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Thanks, this will do. | 0:01:19 | 0:01:21 | |
Thank you. | 0:01:22 | 0:01:24 | |
Let her through, please, guys. | 0:01:32 | 0:01:34 | |
Will Bennetto be free today? | 0:01:34 | 0:01:36 | |
-OK, let her through, please. -Sorry. | 0:01:36 | 0:01:38 | |
-Thank Christ. You OK? -Yeah. | 0:01:38 | 0:01:41 | |
I thought you'd bottled it. Where have you been? | 0:01:43 | 0:01:45 | |
King's Hospital. A suicide and two distraught children. | 0:01:45 | 0:01:49 | |
OK, let me rewind that. | 0:01:49 | 0:01:51 | |
Thanks for this, Nikki, it really is appreciated. | 0:01:51 | 0:01:54 | |
Better. Marginally. | 0:01:54 | 0:01:56 | |
Right... OK. | 0:01:56 | 0:01:59 | |
We're on. The usher will come and get you when you're up, OK? | 0:01:59 | 0:02:02 | |
All rise. | 0:02:29 | 0:02:30 | |
Good morning, ladies and gentlemen. | 0:02:40 | 0:02:42 | |
Is he all right? | 0:02:47 | 0:02:48 | |
He's OK. | 0:02:48 | 0:02:50 | |
Mr Bennetto is an ex-soldier who has spent the past five years | 0:02:50 | 0:02:55 | |
and four months in prison for the brutal murder of | 0:02:55 | 0:02:58 | |
two homosexual teenage men - one of whom, Daniel Harris, was his lover. | 0:02:58 | 0:03:05 | |
Mr Bennetto was initially arrested and questioned in connection with | 0:03:05 | 0:03:09 | |
the murder of Mr Harris but released on bail without charge. | 0:03:09 | 0:03:13 | |
Some two days later, Michael Freeman was murdered. | 0:03:13 | 0:03:16 | |
His body was found within yards of where Daniel Harris had been killed. | 0:03:16 | 0:03:20 | |
Both men were dispatched with a single shot to the forehead | 0:03:20 | 0:03:23 | |
and cut repeatedly with a knife. | 0:03:23 | 0:03:26 | |
M'lady and lords, I submit on behalf of the appellant | 0:03:26 | 0:03:29 | |
that, though both killings exhibit similar modus operandi and may | 0:03:29 | 0:03:34 | |
well have been perpetrated by the same person, | 0:03:34 | 0:03:36 | |
the conviction of Mr Bennetto on both counts is unsafe. | 0:03:36 | 0:03:41 | |
-What? -At the original trial, the Crown believed that they'd stopped | 0:03:41 | 0:03:45 | |
a potential serial killer, but new evidence will show that | 0:03:45 | 0:03:49 | |
Mr Bennetto could not have been involved in these brutal acts. | 0:03:49 | 0:03:54 | |
He was convicted in a case that has many of the ingredients | 0:03:54 | 0:03:57 | |
of a miscarriage of justice. | 0:03:57 | 0:04:00 | |
Hi. | 0:04:01 | 0:04:04 | |
Thanks. | 0:04:04 | 0:04:05 | |
Thought it might wind you up some more. You OK? | 0:04:05 | 0:04:10 | |
It's not exactly my idea of fun, contradicting the original | 0:04:10 | 0:04:14 | |
pathologist's findings, especially when he'll be sitting in court. | 0:04:14 | 0:04:17 | |
Good for business though. | 0:04:17 | 0:04:19 | |
Really big up the Lyell. | 0:04:19 | 0:04:22 | |
A little birdie tells me that's what Thomas is praying for, anyway. | 0:04:22 | 0:04:26 | |
Your picture in the papers. | 0:04:26 | 0:04:27 | |
Me? Why? | 0:04:27 | 0:04:29 | |
Pathology eye-candy. | 0:04:29 | 0:04:32 | |
He said that?! | 0:04:32 | 0:04:34 | |
Not in so many words. | 0:04:34 | 0:04:35 | |
He didn't say that. | 0:04:35 | 0:04:36 | |
Well, it's what he's thinking. | 0:04:36 | 0:04:39 | |
Dr Desai, is Mr Bennetto suffering from a mental illness? | 0:04:39 | 0:04:44 | |
Yes, he has bi-polar affective disorder, | 0:04:44 | 0:04:47 | |
exacerbated by symptoms of PTSD. | 0:04:47 | 0:04:50 | |
And would he have been suffering from those conditions | 0:04:50 | 0:04:52 | |
when he was originally arrested? | 0:04:52 | 0:04:54 | |
Yes. | 0:04:54 | 0:04:55 | |
He would have found it extremely difficult to cope with confinement. | 0:04:55 | 0:04:58 | |
Might his mental state have contributed to him | 0:04:58 | 0:05:01 | |
confessing to a crime he hadn't in fact committed? | 0:05:01 | 0:05:04 | |
Yes. | 0:05:04 | 0:05:05 | |
In your opinion, can Mr Bennetto's confession be relied upon? | 0:05:05 | 0:05:09 | |
-My Lady? -I'll allow it. | 0:05:09 | 0:05:11 | |
I think if a psychiatrist such as myself had assessed him | 0:05:11 | 0:05:14 | |
then there might have been a different outcome. | 0:05:14 | 0:05:16 | |
So, once again - can the confession be relied upon or not? | 0:05:16 | 0:05:20 | |
No. | 0:05:20 | 0:05:21 | |
Everybody good? | 0:05:23 | 0:05:25 | |
Thinking of taking up smoking, but otherwise fantastic. | 0:05:25 | 0:05:27 | |
Well, that's 1-0 to us - the psych went down very well. | 0:05:27 | 0:05:31 | |
Just Nikki now then, hmm? | 0:05:31 | 0:05:32 | |
No pressure(!) | 0:05:32 | 0:05:34 | |
What's your evidence? | 0:05:34 | 0:05:35 | |
Ah, the timings - when Michael Freeman was killed and dumped. | 0:05:35 | 0:05:38 | |
There was a witness who said she saw Bennetto there around 7:30. | 0:05:38 | 0:05:42 | |
If the timings don't work, he'll walk. | 0:05:42 | 0:05:45 | |
He's an innocent man. | 0:05:45 | 0:05:47 | |
-You know that, do you? -I do. And she knows it too. | 0:05:47 | 0:05:50 | |
Dr Alexander... | 0:05:52 | 0:05:53 | |
Now, the findings of the pathologist of the original trial - | 0:05:53 | 0:05:58 | |
Dr Bell... What exactly do you take issue with? | 0:05:58 | 0:06:02 | |
Dr Bell's report was extremely thorough, but it omitted to | 0:06:02 | 0:06:06 | |
mention something that was in his contemporaneous notes. | 0:06:06 | 0:06:09 | |
Er, which is? | 0:06:09 | 0:06:10 | |
That he found diatoms on Mr Freeman's face. | 0:06:10 | 0:06:13 | |
And diatoms are? | 0:06:13 | 0:06:15 | |
Microscopically small single-celled algae that live | 0:06:15 | 0:06:18 | |
in both salt water and fresh water... | 0:06:18 | 0:06:20 | |
The body was found lying on its back. | 0:06:20 | 0:06:24 | |
It was positioned between two fallen trees which would have | 0:06:24 | 0:06:28 | |
prevented it from rolling. The river is tidal there, | 0:06:28 | 0:06:31 | |
so, logically, it follows that the body would have been | 0:06:31 | 0:06:34 | |
abandoned at a time when the tide was high enough | 0:06:34 | 0:06:36 | |
