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I want to be a pathologist, Nikki, but I have to go home. | 0:00:02 | 0:00:04 | |
CROWD CHANTING | 0:00:04 | 0:00:06 | |
Luisa went somewhere she should not have gone. | 0:00:06 | 0:00:09 | |
Don't make the same mistake. | 0:00:09 | 0:00:11 | |
This is my baby, Nesto. | 0:00:11 | 0:00:13 | |
All these people have been taken by the cartels? | 0:00:13 | 0:00:16 | |
Where is Luisa? Where have they got them? | 0:00:16 | 0:00:18 | |
If we give up, if we stop... | 0:00:18 | 0:00:20 | |
They'd give them back. | 0:00:20 | 0:00:21 | |
Ernesto, Luisa, the others? | 0:00:21 | 0:00:23 | |
I'd give my life for him. | 0:00:23 | 0:00:25 | |
Eva...Eva you're confused. Nikki's at the compound. | 0:00:25 | 0:00:27 | |
She was with me. She was here. | 0:00:27 | 0:00:29 | |
Nikki! | 0:00:29 | 0:00:31 | |
This programme contains some violent scenes and scenes which some viewers may find upsetting from the start | 0:00:31 | 0:00:37 | |
SHE CRIES AND THUMPS | 0:00:40 | 0:00:42 | |
PHONE VIBRATES | 0:00:42 | 0:00:44 | |
Oh, don't ring off! Wait! | 0:00:51 | 0:00:52 | |
Don't go! | 0:00:52 | 0:00:54 | |
'Save your energy. | 0:00:56 | 0:00:58 | |
'You will need it.' | 0:00:58 | 0:00:59 | |
Who are you? | 0:00:59 | 0:01:00 | |
Why are you doing this? | 0:01:00 | 0:01:02 | |
'You'll need your oxygen, too, so stop screaming.' | 0:01:02 | 0:01:05 | |
Get me out! | 0:01:06 | 0:01:08 | |
Get me out of here! | 0:01:08 | 0:01:10 | |
'You'll need water. | 0:01:10 | 0:01:12 | |
'There's a bottle by your feet. | 0:01:12 | 0:01:13 | |
'Only take sips.' | 0:01:13 | 0:01:15 | |
PHONE DISCONNECTS | 0:01:15 | 0:01:16 | |
Emergency services. What is it? | 0:01:20 | 0:01:22 | |
9-1-1. | 0:01:22 | 0:01:24 | |
FAILED CALL TONE | 0:01:25 | 0:01:27 | |
Oh, Jack. | 0:01:30 | 0:01:31 | |
What is it? | 0:01:31 | 0:01:33 | |
Oh, no, think. | 0:01:33 | 0:01:35 | |
0-7-5-1-7... | 0:01:36 | 0:01:38 | |
FAILED CALL TONE | 0:01:38 | 0:01:39 | |
I'm buried. | 0:01:43 | 0:01:45 | |
Shit. Shit. | 0:01:49 | 0:01:52 | |
Rewired. | 0:02:01 | 0:02:02 | |
Hello. | 0:02:11 | 0:02:12 | |
# Testator silens | 0:02:20 | 0:02:27 | |
# Costestes e spiritu | 0:02:28 | 0:02:35 | |
# Silentium. # | 0:02:35 | 0:02:42 | |
Over. Down. | 0:02:47 | 0:02:49 | |
Can we get it in there, OK? | 0:02:53 | 0:02:54 | |
Tell me. Tell me again. | 0:02:54 | 0:02:55 | |
I was driving. I looked over to Nikki, she was falling asleep. | 0:02:55 | 0:03:00 | |
We were on the road to Santa Dominga and... | 0:03:01 | 0:03:03 | |
Oh. Jet-lag. | 0:03:05 | 0:03:07 | |
Sorry. | 0:03:08 | 0:03:09 | |
Then what? | 0:03:09 | 0:03:10 | |
I don't know. | 0:03:10 | 0:03:11 | |
How's your head? | 0:03:15 | 0:03:16 | |
He must have been hiding in the back. He must have hit me. | 0:03:16 | 0:03:19 | |
I shouldn't touch. | 0:03:29 | 0:03:31 | |
It's your car, you're all over it. | 0:03:31 | 0:03:33 | |
Yeah, we can get some fibres off this. | 0:03:43 | 0:03:45 | |
Yes. | 0:03:45 | 0:03:47 | |
And then what do we do with them? | 0:03:47 | 0:03:50 | |
What else can I do, Eva? | 0:03:50 | 0:03:52 | |
This is my fault. | 0:03:57 | 0:03:58 | |
If I had stayed home with her. | 0:03:59 | 0:04:03 | |
It hasn't been used since midnight, before they left. | 0:04:19 | 0:04:22 | |
It's hers? | 0:04:24 | 0:04:25 | |
She's really gone, isn't she? | 0:04:25 | 0:04:26 | |
Why take her? | 0:04:28 | 0:04:29 | |
I don't know. | 0:04:29 | 0:04:30 | |
Why take her, not Eva? | 0:04:30 | 0:04:32 | |
I mean, Eva's the prize, isn't she? | 0:04:33 | 0:04:34 | |
I don't know. | 0:04:34 | 0:04:36 | |
Maybe they made a mistake. Maybe, maybe they thought she was Eva. | 0:04:36 | 0:04:39 | |
What do they want? | 0:04:42 | 0:04:43 | |
-What do they want? I asked you a question! -I don't know! | 0:04:45 | 0:04:48 | |
They don't want you here. | 0:04:50 | 0:04:52 | |
They don't want anyone to help us. | 0:04:52 | 0:04:53 | |
That's better. | 0:04:55 | 0:04:56 | |
See, you always find the right thing to say in the end, don't you? | 0:04:56 | 0:04:59 | |
How do you do it? | 0:04:59 | 0:05:00 | |
Your childhood sweetheart is kidnapped, murdered, God knows what. | 0:05:00 | 0:05:05 | |
All this shit swirling around you | 0:05:05 | 0:05:08 | |
and you walk through it untouched. | 0:05:08 | 0:05:10 | |
-The eye of the storm. -Really? | 0:05:10 | 0:05:13 | |
-You know that, do you? -No. Nobody does. | 0:05:13 | 0:05:15 | |
Nobody knows you, not really. You make sure of that. | 0:05:15 | 0:05:18 | |
You're angry. | 0:05:18 | 0:05:19 | |
What have I got to be angry about? | 0:05:19 | 0:05:22 | |
Luisa's father, on the other hand, I imagine he's very angry. | 0:05:22 | 0:05:25 | |
I mean, you...you let her go out there day after day, right? | 0:05:25 | 0:05:30 | |
She called you that day. | 0:05:31 | 0:05:33 | |
She needed you. Where were you? | 0:05:33 | 0:05:34 | |
Did you love her? | 0:05:37 | 0:05:38 | |
I mean, really? | 0:05:40 | 0:05:41 | |
Or was she just another member of the fan club? | 0:05:41 | 0:05:44 | |
I'm sorry. | 0:05:49 | 0:05:51 | |
No, no. I'm sorry for you. | 0:05:51 | 0:05:52 | |
For Dr Alexander. | 0:05:54 | 0:05:56 | |
She wanted to be a part of something. | 0:05:56 | 0:05:58 | |
Now she is. | 0:05:59 | 0:06:00 | |
No! | 0:06:13 | 0:06:14 | |
650 by 850. | 0:06:14 | 0:06:17 | |
Roughly 2,300. Oh, shit. | 0:06:17 | 0:06:21 | |
So, 1,270 litres of air. | 0:06:21 | 0:06:24 | |
Only 21% is oxygen. | 0:06:26 | 0:06:28 | |
267 litres. | 0:06:28 | 0:06:30 | |
Say, at rest, a person consumes 0.35... | 0:06:30 | 0:06:33 | |
763 minutes, that's 13 hours. I've been in here... | 0:06:34 | 0:06:39 | |
..maybe two hours. | 0:06:41 | 0:06:43 | |
So, 11 hours. | 0:06:43 | 0:06:44 | |
But the box isn't empty. | 0:06:45 | 0:06:47 | |
I'm in here. | 0:06:47 | 0:06:48 | |
The average volume of the human body is... | 0:06:48 | 0:06:51 | |
That's 13 litres less oxygen. | 0:06:51 | 0:06:53 | |
35 minutes less. | 0:06:54 | 0:06:56 | |
Can't panic. | 0:06:56 | 0:06:58 | |
Wasting air. | 0:06:58 | 0:06:59 | |
Slow breaths. | 0:06:59 | 0:07:01 | |
SHE CRIES OUT | 0:07:01 | 0:07:03 | |
Where's your friend? | 0:07:09 | 0:07:10 | |
The pretty one. | 0:07:12 | 0:07:13 | |
Prick. | 0:07:14 | 0:07:15 | |
If you know something... | 0:07:17 | 0:07:19 | |
How can I know? I'm in here. | 0:07:19 | 0:07:21 | |
You know where Luisa Herrera is. | 0:07:21 | 0:07:23 | |
Sure. | 0:07:23 | 0:07:25 | |
She's in the ground. | 0:07:25 | 0:07:26 | |
