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This programme contains some violent scenes from the start, | 0:00:02 | 0:00:06 | |
and some scenes which some viewers may find upsetting | 0:00:06 | 0:00:10 | |
The Middle East's long been a thorn in the side of American politics. | 0:00:10 | 0:00:13 | |
Recently, the signs from Washington have pointed to a more assertive | 0:00:13 | 0:00:16 | |
approach to diplomacy in the region. | 0:00:16 | 0:00:17 | |
Here with me now is the US Ambassador, Jonathan Kraft. | 0:00:17 | 0:00:20 | |
Ambassador, can I start by asking you - | 0:00:20 | 0:00:23 | |
why has the US administration been so intent on escalating | 0:00:23 | 0:00:27 | |
a disagreement into a full-scale military crisis? | 0:00:27 | 0:00:30 | |
Well, I think first of all we need to define escalating... | 0:00:30 | 0:00:34 | |
Thank you, sir. Good job. | 0:00:36 | 0:00:38 | |
Your car's waiting outside. | 0:00:39 | 0:00:42 | |
You not coming too? | 0:00:42 | 0:00:44 | |
I'll catch up with you in the morning, if that's OK? | 0:00:44 | 0:00:46 | |
Sir. | 0:01:23 | 0:01:24 | |
Hey. | 0:01:24 | 0:01:25 | |
Did you e-mail me those briefing notes? | 0:01:25 | 0:01:27 | |
For the Sky interview? | 0:01:27 | 0:01:29 | |
Yeah. | 0:01:31 | 0:01:32 | |
No, Kelly didn't want to bother you tonight. | 0:01:32 | 0:01:34 | |
Do you want me to send them over? | 0:01:34 | 0:01:36 | |
Yeah, I'll take a look before I turn in. | 0:01:36 | 0:01:38 | |
Ryan? Ryan? | 0:01:42 | 0:01:45 | |
GUNSHOT WITH SILENCER | 0:01:47 | 0:01:48 | |
GUNSHOT | 0:01:52 | 0:01:54 | |
# Testator silens | 0:01:58 | 0:02:05 | |
# Costestes e spiritu | 0:02:08 | 0:02:15 | |
# Silentium | 0:02:15 | 0:02:26 | |
# Testator silens... # | 0:02:30 | 0:02:36 | |
Here's Thomas | 0:02:55 | 0:02:56 | |
Thank you. | 0:02:57 | 0:02:58 | |
Sorry, sir. | 0:03:03 | 0:03:04 | |
What's with all this? | 0:03:05 | 0:03:07 | |
-It's something to do with the US Embassy. -The embassy? | 0:03:07 | 0:03:09 | |
Yeah. Victim's their Political Section Chief - | 0:03:09 | 0:03:12 | |
guy called Ryan Reed. | 0:03:12 | 0:03:14 | |
Ben Solomon. Counter-terrorism Command. | 0:03:14 | 0:03:16 | |
Thomas Chamberlain, Head of the Lyell. | 0:03:16 | 0:03:18 | |
Why the hold up? | 0:03:18 | 0:03:19 | |
Jurisdiction. | 0:03:20 | 0:03:22 | |
The embassy's got their legal people all over it. | 0:03:23 | 0:03:26 | |
US Government victim, UK soil. | 0:03:26 | 0:03:28 | |
Hey, we're still awaiting confirmation from Washington, OK? | 0:03:28 | 0:03:32 | |
Sorry. | 0:03:32 | 0:03:33 | |
Who's Cinderella? | 0:03:35 | 0:03:37 | |
Um...FBI. | 0:03:37 | 0:03:39 | |
Been here since the small hours. | 0:03:39 | 0:03:41 | |
He was shot down there, right? So, what'd he do, move himself? | 0:03:43 | 0:03:46 | |
If we don't move soon, | 0:03:46 | 0:03:48 | |
there'll be nothing left of this bloody crime scene. | 0:03:48 | 0:03:51 | |
Matt Garcia, Deputy Chief of Mission. | 0:03:51 | 0:03:53 | |
Assistant Commissioner Khan. | 0:03:53 | 0:03:55 | |
Sorry, our State Department's still talking with your Home Office. | 0:03:55 | 0:03:58 | |
No, no, this is a national security issue. | 0:03:58 | 0:04:01 | |
We're moving on this now. Let's go. | 0:04:01 | 0:04:03 | |
Your country, your crime scene. | 0:04:06 | 0:04:08 | |
Entry...and exit. | 0:04:50 | 0:04:55 | |
Single shot. | 0:04:55 | 0:04:56 | |
And another bullet wound to the right shoulder. | 0:04:56 | 0:04:59 | |
What's with the Nelson? What's he reaching for? | 0:04:59 | 0:05:01 | |
Let's have a look, shall we? | 0:05:01 | 0:05:03 | |
CAMERA SHUTTER CLICKS | 0:05:06 | 0:05:07 | |
Nothing. | 0:05:16 | 0:05:17 | |
Two bullet wounds - one to the shoulder and one to the back. | 0:05:20 | 0:05:24 | |
CT scan shows that there are no bullets left in the body. | 0:05:24 | 0:05:28 | |
Nikki, could you give me a hand? | 0:05:28 | 0:05:30 | |
Minimal powder burns next to the entry wound. | 0:05:36 | 0:05:39 | |
We'll check his clothing. | 0:05:39 | 0:05:41 | |
Some partial contact bruising too. | 0:05:41 | 0:05:43 | |
Thank you. | 0:05:43 | 0:05:44 | |
All suggests the barrel of the gun was held close to his back. | 0:05:44 | 0:05:48 | |
He wouldn't have been able to move from where | 0:05:48 | 0:05:50 | |
he was shot to where he was found. | 0:05:50 | 0:05:51 | |
He would've bled out too quickly. | 0:05:51 | 0:05:53 | |
So the killer dragged him over and sat him | 0:05:53 | 0:05:55 | |
up on the bench with his arm in his jacket pocket? | 0:05:55 | 0:05:58 | |
What was he doing in that area? It's not where he lives, is it? | 0:05:58 | 0:06:00 | |
-Must have been visiting somebody. -PHONE RINGS | 0:06:00 | 0:06:02 | |
We have apartments for embassy staff near there. | 0:06:02 | 0:06:04 | |
It's Jack. | 0:06:04 | 0:06:05 | |
I'll put him through. | 0:06:05 | 0:06:06 | |
Right, let's turn him. | 0:06:06 | 0:06:08 | |
All right, well... It was definitely a motorbike. | 0:06:08 | 0:06:10 | |
We got traces of what looks like four-stroke in the tarmac... | 0:06:10 | 0:06:14 | |
Paintwork... | 0:06:14 | 0:06:17 | |
..orange in colour - might be able to get a trace on that, | 0:06:18 | 0:06:21 | |
and the gunman was most likely wearing bike leathers. | 0:06:21 | 0:06:28 | |
Anything on CCTV? | 0:06:28 | 0:06:30 | |
No. | 0:06:30 | 0:06:31 | |
Nothing directly from the scene. | 0:06:31 | 0:06:32 | |
I thought London was the most spied-on population in the world. | 0:06:32 | 0:06:35 | |
We're looking at a terror attack with possibly more planned, | 0:06:35 | 0:06:38 | |
so we need to move fast on this. | 0:06:38 | 0:06:40 | |
Security Service personnel are on their way | 0:06:40 | 0:06:42 | |
-here now for a briefing. -OK. | 0:06:42 | 0:06:44 | |
The bullet penetrated the tarmac, | 0:06:46 | 0:06:48 | |
suggesting he was shot close to the ground. | 0:06:48 | 0:06:51 | |
That bullet has been retrieved. | 0:06:51 | 0:06:53 | |
There's also some blood pooling in this area, too. | 0:06:53 | 0:06:57 | |
On the right shoulder we have an exit wound down by the left ribs, | 0:06:57 | 0:07:01 | |
