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LEO: I'm a pathologist. | 0:00:02 | 0:00:03 | |
I've devoted my life to the science of cause and effect. | 0:00:03 | 0:00:06 | |
I examine what is left behind when life is extinct. | 0:00:06 | 0:00:09 | |
I determine cause of death, because there is always a cause, a reason. | 0:00:09 | 0:00:13 | |
Life is absolute, we will all die. | 0:00:13 | 0:00:16 | |
And there will always be a reason. | 0:00:16 | 0:00:19 | |
PANICKED BREATHING | 0:00:19 | 0:00:21 | |
So people come to us. They ask us the questions they've always asked. | 0:00:25 | 0:00:30 | |
They come to science because they believe | 0:00:30 | 0:00:33 | |
that, in knowledge, there is some comfort, | 0:00:33 | 0:00:35 | |
that if we know how, we'll understand why. | 0:00:35 | 0:00:38 | |
PANICKED BREATHING | 0:00:38 | 0:00:40 | |
# Testator silens | 0:00:55 | 0:01:02 | |
# Costestes et spiritu | 0:01:02 | 0:01:09 | |
# Silentium. # | 0:01:11 | 0:01:17 | |
'This is Dr Kimber.' | 0:01:24 | 0:01:26 | |
Dr Kimber, thank you for talking to me. I'm calling about a case | 0:01:26 | 0:01:31 | |
that was on your roster this morning. Eve Gilston, 15. | 0:01:31 | 0:01:34 | |
I looked for it on the system, but it doesn't appear to have come up yet. | 0:01:34 | 0:01:37 | |
'Who did you say you are?' | 0:01:37 | 0:01:39 | |
Sorry. Professor Dalton, Lyell Centre. | 0:01:39 | 0:01:41 | |
'Yes, Eve Gilston. | 0:01:41 | 0:01:43 | |
'Teenager, previously of good health, no trauma, | 0:01:43 | 0:01:46 | |
'no signs of toxins or sepsis. | 0:01:46 | 0:01:48 | |
-'Heart? -210 grams. | 0:01:48 | 0:01:50 | |
'No obvious cardiomyopathy. | 0:01:50 | 0:01:51 | |
'I'm waiting to hear which cardiac pathologist is going to take it on. | 0:01:51 | 0:01:55 | |
'Send her to me. I'll take it.' | 0:01:55 | 0:01:58 | |
There's no obvious cell disarray, no signs of hypertrophy. | 0:02:08 | 0:02:12 | |
Did you talk to him? | 0:02:13 | 0:02:15 | |
Mm-hm. | 0:02:15 | 0:02:16 | |
I mean REALLY talk to him? | 0:02:16 | 0:02:18 | |
-Yes, I talked to him. -You didn't talk to him, did you? | 0:02:18 | 0:02:20 | |
He's a grown man, for heaven's sake. | 0:02:20 | 0:02:22 | |
-So are you! -And men just don't... | 0:02:22 | 0:02:24 | |
talk to each other about that kind of stuff. | 0:02:24 | 0:02:27 | |
-What, you mean the trivial stuff that women talk about? -HE LAUGHS | 0:02:27 | 0:02:31 | |
I thought he was taking some time off anyway. | 0:02:31 | 0:02:33 | |
Talk to him. | 0:02:33 | 0:02:35 | |
15-year-old girl, | 0:02:37 | 0:02:39 | |
no drugs, no alcohol, died alone in her bed, | 0:02:39 | 0:02:42 | |
grandmother dropped dead at 30, | 0:02:42 | 0:02:44 | |
-no other known history of heart disease. -Heavy heart? | 0:02:44 | 0:02:47 | |
Normal heart weight. | 0:02:47 | 0:02:48 | |
So, a sudden arrhythmic death. | 0:02:49 | 0:02:51 | |
Whoever coined that really was a genius, weren't they? | 0:02:53 | 0:02:55 | |
Looks so much better on the PM than, "Heart stopped. | 0:02:55 | 0:02:59 | |
"Don't know why." | 0:02:59 | 0:03:00 | |
Long QT Syndrome? | 0:03:02 | 0:03:03 | |
Ah, so you do pay attention occasionally. | 0:03:03 | 0:03:06 | |
HE CHUCKLES | 0:03:06 | 0:03:07 | |
Slices of heart and frozen spleen. | 0:03:07 | 0:03:09 | |
No, no. Don't. | 0:03:09 | 0:03:11 | |
What? | 0:03:11 | 0:03:12 | |
You're about to make a food joke. | 0:03:12 | 0:03:14 | |
Heart curry or spleen fricassee or something. It's not funny. | 0:03:14 | 0:03:17 | |
I was, in fact, trying to point out that you're looking for arrhythmic indicators, | 0:03:17 | 0:03:21 | |
cardiomyopathy or something exotic in her DNA strings. | 0:03:21 | 0:03:24 | |
Doesn't bother you, then? | 0:03:24 | 0:03:26 | |
800 deaths a year, 200 of them teenagers, | 0:03:26 | 0:03:28 | |
that's as many kids as die of cancer every year. | 0:03:28 | 0:03:30 | |
At least their family get a cause of death. With sudden arrhythmia, | 0:03:30 | 0:03:33 | |
we can't even tell their mums and dads what killed them. | 0:03:33 | 0:03:36 | |
Yeah, there are no unexplained deaths, just lazy pathologists. | 0:03:36 | 0:03:39 | |
Talking of which, you are meant to be on holiday. | 0:03:39 | 0:03:42 | |
I'm going. | 0:03:42 | 0:03:43 | |
So I see. | 0:03:43 | 0:03:44 | |
PIANO PLAYS ON STEREO | 0:03:44 | 0:03:47 | |
Isn't this a BMW ad? | 0:03:47 | 0:03:49 | |
It's Chopin. | 0:03:51 | 0:03:52 | |
Chopin drives a BMW? Wow. | 0:03:52 | 0:03:53 | |
Did Nikki send you in to speak to me? Cos if she did, | 0:03:53 | 0:03:56 | |
you're not making a very good job of it. | 0:03:56 | 0:03:58 | |
I'm not going on holiday to find myself or lose myself, | 0:03:58 | 0:04:01 | |
-I'm going to Essex, for God's sake! -No wonder she's worried about you(!) | 0:04:01 | 0:04:05 | |
What's she worried about? | 0:04:05 | 0:04:06 | |
You're extremely old, for a start, | 0:04:06 | 0:04:08 | |
and you have recently split up with your girlfriend. | 0:04:08 | 0:04:12 | |
PIANO MUSIC CONTINUES | 0:04:12 | 0:04:14 | |
And you're listening to funeral music. | 0:04:14 | 0:04:16 | |
Are you going to see Sean? | 0:04:19 | 0:04:20 | |
Hm. Why else would I be going on holiday to Essex? | 0:04:20 | 0:04:23 | |
Great! Well, for God's sake talk to him. Get her off my back. | 0:04:23 | 0:04:27 | |
PIANO MUSIC CONTINUES | 0:04:29 | 0:04:32 | |
POUNDING DANCE MUSIC | 0:04:53 | 0:04:55 | |
MELANCHOLY PIANO MUSIC | 0:05:00 | 0:05:02 | |
Sean? | 0:06:39 | 0:06:40 | |
Sean? | 0:06:45 | 0:06:46 | |
Sean! | 0:06:52 | 0:06:54 | |
ELECTRIC BUZZ | 0:07:16 | 0:07:20 | |
"In the cold, coldest of nights | 0:07:22 | 0:07:26 | |
"The fire I light to warm my bones | 0:07:26 | 0:07:30 | |
"I've had enough of the dreadful cold | 0:07:30 | 0:07:34 | |
"Till from the flames appears Salome | 0:07:34 | 0:07:38 | |
"I stand before her amazed as she dances | 0:07:38 | 0:07:43 | |
"She demands the head of John the Baptist." | 0:07:43 | 0:07:48 | |
You know who that is? | 0:07:50 | 0:07:51 | |
Oscar Wilde? Blake? | 0:07:52 | 0:07:54 | |
SEAN LAUGHS WHEEZILY | 0:07:54 | 0:07:56 | |
Go on, then. | 0:07:56 | 0:07:58 | |
Pete Doherty. | 0:07:58 | 0:08:00 | |
Ah! | 0:08:00 | 0:08:01 | |
I treated him once, you know. | 0:08:01 | 0:08:03 | |
Not very successfully, of course. | 0:08:03 | 0:08:07 | |
-D'you want a drink? -SEAN SIGHS | 0:08:08 | 0:08:11 | |
-Oh! -What's that? | 0:08:14 | 0:08:16 | |
-That's the girl you asked me about. -Oh. -Not much in there, I'm afraid. | 0:08:16 | 0:08:20 | |
They may never know how she died. | 0:08:20 | 0:08:22 | |
Her heart just...stopped. | 0:08:22 | 0:08:24 | |
Mm-hm. That's what they said on the news, yeah, yeah. | 0:08:24 | 0:08:28 | |
