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Get that done by eight. | 0:00:39 | 0:00:41 | |
Her first day out of court in five years. | 0:01:12 | 0:01:15 | |
It's like she's getting married. | 0:01:17 | 0:01:19 | |
Bang on, Jake. It's bridal. | 0:01:19 | 0:01:21 | |
"If you can meet with triumph and disaster | 0:01:59 | 0:02:02 | |
"and treat those two impostors just the same..." | 0:02:02 | 0:02:05 | |
She got the prize, he didn't. | 0:02:07 | 0:02:09 | |
It's not going to be easy for him. It's not going to be easy for her, either. | 0:02:09 | 0:02:13 | |
We need to celebrate the triumph | 0:02:13 | 0:02:16 | |
and handle the disaster. | 0:02:16 | 0:02:18 | |
And if we can do that, then we're top class clerks, my son. | 0:02:18 | 0:02:21 | |
Go on, miss, no-one's looking. | 0:02:32 | 0:02:34 | |
Is Clive in? | 0:02:37 | 0:02:38 | |
Yeah, it's court three, second on at ten, sir. Yeah. No problem. | 0:03:23 | 0:03:27 | |
-Morning, John. -Morning. Shoe Lane. No, Wood Green. | 0:03:27 | 0:03:30 | |
PHONE RINGS | 0:03:30 | 0:03:31 | |
Yeah. I don't know, Judge Roberts, I think. | 0:03:31 | 0:03:34 | |
Phone's ringing, John. | 0:03:34 | 0:03:35 | |
Shoe Lane. | 0:03:35 | 0:03:37 | |
Name? | 0:03:39 | 0:03:40 | |
Shoe Lane. Sorry, can I take your name, please? | 0:03:41 | 0:03:44 | |
-Yeah. What kind of robbery is it? -Mr J-O-Y. | 0:03:44 | 0:03:49 | |
Yeah, we can cover that. | 0:03:49 | 0:03:51 | |
Micky Joy? | 0:03:51 | 0:03:52 | |
Sorry, go on. | 0:03:52 | 0:03:55 | |
Bloody hell. | 0:03:55 | 0:03:56 | |
KNOCK AT DOOR | 0:03:56 | 0:03:58 | |
When my old man was ill, me and my mum took him to see Ken Dodd. | 0:04:01 | 0:04:04 | |
Dad was in pain and he couldn't walk more than about ten yards. | 0:04:04 | 0:04:07 | |
When they opened the doors, we could all see | 0:04:07 | 0:04:10 | |
that there were about twenty steps to walk up. | 0:04:10 | 0:04:12 | |
He looked at us and off he went. | 0:04:14 | 0:04:17 | |
It took him about quarter of an hour. | 0:04:17 | 0:04:19 | |
Doddy sang Absent Friends at the end of his show, like he always did. | 0:04:19 | 0:04:23 | |
Still gets me, that song. | 0:04:25 | 0:04:27 | |
Why are you telling me this? | 0:04:27 | 0:04:29 | |
Second most moving moment of my life. | 0:04:29 | 0:04:31 | |
What is it, Billy? | 0:04:33 | 0:04:35 | |
There's this case just in, miss. | 0:04:35 | 0:04:37 | |
-Right. -Previous counsel got sacked last night, but the con is booked | 0:04:37 | 0:04:40 | |
and the solicitor wants to keep it so the client can meet his new brief. | 0:04:40 | 0:04:45 | |
-Is the trial date fixed? -Wednesday. | 0:04:45 | 0:04:47 | |
-Who's the solicitor? -Micky Joy. | 0:04:47 | 0:04:49 | |
-Who's the client? -The Farr family. | 0:04:52 | 0:04:55 | |
Brendan. | 0:05:09 | 0:05:11 | |
Sorry, Mister Farr. | 0:05:21 | 0:05:23 | |
We got you a lady. | 0:05:25 | 0:05:26 | |
I started playing poker and ran the London Marathon. | 0:05:34 | 0:05:37 | |
-Sorry? -See you've gone for a Norton. | 0:05:37 | 0:05:40 | |
I'm 38, Billy. it's hardly midlife. | 0:05:40 | 0:05:42 | |
-Oh, must be something else. -I just bought a bike. | 0:05:42 | 0:05:45 | |
Sure, Sure. | 0:05:45 | 0:05:46 | |
Micky Joy brief. | 0:05:46 | 0:05:48 | |
Who am I for? | 0:05:48 | 0:05:50 | |
Brendan Kay. | 0:05:50 | 0:05:51 | |
First on the indictment. Excellent. | 0:05:51 | 0:05:53 | |
Ah. You're being led, sir. | 0:05:53 | 0:05:54 | |
Oh, right. Yeah, of course. Case as big as this, it needs... | 0:05:54 | 0:05:57 | |
-Martha Costello. -..silk. | 0:05:57 | 0:06:00 | |
Technically, until she's been sworn in... | 0:06:00 | 0:06:02 | |
-Friday. -..she's not actually in silk. | 0:06:02 | 0:06:04 | |
This trial is about as heavy as it gets. | 0:06:04 | 0:06:06 | |
I want someone she can rely on. | 0:06:06 | 0:06:08 | |
It's going to be hard for her. | 0:06:08 | 0:06:10 | |
Be nice to her - for me. | 0:06:10 | 0:06:12 | |
What are these doing here? | 0:06:16 | 0:06:18 | |
It's junior work. Not you any more, miss. | 0:06:18 | 0:06:22 | |
None of them have got silk's ticket attached. | 0:06:22 | 0:06:24 | |
I've had these for months, I know the clients. | 0:06:24 | 0:06:26 | |
Who to? | 0:06:29 | 0:06:30 | |
A leading junior with sufficient experience to pick up where you left off. | 0:06:30 | 0:06:34 | |
-Clive. -Mr Reader would be one way to go, sure. | 0:06:34 | 0:06:37 | |
Seventeen years, you and him together. You got the prize. | 0:06:38 | 0:06:42 | |
It's going to be hard for him, miss. Be nice to him, yeah? | 0:06:42 | 0:06:46 | |
For me. | 0:06:46 | 0:06:48 | |
You look terrific. | 0:06:52 | 0:06:55 | |
Not really right for a Cat A legal visit. But thank you. | 0:06:55 | 0:06:59 | |
Vintage lesbian. It's a good look for you, Martha. | 0:06:59 | 0:07:02 | |
Who's for Jody Farr? | 0:07:06 | 0:07:07 | |
Our esteemed Head of Chambers. | 0:07:07 | 0:07:09 | |
Right. | 0:07:09 | 0:07:10 | |
Mickey, hi. No, we're outside. | 0:07:11 | 0:07:14 | |
Nice one. Sweet. We'll be with you in five. | 0:07:14 | 0:07:16 | |
-Why are you doing that voice? -Bye. What voice? | 0:07:16 | 0:07:19 | |
"Nice one, sweet." What's that? You used to be yourself, Clive. | 0:07:19 | 0:07:22 | |
You feeling a bit nervous, Marth? | 0:07:22 | 0:07:24 | |
No. What do you mean? | 0:07:24 | 0:07:26 | |
-So, do you want to know, or what? -Go on. -Victim disrespected the Farrs. | 0:07:26 | 0:07:29 | |
-How? -Car wash. | 0:07:29 | 0:07:31 | |
He asked Jody Farr to move his Hummer off the pavement. | 0:07:31 | 0:07:33 | |
That's it? He got blinded for that? Complete stranger? | 0:07:33 | 0:07:37 | |
Jody can't lose face in public. | 0:07:37 | 0:07:39 | |
They picked him up walking home, took him to a disused warehouse in King's Cross and did their thing. | 0:07:39 | 0:07:43 | |
Our man's the, er, the muscle. Extreme violence is... | 0:07:43 | 0:07:47 | |
what he does. | 0:07:47 | 0:07:50 | |
Don't worry, I'll look after you. | 0:07:50 | 0:07:51 | |
Micky. All right, mate? How are you doing? | 0:07:53 | 0:07:55 | |
-Hi. -Hi. | 0:07:55 | 0:07:56 | |
One finger in at four o'clock the other at eight. Push in hard, pull and twist. | 0:07:57 | 0:08:00 | |
Anti-clockwise, then clockwise. | 0:08:00 | 0:08:02 | |
They don't come out easily because they're designed not to. | 0:08:02 | 0:08:05 | |
That's why you need the twist as well as the pull. | 0:08:05 | 0:08:08 | |
Keeping a grip on the eyeball takes a lot of nerve | 0:08:08 | 0:08:10 | |
cos the sound is a bit disturbing, frankly. | 0:08:10 | 0:08:12 | |
-It's wet in there and the suction's strong. -Not to mention the screaming. | 0:08:12 | 0:08:15 | |
You press down on the face with the other hand to get the leverage, | 0:08:15 | 0:08:18 | |
you can block the mouth, kill two birds. | 0:08:18 | 0:08:20 | |
Now, doing the second one - that takes courage. | 0:08:20 | 0:08:22 | |
-Great mitigation. -No-one's pleading. | 0:08:22 | 0:08:25 | |
