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This programme contains some violent scenes and some scenes of a sexual nature | 0:00:02 | 0:00:08 | |
# Testator silens | 0:00:28 | 0:00:35 | |
# Costestes e spiritu | 0:00:35 | 0:00:43 | |
# Silentium. # | 0:00:43 | 0:00:50 | |
Did you find anything keeping her down? | 0:01:06 | 0:01:08 | |
No, we didn't see anything. | 0:01:08 | 0:01:10 | |
DI Ashton. | 0:01:16 | 0:01:18 | |
Nikki Alexander. | 0:01:18 | 0:01:19 | |
What we got? | 0:01:19 | 0:01:21 | |
Think this is her - Lorna Katz. | 0:01:21 | 0:01:23 | |
How long's she been in there? | 0:01:23 | 0:01:24 | |
Well, there's no major skin slippage. | 0:01:24 | 0:01:26 | |
When was she reported missing? | 0:01:26 | 0:01:28 | |
Two days ago. By her ex. | 0:01:28 | 0:01:30 | |
Was she not weighted down? | 0:01:30 | 0:01:31 | |
Your diver said not. | 0:01:31 | 0:01:32 | |
There's a significant head injury to the frontal region. | 0:01:32 | 0:01:36 | |
Could've happened pre or post being in the water. | 0:01:36 | 0:01:38 | |
I won't be able to tell you much until the post... | 0:01:38 | 0:01:40 | |
Postmortem. Thanks. | 0:01:40 | 0:01:43 | |
-Hello. -Hi. | 0:01:50 | 0:01:51 | |
There's no current here. | 0:01:51 | 0:01:53 | |
Where'd you think she went in? | 0:01:53 | 0:01:54 | |
Could've been the Thames locally or the Lea or the Fleet. | 0:01:54 | 0:01:59 | |
There's dozens of rivers and waterways that flow through here. | 0:01:59 | 0:02:02 | |
Great(!) | 0:02:02 | 0:02:03 | |
Sorry. Just saying it as it is. | 0:02:03 | 0:02:05 | |
If you want more than a pass | 0:02:10 | 0:02:11 | |
then you need to be using the history clinics, OK? | 0:02:11 | 0:02:15 | |
BELL RINGS | 0:02:15 | 0:02:17 | |
Hey, and essays on my desk by Monday. Thank you. | 0:02:17 | 0:02:22 | |
Hiya. | 0:02:25 | 0:02:27 | |
Hello, Jean. | 0:02:27 | 0:02:28 | |
Excuse me! | 0:02:31 | 0:02:32 | |
I saw Chris last night. | 0:02:33 | 0:02:36 | |
And why would I want to know that? | 0:02:36 | 0:02:38 | |
He said he's been trying to get in touch with you. | 0:02:38 | 0:02:41 | |
He looked haunted, actually. | 0:02:44 | 0:02:47 | |
You didn't give him my address? | 0:02:47 | 0:02:48 | |
No. No, of course not. | 0:02:48 | 0:02:50 | |
She got family? | 0:02:52 | 0:02:54 | |
A father. Lives abroad. He's been informed. | 0:02:54 | 0:02:56 | |
When was she last seen alive? | 0:02:58 | 0:03:00 | |
Coming out of the Star and Garter | 0:03:00 | 0:03:02 | |
on Grafton Street about 12.30am Tuesday night. | 0:03:02 | 0:03:06 | |
We have the remains of binding. | 0:03:08 | 0:03:11 | |
Heavy-duty tape. And bites. | 0:03:13 | 0:03:16 | |
Scalloping and yellowing. Rat bites. | 0:03:16 | 0:03:19 | |
Lividity? | 0:03:19 | 0:03:20 | |
Well, the blood's collected here, can you see? | 0:03:23 | 0:03:26 | |
So she must've been lying on this bit of her back for at least | 0:03:26 | 0:03:29 | |
a couple of hours after death. | 0:03:29 | 0:03:31 | |
There's some kind of patterning on the edge of it. | 0:03:31 | 0:03:34 | |
What would've caused that? | 0:03:34 | 0:03:35 | |
Maybe she was lying against panelling...or grating. | 0:03:36 | 0:03:40 | |
Are those numbers? | 0:03:44 | 0:03:45 | |
It looks like an indentation of an H. | 0:03:47 | 0:03:49 | |
When did she die? Have you got a time for me? | 0:03:49 | 0:03:52 | |
I can't say for sure. She went missing Tuesday night? | 0:03:52 | 0:03:55 | |
Probably no more than a couple of hours after she was last seen alive. | 0:03:58 | 0:04:01 | |
OK, we've got her mobile number off her father. | 0:04:03 | 0:04:07 | |
The service provider's come up with a list of calls she made. | 0:04:07 | 0:04:10 | |
The last one was to a Kieran Vale. | 0:04:10 | 0:04:13 | |
I called her around midnight. | 0:04:15 | 0:04:18 | |
S...she left a voicemail first. | 0:04:18 | 0:04:20 | |
-RECORDING: -'Kieran, it's Lorna. Call me back. I'm.... Just call me back.' | 0:04:22 | 0:04:27 | |
The time of that call? | 0:04:27 | 0:04:29 | |
23.46. | 0:04:30 | 0:04:32 | |
Er, can I ask you, how long you and Lorna were a couple? | 0:04:33 | 0:04:38 | |
Three years, just over. We go way back, though. | 0:04:38 | 0:04:41 | |
Knew each other at school. | 0:04:41 | 0:04:43 | |
When did you split up? | 0:04:43 | 0:04:45 | |
Couple of months ago. Her decision. | 0:04:45 | 0:04:49 | |
But she still kept in touch? | 0:04:49 | 0:04:51 | |
-Yeah. -Did she meet somebody else? | 0:04:51 | 0:04:53 | |
She said she didn't, but...I got all the usual bollocks about how | 0:04:53 | 0:04:57 | |
she loved me but not in that way. | 0:04:57 | 0:04:59 | |
You must've been pretty pissed off. After three years. | 0:04:59 | 0:05:02 | |
All I had to do was wait. | 0:05:02 | 0:05:05 | |
She would've come back. | 0:05:05 | 0:05:07 | |
Where were you when you returned her call? | 0:05:08 | 0:05:11 | |
At home. | 0:05:11 | 0:05:12 | |
Can anyone confirm that? | 0:05:12 | 0:05:13 | |
No. I wouldn't hurt her, OK? I never touched her! | 0:05:13 | 0:05:18 | |
What did you do after calling her? | 0:05:18 | 0:05:20 | |