so that bullet could have penetrated | 0:07:01 | 0:07:04 | |
his lungs, heart, possibly the aorta. | 0:07:04 | 0:07:07 | |
Follicle disruption to the scalp, too. | 0:07:09 | 0:07:11 | |
OK. So, he was lying face down to the ground for the first shot, | 0:07:11 | 0:07:16 | |
then the gunman grabbed him | 0:07:16 | 0:07:18 | |
by the hair to lift his head up before shooting him again. | 0:07:18 | 0:07:21 | |
Heavy blood pooling ahead of the body is consistent with | 0:07:21 | 0:07:25 | |
that theory. | 0:07:25 | 0:07:27 | |
So the gun was being held in this direction. | 0:07:27 | 0:07:31 | |
Et voila. | 0:07:49 | 0:07:51 | |
Second bullet retrieved. | 0:07:51 | 0:07:52 | |
HUBBUB OF VOICES | 0:07:56 | 0:07:58 | |
INDISTINCT, ECHOING VOICES | 0:08:07 | 0:08:09 | |
-This lab's a private company, isn't it? -Yes. | 0:08:53 | 0:08:56 | |
Have they got security clearance for this? | 0:08:56 | 0:08:59 | |
Yes, Dr Chamberlain's organised all of that. | 0:08:59 | 0:09:01 | |
It's a postmortem briefing, that's all we're doing here. | 0:09:01 | 0:09:04 | |
I'm heading up the enquiry, | 0:09:04 | 0:09:05 | |
DCI Solomon is handling the investigation on the ground. | 0:09:05 | 0:09:08 | |
-You're in safe hands. -OK. | 0:09:08 | 0:09:10 | |
Obviously I'm not going to contradict what the ambassador | 0:09:10 | 0:09:12 | |
just said. Come on, guys! | 0:09:12 | 0:09:14 | |
So, yes, the Special Relationship remains just that. | 0:09:14 | 0:09:17 | |
Madeleine? | 0:09:18 | 0:09:19 | |
Has the ambassador... | 0:09:19 | 0:09:21 | |
So are you guys sure, 100%, this a terrorist attack? | 0:09:22 | 0:09:25 | |
Not 100%. | 0:09:25 | 0:09:27 | |
Inga Meyer, Intelligence Service. | 0:09:27 | 0:09:30 | |
Mr Reed was a high-profile member of embassy staff who appears to | 0:09:30 | 0:09:35 | |
have been deliberately targeted, | 0:09:35 | 0:09:37 | |
so, yes, a terrorist attack is the most likely scenario. However, | 0:09:37 | 0:09:40 | |
we can't rule out a lone wolf and no group has claimed responsibility | 0:09:40 | 0:09:44 | |
yet, so we'd like to be sure before we raise any more flags. | 0:09:44 | 0:09:47 | |
OK, on that - there's something significant, I think. Shall I? | 0:09:47 | 0:09:50 | |
Go ahead. | 0:09:50 | 0:09:51 | |
So we've found traces of semen on Mr Reed's belt. | 0:09:51 | 0:09:55 | |
And we found evidence of sexual activity, | 0:09:55 | 0:09:58 | |
during our initial examination. | 0:09:58 | 0:10:00 | |
There's a partial, | 0:10:00 | 0:10:02 | |
latent fingerprint on another part of the belt, too. | 0:10:02 | 0:10:04 | |
-Ryan's? -No. So... | 0:10:04 | 0:10:07 | |
..find this person and maybe you can piece together his final | 0:10:07 | 0:10:11 | |
movements - at the very least. | 0:10:11 | 0:10:12 | |
We can check it against our UK database but obviously we don't have access to anything US. | 0:10:12 | 0:10:16 | |
I'll have to discuss that with the State Department. | 0:10:16 | 0:10:18 | |
You can't just action it yourself? | 0:10:18 | 0:10:19 | |
I'm afraid it's a political decision. | 0:10:19 | 0:10:21 | |
Well, I suggest you move quickly this time. | 0:10:21 | 0:10:23 | |
-I'll make it happen. -Thank you. | 0:10:23 | 0:10:25 | |
So, anything else from the postmortem? | 0:10:25 | 0:10:27 | |
Erm, congested lungs. | 0:10:27 | 0:10:29 | |
Some bladder distention. Nothing striking. | 0:10:29 | 0:10:32 | |
OK. For our American friends here the Home Office has issued a DSMA | 0:10:32 | 0:10:36 | |
notice requesting the media not to report on this at present. | 0:10:36 | 0:10:39 | |
Requesting? The British press? | 0:10:39 | 0:10:42 | |
We're confident they'll comply. | 0:10:42 | 0:10:44 | |
BUZZER | 0:10:54 | 0:10:55 | |
Hello. Name, please? | 0:10:55 | 0:10:56 | |
-Ella Weir. -Thank you. | 0:10:56 | 0:10:58 | |
DOOR LOCK BUZZES | 0:10:58 | 0:10:59 | |
He turned up wanting his old bed back. | 0:11:19 | 0:11:21 | |
Normally that would have been A&E, but we know him, so... | 0:11:21 | 0:11:24 | |
-Can I? -Mm-hm. | 0:11:27 | 0:11:29 | |
Hey. | 0:11:36 | 0:11:37 | |
Hey. | 0:11:37 | 0:11:38 | |
Why didn't you call me? | 0:11:40 | 0:11:42 | |
Fergus hasn't been taking his meds. | 0:11:42 | 0:11:44 | |
He told me he was. | 0:11:44 | 0:11:46 | |
It's cool. | 0:11:48 | 0:11:49 | |
I'm taking them now. | 0:11:49 | 0:11:51 | |
We're going with the lorazepam as before | 0:11:51 | 0:11:54 | |
but the docs have upped his mirtazapine. | 0:11:54 | 0:11:56 | |
Little bit of self harming, too. | 0:11:56 | 0:11:57 | |
It's OK. | 0:11:57 | 0:11:59 | |
-Oh, Fergus. -It's OK. | 0:11:59 | 0:12:01 | |
I'm OK now. Promise. | 0:12:04 | 0:12:07 | |
-Can you give me two seconds? -Yeah. | 0:12:16 | 0:12:18 | |
Ben Solomon... | 0:12:18 | 0:12:20 | |
I've got to go see Ryan's wife and kids. | 0:12:22 | 0:12:25 | |
Oh, gosh. The police will tell them, won't they? | 0:12:25 | 0:12:28 | |
No, I think it's important that I do it. | 0:12:28 | 0:12:31 | |
"Age determination using bone structures of the skull." | 0:12:37 | 0:12:41 | |
You read my research paper? | 0:12:42 | 0:12:44 | |
No. I'm more of a John Grisham guy myself. | 0:12:44 | 0:12:47 | |
I just googled you. | 0:12:47 | 0:12:48 | |
Oh, right. | 0:12:50 | 0:12:51 | |
Right. | 0:12:53 | 0:12:55 | |
Well, I haven't written much since - too caught up in the practical, | 0:12:55 | 0:12:59 | |
which I love, by the way. | 0:12:59 | 0:13:01 | |
I'm not a slumming academic - | 0:13:01 | 0:13:03 | |
wouldn't want to give you that impression. | 0:13:03 | 0:13:05 | |
So, Deputy Chief of Mission is what? | 0:13:07 | 0:13:10 | |
I run the embassy - the ambassador does the politics. | 0:13:10 | 0:13:14 | |
This kind of thing is way out there - | 0:13:14 | 0:13:16 | |
usually it's just endless trade delegations and receptions. | 0:13:16 | 0:13:21 | |
You should come see for yourself sometime. | 0:13:21 | 0:13:23 | |
Sir, they've found the bike. | 0:13:23 | 0:13:25 | |
I won't be in your house forever. | 0:13:45 | 0:13:48 | |
You're my brother. You can stay as long as you want. | 0:13:48 | 0:13:50 | |
Bet Peter doesn't say that. | 0:13:52 | 0:13:54 | |