It's like my father's old line, isn't it? | 0:08:28 | 0:08:31 | |
"What did he die of, missus?" | 0:08:31 | 0:08:33 | |
"He died of a thirst, so he did." | 0:08:33 | 0:08:35 | |
SEAN LAUGHS | 0:08:35 | 0:08:37 | |
You're drunk, Sean! | 0:08:37 | 0:08:38 | |
-Good old drunk Sean. -So get drunk with me Leo, come on! -No, Leo's not in the mood. | 0:08:38 | 0:08:43 | |
I'm tired. | 0:08:43 | 0:08:45 | |
You promised me dinner! | 0:08:45 | 0:08:47 | |
Rabbit stew! The rabbits have still got their fur on! | 0:08:47 | 0:08:50 | |
I knew there was something I forgot, mate, I'm sorry, I'm sorry. | 0:08:50 | 0:08:54 | |
Sorry, Leo. | 0:08:54 | 0:08:55 | |
I have got a case of very good red in the boot. | 0:08:55 | 0:08:57 | |
SEAN LAUGHS | 0:08:57 | 0:08:58 | |
It's just like I told you, Leo. | 0:08:58 | 0:09:00 | |
We shall go walking in the morning, | 0:09:00 | 0:09:02 | |
fish for our lunch and maybe play a little tennis if we feel like it, | 0:09:02 | 0:09:07 | |
and then we'll chat up a few footballers' wives in a very nice little bistro | 0:09:07 | 0:09:12 | |
I've discovered in Theydon Bois called L'Atmosphere, | 0:09:12 | 0:09:16 | |
which, believe me, does everything it can to live down to that name. | 0:09:16 | 0:09:21 | |
It's good to see you, Leo. It's good to see you. | 0:09:24 | 0:09:27 | |
-GIRL SINGING -# In the c-cold, coldest of nights | 0:09:28 | 0:09:34 | |
# The fire I light to warm my bones | 0:09:34 | 0:09:39 | |
# I've had enough of the dreadful cold | 0:09:39 | 0:09:44 | |
# And from the flames appears Salome | 0:09:44 | 0:09:48 | |
# I stand before her | 0:09:48 | 0:09:51 | |
# Amazed as she dances | 0:09:51 | 0:09:53 | |
# And demands the head of John the Baptist on a plate | 0:09:53 | 0:09:59 | |
# In the morn | 0:09:59 | 0:10:04 | |
# Shaken and disturbed | 0:10:04 | 0:10:07 | |
# Under soft white fur... # | 0:10:07 | 0:10:10 | |
HE BREATHES HEAVILY | 0:10:12 | 0:10:15 | |
Hey! Hey, wait! | 0:10:37 | 0:10:40 | |
Are you OK? | 0:10:42 | 0:10:44 | |
Are you lost? | 0:10:44 | 0:10:45 | |
Are you looking for someone? | 0:10:47 | 0:10:49 | |
You want to buy the place? | 0:10:52 | 0:10:54 | |
HE LAUGHS | 0:10:54 | 0:10:56 | |
You know, when I... saw you standing there, | 0:10:56 | 0:11:01 | |
I had the strangest feeling. | 0:11:01 | 0:11:03 | |
I thought you were an angel. | 0:11:04 | 0:11:07 | |
Are you? | 0:11:10 | 0:11:12 | |
I used to be. | 0:11:12 | 0:11:14 | |
I'm sorry. | 0:11:28 | 0:11:29 | |
What? | 0:11:31 | 0:11:33 | |
Wait! | 0:11:33 | 0:11:35 | |
So where have they all gone, all these affluent Essex addicts and eating disorders? | 0:11:38 | 0:11:42 | |
Well, you know, addiction's not what is used to be. And neither is affluence. | 0:11:42 | 0:11:46 | |
And what about her, Eve Gilston? Was she a rich bulimic or NHS meth fiend? | 0:11:46 | 0:11:50 | |
Well, Eve Gilston was a patient for six months, pro bono, | 0:11:50 | 0:11:52 | |
and then she didn't show up for a session | 0:11:52 | 0:11:54 | |
and then I saw her picture in the paper a few days later - | 0:11:54 | 0:11:57 | |
unexplained death - and I thought that you, Professor Dalton, MBE, | 0:11:57 | 0:12:01 | |
might be able to explain it, but then again, | 0:12:01 | 0:12:03 | |
you were probably out there auditioning new girlfriends. I always liked Janet. | 0:12:03 | 0:12:07 | |
-No, you didn't. -No, I didn't. That's right. | 0:12:07 | 0:12:09 | |
So, that's it, then? Nothing? | 0:12:11 | 0:12:13 | |
Nothing in her heart, nothing in her medical records, | 0:12:13 | 0:12:15 | |
no mention of dizzy spells, fainting... | 0:12:15 | 0:12:17 | |
Did you see anything like that? | 0:12:17 | 0:12:19 | |
-No. -Were you prescribing to her? | 0:12:19 | 0:12:21 | |
-No. -But she came here looking for you? | 0:12:21 | 0:12:24 | |
Yeah. | 0:12:24 | 0:12:25 | |
I mean, she told me that she grew up around here, you know? | 0:12:25 | 0:12:28 | |
These woods. | 0:12:28 | 0:12:29 | |
What were you treating her for? | 0:12:29 | 0:12:32 | |
It might be relevant! | 0:12:33 | 0:12:34 | |
Anorexia can put immense stress on the heart. Bullying. | 0:12:34 | 0:12:38 | |
I thought she was sent here for me, you know? | 0:12:38 | 0:12:41 | |
What do you mean, sent here for you? | 0:12:41 | 0:12:43 | |
She was bright, articulate, | 0:12:44 | 0:12:48 | |
impossibly idealistic. | 0:12:48 | 0:12:50 | |
She reminded me why I wanted to do the job, you know? | 0:12:50 | 0:12:54 | |
It was a very bad time for me. | 0:12:55 | 0:12:58 | |
She made it better. | 0:12:59 | 0:13:01 | |
She made me want to live. | 0:13:02 | 0:13:04 | |
I'm dying... | 0:13:08 | 0:13:10 | |
..Leo. | 0:13:11 | 0:13:12 | |
You've been following me for 20 minutes now. | 0:13:35 | 0:13:37 | |
You're beginning to get on me nerves. | 0:13:37 | 0:13:39 | |
I've been wondering about you. | 0:13:40 | 0:13:42 | |
Are you a good psychiatrist? | 0:13:43 | 0:13:45 | |
What, you think you're going to find that out by following me through the woods? | 0:13:46 | 0:13:50 | |
If it's a good psychiatrist you're after, | 0:13:52 | 0:13:55 | |
I can always recommend one. I'm strictly average. | 0:13:55 | 0:13:58 | |
Me, too. | 0:13:58 | 0:13:59 | |
They sent my little brother to a psychiatrist. | 0:14:00 | 0:14:03 | |
Why? Is he mad? | 0:14:03 | 0:14:05 | |
No. He's blind. | 0:14:05 | 0:14:08 | |
Well...there you go, that's the National Health Service for you. | 0:14:08 | 0:14:13 | |
Next time, you should send him to an ophthalmologist. | 0:14:13 | 0:14:16 | |
HE LAUGHS | 0:14:18 | 0:14:20 | |
You've been reading that thing for an hour, Leo, | 0:14:25 | 0:14:28 | |
and there's still no silver lining. | 0:14:28 | 0:14:30 | |
My oncologist found one. "Dr Delaney," he said, | 0:14:31 | 0:14:34 | |
"at least you'll know now what you're going to die of." | 0:14:34 | 0:14:38 | |
Sean. | 0:14:38 | 0:14:40 | |
It says here your last appointment was three weeks ago. | 0:14:42 | 0:14:46 | |
I mean, what part of "the cancer has spread to the liver" | 0:14:46 | 0:14:49 | |
don't you understand, Leo? | 0:14:49 | 0:14:50 | |
They are offering you surgery. | 0:14:50 | 0:14:53 | |
It's not palliative, this could... | 0:14:53 | 0:14:55 | |
What, buy me another five months? | 0:14:55 | 0:14:57 | |
If they're prepared to operate, there's a chance! | 0:14:57 | 0:15:00 | |
You know, Eve once asked me, did I believe in life after death, and I gave | 0:15:02 | 0:15:06 | |
her the straight Ballymurphy response. | 0:15:06 | 0:15:08 | |
I told her I wasn't entirely sure that there was life before it. | 0:15:08 | 0:15:12 | |
You said that Eve made you want to live. | 0:15:12 | 0:15:15 | |
Do you still feel that? | 0:15:16 | 0:15:17 | |
Look... | 0:15:19 | 0:15:20 | |