I went to bed. Then about an hour later... | 0:05:20 | 0:05:25 | |
Yeah, here, look. Erm...1.23. | 0:05:26 | 0:05:30 | |
She sent me a text saying how sorry she was and how she'd made | 0:05:30 | 0:05:34 | |
a mistake about us and could we meet up. | 0:05:34 | 0:05:36 | |
What's this? | 0:05:38 | 0:05:39 | |
It was with the message. I dunno. | 0:05:39 | 0:05:42 | |
I don't know why she sent it. | 0:05:43 | 0:05:45 | |
So what next? Did you text her, ring her back, go meet her? | 0:05:47 | 0:05:50 | |
No. | 0:05:50 | 0:05:52 | |
Really, no? Come on, what happened? | 0:05:52 | 0:05:54 | |
What? Wasn't she as sorry as you wanted her to be? | 0:05:54 | 0:05:57 | |
-What you getting at? -Did she get down on her knees and beg you to come back? | 0:05:57 | 0:06:00 | |
You're sick in the bloody head! | 0:06:00 | 0:06:01 | |
Am I really? You've got no alibi but you've got a motive. | 0:06:01 | 0:06:03 | |
-You don't believe me? -She dumped you! | 0:06:03 | 0:06:05 | |
Whoa. | 0:06:05 | 0:06:06 | |
Check out my phone. | 0:06:06 | 0:06:08 | |
You can tell where I was from that, can't you? | 0:06:08 | 0:06:11 | |
I was home. I never went anywhere. | 0:06:11 | 0:06:14 | |
This is the Royal Albert Dock, | 0:06:24 | 0:06:25 | |
where Lorna's body was found, | 0:06:25 | 0:06:27 | |
and this is where she was last seen alive. | 0:06:27 | 0:06:30 | |
Looking at tidal patterns over the last few days, we think that | 0:06:30 | 0:06:33 | |
she was carried down the River Lea last night by a flood peak. | 0:06:33 | 0:06:36 | |
So she drowned? | 0:06:36 | 0:06:38 | |
Yep, she had plant debris in her lungs and bacterioplankton | 0:06:38 | 0:06:41 | |
matching the River Lea in her organs. | 0:06:41 | 0:06:43 | |
But after she drowned, her body was lying somewhere for some time, | 0:06:43 | 0:06:46 | |
hence the lividity, before being released into the river. | 0:06:46 | 0:06:50 | |
Where would that be? | 0:06:50 | 0:06:51 | |
Well, most likely somewhere between where she was last seen | 0:06:51 | 0:06:54 | |
and where the body washed up. | 0:06:54 | 0:06:55 | |
There were also traces of a weedkiller called Glyphosate | 0:06:55 | 0:06:59 | |
-in her body. -They use that around rivers, don't they? | 0:06:59 | 0:07:01 | |
Yeah, but you need permission from the Environment Agency. | 0:07:01 | 0:07:04 | |
It's sprayed on things like Japanese knotweed. | 0:07:04 | 0:07:06 | |
So we've marked on here areas where knotweed's been reported. | 0:07:06 | 0:07:09 | |
Where do you want to start? | 0:07:09 | 0:07:11 | |
If she was dumped in the river here, | 0:07:21 | 0:07:23 | |
the tide would had to have been high enough at the time. | 0:07:23 | 0:07:26 | |
If it's low tide, you'd have mud banks on either side. | 0:07:26 | 0:07:29 | |
-PHONE RINGS -OK. | 0:07:29 | 0:07:30 | |
Hi. | 0:07:33 | 0:07:35 | |
Where are you? | 0:07:35 | 0:07:36 | |
Good question. | 0:07:36 | 0:07:38 | |
Er, TQ391 816. | 0:07:38 | 0:07:40 | |
Oh...my favourite place. | 0:07:40 | 0:07:43 | |
Glad you like it. | 0:07:43 | 0:07:45 | |
I've got an update from the Environment Agency. | 0:07:45 | 0:07:48 | |
Check out... | 0:07:48 | 0:07:50 | |
TQ386 818. | 0:07:50 | 0:07:54 | |
That was only sprayed four days ago. | 0:07:54 | 0:07:57 | |
All right, will do. Cheers. Bye. | 0:07:57 | 0:07:59 | |
Ah, here we go. | 0:08:08 | 0:08:09 | |
Japanese knotweed. | 0:08:13 | 0:08:15 | |
Hey, what's that? | 0:08:22 | 0:08:24 | |
-It's an old sewer outflow. -Sewer? | 0:08:25 | 0:08:27 | |
PHONE RINGS | 0:08:33 | 0:08:35 | |
Jack? | 0:08:35 | 0:08:37 | |
Yeah, er, that lettering in the lividity. | 0:08:37 | 0:08:40 | |
Could it have something to do with drainage and sewers? | 0:08:40 | 0:08:43 | |
Give me a second. | 0:08:44 | 0:08:46 | |
Maybe something. | 0:08:52 | 0:08:54 | |
Yeah, here we go. | 0:08:55 | 0:08:58 | |
"H" could be Hollis and Sons. An ironworks. | 0:08:58 | 0:09:02 | |
OK, brilliant. Thanks. Bye. | 0:09:02 | 0:09:04 | |
You ready to get smelly? | 0:09:05 | 0:09:07 | |
Are we going in? | 0:09:09 | 0:09:10 | |
Oh, yeah. | 0:09:10 | 0:09:12 | |
-You OK? -Yeah. | 0:09:30 | 0:09:32 | |
Er, how are we with tides, Jack? | 0:09:41 | 0:09:44 | |
Plenty of time. | 0:09:44 | 0:09:45 | |
Here it is. Huh? | 0:10:02 | 0:10:04 | |
Is that what made the lividity marks? | 0:10:06 | 0:10:08 | |
Yes, this is it. Her body was here. | 0:10:08 | 0:10:13 | |
The floodwaters, they've raised the body, | 0:10:16 | 0:10:20 | |
moving her against the pipe, rising and falling... | 0:10:20 | 0:10:24 | |
And cutting through the tape. | 0:10:24 | 0:10:26 | |
Yeah. | 0:10:26 | 0:10:28 | |
CAMERA CLICKS | 0:10:36 | 0:10:37 | |
CHILDREN LAUGH AND SHOUT | 0:10:37 | 0:10:40 | |
BELL RINGS | 0:10:46 | 0:10:48 | |
Right, break's over. Everyone head in. | 0:10:48 | 0:10:50 | |
Ali? | 0:10:52 | 0:10:53 | |
What are you doing here? | 0:10:55 | 0:10:57 | |
Do you want me to call the police? | 0:10:59 | 0:11:01 | |
You should see this. | 0:11:03 | 0:11:05 | |
You've found a body. Lorna. | 0:11:27 | 0:11:30 | |
You knew her, did you? | 0:11:30 | 0:11:31 | |
