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This programme contains violent scenes from the start | 0:00:02 | 0:00:05 | |
and some scenes which some viewers may find upsetting. | 0:00:05 | 0:00:09 | |
Turning left. Left onto Lordship Lane. | 0:00:36 | 0:00:38 | |
Control from Alpha. Turning right. | 0:00:56 | 0:00:58 | |
Turning right onto Lordship Road. | 0:00:58 | 0:01:01 | |
Alpha has the eye. | 0:01:01 | 0:01:02 | |
VOICE ON RADIO: 'From control. Intel is he has a gun. | 0:01:13 | 0:01:17 | |
'All units, state amber. State amber.' | 0:01:17 | 0:01:19 | |
Turning left. Left onto Green Lanes. | 0:01:37 | 0:01:39 | |
We've lost sight of him. We've lost sighting. | 0:01:46 | 0:01:48 | |
There! Nine o'clock behind the shops. | 0:01:49 | 0:01:51 | |
Strike, strike, strike! | 0:01:57 | 0:01:59 | |
Armed Police! Get on the ground! | 0:01:59 | 0:02:00 | |
Armed police! Get your hands up. | 0:02:00 | 0:02:03 | |
GUNSHOT | 0:02:03 | 0:02:05 | |
Man down! Man down! | 0:02:05 | 0:02:07 | |
Armed police! stop! | 0:02:07 | 0:02:08 | |
-HE COUGHS -Get the medics here, now! | 0:02:11 | 0:02:14 | |
Off the bike! | 0:02:19 | 0:02:20 | |
Hands! Show me your hands! | 0:02:23 | 0:02:25 | |
Both of them! | 0:02:25 | 0:02:27 | |
Stand still! | 0:02:30 | 0:02:31 | |
GUNFIRE | 0:02:31 | 0:02:33 | |
Drop the gun! | 0:02:34 | 0:02:35 | |
Drop it! Drop it! | 0:02:35 | 0:02:36 | |
GUNFIRE | 0:02:36 | 0:02:38 | |
Go! | 0:02:38 | 0:02:39 | |
Tim? | 0:02:59 | 0:03:00 | |
Shit. It's a girl. | 0:03:11 | 0:03:13 | |
# Testator silens | 0:03:35 | 0:03:43 | |
# Costestes e spiritu | 0:03:43 | 0:03:50 | |
# Silentium. # | 0:03:50 | 0:04:03 | |
ALARM CLOCK BEEPS | 0:04:08 | 0:04:10 | |
Karim? | 0:04:21 | 0:04:23 | |
Karim? Karim? | 0:05:19 | 0:05:22 | |
What happened to breakfast in bed? | 0:05:25 | 0:05:28 | |
SHE SCREAMS | 0:05:35 | 0:05:37 | |
Good morning. DI Cooke. | 0:05:40 | 0:05:43 | |
Victim's a Karim Benzal. | 0:05:43 | 0:05:45 | |
Lived here since he was eight. | 0:05:45 | 0:05:46 | |
Turkish national. | 0:05:46 | 0:05:48 | |
His poor wife, Anita, found him first thing. Not a pretty sight | 0:05:48 | 0:05:51 | |
and she's about to drop. | 0:05:51 | 0:05:53 | |
Benzal owns the shop. | 0:05:53 | 0:05:55 | |
He imports and repairs high quality rugs and carpets. He's, er... | 0:05:55 | 0:05:58 | |
..upstairs in the workshop. | 0:05:59 | 0:06:00 | |
We've offered to take Anita home but she says she wants to stay with him. | 0:06:00 | 0:06:04 | |
It's through there. | 0:06:11 | 0:06:13 | |
Single gunshot wound to the head through the eye. | 0:06:52 | 0:06:55 | |
There's some kind of orange powder around the nose. | 0:06:57 | 0:07:00 | |
Chilli. | 0:07:00 | 0:07:02 | |
It's a complicated scene. The victim's tied up, | 0:07:04 | 0:07:06 | |
so there could be more than one person involved. | 0:07:06 | 0:07:09 | |
It's a clean entry wound, | 0:07:09 | 0:07:12 | |
so he wasn't struggling when he was shot. | 0:07:12 | 0:07:14 | |
-Jack, can you give us a hand? -Mm-hm. | 0:07:14 | 0:07:16 | |
Achilles tendon's been cut. | 0:07:17 | 0:07:19 | |
What are you going to do, clean out the eye? | 0:07:21 | 0:07:22 | |
Yeah. | 0:07:22 | 0:07:24 | |
-Shot front on. -Yeah. | 0:07:40 | 0:07:42 | |
And ended up... | 0:07:49 | 0:07:50 | |
..there. | 0:07:55 | 0:07:56 | |
HE WHISTLES | 0:08:07 | 0:08:09 | |
Decent shape. | 0:08:09 | 0:08:11 | |
Find the gun, odds are we can make a match. | 0:08:12 | 0:08:14 | |
Honey? | 0:08:34 | 0:08:35 | |
Sheils? | 0:08:37 | 0:08:38 | |
Have you seen my car keys? | 0:08:48 | 0:08:50 | |
No. | 0:08:50 | 0:08:52 | |
Come on, Sheila. I've got to go. | 0:08:52 | 0:08:54 | |
No! Don't go. | 0:08:54 | 0:08:55 | |
I have to. They're expecting me. Come on. | 0:08:55 | 0:08:57 | |
You can start tomorrow. | 0:08:57 | 0:08:59 | |
I've just got used to having you around. | 0:08:59 | 0:09:01 | |
No, it's not me you want, it's my DIY skills. | 0:09:01 | 0:09:03 | |
Keys. | 0:09:05 | 0:09:06 | |
OK, but no heroics. | 0:09:11 | 0:09:14 | |
All right. | 0:09:16 | 0:09:17 | |
You have no authority to gain access. You know that. | 0:09:52 | 0:09:55 | |
The bottom line is this is a CID case. | 0:09:55 | 0:09:58 | |
You have no jurisdiction here. None. | 0:09:58 | 0:10:00 | |
So why don't you just let me get on with my job?' | 0:10:00 | 0:10:03 | |
Reporter? | 0:10:05 | 0:10:06 | |
Police Complaints. | 0:10:06 | 0:10:08 | |
IPCC? What's their interest? | 0:10:08 | 0:10:10 | |
Some crossover with another investigation. | 0:10:10 | 0:10:13 | |
Jack Hodgson. Forensics. | 0:10:35 | 0:10:38 | |
Rachel Sharpe. IPCC. | 0:10:38 | 0:10:39 | |
Hello, Rachel. | 0:10:39 | 0:10:41 | |
This might be an odd thing to say, | 0:10:41 | 0:10:42 | |
but have you ever been a key witness at a murder trial, Jack? | 0:10:42 | 0:10:46 | |
Ha. | 0:10:46 | 0:10:48 | |
Yes. | 0:10:48 | 0:10:49 | |
What's your point? | 0:10:49 | 0:10:50 | |
Keep an open mind. | 0:10:52 | 0:10:53 | |
OK. | 0:10:54 | 0:10:56 | |
Jack! | 0:11:00 | 0:11:01 | |
You beauty. | 0:11:04 | 0:11:05 | |
We'll run test comparisons with the bullet. | 0:11:05 | 0:11:07 | |
Great. Quick as you like. | 0:11:07 | 0:11:09 | |
They've avoided CCTV on the main road by heading that way | 0:11:11 | 0:11:13 | |
and dumping it en route. | 0:11:13 | 0:11:14 | |
So, he's either recced his exit or he's local. | 0:11:14 | 0:11:17 | |
I'll get onto it. | 0:11:18 | 0:11:19 | |
POPPER SNAPS | 0:11:36 | 0:11:37 | |
-Look who it is. -There's the man. | 0:11:37 | 0:11:40 | |
APPLAUSE | 0:11:40 | 0:11:42 | |
All right, mate. Welcome back. | 0:11:42 | 0:11:44 | |
Ha-ha. Here he is! Check that out. | 0:11:51 | 0:11:54 | |
I thought scars were supposed to make you look more handsome. | 0:11:54 | 0:11:57 | |
I see you've not changed. | 0:11:57 | 0:11:58 | |
-Yeah, apart from the fact I've learned to cook. -Come here, you bastard. | 0:11:58 | 0:12:02 | |
-Good to see you again. -Good to see you, mate. | 0:12:03 | 0:12:05 | |
-Hello, you. -it's just not been the same. A whole year without you. | 0:12:05 | 0:12:09 | |
Cheers, guys. | 0:12:09 | 0:12:10 | |
-Boss. -Welcome back, Tim. | 0:12:10 | 0:12:12 | |
Cheers, pal. | 0:12:12 | 0:12:14 | |
Come on. Let's get back to work, eh? | 0:12:14 | 0:12:16 | |