for the water-borne diatoms to have been deposited. | 0:06:36 | 0:06:39 | |
So, you're saying, are you, that, at some point, | 0:06:39 | 0:06:41 | |
the body was immersed in water? | 0:06:41 | 0:06:43 | |
Yes. High tide was at 5:27 that day and, according to tidal records, | 0:06:43 | 0:06:49 | |
it achieved the depth of water required to fully cover the body. | 0:06:49 | 0:06:52 | |
So the body must have been abandoned | 0:06:52 | 0:06:54 | |
well before 5:27 - high tide. | 0:06:54 | 0:06:57 | |
Yes. | 0:06:57 | 0:06:58 | |
Now, Mr Bennetto's movements can be accounted for until 5:00pm | 0:06:58 | 0:07:02 | |
on that day, when he was over four miles away from the marshland, | 0:07:02 | 0:07:05 | |
which makes it almost impossible for him to have had the time | 0:07:05 | 0:07:09 | |
to commit the murder. Would that be your conclusion, Dr Alexander? | 0:07:09 | 0:07:14 | |
-Yes. -Thank you. | 0:07:14 | 0:07:16 | |
These diatoms... | 0:07:19 | 0:07:20 | |
In your expert opinion, | 0:07:20 | 0:07:23 | |
they would have had to come directly from the river, is that correct? | 0:07:23 | 0:07:26 | |
Yes. | 0:07:26 | 0:07:27 | |
And that's only possible if the body was submerged? | 0:07:27 | 0:07:30 | |
Yes. | 0:07:30 | 0:07:31 | |
Are you aware of the wind speed and direction on that evening? | 0:07:31 | 0:07:35 | |
Not without looking them up, no. | 0:07:35 | 0:07:37 | |
Well, they're in Dr Bell's notes. | 0:07:37 | 0:07:40 | |
"At 24 knots, blowing from a north-easterly direction." | 0:07:40 | 0:07:44 | |
Which would blow towards or away from the body? | 0:07:44 | 0:07:49 | |
Towards it. | 0:07:49 | 0:07:51 | |
So, wind blown over water at 24 knots - | 0:07:51 | 0:07:55 | |
that would create spray, would it not? | 0:07:55 | 0:07:58 | |
Possibly. | 0:07:58 | 0:07:59 | |
Spray blown directly towards the body. | 0:07:59 | 0:08:03 | |
Under those circumstances, would it not be possible for | 0:08:03 | 0:08:07 | |
diatoms to be deposited on Mr Freeman's face? | 0:08:07 | 0:08:10 | |
Dr Alexander? | 0:08:13 | 0:08:15 | |
It's possible. | 0:08:15 | 0:08:17 | |
Thank you. | 0:08:17 | 0:08:18 | |
You may step down. | 0:08:18 | 0:08:20 | |
-I'm sorry. -That's not going to do it. | 0:08:23 | 0:08:26 | |
I can only do what I can do. | 0:08:26 | 0:08:27 | |
Want a lift? | 0:08:40 | 0:08:42 | |
Front or back? | 0:08:42 | 0:08:44 | |
Do you want to get papped or no? | 0:08:44 | 0:08:45 | |
Actually, I'll catch you up. | 0:08:49 | 0:08:51 | |
Or even better, can you wait for me? | 0:08:51 | 0:08:53 | |
I got to the body at 6:30 the next morning | 0:09:36 | 0:09:39 | |
and measured the core temperature. | 0:09:39 | 0:09:41 | |
The ambient temperature averaged 0.6 of a degree centigrade. | 0:09:41 | 0:09:45 | |
You can work out how long the body had been lying there | 0:09:45 | 0:09:47 | |
-from those figures, can you? -Yes. | 0:09:47 | 0:09:50 | |
Some 11 hours, which gives a time of death at around 7:30pm, | 0:09:50 | 0:09:54 | |
when the tide was waning. | 0:09:54 | 0:09:56 | |
Why didn't you point up the diatoms in your original report? | 0:09:56 | 0:10:00 | |
Because, as you said, | 0:10:00 | 0:10:02 | |
it was and is my opinion that they'd been deposited by river spray. | 0:10:02 | 0:10:07 | |
No further questions. | 0:10:07 | 0:10:09 | |
Er, no questions at this stage, but permission, please, | 0:10:12 | 0:10:16 | |
-to recall Dr Alexander. -To what end? | 0:10:16 | 0:10:18 | |
We've already heard her evidence. | 0:10:18 | 0:10:20 | |
Let's find out, shall we? | 0:10:20 | 0:10:22 | |
It seems that timing is crucial to this appeal - | 0:10:22 | 0:10:26 | |
whether or not the body was abandoned before or after high tide. | 0:10:26 | 0:10:30 | |
Up to two hours after death, | 0:10:30 | 0:10:33 | |
a condition known as livor mortis sets in. | 0:10:33 | 0:10:36 | |
Livor mortis is? | 0:10:36 | 0:10:39 | |
After death, gravity causes the blood to settle in the lowest | 0:10:39 | 0:10:42 | |
possible parts of the body, creating the purple-pink colouring | 0:10:42 | 0:10:46 | |
to the skin. The pale patches are where the body has been in contact | 0:10:46 | 0:10:51 | |
with the ground or another object. | 0:10:51 | 0:10:53 | |
The pressure prevents the blood from settling there. | 0:10:53 | 0:10:56 | |
And this is Mr Freeman's body during the postmortem, is it? | 0:10:56 | 0:10:59 | |
Yes. | 0:10:59 | 0:11:00 | |
And this is the same body in situ, as it was found at the crime scene. | 0:11:00 | 0:11:06 | |
Now, it's clear that the left knee is in contact with the tree, | 0:11:06 | 0:11:10 | |
so we'd expect to see a pale patch surrounded by the purple-pink | 0:11:10 | 0:11:15 | |
colouring on the victim's knee from the contact pressure, | 0:11:15 | 0:11:18 | |
-but...there isn't one. -So? | 0:11:18 | 0:11:22 | |
So, when the body was abandoned, it must have been lying | 0:11:22 | 0:11:25 | |
in a different position to the one shown in the crime scene photo - | 0:11:25 | 0:11:28 | |
that is, without the left knee pressing against the tree. | 0:11:28 | 0:11:32 | |
The two-hour livor mortis phase had passed in this position, | 0:11:32 | 0:11:34 | |
leaving no pale mark on the knee. | 0:11:34 | 0:11:37 | |
The tide then came in... | 0:11:37 | 0:11:39 | |
the body floated in the water, and, when the tide receded, | 0:11:39 | 0:11:42 | |
it settled back down, | 0:11:42 | 0:11:44 | |
but in a different position, with the left knee | 0:11:44 | 0:11:47 | |
now pressed against the tree. | 0:11:47 | 0:11:48 | |
So, to be absolutely clear - | 0:11:48 | 0:11:51 | |
the absence of a pale patch in the livor mortis | 0:11:51 | 0:11:54 | |
colouring on the knee proves...? | 0:11:54 | 0:11:56 | |
That the body had moved position after the two-hour livor mortis phase had passed, | 0:11:56 | 0:12:01 | |
most likely due to tidal action. | 0:12:01 | 0:12:03 | |
This strongly suggests that Mr Freeman was killed | 0:12:03 | 0:12:06 | |
and abandoned there prior to high tide at 5:27pm. | 0:12:06 | 0:12:11 | |