It was a joke. | 0:08:25 | 0:08:27 | |
How do you know so much about pulling out eyeballs? | 0:08:27 | 0:08:30 | |
NAE served this morning. Prosecution's doctor. | 0:08:30 | 0:08:33 | |
Puts in all the grim bits so he can open with lots of high-impact horror for the jury. | 0:08:33 | 0:08:37 | |
The silk prosecuting asked for the detail, apparently. | 0:08:37 | 0:08:40 | |
A long way back for us from an opening like that. | 0:08:40 | 0:08:43 | |
-Who's prosecuting? -Lady Macbeth. | 0:08:43 | 0:08:46 | |
There's a verbal. From Brendan Kay. | 0:08:53 | 0:08:56 | |
Don't tell me. Back of the squad car? | 0:08:56 | 0:08:58 | |
"I did it. It was me." | 0:08:58 | 0:09:00 | |
It's pathetic. | 0:09:00 | 0:09:01 | |
-Did you apply for silk last time round? -No. | 0:09:01 | 0:09:05 | |
Go on through. | 0:09:05 | 0:09:07 | |
-What's he saying, our man? -He wasn't there. | 0:09:16 | 0:09:19 | |
-And Jody Farr? -He really wasn't there. | 0:09:19 | 0:09:21 | |
OK, come through. | 0:09:24 | 0:09:25 | |
He's all yours. | 0:09:29 | 0:09:30 | |
Trace of victim's blood on one of our boots. | 0:09:39 | 0:09:41 | |
Clive. And how are we saying it got there? | 0:09:41 | 0:09:45 | |
Two possibles - police fit up. They put it there. | 0:09:45 | 0:09:48 | |
There's a break in continuity with the exhibit, so maybe we can exploit that. | 0:09:48 | 0:09:53 | |
-Or? -Victim was found blundering eyeless round the back of King's Cross in the middle of the night. | 0:09:53 | 0:09:58 | |
Took the hospital 18 hours to get him stable enough to talk to Old Bill. | 0:09:58 | 0:10:01 | |
During which time our man was walking round King's Cross minding his own business, | 0:10:01 | 0:10:06 | |
-and trod on some eye-socket blood. -I'm liking fit-up better. | 0:10:06 | 0:10:09 | |
-And is the blood on just us? -It's not on Jody. | 0:10:09 | 0:10:13 | |
-And who found the victim? -Police following a 999 call. | 0:10:14 | 0:10:18 | |
From? | 0:10:18 | 0:10:19 | |
No name, phone box. King's Cross is coming up in the world, | 0:10:19 | 0:10:22 | |
but the wee small hours on Goods Way are still a bit underbelly. | 0:10:22 | 0:10:25 | |
And just say the defendants were part of a big crime family, | 0:10:25 | 0:10:31 | |
where would Jody Farr be in the hierarchy? | 0:10:31 | 0:10:33 | |
He would be the number two. | 0:10:33 | 0:10:35 | |
KEYS JANGLE, DOOR IS UNLOCKED | 0:10:35 | 0:10:36 | |
This is saying hello. Don't push him. | 0:10:36 | 0:10:38 | |
He doesn't do well with pressure. | 0:10:38 | 0:10:40 | |
Do you have to stand so close? | 0:10:54 | 0:10:56 | |
Yes. | 0:10:56 | 0:10:57 | |
I want you to put behind you whatever happened with your previous counsel. | 0:11:07 | 0:11:11 | |
Johnny Gibby. | 0:11:11 | 0:11:14 | |
He's gone. I'm here to fight your corner, now. | 0:11:14 | 0:11:18 | |
The evening of the 24th of June - where were you? | 0:11:22 | 0:11:25 | |
Watching television...at home. | 0:11:30 | 0:11:33 | |
All evening? | 0:11:39 | 0:11:41 | |
What were you watching? | 0:11:43 | 0:11:44 | |
Taking a full proof of evidence tomorrow. | 0:11:48 | 0:11:51 | |
'So the old Radio Times alibi, then.' | 0:11:51 | 0:11:53 | |
Evening of June the 24th, what were you doing? You don't know. Of course you don't. | 0:11:53 | 0:11:56 | |
It's just a date like any other date. Unless you were giving birth or swimming the channel. | 0:11:56 | 0:12:00 | |
-Or plucking out somebody's eyes. -Exactly. | 0:12:00 | 0:12:02 | |
Innocent people find it hard to sort out an alibi. | 0:12:02 | 0:12:05 | |
-We haven't served an alibi notice. -No. | 0:12:05 | 0:12:07 | |
What, so we're getting a witness or two together first | 0:12:07 | 0:12:09 | |
-to corroborate what we haven't yet said? -Precisely. | 0:12:09 | 0:12:11 | |
What about the confession evidence? | 0:12:11 | 0:12:13 | |
You know, I've been at this job for 30 years | 0:12:13 | 0:12:15 | |
and my total loathing for the police hasn't changed one little bit. | 0:12:15 | 0:12:18 | |
It's deep and it's savage. Why? | 0:12:18 | 0:12:22 | |
Because the Government can slash legal aid, | 0:12:22 | 0:12:24 | |
knowing that the public will wear it. | 0:12:24 | 0:12:28 | |
The people don't care, so the politicians don't need to. | 0:12:28 | 0:12:31 | |
Eh? | 0:12:31 | 0:12:33 | |
Money's tight boys, work is scarce and clerking just gets tougher. | 0:12:34 | 0:12:39 | |
So we mind less about who we get into bed with? | 0:12:39 | 0:12:42 | |
PHONE RINGS | 0:12:42 | 0:12:45 | |
Ah! Micky... | 0:12:45 | 0:12:47 | |
-Hello, mate. How are you...? -Hello. | 0:12:47 | 0:12:50 | |
I'm the new junior clerk. | 0:12:50 | 0:12:51 | |
Bethany. Boys, this is Bethany. | 0:12:51 | 0:12:54 | |
Show her everything you know, Jakey-boy. | 0:12:54 | 0:12:56 | |
Yeah. | 0:12:56 | 0:12:58 | |
She's got more brains than Marilyn. | 0:12:58 | 0:13:00 | |
-Yeah, and fewer curves, yeah! -HE CHUCKLES | 0:13:00 | 0:13:03 | |
Ta-ta. | 0:13:03 | 0:13:04 | |
The whole point of Micky Joy is he fights everything. | 0:13:05 | 0:13:08 | |
If you get nicked, you know what you're getting from Uncle Micky. | 0:13:08 | 0:13:12 | |
And, in this day and age, we need some of his cast iron, | 0:13:12 | 0:13:15 | |
guaranteed not to crack, heavyweight trials, coming to us. | 0:13:15 | 0:13:19 | |
I mean, have you seen what your shiny new silk has got in her diary? | 0:13:19 | 0:13:23 | |
Pages and pages of nothing. | 0:13:23 | 0:13:26 | |
So, don't you dare look at me like that. | 0:13:26 | 0:13:30 | |
You have to make sure there's toilet roll in the toilet all the time. | 0:13:32 | 0:13:35 | |
So, when there isn't much left in the toilet, | 0:13:35 | 0:13:37 | |
you have to move it from here to the toilet | 0:13:37 | 0:13:39 | |
and when it starts getting low in here, | 0:13:39 | 0:13:42 | |
you have to go to Billy and ask for money from petty cash, | 0:13:42 | 0:13:44 | |
er, for more toilet roll and... | 0:13:44 | 0:13:47 | |
then... | 0:13:47 | 0:13:49 | |
then you go and buy it. | 0:13:49 | 0:13:51 | |
Here's the actual toilet. | 0:13:53 | 0:13:55 | |
So... | 0:13:55 | 0:13:57 | |
..not far. | 0:13:58 | 0:13:59 | |
Your case load just doubled. | 0:13:59 | 0:14:01 | |
These are all yours. | 0:14:01 | 0:14:03 | |
I'll get Miss Costello to call the solicitors and talk you up. | 0:14:03 | 0:14:06 | |
Oh, and, er, one of your own. | 0:14:06 | 0:14:08 | |
Solicitor's at court - very right on. Name of George Duggan. | 0:14:08 | 0:14:13 | |
SHOUTS: George Duggan? | 0:14:17 | 0:14:20 | |
Hello. | 0:14:20 | 0:14:22 | |
Yeah? Hello? | 0:14:23 | 0:14:24 | |
George Duggan. | 0:14:24 | 0:14:26 | |
Oh, sorry, I thought you were a man! | 0:14:26 | 0:14:28 | |
Well, I'm not. | 0:14:28 | 0:14:30 | |
No, you're not. | 0:14:30 | 0:14:31 | |
She was drunk and hysterical. | 0:14:31 | 0:14:33 | |
A bottle got broken when they tried to take it away from her. | 0:14:33 | 0:14:36 | |
That's what all the family are saying. | 0:14:36 | 0:14:37 | |