you helped me. | 0:15:20 | 0:15:22 | |
Saved my life. | 0:15:22 | 0:15:24 | |
Let me do something for you. | 0:15:25 | 0:15:28 | |
Call your oncologist, go back into treatment | 0:15:28 | 0:15:31 | |
and I will find out exactly why Eve died. | 0:15:31 | 0:15:34 | |
What do you mean? | 0:15:35 | 0:15:37 | |
There are no unexplained deaths, just lazy pathologists. | 0:15:37 | 0:15:40 | |
All right? | 0:15:44 | 0:15:46 | |
-All right? -Behaving? | 0:15:46 | 0:15:47 | |
SIREN WAILS | 0:15:49 | 0:15:51 | |
Do you have a light? | 0:15:51 | 0:15:53 | |
No, sorry, I don't smoke. | 0:15:53 | 0:15:55 | |
Didn't ask you if you smoked. | 0:15:55 | 0:15:57 | |
There's a lighter in your car, right? | 0:15:57 | 0:15:59 | |
Yep, I suppose so. | 0:16:01 | 0:16:02 | |
Nice car! How much is one of these? | 0:16:02 | 0:16:05 | |
So, why do healthy teenagers die? | 0:16:14 | 0:16:16 | |
I presume you've got a theory. | 0:16:16 | 0:16:18 | |
Sorry? | 0:16:18 | 0:16:19 | |
Detective Brooks? | 0:16:20 | 0:16:22 | |
Who were you expecting, Rastamouse? | 0:16:22 | 0:16:24 | |
So, Long QT Syndrome? | 0:16:26 | 0:16:29 | |
Yeah, it affects electrocardiac function. | 0:16:29 | 0:16:32 | |
And it's completely random? You're walking along... | 0:16:32 | 0:16:35 | |
Ba-boom, ba-boom, ba-boom, splat! | 0:16:35 | 0:16:37 | |
-Walking time bomb. -Well... | 0:16:37 | 0:16:39 | |
And you can see it by examining her heart? | 0:16:39 | 0:16:42 | |
No, you can't see it in a postmortem. You can scan for it. | 0:16:42 | 0:16:44 | |
So you'll scan her? | 0:16:44 | 0:16:46 | |
No, it won't show up postmortem. | 0:16:46 | 0:16:48 | |
You can see it in the electrical impulses | 0:16:48 | 0:16:50 | |
in a living person, and then only sometimes. | 0:16:50 | 0:16:53 | |
So what are you doing here? | 0:16:53 | 0:16:54 | |
I could take the body, | 0:16:54 | 0:16:56 | |
see if there are any causes that Dr Kimber might have overlooked. | 0:16:56 | 0:16:59 | |
I could have the family tested, ECGs, DNA. | 0:16:59 | 0:17:02 | |
-Tony and Beth. -What do you know about them? | 0:17:02 | 0:17:04 | |
He drinks, she pays for it. | 0:17:04 | 0:17:06 | |
His family had land. A farm or something, Epping way. | 0:17:06 | 0:17:09 | |
Tony screwed it up, the bank repossessed a few years back - hey, presto! | 0:17:09 | 0:17:14 | |
The little house on the prairie. | 0:17:14 | 0:17:16 | |
Tony's not altogether unknown to us. Nothing more than the odd D&D. | 0:17:17 | 0:17:21 | |
And her brother? I understand she has a brother. | 0:17:21 | 0:17:23 | |
And what? He could drop dead too? That's cheerful(!) | 0:17:23 | 0:17:26 | |
BUZZER | 0:17:28 | 0:17:30 | |
SHE HUMS A TUNE | 0:17:36 | 0:17:39 | |
LEO: So the night that Eve died, she arrived home at about 8.30? | 0:17:42 | 0:17:45 | |
She left school at 4.00. | 0:17:45 | 0:17:47 | |
And in between? | 0:17:47 | 0:17:48 | |
That's four and a half hours! | 0:17:48 | 0:17:49 | |
You don't know? | 0:17:49 | 0:17:51 | |
-What, you think that's suspicious? -Not necessarily. | 0:17:51 | 0:17:54 | |
She died alone in her bed, Professor. | 0:17:54 | 0:17:57 | |
There was no sign of assault, no proof she was sexually active. | 0:17:57 | 0:18:00 | |
Eve was a good girl. Churchgoer. | 0:18:00 | 0:18:02 | |
Are you saying this is a crime now? | 0:18:02 | 0:18:05 | |
I'm just saying... | 0:18:05 | 0:18:06 | |
Just cos her phone's missing? | 0:18:06 | 0:18:08 | |
Cos that would be my job, wouldn't it? A dead girl with a missing phone. | 0:18:08 | 0:18:11 | |
Unless, of course, you've found her phone | 0:18:11 | 0:18:14 | |
implanted somewhere in her. You didn't, did you? | 0:18:14 | 0:18:17 | |
Find it implanted in her? | 0:18:17 | 0:18:19 | |
I don't know anything about her phone. | 0:18:19 | 0:18:21 | |
Really? | 0:18:21 | 0:18:23 | |
So what are you doing here? | 0:18:23 | 0:18:25 | |
KNOCK AT DOOR | 0:18:25 | 0:18:26 | |
Eve was lying in her bed. There was no sign of struggle or forced entry. | 0:18:37 | 0:18:41 | |
So no-one came in? | 0:18:41 | 0:18:43 | |
That's what I said! | 0:18:43 | 0:18:44 | |
She was wearing her pyjamas, not a mark on her. | 0:18:44 | 0:18:47 | |
-And you were called at...7.30? -Yeah. | 0:18:48 | 0:18:51 | |
I tried to wake her. | 0:18:51 | 0:18:53 | |
She normally wakes me before she goes to school, | 0:18:53 | 0:18:55 | |
I thought she'd overslept. | 0:18:55 | 0:18:57 | |
Tried to resuscitate her, but... | 0:18:57 | 0:19:00 | |
There were already signs of rigor. | 0:19:00 | 0:19:02 | |
Dr Kimber said somewhere between midnight and four. | 0:19:02 | 0:19:05 | |
Estate's CCTV has her walking home alone. | 0:19:05 | 0:19:08 | |
And when she came back that night, she seemed herself? | 0:19:08 | 0:19:12 | |
Not...anxious or... | 0:19:13 | 0:19:17 | |
excited? | 0:19:17 | 0:19:18 | |
Tired. She said she was tired, she went straight to bed. | 0:19:18 | 0:19:22 | |
You're a Catholic. | 0:19:27 | 0:19:29 | |
Yes, it's a great comfort to me. | 0:19:29 | 0:19:32 | |
I haven't been to church in 30 years, my wife the same. | 0:19:32 | 0:19:36 | |
Wouldn't even let us marry in church. | 0:19:36 | 0:19:38 | |
God skipped a generation in this family. | 0:19:38 | 0:19:42 | |
"Malum abstractio quaedam non est." | 0:19:42 | 0:19:45 | |
Hm. | 0:19:45 | 0:19:46 | |
Is this where Eve went that night, to her church? | 0:19:49 | 0:19:52 | |
No service Thursday evening. Fr Jacobs was saying mass at an old people's home in Chingford. | 0:19:52 | 0:19:57 | |
You're not police, why does it matter? | 0:19:57 | 0:20:00 | |
I believe...that your mother died when she was young. | 0:20:04 | 0:20:08 | |
HE SIGHS | 0:20:11 | 0:20:13 | |
I'm confused. | 0:20:14 | 0:20:16 | |
If he's so against this, why did he agree to talk to me in the first place? | 0:20:16 | 0:20:20 | |
I didn't. | 0:20:20 | 0:20:21 | |
She did. | 0:20:21 | 0:20:22 | |
You're Professor Dalton? | 0:20:22 | 0:20:24 | |
-Yes. -I brought some Krispy Kreme doughnuts. | 0:20:24 | 0:20:28 | |
CLICKS TONGUE | 0:20:34 | 0:20:36 | |
LEO: Sudden arrhythmic death is caused by a syndrome known as Long QT, | 0:20:57 | 0:21:01 | |
you can see it in the heartbeat... | 0:21:01 | 0:21:03 | |
-EVE'S MOTHER: -You can see your heartbeat? | 0:21:03 | 0:21:06 | |
This is a normal heartbeat. | 0:21:06 | 0:21:09 | |
In a Long QT sufferer, it looks different. | 0:21:09 | 0:21:11 | |
You see, the interval between the Q-wave and the T-wave | 0:21:11 | 0:21:16 | |
is prolonged. In other words, the heart takes longer to complete its cycle. | 0:21:16 | 0:21:19 | |
The rhythm is broken and that can lead to cardiac arrest. | 0:21:19 | 0:21:24 | |
So this thing was always inside Eve? | 0:21:24 | 0:21:26 | |