You know, if Dr Alexander doesn't come back, | 0:07:28 | 0:07:34 | |
I might just put something else in this needle. | 0:07:34 | 0:07:36 | |
No, you won't. | 0:07:36 | 0:07:38 | |
She would... | 0:07:38 | 0:07:39 | |
..but you wouldn't. | 0:07:40 | 0:07:41 | |
This isn't good for us, either. | 0:07:46 | 0:07:48 | |
We want to find her, too, but we're stretched. | 0:07:50 | 0:07:52 | |
37 students were kidnapped from a college in Culiacan last week. | 0:07:53 | 0:07:57 | |
You have a lot to deal with. | 0:07:57 | 0:07:58 | |
A lot to turn a blind eye to. | 0:07:59 | 0:08:01 | |
Have they been in touch? | 0:08:04 | 0:08:05 | |
Have there been any demands? | 0:08:05 | 0:08:07 | |
No. Not yet. | 0:08:07 | 0:08:09 | |
Do you think they will? | 0:08:09 | 0:08:11 | |
She's a foreigner, she has money. | 0:08:11 | 0:08:12 | |
Or maybe they've already got what they want. | 0:08:15 | 0:08:17 | |
We've got nothing. Nothing, Thomas. Don't even know if she's still... | 0:08:20 | 0:08:23 | |
I'm at Heathrow, Jack. | 0:08:23 | 0:08:24 | |
I'm on my way. I'll be there in less than 18 hours. | 0:08:24 | 0:08:26 | |
What do the Foreign Office say? | 0:08:26 | 0:08:27 | |
The embassy in Mexico City has been instructed | 0:08:27 | 0:08:30 | |
to prioritise Nikki's case... | 0:08:30 | 0:08:31 | |
-But? -There's some hostage situation, oil workers in the Gulf of Mexico. | 0:08:31 | 0:08:35 | |
But they've promised they'll get people up to you soon. | 0:08:35 | 0:08:37 | |
What does soon mean? | 0:08:37 | 0:08:38 | |
24 hours. | 0:08:38 | 0:08:39 | |
24 hours? | 0:08:39 | 0:08:40 | |
Be positive, Jack. | 0:08:40 | 0:08:42 | |
When they realise they've got the wrong person, they'll send her home. | 0:08:42 | 0:08:45 | |
# Sheila take a, Sheila take a bow | 0:08:45 | 0:08:49 | |
# Boot the grime of this world in the crotch, dear | 0:08:49 | 0:08:54 | |
# And don't go home tonight | 0:08:54 | 0:08:57 | |
# Come out and find the one that you love and who loves you... # | 0:08:57 | 0:09:02 | |
She was taken here? | 0:09:02 | 0:09:03 | |
Yes. These are all the known cartel safe houses, | 0:09:03 | 0:09:07 | |
including the one you were sent to. | 0:09:07 | 0:09:08 | |
Gustavo and his men had all the main roads blocked within minutes, | 0:09:08 | 0:09:11 | |
so we work on that presumption, that they had an hour and | 0:09:11 | 0:09:14 | |
a half to take her wherever they were taking her. | 0:09:14 | 0:09:16 | |
We'll work in a 60km zone, south along the coast, | 0:09:16 | 0:09:20 | |
inland to the east. | 0:09:20 | 0:09:21 | |
-Why not north? -Because they knew we'd be coming from there. | 0:09:21 | 0:09:23 | |
They sent us to that fake tip-off. | 0:09:23 | 0:09:26 | |
We have to make rational presumptions. | 0:09:26 | 0:09:28 | |
We cannot search everywhere. | 0:09:28 | 0:09:30 | |
That still leaves all these... | 0:09:30 | 0:09:32 | |
We found 4X4 tyre tracks leading off the road. | 0:09:32 | 0:09:35 | |
There's nobody around. | 0:09:35 | 0:09:36 | |
Not that we can see, anyway. | 0:09:36 | 0:09:38 | |
The only obvious skid marks match the tread pattern from Eva's car. | 0:09:38 | 0:09:41 | |
And nothing to pin down the vehicle they took Nikki in? | 0:09:41 | 0:09:43 | |
There were other tyre tracks about 20 metres behind Eva's car, | 0:09:43 | 0:09:46 | |
but the tread pattern is FS-470, | 0:09:46 | 0:09:51 | |
which suggests a late-model saloon, not a 4X4. | 0:09:51 | 0:09:53 | |
So, we've got... | 0:09:53 | 0:09:54 | |
Very little. | 0:09:54 | 0:09:56 | |
Sorry. | 0:09:57 | 0:09:58 | |
This isn't your fault, Jack. | 0:09:58 | 0:10:00 | |
I'll check those tread patterns, OK? | 0:10:00 | 0:10:02 | |
TEXT ALERT | 0:10:04 | 0:10:05 | |
RINGING | 0:10:15 | 0:10:16 | |
Who are you? | 0:10:21 | 0:10:22 | |
What have you done with her? | 0:10:23 | 0:10:25 | |
Jack... | 0:10:30 | 0:10:31 | |
Nikki? | 0:10:31 | 0:10:33 | |
Nikki?! | 0:10:34 | 0:10:36 | |
Jesus! | 0:10:36 | 0:10:37 | |
Nikki, where are you? I'll come and get you. | 0:10:37 | 0:10:39 | |
-Jack... -Nikki, thank God you're safe. | 0:10:39 | 0:10:42 | |
How did... How did you...? | 0:10:42 | 0:10:44 | |
SHE SOBS | 0:10:44 | 0:10:46 | |
Nikki, are you OK? | 0:10:46 | 0:10:47 | |
Can you talk? | 0:10:47 | 0:10:48 | |
No. | 0:10:48 | 0:10:49 | |
Nikki, are you hurt? | 0:10:51 | 0:10:52 | |
No, I... | 0:10:52 | 0:10:55 | |
Just tell me where you are. | 0:10:55 | 0:10:56 | |
Nikki, is there... Is there someone there with you? | 0:10:58 | 0:11:00 | |
No. | 0:11:00 | 0:11:01 | |
Can you tell me where you are? | 0:11:01 | 0:11:03 | |
What can you see? | 0:11:03 | 0:11:04 | |
Nothing. | 0:11:05 | 0:11:07 | |
Any detail, the room you're in, anything at all. | 0:11:07 | 0:11:09 | |
I'm not in a room, Jack. | 0:11:09 | 0:11:11 | |
So where are you? | 0:11:11 | 0:11:12 | |
I'm under the ground. | 0:11:12 | 0:11:14 | |
What? | 0:11:14 | 0:11:16 | |
Buried. | 0:11:16 | 0:11:17 | |
What? | 0:11:17 | 0:11:19 | |
In some sort of box. | 0:11:19 | 0:11:20 | |
Under the ground. | 0:11:20 | 0:11:22 | |
Do you understand? | 0:11:22 | 0:11:23 | |
Help me, please. | 0:11:24 | 0:11:26 | |
I'm panicking. | 0:11:26 | 0:11:28 | |
I'm running out of air... | 0:11:28 | 0:11:29 | |
It's OK, Nikki. | 0:11:29 | 0:11:31 | |
It's OK, we're going to find you. | 0:11:31 | 0:11:33 | |
How will you find me? | 0:11:33 | 0:11:34 | |
I'm going to die in here, Jack. | 0:11:34 | 0:11:36 | |
No. No, you're not. | 0:11:36 | 0:11:37 | |
Don't lie to me. | 0:11:37 | 0:11:39 | |
Don't tell me things that you can't know, can't do. | 0:11:39 | 0:11:42 | |
Listen... | 0:11:42 | 0:11:43 | |
-If I don't make it out of here, Jack... -No, stop it, Nikki! | 0:11:44 | 0:11:47 | |
Stop it. | 0:11:47 | 0:11:48 | |
Did you text me your number? | 0:11:50 | 0:11:53 | |
No. | 0:11:53 | 0:11:54 | |
The phone they left me, it doesn't call out. | 0:11:54 | 0:11:56 | |
Then somebody else did, Nikki. Somebody texted me your number. | 0:11:56 | 0:11:59 | |
They want me to talk to you. | 0:11:59 | 0:12:00 | |
Do you understand? | 0:12:01 | 0:12:03 | |
If they wanted you dead, why let me talk to you? | 0:12:03 | 0:12:05 | |
He called me on this phone. | 0:12:05 | 0:12:07 | |
Did you recognise his voice? | 0:12:07 | 0:12:09 | |
Sounded like his voice was altered, it sounded electronic. | 0:12:09 | 0:12:13 | |
Why would they take me? | 0:12:13 | 0:12:15 | |
We'll know that soon. Whatever it is they ask, we'll do it. | 0:12:15 | 0:12:19 | |
Is there anything else you can tell me? | 0:12:19 | 0:12:22 | |
