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CAR DOORS SHUT | 0:00:11 | 0:00:13 | |
-Careful, Dan. -Oh, could you pass me that? | 0:00:17 | 0:00:20 | |
Right, darling. Fine. | 0:00:20 | 0:00:21 | |
Right, you take this one. | 0:00:23 | 0:00:24 | |
That's it. | 0:00:24 | 0:00:26 | |
There we go. | 0:00:29 | 0:00:30 | |
OK, just cast out slowly, Dan. | 0:00:30 | 0:00:33 | |
Just reel it. | 0:00:41 | 0:00:43 | |
Slowly, slowly, slowly... | 0:00:46 | 0:00:48 | |
How's it going? | 0:00:48 | 0:00:49 | |
Oh, no! | 0:00:51 | 0:00:52 | |
I hope I haven't burnt the sausages. | 0:00:52 | 0:00:55 | |
-Five minutes! -OK. | 0:00:55 | 0:00:57 | |
RUSTLING IN THE UNDERGROWTH | 0:01:09 | 0:01:13 | |
Dan, in the car! | 0:01:18 | 0:01:20 | |
Just leave everything! | 0:01:20 | 0:01:22 | |
-Drive! -Move! Move! Move! | 0:01:22 | 0:01:24 | |
-Quickly. -Get in the car! | 0:01:24 | 0:01:26 | |
GUNSHOT | 0:01:26 | 0:01:27 | |
Dan! Run! | 0:01:27 | 0:01:29 | |
GUNSHOT | 0:01:29 | 0:01:30 | |
GUNSHOTS | 0:01:34 | 0:01:36 | |
GUNSHOT | 0:01:39 | 0:01:40 | |
GUNSHOT | 0:01:42 | 0:01:43 | |
CAR ENGINE IDLES | 0:01:48 | 0:01:51 | |
# Testator silens | 0:02:13 | 0:02:19 | |
# Costestes e spiritu | 0:02:20 | 0:02:27 | |
# Silentium. # | 0:02:28 | 0:02:35 | |
-DCI Sally Butcher. -Thomas Chamberlain. | 0:02:44 | 0:02:47 | |
-This is Nikki Alexander. -Hi. | 0:02:47 | 0:02:49 | |
Keep your eyes open. | 0:02:49 | 0:02:50 | |
Right now, we don't know if this was a targeted attack | 0:02:50 | 0:02:53 | |
or a case of mad gunman on the loose. | 0:02:53 | 0:02:55 | |
We have preliminary IDs from their wallets. | 0:02:58 | 0:03:01 | |
Chris Chandler and Kate Blair, both pronounced dead by paramedics. | 0:03:01 | 0:03:05 | |
Single entry wound to the temple. | 0:03:06 | 0:03:08 | |
Two entry wounds to the throat and chest. | 0:03:09 | 0:03:12 | |
DCI... | 0:03:17 | 0:03:18 | |
The driver's phone. | 0:03:18 | 0:03:20 | |
Thanks. | 0:03:20 | 0:03:21 | |
Get tech support to get the lock off. | 0:03:23 | 0:03:26 | |
Jack Hodgson, forensics. | 0:03:26 | 0:03:27 | |
DCI Sally Butcher. | 0:03:27 | 0:03:30 | |
Why do you suppose she's not in the front? | 0:03:32 | 0:03:34 | |
They obviously left in a hurry. Everything's been abandoned. | 0:03:34 | 0:03:37 | |
First responders said the engine was still running. | 0:03:37 | 0:03:40 | |
Enough time to get in the car, not enough to get away. | 0:03:40 | 0:03:43 | |
Something alerted them. | 0:03:43 | 0:03:45 | |
-Gunshots? -They didn't stand a chance. | 0:03:45 | 0:03:48 | |
And we're back to mad gunman on the loose. | 0:03:48 | 0:03:51 | |
DS Malcolm Guillam, local CID. | 0:04:24 | 0:04:27 | |
DCI Sally Butcher. Where's your partner, DS Guillam? | 0:04:27 | 0:04:31 | |
Re-assigned. I'm retiring in a month. | 0:04:31 | 0:04:33 | |
Philippa! | 0:04:34 | 0:04:36 | |
You know the area, Malcolm? | 0:04:36 | 0:04:38 | |
Yeah. A little bit. | 0:04:38 | 0:04:39 | |
Good. Take DC Rule here and canvass all nearby properties for witnesses. | 0:04:39 | 0:04:44 | |
Malcolm. | 0:04:48 | 0:04:49 | |
Butcher! | 0:05:21 | 0:05:23 | |
Might have a third victim. | 0:05:26 | 0:05:28 | |
Three plates, three stools and this... | 0:05:28 | 0:05:30 | |
A kid's phone. | 0:05:30 | 0:05:31 | |
Freshly-trod path. | 0:05:41 | 0:05:43 | |
Could be the shooter. | 0:05:43 | 0:05:45 | |
Could be a fleeing victim. | 0:05:45 | 0:05:46 | |
OK. Good to know. | 0:05:50 | 0:05:52 | |
We need boots on the ground, so we'll take anyone and everyone. | 0:05:52 | 0:05:55 | |
We may have a gunman on the loose. | 0:05:55 | 0:05:57 | |
Kevin Ivers. Electrician. | 0:05:58 | 0:06:00 | |
Says he heard shots about 1pm, but he thought nothing of it, | 0:06:00 | 0:06:03 | |
because the Army trains in the hills. | 0:06:03 | 0:06:05 | |
OK. | 0:06:05 | 0:06:06 | |
Better verify that, hadn't we? | 0:06:08 | 0:06:10 | |
ENGINE STARTS | 0:06:12 | 0:06:13 | |
They made it to the water. | 0:06:28 | 0:06:30 | |
Butcher! | 0:07:31 | 0:07:33 | |
KNOCKING ON DOOR | 0:07:44 | 0:07:46 | |
DOG BARKS | 0:07:46 | 0:07:47 | |
-Ah. -Molly! Molly! | 0:07:52 | 0:07:53 | |
Sorry to bother you. | 0:07:53 | 0:07:54 | |
We're investigating a shooting | 0:07:54 | 0:07:56 | |
-that took place this morning down by the river. -A shooting? | 0:07:56 | 0:07:59 | |
-Mm. -My God. Is anyone hurt? | 0:07:59 | 0:08:02 | |
Hm. | 0:08:02 | 0:08:03 | |
Have you seen or heard anything out of the ordinary, Miss...? | 0:08:03 | 0:08:07 | |
Claudia. | 0:08:07 | 0:08:08 | |
-Claudia Baxter. -Mm-hm. | 0:08:08 | 0:08:10 | |
I did see a car this morning that I didn't recognise. | 0:08:10 | 0:08:14 | |
And that's a rare occurrence? | 0:08:14 | 0:08:15 | |
Well, we're pretty cut off up here. | 0:08:15 | 0:08:17 | |
-What time was this? -About 12, 12.30. I was walking the dog. | 0:08:17 | 0:08:20 | |
What can you tell us about the car? | 0:08:20 | 0:08:22 | |
The driver seemed lost. | 0:08:22 | 0:08:23 | |
I thought about asking if he needed directions, but then he sped up. | 0:08:23 | 0:08:26 | |
You think you might recognise him again? | 0:08:27 | 0:08:30 | |
I suppose I might, yeah. | 0:08:30 | 0:08:32 | |
He must've seen everything. | 0:08:36 | 0:08:38 | |
He might even be able to ID our killer. | 0:08:38 | 0:08:40 | |
If he pulls through. | 0:08:40 | 0:08:41 | |
The killer may not know he survived. | 0:08:44 | 0:08:47 | |
I guess there's no chance we can keep that under wraps? | 0:08:47 | 0:08:49 | |
Unlikely. | 0:08:49 | 0:08:51 | |
We can try. | 0:08:51 | 0:08:52 | |
No confirmed sightings, but they are doubling the search teams. | 0:09:00 | 0:09:04 | |
Your boss is going to have the mother of all overtime bills | 0:09:05 | 0:09:09 | |
and sod all to show for it. | 0:09:09 | 0:09:11 | |
-Because it's not a nutcase with a gun? -Yeah. | 0:09:11 | 0:09:13 | |
History tells us he would've shot someone else by now, | 0:09:14 | 0:09:17 | |
even if only himself. | 0:09:17 | 0:09:20 | |
-Aren't we going for coffee? -Nah. | 0:09:20 | 0:09:21 | |
Tea and coffee taste exactly the same there. | 0:09:21 | 0:09:24 | |
So what are we doing here, Sarge? | 0:09:24 | 0:09:26 | |