He doesn't live here, | 0:13:55 | 0:13:56 | |
so it doesn't matter what he thinks or anyone else. | 0:13:56 | 0:13:59 | |
Besides, Peter cares a lot about you. | 0:13:59 | 0:14:01 | |
He's just trying to get on the right side of you. | 0:14:04 | 0:14:07 | |
I got blood on my clothes. | 0:14:24 | 0:14:26 | |
I'll put them in the wash. | 0:14:26 | 0:14:28 | |
Listen, work've been chasing me. | 0:14:29 | 0:14:31 | |
Are you going to be all right here on your own? | 0:14:31 | 0:14:34 | |
I shouldn't leave you, should I? | 0:14:37 | 0:14:38 | |
I'm all right. | 0:14:38 | 0:14:40 | |
I'd say if I wasn't. OK? | 0:14:40 | 0:14:43 | |
OK. | 0:14:44 | 0:14:45 | |
DOOR LOCK CLICKS | 0:15:05 | 0:15:06 | |
He dumped it out in the Lee Valley - then burnt it out. | 0:15:24 | 0:15:27 | |
He did a pretty good job. | 0:15:27 | 0:15:29 | |
We'll be lucky to get anything off it. | 0:15:29 | 0:15:30 | |
You checked ownership? | 0:15:30 | 0:15:32 | |
No, we didn't think we'd bother. | 0:15:32 | 0:15:34 | |
He's kidding. | 0:15:34 | 0:15:36 | |
It was stolen two days ago from Treby Street, Mile End - | 0:15:36 | 0:15:39 | |
that's the East London area. | 0:15:39 | 0:15:41 | |
Did that help at all? | 0:15:41 | 0:15:42 | |
No CCTV. | 0:15:44 | 0:15:45 | |
-Thanks. -Welcome. | 0:15:46 | 0:15:48 | |
-Did Kim apologise? -For what? | 0:15:53 | 0:15:55 | |
-Slowing you guys down earlier. -Not a dickey bird. | 0:15:55 | 0:15:58 | |
Right, well, let me. | 0:16:00 | 0:16:01 | |
Something like this, we have to defer to Washington | 0:16:01 | 0:16:03 | |
and right now they're hard-wired to want to control everything | 0:16:03 | 0:16:06 | |
everywhere, so... | 0:16:06 | 0:16:08 | |
Matt Garcia? | 0:16:10 | 0:16:11 | |
Fergus. | 0:16:32 | 0:16:33 | |
Shit! | 0:16:37 | 0:16:38 | |
Terry Lefoe? CID. Can you come with us, please? | 0:17:02 | 0:17:06 | |
We'd like to talk to you about Ryan Reed. | 0:17:06 | 0:17:08 | |
Is she refusing to cooperate? | 0:17:13 | 0:17:15 | |
Of course she's refusing to cooperate. | 0:17:15 | 0:17:17 | |
We're talking about a US victim here. | 0:17:17 | 0:17:18 | |
Even so, there's protocol - you can't just arrest her in the street. | 0:17:18 | 0:17:23 | |
She shouldn't even be here! | 0:17:23 | 0:17:25 | |
I want to talk to her alone. | 0:17:25 | 0:17:27 | |
-I get it. -I have diplomatic immunity, sir. | 0:17:32 | 0:17:34 | |
I said I get it, Terry. | 0:17:34 | 0:17:36 | |
But so what? Are you really going to refuse to | 0:17:36 | 0:17:39 | |
cooperate in the homicide of one of our own? | 0:17:39 | 0:17:41 | |
You know nothing, tell them that. | 0:17:41 | 0:17:43 | |
Look, I know they've gone in hard here - ridiculously so, but.. | 0:17:43 | 0:17:46 | |
-But! -We're supposed to have a mutually beneficial relationship | 0:17:46 | 0:17:50 | |
with the UK agencies. You clam up now, how's that going to play? | 0:17:50 | 0:17:53 | |
They think you were with him last night. | 0:17:57 | 0:17:59 | |
Why would I have been with him last night? | 0:17:59 | 0:18:01 | |
Terry. | 0:18:01 | 0:18:02 | |
OK, he's got a wife and kid and you don't want what you | 0:18:19 | 0:18:23 | |
had going with him getting out there. I understand that, but this | 0:18:23 | 0:18:26 | |
is a potential terrorist attack, | 0:18:26 | 0:18:28 | |
so this is how it's going to go. I'm insisting | 0:18:28 | 0:18:30 | |
they let you go - but they get to interview you - at the embassy, | 0:18:30 | 0:18:35 | |
Kim'll sit in. | 0:18:35 | 0:18:36 | |
That way, whatever happens, they can't touch you. | 0:18:36 | 0:18:38 | |
That's the best I can do. | 0:18:40 | 0:18:42 | |
Thank you. Thanks. | 0:18:48 | 0:18:51 | |
Can you open your mouth, please? | 0:18:51 | 0:18:53 | |
So when did you last see Ryan? | 0:18:55 | 0:18:57 | |
He called in to my office yesterday morning around 11 | 0:18:58 | 0:19:02 | |
to plan for the Secretary of State's visit. | 0:19:02 | 0:19:04 | |
You think I had something to do with his death, don't you? | 0:19:04 | 0:19:06 | |
Why would I? | 0:19:06 | 0:19:08 | |
He told his wife he was away on embassy business | 0:19:08 | 0:19:11 | |
but it appears he had sex in the hours before his death - | 0:19:11 | 0:19:14 | |
and he was heading towards yours when he was attacked. | 0:19:14 | 0:19:17 | |
So... | 0:19:17 | 0:19:18 | |
I've already got you on his belt. | 0:19:20 | 0:19:22 | |
How long you been seeing one another, Terry? | 0:19:24 | 0:19:27 | |
Only three months. | 0:19:29 | 0:19:30 | |
OK. | 0:19:31 | 0:19:33 | |
OK. Right. Now, take us through yesterday. | 0:19:33 | 0:19:36 | |
I was here until about three in the afternoon, then.. | 0:19:37 | 0:19:42 | |
..in the evening I went to the theatre with people from Legal. | 0:19:42 | 0:19:46 | |
So, between work and the theatre - what's that, like, three hours? | 0:19:46 | 0:19:51 | |
What did you do then? | 0:19:51 | 0:19:52 | |
You met up with him then, too, didn't you? | 0:19:55 | 0:19:57 | |
I would never do anything to hurt him. | 0:20:00 | 0:20:04 | |
Was he anxious about something, do you know? Had anyone threatened him? | 0:20:08 | 0:20:14 | |
There was a guy outside my apartment a couple of nights ago. | 0:20:16 | 0:20:19 | |
Ryan thought maybe he was being watched. | 0:20:19 | 0:20:21 | |
But then he always did - he always thought he was being watched. | 0:20:21 | 0:20:25 | |
Diplomats usually are. | 0:20:25 | 0:20:28 | |
Who did he think it was? | 0:20:28 | 0:20:29 | |
No idea. | 0:20:29 | 0:20:31 | |
Some other country's spook just letting him know they were there. | 0:20:31 | 0:20:34 | |
Did you see him, Terry - this guy? | 0:20:34 | 0:20:36 | |
Yeah. | 0:20:37 | 0:20:38 | |
Yeah. Uh, in his 30s, maybe. Caucasian. | 0:20:38 | 0:20:43 | |
Biker's jacket? | 0:20:43 | 0:20:44 | |
You see his face? | 0:20:46 | 0:20:47 | |
OK, thanks. Bye. Right. Her alibi checks out. | 0:21:37 | 0:21:40 | |
Security at her apartment confirms she was at home | 0:21:40 | 0:21:42 | |
when the attack happened. | 0:21:42 | 0:21:44 | |
I can get you access to Ryan's home computer and private cell - | 0:21:44 | 0:21:47 | |
