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Contains some violent scenes and some scenes which some viewers may find upsetting. | 0:00:02 | 0:00:05 | |
-Name's Amir Aziz. -He's been stabbed. | 0:00:05 | 0:00:07 | |
I'm so sorry about your brother. | 0:00:07 | 0:00:08 | |
But this is a murder investigation. We need all the evidence we can get. | 0:00:08 | 0:00:11 | |
Knife tip. | 0:00:11 | 0:00:13 | |
Drug squad have picked up a trafficker in a hotel | 0:00:13 | 0:00:15 | |
near the airport. | 0:00:15 | 0:00:16 | |
What are you saying, that the drug mule got a call from Amir Aziz? | 0:00:16 | 0:00:19 | |
Mama. | 0:00:19 | 0:00:21 | |
So who is she, then? | 0:00:21 | 0:00:22 | |
Sarah Begovic. Bosnian extraction. | 0:00:22 | 0:00:25 | |
She saw her father die just because he is a Muslim. | 0:00:25 | 0:00:28 | |
GUNSHOT | 0:00:28 | 0:00:29 | |
Left home two-and-a-half years ago. Ended up in Raqqah in Syria, | 0:00:29 | 0:00:32 | |
married off to another British jihadi, Zak Latif. | 0:00:32 | 0:00:36 | |
-Where is he now? -He died. | 0:00:36 | 0:00:38 | |
A few months ago. | 0:00:38 | 0:00:40 | |
I've seen him. At the mosque. Do you remember? | 0:00:40 | 0:00:43 | |
No. | 0:00:43 | 0:00:44 | |
-Why are you back, Sarah? -I need you to take Mousa for a while. | 0:00:44 | 0:00:48 | |
I can't get drawn into anything. | 0:00:48 | 0:00:50 | |
So what's the connection between her and the murdered imam? | 0:00:50 | 0:00:52 | |
He was anti-extremism, big-time. He was a good guy. | 0:00:52 | 0:00:55 | |
Faith can blind people sometimes, can't it? | 0:00:55 | 0:00:58 | |
If I like someone, then that's it. | 0:00:58 | 0:01:00 | |
Brothers and sisters, | 0:01:01 | 0:01:04 | |
we implore you to strike upon the necks of the infidel. | 0:01:04 | 0:01:09 | |
Begovic. | 0:01:09 | 0:01:10 | |
Strike at their hearts. | 0:01:12 | 0:01:15 | |
GUNSHOTS | 0:01:15 | 0:01:18 | |
Let them know that vengeance is upon them. | 0:01:18 | 0:01:22 | |
MUSIC: Silencium by John Harle | 0:01:25 | 0:01:28 | |
We followed procedure. We called it in. | 0:02:29 | 0:02:32 | |
-Is she alive? -Just. | 0:02:33 | 0:02:36 | |
BABY CRIES | 0:02:49 | 0:02:53 | |
How did they find us, huh? | 0:02:54 | 0:02:55 | |
Your mother? | 0:02:55 | 0:02:57 | |
-No! -You told her I was still alive. | 0:02:57 | 0:02:59 | |
Why would I do that, Zak? | 0:02:59 | 0:03:01 | |
BABY CONTINUES CRYING Make him shut up! | 0:03:01 | 0:03:04 | |
-Sh-sh-sh. -You must have been followed somehow. | 0:03:06 | 0:03:08 | |
What? | 0:03:11 | 0:03:13 | |
Tell me. | 0:03:13 | 0:03:15 | |
Oi, oi, oi! You know something, you tell me. | 0:03:15 | 0:03:18 | |
Tell me! | 0:03:20 | 0:03:21 | |
I got money. | 0:03:21 | 0:03:23 | |
From bringing in drugs. | 0:03:23 | 0:03:25 | |
Maybe that's how they found me. | 0:03:25 | 0:03:27 | |
BABY CONTINUES TO CRY | 0:03:39 | 0:03:42 | |
INDISTINCT RADIO CHATTER | 0:03:48 | 0:03:50 | |
We've got prints. | 0:03:54 | 0:03:55 | |
-How many casings? -Four. | 0:03:55 | 0:03:58 | |
From a handgun? | 0:03:58 | 0:04:00 | |
-Semi-automatic? -Yeah. | 0:04:00 | 0:04:02 | |
See the impression left by the firing pin? Square. | 0:04:02 | 0:04:06 | |
-Means the gun was a Glock. -Anything on the assailant? | 0:04:06 | 0:04:10 | |
Yeah, neighbour saw a car, small VW. She's not sure of the model. | 0:04:10 | 0:04:13 | |
I put a call out and there's cameras on the A13 | 0:04:13 | 0:04:16 | |
so we're getting them checked. | 0:04:16 | 0:04:18 | |
So what the hell was Begovic doing here? | 0:04:18 | 0:04:20 | |
Ryman wasn't following her, was she? | 0:04:20 | 0:04:23 | |
I've heard she was chasing a lead on the mosque murder. | 0:04:23 | 0:04:26 | |
You two shouldn't have been here. | 0:04:26 | 0:04:29 | |
We didn't know what we'd find. | 0:04:29 | 0:04:31 | |
As soon as we did, I called it in. | 0:04:31 | 0:04:33 | |
You been debriefed? | 0:04:35 | 0:04:36 | |
-Aye. -Well, get yourself home. | 0:04:38 | 0:04:40 | |
I'd like to go to the hospital, if that's OK? | 0:04:40 | 0:04:43 | |
I'll drive you. | 0:04:43 | 0:04:44 | |
-Can you give me a couple of minutes? -Yeah. | 0:04:44 | 0:04:47 | |
Here we go. | 0:04:50 | 0:04:52 | |
Might have some DNA. | 0:04:54 | 0:04:56 | |
I'm done here. | 0:05:17 | 0:05:18 | |
Ryman's going to need surgery. | 0:05:22 | 0:05:24 | |
-Were you thinking of taking a look beforehand? -Yeah. | 0:05:24 | 0:05:28 | |
ENGINE STARTS | 0:05:30 | 0:05:33 | |
Stay here. | 0:06:11 | 0:06:13 | |
FOOTSTEPS APPROACH | 0:06:36 | 0:06:38 | |
Looks like a subcapsular haematoma on the liver. | 0:06:43 | 0:06:46 | |
-She's going into theatre in 15 minutes, so make the most of it. -OK. | 0:06:46 | 0:06:50 | |
OK... | 0:06:57 | 0:06:58 | |
We've got exit wounds to the right superior quadrant of the abdomen. | 0:06:58 | 0:07:03 | |
-Can we take a look at her back for entry wounds? -Sorry. | 0:07:03 | 0:07:06 | |
I'm taking fingernail samples from the right hand. | 0:07:07 | 0:07:10 | |
There's dust and dirt in the palm of the hand. | 0:07:10 | 0:07:13 | |
And a small piece... | 0:07:13 | 0:07:16 | |
of what looks like tarmac on the right forefinger. | 0:07:16 | 0:07:19 | |
