bad one. | 0:13:21 | 0:13:22 | |
And they've entrusted it to a humble DI who's six months along. | 0:13:22 | 0:13:25 | |
-Do you want to do it? -That's irrelevant. | 0:13:25 | 0:13:28 | |
-Is it? -Yeah. By chucking out time, I'll have been bumped | 0:13:28 | 0:13:31 | |
for some ambitious Chief Super. | 0:13:31 | 0:13:33 | |
But do you want to do it? | 0:13:33 | 0:13:36 | |
Yeah, I do. | 0:13:41 | 0:13:42 | |
All right. | 0:13:43 | 0:13:45 | |
All right, guys. We're almost certainly looking for someone | 0:13:52 | 0:13:55 | |
with previous for sex crimes, even if it's just window peeping. | 0:13:55 | 0:13:58 | |
Jessie Francis was the target here, | 0:13:58 | 0:14:00 | |
her father and her son were collateral damage. | 0:14:00 | 0:14:02 | |
Jessie had a travel pass but no driving licence | 0:14:02 | 0:14:05 | |
so it looked like she and her son came by bus. | 0:14:05 | 0:14:07 | |
Which bus? Where from? Any witnesses see them get off? | 0:14:07 | 0:14:10 | |
Anybody get off at the same time? Erm... | 0:14:10 | 0:14:13 | |
Check with the bus company right now. | 0:14:13 | 0:14:15 | |
They might be scrubbing the CCTV footage as we speak. | 0:14:15 | 0:14:18 | |
We need to go and speak to Jessie's mum. | 0:14:18 | 0:14:21 | |
-I'm so sorry about the memorial service. -Don't be silly. | 0:14:21 | 0:14:23 | |
-Harry told me about Lizzie Fraser. -Yeah. | 0:14:23 | 0:14:26 | |
-So sad. -It's more than sad, it's an outrage. | 0:14:26 | 0:14:30 | |
Poor kids. Did she leave a note or anything? | 0:14:30 | 0:14:32 | |
Didn't have to. Buckinghamshire Police wrote it for her. | 0:14:32 | 0:14:34 | |
Every bloody word. | 0:14:34 | 0:14:36 | |
DI James wanted to know if we could do | 0:14:37 | 0:14:40 | |
the three postmortems consecutively first thing? | 0:14:40 | 0:14:42 | |
I'd be surprised if DI James wasn't bumped before tomorrow. | 0:14:42 | 0:14:45 | |
Exactly what she said, funnily enough. | 0:14:45 | 0:14:47 | |
Obviously, she knows she's out of her depth. | 0:14:47 | 0:14:50 | |
I thought she did OK. Out of her depth how? | 0:14:50 | 0:14:52 | |
Pressing me for cause of death in the middle of a crime scene? | 0:14:52 | 0:14:55 | |
She wanted to get a handle on the situation... | 0:14:55 | 0:14:57 | |
Which we weren't in a position to tell her... | 0:14:57 | 0:14:59 | |
-..in what was a cluster bomb of a scene. -All right, girls. | 0:14:59 | 0:15:02 | |
It's been a long day. | 0:15:06 | 0:15:08 | |
I know, I'm sorry to hear about that. | 0:15:08 | 0:15:10 | |
You're right. It's, er, it's three crime scenes in one. | 0:15:10 | 0:15:15 | |
We'll do the postmortems as a team. Make sure we get the whole picture. | 0:15:15 | 0:15:19 | |
-10am, all right? -Great. | 0:15:20 | 0:15:22 | |
'12 years ago, my sister Mary, a forensic scientist, | 0:15:38 | 0:15:42 | |
'was murdered by a crack addict at a crime scene | 0:15:42 | 0:15:45 | |
'the police were supposed to have secured. | 0:15:45 | 0:15:48 | |
'Now, I did not sue for dismissals, I did not seek to apportion blame. | 0:15:48 | 0:15:52 | |
'And I urged my colleagues at the Forensic Science Service | 0:15:52 | 0:15:56 | |
'to pull together with the police to ensure her killer was convicted. | 0:15:56 | 0:16:01 | |
'Sadly, that spirit of collaboration | 0:16:01 | 0:16:03 | |
'between the police and the FSS is long gone. | 0:16:03 | 0:16:07 | |
'If something goes right, the police take the credit. | 0:16:07 | 0:16:10 | |
'And if something goes wrong, we get the blame. | 0:16:10 | 0:16:13 | |
'The collapse of the case against the so-called Mosque Bomber | 0:16:14 | 0:16:18 | |
'was due to a number of factors, the forensics being just one. | 0:16:18 | 0:16:22 | |
'The evidence that I gave in...' | 0:16:23 | 0:16:25 | |
THUNDER RUMBLES | 0:16:28 | 0:16:30 | |
Have they given you any idea how long this review will last? | 0:16:34 | 0:16:37 | |
No, but the good news is they're starting on Monday. | 0:16:37 | 0:16:41 | |
So, well, it goes without saying, we've nothing to hide so, erm... | 0:16:41 | 0:16:44 | |
well, we're hoping a fortnight, or a month tops. Right, Lizzie? | 0:16:44 | 0:16:49 | |
Right. | 0:16:51 | 0:16:52 | |
Erm, and in the interim you want us to take on Chesham's pathology work? | 0:16:52 | 0:16:58 | |
-Well, in a word, yes. -Erm... | 0:16:58 | 0:17:00 | |
..yes, we can do that. That's fine. | 0:17:02 | 0:17:04 | |
That is bloody great of you. I don't know what to say. | 0:17:04 | 0:17:08 | |
The way the Buckinghamshire Police scapegoated Lizzie is appalling. | 0:17:08 | 0:17:13 | |
You're a true friend, Leo. Especially now we're in competition. | 0:17:15 | 0:17:18 | |
Obviously, we'll contribute stocks and supplies and other resources. | 0:17:18 | 0:17:22 | |
-Thanks. -No. Thank you, Leo. | 0:17:22 | 0:17:26 | |
We'll be in touch, yes? | 0:17:26 | 0:17:27 | |
Erm, right, well, I'll call you, Lizzie. | 0:17:29 | 0:17:32 | |
You look as if you could do with a drink. | 0:17:44 | 0:17:47 | |
THUNDER CRASHES | 0:17:49 | 0:17:50 | |
Ursula, if you want to do this later, absolutely we can. | 0:17:56 | 0:18:00 | |
Jessie took after her dad. Inherited his wild streak. | 0:18:05 | 0:18:11 | |
I was always the odd one out. The boring one. | 0:18:14 | 0:18:17 | |