we can check out his office equivalents. | 0:21:47 | 0:21:49 | |
-Presumably you've got every agent in London on this? -Totally. | 0:21:49 | 0:21:52 | |
We'll need to look at surveillance cameras between the TV studios | 0:21:52 | 0:21:55 | |
and where he was attacked.. | 0:21:55 | 0:21:57 | |
Yeah, thanks. You know we're pretty hot on basic policing. | 0:21:57 | 0:22:01 | |
I'll call you later. | 0:22:01 | 0:22:03 | |
Um, before you guys go - do you know a Dr Helen Vine? | 0:22:06 | 0:22:09 | |
-From Medicafrica? -Yeah. | 0:22:10 | 0:22:12 | |
She's here this evening doing a private talk | 0:22:12 | 0:22:15 | |
for an invited audience. | 0:22:15 | 0:22:16 | |
It's probably not the best time to ask, but I was wondering if you... | 0:22:16 | 0:22:20 | |
Uh. Well, we... | 0:22:20 | 0:22:22 | |
Well, we've covered the pathology for now. I'll have to | 0:22:22 | 0:22:25 | |
wait for the tox report, but if you wanted to go along? | 0:22:25 | 0:22:28 | |
OK. Sure. | 0:22:30 | 0:22:32 | |
Great. | 0:22:33 | 0:22:34 | |
Do you know what it's about? | 0:22:34 | 0:22:36 | |
Well, she's... | 0:22:36 | 0:22:38 | |
INDISTINCT VOICES | 0:22:40 | 0:22:42 | |
ECHOING VOICE | 0:22:44 | 0:22:46 | |
Can I take your order, please? | 0:22:55 | 0:22:56 | |
Um... Yes. Can I have a...a sandwich? | 0:22:59 | 0:23:04 | |
-Cheese sandwich, please. -Yeah, of course. | 0:23:04 | 0:23:06 | |
# Picture this, freezing cold weather | 0:23:22 | 0:23:25 | |
# You got clouds on your lids and you'd be on the skids | 0:23:25 | 0:23:28 | |
# If it weren't for your job at the garage | 0:23:28 | 0:23:31 | |
# If you could only oh-oh | 0:23:31 | 0:23:33 | |
# Picture this, a sky full of thunder | 0:23:33 | 0:23:36 | |
# Picture this, my telephone number | 0:23:37 | 0:23:40 | |
# One and one is what I'm telling you | 0:23:40 | 0:23:43 | |
# Get a pocket computer | 0:23:43 | 0:23:45 | |
# Try to do what you used to do, yeah. # | 0:23:45 | 0:23:49 | |
What are the FBI doing in our clean room? | 0:23:50 | 0:23:52 | |
They are making sure Jack's getting down to it. | 0:23:52 | 0:23:55 | |
They know he's a slacker. | 0:23:55 | 0:23:56 | |
Crack that whip. | 0:23:56 | 0:23:58 | |
-Anything from the bike? -Not a lot. | 0:23:58 | 0:24:00 | |
Just a bit of seed in the tyres. | 0:24:00 | 0:24:02 | |
Which I'm trying to identify as we speak. | 0:24:02 | 0:24:04 | |
PHONE VIBRATES | 0:24:04 | 0:24:06 | |
Sorry. | 0:24:06 | 0:24:07 | |
Hi, Darling. No, no, no. | 0:24:07 | 0:24:09 | |
Leaving soon. You OK there for a bit? ..I don't know. | 0:24:09 | 0:24:12 | |
About half an hour. | 0:24:12 | 0:24:14 | |
..OK, darling. Bye. | 0:24:14 | 0:24:15 | |
Rosie | 0:24:17 | 0:24:18 | |
So what's the story there? Is she living with you now? | 0:24:18 | 0:24:21 | |
No, no, just until... | 0:24:21 | 0:24:23 | |
Julia had the baby last night. | 0:24:23 | 0:24:24 | |
-Another girl. -That's nice. | 0:24:24 | 0:24:26 | |
-Everything OK? -It will be. | 0:24:26 | 0:24:28 | |
Difficult birth, so they've kept her in for a bit. | 0:24:28 | 0:24:31 | |
And you're in a knot. | 0:24:31 | 0:24:33 | |
Me? No. | 0:24:33 | 0:24:34 | |
Well, actually, yeah. | 0:24:36 | 0:24:38 | |
Yeah, it's bloody strange. | 0:24:40 | 0:24:43 | |
They have their family now and my daughter's going to be a part of it. | 0:24:43 | 0:24:48 | |
Not quite got used to that yet - but I will. | 0:24:48 | 0:24:51 | |
CHAMBER MUSIC PLAYS | 0:24:54 | 0:24:56 | |
Excuse me. | 0:25:32 | 0:25:33 | |
-Wow. -Hi. -You look terrific. -Thanks. | 0:25:38 | 0:25:41 | |
-For you, madame? -Yeah? -Yeah, great. | 0:25:44 | 0:25:46 | |
There's some people I'd love you to meet. | 0:25:46 | 0:25:49 | |
Yeah, I did a placement there when I first qualified, out in Montana. | 0:25:53 | 0:25:57 | |
Long time ago now. | 0:25:57 | 0:25:59 | |
The amazing Montana. | 0:25:59 | 0:26:00 | |
Ooh, Helen. | 0:26:00 | 0:26:01 | |
Excuse us. Come here. | 0:26:01 | 0:26:03 | |
I want you to meet a friend of mine. Dr Nikki Alexander, Dr Helen Vine. | 0:26:03 | 0:26:06 | |
-Great to meet you. -Hi. | 0:26:06 | 0:26:08 | |
-Will you excuse me for a second? -Yeah. | 0:26:08 | 0:26:11 | |
I've read some of your books. | 0:26:11 | 0:26:12 | |
Ooh, a fan. | 0:26:12 | 0:26:15 | |
Oh, well, maybe you didn't like them. | 0:26:15 | 0:26:16 | |
No, no, they were incredibly informative. | 0:26:16 | 0:26:19 | |
Great. | 0:26:19 | 0:26:21 | |
So what do you do? | 0:26:21 | 0:26:23 | |
-I'm a pathologist. -Really? | 0:26:23 | 0:26:24 | |
Ms Vine? | 0:26:24 | 0:26:25 | |
Can I...? We're starting up a programme training | 0:26:25 | 0:26:29 | |
pathologists for developing countries. | 0:26:29 | 0:26:32 | |
You want to hook up later - just the two of us - grab a drink somewhere? | 0:26:32 | 0:26:37 | |
Sure. | 0:26:37 | 0:26:38 | |
I might have some work for you. | 0:26:38 | 0:26:40 | |
-Ms Vine, please. -Excuse me. | 0:26:40 | 0:26:42 | |
Talk to you later. | 0:26:43 | 0:26:45 | |
BUZZER | 0:27:01 | 0:27:02 | |
..having to somehow deal with a kind of simultaneous grief. | 0:27:07 | 0:27:12 | |
That's like the whole of Liverpool suffering an emotional meltdown... | 0:27:12 | 0:27:15 | |
-So? -Thanks for the introduction. She wants to meet up later. | 0:27:15 | 0:27:17 | |
But I'm talking about that happening year in, year out. | 0:27:17 | 0:27:20 | |
-Just the two of you? -Mm. -You must be giving off something. | 0:27:20 | 0:27:24 | |
Helen can be very predatory. | 0:27:26 | 0:27:28 | |
..the thick of it. | 0:27:28 | 0:27:30 | |
Oh, yeah, my life's a ball, believe me. | 0:27:30 | 0:27:32 | |
LAUGHTER | 0:27:32 | 0:27:34 | |
It sure is. | 0:27:34 | 0:27:35 | |
Let's go. Come on. | 0:27:36 | 0:27:38 | |
Come on. | 0:27:38 | 0:27:39 | |
Rosie? | 0:27:42 | 0:27:44 | |
Rosie? | 0:27:48 | 0:27:49 | |
KNOCK ON DOOR | 0:27:54 | 0:27:56 | |
Rosie? | 0:27:56 | 0:27:57 | |
I genuinely had no idea. | 0:28:12 | 0:28:14 | |
No. Can I get you a drink? | 0:28:14 | 0:28:17 | |
Yes, please. | 0:28:17 | 0:28:18 | |
Sweet. | 0:28:25 | 0:28:26 | |
What about their mum? | 0:28:29 | 0:28:31 | |
