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She got the prize, he didn't. It's not going to be easy for him. | 0:00:02 | 0:00:05 | |
It's not going to be easy for her either. | 0:00:05 | 0:00:07 | |
-A case as big as this, it needs... -Martha Costello. | 0:00:07 | 0:00:09 | |
-Who's the solicitor? -Micky Joy. | 0:00:09 | 0:00:11 | |
-You're in charge here, I mean your people are your people? -Of course. | 0:00:11 | 0:00:14 | |
The solicitor is at court. Very right-on. | 0:00:14 | 0:00:16 | |
Name of George Duggan. | 0:00:16 | 0:00:18 | |
Don't pigeon-hole me. That's just lazy. | 0:00:18 | 0:00:20 | |
Fatima Ali. | 0:00:20 | 0:00:21 | |
The brother tried to calm her down, she lashed out at him with a broken bottle, he bled to death. | 0:00:21 | 0:00:25 | |
-Think about Brendan... -Why "Brendan?" Every other client's a surname, why's that? | 0:00:25 | 0:00:29 | |
Because I think he's a child. | 0:00:29 | 0:00:30 | |
He's dead. | 0:00:30 | 0:00:31 | |
'Brendan Kay's dead.' | 0:00:31 | 0:00:33 | |
Keep up, boys. | 0:01:07 | 0:01:08 | |
Hey, Marth. | 0:01:17 | 0:01:19 | |
Marth? What you up to? | 0:01:19 | 0:01:21 | |
Ah. | 0:01:21 | 0:01:23 | |
.338 sniper rifle. Nice. | 0:01:23 | 0:01:25 | |
Yeah. | 0:01:25 | 0:01:26 | |
One of them's dead, Clive. | 0:01:26 | 0:01:28 | |
-Which one? -I don't know. | 0:01:28 | 0:01:30 | |
There's no witness statement from whoever took the film. | 0:01:30 | 0:01:32 | |
What happened? | 0:01:32 | 0:01:33 | |
IED. Both legs blown off. | 0:01:33 | 0:01:36 | |
Embedded photographer took this. | 0:01:36 | 0:01:39 | |
My client's the officer in command of the patrol base. | 0:01:39 | 0:01:43 | |
Disobeyed an order to stay put. | 0:01:43 | 0:01:45 | |
Took his men out on patrol, and the consequence was, well, this. | 0:01:45 | 0:01:48 | |
Him. | 0:01:48 | 0:01:49 | |
-The quiet one. -How do you know? | 0:01:49 | 0:01:51 | |
Saw his picture in the paper. | 0:01:51 | 0:01:53 | |
Jake. | 0:02:05 | 0:02:06 | |
Right, we go in together. | 0:02:08 | 0:02:09 | |
When I give you the nod, I want you to bang this down on the desk. You got it? | 0:02:09 | 0:02:12 | |
Got it. Er, why? | 0:02:12 | 0:02:14 | |
Because when a brief goes thump, it says, | 0:02:14 | 0:02:16 | |
"I'm heavy, I'm meaty, I matter." | 0:02:16 | 0:02:19 | |
Are you in court this morning? | 0:02:19 | 0:02:21 | |
Got a mention in my murder for George Duggan. | 0:02:21 | 0:02:23 | |
You're getting very political. | 0:02:23 | 0:02:25 | |
The thing you have to remember about George is... | 0:02:25 | 0:02:27 | |
that as well as all that integrity, | 0:02:27 | 0:02:32 | |
she has a tremendous pair of tits. | 0:02:32 | 0:02:34 | |
Which is a good combination in a solicitor. | 0:02:34 | 0:02:37 | |
DOOR OPENS | 0:02:41 | 0:02:43 | |
SHE CHUCKLES | 0:02:44 | 0:02:45 | |
Ah! Interrupting something? | 0:02:45 | 0:02:47 | |
Oh, we were just talking about George Duggan's integrity. | 0:02:47 | 0:02:50 | |
Oh, yes, one thing to say about that, sir. | 0:02:50 | 0:02:53 | |
Do not pass go. | 0:02:53 | 0:02:54 | |
Sorry? | 0:02:54 | 0:02:55 | |
Sleeping with solicitors, like eating raw fish, is wrong. | 0:02:55 | 0:02:59 | |
Do not do it. | 0:02:59 | 0:03:01 | |
See you later, sir. | 0:03:01 | 0:03:03 | |
So, you going to win this court martial? | 0:03:06 | 0:03:09 | |
80/20 against. | 0:03:09 | 0:03:11 | |
Jesus Christ! | 0:03:12 | 0:03:15 | |
Drugs. | 0:03:15 | 0:03:16 | |
Big importation of heroin through Felixstowe, | 0:03:16 | 0:03:19 | |
nicked half way down the M11 at Birchanger Services. | 0:03:19 | 0:03:22 | |
-Where? -Eight weeks in Chelmsford. | 0:03:22 | 0:03:24 | |
Don't tell me I'm not the best clerk in England. | 0:03:24 | 0:03:28 | |
Laters, Miss. | 0:03:28 | 0:03:29 | |
-Er, wait... Who's the solicitor? -PHONE RINGS | 0:03:29 | 0:03:31 | |
-Bye, Miss. -Ah, Billy! | 0:03:31 | 0:03:33 | |
-Billy! -DOOR SLAMS | 0:03:33 | 0:03:35 | |
She'll do it... | 0:03:35 | 0:03:36 | |
Yeah, I'm sure. | 0:03:36 | 0:03:38 | |
Ha! No problem. Call me back. | 0:03:38 | 0:03:40 | |
I had a wire-haired dachshund years ago. | 0:03:42 | 0:03:45 | |
I've never told anyone this before, | 0:03:45 | 0:03:48 | |
but I had to re-home him because our lives became incompatible. | 0:03:48 | 0:03:51 | |
And what's this got to do with anything? | 0:03:51 | 0:03:53 | |
The handover to his new owners was at Birchanger Services. | 0:03:53 | 0:03:57 | |
-Who's the solicitor, Billy? -Micky Joy. | 0:03:57 | 0:04:00 | |
-Oh. -Miss... -No! | 0:04:00 | 0:04:02 | |
-I've said yes. -Well, unsay it. | 0:04:02 | 0:04:04 | |
People are saying that you only got silk | 0:04:04 | 0:04:07 | |
because you're a woman and you're from Bolton, | 0:04:07 | 0:04:09 | |
and the Bar is trying to stop looking so male and posh. | 0:04:09 | 0:04:12 | |
Don't you dare threaten me. | 0:04:12 | 0:04:14 | |
I'm killing myself out there trying to sell you, | 0:04:14 | 0:04:17 | |
so when you say no to a brief like this... | 0:04:17 | 0:04:19 | |
I will not work for that man. | 0:04:19 | 0:04:21 | |
Billy, Micky on line one. | 0:04:33 | 0:04:34 | |
Micky! | 0:04:41 | 0:04:42 | |
Martha Costello, she's, er... she's double-booked. | 0:04:42 | 0:04:45 | |
Yeah, she's got a fixture at Southwark starting the same day. | 0:04:45 | 0:04:49 | |
I know, I know. | 0:04:49 | 0:04:50 | |
The new Doris forgot to put it in the diary. | 0:04:50 | 0:04:53 | |
So, er, yeah, it's just one of those...things. | 0:04:53 | 0:04:55 | |
Er... | 0:04:55 | 0:04:57 | |
Alan Cowdrey is free. | 0:04:57 | 0:04:58 | |
You know what they call him, don't you? Mr Mellifluous. | 0:05:00 | 0:05:03 | |
HE CHUCKLES | 0:05:03 | 0:05:04 | |
No, I don't know what it means, either. But, er... | 0:05:04 | 0:05:06 | |
He'd be good for this, don't you think? | 0:05:06 | 0:05:09 | |
Captain Ryan? | 0:05:11 | 0:05:12 | |
Captain Cassidy. The UDO. | 0:05:12 | 0:05:14 | |
Right. | 0:05:14 | 0:05:16 | |
Unit Defence Officer. I'm his best friend. | 0:05:16 | 0:05:18 | |
And I'm here to help him, and you, I hope. | 0:05:18 | 0:05:20 | |
Great. | 0:05:20 | 0:05:21 | |
Miss... | 0:05:21 | 0:05:22 | |
How many in the patrol base? | 0:05:22 | 0:05:25 | |
12 British soldiers. 20 Afghan National Army. | 0:05:25 | 0:05:29 | |
And how many are there supposed to be? | 0:05:29 | 0:05:31 | |
30 of us and 40 of them. | 0:05:31 | 0:05:32 | |
And you being under strength, | 0:05:32 | 0:05:34 | |
that was behind the decision to stay put, presumably? | 0:05:34 | 0:05:37 | |
Doing what the enemy least expects is always a good idea. | 0:05:37 | 0:05:40 | |
And I felt that staying put became a bad idea. | 0:05:40 | 0:05:44 | |
Well, isn't battening down the hatches usually the best way? | 0:05:44 | 0:05:48 | |
Well, we didn't trust the ANA. | 0:05:48 | 0:05:49 | |
They were getting jumpy and twitchy, | 0:05:49 | 0:05:51 | |
and it was rubbing off on my men. | 0:05:51 | 0:05:52 | |
What do you mean about trust? | 0:05:52 | 0:05:54 | |
Three months earlier, the Taliban put our base under siege. | 0:05:56 | 0:05:59 | |
The siege was 18 hours of continuous fighting. | 0:05:59 | 0:06:02 | |
It's the most pressure | 0:06:03 | 0:06:04 | |
my men have ever been under. | 0:06:04 | 0:06:05 | |
And what about you? | 0:06:05 | 0:06:06 | |
It's my men I'm concerned about. | 0:06:06 | 0:06:08 | |
OK. | 0:06:08 | 0:06:10 | |
So your defence... | 0:06:10 | 0:06:12 | |
