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I trust you most of all. I miss you. | 0:00:02 | 0:00:05 | |
-CW. -Martha Costello. | 0:00:03 | 0:00:05 | |
-Are you looking to move? -Well, I'm bloody lonely. I want a friend. | 0:00:05 | 0:00:08 | |
Prosecute, and you'll walk into silk. | 0:00:08 | 0:00:11 | |
-What are you doing in Oxford, sir? -College reunion. | 0:00:11 | 0:00:13 | |
Pastures new, sir. | 0:00:13 | 0:00:15 | |
Does Billy need to know about this? | 0:00:15 | 0:00:17 | |
A white ribbon around a Clive Reader brief? | 0:00:17 | 0:00:19 | |
-It's just another job for you. -No, it really isn't. | 0:00:19 | 0:00:22 | |
-This isn't supposed to happen - falling for a solicitor. -No. | 0:00:22 | 0:00:25 | |
Your upstairs and your downstairs need to have a talk, sir. | 0:00:25 | 0:00:28 | |
Positive discrimination - is that it? I mean, do women get more...? | 0:01:03 | 0:01:07 | |
Martha Costello got silk because she's an outstanding advocate. | 0:01:07 | 0:01:11 | |
-I wasn't... -Yes, you were. | 0:01:11 | 0:01:12 | |
We treat each application on its merits. | 0:01:18 | 0:01:20 | |
You've always been very skilled at saying nothing whilst appearing to say something. | 0:01:20 | 0:01:25 | |
Let me be very clear, then. | 0:01:25 | 0:01:26 | |
I'm really not allowed to discuss what was said about your application. | 0:01:26 | 0:01:31 | |
I'm applying again. | 0:01:34 | 0:01:35 | |
And, in the interests of natural justice, | 0:01:35 | 0:01:38 | |
I want to know if there's some kind of blackballing going on. | 0:01:38 | 0:01:41 | |
I can't comment. | 0:01:41 | 0:01:43 | |
No reasons given, no feedback, | 0:01:43 | 0:01:45 | |
I mean, where else in the law would that be regarded as just? | 0:01:45 | 0:01:49 | |
Or reasonable? | 0:01:49 | 0:01:51 | |
Wednesbury reasonable. | 0:01:52 | 0:01:53 | |
Are you threatening us? | 0:01:53 | 0:01:55 | |
A judicial review of a decision to reject an excellent silk application. | 0:01:55 | 0:01:59 | |
Now, that would be all over the press. | 0:01:59 | 0:02:02 | |
Talk to your senior clerk. | 0:02:02 | 0:02:04 | |
I haven't told him I'm applying. | 0:02:04 | 0:02:06 | |
Well, I can see why. | 0:02:06 | 0:02:07 | |
Why did the oyster leave the party early? | 0:02:13 | 0:02:16 | |
What? | 0:02:16 | 0:02:17 | |
Because he pulled a mussel. | 0:02:17 | 0:02:19 | |
Senior members of the Bar don't sleep with their pupils. | 0:02:19 | 0:02:24 | |
How did you...? | 0:02:27 | 0:02:28 | |
As I said, I can see why you're leaving your clerk out of it this time round. | 0:02:28 | 0:02:33 | |
What's that? | 0:02:55 | 0:02:57 | |
-Miss? -What are you watching? | 0:02:59 | 0:03:02 | |
We were just going to give it to you, miss. Right, Jake? | 0:03:02 | 0:03:05 | |
I need a pupil. | 0:03:05 | 0:03:07 | |
Er, there aren't any. We're interviewing next week. | 0:03:07 | 0:03:10 | |
Grab a notebook. Come with me. | 0:03:10 | 0:03:12 | |
Go for it, Beth. It's fine. | 0:03:15 | 0:03:18 | |
"Beth"? | 0:03:21 | 0:03:22 | |
How old do you think "Beth" is, Jake? | 0:03:22 | 0:03:24 | |
Hello. I'm Tavishi Gupta, CPS solicitor. | 0:03:29 | 0:03:33 | |
I need clearance for a legal visit. | 0:03:34 | 0:03:37 | |
Yeah, well, better late than never, Martin. | 0:03:37 | 0:03:40 | |
And you owe me one, remember. | 0:03:40 | 0:03:42 | |
He doesn't want me prosecuting. | 0:03:44 | 0:03:46 | |
-Will that mean there'll be a problem? -No, he's my clerk. He doesn't dictate what work I do. | 0:03:46 | 0:03:50 | |
Right. | 0:03:50 | 0:03:52 | |
-12 turning into three - that'll help us get home on the conspiracy. -How? | 0:03:52 | 0:03:56 | |
There's 12 students at the restaurant. They all smash it up, nine of them leave. | 0:03:56 | 0:04:00 | |
-Leaving the three defendants. -Who have what in common? | 0:04:00 | 0:04:03 | |
They're all new members of the club. | 0:04:03 | 0:04:04 | |
You used to have to eat a hot chilli for every year the club had been in existence. | 0:04:04 | 0:04:08 | |
That was getting a bit dangerous, so now, instead... | 0:04:08 | 0:04:10 | |
Sexually assault the waitress, steal her knickers, ruin her life. | 0:04:10 | 0:04:13 | |
Induction rite, which means it was a plan, an agreement to do something. | 0:04:13 | 0:04:16 | |
Which makes it a conspiracy. | 0:04:16 | 0:04:18 | |
Mr Cowdrey's got a con, sir. | 0:04:19 | 0:04:21 | |
-What, in here? -Yeah. -Well, can't he have it in one of the... | 0:04:21 | 0:04:24 | |
Not really. Sir. | 0:04:24 | 0:04:26 | |
Drink? | 0:04:29 | 0:04:30 | |
-You were at Oxford? -Yeah. | 0:04:30 | 0:04:32 | |
-Right. -What? | 0:04:32 | 0:04:34 | |
-Well, you know. -No, I don't. | 0:04:34 | 0:04:36 | |
-You might feel... -Ask around. Find out what my politics are. | 0:04:36 | 0:04:40 | |
-Night, Clive. -You off home? | 0:04:40 | 0:04:42 | |
-Yeah. -No con? | 0:04:42 | 0:04:43 | |
No, it's my first day sitting tomorrow. | 0:04:43 | 0:04:46 | |
You'll be fine. Just write it all down. | 0:04:52 | 0:04:54 | |
And don't speak. | 0:04:54 | 0:04:56 | |
It wasn't me. | 0:05:08 | 0:05:10 | |
Right. | 0:05:11 | 0:05:12 | |
-Well, where were you? -Pub. | 0:05:15 | 0:05:17 | |
-With lots of your mates? -Mm-hm. | 0:05:19 | 0:05:21 | |
You're all over the shop. | 0:05:23 | 0:05:25 | |
Prints were on the counter. | 0:05:25 | 0:05:27 | |