Abrasions to the torso. | 0:07:22 | 0:07:24 | |
And to the right side of the face. Most likely from where she fell. | 0:07:26 | 0:07:29 | |
Can we get anything more at this stage? | 0:07:30 | 0:07:33 | |
-Thomas? -Oh, no. | 0:07:33 | 0:07:35 | |
No, that should do it. | 0:07:35 | 0:07:37 | |
-I'll need you to record your visit in the notes. -Sure. | 0:07:37 | 0:07:40 | |
-SHE GROANS WEAKLY -Hey... | 0:07:49 | 0:07:52 | |
Hey, sh, sh, sh. | 0:07:52 | 0:07:54 | |
They're going to take you to surgery. You'll be fine. | 0:07:54 | 0:07:58 | |
Amir's a victim. | 0:08:05 | 0:08:08 | |
He's innocent. | 0:08:08 | 0:08:10 | |
(It's OK.) | 0:08:15 | 0:08:16 | |
-Is that...? -We-we, uh, we had dinner. I stayed over. | 0:08:37 | 0:08:40 | |
Are you OK? | 0:08:42 | 0:08:45 | |
Yeah. | 0:08:45 | 0:08:46 | |
Yeah, I... | 0:08:46 | 0:08:48 | |
I'll follow you out. | 0:08:48 | 0:08:50 | |
Oh, Doctor. | 0:08:59 | 0:09:01 | |
-Could you give me a call when she gets out of surgery? -Of course. | 0:09:01 | 0:09:04 | |
So you know, she's asked us to call her son. | 0:09:04 | 0:09:07 | |
-Her son? -In Galway. He can't get here till tomorrow. -Right. | 0:09:07 | 0:09:11 | |
Fancy doing a jigsaw? | 0:09:35 | 0:09:36 | |
-What's this? Occupational therapy? -This is the window of the safe house. | 0:09:36 | 0:09:41 | |
Begovic fired through it. I want to get an idea of the pattern of shots, | 0:09:41 | 0:09:44 | |
if I can. | 0:09:44 | 0:09:46 | |
Shall we start with the corners? | 0:09:47 | 0:09:49 | |
-How is she? -Not good. | 0:10:34 | 0:10:37 | |
Not good. | 0:10:37 | 0:10:38 | |
Nikki, it's a Glock 17 but there's nothing on the database | 0:10:41 | 0:10:44 | |
matching this exact gun. | 0:10:44 | 0:10:46 | |
-So no history of it being used in other crimes? -No. | 0:10:46 | 0:10:49 | |
Check this out. | 0:10:49 | 0:10:51 | |
We've pieced together what we can of the window | 0:10:52 | 0:10:55 | |
and this is at the same height as it was in the safe house. | 0:10:55 | 0:10:58 | |
-Mm-hm. -How tall is Begovic again? -1 metre 65. | 0:10:58 | 0:11:01 | |
-Same height as me. -Mm, perfect. | 0:11:01 | 0:11:04 | |
Can you take your heels off? Come on, quick sticks. | 0:11:04 | 0:11:07 | |
Hey, shorty. | 0:11:11 | 0:11:13 | |
OK, hold your hand out like you were aiming a gun. | 0:11:14 | 0:11:18 | |
Right, now, to hit Ryman from the first floor, the gun would | 0:11:18 | 0:11:21 | |
have to have been pointing downwards by about ten degrees, meaning... | 0:11:21 | 0:11:24 | |
-It would have hit the window here. -Exactly. | 0:11:24 | 0:11:26 | |
Except it didn't, it hit it here. | 0:11:26 | 0:11:30 | |
-So she was too short? -Mm-hm. | 0:11:30 | 0:11:32 | |
Unless she was standing on a chair or wearing incredibly high heels. | 0:11:32 | 0:11:35 | |
No, there was nothing there, it was just a space behind the window. | 0:11:35 | 0:11:38 | |
And heels or no heels...nah. | 0:11:38 | 0:11:41 | |
So what about the prints? And the hair that you found? | 0:11:41 | 0:11:44 | |
That was short and dark, right? Begovic's hair is long and brown. | 0:11:44 | 0:11:48 | |
Running the prints now but anyone could have been in that flat | 0:11:48 | 0:11:52 | |
at any time, could have been dozens of people through there. | 0:11:52 | 0:11:55 | |
No, Nina Ryman was tracing a male suspect. | 0:11:55 | 0:11:58 | |
There was somebody else in there. | 0:12:00 | 0:12:02 | |
Somebody else fired that gun. | 0:12:03 | 0:12:05 | |
DOOR OPENS | 0:12:17 | 0:12:18 | |
HE CLEARS HIS THROAT | 0:12:26 | 0:12:28 | |
I arranged to meet a guy in Turkey. | 0:12:30 | 0:12:33 | |
-Cocaine? -Heroin. | 0:12:39 | 0:12:42 | |
How much? | 0:12:45 | 0:12:47 | |
15 grand for a kilo. | 0:12:47 | 0:12:49 | |
Where'd you leave it? | 0:12:53 | 0:12:55 | |
It's under a bed at my mum's. | 0:12:55 | 0:12:57 | |
She'll have to have it, Zak, if we're not here. | 0:12:58 | 0:13:00 | |
-She'll need it to bring up Mousa... -15 grand to bring him up? | 0:13:00 | 0:13:04 | |
I don't think so. | 0:13:06 | 0:13:07 | |
They let us bring him with us. | 0:13:12 | 0:13:14 | |
I know. | 0:13:14 | 0:13:16 | |
And I made that happen. | 0:13:17 | 0:13:19 | |
-I'm sorry. -Drugs are haram. | 0:13:19 | 0:13:24 | |
They're forbidden. | 0:13:24 | 0:13:26 | |
People have been whipped for... for touching them. | 0:13:26 | 0:13:28 | |
-I've told you... -What if you'd been picked up? | 0:13:28 | 0:13:30 | |
This whole thing would be finished. Over. | 0:13:30 | 0:13:34 | |
-Why would you... -I told you, for Mousa. | 0:13:34 | 0:13:37 | |
Are we going to have to abandon this? | 0:13:46 | 0:13:48 | |
-What if they know the target? -They can't. | 0:13:52 | 0:13:54 | |
-They knew the safe house. -Nobody knows the target. | 0:13:54 | 0:13:57 | |
-Zak... -No! | 0:13:59 | 0:14:02 | |
No, this is on you. | 0:14:02 | 0:14:03 | |
You did this. | 0:14:07 | 0:14:08 | |
BEEPING Gotcha. | 0:14:19 | 0:14:22 | |
We've got a match. One of the prints from the house. | 0:14:22 | 0:14:25 | |
-Zak Latif? -That's not possible. | 0:14:25 | 0:14:28 | |
He's dead. | 0:14:28 | 0:14:30 | |
-That's the intel we had. -Where from? | 0:14:30 | 0:14:32 | |