Circumstances changed after you received the order | 0:06:12 | 0:06:15 | |
because you had intelligence that the Taliban were approaching. | 0:06:15 | 0:06:18 | |
In large numbers. | 0:06:18 | 0:06:19 | |
What intelligence? | 0:06:19 | 0:06:21 | |
I can't talk about that. | 0:06:21 | 0:06:23 | |
-Well... -I believe in the absolute integrity of a source. | 0:06:23 | 0:06:25 | |
I don't want it mentioned in here or in court. | 0:06:25 | 0:06:27 | |
Well, that's all very honourable and everything, | 0:06:27 | 0:06:30 | |
but it would help if I knew. | 0:06:30 | 0:06:31 | |
I'm sorry that you think honourable behaviour isn't worth very much. | 0:06:31 | 0:06:35 | |
And then communication with the...the FOB broke down. | 0:06:39 | 0:06:43 | |
Ah, you're good at this. | 0:06:43 | 0:06:44 | |
My grandfather fought in the war. Sword Beach, June 6th, 1944. | 0:06:44 | 0:06:49 | |
Maybe it's in my bones. | 0:06:49 | 0:06:51 | |
I can't tell you how much it hurts that I lost Private Rivers. | 0:06:51 | 0:06:54 | |
But what I did was the right thing to do. | 0:06:55 | 0:06:57 | |
"Cocky, aggressive-minded, | 0:06:57 | 0:07:00 | |
"always willing to take the fight to the enemy." | 0:07:00 | 0:07:03 | |
That's what they're saying about you. | 0:07:03 | 0:07:05 | |
It's exciting. There's nothing like contact with the enemy. | 0:07:05 | 0:07:09 | |
Don't say that in court, will you? | 0:07:09 | 0:07:11 | |
WOMAN IN BACKGROUND: Yes, yes, he is. | 0:07:12 | 0:07:14 | |
Well, you can come into the... | 0:07:14 | 0:07:15 | |
He's trying to impress you. He'll settle down. | 0:07:17 | 0:07:20 | |
The siege he talks about. | 0:07:20 | 0:07:22 | |
Every bit as tough as he says. | 0:07:22 | 0:07:23 | |
So, your grandfather on D-Day. | 0:07:27 | 0:07:29 | |
Doesn't talk about it. | 0:07:29 | 0:07:31 | |
What I said in there is all I know about his war. | 0:07:31 | 0:07:34 | |
Hmm. Sorry. | 0:07:34 | 0:07:35 | |
It sounded like, er... | 0:07:35 | 0:07:37 | |
-That thing about it being in your bones. -Hmm. | 0:07:37 | 0:07:40 | |
Maybe you were trying to impress him. | 0:07:41 | 0:07:43 | |
Should have been me, really. Big court martial like this. | 0:07:45 | 0:07:49 | |
It's a silk's case, sir. | 0:07:49 | 0:07:51 | |
Aah... Oof... | 0:08:05 | 0:08:07 | |
-79... -PHONE RINGS | 0:08:07 | 0:08:09 | |
..80. | 0:08:09 | 0:08:11 | |
-Phew! -PHONE RINGS | 0:08:11 | 0:08:13 | |
Shoe Lane. | 0:08:13 | 0:08:14 | |
Phew! | 0:08:14 | 0:08:15 | |
Yeah, sorry, can I get your name, please? | 0:08:15 | 0:08:17 | |
Brilliant news. Thank you. | 0:08:17 | 0:08:18 | |
No, I will, I will. I promise, I'll... Yes, bye. | 0:08:18 | 0:08:21 | |
Let's have a pop at bail, shall we? | 0:08:21 | 0:08:24 | |
She has nowhere to live. | 0:08:24 | 0:08:27 | |
Her community, which has been her entire life, | 0:08:27 | 0:08:29 | |
has broken all ties with her irrevocably and completely. | 0:08:29 | 0:08:33 | |
There is a real risk she might abscond | 0:08:33 | 0:08:35 | |
between now and the start of her trial. | 0:08:35 | 0:08:37 | |
Abscond? | 0:08:38 | 0:08:40 | |
Where to? | 0:08:40 | 0:08:42 | |
If... | 0:08:42 | 0:08:43 | |
Fatima Ali's life has been limited exclusively to her community, | 0:08:43 | 0:08:47 | |
where would she go? | 0:08:47 | 0:08:49 | |
My learned friend seems to be doing my job for me. | 0:08:49 | 0:08:51 | |
Pushed to see how Your Honour can grant bail | 0:08:51 | 0:08:55 | |
without a condition of residence. | 0:08:55 | 0:08:56 | |
Ergo, this bail application fails. | 0:08:56 | 0:08:59 | |
Refuge. | 0:08:59 | 0:09:00 | |
-I'm sorry? -I've secured her a place in a women's refuge as of this morning. | 0:09:00 | 0:09:04 | |
They'll have her for as long as it takes. | 0:09:04 | 0:09:06 | |
-I rang them. -Just now? | 0:09:10 | 0:09:12 | |
Yeah, I've never understood why barristers won't get their hands dirty. | 0:09:12 | 0:09:15 | |
Make the phone call, find the bed. It's not like God has a secretary or a...solicitor. | 0:09:15 | 0:09:19 | |
-They didn't have a bed last night when I called. -I run marathons. -What? -I raise money for them. | 0:09:19 | 0:09:24 | |
She'll be in with a member of staff for a few nights. | 0:09:24 | 0:09:26 | |
They wouldn't do it normally. | 0:09:26 | 0:09:28 | |
For you... | 0:09:28 | 0:09:29 | |
How much? | 0:09:30 | 0:09:31 | |
What? | 0:09:31 | 0:09:33 | |
New York in November. | 0:09:33 | 0:09:34 | |
Shall I put you down for 50 quid? | 0:09:34 | 0:09:36 | |
Goes without saying, Micky Joy asked for you, sir. | 0:09:41 | 0:09:44 | |
Then why are you saying it, Billy? | 0:09:44 | 0:09:45 | |
-HE CHUCKLES -He's brilliant. | 0:09:45 | 0:09:48 | |
Never misses... He's.. He's brilliant. | 0:09:48 | 0:09:50 | |
HE CHUCKLES | 0:09:50 | 0:09:52 | |
Then he goes all silent and he looks at you, | 0:09:52 | 0:09:54 | |
and you feel like you've got to answer the question. | 0:09:54 | 0:09:56 | |
HE LAUGHS | 0:09:56 | 0:09:57 | |
Well done. | 0:10:01 | 0:10:03 | |
Oh. Thanks. | 0:10:03 | 0:10:04 | |
I like a man who can pull a rabbit out of a hat | 0:10:04 | 0:10:06 | |
by the seat of his pants. | 0:10:06 | 0:10:08 | |
HE LAUGHS Well, I was just lucky. | 0:10:08 | 0:10:09 | |
Not with your last silk application, you weren't. | 0:10:09 | 0:10:12 | |
How did I get silk? | 0:10:12 | 0:10:14 | |
I gave up defending guilty men and started prosecuting them. | 0:10:14 | 0:10:19 | |
I can't tell you the pleasure it gives me. | 0:10:20 | 0:10:22 | |
It's like rump steak in the morning. | 0:10:22 | 0:10:24 | |
Mastication, complex textures, deep taste, | 0:10:24 | 0:10:28 | |
and, oh, those bloody juices. | 0:10:28 | 0:10:30 | |
Change tack, Clive Reader. | 0:10:34 | 0:10:36 | |
Prosecute, and you'll walk into silk, a man with your pedigree. | 0:10:36 | 0:10:41 | |
Happy to give you a bunk-up. | 0:10:41 | 0:10:43 | |
Why would you do that? | 0:10:43 | 0:10:44 | |
Well, that can't be too hard to work out, can it? | 0:10:44 | 0:10:47 | |
Diversify. | 0:10:52 | 0:10:55 | |
Meaning? | 0:10:55 | 0:10:56 | |
Expand, become a bigger set. | 0:10:56 | 0:10:58 | |
Prosecute more. | 0:10:58 | 0:11:00 | |
Prosecute more? | 0:11:00 | 0:11:01 | |
That's what I said. | 0:11:01 | 0:11:04 | |
-Are you OK, sir, with the eight-weeks drug trial I just got you? -Micky Joy is... | 0:11:04 | 0:11:07 | |
Is the biggest solicitor there is. | 0:11:07 | 0:11:10 | |
A senior clerk has to be careful supping with the devil. | 0:11:10 | 0:11:13 | |
Woolworths. | 0:11:13 | 0:11:15 | |
Sorry? | 0:11:15 | 0:11:16 | |
Woolies went down because it didn't know what it was anymore. | 0:11:16 | 0:11:20 | |
No-one had any idea what they were selling or why. | 0:11:20 | 0:11:23 | |
If you're going to survive, then you have to know what you are, | 0:11:23 | 0:11:26 | |
and you have to say it loud and clear. | 0:11:26 | 0:11:29 | |
The heart and soul of this chambers is defending. | 0:11:29 | 0:11:32 | |
Now, I can sell that. | 0:11:32 | 0:11:34 | |
I can't sell pick 'n' mix. | 0:11:34 | 0:11:36 | |
We can't afford to say no to half the work on offer. | 0:11:37 | 0:11:41 | |
Lengthen your ladle... | 0:11:42 | 0:11:44 | |
and sup with the CPS. | 0:11:44 | 0:11:46 | |
Pastures new, sir. | 0:11:54 | 0:11:55 | |
Bit of a weird message from the CPS solicitor. | 0:11:55 | 0:11:59 | |
"Some rump steak in the morning," he said to tell you. | 0:11:59 | 0:12:01 | |