I've been there before, innit. | 0:05:27 | 0:05:29 | |
Glass in your trainers matches the glass from the shop. | 0:05:29 | 0:05:32 | |
-I walked home that way. -What, on your way back from the pub? -Mm. | 0:05:32 | 0:05:35 | |
-Yeah, about half a mile out of your way? -Mm. | 0:05:35 | 0:05:39 | |
The cut on your hand. | 0:05:43 | 0:05:44 | |
What's another cut? | 0:05:46 | 0:05:48 | |
So, er, not guilty, then? | 0:05:51 | 0:05:54 | |
Not guilty. | 0:05:54 | 0:05:56 | |
Do you always wear that baseball cap when you go shopping? | 0:05:57 | 0:06:00 | |
Between a quarter and a third off. | 0:06:14 | 0:06:16 | |
No, not on attempted murder. You don't get nothing off. | 0:06:16 | 0:06:19 | |
You see, I don't think this is attempted murder. | 0:06:19 | 0:06:22 | |
This is a section 18 wounding. That's GBH, Ricky. | 0:06:22 | 0:06:25 | |
-Tell them that. -I'm gonna try. | 0:06:25 | 0:06:26 | |
In simple terms, you intended on breaking all his fingers | 0:06:28 | 0:06:33 | |
but you weren't going for his head. Am I right? | 0:06:33 | 0:06:36 | |
Don't push me. | 0:06:36 | 0:06:37 | |
Am I right, Ricky? | 0:06:37 | 0:06:39 | |
What? You can get them to drop the murder if I roll over on the GBH? | 0:06:41 | 0:06:45 | |
No. You answer my question and I'll answer yours. | 0:06:45 | 0:06:48 | |
It depends who the prosecution is and it depends who our judge is. | 0:06:55 | 0:06:59 | |
No, pleading to GBH, you mean. | 0:06:59 | 0:07:01 | |
It means they will have to give you credit. | 0:07:01 | 0:07:03 | |
Does the devil get credit? | 0:07:03 | 0:07:05 | |
Yes, he does. | 0:07:08 | 0:07:09 | |
Maybe we should explore why you get angry. | 0:07:14 | 0:07:17 | |
Oh, yeah. | 0:07:17 | 0:07:18 | |
Let's do that. | 0:07:18 | 0:07:21 | |
Why do I lose it? Why does Ricky Armitage go mental on you? | 0:07:21 | 0:07:23 | |
You want to explore that? Come on then, let's explore, bitch! | 0:07:23 | 0:07:26 | |
It's all right. | 0:07:26 | 0:07:28 | |
Tell me about your girlfriend. | 0:07:35 | 0:07:37 | |
He dissed her. | 0:07:41 | 0:07:43 | |
Who did? | 0:07:43 | 0:07:44 | |
-The man in the shop, you dozy bint. Who else? -And what did he say? | 0:07:45 | 0:07:48 | |
He called her a whore. | 0:07:48 | 0:07:51 | |
And were you were there when he said it? | 0:07:51 | 0:07:54 | |
No. Alexa, my girlfriend, she was there. | 0:07:54 | 0:07:56 | |
She come home and told me. | 0:07:56 | 0:07:57 | |
So that's the trigger. | 0:07:57 | 0:07:59 | |
I can help you. | 0:08:03 | 0:08:05 | |
Bollocks. | 0:08:05 | 0:08:07 | |
You got that? | 0:08:08 | 0:08:09 | |
'His girlfriend is vulnerable | 0:08:11 | 0:08:14 | |
'and there are care proceedings in the family court for his daughter.' | 0:08:14 | 0:08:17 | |
He's got a child? | 0:08:17 | 0:08:18 | |
Get the solicitor to find out what's happening. | 0:08:18 | 0:08:21 | |
-Why didn't you ask Ricky? -Well...I want to know first. | 0:08:21 | 0:08:25 | |
-Are you off home then, miss? -I might see if someone fancies a drink. | 0:08:25 | 0:08:28 | |
Mr Reader, maybe? | 0:08:28 | 0:08:30 | |
Uh, Mr Reader, maybe. | 0:08:30 | 0:08:31 | |
-What's she like, the victim? -She's good, Izzy. | 0:08:33 | 0:08:36 | |
Robust. | 0:08:36 | 0:08:38 | |
Will she be intimidated by the line-up against her? Of course. | 0:08:38 | 0:08:41 | |
Line-up? | 0:08:41 | 0:08:43 | |
Three silks. All privately paid, all very pukka. | 0:08:43 | 0:08:46 | |
I'm hoping it'll backfire. | 0:08:46 | 0:08:48 | |
You still haven't answered my question - about not liking the boys. | 0:08:49 | 0:08:53 | |
I hate them and everything they stand for. Does that matter? | 0:08:53 | 0:08:56 | |
Well, I think it does a bit. It's important not to get personal. | 0:08:56 | 0:08:59 | |
PHONE RINGS Sorry. | 0:08:59 | 0:09:02 | |
George. | 0:09:03 | 0:09:05 | |
Hi. | 0:09:05 | 0:09:07 | |
Oh, right. Erm, yeah, OK. | 0:09:07 | 0:09:09 | |
Yeah, I'll see you in a bit. | 0:09:10 | 0:09:12 | |
Sorry, that was this, er, solicitor woman. She's on her way here now. | 0:09:15 | 0:09:19 | |
Listen, she, er... | 0:09:22 | 0:09:24 | |
She fancies me quite a lot. It's a bit stalker-y, actually. | 0:09:24 | 0:09:28 | |
Anyway, the thing is, she gets insanely jealous. | 0:09:28 | 0:09:32 | |
So... | 0:09:32 | 0:09:34 | |
Would you mind? | 0:09:34 | 0:09:35 | |
Leaving? | 0:09:37 | 0:09:38 | |
Would that be...? | 0:09:38 | 0:09:40 | |
Clive! | 0:09:58 | 0:09:59 | |
-Who was that? -CPS solicitor. | 0:10:02 | 0:10:05 | |
Gave me a very strange look. | 0:10:05 | 0:10:06 | |
Really? Good con? | 0:10:06 | 0:10:08 | |
Four pages of form, | 0:10:08 | 0:10:12 | |
lots of it for violence. | 0:10:12 | 0:10:14 | |
Crack and smack are his drugs of choice. | 0:10:16 | 0:10:19 | |
Abused as a child by his uncle when he was four. | 0:10:19 | 0:10:22 | |
About as damaged as you can get. | 0:10:22 | 0:10:24 | |
Oh, and he says he's the devil. | 0:10:24 | 0:10:26 | |
High self-esteem, at least. | 0:10:26 | 0:10:28 | |
George is coming. | 0:10:28 | 0:10:30 | |
-Shall I hide under the table? -She doesn't know I'm prosecuting. She'd hate it if she knew. | 0:10:30 | 0:10:35 | |
-So just don't... -No, no, no. Course not. | 0:10:35 | 0:10:37 | |
Hi. | 0:10:37 | 0:10:39 | |
-Hi. -Hello. | 0:10:39 | 0:10:40 | |