The brother tried to calm her down - | 0:14:37 | 0:14:39 | |
she lashed out at him with the broken bottle - | 0:14:39 | 0:14:41 | |
the jagged edge cut the artery in his neck wide open. | 0:14:41 | 0:14:44 | |
He bled to death. | 0:14:44 | 0:14:46 | |
She had an incredibly high alcohol reading. | 0:14:46 | 0:14:48 | |
Doesn't feel right, does it? | 0:14:48 | 0:14:50 | |
Yeah, I know, but, well, Clive is... | 0:14:55 | 0:14:58 | |
Yeah, charming. | 0:15:00 | 0:15:02 | |
Charming's a good word. He's a charming... | 0:15:02 | 0:15:06 | |
lawyer. | 0:15:06 | 0:15:07 | |
'I don't know how to put this' | 0:15:09 | 0:15:10 | |
because there's not much I can do about it but... | 0:15:10 | 0:15:14 | |
I'm sorry I'm a man. | 0:15:14 | 0:15:15 | |
I know this is hard for you. | 0:15:17 | 0:15:19 | |
Nothing's going to happen today. | 0:15:20 | 0:15:23 | |
We want to wait and make a bail application | 0:15:23 | 0:15:25 | |
when we know more about the evidence against you. | 0:15:25 | 0:15:28 | |
Here's a promise... | 0:15:28 | 0:15:30 | |
I'm going to be here for you throughout. | 0:15:30 | 0:15:31 | |
This is the only time you'll have to meet a barrister for the first time. | 0:15:31 | 0:15:34 | |
George, here, will be with us every step of the way. | 0:15:34 | 0:15:37 | |
Do you know what I hate? | 0:15:39 | 0:15:41 | |
What? | 0:15:41 | 0:15:42 | |
All religion. | 0:15:42 | 0:15:43 | |
And, next to religion, tolerance of religion. | 0:15:43 | 0:15:46 | |
Absolutely. | 0:15:46 | 0:15:47 | |
Tolerance is SO overrated(!) | 0:15:47 | 0:15:49 | |
Do you want to go for a quick fuck? Drink? Jesus. | 0:15:49 | 0:15:51 | |
THEY LAUGH Sorry! | 0:15:51 | 0:15:53 | |
Could I speak to Johnny Gibby, please? | 0:16:09 | 0:16:11 | |
Oil, oil, oil. It's always about oil. | 0:16:11 | 0:16:14 | |
It always has been, it always will be! Sorry. | 0:16:14 | 0:16:17 | |
I still get really angry talking about Iraq. | 0:16:18 | 0:16:21 | |
The thing about Miss Costello, Micky, | 0:16:24 | 0:16:25 | |
is she'll give you blood, sweat | 0:16:25 | 0:16:27 | |
and every other bit of Winston Churchill there is. | 0:16:27 | 0:16:29 | |
You're in charge here, right? I mean, your people are your people. | 0:16:29 | 0:16:32 | |
-Course. -I need that. | 0:16:32 | 0:16:35 | |
Were you sacked or did you jump? | 0:16:39 | 0:16:41 | |
Thanks, Johnny. | 0:16:46 | 0:16:48 | |
MOBILE PHONE BUTTONS BEEPING | 0:16:51 | 0:16:53 | |
Nearly a million people - a million! And they still didn't listen. | 0:17:02 | 0:17:05 | |
I went because I wanted to see who THEY all were. | 0:17:05 | 0:17:08 | |
Oh, what d'you... What d'you mean? | 0:17:10 | 0:17:11 | |
All those people who felt so strongly about keeping a genocidal, | 0:17:11 | 0:17:14 | |
women-hating, medieval torturer in power. | 0:17:14 | 0:17:16 | |
The left really surpassed itself that day. | 0:17:16 | 0:17:19 | |
-But I thought...? -Don't pigeonhole me, that's just lazy. | 0:17:19 | 0:17:23 | |
I want better than that. | 0:17:23 | 0:17:25 | |
Oh, by the way... | 0:17:26 | 0:17:28 | |
the answer...to the question that you pretended to ask me | 0:17:28 | 0:17:31 | |
COMPLETELY by accident outside court today... | 0:17:31 | 0:17:35 | |
No. | 0:17:35 | 0:17:37 | |
But thanks for the drinks. | 0:17:38 | 0:17:41 | |
You didn't answer your phone. | 0:17:51 | 0:17:52 | |
-Didn't hear it. -Senior clerks have an extra lung | 0:17:52 | 0:17:55 | |
and you feel its every breath. | 0:17:55 | 0:17:57 | |
PHONE RINGS | 0:17:57 | 0:18:00 | |
Spit it out, miss. | 0:18:00 | 0:18:01 | |
Get Brendan in for mention tomorrow. | 0:18:01 | 0:18:03 | |
It's seven o'clock at night. | 0:18:03 | 0:18:05 | |
-Well, ring up one of your buddies in the list office and get it on. -Why? | 0:18:05 | 0:18:08 | |
Cat A prison security is oppressive - | 0:18:08 | 0:18:10 | |
get him to court and talking, it's a lot easier. | 0:18:10 | 0:18:14 | |
And don't tell Micky about the mention. | 0:18:14 | 0:18:16 | |
What? | 0:18:16 | 0:18:17 | |
Just don't. | 0:18:17 | 0:18:19 | |
It's in for mention tomorrow. | 0:18:24 | 0:18:26 | |
Well, I don't have to be there, do I? | 0:18:26 | 0:18:29 | |
Two counsel for a mention? | 0:18:29 | 0:18:32 | |
I've got a con in a very sensitive case with, erm, with George, here. | 0:18:32 | 0:18:36 | |
What time? | 0:18:36 | 0:18:38 | |
-Ten. -Ten. | 0:18:38 | 0:18:40 | |
So we need Brendan listed not before 12. | 0:18:40 | 0:18:43 | |
Brendan's mention. | 0:19:13 | 0:19:14 | |
Not before 12. | 0:19:14 | 0:19:16 | |
This is the silk robing room. | 0:19:46 | 0:19:48 | |
Yes. | 0:19:48 | 0:19:49 | |
Oh, I'm sorry. | 0:19:49 | 0:19:52 | |
-You look... -20 years younger than you. | 0:19:52 | 0:19:55 | |
Proper women at the Bar need to stick together. CW. | 0:20:00 | 0:20:03 | |
Martha Costello. | 0:20:04 | 0:20:05 | |
Ah, you're for Brendan Kay, I'm prosecuting you. | 0:20:05 | 0:20:08 | |
They call you Lady Macbeth. | 0:20:09 | 0:20:11 | |
-D'you know that? -Oh, don't say that name in here. | 0:20:11 | 0:20:14 | |
I thought that was only actors in theatres? | 0:20:14 | 0:20:16 | |
What do you think this is? Who do you think we are? | 0:20:16 | 0:20:19 | |
-PA SYSTEM: -Caroline Warwick and Martha Costello of counsel, | 0:20:19 | 0:20:21 | |
please come to court two immediately, | 0:20:21 | 0:20:23 | |
-where the judge is waiting. -Sweetie. | 0:20:23 | 0:20:25 | |
Screw your courage to the sticking place. | 0:20:25 | 0:20:27 | |
Pop to court and tell the old bugger we'll be with him in five minutes. | 0:20:27 | 0:20:30 | |
-What? -Just tell him I'm menopausal, | 0:20:30 | 0:20:32 | |
-I'm far too pissed off to talk to him right now. -Is that true? | 0:20:32 | 0:20:35 | |
Oh, God, no! I'm gasping for a fag and so are you. | 0:20:35 | 0:20:38 | |
We have to lean out the window or the smoke alarm goes off | 0:20:38 | 0:20:41 | |
and you get arrested for passive manslaughter, or something. | 0:20:41 | 0:20:44 | |
I'm not planning on having a menopause. You? | 0:20:54 | 0:20:57 | |
I'm 37. | 0:20:57 | 0:20:59 | |
Kids? | 0:20:59 | 0:21:00 | |
Going to? | 0:21:01 | 0:21:03 | |
-Not sure. -Abortions? | 0:21:03 | 0:21:05 | |
No, none. | 0:21:05 | 0:21:08 | |
Time speeds up, you know. | 0:21:08 | 0:21:11 | |
Don't stay "not sure" too long. | 0:21:11 | 0:21:12 | |
You can't control who you fall in love with. | 0:21:12 | 0:21:14 | |
Of course you can, men are all children! | 0:21:14 | 0:21:16 | |
Pick one, make sure he knows you'll listen to everything he says | 0:21:16 | 0:21:19 | |
and he'll fall in love with you. | 0:21:19 | 0:21:20 | |
By the way... | 0:21:22 | 0:21:24 | |
other women at the Bar have felt betrayed by me. | 0:21:24 | 0:21:27 | |
That's because I'm sisterly out of court... | 0:21:27 | 0:21:31 | |
and vicious in court. | 0:21:31 | 0:21:33 | |
Just so you know. | 0:21:33 | 0:21:34 | |
Won't be personal. | 0:21:34 | 0:21:36 | |
So sorry, Your Honour. | 0:21:43 | 0:21:45 | |