Oh, my God, Eva... | 0:12:22 | 0:12:23 | |
Is she OK? | 0:12:23 | 0:12:24 | |
Is she buried, too, somewhere? | 0:12:24 | 0:12:26 | |
Oh, my God. Did they kill her? | 0:12:26 | 0:12:27 | |
Nikki, no. We found her, she has a bump on her head, | 0:12:27 | 0:12:30 | |
she's going to be fine. | 0:12:30 | 0:12:31 | |
You mustn't worry about anybody else, OK? | 0:12:31 | 0:12:33 | |
I was asleep in the car, and then... | 0:12:33 | 0:12:35 | |
I don't remember. | 0:12:37 | 0:12:38 | |
I woke here. | 0:12:40 | 0:12:41 | |
In the dark. | 0:12:41 | 0:12:43 | |
Do you have food? | 0:12:43 | 0:12:44 | |
No. Water. | 0:12:46 | 0:12:48 | |
I don't think it's water that's the problem, Jack. | 0:12:48 | 0:12:51 | |
This box, this thing you're in, how big is it? | 0:12:51 | 0:12:54 | |
I've got about nine hours, Jack, maybe ten. | 0:12:54 | 0:12:58 | |
The box is wood, slats. | 0:12:58 | 0:13:00 | |
-Give me everything. -I've reckoned 850 by 650 by 2,300. | 0:13:00 | 0:13:05 | |
Do you know how deep you are? | 0:13:05 | 0:13:06 | |
Too deep to push up. I tried. | 0:13:06 | 0:13:09 | |
Some dirt fell through. It was cold. | 0:13:09 | 0:13:11 | |
Was the earth dry? | 0:13:11 | 0:13:13 | |
It's not sand. It's not clay. It's dry earth. | 0:13:13 | 0:13:17 | |
Like the whole of this damn country! | 0:13:17 | 0:13:18 | |
OK, what's in it? Can you taste it? | 0:13:18 | 0:13:20 | |
What? | 0:13:20 | 0:13:21 | |
Taste it! | 0:13:21 | 0:13:23 | |
It tastes metallic. | 0:13:31 | 0:13:32 | |
More metal than mineral? | 0:13:32 | 0:13:34 | |
It's got a lovely bouquet, Jack, but I prefer the '74. | 0:13:35 | 0:13:38 | |
Metal. | 0:13:39 | 0:13:40 | |
Maybe iron? | 0:13:40 | 0:13:42 | |
And salt. | 0:13:42 | 0:13:43 | |
Salt...so maybe near the sea. Some kind of salt flats, maybe. | 0:13:43 | 0:13:46 | |
Nikki? | 0:13:46 | 0:13:47 | |
Oh, my God! | 0:13:47 | 0:13:48 | |
RUMBLING | 0:13:48 | 0:13:49 | |
SHE SCREAMS | 0:13:49 | 0:13:50 | |
Are you OK? | 0:13:50 | 0:13:51 | |
Nikki? | 0:13:51 | 0:13:52 | |
Nikki, are you OK? | 0:13:52 | 0:13:54 | |
Nikki! | 0:13:54 | 0:13:56 | |
Nikki, are you OK? | 0:13:56 | 0:13:57 | |
RUMBLING SUBSIDES | 0:13:57 | 0:13:59 | |
I'm OK. | 0:14:00 | 0:14:01 | |
What was that? | 0:14:01 | 0:14:03 | |
I don't know. | 0:14:03 | 0:14:04 | |
It hasn't happened before. | 0:14:04 | 0:14:06 | |
It might be an industrial site. | 0:14:06 | 0:14:08 | |
If it happens again, record the time. | 0:14:08 | 0:14:10 | |
Maybe we can build up a pattern. | 0:14:10 | 0:14:11 | |
If we're relying on that... | 0:14:11 | 0:14:13 | |
No, we're not. We're not. | 0:14:13 | 0:14:14 | |
Everyone is out looking for you - the police, the army, | 0:14:16 | 0:14:20 | |
the British Embassy. | 0:14:20 | 0:14:21 | |
There's helicopters everywhere. | 0:14:21 | 0:14:23 | |
Jack... | 0:14:26 | 0:14:28 | |
I've got your number. I'm going to track it. | 0:14:28 | 0:14:31 | |
The phone's been tampered with. I don't think it will track. | 0:14:32 | 0:14:35 | |
We'll find you. | 0:14:35 | 0:14:36 | |
I will find you. | 0:14:36 | 0:14:38 | |
I'll call you every half-hour, OK? | 0:14:38 | 0:14:40 | |
No, don't. | 0:14:40 | 0:14:41 | |
The battery. My air... | 0:14:41 | 0:14:43 | |
Only call if you've got something to tell me. | 0:14:43 | 0:14:46 | |
Nikki... | 0:14:47 | 0:14:49 | |
..you're not alone. | 0:14:50 | 0:14:52 | |
I'm in a wooden box, under the earth, Jack. | 0:14:53 | 0:14:56 | |
I'm quite alone. | 0:15:00 | 0:15:01 | |
SHE HANGS UP | 0:15:03 | 0:15:04 | |
PHONE RINGS | 0:15:11 | 0:15:12 | |
-Nikki? -If you tell anyone, she'll die. | 0:15:14 | 0:15:17 | |
If you discuss anything I tell you, you will never find her. | 0:15:17 | 0:15:20 | |
No police, no army, no authorities. | 0:15:20 | 0:15:23 | |
We have people everywhere, we'll know. | 0:15:23 | 0:15:25 | |
Who are you? | 0:15:25 | 0:15:27 | |
What do you want? | 0:15:27 | 0:15:28 | |
Money? | 0:15:28 | 0:15:29 | |
I can get money. If it's not a crazy number, I can get it to you quickly. | 0:15:29 | 0:15:32 | |
Just tell me how much. | 0:15:32 | 0:15:33 | |
How much can you get? | 0:15:33 | 0:15:34 | |
Maybe 100,000. | 0:15:34 | 0:15:35 | |
Is that all? | 0:15:35 | 0:15:37 | |
Is that what she's worth to you? | 0:15:37 | 0:15:38 | |
No, no, no, no, no, no. I can get more, I can get more. | 0:15:38 | 0:15:41 | |
I just need to figure out how. There isn't much time. | 0:15:41 | 0:15:44 | |
Maybe if you'll get her out of there, then... | 0:15:44 | 0:15:47 | |
It's not money, pendejo. | 0:15:47 | 0:15:48 | |
Then what is it?! Tell me! | 0:15:48 | 0:15:51 | |
If you want to see her again, you do exactly what we tell you. | 0:15:51 | 0:15:54 | |
HANGS UP | 0:15:54 | 0:15:56 | |
No. Wait, wait. | 0:15:56 | 0:15:57 | |
Shit! | 0:15:57 | 0:15:59 | |
Shit! | 0:15:59 | 0:16:00 | |
'Gustavo, listen...' | 0:16:00 | 0:16:01 | |
Are you all right? | 0:16:01 | 0:16:02 | |
'I spoke to her, to Nikki.' | 0:16:02 | 0:16:03 | |
You spoke to her? | 0:16:03 | 0:16:05 | |
She's underground somewhere, in a box. | 0:16:05 | 0:16:06 | |
HE SPEAKS SPANISH | 0:16:15 | 0:16:16 | |
What is it? What have you found? | 0:16:18 | 0:16:19 | |
Just wait. It might be nothing. | 0:16:19 | 0:16:21 | |
HE SPEAKS SPANISH | 0:16:21 | 0:16:23 | |
Tell me. What's there? What's happening? | 0:16:26 | 0:16:28 | |
What is it? What can you see? | 0:16:29 | 0:16:31 | |
It's a wooden box. | 0:16:33 | 0:16:34 | |
Come on. Please, please. | 0:16:35 | 0:16:37 | |
Is she OK? | 0:16:41 | 0:16:42 | |
Forget it. | 0:16:44 | 0:16:46 | |
-It's not her. -What do you mean? | 0:16:46 | 0:16:47 | |
Is it a body? | 0:16:47 | 0:16:48 | |
It's no-one. | 0:16:48 | 0:16:50 | |
It's guns. | 0:16:50 | 0:16:51 | |
PHONE RINGS | 0:16:58 | 0:17:00 | |
I told you. | 0:17:04 | 0:17:06 | |
You won't find her. | 0:17:06 | 0:17:07 | |
You piece of shit. | 0:17:07 | 0:17:09 | |
We'll go, we'll leave this place. Whatever...whatever you say. | 0:17:10 | 0:17:13 | |
What do you want? | 0:17:16 | 0:17:17 | |
There's a man being held at the Regional Police Headquarters. | 0:17:17 | 0:17:22 | |
You have access to that man. | 0:17:22 | 0:17:23 | |
Get him out. | 0:17:23 | 0:17:25 | |
Deliver him to us. | 0:17:25 | 0:17:26 | |
El Buitre. | 0:17:26 | 0:17:27 | |
Or she will die in there. | 0:17:27 | 0:17:29 | |
SHE CRIES OUT | 0:18:32 | 0:18:34 | |
Oh, my God. | 0:19:01 | 0:19:02 | |
SHE WHIMPERS | 0:19:21 | 0:19:22 | |
Oh, God. I hate spiders. | 0:19:35 | 0:19:37 | |
PHONE VIBRATES | 0:19:39 | 0:19:41 | |