Sorry to have missed the main event. | 0:12:14 | 0:12:16 | |
At least I'm here for the denouement. | 0:12:16 | 0:12:18 | |
-Good to see you again. -Thomas. | 0:12:18 | 0:12:20 | |
-So, how did it go? -We'll see. Either way, drinks on me. | 0:12:20 | 0:12:23 | |
-Must be an occasion. -Yeah, well, you have made a massive profit out of me, | 0:12:23 | 0:12:26 | |
-so I might as well throw in a few drinks. -And you haven't... | 0:12:26 | 0:12:29 | |
-made a profit? -No. HE CHUCKLES | 0:12:29 | 0:12:31 | |
Legal Aid - when it eventually trickles through. | 0:12:31 | 0:12:33 | |
Still, a round of drinks, eh? Not like you, Greg. | 0:12:33 | 0:12:35 | |
Put it down to nerves. | 0:12:35 | 0:12:37 | |
Yeah, got a lot riding on this one. | 0:12:37 | 0:12:39 | |
Mr Walker? | 0:12:39 | 0:12:41 | |
Here we go. | 0:12:41 | 0:12:43 | |
After some careful deliberation, | 0:12:43 | 0:12:45 | |
we have reached a decision in this matter. | 0:12:45 | 0:12:48 | |
As the Crown has called on no evidence to contradict | 0:12:48 | 0:12:51 | |
the new evidence presented on behalf of the appellant, | 0:12:51 | 0:12:54 | |
the judgement of the court is this - that the conviction is unsafe, | 0:12:54 | 0:12:58 | |
and therefore will be quashed. | 0:12:58 | 0:13:01 | |
There will be no retrial. | 0:13:01 | 0:13:03 | |
Mr Bennetto will be released immediately. | 0:13:03 | 0:13:06 | |
-SHOUTS FROM COURTROOM: -Bloody killer! It's a joke! | 0:13:06 | 0:13:08 | |
-It's a joke! -He's a killer! -He can't be freed! | 0:13:10 | 0:13:14 | |
Thank you, Nikki. | 0:13:23 | 0:13:25 | |
How do you feel now your brother's free? | 0:13:28 | 0:13:30 | |
Did you believe he'd walk today? | 0:13:30 | 0:13:32 | |
The victim's family still believe he's guilty. Any words? | 0:13:32 | 0:13:36 | |
Morning. | 0:13:42 | 0:13:44 | |
If I could, I'd curtsey. | 0:13:44 | 0:13:46 | |
Uh, you're wanted... in Thomas's office. | 0:13:48 | 0:13:50 | |
Ah, morning. | 0:13:56 | 0:13:58 | |
-Er, you know Richard Parkwood, I believe, from the Home Office. -Yes. | 0:13:58 | 0:14:02 | |
DI Rachel Klein, DS Adam Kemp. Doctor Nikki Alexander. | 0:14:02 | 0:14:06 | |
Hi. | 0:14:06 | 0:14:08 | |
To what do we owe the pleasure? | 0:14:08 | 0:14:10 | |
Given the press interest... | 0:14:10 | 0:14:12 | |
the Home Office think it's expedient for the Lyell | 0:14:12 | 0:14:14 | |
and the police to work together on the case here on out. | 0:14:14 | 0:14:17 | |
Work together as in...? | 0:14:17 | 0:14:19 | |
Well, since you so successfully dismantled Dr Bell's evidence, | 0:14:19 | 0:14:22 | |
perhaps you can help us find the real killer. | 0:14:22 | 0:14:24 | |
What you torturing yourself for? | 0:15:24 | 0:15:26 | |
Right, he's out, it's done, it's over. | 0:15:26 | 0:15:29 | |
Yeah? | 0:15:29 | 0:15:30 | |
All right, mate, you sleep OK? | 0:15:37 | 0:15:40 | |
Could I sit next to you two? | 0:15:44 | 0:15:46 | |
Yeah, sit down. Eat up, you two. | 0:15:46 | 0:15:49 | |
Shouldn't you two be at school? | 0:15:54 | 0:15:56 | |
I'll drop them off when Jill goes to work. | 0:15:56 | 0:15:59 | |
They wanted to stay to see you. | 0:15:59 | 0:16:02 | |
You working, are you, Mark? | 0:16:02 | 0:16:04 | |
I got an interview at the end of the week. | 0:16:04 | 0:16:07 | |
Oh, nice bread, innit? | 0:16:09 | 0:16:12 | |
Yeah, Jill made it. | 0:16:12 | 0:16:14 | |
She's clever, your mam. She knows what's right. | 0:16:17 | 0:16:20 | |
She's the best. | 0:16:21 | 0:16:23 | |
Queen bee's knees. | 0:16:23 | 0:16:25 | |
Oh, Davey. | 0:16:30 | 0:16:32 | |
Bennetto did four years in the Royal Engineers, | 0:16:35 | 0:16:38 | |
followed in his father's footsteps. | 0:16:38 | 0:16:40 | |
Tours in Iraq and Afghanistan. | 0:16:40 | 0:16:41 | |
He was medically discharged, psychological trauma - PTSD. | 0:16:41 | 0:16:44 | |
Is that how he got caught up in the murders? Fitted the profile? | 0:16:44 | 0:16:47 | |
No. Christ, no. He was sleeping with the first victim, Daniel Harris. | 0:16:47 | 0:16:52 | |
-And he had a motive. -Which was? | 0:16:52 | 0:16:54 | |
Well, that it was all hush-hush... | 0:16:54 | 0:16:56 | |
What, his orientation? | 0:16:56 | 0:16:58 | |
Yeah, and the boyfriend wanted to make it all public | 0:16:58 | 0:17:01 | |
but Bennetto's father was a... | 0:17:01 | 0:17:03 | |
a homophobe, so that's the last thing he wanted - outing. | 0:17:03 | 0:17:07 | |
Plus, if I remember, weren't his prints all over a knife? | 0:17:07 | 0:17:11 | |
-Mm-hmm. -And the gun? -Was never found. | 0:17:11 | 0:17:14 | |
This case has been hanging over you for ages, huh? | 0:17:14 | 0:17:17 | |
Well, not as much as it has for the victims' families. | 0:17:17 | 0:17:20 | |
OK, we have potential new suspects in the case. | 0:17:20 | 0:17:25 | |
One of these guys is banged up... PHONE BEEPS | 0:17:25 | 0:17:27 | |
..for similar offences, the others are still walking the streets. | 0:17:27 | 0:17:30 | |
Details can be found in these files - DNA, fingerprints, the works. | 0:17:30 | 0:17:34 | |
-Happy? -As long as you're prepared to pay for it. | 0:17:34 | 0:17:37 | |
Sorry, my office... Something rather more pressing, if you'll excuse me. | 0:17:37 | 0:17:40 | |
I'll see you out. | 0:17:40 | 0:17:42 | |
You are OK with this? | 0:17:45 | 0:17:47 | |
As far as I'm concerned, a guilty man was released yesterday. | 0:17:47 | 0:17:51 | |
-I'm not looking for anybody else. -So why come here? | 0:17:51 | 0:17:54 | |
Erm, playing the game, same as you. | 0:17:54 | 0:17:57 | |
Well, truth isn't the currency here. It's about how good | 0:17:57 | 0:17:59 | |
the legal team is, what folk can be made to believe. | 0:17:59 | 0:18:02 | |
Well, a lot of people stand to gain from a case like this. | 0:18:02 | 0:18:05 | |
Nice flowers. | 0:18:05 | 0:18:07 | |
-See ya in a bit. -See ya. -See ya later, boss. -See ya later. | 0:18:20 | 0:18:23 | |
You forgot your bag, missus. | 0:18:23 | 0:18:25 | |
-Hello. -Hiya. Greg Walker for Peter Masham, please? | 0:19:43 | 0:19:46 | |