Three years ago, or thereabouts. | 0:11:31 | 0:11:33 | |
She was a friend of my daughter, who died then. | 0:11:33 | 0:11:35 | |
Not died. Disappeared. | 0:11:35 | 0:11:38 | |
Her body hasn't been found, but... | 0:11:38 | 0:11:39 | |
She was a missing person. | 0:11:39 | 0:11:41 | |
Right. I'm sorry. Your daughter's name? | 0:11:41 | 0:11:42 | |
Ruth Tresize. | 0:11:42 | 0:11:45 | |
She was murdered, was she? Lorna? | 0:11:45 | 0:11:47 | |
We're still trying to establish what happened... | 0:11:48 | 0:11:51 | |
Because there's no way that's a coincidence, is it? | 0:11:51 | 0:11:54 | |
Two young women, two friends. It has to be the same killer. | 0:11:54 | 0:11:58 | |
Can I ask exactly where your daughter went missing? | 0:11:58 | 0:12:00 | |
The banks of the River Lea. | 0:12:02 | 0:12:04 | |
'It was New Year's Eve. | 0:12:05 | 0:12:07 | |
'We were having a party. | 0:12:07 | 0:12:09 | |
'Ruth and I argued. | 0:12:11 | 0:12:13 | |
'She ran off.' | 0:12:15 | 0:12:16 | |
I phoned around her friends - not everybody answered. | 0:12:18 | 0:12:21 | |
I tried again in the morning but nobody'd seen her. | 0:12:22 | 0:12:25 | |
So you think she disappeared rather than...? | 0:12:25 | 0:12:27 | |
I think she ran off. | 0:12:27 | 0:12:29 | |
I think she's living her life somewhere else. | 0:12:29 | 0:12:33 | |
Because...? Did she get in contact? | 0:12:33 | 0:12:36 | |
No, just... | 0:12:36 | 0:12:39 | |
If she was no longer alive, I think I'd know that. | 0:12:39 | 0:12:44 | |
Was there ever a suspect or... | 0:12:44 | 0:12:46 | |
someone involved in Ruth's disappearance? | 0:12:46 | 0:12:48 | |
-Me. -My husband was physically abusing our daughter... | 0:12:48 | 0:12:51 | |
I slapped her. Once. | 0:12:51 | 0:12:53 | |
So you said. | 0:12:53 | 0:12:54 | |
Why have I let you drag me here? | 0:12:56 | 0:12:59 | |
Right, I'm going to look into this. | 0:12:59 | 0:13:01 | |
Are you OK to wait here? | 0:13:01 | 0:13:03 | |
-RECORDING: -'You're hurting me, Lorna! You're torturing me.' | 0:13:05 | 0:13:08 | |
Was this left on Lorna's voicemail? | 0:13:08 | 0:13:10 | |
-Yeah. -What, the night she died? -Mm-hmm. | 0:13:10 | 0:13:13 | |
'Do you want me to come and find you? | 0:13:13 | 0:13:14 | |
'You want that, do you?! You want me to come find you, you bitch?! | 0:13:14 | 0:13:18 | |
'You know what'll happen if I do.' | 0:13:18 | 0:13:20 | |
It goes on like that, escalating. Angrier and angrier. | 0:13:21 | 0:13:24 | |
Half a dozen messages. | 0:13:24 | 0:13:26 | |
From... | 0:13:26 | 0:13:28 | |
..this guy - Aaron Logan. | 0:13:30 | 0:13:32 | |
PHONE RINGS | 0:13:32 | 0:13:33 | |
Hi. | 0:13:35 | 0:13:36 | |
We've had a walk-in. A couple, kind of. | 0:13:36 | 0:13:39 | |
'Their daughter went missing. Might be a connection. | 0:13:39 | 0:13:42 | |
'I've e-mailed the file through.' | 0:13:42 | 0:13:43 | |
-Got an e-mail from us? -Uh... | 0:13:43 | 0:13:46 | |
Yeah, it's on screen. | 0:13:47 | 0:13:50 | |
'Right, the photo you're looking at | 0:13:50 | 0:13:52 | |
'is of a 15-year-old girl called Ruth Tresize.' | 0:13:52 | 0:13:54 | |
She went missing on New Year's Eve three years ago. | 0:13:54 | 0:13:57 | |
Her last known location was on the banks of the River Lea in Clapton. | 0:13:57 | 0:14:00 | |
And? | 0:14:00 | 0:14:01 | |
'And she was friends with Lorna Katz. | 0:14:01 | 0:14:04 | |
'They were at school together.' | 0:14:04 | 0:14:06 | |
So, what are you saying? That we're looking at a second victim? | 0:14:06 | 0:14:08 | |
'There was no body with Ruth. The investigation was inconclusive.' | 0:14:08 | 0:14:12 | |
Hang on. Erm... | 0:14:12 | 0:14:14 | |
Who was questioned? | 0:14:14 | 0:14:16 | |
Her father, for one. His wife accused him of physically | 0:14:16 | 0:14:19 | |
abusing their daughter. | 0:14:19 | 0:14:20 | |
He was hounded out of his job as a teacher because of it. | 0:14:20 | 0:14:22 | |
-Anybody else? -'Yeah.' | 0:14:22 | 0:14:24 | |
Names - Lee Rundle, Michael Kempson, | 0:14:24 | 0:14:27 | |
Toby Daniels, Aaron Logan. | 0:14:27 | 0:14:30 | |
Stop. Erm, that last name again, please? | 0:14:30 | 0:14:32 | |
'Aaron Logan.' | 0:14:32 | 0:14:34 | |
Here you go, ladies. | 0:14:52 | 0:14:54 | |
PHONE RINGS | 0:14:54 | 0:14:56 | |
All right, mate? | 0:15:00 | 0:15:01 | |
Yeah, I need you. I've got police here. | 0:15:01 | 0:15:04 | |
Aaron Logan? | 0:15:10 | 0:15:12 | |
Yeah, that's me. | 0:15:12 | 0:15:14 | |
Detective Inspector Ashton. | 0:15:14 | 0:15:16 | |
I'm afraid I have some bad news. | 0:15:16 | 0:15:18 | |
Can we go come onboard? | 0:15:19 | 0:15:21 | |
You want her to have been murdered, don't you? | 0:15:25 | 0:15:29 | |
I want to know the truth. | 0:15:29 | 0:15:30 | |
No, you want to be right. | 0:15:30 | 0:15:34 | |
Hi, I'm here to see DI Ashton. Nikki Alexander, pathologist. | 0:16:21 | 0:16:24 | |
Jack Hodgson, forensics. | 0:16:24 | 0:16:26 | |
Can I ask what it's concerning? | 0:16:26 | 0:16:28 | |
The Lorna Katz case. | 0:16:28 | 0:16:29 | |
Can you sign there, please? | 0:16:29 | 0:16:30 | |