From our contacts in Syria, plus it was all over social media. | 0:14:32 | 0:14:35 | |
-And you're saying that was deliberate misinformation? -Possibly. | 0:14:35 | 0:14:38 | |
To cover him getting back into the UK? | 0:14:38 | 0:14:39 | |
He's already dead so no-one's looking for him. | 0:14:39 | 0:14:41 | |
So we have both of them in the house now, Begovic and Latif - | 0:14:41 | 0:14:44 | |
which one of them shot Nina Ryman? | 0:14:44 | 0:14:46 | |
Zak Latif. | 0:14:46 | 0:14:48 | |
Right. | 0:14:58 | 0:14:59 | |
Begovic's mother is in custody and her house is being watched. | 0:14:59 | 0:15:02 | |
What about his family? Could they have gone to them? | 0:15:02 | 0:15:04 | |
He doesn't have a family, he grew up in care. | 0:15:04 | 0:15:06 | |
-People he met in Feltham? -Feltham Young Offenders? -Yeah. | 0:15:06 | 0:15:09 | |
That was where he was radicalised - other inmates. | 0:15:09 | 0:15:12 | |
-So he got preyed on? -Possibly. What does it matter? | 0:15:12 | 0:15:15 | |
OK, so what about the baby? | 0:15:15 | 0:15:17 | |
The caliphate have obviously let her bring the kid | 0:15:17 | 0:15:19 | |
back from Syria for a reason, | 0:15:19 | 0:15:21 | |
so...what if she went to her mother's to try and leave him with her? | 0:15:21 | 0:15:24 | |
But she didn't leave him with her, did she? | 0:15:24 | 0:15:26 | |
No, she's still hauling him around. | 0:15:26 | 0:15:28 | |
Why go to all the trouble smuggling him in just to try and off-load him? | 0:15:28 | 0:15:32 | |
Because it's family and because this is a trip | 0:15:32 | 0:15:34 | |
she isn't intending to come back from. | 0:15:34 | 0:15:37 | |
So they're on a mission. | 0:15:37 | 0:15:39 | |
It might not be all my fault. | 0:15:47 | 0:15:49 | |
Tell me about the imam. | 0:15:54 | 0:15:56 | |
What is there to tell? | 0:15:58 | 0:16:00 | |
A man is dead, I saw it on TV. | 0:16:00 | 0:16:03 | |
And? | 0:16:05 | 0:16:06 | |
If that was you... | 0:16:08 | 0:16:09 | |
Why would that have been me? | 0:16:11 | 0:16:12 | |
Because he called me and now he's been killed. | 0:16:12 | 0:16:16 | |
And you honestly think that I would do that? | 0:16:26 | 0:16:28 | |
To an imam? | 0:16:30 | 0:16:32 | |
How would I know what goes on in your head? | 0:16:33 | 0:16:35 | |
I feel like... | 0:16:37 | 0:16:39 | |
I don't know you at all. | 0:16:39 | 0:16:41 | |
Yeah, but a woman. | 0:17:06 | 0:17:07 | |
They don't use women for that kind of thing in the UK. | 0:17:07 | 0:17:10 | |
-Do they? -Not normally, no. So there has to be a reason. | 0:17:10 | 0:17:13 | |
Such as what? | 0:17:13 | 0:17:15 | |
I don't know. | 0:17:15 | 0:17:16 | |
OK. Let's say you're right. What does the caliphate get out of this? | 0:17:16 | 0:17:20 | |
All right, so what do they feed on? Publicity. | 0:17:20 | 0:17:25 | |
And these two are - what did you call them? - the golden couple. | 0:17:25 | 0:17:28 | |
So they send them back. British kids and... | 0:17:28 | 0:17:30 | |
Jihadists who rise from the dead and kill people in their home country. | 0:17:30 | 0:17:35 | |
Boss, press are all over this. | 0:17:35 | 0:17:37 | |
..last chance for information from the Home Secretary, | 0:17:43 | 0:17:46 | |
-she needs to have all that in order. -Chief Inspector. | 0:17:46 | 0:17:49 | |
-Any news on the policewoman? -Not yet. | 0:17:49 | 0:17:52 | |
I just had a call. | 0:17:52 | 0:17:54 | |
She's out of surgery and in intensive care. | 0:17:54 | 0:17:56 | |
Thanks. | 0:17:56 | 0:17:58 | |
Uh, actually, could I have a word? | 0:17:58 | 0:18:01 | |
-What do you want, Miss Malik? -I'd like to offer my services. | 0:18:05 | 0:18:08 | |
In what capacity? | 0:18:08 | 0:18:10 | |
I have contacts in my constituency, people who might be able to help. | 0:18:10 | 0:18:14 | |
And I'd be happy to talk to the press. | 0:18:14 | 0:18:16 | |
-I don't want to politicise this. -It's a bit late for that, isn't it? | 0:18:16 | 0:18:19 | |
-Look, you need people like me on-side. -Yeah. | 0:18:21 | 0:18:24 | |
-I was at 7/7 and I saw the way the politicians acted. -Not me. | 0:18:24 | 0:18:28 | |
They'd crawl over the bones of the dead to get their ten minutes | 0:18:28 | 0:18:31 | |
-of screen time. -Not me, Michael. -With all due respect to your skills | 0:18:31 | 0:18:34 | |
in community liaison, no, thank you. | 0:18:34 | 0:18:36 | |
We have reason to believe that a terrorist cell is present | 0:18:47 | 0:18:50 | |
and active in and around Greater London. | 0:18:50 | 0:18:53 | |
This has resulted in the threat level being raised to substantial. | 0:18:53 | 0:18:56 | |
In response, there is a greater number of patrolling police officers. | 0:18:56 | 0:19:00 | |
We are presently searching for two individuals - | 0:19:00 | 0:19:02 | |
Zak Latif is one, aged 25. | 0:19:02 | 0:19:05 | |
The other is Sarah Begovic, aged 24, | 0:19:05 | 0:19:08 | |
and they may be travelling with a six-month-old infant. | 0:19:08 | 0:19:10 | |
It's time for him to go. | 0:19:15 | 0:19:17 | |
Just like that? | 0:19:20 | 0:19:21 | |
Think this is easy for me, do you? | 0:19:21 | 0:19:24 | |
To leave him? | 0:19:25 | 0:19:27 | |
No. | 0:19:29 | 0:19:31 | |