-How old was Jessie when you and Mick separated? -16. | 0:18:19 | 0:18:24 | |
When she was 15, she got pregnant after a one-night-stand at a party. | 0:18:26 | 0:18:32 | |
And I wanted her to... | 0:18:34 | 0:18:36 | |
stop the pregnancy but she refused. | 0:18:36 | 0:18:41 | |
And... | 0:18:41 | 0:18:42 | |
..her dad stood by her. | 0:18:44 | 0:18:46 | |
She had the baby? | 0:18:46 | 0:18:47 | |
And that was Luke? | 0:18:49 | 0:18:50 | |
-Yes. -OK. | 0:18:51 | 0:18:53 | |
More recently, were there any men in Jessie's life? | 0:18:55 | 0:18:59 | |
Ex-boyfriends or unwanted suitors? | 0:19:00 | 0:19:03 | |
Guys who wouldn't take no for an answer, maybe? | 0:19:03 | 0:19:07 | |
No. | 0:19:08 | 0:19:09 | |
You seem very sure. | 0:19:09 | 0:19:10 | |
Jessie... | 0:19:11 | 0:19:13 | |
..wasn't into boys. | 0:19:15 | 0:19:17 | |
She was gay. | 0:19:17 | 0:19:18 | |
She was always a daddy's girl. | 0:19:23 | 0:19:26 | |
We'd grown closer recently. | 0:19:26 | 0:19:28 | |
She'd calmed down a bit and got a job as a teaching assistant. | 0:19:28 | 0:19:32 | |
Would you... | 0:19:34 | 0:19:36 | |
..would you like to see some video I took | 0:19:36 | 0:19:39 | |
-the last time they came over? -Actually... | 0:19:39 | 0:19:41 | |
Yes, I'd like that very much. | 0:19:41 | 0:19:43 | |
Erm... | 0:20:08 | 0:20:10 | |
Mick had a winged dagger tattoo. Was he a fan of the SAS? | 0:20:10 | 0:20:15 | |
Mick was in the SAS. | 0:20:15 | 0:20:17 | |
I know it doesn't go with the earring and the ponytail, does it? | 0:20:18 | 0:20:22 | |
But that was Mick. | 0:20:23 | 0:20:25 | |
A walking contradiction. | 0:20:25 | 0:20:29 | |
Mick worshipped Jessie. | 0:20:32 | 0:20:34 | |
He would have done everything to save her. | 0:20:38 | 0:20:41 | |
He did. | 0:20:41 | 0:20:43 | |
He did. | 0:20:50 | 0:20:52 | |
The body is that of a well-nourished adult male | 0:20:57 | 0:20:59 | |
appearing approximately the recorded age of 58. | 0:20:59 | 0:21:03 | |
There are no decomposition changes noted. | 0:21:05 | 0:21:08 | |
The deceased is in good general condition. | 0:21:08 | 0:21:11 | |
There are multiple stab wounds to the upper chest and throat. | 0:21:11 | 0:21:15 | |
And to the abdomen. | 0:21:15 | 0:21:17 | |
There are defensive wounds of a similar shape to the left hand... | 0:21:18 | 0:21:22 | |
-But not to the right? -No. | 0:21:22 | 0:21:24 | |
He was right-handed. Why wouldn't he defend himself with his right hand? | 0:21:24 | 0:21:28 | |
-I don't know. -Perhaps he damaged his right hand | 0:21:28 | 0:21:31 | |
when he was freeing himself from the pipe? | 0:21:31 | 0:21:33 | |
-Did he break any bones? -No. | 0:21:33 | 0:21:35 | |
-Then that doesn't add up for me. -You're right. Let's come back to it. | 0:21:35 | 0:21:38 | |
A single right boot print on the victim's back. | 0:21:38 | 0:21:45 | |
And extensive bruising suggesting that he was stamped on | 0:21:46 | 0:21:49 | |
whilst he was still alive. | 0:21:49 | 0:21:51 | |
A-a-a-a-agh! | 0:21:51 | 0:21:53 | |
There's what appears to be a stun gun burn in the middle | 0:21:53 | 0:21:56 | |
of the upper back. | 0:21:56 | 0:21:58 | |
And there are also brush abrasions | 0:21:58 | 0:22:02 | |
studded with grit, | 0:22:02 | 0:22:03 | |
suggesting the body's been dragged for some distance. | 0:22:03 | 0:22:06 | |
Fire-damaged clothes recovered at the scene belong to the victim, | 0:22:06 | 0:22:10 | |
so she was partially undressed shortly before or after her death. | 0:22:10 | 0:22:14 | |
Burn patterns and coloration | 0:22:14 | 0:22:16 | |
suggest that she was splashed with petrol over her genital area. | 0:22:16 | 0:22:19 | |
-That's where he left his DNA? -Very possibly. | 0:22:19 | 0:22:22 | |
-He raped her? -Or he didn't. | 0:22:22 | 0:22:23 | |
As yet there's no forensic evidence of rape. | 0:22:24 | 0:22:27 | |
-You'll swab for semen, though, right? -Of course, | 0:22:27 | 0:22:30 | |
but given the fire damage, I don't hold out much hope. | 0:22:30 | 0:22:33 | |
The, erm, the light stab wounds | 0:22:44 | 0:22:47 | |
across the chest of the boy. | 0:22:47 | 0:22:51 | |
-What's that all about? -They could be hesitation marks. | 0:22:51 | 0:22:54 | |
That's a forensic hallmark indicating an inability to wield the knife. | 0:22:54 | 0:22:59 | |
So he suffocates him instead. He's...altogether easier. | 0:23:01 | 0:23:04 | |
And the bag would spare him the sight of his face. His eyes. | 0:23:04 | 0:23:08 | |
He falters. | 0:23:08 | 0:23:11 | |
He's not a seasoned cold-blooded killer. | 0:23:11 | 0:23:14 | |
Or killers. Could be more than one. | 0:23:14 | 0:23:16 | |
They had absolutely no hesitation at all | 0:23:16 | 0:23:18 | |
about wielding the knife against Mick Francis. | 0:23:18 | 0:23:21 | |
That allows room for a whole other interpretation of Luke's wounds, | 0:23:21 | 0:23:24 | |
that they are evidence of piquerism. | 0:23:24 | 0:23:25 | |
-Piquerism? -A paraphilia in which sexual gratification is found | 0:23:25 | 0:23:29 | |
through the penetration of the skin, typically by stabbing or cutting. | 0:23:29 | 0:23:34 | |
-What's your point? -I'll tell you what it isn't. It's not that I think | 0:23:35 | 0:23:38 | |
piquerism is more likely than hesitation marks. But there are | 0:23:38 | 0:23:41 | |