Hello? | 0:19:43 | 0:19:44 | |
Nikki, are you OK? | 0:19:44 | 0:19:46 | |
No, wait... | 0:19:46 | 0:19:47 | |
Nikki? | 0:19:48 | 0:19:49 | |
Jack, I've got to get out of here now. | 0:19:49 | 0:19:51 | |
I know, I know, Nikki. I know. | 0:19:51 | 0:19:52 | |
No, I mean right now, Jack! | 0:19:52 | 0:19:55 | |
Any luck with tracking this phone? | 0:20:00 | 0:20:02 | |
You were right about the phone, it's hacked. | 0:20:02 | 0:20:03 | |
Eva says they've found ones like it in cartel safe-houses. | 0:20:03 | 0:20:06 | |
Have they contacted you? | 0:20:06 | 0:20:08 | |
We're negotiating. | 0:20:08 | 0:20:09 | |
You're what? | 0:20:09 | 0:20:11 | |
How much do they want? | 0:20:11 | 0:20:12 | |
Don't you worry about it, we're nearly there. | 0:20:12 | 0:20:15 | |
And if you're not? | 0:20:15 | 0:20:16 | |
If you can't... | 0:20:16 | 0:20:17 | |
You've looked, haven't you, Jack? | 0:20:20 | 0:20:22 | |
Looked at what? | 0:20:22 | 0:20:23 | |
Come on, Jack. I know you. The last of the Boy Scouts. | 0:20:23 | 0:20:28 | |
You've searched on the internet, haven't you? | 0:20:28 | 0:20:31 | |
101 death-defying escapes. | 0:20:31 | 0:20:34 | |
All right, but you're not going to like it. | 0:20:35 | 0:20:37 | |
We don't know how deep you are, so it's a one-shot thing. | 0:20:38 | 0:20:41 | |
You've got to break through the top of the box somehow. | 0:20:43 | 0:20:45 | |
You've got to get your feet up, kick through it, | 0:20:45 | 0:20:47 | |
enough space to let the earth in, enough to get your head out... | 0:20:47 | 0:20:50 | |
Go on. | 0:20:50 | 0:20:51 | |
Then you wait. | 0:20:51 | 0:20:53 | |
Let the box start to fill with earth. | 0:20:53 | 0:20:55 | |
You've got to wait as long as you can. | 0:20:55 | 0:20:58 | |
Then cover your face with whatever you've got, anything at all, | 0:20:58 | 0:21:01 | |
so that the earth doesn't suffocate you as you push up. | 0:21:01 | 0:21:03 | |
And that's it? | 0:21:04 | 0:21:05 | |
Keep going up. | 0:21:05 | 0:21:07 | |
Don't stop. | 0:21:07 | 0:21:09 | |
Because I've got no way back down. | 0:21:09 | 0:21:10 | |
The box will be full of earth. | 0:21:12 | 0:21:14 | |
I see what you mean. | 0:21:15 | 0:21:16 | |
It is a one-shot thing. | 0:21:17 | 0:21:19 | |
It's not going to come to that, though, Nikki. | 0:21:21 | 0:21:23 | |
Jack... | 0:21:23 | 0:21:25 | |
I don't want to be buried. | 0:21:25 | 0:21:27 | |
You're not. We're getting you out! | 0:21:27 | 0:21:29 | |
No, that's not what I mean. | 0:21:29 | 0:21:30 | |
When I die... | 0:21:33 | 0:21:34 | |
..whenever it is, | 0:21:35 | 0:21:37 | |
make sure I'm cremated, OK? | 0:21:37 | 0:21:39 | |
In my will, it says that I want to be buried | 0:21:40 | 0:21:42 | |
beside my mother. | 0:21:42 | 0:21:44 | |
Well, I don't. | 0:21:44 | 0:21:45 | |
I don't want to be under the ground. | 0:21:45 | 0:21:47 | |
Please. | 0:21:47 | 0:21:48 | |
I promise you, | 0:21:49 | 0:21:51 | |
when the time comes, | 0:21:51 | 0:21:54 | |
and you and I, Clarissa and Thomas are sitting in adjoining | 0:21:54 | 0:21:57 | |
armchairs in the Sunnyview Nursing Home TV room | 0:21:57 | 0:22:01 | |
and I look down and your custard cream lies, unnibbled, | 0:22:01 | 0:22:04 | |
in your cold dead hand... | 0:22:04 | 0:22:06 | |
SHE LAUGHS | 0:22:06 | 0:22:08 | |
..I will burn you. I promise. | 0:22:08 | 0:22:09 | |
Listen, Jack, I've been thinking. | 0:22:12 | 0:22:15 | |
Javier Rodriguez, the farm worker I did the postmortem on... | 0:22:15 | 0:22:19 | |
It's possible that he was kept here. | 0:22:21 | 0:22:23 | |
I mean, like this. | 0:22:23 | 0:22:25 | |
And the chemical that was in his body... | 0:22:25 | 0:22:27 | |
Did we get a fix on it? | 0:22:27 | 0:22:28 | |
No, but Clarissa should have the sample back by now. | 0:22:28 | 0:22:33 | |
Maybe I'm not the only one here. | 0:22:33 | 0:22:34 | |
Oh, my God. | 0:22:35 | 0:22:36 | |
Luisa... | 0:22:38 | 0:22:39 | |
Nikki, stop. | 0:22:39 | 0:22:40 | |
I need you to think back through every case you've ever done... | 0:22:40 | 0:22:45 | |
Every case? | 0:22:45 | 0:22:47 | |
I'm sorry, you've got something better to do? | 0:22:47 | 0:22:49 | |
You've come across this toxin before - you know you have. | 0:22:49 | 0:22:53 | |
I'm calling Clarissa now. | 0:22:53 | 0:22:54 | |
I'll call you back when I've spoken to her. OK? | 0:22:54 | 0:22:56 | |
I'm sorry for being such a coward, Jack. | 0:22:56 | 0:22:59 | |
Ah, yeah. You've got a yellow streak a mile wide. | 0:22:59 | 0:23:02 | |
Everyone says it. | 0:23:02 | 0:23:03 | |
I'm afraid... | 0:23:05 | 0:23:06 | |
..of what was going to happen to me. | 0:23:08 | 0:23:10 | |
I killed a scorpion, Jack. | 0:23:14 | 0:23:16 | |
Well, give a donation to the RSPCA when you get home. | 0:23:16 | 0:23:19 | |
I'm hanging up now. | 0:23:21 | 0:23:23 | |
They've made contact. | 0:23:36 | 0:23:38 | |
Nikki's kidnappers. | 0:23:38 | 0:23:40 | |
What did they say? | 0:23:40 | 0:23:41 | |
I think they're watching me. | 0:23:46 | 0:23:47 | |
They seem to know everything I do. | 0:23:48 | 0:23:50 | |
I think there's someone within the compound... | 0:23:51 | 0:23:54 | |
So, you think we were set up? | 0:23:54 | 0:23:55 | |
What, Luisa? | 0:23:56 | 0:23:58 | |
-Ernesto, too? -Maybe. | 0:23:58 | 0:23:59 | |
There are two calls from Luisa's phone that are still unexplained. | 0:24:01 | 0:24:04 | |
One to Gustavo... | 0:24:04 | 0:24:05 | |
He did explain. He never got it, he was on a flight. | 0:24:05 | 0:24:08 | |
The flight had landed by then. | 0:24:08 | 0:24:09 | |
I checked. It landed 15 minutes before. | 0:24:09 | 0:24:12 | |
Gustavo and Luisa, they were... | 0:24:13 | 0:24:15 | |
You were the only one who knew about them, | 0:24:15 | 0:24:16 | |
the only one who'd seen them together. | 0:24:16 | 0:24:19 | |
They were together. They were happy. They... | 0:24:19 | 0:24:22 | |
What? Eva, please... | 0:24:24 | 0:24:26 | |
They had a fight, an argument. | 0:24:28 | 0:24:31 | |
It was just before he left for Hermosillo. | 0:24:31 | 0:24:34 | |
I don't know what it was about. | 0:24:34 | 0:24:36 | |
This is stupid. | 0:24:37 | 0:24:38 | |
You said two calls? | 0:24:40 | 0:24:41 | |
Someone called Luisa from a public call box in San Lorenzo. | 0:24:41 | 0:24:44 | |
The call we think sent her to the farm. | 0:24:44 | 0:24:46 | |
Now, if they were all taken by the same kidnappers... | 0:24:46 | 0:24:49 | |
You're right, this is stupid. | 0:24:51 | 0:24:53 | |
What do they want? | 0:24:55 | 0:24:56 | |