But I'm going to do what we agreed. | 0:19:31 | 0:19:33 | |
So where, then? Where is he going to go? | 0:19:35 | 0:19:38 | |
BABY CRIES | 0:19:38 | 0:19:41 | |
Sh-sh-sh. | 0:19:41 | 0:19:43 | |
We've now learnt that Zak Latif came in at Tilbury Docks | 0:19:50 | 0:19:54 | |
on a container ship eight days ago on an Italian passport. | 0:19:54 | 0:19:57 | |
So they were travelling separately. | 0:19:57 | 0:19:59 | |
To lessen their chances of being picked up. | 0:19:59 | 0:20:01 | |
We're currently putting together a list of his old contacts here, | 0:20:01 | 0:20:04 | |
and hers, see what we can trawl up, beyond Amir Aziz. | 0:20:04 | 0:20:06 | |
Just because he's in contact with Begovic doesn't mean he's involved | 0:20:06 | 0:20:10 | |
-in some sort of... -He messaged her online and asked for her number. | 0:20:10 | 0:20:12 | |
-How do you know? -It was on his computer. | 0:20:12 | 0:20:15 | |
So did Aziz know something? | 0:20:15 | 0:20:17 | |
Did he find something out, is that why he was stabbed? | 0:20:17 | 0:20:20 | |
He was Muslim. They attack Muslims now. | 0:20:20 | 0:20:22 | |
If they don't hold the same extremist views, | 0:20:22 | 0:20:24 | |
-then they're fair game. -Begovic wasn't in the country then, was she? | 0:20:24 | 0:20:28 | |
-But Latif would have been, so did he...? -Did Latif kill Aziz? | 0:20:28 | 0:20:31 | |
Precisely. | 0:20:31 | 0:20:33 | |
They'll take him. | 0:20:40 | 0:20:42 | |
Is he coming here? | 0:20:44 | 0:20:45 | |
We have to go to him. | 0:20:49 | 0:20:51 | |
Traffic cameras picked up the black Golf | 0:20:55 | 0:20:58 | |
they used to flee the safe house. | 0:20:58 | 0:21:00 | |
We traced them coming into London on the A4020 and lost them here. | 0:21:00 | 0:21:06 | |
There's no cameras on this route but they're here, here and here | 0:21:06 | 0:21:09 | |
and we haven't picked them up anywhere else. | 0:21:09 | 0:21:11 | |
So, unless they took that road, | 0:21:11 | 0:21:13 | |
it's highly likely they're somewhere in this area. | 0:21:13 | 0:21:16 | |
-Or at least the car is. -Was. Not any more. | 0:21:16 | 0:21:19 | |
Traffic have just found it. | 0:21:19 | 0:21:21 | |
Anybody see anything? | 0:21:30 | 0:21:31 | |
Fire crew were first on the scene. Driver was long gone. | 0:21:31 | 0:21:34 | |
It's been completely roasted. Going to get nothing from it. | 0:21:34 | 0:21:37 | |
We've got some tyre tracks leading through here. | 0:21:37 | 0:21:41 | |
What, that's it? | 0:21:41 | 0:21:42 | |
-That's all there is? -Not quite. | 0:21:42 | 0:21:45 | |
-Pair of size 12s. -You can tell that just by looking, can you? | 0:21:48 | 0:21:51 | |
What did you do, work in a shoe shop? | 0:21:51 | 0:21:53 | |
This is interesting. Possible trace. | 0:21:56 | 0:21:59 | |
Some kind of powder. | 0:22:01 | 0:22:02 | |
We will be reunited in Jannah. | 0:22:50 | 0:22:52 | |
Sarah... | 0:22:53 | 0:22:55 | |
We'll see him again. | 0:22:58 | 0:22:59 | |
This is a day in which the truthful will profit from their truth. | 0:23:05 | 0:23:09 | |
Say it. | 0:23:12 | 0:23:13 | |
This is a day in which the truthful will profit from their truth. | 0:23:15 | 0:23:20 | |
There's a garden with rivers flowing beneath. | 0:23:22 | 0:23:25 | |
And they shall abide there forever. | 0:23:27 | 0:23:29 | |
SHE SOBS | 0:23:42 | 0:23:46 | |
Thanks for coming down. Please. | 0:23:46 | 0:23:49 | |
There's no way my brother was involved in terrorism. | 0:23:49 | 0:23:51 | |
-Let me explain. -I can't wait(!) | 0:23:51 | 0:23:54 | |
What is it you think you know? | 0:23:54 | 0:23:56 | |
Amir was in contact with Sarah Begovic, a known jihadist. | 0:23:56 | 0:24:01 | |
You have proof of that, do you? | 0:24:01 | 0:24:03 | |
He called her mobile at 7.18am the day before she entered the country. | 0:24:03 | 0:24:07 | |
She was in Istanbul near Aydin University, | 0:24:07 | 0:24:10 | |
close to Ataturk Airport. | 0:24:10 | 0:24:12 | |
We think he helped her enter the country. | 0:24:12 | 0:24:15 | |
-If he was helping, then why was he killed? -I'm hoping you can tell me. | 0:24:15 | 0:24:19 | |
The man you said you recognised from the mosque is a known terrorist - | 0:24:19 | 0:24:23 | |
Zak Latif. Now, I need you to search your memory back to the day | 0:24:23 | 0:24:26 | |
you say you saw Amir and Latif together. | 0:24:26 | 0:24:29 | |
I need to know who else he spoke to. | 0:24:29 | 0:24:31 | |
I need names. | 0:24:31 | 0:24:33 | |
I think, from the particle size... | 0:24:39 | 0:24:42 | |
we're looking at a mixture of clay and sand. | 0:24:42 | 0:24:45 | |
-Brick dust. -Really? | 0:24:45 | 0:24:48 | |
Where they ditched the car there's no building work going on there. | 0:24:48 | 0:24:51 | |
Unless...someone dumped building waste there at some point? | 0:24:51 | 0:24:55 | |
I don't think so. | 0:24:55 | 0:24:56 | |
-The area's just scrubland and trees, there's nothing there. -Here we go. | 0:24:56 | 0:25:00 | |
Zak Latif's record from Feltham. | 0:25:00 | 0:25:03 | |
Shoe size is a nine. | 0:25:03 | 0:25:06 | |
Begovic a six. | 0:25:06 | 0:25:09 | |
-They have help. -Yeah. | 0:25:09 | 0:25:11 | |
And they've been somewhere to pick this stuff up. | 0:25:11 | 0:25:14 | |