at least two, probably more valid, different interpretations to be had. | 0:23:41 | 0:23:46 | |
Right, well, now we've cleared that up, let's move on. | 0:23:46 | 0:23:49 | |
Let's. | 0:23:49 | 0:23:50 | |
Is there some kind of new rule prohibiting interpretations | 0:23:52 | 0:23:56 | |
that might be remotely useful? | 0:23:56 | 0:23:59 | |
No, but there's a very old one that says | 0:23:59 | 0:24:01 | |
-the evidence should speak for itself. -Spoken like a politician. | 0:24:01 | 0:24:05 | |
Well, I am a politician, Harry. I have to be. You don't. | 0:24:06 | 0:24:09 | |
Lizzie's death is tragic, but it has no bearing in there. | 0:24:09 | 0:24:14 | |
Apart from the fact that she was scapegoated by the police? | 0:24:14 | 0:24:17 | |
Come on, Leo, there's no conspiracy here. | 0:24:17 | 0:24:20 | |
We are not going to get closed down for doing our job. | 0:24:20 | 0:24:22 | |
Well, actually, we might, if you tell them | 0:24:22 | 0:24:25 | |
that the shallow stab wounds prove a fledgling, guilt-ridden killer | 0:24:25 | 0:24:29 | |
-and he turns out to be nothing of the sort. -I didn't say that. | 0:24:29 | 0:24:33 | |
Well, you were well on your way. I understand it. It's a vile case. | 0:24:33 | 0:24:36 | |
DI James is in over her head. You want to help. | 0:24:36 | 0:24:39 | |
But if you think she won't turn on you | 0:24:39 | 0:24:41 | |
the second that you lead her down a blind alley, then you are deluded. | 0:24:41 | 0:24:44 | |
The police have been the fall guys for years and now they've learned | 0:24:46 | 0:24:49 | |
how to pass the buck to us. And if that sounds like paranoia, | 0:24:49 | 0:24:53 | |
let me introduce you to Lizzie Fraser's husband and two children. | 0:24:53 | 0:24:55 | |
Why didn't Mick Francis defend himself with his right hand? | 0:24:57 | 0:25:00 | |
If we're not here to answer that question, what are we doing? | 0:25:02 | 0:25:06 | |
I got that list of serious sex offenders | 0:25:07 | 0:25:10 | |
-in a ten mile radius. -How many? -157. | 0:25:10 | 0:25:13 | |
I don't have the manpower to interview half of that! | 0:25:13 | 0:25:15 | |
-You'll have to find other criteria, get the list down. -Criteria? | 0:25:15 | 0:25:19 | |
Factors. | 0:25:19 | 0:25:20 | |
-Hello! DI James! Connie! -Hi. -Hi, sorry. | 0:25:29 | 0:25:34 | |
Look, I couldn't help overhearing what you were just talking about | 0:25:35 | 0:25:39 | |
in the foyer and I really don't think you should be wasting your time | 0:25:39 | 0:25:42 | |
looking for a serial sex offender. | 0:25:42 | 0:25:44 | |
-Really? -No. | 0:25:44 | 0:25:47 | |
I think it was a robbery gone wrong. | 0:25:47 | 0:25:50 | |
-The till was empty, yes? -Bonus prize. | 0:25:50 | 0:25:53 | |
Well, except for the fact there was no trace of any blood inside the till | 0:25:53 | 0:25:56 | |
or inside the safe. | 0:25:56 | 0:25:58 | |
-So what? -So if the killer just grabbed the cash on his way out | 0:25:59 | 0:26:03 | |
as a kind of afterthought we'd have transfer. | 0:26:03 | 0:26:06 | |
Wouldn't we? I mean, his hands or his gloves, at least, | 0:26:06 | 0:26:08 | |
would've been covered with blood by then. | 0:26:08 | 0:26:10 | |
Look, I mean, it's human, I know, to see the Devil's work | 0:26:12 | 0:26:18 | |
and expect, or hope maybe, that a devil is responsible. | 0:26:18 | 0:26:22 | |
But, in my experience at least, what you actually find behind the curtain | 0:26:22 | 0:26:26 | |
is often pitifully small. Disappointing even. | 0:26:26 | 0:26:30 | |
OK. What else makes you think it was a robbery? | 0:26:30 | 0:26:33 | |
It'd be easier just to show you. | 0:26:34 | 0:26:36 | |
-Mm-hm. -Yeah? | 0:26:36 | 0:26:39 | |
ELECTRIC CURRENT CRACKLES | 0:26:47 | 0:26:48 | |
ELECTRIC CURRENT CRACKLES | 0:26:51 | 0:26:54 | |
All the evidence points to a lone killer, doesn't it? | 0:27:05 | 0:27:08 | |
It would appear so, but you never know. | 0:27:08 | 0:27:10 | |
OK... | 0:27:11 | 0:27:12 | |
OK, so the killer arrives here at the shop just before it closes. | 0:27:18 | 0:27:24 | |
Maybe he makes a show of buying something | 0:27:35 | 0:27:38 | |
-to distract Mick or to make him turn around... -Makes sense. | 0:27:38 | 0:27:41 | |
I've tilled up. Ah, never mind. What can I get you? | 0:27:41 | 0:27:45 | |
The stun gun burn | 0:28:19 | 0:28:20 | |
-was right in the centre of Mick's back, wasn't it? -Yeah. | 0:28:20 | 0:28:22 | |
A-a-a-agh! | 0:28:24 | 0:28:26 | |
My guess is that that's when he stamped on his back. | 0:28:42 | 0:28:46 | |
Triumphant, like a hunter standing over his kill. | 0:28:46 | 0:28:49 | |
Yea-a-a-ah! | 0:28:49 | 0:28:52 | |
But why cuff him? Why not just take the money and run? | 0:28:52 | 0:28:54 | |
Mick was a big guy. The stun gun will only incapacitate him | 0:28:54 | 0:28:57 | |
-for a short period. -Yeah. He needs time | 0:28:57 | 0:28:59 | |
to get the keys off Mick to unlock the safe... | 0:28:59 | 0:29:03 | |
Which would take, what, a minute? Couple of minutes, tops? | 0:29:03 | 0:29:06 | |
And Mick will cooperate cos he wants this guy gone | 0:29:06 | 0:29:08 | |
before Jessie and Luke arrive. | 0:29:08 | 0:29:10 | |
The killer's first instinct would be to incapacitate Jessie and Luke. | 0:29:13 | 0:29:17 | |
He can't have them raising the alarm. | 0:29:17 | 0:29:18 | |