So, erm, what are you doing in Oxford, Clive? | 0:10:41 | 0:10:44 | |
Sexual assault. | 0:10:46 | 0:10:47 | |
Oh, and...and who are you for? | 0:10:47 | 0:10:49 | |
Do you mind if we don't talk about it? | 0:10:49 | 0:10:52 | |
It makes me feel really uneasy, | 0:10:52 | 0:10:55 | |
casually discussing... this kind of crime. | 0:10:55 | 0:10:58 | |
No, I completely understand. | 0:10:58 | 0:11:01 | |
Shall I...shall I get a bottle? | 0:11:01 | 0:11:04 | |
My God, you'd want her on your side in a fight. | 0:11:10 | 0:11:13 | |
Every time. | 0:11:13 | 0:11:15 | |
So... | 0:11:16 | 0:11:18 | |
Clive. | 0:11:18 | 0:11:19 | |
Ready? | 0:11:22 | 0:11:24 | |
What for? | 0:11:24 | 0:11:25 | |
Number of past girlfriends? | 0:11:25 | 0:11:27 | |
What? Oh, God! | 0:11:27 | 0:11:29 | |
Between ten and 20? More than Nick Clegg? | 0:11:29 | 0:11:31 | |
Define girlfriend. What is this? | 0:11:31 | 0:11:34 | |
-Any weird obsessions? -Like? | 0:11:34 | 0:11:37 | |
Train spotting, Star Trek, really big diggers. | 0:11:37 | 0:11:40 | |
None. | 0:11:40 | 0:11:41 | |
Julie Andrews - yes or no? | 0:11:41 | 0:11:42 | |
-Well... -She can run properly, she can throw and her hair is short. | 0:11:42 | 0:11:46 | |
-What are you saying? -Well, sometimes with the upper-class English male, | 0:11:46 | 0:11:50 | |
when it comes down to it, the ideal girl...is a boy. | 0:11:50 | 0:11:52 | |
She's not really my type. | 0:11:52 | 0:11:55 | |
Good. | 0:11:55 | 0:11:56 | |
Just getting a few things clear before... | 0:11:56 | 0:11:59 | |
Before? | 0:12:00 | 0:12:02 | |
Before. | 0:12:02 | 0:12:03 | |
You're a very dangerous woman. | 0:12:07 | 0:12:09 | |
You have no idea. | 0:12:09 | 0:12:12 | |
Tell me. | 0:12:12 | 0:12:13 | |
Show me. | 0:12:17 | 0:12:18 | |
Jake? | 0:12:54 | 0:12:56 | |
Yeah. Listen, I need you to, er, to come to The Lamb. | 0:12:56 | 0:12:59 | |
No, no, no. | 0:12:59 | 0:13:01 | |
Table by the bar, my jacket - I want you to bring it to me. | 0:13:01 | 0:13:04 | |
I'm in the disabled toilet. | 0:13:04 | 0:13:06 | |
No. I can't...I can't leave. | 0:13:06 | 0:13:09 | |
Jake. Jake? | 0:13:09 | 0:13:10 | |
Listen to me. Shut up and just do it, all right? | 0:13:10 | 0:13:14 | |
Thanks. | 0:13:14 | 0:13:16 | |
Bloody hell. | 0:13:18 | 0:13:20 | |
Last night. | 0:13:24 | 0:13:25 | |
Sir? | 0:13:25 | 0:13:27 | |
It's really very important that Billy doesn't find out. | 0:13:27 | 0:13:30 | |
About? | 0:13:31 | 0:13:32 | |
The business in the toilet? | 0:13:33 | 0:13:35 | |
What business in the toilet? | 0:13:35 | 0:13:37 | |
Good man. | 0:13:37 | 0:13:39 | |
What business in the toilet, sir? | 0:13:42 | 0:13:44 | |
OK. | 0:13:44 | 0:13:45 | |
Jake, I was on my own in there. | 0:13:45 | 0:13:48 | |
Yes. | 0:13:50 | 0:13:51 | |
There was nobody with me, at any stage, doing anything. | 0:13:51 | 0:13:54 | |
Did you rip your shirt yourself, sir? | 0:13:54 | 0:13:58 | |
No. | 0:13:58 | 0:13:59 | |
George Duggan... | 0:13:59 | 0:14:01 | |
-Wasn't there. -You've got it. | 0:14:01 | 0:14:03 | |
I've got it. (And Billy hasn't.) | 0:14:03 | 0:14:05 | |
Where's the pants? | 0:14:06 | 0:14:08 | |
What? | 0:14:09 | 0:14:11 | |
Your three defendants are arrested at the scene. | 0:14:11 | 0:14:14 | |
Your case is they assault the waitress | 0:14:14 | 0:14:16 | |
and take the pants off her to use them as what, a kind of trophy? | 0:14:16 | 0:14:19 | |
She gets away, they stay put, the police arrest them. | 0:14:19 | 0:14:22 | |
So, where's the pants, Clive? | 0:14:22 | 0:14:24 | |
See, if I were defence counsel... | 0:14:26 | 0:14:28 | |
Yes. I know. | 0:14:28 | 0:14:29 | |
The only thing to leave that pub was the waitress. | 0:14:29 | 0:14:33 | |
So, one more time... | 0:14:33 | 0:14:34 | |
I know, Martha. | 0:14:34 | 0:14:36 | |
Just saying. | 0:14:36 | 0:14:37 | |
God, whose side are you on? | 0:14:37 | 0:14:39 | |
Well, it's defending. It's what I do. | 0:14:39 | 0:14:41 | |
Of course. You'd hammer my lying toerag of a waitress | 0:14:41 | 0:14:44 | |
into the witness box, wouldn't you, | 0:14:44 | 0:14:45 | |
on behalf of those...poor students. | 0:14:45 | 0:14:47 | |
And where does Billy stand on you prosecuting? | 0:14:47 | 0:14:50 | |
Oh, what, that's an argument? Billy doesn't like it, so it must be wrong? Come on, Martha. | 0:14:50 | 0:14:54 | |
You do this once and once only. | 0:14:58 | 0:15:01 | |
You lose George Duggan's work over this | 0:15:02 | 0:15:04 | |
and I will stuff so much white ribbon down your cakehole | 0:15:04 | 0:15:07 | |
that it'll be coming out of your arsehole at the same time, | 0:15:07 | 0:15:11 | |
like the mother of all tapeworms. | 0:15:11 | 0:15:14 | |
Do you understand? | 0:15:14 | 0:15:16 | |
Anyway, erm, good luck. | 0:15:21 | 0:15:22 | |
And you stay out of Miss Duggan's downstairs. | 0:15:27 | 0:15:30 | |
Still rowing? | 0:16:44 | 0:16:45 | |
Ed? | 0:16:46 | 0:16:47 | |
Ed Marmor! | 0:16:48 | 0:16:50 | |
-How the hell are you? -Good. My God! | 0:16:50 | 0:16:52 | |
Fine. | 0:16:52 | 0:16:54 | |
-So what are you...? -I'm over for a conference - terrorism and the law. | 0:16:54 | 0:16:57 | |
Marmor on Terror. I bought it. | 0:16:57 | 0:16:59 | |
-Did you read it? -No! | 0:16:59 | 0:17:00 | |
ED LAUGHS | 0:17:00 | 0:17:02 | |
Professor Ed. | 0:17:02 | 0:17:03 | |