Thanks very much for coming. | 0:19:48 | 0:19:50 | |
Excuse me! | 0:19:55 | 0:19:57 | |
Security! Security! | 0:19:57 | 0:19:59 | |
-David? -Oi! -What are you doing? Get off! | 0:19:59 | 0:20:02 | |
Did you write this? | 0:20:04 | 0:20:06 | |
-Yeah, I was part of the team. -So, when you going to leave it alone? | 0:20:06 | 0:20:09 | |
This is a really stupid. You just got out of prison. | 0:20:09 | 0:20:11 | |
You've been writing your lies about me for years. | 0:20:11 | 0:20:13 | |
Does Greg Walker know you're here? | 0:20:13 | 0:20:15 | |
You come after me and mine again, and I promise ya, | 0:20:15 | 0:20:17 | |
I'll come after you and yours. | 0:20:17 | 0:20:19 | |
ELEVATOR VOICE: Doors opening. | 0:20:19 | 0:20:21 | |
Come on. Come here. | 0:20:21 | 0:20:23 | |
Er, thanks for not calling the police. | 0:20:43 | 0:20:44 | |
Well, he's no good to me banged up. | 0:20:44 | 0:20:47 | |
How are we going to sell newspapers? | 0:20:47 | 0:20:49 | |
Always a sting in the tail, huh? | 0:20:49 | 0:20:51 | |
Dad. | 0:21:02 | 0:21:04 | |
Hello, Charlie. | 0:21:05 | 0:21:06 | |
So much for keeping a low profile, huh? | 0:21:07 | 0:21:11 | |
-What are you doing here? -I need a favour. -What? | 0:21:11 | 0:21:13 | |
PHONE RINGS | 0:21:53 | 0:21:55 | |
Where are you? | 0:21:59 | 0:22:00 | |
What you drinking? | 0:22:00 | 0:22:01 | |
Why? | 0:22:01 | 0:22:03 | |
Cos I think we should have a bottle of bubbles, don't you? | 0:22:03 | 0:22:05 | |
-Hello. -Hi. | 0:22:10 | 0:22:12 | |
I'm sorry I'm late, I had a client who would not shut up. | 0:22:12 | 0:22:15 | |
Anyway... | 0:22:17 | 0:22:18 | |
Thanks. | 0:22:19 | 0:22:21 | |
Cheers. | 0:22:24 | 0:22:25 | |
Cheers. | 0:22:25 | 0:22:26 | |
So, you hungry? | 0:22:29 | 0:22:31 | |
It's on me. | 0:22:31 | 0:22:33 | |
-Uh... -No, no. No arguments. | 0:22:33 | 0:22:35 | |
If you've been doing this on Legal Aid, | 0:22:35 | 0:22:37 | |
then you must be on your uppers. | 0:22:37 | 0:22:38 | |
Champagne taste on lemonade money. | 0:22:38 | 0:22:40 | |
Well, you've got to celebrate, haven't you? | 0:22:40 | 0:22:42 | |
Anyway, it's, erm... it's not proper champagne, so... | 0:22:42 | 0:22:45 | |
All mouth and no trousers. | 0:22:45 | 0:22:46 | |
Why did you pursue it? Bennetto? | 0:22:51 | 0:22:54 | |
-I talked to the man and I believed him. -And? | 0:22:54 | 0:22:58 | |
Well, from what I know about you, | 0:22:58 | 0:22:59 | |
-there has to be more to it than that. -What does that mean? | 0:22:59 | 0:23:03 | |
OK, no, you're right, you deserve the truth, | 0:23:03 | 0:23:06 | |
after all the work you've done. | 0:23:06 | 0:23:07 | |
I... | 0:23:07 | 0:23:09 | |
I found Jesus. | 0:23:09 | 0:23:11 | |
Got you. | 0:23:13 | 0:23:14 | |
SHE LAUGHS | 0:23:14 | 0:23:16 | |
No, you know... | 0:23:19 | 0:23:21 | |
The honest truth? | 0:23:21 | 0:23:23 | |
He was an innocent man and I was his solicitor, and he was sent down. | 0:23:23 | 0:23:28 | |
And that is not good for the soul. | 0:23:28 | 0:23:30 | |
Anyway, right now, in Lincoln's Inn, the name on everyone's lips is... | 0:23:30 | 0:23:34 | |
Greg Walker. | 0:23:34 | 0:23:35 | |
Yeah. That is fantastic for the profile | 0:23:35 | 0:23:37 | |
and, you know, will pay off in the end, so... | 0:23:37 | 0:23:41 | |
Klein came to the Lyell today. | 0:23:41 | 0:23:43 | |
Yeah, so I heard. | 0:23:43 | 0:23:45 | |
I don't know if she likes Bennetto being innocent. | 0:23:45 | 0:23:48 | |
No. No. She was up for Superintendent. | 0:23:48 | 0:23:50 | |
You know, nice desk job to see her through till retirement, | 0:23:50 | 0:23:53 | |
until Bennetto was released. | 0:23:53 | 0:23:55 | |
They promote her now, the papers are going to be full of | 0:23:55 | 0:23:58 | |
"cop responsible for cock-up gets leg-up". | 0:23:58 | 0:24:00 | |
And they can't risk that so, hence, she's this...you know, | 0:24:00 | 0:24:05 | |
this raging bull, cow, man-woman. PHONE VIBRATES | 0:24:05 | 0:24:09 | |
Sorry. | 0:24:09 | 0:24:10 | |
Sure. | 0:24:10 | 0:24:12 | |
Hi... | 0:24:12 | 0:24:14 | |
Text me the address, will you? | 0:24:18 | 0:24:19 | |
Work? | 0:24:19 | 0:24:21 | |
Male, late teens, early twenties. | 0:24:43 | 0:24:45 | |
Well, fancy seeing you here. | 0:24:47 | 0:24:50 | |
Got an ID for the victim? | 0:24:50 | 0:24:51 | |
Nah. Waiting for you to do the dirty work. | 0:24:51 | 0:24:54 | |
Yes, ma'am. | 0:24:54 | 0:24:55 | |
Murdered here or just dumped? | 0:25:00 | 0:25:02 | |
The latter's more likely. | 0:25:02 | 0:25:04 | |
Same place as Daniel Harris and Michael Freeman. | 0:25:04 | 0:25:07 | |
No ID on him except this... | 0:25:07 | 0:25:09 | |
Possible fracture to the tibia, | 0:25:09 | 0:25:11 | |
and an injury to the back of the head too, | 0:25:11 | 0:25:13 | |
which I'll access in postmortem. | 0:25:13 | 0:25:14 | |
Remind you of anything? | 0:25:14 | 0:25:16 | |
SHOWER RUNS | 0:25:22 | 0:25:26 | |
Rigor's not set in, so time of death not more than two hours ago. | 0:25:42 | 0:25:46 | |
Extensive contusions to the face, bruising to the chin... | 0:25:46 | 0:25:50 | |
A beating, maybe? ..and to the upper and lower torso. | 0:25:50 | 0:25:55 | |
Fracture to the tibia. | 0:25:55 | 0:25:57 | |
Slash wounds to the arms, shoulders... | 0:25:57 | 0:26:01 | |
and chest. | 0:26:01 | 0:26:03 | |
What could be traces of semen on the lower back and upper thigh. | 0:26:05 | 0:26:10 | |
We'll try and obtain a DNA profile. | 0:26:10 | 0:26:12 | |
Several small scars, too, over the posterior iliac crest - | 0:26:12 | 0:26:16 | |
bone marrow biopsy or harvest? | 0:26:16 | 0:26:19 | |
And a bullet entry wound. | 0:26:19 | 0:26:21 | |
The stellate pattern suggesting that the weapon was discharged | 0:26:21 | 0:26:25 | |
whilst in contact with the head. | 0:26:25 | 0:26:27 | |
Exit wound upper back. | 0:26:28 | 0:26:30 | |
Same MO as Daniel Harris and Michael Freeman? | 0:26:30 | 0:26:33 | |
We've got a name through the Oyster card. Byron Lee. | 0:26:38 | 0:26:41 | |
Did I wake you up? | 0:26:48 | 0:26:50 | |