You don't mind a bit of exercise, do you? | 0:09:29 | 0:09:32 | |
No, Sarge. | 0:09:32 | 0:09:34 | |
What we doing here, Sarge? | 0:10:18 | 0:10:20 | |
It's an old case. | 0:10:21 | 0:10:22 | |
You want to talk about it? | 0:10:25 | 0:10:27 | |
I don't think so, DC Rule. | 0:10:27 | 0:10:29 | |
Cos I never got the bastard who did it. | 0:10:30 | 0:10:32 | |
MONITOR BEEPS | 0:10:48 | 0:10:50 | |
Nice job, Amy. | 0:11:09 | 0:11:11 | |
Well done. | 0:11:11 | 0:11:12 | |
Thank you. | 0:11:12 | 0:11:14 | |
PHONE RINGS | 0:11:18 | 0:11:21 | |
Hello? | 0:11:27 | 0:11:28 | |
Amy, it's Simon Forsyth. | 0:11:28 | 0:11:30 | |
Long time no speak. | 0:11:31 | 0:11:33 | |
Simon! Hello... | 0:11:34 | 0:11:36 | |
Listen, Amy, I'll cut to the chase. I need a favour. | 0:11:36 | 0:11:40 | |
-OK...? -Friend of mine's in a spot of bother. | 0:11:42 | 0:11:45 | |
Stomach wound, to be exact. | 0:11:45 | 0:11:47 | |
Look, can't you just take him to A & E? | 0:11:51 | 0:11:53 | |
I'm afraid not. | 0:11:53 | 0:11:54 | |
Look, I'm sorry. I can't help you, Simon. | 0:11:59 | 0:12:02 | |
Well, that's a bit disappointing. | 0:12:02 | 0:12:04 | |
I mean, given all the help I've extended to you over the years. | 0:12:04 | 0:12:08 | |
Medical school fees and so on... | 0:12:08 | 0:12:10 | |
Well, it's not like you got nothing in return. | 0:12:10 | 0:12:13 | |
Listen, Amy... | 0:12:14 | 0:12:15 | |
if I could avoid troubling you with this, I would. Honestly. | 0:12:15 | 0:12:18 | |
But...I can't. | 0:12:18 | 0:12:20 | |
I'm in a bit of a bind. | 0:12:22 | 0:12:24 | |
I'll text you the address. | 0:12:26 | 0:12:28 | |
Thank you. | 0:12:38 | 0:12:40 | |
Phone's registered to Chris Chandler. | 0:12:41 | 0:12:44 | |
Had a spin through his recent activity. | 0:12:44 | 0:12:46 | |
Three pictures taken on Thursday night stood out. | 0:12:46 | 0:12:49 | |
Can you see what I see? | 0:12:51 | 0:12:53 | |
I see bags of something white. | 0:12:53 | 0:12:56 | |
And a lot of it. | 0:12:56 | 0:12:57 | |
Those curtains could help with location. | 0:12:57 | 0:12:59 | |
What did Chandler do? | 0:12:59 | 0:13:01 | |
Accountant, according to DVLA records. | 0:13:01 | 0:13:03 | |
Well, maybe their records were out of date. | 0:13:03 | 0:13:05 | |
If he was dealing coke, that could be motive. | 0:13:05 | 0:13:08 | |
But what are the photos about? | 0:13:08 | 0:13:10 | |
-Want to help me give his house a once-over? -You bet. | 0:13:10 | 0:13:13 | |
SHE KNOCKS ON DOOR | 0:13:32 | 0:13:35 | |
-Hello, ma'am. -Shona. | 0:13:37 | 0:13:39 | |
Security camera. | 0:13:41 | 0:13:43 | |
Alarm. A new lock. | 0:13:43 | 0:13:44 | |
A lot of security for a safe area. | 0:13:44 | 0:13:46 | |
-Kate Blair's sister - Anna. She's in a bad way. -OK. Thanks. | 0:13:47 | 0:13:50 | |
Anna, can I ask you a question? | 0:13:55 | 0:13:57 | |
Your sister's boyfriend - Chris. | 0:13:59 | 0:14:02 | |
Did you get on with him? | 0:14:02 | 0:14:03 | |
Yeah. | 0:14:05 | 0:14:06 | |
He was great. | 0:14:06 | 0:14:08 | |
Why? | 0:14:08 | 0:14:09 | |
What kind of accountancy work did he do? | 0:14:09 | 0:14:12 | |
He worked for a software company. | 0:14:12 | 0:14:14 | |
Why are you asking me about Chris? | 0:14:14 | 0:14:16 | |
Was Chris involved in drugs? | 0:14:16 | 0:14:18 | |
What?! | 0:14:18 | 0:14:20 | |
Chris was the straightest guy you ever met. | 0:14:22 | 0:14:25 | |
I doubt he smoked a joint in his life. | 0:14:25 | 0:14:27 | |
So why do you think he installed the camera outside? | 0:14:27 | 0:14:30 | |
He didn't. | 0:14:30 | 0:14:31 | |
My sister did. | 0:14:31 | 0:14:32 | |
OK. Why did she install it? | 0:14:34 | 0:14:36 | |
Her ex. | 0:14:36 | 0:14:38 | |
Kate was going through a very ugly divorce. | 0:14:38 | 0:14:41 | |
What's her husband's name? | 0:14:41 | 0:14:43 | |
Miles Blair. | 0:14:43 | 0:14:45 | |
And is Miles Dan's biological father? | 0:14:45 | 0:14:47 | |
-Yeah. -He's being notified as we speak, ma'am. | 0:14:49 | 0:14:52 | |
Then you need to be at the hospital when he gets there. | 0:14:52 | 0:14:55 | |
What did Miles do to warrant new locks and a camera? | 0:15:00 | 0:15:04 | |
He'd been hanging around the house. | 0:15:05 | 0:15:07 | |
Forced his way in a few times. | 0:15:07 | 0:15:10 | |
A couple of months ago, he turned up to take Dan out, | 0:15:13 | 0:15:16 | |
but Dan wasn't feeling well. | 0:15:16 | 0:15:18 | |
Miles went berserk. | 0:15:19 | 0:15:21 | |
He was convinced Dan was faking it and my sister had put him up to it. | 0:15:21 | 0:15:24 | |
It got so bad, Dan locked himself in the bathroom | 0:15:25 | 0:15:28 | |
and Miles kicked the door down. | 0:15:28 | 0:15:29 | |
And what happened? | 0:15:32 | 0:15:33 | |
I think, when he saw Dan hiding in the corner | 0:15:33 | 0:15:37 | |
crying his eyes out... | 0:15:37 | 0:15:39 | |
he came to his senses. | 0:15:39 | 0:15:40 | |
Kate turned 40 yesterday. | 0:15:44 | 0:15:47 | |
LOCK CLICKS OPEN | 0:16:21 | 0:16:23 | |
Butcher! | 0:16:40 | 0:16:41 | |
I need to see my son. Let me in the room, woman. I need to be with him. | 0:16:47 | 0:16:49 | |
I'm his father! I have rights! | 0:16:49 | 0:16:51 | |
Dan's been placed in a medically-induced coma... | 0:16:51 | 0:16:53 | |
Yeah, I'm not deaf! I heard what the doctor said. | 0:16:53 | 0:16:55 | |
He needs to hear my voice. You don't know what he can and can't hear! | 0:16:55 | 0:16:58 | |
-Mr Blair, you've had a terrible... -Spare me the patronizing bullshit! | 0:16:58 | 0:17:01 | |
Mr Blair, if you want to help your son, | 0:17:01 | 0:17:03 | |
you need to let the medical staff do their jobs. | 0:17:03 | 0:17:05 | |
-Who the hell are you? -Sally Butcher. | 0:17:05 | 0:17:07 | |
I'm leading the inquiry into your ex-wife's murder | 0:17:07 | 0:17:09 | |
and that of Mr Chandler. | 0:17:09 | 0:17:11 | |
Wife. We weren't divorced yet. | 0:17:11 | 0:17:13 | |
-Noted. I apologise. -I don't want to talk to you. | 0:17:13 | 0:17:15 | |
Get the doctor back. I want to see my son! | 0:17:15 | 0:17:18 | |
Mr Blair, I am a doctor. And everything you said is correct. | 0:17:18 | 0:17:21 | |