Yeah. | 0:17:03 | 0:17:05 | |
-God, look at us. Prime of life. -Yeah. | 0:17:05 | 0:17:07 | |
A couple of big shots. | 0:17:07 | 0:17:09 | |
Marston Street seems like...ages ago. | 0:17:09 | 0:17:12 | |
-Best year of my life. -Yeah? | 0:17:12 | 0:17:14 | |
You know the hardest thing? | 0:17:14 | 0:17:16 | |
-It took me years after to belong in the real world. Everything was disappointing after that. -Ed. -What? | 0:17:16 | 0:17:21 | |
-Shut up. -Absolutely. | 0:17:21 | 0:17:25 | |
You can't repeat the past. Hey, who said that? | 0:17:25 | 0:17:28 | |
Someone says it to Gatsby. Gatsby doesn't agree. | 0:17:28 | 0:17:31 | |
-So, how long are you, um...? -Rest of the week. | 0:17:31 | 0:17:33 | |
-Oh, excellent. Listen, we should... -Shoot the breeze? | 0:17:33 | 0:17:37 | |
Last night. | 0:17:42 | 0:17:43 | |
-Tell me what happened. -You know what happened. | 0:17:45 | 0:17:48 | |
I want to hear it from you. | 0:17:55 | 0:17:57 | |
I got a razor and jumped. | 0:18:02 | 0:18:04 | |
Jumped? | 0:18:05 | 0:18:07 | |
In the safety net so people don't kill themself off the landing, yeah? | 0:18:07 | 0:18:11 | |
I went in it, just me and my sharp. | 0:18:11 | 0:18:15 | |
And I started cutting. | 0:18:15 | 0:18:16 | |
I was bouncing about and cutting. It was amazing. | 0:18:18 | 0:18:20 | |
And they couldn't get at me. | 0:18:20 | 0:18:23 | |
And how did they stop you? | 0:18:23 | 0:18:25 | |
Some big-arse officer jumped in there with me. | 0:18:25 | 0:18:29 | |
And did you try and hurt him? | 0:18:31 | 0:18:33 | |
No, it wasn't about him. | 0:18:33 | 0:18:35 | |
Can I see? | 0:18:44 | 0:18:46 | |
You weren't really trying to hurt yourself either, were you, Ricky? | 0:19:00 | 0:19:04 | |
Why are you here? | 0:19:04 | 0:19:05 | |
Because you're my client. | 0:19:05 | 0:19:09 | |
Do you love her, Alexa? | 0:19:16 | 0:19:18 | |
Or did you just smash up the shop because | 0:19:20 | 0:19:22 | |
you're an angry man with what, no heart, no feelings? | 0:19:22 | 0:19:25 | |
RICKY SNORTS | 0:19:25 | 0:19:27 | |
HE SIGHS | 0:19:30 | 0:19:32 | |
All rise. | 0:19:45 | 0:19:46 | |
I think possibly counsel should see Your Honour in chambers? | 0:20:01 | 0:20:05 | |
It's a small world, the criminal Bar. It happens. | 0:20:10 | 0:20:13 | |
Can't see there's a problem. | 0:20:13 | 0:20:14 | |
Hang on. So, prosecuting counsel is applying to join the chambers, | 0:20:14 | 0:20:18 | |
of which the judge is head, and nobody's supposed to know, | 0:20:18 | 0:20:21 | |
yet defence counsel does know. | 0:20:21 | 0:20:22 | |
I mean, I'm sorry, but this is doing my head in. | 0:20:22 | 0:20:26 | |
Your Honour. | 0:20:26 | 0:20:27 | |
We rise above. | 0:20:27 | 0:20:29 | |
We're all capable of conducting ourselves in a professional manner | 0:20:29 | 0:20:32 | |
and leaving anything personal at the court door. | 0:20:32 | 0:20:35 | |
And it's a plea, isn't it? | 0:20:35 | 0:20:36 | |
You're dropping the attempted murder? | 0:20:36 | 0:20:39 | |
We can't prove intent. | 0:20:39 | 0:20:41 | |
There. | 0:20:41 | 0:20:42 | |
Look how grown-up we're all being. | 0:20:42 | 0:20:45 | |
Oh, er, one thing - the defendant must be happy. | 0:20:45 | 0:20:47 | |
Are you being nice to me? | 0:20:57 | 0:20:59 | |
Don't know what you mean. | 0:20:59 | 0:21:02 | |
Would you have offered this deal if I wasn't a vote that you need? | 0:21:03 | 0:21:07 | |
All rise. | 0:21:07 | 0:21:09 | |
Tricky thing is impressing you... and impressing him. | 0:21:11 | 0:21:16 | |
MEN CHATTER/CLIVE WHISTLES | 0:21:30 | 0:21:33 | |
What is this? | 0:21:43 | 0:21:44 | |
A stranger walks in and you all go quiet? | 0:21:44 | 0:21:47 | |
What? | 0:21:52 | 0:21:54 | |
Are we in a pub on Dartmoor? | 0:21:56 | 0:21:58 | |
You all look like a bunch of crows. | 0:22:00 | 0:22:02 | |
It's a murder. | 0:22:02 | 0:22:04 | |
Sorry? | 0:22:04 | 0:22:06 | |
A murder of crows, I think you'll find. | 0:22:06 | 0:22:09 | |
OK, Izzy. | 0:22:23 | 0:22:24 | |
I'm here just to say hello. | 0:22:26 | 0:22:28 | |
And they're here because they're entitled to be and because... | 0:22:28 | 0:22:32 | |
Actually, why don't you tell her? | 0:22:32 | 0:22:35 | |
To make sure you don't coach the witness. | 0:22:35 | 0:22:38 | |
They're really here because they think they can intimidate you. | 0:22:39 | 0:22:43 | |
But of course they can't. | 0:22:43 | 0:22:45 | |
Because I'm going to rip them to shreds. | 0:22:45 | 0:22:47 | |
Tom...McFarland. | 0:23:10 | 0:23:12 | |
Just wanted to say, whatever happens, | 0:23:12 | 0:23:15 | |
I know you're just doing your job. Hard feelings won't come into it. | 0:23:15 | 0:23:18 | |
Well done. | 0:23:23 | 0:23:24 | |
You OK? | 0:23:28 | 0:23:30 | |
Fine. | 0:23:30 | 0:23:32 | |
All three defendants in the dock, together with nine others, | 0:23:37 | 0:23:40 | |
have pleaded guilty to causing £17,000's worth of damage to the White Hart pub. | 0:23:40 | 0:23:45 | |
Now, it's a lot of damage, it's a lot of money, | 0:23:45 | 0:23:48 | |
but it's just property. | 0:23:48 | 0:23:52 | |
These three are also charged with conspiracy to commit a truly nasty | 0:23:52 | 0:23:57 | |
and deeply humiliating sexual assault on a 19-year-old girl. | 0:23:57 | 0:24:02 | |
Now, conspiracy...is an agreement. | 0:24:02 | 0:24:05 | |