I can take them, Sarge. | 0:16:30 | 0:16:32 | |
-If you'd like to follow me, please. -Thanks. | 0:16:35 | 0:16:37 | |
Open your mouth. | 0:17:01 | 0:17:03 | |
-RECORDING: -'You're hurting me, Lorna! You're torturing me. | 0:17:15 | 0:17:18 | |
'Do you want me to come and find you? | 0:17:18 | 0:17:20 | |
'You want that, do you?! You want me to come find you, you bitch?! | 0:17:20 | 0:17:23 | |
'You know what'll happen if I do.' | 0:17:23 | 0:17:25 | |
What did happen when you found her? | 0:17:28 | 0:17:30 | |
I didn't find her. | 0:17:30 | 0:17:31 | |
Why were you so desperate to? | 0:17:31 | 0:17:33 | |
Because we'd argued and I wanted to put it right. | 0:17:33 | 0:17:35 | |
Argued about what? | 0:17:35 | 0:17:36 | |
She was asking about my mum and my brother. | 0:17:38 | 0:17:40 | |
Stuff I didn't want to go into so she got pissed off and walked. | 0:17:40 | 0:17:43 | |
-What time was this? -Midnight, something like that. | 0:17:43 | 0:17:46 | |
And you followed her, yeah? | 0:17:46 | 0:17:47 | |
-HE SLAMS DESK -I didn't follow her! | 0:17:47 | 0:17:49 | |
I went to my brother's. | 0:17:51 | 0:17:53 | |
Until when? | 0:17:53 | 0:17:54 | |
All night. I slept there. | 0:17:54 | 0:17:56 | |
What was your relationship with her? Were you friends? | 0:17:57 | 0:18:00 | |
Were you boyfriend and girlfriend? | 0:18:00 | 0:18:03 | |
We had sex sometimes. | 0:18:03 | 0:18:05 | |
How long you been living on your houseboat, Mr Logan? | 0:18:06 | 0:18:10 | |
OK. We have you at that address more than three years ago. | 0:18:12 | 0:18:17 | |
Straight after Ruth Tresize went missing, you moved up to Edinburgh. | 0:18:17 | 0:18:21 | |
Ruth Tresize? | 0:18:21 | 0:18:23 | |
Mr Logan was questioned at the time | 0:18:23 | 0:18:25 | |
in connection with her disappearance. | 0:18:25 | 0:18:27 | |
So why's he being questioned now about Lorna Katz? | 0:18:27 | 0:18:29 | |
The victims knew one another and they both knew Mr Logan. | 0:18:29 | 0:18:33 | |
So how did you meet them? Was it at school? | 0:18:33 | 0:18:36 | |
Ruth's mother was my teacher. | 0:18:38 | 0:18:41 | |
She invited me round sometimes after my mum died. | 0:18:41 | 0:18:44 | |
She took her own life, your mother, didn't she? | 0:18:44 | 0:18:48 | |
Right, I'm calling a halt on this. Mr Logan is here voluntarily. | 0:18:48 | 0:18:52 | |
He tried that too. | 0:18:52 | 0:18:53 | |
Who tried what? | 0:18:53 | 0:18:55 | |
Your predecessor - Chief Inspector Ross. | 0:18:55 | 0:18:58 | |
Cos I found my mum dead, it warped my head or some shit, | 0:18:59 | 0:19:03 | |
turned me into a psycho? | 0:19:03 | 0:19:05 | |
You got no more idea than him. | 0:19:06 | 0:19:09 | |
Kieran Vale's story holds up. | 0:19:10 | 0:19:12 | |
The calls between him and Lorna Katz, | 0:19:12 | 0:19:13 | |
we traced them. He was at home when he made them, like he said. | 0:19:13 | 0:19:16 | |
-Have you let him go? -Yeah. -Sh, sh... | 0:19:16 | 0:19:19 | |
That is Aaron Logan's brother and his sister-in-law. | 0:19:24 | 0:19:28 | |
She's confirmed his alibi. | 0:19:28 | 0:19:30 | |
Apparently he was with them when Lorna was killed. | 0:19:30 | 0:19:33 | |
So we've got two suspects and they've both got alibis. | 0:19:37 | 0:19:40 | |
So we got nothing. | 0:19:40 | 0:19:42 | |
Wait, stop! | 0:19:43 | 0:19:44 | |
-Are you all right? -Sorry. Sorry. | 0:19:46 | 0:19:48 | |
I overheard. You're...you're a pathologist, right? | 0:19:48 | 0:19:50 | |
On the Lorna Katz case? | 0:19:50 | 0:19:52 | |
I'm Ali Tresize. My daughter's name is Ruth? | 0:19:52 | 0:19:55 | |
Right. I'm really sorry, but I'm not at liberty to... | 0:19:55 | 0:19:58 | |
How did Lorna die? I need to know if she was murdered. | 0:19:58 | 0:20:02 | |
I'm so sorry. | 0:20:02 | 0:20:04 | |
This is completely inappropriate of me, isn't it, | 0:20:04 | 0:20:06 | |
to ambush you like this? | 0:20:06 | 0:20:07 | |
You need to refer any questions to the police, I'm afraid. | 0:20:07 | 0:20:10 | |
-Yeah, yeah, I get that. Yeah. -Yeah, sorry. | 0:20:10 | 0:20:12 | |
Bye-bye. | 0:20:14 | 0:20:15 | |
-Poor woman. -What? | 0:20:19 | 0:20:22 | |
Not knowing. | 0:20:22 | 0:20:23 | |
MUSIC PLAYS | 0:21:17 | 0:21:19 | |
Hey. Hey. | 0:21:21 | 0:21:23 | |
Yes, yes, yes. You all right? | 0:21:23 | 0:21:25 | |
Look, we're celebrating, man. | 0:21:25 | 0:21:26 | |
Sarah don't want anyone to know until the first scan but... | 0:21:26 | 0:21:30 | |
we finally did it, man, she's pregnant. | 0:21:30 | 0:21:32 | |
Oh, I'm really happy for you, man. | 0:21:32 | 0:21:34 | |
Come here, bro. | 0:21:34 | 0:21:36 | |
-Jesus, you wuss! -I'm being silly, man. | 0:21:36 | 0:21:39 | |
-Don't be stupid. -Do you want a drink? | 0:21:39 | 0:21:41 | |
Ah, here he is, here's the fella! | 0:21:42 | 0:21:44 | |
He's told you, hasn't he? | 0:21:44 | 0:21:46 | |
Told me what? | 0:21:46 | 0:21:47 | |
-IVF. -Um... | 0:21:48 | 0:21:50 | |
Don't lie to me. Come here. | 0:21:50 | 0:21:52 | |
I'm made up for you. | 0:21:52 | 0:21:54 | |
Hey, thank you for today. | 0:21:55 | 0:21:56 | |
Oh, you're welcome. | 0:21:56 | 0:21:58 | |