People have woken from comas | 0:17:21 | 0:17:23 | |
and recalled not just the comfort of familiar voices, | 0:17:23 | 0:17:26 | |
but entire conversations word for word. | 0:17:26 | 0:17:28 | |
So it is crucial that we get you in there. | 0:17:28 | 0:17:30 | |
And as soon as he's stable, we will. | 0:17:30 | 0:17:32 | |
Mr Blair, we need to talk in private. | 0:17:32 | 0:17:35 | |
Dr Alexander? | 0:17:41 | 0:17:43 | |
Yes. | 0:17:43 | 0:17:45 | |
He's suffered a subdural haematoma. | 0:17:45 | 0:17:47 | |
Head and spinal injuries consistent with a trauma. | 0:17:47 | 0:17:50 | |
But he's stable. | 0:17:50 | 0:17:51 | |
What happens next is touch-and-go. | 0:17:51 | 0:17:53 | |
Do what you need to, but be gentle. | 0:17:53 | 0:17:55 | |
Of course. | 0:17:55 | 0:17:56 | |
-His clothes. -Thanks so much. | 0:17:56 | 0:17:58 | |
We were getting divorced. What else do you need to know? | 0:18:23 | 0:18:26 | |
We heard there was an altercation involving a bathroom door. | 0:18:26 | 0:18:30 | |
-Shame on you. -Excuse me? | 0:18:31 | 0:18:34 | |
My wife of ten years is dead. | 0:18:34 | 0:18:37 | |
My son's in a coma. | 0:18:37 | 0:18:38 | |
How dare you suggest I had anything to do with this? | 0:18:38 | 0:18:40 | |
Anna told you that, didn't she? | 0:18:42 | 0:18:44 | |
-Answer the question, please. -OK. Yeah. I lost my rag, that's all. | 0:18:44 | 0:18:48 | |
And did what? | 0:18:48 | 0:18:49 | |
I kicked down the bathroom door. | 0:18:51 | 0:18:52 | |
We recovered this message from a locked drawer in your wife's house. | 0:18:54 | 0:18:57 | |
'Kate, I want to make something crystal clear to you. | 0:18:58 | 0:19:01 | |
'Call it fair warning, call it whatever the hell you want. | 0:19:01 | 0:19:03 | |
'I love my son. I know you think I don't, but I do. | 0:19:03 | 0:19:06 | |
'And if you keep coming between us, | 0:19:06 | 0:19:07 | |
'what happens next is as much on your head as it is on mine. | 0:19:07 | 0:19:10 | |
'I'll come at you with everything I've got.' | 0:19:10 | 0:19:12 | |
Can you confirm you left that message? | 0:19:13 | 0:19:16 | |
OK, ready to turn. Thanks. | 0:19:20 | 0:19:23 | |
-OK. -Ready? | 0:19:26 | 0:19:28 | |
Yep. | 0:19:28 | 0:19:30 | |
There we are... | 0:19:31 | 0:19:32 | |
Right. | 0:19:46 | 0:19:47 | |
And you've never made an empty threat when you're angry? | 0:19:55 | 0:19:58 | |
Not quite like that, no. | 0:19:58 | 0:19:59 | |
Certainly not in such a volume. | 0:19:59 | 0:20:01 | |
"The words 'evil bitch' don't begin to do you justice. | 0:20:03 | 0:20:06 | |
"You are systematically brainwashing our son, | 0:20:06 | 0:20:09 | |
"turning him into a total stranger..." | 0:20:09 | 0:20:11 | |
OK! Enough! | 0:20:11 | 0:20:13 | |
What do you want me to say? | 0:20:13 | 0:20:14 | |
Where were you this afternoon between 12 and three? | 0:20:16 | 0:20:19 | |
At my flat. | 0:20:19 | 0:20:21 | |
-Alone? -Yes. | 0:20:21 | 0:20:22 | |
I own a bar. | 0:20:24 | 0:20:25 | |
People who run bars are late to bed and late to rise. Are we done? | 0:20:25 | 0:20:29 | |
Almost. | 0:20:29 | 0:20:30 | |
When did you last see Kate? | 0:20:31 | 0:20:33 | |
A fortnight ago, when I dropped Dan off. | 0:20:33 | 0:20:35 | |
Amicable? | 0:20:35 | 0:20:36 | |
Very. | 0:20:36 | 0:20:37 | |
We hugged. | 0:20:37 | 0:20:39 | |
Can I go now? | 0:20:41 | 0:20:42 | |
-Anna did say things had mellowed. -I know his species. | 0:20:53 | 0:20:56 | |
The kind who gives himself up to his rage | 0:20:56 | 0:20:58 | |
and only sees the damage when it's well and truly done. | 0:20:58 | 0:21:00 | |
The door's kicked in and someone's crying in the corner. | 0:21:00 | 0:21:03 | |
-Doesn't make him a killer, though. -No, it doesn't. | 0:21:03 | 0:21:06 | |
And in most family annihilation cases, | 0:21:06 | 0:21:08 | |
the father turns the gun on himself. | 0:21:08 | 0:21:10 | |
KNOCK AT DOOR | 0:21:10 | 0:21:12 | |
Well...I'm done. | 0:21:12 | 0:21:14 | |
I can confirm that Dan wasn't shot. | 0:21:16 | 0:21:17 | |
And his major injuries come from falling in the river | 0:21:17 | 0:21:20 | |
and striking his head. | 0:21:20 | 0:21:21 | |
I found what I think is a bone fragment in his arm | 0:21:21 | 0:21:24 | |
that I expect comes from one of the other victims. | 0:21:24 | 0:21:26 | |
But he still got away? | 0:21:26 | 0:21:28 | |
When I broke the news to Miles, | 0:21:31 | 0:21:33 | |
-he said that Dan wasn't supposed to be there. -What do you mean? | 0:21:33 | 0:21:36 | |
He was supposed to be at some football camp. | 0:21:36 | 0:21:38 | |
Why didn't you mention this before? | 0:21:39 | 0:21:41 | |
Sorry... | 0:21:41 | 0:21:43 | |
Everything just happened so fast. | 0:21:43 | 0:21:45 | |
If Miles expected Kate and Chris to be alone... | 0:21:45 | 0:21:47 | |
-Do you really think he shot them? -Possibly. | 0:21:47 | 0:21:50 | |
Or he paid someone else to. | 0:21:50 | 0:21:53 | |
He runs a bar. Perfect job to make unsavoury contacts. | 0:21:53 | 0:21:56 | |
Well, if the gunman didn't expect Dan to be there, | 0:21:58 | 0:22:00 | |
it might explain his escape. | 0:22:00 | 0:22:02 | |
DOOR KEYPAD BEEPS | 0:22:15 | 0:22:16 | |
I'm here to see Mr Forsyth. | 0:22:23 | 0:22:25 | |
Look at you... | 0:22:33 | 0:22:34 | |
Not a day older. | 0:22:34 | 0:22:36 | |
Come here. | 0:22:36 | 0:22:37 | |
Let's get this over with, eh? | 0:22:41 | 0:22:42 | |
Please. | 0:22:42 | 0:22:44 | |
I've never been in the business of letting my friends down | 0:22:45 | 0:22:48 | |
and I don't intend to start now. | 0:22:48 | 0:22:49 | |
Reading between the lines, they'll wheel out the B-team | 0:22:49 | 0:22:52 | |
if I'm not part of the delegation. | 0:22:52 | 0:22:54 | |
I want to postpone. But only by a few days. | 0:22:54 | 0:22:56 | |
She's young. Does she know what she's doing? | 0:23:02 | 0:23:05 | |
-Listen, I'm more than happy to... -She knows what she's doing. | 0:23:05 | 0:23:08 | |
-Do you have a sterilising kit? -I don't know. | 0:23:48 | 0:23:51 | |
Do we? | 0:23:51 | 0:23:52 | |
Er, no, sir. | 0:23:52 | 0:23:54 | |
Then I'm going to need some cooled boiled water, a clean cloth, | 0:23:56 | 0:24:00 | |