We got divorced a couple of years ago. | 0:28:31 | 0:28:33 | |
She's there, I'm here, and mercifully | 0:28:33 | 0:28:35 | |
the Atlantic runs between us. | 0:28:35 | 0:28:37 | |
And the kids? | 0:28:37 | 0:28:39 | |
-Danny's travelling... -Thanks. -..and Kelly's at Yale. | 0:28:39 | 0:28:43 | |
Your old alma mater. | 0:28:43 | 0:28:44 | |
Who told you that? | 0:28:46 | 0:28:47 | |
Do I look that entitled to you? | 0:28:50 | 0:28:52 | |
I googled you back. | 0:28:52 | 0:28:53 | |
You just reminded me. | 0:28:57 | 0:28:58 | |
I have, for you, | 0:28:58 | 0:29:00 | |
first edition, signed copy. | 0:29:00 | 0:29:02 | |
John Grisham. | 0:29:04 | 0:29:05 | |
Wow, you weren't kidding. | 0:29:05 | 0:29:06 | |
You think this is my kind of thing? | 0:29:08 | 0:29:10 | |
I absolutely don't think it's your kind of thing. | 0:29:10 | 0:29:12 | |
But then, if you didn't like it, | 0:29:12 | 0:29:14 | |
-you'd have to see me again to give it back to me. -Oh, yeah? | 0:29:14 | 0:29:17 | |
-Not a cunning plan, is it? -No, not now you've told me it. | 0:29:17 | 0:29:20 | |
KNOCK ON DOOR | 0:29:22 | 0:29:23 | |
Sorry, can I get a minute? | 0:29:28 | 0:29:30 | |
Sure. | 0:29:30 | 0:29:32 | |
I'll.... | 0:29:32 | 0:29:33 | |
-You'll be downstairs, right? -Sorry. Sorry... -I'll be right down. | 0:29:33 | 0:29:37 | |
Don't worry. | 0:29:37 | 0:29:39 | |
We've picked up traces of explosives on a package addressed to you. | 0:29:43 | 0:29:48 | |
To me! | 0:29:50 | 0:29:51 | |
We got X-rays and photos before UK bomb disposal destroyed it. | 0:29:52 | 0:29:56 | |
It had a memory stick device inside it. | 0:29:56 | 0:29:58 | |
There's a second envelope, too. | 0:30:00 | 0:30:02 | |
Looks like the same source - same post mark, same address label. | 0:30:02 | 0:30:07 | |
-But this one, this one's good? -Yeah. | 0:30:07 | 0:30:09 | |
No explosives, nothing - just this strip of paper inside it. | 0:30:09 | 0:30:13 | |
That make any sense to you? | 0:30:14 | 0:30:16 | |
No. | 0:30:18 | 0:30:20 | |
We got this fingerprint, too - on a corner of the envelope. | 0:30:20 | 0:30:23 | |
Right, listen, with everything that's going on, | 0:30:27 | 0:30:30 | |
I think we get the Lyell to take a look. | 0:30:30 | 0:30:32 | |
-I'm on it. -Thanks. | 0:30:32 | 0:30:33 | |
Rosie? | 0:30:46 | 0:30:47 | |
Hiya. You all right? Mum's not here. | 0:31:07 | 0:31:12 | |
You knew that, didn't you? | 0:31:12 | 0:31:14 | |
I wanted to see the baby but she said no. | 0:31:16 | 0:31:19 | |
I'm not allowed to go to the hospital. | 0:31:19 | 0:31:21 | |
Sweetheart. | 0:31:24 | 0:31:25 | |
Look. | 0:31:28 | 0:31:29 | |
Mummy loves you - you know she loves you - | 0:31:31 | 0:31:33 | |
nothing's going to change that. | 0:31:33 | 0:31:36 | |
-Why's she ignoring me, then? -I don't know. | 0:31:36 | 0:31:38 | |
-Maybe she's tired. Maybe the baby... -Erin. | 0:31:38 | 0:31:41 | |
She's called Erin. | 0:31:42 | 0:31:44 | |
Erin. | 0:31:44 | 0:31:45 | |
Well, maybe Erin's a bit grouchy. | 0:31:47 | 0:31:49 | |
There's a million reasons but whatever it is it won't be | 0:31:50 | 0:31:53 | |
because she doesn't want to see you. | 0:31:53 | 0:31:55 | |
You mad at me for coming here? | 0:31:59 | 0:32:00 | |
Of course not. | 0:32:04 | 0:32:05 | |
Can I see the wine list, please? | 0:32:35 | 0:32:37 | |
Certainly, madam. | 0:32:37 | 0:32:38 | |
Matt Garcia had a letter bomb sent to his address. | 0:33:32 | 0:33:34 | |
Did bomb disposal send that through to you? | 0:33:34 | 0:33:36 | |
Yeah, not much left of it, we're passing it on to an explosives expert for analysis. | 0:33:36 | 0:33:39 | |
What about the second envelope with the numbers on it? Had a fingerprint? | 0:33:39 | 0:33:43 | |
Yeah, no match with UK or the US databases. | 0:33:43 | 0:33:46 | |
-You think they might be related? -I don't know. | 0:33:46 | 0:33:48 | |
Never say never. Anyway, I wouldn't have called you in | 0:33:48 | 0:33:50 | |
-but there's a possible US Embassy connection here, too. -Where's the cavalry? -Hopefully, no need. | 0:33:50 | 0:33:54 | |
Please, God. Please, God. | 0:33:54 | 0:33:56 | |
Boss, this is the room, and this is the manager, Mrs Peraki. | 0:33:56 | 0:34:00 | |
They've tried contacting Ms Vine, but she isn't answering her mobile. | 0:34:00 | 0:34:03 | |
Good work, Moss. | 0:34:03 | 0:34:04 | |
How many people have been in here since last night? | 0:34:05 | 0:34:07 | |
Just the maid and me. | 0:34:07 | 0:34:09 | |
There's nothing inside the room - everything's normal - but here... | 0:34:09 | 0:34:14 | |
..it looks like blood | 0:34:16 | 0:34:17 | |
Certainly does. | 0:34:20 | 0:34:22 | |
Yeah. | 0:34:39 | 0:34:40 | |
Yeah, I need a general call putting out for a Helen Vine. | 0:34:40 | 0:34:44 | |
-You got cameras in the corridor? -No. | 0:34:44 | 0:34:46 | |
-Not up here. -What a shame. | 0:34:46 | 0:34:48 | |
Can you see about getting these lights switched off for me, please? | 0:34:52 | 0:34:56 | |
Thank you. | 0:34:56 | 0:34:57 | |
I met her at the embassy. | 0:36:23 | 0:36:25 | |
She knows Matt Garcia. | 0:36:26 | 0:36:27 | |
Has he been informed? | 0:36:27 | 0:36:29 | |
Yeah. | 0:36:29 | 0:36:30 | |
-And the Home Office, are they aware? -Yeah. | 0:36:30 | 0:36:32 | |
This wasn't indiscriminate, was it? She was targeted. | 0:36:34 | 0:36:39 | |
So she knew him? Did she know him? | 0:36:39 | 0:36:41 | |
How did he get in to her room? | 0:36:41 | 0:36:45 | |
Maybe through a window, maybe through a door. | 0:36:45 | 0:36:47 | |
-Was it forced? -No. | 0:36:47 | 0:36:49 | |
Maybe she just opened it up to him. | 0:36:49 | 0:36:50 | |
Somebody knocks, you open up, right? | 0:36:50 | 0:36:52 | |
Why the hell would he risk moving her in here? | 0:36:52 | 0:36:54 | |
Why not just pose her in her room? | 0:36:54 | 0:36:56 | |
From the blood trail, it looks like she managed to get away from him out | 0:36:56 | 0:37:00 | |
into the corridor - but he caught her up and dragged her in here. | 0:37:00 | 0:37:02 | |
The MO's similar to Ryan Reed - | 0:37:02 | 0:37:04 | |
and the way she's been placed in the chair. | 0:37:04 | 0:37:07 | |