-Hi, Sarah. -Oh, my God! | 0:21:58 | 0:22:00 | |
Hi. How are you? | 0:22:00 | 0:22:02 | |
Yeah, good. | 0:22:02 | 0:22:03 | |
HE SNORTS | 0:22:24 | 0:22:26 | |
If you don't speak to me, I can't help you. | 0:22:31 | 0:22:33 | |
Oh, Jesus, don't do that shit in here. | 0:22:37 | 0:22:39 | |
I don't need it. I don't need none of this counselling speak. | 0:22:39 | 0:22:41 | |
I'm fine. | 0:22:41 | 0:22:43 | |
OK. So she was just a shag, was she? | 0:22:43 | 0:22:46 | |
You'd have liked to have found out, wouldn't you? | 0:22:46 | 0:22:48 | |
Oh, absolutely. Just a bit of pussy... | 0:22:48 | 0:22:50 | |
That's better! Some reaction. | 0:22:50 | 0:22:52 | |
-You think you know everything, don't you?! -Come on, then. | 0:22:52 | 0:22:55 | |
-Think you're the man? -Go on. Come at me. | 0:22:55 | 0:22:57 | |
Go on. | 0:22:57 | 0:22:58 | |
Lorna. | 0:23:06 | 0:23:07 | |
They showed me pictures of her. | 0:23:09 | 0:23:11 | |
Come here, bro. Come on. | 0:23:13 | 0:23:15 | |
It's OK. It's OK, bro. | 0:23:17 | 0:23:20 | |
DANCE MUSIC BLARES | 0:23:20 | 0:23:23 | |
Mind your head. | 0:23:43 | 0:23:45 | |
THEY GIGGLE | 0:23:45 | 0:23:47 | |
Jesus! | 0:23:50 | 0:23:51 | |
You are a...slut. | 0:23:51 | 0:23:54 | |
Look at this place. | 0:23:54 | 0:23:56 | |
THEY GIGGLE | 0:23:56 | 0:23:58 | |
Is that your brother? He's a good laugh. | 0:24:07 | 0:24:10 | |
Fancy him, do you? | 0:24:10 | 0:24:11 | |
No! | 0:24:13 | 0:24:14 | |
He's taken anyway. You got yourself the runt of the family. | 0:24:16 | 0:24:20 | |
I like runts...if you're a runt. | 0:24:22 | 0:24:25 | |
I don't know him. I know Sarah a bit. | 0:24:26 | 0:24:29 | |
They seem really close. | 0:24:29 | 0:24:31 | |
He worships her. | 0:24:31 | 0:24:33 | |
She wanted kids, he shot blanks, she stood by him anyway. | 0:24:34 | 0:24:39 | |
So he worships the ground she walks on. | 0:24:39 | 0:24:42 | |
Is that how you get to be worshipped? | 0:24:43 | 0:24:45 | |
Stand by a man whatever. | 0:24:45 | 0:24:47 | |
I'm OK, thanks. | 0:24:49 | 0:24:50 | |
You are too. | 0:24:54 | 0:24:55 | |
Easy. Easy. | 0:25:04 | 0:25:07 | |
Here. | 0:25:07 | 0:25:09 | |
Let me. | 0:25:11 | 0:25:12 | |
Come on, what's the matter with you? | 0:25:20 | 0:25:23 | |
No. | 0:25:24 | 0:25:25 | |
-You know what happened to me today. -What? | 0:25:25 | 0:25:27 | |
-You know. You've heard all about it. -What are you talking about? | 0:25:27 | 0:25:30 | |
You did. You heard the rumours. I know what you're thinking. | 0:25:31 | 0:25:34 | |
What you doing? I'm not thinking anything! | 0:25:34 | 0:25:36 | |
Get off! | 0:25:36 | 0:25:37 | |
Get off me! Get off me! | 0:25:37 | 0:25:40 | |
Get your stuff. Go on. | 0:25:42 | 0:25:45 | |
Go. Go on! | 0:25:45 | 0:25:47 | |
She's gone, Aaron. It's just you and me now. | 0:26:19 | 0:26:23 | |
Have we managed to identify what that is and where it was taken? | 0:26:26 | 0:26:29 | |
Not yet, no. | 0:26:29 | 0:26:30 | |
OK, so I've been looking back over the Ruth Tresize case. | 0:26:30 | 0:26:34 | |
Now, we know Lorna Katz and Kieran Vale were a couple | 0:26:34 | 0:26:38 | |
and that Ruth used to hang out with them when they were kids. | 0:26:38 | 0:26:41 | |
Aaron Logan lived near where Ruth disappeared | 0:26:41 | 0:26:45 | |
and they all knew him too. | 0:26:45 | 0:26:47 | |
So you see, it just keeps on coming back to him, doesn't it? | 0:26:47 | 0:26:50 | |
And then there's the psychology of it. | 0:26:50 | 0:26:52 | |
The psychology? | 0:26:52 | 0:26:53 | |
He lost his mum when he was 14. | 0:26:53 | 0:26:55 | |
Suicide. He went into care. So maybe this triggered abandonment issues. | 0:26:55 | 0:26:59 | |
Maybe Lorna Katz threatened to leave him too. | 0:26:59 | 0:27:02 | |
Didn't Aaron say it was just sex? | 0:27:02 | 0:27:04 | |
He did, yeah. | 0:27:04 | 0:27:05 | |
And Ruth? | 0:27:05 | 0:27:07 | |
What about the other people who were questioned about her? | 0:27:08 | 0:27:11 | |
-Her father? -I know it's an obvious thing to say but nine times | 0:27:11 | 0:27:14 | |
out of ten with these things, it's close to home. | 0:27:14 | 0:27:16 | |
No smoke without fire. | 0:27:16 | 0:27:18 | |
Yeah. Aaron Logan's got an alibi for Ruth and Lorna. | 0:27:18 | 0:27:22 | |
Kieran Vale has as well. So where was Chris Tresize? | 0:27:22 | 0:27:26 | |
I came to you! | 0:27:38 | 0:27:40 | |
-Mr Tresize... -I gave information freely. | 0:27:40 | 0:27:42 | |
I don't expect to be accused in my own home... | 0:27:42 | 0:27:45 | |
-No-one's accusing you. -Are they not? | 0:27:45 | 0:27:47 | |
Are you not thinking allegations were made against him | 0:27:47 | 0:27:50 | |
by his own wife? | 0:27:50 | 0:27:52 | |
And, wow, he knew Lorna Katz too! | 0:27:52 | 0:27:53 | |
Well, that makes him a suspect, doesn't it? | 0:27:53 | 0:27:55 | |
Or at the very least, someone worth making enquiries of. | 0:27:55 | 0:27:59 | |
Can I show you something? | 0:28:02 | 0:28:04 | |
What is it? | 0:28:04 | 0:28:05 | |
I was hoping you could tell me that. | 0:28:07 | 0:28:09 | |
Do you recognise that at all? | 0:28:11 | 0:28:13 | |