-Mm-hm, so he brings them in here. -Yeah. | 0:29:18 | 0:29:22 | |
But now he's thinking on his feet. He only brought one set of handcuffs. | 0:29:22 | 0:29:26 | |
Maybe he, I don't know, threatened Luke with the knife | 0:29:28 | 0:29:32 | |
to get Mick to give him the key to the bike lock. | 0:29:32 | 0:29:37 | |
Yeah, and even if Mick resists, Jessie will insist he complies. | 0:29:37 | 0:29:41 | |
I mean, she'll do anything to protect her son. | 0:29:41 | 0:29:44 | |
Don't you dare say anything, you hear me? | 0:29:44 | 0:29:47 | |
And then somewhere around here he notices how beautiful Jessie is. | 0:29:48 | 0:29:54 | |
The kind of girl he'd never get near in the real world. | 0:29:55 | 0:29:58 | |
MOBILE PHONE RINGS | 0:29:58 | 0:30:00 | |
-Sorry. -Yeah. | 0:30:00 | 0:30:02 | |
'You've reached Dr Harry Cunningham's phone. | 0:30:04 | 0:30:06 | |
'I can't take your call...' | 0:30:06 | 0:30:09 | |
Oh, Leo. I've identified the model of the stun gun. | 0:30:09 | 0:30:12 | |
It's German. Like the police issue handcuffs and the Kevlar mine boots | 0:30:12 | 0:30:15 | |
it's top-of-the-range stuff. Not much change from a grand. | 0:30:15 | 0:30:19 | |
-Stun guns are illegal in the UK. -And Europe but not the States. | 0:30:19 | 0:30:22 | |
-We should be looking at mail order survivalist websites. -Where's Harry? | 0:30:22 | 0:30:26 | |
I don't know. | 0:30:26 | 0:30:27 | |
OK, a question. | 0:30:28 | 0:30:30 | |
Why does he risk taking Jessie all the way over to the house? | 0:30:30 | 0:30:33 | |
Move. | 0:30:33 | 0:30:35 | |
It's going to be OK, Luke. | 0:30:35 | 0:30:38 | |
Leave her alone, you bastard! | 0:30:40 | 0:30:41 | |
Why not? I mean, Mick and Luke are safely subdued. | 0:30:43 | 0:30:46 | |
He can't have the kid screaming, | 0:30:46 | 0:30:48 | |
plus Jessie is compliance itself by now. | 0:30:48 | 0:30:51 | |
What? "If I give him what he wants, then he'll let my son live"? | 0:30:51 | 0:30:54 | |
Do it. Do it! | 0:31:12 | 0:31:15 | |
We don't need to linger on what happened inside the house. | 0:31:19 | 0:31:22 | |
He's destroyed the evidence anyway. | 0:31:22 | 0:31:25 | |
But he is now a murderer. | 0:31:25 | 0:31:27 | |
So all he's focused on is getting away with it. He comes back here | 0:31:27 | 0:31:30 | |
-to finish off Mick and Luke. -Kills Mick. | 0:31:30 | 0:31:33 | |
And that left Luke. | 0:31:33 | 0:31:36 | |
God, how scared must he have been? | 0:31:38 | 0:31:41 | |
The killer must have been pretty jumpy too. | 0:31:41 | 0:31:43 | |
Hang on a second, look at this. | 0:31:43 | 0:31:46 | |
Look at this. | 0:31:46 | 0:31:48 | |
You all right, Luke? | 0:31:53 | 0:31:54 | |
I think he got a nasty surprise from Mick. There was a fight. | 0:31:55 | 0:31:58 | |
Leave him alone! | 0:32:11 | 0:32:12 | |
Grandad... | 0:32:15 | 0:32:16 | |
Yes, that's why the pipe was all the way over here. | 0:32:17 | 0:32:20 | |
I knew he had to have a reason for dragging Mick over there. | 0:32:20 | 0:32:22 | |
-He's trying to burn the body. -Yeah, but not Luke. | 0:32:22 | 0:32:24 | |
-Why drag Mick? -Well, he's not worried about us finding transfer on Luke. | 0:32:24 | 0:32:28 | |
Exactly. He must have lost some blood. | 0:32:28 | 0:32:30 | |
So if the pipe made contact with the killer, there's a chance of DNA? | 0:32:30 | 0:32:34 | |
A fighting chance. | 0:32:34 | 0:32:35 | |
-'Dr Alexander?' -Speaking. | 0:32:35 | 0:32:37 | |
-'This is St Clare's Church.' -Oh, hi. | 0:32:37 | 0:32:41 | |
'I hope your father's memorial | 0:32:41 | 0:32:43 | |
-'went off to your satisfaction?' -Yes. Thanks. | 0:32:43 | 0:32:45 | |
'Good, well, listen, I'm just calling because we had rather a lot | 0:32:45 | 0:32:50 | |
'of unused service sheets left over.' | 0:32:50 | 0:32:52 | |
Oh, right, erm...yes, that's my fault, I printed too many. | 0:32:52 | 0:32:55 | |
'Well, do you want to come and pick them up or shall we, erm, | 0:32:55 | 0:33:00 | |
'shall we dispose of them?' | 0:33:00 | 0:33:02 | |
'Dr Alexander?' | 0:33:04 | 0:33:06 | |
-You can dispose of them, thanks. -'Thank you.' | 0:33:10 | 0:33:13 | |
-We have blood spatter. -Could be Mick's? Trying to free himself? | 0:33:25 | 0:33:29 | |
Nope, the pattern looks like a single sharp impact. | 0:33:29 | 0:33:31 | |
Good news? | 0:33:31 | 0:33:33 | |
If the killer's DNA is on the database, very good news. | 0:33:33 | 0:33:36 | |
Harry? | 0:33:37 | 0:33:39 | |
Actually, I just need to make some phone calls. | 0:33:41 | 0:33:44 | |
Have you been back to the crime scene? | 0:33:47 | 0:33:49 | |
Hmm. Trying to figure out a chronology. | 0:33:49 | 0:33:51 | |
-Were you going to mention it? -No need. | 0:33:51 | 0:33:53 | |
Just a spur-of-the-moment thing. | 0:33:53 | 0:33:56 | |
Honestly. | 0:33:57 | 0:33:58 | |
And? | 0:33:58 | 0:33:59 | |
-And I didn't want Leo throwing a spanner in the works. -Harry... | 0:34:01 | 0:34:04 | |
We can't just stop working because a friend of Leo's | 0:34:04 | 0:34:07 | |
has been unfairly treated, IF that is what happened. For all we know | 0:34:07 | 0:34:10 | |
she was guilty of misleading Buckinghamshire Police. | 0:34:10 | 0:34:12 | |
Just because Leo's been affected, that's no reason to think... | 0:34:12 | 0:34:15 | |
Come on, there's every reason! You saw him in that postmortem. | 0:34:15 | 0:34:18 | |