GUNFIRE | 0:12:16 | 0:12:18 | |
Good. | 0:12:32 | 0:12:34 | |
HE LAUGHS | 0:12:36 | 0:12:37 | |
You could miss once in a while, just to keep it interesting. | 0:12:42 | 0:12:44 | |
I can't let her get away with that. | 0:12:47 | 0:12:49 | |
Tim? You haven't forgotten how, then? | 0:12:52 | 0:12:54 | |
No, it feels good, getting back in the saddle. | 0:12:54 | 0:12:57 | |
You sure you're ready for this? | 0:12:57 | 0:12:58 | |
Definitely. It's been too long, Jo. | 0:12:58 | 0:13:00 | |
Right, that's me. I'll see you upstairs. | 0:13:02 | 0:13:04 | |
Our old friend from IPCC's been on the phone again. | 0:13:07 | 0:13:09 | |
Who, Sharpe? | 0:13:09 | 0:13:10 | |
She wants to re-interview us. | 0:13:10 | 0:13:12 | |
-Why? -Something to do with her mystery witness. | 0:13:12 | 0:13:15 | |
She's trying to reopen the inquest. | 0:13:15 | 0:13:17 | |
Why can't she just let it go? | 0:13:17 | 0:13:19 | |
It's a technicality. Headache, that's all. | 0:13:19 | 0:13:22 | |
Let's not spoil Tim's first day back, eh? | 0:13:22 | 0:13:24 | |
He seems to be doing OK. | 0:13:24 | 0:13:26 | |
You sure it's not too soon, Sarge? | 0:13:26 | 0:13:28 | |
Well, he passed all the tests. | 0:13:28 | 0:13:29 | |
Seriously, bench him now, how's he ever going to get back in the game? | 0:13:29 | 0:13:32 | |
Severe bruising to both wrists, consistent with restraints | 0:13:46 | 0:13:50 | |
documented at the scene. | 0:13:50 | 0:13:51 | |
There's acute inflammation to the nose. | 0:13:55 | 0:13:58 | |
Nikki. | 0:13:58 | 0:13:59 | |
That's "spiced choking". | 0:14:01 | 0:14:02 | |
What's that? | 0:14:02 | 0:14:03 | |
The victim's mouth is sealed, then chilli powder mixed with | 0:14:03 | 0:14:06 | |
carbonated water is forced down his nasal passage. | 0:14:06 | 0:14:09 | |
It essentially burns them as they drown. | 0:14:10 | 0:14:12 | |
Form of torture associated with drug cartels. | 0:14:12 | 0:14:15 | |
Wonder if that includes Turkish ones. | 0:14:15 | 0:14:17 | |
Benzal had made a number of complaints about | 0:14:17 | 0:14:21 | |
a Nuri Sakir. | 0:14:21 | 0:14:23 | |
What kind of complaints? | 0:14:23 | 0:14:24 | |
Oh, you know, intimidation, extortion, the usual. | 0:14:24 | 0:14:27 | |
Arrested not charged. | 0:14:27 | 0:14:29 | |
Well, I'm pretty confident that the gunshot wound to the eye | 0:14:29 | 0:14:32 | |
is going to be the cause of death. | 0:14:32 | 0:14:34 | |
Both his Achilles tendons have been severed. | 0:14:34 | 0:14:37 | |
Methodical job. | 0:14:38 | 0:14:40 | |
So they were experienced? | 0:14:40 | 0:14:42 | |
Quite apparent clotting in these injuries, too. | 0:14:42 | 0:14:45 | |
He bled for some time before death. | 0:14:45 | 0:14:48 | |
They made him suffer. | 0:14:48 | 0:14:50 | |
A great deal, yeah. | 0:14:50 | 0:14:52 | |
No sign of any defensive injuries either. | 0:14:52 | 0:14:55 | |
Not a flayed knuckle, not a broken nail. | 0:14:55 | 0:14:58 | |
The killer was sadistic | 0:14:58 | 0:15:00 | |
but measured. | 0:15:00 | 0:15:01 | |
He had total control of the scene. | 0:15:02 | 0:15:04 | |
What have we got? | 0:15:31 | 0:15:32 | |
Pistol's a Baikal, | 0:15:32 | 0:15:34 | |
converted from a non-lethal gun to a distinctly lethal one. | 0:15:34 | 0:15:39 | |
Common enough on the street. | 0:15:39 | 0:15:40 | |
Originally they fired blanks, | 0:15:40 | 0:15:42 | |
but this one's converted to fire 9mm rounds. | 0:15:42 | 0:15:45 | |
Good. Tell me about Karim Benzal. | 0:15:46 | 0:15:48 | |
-Let me fire this... -Whoa. -..and I'll tell you. | 0:15:53 | 0:15:56 | |
Maybe at Thomas, yeah? | 0:15:56 | 0:15:57 | |
Maybe. | 0:15:58 | 0:16:00 | |
Benzal didn't figure on any of my extensive databases | 0:16:00 | 0:16:05 | |
so I ran his address. | 0:16:05 | 0:16:08 | |
Remember the Helena Lubas case last year? | 0:16:09 | 0:16:12 | |
The girl shot by the police? | 0:16:12 | 0:16:14 | |
Shot by the police right behind Benzal's shop. | 0:16:14 | 0:16:16 | |
What? | 0:16:16 | 0:16:18 | |
So, that's what Sharpe was getting at. | 0:16:19 | 0:16:21 | |
-Sharpe? -IPCC. | 0:16:21 | 0:16:23 | |
Inquest wound up last month. Lawful killing verdict. | 0:16:23 | 0:16:27 | |
Right, I need you to pull the evidence from the Lubas case. | 0:16:28 | 0:16:33 | |
I'm on it. | 0:16:33 | 0:16:34 | |
You're the best. | 0:16:34 | 0:16:35 | |
Hi. | 0:16:54 | 0:16:55 | |
It's Mrs Benzal, isn't it? | 0:16:55 | 0:16:57 | |
I've come to see Karim. | 0:16:57 | 0:16:58 | |
Are you sure you want to do this? | 0:17:05 | 0:17:07 | |
Come and sit down. | 0:17:21 | 0:17:22 | |
What am I going to do? | 0:17:29 | 0:17:31 | |
What kind of man was he? | 0:17:37 | 0:17:39 | |
Karim? | 0:17:39 | 0:17:41 | |
Brave. | 0:17:44 | 0:17:46 | |
Loyal. | 0:17:48 | 0:17:49 | |
Stubborn. | 0:17:49 | 0:17:51 | |
Infuriating sometimes. | 0:17:51 | 0:17:52 | |
Brave? | 0:17:54 | 0:17:55 | |
In what way? | 0:17:56 | 0:17:58 | |
He stood up for what was right. | 0:18:01 | 0:18:04 | |
Did he stand up to Nuri Sakir? | 0:18:04 | 0:18:05 | |
I'm not talking about Nuri Sakir. Not to you. Not to anyone. | 0:18:08 | 0:18:11 | |
Your husband made three complaints about him. | 0:18:11 | 0:18:13 | |
And he retracted all of them. | 0:18:13 | 0:18:15 | |
Did you tell him to do that? | 0:18:15 | 0:18:16 | |
I was born and raised in Istanbul. | 0:18:21 | 0:18:23 | |
I know who Nuri Sakir is. | 0:18:23 | 0:18:25 | |
Karim had to learn the hard way. | 0:18:28 | 0:18:30 | |
What do you mean, he had to learn the hard way? | 0:18:30 | 0:18:32 | |
What did Nuri Sakir do? | 0:18:32 | 0:18:34 | |
I want to go home now. I'm tired. | 0:18:34 | 0:18:36 | |
'We're live from the inquest into the fatal shooting of 19-year-old | 0:18:40 | 0:18:43 | |
'Helena Lubas by police's Firearms Division last year. | 0:18:43 | 0:18:47 | |
'After a short deliberation the jury decided that Helena Lubas was killed | 0:18:47 | 0:18:51 | |
'lawfully by a firearms officer, known only as K71, in self-defence. | 0:18:51 | 0:18:57 | |
'Officers K79 and K75 both corroborated that the gun | 0:18:57 | 0:19:01 | |
'she was pointing was both loaded and life-threatening. | 0:19:01 | 0:19:05 | |
'We only wanted justice for Helena. | 0:19:06 | 0:19:08 | |
'After one long year of lies we hoped the truth would come. | 0:19:10 | 0:19:14 | |