a plastic bag and some paper towels, if you have them. | 0:24:00 | 0:24:03 | |
Thank you. | 0:24:21 | 0:24:23 | |
The damndest thing. | 0:24:32 | 0:24:33 | |
Tripped over the rug and fell on my own bottle. | 0:24:34 | 0:24:37 | |
I don't need to know. And I don't want to know. | 0:24:37 | 0:24:39 | |
Get on with it, then. | 0:24:41 | 0:24:43 | |
I'm going to need some light. | 0:24:49 | 0:24:51 | |
Are you done or what? | 0:25:19 | 0:25:21 | |
What the hell did that creep do, Simon? | 0:25:27 | 0:25:29 | |
-Did he hurt someone? -Amy... -I saw those scratches on his neck. | 0:25:29 | 0:25:32 | |
You were right first time. You don't want to know. | 0:25:33 | 0:25:36 | |
Why didn't you tell me that he was the patient? | 0:25:37 | 0:25:39 | |
-Because then you wouldn't have come. -You're bloody right I wouldn't! | 0:25:39 | 0:25:42 | |
He didn't even recognise me. | 0:25:45 | 0:25:47 | |
No. No, I don't believe he did. | 0:25:47 | 0:25:50 | |
He needs a hospital, by the way. | 0:25:52 | 0:25:54 | |
I cleaned the wound, but there might be some debris deeper inside | 0:25:54 | 0:25:57 | |
and I'm not equipped to deal with it. | 0:25:57 | 0:25:58 | |
He may already have an intraperitoneal haemorrhage | 0:25:58 | 0:26:01 | |
and it could be fatal. | 0:26:01 | 0:26:03 | |
In that case, I need you to be on standby if he deteriorates. | 0:26:04 | 0:26:07 | |
I'm not covering up for him, Simon. | 0:26:07 | 0:26:09 | |
I've just told you, I'm not equipped to do that. | 0:26:09 | 0:26:11 | |
Then we will source a secure, well-stocked clinic where you are. | 0:26:11 | 0:26:15 | |
You're such an arsehole, Simon. | 0:26:15 | 0:26:17 | |
I'm sorry to drag you into this. | 0:26:17 | 0:26:20 | |
You're not sorry enough to find someone else. | 0:26:20 | 0:26:22 | |
There is no-one else. | 0:26:22 | 0:26:24 | |
-Not with your skill and discretion. -Oh, just don't! | 0:26:24 | 0:26:26 | |
And not with our history. | 0:26:26 | 0:26:29 | |
Thanks, Amy. | 0:26:37 | 0:26:39 | |
Hello. I just want to check | 0:27:14 | 0:27:16 | |
that I got all the evidence from the River Malt crime scene. | 0:27:16 | 0:27:20 | |
Seem to be missing a picnic blanket, that's all. | 0:27:20 | 0:27:23 | |
Thanks. | 0:27:25 | 0:27:26 | |
Bit of bone. Bit of yellow bone. | 0:27:28 | 0:27:31 | |
When you get a chance, will you have a look? | 0:27:31 | 0:27:33 | |
And if you can, pull a DNA profile. | 0:27:33 | 0:27:35 | |
Chris Chandler has a single shot to the temple, | 0:27:42 | 0:27:45 | |
penetrating the frontal lobe. | 0:27:45 | 0:27:47 | |
Would have been instantaneously fatal. | 0:27:47 | 0:27:49 | |
There are partially healed bruises on his arms. | 0:27:49 | 0:27:52 | |
Look like grip marks. | 0:27:52 | 0:27:54 | |
Similar colouring to his chest and shoulder. | 0:27:56 | 0:27:59 | |
And not sustained during the shooting? | 0:27:59 | 0:28:01 | |
From the yellowing, I'd say they're a couple of days old. | 0:28:01 | 0:28:03 | |
Two days before he's shot dead, | 0:28:03 | 0:28:06 | |
he gets into a fight. | 0:28:06 | 0:28:08 | |
Be good to know who with. | 0:28:10 | 0:28:12 | |
Wow, there's a distinctive burn to his upper back. | 0:28:15 | 0:28:18 | |
Something with uniform holes in it. | 0:28:18 | 0:28:20 | |
I don't know. | 0:28:21 | 0:28:23 | |
Some sort of heater, possibly... | 0:28:23 | 0:28:25 | |
It's partially healed, like the grip marks. | 0:28:25 | 0:28:28 | |
So likely sustained during the fight. | 0:28:28 | 0:28:30 | |
Maybe he stumbled back and landed on it? | 0:28:30 | 0:28:32 | |
The burns are full thickness and there's skin loss. | 0:28:32 | 0:28:35 | |
May have left something on the object. | 0:28:35 | 0:28:38 | |
We should check out Chandler's workplace | 0:28:38 | 0:28:40 | |
-and everywhere else he's been in recent days. -Agreed. | 0:28:40 | 0:28:42 | |
Victim is a previously healthy 40-year-old female | 0:28:44 | 0:28:46 | |
identified as Kate Blair. | 0:28:46 | 0:28:49 | |
Gunshot wound to the chest, causing bleeding into the lung | 0:28:49 | 0:28:52 | |
and a tracheal wound that would've impaired breathing. | 0:28:52 | 0:28:55 | |
She would have drowned in her own blood. | 0:28:55 | 0:28:57 | |
Both bullets entered her body at roughly 45-degree angles, | 0:28:57 | 0:29:01 | |
suggesting she was shot from the side of the car. | 0:29:01 | 0:29:04 | |
What's yet to be determined is... | 0:29:05 | 0:29:09 | |
..the cause of this void area in the blood. | 0:29:11 | 0:29:16 | |
Blood sprayed from the trachea wound. | 0:29:16 | 0:29:18 | |
But...there was an obstruction causing this void. | 0:29:18 | 0:29:22 | |
What kind of obstruction? | 0:29:22 | 0:29:24 | |
Well, something positioned between Kate and the right rear window. | 0:29:24 | 0:29:27 | |
Well, what about her son? | 0:29:27 | 0:29:29 | |
She shields him from the gunfire, he catches the splatter, then escapes? | 0:29:29 | 0:29:32 | |
No. | 0:29:32 | 0:29:33 | |
We think he was in the passenger footwell. | 0:29:33 | 0:29:36 | |
I found fibres from his jacket there, | 0:29:36 | 0:29:38 | |
plus the passenger door was left open. | 0:29:38 | 0:29:40 | |
One explanation could be there was a fourth person in the car. | 0:29:40 | 0:29:43 | |
We've got no friends or family of the victims missing. | 0:29:45 | 0:29:49 | |
No-one coming into A & E with gunshot wounds. | 0:29:49 | 0:29:52 | |
We'll process all the diffused blood | 0:29:52 | 0:29:54 | |
and see if it yields a fourth DNA profile. | 0:29:54 | 0:29:55 | |
There's red acrylic fibre | 0:29:55 | 0:29:58 | |
under the fingernails of her right hand, | 0:29:58 | 0:30:01 | |
suggesting she gripped this material in her fist. | 0:30:01 | 0:30:05 | |
So what was it? | 0:30:05 | 0:30:07 | |
Hang about... | 0:30:07 | 0:30:08 | |
Yes, I found red fibres in the Volvo. | 0:30:10 | 0:30:12 | |
And scattered amongst the picnic stuff. | 0:30:13 | 0:30:17 | |
Before you disappear, there's a few things I want to share with you. | 0:30:19 | 0:30:23 | |
Anomalies, really. | 0:30:23 | 0:30:25 | |
Hey. | 0:30:29 | 0:30:30 | |
Among the detritus from inside the Volvo, | 0:30:30 | 0:30:33 | |