My learned friend needed some time - it's her first day. | 0:21:45 | 0:21:49 | |
Silk will buy you most things, Miss Costello, | 0:21:49 | 0:21:51 | |
but not the patience of judges. | 0:21:51 | 0:21:54 | |
-Why are we here? -Length of trial. | 0:21:54 | 0:21:56 | |
It's listed for five days? | 0:21:56 | 0:21:58 | |
I think it could run on longer. | 0:21:58 | 0:22:00 | |
Diaries, Ladies. Mr Clerk? | 0:22:00 | 0:22:02 | |
You know it's empty. So why get it out? | 0:22:05 | 0:22:08 | |
THE CLERK WHISPERS | 0:22:10 | 0:22:12 | |
Trial date has to stay where it is. | 0:22:12 | 0:22:14 | |
We'll all just have to talk more quickly. | 0:22:14 | 0:22:17 | |
All rise. | 0:22:17 | 0:22:19 | |
So nice to see you again, Ms Warwick. | 0:22:19 | 0:22:23 | |
May I say, you look younger every day. | 0:22:23 | 0:22:25 | |
Calves' liver and milk for the skin, my Lord, | 0:22:25 | 0:22:27 | |
fish oil for the brain, | 0:22:27 | 0:22:29 | |
cross examination of guilty men for the soul! | 0:22:29 | 0:22:31 | |
If you have a minute, you might mention to your Senior Clerk | 0:22:35 | 0:22:38 | |
that my diary goes deep into next year. | 0:22:38 | 0:22:41 | |
Are you looking to move? | 0:22:41 | 0:22:42 | |
Well, I'm bloody lonely! I want a friend... | 0:22:42 | 0:22:45 | |
and I like the look of you. | 0:22:45 | 0:22:46 | |
Are you, erm...? | 0:22:46 | 0:22:48 | |
Do I swim in The Ladies Pond? | 0:22:48 | 0:22:51 | |
THEY GIGGLE | 0:22:51 | 0:22:53 | |
Some of the time. | 0:22:54 | 0:22:55 | |
I've got to go down and see my man. | 0:22:56 | 0:22:59 | |
Without a solicitor? | 0:22:59 | 0:23:00 | |
How very interesting, Martha Costello. | 0:23:02 | 0:23:04 | |
Was Mr Joy at the police station? | 0:23:05 | 0:23:08 | |
Yeah. | 0:23:09 | 0:23:10 | |
He gave you advice? | 0:23:10 | 0:23:12 | |
Did he tell you what to say to the police in interview? | 0:23:14 | 0:23:17 | |
No comment. | 0:23:17 | 0:23:18 | |
I thought as much. | 0:23:18 | 0:23:20 | |
And what do you know about Jody Farr? | 0:23:22 | 0:23:24 | |
No comment. | 0:23:24 | 0:23:26 | |
Right, er... | 0:23:26 | 0:23:28 | |
This is not... | 0:23:28 | 0:23:29 | |
OK. | 0:23:29 | 0:23:31 | |
What do the Farr family do? | 0:23:34 | 0:23:35 | |
They look after me. | 0:23:37 | 0:23:38 | |
And what else do they do? | 0:23:39 | 0:23:41 | |
Brendan? | 0:23:42 | 0:23:44 | |
Between you and me... | 0:23:46 | 0:23:48 | |
What happened with Johnny Gibby? | 0:23:50 | 0:23:53 | |
I told him the wrong thing. | 0:23:53 | 0:23:55 | |
And who said it was the wrong thing? | 0:23:57 | 0:24:00 | |
Micky? | 0:24:00 | 0:24:01 | |
Jody Farr? | 0:24:01 | 0:24:02 | |
KNOCKING ON BARS | 0:24:02 | 0:24:04 | |
-I've got it, Brendan. -No! | 0:24:04 | 0:24:06 | |
-No, that's not what I meant. -It's all right. | 0:24:06 | 0:24:08 | |
-It's not what I meant! -It's fine. -No, no, no...! | 0:24:08 | 0:24:11 | |
SHOUTS: Sit down! Sit down! | 0:24:11 | 0:24:13 | |
All right, all right! I'm fine, I'm fine! | 0:24:13 | 0:24:16 | |
BRENDAN GROWLS | 0:24:16 | 0:24:18 | |
Will you get off him?! | 0:24:18 | 0:24:19 | |
BRENDAN GROANS | 0:24:19 | 0:24:21 | |
Keep the hell out of this! | 0:24:21 | 0:24:23 | |
Brendan, Brendan, Brendan, shh, shh. | 0:24:23 | 0:24:25 | |
-Shh, shh, Brendan. -BRENDAN SOBS | 0:24:25 | 0:24:27 | |
-Shh, shh, shh. -Oh! -Calm down. | 0:24:27 | 0:24:29 | |
-Oh-h... -It's OK. | 0:24:29 | 0:24:31 | |
It's OK. | 0:24:31 | 0:24:32 | |
I think you can let him go now, don't you? | 0:24:35 | 0:24:37 | |
On your own? | 0:24:37 | 0:24:39 | |
What the hell are you doing? | 0:24:39 | 0:24:41 | |
Anyway. | 0:24:44 | 0:24:45 | |
Thank you. | 0:24:45 | 0:24:46 | |
-What for? -For minding, I suppose. -Of course I bloody well mind! | 0:24:46 | 0:24:51 | |
Micky Joy is the biggest criminal solicitor in London, | 0:24:51 | 0:24:54 | |
this is our one shot at landing him and, look, suddenly you're doing his job for him? | 0:24:54 | 0:24:57 | |
Maybe it's to stop him doing our job for us. | 0:24:57 | 0:24:59 | |
Just get real, will you? | 0:24:59 | 0:25:01 | |
No, I will not "get real"! | 0:25:01 | 0:25:04 | |
-The thing about Brendan... -Why are you calling him Brendan? | 0:25:04 | 0:25:06 | |
He's 20 stone, six foot seven... | 0:25:06 | 0:25:08 | |
-Every client's a surname but not this one. Why? -Because I think he's a child | 0:25:08 | 0:25:11 | |
and if that's true why hasn't the BIGGEST solicitor in London got a psychiatric report done?! | 0:25:11 | 0:25:15 | |
-Because we're running alibi. -We don't know that! | 0:25:15 | 0:25:17 | |
Come on, Martha, Micky will get us the instructions we need. | 0:25:17 | 0:25:20 | |
That's the way of the world. | 0:25:20 | 0:25:22 | |
I feel bullied and I don't like it. | 0:25:22 | 0:25:24 | |
And, anyway, it's having a note-taker to cover you | 0:25:25 | 0:25:27 | |
that matters, not whether the solicitor's in there. | 0:25:27 | 0:25:30 | |
-So, if you'd have BEEN here...! -Note-taker? | 0:25:30 | 0:25:32 | |
-Oh, sorry... -Jesus Christ, Martha. -Came out wrong, sorry! -Note-taker? | 0:25:32 | 0:25:36 | |
Sorry! | 0:25:39 | 0:25:40 | |
Micky Joy, George Duggan - both big hitters, both briefing us. | 0:25:41 | 0:25:45 | |
-Exclusively? -Not yet but I'm onto it. | 0:25:45 | 0:25:48 | |
-I want to talk to you about what you're on. -OK. | 0:25:48 | 0:25:51 | |
John, as fees clerk, he does the money, | 0:25:51 | 0:25:53 | |
leaving you free to serenade solicitors and look after all of us. | 0:25:53 | 0:25:57 | |
Well, that's an interesting idea, sir. | 0:25:57 | 0:25:59 | |
It's a bit more than an idea, Billy. | 0:25:59 | 0:26:01 | |
What's going on? What? You don't know? | 0:26:07 | 0:26:09 | |
Or you do know? Which? | 0:26:09 | 0:26:11 | |
It was just a mention. | 0:26:12 | 0:26:14 | |
I was at the prison to take a proof from my client who wasn't there! | 0:26:14 | 0:26:16 | |
And they all had a very big laugh at my expense, | 0:26:16 | 0:26:18 | |
saying didn't I know my client had escaped. | 0:26:18 | 0:26:21 | |
Big bloody joke and me looking like a tosser! | 0:26:21 | 0:26:23 | |
-We didn't know... -Don't like "don't know"! I want a clerk who knows. | 0:26:23 | 0:26:26 | |
There is only one hymn sheet, it is mine. | 0:26:26 | 0:26:29 | |
I give it to you and you make totally bloody sure | 0:26:29 | 0:26:31 | |
it's Onward Christian Soldiers that everyone is singing! You got it? | 0:26:31 | 0:26:35 | |
That's normal. | 0:26:43 | 0:26:44 | |
Billy. | 0:26:47 | 0:26:48 | |
You're the money now, John. I'll take care of the talent. | 0:26:52 | 0:26:56 | |
Brendan needs a new solicitor. | 0:27:01 | 0:27:02 | |
-Why? -Because Micky Joy is filthy dirty cosy with the Farr family. | 0:27:02 | 0:27:07 | |
Is he? | 0:27:07 | 0:27:08 | |
You think Jody Farr and Micky don't talk? | 0:27:09 | 0:27:12 | |
Do you think they don't have big talks | 0:27:12 | 0:27:14 | |
about big Brendan and his role in all this? | 0:27:14 | 0:27:17 | |
Excuse me, Jake. | 0:27:17 | 0:27:18 | |