He was so censoring! He didn't allow anything for this investigation | 0:34:18 | 0:34:21 | |
-to work on. -We're a team. -No, we're not a team. | 0:34:21 | 0:34:24 | |
We're part of a team. And the other part is the police. | 0:34:24 | 0:34:27 | |
And if we just stop engaging with them | 0:34:27 | 0:34:29 | |
then the only winners are the bad guys. | 0:34:29 | 0:34:33 | |
PHONE RINGS | 0:34:45 | 0:34:48 | |
Tom Byrne. | 0:34:49 | 0:34:51 | |
Thank you. | 0:34:58 | 0:34:59 | |
-Where? -A farm off the M25. | 0:35:09 | 0:35:13 | |
Three people are dead. One of them a child. | 0:35:14 | 0:35:17 | |
-We sure it's her? -DNA says so. | 0:35:17 | 0:35:20 | |
I want to speak to the senior forensics, the pathologist | 0:35:20 | 0:35:22 | |
-and the DI who was in charge until 30 seconds ago. -Yes, sir. | 0:35:22 | 0:35:25 | |
And Ginny? | 0:35:25 | 0:35:26 | |
I want them to come here. They need to see what they're a part of. | 0:35:28 | 0:35:31 | |
'If something goes right, the police take the credit, | 0:35:40 | 0:35:44 | |
'and if something goes wrong, we get the blame.' | 0:35:44 | 0:35:47 | |
There was one batch of toxicology which showed traces | 0:35:53 | 0:35:56 | |
of hydroquinone peroxide under his fingernails. | 0:35:56 | 0:35:59 | |
So not the bog-standard peroxide | 0:35:59 | 0:36:00 | |
that he might have come into contact with at his work? | 0:36:00 | 0:36:03 | |
Right, and the police got very excited | 0:36:03 | 0:36:05 | |
when I said that hydroquinone might be a potentially explosive catalyst. | 0:36:05 | 0:36:10 | |
-But you re-tested? -Of course. | 0:36:10 | 0:36:11 | |
No hydroquinone. | 0:36:11 | 0:36:13 | |
How did the police take that? | 0:36:15 | 0:36:16 | |
Badly. By that time they'd made up their mind. | 0:36:16 | 0:36:19 | |
Deepak Khan had been making bombs. | 0:36:19 | 0:36:21 | |
They'd had him on their watch list for years | 0:36:21 | 0:36:24 | |
and they wanted their day in court. | 0:36:24 | 0:36:26 | |
So how do you account for that first test? | 0:36:26 | 0:36:28 | |
Cross-contamination. A misreading. | 0:36:31 | 0:36:34 | |
Or Khan really had got trace amounts of the chemical on him. | 0:36:34 | 0:36:39 | |
Three possibilities. | 0:36:39 | 0:36:40 | |
None very satisfactory? | 0:36:40 | 0:36:42 | |
No. | 0:36:42 | 0:36:44 | |
Don't...don't take this the wrong way but... | 0:36:47 | 0:36:49 | |
..is there any way you might have misled the police? | 0:36:51 | 0:36:53 | |
In court, under huge pressure, I may have changed one "probable" | 0:36:58 | 0:37:05 | |
in my police report to a "possible" but that's it. | 0:37:05 | 0:37:10 | |
It never crossed my mind | 0:37:10 | 0:37:12 | |
they were pinning their entire case against Khan on my interpretation. | 0:37:12 | 0:37:16 | |
No, of course not. | 0:37:16 | 0:37:17 | |
When my sister died... | 0:37:23 | 0:37:25 | |
..I nearly stopped. | 0:37:27 | 0:37:28 | |
Not because I was afraid or angry | 0:37:28 | 0:37:32 | |
or because I thought it would happen to me... | 0:37:32 | 0:37:35 | |
..but because... | 0:37:36 | 0:37:37 | |
What? | 0:37:39 | 0:37:40 | |
It's crazy. | 0:37:43 | 0:37:44 | |
Lizzie. | 0:37:44 | 0:37:47 | |
You can tell me. | 0:37:47 | 0:37:48 | |
I felt as though Mary was telling me to stop. | 0:37:50 | 0:37:54 | |
Warning me. | 0:37:54 | 0:37:57 | |
There. | 0:38:01 | 0:38:02 | |
Told you it was crazy. | 0:38:03 | 0:38:04 | |
Hey, hey, come on. | 0:38:06 | 0:38:09 | |
LIZZIE SOBS | 0:38:09 | 0:38:11 | |
I've been wanting to do that for 20 years. | 0:39:04 | 0:39:07 | |
Goodbye, Leo. | 0:39:11 | 0:39:12 | |
I've caused you enough trouble already. | 0:39:13 | 0:39:16 | |
Leo! I was worried. The office said you left two hours ago. | 0:39:44 | 0:39:48 | |
I'm sorry, I'm sorry. I've just been driving around, you know. | 0:39:48 | 0:39:53 | |
-I understand, I just wanted... -Hello, Simon. -Leo. | 0:39:53 | 0:39:57 | |
I'm arranging Lizzie's funeral. | 0:39:59 | 0:40:01 | |
Greg's not up to it, I'm afraid. He's, erm, he's in a dreadful state. | 0:40:01 | 0:40:04 | |
Oh. Well, that's very good of you. | 0:40:04 | 0:40:07 | |
He wanted me to pass on a message, though. | 0:40:07 | 0:40:09 | |
-OK? -He's very much hoping that you would read at the service. | 0:40:09 | 0:40:14 | |
Yeah, of course. Yeah, of course. I'd be glad to. | 0:40:15 | 0:40:18 | |
Leo. | 0:40:21 | 0:40:23 | |
Hon... | 0:40:23 | 0:40:25 | |
Simon said you saw Lizzie last week? | 0:40:25 | 0:40:28 | |
-Week before last, actually. -You didn't mention it. | 0:40:28 | 0:40:31 | |
-Didn't I? -No. | 0:40:31 | 0:40:33 | |
I told you I'd agreed to help out with their workload. | 0:40:34 | 0:40:37 | |
They came to see me about that. | 0:40:37 | 0:40:38 | |
It's not the kind of thing you sort out on the phone. | 0:40:38 | 0:40:41 | |
No, of course. How did she seem? | 0:40:41 | 0:40:44 | |
Fine, well, upset. Understandably so. | 0:40:46 | 0:40:50 | |
But relieved you were stepping into the breach? | 0:40:50 | 0:40:53 | |
Yeah. Yeah, of course. | 0:40:53 | 0:40:55 | |
-What? -Just seems a bit odd you didn't mention it. | 0:40:58 | 0:41:02 | |
I mean, not at the time but...afterwards. | 0:41:02 | 0:41:05 | |
-PHONE RINGS -I'm sorry. Hello? | 0:41:05 | 0:41:10 | |