They agreed to assault Izzy Calvin, | 0:24:05 | 0:24:09 | |
their waitress that night. | 0:24:09 | 0:24:10 | |
And what did they do? | 0:24:10 | 0:24:12 | |
They forced her down onto a table, they pulled her skirt up from behind, | 0:24:12 | 0:24:16 | |
they dragged her knickers down and they took them off her. | 0:24:18 | 0:24:22 | |
Now, pause. Imagine you're Izzy. | 0:24:24 | 0:24:27 | |
It's dark. | 0:24:30 | 0:24:31 | |
You're being forcibly held down, your pants have been ripped off. | 0:24:31 | 0:24:36 | |
There are three men doing this and they're all very drunk. | 0:24:36 | 0:24:39 | |
What's going to happen next? | 0:24:39 | 0:24:41 | |
What else can it be? | 0:24:41 | 0:24:43 | |
Izzy...believed that she was going to be raped. | 0:24:43 | 0:24:46 | |
Your Honour, um... | 0:24:46 | 0:24:49 | |
Jury out. | 0:24:49 | 0:24:51 | |
I understand your zeal as a prosecutor, Mr Reader. | 0:25:02 | 0:25:05 | |
The convert is noisier than those who have always belonged. | 0:25:05 | 0:25:08 | |
But I'm most anxious the jury don't get the wrong end of the stick. | 0:25:10 | 0:25:14 | |
What would Your Honour like me to do? | 0:25:16 | 0:25:18 | |
You must ignore anything I said that might suggest this was an attempted rape. It wasn't... | 0:25:24 | 0:25:29 | |
it isn't...and I'm sorry. | 0:25:30 | 0:25:33 | |
-Whoops. -You don't do that. Nobody interrupts an opening speech. | 0:25:51 | 0:25:54 | |
You don't open rape when it isn't there. Is it your little solicitor girl? | 0:25:54 | 0:25:59 | |
Is it because you want to get into the knickers of little Miss CPS? | 0:25:59 | 0:26:02 | |
Argh! Ha-ha-ha. Nerve touched? | 0:26:02 | 0:26:04 | |
I think Achilles has shown us his heel, and so early in the day. | 0:26:04 | 0:26:09 | |
I know this is very difficult for you. | 0:26:11 | 0:26:14 | |
We've all seen the CCTV footage. | 0:26:14 | 0:26:17 | |
And I'm sure we would all understand if you don't want to answer. | 0:26:17 | 0:26:22 | |
Your daughter was with you in the shop at the time. | 0:26:22 | 0:26:26 | |
Can you tell us how she's doing? | 0:26:26 | 0:26:28 | |
She's not coping. | 0:26:30 | 0:26:32 | |
Remind us how old she is. | 0:26:35 | 0:26:38 | |
She's 12 years old and she's wetting her bed. | 0:26:38 | 0:26:41 | |
She wakes up every half-hour in the night. | 0:26:41 | 0:26:44 | |
We do not sleep. | 0:26:44 | 0:26:46 | |
She will not leave the house without me but she will not go to the shop, so I cannot work. | 0:26:46 | 0:26:51 | |
No questions. | 0:26:59 | 0:27:00 | |
RICKY BANGS THE GLASS | 0:27:00 | 0:27:02 | |
I think your client wants you. | 0:27:02 | 0:27:05 | |
Thank you. | 0:27:05 | 0:27:07 | |
Ask him what he called my girlfriend. | 0:27:14 | 0:27:17 | |
-Ricky, that won't help. -Ask him. | 0:27:17 | 0:27:20 | |
No, Ricky. | 0:27:20 | 0:27:21 | |
I'm going to adjourn this. We'll come back on Wednesday. | 0:27:29 | 0:27:33 | |
I'm warning you, Mr Armitage. Any more of that behaviour and I'll hold you in contempt of court. | 0:27:33 | 0:27:38 | |
Take him down. | 0:27:38 | 0:27:39 | |
Nice. | 0:27:53 | 0:27:55 | |
-It's my restaurant and I told them all to leave. -And did they? | 0:28:03 | 0:28:07 | |
No. They started throwing glasses and pulling the pictures off the walls. | 0:28:07 | 0:28:10 | |
It was mayhem. | 0:28:10 | 0:28:12 | |
I went up to my office and called 999. | 0:28:12 | 0:28:15 | |
When I came back down Izzy was gone. | 0:28:15 | 0:28:16 | |
You went up to your office. | 0:28:18 | 0:28:20 | |
-Yes. -Why? | 0:28:20 | 0:28:22 | |
I don't understand. | 0:28:22 | 0:28:23 | |
It's a restaurant. Is there another phone? | 0:28:23 | 0:28:25 | |
-Yes. -Is it downstairs? | 0:28:25 | 0:28:28 | |
Yes. | 0:28:28 | 0:28:29 | |
Why not use it? | 0:28:29 | 0:28:31 | |
Who is Adam Garside? | 0:28:34 | 0:28:35 | |
He's a decorator. | 0:28:35 | 0:28:37 | |
Will you take a look at this, please? | 0:28:37 | 0:28:39 | |
Is that an invoice from Adam Garside for a re-fit done on The White Hart? | 0:28:45 | 0:28:49 | |
-Yes. -And is the date the booking was made to do the work recorded at the top of the invoice? | 0:28:49 | 0:28:54 | |
Yes, it is. | 0:28:54 | 0:28:55 | |
And is that date before this incident took place? | 0:28:55 | 0:28:58 | |
Yes. | 0:28:58 | 0:29:00 | |
What relation to you is Mr Garside? | 0:29:00 | 0:29:02 | |
He's my cousin. | 0:29:02 | 0:29:04 | |
You went upstairs to make your 999 call to allow time | 0:29:04 | 0:29:07 | |
for the 12 downstairs to do serious damage to the restaurant. | 0:29:07 | 0:29:10 | |
-I don't follow. -Well, let me spell it out. | 0:29:10 | 0:29:13 | |
You allowed it to happen, | 0:29:13 | 0:29:14 | |
so you can claim the insurance and brighten up your dreary little pub whilst sending work to your cousin. | 0:29:14 | 0:29:20 | |
-Is it right that all three defendants wrote to you after the incident? -Yes. | 0:29:22 | 0:29:27 | |
Were those letters of apology for the damage they'd caused? | 0:29:27 | 0:29:31 | |
Yes. | 0:29:32 | 0:29:34 | |
And is it right that the defendants repaid you for the cost of the damage? | 0:29:34 | 0:29:38 | |
Yes. | 0:29:39 | 0:29:40 | |
Did you get repaid twice, Mr Craven? | 0:29:40 | 0:29:43 | |
The insurers...and the defendants. | 0:29:43 | 0:29:46 | |