You're a brilliant clerk, Billy... | 0:27:23 | 0:27:26 | |
but being a brilliant clerk means that you forfeit one or two basic human qualities | 0:27:26 | 0:27:31 | |
and one of those is innocence. | 0:27:31 | 0:27:32 | |
-So don't bullshit me, it's embarrassing. -Brendan... | 0:27:32 | 0:27:35 | |
Brendan feels, to me, like he might just be dispensable to the Farrs | 0:27:35 | 0:27:40 | |
and he's my client. | 0:27:40 | 0:27:41 | |
-Different solicitor for Brendan? -Has to be. | 0:27:43 | 0:27:45 | |
Do you know how much trouble we're in? | 0:27:47 | 0:27:50 | |
If you drop Micky, he'll drop us | 0:27:50 | 0:27:52 | |
and this set will be in real danger of going under. | 0:27:52 | 0:27:54 | |
My duty is to my client. | 0:27:54 | 0:27:56 | |
You won't have any clients if you don't get real! | 0:27:56 | 0:27:59 | |
-What did you say? -Get REAL! | 0:28:01 | 0:28:03 | |
-Have you been talking to Clive? -What?! | 0:28:05 | 0:28:07 | |
I wouldn't do that. | 0:28:07 | 0:28:08 | |
Look... | 0:28:11 | 0:28:12 | |
Help me out here. | 0:28:13 | 0:28:15 | |
Who goes to prison for the rest of his life if I lose? | 0:28:17 | 0:28:21 | |
Not Micky Joy. | 0:28:21 | 0:28:22 | |
Brendan is being used - | 0:28:22 | 0:28:23 | |
I can smell it, I can feel it and so can you. | 0:28:23 | 0:28:25 | |
Look, I don't like being used. How about you? | 0:28:25 | 0:28:28 | |
-He's not you. -Yes, he is! | 0:28:28 | 0:28:31 | |
Until the jury come back with their verdict, he's me, I'm him. | 0:28:32 | 0:28:35 | |
Nobody in-between. | 0:28:35 | 0:28:37 | |
So, er... | 0:28:39 | 0:28:40 | |
..what's he, er... | 0:28:42 | 0:28:43 | |
what's he doing? Brendan? What's he...saying? | 0:28:43 | 0:28:47 | |
PHONE RINGS | 0:28:54 | 0:28:55 | |
You'd better get that. | 0:28:55 | 0:28:56 | |
Yeah, I'm on my way. | 0:29:03 | 0:29:04 | |
Give him my regards. | 0:29:04 | 0:29:06 | |
What's the evidence like against Jody Farr? | 0:29:17 | 0:29:19 | |
We're in with a decent shout. | 0:29:19 | 0:29:20 | |
Brendan Kay? | 0:29:20 | 0:29:22 | |
Well, he coughed and he's got the blood on his boots. Why? | 0:29:22 | 0:29:25 | |
Ah, walk with me. | 0:29:31 | 0:29:34 | |
Jake? Go away. | 0:29:34 | 0:29:35 | |
Mr Cowdrey's been working hard. | 0:29:37 | 0:29:40 | |
Kate's gone, | 0:29:40 | 0:29:42 | |
Nick and the lovely Niamh - both gone. | 0:29:42 | 0:29:45 | |
You've got to admire his... | 0:29:45 | 0:29:48 | |
ruthlessness vis-a-vis the lancing of boils. | 0:29:48 | 0:29:51 | |
I'm his confidante, sir. | 0:29:51 | 0:29:54 | |
Head of Chambers and Senior Clerk - it's a special relationship. | 0:29:54 | 0:29:58 | |
And I think I know the next question he's going to ask himself... | 0:29:59 | 0:30:03 | |
"Who else was it, behaving badly?" | 0:30:03 | 0:30:05 | |
What do you want? | 0:30:08 | 0:30:09 | |
I hear Brendan Kay is not the brightest. | 0:30:09 | 0:30:12 | |
Maybe he should be told once again the strength of evidence against him. | 0:30:12 | 0:30:17 | |
Plead guilty? | 0:30:18 | 0:30:20 | |
You're the lawyer, sir. I couldn't possibly say. | 0:30:20 | 0:30:23 | |
Later, sir. | 0:30:27 | 0:30:29 | |
If the Farr family were a major criminal enterprise, | 0:30:34 | 0:30:37 | |
making millions and millions importing heroin | 0:30:37 | 0:30:40 | |
-through three different London embassies... -What is it, Billy? | 0:30:40 | 0:30:44 | |
Would the lights go out if Brendan Kay | 0:30:44 | 0:30:46 | |
spent the rest of his life inside? | 0:30:46 | 0:30:49 | |
No. | 0:30:50 | 0:30:51 | |
How would everybody feel if Brendan took the hit for this? | 0:30:53 | 0:30:56 | |
Everybody? | 0:30:56 | 0:30:57 | |
Jody, the family... | 0:30:57 | 0:30:59 | |
..you? | 0:31:00 | 0:31:01 | |
Is that what's happening? | 0:31:01 | 0:31:03 | |
That's me reading between the lines, and I've known her for 17 years | 0:31:03 | 0:31:06 | |
and I'm good at reading between her lines. | 0:31:06 | 0:31:09 | |
I'd have to withdraw from representing Brendan. | 0:31:10 | 0:31:13 | |
Er, yeah... | 0:31:13 | 0:31:14 | |
..I suppose you would. | 0:31:16 | 0:31:17 | |
Leaving you to manage Martha Costello. | 0:31:17 | 0:31:20 | |
He'll plead...and Jody will walk? | 0:31:20 | 0:31:24 | |
-I'd put my mortgage on it. -What about your balls? | 0:31:25 | 0:31:28 | |
Would you put them on it? | 0:31:29 | 0:31:31 | |
So who do we go for as a replacement solicitor? | 0:31:43 | 0:31:46 | |
George Duggan? | 0:31:46 | 0:31:47 | |
She's fearless, principled and, from a chambers point of view, | 0:31:48 | 0:31:52 | |
it'd be good idea to give her some work. | 0:31:52 | 0:31:54 | |
You know, if we scratch her back she might, erm, scratch ours. | 0:31:54 | 0:31:56 | |
Great. | 0:31:56 | 0:31:58 | |
Have you got her number? | 0:31:58 | 0:32:00 | |
Yeah, I'll call her. | 0:32:00 | 0:32:02 | |
Great. | 0:32:02 | 0:32:03 | |
Are you sleeping with her? | 0:32:04 | 0:32:06 | |
What? No! | 0:32:06 | 0:32:08 | |
Blimey, Marth. | 0:32:08 | 0:32:10 | |
Never a good idea to sleep with a professional colleague. | 0:32:10 | 0:32:13 | |
We're just going to pop down to say hello. | 0:32:44 | 0:32:46 | |
Right. | 0:32:49 | 0:32:50 | |
We need very clear instructions. | 0:32:52 | 0:32:54 | |
We're just going to deal in the truth now, Brendan. | 0:32:54 | 0:32:57 | |
Can I call you Brendan? | 0:32:57 | 0:32:58 | |
OK. | 0:33:00 | 0:33:02 | |
Back of the police car, "I did it. It was me." | 0:33:02 | 0:33:06 | |
Did you say it? | 0:33:06 | 0:33:08 | |
OK? | 0:33:46 | 0:33:47 | |
The verbal...he said it. | 0:33:47 | 0:33:50 | |
Let's hear it. | 0:34:07 | 0:34:08 | |
June 24th, what did you watch? Go. | 0:34:08 | 0:34:12 | |
EastEnders at eight. | 0:34:12 | 0:34:14 | |
Did anything interesting happen? | 0:34:14 | 0:34:16 | |
Not really. | 0:34:16 | 0:34:18 | |
And did you stay with BBC One after that? | 0:34:18 | 0:34:20 | |
Question Of Sport. | 0:34:20 | 0:34:21 | |
That's in the Radio Times, isn't it? | 0:34:21 | 0:34:23 | |
Yeah. | 0:34:23 | 0:34:24 | |
Well, none of that went out on BBC One. | 0:34:24 | 0:34:27 | |
Andy Murray's match at Wimbledon started late | 0:34:27 | 0:34:29 | |
so they stayed with that all evening until ten. | 0:34:29 | 0:34:31 | |
EastEnders and all those nice sports people in shirts, | 0:34:31 | 0:34:34 | |
they all got shunted to BBC Two, Brendan. | 0:34:34 | 0:34:36 | |
See, I think you'd remember that, wouldn't you? | 0:34:36 | 0:34:39 | |
Yeah, alibi doesn't work, does it? | 0:34:39 | 0:34:41 | |
Because it isn't true. | 0:34:41 | 0:34:42 | |
BRENDAN WHIMPERS | 0:34:42 | 0:34:44 | |
No, no, no. Don't get angry. | 0:34:44 | 0:34:46 | |
It's fine. | 0:34:46 | 0:34:48 | |
Trust me. | 0:34:48 | 0:34:49 | |
I know what you have to do. | 0:34:50 | 0:34:52 | |
OK. | 0:34:55 | 0:34:56 | |
I'll be back in a minute. | 0:34:56 | 0:34:58 | |
Confession evidence stays in. | 0:35:09 | 0:35:11 | |
The blood on the boots, the blood on the Hummer - | 0:35:11 | 0:35:13 | |