This is...this is the Wraith inquiry. | 0:41:35 | 0:41:39 | |
It is indeed. | 0:41:40 | 0:41:41 | |
First she was the Ghost. | 0:41:41 | 0:41:44 | |
Then a Scottish crime correspondent christened her the Wraith. | 0:41:44 | 0:41:48 | |
-And what has it got to do with our case? -Let me offer some background. | 0:41:48 | 0:41:52 | |
Since 2000, the DNA of an unidentified female perpetrator, | 0:41:52 | 0:41:57 | |
the Wraith, has been found at a huge array of crime scenes | 0:41:57 | 0:42:02 | |
across Buckinghamshire and Hertfordshire, most notably | 0:42:02 | 0:42:06 | |
the murder of PC Maalik Amar in Marlow on Christmas Eve 2010. | 0:42:06 | 0:42:10 | |
But that was not the Wraith's first murder. | 0:42:10 | 0:42:13 | |
She killed Meg Stiles in November 2000, | 0:42:17 | 0:42:20 | |
apparently for the meagre contents of a jewellery box. | 0:42:20 | 0:42:24 | |
Now it seems her DNA has been found at the Ashtree Farm crime scene. | 0:42:24 | 0:42:29 | |
Inside a pipe, I believe. | 0:42:29 | 0:42:31 | |
Sorry, sir. The recovered DNA is female? | 0:42:31 | 0:42:34 | |
One set is female, one set is male. | 0:42:34 | 0:42:36 | |
But there was only one set of shoe prints...sir. | 0:42:36 | 0:42:39 | |
-I have some questions of my own if that's all right? -No... | 0:42:39 | 0:42:43 | |
-I mean, yes. Of course. -Thank you. | 0:42:43 | 0:42:46 | |
Now I understand this was a messy, complicated scene | 0:42:46 | 0:42:49 | |
with a high volume of trace evidence. | 0:42:49 | 0:42:51 | |
-That's correct. -Is there a specific reason why you chose | 0:42:51 | 0:42:55 | |
to swab inside the pipe? | 0:42:55 | 0:42:56 | |
Well, when I...when we reconstructed the scene, it became clear | 0:42:56 | 0:43:01 | |
that Mick Francis had used the pipe as an improvised weapon. | 0:43:01 | 0:43:05 | |
What led you to that conclusion? | 0:43:05 | 0:43:08 | |
There was an outstanding question from the postmortem | 0:43:08 | 0:43:10 | |
as to why Francis had defensive injuries on his left hand, | 0:43:10 | 0:43:13 | |
not his right when he was right-handed. | 0:43:13 | 0:43:15 | |
Attack is the best form of defence. | 0:43:15 | 0:43:16 | |
We also found crescent-shaped indentations on a wooden doorframe, | 0:43:16 | 0:43:19 | |
which matched the circumference of the pipe. | 0:43:19 | 0:43:22 | |
-Any splinters of wood inside the pipe? -Yeah, some. | 0:43:22 | 0:43:25 | |
Sounds like your theory panned out, then? | 0:43:25 | 0:43:27 | |
Not quite, sir. We felt sure the perpetrator was male. | 0:43:27 | 0:43:30 | |
Acting alone. | 0:43:30 | 0:43:32 | |
It's entirely possible, in fact probable, that a male was present. | 0:43:32 | 0:43:38 | |
Ginny, can we have a look at the Amar footage? | 0:43:38 | 0:43:41 | |
Now this is CCTV footage depicting the murder of PC Maalik Amar | 0:43:44 | 0:43:50 | |
on Christmas Eve 2010. | 0:43:50 | 0:43:52 | |
-Is it the slighter figure that you think is The Wraith? -Aye. | 0:44:23 | 0:44:27 | |
We recovered DNA on the far side of the back seat | 0:44:27 | 0:44:30 | |
the CCTV showed her climbing in. | 0:44:30 | 0:44:32 | |
The dynamic between the shooter and the Wraith gels with our profile. | 0:44:32 | 0:44:37 | |
That she's an addictive personality who lives for kicks, | 0:44:37 | 0:44:40 | |
whether it's drugs or giving the finger to the police | 0:44:40 | 0:44:45 | |
-or turning lowlife losers into killers. -And rapists? | 0:44:45 | 0:44:49 | |
-So it would seem. -Are you surprised she'd be involved in a sexual assault | 0:44:49 | 0:44:53 | |
-on another woman? -Nothing would surprise me at this point in time. | 0:44:53 | 0:44:57 | |
The sexual element, together with the murder of a child, are new. | 0:44:57 | 0:45:01 | |
But as you've seen, cold-blooded murder and male accomplices are not. | 0:45:01 | 0:45:06 | |
Over the years, DNA evidence suggests she likes working with men. | 0:45:06 | 0:45:09 | |
And those identified have proven to be drug addicts | 0:45:09 | 0:45:11 | |
and lowlife criminals - weak people she can manipulate. | 0:45:11 | 0:45:14 | |
Has she ever worked with the same man twice? | 0:45:14 | 0:45:16 | |
Once. And the lucky guy hanged himself in his cell | 0:45:16 | 0:45:21 | |
while we were questioning him about her. | 0:45:21 | 0:45:23 | |
That's the level of fear she instils. | 0:45:23 | 0:45:26 | |
But he did furnish us with an E-FIT before he killed himself. | 0:45:26 | 0:45:30 | |
I've taken over many cases from other officers | 0:45:32 | 0:45:34 | |
during the course of this inquiry. | 0:45:34 | 0:45:36 | |
And I've benefited greatly | 0:45:36 | 0:45:38 | |
from a full and comprehensive debrief in each case. | 0:45:38 | 0:45:41 | |
But you should be under no illusions. | 0:45:43 | 0:45:45 | |
The Ashtree Farm murderers will be subsumed into my inquiry. | 0:45:45 | 0:45:49 | |
DI James? | 0:45:52 | 0:45:54 | |
Yes, sir. Of course. | 0:45:54 | 0:45:56 | |
Harry? | 0:45:56 | 0:45:57 | |
When exactly did you and DI James "reconstruct the scene" together? | 0:46:10 | 0:46:13 | |
I had a specific and I hope valuable reading of the scene | 0:46:13 | 0:46:16 | |
-I wanted her to hear. -I'd like to hear it too | 0:46:16 | 0:46:19 | |
if that's all right with you. | 0:46:19 | 0:46:21 | |