Does Billy need to know about this? | 0:12:01 | 0:12:03 | |
I can keep one under the radar. | 0:12:03 | 0:12:05 | |
Thanks. | 0:12:05 | 0:12:06 | |
Thanks, Micky. Appreciate it. | 0:12:07 | 0:12:10 | |
Er... Just so you know... | 0:12:11 | 0:12:14 | |
I'm not doing that drugs case because of you. | 0:12:14 | 0:12:17 | |
No other reason. | 0:12:17 | 0:12:18 | |
You. | 0:12:18 | 0:12:20 | |
You know, it's six weeks since Brendan Kay was murdered. | 0:12:20 | 0:12:23 | |
I don't know how you've got the nerve to smile. | 0:12:23 | 0:12:26 | |
'I told him I thought he was connected to Brendan's death.' | 0:12:28 | 0:12:30 | |
My God, Marth. | 0:12:30 | 0:12:31 | |
Yeah, I'm slightly regretting it now. | 0:12:31 | 0:12:33 | |
-I should have just punched him. -HE LAUGHS | 0:12:33 | 0:12:35 | |
I miss you. | 0:12:35 | 0:12:36 | |
What? | 0:12:36 | 0:12:38 | |
I miss you. | 0:12:38 | 0:12:40 | |
We were called together, we were pupils together, | 0:12:42 | 0:12:44 | |
we've always been side by side in this. And now... | 0:12:44 | 0:12:47 | |
PHONE RINGS Sorry. | 0:12:47 | 0:12:49 | |
What do you want to say, Clive? | 0:12:53 | 0:12:55 | |
It hurt when you got silk. | 0:12:57 | 0:12:59 | |
Sorry. I mean... | 0:13:01 | 0:13:02 | |
I know I... I shouldn't be like this, but... | 0:13:04 | 0:13:06 | |
I wanted to tell you because... | 0:13:07 | 0:13:11 | |
Well, we tell each other everything, don't we? | 0:13:12 | 0:13:15 | |
PHONE RINGS | 0:13:15 | 0:13:17 | |
HE SIGHS | 0:13:17 | 0:13:18 | |
You should probably get that. | 0:13:18 | 0:13:22 | |
HE SIGHS | 0:13:22 | 0:13:23 | |
George, hi. | 0:13:23 | 0:13:25 | |
HE LAUGHS | 0:13:25 | 0:13:27 | |
Yes. | 0:13:27 | 0:13:28 | |
Yes. | 0:13:30 | 0:13:31 | |
OK. | 0:13:31 | 0:13:33 | |
Erm... | 0:13:33 | 0:13:34 | |
Well, I don't know... | 0:13:34 | 0:13:36 | |
We could do it tonight. | 0:13:37 | 0:13:38 | |
Yeah. | 0:13:40 | 0:13:42 | |
Welcome to Hillesden Barracks. | 0:13:43 | 0:13:45 | |
Hello, there. | 0:13:46 | 0:13:48 | |
How are things? | 0:13:48 | 0:13:49 | |
Hello. | 0:13:49 | 0:13:51 | |
Oh, er, thank you. | 0:13:51 | 0:13:52 | |
Sir. | 0:13:56 | 0:13:58 | |
Major Scotter. | 0:14:00 | 0:14:01 | |
He gave the order Captain Ryan disobeyed. | 0:14:01 | 0:14:03 | |
Parents? | 0:14:09 | 0:14:11 | |
CLERK: All rise. | 0:14:16 | 0:14:17 | |
Service personnel may remove their headdress. | 0:14:22 | 0:14:25 | |
These are the last pictures of Private Alan Rivers. | 0:14:30 | 0:14:34 | |
It's about 20 minutes before going out on patrol, | 0:14:34 | 0:14:37 | |
and an hour before he stood on an IED, | 0:14:37 | 0:14:40 | |
and what became the long, slow business of bleeding to death. | 0:14:40 | 0:14:44 | |
Could we have the Board out, sir? | 0:14:45 | 0:14:47 | |
VIDEO: 'Wave goodbye to your mum!' | 0:14:57 | 0:14:59 | |
There's no statement from anyone producing this film in evidence. | 0:15:02 | 0:15:06 | |
Then the Crown should get one. | 0:15:06 | 0:15:08 | |
It's shot by an embedded photographer, Paul McGovern. | 0:15:08 | 0:15:11 | |
Get a short statement from him and serve it as an NAE. | 0:15:11 | 0:15:14 | |
I want him here. | 0:15:14 | 0:15:15 | |
Counsel who did the last hearing expressly stated | 0:15:15 | 0:15:18 | |
that he didn't need McGovern to attend, | 0:15:18 | 0:15:20 | |
which must have been on instruction from the defendant. | 0:15:20 | 0:15:23 | |
Well... | 0:15:23 | 0:15:24 | |
I want him here. | 0:15:24 | 0:15:26 | |
What's your objection to the film? | 0:15:26 | 0:15:28 | |
My learned friend wants it in because it's poignant. | 0:15:28 | 0:15:32 | |
Evidential value? | 0:15:32 | 0:15:34 | |
None. | 0:15:34 | 0:15:35 | |
It's part of the story. The Board should hear what he says. | 0:15:35 | 0:15:38 | |
He doesn't say anything. | 0:15:38 | 0:15:40 | |
Well, that's him speaking now, Miss Costello. | 0:15:40 | 0:15:44 | |
Did you think...? | 0:15:45 | 0:15:46 | |
We had general information | 0:15:54 | 0:15:56 | |
that there was insurgent grouping in the area. | 0:15:56 | 0:15:59 | |
The patrol base was one of the possible targets. | 0:15:59 | 0:16:02 | |
I gave the order to stay put. | 0:16:03 | 0:16:05 | |
Who was the order given to? | 0:16:05 | 0:16:07 | |
Captain Ryan, the defendant. | 0:16:07 | 0:16:10 | |
Directly? | 0:16:10 | 0:16:11 | |
On HF from FOB. | 0:16:11 | 0:16:13 | |
Might need translating for our civilian friend. | 0:16:13 | 0:16:15 | |
High frequency from forward operating base. | 0:16:15 | 0:16:18 | |
Ahem... | 0:16:18 | 0:16:19 | |
Now, you'll have to forgive my civilian ignorance. | 0:16:19 | 0:16:22 | |
A soldier is trained to obey orders. | 0:16:23 | 0:16:26 | |
Yes. | 0:16:26 | 0:16:28 | |
But he's not a robot. | 0:16:28 | 0:16:29 | |
I'm sorry, is that a question? | 0:16:29 | 0:16:31 | |
You wouldn't, for example, obey an order to murder a prisoner? | 0:16:31 | 0:16:35 | |
I'm not a lawyer, and I'm sure you know what you're doing, Miss Costello. | 0:16:35 | 0:16:38 | |
-But your example is way out at the end of the spectrum. -But there is a spectrum? | 0:16:38 | 0:16:42 | |
Yes. | 0:16:42 | 0:16:43 | |
And there's a point on that spectrum | 0:16:43 | 0:16:47 | |
when it becomes the right thing to do to disobey an order? | 0:16:47 | 0:16:50 | |
This is the British Army, Miss Costello. | 0:16:50 | 0:16:54 | |
Have you heard of courageous restraint? | 0:16:54 | 0:16:56 | |
No return of fire unless you are 100% sure | 0:16:57 | 0:17:00 | |
a target is completely legitimate, | 0:17:00 | 0:17:02 | |
and there is no danger to civilian life. | 0:17:02 | 0:17:04 | |
Do you know how difficult that is? | 0:17:04 | 0:17:07 | |
It's an excellent example | 0:17:07 | 0:17:08 | |
of why officers are trained to think under pressure. | 0:17:08 | 0:17:10 | |
It's an example of how disciplined the British Army is, | 0:17:10 | 0:17:13 | |
and where on your spectrum... | 0:17:13 | 0:17:15 | |
And under pressure, | 0:17:15 | 0:17:16 | |
required by his training to think, an officer might end up deciding | 0:17:16 | 0:17:19 | |
that the best thing to do | 0:17:19 | 0:17:21 | |
is the opposite of what he's been ordered to do, | 0:17:21 | 0:17:23 | |
if that's what the circumstances dictate. | 0:17:23 | 0:17:26 | |
Then he should refer it back to whoever gave the order. | 0:17:26 | 0:17:29 | |
And that would be you in this case? | 0:17:29 | 0:17:31 | |
The circumstances at the patrol base remained pretty much the same | 0:17:31 | 0:17:35 | |
from the time the order was given to the time Captain Ryan disobeyed it. | 0:17:35 | 0:17:39 | |
-But you don't know that. You weren't there. -Miss Costello. | 0:17:39 | 0:17:42 | |
You may be in silk now, | 0:17:42 | 0:17:44 | |
but that does not entitle you to be disrespectful to witnesses. | 0:17:44 | 0:17:47 | |
Respect and deference are two different things, sir. | 0:17:47 | 0:17:51 | |
Too often mistaken for each other. | 0:17:51 | 0:17:53 | |
What's your point here? | 0:17:53 | 0:17:55 | |
That the commander on the ground | 0:17:55 | 0:17:58 | |
knows more than the commander back at the forward operating base | 0:17:58 | 0:18:01 | |
about the situation he's in. | 0:18:01 | 0:18:03 | |
How would he know more than me? Did he have information I didn't have? | 0:18:03 | 0:18:07 | |
So it's a lie, then. | 0:18:17 | 0:18:19 | |
What? | 0:18:19 | 0:18:21 | |
"The intelligence, I can't possibly talk about it." | 0:18:21 | 0:18:24 | |