Thanks for your time. | 0:25:19 | 0:25:20 | |
Kamal? | 0:25:22 | 0:25:23 | |
Here. | 0:25:37 | 0:25:38 | |
If I made this any harder than it needed to be, then I'm sorry. | 0:25:41 | 0:25:46 | |
Come here. | 0:26:06 | 0:26:07 | |
You said you thought your daughter was coming home to give herself up. | 0:26:15 | 0:26:18 | |
-Is that right? -Yes. | 0:26:18 | 0:26:20 | |
Look, I get it, I have children. If I was in your situation... | 0:26:20 | 0:26:25 | |
You'd feel that you'd failed as a parent. | 0:26:25 | 0:26:29 | |
And you'd pray that one day they come through the door | 0:26:29 | 0:26:31 | |
and tell you it was all a mistake. | 0:26:31 | 0:26:33 | |
I'm afraid we've discovered that her husband is still alive | 0:26:37 | 0:26:40 | |
and that he's with her now. | 0:26:40 | 0:26:42 | |
We think they intend... | 0:26:42 | 0:26:44 | |
-We think they have a target in mind. -What target? | 0:26:46 | 0:26:49 | |
We don't know, but there has to be some reason why they sent Sarah. | 0:26:49 | 0:26:52 | |
It's unheard of for a woman to be sent on missions like this. | 0:26:52 | 0:26:55 | |
-I don't want her to die. -So will you help me? | 0:26:55 | 0:26:58 | |
Maybe there's something you saw in the past you didn't think was | 0:26:58 | 0:27:01 | |
significant at the time, maybe places she used to go, people she used to... | 0:27:01 | 0:27:05 | |
I looked in her rucksack yesterday. | 0:27:05 | 0:27:07 | |
There was a woman's suit there, | 0:27:07 | 0:27:10 | |
very business-like. | 0:27:10 | 0:27:12 | |
Something she'd not normally wear? | 0:27:12 | 0:27:13 | |
She never used to. | 0:27:13 | 0:27:16 | |
He was supposed to be left with my mum. | 0:27:41 | 0:27:43 | |
We'd planned that. Um... | 0:27:43 | 0:27:46 | |
He's normally a really good sleeper, in his routine. | 0:27:49 | 0:27:54 | |
He had a favourite toy but I lost it somewhere, so... | 0:27:54 | 0:27:58 | |
I've written the name of that down, too, if you could... | 0:27:58 | 0:28:00 | |
get that for him. | 0:28:00 | 0:28:02 | |
I'm sorry. | 0:28:12 | 0:28:14 | |
I'm not going to take him. | 0:28:16 | 0:28:18 | |
You said... | 0:28:20 | 0:28:21 | |
I can't be involved in this. | 0:28:23 | 0:28:25 | |
You said you would. | 0:28:26 | 0:28:29 | |
I just said on the phone that I would look after Mousa to... | 0:28:29 | 0:28:33 | |
get you to come here. | 0:28:33 | 0:28:35 | |
Amir Aziz... | 0:28:38 | 0:28:40 | |
You knew I told him, right? | 0:28:42 | 0:28:45 | |
That you were home and that Sarah was going to be following you. | 0:28:45 | 0:28:49 | |
He called me. | 0:28:49 | 0:28:52 | |
I went to him for advice and support. | 0:28:52 | 0:28:56 | |
That's why he tracked you down. | 0:28:56 | 0:28:58 | |
To try and persuade you not to come back. | 0:28:58 | 0:29:00 | |
So you went to see him, didn't you? | 0:29:03 | 0:29:06 | |
Didn't you? | 0:29:08 | 0:29:09 | |
Did he say he was going to call the police? | 0:29:11 | 0:29:13 | |
Is that why you stabbed him? | 0:29:15 | 0:29:17 | |
Zak. | 0:29:19 | 0:29:21 | |
I wanted to see you | 0:29:21 | 0:29:23 | |
so much. | 0:29:23 | 0:29:25 | |
But do you honestly believe | 0:29:27 | 0:29:29 | |
I could be involved | 0:29:29 | 0:29:31 | |
in covering up a murder of a man like that? | 0:29:31 | 0:29:34 | |
A man I loved. | 0:29:35 | 0:29:37 | |
You lied to me. | 0:29:42 | 0:29:44 | |
-You said you just wanted to come home. -No! | 0:29:44 | 0:29:48 | |
No. | 0:29:51 | 0:29:52 | |
I said I was coming home. | 0:29:52 | 0:29:54 | |
That's all. | 0:29:54 | 0:29:56 | |
I wanted to know you. | 0:29:58 | 0:30:00 | |
And I wanted Mousa to know you. | 0:30:02 | 0:30:03 | |
See, I thought, like an idiot, | 0:30:06 | 0:30:11 | |
that you'd go to prison and serve your time. | 0:30:11 | 0:30:14 | |
We would all be there for you when it was over. | 0:30:14 | 0:30:17 | |
You believed what you wanted to believe. | 0:30:22 | 0:30:25 | |
Yeah, well... | 0:30:25 | 0:30:26 | |
This is over now. | 0:30:28 | 0:30:31 | |
No more. | 0:30:31 | 0:30:32 | |
You'll turn yourselves in. | 0:30:33 | 0:30:35 | |
Or I'll do it for you. | 0:30:36 | 0:30:38 | |
Let's go. | 0:30:40 | 0:30:41 | |
I said let's go! | 0:30:43 | 0:30:44 | |
Zak? | 0:30:59 | 0:31:01 | |
Look, it's my fault, OK? | 0:31:23 | 0:31:26 | |
Blame me. It's not on you. | 0:31:26 | 0:31:29 | |
Please. | 0:31:29 | 0:31:31 | |
Don't. | 0:31:31 | 0:31:32 | |
-You can still come home. -What home, huh? | 0:31:34 | 0:31:37 | |
Where is my home? | 0:31:37 | 0:31:39 | |
You just have to do...nothing. | 0:31:41 | 0:31:45 | |
I can't. | 0:31:47 | 0:31:49 | |
Say it. | 0:31:49 | 0:31:50 | |
Please just say it! | 0:31:51 | 0:31:54 | |
Ah! | 0:31:59 | 0:32:00 | |
HE GARGLES | 0:32:00 | 0:32:02 | |
Ah! | 0:32:02 | 0:32:03 | |
SHE BREATHES HEAVILY | 0:32:16 | 0:32:20 | |
Go back to the shop, get everything ready. | 0:32:22 | 0:32:25 | |
Sarah, Sarah. Go now. | 0:32:28 | 0:32:31 | |
I don't know, she may not be on a ward. She was in intensive care. | 0:32:46 | 0:32:51 | |
-Chamberlain, Thomas Chamberlain. I'm... -Thomas. | 0:32:51 | 0:32:54 | |
We've got another body. | 0:32:54 | 0:32:55 | |