'Helena did not have a gun. | 0:19:14 | 0:19:16 | |
'My daughter is a victim again today.' | 0:19:16 | 0:19:19 | |
'Helena was a good girl, a clever girl. | 0:19:19 | 0:19:22 | |
'She was about to go to university before her future was stolen. | 0:19:22 | 0:19:25 | |
'And what about her boyfriend who shot at the officers? | 0:19:25 | 0:19:27 | |
'He wasn't her boyfriend. She hardly knew him. | 0:19:27 | 0:19:30 | |
'What my brother says is true. | 0:19:30 | 0:19:32 | |
'He was an acquaintance, nothing more. | 0:19:32 | 0:19:34 | |
'Helena was just giving him a lift. | 0:19:34 | 0:19:36 | |
'Officer K75 was shot in the face by Sean Dyer, | 0:19:36 | 0:19:39 | |
'currently serving a ten-year prison sentence.' | 0:19:39 | 0:19:42 | |
Someone to see you, Jack. | 0:19:42 | 0:19:44 | |
This is Rachel Sharpe from the IPCC. | 0:19:44 | 0:19:46 | |
Pleased to meet you. | 0:19:46 | 0:19:48 | |
Likewise. | 0:19:48 | 0:19:49 | |
Come into my office? | 0:19:50 | 0:19:52 | |
This is Dr Nikki Alexander, the third member of our team. | 0:19:57 | 0:20:00 | |
Hi. | 0:20:00 | 0:20:01 | |
Rachel wants us to review the forensic evidence from | 0:20:01 | 0:20:04 | |
the Helena Lubas shooting, | 0:20:04 | 0:20:05 | |
so I suggested she come in and meet us. | 0:20:05 | 0:20:08 | |
I thought the inquest reached a lawful killing verdict? | 0:20:08 | 0:20:10 | |
That's correct, but new information has come to light. | 0:20:10 | 0:20:13 | |
What kind of new information? | 0:20:13 | 0:20:15 | |
I can't currently discuss that, | 0:20:15 | 0:20:17 | |
but I need you to help me prove that the Firearms Division's | 0:20:17 | 0:20:21 | |
statements given that day aren't true. | 0:20:21 | 0:20:23 | |
You were very sure I'd say yes. | 0:20:32 | 0:20:33 | |
I had good grounds to be sure. | 0:20:33 | 0:20:35 | |
You asked Clarissa Mullery to access the Helena Lubas file. | 0:20:37 | 0:20:39 | |
Oh, OK. | 0:20:39 | 0:20:41 | |
Given that interest, I thought, let's make it official. | 0:20:41 | 0:20:44 | |
Your new information, it was Karim Benzal, wasn't it? | 0:20:44 | 0:20:47 | |
I need to know how he was killed. | 0:20:50 | 0:20:51 | |
-Why? -Was he shot? | 0:20:51 | 0:20:53 | |
It's an active CID case. | 0:20:53 | 0:20:54 | |
-I've no business sharing details with you. -I need to know. Was he shot? | 0:20:54 | 0:20:58 | |
All right. I tell you how, you tell me why. | 0:21:00 | 0:21:02 | |
OK. | 0:21:02 | 0:21:03 | |
He was shot through the eye. Before that he was tortured. | 0:21:03 | 0:21:07 | |
The method of torture, spiced choking, | 0:21:07 | 0:21:09 | |
a speciality with drug gangs. | 0:21:09 | 0:21:11 | |
Benzal wasn't involved with gangs. | 0:21:11 | 0:21:13 | |
No, but he'd lodged complaints against a local gangster | 0:21:13 | 0:21:15 | |
seeking protection money. | 0:21:15 | 0:21:16 | |
I know. Nuri Sakir. | 0:21:16 | 0:21:18 | |
But those complaints didn't go anywhere. | 0:21:18 | 0:21:20 | |
He withdrew them. Reading between the lines he was intimidated. | 0:21:20 | 0:21:24 | |
Your turn. | 0:21:27 | 0:21:28 | |
As you've already guessed, | 0:21:29 | 0:21:31 | |
Benzal witnessed the Helena Lubas shooting. | 0:21:31 | 0:21:33 | |
Why didn't he testify at the inquest? | 0:21:33 | 0:21:35 | |
He didn't come forward initially. | 0:21:35 | 0:21:36 | |
He was worried Sakir would get wind of him talking to the police. | 0:21:36 | 0:21:39 | |
What changed his mind? | 0:21:39 | 0:21:40 | |
He saw the Lubas family on TV outside the court. | 0:21:40 | 0:21:43 | |
Saw their pain, their loss, and decided to do the right thing. | 0:21:43 | 0:21:47 | |
Tell the world what he saw. | 0:21:47 | 0:21:49 | |
And what was that? | 0:21:49 | 0:21:50 | |
PC Tim Friend shooting an unarmed Helena Lubas. | 0:21:50 | 0:21:54 | |
And you believe him? | 0:21:54 | 0:21:55 | |
Why would he lie? | 0:21:55 | 0:21:56 | |
The point is, | 0:21:58 | 0:21:59 | |
if she wasn't armed and she was shot, | 0:21:59 | 0:22:02 | |
it means the gun was planted. | 0:22:02 | 0:22:03 | |
And we're talking murder and conspiracy after the fact. | 0:22:07 | 0:22:10 | |
I think Benzal was silenced. | 0:22:11 | 0:22:14 | |
By the Firearms Division? | 0:22:14 | 0:22:15 | |
Who else? | 0:22:15 | 0:22:17 | |
Sure YOU'VE got an open mind? | 0:22:17 | 0:22:19 | |
Why don't you have a flick through and judge for yourself? | 0:22:20 | 0:22:22 | |
But I would draw your attention to the four bullets fired into her, | 0:22:26 | 0:22:30 | |
two of them striking her right arm | 0:22:30 | 0:22:31 | |
at an angle which argues against the arm being extended. | 0:22:31 | 0:22:35 | |
And how much of a credible threat was she, | 0:22:35 | 0:22:37 | |
given that the first bullet breached her kidney? | 0:22:37 | 0:22:39 | |
And the fourth killed her? | 0:22:39 | 0:22:41 | |
Well... | 0:22:45 | 0:22:46 | |
..like you say... | 0:22:47 | 0:22:48 | |
..I'll judge for myself. | 0:22:49 | 0:22:51 | |
GUNFIRE | 0:22:54 | 0:22:56 | |
What do you think? | 0:23:05 | 0:23:06 | |
Well, assuming his eyesight was good... | 0:23:06 | 0:23:08 | |
His eyesight wasn't great but he was wearing his glasses. | 0:23:08 | 0:23:11 | |
Not good enough. Glasses equals uncertainty. | 0:23:11 | 0:23:13 | |
-He never took them off. -Never? | 0:23:13 | 0:23:16 | |
All right, so, if he was wearing his glasses, | 0:23:16 | 0:23:18 | |
and his prescription was up-to-date, | 0:23:18 | 0:23:22 | |
then, yes, | 0:23:22 | 0:23:24 | |
he was close enough to see she was unarmed. | 0:23:24 | 0:23:26 | |
-Any prints or DNA? -Just Helena's. | 0:23:27 | 0:23:30 | |
But that doesn't mean they didn't place it in her hand after she was dead, | 0:23:31 | 0:23:35 | |
does it? | 0:23:35 | 0:23:36 | |
And Sean Dyer swears she was wearing gloves | 0:23:36 | 0:23:38 | |
-and he only had one gun. -That doesn't make sense. | 0:23:38 | 0:23:41 | |
Why would he lie? | 0:23:41 | 0:23:42 | |
Protect his girlfriend? Paint the police in a bad light? I could go on. | 0:23:42 | 0:23:45 | |
He admitted shooting a police officer in the face. | 0:23:45 | 0:23:47 | |
So, if it wasn't Dyer's gun, where did it come from? | 0:23:47 | 0:23:50 | |
Exactly. | 0:23:50 | 0:23:51 | |
Well, it certainly isn't conclusive, | 0:23:57 | 0:23:59 | |