it's all slam-dunk forensics. | 0:35:13 | 0:35:15 | |
Lady Macbeth would tear the alibi to shreds. | 0:35:15 | 0:35:17 | |
Well, it sort of looks like we're going to have to face up... | 0:35:19 | 0:35:21 | |
You're not getting it, are you? | 0:35:21 | 0:35:23 | |
He's terrified of them. | 0:35:23 | 0:35:25 | |
The Farrs? | 0:35:25 | 0:35:27 | |
He'll do anything they ask of him. | 0:35:27 | 0:35:29 | |
Oh, my God. | 0:35:29 | 0:35:30 | |
Duress? | 0:35:31 | 0:35:32 | |
It has to be. | 0:35:32 | 0:35:34 | |
-But I thought... -What did you think? | 0:35:34 | 0:35:36 | |
Run duress? | 0:35:36 | 0:35:38 | |
Cut his throat? | 0:35:38 | 0:35:40 | |
-COURT CLERK: -All rise. | 0:35:41 | 0:35:43 | |
Pleading? | 0:35:56 | 0:35:57 | |
Where did you get that idea? | 0:35:58 | 0:36:01 | |
Can I take instructions, my Lord? | 0:36:04 | 0:36:06 | |
Five minutes. | 0:36:09 | 0:36:10 | |
Thank you. | 0:36:10 | 0:36:12 | |
Duress is incredibly difficult to run. | 0:36:21 | 0:36:24 | |
The threat has to be immediate, significant and real. | 0:36:24 | 0:36:27 | |
Do you understand? | 0:36:27 | 0:36:29 | |
It's no good saying, "I was told to beat him up," in a week's time | 0:36:32 | 0:36:36 | |
knowing that, "if I didn't they'd hurt me." See, that isn't duress. | 0:36:36 | 0:36:39 | |
There's nothing to stop you from going to the police, | 0:36:39 | 0:36:41 | |
the threat isn't immediate, it's... | 0:36:41 | 0:36:45 | |
There's a way out. Do you see? | 0:36:45 | 0:36:47 | |
Shall we do this? | 0:36:48 | 0:36:49 | |
Brendan? | 0:36:50 | 0:36:52 | |
Now, it's very important that you don't talk to anyone. | 0:36:55 | 0:36:59 | |
He says yes to you just like he says yes to the police and yes to the Farrs. | 0:37:07 | 0:37:10 | |
-What's the difference, Martha? -Look, I am in direct conflict with Jody Farr, Micky Joy, Alan Cowdrey | 0:37:10 | 0:37:15 | |
and I don't even know if I can trust Billy on this. | 0:37:15 | 0:37:17 | |
They're all very big grown-ups | 0:37:17 | 0:37:19 | |
and I REALLY can't handle it if I have to add you to that list, Clive. | 0:37:19 | 0:37:22 | |
This isn't about you, it's about him! | 0:37:22 | 0:37:23 | |
Come on, you really want a big lunk like that to grass up the Farrs? | 0:37:23 | 0:37:27 | |
Are you scared of them? | 0:37:27 | 0:37:28 | |
I need you. | 0:37:30 | 0:37:32 | |
I'm with you. | 0:37:34 | 0:37:36 | |
My job was to guide cars in and make sure nobody blocked pedestrians. | 0:37:40 | 0:37:45 | |
The Hummer was right across the pavement, people couldn't get past. | 0:37:46 | 0:37:50 | |
There's a big sign. | 0:37:50 | 0:37:52 | |
Did you do or say anything? | 0:37:52 | 0:37:55 | |
The windows were all darkened glass. I couldn't see in. | 0:37:55 | 0:37:59 | |
I tapped on the window - it was open a little. | 0:37:59 | 0:38:01 | |
Could you see inside? | 0:38:02 | 0:38:04 | |
Not really. | 0:38:04 | 0:38:05 | |
I asked them to move back off the pavement. | 0:38:07 | 0:38:11 | |
They ignored me. | 0:38:11 | 0:38:12 | |
I banged on the window again. | 0:38:13 | 0:38:15 | |
I wasn't going to be treated like this, just doing my job. | 0:38:15 | 0:38:19 | |
Some of my colleagues came out to watch. | 0:38:19 | 0:38:22 | |
They were all standing watching. | 0:38:22 | 0:38:24 | |
And did the Hummer move? | 0:38:25 | 0:38:28 | |
No. | 0:38:28 | 0:38:29 | |
Somebody in the back said, | 0:38:30 | 0:38:32 | |
"Thank you for your advice. What's your name?" | 0:38:32 | 0:38:36 | |
-Did you tell them? -Yes. | 0:38:36 | 0:38:39 | |
Then what? | 0:38:39 | 0:38:40 | |
They drove in, the vehicle was washed, nobody got out. | 0:38:41 | 0:38:46 | |
They paid and left. | 0:38:46 | 0:38:47 | |
What time did you go home that night? | 0:38:47 | 0:38:49 | |
Late. | 0:38:49 | 0:38:51 | |
I was on the two-till-ten shift. | 0:38:51 | 0:38:53 | |
What happened, Mr Storey? | 0:38:54 | 0:38:56 | |
They jumped me. | 0:38:56 | 0:38:58 | |
They blindfolded me and put me in the boot of the Hummer. | 0:38:59 | 0:39:03 | |
How do you know it was the Hummer, if you were blindfolded? | 0:39:03 | 0:39:06 | |
I work 60 hours a week. I know about cars. | 0:39:06 | 0:39:11 | |
Smell... | 0:39:11 | 0:39:12 | |
engine size... | 0:39:12 | 0:39:14 | |
boot size. | 0:39:14 | 0:39:16 | |
It was the Hummer. | 0:39:16 | 0:39:17 | |
What happened when you reached your destination? | 0:39:17 | 0:39:21 | |
He made me lie down on my front on the floor. | 0:39:24 | 0:39:28 | |
Then he took my blindfold off. | 0:39:28 | 0:39:30 | |
-"He"? -The smaller man. | 0:39:30 | 0:39:32 | |
I couldn't see him - he was behind me. | 0:39:32 | 0:39:33 | |
So how do you know which of the two men it was? | 0:39:33 | 0:39:36 | |
I could see the larger man across the room - | 0:39:36 | 0:39:39 | |
maybe 30 yards away. | 0:39:39 | 0:39:42 | |
He had his back to me. | 0:39:42 | 0:39:43 | |
The small man left. | 0:39:45 | 0:39:47 | |
The large man came towards me. | 0:39:47 | 0:39:49 | |
I'd been told not to look at him, so I kept my forehead on the floor | 0:39:49 | 0:39:53 | |
but I could hear him coming and see his feet. | 0:39:53 | 0:39:56 | |
Then he started shouting. | 0:39:56 | 0:39:57 | |
What was he shouting? | 0:39:57 | 0:39:59 | |
He shouted about...what he was going to do to me | 0:40:00 | 0:40:04 | |
and how badly he was going to hurt me. | 0:40:04 | 0:40:07 | |
Then it started. | 0:40:13 | 0:40:14 | |
No further questions, my Lord. | 0:40:18 | 0:40:20 | |
My name is Alan Cowdrey, Mr Storey. | 0:40:22 | 0:40:24 | |
I represent Jody Farr. | 0:40:24 | 0:40:26 | |
You were able to establish that there was a larger man and a smaller man. | 0:40:26 | 0:40:30 | |
I saw a bit more of the larger man. | 0:40:30 | 0:40:33 | |
Would it be fair to say that you caught a fleeting glance of the smaller man? | 0:40:33 | 0:40:37 | |
That's fair. | 0:40:37 | 0:40:39 | |
Thank you so much, Mr Storey. | 0:40:40 | 0:40:43 | |
Miss Costello? | 0:40:44 | 0:40:47 | |
No questions. | 0:40:47 | 0:40:48 | |
"I did it. It was me." | 0:40:57 | 0:41:00 | |
I didn't ask him anything, he just started talking. | 0:41:01 | 0:41:03 | |
And when Brendan Kay was admitting responsibility | 0:41:03 | 0:41:06 | |
for this SHOCKING act of EXTREME violence | 0:41:06 | 0:41:11 | |
-how would you describe his demeanour? -Matter of fact. | 0:41:11 | 0:41:14 | |
Like he was describing opening a tin of beans. | 0:41:14 | 0:41:17 | |
MURMURING | 0:41:17 | 0:41:19 | |
No further questions. | 0:41:19 | 0:41:20 | |
Can you confirm that Jody Farr gave a no-comment interview | 0:41:23 | 0:41:26 | |
and said nothing else at all about the allegations made against him? | 0:41:26 | 0:41:30 | |
Yes. | 0:41:31 | 0:41:32 | |
Thank you so much. | 0:41:32 | 0:41:33 | |
How long are you going to be in cross-examination, Miss Costello? | 0:41:35 | 0:41:38 | |
I'm thinking of lunch, timing of. Couple of hours? | 0:41:38 | 0:41:41 | |
No questions. | 0:41:41 | 0:41:42 | |