OK. Erm...essentially that it was a robbery gone bad. | 0:46:21 | 0:46:24 | |
That sounds more like a reading of a criminal than a crime scene. | 0:46:24 | 0:46:27 | |
-Never been a problem in the past. -Well, it is now. | 0:46:27 | 0:46:31 | |
Leo, I work with you, not for you. | 0:46:31 | 0:46:33 | |
Not even with me so far on this showing! | 0:46:33 | 0:46:36 | |
Moving forward, it makes sense if I deal with one pathologist | 0:46:36 | 0:46:40 | |
rather than three. | 0:46:40 | 0:46:41 | |
Would that be you, Professor Dalton? | 0:46:43 | 0:46:44 | |
No, it will be Dr Alexander. | 0:46:44 | 0:46:46 | |
This is a triple murder linked to one of the worst serial offenders | 0:46:50 | 0:46:53 | |
-in recent memory. -I'm aware of that. -And you're just too busy, are you? | 0:46:53 | 0:46:57 | |
Something better to be doing? | 0:46:57 | 0:46:59 | |
My administrative duties stack up | 0:46:59 | 0:47:00 | |
at this time of year and your case requires 100%. | 0:47:00 | 0:47:04 | |
And on top of those duties, | 0:47:04 | 0:47:06 | |
-you're shouldering the workload of the Chesham lab? -That's right. | 0:47:06 | 0:47:10 | |
No doubt you're acquainted with the pathologist who committed suicide. | 0:47:10 | 0:47:14 | |
Professor Fraser. I imagine among the Forensic Pathology community | 0:47:14 | 0:47:19 | |
there's a sense that Buckinghamshire Police are to blame. | 0:47:19 | 0:47:21 | |
That they made her a scapegoat for their big case crashing and burning. | 0:47:21 | 0:47:26 | |
Is that why you don't want to work with me? | 0:47:26 | 0:47:29 | |
I was more than acquainted with Professor Lizzie Fraser. | 0:47:29 | 0:47:32 | |
She was a good friend of mine. | 0:47:32 | 0:47:34 | |
-And actually it's not the only reason. -I'm intrigued. | 0:47:34 | 0:47:37 | |
It was my partner Janet who did the profile for you. | 0:47:37 | 0:47:40 | |
So being involved so closely feels inappropriate. | 0:47:40 | 0:47:43 | |
Janet. A small world. | 0:47:43 | 0:47:46 | |
-How is she? -Oh, she's fine. | 0:47:46 | 0:47:48 | |
She did a great job for us. | 0:47:49 | 0:47:52 | |
A light in the darkness. | 0:47:52 | 0:47:53 | |
You be sure to give her my best. | 0:47:53 | 0:47:55 | |
Sir, there's a call. | 0:47:55 | 0:47:58 | |
Excuse me. | 0:47:59 | 0:48:00 | |
Surely what happened at Ashtree Farm is an atrocity | 0:48:05 | 0:48:08 | |
that requires the combined efforts of all three of us? | 0:48:08 | 0:48:10 | |
Number one, there was nothing "combined" about you and DI James | 0:48:10 | 0:48:13 | |
going off to reconstruct the crime scene. And number two, | 0:48:13 | 0:48:16 | |
you're not off the case. You're working to Nikki. | 0:48:16 | 0:48:18 | |
-Do you have a problem with that? -Of course not. | 0:48:18 | 0:48:21 | |
What I have a problem with is why I am working to her on this case. | 0:48:21 | 0:48:24 | |
And I cannot believe that if Lizzie Fraser was here... Never mind. | 0:48:24 | 0:48:27 | |
-What? If Lizzie Fraser was here...what? -Never mind. | 0:48:27 | 0:48:31 | |
Come on, Harry! Courage and conviction! | 0:48:31 | 0:48:33 | |
I cannot believe that if Lizzie Fraser was here | 0:48:33 | 0:48:36 | |
she would want this dead young woman and her son short-changed | 0:48:36 | 0:48:39 | |
so that you can prove a point! | 0:48:39 | 0:48:42 | |
-Leo! -Nikki? | 0:48:47 | 0:48:49 | |
In the morning I'd like you to walk me through the scene | 0:48:54 | 0:48:56 | |
at Ashtree Farm. | 0:48:56 | 0:48:58 | |
Meantime... | 0:48:58 | 0:48:59 | |
Connie. | 0:48:59 | 0:49:01 | |
I'll get you the postmortem reports | 0:49:01 | 0:49:02 | |
of our other victims to bring you up to speed. | 0:49:02 | 0:49:05 | |
I think we need to document everything we found at Ashtree Farm. | 0:49:08 | 0:49:11 | |
-Now. Today. -Why? -I don't know. | 0:49:11 | 0:49:14 | |
Two people? Really? Maybe we just missed something. | 0:49:15 | 0:49:18 | |
Going around a Detective Super. It's a bad idea. | 0:49:20 | 0:49:22 | |
-Who said anything about going around anyone? -I'm off the case. | 0:49:22 | 0:49:24 | |
-You heard him. -I also heard him say he values | 0:49:24 | 0:49:27 | |
"a full and comprehensive debrief". | 0:49:27 | 0:49:29 | |
You should've been a bloody lawyer. | 0:49:29 | 0:49:31 | |
Come on, let's get it all down. We'll get a take-away, my treat. | 0:49:31 | 0:49:33 | |
Rash words. I'm eating for two. | 0:49:33 | 0:49:36 | |
Really? I thought you were just fat. | 0:49:36 | 0:49:37 | |
Could you clear Dr Alexander a desk, Ginny? | 0:49:42 | 0:49:44 | |
And dig out the path reports for the three murders. | 0:49:44 | 0:49:47 | |
-Sure. -Listen up, people! | 0:49:47 | 0:49:51 | |
Go home. Get some sleep. I sense tomorrow will be a long day. | 0:49:52 | 0:49:57 | |
This triple murder feels disorganised and reckless. | 0:49:58 | 0:50:03 | |
She'll be vulnerable, on edge... | 0:50:03 | 0:50:07 | |
and God willing she might even make a mistake. | 0:50:07 | 0:50:10 | |
The morning briefing is here at 5am. Off you go. | 0:50:10 | 0:50:13 | |
You too, Ginny. | 0:50:14 | 0:50:16 | |
-Shouldn't there be a preliminary...? -I need you on your game tomorrow. | 0:50:16 | 0:50:19 | |
-Yes, sir. -Make yourself at home. | 0:50:19 | 0:50:22 | |
RINGS DOORBELL | 0:50:43 | 0:50:45 | |
HEAVY METAL MUSIC PLAYS | 0:50:55 | 0:50:57 | |