but prints on the gun are faint and blurred. | 0:23:59 | 0:24:02 | |
If she'd been gripping it, | 0:24:02 | 0:24:03 | |
getting it in and out of her pocket, for example, | 0:24:03 | 0:24:05 | |
I'd expect more prints and firmer ones at that. | 0:24:05 | 0:24:07 | |
Are you hungry, Jack? | 0:24:12 | 0:24:13 | |
This a regular haunt of yours? | 0:24:29 | 0:24:31 | |
Rachel. Rachel. | 0:24:33 | 0:24:36 | |
-Julia. -Hi. | 0:24:36 | 0:24:38 | |
Jack. Julia Lubas. | 0:24:38 | 0:24:40 | |
Julia, this is my colleague, Jack Hodgson. | 0:24:41 | 0:24:44 | |
-Good to meet you. -Hello. | 0:24:44 | 0:24:46 | |
-Let's go and talk downstairs? -Yeah. | 0:24:47 | 0:24:49 | |
JACK'S PHONE BEEPS | 0:24:53 | 0:24:55 | |
Thank you, Gabriella. | 0:25:03 | 0:25:04 | |
So... | 0:25:05 | 0:25:07 | |
How is it all going? | 0:25:07 | 0:25:08 | |
Will the witness testimony be enough to get another inquest? | 0:25:08 | 0:25:12 | |
We'll see. We're just... | 0:25:12 | 0:25:14 | |
-pulling everything together. -No setbacks? | 0:25:14 | 0:25:17 | |
No problems? | 0:25:17 | 0:25:18 | |
What is it? | 0:25:18 | 0:25:19 | |
What's happened? | 0:25:19 | 0:25:21 | |
Rachel? | 0:25:21 | 0:25:22 | |
We've lost the witness. | 0:25:22 | 0:25:24 | |
Tell me where they live, I will make them talk! | 0:25:24 | 0:25:26 | |
No, Bruno. | 0:25:26 | 0:25:27 | |
What's happened with the witness? | 0:25:27 | 0:25:29 | |
They were found murdered this morning. | 0:25:29 | 0:25:31 | |
-And you come here telling us everything's going to be OK. -No! | 0:25:31 | 0:25:34 | |
-Lying to our face. -Look... | 0:25:34 | 0:25:36 | |
Jack is a forensic scientist, and he's one of the best. | 0:25:36 | 0:25:39 | |
-Big deal! -He's going to be looking at all the evidence again with fresh eyes. | 0:25:39 | 0:25:42 | |
-You are a waste of space. -Bruno! JACK: -All right. | 0:25:42 | 0:25:44 | |
Helena's passenger that day, Sean Dyer. | 0:25:45 | 0:25:49 | |
Had you ever met him? | 0:25:49 | 0:25:50 | |
He came in the cafe a couple of times. | 0:25:50 | 0:25:53 | |
He seemed harmless. | 0:25:53 | 0:25:54 | |
If we'd known the kind of person he was, what he was involved in... | 0:25:54 | 0:25:57 | |
Sure. | 0:25:57 | 0:25:58 | |
It's my fault. I should never have brought her here. | 0:25:58 | 0:26:01 | |
And cops don't kill people back home? | 0:26:01 | 0:26:03 | |
It's the same shit everywhere. They think they're above the law. | 0:26:03 | 0:26:06 | |
If anyone let Helena down, it was me, OK? | 0:26:06 | 0:26:09 | |
I always looked out for her. | 0:26:09 | 0:26:11 | |
When she was little, at school, but coming here, with this cafe, | 0:26:11 | 0:26:14 | |
with this place to run, just keeping our heads above water... | 0:26:14 | 0:26:17 | |
Look, if there is another version to this story, | 0:26:17 | 0:26:19 | |
I'm going to find out what it is. | 0:26:19 | 0:26:21 | |
How? | 0:26:21 | 0:26:22 | |
We're not going to get another inquest now, are we? | 0:26:22 | 0:26:25 | |
We can try to build a forensic case. | 0:26:25 | 0:26:27 | |
So what? The police will just lie. | 0:26:27 | 0:26:29 | |
Physical evidence trumps witness testimony every day of the week. | 0:26:29 | 0:26:33 | |
Who are you? | 0:26:33 | 0:26:34 | |
What are you doing here? | 0:26:35 | 0:26:37 | |
- I want to help. - Why? | 0:26:37 | 0:26:38 | |
Because I think there are questions that need to be answered. | 0:26:40 | 0:26:44 | |
I thought Helena was right-handed. | 0:26:47 | 0:26:49 | |
Yes, she wrote with her right hand. | 0:26:49 | 0:26:52 | |
But she played tennis with her left? | 0:26:52 | 0:26:54 | |
I don't know. | 0:26:54 | 0:26:55 | |
Could she have had cross-dominance? | 0:26:56 | 0:26:58 | |
So, did she write with her right hand, play sport with her left? | 0:26:58 | 0:27:01 | |
Yes. | 0:27:02 | 0:27:03 | |
-Yes. -Yeah? | 0:27:04 | 0:27:06 | |
-I think she did. -Yeah? | 0:27:06 | 0:27:08 | |
Then I think it's much more likely | 0:27:08 | 0:27:09 | |
she would have held a gun in her dominant left hand. | 0:27:09 | 0:27:13 | |
Yet it was found near her right. | 0:27:14 | 0:27:15 | |
I ran the key traits of the Benzal torture scene. | 0:27:48 | 0:27:52 | |
I've got someone looking into it. | 0:27:52 | 0:27:53 | |
-Another murder? -Four years ago. Green Lanes. | 0:27:55 | 0:27:57 | |
Some differences, a lot of similarities. | 0:27:57 | 0:28:00 | |
Burak Nazar, ran a minicab firm. | 0:28:01 | 0:28:03 | |
Anyone charged? | 0:28:05 | 0:28:06 | |
Arrested, but not charged. | 0:28:06 | 0:28:08 | |
Nuri Sakir. | 0:28:09 | 0:28:10 | |
The Baikal has been re-barrelled to convert it to fire live rounds. | 0:28:12 | 0:28:16 | |
Pretty good job, but that left barrelling marks | 0:28:16 | 0:28:19 | |
that show up on the bullets as striation marks. | 0:28:19 | 0:28:23 | |
My test bullets bear identical markings. | 0:28:23 | 0:28:27 | |
This is the gun used to kill Karim Benzal. | 0:28:27 | 0:28:32 | |
Good work. | 0:28:32 | 0:28:33 | |
I also found fragments of wood. | 0:28:33 | 0:28:37 | |
Lacquered wood, in the barrel. | 0:28:37 | 0:28:39 | |
Probably blowback from a shot at close quarters. | 0:28:39 | 0:28:43 | |
But there were no stray shots in any woodwork at the Benzal scene. | 0:28:44 | 0:28:47 | |
So the wood must have lodged in the barrel before the Benzal shooting. | 0:28:47 | 0:28:50 | |
Which brings us to DNA. | 0:28:50 | 0:28:52 | |
Now, I pulled two sets. | 0:28:52 | 0:28:54 | |
One partial female profile - no match. | 0:28:54 | 0:28:58 | |
One male, very much a match. | 0:28:58 | 0:29:01 | |
Nuri Sakir. | 0:29:06 | 0:29:07 | |
-RADIO: -'Trojan 99, can you deploy an SFO team to Turkish Social Club, | 0:29:09 | 0:29:13 | |
'19 to 21 Barstock Road, November 4 6 Mike Charlie, | 0:29:13 | 0:29:18 | |
'to arrest suspect Nuri Sakir. That's Nuri Sakir. | 0:29:18 | 0:29:22 | |
'Believed to be involved in a murder.' | 0:29:22 | 0:29:24 | |
Alpha unit. | 0:29:24 | 0:29:26 | |
Entry ground floor. | 0:29:26 | 0:29:27 | |
Stand by. | 0:29:27 | 0:29:28 | |
Bravo unit. | 0:29:37 | 0:29:38 | |
Entry successful, first floor, no contact. | 0:29:38 | 0:29:40 | |
'Roger that.' | 0:29:40 | 0:29:42 | |
Upper floor clear so far. | 0:29:49 | 0:29:51 | |
RATTLING | 0:29:51 | 0:29:52 | |
Roger that. Ground floor. | 0:29:54 | 0:29:55 | |