I found a shard of brown glass. | 0:30:33 | 0:30:36 | |
The kind real ale bottles are fashioned from. | 0:30:36 | 0:30:39 | |
But no beer bottles were found at the crime scene. | 0:30:39 | 0:30:41 | |
Anomaly two, also from the Volvo... | 0:30:43 | 0:30:45 | |
A pearl-studded slide with long, dyed blonde hair and conifer leaves, | 0:30:45 | 0:30:50 | |
from a Lawson Cypress, to be specific, caught in the clasp. | 0:30:50 | 0:30:54 | |
None of the victims had blond hair, long or otherwise. | 0:30:54 | 0:30:57 | |
Anomaly three... | 0:30:59 | 0:31:01 | |
A loose cover for a picnic blanket recovered from the field. | 0:31:01 | 0:31:05 | |
-And that's significant because...? -We didn't find a blanket. | 0:31:05 | 0:31:08 | |
From the cover, I was able to ID the make | 0:31:09 | 0:31:12 | |
and avail myself of an identical one. Would you mind? | 0:31:12 | 0:31:15 | |
The same red fibres as we found under Kate's fingernails. | 0:31:21 | 0:31:24 | |
Explains the scattered picnic. | 0:31:24 | 0:31:26 | |
The killer removed the blanket from the scene. | 0:31:26 | 0:31:28 | |
The only reason he'd do that is if he thought it was incriminating. | 0:31:28 | 0:31:31 | |
Blood or DNA transfer, say. | 0:31:31 | 0:31:33 | |
A fourth victim would explain these anomalies. | 0:31:33 | 0:31:35 | |
The void in the blood, the hair slide, the blonde hair. | 0:31:35 | 0:31:38 | |
If we're missing a body, | 0:31:38 | 0:31:40 | |
the killer must've taken it from the scene. | 0:31:40 | 0:31:42 | |
Wrapped up in the blanket, maybe. | 0:31:42 | 0:31:43 | |
OK, give me everything you've got | 0:31:45 | 0:31:48 | |
and we'll trawl missing persons again. | 0:31:48 | 0:31:50 | |
Do you think the missing victim | 0:31:50 | 0:31:53 | |
-could tie up with the photos on Chris' phone? -In what way? | 0:31:53 | 0:31:56 | |
Hidden life as a drug dealer, hidden victim... | 0:31:56 | 0:31:59 | |
I don't know. I'm riffing. | 0:31:59 | 0:32:01 | |
OK. | 0:32:01 | 0:32:02 | |
Well, in the spirit of riffing, I was thinking about those pictures. | 0:32:02 | 0:32:05 | |
If you're dealing drugs, you don't document it. | 0:32:05 | 0:32:07 | |
You're more likely to do that... | 0:32:07 | 0:32:09 | |
If you're trying to blackmail someone who is. | 0:32:09 | 0:32:11 | |
Now, that's a motive for murder. | 0:32:11 | 0:32:13 | |
Finding out where that fight took place is a priority. | 0:32:14 | 0:32:17 | |
Miles said he hadn't seen Kate in a fortnight. | 0:32:17 | 0:32:19 | |
He never said anything about Chris. | 0:32:19 | 0:32:21 | |
Oh, God, I hope Dan Blair wakes up and starts talking. | 0:32:23 | 0:32:26 | |
You know what they say? | 0:32:40 | 0:32:42 | |
Scars look good on men. | 0:32:42 | 0:32:45 | |
It depends on the scar. | 0:32:47 | 0:32:49 | |
And the man. | 0:32:51 | 0:32:53 | |
You got a mouth on you. | 0:32:55 | 0:32:57 | |
I like it. | 0:32:58 | 0:33:00 | |
Amy! | 0:33:21 | 0:33:22 | |
Amy! | 0:33:23 | 0:33:25 | |
Well, thank you for today. | 0:33:27 | 0:33:29 | |
Now, you must tell me how much you feel I owe you. | 0:33:29 | 0:33:31 | |
I don't want your money. | 0:33:31 | 0:33:33 | |
Just your word you'll never contact me again. | 0:33:33 | 0:33:35 | |
That's a little melodramatic, don't you think? | 0:33:36 | 0:33:38 | |
Your word! | 0:33:38 | 0:33:40 | |
OK. | 0:33:44 | 0:33:45 | |
You have it. | 0:33:46 | 0:33:48 | |
AMY STARTS CAR | 0:34:00 | 0:34:02 | |
I don't want to speak ill of the dead. | 0:34:03 | 0:34:05 | |
If speaking the truth amounts to the same thing, | 0:34:05 | 0:34:07 | |
you're legally obliged to. | 0:34:07 | 0:34:09 | |
Chris definitely wasn't himself lately. | 0:34:12 | 0:34:14 | |
-In what way? -Every way. | 0:34:14 | 0:34:16 | |
Chris was our accountant since '06. He never gave less than his all. | 0:34:16 | 0:34:20 | |
-That changed? -He started turning up late. | 0:34:20 | 0:34:22 | |
Being unprepared for meetings. | 0:34:22 | 0:34:24 | |
Generally acting like his mind was elsewhere. | 0:34:24 | 0:34:26 | |
The timing couldn't have been worse. | 0:34:26 | 0:34:28 | |
We were about to acquire a smaller, German-based software... | 0:34:28 | 0:34:31 | |
Sorry, I'm not here about your merger. | 0:34:31 | 0:34:32 | |
I'm here about your late accountant. | 0:34:32 | 0:34:35 | |
Right. | 0:34:35 | 0:34:36 | |
I started keeping a closer eye on Chris. | 0:34:37 | 0:34:40 | |
Look, I was convinced he was fixing to leave | 0:34:40 | 0:34:42 | |
or covertly working for a rival. | 0:34:42 | 0:34:44 | |
Is that too much detail? | 0:34:44 | 0:34:46 | |
Flashpoint came when I found him poring over a spreadsheet | 0:34:48 | 0:34:50 | |
that had nothing to do with my company. | 0:34:50 | 0:34:53 | |
When I asked him point blank if he was moonlighting, | 0:34:53 | 0:34:55 | |
he said the figures related to his girlfriend's divorce settlement. | 0:34:55 | 0:34:59 | |
Was he any more specific? | 0:34:59 | 0:35:01 | |
Chris thought Kate's ex, Miles Blair, | 0:35:02 | 0:35:04 | |
was less than transparent about his assets. | 0:35:04 | 0:35:06 | |
He was obsessed with proving it. | 0:35:06 | 0:35:07 | |
Last week, did you notice Chris sporting some injuries? | 0:35:08 | 0:35:12 | |
-Mm. -Did he offer an explanation? | 0:35:12 | 0:35:14 | |
He said he'd tripped while out jogging. | 0:35:14 | 0:35:17 | |
When, exactly, did this conversation happen? | 0:35:17 | 0:35:19 | |
Er...Friday morning. | 0:35:20 | 0:35:22 | |
And you're certain he didn't have the injuries on Thursday? | 0:35:22 | 0:35:25 | |
Positive. Why? | 0:35:25 | 0:35:27 | |
You said you hadn't seen Kate | 0:35:34 | 0:35:36 | |
since you dropped Dan off two weeks ago. | 0:35:36 | 0:35:39 | |
That's right. | 0:35:39 | 0:35:40 | |
Was that also the last time you saw Chris Chandler? | 0:35:40 | 0:35:43 | |
I think I glimpsed him in the hall, yeah. | 0:35:43 | 0:35:46 | |
And that was the last time you saw him? | 0:35:47 | 0:35:49 | |
Yes. | 0:35:49 | 0:35:50 | |
I need you to take it right off, please. | 0:35:58 | 0:36:01 | |
Would you like to tell me how you got those bruises? | 0:36:12 | 0:36:15 | |
I had to throw a drunk out of my bar the other night. | 0:36:16 | 0:36:18 | |