I'm sorry, I've gotta go. | 0:32:57 | 0:32:59 | |
CAMERA SHUTTER CLICKS | 0:33:01 | 0:33:03 | |
Broad daylight. With witnesses. | 0:33:05 | 0:33:08 | |
You've got a description? | 0:33:08 | 0:33:10 | |
Just two guys standing here, seemed like they were hugging, | 0:33:10 | 0:33:13 | |
then people saw this. | 0:33:13 | 0:33:16 | |
How is Kamal Rachid connected to this? | 0:33:16 | 0:33:18 | |
I'm hoping you're going to tell me. | 0:33:18 | 0:33:21 | |
Multiple stab wounds. | 0:33:21 | 0:33:23 | |
Did he make a call? | 0:33:27 | 0:33:28 | |
-No. -What about a mobile? Didn't he have a mobile? | 0:33:28 | 0:33:32 | |
Look at this. | 0:33:32 | 0:33:34 | |
The end's been broken off. | 0:33:35 | 0:33:37 | |
SHE SOBS | 0:34:15 | 0:34:19 | |
The wounds are grouped on his anterior torso. | 0:34:33 | 0:34:36 | |
-Repeated stabbing. -From the front? -Yes. | 0:34:36 | 0:34:40 | |
PHONE RINGS | 0:34:40 | 0:34:42 | |
Curtis. | 0:34:42 | 0:34:44 | |
Abrasions to the surrounding skin from the broken tip. | 0:34:44 | 0:34:48 | |
Location suggests risk to the right atrium. | 0:34:48 | 0:34:52 | |
No defence wounds, no attempt to fight him off at all. | 0:34:52 | 0:34:56 | |
It's the same knife that was used to kill Amir Aziz. | 0:34:56 | 0:35:00 | |
-Definitely? -Definitely. -Thanks. | 0:35:00 | 0:35:03 | |
We got CCTV of the payphone. It's Latif. | 0:35:03 | 0:35:07 | |
Right. | 0:35:07 | 0:35:09 | |
So this guy kills Amir Aziz, for reasons unknown, he shoots DS Ryman | 0:35:09 | 0:35:13 | |
-and now he's murdered Kamal Rachid. -There's something else. | 0:35:13 | 0:35:16 | |
Nikki? | 0:35:18 | 0:35:19 | |
-Jack found brick dust where the car was burnt out, yeah? -Mm-hm. | 0:35:23 | 0:35:26 | |
Is that the same stuff? | 0:35:29 | 0:35:30 | |
He's shaved, cut his hair. | 0:35:48 | 0:35:50 | |
Yeah. Western clothing, Western look. | 0:35:50 | 0:35:52 | |
-So they can walk around unseen. -And maybe to access the target. | 0:35:52 | 0:35:56 | |
She wasn't expecting him to kill this time, was she? | 0:36:08 | 0:36:11 | |
No, she wasn't. | 0:36:11 | 0:36:13 | |
Where's he taking the baby? | 0:36:18 | 0:36:20 | |
Love you. | 0:36:35 | 0:36:36 | |
Your ab loves you. | 0:36:39 | 0:36:41 | |
Be proud. | 0:36:47 | 0:36:48 | |
This is the area we lost the car. It burned out here. | 0:36:59 | 0:37:03 | |
This is where Kamal was murdered. | 0:37:03 | 0:37:05 | |
Got to be in here. Somewhere. | 0:37:05 | 0:37:08 | |
Thomas, something's come up. | 0:37:12 | 0:37:14 | |
The hair Jack found in the safe house, well, it's just | 0:37:14 | 0:37:17 | |
finished processing and we've got a DNA match with two people. | 0:37:17 | 0:37:21 | |
Two hits off one DNA, how does that work? | 0:37:21 | 0:37:24 | |
One's with Zak Latif and there's also a 50% genetic match | 0:37:24 | 0:37:28 | |
with someone else, some DNA we took for elimination purposes. | 0:37:28 | 0:37:32 | |
God. | 0:37:35 | 0:37:37 | |
Zak Latif is Kamal Rachid's son. | 0:37:37 | 0:37:40 | |
DOOR OPENS | 0:38:18 | 0:38:19 | |
Where's Mousa? | 0:38:46 | 0:38:48 | |
Safe. | 0:38:49 | 0:38:51 | |
Where? | 0:38:51 | 0:38:52 | |
Doesn't matter where. | 0:38:54 | 0:38:55 | |
What you doing? | 0:39:01 | 0:39:03 | |
I can't do this with you any more. | 0:39:03 | 0:39:06 | |
It is bad enough that you lied to me about the imam, | 0:39:06 | 0:39:10 | |
-but your own father? -I did what I had to do. | 0:39:10 | 0:39:16 | |
-Flesh and blood. -He threatened us! | 0:39:16 | 0:39:18 | |
This is not how it was meant to be, Zak. | 0:39:18 | 0:39:21 | |
I want to be with my son. | 0:39:23 | 0:39:25 | |
-We'll all be reunited in Jannah. -Now. | 0:39:25 | 0:39:28 | |
I want to be with him now. | 0:39:32 | 0:39:35 | |
I want to be with my family. | 0:39:35 | 0:39:37 | |
Ah, ow! | 0:39:37 | 0:39:38 | |
I persuaded them to let us bring him. I did that. | 0:39:39 | 0:39:43 | |
We have a deal. | 0:39:45 | 0:39:46 | |
Tell me...where he is. | 0:39:48 | 0:39:50 | |
Tell me. | 0:39:51 | 0:39:53 | |
Tell me! | 0:39:54 | 0:39:55 | |
With the brothers. | 0:39:59 | 0:40:01 | |
Where with the brothers? | 0:40:14 | 0:40:16 | |
Sarah, you walk out of here now | 0:40:32 | 0:40:33 | |
and I'll not be able to guarantee Mousa's safety. | 0:40:33 | 0:40:36 | |
Are you...threatening our son? | 0:40:37 | 0:40:41 | |
You have to do what we agreed. | 0:40:49 | 0:40:52 | |
What YOU agreed. | 0:40:52 | 0:40:54 | |
And you have to do it now. | 0:40:56 | 0:40:58 | |
For Mousa. | 0:41:00 | 0:41:01 | |
You knew I might back out, didn't you? | 0:41:05 | 0:41:07 | |
You knew that. | 0:41:09 | 0:41:10 | |
That's why they let us bring him. | 0:41:12 | 0:41:14 | |
He was insurance. | 0:41:19 | 0:41:21 | |
Did you know about Kamal's connection to Latif? | 0:41:33 | 0:41:36 | |
He just told me. | 0:41:39 | 0:41:41 | |
After we left here earlier. | 0:41:41 | 0:41:43 | |
-The lies just got too much for him. -And you had no idea? | 0:41:43 | 0:41:47 | |
Why didn't he tell you before? Why wouldn't he? | 0:41:49 | 0:41:51 | |
I don't know. | 0:41:53 | 0:41:54 | |
Me being... | 0:41:56 | 0:41:58 | |
We could never have children... | 0:41:59 | 0:42:01 | |