Jack, I've lost one son, maybe two. | 0:24:56 | 0:25:01 | |
If there was anything I could have done, could do, | 0:25:01 | 0:25:04 | |
to get them back, to have them here, at home, | 0:25:04 | 0:25:09 | |
I'd do it. | 0:25:09 | 0:25:10 | |
Anything. | 0:25:11 | 0:25:13 | |
Give them what they want, Jack. | 0:25:13 | 0:25:16 | |
No-one will blame you. | 0:25:16 | 0:25:18 | |
This is not your fight. | 0:25:18 | 0:25:20 | |
WEAKLY: There was a child... | 0:25:22 | 0:25:24 | |
..a girl. | 0:25:25 | 0:25:26 | |
Who did the postmortem? | 0:25:29 | 0:25:30 | |
It wasn't me. | 0:25:32 | 0:25:33 | |
Was it Harry? | 0:25:34 | 0:25:35 | |
Oh, no, it was Leo. | 0:25:37 | 0:25:38 | |
We can ask Leo... | 0:25:40 | 0:25:41 | |
What am I talking about? | 0:25:44 | 0:25:46 | |
Leo's dead. | 0:25:47 | 0:25:48 | |
Oh, God. | 0:25:49 | 0:25:50 | |
SHE HYPERVENTILATES | 0:25:52 | 0:25:54 | |
She's not like the others. | 0:26:57 | 0:26:59 | |
She doesn't belong here. | 0:27:00 | 0:27:02 | |
I'm sorry. | 0:27:04 | 0:27:05 | |
Wait, Jack. | 0:27:06 | 0:27:08 | |
Nikki's coming home. | 0:27:08 | 0:27:09 | |
She has to. | 0:27:10 | 0:27:11 | |
She's coming home. | 0:27:12 | 0:27:13 | |
PHONE RINGS | 0:27:19 | 0:27:21 | |
Oh, shit. Luisa's phone? | 0:27:33 | 0:27:34 | |
Eight missed calls. | 0:27:38 | 0:27:39 | |
I know that number. | 0:27:40 | 0:27:41 | |
Call box. | 0:27:42 | 0:27:43 | |
PHONE ALERT | 0:27:47 | 0:27:49 | |
This is Nikki Alexander. | 0:27:55 | 0:27:56 | |
I'm a doctor, | 0:27:57 | 0:28:00 | |
a pathologist from England, | 0:28:00 | 0:28:02 | |
working for the British Home Office. | 0:28:02 | 0:28:06 | |
I've been doing some work with the Reunited Project. | 0:28:06 | 0:28:08 | |
It's possible I'm not going to live through this... | 0:28:09 | 0:28:11 | |
..but there are some things I want to say. | 0:28:13 | 0:28:15 | |
Jack... | 0:28:19 | 0:28:22 | |
I know you've been doing everything you can. | 0:28:22 | 0:28:24 | |
I know you're frantic, | 0:28:25 | 0:28:26 | |
I know you'll feel like you failed... | 0:28:26 | 0:28:28 | |
..but your voice has kept me sane in here, you know. | 0:28:30 | 0:28:32 | |
Clarissa... | 0:28:34 | 0:28:35 | |
..I never thanked you enough. | 0:28:38 | 0:28:39 | |
I never told you how loved you are. | 0:28:41 | 0:28:43 | |
Thomas, | 0:28:46 | 0:28:48 | |
I'm sorry I've caused so much fuss. | 0:28:48 | 0:28:50 | |
I know I drive you crazy, | 0:28:52 | 0:28:54 | |
but I respect you so much. | 0:28:54 | 0:28:56 | |
I know you all wonder sometimes why I've never settled down. | 0:29:00 | 0:29:03 | |
Why I've never focused on my own life, | 0:29:05 | 0:29:08 | |
a family maybe... | 0:29:08 | 0:29:09 | |
But this has been my family. | 0:29:11 | 0:29:12 | |
Your lives, | 0:29:14 | 0:29:16 | |
their lives... | 0:29:16 | 0:29:17 | |
..it's the only decent family I've ever known. | 0:29:19 | 0:29:21 | |
Jack, Clarissa, Thomas, | 0:29:24 | 0:29:26 | |
you are my family. | 0:29:26 | 0:29:28 | |
I love you. | 0:29:30 | 0:29:32 | |
PHONE RINGS | 0:29:50 | 0:29:51 | |
VOICEMAIL ANSWERS IN SPANISH | 0:29:51 | 0:29:52 | |
HE SPEAKS SPANISH | 0:29:54 | 0:29:56 | |
Hey, she's dead. | 0:29:58 | 0:29:59 | |
Luisa muerta. | 0:30:01 | 0:30:02 | |
You understand me? | 0:30:02 | 0:30:03 | |
You sent her to that farm. | 0:30:03 | 0:30:06 | |
I need to know what you told her. | 0:30:06 | 0:30:08 | |
'Where have you been?' | 0:30:19 | 0:30:20 | |
San Lorenzo. I wanted to check something. | 0:30:20 | 0:30:22 | |
I've been thinking about you and | 0:30:22 | 0:30:24 | |
that girl you were seeing a while back. Amy, right? | 0:30:24 | 0:30:27 | |
Anna? All right... | 0:30:27 | 0:30:28 | |
What's your problem? | 0:30:28 | 0:30:30 | |
She was nice.. | 0:30:30 | 0:30:31 | |
What makes you so sure you can do any better? | 0:30:31 | 0:30:33 | |
What? What are you talking about? | 0:30:33 | 0:30:35 | |
Men...is what I'm talking about. | 0:30:36 | 0:30:38 | |
You think you're romantics, but you're not. | 0:30:39 | 0:30:43 | |
You're obsessives. | 0:30:43 | 0:30:44 | |
You fix on something and nothing else exists. | 0:30:45 | 0:30:48 | |
It's brutal. | 0:30:50 | 0:30:51 | |
A man put you in there. | 0:30:53 | 0:30:54 | |
What does he think he'll achieve? | 0:30:56 | 0:30:58 | |
I'm not alone. | 0:30:58 | 0:31:00 | |
There's 30,000 of us under this earth. | 0:31:00 | 0:31:03 | |
That's a whole city | 0:31:03 | 0:31:04 | |
A city lost. | 0:31:04 | 0:31:06 | |
We're breathing dirt. | 0:31:08 | 0:31:09 | |
You've got time, Nikki. | 0:31:11 | 0:31:12 | |
Six hours. | 0:31:15 | 0:31:17 | |
And then what? | 0:31:17 | 0:31:19 | |
It starts in the liver and then the brain. | 0:31:19 | 0:31:22 | |
The cells start to break down. | 0:31:22 | 0:31:24 | |
-Autolysis. -Nikki... | 0:31:24 | 0:31:26 | |
The first to arrive will be the Phoridae, coffin flies. | 0:31:26 | 0:31:30 | |
They can burrow through two feet of earth. | 0:31:30 | 0:31:32 | |
And the Nicrophorus, the carrion beetles. | 0:31:32 | 0:31:35 | |
And then the ones that feed on the others will join the feast, | 0:31:35 | 0:31:39 | |
the spiders and millipedes and mites, | 0:31:39 | 0:31:41 | |
the insect fauna specific to the region... | 0:31:41 | 0:31:44 | |
Nikki! | 0:31:44 | 0:31:45 | |
Oxygen escapes through the slats. | 0:31:45 | 0:31:47 | |
I haven't got six hours, have I? | 0:31:48 | 0:31:50 | |
Jack, how much time have I got? | 0:31:50 | 0:31:52 | |
You've got time. | 0:31:56 | 0:31:57 | |
You called me. | 0:32:00 | 0:32:01 | |
You said San Lorenzo... PHONE CHIMES | 0:32:01 | 0:32:03 | |
What's that? | 0:32:03 | 0:32:04 | |
It's them, isn't it? | 0:32:05 | 0:32:06 | |
Nikki, I'm going to call you back, OK? | 0:32:08 | 0:32:09 | |
-I'm here. -You're late. | 0:32:15 | 0:32:17 | |
He was meant to get his insulin shot an hour ago. | 0:32:17 | 0:32:19 | |
Why haven't you done what we told you? | 0:32:19 | 0:32:21 | |
You must know time is running out for her. | 0:32:21 | 0:32:22 | |
It takes planning. | 0:32:22 | 0:32:23 | |
I can't just break in there and bust the guy out... | 0:32:23 | 0:32:25 | |
Get him out. | 0:32:25 | 0:32:28 | |
-We'll tell you what to do then. -LAPTOP ALERT | 0:32:28 | 0:32:30 | |
Shit! Shit! | 0:32:37 | 0:32:39 | |
What are you going to do with that? | 0:33:29 | 0:33:31 | |
I want to be able to protect myself. Look what happened to Nikki. | 0:33:31 | 0:33:34 | |
I don't know. | 0:33:35 | 0:33:37 | |
I don't know what I'm going to do. | 0:33:37 | 0:33:39 | |
What do you want from me? | 0:33:44 | 0:33:45 | |