Is it in us? Is it in my son? | 0:21:26 | 0:21:28 | |
There's no guarantee that it's in any of you. I'd like to run some tests. | 0:21:28 | 0:21:32 | |
John! | 0:21:32 | 0:21:33 | |
Where have you been this time? | 0:21:33 | 0:21:35 | |
Huh. | 0:21:35 | 0:21:37 | |
We've got a visitor. | 0:21:38 | 0:21:40 | |
He's going to find out what happened to Eve. | 0:21:40 | 0:21:43 | |
Hello, John. My name's Leo, it's good to meet you. | 0:21:43 | 0:21:46 | |
So, you can look at my sister and say why she died? | 0:21:46 | 0:21:49 | |
It's possible. | 0:21:49 | 0:21:51 | |
No, it isn't. | 0:21:53 | 0:21:55 | |
Why didn't you tell me? | 0:22:00 | 0:22:02 | |
It's like sonar, isn't it? How bats get around, and dolphins. | 0:22:02 | 0:22:05 | |
-You've met him? -Who? Batboy? No. | 0:22:05 | 0:22:07 | |
Eve told me about him. Didn't I mention he was blind? | 0:22:07 | 0:22:10 | |
-So what, measles can leave you blind? -Yeah, it can cause corneal blindness. | 0:22:10 | 0:22:14 | |
Vitamin A deficiency. It's common in developing countries. | 0:22:14 | 0:22:17 | |
-Yeah, and Essex, of course. -And the phone? | 0:22:17 | 0:22:19 | |
Or are you telling me you didn't know about it? | 0:22:19 | 0:22:21 | |
I'm sure it was mentioned in some of the newspapers. Oh, Brouilly! Bien sur. | 0:22:21 | 0:22:25 | |
-Is this what they're crashing down their necks in Putney? -Come on, Sean. You set me up. | 0:22:25 | 0:22:28 | |
The detective thought I was a bloody amateur! | 0:22:28 | 0:22:31 | |
Why did Eve come to see you? | 0:22:31 | 0:22:34 | |
Now, look, I didn't ask for this, Leo. This was your idea. | 0:22:34 | 0:22:36 | |
You said you'd look into the case and I promised not to die. | 0:22:36 | 0:22:39 | |
You thought her death was suspicious, but you didn't tell me! | 0:22:39 | 0:22:42 | |
Why not! Are you... | 0:22:42 | 0:22:43 | |
messing with me? | 0:22:43 | 0:22:45 | |
Oh, no, Professor Leo Lang Dalton, MBE, is not to be messed with. | 0:22:45 | 0:22:48 | |
Jesus, Dalton - screw top? | 0:22:48 | 0:22:50 | |
Is there a crime here or not? | 0:22:54 | 0:22:56 | |
So, this is it, is it? | 0:23:00 | 0:23:03 | |
This is where I spill? | 0:23:03 | 0:23:05 | |
Nope. This is just a safe place, that's all. | 0:23:05 | 0:23:09 | |
And nobody sees what happens here? | 0:23:09 | 0:23:12 | |
No-one? | 0:23:14 | 0:23:16 | |
Why don't you just tell me what you want to talk about? | 0:23:17 | 0:23:21 | |
How are things at home? | 0:23:22 | 0:23:24 | |
Fine. | 0:23:24 | 0:23:25 | |
My dad's a hedge fund manager, my mum's a movie star and, er... | 0:23:25 | 0:23:30 | |
my little brother's just been signed up by Justin Bieber's agent. | 0:23:30 | 0:23:34 | |
Great. | 0:23:35 | 0:23:37 | |
So you're just here to gloat, is it? | 0:23:37 | 0:23:39 | |
I'm not here to talk about my family. | 0:23:39 | 0:23:42 | |
It's me that's the problem. | 0:23:43 | 0:23:45 | |
And you know, there are exceptions to this...this confidentiality. | 0:23:47 | 0:23:52 | |
Say, when a patient is in danger, | 0:23:52 | 0:23:54 | |
particularly if the patient is young, naive. | 0:23:54 | 0:23:57 | |
-Yeah, well, Eve's in no danger now. -You don't want to incriminate yourself. | 0:23:57 | 0:24:01 | |
No, I mean... Incriminate meself! | 0:24:01 | 0:24:02 | |
Why would anyone want to incriminate themselves? | 0:24:02 | 0:24:04 | |
-Your conscience is clear? -I didn't say that. | 0:24:04 | 0:24:06 | |
I was treating her, Leo, now she's dead. | 0:24:06 | 0:24:09 | |
Of course that's going to be on me conscience. | 0:24:09 | 0:24:11 | |
I'm not invoking some general rule of confidentiality here, you know? | 0:24:11 | 0:24:15 | |
I mean, Eve made me promise not to tell anybody | 0:24:15 | 0:24:17 | |
what passed between us, not her parents, not anybody. | 0:24:17 | 0:24:20 | |
That's the only basis on which she talked. | 0:24:20 | 0:24:22 | |
She was a 15-year-old girl, Sean. | 0:24:22 | 0:24:24 | |
What, you think I was screwing her? | 0:24:24 | 0:24:25 | |
Were you? THROATY LAUGH | 0:24:25 | 0:24:27 | |
What, is that what you do to your patients? | 0:24:27 | 0:24:30 | |
Screw top. | 0:24:33 | 0:24:35 | |
Eve...what are you doing? | 0:24:42 | 0:24:44 | |
It's not dark, but it's loud. | 0:24:44 | 0:24:47 | |
Close your eyes and click with your tongue. | 0:24:47 | 0:24:50 | |
SHE CLICKS HER TONGUE | 0:24:50 | 0:24:51 | |
Something there - ah! | 0:25:07 | 0:25:10 | |
HE LAUGHS | 0:25:10 | 0:25:11 | |
We can hear much better than we can see. | 0:25:11 | 0:25:13 | |
We can hear round corners. | 0:25:13 | 0:25:15 | |
And we can hear behind us. | 0:25:17 | 0:25:19 | |
HE CLICKS HIS TONGUE | 0:25:19 | 0:25:20 | |
Yeah, it's changed. Your hands have gone, yeah. | 0:25:20 | 0:25:23 | |
HE CHUCKLES | 0:25:23 | 0:25:25 | |
When I was little, I used to try and spend the whole day | 0:25:25 | 0:25:28 | |
with my eyes closed. | 0:25:28 | 0:25:29 | |
But it's not the same if you can open them again, is it? | 0:25:32 | 0:25:35 | |
Two days. | 0:25:37 | 0:25:39 | |
Two nights in a tomb. | 0:25:39 | 0:25:41 | |
Two days, stone-cold dead. | 0:25:41 | 0:25:43 | |
We're not talking about John any more, Eve, are we? | 0:25:43 | 0:25:46 | |
Why don't you believe? | 0:25:46 | 0:25:48 | |
I'd trust you much more if you believed. | 0:25:49 | 0:25:51 | |
Can you imagine it? | 0:25:53 | 0:25:55 | |
Jesus thought his father had abandoned him. | 0:25:55 | 0:25:58 | |
He thought he was dead and then... | 0:25:58 | 0:26:01 | |
Wow! | 0:26:03 | 0:26:04 | |
Come on, Eve. | 0:26:04 | 0:26:06 | |
Your session started five minutes ago. | 0:26:06 | 0:26:08 | |
I can't, silly. | 0:26:08 | 0:26:09 | |
I'm dead. | 0:26:11 | 0:26:12 | |
Professor Dalton has further requested an X-ray of Eve Gilston | 0:26:21 | 0:26:26 | |
against the same presumption of Long QT Syndrome. | 0:26:26 | 0:26:30 | |
What are you looking for? | 0:26:30 | 0:26:32 | |
Anything. Scoliosis, | 0:26:32 | 0:26:34 | |
clinodactyly, syndactyly, anything that might possibly indicate | 0:26:34 | 0:26:38 | |
Long QT. | 0:26:38 | 0:26:40 | |
What, Andersen-Tawil? Timothy's? | 0:26:40 | 0:26:42 | |
Mm-hm. | 0:26:42 | 0:26:43 | |
That's pretty rare, isn't it? It would be like... | 0:26:43 | 0:26:47 | |
Like you actually finishing one of your sentences? | 0:26:47 | 0:26:51 | |
Drives him nuts, doesn't it? | 0:26:53 | 0:26:55 | |
The idea someone could die and he wouldn't be able to explain why. | 0:26:55 | 0:26:58 | |
HE CHUCKLES | 0:26:58 | 0:26:59 | |
Nothing? | 0:27:10 | 0:27:12 | |
Was there anything from the DNA? | 0:27:13 | 0:27:15 | |
Nothing. | 0:27:15 | 0:27:17 | |
No visible cranial or mandible deformities suggesting variant Long QT. | 0:27:22 | 0:27:27 | |