Possible contact. | 0:29:55 | 0:29:56 | |
PHONE RINGS FAINTLY BEHIND DOOR | 0:30:03 | 0:30:06 | |
Shh-shh. This guy. Where? | 0:30:06 | 0:30:08 | |
-Hands on the table. Don't move. -This guy. | 0:30:09 | 0:30:11 | |
He's upstairs. | 0:30:11 | 0:30:13 | |
'Sakir's on your floor. Over.' | 0:30:13 | 0:30:16 | |
(Split the other two. Check for another entrance.) | 0:30:16 | 0:30:19 | |
(You two, split.) | 0:30:19 | 0:30:21 | |
(Believe suspect located. Advise.) | 0:30:27 | 0:30:30 | |
'Proceed. Take them down.' | 0:30:30 | 0:30:32 | |
Roger that. Going in. | 0:30:32 | 0:30:34 | |
CONVERSATION IN NEXT ROOM | 0:30:38 | 0:30:41 | |
(Beware of blue on blue.) | 0:30:44 | 0:30:46 | |
Strike, strike, strike! | 0:30:46 | 0:30:48 | |
Armed police! Armed police! | 0:30:48 | 0:30:49 | |
SHOUTING | 0:30:49 | 0:30:52 | |
-Hands on the table. -Put your hands on the table! -Where is he? Where's Sakir? | 0:30:52 | 0:30:55 | |
MAN SHOUTS IN TURKISH | 0:30:55 | 0:30:58 | |
TOILET FLUSHES | 0:30:58 | 0:30:59 | |
Check the toilets. | 0:30:59 | 0:31:00 | |
Get on the floor. | 0:31:04 | 0:31:05 | |
Get on the floor now! | 0:31:05 | 0:31:06 | |
Get down, quicker than that, quicker than that! | 0:31:06 | 0:31:09 | |
Show me your hands. | 0:31:45 | 0:31:47 | |
Don't be bloody stupid. | 0:31:56 | 0:31:58 | |
Good man, Tim. | 0:32:13 | 0:32:14 | |
-Sakir's? -Over there. -Mm-hmm. | 0:32:29 | 0:32:31 | |
Driving licence. | 0:32:40 | 0:32:42 | |
Keys. Must have a car outside somewhere. | 0:32:47 | 0:32:49 | |
Jack? | 0:33:10 | 0:33:11 | |
What you got? | 0:33:13 | 0:33:14 | |
Ooh... | 0:33:17 | 0:33:18 | |
What the hell is that? Is that a sickle? | 0:33:18 | 0:33:21 | |
Could've been used to cut Benzal's tendons. | 0:33:21 | 0:33:24 | |
Why dump the gun and leave that? | 0:33:25 | 0:33:27 | |
DNA'll confirm if it's Benzal's blood. | 0:33:29 | 0:33:31 | |
PHONE RINGS | 0:33:31 | 0:33:35 | |
You need to get the phone? | 0:33:40 | 0:33:42 | |
PHONE CONTINUES RINGING | 0:33:42 | 0:33:45 | |
-I'm going to check his car. -OK. | 0:33:50 | 0:33:52 | |
Thanks. | 0:34:02 | 0:34:03 | |
CAR LOCK BLEEPS | 0:34:09 | 0:34:10 | |
Oh, yes. | 0:34:21 | 0:34:22 | |
How did you get there? | 0:34:22 | 0:34:25 | |
DIALS NUMBER ON PHONE | 0:34:29 | 0:34:30 | |
RINGING TONE | 0:34:30 | 0:34:32 | |
Huh? | 0:34:34 | 0:34:35 | |
Clarissa, I need CCTV from outside Sakir's club. | 0:34:36 | 0:34:40 | |
'Cross-reference with any police reports of a gunshot in the street.' | 0:34:40 | 0:34:43 | |
OK. And what's prompted this? | 0:34:43 | 0:34:46 | |
The charred wooden fibres you found in the Baikal. | 0:34:46 | 0:34:48 | |
'Thank you.' | 0:34:49 | 0:34:51 | |
Great to see the team back together again. | 0:35:03 | 0:35:05 | |
Definitely. | 0:35:05 | 0:35:07 | |
Something up, Sarge? | 0:35:07 | 0:35:08 | |
No, everything's fine. | 0:35:08 | 0:35:10 | |
You all did well today, | 0:35:10 | 0:35:11 | |
and I think that deserves a celebration, don't you? | 0:35:11 | 0:35:14 | |
-Oh, aye. -Oh, yes. | 0:35:14 | 0:35:15 | |
Ten minutes. Debrief. | 0:35:15 | 0:35:17 | |
That cut on his head. | 0:35:34 | 0:35:36 | |
-Is it Benzal defending himself? -No. | 0:35:36 | 0:35:39 | |
It's partially healed. Probably sustained a few days ago. | 0:35:39 | 0:35:42 | |
Ahem... | 0:35:46 | 0:35:47 | |
Is that your gun, Mr Sakir? | 0:35:52 | 0:35:54 | |
I only ask cos it's got your DNA on it. | 0:35:55 | 0:35:57 | |
Ballistics confirm the gun was used to do this. | 0:36:04 | 0:36:07 | |
It's not my gun. | 0:36:09 | 0:36:11 | |
And what about Burak Nazar? | 0:36:11 | 0:36:13 | |
Mm? | 0:36:14 | 0:36:15 | |
Four years ago, you were sat in a room very much like this one, | 0:36:15 | 0:36:19 | |
being questioned about his murder. | 0:36:19 | 0:36:21 | |
In fact, it's fair to say you were the only suspect. | 0:36:21 | 0:36:25 | |
And the similarities don't end there. | 0:36:28 | 0:36:30 | |
Benzal. | 0:36:36 | 0:36:37 | |
Nazar. | 0:36:38 | 0:36:40 | |
Benzal. | 0:36:42 | 0:36:43 | |
Nazar. | 0:36:44 | 0:36:45 | |
Benzal. | 0:36:47 | 0:36:48 | |
Nazar. | 0:36:48 | 0:36:49 | |
Benzal. | 0:36:50 | 0:36:51 | |
Nazar. | 0:36:54 | 0:36:55 | |
I'd say it was a full house, wouldn't you? | 0:36:55 | 0:36:57 | |
Two for the price of one? | 0:36:57 | 0:36:58 | |
Now, lets start with an old classic, shall we? | 0:36:59 | 0:37:02 | |
Where were you last night? | 0:37:02 | 0:37:04 | |
Right, take a break. | 0:37:09 | 0:37:11 | |
We'll let him stew, come back to it. | 0:37:11 | 0:37:13 | |
You need to go back in there and ask him about the Baikal. | 0:37:14 | 0:37:17 | |
It was taken from him the night before Benzal was shot. | 0:37:17 | 0:37:20 | |
Look. | 0:37:20 | 0:37:21 | |
That's Sakir. | 0:37:25 | 0:37:26 | |
Right... | 0:37:27 | 0:37:28 | |
Getting in his car. | 0:37:30 | 0:37:32 | |
2003 Jag X-Type. | 0:37:32 | 0:37:34 | |
Watch. | 0:37:34 | 0:37:36 | |
Someone else gets in. | 0:37:39 | 0:37:40 | |
It's a man in Sakir's car. | 0:37:40 | 0:37:42 | |
There's a struggle. | 0:37:44 | 0:37:46 | |
Muzzle flash. | 0:37:49 | 0:37:50 | |
The assailant's got the Baikal. | 0:37:50 | 0:37:52 | |
-We don't know it's the Baikal. -Can't see that the gun changed hands. -Sakir's DNA is all over the Baikal. | 0:37:52 | 0:37:57 | |
The dashboard sprayback is inside its barrel. | 0:37:57 | 0:38:00 | |
At the very least it shows Sakir was worsted in an assault | 0:38:00 | 0:38:03 | |
involving the Baikal the day before someone used it to shoot Benzal. | 0:38:03 | 0:38:06 | |
Doesn't prove anything. We can't even see his face! | 0:38:06 | 0:38:08 | |
-Can it be cleaned up? -It is cleaned up. Think about it. | 0:38:08 | 0:38:11 | |
Who would have the balls | 0:38:11 | 0:38:12 | |
to attack a man like Sakir right outside his own club? | 0:38:12 | 0:38:15 | |
There's always bigger fish! | 0:38:15 | 0:38:16 | |
-What, so you've absolutely no interest who that is? -It's not conclusive. | 0:38:16 | 0:38:20 | |
Unlike the sickle that we picked up in his club. | 0:38:20 | 0:38:23 | |
-He's right. -Huh. | 0:38:23 | 0:38:25 | |
Oh! | 0:38:25 | 0:38:27 | |
I know where you're going with this, Jack. | 0:38:27 | 0:38:29 | |
Firearms Division. | 0:38:29 | 0:38:31 | |
Sharpe was sniffing round Benzal's murder from the off. | 0:38:31 | 0:38:34 | |