SHE SOBS | 0:42:01 | 0:42:03 | |
HE COUGHS | 0:42:13 | 0:42:14 | |
I love our son. | 0:42:36 | 0:42:38 | |
And I loved my father. | 0:42:39 | 0:42:41 | |
But I love Allah more. | 0:42:44 | 0:42:46 | |
So do you. | 0:42:46 | 0:42:48 | |
It's just a transition. | 0:42:52 | 0:42:54 | |
I helped Kamal over a threshold, that's all I did. | 0:42:56 | 0:42:58 | |
Just like walking into another room. | 0:43:01 | 0:43:03 | |
And I'll help you, too. | 0:43:10 | 0:43:12 | |
We'll walk through that door together. | 0:43:20 | 0:43:22 | |
Kamal had a fling with a woman | 0:43:28 | 0:43:32 | |
way before we got together. | 0:43:32 | 0:43:35 | |
He didn't know she was pregnant when he left her. | 0:43:35 | 0:43:38 | |
But she had the kid. | 0:43:38 | 0:43:41 | |
Zak Latif. | 0:43:41 | 0:43:42 | |
When did Kamal find out? | 0:43:44 | 0:43:46 | |
Just before Zak went to Syria. | 0:43:47 | 0:43:50 | |
I told you I saw him in the mosque a few years ago. | 0:43:51 | 0:43:57 | |
They lost touch until he turned up back in the country, | 0:43:57 | 0:44:00 | |
-about a week ago. -Kamal helped him, did he? | 0:44:00 | 0:44:02 | |
Got him a safe house, found him a weapon. | 0:44:02 | 0:44:05 | |
You'd love that, wouldn't you? | 0:44:06 | 0:44:08 | |
He would never help him, not ever. | 0:44:10 | 0:44:13 | |
-He wouldn't do that. -He kept his mouth shut. | 0:44:13 | 0:44:16 | |
Only because... | 0:44:16 | 0:44:17 | |
Kamal...thought he could persuade Zak to give himself up. | 0:44:19 | 0:44:24 | |
Got the pyrolysis results. Sample on the knife | 0:44:25 | 0:44:28 | |
and the sample on the boot print are from the same source. | 0:44:28 | 0:44:31 | |
-Same dust? -Liquid brick dust. There was a lot of magnesium in it | 0:44:31 | 0:44:34 | |
matching bricks made in Surrey in the 1990s. | 0:44:34 | 0:44:37 | |
-There's some paint in it, too. Different colours. -Graffiti. | 0:44:37 | 0:44:39 | |
Exactly. | 0:44:39 | 0:44:41 | |
So we're looking for a building in this area made of this kind of brick. | 0:44:41 | 0:44:44 | |
-Good luck(!) -But for the substance to have transferred from a wall | 0:44:44 | 0:44:47 | |
to his hands and feet, it must have been carried by water. | 0:44:47 | 0:44:50 | |
So what are we saying, a building that's having graffiti removed? | 0:44:50 | 0:44:53 | |
Precisely. | 0:44:53 | 0:44:55 | |
Amir knew Latif was in the country, didn't he? How? | 0:44:57 | 0:45:01 | |
Was he in direct contact with him? | 0:45:01 | 0:45:03 | |
Kamal told him. | 0:45:05 | 0:45:07 | |
But begged him not to report it until he tried to talk them round. | 0:45:07 | 0:45:11 | |
And Amir said what? | 0:45:11 | 0:45:13 | |
He was a decent man. | 0:45:14 | 0:45:15 | |
He contacted Begovic. | 0:45:17 | 0:45:20 | |
Tried to get her to do the right thing, to stay where she was but... | 0:45:20 | 0:45:24 | |
he knew she was coming here and... | 0:45:24 | 0:45:26 | |
he knew that Zak was already here. | 0:45:26 | 0:45:28 | |
Which was why he lost his life. | 0:45:30 | 0:45:32 | |
HE GRUNTS | 0:45:42 | 0:45:43 | |
PHONE BUZZES | 0:46:11 | 0:46:13 | |
Ricky. | 0:46:13 | 0:46:14 | |
Did Kamal say to you anything about a target? | 0:46:16 | 0:46:20 | |
-No. Why would he? -Or why they're using a woman? | 0:46:20 | 0:46:23 | |
KNOCK ON DOOR | 0:46:23 | 0:46:25 | |
Something you overheard or that Latif said. | 0:46:25 | 0:46:27 | |
He only wanted to help his son. | 0:46:27 | 0:46:30 | |
Can I have a word? | 0:46:31 | 0:46:33 | |
Excuse me just one second. | 0:46:33 | 0:46:35 | |
It's Nikki. Begovic and Latif are hiding out in a building | 0:46:36 | 0:46:39 | |
that's being industrially cleaned. | 0:46:39 | 0:46:41 | |
It's the only one the area that matches what we've got. | 0:46:41 | 0:46:44 | |
Are you sure? Completely sure? | 0:46:44 | 0:46:46 | |
You've got time for me to take you through the detail now, really? | 0:46:46 | 0:46:49 | |
I've decided to martyr myself to pierce the hearts of the enemy. | 0:47:12 | 0:47:15 | |
'I give my life to bring fire upon the crusaders, | 0:47:25 | 0:47:28 | |
'their soldiers and supporters. | 0:47:28 | 0:47:31 | |
'I offer my body knowing I will meet my brothers and sisters in paradise. | 0:47:31 | 0:47:37 | |
'I fight for a world where the word of Allah | 0:47:37 | 0:47:39 | |
'triumphs over the voice of the unbeliever and the apostate.' | 0:47:39 | 0:47:43 | |
I say to you now, carry on, my brothers and sisters. | 0:47:43 | 0:47:47 | |
Go! Go! Go! | 0:47:47 | 0:47:50 | |
'Carry on as you are strong.' | 0:47:50 | 0:47:52 | |
'Carry on as you are the superior.' | 0:47:56 | 0:47:59 | |
'Carry on as you are the victorious.' | 0:48:04 | 0:48:08 | |
We're all clear. | 0:48:28 | 0:48:29 | |
We haven't got time for this. | 0:48:42 | 0:48:44 | |
What do you expect us to do? We can only work with what we've got. | 0:48:44 | 0:48:47 | |
Got something. | 0:48:48 | 0:48:50 | |
Dated today. | 0:48:53 | 0:48:55 | |
They've been sightseeing. | 0:48:55 | 0:48:57 | |
It could be reconnaissance. Can we tell where they are? | 0:48:57 | 0:49:00 | |
Can we zoom in? | 0:49:02 | 0:49:04 | |
There! Park West? | 0:49:06 | 0:49:09 | |
Park West what? | 0:49:09 | 0:49:10 | |