Oh, no. I wasn't asleep either. | 0:26:50 | 0:26:52 | |
You all right? | 0:26:55 | 0:26:57 | |
Yeah, sound. | 0:26:57 | 0:26:58 | |
In here? | 0:26:58 | 0:27:00 | |
Yeah. | 0:27:00 | 0:27:01 | |
They give you your stuff? | 0:27:04 | 0:27:06 | |
Yeah. | 0:27:06 | 0:27:07 | |
Do you still get flashbacks? | 0:27:07 | 0:27:09 | |
And don't just say "yeah" to shut me up. | 0:27:09 | 0:27:12 | |
Daniel mainly. | 0:27:12 | 0:27:14 | |
Eh? | 0:27:14 | 0:27:15 | |
I see Daniel. | 0:27:15 | 0:27:17 | |
Scary. | 0:27:17 | 0:27:19 | |
No, it's all right. It's nice. | 0:27:19 | 0:27:21 | |
I should've told Dad about him. | 0:27:23 | 0:27:25 | |
Owned up to it all. | 0:27:25 | 0:27:27 | |
Oh, I didn't tell you, did I? I kept Dad's flat. | 0:27:30 | 0:27:33 | |
Why? | 0:27:33 | 0:27:35 | |
Well, cos I thought if you ever got out you might want somewhere to be. | 0:27:35 | 0:27:39 | |
This all his stuff? | 0:27:41 | 0:27:43 | |
Yeah. | 0:27:43 | 0:27:45 | |
Furniture's still all in there, though. I mean... | 0:27:45 | 0:27:48 | |
with no pressure. | 0:27:48 | 0:27:50 | |
You might never want to set foot in there again, | 0:27:50 | 0:27:53 | |
but if you do, it's yours. | 0:27:53 | 0:27:56 | |
Can I say no? Is it all right? | 0:27:58 | 0:28:01 | |
Nobody's telling you what you can and cannot do anymore, babe. | 0:28:01 | 0:28:04 | |
It's up to you. | 0:28:04 | 0:28:06 | |
Was a total plank, anyway, wasn't he? | 0:28:06 | 0:28:09 | |
If ever proof was needed, yeah. | 0:28:11 | 0:28:13 | |
Couldn't even wait to die until I got out. | 0:28:13 | 0:28:16 | |
He knew, though. | 0:28:16 | 0:28:17 | |
Did he bollocks. | 0:28:17 | 0:28:19 | |
I wrote to him every week, he never replied. | 0:28:19 | 0:28:22 | |
Don't bullshit me, Jill. | 0:28:22 | 0:28:24 | |
If I can't trust you, I can't trust nobody. | 0:28:24 | 0:28:28 | |
OK, so he disowned you. | 0:28:28 | 0:28:31 | |
Thought you was a poof and guilty. There. | 0:28:31 | 0:28:34 | |
Well, I am, aren't I? | 0:28:34 | 0:28:36 | |
What? | 0:28:36 | 0:28:38 | |
A poof? | 0:28:38 | 0:28:39 | |
-Mum? Mum? -Shh. | 0:28:41 | 0:28:44 | |
I fart and he wakes up. | 0:28:44 | 0:28:46 | |
-Come here, darling. -Didn't want to miss out, did he? | 0:28:46 | 0:28:50 | |
Knew there was something going on. | 0:28:50 | 0:28:53 | |
Lucky boy. | 0:28:53 | 0:28:54 | |
Come on, you. Back to bed. | 0:28:59 | 0:29:01 | |
Hi. | 0:29:30 | 0:29:31 | |
The two semen samples from Byron Lee's body. | 0:29:34 | 0:29:37 | |
Definitely two different donors. | 0:29:39 | 0:29:41 | |
Have a look. This one's healthy... | 0:29:42 | 0:29:44 | |
This one... | 0:29:48 | 0:29:49 | |
Nothing, azoospermic. | 0:29:53 | 0:29:55 | |
How quickly do you think we can get the DNA results | 0:29:55 | 0:29:58 | |
-back on these samples? -End of the day. | 0:29:58 | 0:30:00 | |
Bennetto's on the DNA database, so if one of them's him, | 0:30:00 | 0:30:04 | |
we'll know soon enough. | 0:30:04 | 0:30:05 | |
That's a yes, Byron Lee's been staying here. | 0:30:10 | 0:30:13 | |
Not paying for it, I hope. | 0:30:13 | 0:30:16 | |
-Right. Where's his stuff? -Through here. | 0:30:16 | 0:30:19 | |
-Is that it? -19 years in two carrier bags. | 0:30:24 | 0:30:27 | |
Can I take a look...if I use protection? | 0:30:29 | 0:30:32 | |
Be my guest. | 0:30:32 | 0:30:34 | |
What time was he last in here? | 0:30:38 | 0:30:40 | |
About three o'clock yesterday afternoon. | 0:30:40 | 0:30:42 | |
What is this? | 0:30:50 | 0:30:52 | |
Ah. | 0:31:00 | 0:31:02 | |
You missed this, Jack. | 0:31:02 | 0:31:04 | |
You're losing your touch. | 0:31:06 | 0:31:08 | |
No, I haven't done a proper search yet... | 0:31:08 | 0:31:10 | |
Ooh, touchy. | 0:31:10 | 0:31:12 | |
Right. Where would he have got that from, then? | 0:31:13 | 0:31:15 | |
My guess, the streets. Men. | 0:31:15 | 0:31:17 | |
He was a rent boy, according to the other residents. | 0:31:17 | 0:31:20 | |
Residents. Polite, in't he? | 0:31:20 | 0:31:22 | |
There's something else you should see, boss. | 0:31:22 | 0:31:24 | |
Guaranteed to brighten up your day. | 0:31:24 | 0:31:27 | |
The tyre tracks at the scene - what did you get? | 0:31:27 | 0:31:30 | |
198/80 R14s. | 0:31:30 | 0:31:32 | |
They use them on vans, old transits, that kind of thing. | 0:31:32 | 0:31:34 | |
So, killed elsewhere, the body transported and dumped? | 0:31:34 | 0:31:37 | |
-Yep. -Right. | 0:31:37 | 0:31:39 | |
This is Columbia Road and that is where Byron Lee was living, | 0:31:39 | 0:31:43 | |
two doors up, just at the shop. | 0:31:43 | 0:31:45 | |
-Where's the camera? -Across the road, outside a bookie's. | 0:31:45 | 0:31:48 | |
What are we supposed to be looking for? | 0:31:48 | 0:31:50 | |
So, he was murdered elsewhere, | 0:31:50 | 0:31:52 | |
perhaps by someone who targeted and followed him, right? | 0:31:52 | 0:31:55 | |
Yeah? Are we all in agreement with that? | 0:31:55 | 0:31:58 | |
And look who's coming up the road. | 0:32:03 | 0:32:05 | |
David Bennetto. | 0:32:08 | 0:32:10 | |
So, all we have to do is wait for the DNA results and we've got him. | 0:32:12 | 0:32:15 | |
-How long? -End of the day. -We move now. | 0:32:15 | 0:32:18 | |
DOOR BANGING | 0:32:18 | 0:32:21 | |
DOOR BURSTS OPEN | 0:32:21 | 0:32:23 | |
Armed police! Stay where you are. | 0:32:23 | 0:32:24 | |
Do not move! | 0:32:24 | 0:32:26 | |
Get down! | 0:32:26 | 0:32:29 | |
Where is he? | 0:32:29 | 0:32:30 | |
-Upstairs. At the back. -OK. | 0:32:30 | 0:32:32 | |
Armed police! Armed police! | 0:32:32 | 0:32:35 | |
Stand down! Stand down! | 0:32:35 | 0:32:36 | |
Get on the floor now. On the floor! | 0:32:36 | 0:32:38 | |
Hands behind your head. | 0:32:38 | 0:32:40 | |
So, here we are again. | 0:33:12 | 0:33:14 | |
Well, that didn't take long, did it? Eh? | 0:33:14 | 0:33:18 | |
Six years on, and you've still got a baby face. | 0:33:18 | 0:33:21 | |
I can't say the same about you, though, can I? | 0:33:21 | 0:33:23 | |
I bet they like you in prison. | 0:33:23 | 0:33:25 | |
So, what did you do yesterday, then, David? | 0:33:27 | 0:33:30 | |