Didn't take me long to find out why. | 0:38:34 | 0:38:36 | |
Well, consider Sakir, a gangster with a record a mile long, | 0:38:36 | 0:38:41 | |
his DNA all over the murder weapon, | 0:38:41 | 0:38:43 | |
versus decorated and respected armed police. | 0:38:43 | 0:38:46 | |
Winner, Sakir. What, you working for his defence...? | 0:38:46 | 0:38:49 | |
-I am trying to establish the truth. -Oh, really?! -Get some air, Jack. -Yeah! | 0:38:49 | 0:38:52 | |
I don't know if they're in it together | 0:38:58 | 0:39:00 | |
or if it's one of them working alone, | 0:39:00 | 0:39:02 | |
but I think the Firearms Division were behind Benzal's death. | 0:39:02 | 0:39:05 | |
What? Why? | 0:39:05 | 0:39:06 | |
Because he saw them shoot Helena Lubas unarmed. | 0:39:06 | 0:39:10 | |
-I suppose Rachel Sharpe told you that. -Yep. | 0:39:10 | 0:39:13 | |
But Benzal's testimony was almost certainly | 0:39:13 | 0:39:15 | |
going to trigger a new inquest, except now he's dead. | 0:39:15 | 0:39:19 | |
-What, and that couldn't possibly be a coincidence? -No. | 0:39:19 | 0:39:21 | |
If he was a key witness, then wouldn't his ID have been protected? | 0:39:23 | 0:39:25 | |
-Nikki, a police station is leakier than a sieve, you know this! -Shh! | 0:39:25 | 0:39:28 | |
Once they hear there's a witness, it's a few calls and greased palms to find who it is. | 0:39:28 | 0:39:32 | |
-That's all supposition. -They run Benzal's name, they find out about his grief with Sakir. | 0:39:32 | 0:39:36 | |
-Bingo-bango, the perfect fall guy! -More supposition. -For now. | 0:39:36 | 0:39:38 | |
Whereas there's a wealth of evidence pointing to Sakir. | 0:39:38 | 0:39:41 | |
-You know the drill, if the facts don't fit the theory... -They made it look like that. -..ditch the theory. | 0:39:41 | 0:39:45 | |
-I can't. -Why not? | 0:39:45 | 0:39:47 | |
Because I believe the theory. | 0:39:47 | 0:39:48 | |
-Where is he? -What time do you call this? -Oh, time for my round, is it? | 0:39:49 | 0:39:53 | |
I think so, aye! | 0:39:53 | 0:39:55 | |
-All right? -Yeah. | 0:39:55 | 0:39:57 | |
Where's Lorraine? | 0:39:57 | 0:39:58 | |
Oh, baby-sitter problems. | 0:39:58 | 0:40:00 | |
I'm drinking for both of us. | 0:40:00 | 0:40:01 | |
HE LAUGHS | 0:40:01 | 0:40:03 | |
Oh, Sheila, sit here. Go on. | 0:40:03 | 0:40:04 | |
Oh, thanks. | 0:40:04 | 0:40:06 | |
Thanks. | 0:40:08 | 0:40:09 | |
Bet you're glad to be rid of him, then. | 0:40:12 | 0:40:13 | |
Out from under your feet. | 0:40:13 | 0:40:15 | |
-Not really, no. -What he means is that we've missed him. | 0:40:15 | 0:40:18 | |
Did he tell you he was the hero of the hour? | 0:40:18 | 0:40:20 | |
No. | 0:40:20 | 0:40:21 | |
-No, he didn't. -Here we go! | 0:40:21 | 0:40:22 | |
Who's the man? | 0:40:22 | 0:40:24 | |
Oh, cheers, bruv. | 0:40:24 | 0:40:25 | |
Get these down you. | 0:40:25 | 0:40:27 | |
-Ah... -Excellent, lads. | 0:40:27 | 0:40:29 | |
-Thank you(!) -Where's mine? | 0:40:29 | 0:40:30 | |
-Cheers, pal. -What? | 0:40:30 | 0:40:32 | |
Where's mine? | 0:40:32 | 0:40:33 | |
Oh, shit. Sorry, two minutes... | 0:40:33 | 0:40:35 | |
No. Don't worry, I'll get it. | 0:40:35 | 0:40:38 | |
-She's fine. -Uh-huh? | 0:40:42 | 0:40:44 | |
By the way, Sharpe's imaginary witness... | 0:40:45 | 0:40:48 | |
Oh, she's not still on about that, is she? | 0:40:48 | 0:40:50 | |
Turned out he wasn't imaginary. | 0:40:50 | 0:40:52 | |
According to our old friend Cooke, just turned up. | 0:40:52 | 0:40:55 | |
Dead. | 0:40:55 | 0:40:57 | |
Murdered. | 0:40:57 | 0:40:58 | |
Murdered? | 0:40:59 | 0:41:01 | |
Do they know who did it? | 0:41:01 | 0:41:03 | |
Get this... | 0:41:03 | 0:41:04 | |
the guy we took down this morning. | 0:41:04 | 0:41:06 | |
-What? -I could say it's good news for us, but, er... | 0:41:06 | 0:41:09 | |
that would be distasteful. | 0:41:09 | 0:41:10 | |
-Sarge! -THEY LAUGH | 0:41:10 | 0:41:12 | |
-What's that? -Nothing. | 0:41:12 | 0:41:14 | |
Tonight is all about your husband getting his mojo back, eh? | 0:41:14 | 0:41:17 | |
Finally! | 0:41:17 | 0:41:18 | |
Tim! | 0:41:19 | 0:41:21 | |
-Cheers, pal. -Cheers, bruv. | 0:41:21 | 0:41:23 | |
Good job. | 0:41:23 | 0:41:24 | |
-Cheers. -Cheers. | 0:41:24 | 0:41:26 | |
Oh...I don't know about anyone else, but I could eat a horse! | 0:41:27 | 0:41:31 | |
Think you might want to see this. | 0:41:45 | 0:41:47 | |
I've found a forensic link | 0:41:49 | 0:41:51 | |
between the Benzal murder and the Helena Lubas shooting. | 0:41:51 | 0:41:54 | |
I wonder if Geoff and Lorraine had a fallout? | 0:41:57 | 0:41:59 | |
I don't think so. | 0:41:59 | 0:42:00 | |
What do you talk to them about? | 0:42:02 | 0:42:04 | |
-What do you mean? -At work. | 0:42:04 | 0:42:06 | |
I never know what to say to them. | 0:42:06 | 0:42:08 | |
Oh, just... | 0:42:09 | 0:42:11 | |
normal banter. | 0:42:11 | 0:42:13 | |
You know I don't recognise you when you're with them. | 0:42:13 | 0:42:17 | |
-What does that mean? -You just act differently. | 0:42:17 | 0:42:20 | |
They're a good bunch. | 0:42:20 | 0:42:21 | |
Geoff said that you were a hero today. | 0:42:21 | 0:42:24 | |
Geoff's trying to impress you. | 0:42:24 | 0:42:26 | |
-Tim... -Wait... | 0:42:28 | 0:42:29 | |
Listen to me. I am fine. | 0:42:29 | 0:42:31 | |
There is nothing to worry about. I'm fine. | 0:42:31 | 0:42:33 | |
So why was your hand shaking? | 0:42:33 | 0:42:34 | |
-It wasn't. -It was. | 0:42:34 | 0:42:37 | |
Look, you could live a normal life. Stress-free. | 0:42:37 | 0:42:40 | |
You could give it up. Do something else. | 0:42:40 | 0:42:43 | |
You could get a different job. Look, you have got nothing to prove, Tim. | 0:42:43 | 0:42:46 | |
Prove? I have everything to prove! Everything. | 0:42:46 | 0:42:48 | |
You don't understand. | 0:42:48 | 0:42:50 | |
-HE SIGHS -I chose the wrong choice and she's dead. | 0:42:52 | 0:42:54 | |
A young girl is dead because of me, and that's on my conscience. | 0:42:54 | 0:42:57 | |
-Is that how you want the world to remember me? As... As a failure? -Nobody thinks that... | 0:42:57 | 0:43:01 | |
I want a second chance. | 0:43:01 | 0:43:02 | |
I want to prove to them that I am not a screw-up. | 0:43:02 | 0:43:06 | |
I'm a good copper. | 0:43:07 | 0:43:08 | |