Yes. | 0:29:51 | 0:29:52 | |
What was the point of that? | 0:29:54 | 0:29:56 | |
How does slagging off the boss make any difference to the question of | 0:29:56 | 0:29:59 | |
whether or not your boys did their sick business with Izzy? | 0:29:59 | 0:30:02 | |
Bit ruffled, Reader? | 0:30:02 | 0:30:04 | |
More puzzled, really. | 0:30:04 | 0:30:06 | |
-About? -About how any of you got silk with judgement as poor as that. | 0:30:06 | 0:30:10 | |
More titillating question is why you didn't. | 0:30:10 | 0:30:12 | |
Kant versus Bentham - you still for Kant? | 0:30:20 | 0:30:23 | |
I've had a long day in court. | 0:30:23 | 0:30:25 | |
Terrorist suspect - 20 minutes to go before the bomb he planted goes off, | 0:30:28 | 0:30:31 | |
killing thousands of people, destroying the Bodleian and every book in it. | 0:30:31 | 0:30:35 | |
The answer's no. | 0:30:35 | 0:30:36 | |
Torture is always wrong. It demeans us all, it reduces us as human beings. | 0:30:36 | 0:30:41 | |
-It's too big a price to pay. -What if it's London, hmm? | 0:30:41 | 0:30:43 | |
What if it's a really dirty bomb and eight million people will die? | 0:30:43 | 0:30:46 | |
So the higher the number, the harder it is to defend my position? | 0:30:46 | 0:30:49 | |
Torture one terrorist - save eight million lives. | 0:30:49 | 0:30:52 | |
Indefensible not to. Your argument becomes absurd. | 0:30:52 | 0:30:55 | |
-All right. Well, what if we torture him, he doesn't give us the information, but... -But? | 0:30:55 | 0:30:59 | |
There's one way to get him to talk. | 0:30:59 | 0:31:01 | |
If we torture his 5-year-old daughter, he'll cough. | 0:31:01 | 0:31:04 | |
See? You're happy when the person we're torturing has guilt attached, | 0:31:04 | 0:31:08 | |
like, maybe he deserves it anyway, | 0:31:08 | 0:31:10 | |
but put someone innocent in his place... Look what happens. | 0:31:10 | 0:31:13 | |
I'm glad you stuck to your guns on this. | 0:31:13 | 0:31:15 | |
-Really? Why? -Well, I guess I didn't believe you 20 years ago. I thought you were posturing. | 0:31:15 | 0:31:20 | |
-Why would I have done that? -Because you were angry. | 0:31:20 | 0:31:23 | |
And you felt uneasy about all this privilege, so you took up contrary positions. | 0:31:23 | 0:31:27 | |
-Maybe that's why you went to the Bar. -What's that got to do with it? | 0:31:27 | 0:31:31 | |
To defend the indefensible, to keep being angry. | 0:31:31 | 0:31:33 | |
-I'm prosecuting now. -Yeah, I heard. | 0:31:35 | 0:31:39 | |
And I heard who you're prosecuting, | 0:31:39 | 0:31:41 | |
which leaves the posture question kind of hanging. | 0:31:41 | 0:31:45 | |
Get me George Duggan. Bethany, bucket of chicken. Go. | 0:31:49 | 0:31:52 | |
Come on, Jake. Jake? | 0:31:53 | 0:31:56 | |
-Jake? -Er, she's not answering. -Well, where the hell is she? | 0:31:56 | 0:32:00 | |
Well, she's probably with Mr... | 0:32:00 | 0:32:02 | |
What's the matter, Jake? | 0:32:03 | 0:32:05 | |
Cat got your tongue? | 0:32:05 | 0:32:07 | |
CHORAL SINGING | 0:32:12 | 0:32:13 | |
PHONE RINGS | 0:32:34 | 0:32:37 | |
George, hang on. | 0:32:37 | 0:32:39 | |
You're where? | 0:32:39 | 0:32:41 | |
-So, are you pleased to see me? -Yes. | 0:32:49 | 0:32:51 | |
No, it was just you ringing in the middle of evensong. | 0:32:51 | 0:32:54 | |
Is there a greater sin? | 0:32:54 | 0:32:56 | |
No, I was just a bit thrown cos one of the defendants was singing. | 0:32:56 | 0:32:59 | |
-Your client? -No, no. Not mine. | 0:32:59 | 0:33:01 | |
Are they all at this college? | 0:33:01 | 0:33:03 | |
Erm, no, none of them. | 0:33:03 | 0:33:05 | |
Brasenose doesn't have any badly behaved men. | 0:33:05 | 0:33:09 | |
-Are women allowed in here? -No. | 0:33:09 | 0:33:11 | |
-SHE GASPS -How incredibly exciting. | 0:33:11 | 0:33:13 | |
What if we get... what if we get caught? | 0:33:18 | 0:33:22 | |
-Clive? -Yeah? -How old are you? | 0:33:22 | 0:33:24 | |
-About 19. -That's what I thought. | 0:33:24 | 0:33:26 | |
It'll squeak. | 0:33:29 | 0:33:31 | |
What? | 0:33:31 | 0:33:33 | |
Single beds always do. | 0:33:33 | 0:33:34 | |
You must have had your fair share of single beds. | 0:33:41 | 0:33:44 | |
My place of safety. | 0:33:45 | 0:33:48 | |
On my first night at boarding school, | 0:33:51 | 0:33:53 | |
I must have cried for about four hours, | 0:33:53 | 0:33:56 | |
trying to keep it quiet, obviously. | 0:33:58 | 0:34:00 | |
When I went to sleep, I dreamt I was at home. I was looking for my mum. | 0:34:02 | 0:34:05 | |
I woke up. | 0:34:07 | 0:34:09 | |
I woke myself up. I was calling out for my mum. | 0:34:09 | 0:34:12 | |
And the boy in the bed next to me was awake. | 0:34:14 | 0:34:18 | |
And he said, "It's Lloyd. Sorry." | 0:34:18 | 0:34:21 | |
-He used his own surname? -Yeah. | 0:34:23 | 0:34:26 | |
12 hours in and none of us had Christian names anymore. | 0:34:26 | 0:34:30 | |
To his credit, he didn't tell anyone in the morning, you know, | 0:34:33 | 0:34:36 | |
about me crying out for my mum in the night. | 0:34:36 | 0:34:39 | |
And what became of Lloyd? | 0:34:40 | 0:34:42 | |
He went on to be quite badly bullied by me. | 0:34:44 | 0:34:47 | |
SHE LAUGHS | 0:34:47 | 0:34:49 | |
I'm not interested in mothering you. | 0:34:49 | 0:34:51 | |
-No? -No. | 0:34:51 | 0:34:53 | |
Oh, well. | 0:34:53 | 0:34:54 | |