What about this magazine? | 0:37:07 | 0:37:10 | |
Some sort of listings thing. Most of the rooms have them. | 0:37:10 | 0:37:12 | |
It's the same guy, right? | 0:37:12 | 0:37:14 | |
Look at this. | 0:37:18 | 0:37:20 | |
Hasn't been fired. | 0:37:22 | 0:37:23 | |
This one has. | 0:37:23 | 0:37:24 | |
Right through her body. | 0:37:27 | 0:37:28 | |
She'd had a pacemaker fitted - | 0:37:30 | 0:37:31 | |
we've been able to examine that, details are on the table behind you. | 0:37:31 | 0:37:34 | |
Shows abnormal heart activity starting last night, 9.33pm. | 0:37:34 | 0:37:38 | |
Is that the time of death, then? | 0:37:38 | 0:37:40 | |
No. | 0:37:40 | 0:37:41 | |
Activity ceases completely at 9.36. | 0:37:41 | 0:37:45 | |
Sir. | 0:37:45 | 0:37:46 | |
What have we got? | 0:37:46 | 0:37:48 | |
We've got a blunt force trauma injury to the head | 0:37:48 | 0:37:51 | |
and defence wounds to both hands. | 0:37:51 | 0:37:53 | |
A bullet entered here just below the xiphisternum, perforating | 0:37:53 | 0:37:57 | |
the aorta - hence the massive blood loss, | 0:37:57 | 0:37:59 | |
puncturing the lumbar vertebrae. | 0:37:59 | 0:38:00 | |
The MO's the same, so, well, we're looking at the same killer. | 0:38:00 | 0:38:03 | |
Possibly a serial killer. | 0:38:03 | 0:38:05 | |
And the connection between the victims? | 0:38:05 | 0:38:07 | |
Well, apart from their US Embassy connections and citizenship, | 0:38:07 | 0:38:12 | |
I don't know. | 0:38:12 | 0:38:13 | |
Some bladder fibrosis - quite advanced. | 0:38:13 | 0:38:16 | |
Didn't Ryan Reed suffer from bladder inflammation, too? | 0:38:18 | 0:38:20 | |
Yeah, not specifically fibrosis though, was it? | 0:38:20 | 0:38:23 | |
-Have you checked his cytology yet? -I'll look at the slides. | 0:38:23 | 0:38:26 | |
This is one of the bullets used to kill Helen Vine - | 0:38:35 | 0:38:38 | |
and this one's from Ryan Reed. | 0:38:38 | 0:38:40 | |
-The same gun? -Yes. | 0:38:40 | 0:38:42 | |
Right. So the same killer. | 0:38:42 | 0:38:43 | |
Well, no, the weapon can be fired by anyone, I think you'll find. | 0:38:43 | 0:38:46 | |
So it's not necessarily the same killer. | 0:38:46 | 0:38:48 | |
Right, right, OK, well, that's him, whoever he is. | 0:38:48 | 0:38:50 | |
OK, we drop the DSMA notice and we go public.. | 0:38:50 | 0:38:53 | |
That's not going to happen. | 0:38:53 | 0:38:54 | |
We've got to get that face out there. | 0:38:54 | 0:38:56 | |
Washington won't be happy with that. | 0:38:56 | 0:38:58 | |
Why not? | 0:38:58 | 0:38:59 | |
Because until somebody claims responsibility we don't have an enemy to rail against. | 0:38:59 | 0:39:03 | |
And admitting that our people are getting picked off in London, | 0:39:03 | 0:39:05 | |
and we don't have a clue who's doing it, makes this Administration look weak. | 0:39:05 | 0:39:09 | |
Unbelievable. | 0:39:09 | 0:39:10 | |
So what will Washington be happy with? | 0:39:10 | 0:39:12 | |
Finding out who did this. | 0:39:15 | 0:39:18 | |
Back to basics, then - how did he get in? | 0:39:18 | 0:39:20 | |
Here's Helen Vine. | 0:39:23 | 0:39:24 | |
So before then. | 0:39:25 | 0:39:26 | |
Right, so what am I looking for? | 0:39:28 | 0:39:30 | |
Well. Biker's jacket. | 0:39:30 | 0:39:32 | |
Whoa, whoa, whoa. | 0:39:38 | 0:39:40 | |
What about him? | 0:39:41 | 0:39:42 | |
OK, let's sync the cameras. | 0:39:46 | 0:39:48 | |
Come on - come on, give me this guy. | 0:39:48 | 0:39:51 | |
Is that him? | 0:39:51 | 0:39:53 | |
Can you zoom in? | 0:39:54 | 0:39:55 | |
Bring up the e-fit. | 0:39:58 | 0:39:59 | |
Sure. | 0:39:59 | 0:40:00 | |
That's him. | 0:40:02 | 0:40:03 | |
Is there any more? | 0:40:04 | 0:40:05 | |
He's not going to pay by card? | 0:40:13 | 0:40:14 | |
Got him. | 0:40:20 | 0:40:21 | |
SHE GASPS | 0:40:56 | 0:40:57 | |
Armed police, don't move! | 0:41:11 | 0:41:13 | |
-Armed police! -Get down. | 0:41:15 | 0:41:16 | |
-Get down! -Now! | 0:41:16 | 0:41:17 | |
-Get down now! -Hands on your head. | 0:41:17 | 0:41:20 | |
Get down on your knees. I said, get down on your knees! | 0:41:22 | 0:41:25 | |
Got the toxicology back on Helen Vine. | 0:41:33 | 0:41:36 | |
Yeah. | 0:41:36 | 0:41:37 | |
She was taking praziquantel. | 0:41:37 | 0:41:39 | |
-Which is... -Which is used to treat something called schistosomiasis, | 0:41:39 | 0:41:42 | |
an infection caused by a parasitic worm. | 0:41:42 | 0:41:45 | |
You get it all over the tropics - | 0:41:45 | 0:41:46 | |
South America, Asia, the Middle East, mostly Africa. | 0:41:46 | 0:41:49 | |
And the bladder fibrosis? | 0:41:49 | 0:41:50 | |
Is a symptom. | 0:41:50 | 0:41:52 | |
-Ryan Reed has got a little bit of fibrosis, too. -Really? | 0:41:52 | 0:41:55 | |
Less advanced than Helen Vine's. | 0:41:55 | 0:41:56 | |
But they travelled to a similar location, | 0:41:56 | 0:41:58 | |
-picked up the same infection. -Maybe. | 0:41:58 | 0:42:01 | |
We need his records. | 0:42:02 | 0:42:03 | |
Well, we're searching your house | 0:42:05 | 0:42:07 | |
and I'm going to need to interview you, OK? | 0:42:07 | 0:42:10 | |
OK. | 0:42:10 | 0:42:11 | |
Sir. Ella's boyfriend. Peter Cilliers. | 0:42:11 | 0:42:13 | |
-Thank you for coming. -It's fine. | 0:42:13 | 0:42:15 | |
I've been told Fergus is unwell, mentally. | 0:42:19 | 0:42:21 | |
Yeah, he has psychosis. | 0:42:21 | 0:42:23 | |
Right - well, he wants you in there with him | 0:42:25 | 0:42:27 | |
and I've OK'd that, so... I'll let you know as soon as. | 0:42:27 | 0:42:30 | |
All right? | 0:42:32 | 0:42:33 | |
No, I can't. I can't go in there. | 0:42:35 | 0:42:36 | |
I... I can't. | 0:42:36 | 0:42:38 | |
Fergus, there's been a change of plan. Ella's not feeling | 0:42:51 | 0:42:54 | |
so good, so Peter's going to sit here with you instead, all right? | 0:42:54 | 0:42:57 | |
He's what we call your appropriate adult. | 0:42:57 | 0:42:59 | |
-You happy with that? -Yeah. | 0:42:59 | 0:43:02 | |
Before we begin, my client suffers from mental illness, so I wish it | 0:43:02 | 0:43:05 | |
to be noted that in my opinion this interview should not be going ahead. | 0:43:05 | 0:43:08 | |
Noted. | 0:43:08 | 0:43:09 | |