-Whoa. -Yeah, I see it. | 0:27:28 | 0:27:30 | |
The carpal bones are separated. | 0:27:30 | 0:27:32 | |
The scapholunate ligament's been ruptured. | 0:27:32 | 0:27:34 | |
Not recent, though. | 0:27:34 | 0:27:36 | |
So, we've got something. Old sports injury | 0:27:36 | 0:27:38 | |
or childhood fall, maybe. | 0:27:38 | 0:27:41 | |
I suppose so. | 0:27:41 | 0:27:42 | |
-If she fell on both hands. -Mm. | 0:27:42 | 0:27:45 | |
-OK. -Lisfranc joint injury. | 0:27:47 | 0:27:50 | |
I can still see the displacement between the metatarsals and the tarsus. | 0:27:50 | 0:27:54 | |
They're entirely symmetrical. Hands and feet. | 0:27:54 | 0:27:57 | |
If she was pinned down... | 0:27:59 | 0:28:00 | |
..restrained... | 0:28:01 | 0:28:02 | |
Mr Gilston. | 0:28:06 | 0:28:08 | |
Er, your son, John... | 0:28:08 | 0:28:10 | |
What about him? | 0:28:10 | 0:28:12 | |
He was meant to come in with you. | 0:28:12 | 0:28:14 | |
We need to test him as well. | 0:28:14 | 0:28:15 | |
He didn't want to come. He doesn't like doctors. | 0:28:15 | 0:28:18 | |
Ah. | 0:28:18 | 0:28:19 | |
Nothing recent. | 0:28:26 | 0:28:28 | |
-No discolouration or bruising. -No. | 0:28:29 | 0:28:31 | |
They're very short. | 0:28:31 | 0:28:34 | |
So are yours. | 0:28:34 | 0:28:35 | |
I'm not 15. | 0:28:35 | 0:28:36 | |
And you don't live in Essex. | 0:28:36 | 0:28:38 | |
Looks like they were done in a hurry. | 0:28:38 | 0:28:41 | |
Mm. By someone else, perhaps? | 0:28:41 | 0:28:44 | |
What is it? | 0:28:44 | 0:28:46 | |
I think it's paper. | 0:28:53 | 0:28:55 | |
So, what now? What happens in these instances? | 0:28:55 | 0:28:58 | |
We keep testing them. | 0:28:58 | 0:28:59 | |
Six-month intervals, then 12 months, but if it never shows up | 0:28:59 | 0:29:03 | |
and we don't discover any new indicators for this syndrome, we won't know. | 0:29:03 | 0:29:07 | |
No. Not until one of them drops dead. | 0:29:07 | 0:29:09 | |
Perhaps you should stick to dealing with the dead, Professor. | 0:29:09 | 0:29:12 | |
-HE SIGHS -The stakes are nice and low. | 0:29:12 | 0:29:15 | |
There'll always be stuff we don't know. | 0:29:15 | 0:29:17 | |
Why are you so afraid of that? | 0:29:17 | 0:29:19 | |
BELL DINGS | 0:29:30 | 0:29:31 | |
Where is she? My daughter! | 0:29:35 | 0:29:37 | |
I went down to the morgue, I wanted to see her. Where is she? | 0:29:37 | 0:29:41 | |
Mr Gilston, I'm so sorry. You should have been informed. | 0:29:41 | 0:29:44 | |
I did say that I wanted to have Eve examined again. | 0:29:44 | 0:29:46 | |
You already took her heart. Wasn't that enough? | 0:29:46 | 0:29:48 | |
I mean, that's what killed her, wasn't it? | 0:29:48 | 0:29:50 | |
I'm trying to find out what happened to her. | 0:29:54 | 0:29:56 | |
Oh, you want to know what happened to her? | 0:29:56 | 0:29:59 | |
I'll show you. | 0:30:01 | 0:30:03 | |
Beth told you, didn't she? | 0:30:18 | 0:30:20 | |
Told you, "Tony drinks. | 0:30:20 | 0:30:22 | |
"That's why he lost his business, lost the house." | 0:30:22 | 0:30:25 | |
What do you want to show me, Anthony? | 0:30:27 | 0:30:29 | |
What do you want? | 0:30:29 | 0:30:31 | |
I wanted to bury my daughter. | 0:30:31 | 0:30:33 | |
Now you've taken her, that's not going to be very easy for me, is it? | 0:30:34 | 0:30:37 | |
What are we doing here, Anthony? | 0:30:49 | 0:30:51 | |
Look at them. | 0:30:51 | 0:30:53 | |
They'd eat the eyes out of your head. | 0:30:54 | 0:30:56 | |
On the farm, we knew what to do with vermin. | 0:30:58 | 0:31:00 | |
Some days... | 0:31:01 | 0:31:04 | |
What do you see out there? | 0:31:07 | 0:31:09 | |
All these people, living together, up and down, like battery hens. | 0:31:10 | 0:31:14 | |
You'd think with all these people around... | 0:31:14 | 0:31:16 | |
Eve had no-one. | 0:31:20 | 0:31:21 | |
It was always, "Poor John, poor little blind Johnny". | 0:31:22 | 0:31:25 | |
Nobody paid any attention to her. | 0:31:25 | 0:31:28 | |
She had God. | 0:31:28 | 0:31:30 | |
I hoped that maybe that was enough for her. | 0:31:32 | 0:31:34 | |
Eve died of loneliness. | 0:31:37 | 0:31:40 | |
Her heart froze... | 0:31:40 | 0:31:41 | |
I'm not sure I understand what you're trying to tell me. | 0:31:41 | 0:31:44 | |
Have you been listening to a word I said? | 0:31:45 | 0:31:47 | |
My colleagues found injuries on Eve. | 0:31:50 | 0:31:53 | |
What injuries? | 0:31:53 | 0:31:55 | |
Old ones. | 0:31:55 | 0:31:56 | |
A separation in the bones of her hands and feet. | 0:31:56 | 0:31:58 | |
I thought you'd understand. | 0:31:58 | 0:32:00 | |
Explain it to me! I'll try and understand. | 0:32:00 | 0:32:02 | |
No. No, you're all looking at me, all pointing at me. | 0:32:02 | 0:32:06 | |
Any other place, | 0:32:06 | 0:32:07 | |
they'd honour my grief, but here, I'm not a grieving dad! | 0:32:07 | 0:32:11 | |
You think I did something to her. | 0:32:12 | 0:32:14 | |
You think I hurt her. That's... That's the filth in your head! | 0:32:14 | 0:32:18 | |
REVS ENGINE | 0:32:18 | 0:32:20 | |
Can you open the door, please? Anthony! | 0:32:20 | 0:32:22 | |
What the hell are you doing? | 0:32:22 | 0:32:24 | |
For Christ's sake, stop! | 0:32:24 | 0:32:26 | |
TYRES SQUEAL | 0:32:26 | 0:32:28 | |
-I never touched her. -HE SOBS | 0:32:34 | 0:32:36 | |
I never hurt her. | 0:32:36 | 0:32:37 | |
Help me, please, I don't know what to do. | 0:32:40 | 0:32:43 | |
DOOR CLICKS | 0:32:47 | 0:32:49 | |
(Sean.) | 0:32:54 | 0:32:55 | |
CLOCK TICKS | 0:32:55 | 0:32:56 | |
LEO: 'Not just yet, Nikki, I need to keep an eye on him. | 0:33:02 | 0:33:05 | |
'Make sure he keeps his appointments.' | 0:33:05 | 0:33:07 | |
Florence Daltongale. | 0:33:07 | 0:33:09 | |
LEO SNORTS | 0:33:09 | 0:33:11 | |
Some holiday! | 0:33:11 | 0:33:12 | |
Why have you taken this case, Leo? | 0:33:15 | 0:33:17 | |
-I promised Sean. -What did you promise him? | 0:33:17 | 0:33:20 | |
That I'd find a cause of death. I promised Anthony, the father, too. | 0:33:20 | 0:33:24 | |
-Jesus, Leo. -'What?' | 0:33:25 | 0:33:27 | |
Isn't that what we do? | 0:33:27 | 0:33:28 | |
Did you ask her father about the carpal and Lisfranc injuries? | 0:33:30 | 0:33:33 | |
'You should see where they live.' | 0:33:33 | 0:33:36 | |
My God, I'd drink. | 0:33:36 | 0:33:38 | |
And the son... | 0:33:38 | 0:33:40 | |
Er... | 0:33:42 | 0:33:43 | |
'No, I don't think... I don't think Anthony hurt her. | 0:33:43 | 0:33:46 | |
'He's a mess, but... | 0:33:46 | 0:33:48 | |
'..I might be able to help.' | 0:33:49 | 0:33:51 | |
You're a good man, Leo. | 0:33:52 | 0:33:54 | |
'Why did you and Janet break up?' | 0:33:55 | 0:33:57 | |
'I don't understand it.' | 0:33:58 | 0:33:59 | |
HE LAUGHS | 0:34:06 | 0:34:08 | |