Jury out. | 0:41:50 | 0:41:51 | |
Let me be clear. You're leaving PC Brett's evidence unchallenged? | 0:42:00 | 0:42:04 | |
Yes. | 0:42:04 | 0:42:05 | |
And by implication you're accepting it as true? | 0:42:05 | 0:42:09 | |
"I did it. It was me." | 0:42:09 | 0:42:11 | |
Yes. | 0:42:11 | 0:42:12 | |
I'm sure you know what you're doing, Miss Costello. I'm not sure I do. | 0:42:12 | 0:42:16 | |
I do have one question. | 0:42:16 | 0:42:17 | |
Fine. | 0:42:17 | 0:42:19 | |
Jury back. | 0:42:19 | 0:42:20 | |
Is it right that the Farr family are the most vicious, | 0:42:37 | 0:42:41 | |
feared and successful criminal outfit working in London today? | 0:42:41 | 0:42:46 | |
No forensics - not at the crime scene, not on the victim, | 0:42:55 | 0:42:58 | |
not on the defendant, | 0:42:58 | 0:43:00 | |
no-comment interview, which leaves only the ID evidence. | 0:43:00 | 0:43:04 | |
"Fleeting glance," was the term the victim agreed. | 0:43:04 | 0:43:07 | |
Your Lordship is, of course, familiar with Turnbull and what it says - | 0:43:07 | 0:43:12 | |
fleeting glances are unreliable. | 0:43:12 | 0:43:15 | |
It's unsafe to leave this to the jury. | 0:43:15 | 0:43:18 | |
My submission is that Mr Farr has no case to answer. | 0:43:18 | 0:43:22 | |
He needs to go in the box. | 0:43:47 | 0:43:48 | |
-He'll be a... -He'll be a grass, Martha. | 0:43:48 | 0:43:51 | |
He has to understand the consequences of that. | 0:43:53 | 0:43:55 | |
You need to explain to the jury what the Farr family do. | 0:43:55 | 0:44:00 | |
Jody's not here any more. | 0:44:04 | 0:44:06 | |
He's... | 0:44:06 | 0:44:07 | |
He's not in the dock. | 0:44:07 | 0:44:09 | |
So, he won't know what I'm saying...will he? | 0:44:10 | 0:44:14 | |
You said it, he's a child! So the responsibility's ours. | 0:44:20 | 0:44:23 | |
Doing this on his behalf, it would be... | 0:44:23 | 0:44:25 | |
It would be the truth, wouldn't it? | 0:44:25 | 0:44:27 | |
That's what it would be. | 0:44:27 | 0:44:28 | |
It's your call. I'm the junior. | 0:44:29 | 0:44:31 | |
Miss Costello? | 0:44:40 | 0:44:42 | |
Call Brendan Kay. | 0:44:48 | 0:44:50 | |
They said we had to do it. | 0:44:54 | 0:44:56 | |
And did they tell you about the victim? | 0:44:56 | 0:44:58 | |
They said he was a very bad man. | 0:44:58 | 0:45:00 | |
They said he wanted to hurt us all. | 0:45:00 | 0:45:03 | |
And who's "us"? | 0:45:03 | 0:45:04 | |
Mr Farr, and his family, and his friends... | 0:45:05 | 0:45:09 | |
a-and me. | 0:45:09 | 0:45:11 | |
And what did you understand they meant by saying you had to do it? | 0:45:11 | 0:45:15 | |
They said there I had a choice. | 0:45:15 | 0:45:17 | |
What choice? | 0:45:17 | 0:45:19 | |
They said they would keep on looking after me...or... | 0:45:19 | 0:45:23 | |
Or...? | 0:45:25 | 0:45:26 | |
Have there been times when they didn't like your choices? | 0:45:34 | 0:45:38 | |
Yeah. | 0:45:41 | 0:45:42 | |
What happened then? | 0:45:42 | 0:45:43 | |
What did they do, Brendan? | 0:45:46 | 0:45:48 | |
No, it's all right, it's all right. | 0:45:51 | 0:45:53 | |
Brendan? | 0:45:55 | 0:45:56 | |
BRENDAN PANTS | 0:45:56 | 0:45:58 | |
I did ten things wrong. | 0:46:09 | 0:46:10 | |
Their Lordships couldn't be clearer in Fitzpatrick. | 0:46:22 | 0:46:25 | |
When someone knowingly joins a criminal enterprise - | 0:46:25 | 0:46:29 | |
in Fitzpatrick, the IRA, in this case the Farr gang - | 0:46:29 | 0:46:32 | |
then they cannot rely on duress as a defence, | 0:46:32 | 0:46:36 | |
even if the threat is real and immediate. | 0:46:36 | 0:46:38 | |
The joining, the signing up, always negates the duress | 0:46:38 | 0:46:41 | |
because you know what you're getting into. | 0:46:41 | 0:46:43 | |
I'm afraid the defence that this defendant relies on isn't a defence. | 0:46:43 | 0:46:49 | |
Brendan and the Farr gang are completely different from the IRA membership | 0:46:51 | 0:46:56 | |
where the appellant knew everything the IRA stood for, and their methods, | 0:46:56 | 0:46:59 | |
and went in with their eyes wide open. | 0:46:59 | 0:47:02 | |
Brendan thought he was joining a new family. | 0:47:02 | 0:47:04 | |
"Knowingly" is the key word. | 0:47:04 | 0:47:07 | |
Brendan didn't know. Brendan... | 0:47:07 | 0:47:09 | |
Well, he doesn't know very much at all. | 0:47:09 | 0:47:12 | |
He was and is a complete innocent. WARWICK EXHALES | 0:47:12 | 0:47:15 | |
We go on. | 0:47:18 | 0:47:19 | |
Jury back, please. | 0:47:21 | 0:47:23 | |
That was brilliant. | 0:47:23 | 0:47:24 | |
(I thought so.) | 0:47:25 | 0:47:26 | |
Did you shout at the victim? | 0:47:26 | 0:47:28 | |
-Yeah. -Loudly? | 0:47:28 | 0:47:30 | |
-Yeah. -Why? | 0:47:30 | 0:47:31 | |
What? | 0:47:31 | 0:47:32 | |
What did you want the victim to understand? | 0:47:32 | 0:47:35 | |
-That I was going to be good at hurting him. -You were yelling? | 0:47:35 | 0:47:38 | |
-Yeah. -You were pumped up? | 0:47:38 | 0:47:40 | |
-Yeah. -You were ready. -I were ready. | 0:47:40 | 0:47:42 | |
-What did you do? -I put my fingers in his eyes and I... | 0:47:42 | 0:47:44 | |
pulled out his eyeballs. | 0:47:44 | 0:47:46 | |
Pulled them out. | 0:47:47 | 0:47:48 | |
Right out. | 0:47:50 | 0:47:51 | |
Brendan, erm, now Ms Warwick, here, | 0:48:00 | 0:48:03 | |
might say that this is all very convenient. | 0:48:03 | 0:48:06 | |
Jody Farr isn't in the dock any more | 0:48:06 | 0:48:08 | |
and, now, when it suits you, you've decided to blame him and his family. | 0:48:08 | 0:48:14 | |
I don't want to be bad to Mr Farr. | 0:48:14 | 0:48:16 | |
I want you to forget about who you're being nice to. | 0:48:16 | 0:48:20 | |
Can you do that? | 0:48:21 | 0:48:23 | |
You've never met these 12 people before, have you? | 0:48:25 | 0:48:29 | |
They don't know you, and, well, you certainly don't know them. | 0:48:29 | 0:48:33 | |
So, tell them the truth. | 0:48:35 | 0:48:37 | |
Forget about everyone else. | 0:48:39 | 0:48:41 | |
I shouted so Mr Farr could hear. | 0:48:43 | 0:48:45 | |
I wanted him to hear that I was doing it proper | 0:48:45 | 0:48:47 | |
but I weren't! | 0:48:47 | 0:48:49 | |
What do you mean? | 0:48:49 | 0:48:50 | |
They all laughed about it earlier - what the plan were. | 0:48:50 | 0:48:54 | |
Brendan? | 0:48:58 | 0:48:59 | |
Five fingers for five... | 0:48:59 | 0:49:03 | |
Five what? | 0:49:05 | 0:49:06 | |
Seeing, hearing, tasting...smelling... | 0:49:06 | 0:49:10 | |
Five senses. | 0:49:10 | 0:49:11 | |
..touch. | 0:49:11 | 0:49:12 | |
Mr Storey...still has his ears, hasn't he? | 0:49:12 | 0:49:18 | |
And his nose, and his tongue. | 0:49:21 | 0:49:23 | |
And his fingers. | 0:49:23 | 0:49:25 | |
Only his eyes. | 0:49:25 | 0:49:27 | |
Why is that? | 0:49:28 | 0:49:29 | |
Mr Farr would have done all five. | 0:49:31 | 0:49:33 | |
I made it only one. | 0:49:33 | 0:49:36 | |
And I did it as gently as I could. | 0:49:36 | 0:49:37 | |
I tried to make it OK for him. | 0:49:39 | 0:49:41 | |
Poor man. | 0:49:41 | 0:49:43 | |