He resisted. | 0:36:18 | 0:36:20 | |
-Any witnesses to that? -Everyone had gone home. | 0:36:21 | 0:36:24 | |
Story of my life. | 0:36:25 | 0:36:27 | |
What about the drunk? Can we talk to him? | 0:36:28 | 0:36:30 | |
I wouldn't know where to find him. He wasn't a regular. | 0:36:30 | 0:36:33 | |
Sorry. | 0:36:34 | 0:36:36 | |
CAMERA CLICKS | 0:36:36 | 0:36:38 | |
Thank you. | 0:36:39 | 0:36:41 | |
-The bruises... Talk to me. -Yeah, they look like grip marks. | 0:36:51 | 0:36:53 | |
Maybe trying to wrestle someone to the ground. | 0:36:53 | 0:36:56 | |
Time-wise, could they match up with Chris' healed bruises? | 0:36:56 | 0:36:58 | |
Potentially, but there's no ring mark | 0:36:58 | 0:37:01 | |
or anything distinct to prove they came into contact. | 0:37:01 | 0:37:03 | |
Did Kate tell her sister anything about a recent fight? | 0:37:04 | 0:37:07 | |
-No. -That's weird. | 0:37:07 | 0:37:08 | |
Unless Kate didn't know about it. | 0:37:10 | 0:37:12 | |
Surely Chris would tell her if Miles attacked him, though? | 0:37:12 | 0:37:15 | |
It was her 40th the next day. | 0:37:16 | 0:37:18 | |
Maybe he didn't want to spoil the party. | 0:37:18 | 0:37:20 | |
Then that leaves the window of Thursday night and a strange burn. | 0:37:20 | 0:37:23 | |
Put those together and we can still prove he's a liar. | 0:37:23 | 0:37:26 | |
It's mainly stuff Soco's picked up on the path by the river. | 0:37:28 | 0:37:31 | |
Great. We'll start processing this morning. | 0:37:31 | 0:37:34 | |
Is there something else? | 0:37:43 | 0:37:45 | |
Yeah. | 0:37:47 | 0:37:49 | |
Ten years ago, | 0:37:53 | 0:37:55 | |
a girl named Karen Myers was found in the same river as Dan Blair, | 0:37:55 | 0:37:59 | |
just a mile upstream. | 0:37:59 | 0:38:01 | |
Now, just like him, she'd been running for her life. | 0:38:01 | 0:38:04 | |
Your case? | 0:38:04 | 0:38:06 | |
One that got away. | 0:38:07 | 0:38:08 | |
Go on. | 0:38:10 | 0:38:12 | |
Karen was a medical student at London Uni. | 0:38:12 | 0:38:15 | |
On the last night she was seen alive, | 0:38:15 | 0:38:17 | |
she went to a party in Camden with a girlfriend. | 0:38:17 | 0:38:20 | |
The party turned out to be a damp squib, | 0:38:20 | 0:38:22 | |
so they decided to get an early night. | 0:38:22 | 0:38:23 | |
Now, Karen's mate said they parted company outside Stockwell Tube. | 0:38:25 | 0:38:28 | |
Karen never made it home? | 0:38:28 | 0:38:30 | |
No. The body was found the next day | 0:38:30 | 0:38:33 | |
in a river behind a transport cafe on the A23. | 0:38:33 | 0:38:37 | |
She was strangled? | 0:38:37 | 0:38:39 | |
But it was the fall that killed her. | 0:38:39 | 0:38:41 | |
-She was pumped full of Rohypnol and we found traces of semen. -DNA? | 0:38:42 | 0:38:45 | |
Water damage meant there wasn't enough for a profile. | 0:38:45 | 0:38:48 | |
Who's this? | 0:38:48 | 0:38:50 | |
A waitress at the cafe recalled a lorry driver | 0:38:50 | 0:38:53 | |
coming in that night who she didn't know. | 0:38:53 | 0:38:55 | |
Seemed flustered. | 0:38:55 | 0:38:56 | |
You never ID'd him? | 0:38:56 | 0:38:58 | |
No. Back then, I had a theory | 0:38:58 | 0:39:00 | |
that Karen was abducted by a lorry driver on or near the A23 | 0:39:00 | 0:39:03 | |
on her way back to her halls in Stockwell. | 0:39:03 | 0:39:05 | |
He drove her out of the city, drugged and raped her, | 0:39:05 | 0:39:09 | |
then she escaped at the cafe, maybe while he was inside. | 0:39:09 | 0:39:13 | |
-Before falling to her death in the dark? -Mm. | 0:39:13 | 0:39:16 | |
Did you tell Butcher about this? | 0:39:16 | 0:39:18 | |
I mentioned it, yeah. | 0:39:18 | 0:39:19 | |
She didn't press me for details. | 0:39:19 | 0:39:21 | |
Look, er... | 0:39:23 | 0:39:24 | |
..I'm retiring in a month. | 0:39:25 | 0:39:27 | |
Maybe I'm looking for a connection that doesn't exist. | 0:39:27 | 0:39:30 | |
We'll take a look. | 0:39:32 | 0:39:34 | |
Well, that's what you want, isn't it? | 0:39:34 | 0:39:35 | |
Yeah. | 0:39:35 | 0:39:37 | |
It is. | 0:39:38 | 0:39:39 | |
Thank you. | 0:39:41 | 0:39:43 | |
I'll see you out. | 0:39:44 | 0:39:45 | |
OK... Out with it. | 0:39:55 | 0:39:57 | |
I know her. | 0:39:57 | 0:39:59 | |
-Who, Karen Myers? -No, her friend. | 0:39:59 | 0:40:01 | |
The one she said goodbye to at Stockwell Tube - Amy Coulter. | 0:40:01 | 0:40:05 | |
She did a placement here at the Lyell about five years ago. | 0:40:05 | 0:40:08 | |
-So, well after her friend was murdered? -Yes. | 0:40:08 | 0:40:10 | |
-But she never mentioned it. -How well did you get to know her? | 0:40:10 | 0:40:13 | |
We went out a few times. | 0:40:13 | 0:40:14 | |
More than a few times. | 0:40:14 | 0:40:16 | |
She was fun. Made me feel 24 again. | 0:40:16 | 0:40:19 | |
Not that I was ever in her league in the partying stakes. | 0:40:21 | 0:40:23 | |
Well, I don't believe that for a minute. What happened, lose touch? | 0:40:23 | 0:40:26 | |
Couldn't hack the pace. | 0:40:26 | 0:40:28 | |
Nikki! | 0:40:36 | 0:40:38 | |
Amy! | 0:40:38 | 0:40:39 | |
-Great to see you. -Yeah, you, too. | 0:40:40 | 0:40:42 | |
You've done so well. | 0:40:42 | 0:40:44 | |
-I'm not surprised. -Thank you. | 0:40:44 | 0:40:46 | |
-And how are you? -Yeah, good. | 0:40:47 | 0:40:49 | |
All the same. | 0:40:49 | 0:40:51 | |
So what brings you here? | 0:40:51 | 0:40:53 | |
Your friend. Karen Myers. | 0:40:55 | 0:40:58 | |
How do you know about Karen? | 0:40:59 | 0:41:01 | |
Her name's come up in a case that I'm working on. | 0:41:01 | 0:41:04 | |
You were the last person that saw her alive. | 0:41:05 | 0:41:07 | |
Well, last but one. | 0:41:08 | 0:41:10 | |
And what do you want to know? | 0:41:13 | 0:41:15 | |
Well, I've read the file but, I guess, for want of a better word, | 0:41:15 | 0:41:19 | |
some background might be useful. | 0:41:19 | 0:41:21 | |
-PHONE RINGS -Sorry... | 0:41:21 | 0:41:22 | |
Er, listen. I can't really talk about this right now. | 0:41:25 | 0:41:28 | |
OK. When might be good? | 0:41:28 | 0:41:30 | |
I get off shift in a couple of hours. I can call you. | 0:41:30 | 0:41:33 | |