Go ahead. | 0:33:31 | 0:33:33 | |
I went out to the newspaper offices to see somebody. | 0:33:34 | 0:33:37 | |
This was Peter Masham, the Senior Crime Correspondent. | 0:33:37 | 0:33:40 | |
He will confirm that. | 0:33:40 | 0:33:42 | |
I picked David up from there at around 12:30. | 0:33:42 | 0:33:45 | |
-And then what? -He dropped me off and I walked. | 0:33:45 | 0:33:48 | |
-Where? -All over. | 0:33:48 | 0:33:49 | |
Erm, British Legion for a drink. | 0:33:49 | 0:33:52 | |
Saw my CPN. | 0:33:52 | 0:33:54 | |
How did you move the body? | 0:33:54 | 0:33:55 | |
OK. Don't answer that question. | 0:33:55 | 0:33:57 | |
We need some context here. What body, moved from where, et cetera? | 0:33:57 | 0:34:00 | |
Your sister's house is being searched, her car's been taken | 0:34:00 | 0:34:02 | |
-for forensic examination... -I never drove her car. | 0:34:02 | 0:34:05 | |
Oh, right, OK, so you've got access to another vehicle? | 0:34:05 | 0:34:07 | |
Bennetto's clothes and a fresh DNA swab. | 0:34:09 | 0:34:12 | |
For Nikki's sake, let there be nothing. | 0:34:12 | 0:34:15 | |
"Wait until the mud settles and the water is clear" - Lao Tzu. | 0:34:15 | 0:34:20 | |
I think she means, don't panic. | 0:34:20 | 0:34:22 | |
Not yet, anyway. | 0:34:22 | 0:34:24 | |
There's an incinerator in your sister's back garden. | 0:34:24 | 0:34:26 | |
What were you burning in it? | 0:34:26 | 0:34:28 | |
Oh, come on, not "no comment", we're not going to get anywhere like that. | 0:34:31 | 0:34:35 | |
Letters to my dad that he never answered. | 0:34:36 | 0:34:38 | |
Was that it? | 0:34:38 | 0:34:40 | |
Clothes. His old army uniform. | 0:34:40 | 0:34:43 | |
Do you know, if ever you want to play poker, | 0:34:43 | 0:34:45 | |
just let me know, cos I'd skin you. You can't lie for shit. | 0:34:45 | 0:34:48 | |
Yeah, the way you're looking at me, you want me to be guilty. | 0:34:48 | 0:34:52 | |
So, is that what you did with Daniel's clothes, is it? | 0:34:52 | 0:34:54 | |
Incinerate them? | 0:34:54 | 0:34:55 | |
-David! -Take it easy! Sit down! | 0:34:55 | 0:34:58 | |
David, don't let her get to you. Come on. Sit down. | 0:34:58 | 0:35:02 | |
Are you OK? | 0:35:03 | 0:35:05 | |
Ooh. I hit a bit of a nerve, didn't I? Eh? | 0:35:05 | 0:35:10 | |
Do you know this man? | 0:35:11 | 0:35:12 | |
Nope. | 0:35:15 | 0:35:16 | |
Ah. | 0:35:16 | 0:35:18 | |
You were recorded on CCTV yesterday afternoon outside his house. | 0:35:18 | 0:35:21 | |
-Columbia Road. -This is the victim, is it? | 0:35:21 | 0:35:23 | |
I'm not talking to you... | 0:35:23 | 0:35:24 | |
Humour me. Where is Columbia Road? | 0:35:24 | 0:35:27 | |
Near Old Street. | 0:35:27 | 0:35:28 | |
Did you take the tube from there? | 0:35:28 | 0:35:29 | |
-Yeah. -Right, well, there we are. | 0:35:29 | 0:35:31 | |
As I said, I picked David up from the newspaper offices | 0:35:31 | 0:35:34 | |
and dropped him off. | 0:35:34 | 0:35:36 | |
Time? | 0:35:36 | 0:35:38 | |
Erm, three o'clock, something like that, the top of Gosset Street, | 0:35:38 | 0:35:41 | |
and he walked. | 0:35:41 | 0:35:43 | |
So, he would have had to go straight down Columbia Road, wouldn't he? | 0:35:43 | 0:35:46 | |
You're going to have to let him go. | 0:35:51 | 0:35:54 | |
There's no gun where Bennetto's been staying, nothing. | 0:35:54 | 0:35:56 | |
SOCOs have sent some kitchen knives for analysis but that's it. | 0:35:56 | 0:36:00 | |
-Anything from your lot? -Jack's just called through. | 0:36:01 | 0:36:03 | |
There's no evidence of gunshot residue on either his hands | 0:36:03 | 0:36:06 | |
or his clothes. His sister's car is clean. | 0:36:06 | 0:36:07 | |
Access to a transit or similar? | 0:36:07 | 0:36:09 | |
The incinerator? | 0:36:09 | 0:36:11 | |
Clothing. Nothing much of it left, | 0:36:11 | 0:36:12 | |
just a few metal buttons from, like, a military uniform. | 0:36:12 | 0:36:15 | |
Well. So bugger all from the Lyell. PHONE RINGS | 0:36:15 | 0:36:18 | |
-Well, there's a surprise. -Meaning? | 0:36:18 | 0:36:20 | |
Greg Walker's not the only one with a shitload riding on this, is he? | 0:36:20 | 0:36:23 | |
These are scientific processes, we don't assume guilt or innocence. | 0:36:23 | 0:36:26 | |
Ah, good for you, love(!) | 0:36:26 | 0:36:27 | |
Neither do I twist the facts to fit the story that | 0:36:27 | 0:36:30 | |
I concocted in my own head. | 0:36:30 | 0:36:31 | |
Well, how come you're cacking yourself, then? | 0:36:31 | 0:36:33 | |
Is it cos you're thinking the same as me? | 0:36:33 | 0:36:35 | |
Byron Lee. | 0:36:35 | 0:36:37 | |
No prints on file, no DNA profile, no passport, | 0:36:37 | 0:36:40 | |
birth certificate, previous convictions, driving licence. | 0:36:40 | 0:36:43 | |
Nothing. This guy doesn't exist... not under that name anyway. | 0:36:43 | 0:36:48 | |
So who is he, then? | 0:36:48 | 0:36:49 | |
Er, we're done. | 0:36:49 | 0:36:51 | |
Get us a number for the Lyell Centre, will you? | 0:36:58 | 0:37:01 | |
Ma'am. | 0:37:01 | 0:37:02 | |
Well, we'll soon have it. | 0:37:05 | 0:37:06 | |
Right, here she is now. | 0:37:06 | 0:37:08 | |
Nikki. | 0:37:10 | 0:37:11 | |
-Hi. -Have a seat. | 0:37:19 | 0:37:21 | |
I've received a request from the police that you be | 0:37:24 | 0:37:26 | |
removed from the investigation. | 0:37:26 | 0:37:28 | |
DI Klein, presumably. | 0:37:32 | 0:37:34 | |
It's got too personal, her whole future's bound up with it. | 0:37:38 | 0:37:41 | |
Is that you or the DI you're talking about? | 0:37:41 | 0:37:44 | |
So? | 0:37:46 | 0:37:47 | |
I agree with Richard - what was good publicity is about to turn sour. | 0:37:47 | 0:37:50 | |
It's going to leak that Bennetto's being investigated again | 0:37:50 | 0:37:53 | |
and the press'll be all over it. | 0:37:53 | 0:37:55 | |
So, am I being removed for political reasons or | 0:37:55 | 0:37:57 | |
because of the DI's displeasure? | 0:37:57 | 0:37:59 | |
Shall we say the former? | 0:37:59 | 0:38:01 | |
And if you follow that through to its logical conclusion, | 0:38:01 | 0:38:04 | |