Could it be anything here, something on this property or something...? | 0:28:13 | 0:28:16 | |
Oh. | 0:28:16 | 0:28:18 | |
All right, let's do this your way. | 0:28:18 | 0:28:20 | |
Where were you the night Lorna Katz was killed? | 0:28:20 | 0:28:22 | |
Here. I was here. | 0:28:22 | 0:28:24 | |
Alone? | 0:28:24 | 0:28:26 | |
-Yes. -So you don't have an alibi? | 0:28:26 | 0:28:28 | |
Why would I need one? | 0:28:28 | 0:28:29 | |
Because of the allegations made against you. | 0:28:29 | 0:28:32 | |
Why would Ali make them without any justification? | 0:28:32 | 0:28:35 | |
Because... | 0:28:35 | 0:28:37 | |
Not that it's any of your business, but she needed someone to blame. | 0:28:37 | 0:28:41 | |
Can you imagine? | 0:28:41 | 0:28:43 | |
Do you have an imagination? | 0:28:43 | 0:28:44 | |
One night, your daughter just ups and disappears. | 0:28:46 | 0:28:50 | |
No rhyme nor reason to it. | 0:28:50 | 0:28:51 | |
What would you want, hmm, more than anything? | 0:28:52 | 0:28:57 | |
Answers. | 0:28:59 | 0:29:00 | |
Yes. | 0:29:00 | 0:29:01 | |
And when there are none, what does your mind do? | 0:29:03 | 0:29:06 | |
It creates incidents and memories. | 0:29:07 | 0:29:11 | |
It takes what's there... | 0:29:12 | 0:29:14 | |
..little events and moments, and it expands on them. | 0:29:15 | 0:29:19 | |
That night, Ruth and I had a falling-out | 0:29:22 | 0:29:27 | |
about who she was hanging around with - underage sex and drugs... | 0:29:27 | 0:29:32 | |
She was? You knew that, did you? | 0:29:32 | 0:29:34 | |
No. In truth, I didn't. | 0:29:34 | 0:29:36 | |
But I was the one who was trying to keep tabs on her. | 0:29:38 | 0:29:41 | |
Ali just let her run. | 0:29:41 | 0:29:43 | |
That night, I had things to say | 0:29:44 | 0:29:46 | |
about the people she was keeping company with. | 0:29:46 | 0:29:50 | |
A guy we knew who lived on the river. | 0:29:50 | 0:29:52 | |
So yes, OK... | 0:29:53 | 0:29:55 | |
..I lost my temper with Ruth. | 0:29:57 | 0:29:59 | |
'I slapped her.' | 0:30:06 | 0:30:08 | |
So was it my fault she left the house? | 0:30:09 | 0:30:12 | |
Yes. | 0:30:12 | 0:30:13 | |
Was Ali right to blame me? | 0:30:20 | 0:30:22 | |
Yes. | 0:30:22 | 0:30:23 | |
'It was my fault.' | 0:30:30 | 0:30:31 | |
I think it might be worth turning the place over. | 0:30:39 | 0:30:42 | |
Nah, never get a warrant. No, we need something concrete. | 0:30:42 | 0:30:45 | |
Yeah. My name's Kieran Vale. Can I speak to DI Ashton? | 0:34:13 | 0:34:17 | |
OK. Can you get her to call me back, please? | 0:34:18 | 0:34:22 | |
Yeah, right away. Thanks. | 0:34:23 | 0:34:25 | |
KNOCK AT DOOR | 0:34:43 | 0:34:44 | |
-Hi. -Hi. | 0:34:53 | 0:34:55 | |
Hi, sorry. I wanted to talk to you. | 0:34:55 | 0:34:57 | |
How did you find out where I live? | 0:34:57 | 0:34:59 | |
I followed you from your office. | 0:34:59 | 0:35:01 | |
No, please! Just five minutes. | 0:35:01 | 0:35:03 | |
The police won't tell me so I need to ask you... | 0:35:03 | 0:35:07 | |
..was Lorna's death an accident or not? | 0:35:09 | 0:35:12 | |
The police have released a statement this evening. | 0:35:12 | 0:35:15 | |
It'll be in the papers tomorrow. | 0:35:15 | 0:35:17 | |
She was... She was murdered? | 0:35:17 | 0:35:20 | |
So do I have to accept that m... | 0:35:28 | 0:35:32 | |
..my daughter is dead? | 0:35:34 | 0:35:36 | |
There's no evidence of that. | 0:35:36 | 0:35:38 | |
What do you think? | 0:35:38 | 0:35:40 | |
No-one knows. | 0:35:40 | 0:35:42 | |
Why are you here? Why come to me? | 0:35:42 | 0:35:44 | |
It was the way you looked at me in the car. | 0:35:45 | 0:35:48 | |
Like you understood how it feels. | 0:35:50 | 0:35:53 | |
Understood what? | 0:35:53 | 0:35:55 | |
Well, that, that something like this can't happen without there | 0:35:55 | 0:35:58 | |
being responsibility or fault or what, whatever you want to call it. | 0:35:58 | 0:36:03 | |
That I...didn't protect my daughter as I should. | 0:36:05 | 0:36:09 | |
Not even from my husband. | 0:36:10 | 0:36:12 | |
The police, they suspect him, do they, for Lorna? | 0:36:14 | 0:36:19 | |
There's no evidence against him, not that I'm aware of. | 0:36:19 | 0:36:23 | |
So have they got a suspect? | 0:36:23 | 0:36:26 | |
-SOBBING: -Sorry. | 0:36:29 | 0:36:30 | |
Sorry, do you have a tissue? | 0:36:36 | 0:36:38 | |
Sure. Wait here. | 0:36:38 | 0:36:41 | |
Can you give me a name? | 0:36:41 | 0:36:43 | |
I'm sorry. I think you know I'm not allowed to say that. | 0:36:43 | 0:36:46 | |
Of course you're not. Cos whoever they are, | 0:36:46 | 0:36:49 | |
they can destroy people's lives but they're protected, aren't they? | 0:36:49 | 0:36:53 | |
DOOR BANGS | 0:39:06 | 0:39:07 | |
Yeah, it's Kieran Vale again for DI Ashton. | 0:39:38 | 0:39:42 | |
No, I can't wait. | 0:39:42 | 0:39:44 | |
Can you tell her, please, | 0:39:44 | 0:39:46 | |
I'm at a place where Lorna and Ruth and I used to hang out? | 0:39:46 | 0:39:49 | |
OK, OK, I'll wait. | 0:39:50 | 0:39:52 | |
Get off! | 0:39:55 | 0:39:57 | |
FAINT PANICKED BREATHING | 0:40:21 | 0:40:23 | |
-Hi. -Hi. | 0:40:48 | 0:40:50 | |