Yeah, sure. | 0:41:33 | 0:41:35 | |
Thanks. | 0:41:35 | 0:41:36 | |
Great, thanks. | 0:41:41 | 0:41:42 | |
Right, the bullet recovered from Chris Chandler | 0:41:43 | 0:41:46 | |
allowed us to ID the gun. | 0:41:46 | 0:41:48 | |
A model of Heckler & Koch, semi-automatic. | 0:41:48 | 0:41:50 | |
Discontinued five years ago. | 0:41:50 | 0:41:51 | |
-Heavy-duty weapon. -Big time. | 0:41:51 | 0:41:53 | |
If it was a hit, the killer could be ex-Army. | 0:41:53 | 0:41:56 | |
A batch of the exact same H&Ks went missing nine years ago | 0:41:56 | 0:42:00 | |
en route from Redhill Barracks to a deactivation unit in Devon. | 0:42:00 | 0:42:04 | |
-PHONE RINGS -Excuse me. | 0:42:04 | 0:42:06 | |
Clarissa. | 0:42:07 | 0:42:08 | |
I've spun through Chris Chandler's internet history | 0:42:08 | 0:42:11 | |
and found multiple searches | 0:42:11 | 0:42:13 | |
for the Cave Bar in Mile End. | 0:42:13 | 0:42:16 | |
Well, maybe he was scouting for his Kate's 40th? | 0:42:16 | 0:42:18 | |
Maybe. But it's the other side of London and, | 0:42:18 | 0:42:21 | |
frankly, looks more like the kind of place you'd have your 21st. | 0:42:21 | 0:42:24 | |
Well, 40's the new 30, kid. | 0:42:24 | 0:42:26 | |
Yeah. I don't think anyone under 40 got that memo. | 0:42:26 | 0:42:30 | |
So I've scaled up some images for the Cave | 0:42:30 | 0:42:34 | |
and it has a small outside bar area, | 0:42:34 | 0:42:37 | |
notable only for its proliferation of gas heaters. | 0:42:37 | 0:42:41 | |
What do you think? | 0:43:38 | 0:43:40 | |
We're in the right place. | 0:43:40 | 0:43:42 | |
Some singed fibres in the holes. | 0:43:42 | 0:43:43 | |
If we get a match on the fibres in Chris Chandler's clothes... | 0:43:43 | 0:43:46 | |
Have a look at this. | 0:43:46 | 0:43:47 | |
Window looks familiar. | 0:43:57 | 0:43:59 | |
And the striped curtain. | 0:43:59 | 0:44:01 | |
REPORTERS SHOUT QUESTIONS | 0:44:08 | 0:44:11 | |
The, er, bone fragment you pulled out of Dan's arm... | 0:44:46 | 0:44:50 | |
Very interesting. | 0:44:50 | 0:44:51 | |
Interesting how? | 0:44:52 | 0:44:54 | |
In a word... | 0:44:55 | 0:44:57 | |
acne. | 0:44:57 | 0:44:58 | |
Chris Chandler was on to you. | 0:44:58 | 0:45:01 | |
He thought you were lying about your assets and he was dead right. | 0:45:01 | 0:45:04 | |
You part-own the Cave Bar in Mile End | 0:45:05 | 0:45:08 | |
that you paid for in cash in 2012, correct? | 0:45:08 | 0:45:11 | |
-Yeah. -And why did you not disclose that property in your assets? | 0:45:12 | 0:45:15 | |
-Kate was getting enough out of me. -That's not the only reason, is it? | 0:45:15 | 0:45:19 | |
The back window of your property | 0:45:20 | 0:45:21 | |
is identifiable as the window in these pictures, | 0:45:21 | 0:45:23 | |
recovered from Chris Chandler's phone. | 0:45:23 | 0:45:25 | |
OK. | 0:45:29 | 0:45:30 | |
I cut up a bit of coke once in a while. | 0:45:31 | 0:45:34 | |
Doesn't make me Pablo Escobar. | 0:45:34 | 0:45:36 | |
You weren't quite so relaxed when Chris found you, were you? | 0:45:37 | 0:45:41 | |
We also recovered charred fibres from a heater in your bar | 0:45:41 | 0:45:44 | |
that match a shirt we found in Chris' house. | 0:45:44 | 0:45:47 | |
As you can see, the size and shape of the heater's grille | 0:45:47 | 0:45:50 | |
matches a distinctive burn on his back. | 0:45:50 | 0:45:52 | |
A burn he sustained not more than three days before he died. | 0:45:52 | 0:45:55 | |
But you told us you hadn't seen Chris in a fortnight. | 0:45:55 | 0:45:57 | |
The funny thing is, Chris didn't tell anyone. | 0:46:00 | 0:46:02 | |
Not the police, not Kate. | 0:46:02 | 0:46:04 | |
Which makes me think, once the fight was over... | 0:46:04 | 0:46:07 | |
..you and he came to an agreement. | 0:46:08 | 0:46:10 | |
He had you over a barrel. | 0:46:12 | 0:46:14 | |
So I'm guessing his demands were pretty unreasonable. | 0:46:14 | 0:46:17 | |
It would really be in your interest to answer my questions. | 0:46:21 | 0:46:24 | |
He wanted me to drop all claim over Dan, | 0:46:30 | 0:46:33 | |
give Kate sole custody. | 0:46:33 | 0:46:35 | |
Did you agree to that? | 0:46:35 | 0:46:36 | |
Yeah. | 0:46:37 | 0:46:39 | |
-And were you happy about it? -Well, what do you think? | 0:46:39 | 0:46:41 | |
I love my son. | 0:46:43 | 0:46:45 | |
Which is why your theory that I'd hurt him is such bullshit! | 0:46:45 | 0:46:47 | |
But you didn't plan to hurt him, Miles. | 0:46:47 | 0:46:49 | |
You didn't even think he was going to be there, did you? | 0:46:49 | 0:46:52 | |
You thought he was at football camp. | 0:46:52 | 0:46:54 | |
You do love your son. | 0:46:55 | 0:46:57 | |
No way were you going to let Chris Chandler take your son... | 0:46:58 | 0:47:01 | |
..as well as your wife. | 0:47:03 | 0:47:04 | |
He did not take my wife! | 0:47:04 | 0:47:06 | |
OK... | 0:47:14 | 0:47:16 | |
OK. | 0:47:17 | 0:47:18 | |
I know how bad this looks. | 0:47:20 | 0:47:22 | |
I should have come clean. | 0:47:22 | 0:47:24 | |
But I was scared. | 0:47:25 | 0:47:26 | |
I'm sure you were. | 0:47:27 | 0:47:29 | |
But before you were scared, you were angry. | 0:47:30 | 0:47:33 | |
No. | 0:47:33 | 0:47:34 | |
I think, after one too many, | 0:47:34 | 0:47:37 | |
-you did a stupid thing. -I had nothing to do with those shootings! | 0:47:37 | 0:47:40 | |
You made a call, handed over some cash | 0:47:40 | 0:47:42 | |
and set a chain in motion you were powerless to stop, | 0:47:42 | 0:47:44 | |
-once you'd sobered up. -I would never hurt Kate. | 0:47:44 | 0:47:46 | |
-I would never hurt Dan. -What about Chris? | 0:47:46 | 0:47:49 | |
Was he the target? | 0:47:49 | 0:47:50 | |
Was he the only one who was supposed to die? | 0:47:50 | 0:47:52 | |
You're not listening to me! | 0:47:52 | 0:47:54 | |
No, I'm listening to the evidence. | 0:47:54 | 0:47:55 | |
Unlike you, it doesn't lie! | 0:47:55 | 0:47:58 | |
Perfect timing. | 0:48:07 | 0:48:08 | |
Results are back on the shard of foreign bone | 0:48:08 | 0:48:10 | |
recovered from the back of Dan's forearm. | 0:48:10 | 0:48:13 | |
Well, whoever it belongs to once took tetracycline, | 0:48:13 | 0:48:16 | |