assuming that Bennetto is associated with these murders, then | 0:38:04 | 0:38:07 | |
it won't be the judge's head that will be on the block, it'll be mine. | 0:38:07 | 0:38:11 | |
The downside, I'm afraid, of being such a...photogenic expert witness. | 0:38:11 | 0:38:15 | |
-Oh, for God's sake(!) -For your sake, as much as the Lyell's, | 0:38:15 | 0:38:18 | |
I think it best you sit this one out. | 0:38:18 | 0:38:20 | |
The killer's deposit, his semen, | 0:38:20 | 0:38:21 | |
the DNA profile should be done on that shortly, shouldn't it? | 0:38:21 | 0:38:24 | |
Yeah. | 0:38:24 | 0:38:26 | |
Put us all out of our misery. | 0:38:26 | 0:38:27 | |
I'll see him out. | 0:38:30 | 0:38:32 | |
Klein wants a mug shot of Byron Lee to run past Missing Persons. | 0:38:42 | 0:38:47 | |
Just trying to make him more presentable. | 0:38:47 | 0:38:49 | |
You all right? | 0:38:51 | 0:38:53 | |
It'll work out. | 0:38:57 | 0:38:59 | |
Probably. | 0:38:59 | 0:39:01 | |
Somehow. | 0:39:01 | 0:39:02 | |
CLARISSA: 'Hi.' | 0:40:01 | 0:40:03 | |
Go on, then, give me the worst. | 0:40:03 | 0:40:05 | |
'OK. Two semen samples, two sources.' | 0:40:05 | 0:40:08 | |
We've got DNA profiles from both of them. | 0:40:08 | 0:40:11 | |
One of them matches someone on the database - | 0:40:11 | 0:40:13 | |
a guy called Callum Jordan. | 0:40:13 | 0:40:16 | |
'And the other?' | 0:40:16 | 0:40:17 | |
Untraceable. | 0:40:17 | 0:40:18 | |
Definitely not Bennetto? | 0:40:18 | 0:40:21 | |
No. | 0:40:21 | 0:40:22 | |
SHE SIGHS | 0:40:22 | 0:40:23 | |
"Thanks" doesn't quite do it. | 0:40:24 | 0:40:26 | |
'You're welcome.' | 0:40:26 | 0:40:28 | |
Thank you. Thank you. | 0:40:43 | 0:40:45 | |
MOBILE RINGS | 0:40:47 | 0:40:49 | |
He's got previous for sexual assault. Callum Jordan. | 0:41:03 | 0:41:05 | |
Yep. | 0:41:05 | 0:41:06 | |
Bennetto still could've had sex with Byron Lee. | 0:41:06 | 0:41:09 | |
He could've been wearing a condom. The timings still work. | 0:41:09 | 0:41:12 | |
If you don't mind me saying, I think it's time to move on. | 0:41:14 | 0:41:16 | |
Time to move on, MA'AM. | 0:41:16 | 0:41:18 | |
Yeah. | 0:41:19 | 0:41:20 | |
Say it, then. | 0:41:22 | 0:41:23 | |
Ma'am. | 0:41:24 | 0:41:25 | |
Right. OK, that's him. Let's pick him up. | 0:41:26 | 0:41:29 | |
Hands against the wall. | 0:41:35 | 0:41:36 | |
Hands against the wall! | 0:41:36 | 0:41:38 | |
Get in the car. | 0:41:38 | 0:41:39 | |
Head down. Get in! | 0:41:39 | 0:41:41 | |
-What happened? -Police were just fishing. | 0:41:48 | 0:41:51 | |
-What's this? -It's time you went, Davey. We've had enough. | 0:41:51 | 0:41:55 | |
We feel like criminals. | 0:41:55 | 0:41:56 | |
I ain't going nowhere, mate. | 0:41:56 | 0:41:59 | |
I don't want to see your face, right, don't ever come here! | 0:41:59 | 0:42:02 | |
-Don't ring, nothing! -Mark! | 0:42:02 | 0:42:03 | |
Just go! Right, take that, get out of here! Go on! | 0:42:03 | 0:42:06 | |
REPORTERS: What's happening, David? You been nicked again? | 0:42:09 | 0:42:12 | |
Have you been arrested, David? | 0:42:12 | 0:42:13 | |
Have you been questioned, David? Has your sister kicked you out? | 0:42:13 | 0:42:16 | |
-Excuse me. -Hey, get off me. Oi, get off me! | 0:42:16 | 0:42:18 | |
David... | 0:42:18 | 0:42:19 | |
David! | 0:42:19 | 0:42:20 | |
Go on! Get off. | 0:42:20 | 0:42:22 | |
David! David... | 0:42:22 | 0:42:25 | |
David! | 0:42:26 | 0:42:28 | |
Ring any bells? | 0:42:39 | 0:42:40 | |
-Gun? -Still searching his flat and workshop. | 0:42:52 | 0:42:55 | |
I'm going back to check his clothes now. Coming? | 0:42:55 | 0:42:58 | |
'How long you lived in London?' | 0:42:58 | 0:42:59 | |
'Always... | 0:42:59 | 0:43:00 | |
'Apart from the last few years.' | 0:43:01 | 0:43:03 | |
Been away working. | 0:43:03 | 0:43:05 | |
-Where? -Miles away. Auckland. | 0:43:05 | 0:43:09 | |
-New Zealand? -No, Cambodia(!) | 0:43:09 | 0:43:11 | |
Dates? | 0:43:11 | 0:43:13 | |
I don't know exactly... not off the top of my head. | 0:43:13 | 0:43:15 | |
I left a long time ago... | 0:43:17 | 0:43:18 | |
About five years. | 0:43:19 | 0:43:21 | |
Got back last month. | 0:43:21 | 0:43:23 | |
It's a long time, huh? | 0:43:23 | 0:43:25 | |
Some people spend longer than that in prison. | 0:43:26 | 0:43:29 | |
TV BLARES | 0:44:35 | 0:44:38 | |
DOOR SLAMS | 0:44:43 | 0:44:44 | |
What you doing watching this rubbish? | 0:44:50 | 0:44:52 | |
Dad, don't switch it off. | 0:44:55 | 0:44:57 | |
You what? You arguing with me? | 0:44:58 | 0:45:00 | |
-Come here! -No. Dad! | 0:45:03 | 0:45:04 | |
SHE WHIMPERS | 0:45:04 | 0:45:06 | |
SHE SCREAMS | 0:45:06 | 0:45:07 | |
Come on! | 0:45:07 | 0:45:08 | |
-Dad! -Now get in there and shut up! | 0:45:08 | 0:45:11 | |
Eh, Davey? Big man. | 0:45:15 | 0:45:17 | |
So, once again, you know this guy? | 0:45:52 | 0:45:54 | |
I already said no. | 0:45:54 | 0:45:55 | |
'You should've worn a condom, Callum. DNA, yours. | 0:45:55 | 0:45:58 | |
'On the body.' | 0:45:58 | 0:46:00 | |
So you've had sex with him, right? | 0:46:00 | 0:46:03 | |
Where? | 0:46:05 | 0:46:07 | |
In an alleyway round the back of a pub. Peter Street. | 0:46:07 | 0:46:09 | |
Just business. | 0:46:09 | 0:46:11 | |
And after you'd had sex with him? | 0:46:11 | 0:46:12 | |
I paid and left. He was alive, if that's what you mean. | 0:46:12 | 0:46:15 | |
So why did you tell us you didn't know him? | 0:46:15 | 0:46:17 | |
Because I have a weakness for street boys | 0:46:17 | 0:46:19 | |
and I promised Jason that I'd stop. | 0:46:19 | 0:46:20 | |
Right, all right. So... So, Jason's your boyfriend | 0:46:20 | 0:46:24 | |
and he doesn't know about this? | 0:46:24 | 0:46:26 | |
Well, he's going to find out now, isn't he? | 0:46:28 | 0:46:31 | |
Nothing. | 0:46:36 | 0:46:37 | |
Nothing at all? | 0:46:37 | 0:46:38 | |
Callum Jordan's clothes, his van, his flat, his workshop. | 0:46:38 | 0:46:41 | |
There's no blood, no prints, no gunshot residue, nothing. | 0:46:41 | 0:46:45 | |
I can't make it up, Nikki. I can't make Bennetto be innocent. | 0:46:45 | 0:46:48 | |