Conference centre. I need a building evacuating now. | 0:49:10 | 0:49:14 | |
Park West Conference Centre. | 0:49:14 | 0:49:16 | |
-If you get anything else, call me. -Yep. | 0:49:16 | 0:49:19 | |
'In His greatness I offer my body and soul to him.' | 0:49:24 | 0:49:27 | |
'Those of you who masquerade as Muslims | 0:49:29 | 0:49:32 | |
'but who side with those who wage wars against us, you are the enemy.' | 0:49:32 | 0:49:37 | |
'And those of you who serve in these governments or who elect leaders | 0:49:40 | 0:49:45 | |
'who commit atrocities against my people, | 0:49:45 | 0:49:49 | |
'you are responsible.' | 0:49:49 | 0:49:51 | |
'What I do today | 0:49:54 | 0:49:57 | |
'is on you. | 0:49:57 | 0:49:59 | |
'On your conscience.' | 0:49:59 | 0:50:01 | |
'Remember that and remember me.' | 0:50:02 | 0:50:05 | |
'Be proud. | 0:50:08 | 0:50:11 | |
'And tell my son what I have done.' | 0:50:11 | 0:50:14 | |
SIRENS WAIL | 0:50:14 | 0:50:16 | |
-What's happening? -Begovic and Latif are inside. | 0:50:22 | 0:50:25 | |
We're securing the perimeter now. | 0:50:25 | 0:50:26 | |
SCREAMING | 0:50:29 | 0:50:31 | |
They let the women go. | 0:50:31 | 0:50:32 | |
Set up a rendezvous, get them clear, keep them safe. | 0:50:32 | 0:50:35 | |
I need that entrance secured, now! | 0:50:38 | 0:50:40 | |
Let's get them moving now, keep them moving, keep them moving. | 0:50:40 | 0:50:43 | |
GUNSHOT | 0:50:43 | 0:50:45 | |
Who's got eyes inside? Can I get a report? | 0:50:46 | 0:50:49 | |
'We have one casualty in the foyer. | 0:50:53 | 0:50:56 | |
'Multiple other hostages with one possible suspect.' | 0:50:56 | 0:50:59 | |
-Male or female? -'Male. Suspect is armed. | 0:51:00 | 0:51:04 | |
-'I have a clear shot.' -Take it! | 0:51:04 | 0:51:06 | |
'Target down. Repeat. Target down. SFOs are moving in now.' | 0:51:11 | 0:51:16 | |
Curtis, you go, ID that body. | 0:51:17 | 0:51:20 | |
Clear! | 0:51:32 | 0:51:33 | |
Latif is down. No sign of Begovic. | 0:51:38 | 0:51:41 | |
Where are you? | 0:51:42 | 0:51:43 | |
Why here? Why this target? | 0:51:43 | 0:51:47 | |
Curtis, what do we know about this conference? | 0:51:49 | 0:51:51 | |
It's Women In Islam. | 0:51:54 | 0:51:56 | |
Who's the speaker? | 0:51:58 | 0:51:59 | |
An ex-cabinet minister. Sabeen Malik. | 0:51:59 | 0:52:03 | |
-Who? -She campaigns against jihadis. | 0:52:03 | 0:52:07 | |
So where is she now? | 0:52:07 | 0:52:09 | |
Curtis, where is Malik? | 0:52:09 | 0:52:11 | |
Unknown. | 0:52:11 | 0:52:13 | |
Maybe she got out with the other women. | 0:52:13 | 0:52:15 | |
Why would they let her go? | 0:52:17 | 0:52:19 | |
An ex-cabinet minister speaking out against extremism, | 0:52:19 | 0:52:22 | |
she has to have been the target, doesn't she? | 0:52:22 | 0:52:24 | |
This is for the media. | 0:52:32 | 0:52:34 | |
They want this on camera. | 0:52:35 | 0:52:37 | |
She's here. She's out here. Find Malik, find Begovic. | 0:52:47 | 0:52:51 | |
INDISTINCT CHATTER | 0:52:55 | 0:52:58 | |
-GUNSHOT -Get down on the floor! | 0:53:18 | 0:53:21 | |
You do this...you'll martyr me. | 0:53:28 | 0:53:31 | |
Sarah. | 0:53:31 | 0:53:33 | |
Don't speak! | 0:53:33 | 0:53:35 | |
We have Mousa. | 0:53:46 | 0:53:47 | |
He was left at a hospital. | 0:53:51 | 0:53:52 | |
You didn't know that. | 0:53:55 | 0:53:56 | |
You're lying. | 0:53:57 | 0:53:59 | |
On your knees. | 0:54:01 | 0:54:02 | |
He can still have a mother, Sarah. | 0:54:08 | 0:54:11 | |
We can work it out. | 0:54:11 | 0:54:13 | |
I can't come home. | 0:54:14 | 0:54:16 | |
Look around you, Sarah. | 0:54:20 | 0:54:22 | |
You've achieved what you set out to do. | 0:54:24 | 0:54:26 | |
Your face will be all over the TV. | 0:54:27 | 0:54:30 | |
Look at me. | 0:54:30 | 0:54:31 | |
It's done. | 0:54:34 | 0:54:35 | |
Come and see your son. | 0:54:38 | 0:54:40 | |
Dada? | 0:54:51 | 0:54:53 | |
HE SPEAKS OWN LANGUAGE | 0:54:53 | 0:54:55 | |
HE SHOUTS IN OWN LANGUAGE | 0:54:56 | 0:54:57 | |
GUNSHOT | 0:55:02 | 0:55:03 | |
Dada? | 0:55:03 | 0:55:04 | |
SHE BREATHES HEAVILY | 0:55:05 | 0:55:08 | |
SHE EXHALES | 0:55:18 | 0:55:19 | |
Take it. GUNSHOT | 0:55:21 | 0:55:23 | |
-Hey. -Hey. | 0:56:36 | 0:56:38 | |
-How are you feeling? -Getting there. | 0:56:43 | 0:56:46 | |
VOICES OUTSIDE | 0:57:01 | 0:57:03 | |
Connor. | 0:57:06 | 0:57:08 | |
My son. | 0:57:08 | 0:57:09 | |
So I, er, I get to know he exists, do I? | 0:57:11 | 0:57:14 | |
I've never introduced him to anyone before. | 0:57:17 | 0:57:19 | |
Gotta look after our kids. | 0:57:21 | 0:57:23 | |
MUSIC PLAYS THROUGHOUT | 0:57:48 | 0:57:51 | |
Paul's got a future. | 0:58:07 | 0:58:10 | |
Paul can have the life he wants. | 0:58:10 | 0:58:13 | |
Sorry! I'm sorry! | 0:58:15 | 0:58:17 | |
-He's out. -I was going to call you. | 0:58:19 | 0:58:22 | |
His colleagues are not aware of his past. | 0:58:22 | 0:58:24 | |
Someone's tried to clean up. | 0:58:26 | 0:58:28 | |
How can we contribute unless we know who and what we're dealing with? | 0:58:30 | 0:58:33 | |
COMMOTION | 0:58:33 | 0:58:35 | |
We need to take Sylvie to the building in the woods. | 0:58:35 | 0:58:39 | |
MUSIC: Silencium by John Harle | 0:58:39 | 0:58:42 |