Bit surprising you wanted to go near it at all though, | 0:18:24 | 0:18:27 | |
given that it's plainly the opposite of what Ryan wants you to do. | 0:18:27 | 0:18:31 | |
Don't tell me how to conduct my case. | 0:18:31 | 0:18:34 | |
You're conducting mine, really. | 0:18:34 | 0:18:35 | |
Making such a good job of alerting the Board | 0:18:37 | 0:18:39 | |
to the fact that Ryan is hoodwinking you. | 0:18:39 | 0:18:41 | |
And if he's not telling his own barrister the truth... | 0:18:41 | 0:18:43 | |
You're bluffing. | 0:18:43 | 0:18:44 | |
The Board don't think that. | 0:18:44 | 0:18:46 | |
One brigadier and two lieutenant colonels, | 0:18:46 | 0:18:49 | |
each of them with lots of combat experience. | 0:18:49 | 0:18:51 | |
They know a smokescreen when they see one. | 0:18:51 | 0:18:53 | |
When did you get silk? | 0:18:56 | 0:18:57 | |
Why didn't you want McGovern here? | 0:19:02 | 0:19:05 | |
I did what I did for good military reasons. | 0:19:05 | 0:19:08 | |
I've told you. How would McGovern help that? He's a photographer. | 0:19:08 | 0:19:11 | |
Embedded with you. | 0:19:11 | 0:19:12 | |
Watching you all the time. | 0:19:12 | 0:19:15 | |
I've got nothing to hide. | 0:19:15 | 0:19:16 | |
-I acted properly. -Oh, yeah. | 0:19:16 | 0:19:18 | |
"Properly. Honourably." | 0:19:18 | 0:19:20 | |
Shall I tell you something? | 0:19:21 | 0:19:23 | |
If you don't stop hiding behind all those words very soon, | 0:19:23 | 0:19:26 | |
you'd better start thinking about living for the next ten years | 0:19:26 | 0:19:29 | |
where none of those count for a bloody thing! | 0:19:29 | 0:19:32 | |
Did courageous restraint frustrate you? | 0:19:35 | 0:19:38 | |
It frustrated all of us. | 0:19:38 | 0:19:40 | |
An aggressive-minded officer doesn't like being on the back foot. | 0:19:40 | 0:19:44 | |
-Whose side are you on? -Look... | 0:19:44 | 0:19:45 | |
It's better you get the hard questions from me first, | 0:19:46 | 0:19:49 | |
so when the real thing comes, it's not a shock, | 0:19:49 | 0:19:53 | |
and you deal with it. | 0:19:53 | 0:19:54 | |
Tell me about the siege. | 0:19:57 | 0:19:59 | |
I've told you. | 0:19:59 | 0:20:00 | |
Well, why was it so tough? | 0:20:00 | 0:20:01 | |
You were engaging with the enemy all the time, | 0:20:01 | 0:20:03 | |
what was it about this contact that affected you so much? | 0:20:03 | 0:20:08 | |
It would help, wouldn't it? | 0:20:11 | 0:20:13 | |
What? | 0:20:13 | 0:20:14 | |
If in there, they understood | 0:20:14 | 0:20:17 | |
why staying put the second time around didn't feel right. | 0:20:17 | 0:20:20 | |
What was it about that 18-hour siege? | 0:20:22 | 0:20:25 | |
There's a report. | 0:20:29 | 0:20:30 | |
On the siege. | 0:20:30 | 0:20:31 | |
We call it a learning account. | 0:20:31 | 0:20:33 | |
Can you get it for me? | 0:20:34 | 0:20:36 | |
Sure. Absolutely. | 0:20:37 | 0:20:39 | |
SHE DIALS A NUMBER | 0:20:49 | 0:20:51 | |
PHONE RINGS | 0:20:51 | 0:20:53 | |
Bethany. | 0:20:53 | 0:20:54 | |
It's Martha. | 0:20:54 | 0:20:55 | |
A photographer called Paul McGovern. | 0:20:57 | 0:20:59 | |
Yeah. Get a pupil to dig out everything you can about him, and... | 0:20:59 | 0:21:03 | |
And every picture he's taken in Afghanistan. | 0:21:03 | 0:21:06 | |
And I'll need it by tonight. | 0:21:06 | 0:21:08 | |
Ah. Drink? | 0:21:08 | 0:21:10 | |
-Why? -Chat about silk. -Don't need a drink. | 0:21:10 | 0:21:13 | |
Skip a year, sir. | 0:21:13 | 0:21:14 | |
Re-group, fatten up your practice, | 0:21:14 | 0:21:16 | |
think about an application next time around. | 0:21:16 | 0:21:18 | |
You lied to me. | 0:21:22 | 0:21:23 | |
No way. What you talking about? | 0:21:23 | 0:21:25 | |
I can't send work to a set of chambers | 0:21:25 | 0:21:27 | |
with a senior clerk who lies to me. | 0:21:27 | 0:21:29 | |
I understand you have to bullshit your barristers to keep them happy. | 0:21:30 | 0:21:34 | |
I know you have to keep telling them | 0:21:34 | 0:21:36 | |
just how much sunshine is in their lives, | 0:21:36 | 0:21:39 | |
or the inner toddler comes out to play. | 0:21:39 | 0:21:41 | |
But I'm a proper grown-up, Billy. | 0:21:42 | 0:21:44 | |
My clients are proper grown-ups too. | 0:21:44 | 0:21:47 | |
I need you to tell me everything. | 0:21:49 | 0:21:52 | |
And for it always to be true. | 0:21:54 | 0:21:56 | |
What does mellifluous mean? | 0:22:00 | 0:22:01 | |
Richard Burton 60 seconds after sex. | 0:22:02 | 0:22:06 | |
I knew you knew. Why did you lie? | 0:22:06 | 0:22:08 | |
You said you didn't know what it meant. | 0:22:08 | 0:22:10 | |
I thought you'd be offended having an inferior vocabulary | 0:22:10 | 0:22:13 | |
to a man who left school at five. | 0:22:13 | 0:22:15 | |
Was Martha Costello double-booked? | 0:22:15 | 0:22:18 | |
No. | 0:22:20 | 0:22:21 | |
You see how easy it is, | 0:22:21 | 0:22:24 | |
telling the truth? | 0:22:24 | 0:22:26 | |
And look what it gets you. | 0:22:28 | 0:22:30 | |
Private drink driving. 1,500 on the brief. | 0:22:31 | 0:22:34 | |
-1,500? -Footballer's wife. | 0:22:34 | 0:22:36 | |
Right. | 0:22:36 | 0:22:38 | |
Strictly between you and me, | 0:22:39 | 0:22:40 | |
we could call it two grand, couldn't we? | 0:22:40 | 0:22:42 | |
Just don't tell the toddler you give it to. | 0:22:42 | 0:22:44 | |
-John. -Yeah? | 0:23:12 | 0:23:13 | |
My prosecuting brief, it's a three-day trial, | 0:23:13 | 0:23:16 | |
so can you book me in for two nights at Brasenose? | 0:23:16 | 0:23:18 | |
What's Brasenose? | 0:23:18 | 0:23:20 | |
-(It's an Oxford college.) -Er... It's an Oxford college. | 0:23:20 | 0:23:23 | |
My old Oxford college. | 0:23:23 | 0:23:24 | |
Er, Brasenose. | 0:23:24 | 0:23:26 | |
-BILLY: -What are you doing in Oxford, sir? | 0:23:26 | 0:23:28 | |
College reunion. | 0:23:29 | 0:23:31 | |
Brase...nose. | 0:23:31 | 0:23:33 | |
-HE CHUCKLES -Calm down, Jake. | 0:23:33 | 0:23:36 | |
Learning account. | 0:23:45 | 0:23:46 | |
That's it? | 0:23:48 | 0:23:49 | |
So... | 0:23:51 | 0:23:52 | |
One Afghan civilian killed, collateral damage. | 0:23:52 | 0:23:55 | |
Courageous restraint didn't work, then. | 0:23:55 | 0:23:59 | |
Who was manning the western wall of the patrol base? Afghan National Army? | 0:23:59 | 0:24:03 | |
Jumpy and twitchy? | 0:24:03 | 0:24:04 | |
Oh, you don't know the half of it. | 0:24:04 | 0:24:06 | |
Off their faces quite often. On duty, in uniform, high as kites. | 0:24:07 | 0:24:10 | |
Courageous restraint wasn't a concept they grasped at all. | 0:24:10 | 0:24:13 | |
Who wrote this? | 0:24:14 | 0:24:15 | |
DOOR OPENS | 0:24:16 | 0:24:17 | |
I didn't know at the time about the order not to go out. | 0:24:26 | 0:24:28 | |
Is that usual? | 0:24:28 | 0:24:29 | |
For a sergeant major? | 0:24:29 | 0:24:31 | |
Never had it before. | 0:24:31 | 0:24:32 | |
How would the witness know that? If the CO doesn't tell him, he doesn't know that he doesn't know. | 0:24:32 | 0:24:36 | |
It's my job to know everything my officer is thinking. | 0:24:36 | 0:24:41 | |
How did you feel about going out on patrol that day? | 0:24:43 | 0:24:47 | |
I was worried, because there were only ten of us. | 0:24:47 | 0:24:49 | |
Two have to stay at the patrol base. | 0:24:49 | 0:24:51 | |
Did you question what Captain Ryan was doing? | 0:24:51 | 0:24:53 | |
-Yes. -What was his response? | 0:24:53 | 0:24:55 | |
He was set on it. | 0:24:55 | 0:24:56 | |
If you felt that strongly about it, why didn't you press the point? | 0:24:56 | 0:24:59 | |