Oh... | 0:43:09 | 0:43:10 | |
We found partial female DNA on the Baikal. | 0:43:16 | 0:43:21 | |
It correlates with partial female DNA on the gun | 0:43:21 | 0:43:23 | |
fired at police by Sean Dyer the day Helena Lubas died. | 0:43:23 | 0:43:26 | |
-It's possible it's the same female? -Probable, I'd say. | 0:43:26 | 0:43:29 | |
There was a female officer involved that day. | 0:43:31 | 0:43:33 | |
Really? | 0:43:33 | 0:43:34 | |
This female DNA is the only link we've found | 0:43:34 | 0:43:38 | |
between the Lubas shooting and the Benzal murder. | 0:43:38 | 0:43:40 | |
Two crime scenes, two guns, one set of DNA. | 0:43:40 | 0:43:42 | |
The female officer, what's her name? | 0:43:42 | 0:43:44 | |
Jo Keating. | 0:43:44 | 0:43:45 | |
POLICE RADIO CHATTER | 0:43:47 | 0:43:49 | |
She's on her way. | 0:43:55 | 0:43:56 | |
PRACTICE GUNSHOTS FIRE IN BACKGROUND | 0:43:58 | 0:44:01 | |
Yes? | 0:44:08 | 0:44:09 | |
How about we grab a cuppa in the kitchen? | 0:44:10 | 0:44:13 | |
Do I need a solicitor? | 0:44:13 | 0:44:15 | |
Do you think you need a solicitor? | 0:44:15 | 0:44:17 | |
Thanks. | 0:44:30 | 0:44:31 | |
I...want to talk to you. | 0:44:37 | 0:44:40 | |
About Helena Lubas. | 0:44:40 | 0:44:42 | |
The Helena Lubas in the school photo? | 0:44:42 | 0:44:45 | |
Big smiles, cute ponytail? | 0:44:45 | 0:44:47 | |
Or the one whose boyfriend shot my colleague in the face? | 0:44:47 | 0:44:49 | |
What Dyer did or didn't do can't justify Helena's death. | 0:44:49 | 0:44:52 | |
No, that was her pointing a gun at an officer. | 0:44:52 | 0:44:54 | |
I had a witness who said she didn't. | 0:44:54 | 0:44:57 | |
A witness who's now dead. | 0:44:57 | 0:44:58 | |
Silenced? | 0:44:58 | 0:45:00 | |
What's your biggest fear when you walk into work in the morning? | 0:45:02 | 0:45:06 | |
That they've run out of instant coffee? | 0:45:06 | 0:45:07 | |
Do you go to bed every night | 0:45:08 | 0:45:10 | |
feeling satisfied that you've made a difference, mm? | 0:45:10 | 0:45:13 | |
Does it warm your cockles to think that you've made an impossible job | 0:45:13 | 0:45:16 | |
that little bit more difficult? | 0:45:16 | 0:45:18 | |
Whose idea was it to put the gun in Helena's hand? | 0:45:19 | 0:45:23 | |
Friend was in shock. | 0:45:23 | 0:45:24 | |
That leaves Monk and Ward. | 0:45:24 | 0:45:26 | |
And my money's on Ward. | 0:45:26 | 0:45:28 | |
He'll do anything for his unit. | 0:45:28 | 0:45:30 | |
You'll do anything for him. | 0:45:30 | 0:45:31 | |
It's toxic. | 0:45:32 | 0:45:33 | |
It's bullshit is what it is. | 0:45:33 | 0:45:36 | |
Ward told you to kill Benzal, didn't he? | 0:45:36 | 0:45:38 | |
-And not just kill him. Torture him. -Who's Benzal? | 0:45:38 | 0:45:41 | |
He researched Benzal's background, | 0:45:41 | 0:45:42 | |
found out about his run-ins with Sakir, and put you to work. | 0:45:42 | 0:45:46 | |
The decorated officer with three kills to her name. | 0:45:46 | 0:45:50 | |
But you're not as tough as you think you are. | 0:45:50 | 0:45:53 | |
Do you want to put that to the test? | 0:45:53 | 0:45:55 | |
That third kill two years ago... | 0:45:57 | 0:46:00 | |
it took its toll, didn't it? | 0:46:00 | 0:46:02 | |
Don't bother denying it. It's a matter of record. | 0:46:02 | 0:46:05 | |
You took refuge in a bottle. | 0:46:07 | 0:46:09 | |
Almost lost your job. | 0:46:10 | 0:46:12 | |
But Ward pulled you out of the mire, didn't he? | 0:46:13 | 0:46:15 | |
He saved you from a desk job, or worse. | 0:46:15 | 0:46:18 | |
-You were his. -You are so full of shit. | 0:46:19 | 0:46:21 | |
SHE TAPS THE PAPERS | 0:46:32 | 0:46:34 | |
This kill was different. | 0:46:34 | 0:46:36 | |
Wrong. | 0:46:36 | 0:46:37 | |
All you can think is how much you want a drink to blot it out, | 0:46:37 | 0:46:41 | |
what you did. | 0:46:41 | 0:46:42 | |
What HE made you do. | 0:46:42 | 0:46:44 | |
We're done here. | 0:46:53 | 0:46:54 | |
Oh, Witchfinder General. | 0:47:03 | 0:47:06 | |
She's a joke, man, she's got nothing. | 0:47:07 | 0:47:09 | |
What's she doing here, then? | 0:47:09 | 0:47:12 | |
Ward isn't even in. | 0:47:12 | 0:47:13 | |
She's here to see Jo. | 0:47:13 | 0:47:16 | |
Right, you need to calm down, mate. Seriously. | 0:47:16 | 0:47:18 | |
Fortnight in Tenerife, dirty weekend with Sheila, whatever it takes. | 0:47:18 | 0:47:22 | |
-Hi. -Hey. | 0:47:29 | 0:47:31 | |
-CLARISSA: -Jack! | 0:47:31 | 0:47:32 | |
Yes, dear? | 0:47:34 | 0:47:35 | |
I've worked up the two partial female DNAs. | 0:47:35 | 0:47:37 | |
They are from the same female, but it isn't PC Keating. | 0:47:37 | 0:47:41 | |
-Shit. -They have to be. | 0:47:41 | 0:47:43 | |
-Are you sure? -She's sure, trust me. | 0:47:43 | 0:47:46 | |
There's no other female involved in this case except Helena Lubis, | 0:47:47 | 0:47:51 | |
and I'm pretty sure she didn't kill my witness. | 0:47:51 | 0:47:53 | |
So who the hell does the DNA belong to, eh? | 0:47:53 | 0:47:55 | |
I don't know. | 0:47:56 | 0:47:58 | |
But if it's not Keating, I've lost my last viable lead. | 0:47:59 | 0:48:04 | |
God, I've killed myself on this case and I've got nothing to show for it. | 0:48:04 | 0:48:07 | |
Nothing that's going to reverse a lawful killing verdict, | 0:48:07 | 0:48:10 | |
when we both know it was anything but. | 0:48:10 | 0:48:12 | |
Can I make a suggestion? | 0:48:12 | 0:48:13 | |
-What? -Follow the evidence. | 0:48:13 | 0:48:16 | |
If the DNA isn't your firearms officer's, then whose is it? | 0:48:16 | 0:48:19 | |
Bobby! | 0:48:24 | 0:48:25 | |
-Did you get me anything? -Er, yeah. | 0:48:27 | 0:48:30 | |
Got you some crisps. | 0:48:30 | 0:48:31 | |
Are they cheese and onion? | 0:48:31 | 0:48:34 | |
Right, they didn't have cheese and onion... | 0:48:34 | 0:48:37 | |
..so I got you ketchup. All right? | 0:48:38 | 0:48:41 | |
Now go watch some telly. | 0:48:41 | 0:48:42 | |
GUNSHOTS | 0:49:12 | 0:49:15 | |
-All right, Jo, what's up? -Sharpe was here again, asking questions. | 0:49:56 | 0:49:59 | |
-About what? -About the Lubas case. Me. And about you. -OK. | 0:49:59 | 0:50:04 | |
What exactly did she want to know? | 0:50:05 | 0:50:07 | |
She was just asking questions about what happened that day, sir. | 0:50:08 | 0:50:11 | |
Question. If you get a new inquest, and I know it's a big if, | 0:50:13 | 0:50:17 | |