a polyketide antibiotic used to treat acne. | 0:48:16 | 0:48:19 | |
The side effect is it turns the bone yellow. | 0:48:19 | 0:48:21 | |
None of our three identified victims had that colouring. | 0:48:21 | 0:48:24 | |
No, DNA confirms this. | 0:48:24 | 0:48:26 | |
Also tells us the bone came from a female. | 0:48:26 | 0:48:29 | |
Which fits with the jewelled hair slide and dyed blonde hair | 0:48:29 | 0:48:32 | |
and a twist of turquoise silk | 0:48:32 | 0:48:34 | |
caught in one of the bullets found in the car. | 0:48:34 | 0:48:37 | |
So why's no-one reported a fourth victim missing? | 0:48:38 | 0:48:41 | |
We can't know that until we find out who she is. | 0:48:41 | 0:48:43 | |
DNA didn't tell you? | 0:48:43 | 0:48:44 | |
No match. | 0:48:44 | 0:48:46 | |
The answer could be in those woods. | 0:48:46 | 0:48:48 | |
Leaves trapped in her hair slide | 0:48:48 | 0:48:50 | |
suggest our mystery blonde passed by or under | 0:48:50 | 0:48:52 | |
a conifer tree at speed. | 0:48:52 | 0:48:54 | |
Speed suggests chased. | 0:48:54 | 0:48:56 | |
But I've been through every shot of the crime scene, pixel by pixel... | 0:48:56 | 0:49:00 | |
No conifers. | 0:49:01 | 0:49:03 | |
Find the tree... | 0:49:03 | 0:49:05 | |
find the girl. | 0:49:05 | 0:49:07 | |
Should we notify Butcher? | 0:49:10 | 0:49:12 | |
Always better to ask forgiveness than permission. | 0:49:12 | 0:49:14 | |
So says the man who's about to retire! | 0:49:14 | 0:49:16 | |
I left her a voicemail. | 0:49:16 | 0:49:18 | |
So far, she hasn't called me back. | 0:49:18 | 0:49:20 | |
This is where we found Karen. | 0:49:41 | 0:49:43 | |
Amy... | 0:49:58 | 0:50:00 | |
Thank you. | 0:50:05 | 0:50:06 | |
-TV: -'38-year-old Kate Blair | 0:50:13 | 0:50:14 | |
'and 40-year-old Chris Chandler from Streatham | 0:50:14 | 0:50:16 | |
'were found dead in their car near the River Malt by local fishermen. | 0:50:16 | 0:50:19 | |
'Although police have not confirmed details, | 0:50:19 | 0:50:22 | |
'our understanding is that a 12-year-old boy | 0:50:22 | 0:50:24 | |
'was found unconscious near the car | 0:50:24 | 0:50:26 | |
'and is being treated at Kingston Hospital. | 0:50:26 | 0:50:29 | |
-VOLUME UP: -'Police have sealed off a mile-long stretch of the River Malt | 0:50:29 | 0:50:32 | |
'and it's surrounding area for forensic examination. | 0:50:32 | 0:50:34 | |
'Detective Chief Inspector Sally Butcher | 0:50:34 | 0:50:36 | |
'said they were appealing for witnesses.' | 0:50:36 | 0:50:38 | |
Either of you own a dog? | 0:50:44 | 0:50:45 | |
I do. Yorkshire terrier. | 0:50:49 | 0:50:51 | |
And I know every blade of grass in my local park. | 0:50:52 | 0:50:54 | |
-We need a local with a dog. -Yeah. | 0:50:54 | 0:50:57 | |
And I know where to find one. | 0:50:57 | 0:50:59 | |
Bellemeade Farm. | 0:50:59 | 0:51:01 | |
See you in a bit. | 0:51:01 | 0:51:02 | |
Claudia Baxter's ID is crucial. | 0:51:10 | 0:51:12 | |
I really only glimpsed him. | 0:51:24 | 0:51:25 | |
Take your time, Claudia. | 0:51:25 | 0:51:27 | |
PHONE RINGS | 0:51:27 | 0:51:30 | |
Well? | 0:51:41 | 0:51:43 | |
Ma'am... | 0:51:46 | 0:51:48 | |
Dan Blair, the boy, he didn't make it. | 0:51:52 | 0:51:55 | |
INAUDIBLE CONVERSATION | 0:52:22 | 0:52:26 | |
HE SOBS | 0:52:45 | 0:52:46 | |
Miles Blair, you are charged under common law | 0:52:46 | 0:52:50 | |
that you murdered Kate Blair | 0:52:50 | 0:52:52 | |
and Chris Chandler | 0:52:52 | 0:52:54 | |
and your son Daniel Blair. | 0:52:54 | 0:52:56 | |
KNOCKING ON DOOR | 0:53:04 | 0:53:06 | |
DOG BARKS | 0:53:15 | 0:53:18 | |
BARKING CONTINUES | 0:53:22 | 0:53:25 | |
FAINT BEEPING | 0:53:28 | 0:53:30 | |
BEEPING GROWS LOUDER | 0:53:32 | 0:53:35 | |
BEEPING CONTINUES | 0:53:36 | 0:53:39 | |
Oh, Jesus... | 0:53:48 | 0:53:50 | |
GUN COCKS | 0:53:55 | 0:53:57 | |
GUNSHOT | 0:53:59 | 0:54:01 | |
Conifers! | 0:54:14 | 0:54:15 | |
At last. | 0:54:16 | 0:54:18 | |
Hallelujah. | 0:54:18 | 0:54:19 | |
Jack... | 0:54:46 | 0:54:47 | |
Look... | 0:55:06 | 0:55:07 | |
The other half. | 0:55:15 | 0:55:17 | |
The hair comb broke off. | 0:55:18 | 0:55:20 | |
Looks like she forced her way between the branches... | 0:55:33 | 0:55:35 | |
..and maybe fell here. | 0:55:37 | 0:55:39 | |
And left us a trail in the process. | 0:55:42 | 0:55:44 | |
HE WHISTLES | 0:55:50 | 0:55:51 | |
I think this was made by a bullet. | 0:55:59 | 0:56:01 | |
Glanced the tree, | 0:56:02 | 0:56:04 | |
suggesting the shooter was over there | 0:56:04 | 0:56:07 | |
and she was running away | 0:56:07 | 0:56:09 | |
towards the picnic. | 0:56:09 | 0:56:10 | |
He shot at her first. | 0:56:23 | 0:56:25 | |
SHE CRIES OUT | 0:56:25 | 0:56:28 | |
Meaning the family were just collateral damage - | 0:56:28 | 0:56:30 | |
wrong place, wrong time. | 0:56:30 | 0:56:32 | |
We've been looking down the wrong end of the telescope. | 0:56:33 | 0:56:36 | |
Help me! Help me! | 0:56:36 | 0:56:38 | |
Help me! Oh, my God! | 0:56:38 | 0:56:40 | |
Help me! | 0:56:40 | 0:56:41 | |
Argh! | 0:56:41 | 0:56:43 | |
Help me! | 0:56:43 | 0:56:44 | |
Oh, my God! | 0:56:44 | 0:56:45 | |
Help me! | 0:56:45 | 0:56:47 | |
You've killed a cop. | 0:56:49 | 0:56:51 | |
Which means your life, from hereon in, | 0:56:51 | 0:56:53 | |
will either be miserable or intolerable. | 0:56:53 | 0:56:56 | |
GUNSHOT | 0:56:56 | 0:56:57 | |
-Go! Go! Go! -GUNSHOTS | 0:56:57 | 0:57:00 | |
We're looking for a colleague - DS Guillam. | 0:57:00 | 0:57:01 | |
He was heading up here to speak to you. | 0:57:01 | 0:57:03 | |
I'm sorry, I left the house first thing. | 0:57:03 | 0:57:05 | |
Facial bruising suggesting an attack | 0:57:05 | 0:57:07 | |
that happened very close to death. | 0:57:07 | 0:57:08 | |
What did they do to her at that farm? | 0:57:08 | 0:57:10 | |
If you conjure up a whole new account of what happened to Karen, | 0:57:12 | 0:57:15 | |
who's to say they'll believe you? | 0:57:15 | 0:57:17 | |
You're trespassing on private property. You need to leave. | 0:57:17 | 0:57:19 | |
SHE CRIES OUT | 0:57:19 | 0:57:22 | |
# Testator silens | 0:57:22 | 0:57:29 | |
# Costestes e spiritu | 0:57:30 | 0:57:37 | |
# Silentium. # | 0:57:39 | 0:57:45 |