What do they want from you? | 0:33:45 | 0:33:46 | |
The cartel? | 0:33:46 | 0:33:48 | |
They haven't said anything. | 0:33:48 | 0:33:49 | |
You know, don't you? | 0:33:52 | 0:33:54 | |
It's you. | 0:33:56 | 0:33:58 | |
Me? What's me? | 0:33:58 | 0:33:59 | |
I've been to San Lorenzo. | 0:33:59 | 0:34:01 | |
You didn't check out that call box, did you? I did. | 0:34:01 | 0:34:03 | |
I know why Luisa went to the farm that day. | 0:34:03 | 0:34:06 | |
She was told the farmers had been threatened and robbed. | 0:34:06 | 0:34:08 | |
-By the Navajas... -Ah, come on! | 0:34:08 | 0:34:10 | |
The men who demanded the money wore yellow shirts. | 0:34:10 | 0:34:13 | |
Yes. | 0:34:15 | 0:34:17 | |
That's what you and Luisa fought about, wasn't it? | 0:34:17 | 0:34:20 | |
She knew what you were doing, she knew about the corruption. | 0:34:20 | 0:34:23 | |
Who said that? | 0:34:29 | 0:34:30 | |
That's why she went to the farm? | 0:34:31 | 0:34:32 | |
Are you sure? | 0:34:32 | 0:34:34 | |
Go on. Deny it. | 0:34:34 | 0:34:35 | |
OK, we did fight. | 0:34:35 | 0:34:37 | |
The night before I left. | 0:34:38 | 0:34:39 | |
She kept saying that I couldn't see what was in front of me, | 0:34:39 | 0:34:42 | |
that I was blind. | 0:34:42 | 0:34:43 | |
Some of my own men, she said. | 0:34:44 | 0:34:46 | |
Working with the cartel? | 0:34:46 | 0:34:48 | |
I told her she was crazy. | 0:34:48 | 0:34:49 | |
She went to get proof at the farm. | 0:34:50 | 0:34:52 | |
That's why the cartel took her. | 0:34:52 | 0:34:54 | |
So that she couldn't tell me what she'd found out. | 0:34:55 | 0:34:57 | |
She's gone because of me. | 0:34:58 | 0:34:59 | |
You know, the cartel want me to get him out. | 0:35:01 | 0:35:05 | |
The prisoner, El Buitre. | 0:35:06 | 0:35:08 | |
And if I don't do it... | 0:35:08 | 0:35:09 | |
Look, she's only got a few hours of air left. | 0:35:12 | 0:35:16 | |
What does it matter, one more or one less of them? | 0:35:16 | 0:35:19 | |
Nikki matters. | 0:35:19 | 0:35:21 | |
Right, she saves lives. | 0:35:21 | 0:35:23 | |
No, this is not the way. | 0:35:23 | 0:35:24 | |
I'm not asking you, man. | 0:35:24 | 0:35:26 | |
It's my choice, my decision, | 0:35:26 | 0:35:28 | |
my fault. | 0:35:28 | 0:35:29 | |
You're not going to get him out of there with that gun. | 0:35:32 | 0:35:34 | |
Look, the police are terrified of El Buitre, | 0:35:37 | 0:35:39 | |
of what he'll bring down on them, | 0:35:39 | 0:35:41 | |
but they can't just let him go. | 0:35:41 | 0:35:43 | |
But, if he were to die in there, now that would be their worst nightmare. | 0:35:43 | 0:35:47 | |
I don't understand. | 0:35:47 | 0:35:48 | |
I'm saying...there's a better way. | 0:35:48 | 0:35:51 | |
RINGING | 0:36:00 | 0:36:02 | |
Nikki, you're not going to hear from me for an hour or so. | 0:36:02 | 0:36:05 | |
You're not to worry, OK? | 0:36:05 | 0:36:06 | |
I'm going to get you out of there. | 0:36:06 | 0:36:07 | |
What are you going to do? | 0:36:07 | 0:36:09 | |
Jack? | 0:36:10 | 0:36:11 | |
I don't like it any more than you do. | 0:36:25 | 0:36:27 | |
-GUARD: -Espera! | 0:36:57 | 0:36:58 | |
Right, it's a fit. He's hypoglycaemic. | 0:37:01 | 0:37:03 | |
He's had a bad reaction to the insulin. | 0:37:03 | 0:37:05 | |
What else has he taken today? | 0:37:05 | 0:37:07 | |
Give me that blanket. Quickly. | 0:37:07 | 0:37:08 | |
Give him sugar. | 0:37:08 | 0:37:09 | |
Don't be daft, he's having a seizure. It could choke him. | 0:37:09 | 0:37:12 | |
We need emergency care. Do you want him to die in your jail cell? | 0:37:12 | 0:37:14 | |
Call an ambulance. | 0:37:14 | 0:37:16 | |
We're losing him here, we're losing him. Shit! | 0:37:16 | 0:37:18 | |
He's gone into insulin shock. It's a coma. Get me a stretcher. | 0:37:18 | 0:37:20 | |
ALARM BLARES | 0:37:26 | 0:37:28 | |
Elevator, elevator! | 0:37:47 | 0:37:48 | |
Go, go! Let's go, let's go! | 0:37:51 | 0:37:53 | |
No, no, no, no, no. Out, out, out. | 0:38:03 | 0:38:04 | |
He's dangerous. | 0:38:04 | 0:38:05 | |
HE SPEAKS SPANISH | 0:38:08 | 0:38:09 | |
REPLIES IN SPANISH | 0:38:22 | 0:38:23 | |
What's he saying? | 0:38:23 | 0:38:24 | |
He's saying, hit him. | 0:38:24 | 0:38:26 | |
Just do it. | 0:38:26 | 0:38:27 | |
HE SPEAKS SPANISH | 0:38:38 | 0:38:39 | |
He's no use to us dead. | 0:38:48 | 0:38:49 | |
-Jack? -Wait. | 0:38:52 | 0:38:53 | |
Come on, come on, come on come on, come on. | 0:38:57 | 0:38:59 | |
Come on. Don't you die. | 0:39:03 | 0:39:05 | |
Here he comes, here he comes. | 0:39:07 | 0:39:09 | |
PHONE CHIMES | 0:39:10 | 0:39:11 | |
OK. Take us here. | 0:39:13 | 0:39:14 | |
About a half an hour away. | 0:39:16 | 0:39:18 | |
He said they'd know when we got him out. | 0:39:18 | 0:39:20 | |
They've got people in the police, don't they? | 0:39:20 | 0:39:22 | |
The cartel are everywhere. | 0:39:22 | 0:39:23 | |
We're all running out of time. | 0:39:23 | 0:39:24 | |
Here they come. | 0:39:31 | 0:39:33 | |
Where's Nikki? I don't see her. | 0:39:41 | 0:39:43 | |
We saved your life so you can go on killing for the cartel. | 0:39:50 | 0:39:54 | |
I kill for anyone. | 0:39:54 | 0:39:56 | |
The cartel, the police. | 0:39:56 | 0:39:58 | |
Whoever pays me. | 0:39:58 | 0:39:59 | |
And no-one does it as good as me. | 0:40:00 | 0:40:03 | |
Hey, wait. Wait, where is she? Where's Nikki?! | 0:40:11 | 0:40:14 | |
Wait, where are you going? What, are they're bringing her back? Where? | 0:40:14 | 0:40:17 | |
-I don't know. -Where is she? Are they going to bring her out? | 0:40:17 | 0:40:19 | |
Jesus. Shit. | 0:40:21 | 0:40:23 | |
No. No, no, no, no, no, no, no. | 0:40:23 | 0:40:25 | |
Jack. Jack! | 0:40:25 | 0:40:26 | |
No, no, no. Where is she? Nikki? I gave you him, where's my friend? | 0:40:26 | 0:40:30 | |
Wait! | 0:40:30 | 0:40:31 | |
Jesus Christ! | 0:40:32 | 0:40:34 | |
What just happened? | 0:40:34 | 0:40:36 | |
There was no exchange, was there? | 0:40:36 | 0:40:37 | |
He didn't even know what I was talking about! | 0:40:37 | 0:40:39 | |
Why kill him? | 0:40:41 | 0:40:42 | |
He's dead, and all their crimes die with him. | 0:40:45 | 0:40:47 | |
They've got what they want. | 0:40:50 | 0:40:51 | |
It won't be long now, Nikki. | 0:40:52 | 0:40:53 | |
What have you done? | 0:40:54 | 0:40:56 | |
We're going to get you out of there. | 0:40:56 | 0:40:57 | |
We're going home. | 0:40:59 | 0:41:00 | |
PHONE DISCONNECTS | 0:41:02 | 0:41:04 | |
Is she? | 0:41:07 | 0:41:08 | |
Is she coming home? | 0:41:10 | 0:41:11 | |
She's got an hour or two of air left, maybe. | 0:41:13 | 0:41:15 | |