Poor, poor man. | 0:49:43 | 0:49:45 | |
I'm sorry. | 0:49:47 | 0:49:49 | |
Sorry. | 0:49:52 | 0:49:53 | |
SHE CLEARS HER THROAT | 0:50:00 | 0:50:02 | |
What did you do afterwards? | 0:50:08 | 0:50:10 | |
Breakfast? | 0:50:12 | 0:50:13 | |
Nice hot bath? | 0:50:13 | 0:50:15 | |
You don't want the jury to know? | 0:50:17 | 0:50:20 | |
-No. -Why not? | 0:50:20 | 0:50:22 | |
Because it doesn't look good? | 0:50:22 | 0:50:23 | |
Cos I shouldn't have done it. | 0:50:23 | 0:50:25 | |
Now, let's be clear here, Mr Kay. | 0:50:25 | 0:50:28 | |
You shouldn't have done what? | 0:50:28 | 0:50:31 | |
Called 999. | 0:50:31 | 0:50:32 | |
MURMURING | 0:50:32 | 0:50:35 | |
No further questions, my Lord. | 0:50:37 | 0:50:38 | |
What he told the jury isn't a defence. It's certainly not duress. | 0:50:47 | 0:50:52 | |
He saved his life. | 0:50:52 | 0:50:54 | |
The law is the law and Brendan Kay doesn't have a defence. | 0:50:55 | 0:50:59 | |
I've got a speech to make. | 0:51:01 | 0:51:03 | |
Derek Storey has lived through the most appalling experience | 0:51:08 | 0:51:11 | |
any of us can imagine. | 0:51:11 | 0:51:13 | |
That's the simple truth. | 0:51:15 | 0:51:17 | |
It's also the perverse truth that Derek Storey would be dead | 0:51:18 | 0:51:23 | |
if Brendan Kay hadn't done what he did. | 0:51:23 | 0:51:27 | |
What was it like to be Brendan Kay on that night? | 0:51:27 | 0:51:31 | |
He showed you in the witness box. | 0:51:31 | 0:51:33 | |
He showed you his overwhelming fear of the Farr family | 0:51:33 | 0:51:38 | |
and his HOPELESS dependence upon them. | 0:51:38 | 0:51:40 | |
He showed you what they have done to him, both mentally and physically. | 0:51:40 | 0:51:46 | |
He showed you the great sorrow he lives with | 0:51:46 | 0:51:50 | |
for what he did that night | 0:51:50 | 0:51:52 | |
and - and this is what really matters - | 0:51:52 | 0:51:55 | |
he showed you his extraordinary courage. | 0:51:55 | 0:51:58 | |
And what do I mean by that? | 0:51:58 | 0:52:00 | |
Brendan Kay is a man of low intelligence. | 0:52:00 | 0:52:05 | |
He's vulnerable to bullying, and manipulation, and threats. | 0:52:05 | 0:52:09 | |
And, despite all that, he found the thing inside | 0:52:09 | 0:52:13 | |
that the bullies couldn't touch - | 0:52:13 | 0:52:15 | |
the courage not to do what was asked of him that night. | 0:52:15 | 0:52:20 | |
He hurt another man in the most dreadful way | 0:52:20 | 0:52:23 | |
knowing he had to...in order to save him. | 0:52:23 | 0:52:27 | |
I mean, how hard is that? | 0:52:28 | 0:52:30 | |
I mean, how hard is it, calling 999, | 0:52:30 | 0:52:33 | |
knowing that the people who have pulled out | 0:52:33 | 0:52:36 | |
every one of your toenails...might find out? | 0:52:36 | 0:52:40 | |
His Honour is about to tell you what the law is. | 0:52:43 | 0:52:46 | |
I haven't spoken about that. | 0:52:46 | 0:52:48 | |
The law and what's right and what's wrong aren't always the same thing. | 0:52:48 | 0:52:54 | |
That's why we have you. | 0:52:54 | 0:52:56 | |
Juries tell us, the lawyers, about the space between the rules... | 0:52:56 | 0:53:03 | |
and that space is occupied by common sense... | 0:53:03 | 0:53:08 | |
..and humanity. | 0:53:09 | 0:53:11 | |
The law is clear. It's not in dispute. | 0:53:20 | 0:53:23 | |
You should go back to your jury room now, elect a foreman, | 0:53:23 | 0:53:27 | |
and return to court to perform your duty... | 0:53:27 | 0:53:31 | |
returning a verdict of guilty. | 0:53:31 | 0:53:34 | |
KNOCKING | 0:53:44 | 0:53:46 | |
COURT CLERK: All rise. | 0:53:46 | 0:53:48 | |
Have you reached a verdict upon which you are all agreed? | 0:53:52 | 0:53:55 | |
Yes. | 0:53:55 | 0:53:56 | |
As you have been directed, | 0:53:56 | 0:53:58 | |
do you find the defendant guilty of grievous bodily harm, | 0:53:58 | 0:54:01 | |
contrary to section 18 of the Offences Against the Person Act? | 0:54:01 | 0:54:05 | |
No. | 0:54:06 | 0:54:07 | |
-MURMURING -Not guilty. | 0:54:07 | 0:54:10 | |
SHE SIGHS | 0:54:24 | 0:54:26 | |
You're free. | 0:54:31 | 0:54:32 | |
How are you feeling, miss? | 0:54:50 | 0:54:51 | |
Foolish, Billy. | 0:54:51 | 0:54:53 | |
I feel foolish. | 0:54:53 | 0:54:55 | |
PHONE RINGS | 0:54:55 | 0:54:57 | |
Your phone's ringing. | 0:54:57 | 0:54:58 | |
No, it isn't. | 0:54:58 | 0:55:00 | |
Why are we walking this way? | 0:55:02 | 0:55:04 | |
Anne Boleyn in her wedding barge | 0:55:06 | 0:55:09 | |
and then, five years later, the black boat to the tower... | 0:55:09 | 0:55:13 | |
Charles II rowing down to Richmond | 0:55:13 | 0:55:15 | |
for a bit of how's your father with Nelly and her melons...! | 0:55:15 | 0:55:19 | |
Steve Redgrave's sweat is in that water - | 0:55:19 | 0:55:22 | |
the diabetic perspiration of the greatest-ever Olympian. | 0:55:22 | 0:55:25 | |
There's nothing foolish about this. You're part of history, miss. | 0:55:25 | 0:55:29 | |
Shakespeare put his hand in that water, | 0:55:29 | 0:55:31 | |
Martha Costello walked this way. | 0:55:31 | 0:55:34 | |
I brought you down here because I am SO proud of you... | 0:55:35 | 0:55:40 | |
..and I want to see you walk the full length of Middle Temple Lane - | 0:55:41 | 0:55:44 | |
all 300 yards of it. | 0:55:44 | 0:55:45 | |
Go on, miss. | 0:55:47 | 0:55:48 | |
THEY CHUCKLE | 0:55:48 | 0:55:50 | |
PHONE RINGS | 0:55:50 | 0:55:52 | |
Sorry. | 0:55:56 | 0:55:57 | |
Jake? | 0:56:00 | 0:56:01 | |
They cut his fingers off. | 0:56:04 | 0:56:06 | |
'His nose, his ears... | 0:56:08 | 0:56:09 | |
..and they cut out his tongue, Billy.' | 0:56:11 | 0:56:13 | |
Both his eyes. | 0:56:15 | 0:56:16 | |
He's dead. | 0:56:18 | 0:56:19 | |
'Brendan Kay's dead.' | 0:56:21 | 0:56:23 | |
Are you coming or what? | 0:56:28 | 0:56:29 | |
Yeah. | 0:56:33 | 0:56:34 | |
-What is it, Billy? -Nothing. | 0:56:40 | 0:56:42 | |
Ken Dodd moment? | 0:56:43 | 0:56:45 | |
Yeah. | 0:56:45 | 0:56:46 | |
-Absent friends? -Mm. | 0:56:46 | 0:56:48 | |
It's six weeks since Brendan Kay was murdered. | 0:57:10 | 0:57:12 | |
I don't know how you can smile. | 0:57:12 | 0:57:13 | |
People are saying that you only got silk because you're a woman | 0:57:13 | 0:57:16 | |
and that the Bar is trying to look less male and posh. | 0:57:16 | 0:57:19 | |
I will not work for that man. | 0:57:19 | 0:57:21 | |
I need you to tell me everything. | 0:57:21 | 0:57:22 | |
Change tack, Clive Reader. | 0:57:22 | 0:57:24 | |
Prosecute, and you'll walk into silk. | 0:57:24 | 0:57:26 | |
You're very direct for an Officer and a Gentleman. | 0:57:26 | 0:57:29 | |
-This isn't supposed to happen - falling for a solicitor. -No. | 0:57:29 | 0:57:32 | |
One Afghan civilian killed - collateral damage. | 0:57:32 | 0:57:35 | |
I did what I did for good military reasons. | 0:57:35 | 0:57:38 | |
Would he be dead if I'd had the courage to say something? | 0:57:38 | 0:57:41 | |
Why the HELL didn't you tell me? | 0:57:41 | 0:57:44 | |
Subtitles by Red Bee Media Ltd | 0:58:09 | 0:58:12 |