-I don't want that. -No, but you need it, don't you? | 0:46:48 | 0:46:51 | |
Do you honestly think you should still be working on this? | 0:46:51 | 0:46:54 | |
Why wouldn't I? | 0:46:54 | 0:46:56 | |
Because... | 0:46:56 | 0:46:57 | |
you have to be objective, don't you? | 0:46:57 | 0:46:59 | |
And you can't be, not if you want the suspect to walk. | 0:46:59 | 0:47:02 | |
What time's dinner? | 0:48:04 | 0:48:06 | |
About half an hour. | 0:48:06 | 0:48:07 | |
Huh. Egg and beans - Dad's special? | 0:48:09 | 0:48:12 | |
Little monkey! | 0:48:12 | 0:48:13 | |
-I'm going to watch telly. -Oi, revision. | 0:48:13 | 0:48:16 | |
Oh, do I have to? | 0:48:16 | 0:48:17 | |
What? No revision, no dinner. | 0:48:17 | 0:48:19 | |
MOBILE RINGS | 0:48:49 | 0:48:51 | |
What do you want? | 0:48:55 | 0:48:56 | |
I'm sorry, love. Mark got himself in a right state. | 0:48:56 | 0:49:00 | |
He's not protecting you and the kids. | 0:49:00 | 0:49:01 | |
It's cos they took the computer and his bloody car. | 0:49:01 | 0:49:04 | |
Greg said you went to Peter Masham's office. | 0:49:04 | 0:49:06 | |
He's been on my back ever since. | 0:49:06 | 0:49:07 | |
Listen... | 0:49:07 | 0:49:08 | |
-And yours and the kids! -Listen to me... | 0:49:08 | 0:49:11 | |
Please don't do anything stupid. | 0:49:11 | 0:49:14 | |
'That's what they want.' | 0:49:14 | 0:49:15 | |
HANGS UP | 0:49:17 | 0:49:18 | |
Hello? | 0:49:45 | 0:49:47 | |
Hang on there. | 0:49:50 | 0:49:51 | |
Just...wait. | 0:49:53 | 0:49:55 | |
Oh, hi. | 0:50:22 | 0:50:23 | |
Oh, sorry. Lost the front door key. | 0:50:23 | 0:50:26 | |
Found the back, though. | 0:50:27 | 0:50:29 | |
Sarah kicked me out again. | 0:50:32 | 0:50:33 | |
Oh. | 0:50:33 | 0:50:35 | |
Is it all right if I stay here tonight? | 0:50:36 | 0:50:38 | |
Sure. You eaten? | 0:50:38 | 0:50:40 | |
Uh, no, but I'm meeting up with Dylan like right now so... | 0:50:40 | 0:50:43 | |
-See you, Dad. -See you. | 0:50:46 | 0:50:48 | |
-Hi. -Hi. | 0:51:15 | 0:51:16 | |
Is everything all right? | 0:51:21 | 0:51:23 | |
Yeah, absolutely. | 0:51:23 | 0:51:25 | |
OK. | 0:51:42 | 0:51:44 | |
Excuse me. Can we get another bottle, please? | 0:51:44 | 0:51:46 | |
SHE LAUGHS | 0:51:46 | 0:51:48 | |
So now what, you fill me full of wine? | 0:51:48 | 0:51:50 | |
And why on earth would I want to do that? | 0:51:50 | 0:51:52 | |
I don't know. What possible reason would you have? | 0:51:52 | 0:51:55 | |
Only to...get more information from me, probably. | 0:51:56 | 0:52:01 | |
I don't need you for that. | 0:52:01 | 0:52:04 | |
I have plenty of contacts. | 0:52:04 | 0:52:06 | |
SHE LAUGHS | 0:52:06 | 0:52:08 | |
Oh, OK. | 0:52:08 | 0:52:10 | |
Klein has another suspect | 0:52:10 | 0:52:11 | |
and his DNA was found on the victim. | 0:52:11 | 0:52:14 | |
-How could you possibly know that? -Cos it's my job to know. | 0:52:16 | 0:52:19 | |
MOBILE BEEPS | 0:52:19 | 0:52:20 | |
I understand why you're feeling self-protective, | 0:52:25 | 0:52:28 | |
even a little paranoid, but do you really think | 0:52:28 | 0:52:31 | |
I would want to spend the night with you just to get information? | 0:52:31 | 0:52:34 | |
The night? | 0:52:34 | 0:52:35 | |
You said "spend the night". | 0:52:39 | 0:52:40 | |
Hmm... SHE LAUGHS | 0:52:45 | 0:52:47 | |
MOBILE RINGS | 0:53:00 | 0:53:02 | |
Shit. | 0:53:02 | 0:53:04 | |
Guess who? | 0:53:06 | 0:53:07 | |
Just make sure you're getting that. | 0:53:26 | 0:53:28 | |
We've just finished here. Is it all right to go in? | 0:53:42 | 0:53:44 | |
You're needed back at base. | 0:53:44 | 0:53:45 | |
What is this place, David? | 0:54:15 | 0:54:16 | |
I think you should do your job, Greg! | 0:54:20 | 0:54:23 | |
The police are on me back, the press are on me family! | 0:54:23 | 0:54:26 | |
You said you'd sort it! | 0:54:26 | 0:54:27 | |
I am sorting it, David, but I don't have time to run around after you | 0:54:27 | 0:54:30 | |
every time you have a bloody meltdown! | 0:54:30 | 0:54:33 | |
Find somebody else, get some proper help. | 0:54:33 | 0:54:36 | |
I'm going to have to deal with this. I'm sorry. | 0:54:51 | 0:54:53 | |
Yes, it's fine, honestly. | 0:54:53 | 0:54:54 | |
-Let me, er... Let me call you a cab, OK? -OK. | 0:54:57 | 0:54:59 | |
Give me two minutes. | 0:55:01 | 0:55:03 | |
Me own sister don't want to know me! | 0:55:06 | 0:55:08 | |
PHONE RINGS | 0:55:10 | 0:55:12 | |
Hi, can I get a cab... > | 0:55:12 | 0:55:14 | |
Hi. | 0:55:17 | 0:55:18 | |
'Hi.' | 0:55:18 | 0:55:20 | |
Byron Lee's toxicology's showed up benzodiazepines. | 0:55:20 | 0:55:23 | |
Large quantities. Something like Temazepam or Lorazepam. | 0:55:23 | 0:55:27 | |
-So he was drugged before he was killed? -Hmm. | 0:55:27 | 0:55:30 | |
Have you checked medical records? | 0:55:30 | 0:55:31 | |
Were David Bennetto or Callum Jordan prescribed that? | 0:55:31 | 0:55:35 | |
Clarissa's onto it now. | 0:55:35 | 0:55:37 | |
OK. | 0:55:37 | 0:55:38 | |
We've got another body. | 0:55:38 | 0:55:39 | |
Right. | 0:55:41 | 0:55:42 | |
I'm waiting for a cab, I'll be there as soon as I can. | 0:55:43 | 0:55:47 | |
MOBILE RINGS | 0:57:02 | 0:57:05 | |
-Hi? -Clarissa can't get access to medical records... | 0:57:09 | 0:57:12 | |
I've found it in Bennetto's kitbag. | 0:57:12 | 0:57:14 | |
-Lorazepam. -Nikki, where are you? | 0:57:14 | 0:57:15 | |
I'm with him. He's armed too. | 0:57:15 | 0:57:19 | |
Nikki... | 0:57:19 | 0:57:20 | |
Just listen to me. He's staying in a flat, | 0:57:20 | 0:57:23 | |
98, Lymden Court, I think, somewhere near Poplar. | 0:57:23 | 0:57:26 | |
Greg Walker's here with me. He has no idea. | 0:57:26 | 0:57:29 | |
SHE SCREAMS | 0:57:29 | 0:57:31 | |
'Nikki! | 0:57:32 | 0:57:34 | |
'Nikki?' | 0:57:34 | 0:57:35 | |
-Again! -David... -Again! | 0:57:46 | 0:57:48 | |
How much longer are you going to wait? | 0:57:48 | 0:57:50 | |
We've got activity. | 0:57:50 | 0:57:51 | |
They're watching... | 0:57:51 | 0:57:52 | |
-Shut your mouth! -David... -Shut up! SHUT UP! | 0:57:52 | 0:57:55 |