Your man's ex-RAF, discharged for psychiatric reasons. | 0:43:09 | 0:43:13 | |
He just flipped out, no warning. | 0:43:13 | 0:43:14 | |
No Islamist connection? | 0:43:14 | 0:43:16 | |
No, nor far-right as far as we can tell. | 0:43:16 | 0:43:19 | |
What were you doing here last night, Fergus? | 0:43:19 | 0:43:21 | |
What? | 0:43:25 | 0:43:27 | |
Were you looking for this woman? | 0:43:27 | 0:43:28 | |
I'm showing Mr Weir exhibit V11. | 0:43:32 | 0:43:34 | |
PHONE VIBRATES | 0:43:34 | 0:43:35 | |
-Hey. -Matt, Do you have access to Ryan Reed's medical records? | 0:43:38 | 0:43:42 | |
I think so. Why? | 0:43:42 | 0:43:43 | |
Well, Helen Vine was taking medication for | 0:43:43 | 0:43:46 | |
some kind of parasitic infection and we think Ryan | 0:43:46 | 0:43:49 | |
was infected, too. You only get this thing in the tropics. | 0:43:49 | 0:43:51 | |
Now, we know Helen was based somewhere in Africa. | 0:43:51 | 0:43:54 | |
Can we place Ryan there, too? | 0:43:54 | 0:43:55 | |
Yeah, Helen's charity works out of West Africa - Mali, I think. | 0:43:55 | 0:44:00 | |
And Ryan... | 0:44:00 | 0:44:01 | |
..I'll have to check, but I'm pretty sure | 0:44:01 | 0:44:03 | |
he did a stint at the US Embassy - second part of last year. | 0:44:03 | 0:44:05 | |
So he would have been there at the same time as Helen Vine? | 0:44:05 | 0:44:08 | |
Yeah. He would have. Let me confirm that | 0:44:08 | 0:44:10 | |
and I'll let Solomon know. Excuse me. | 0:44:10 | 0:44:13 | |
Well, we've got you on CCTV leaving the hotel at 7.37pm. | 0:44:13 | 0:44:19 | |
Where did you go after that, Fergus? | 0:44:19 | 0:44:22 | |
If he wasn't there, how could he have anything to do with this? | 0:44:22 | 0:44:24 | |
Mr Weir may have returned at a later time. | 0:44:24 | 0:44:26 | |
Is that what you did, Fergus? About 9.30? | 0:44:26 | 0:44:29 | |
US people.... | 0:44:31 | 0:44:32 | |
..they made a commitment. Years ago. | 0:44:33 | 0:44:36 | |
Right, OK. | 0:44:40 | 0:44:41 | |
So how about this man? | 0:44:43 | 0:44:44 | |
This is Exhibit R3. | 0:44:46 | 0:44:49 | |
It's on the Statue of Liberty - "Give me your tired, your poor, | 0:44:49 | 0:44:53 | |
"your huddled masses yearning to breathe free, | 0:44:53 | 0:44:57 | |
"the wretched refuse from your teeming shore." | 0:44:57 | 0:45:02 | |
Not anymore, though. Not now. | 0:45:03 | 0:45:05 | |
KNOCK ON DOOR | 0:45:07 | 0:45:08 | |
We'll take a pause here, please. | 0:45:08 | 0:45:10 | |
We're pausing the interview at 15.32. | 0:45:11 | 0:45:16 | |
DCI Solomon is leaving the room. | 0:45:16 | 0:45:18 | |
You OK? Can I get you something? | 0:45:18 | 0:45:20 | |
15.33. | 0:45:28 | 0:45:29 | |
DCI Solomon is back in the room. | 0:45:29 | 0:45:31 | |
Ever been to Mali, Fergus? | 0:45:31 | 0:45:33 | |
What about a charity called Medicafrica? | 0:45:37 | 0:45:39 | |
Ever had dealings with them? | 0:45:39 | 0:45:41 | |
No? All right. | 0:45:41 | 0:45:44 | |
Monday night at 11.30pm - can you tell me exactly where you were, please, Fergus? | 0:45:44 | 0:45:48 | |
ECHOING: Regardez moi. | 0:45:48 | 0:45:50 | |
Tell them, man. | 0:45:50 | 0:45:51 | |
Sorry, Fergus, can you look at me? | 0:45:53 | 0:45:57 | |
M'bi fe, mon cher, mon Africain. | 0:45:57 | 0:45:59 | |
Fergus, can you look at me? Fergus, look at me! That's it! | 0:46:01 | 0:46:04 | |
Why did you pose those bodies? | 0:46:04 | 0:46:06 | |
Fergus, what the hell is that all about? Fergus, please. | 0:46:06 | 0:46:10 | |
Look at this man. Did you kill him? | 0:46:10 | 0:46:12 | |
ECHOING VOICE CONTINUES SPEAKING IN FRENCH | 0:46:12 | 0:46:14 | |
This woman? Did you kill her? What about this man? | 0:46:14 | 0:46:19 | |
Why did you kill them, Fergus? | 0:46:19 | 0:46:21 | |
-This woman, you killed her, right? -DCI, come on. | 0:46:21 | 0:46:23 | |
This man, you killed him, too? | 0:46:23 | 0:46:24 | |
I killed them. | 0:46:24 | 0:46:25 | |
I killed them. | 0:46:26 | 0:46:27 | |
I killed them. | 0:46:27 | 0:46:29 | |
I killed them. | 0:46:30 | 0:46:31 | |
I killed them all. | 0:46:33 | 0:46:34 | |
Get him out of there. | 0:46:34 | 0:46:36 | |
-Hi. -Hey. | 0:46:40 | 0:46:41 | |
Kim, good morning. Come through? | 0:46:42 | 0:46:44 | |
-Can I make you coffee? -No, fine, thank you. -I'd love one, thank you. | 0:46:44 | 0:46:47 | |
So, Fergus Weir confessed but he had no connection to the embassy, | 0:46:59 | 0:47:03 | |
he never met Ryan or Helen, hasn't even set foot in Mali. | 0:47:03 | 0:47:08 | |
But it was his fingerprint on the letter bomb - | 0:47:08 | 0:47:12 | |
on the accompanying mail, anyway. | 0:47:12 | 0:47:15 | |
What are you saying - he was targeting me, too? | 0:47:15 | 0:47:18 | |
You ever been to Mali? | 0:47:18 | 0:47:20 | |
I've never been to Africa. | 0:47:20 | 0:47:21 | |
I guess you get dodgy parcels from cranks and douchebags all the time. | 0:47:21 | 0:47:26 | |
Douchebags! | 0:47:26 | 0:47:28 | |
Just trying to make you feel at home. | 0:47:28 | 0:47:30 | |
That's very kind of you. | 0:47:30 | 0:47:32 | |
Look, if people are trying to blow me up, | 0:47:34 | 0:47:36 | |
I'd might as well not waste what time I have left here, so... | 0:47:36 | 0:47:39 | |
..can I take you out? | 0:47:40 | 0:47:41 | |
Really? | 0:47:42 | 0:47:44 | |
Well, yeah, you're unbelievably easy on the eye, | 0:47:44 | 0:47:47 | |
you've a brain the size of Canada | 0:47:47 | 0:47:49 | |
and for some reason I feel like I've known you for years. | 0:47:49 | 0:47:52 | |
Nikki, Matt? Would you join us? | 0:47:52 | 0:47:56 | |
Is that a no? | 0:48:00 | 0:48:01 | |
Sorry. | 0:48:08 | 0:48:10 | |
So Fergus Weir's been charged, has he? | 0:48:10 | 0:48:12 | |
Yeah, and assessed. | 0:48:12 | 0:48:13 | |
He's too sick for prison, we're remanding him | 0:48:13 | 0:48:15 | |
to a secure psychiatric unit. | 0:48:15 | 0:48:17 | |
Something that's concerning me. | 0:48:17 | 0:48:18 | |
-The second package sent to Mr Garcia... -PHONE VIBRATES | 0:48:18 | 0:48:21 | |
Sorry. | 0:48:21 | 0:48:23 | |
There's a list of numbers but we can't identify their meaning. | 0:48:23 | 0:48:26 | |