Possibly less, as the carbon dioxide builds up. | 0:41:15 | 0:41:18 | |
Let's go. | 0:41:18 | 0:41:20 | |
The police will be here soon. | 0:41:20 | 0:41:21 | |
What have I done? | 0:41:29 | 0:41:30 | |
VOICES SHOUT IN SPANISH | 0:41:36 | 0:41:37 | |
It's amazing. | 0:41:41 | 0:41:42 | |
Jack, Gustavo, it's amazing. | 0:41:42 | 0:41:44 | |
They were left on the side of the road 30 minutes ago. | 0:41:45 | 0:41:48 | |
My baby. | 0:41:48 | 0:41:49 | |
Nikki? | 0:41:49 | 0:41:50 | |
It won't be long, Jack. | 0:41:51 | 0:41:53 | |
I'm sure of it. Luisa, too. | 0:41:53 | 0:41:55 | |
This is incredible. | 0:41:55 | 0:41:56 | |
MUSIC: Sheila Take A Bow by The Smiths | 0:42:12 | 0:42:15 | |
PHONE VIBRATES | 0:42:21 | 0:42:22 | |
SHE GASPS | 0:42:22 | 0:42:23 | |
PHONE VIBRATES | 0:42:28 | 0:42:30 | |
SHE GASPS | 0:42:30 | 0:42:31 | |
Oh, no, no, no, no, no. | 0:42:36 | 0:42:38 | |
Please! | 0:42:39 | 0:42:40 | |
Just get me out! | 0:42:40 | 0:42:41 | |
They get El Buitre... | 0:42:56 | 0:42:58 | |
..and Ernesto walks free. | 0:42:59 | 0:43:01 | |
Ernesto walks free. | 0:43:03 | 0:43:06 | |
'I've lost one son, | 0:43:19 | 0:43:21 | |
'maybe two. | 0:43:21 | 0:43:22 | |
'If there was anything I could do' | 0:43:22 | 0:43:25 | |
to get them back, I'd do it. | 0:43:25 | 0:43:27 | |
Anything. | 0:43:27 | 0:43:28 | |
Eva. | 0:43:28 | 0:43:29 | |
Eva! Eva! | 0:43:33 | 0:43:36 | |
'Jack, this doesn't make sense.' | 0:43:36 | 0:43:38 | |
She made a deal with them, Gustavo. | 0:43:38 | 0:43:40 | |
She gives them El Buitre, they give her her son back. | 0:43:40 | 0:43:42 | |
-EVA: -Father Cadena, the priest of Chilapa, | 0:43:44 | 0:43:46 | |
he knows people in the cartel. | 0:43:46 | 0:43:48 | |
He's acted as an intermediary for us in the past. | 0:43:48 | 0:43:51 | |
-Nesto? -Mama. | 0:43:51 | 0:43:53 | |
I had access to the prisoner, | 0:43:53 | 0:43:55 | |
she had to find a way to get me to do it. Don't you see? | 0:43:55 | 0:43:58 | |
You wanted something, and you found something to give them in return. | 0:43:58 | 0:44:03 | |
They get El Buitre, and Ernesto walks free. | 0:44:03 | 0:44:06 | |
Eva? | 0:44:06 | 0:44:07 | |
Eva, are you there? | 0:44:07 | 0:44:09 | |
Eva, stop, please. | 0:44:09 | 0:44:10 | |
I know what you did and I know why. | 0:44:10 | 0:44:13 | |
Please, stop. Eva? | 0:44:13 | 0:44:15 | |
'Nikki is OK.' | 0:44:15 | 0:44:16 | |
Tell me where she is, please! | 0:44:16 | 0:44:18 | |
'I'm going to make this right. | 0:44:18 | 0:44:20 | |
'It's all going to be all right.' | 0:44:20 | 0:44:21 | |
Where is she, Eva? Where did you bury her. | 0:44:21 | 0:44:24 | |
She doesn't have much time. | 0:44:24 | 0:44:25 | |
I only did what I had to do. | 0:44:25 | 0:44:27 | |
-Eva! -You think you know what it's like... | 0:44:27 | 0:44:29 | |
Stop! Please, stop! | 0:44:29 | 0:44:30 | |
EVA SCREAMS FRANTICALLY | 0:44:31 | 0:44:32 | |
Eva! Eva! | 0:44:33 | 0:44:35 | |
Eva, what's happening? | 0:44:35 | 0:44:37 | |
Eva! | 0:44:47 | 0:44:48 | |
Eva...Eva. | 0:44:50 | 0:44:52 | |
Oh, God. | 0:44:52 | 0:44:53 | |
Eva? | 0:44:53 | 0:44:54 | |
Eva, where is she? | 0:44:55 | 0:44:57 | |
Oh, my God. Eva? | 0:44:57 | 0:44:59 | |
Eva, wake up and tell me where she is! | 0:44:59 | 0:45:02 | |
Oh, Jesus. | 0:45:02 | 0:45:04 | |
Oh, Jesus. | 0:45:04 | 0:45:05 | |
'I'd give my life for him.' | 0:45:05 | 0:45:07 | |
I'd give all our lives for him. | 0:45:07 | 0:45:09 | |
Nikki? | 0:45:13 | 0:45:14 | |
Are they coming, Jack? | 0:45:14 | 0:45:16 | |
I'm running out of air, I can feel it. | 0:45:16 | 0:45:18 | |
I don't know how much more I can take... | 0:45:21 | 0:45:23 | |
Nikki, listen. | 0:45:24 | 0:45:25 | |
When you were with Eva, when you fell asleep in the car, | 0:45:25 | 0:45:30 | |
do you remember exactly where you were? | 0:45:30 | 0:45:32 | |
Why are you asking me this? | 0:45:32 | 0:45:33 | |
Aren't they...aren't they coming? | 0:45:35 | 0:45:37 | |
Please, did you see anything by the road, any landmarks, | 0:45:37 | 0:45:41 | |
before you passed out? | 0:45:41 | 0:45:43 | |
What do you mean, "passed out"? | 0:45:43 | 0:45:45 | |
I'm scared, Jack. | 0:45:45 | 0:45:47 | |
What's happening? | 0:45:47 | 0:45:49 | |
Please tell me the truth. | 0:45:49 | 0:45:50 | |
I need the truth. | 0:45:50 | 0:45:52 | |
It wasn't the cartel that took you. | 0:45:56 | 0:45:57 | |
It was Eva. | 0:45:59 | 0:46:00 | |
To get Ernesto back. | 0:46:00 | 0:46:02 | |
No. | 0:46:02 | 0:46:03 | |
It was a man who called. | 0:46:03 | 0:46:04 | |
Yeah, I've got her phone. | 0:46:04 | 0:46:06 | |
There's an application on it that changes your voice, | 0:46:06 | 0:46:08 | |
it costs, like, a dollar. | 0:46:08 | 0:46:10 | |
Eva's dead, Nikki. They killed her. | 0:46:10 | 0:46:12 | |
But we're coming to find you. | 0:46:13 | 0:46:14 | |
Now we know it was her that took you, we will find you. | 0:46:14 | 0:46:18 | |
Nikki? | 0:46:22 | 0:46:24 | |
Nikki? | 0:46:25 | 0:46:26 | |
Nikki, are you there? | 0:46:30 | 0:46:31 | |
What's happening, Nikki? | 0:46:31 | 0:46:33 | |
I'm going to get out of here, Jack. | 0:46:33 | 0:46:35 | |
Like you told me. | 0:46:36 | 0:46:37 | |
No, Nikki! Wait, please. | 0:46:39 | 0:46:41 | |
Please, not yet. Not yet. Wait. | 0:46:44 | 0:46:46 | |
Nikki, are you there? What's happening? | 0:46:56 | 0:46:59 | |
Nikki, are you there? | 0:47:14 | 0:47:15 | |
I can't do it. | 0:47:22 | 0:47:23 | |
I'm not strong enough. | 0:47:28 | 0:47:29 | |
Don't you give up, Nikki. | 0:47:32 | 0:47:33 | |
Don't give up. | 0:47:34 | 0:47:36 | |
What you do isn't about death, is it? | 0:47:37 | 0:47:41 | |
It's about the value we place on a life. | 0:47:41 | 0:47:44 | |
That's what I've learnt from you... | 0:47:44 | 0:47:45 | |
Look at the pupae. | 0:47:45 | 0:47:47 | |
..Clarissa, Jack and Thomas. | 0:47:47 | 0:47:49 | |
You only get this in cases of extreme contamination. | 0:47:49 | 0:47:53 | |
Industrial levels. | 0:47:55 | 0:47:57 | |
I found something that seemed to correspond. | 0:47:57 | 0:47:58 | |
A chemical compound developed for industrial R&D. | 0:47:58 | 0:48:02 | |
It sometimes goes under different trade names. | 0:48:02 | 0:48:04 | |
-Nikki? -It still has some limited industrial application, | 0:48:04 | 0:48:06 | |
but it's so carcinogenic, it's restricted to laboratory usage. | 0:48:06 | 0:48:09 | |
Tetracynadine. | 0:48:09 | 0:48:11 | |
What? | 0:48:11 | 0:48:12 | |
Tetracynadine. | 0:48:12 | 0:48:14 | |
Berricane. It's marketed under different names. | 0:48:14 | 0:48:16 | |