You know, there's a television in my room that is actually chained to the wall. | 0:34:08 | 0:34:13 | |
'..people he was treating...' | 0:34:13 | 0:34:16 | |
You both liked each other. | 0:34:16 | 0:34:18 | |
You both loved each other. | 0:34:19 | 0:34:21 | |
What does it take? | 0:34:23 | 0:34:24 | |
What do you mean? | 0:34:24 | 0:34:26 | |
'What would make you happy?' | 0:34:26 | 0:34:28 | |
Well... | 0:34:33 | 0:34:35 | |
the amount of times that I've thought I've figured that out... | 0:34:35 | 0:34:39 | |
'Answers.' | 0:34:42 | 0:34:44 | |
Answers would make me happy. | 0:34:45 | 0:34:47 | |
But you keep finding new questions. | 0:34:47 | 0:34:50 | |
-RADIO: -'Let me get this straight. | 0:34:55 | 0:34:57 | |
-'This is currently on the radio...' -RADIO CRACKLES | 0:34:57 | 0:35:00 | |
# In the c-cold | 0:35:00 | 0:35:06 | |
# Coldest of nights | 0:35:06 | 0:35:10 | |
# The fire I light to warm my bones | 0:35:12 | 0:35:18 | |
# I've had enough of the dreadful cold | 0:35:18 | 0:35:22 | |
# From the flames appears salome... # | 0:35:22 | 0:35:26 | |
MUSIC STOPS | 0:35:26 | 0:35:28 | |
# In the c-cold... # | 0:35:41 | 0:35:42 | |
SHE SCREAMS | 0:35:42 | 0:35:45 | |
Malum abstractio quaedam non est... | 0:35:51 | 0:35:53 | |
HE MUTTERS | 0:35:53 | 0:35:55 | |
Malum abstractio quaedam non est... | 0:35:55 | 0:35:57 | |
Satan Malignum... | 0:35:57 | 0:35:58 | |
Angelum qui Deo opponitur. | 0:35:58 | 0:36:01 | |
WHIMPERING | 0:36:35 | 0:36:36 | |
WOMAN: (Leo.) | 0:36:58 | 0:37:00 | |
"Malum abstractio quaedam non est." | 0:37:05 | 0:37:08 | |
"In this petition, evil is not an abstraction, | 0:37:12 | 0:37:14 | |
"but refers to a person, Satan, the Evil One, the angel who opp..." | 0:37:14 | 0:37:18 | |
-SEAN: -Are you looking for something? | 0:37:49 | 0:37:52 | |
FOOTSTEPS | 0:38:31 | 0:38:33 | |
-EVE: -'He's so sure about stuff. | 0:38:50 | 0:38:51 | |
'The whole world's inside his head.' | 0:38:51 | 0:38:53 | |
'Maybe if you can't see, you can cut out all that other crap.' | 0:38:57 | 0:39:00 | |
-SEAN: -'It must have been difficult for you growing up, Eve.' | 0:39:00 | 0:39:02 | |
Your brother John seems to be the complete focus of the house, | 0:39:02 | 0:39:05 | |
for you and your parents. | 0:39:05 | 0:39:07 | |
That's why I'm here. Because I was neglected. | 0:39:07 | 0:39:10 | |
Is it? | 0:39:11 | 0:39:13 | |
I love my little brother more than I love anyone. | 0:39:14 | 0:39:17 | |
I pray for him every day. | 0:39:18 | 0:39:20 | |
-What do you pray for? -What do you think? | 0:39:20 | 0:39:23 | |
He didn't choose to be blind. | 0:39:24 | 0:39:26 | |
It's not his fault. | 0:39:26 | 0:39:28 | |
-It's nobody's fault, Eve. -Is that right? | 0:39:29 | 0:39:32 | |
How liberal and politically correct you are. | 0:39:32 | 0:39:35 | |
Sometimes it is someone's fault. | 0:39:36 | 0:39:38 | |
And sometimes there's someone to blame. | 0:39:38 | 0:39:41 | |
Who? Your parents? | 0:39:41 | 0:39:43 | |
Something your mother did when she was pregnant? | 0:39:43 | 0:39:46 | |
-Who's to blame, Eve? -My mum? Of course it's not her fault. | 0:39:46 | 0:39:49 | |
Her and Dad would do anything for John. | 0:39:49 | 0:39:51 | |
He wasn't born blind. He had blindness thrust upon him. | 0:39:53 | 0:39:56 | |
Who blinded John, Eve? | 0:39:57 | 0:40:00 | |
I want to go now. | 0:40:04 | 0:40:05 | |
'I hate that flat. | 0:40:13 | 0:40:14 | |
'Walls made of cardboard and chewing gum. | 0:40:14 | 0:40:17 | |
'The stuff I have to hear. | 0:40:17 | 0:40:19 | |
'The guy next to us, he brings prostitutes home.' | 0:40:19 | 0:40:25 | |
They scream and moan. | 0:40:25 | 0:40:27 | |
Does that make you feel uncomfortable? | 0:40:28 | 0:40:30 | |
Yeah. | 0:40:30 | 0:40:31 | |
I can't sleep. | 0:40:31 | 0:40:33 | |
You think I'm some sort of prude? | 0:40:37 | 0:40:39 | |
I know about sex. | 0:40:40 | 0:40:42 | |
Just cos I don't do it. | 0:40:43 | 0:40:45 | |
Do you think you ought to be doing it? | 0:40:48 | 0:40:50 | |
It's all they talk about at school. | 0:40:51 | 0:40:53 | |
People inside people, it's weird. | 0:40:55 | 0:40:57 | |
That's not God's plan for us. | 0:40:57 | 0:41:00 | |
So what's God's plan? | 0:41:00 | 0:41:03 | |
-Are you making fun of me? -No, no, no. | 0:41:04 | 0:41:06 | |
'No, I wouldn't want to hear that stuff any more than you do. | 0:41:06 | 0:41:09 | |
'No, no. | 0:41:09 | 0:41:11 | |
'So, what's a good sound?' | 0:41:11 | 0:41:13 | |
'Normal stuff. | 0:41:13 | 0:41:15 | |
'The wind in the trees, the rain on the roof sometimes. | 0:41:15 | 0:41:19 | |
'At my old house, | 0:41:19 | 0:41:22 | |
'my mum had a porch where she grew flowers. | 0:41:22 | 0:41:25 | |
'You could hear the rain tapping off it.' | 0:41:25 | 0:41:27 | |
It was my granny's house. | 0:41:31 | 0:41:33 | |
My dad was born there. | 0:41:35 | 0:41:38 | |
I was born there. John, too. | 0:41:38 | 0:41:39 | |
No-one lives there now. | 0:41:43 | 0:41:45 | |
Not really. | 0:41:45 | 0:41:46 | |
How stupid is that? | 0:41:48 | 0:41:50 | |
The bank takes the house away from us and that's what happens. | 0:41:52 | 0:41:55 | |
I used to go there sometimes. | 0:42:00 | 0:42:03 | |
What was it you were looking for? | 0:42:03 | 0:42:05 | |
I thought maybe I could figure out what went wrong. | 0:42:07 | 0:42:10 | |
With me. | 0:42:13 | 0:42:15 | |
Inside me. | 0:42:17 | 0:42:18 | |
DOOR OPENS | 0:42:21 | 0:42:22 | |
Congratulations, Professor Dalton. | 0:42:24 | 0:42:27 | |
I hope you had a good eyeful. Shame on you. | 0:42:27 | 0:42:30 | |
You asked me to find out about Eve. But when I try, you hide behind this cloak of confidentiality, | 0:42:30 | 0:42:35 | |
like some kind of modern-day Wizard of Oz! | 0:42:35 | 0:42:38 | |
I need to know about Eve! | 0:42:38 | 0:42:40 | |
I'm her doctor now. | 0:42:40 | 0:42:42 | |
So now you have the privilege. Fine. | 0:42:42 | 0:42:44 | |
Do you think it's her family? | 0:42:46 | 0:42:47 | |
-Her father, yeah? -Well, you met him. | 0:42:47 | 0:42:49 | |
-Yes, I have. -And how old were those wounds? | 0:42:49 | 0:42:52 | |
Judging by the developmental stages, I'd say six or seven years. | 0:42:52 | 0:42:55 | |
-You did first-year anatomy. -Did I? | 0:42:55 | 0:42:57 | |
Oh, yeah, that's right, I did, yeah. | 0:42:57 | 0:43:00 | |
I remember you slicing and dissecting | 0:43:00 | 0:43:02 | |
old Smirnoff Salmon there, yeah. | 0:43:02 | 0:43:07 | |
I forgot about these cameras. | 0:43:08 | 0:43:09 | |
Did she sign a release? | 0:43:09 | 0:43:11 | |
Am I still in there? | 0:43:11 | 0:43:12 | |
Oh, no, you're in there, yeah. You're in there somewhere. | 0:43:12 | 0:43:15 | |
I mean, I generally don't take notes any more, | 0:43:15 | 0:43:18 | |