I didn't get the message in time. | 0:40:53 | 0:40:55 | |
I didn't call him back in time. | 0:40:55 | 0:40:57 | |
-No body? -No. | 0:40:57 | 0:40:58 | |
But come on, it's this guy's MO, isn't it, using the river, | 0:40:58 | 0:41:01 | |
killing here? | 0:41:01 | 0:41:02 | |
A woman called, says she... she witnessed an attack, erm... | 0:41:02 | 0:41:06 | |
She called it in anonymously. | 0:41:07 | 0:41:09 | |
The killer left some blood and a boot print. | 0:41:27 | 0:41:29 | |
Have we got a time for this? | 0:41:31 | 0:41:34 | |
75 minutes ago. | 0:41:34 | 0:41:35 | |
If he's in the river, he could be anywhere in this current. | 0:41:40 | 0:41:44 | |
But this flotation dummy could help us locate him. | 0:41:44 | 0:41:48 | |
The tide's receded a little since Kieran went in. | 0:42:33 | 0:42:35 | |
Could have snagged on something. | 0:42:35 | 0:42:37 | |
There. | 0:43:03 | 0:43:04 | |
Significant head injuries. | 0:43:23 | 0:43:26 | |
Lacerations and bruising. | 0:43:26 | 0:43:28 | |
Made by? | 0:43:28 | 0:43:30 | |
Well...looks like wood splinters here. | 0:43:30 | 0:43:34 | |
Some kind of heavy object. | 0:43:34 | 0:43:36 | |
Just thinking about the press and media. | 0:43:36 | 0:43:39 | |
What about them? | 0:43:39 | 0:43:40 | |
Ali and Chris Tresize. When this gets out, you know, | 0:43:40 | 0:43:43 | |
how this will affect them. | 0:43:43 | 0:43:45 | |
We're not going to get a news blackout on this. | 0:43:45 | 0:43:48 | |
You OK? | 0:43:49 | 0:43:51 | |
I should've taken that call. | 0:43:52 | 0:43:54 | |
You weren't to know, were you? | 0:43:54 | 0:43:57 | |
What about other friends from the past? Should they be contacted? | 0:43:57 | 0:44:01 | |
I've got someone on to that. | 0:44:01 | 0:44:02 | |
So did they know what happened to Ruth? Lorna and Kieran? | 0:44:03 | 0:44:07 | |
Did they know? Is that why they were targeted. | 0:44:07 | 0:44:09 | |
That heel print from the scene - it'd be worth checking out footwear. | 0:44:09 | 0:44:12 | |
Aaron Logan and Chris Tresize. | 0:44:12 | 0:44:14 | |
OK. | 0:44:15 | 0:44:16 | |
Police! Aaron Logan! | 0:44:27 | 0:44:30 | |
Go on, Carl. | 0:44:30 | 0:44:32 | |
Aaron Logan! | 0:44:37 | 0:44:39 | |
Well, he's obviously not here. | 0:44:55 | 0:44:57 | |
Do you want me to get a car sent round to his place of work? | 0:44:57 | 0:45:00 | |
Yep. And, Carl, grab some of his clothing. | 0:45:00 | 0:45:03 | |
Ah! | 0:45:04 | 0:45:05 | |
-Hello. -Come in. | 0:45:13 | 0:45:15 | |
-This way? -Yeah. | 0:45:15 | 0:45:16 | |
Hi. So, what we got? | 0:45:18 | 0:45:21 | |
Aaron Logan's clothing from the houseboat. | 0:45:21 | 0:45:23 | |
The boots don't match with the heel print. Different soles. | 0:45:23 | 0:45:27 | |
And these belong to Chris Tresize. Likewise, no match. | 0:45:27 | 0:45:31 | |
Oh, great. So what's this? | 0:45:31 | 0:45:34 | |
That is fish debris lifted off the heel print on the river bank | 0:45:34 | 0:45:37 | |
where the body went in. | 0:45:37 | 0:45:39 | |
And these were in Aaron Logan's jeans pockets. | 0:45:39 | 0:45:42 | |
Visually, they're the same, similar size, shape and texture, | 0:45:42 | 0:45:46 | |
so, I'm thinking that... | 0:45:46 | 0:45:47 | |
-Stand back. -Ha-ha! | 0:45:47 | 0:45:49 | |
..if we can confirm that the debris on Aaron Logan's clothing is the | 0:45:49 | 0:45:52 | |
same as the ones in the heel print then we can place him at the scene. | 0:45:52 | 0:45:56 | |
Hmm. | 0:45:56 | 0:45:57 | |
So these were all on Kieran's iPad as well as his phone. | 0:47:14 | 0:47:18 | |
This is what he was last looking at... | 0:47:18 | 0:47:20 | |
As well as this, again. | 0:47:22 | 0:47:24 | |
What was he doing at the river? | 0:47:25 | 0:47:27 | |
Oh, we don't know that yet. | 0:47:27 | 0:47:28 | |
What about the witness? The person who called it in? | 0:47:28 | 0:47:31 | |
Well, we're looking for her now. | 0:47:31 | 0:47:32 | |
She did give a description - someone in a dark hoodie. | 0:47:32 | 0:47:35 | |
That it? | 0:47:35 | 0:47:37 | |
'Fraid so. | 0:47:37 | 0:47:38 | |
Oh, now, this was taken around the time that we got that call, | 0:47:38 | 0:47:44 | |
from a camera partially overlooking the other side of the river | 0:47:44 | 0:47:47 | |
from where Kieran was attacked. | 0:47:47 | 0:47:50 | |
What, and you're saying that's our caller? | 0:47:50 | 0:47:52 | |
What do you think? | 0:47:55 | 0:47:56 | |
'Hello. | 0:48:29 | 0:48:31 | |
'Hello?' | 0:48:31 | 0:48:33 | |
Who is this, please? | 0:48:33 | 0:48:34 | |
'Ali.' | 0:48:34 | 0:48:35 | |
I need to see you. | 0:48:37 | 0:48:40 | |
Where are you? | 0:48:40 | 0:48:41 | |
PHONE VIBRATES | 0:48:58 | 0:49:02 | |
Where are you? | 0:49:03 | 0:49:05 | |
The police are after me. They've been searching my boat again. | 0:49:05 | 0:49:07 | |
Look, I can't stay on the phone. | 0:49:07 | 0:49:09 | |
'Don't hang up on me.' | 0:49:09 | 0:49:10 | |
I don't want them tracing the call, all right? | 0:49:10 | 0:49:12 | |
Aaron, listen, if you run, it's going to make you look guilty. | 0:49:12 | 0:49:15 | |