All right? | 0:51:06 | 0:51:07 | |
You're all over the news, man. You killed a kid. | 0:51:22 | 0:51:25 | |
Collateral damage. Bit of mission creep... | 0:51:25 | 0:51:28 | |
bit of course-correction required. | 0:51:28 | 0:51:31 | |
Yeah, but what's your plan? What's your exit strategy? | 0:51:31 | 0:51:34 | |
What're you talking about? "Exit strategy!" | 0:51:34 | 0:51:38 | |
-You're a moron, you know that? -At least I'm not | 0:51:38 | 0:51:40 | |
The Most Wanted Man In England. | 0:51:40 | 0:51:42 | |
Give it a week. They'll find something else to worry about. | 0:51:42 | 0:51:44 | |
Iraq, Afghanistan, the stock market. | 0:51:44 | 0:51:48 | |
Hey, get your trainers off the covers. My mum's just washed them. | 0:51:52 | 0:51:56 | |
Just tell me again. What happened? | 0:52:06 | 0:52:08 | |
-From the beginning. -Will you shut up? You're putting me off! | 0:52:08 | 0:52:12 | |
-Don't know why I bother coming round. -Yeah, me neither. | 0:52:12 | 0:52:14 | |
Meg was a schoolteacher, a First Aid volunteer, | 0:52:28 | 0:52:33 | |
a fund-raiser for a Cancer Research, | 0:52:33 | 0:52:36 | |
and the mother of five boys. | 0:52:36 | 0:52:39 | |
Murdered in her home for loose change | 0:52:39 | 0:52:40 | |
and a couple of silver-plated rings worth 50 quid. | 0:52:40 | 0:52:44 | |
Where was the DNA found? | 0:52:44 | 0:52:45 | |
On the scarf and a teacup. Are you one sugar? | 0:52:45 | 0:52:48 | |
Yes, one please. And Ray Carpenter? | 0:52:48 | 0:52:51 | |
Antique dealer in Windsor, low end of the market. | 0:52:51 | 0:52:54 | |
He was shutting up shop on a Friday night when she attacked. | 0:52:54 | 0:52:58 | |
20 stab wounds and immolation. What does that say to you? | 0:52:59 | 0:53:03 | |
-Listen, I'm not a profiler... -Come on, Nikki. | 0:53:04 | 0:53:08 | |
None of us work in isolation. | 0:53:08 | 0:53:10 | |
Off the record? | 0:53:10 | 0:53:12 | |
Overkill like that typically suggests a very personal motive, | 0:53:15 | 0:53:19 | |
or the aggressor's suffering from some form of psychosis. | 0:53:19 | 0:53:23 | |
Janet's profile suggests a long-term but high-functioning drug addict. | 0:53:24 | 0:53:31 | |
-Right. Based on what? -Based on the fact that two days after | 0:53:31 | 0:53:34 | |
she murdered Ray Carpenter, | 0:53:34 | 0:53:36 | |
a syringe of her blood was found in a school playground. | 0:53:36 | 0:53:38 | |
There was heroin residue mixed in with the blood. | 0:53:38 | 0:53:41 | |
What about her other crimes? | 0:53:43 | 0:53:45 | |
DNA links her to 16 break-ins, three street robberies, | 0:53:46 | 0:53:49 | |
and a dozen or so car thefts. | 0:53:49 | 0:53:51 | |
Her DNA was also found on a bullet | 0:53:53 | 0:53:57 | |
recovered from the brain of a nightclub bouncer. | 0:53:57 | 0:54:01 | |
Now we don't think she was present at the scene. | 0:54:01 | 0:54:04 | |
More likely she sold the gun to the killer. | 0:54:04 | 0:54:07 | |
The three street robberies, what kinds of descriptions did they give? | 0:54:07 | 0:54:10 | |
Vague. She's always hooded or masked | 0:54:10 | 0:54:14 | |
and nearly all her crimes were committed at night. | 0:54:14 | 0:54:16 | |
-The guy was ex-SAS. Ex-SAS! -No shit, Sherlock. | 0:54:19 | 0:54:24 | |
Dark, man. | 0:54:25 | 0:54:27 | |
You are dark. I knew you were bad but this? This is... | 0:54:29 | 0:54:32 | |
Was there a woman? Was there anybody up there with you at the farm? | 0:54:37 | 0:54:42 | |
What?! | 0:54:42 | 0:54:43 | |
-Again. -Just, did anyone, you know, talk you into it? | 0:54:48 | 0:54:51 | |
What the hell would you say a stupid thing like that for? | 0:54:51 | 0:54:54 | |
Eh? | 0:54:54 | 0:54:55 | |
The Devil. | 0:55:14 | 0:55:16 | |
The Devil was up there with me. | 0:55:17 | 0:55:21 | |
She's a thrill seeker of the most dangerous kind. | 0:55:58 | 0:56:02 | |
And the biggest kick of all is embroiling the weak | 0:56:02 | 0:56:05 | |
and the needy in her crimes. Killing by remote control. | 0:56:05 | 0:56:09 | |
Come on, Lee. Now it's time to clean up. | 0:56:09 | 0:56:12 | |
You think she went into the house with the killer and Jessie? | 0:56:13 | 0:56:17 | |
-You think she witnessed the rape? -At the killing of PC Amar | 0:56:17 | 0:56:20 | |
she got into the car with the gunman. | 0:56:20 | 0:56:22 | |
Sir, it's me. I don't know what kind of face | 0:56:22 | 0:56:24 | |
Dr Alexander's putting on for you but it's not her real one. | 0:56:24 | 0:56:27 | |
And DI James is still very much on the team. | 0:56:27 | 0:56:29 | |
You disobeyed a direct order from a senior officer | 0:56:29 | 0:56:33 | |
-and you're obstructing a live inquiry. -Bullshit. -Harry, don't. | 0:56:33 | 0:56:36 | |
-I'd be careful. -Why's that? | 0:56:36 | 0:56:38 | |
Detective Superintendent Byrne is very possessive of this case. | 0:56:38 | 0:56:41 | |
And his bite is considerably worse than his bark. | 0:56:41 | 0:56:45 | |
12 years we've been waiting for this! | 0:56:45 | 0:56:47 | |
She's killed a cop. So what's left? | 0:56:47 | 0:56:50 | |
Have you all come here to question Janet's findings? | 0:56:50 | 0:56:53 | |
They're more afraid of her than they are of me. | 0:56:55 | 0:56:59 | |
I'm not a cold-blooded killer. | 0:56:59 | 0:57:01 | |
Subtitles by Red Bee Media Ltd | 0:57:04 | 0:57:07 |