It's not my job to keep on disagreeing with my officer once I've told him what I think. | 0:24:59 | 0:25:04 | |
You can say it once. | 0:25:04 | 0:25:06 | |
When Private Rivers stood on the IED, | 0:25:06 | 0:25:08 | |
what happened next? | 0:25:08 | 0:25:10 | |
The "man down" shout came along the line to me at the rear. | 0:25:11 | 0:25:16 | |
-At the same time, we came under heavy contact. -What did you do? | 0:25:16 | 0:25:19 | |
Three things you're trained to do. | 0:25:19 | 0:25:21 | |
Secure the area, which just means carry on fighting, | 0:25:21 | 0:25:25 | |
give first aid to the man down, | 0:25:25 | 0:25:27 | |
secure a spot no less than 500 metres away | 0:25:27 | 0:25:30 | |
for the chopper to land to get the wounded man out. | 0:25:30 | 0:25:32 | |
-And were you able to do all that? -No. | 0:25:32 | 0:25:34 | |
Why not? | 0:25:34 | 0:25:36 | |
There were nine of us. | 0:25:36 | 0:25:38 | |
Two of my privates weren't doing well. | 0:25:38 | 0:25:41 | |
What do you mean by that? | 0:25:41 | 0:25:42 | |
When you see a colleague lose both his legs | 0:25:43 | 0:25:47 | |
and you can't get to him because you're pinned down by incoming fire, | 0:25:47 | 0:25:51 | |
and he's calling out for you, | 0:25:51 | 0:25:53 | |
it's pretty upsetting. | 0:25:53 | 0:25:55 | |
Private Bloxham and Private Farrelly | 0:25:56 | 0:26:00 | |
weren't functioning well as combat troops. | 0:26:00 | 0:26:02 | |
Meaning? | 0:26:02 | 0:26:04 | |
They were crying. | 0:26:04 | 0:26:07 | |
We were effectively seven men. | 0:26:07 | 0:26:09 | |
Tell us what the wounded Private Rivers was actually saying. | 0:26:12 | 0:26:15 | |
I'd rather not, sir. | 0:26:16 | 0:26:18 | |
We all understand your feelings, Sergeant Major, | 0:26:18 | 0:26:21 | |
but I'm afraid you are going to have to answer the question. | 0:26:21 | 0:26:24 | |
He was doing what most wounded soldiers do | 0:26:26 | 0:26:29 | |
when they're still conscious. | 0:26:29 | 0:26:31 | |
He was calling out for me. | 0:26:31 | 0:26:33 | |
And when I wasn't coming, | 0:26:33 | 0:26:35 | |
he was calling out for his mother. | 0:26:35 | 0:26:38 | |
The chopper landed 70 minutes later. | 0:26:39 | 0:26:42 | |
Private Rivers died in the helicopter | 0:26:42 | 0:26:45 | |
on the way back to Bastion. | 0:26:45 | 0:26:47 | |
And based on all your experience and knowledge, | 0:26:47 | 0:26:50 | |
what do you think of Captain Ryan's decision | 0:26:50 | 0:26:52 | |
to go out on patrol with just ten men? | 0:26:52 | 0:26:55 | |
In my opinion, it was foolish. | 0:26:57 | 0:27:00 | |
Is that what you're saying in the sergeants' mess? | 0:27:00 | 0:27:02 | |
No, sir. | 0:27:02 | 0:27:03 | |
What do you say? | 0:27:03 | 0:27:05 | |
The G words get used. | 0:27:05 | 0:27:07 | |
Gung-ho. | 0:27:08 | 0:27:11 | |
Lust for glory. | 0:27:11 | 0:27:12 | |
SHE CLEARS HER THROAT | 0:27:17 | 0:27:18 | |
Do you remember the 23rd of September, 2009? | 0:27:18 | 0:27:22 | |
Private Owen Gearty was hit | 0:27:23 | 0:27:25 | |
down an alleyway in a place called Sarkani. | 0:27:25 | 0:27:28 | |
And what did you do? | 0:27:28 | 0:27:30 | |
I went down the alley and got him out. | 0:27:30 | 0:27:32 | |
Alone? | 0:27:32 | 0:27:33 | |
Yes. | 0:27:33 | 0:27:35 | |
And why didn't anyone else from your platoon come with you? | 0:27:35 | 0:27:38 | |
They were ordered not to. | 0:27:38 | 0:27:40 | |
Were you ordered not to? | 0:27:41 | 0:27:43 | |
Yes. | 0:27:43 | 0:27:45 | |
And have you been disciplined for disobeying this order? | 0:27:45 | 0:27:48 | |
No. | 0:27:50 | 0:27:51 | |
Did you do the right thing? | 0:27:51 | 0:27:52 | |
He's alive today. | 0:27:52 | 0:27:54 | |
Did you do the right thing? | 0:27:54 | 0:27:56 | |
It's completely different from... | 0:27:56 | 0:27:58 | |
Were you at Buckingham Palace on June 5th, 2010, | 0:27:58 | 0:28:01 | |
to receive a gallantry award | 0:28:01 | 0:28:03 | |
for your bravery in rescuing Private Gearty? | 0:28:03 | 0:28:07 | |
Yes. | 0:28:07 | 0:28:08 | |
And was it the Queen who gave it to you? | 0:28:08 | 0:28:10 | |
Yes. | 0:28:10 | 0:28:12 | |
So there is a point at which not only is it right | 0:28:12 | 0:28:15 | |
to disobey an order, | 0:28:15 | 0:28:17 | |
you get a medal from the Queen for doing so? | 0:28:17 | 0:28:21 | |
When it really comes down to it, | 0:28:22 | 0:28:25 | |
it's for your friends that you fight. | 0:28:25 | 0:28:27 | |
I wasn't about to leave a friend of mine bleeding to death. | 0:28:28 | 0:28:31 | |
Was the order not to rescue Private Gearty a direct command | 0:28:31 | 0:28:36 | |
from an officer who was there with you? | 0:28:36 | 0:28:38 | |
Yes, it was. | 0:28:38 | 0:28:39 | |
And was that order based on an assessment of risk? | 0:28:39 | 0:28:43 | |
He would have weighed up the chances of rescuing Private Gearty | 0:28:43 | 0:28:47 | |
against the chances of losing someone trying to rescue him. | 0:28:47 | 0:28:52 | |
And who was that officer? | 0:28:52 | 0:28:54 | |
Captain Ryan. | 0:28:54 | 0:28:55 | |
The defendant. | 0:28:57 | 0:28:58 | |
And is that the attitude of someone lusting for glory? | 0:28:58 | 0:29:03 | |
I don't think the witness can tell us | 0:29:03 | 0:29:04 | |
what was going on in someone else's mind. | 0:29:04 | 0:29:07 | |
Well, why not? | 0:29:07 | 0:29:08 | |
It's his job to know what his officer is thinking. | 0:29:08 | 0:29:11 | |
Miss Costello! | 0:29:25 | 0:29:26 | |
From Bethany. From your chambers. | 0:29:27 | 0:29:30 | |
Oh, thank you. | 0:29:30 | 0:29:32 | |
You mistook my boy for someone else. | 0:29:37 | 0:29:40 | |
My dead son. | 0:29:41 | 0:29:43 | |
I'm sorry, it was unforgivable. | 0:29:44 | 0:29:47 | |
It's just another job for you. | 0:29:47 | 0:29:48 | |
No, it really isn't. | 0:29:48 | 0:29:50 | |
Back to London? | 0:30:06 | 0:30:07 | |
What's the officers' mess like? | 0:30:09 | 0:30:11 | |
Did you apply for silk last time? | 0:30:12 | 0:30:14 | |
Yeah. | 0:30:15 | 0:30:16 | |
Probably a bit young. | 0:30:16 | 0:30:18 | |
It's good you didn't get it. | 0:30:18 | 0:30:19 | |
Why? | 0:30:19 | 0:30:21 | |
You're hungry. | 0:30:21 | 0:30:22 | |
I like that. | 0:30:22 | 0:30:24 | |
Martha Costello got it. | 0:30:29 | 0:30:31 | |
Yeah. | 0:30:31 | 0:30:33 | |
She wasn't too young. | 0:30:33 | 0:30:35 | |
I get into fights with judges. | 0:30:37 | 0:30:39 | |
You know, I... | 0:30:39 | 0:30:40 | |
I don't care what they think about me. | 0:30:40 | 0:30:42 | |
As long as I'm doing the best thing for my client, | 0:30:42 | 0:30:45 | |
that's all that counts. | 0:30:45 | 0:30:46 | |
Maybe I... You know... | 0:30:46 | 0:30:48 | |
Maybe I don't play the game enough. | 0:30:48 | 0:30:51 | |
I don't normally do this. | 0:30:57 | 0:30:58 | |
-You're very good at it. -What? | 0:30:58 | 0:31:01 | |
-Drinking. -SHE LAUGHS | 0:31:01 | 0:31:03 | |
You're very direct, Captain Cassidy. | 0:31:04 | 0:31:07 | |
For an officer and a gentleman. | 0:31:07 | 0:31:09 | |
About some things. | 0:31:09 | 0:31:11 | |
Bet that you look good on the dancefloor. | 0:31:11 | 0:31:14 | |
And maybe the directness buys you room not to talk about other things. | 0:31:14 | 0:31:19 | |
The man who told Sergeant Major Pierce | 0:31:22 | 0:31:24 | |
not to go down that alleyway in Sarkani, | 0:31:24 | 0:31:27 | |
and the man who took out a ten-man patrol with the Taliban approaching. | 0:31:27 | 0:31:31 | |