You've done nothing wrong. | 0:49:15 | 0:49:16 | |
Hey, look, we're going to make this right, like we did before. Come on, | 0:49:16 | 0:49:19 | |
'we sorted it then and we're going to sort it now.' | 0:49:19 | 0:49:22 | |
I need you to do something for me, yeah? | 0:49:22 | 0:49:24 | |
Ali! | 0:49:33 | 0:49:34 | |
I don't want to live like this. | 0:49:36 | 0:49:39 | |
I will do everything I can to find her. I promise. | 0:49:39 | 0:49:42 | |
Who killed them? | 0:49:42 | 0:49:44 | |
We don't know. | 0:49:44 | 0:49:45 | |
You must have names. | 0:49:45 | 0:49:47 | |
It's somebody they both knew, isn't it? Somebody we all knew. | 0:49:47 | 0:49:51 | |
What do you mean? | 0:49:51 | 0:49:53 | |
There was a kid they interviewed after Ruth went missing. | 0:49:53 | 0:49:57 | |
I knew him from school. His mother had died. | 0:49:57 | 0:50:00 | |
I let him come to our house sometimes. | 0:50:01 | 0:50:05 | |
OK. | 0:50:05 | 0:50:06 | |
Come on. Come away. | 0:50:08 | 0:50:10 | |
Ruth was young and... and she was experimenting, | 0:50:13 | 0:50:16 | |
you know, and I... | 0:50:16 | 0:50:18 | |
I thought that was all right, but... | 0:50:18 | 0:50:20 | |
But what if she got in too deep with him? | 0:50:21 | 0:50:25 | |
Aaron Logan. | 0:50:27 | 0:50:29 | |
Is that who they're after? | 0:50:29 | 0:50:32 | |
Is that what this is all about? | 0:50:34 | 0:50:37 | |
Trying to get me to confirm a name for you? | 0:50:37 | 0:50:39 | |
You don't have to say a thing. | 0:50:39 | 0:50:42 | |
I can see it in your face. It is him, isn't it? | 0:50:42 | 0:50:45 | |
Yeah. | 0:50:47 | 0:50:48 | |
That's not our man. | 0:51:37 | 0:51:38 | |
PHONE RINGS | 0:51:41 | 0:51:44 | |
PHONE RINGS | 0:51:54 | 0:51:57 | |
Shit. | 0:52:10 | 0:52:12 | |
What's up? | 0:52:15 | 0:52:16 | |
I think I might have, erm... | 0:52:18 | 0:52:20 | |
What? | 0:52:20 | 0:52:21 | |
Ali Tresize called me in a state. | 0:52:21 | 0:52:23 | |
And I went to meet her and... | 0:52:23 | 0:52:25 | |
She wanted me to confirm who the main suspect is. Aaron Logan. | 0:52:25 | 0:52:29 | |
-Who did? -Ali Tresize. | 0:52:29 | 0:52:31 | |
-What, she knows him? -Yes, apparently. | 0:52:31 | 0:52:33 | |
But you didn't...tell her, did you? | 0:52:33 | 0:52:35 | |
No, but I didn't say that it wasn't him either. | 0:52:35 | 0:52:38 | |
So I'm worried that it's kind of like I've confirmed it, isn't it? | 0:52:38 | 0:52:41 | |
By omission. | 0:52:41 | 0:52:42 | |
PHONE RINGS | 0:53:17 | 0:53:19 | |
Hi. | 0:53:23 | 0:53:25 | |
Ali, it's Nikki. Where are you? | 0:53:25 | 0:53:29 | |
'I'm watching him.' | 0:53:29 | 0:53:31 | |
Who? Aaron? | 0:53:31 | 0:53:33 | |
-(Ashton.) -'He was a grown man.' | 0:53:34 | 0:53:36 | |
She was 15, she was a child. | 0:53:36 | 0:53:39 | |
You don't know this... | 0:53:39 | 0:53:41 | |
'Oh, I know it.' | 0:53:41 | 0:53:43 | |
I brought him into our lives and he got away with it then | 0:53:43 | 0:53:46 | |
and he's getting away with it now. | 0:53:46 | 0:53:48 | |
Ali, I can hear station announcements. | 0:53:49 | 0:53:51 | |
Which one are you at? | 0:53:51 | 0:53:53 | |
-'Service to Folkestone...' -Folkestone? | 0:53:53 | 0:53:55 | |
That's Charing Cross, right? | 0:53:55 | 0:53:58 | |
(Call her.) | 0:53:58 | 0:53:59 | |
Ali, the police are searching for him now. | 0:53:59 | 0:54:02 | |
If you know where he is, they can pick him up. | 0:54:02 | 0:54:04 | |
How many chances do they need? | 0:54:04 | 0:54:06 | |
Please, Ali, leave it to the police. | 0:54:06 | 0:54:08 | |
LINE DISCONNECTS | 0:54:11 | 0:54:13 | |
Tickets, please. | 0:54:57 | 0:54:59 | |
Tickets, please. | 0:55:00 | 0:55:02 | |
Can you hurry up, please? | 0:55:13 | 0:55:15 | |
Hello. We know what's going on. DS Pope is searching down there. | 0:55:39 | 0:55:42 | |
Let's check it out over here. | 0:55:42 | 0:55:44 | |
Have you seen...? | 0:55:48 | 0:55:49 | |
Have you seen this man in the station? | 0:55:55 | 0:55:57 | |
Are you sure? | 0:55:57 | 0:55:58 | |
Went through the barriers. Come on. | 0:56:05 | 0:56:07 | |
Aaron? | 0:56:12 | 0:56:13 | |
What you doing here? | 0:56:15 | 0:56:17 | |
I need you to tell me where my daughter is. | 0:56:20 | 0:56:22 | |
Tell me! | 0:56:24 | 0:56:25 | |
Ali! | 0:56:25 | 0:56:27 | |
Something that doesn't make sense to me - | 0:56:38 | 0:56:41 | |
that for an innocent man, how come he was running? | 0:56:41 | 0:56:44 | |
I'm going to the police. | 0:56:44 | 0:56:45 | |
I can't run away from this forever, can I? | 0:56:45 | 0:56:47 | |
Someone made a 999 call, and we believe it was you. | 0:56:47 | 0:56:51 | |
You have the wrong person. | 0:56:51 | 0:56:52 | |
-Will she be charged? -Yeah. | 0:56:52 | 0:56:54 | |
You compromise me and I'll kill you. | 0:56:54 | 0:56:56 | |
He had the opportunity to hurt her. | 0:56:56 | 0:56:59 | |
-For God's sake. -Did you kill Ruth? | 0:56:59 | 0:57:01 | |
Jesus Christ, are you seriously asking me that?! My own daughter! | 0:57:01 | 0:57:04 | |
# Testator silens | 0:57:04 | 0:57:11 | |
# Costestes e spiritu | 0:57:11 | 0:57:19 | |
# Silentium. # | 0:57:19 | 0:57:26 |