Worth a shot. | 0:34:54 | 0:34:56 | |
More squeaky sex? | 0:34:56 | 0:34:59 | |
Oh, Lloyd! | 0:35:11 | 0:35:13 | |
SHE LAUGHS | 0:35:13 | 0:35:15 | |
Lloyd! Shush! | 0:35:15 | 0:35:17 | |
She's 10 years old. | 0:35:48 | 0:35:50 | |
-Who? -Ella, the daughter. | 0:35:50 | 0:35:52 | |
Alexa was 15 when she was born. Ricky was 16. | 0:35:52 | 0:35:55 | |
-I spoke with the barrister that's representing Ricky in the care proceedings. -And? | 0:35:55 | 0:35:58 | |
The final hearing's listed the week after Ricky's criminal case. | 0:35:58 | 0:36:01 | |
She says they're waiting to see what he gets before they decide. | 0:36:01 | 0:36:05 | |
Whether to take her into care. | 0:36:05 | 0:36:07 | |
Or not. | 0:36:07 | 0:36:08 | |
Why did you stop? | 0:36:25 | 0:36:26 | |
I didn't know she was there. | 0:36:28 | 0:36:30 | |
And when I did, the way she looked at me, like... | 0:36:30 | 0:36:32 | |
-Like? -Ella. | 0:36:35 | 0:36:37 | |
Your daughter. | 0:36:39 | 0:36:40 | |
Jamie Slotover. | 0:36:58 | 0:37:00 | |
-Oh, I can't talk to you. -I know. | 0:37:01 | 0:37:03 | |
It's for when this is over and we can talk. | 0:37:03 | 0:37:05 | |
McFarland Senior is the story. | 0:37:05 | 0:37:08 | |
Famous daddy puts it on the front page, if the boys are convicted, of course. | 0:37:08 | 0:37:12 | |
A big inside story on the lawyers. | 0:37:12 | 0:37:15 | |
Four million readers. | 0:37:15 | 0:37:17 | |
Don't talk to her. Press scum. | 0:37:20 | 0:37:23 | |
Izzy Calvin is going to give her evidence but I want to call her last, | 0:37:27 | 0:37:30 | |
so she has time to settle down and feel less intimidated. | 0:37:30 | 0:37:34 | |
£30,000 a day this court costs the taxpayer. | 0:37:34 | 0:37:37 | |
I'm not sitting through three quarters of the prosecution case, | 0:37:37 | 0:37:40 | |
only for you to pull the plug. | 0:37:40 | 0:37:42 | |
Won't happen. She'll be fine. | 0:37:42 | 0:37:45 | |
PHONE BEEPS | 0:37:45 | 0:37:47 | |
I was in the cell across from them in the police station. I could hear everything they said. | 0:37:58 | 0:38:02 | |
Posh people always talk loudly, don't they? | 0:38:02 | 0:38:06 | |
What were they talking about? | 0:38:06 | 0:38:08 | |
Knickers. | 0:38:08 | 0:38:09 | |
Or rather, one pair of knickers. | 0:38:09 | 0:38:11 | |
-Saying what? -Laughing about how they were skimpy but also frilly. | 0:38:11 | 0:38:15 | |
And the next afternoon were you released from the police station? | 0:38:17 | 0:38:21 | |
Yeah. And as I was being processed she came in. | 0:38:21 | 0:38:24 | |
Who? | 0:38:24 | 0:38:25 | |
The girl, Izzy. | 0:38:25 | 0:38:26 | |
-Did you hear what she said? -She said she'd been sexually assaulted. | 0:38:26 | 0:38:30 | |
-And this was AFTER you'd heard the three defendants talk about the knickers? -Hours later. | 0:38:30 | 0:38:35 | |
You're a liar, Paddy Caffrey. | 0:38:42 | 0:38:44 | |
-Is that a question? -You're a liar with a chip. | 0:38:46 | 0:38:48 | |
You've lost me there. | 0:38:50 | 0:38:51 | |
Is it right that on the 9th of December 2009, at this court, | 0:38:51 | 0:38:56 | |
you were convicted of handling stolen goods? | 0:38:56 | 0:38:58 | |
Yes. | 0:38:59 | 0:39:00 | |
-An offence of dishonesty. -You're the lawyer. | 0:39:00 | 0:39:03 | |
-Are you trying to be funny? -Are you trying to be a pompous git? | 0:39:05 | 0:39:09 | |
Look - there's the chip, | 0:39:11 | 0:39:13 | |
right there on your shoulder. | 0:39:13 | 0:39:14 | |
That's not a question. That is a gratuitous insult. | 0:39:14 | 0:39:17 | |
Mr Caffrey! | 0:39:17 | 0:39:18 | |
Mr Judge? | 0:39:18 | 0:39:20 | |
Is it right that you were convicted following a trial? | 0:39:20 | 0:39:23 | |
During which you gave evidence. | 0:39:24 | 0:39:26 | |
Oh, look. There's long wind coming right out of your arse. | 0:39:26 | 0:39:29 | |
Mr Caffrey! Final warning. | 0:39:29 | 0:39:32 | |
Evidence which the jury decided, | 0:39:32 | 0:39:35 | |
by finding you guilty, was a pack of lies. | 0:39:35 | 0:39:38 | |
You're a proven liar. | 0:39:38 | 0:39:39 | |
The jury can make their mind up about trusting you this time round. | 0:39:42 | 0:39:46 | |
I've heard about the police being not very sympathetic | 0:39:54 | 0:39:57 | |
with victims of sexual assaults. | 0:39:57 | 0:39:59 | |
So you were worried about how they'd treat you? | 0:39:59 | 0:40:01 | |
Yes. | 0:40:01 | 0:40:03 | |
Did you tell your boyfriend when you got home that night? | 0:40:03 | 0:40:07 | |
No. | 0:40:07 | 0:40:08 | |
No? | 0:40:08 | 0:40:10 | |
What were you frightened of? | 0:40:11 | 0:40:13 | |
That...he wouldn't understand. | 0:40:14 | 0:40:16 | |
Not understand what? | 0:40:16 | 0:40:18 | |
He might think that I'd somehow led them on. | 0:40:18 | 0:40:21 | |
Why would he think that? | 0:40:21 | 0:40:23 | |
I don't know. | 0:40:25 | 0:40:26 | |
Is he the jealous type? | 0:40:27 | 0:40:29 | |
Yes. | 0:40:29 | 0:40:31 | |
Is he the type who suggests you do lead people on? | 0:40:31 | 0:40:34 | |
How did you meet? | 0:40:40 | 0:40:42 | |
-At the restaurant. -Did he work there? | 0:40:43 | 0:40:46 | |
No. | 0:40:46 | 0:40:47 | |
So how did you meet him? | 0:40:47 | 0:40:49 | |
He was a customer. | 0:40:49 | 0:40:51 | |
What, a regular customer? | 0:40:51 | 0:40:53 | |
No. He just... | 0:40:53 | 0:40:55 | |