What is? | 0:48:16 | 0:48:17 | |
The chemical we found in Javier Rodriguez' liver. | 0:48:17 | 0:48:21 | |
It's an industrial chemical. | 0:48:21 | 0:48:22 | |
Find where they're using Tetracynadine, Jack, | 0:48:22 | 0:48:26 | |
you'll find me. | 0:48:26 | 0:48:28 | |
There's one right here, here and here. | 0:48:28 | 0:48:29 | |
These are small-scale facilities. | 0:48:29 | 0:48:31 | |
We're looking for something much bigger. | 0:48:31 | 0:48:33 | |
This is a heavy-duty chemical, | 0:48:33 | 0:48:34 | |
-it would have to be licensed, controlled... -Like what? | 0:48:34 | 0:48:36 | |
It's used in ore extraction, mining. | 0:48:36 | 0:48:39 | |
There's a copper mine, right here. | 0:48:39 | 0:48:41 | |
It's too far. She wouldn't have had time to get Nikki there | 0:48:41 | 0:48:43 | |
-and get back... -How can you be sure of that? | 0:48:43 | 0:48:45 | |
I can't! I can't be sure about anything. | 0:48:45 | 0:48:47 | |
What about manufacturing, plastics? | 0:48:48 | 0:48:50 | |
It was used in transmission fluid for the automobile industry, | 0:48:50 | 0:48:53 | |
-but they stopped... -What about old cars? Trucks? | 0:48:53 | 0:48:55 | |
There's a scrapyard right here, near Novelda. It's huge. | 0:48:55 | 0:48:57 | |
It's inside the search area. | 0:48:57 | 0:48:59 | |
I know the scrapyard. | 0:48:59 | 0:49:00 | |
Nesto... | 0:49:01 | 0:49:02 | |
We went there. | 0:49:02 | 0:49:03 | |
To Novelda. | 0:49:03 | 0:49:05 | |
-What? -It was years ago, I remember. | 0:49:05 | 0:49:07 | |
Her windshield was cracked, so we went to find a new one. | 0:49:07 | 0:49:09 | |
She knew the guy. | 0:49:10 | 0:49:11 | |
We know where you are, Nikki. We're coming to get you. | 0:49:13 | 0:49:15 | |
Where? Where is it? | 0:49:15 | 0:49:16 | |
There's a scrapyard. | 0:49:16 | 0:49:18 | |
The Tetracynadine, it's leaking out of old transmission units. | 0:49:18 | 0:49:20 | |
Are you sure, Jack? | 0:49:20 | 0:49:22 | |
The level of contamination we're talking about, | 0:49:22 | 0:49:24 | |
there's only one possible site. | 0:49:24 | 0:49:26 | |
The rumbling sound you're hearing, there's a car crusher. | 0:49:26 | 0:49:29 | |
It's the place, I'm sure of it. | 0:49:29 | 0:49:31 | |
You're going to be home in London for the weekend. | 0:49:31 | 0:49:34 | |
Forecast is for eight degrees and drizzle. | 0:49:34 | 0:49:36 | |
Sounds beautiful, Jack. | 0:49:36 | 0:49:38 | |
We're here. Tell me if you can hear this. | 0:49:51 | 0:49:54 | |
Nikki! | 0:49:54 | 0:49:56 | |
Nikki! | 0:49:56 | 0:49:57 | |
OK, stay with me. | 0:50:00 | 0:50:01 | |
You stay with me. | 0:50:02 | 0:50:03 | |
Stay with me. We're coming for you. | 0:50:07 | 0:50:09 | |
We're coming. Nikki! | 0:50:09 | 0:50:11 | |
Nikki! | 0:50:12 | 0:50:13 | |
I can't find... | 0:50:53 | 0:50:54 | |
HEAVY MACHINERY OPERATING | 0:50:56 | 0:50:57 | |
OK. OK. | 0:51:07 | 0:51:09 | |
Gustavo. | 0:51:17 | 0:51:18 | |
Gustavo! | 0:51:19 | 0:51:21 | |
Over here! | 0:51:21 | 0:51:22 | |
Get someone to move this truck. | 0:51:22 | 0:51:24 | |
Come on. | 0:51:25 | 0:51:26 | |
Push it. | 0:51:26 | 0:51:28 | |
Push! | 0:51:28 | 0:51:30 | |
Can you hear us, Nikki? | 0:51:33 | 0:51:35 | |
You're close. I know it. | 0:51:35 | 0:51:37 | |
We're coming for you. | 0:51:37 | 0:51:39 | |
Come on. | 0:51:41 | 0:51:43 | |
We're coming, Nikki. Cover your eyes! | 0:51:43 | 0:51:44 | |
Nikki! | 0:51:51 | 0:51:52 | |
Nikki! | 0:51:52 | 0:51:54 | |
Nikki? | 0:51:54 | 0:51:55 | |
Nikki? | 0:51:55 | 0:51:56 | |
Where are you? | 0:52:09 | 0:52:10 | |
Have you found them, Jack? | 0:52:11 | 0:52:13 | |
Have you found them? | 0:52:14 | 0:52:15 | |
You're not here? | 0:52:15 | 0:52:17 | |
Are they alive, Jack? | 0:52:17 | 0:52:18 | |
Yes, they're alive, but, Nikki... | 0:52:18 | 0:52:20 | |
I don't understand. | 0:52:22 | 0:52:23 | |
Oh, Nikki..... | 0:52:26 | 0:52:27 | |
Luisa... | 0:52:27 | 0:52:29 | |
is she there? | 0:52:29 | 0:52:30 | |
What have you done? | 0:52:32 | 0:52:33 | |
What have you done?! | 0:52:38 | 0:52:39 | |
The Tetracynadine that was in Javier's body... | 0:52:39 | 0:52:42 | |
..kills insects, | 0:52:44 | 0:52:46 | |
any invertebrate life... | 0:52:46 | 0:52:48 | |
There was a scorpion, | 0:52:49 | 0:52:51 | |
so it's not where I am... | 0:52:51 | 0:52:52 | |
..but I'm glad... | 0:52:54 | 0:52:55 | |
No, no, no. | 0:52:55 | 0:52:57 | |
No, Nikki, no. You could have... | 0:52:59 | 0:53:00 | |
How many are there, Jack? | 0:53:00 | 0:53:02 | |
Oh, my God. | 0:53:03 | 0:53:05 | |
20, 30. | 0:53:05 | 0:53:07 | |
And they're alive? | 0:53:07 | 0:53:08 | |
Yes, they're alive. | 0:53:08 | 0:53:10 | |
Luisa? | 0:53:10 | 0:53:11 | |
Yes, she's alive. She's with Gustavo now. | 0:53:11 | 0:53:14 | |
No, wait. | 0:53:30 | 0:53:32 | |
Wait, wait, wait. | 0:53:32 | 0:53:33 | |
Wait, the air. | 0:53:33 | 0:53:34 | |
-The air shouldn't have... -It's OK. | 0:53:34 | 0:53:36 | |
It's OK, Jack. | 0:53:38 | 0:53:40 | |
Really. | 0:53:40 | 0:53:41 | |
It's all going to be OK. | 0:53:43 | 0:53:44 | |
Nikki, I didn't tell you... | 0:53:45 | 0:53:47 | |
PHONE BEEPS | 0:53:47 | 0:53:48 | |
It's a nice place. | 0:54:06 | 0:54:07 | |
'No tornadoes.' | 0:54:09 | 0:54:11 | |
No tornadoes. | 0:54:11 | 0:54:12 | |
'No volcanoes.' | 0:54:12 | 0:54:13 | |
No volcanoes. | 0:54:13 | 0:54:14 | |
I'm coming, Mum... | 0:54:20 | 0:54:21 | |
Wait, wait, wait. | 0:55:04 | 0:55:06 | |
Wait, the air. | 0:55:06 | 0:55:07 | |
Nikki, I didn't tell you this, but you should... | 0:55:17 | 0:55:19 | |
WEAKLY: I shouldn't be alive. | 0:55:19 | 0:55:21 | |
There must be air. | 0:55:30 | 0:55:31 | |
Well, I have to be at the dig in the morning. | 0:55:43 | 0:55:45 | |
We're excavating Cahitas. | 0:55:45 | 0:55:47 | |
Burial mounds on the coast. | 0:55:48 | 0:55:50 | |
3,000 years old. | 0:55:50 | 0:55:51 | |
I'm not underground. | 0:55:54 | 0:55:56 | |
SHE GROANS WITH EFFORT | 0:55:58 | 0:56:00 | |
THUMPING | 0:56:00 | 0:56:02 | |
MORE GROANING | 0:56:06 | 0:56:07 | |
SHE CONTINUES TO GROAN WITH EFFORT | 0:56:15 | 0:56:18 | |
WOOD CREAKS AND SNAPS | 0:56:22 | 0:56:24 | |
# Is it wrong to want to live on your own? | 0:58:31 | 0:58:34 | |
# No, it's not wrong but I must know | 0:58:34 | 0:58:38 | |
# How can someone so young sing words so sad? | 0:58:38 | 0:58:46 | |
# Sheila take a, Sheila take a bow | 0:58:47 | 0:58:50 | |
# Boot the grime of this world in the crotch, dear | 0:58:50 | 0:58:54 | |
# And don't go home tonight... # | 0:58:54 | 0:58:58 |