can't Benzal's statement just be read out in court? | 0:50:17 | 0:50:20 | |
The Firearm Division's lawyers will try to suppress it | 0:50:20 | 0:50:22 | |
under grounds they can't cross-examine the witness or rebut the evidence. | 0:50:22 | 0:50:26 | |
Then it would be up to the coroner. I can't take that chance. | 0:50:26 | 0:50:29 | |
I know you tried, Jack. And I appreciate it. | 0:50:29 | 0:50:32 | |
Being wrong about Benzal doesn't mean you were wrong about Helena Lubas. | 0:50:32 | 0:50:35 | |
I've still got more forensics to examine, yeah? | 0:50:35 | 0:50:38 | |
-PHONE RINGS -Oh, excuse me. | 0:50:38 | 0:50:39 | |
Simon. | 0:50:43 | 0:50:44 | |
But with respect, sir, I asked if she wanted a lawyer and she declined. | 0:50:46 | 0:50:50 | |
OK, please don't do this. | 0:50:51 | 0:50:53 | |
Well, I can't drop it now, I'm so close! | 0:50:53 | 0:50:57 | |
Just give me a fortnight. | 0:50:57 | 0:50:58 | |
OK, a week! | 0:50:58 | 0:50:59 | |
No, how about you get in your Mercedes | 0:51:02 | 0:51:05 | |
and go up and tell the Lubases yourself? | 0:51:05 | 0:51:07 | |
Bastard! | 0:51:10 | 0:51:12 | |
You're off the Lubas case? | 0:51:12 | 0:51:13 | |
-SHE SIGHS -No contact with them as of now. | 0:51:13 | 0:51:16 | |
I've really made a mess of this, haven't I? | 0:51:18 | 0:51:20 | |
Oh, Rachel... | 0:51:20 | 0:51:22 | |
Without me as an advocate, they'll never reopen the inquest. | 0:51:22 | 0:51:25 | |
No-one knows this case like me. | 0:51:25 | 0:51:27 | |
And I can't even tell them. They'll think I just gave up! | 0:51:27 | 0:51:30 | |
I'll do it. | 0:51:30 | 0:51:32 | |
I'll warn them. | 0:51:32 | 0:51:33 | |
Three Diet Cokes, please. | 0:51:55 | 0:51:56 | |
Leave me alone. | 0:52:03 | 0:52:04 | |
What? | 0:52:27 | 0:52:28 | |
Didn't think I knew which rock you lived under? | 0:52:29 | 0:52:31 | |
That's you all over, nowhere near as smart as you think. | 0:52:31 | 0:52:34 | |
-What do you want? -To offer my commiserations. | 0:52:34 | 0:52:36 | |
I hear your interest in my unit is officially at an end... | 0:52:36 | 0:52:39 | |
-We'll see about that. -..and your career won't be far behind. | 0:52:39 | 0:52:42 | |
-You don't know what you're talking about. -I think I do. | 0:52:42 | 0:52:44 | |
Grilling my officer without a lawyer under the pretext of a friendly chat? | 0:52:44 | 0:52:47 | |
That's a hanging offence, and I will see you swing. | 0:52:47 | 0:52:50 | |
Don't threaten me. | 0:52:50 | 0:52:51 | |
What you put her through was unforgivable. | 0:52:51 | 0:52:54 | |
Dragging up her past! | 0:52:54 | 0:52:56 | |
She's a hero, a first class officer, | 0:52:56 | 0:52:58 | |
and pen-pushing scum like you aren't fit to lick her boots. | 0:52:58 | 0:53:02 | |
So remember that when you're clearing out your desk! | 0:53:02 | 0:53:05 | |
-Jack. -Hi. | 0:53:39 | 0:53:41 | |
I don't understand. How can they make her drop the case? | 0:53:41 | 0:53:44 | |
She's not happy about it, believe me. | 0:53:44 | 0:53:46 | |
So who is speaking for us now? | 0:53:46 | 0:53:48 | |
Who is representing us? | 0:53:48 | 0:53:50 | |
-Helena? -I don't know. | 0:53:50 | 0:53:51 | |
CRASH | 0:53:55 | 0:53:56 | |
After the lawful killing verdict, | 0:53:56 | 0:53:58 | |
another inquest was always a long shot. | 0:53:58 | 0:54:00 | |
Not if the witness was still alive. | 0:54:00 | 0:54:02 | |
They murdered him, didn't they? | 0:54:02 | 0:54:04 | |
There's no evidence to suggest that. | 0:54:04 | 0:54:06 | |
Of course they did! | 0:54:06 | 0:54:08 | |
He was going to tell the world that they shot my daughter unarmed, | 0:54:08 | 0:54:13 | |
and they silenced him. | 0:54:13 | 0:54:14 | |
-How can this happen? How can this happen?! -Mum... | 0:54:14 | 0:54:17 | |
I'm sorry. | 0:54:19 | 0:54:20 | |
Bruno? | 0:54:22 | 0:54:23 | |
Bruno?! | 0:54:24 | 0:54:25 | |
Jack! | 0:54:28 | 0:54:29 | |
In here. | 0:54:31 | 0:54:32 | |
Look. | 0:54:35 | 0:54:36 | |
Shit. | 0:54:45 | 0:54:47 | |
DOOR SLAMS | 0:54:50 | 0:54:51 | |
-All right, it's OK. -Bruno? | 0:54:51 | 0:54:53 | |
Bruno, wait. | 0:54:53 | 0:54:54 | |
What are you doing? Bruno? | 0:54:54 | 0:54:57 | |
Helena wouldn't want this. | 0:54:57 | 0:54:58 | |
Listen to me. There's things we can do, people who can help. | 0:54:58 | 0:55:02 | |
I don't want your help. | 0:55:02 | 0:55:03 | |
Bruno... Bruno, don't. | 0:55:03 | 0:55:06 | |
-CAR ENGINE STARTS -Bruno, don't do this! Bruno! | 0:55:06 | 0:55:09 | |
Bruno! TYRES SCREECH | 0:55:09 | 0:55:11 | |
RINGING TONE | 0:55:12 | 0:55:14 | |
Cooke, it's Jack. | 0:55:14 | 0:55:16 | |
-'One of the officers from the Helena Lubas shooting may be in danger.' -What makes you say that? | 0:55:16 | 0:55:20 | |
Bruno Lubas has an address, and he's armed. | 0:55:20 | 0:55:21 | |
Armed Response, 12 Thornton Rise, Finsbury Park. | 0:55:21 | 0:55:25 | |
Repeat, 12 Thornton Rise, Finsbury Park. | 0:55:25 | 0:55:28 | |
Now! | 0:55:28 | 0:55:29 | |
SIREN WAILS | 0:55:33 | 0:55:35 | |
-We're too late. -No! | 0:55:55 | 0:55:57 | |
NO! | 0:55:57 | 0:55:59 | |
HE GRUNTS WITH FRUSTRATION | 0:55:59 | 0:56:00 | |
Oh... | 0:56:02 | 0:56:03 | |
Where is she? | 0:56:03 | 0:56:04 | |
Not as much blood as I would have expected. | 0:56:41 | 0:56:43 | |
Had she been drinking from the bottle? | 0:56:43 | 0:56:46 | |
Someone sent Bruno her address. | 0:56:46 | 0:56:48 | |
The last time I saw him he was driving away with a gun. | 0:56:48 | 0:56:50 | |
-Was it you? -Is that why you phoned me? | 0:56:50 | 0:56:52 | |
-Was it? -She's highly trained in self-defence. | 0:56:52 | 0:56:54 | |
-She's the best. You don't just switch that off when you go home. -Jesus... | 0:56:54 | 0:56:57 | |
Are you saying you don't think that Bruno Lubas was responsible for this? | 0:56:57 | 0:57:01 | |
I don't know what I'm saying. | 0:57:01 | 0:57:02 | |
Armed police! | 0:57:03 | 0:57:05 | |
SHOUTING | 0:57:05 | 0:57:07 | |
What the hell is going on? | 0:57:07 | 0:57:09 | |
-Sheila... -What are we being protected from? | 0:57:10 | 0:57:12 | |
We're talking about the murder of a police officer here! | 0:57:12 | 0:57:14 | |
# Testator silens | 0:57:15 | 0:57:22 | |
# Costestes e spiritu | 0:57:22 | 0:57:30 | |
# Silentium... # | 0:57:30 | 0:57:40 |