Same man. | 0:31:31 | 0:31:32 | |
What changed? | 0:31:32 | 0:31:35 | |
Maybe I'll just ask him. | 0:31:36 | 0:31:39 | |
Martha... | 0:31:39 | 0:31:41 | |
My ears are burning. | 0:31:41 | 0:31:44 | |
That's because we're talking about you. | 0:31:44 | 0:31:47 | |
Cheers. | 0:31:47 | 0:31:48 | |
Learning account. | 0:31:50 | 0:31:52 | |
Captain Ed Ryan... | 0:31:52 | 0:31:54 | |
"During an engagement between insurgents | 0:31:56 | 0:32:00 | |
"and ISAF-stroke-Afghan National Army, | 0:32:00 | 0:32:04 | |
"a round was fired from the western perimeter of the PB, | 0:32:04 | 0:32:07 | |
"resulting in the death of one times local national." | 0:32:07 | 0:32:11 | |
Here she is. | 0:32:16 | 0:32:17 | |
"One times local national." | 0:32:24 | 0:32:27 | |
Bed. | 0:32:45 | 0:32:46 | |
She died in his arms. | 0:33:00 | 0:33:01 | |
A few minutes after this was taken. | 0:33:01 | 0:33:03 | |
And then he carried on. Doing his job. | 0:33:12 | 0:33:14 | |
Being an army officer. | 0:33:14 | 0:33:15 | |
Sorry. | 0:33:17 | 0:33:18 | |
So... | 0:33:18 | 0:33:20 | |
Anyway... | 0:33:22 | 0:33:24 | |
Do you? | 0:33:26 | 0:33:28 | |
What? | 0:33:28 | 0:33:29 | |
Look good on the dancefloor? | 0:33:29 | 0:33:32 | |
-Don't worry. I'll lead. -You'll lead? | 0:33:34 | 0:33:36 | |
What is this? | 0:33:36 | 0:33:37 | |
Men in uniform lose all dignity waving their arms about. | 0:33:37 | 0:33:40 | |
Close your eyes and this could be Saigon. | 0:33:42 | 0:33:45 | |
-Or Singapore. -HE LAUGHS | 0:33:45 | 0:33:48 | |
Or Dar es Salaam... | 0:33:48 | 0:33:50 | |
THEY LAUGH | 0:33:50 | 0:33:52 | |
Here you are, mate. Thanks. Keep the change. | 0:34:03 | 0:34:05 | |
I've been looking for a relationship with a barrister. | 0:34:05 | 0:34:08 | |
Continuity, commitment, | 0:34:08 | 0:34:10 | |
knowing someone well enough so you don't have to explain everything twice. | 0:34:10 | 0:34:13 | |
So any thoughts about who that might be, I'd be grateful. | 0:34:13 | 0:34:17 | |
THEY LAUGH | 0:34:21 | 0:34:23 | |
You completely had me there! | 0:34:23 | 0:34:25 | |
It's a good feeling, actually. | 0:34:26 | 0:34:28 | |
Not knowing what's coming next. | 0:34:28 | 0:34:30 | |
This isn't supposed to happen. | 0:34:32 | 0:34:34 | |
What? | 0:34:34 | 0:34:36 | |
Falling for a solicitor. | 0:34:36 | 0:34:38 | |
No. | 0:34:38 | 0:34:39 | |
-Complicates things. -Yeah. | 0:34:39 | 0:34:41 | |
Probably, your senior clerk wouldn't like it. | 0:34:41 | 0:34:44 | |
Nothing to do with him. | 0:34:44 | 0:34:45 | |
So you should stop yourself... | 0:34:45 | 0:34:47 | |
..falling. | 0:34:50 | 0:34:52 | |
Yeah. | 0:34:54 | 0:34:56 | |
Good. | 0:34:57 | 0:34:58 | |
I'm a little bit worried about this. | 0:35:08 | 0:35:10 | |
What is it? | 0:35:11 | 0:35:12 | |
One thing the army does very well is keep records. | 0:35:12 | 0:35:16 | |
Your grandfather. | 0:35:16 | 0:35:17 | |
And what does it say? | 0:35:18 | 0:35:20 | |
I haven't looked. | 0:35:20 | 0:35:21 | |
I thought you should decide if you want to read it. | 0:35:21 | 0:35:25 | |
Then if you don't, nothing has changed. | 0:35:25 | 0:35:26 | |
And maybe you want to respect his right not to talk about it. | 0:35:28 | 0:35:31 | |
You're here. | 0:35:42 | 0:35:43 | |
I'm down there. | 0:35:46 | 0:35:48 | |
On the right. | 0:35:48 | 0:35:50 | |
Night. | 0:35:55 | 0:35:57 | |
SHE DIALS A NUMBER | 0:36:18 | 0:36:21 | |
PHONE RINGS | 0:36:22 | 0:36:24 | |
PHONE RINGS | 0:36:28 | 0:36:30 | |
SHOWER RUNS | 0:36:30 | 0:36:33 | |
'Hello, this is Clive Reader, please leave a message after the tone. | 0:36:38 | 0:36:41 | |
'Thanks. Bye.' | 0:36:41 | 0:36:42 | |
BEEP | 0:36:42 | 0:36:43 | |
Oh, hi, Marth. It's me. | 0:36:58 | 0:37:00 | |
Missed your call. Um... | 0:37:00 | 0:37:02 | |
You probably stayed over. | 0:37:03 | 0:37:05 | |
Are you, er... | 0:37:07 | 0:37:08 | |
Are you coming back tomorrow? | 0:37:08 | 0:37:10 | |
I hope you are. | 0:37:10 | 0:37:12 | |
Er... | 0:37:13 | 0:37:15 | |
Need to talk. | 0:37:15 | 0:37:17 | |
Bye. | 0:37:17 | 0:37:18 | |
-OK, OK. -SOBBING | 0:37:27 | 0:37:30 | |
You're OK. | 0:37:30 | 0:37:32 | |
SOBBING | 0:37:32 | 0:37:33 | |
Easy, mate. | 0:37:33 | 0:37:35 | |
SOBBING | 0:37:39 | 0:37:41 | |
You won't get him to talk about it. | 0:37:57 | 0:37:59 | |
It helps him. | 0:37:59 | 0:38:00 | |
Doesn't he see that? | 0:38:00 | 0:38:02 | |
He had every reason not to want another siege. | 0:38:02 | 0:38:04 | |
-But when he goes in the witness box, he'll see.. -He won't. | 0:38:04 | 0:38:07 | |
He's not. | 0:38:07 | 0:38:09 | |
And neither will I. | 0:38:09 | 0:38:10 | |
Miss Costello. | 0:38:18 | 0:38:19 | |
Mr McGovern has come a long way at your request. | 0:38:19 | 0:38:22 | |
Do you have some questions for him? | 0:38:22 | 0:38:25 | |
SHE CLEARS HER THROAT | 0:38:25 | 0:38:27 | |
Is it right that Captain Ryan was well regarded by his men? | 0:38:31 | 0:38:37 | |
Yes. | 0:38:37 | 0:38:38 | |
-Respected. -Yes. | 0:38:38 | 0:38:39 | |
Is... | 0:38:40 | 0:38:43 | |
"Gung-ho" an expression you'd use about Captain Ryan? | 0:38:43 | 0:38:49 | |
No. | 0:38:49 | 0:38:50 | |
Lust for glory? | 0:38:50 | 0:38:51 | |
No. | 0:38:51 | 0:38:52 | |
Will you take a look at this photograph? | 0:38:52 | 0:38:54 | |
Thank you. | 0:38:58 | 0:39:00 | |
Did you take this picture? | 0:39:03 | 0:39:05 | |
-Yes. -When? | 0:39:05 | 0:39:06 | |
Just after the siege. | 0:39:06 | 0:39:09 | |
And how did you feel taking it? | 0:39:09 | 0:39:11 | |
She was five years old. | 0:39:11 | 0:39:13 | |
Yes, she was. | 0:39:13 | 0:39:15 | |
How did you feel? | 0:39:15 | 0:39:16 | |
I knew it was a good photograph. | 0:39:17 | 0:39:19 | |
How did you feel, | 0:39:19 | 0:39:20 | |
Mr McGovern? | 0:39:20 | 0:39:22 | |
This is what it's all about. | 0:39:26 | 0:39:28 | |
This is what happens when a weapon of that calibre hits a human being. | 0:39:28 | 0:39:33 | |
And even at that range, | 0:39:33 | 0:39:35 | |
with all that distance between weapon and victim, how far? | 0:39:35 | 0:39:40 | |
Six, seven hundred metres? | 0:39:40 | 0:39:43 | |
Look what it did to her. | 0:39:44 | 0:39:46 | |
When they brought her in, I told myself, | 0:39:48 | 0:39:49 | |
"Just take the picture, just take the damn picture, | 0:39:49 | 0:39:52 | |
"so the world can see | 0:39:52 | 0:39:54 | |
"what these things look like." | 0:39:54 | 0:39:57 | |
And did you show your feelings? | 0:39:57 | 0:39:59 | |
I sat on my own. | 0:39:59 | 0:40:01 | |
I had a quiet cry. | 0:40:04 | 0:40:05 | |
And how did this death, this young life taken, | 0:40:08 | 0:40:14 | |
how did this make you feel about being there, | 0:40:14 | 0:40:18 | |
about being at that patrol base? | 0:40:18 | 0:40:20 | |
It was a constant thing. Something we all carried with us. | 0:40:20 | 0:40:26 | |
And Captain Ryan? | 0:40:26 | 0:40:27 | |
I think he changed. | 0:40:27 | 0:40:30 | |
Sometimes, I'd catch him on his own and he'd have the look on his face. | 0:40:30 | 0:40:33 | |
The look? | 0:40:33 | 0:40:34 | |
-I've seen it many times. -What look? | 0:40:34 | 0:40:37 | |
Lost. | 0:40:39 | 0:40:42 | |
And when Captain Ryan decided to take that patrol out, | 0:40:42 | 0:40:47 | |
instead of staying put, | 0:40:47 | 0:40:49 | |
the day Private Rivers was killed, | 0:40:49 | 0:40:52 | |
was that decision influenced by his emotional condition? | 0:40:52 | 0:40:58 | |