You think this is the guy, right? The threat's been neutralised. | 0:48:26 | 0:48:29 | |
Yeah, but there are questions. | 0:48:29 | 0:48:31 | |
His print was on the letter bomb but not in Helen Vine's hotel room | 0:48:31 | 0:48:35 | |
or in the place Ryan Reed was murdered. | 0:48:35 | 0:48:37 | |
No DNA, either. | 0:48:37 | 0:48:38 | |
That was my team leader in Washington. | 0:48:40 | 0:48:42 | |
They have something on Weir, too. | 0:48:42 | 0:48:44 | |
-The FBI do? -It's definitive. | 0:48:44 | 0:48:46 | |
I'm sorry, I can't share the specifics here, | 0:48:46 | 0:48:48 | |
it's classified Can I take you through it? | 0:48:48 | 0:48:51 | |
Please. | 0:48:51 | 0:48:52 | |
-Whoa - fancy pants. -Hey. | 0:49:34 | 0:49:36 | |
Hop in. | 0:49:38 | 0:49:39 | |
Thanks. | 0:49:39 | 0:49:41 | |
This is where Fancy Pants lives. | 0:49:56 | 0:49:58 | |
Do you live like this in Washington? | 0:50:19 | 0:50:21 | |
I wish. No, the embassy has places, properties all over the city. | 0:50:21 | 0:50:26 | |
-This is where they put the Deputy Chief of Mission. -Wow. | 0:50:26 | 0:50:29 | |
I know, the American dream is alive and well and living in Hampstead. | 0:50:29 | 0:50:34 | |
Look at me - Lord Snotty. | 0:50:34 | 0:50:35 | |
SHE CHUCKLES | 0:50:35 | 0:50:37 | |
-Snooty. -Hmm? | 0:50:37 | 0:50:38 | |
You have a maid? | 0:50:40 | 0:50:42 | |
Yeah, I have a maid. | 0:50:42 | 0:50:43 | |
Any more questions? | 0:50:43 | 0:50:45 | |
-Indian food or Italian food? -Thai. | 0:50:45 | 0:50:47 | |
You hungry? | 0:50:47 | 0:50:49 | |
Rugby or football? | 0:50:49 | 0:50:51 | |
I mean rugby or soccer? | 0:50:51 | 0:50:52 | |
Cricket. | 0:50:52 | 0:50:53 | |
Red or white? | 0:50:53 | 0:50:55 | |
White, please. | 0:50:55 | 0:50:57 | |
Democrat or Republican? | 0:50:57 | 0:50:59 | |
Democrat, or it's a deal breaker, right? | 0:50:59 | 0:51:02 | |
Although I have to tell you, | 0:51:02 | 0:51:04 | |
the old battle lines, they don't really exist anymore. | 0:51:04 | 0:51:08 | |
There's the current administration and then everybody else. | 0:51:08 | 0:51:12 | |
And where are you? | 0:51:12 | 0:51:13 | |
I like to put in an honest innings. | 0:51:15 | 0:51:18 | |
Play with a straight bat? | 0:51:18 | 0:51:19 | |
Yeah, just be real. | 0:51:21 | 0:51:24 | |
And what's that exactly? What is real? | 0:51:24 | 0:51:28 | |
God, you even do scientific analysis of chitchat? | 0:51:28 | 0:51:31 | |
Well, I like to know what people mean. | 0:51:31 | 0:51:34 | |
I don't like things to be vague. | 0:51:35 | 0:51:37 | |
OK, well, what about now for a start? | 0:51:37 | 0:51:42 | |
I mean, I'm here with you and that feels pretty real to me. | 0:51:42 | 0:51:46 | |
Smoothy. | 0:51:50 | 0:51:51 | |
What happened to Fancy Pants? | 0:51:53 | 0:51:55 | |
DOOR LOCK BUZZES | 0:51:55 | 0:51:56 | |
Thank you. | 0:51:58 | 0:52:00 | |
They treating you OK? | 0:52:05 | 0:52:07 | |
Are you going to tell them where you were, Fergus? | 0:52:16 | 0:52:18 | |
You've got to tell them where you were when that woman was killed. | 0:52:21 | 0:52:24 | |
Will you tell me? | 0:52:29 | 0:52:31 | |
Peter said you didn't know what you were saying. | 0:52:34 | 0:52:37 | |
Stop it. | 0:52:37 | 0:52:38 | |
I told the truth. | 0:52:43 | 0:52:44 | |
I know you don't want to believe that, but I did. | 0:52:46 | 0:52:50 | |
There were others. | 0:52:53 | 0:52:54 | |
I had an idea you lived in some compound. | 0:53:02 | 0:53:05 | |
Doughnuts and burgers and never talk to the locals. | 0:53:05 | 0:53:08 | |
-C'mon. -Where were you before here? | 0:53:08 | 0:53:11 | |
Bangkok. | 0:53:11 | 0:53:12 | |
You sure this all right? I mean, we can go out for dinner. | 0:53:12 | 0:53:15 | |
-No, this is great. -You haven't tasted it yet. | 0:53:15 | 0:53:18 | |
You don't use peanut oil? | 0:53:20 | 0:53:22 | |
Canola. | 0:53:22 | 0:53:23 | |
Has a neutral flavour. | 0:53:23 | 0:53:25 | |
Who told you that? | 0:53:25 | 0:53:26 | |
I read it in a cook book. | 0:53:26 | 0:53:27 | |
Most of what I know I read. | 0:53:27 | 0:53:29 | |
All theory, no practice. | 0:53:29 | 0:53:31 | |
Which reminds me. | 0:53:31 | 0:53:32 | |
-You read it already? -Yeah. | 0:53:34 | 0:53:35 | |
I liked it, actually. | 0:53:35 | 0:53:37 | |
Kind of surprised myself. | 0:53:37 | 0:53:38 | |
Guessed the ending, though. | 0:53:38 | 0:53:40 | |
-No, you didn't. -I did. | 0:53:40 | 0:53:41 | |
Mm. This is delicious. | 0:53:45 | 0:53:48 | |
Well, thank you. | 0:53:50 | 0:53:52 | |
We have to indulge, right? I was gifted this pretend life, and... | 0:53:52 | 0:53:56 | |
Well, not everybody gets the chance. | 0:53:58 | 0:53:59 | |
So what do you want to do this evening? | 0:54:01 | 0:54:03 | |
What are the options? | 0:54:03 | 0:54:04 | |
I figured we could go into Hampstead. | 0:54:04 | 0:54:05 | |
Maybe take a walk on the Heath. | 0:54:05 | 0:54:07 | |
You don't have to entertain me. | 0:54:07 | 0:54:09 | |
Is that so? | 0:54:09 | 0:54:11 | |
No. This is perfect. | 0:54:11 | 0:54:13 | |
If I'd known you were this relaxed I would have gotten take-out. | 0:54:14 | 0:54:17 | |
You have a...just a little... | 0:54:21 | 0:54:23 | |
-Oh, sorry. -No, it's on the other side | 0:54:23 | 0:54:28 | |
Here? | 0:54:28 | 0:54:29 | |
You're kidding, yeah? | 0:54:31 | 0:54:32 | |
ECHOING WOMAN'S VOICE: Regardez moi. | 0:55:24 | 0:55:26 | |
Regardez moi. | 0:55:26 | 0:55:27 | |
Regardez moi. | 0:55:39 | 0:55:41 | |
Regardez moi! | 0:55:41 | 0:55:43 | |
SHE CONTINUES SPEAKING FRENCH | 0:55:43 | 0:55:45 | |
TOILET FLUSHES | 0:56:46 | 0:56:47 | |
MUFFLED THUD | 0:56:50 | 0:56:51 | |
Shit. | 0:57:11 | 0:57:12 | |
Matt? I seem to have locked myself in the bathroom. | 0:57:16 | 0:57:20 | |
MUFFLED FOOTSTEPS | 0:57:21 | 0:57:22 | |
MUFFLED THUDS | 0:57:25 | 0:57:26 | |
MUFFLED GROANS | 0:57:29 | 0:57:30 | |
Matt? | 0:57:33 | 0:57:35 | |
Matt? | 0:57:48 | 0:57:50 | |
Matt? | 0:57:52 | 0:57:53 | |
TYRES ON GRAVEL | 0:57:55 | 0:57:56 | |
Matt? | 0:58:00 | 0:58:01 | |
# Testator silens | 0:58:16 | 0:58:22 | |
# Costestes e spiritu | 0:58:25 | 0:58:32 | |
# Silentium. # | 0:58:32 | 0:58:40 |