particularly where children are concerned. | 0:43:18 | 0:43:20 | |
They always feel they're being judged, or I'm not listening. | 0:43:20 | 0:43:23 | |
I always knew you were listening. | 0:43:23 | 0:43:25 | |
I always thought it was strange that you agreed to treat me. | 0:43:26 | 0:43:30 | |
Seeing as how we were good friends. | 0:43:30 | 0:43:32 | |
It's not normal. | 0:43:32 | 0:43:34 | |
Leo... | 0:43:35 | 0:43:37 | |
Your wife and daughter had just died. | 0:43:37 | 0:43:39 | |
What was I going to do, send you away? Come on. | 0:43:39 | 0:43:42 | |
Look, if you have something you want to ask me, just ask it. | 0:43:42 | 0:43:46 | |
-You think she was raped. -Don't you? | 0:43:52 | 0:43:54 | |
"Something went wrong inside me"? | 0:43:54 | 0:43:57 | |
I think something happened to her in the house. | 0:43:57 | 0:43:59 | |
The house she lived in before her father lost it all. | 0:43:59 | 0:44:03 | |
You seemed to be getting somewhere with her. | 0:44:03 | 0:44:05 | |
Let me show you this. | 0:44:10 | 0:44:12 | |
I don't want anything. | 0:44:20 | 0:44:22 | |
Stop fussing, I'm not thirsty. | 0:44:22 | 0:44:25 | |
So, Eve... | 0:44:29 | 0:44:31 | |
..this evil inside you. | 0:44:33 | 0:44:35 | |
Where is it, exactly? | 0:44:35 | 0:44:37 | |
In your head, in your tummy? | 0:44:37 | 0:44:39 | |
I know what you think. | 0:44:41 | 0:44:42 | |
What do I think? | 0:44:42 | 0:44:44 | |
The house, Eve? | 0:44:49 | 0:44:50 | |
Where in the house is the evil? | 0:44:52 | 0:44:54 | |
-(QUIVERING) -It's in my bedroom. | 0:44:57 | 0:44:59 | |
Sorry? | 0:45:01 | 0:45:02 | |
It's in my bedroom. | 0:45:05 | 0:45:07 | |
-I see. -No, you don't. | 0:45:09 | 0:45:11 | |
It's not what you think. | 0:45:14 | 0:45:16 | |
Eve. | 0:45:16 | 0:45:17 | |
It's not just me. | 0:45:20 | 0:45:21 | |
It's happened to lots of people because it's real. | 0:45:24 | 0:45:27 | |
What do you mean? | 0:45:27 | 0:45:28 | |
Do you believe in possession? | 0:45:28 | 0:45:30 | |
-What do you mean by...? -Possession! | 0:45:32 | 0:45:35 | |
The taking over of a soul by an evil force. | 0:45:35 | 0:45:39 | |
I believe that possession is a word that people use | 0:45:39 | 0:45:41 | |
to explain inexplicable phenomena. | 0:45:41 | 0:45:44 | |
I mean, psychological forces are very strong. | 0:45:44 | 0:45:46 | |
They're unseen, they're very frightening. | 0:45:46 | 0:45:49 | |
And they're as real as any manifestation of evil. | 0:45:49 | 0:45:53 | |
And I am not belittling anything you say. | 0:45:53 | 0:45:55 | |
Do you believe in God? | 0:45:55 | 0:45:56 | |
It doesn't matter what I... | 0:45:56 | 0:45:58 | |
Yes, it does! | 0:45:58 | 0:46:00 | |
Do you believe in God? | 0:46:00 | 0:46:01 | |
Do you believe in sin? | 0:46:01 | 0:46:03 | |
I believe that you believe it. | 0:46:03 | 0:46:05 | |
If you don't believe in God, you don't believe in sin, | 0:46:05 | 0:46:07 | |
so you can't believe in the Devil. | 0:46:07 | 0:46:09 | |
Evil is not an abstraction, but refers to a person. | 0:46:11 | 0:46:15 | |
The angel who opposes God! | 0:46:15 | 0:46:17 | |
I've seen him! | 0:46:17 | 0:46:20 | |
I know him. | 0:46:21 | 0:46:23 | |
All right, Eve, all right. | 0:46:23 | 0:46:25 | |
No, no, you're not listening! | 0:46:25 | 0:46:28 | |
A manifestation of evil, it controls me. | 0:46:28 | 0:46:33 | |
It entered me in that room when I was a girl | 0:46:33 | 0:46:36 | |
and it won't go. | 0:46:36 | 0:46:38 | |
It won't go. | 0:46:40 | 0:46:42 | |
Eve... | 0:46:47 | 0:46:49 | |
Eve. Eve, just let me try and understand, all right? | 0:46:49 | 0:46:52 | |
You don't believe me. | 0:46:56 | 0:46:58 | |
I'm tired. | 0:47:05 | 0:47:06 | |
Can I... Can I lie down, please, Sean? | 0:47:11 | 0:47:14 | |
Please? | 0:47:21 | 0:47:23 | |
All right. Come on. | 0:47:25 | 0:47:26 | |
'That was her last session.' | 0:47:33 | 0:47:35 | |
She didn't show up the next week. | 0:47:36 | 0:47:39 | |
A few days later, I found out she was dead. | 0:47:41 | 0:47:44 | |
She believed she was possessed? | 0:47:45 | 0:47:47 | |
Well, you saw her. The change in her. | 0:47:47 | 0:47:49 | |
Something was doing that to her - think it could have killed her? | 0:47:49 | 0:47:52 | |
-What, a demon?! -Yeah, why not? At least her belief in it. | 0:47:52 | 0:47:55 | |
You said it yourself, psychological state can affect cardiac... | 0:47:55 | 0:47:58 | |
All right, I know. | 0:47:58 | 0:48:00 | |
-Sean. -I know! | 0:48:00 | 0:48:01 | |
I just keep thinking that I failed her. | 0:48:01 | 0:48:03 | |
I keep hearing those words at night, that Latin. | 0:48:03 | 0:48:07 | |
"Malum abstractio quaedam non est." | 0:48:07 | 0:48:09 | |
It's written on a piece of paper in her bedroom. | 0:48:11 | 0:48:14 | |
I thought I was helping her. | 0:48:17 | 0:48:19 | |
But whatever it was inside her, I mean, demon, trauma, call it whatever you like... | 0:48:20 | 0:48:25 | |
..it was too strong for me, Leo. | 0:48:26 | 0:48:28 | |
It was too strong. | 0:48:31 | 0:48:33 | |
Thanks. | 0:48:40 | 0:48:41 | |
PHONE RINGS | 0:48:43 | 0:48:45 | |
Hi. | 0:48:48 | 0:48:49 | |
That paper under Eve Gilston's nails, it's wallpaper. | 0:48:49 | 0:48:53 | |
Wallpaper? | 0:48:53 | 0:48:55 | |
Anything else? | 0:48:55 | 0:48:56 | |
'No. No trace of any other DNA.' | 0:48:56 | 0:48:58 | |
Did she seem malnourished to you? | 0:48:58 | 0:49:01 | |
-'Eating disorder?' -Not especially. | 0:49:02 | 0:49:04 | |
Listen, check her teeth enamel, will you? | 0:49:06 | 0:49:08 | |
-'I just wonder if...' -I can't. The coroner's released her. | 0:49:08 | 0:49:11 | |
What? And you didn't object? | 0:49:11 | 0:49:13 | |
'Released her to who - the police, her parents?' | 0:49:13 | 0:49:17 | |
Her priest, Fr Jacobs, on behalf of her family. | 0:49:17 | 0:49:19 | |
-'They want to bury her.' -Great. | 0:49:19 | 0:49:22 | |
Leo, look, we have been over every inch of her. | 0:49:22 | 0:49:27 | |
'We have taken all the samples. | 0:49:27 | 0:49:28 | |
'I know the back of her hand better than I know the back of my hand.' | 0:49:28 | 0:49:31 | |
Just let them bury her. Dig her up later if you need to, | 0:49:31 | 0:49:35 | |
but for now... just let them have their daughter. | 0:49:35 | 0:49:40 | |
Fine. | 0:49:40 | 0:49:41 | |
OK, thanks, Harry. | 0:49:41 | 0:49:43 | |
Sean, come on. Have to get to the hospital. | 0:49:49 | 0:49:51 | |
-Here. I'll walk you in. -No, piss off! | 0:49:55 | 0:49:57 | |
They'll think you're my boyfriend. I'd be going out with someone much younger than you, more ripped. | 0:49:57 | 0:50:02 | |
Marla always said you were gay. | 0:50:02 | 0:50:03 | |
I shagged Marla. | 0:50:05 | 0:50:06 | |
Exactly! | 0:50:06 | 0:50:07 | |
THEY LAUGH | 0:50:07 | 0:50:08 | |