Yes, I think so. | 0:40:58 | 0:41:00 | |
I think he didn't want it to happen again. | 0:41:00 | 0:41:02 | |
Did you think of Private Rivers as your friend? | 0:41:07 | 0:41:10 | |
Yes. | 0:41:10 | 0:41:11 | |
Did you take photographs of Alan Rivers with his legs blown off? | 0:41:11 | 0:41:14 | |
-Yes. -You took pictures of your friend, | 0:41:14 | 0:41:17 | |
-with his legs blown off, bleeding to death. -What are you saying? | 0:41:17 | 0:41:21 | |
Three months after you say you were so badly affected by the siege | 0:41:21 | 0:41:24 | |
and the death of the little girl? | 0:41:24 | 0:41:27 | |
I don't understand. | 0:41:27 | 0:41:29 | |
Professional men and women under extreme pressure can feel upset, | 0:41:29 | 0:41:33 | |
look lost, wonder, maybe, why they do what they do... | 0:41:33 | 0:41:38 | |
..and then carry on. They hold it together and carry on. | 0:41:40 | 0:41:46 | |
An officer can obey an order, | 0:41:47 | 0:41:50 | |
and a photographer can take pictures of his dying friend. | 0:41:50 | 0:41:53 | |
That's enough. | 0:41:53 | 0:41:55 | |
Get him to stop. | 0:41:55 | 0:41:57 | |
I was with Captain Ryan when he took the order. | 0:42:02 | 0:42:04 | |
Did he say anything to you? | 0:42:04 | 0:42:06 | |
Private Bloxham? | 0:42:10 | 0:42:12 | |
He asked me to keep quiet about it. | 0:42:16 | 0:42:18 | |
How did he seem to you? | 0:42:20 | 0:42:22 | |
He was himself. Completely in control. | 0:42:22 | 0:42:26 | |
And did you... | 0:42:28 | 0:42:30 | |
keep quiet about it? | 0:42:30 | 0:42:32 | |
Nobody is going to criticise you for obeying an order, Private Bloxham. | 0:42:33 | 0:42:37 | |
Would he be dead if I'd had the courage to say something? | 0:42:38 | 0:42:42 | |
Blown it. All over. So what's our defence now? Huh? | 0:42:47 | 0:42:53 | |
The very upset, totally honest, 19-year-old private soldier | 0:42:53 | 0:42:57 | |
whose best buddy's just died is lying in the witness box? I mean, shall we go for that? | 0:42:57 | 0:43:01 | |
Why the hell didn't you tell me? | 0:43:04 | 0:43:07 | |
It would have caused anxiety amongst my men if they knew Major Scotter had said don't go out. | 0:43:07 | 0:43:11 | |
It would have undermined their confidence in me and my authority. | 0:43:11 | 0:43:14 | |
But I thought at that point, you hadn't made the decision to go out. | 0:43:14 | 0:43:17 | |
That it was a later decision, wasn't it? When circumstances CHANGED. | 0:43:17 | 0:43:23 | |
What about the truth? | 0:43:26 | 0:43:29 | |
Last chance. | 0:43:29 | 0:43:30 | |
Try the truth, Captain Ryan. | 0:43:32 | 0:43:35 | |
DOOR SLAMS | 0:43:37 | 0:43:39 | |
Why was he crying his heart out in your room last night? | 0:43:43 | 0:43:46 | |
-Just leave it. -It's about protecting him, isn't it? You're the buffer. | 0:43:46 | 0:43:51 | |
All this grandfather business, and making me think you like me. | 0:43:51 | 0:43:54 | |
Why were you outside my room? | 0:43:54 | 0:43:56 | |
DOOR OPENS | 0:43:58 | 0:43:59 | |
You're back. How's it going? | 0:43:59 | 0:44:02 | |
What did you want to ask me? | 0:44:02 | 0:44:05 | |
Do you think I should go for it? Silk? | 0:44:12 | 0:44:17 | |
Is that what you wanted to say? | 0:44:17 | 0:44:18 | |
You're the person I trust most in the world. | 0:44:18 | 0:44:21 | |
Go for it. | 0:44:23 | 0:44:24 | |
A white ribbon round a Clive Reader brief. | 0:44:28 | 0:44:31 | |
Will Miss Duggan and her immaculate integrity | 0:44:31 | 0:44:34 | |
like it if she finds out you're plod friendly? | 0:44:34 | 0:44:36 | |
Your upstairs and your downstairs need to have a talk, sir. | 0:44:37 | 0:44:42 | |
Hello, Billy. | 0:44:42 | 0:44:43 | |
Miss. | 0:44:43 | 0:44:45 | |
Hello? | 0:44:45 | 0:44:46 | |
He's pushing you and George together? | 0:44:49 | 0:44:52 | |
Yes and no. | 0:44:53 | 0:44:55 | |
-Meaning? -Well, yes, professionally. | 0:44:55 | 0:44:57 | |
Personally? | 0:44:57 | 0:44:58 | |
He's against any personal developments. | 0:44:58 | 0:45:02 | |
-And you? -He doesn't trust me. | 0:45:02 | 0:45:04 | |
He thinks I'd treat her badly. | 0:45:04 | 0:45:06 | |
That's not what I was asking. | 0:45:07 | 0:45:10 | |
Are you all right? | 0:45:10 | 0:45:11 | |
It's just people not saying things, you know, keeping things back. | 0:45:11 | 0:45:15 | |
I can't stand it. It's no way to live. | 0:45:15 | 0:45:18 | |
Marth? | 0:45:19 | 0:45:21 | |
How did it happen? | 0:45:28 | 0:45:30 | |
She was a long way away. | 0:45:30 | 0:45:32 | |
ANA thought she was an enemy insurgent. | 0:45:32 | 0:45:34 | |
-A very long way, then. -Yeah. | 0:45:34 | 0:45:37 | |
The L115A3 sniper rifle. | 0:45:37 | 0:45:40 | |
It's pretty unique. | 0:45:40 | 0:45:42 | |
Clive. | 0:45:42 | 0:45:43 | |
-It's brilliant. -Jesus, Clive. | 0:45:43 | 0:45:45 | |
And it can cause us to make mistakes like this. | 0:45:45 | 0:45:47 | |
Us? | 0:45:48 | 0:45:50 | |
Us. The British Army. | 0:45:50 | 0:45:52 | |
It's a British weapon? | 0:45:52 | 0:45:54 | |
KNOCK ON DOOR | 0:45:55 | 0:45:56 | |
Martha... | 0:45:56 | 0:45:58 | |
He doesn't want me talking to you. | 0:46:01 | 0:46:03 | |
He was crying. | 0:46:03 | 0:46:04 | |
He's a soppy drunk. | 0:46:04 | 0:46:05 | |
Why was he crying? | 0:46:07 | 0:46:09 | |
I'm not going to talk about it. | 0:46:09 | 0:46:11 | |
Nor is he. | 0:46:11 | 0:46:12 | |
Which means he's going down, which means the end of his army career. | 0:46:12 | 0:46:16 | |
And is that what's best for him? | 0:46:16 | 0:46:18 | |
Is that where your best buddy loyalty should get us? | 0:46:18 | 0:46:20 | |
The siege had had a traumatic effect on everyone. | 0:46:29 | 0:46:32 | |
The prospect of it happening again was... | 0:46:32 | 0:46:36 | |
would have been very difficult. | 0:46:36 | 0:46:38 | |
-Why? -The Taliban used civilians. They had civilians with them. | 0:46:38 | 0:46:42 | |
Including a little girl. | 0:46:42 | 0:46:44 | |
Are the Afghans good shots? | 0:46:46 | 0:46:49 | |
No. | 0:46:49 | 0:46:50 | |
Do they have the kind of weapon to pull off a shot like that | 0:46:50 | 0:46:54 | |
at the range of 600 metres? | 0:46:54 | 0:46:58 | |
No. | 0:46:59 | 0:47:01 | |
If she had been shot by an ANA soldier at that distance, | 0:47:01 | 0:47:06 | |
would the wound look like this? | 0:47:06 | 0:47:08 | |
No. | 0:47:09 | 0:47:11 | |
Who shot her, Captain Cassidy? | 0:47:11 | 0:47:14 | |
That's for Captain Ryan to answer. | 0:47:19 | 0:47:22 | |
I asked Private Bloxham not to tell anyone I had received the order. | 0:47:44 | 0:47:49 | |
I disabled the radio. | 0:47:49 | 0:47:50 | |
I disobeyed the order. | 0:47:52 | 0:47:54 | |
Why? | 0:47:58 | 0:47:59 | |
We had to go out. | 0:47:59 | 0:48:02 | |
Because of the siege and the death of the little girl? | 0:48:02 | 0:48:04 | |
Stop calling her that. She's got a name. | 0:48:04 | 0:48:08 | |
She had a name. | 0:48:08 | 0:48:09 | |
What was her name? | 0:48:09 | 0:48:11 | |
It was a sniper, wasn't it? | 0:48:14 | 0:48:16 | |
Were there any ANA snipers? | 0:48:18 | 0:48:20 | |
British snipers? | 0:48:22 | 0:48:25 | |
Two. | 0:48:27 | 0:48:29 | |
You? | 0:48:29 | 0:48:30 | |
Private Rivers. | 0:48:33 | 0:48:34 | |
It was his life, the army. | 0:48:36 | 0:48:39 | |
I knew what he felt about the job we were doing. | 0:48:45 | 0:48:47 | |
He believed we were making a difference in Afghanistan. | 0:48:49 | 0:48:53 | |
I didn't want his parents or anyone else to think of him | 0:48:53 | 0:48:56 | |