Listen, if anything goes wrong, | 0:50:10 | 0:50:13 | |
-look after those tapes... -Nothing is going to go wrong. | 0:50:13 | 0:50:16 | |
I'll see you soon. | 0:50:17 | 0:50:18 | |
Yeah. | 0:50:18 | 0:50:20 | |
We're good friends, Leo. | 0:50:20 | 0:50:21 | |
At least, you're a good friend to me. | 0:50:21 | 0:50:23 | |
DIALING TONES | 0:50:38 | 0:50:40 | |
DS Brooks, Leo Dalton. Yeah. | 0:50:43 | 0:50:46 | |
The Gilstons, they live down near Epping Forest? | 0:50:46 | 0:50:48 | |
Do you have an address? | 0:50:48 | 0:50:51 | |
I just need to go through this pre-op check. | 0:51:04 | 0:51:07 | |
-EVE: -'# Till from the flames appears Salome | 0:51:12 | 0:51:16 | |
'# I stand before her, amazed | 0:51:16 | 0:51:20 | |
'# As she dances and demands | 0:51:20 | 0:51:23 | |
'# The head of John the Baptist on a plate | 0:51:23 | 0:51:26 | |
'# In the co-o-old' | 0:51:26 | 0:51:31 | |
# Cold stormy night | 0:51:31 | 0:51:33 | |
# The fire I light to warm my bones... # | 0:51:33 | 0:51:38 | |
-Where are we going? -Where do you think we're going? | 0:52:07 | 0:52:09 | |
-But this is... -Tony Gilston's house. | 0:52:11 | 0:52:13 | |
The farmland was sold off, | 0:52:13 | 0:52:15 | |
the house is used as some sort of residential clinic. | 0:52:15 | 0:52:18 | |
It's being redeveloped, apparently. | 0:52:18 | 0:52:20 | |
I tried calling, but there's no answer. | 0:52:20 | 0:52:23 | |
-EVE: -'My mum had a porch where she grew flowers.' | 0:52:23 | 0:52:26 | |
'You could hear the rain tapping off it.' | 0:52:26 | 0:52:29 | |
Dear God! | 0:52:29 | 0:52:31 | |
'It was my granny's house. | 0:52:33 | 0:52:34 | |
'My dad was born there. | 0:52:34 | 0:52:36 | |
'I was born there. John, too. | 0:52:36 | 0:52:38 | |
'No-one lives there now. | 0:52:38 | 0:52:41 | |
'Not really. | 0:52:41 | 0:52:42 | |
'I used to go there sometimes.' | 0:52:42 | 0:52:44 | |
SHE RINGS DOORBELL | 0:53:00 | 0:53:01 | |
W-What the hell's going on? | 0:53:09 | 0:53:11 | |
Where is he? | 0:53:20 | 0:53:21 | |
Oh, I don't think he knew. | 0:53:23 | 0:53:25 | |
She said that she was brought up in the area, but... | 0:53:25 | 0:53:27 | |
What else did she tell him? | 0:53:27 | 0:53:29 | |
For Christ's sakes! Professor Dalton, you know... | 0:53:31 | 0:53:33 | |
-Why are you angry? -You've been playing me from the start. | 0:53:33 | 0:53:36 | |
You present yourself as a disinterested party, | 0:53:36 | 0:53:38 | |
expert pathologist, | 0:53:38 | 0:53:40 | |
meanwhile you've been withholding key information from the investigation. | 0:53:40 | 0:53:44 | |
Sean Delaney initially alerted me to the case. | 0:53:44 | 0:53:47 | |
A former patient of his had died | 0:53:47 | 0:53:49 | |
-and he wanted to ensure that the death was investigated as thoroughly as possible. -Or... | 0:53:49 | 0:53:54 | |
he wanted to make sure the man investigating it was his friend. | 0:53:54 | 0:53:57 | |
-HE SCOFFS -And you went along with it. | 0:53:57 | 0:54:00 | |
So if it's not suspicious, why are we here? | 0:54:05 | 0:54:08 | |
Why did you want to come back? They left here five years ago. | 0:54:08 | 0:54:11 | |
-Delaney thought that maybe something bad had happened to her here, in this house. -Something? | 0:54:11 | 0:54:16 | |
Her bedroom. | 0:54:19 | 0:54:20 | |
I am the Alpha and the Omega. | 0:54:29 | 0:54:32 | |
The first and the last. | 0:54:33 | 0:54:35 | |
The beginning and the end. | 0:54:35 | 0:54:37 | |
Happy are those who will have washed their robes clean | 0:54:37 | 0:54:40 | |
so that they will have the right to feed on the Tree of Life | 0:54:40 | 0:54:45 | |
and can come through the gates into the city. | 0:54:45 | 0:54:49 | |
Definitely on this side. Maybe upstairs. | 0:54:57 | 0:54:59 | |
Outside are the dogs, the sorcerers, | 0:55:02 | 0:55:06 | |
the unchaste, the murderers, | 0:55:06 | 0:55:09 | |
the idol worshippers, | 0:55:09 | 0:55:11 | |
and all who love and practise deceit. | 0:55:11 | 0:55:14 | |
SHE SCREAMS | 0:55:14 | 0:55:16 | |
HISSING AND WHISPERING | 0:55:16 | 0:55:19 | |
John! | 0:55:20 | 0:55:21 | |
It's hers. | 0:55:44 | 0:55:45 | |
STEADY BEEPING | 0:55:46 | 0:55:48 | |
Nurse, pass me a swab. | 0:55:48 | 0:55:50 | |
Eve... | 0:55:54 | 0:55:55 | |
Wallpaper. | 0:56:10 | 0:56:11 | |
-PHONE AUDIO: -'No! | 0:56:11 | 0:56:13 | |
'No! | 0:56:13 | 0:56:15 | |
'No!' | 0:56:15 | 0:56:17 | |
No-o! | 0:56:17 | 0:56:18 | |
JOHN PANTS | 0:56:18 | 0:56:20 | |
John! | 0:56:24 | 0:56:26 | |
Doctor, he's crashing. | 0:56:31 | 0:56:33 | |
DISTORTED SHOUTING | 0:56:37 | 0:56:38 | |
CONTINUOUS BEEP | 0:56:38 | 0:56:40 | |
-WOMAN: -'You do not command me.' | 0:56:41 | 0:56:43 | |
-MAN: -'Who are you?' | 0:56:43 | 0:56:45 | |
'Who am I?' | 0:56:45 | 0:56:47 | |
'Who are you?' | 0:56:47 | 0:56:49 | |
-(SCREAMING) -'We are legion!' | 0:56:50 | 0:56:54 | |
INCOHERANT SCREAMING | 0:56:54 | 0:56:57 | |
-JOHN: -No! Leave me alone! | 0:56:59 | 0:57:01 | |
No! Stop! | 0:57:03 | 0:57:04 | |
Stop! No! | 0:57:05 | 0:57:07 | |
-EVE: -'Where are we, John? It's too dark. I can't see anything.' | 0:57:16 | 0:57:20 | |
-JOHN: -'It's secret. If you come down here, they won't find you. It's safe.' | 0:57:20 | 0:57:23 | |
BANGING | 0:57:23 | 0:57:26 | |
No! | 0:57:26 | 0:57:28 | |
Get away! Get away from me! Go away! Leave me alone! | 0:57:28 | 0:57:31 | |
-SEAN: -There's something about this house, | 0:57:34 | 0:57:36 | |
and there is something about this family, | 0:57:36 | 0:57:38 | |
and it's got nothing to do with Long QT Syndrome! | 0:57:38 | 0:57:41 | |
Help, please! | 0:57:41 | 0:57:43 | |
You don't get it, do you? If an assault occurred here, | 0:57:43 | 0:57:46 | |
and Eve went home and died, that's not assault any more. | 0:57:46 | 0:57:49 | |
Someone killed her, that's murder. | 0:57:49 | 0:57:51 | |
She walked in through that door, she told me what was wrong with her. | 0:57:51 | 0:57:54 | |
-Why didn't I take her seriously? -What, and perform an exorcism?! | 0:57:54 | 0:57:57 | |
Yeah! It's what she wanted! | 0:57:57 | 0:57:58 | |
I've seen people under great stress do things you wouldn't believe. | 0:57:58 | 0:58:02 | |
And I've seen them after they've been liberated from that stress. | 0:58:02 | 0:58:06 | |
I want to be able to explain that. I want you to be able to explain it. | 0:58:06 | 0:58:09 | |
What has this got to do with what we do? | 0:58:09 | 0:58:12 | |
It's not like I'm making a case for warlocks or witchcraft. | 0:58:12 | 0:58:14 | |
You could have fooled me. | 0:58:14 | 0:58:16 | |
# Testator silens | 0:58:18 | 0:58:25 | |
# Silentium | 0:58:25 | 0:58:33 | |
# Silentium... # | 0:58:40 | 0:58:42 | |
Subtitles by Red Bee Media Ltd | 0:58:42 | 0:58:45 |