as anything other than a brave soldier. | 0:48:56 | 0:49:00 | |
Because he was. | 0:49:00 | 0:49:03 | |
Why would anyone think he wasn't? | 0:49:03 | 0:49:06 | |
After the siege was over, | 0:49:14 | 0:49:17 | |
the Taliban retreated when the air support finally arrived, | 0:49:17 | 0:49:23 | |
and there were two civilians still out there. | 0:49:23 | 0:49:26 | |
They weren't going anywhere | 0:49:26 | 0:49:29 | |
and they didn't care about the planes, or us, or anything. | 0:49:29 | 0:49:34 | |
They brought her in. | 0:49:34 | 0:49:36 | |
The father carried her, the mother was next to him. | 0:49:37 | 0:49:41 | |
It's a long walk, 600 metres. | 0:49:41 | 0:49:45 | |
Her name was Atefa Bashir. | 0:49:46 | 0:49:49 | |
She died in my arms. | 0:49:49 | 0:49:51 | |
They thought we could help. | 0:49:52 | 0:49:55 | |
We couldn't. | 0:49:55 | 0:49:57 | |
I couldn't. | 0:49:57 | 0:49:59 | |
I'm sorry. | 0:50:01 | 0:50:03 | |
Was it Private Rivers? | 0:50:05 | 0:50:07 | |
There was so much incoming fire. | 0:50:16 | 0:50:18 | |
We couldn't shoot back because the civilians were... | 0:50:18 | 0:50:22 | |
One shot. | 0:50:23 | 0:50:25 | |
That was all. | 0:50:25 | 0:50:26 | |
He couldn't stop himself. | 0:50:28 | 0:50:30 | |
From then on, he was traumatized. | 0:50:30 | 0:50:34 | |
If you were suffering from combat stress, | 0:50:34 | 0:50:38 | |
surely it would be obvious to the people living alongside him, | 0:50:38 | 0:50:42 | |
wouldn't it? | 0:50:42 | 0:50:43 | |
Sergeant Major Pierce. | 0:50:43 | 0:50:45 | |
Private Bloxham. | 0:50:46 | 0:50:48 | |
Bravado. Jokes. The film. That was him hiding it. | 0:50:48 | 0:50:54 | |
That's what he did. | 0:50:56 | 0:50:57 | |
That's what we do. | 0:50:59 | 0:51:00 | |
Tell me about the day Private Rivers died. | 0:51:00 | 0:51:03 | |
It was dusk, and Private Rivers saw them. | 0:51:06 | 0:51:11 | |
Saw who? | 0:51:11 | 0:51:13 | |
Afghan civilians. | 0:51:13 | 0:51:15 | |
Out where they had no reason to be at that time. | 0:51:15 | 0:51:17 | |
He came to me and he told me... | 0:51:20 | 0:51:23 | |
"It's happening again," he said. | 0:51:23 | 0:51:27 | |
He was sure the ANA were giving information to the enemy | 0:51:28 | 0:51:32 | |
and he was ranting about which one it might be. | 0:51:32 | 0:51:35 | |
And what did you do? | 0:51:35 | 0:51:36 | |
I took a look. | 0:51:39 | 0:51:41 | |
Private Rivers was next to me. | 0:51:41 | 0:51:43 | |
And? | 0:51:45 | 0:51:47 | |
I couldn't see them. | 0:51:50 | 0:51:52 | |
He was shaking and... | 0:51:55 | 0:51:57 | |
I tried to talk to him, | 0:51:57 | 0:51:59 | |
but he was just crying and pointing. | 0:51:59 | 0:52:04 | |
At what? | 0:52:04 | 0:52:05 | |
He said she was coming. | 0:52:09 | 0:52:11 | |
She? | 0:52:12 | 0:52:14 | |
-Atefa. -But? | 0:52:15 | 0:52:17 | |
He was reliving it. | 0:52:17 | 0:52:19 | |
He was back in the moment when she was shot. | 0:52:22 | 0:52:24 | |
That's what happens. | 0:52:24 | 0:52:27 | |
He was condemned to shooting a small child over and over again, | 0:52:28 | 0:52:33 | |
and nobody could see that. | 0:52:33 | 0:52:35 | |
Nobody? | 0:52:35 | 0:52:37 | |
I believed the Taliban were coming. | 0:52:45 | 0:52:48 | |
If we stayed put, we'd be defending the base with 12 men | 0:52:48 | 0:52:52 | |
and Private Rivers, who was... | 0:52:52 | 0:52:54 | |
When a soldier cracks up, it's impossible for everyone. | 0:52:57 | 0:53:01 | |
Everything he was doing was completely unpredictable. | 0:53:01 | 0:53:05 | |
I knew that if we didn't go out... | 0:53:06 | 0:53:08 | |
HE SIGHS | 0:53:12 | 0:53:14 | |
It's the last thing they tell you when you leave Sandhurst. | 0:53:19 | 0:53:22 | |
"Love your men." | 0:53:22 | 0:53:24 | |
I love my men. | 0:53:25 | 0:53:27 | |
It was my decision. | 0:53:29 | 0:53:30 | |
He's dead because of me. | 0:53:32 | 0:53:34 | |
Leave him alone. | 0:53:44 | 0:53:46 | |
You leave him alone. | 0:53:47 | 0:53:50 | |
Mr President, | 0:54:04 | 0:54:05 | |
have you reached a verdict upon which you are all agreed? | 0:54:05 | 0:54:09 | |
Yes. | 0:54:09 | 0:54:10 | |
Do you find the defendant guilty or not guilty of disobeying an order? | 0:54:10 | 0:54:14 | |
Guilty. | 0:54:15 | 0:54:16 | |
When an officer disobeys an order, | 0:54:27 | 0:54:29 | |
it has long-lasting effects | 0:54:29 | 0:54:31 | |
on the men he commands, the men who must have absolute trust in him. | 0:54:31 | 0:54:35 | |
You have broken the trust between you and your men. | 0:54:35 | 0:54:39 | |
It is up to this court to decide | 0:54:39 | 0:54:42 | |
whether we should send you to prison and discharge you from the army. | 0:54:42 | 0:54:46 | |
We all believe that your loyalty to your men is not in question. | 0:54:46 | 0:54:49 | |
But we cannot forget that your actions in disobeying | 0:54:49 | 0:54:54 | |
an order led to the death of one of your soldiers | 0:54:54 | 0:54:58 | |
and deprived a mother and a father of their son. | 0:54:58 | 0:55:01 | |
This is something I know you will have to live with | 0:55:01 | 0:55:04 | |
for the rest of your life. | 0:55:04 | 0:55:06 | |
Captain Ryan, | 0:55:06 | 0:55:08 | |
you will receive a severe reprimand | 0:55:08 | 0:55:11 | |
and a loss of seniority. | 0:55:11 | 0:55:13 | |
We hope that you will be able to come to terms with what happened. | 0:55:15 | 0:55:19 | |
We also hope that you will continue your service... | 0:55:21 | 0:55:25 | |
..and continue to display the courage | 0:55:26 | 0:55:29 | |
that you have shown on the battlefield and in this courtroom. | 0:55:29 | 0:55:35 | |
I think we should go back to our lives. | 0:56:07 | 0:56:09 | |
Jody Farr's been arrested and charged. | 0:56:25 | 0:56:28 | |
Conspiracy to import heroin. | 0:56:30 | 0:56:32 | |
They're putting him as the number one. | 0:56:33 | 0:56:35 | |
So who do you want? | 0:56:38 | 0:56:40 | |
There are two silks at Shoe Lane. | 0:56:40 | 0:56:43 | |
Mister Mellifluous is representing the courier. | 0:56:44 | 0:56:47 | |
So why do you want her? | 0:56:49 | 0:56:50 | |
Anyone who goes toe to toe with me and spits in my eye | 0:56:50 | 0:56:54 | |
is my kind of brief. | 0:56:54 | 0:56:55 | |
INAUDIBLE CHATTER | 0:57:07 | 0:57:09 | |
LAUGHTER | 0:57:27 | 0:57:29 | |
Grandad? | 0:57:41 | 0:57:43 | |
It's Martha... | 0:57:43 | 0:57:45 | |
No, no, no, no, no, I just fancied a chat. Yeah! | 0:57:45 | 0:57:49 | |
How are you? | 0:57:50 | 0:57:51 | |
No, I'm good. | 0:57:51 | 0:57:52 | |
No, no, I'm not married yet. | 0:57:52 | 0:57:55 | |
Cheeky! Yeah. | 0:57:55 | 0:57:56 | |
What are you doing in Oxford, Clive? | 0:58:02 | 0:58:03 | |
Sexual assault. | 0:58:03 | 0:58:05 | |
You do this once and once only. | 0:58:05 | 0:58:06 | |
You stay out of Miss Duggan's downstairs. | 0:58:06 | 0:58:08 | |
-You're a very dangerous woman. -You have no idea. | 0:58:08 | 0:58:11 | |
The business in the toilet. | 0:58:11 | 0:58:12 | |
There was nobody with me at any stage doing anything. | 0:58:12 | 0:58:16 | |
When you extinguish hope, there's nothing. | 0:58:16 | 0:58:18 | |
And when there's nothing, well, we'd better all watch out. | 0:58:18 | 0:58:22 | |
I thought you might need help. | 0:58:22 | 0:58:24 | |
We're both interested in seeing these boys go down. | 0:58:24 | 0:58:26 | |
Non-disclosure of evidence is as serious as it gets. | 0:58:26 | 0:58:29 | |
Subtitles by Red Bee Media Ltd | 0:58:54 | 0:58:57 |