-One night... -You were his waitress. | 0:40:55 | 0:40:58 | |
Yes. | 0:41:01 | 0:41:02 | |
Did one thing lead to another? | 0:41:02 | 0:41:04 | |
Yes. | 0:41:05 | 0:41:06 | |
Did you have sex the same night you met? | 0:41:08 | 0:41:11 | |
Did he leave a tip? | 0:41:13 | 0:41:15 | |
Your Honour! | 0:41:15 | 0:41:17 | |
Mr Milson's finished, I think. | 0:41:17 | 0:41:19 | |
No further questions. | 0:41:19 | 0:41:20 | |
How many buttons on your shirt were undone? | 0:41:28 | 0:41:30 | |
-The first three. -Is the purpose of that to show a bit of cleavage? | 0:41:30 | 0:41:34 | |
-No. -Well, why not two buttons? | 0:41:34 | 0:41:36 | |
How about your skirt - above the knee? | 0:41:36 | 0:41:39 | |
-Yes. -How far above the knee? | 0:41:39 | 0:41:42 | |
-A few inches. -How many inches? | 0:41:42 | 0:41:45 | |
-Six. -Your Honour! Please. | 0:41:45 | 0:41:47 | |
The line of cross-examination is directly relevant to the defence case. | 0:41:47 | 0:41:51 | |
I'm happy for the jury to hear this, Mr Reader. | 0:41:51 | 0:41:55 | |
When you're waitressing, | 0:41:57 | 0:41:58 | |
is it right that you have to lean across tables to serve customers? | 0:41:58 | 0:42:03 | |
Yes. | 0:42:03 | 0:42:04 | |
With a skirt that short, it's highly likely that your knickers are going to be visible, isn't it? | 0:42:04 | 0:42:08 | |
Which means these defendants would have known that they were skimpy and frilly, wouldn't they? | 0:42:08 | 0:42:13 | |
-Possibly, but... -Were you flirting with them? | 0:42:13 | 0:42:16 | |
The thing about being a waitress is that's sort of part of the job. | 0:42:16 | 0:42:21 | |
-So the answer is yes. -A bit. | 0:42:21 | 0:42:23 | |
But when they got drunk and started smashing the glasses | 0:42:23 | 0:42:27 | |
I went into the pub bit, out of the way. | 0:42:27 | 0:42:31 | |
And then you went back. | 0:42:31 | 0:42:33 | |
They pushed me down on the table and ripped my pants off me. | 0:42:33 | 0:42:36 | |
Why don't you ask me questions about that? | 0:42:36 | 0:42:39 | |
Why go back in, if they'd been behaving as they had? | 0:42:39 | 0:42:42 | |
On your own, in your skirt, six inches above the knee, | 0:42:42 | 0:42:47 | |
and your shirt, with all those buttons undone, | 0:42:47 | 0:42:49 | |
in the dark. | 0:42:49 | 0:42:51 | |
It was dark and I was frightened and it was very confusing. | 0:42:55 | 0:43:00 | |
So dark that you couldn't see which of the three had hold of you? | 0:43:00 | 0:43:03 | |
-Really? -Yes. -And you had no idea who was taunting you, | 0:43:03 | 0:43:07 | |
who was doing the so-called egging on? | 0:43:07 | 0:43:09 | |
-Really? -I've told you I don't know which of them was doing what. | 0:43:09 | 0:43:14 | |
You were speaking to them all night, taking orders, joking, flirting. | 0:43:14 | 0:43:18 | |
Are you asking this jury to believe you couldn't tell their voices apart? | 0:43:18 | 0:43:22 | |
-What are you saying? -I'm saying your evidence is a pack of lies. | 0:43:22 | 0:43:25 | |
The truth is you were making it very clear to them | 0:43:25 | 0:43:28 | |
that you were more than just their waitress, weren't you? | 0:43:28 | 0:43:31 | |
Why...why have you sat down? | 0:43:37 | 0:43:39 | |
-JUDGE: -Miss Calvin. | 0:43:39 | 0:43:41 | |
Are you afraid to say it? | 0:43:45 | 0:43:47 | |
Are you calling me a whore? | 0:43:51 | 0:43:53 | |
Are you? | 0:43:55 | 0:43:56 | |
Are you? | 0:43:58 | 0:43:59 | |
They're going to get off. I can't stand it. | 0:44:01 | 0:44:04 | |
I thought you might need a bit of help. | 0:44:10 | 0:44:13 | |
What is this? | 0:44:13 | 0:44:14 | |
We're both interested in seeing these boys go down. | 0:44:14 | 0:44:17 | |
Bloody hell. | 0:44:29 | 0:44:31 | |
The first defendant's father, McFarland Senior, | 0:44:33 | 0:44:36 | |
and the victim, Izzy Calvin. | 0:44:36 | 0:44:38 | |
-Crikey. -Well, it could be her asking for money, | 0:44:38 | 0:44:40 | |
or it's him trying to pay her off, which is what the journalist thinks. | 0:44:40 | 0:44:44 | |
Has to be the first. | 0:44:44 | 0:44:45 | |
She must have gone to him or she would have told you, wouldn't she? | 0:44:45 | 0:44:48 | |
-It doesn't mean she wasn't assaulted. -Clive! | 0:44:48 | 0:44:51 | |
-It doesn't mean she wasn't assaulted. -No. And I didn't say that. | 0:44:51 | 0:44:55 | |
What are the defence saying? | 0:44:55 | 0:44:57 | |
You haven't told them. | 0:45:00 | 0:45:01 | |
If you're right and Izzy is complicit, you know what will happen. | 0:45:01 | 0:45:04 | |
The whole case collapses. At best, there'll be a new trial. And she can't go through it all again. | 0:45:04 | 0:45:09 | |
-Clive! -If I disclose these to the defence all three of them will walk. They'll get away with it. | 0:45:09 | 0:45:13 | |
Non-disclosure of evidence is as serious as it gets. | 0:45:13 | 0:45:16 | |
I know. I know, I know. | 0:45:16 | 0:45:17 | |
Is this about Izzy, or is this about you? | 0:45:19 | 0:45:23 | |
What colour are your socks? | 0:45:55 | 0:45:56 | |
What? | 0:45:56 | 0:45:58 | |
Your socks - what colour are they? | 0:45:58 | 0:46:00 | |
Now? | 0:46:00 | 0:46:01 | |
Now. | 0:46:01 | 0:46:02 | |
Yellow. | 0:46:02 | 0:46:04 | |
And what colour are your co-defendants' socks? | 0:46:04 | 0:46:07 | |
How can he be expected to know? | 0:46:07 | 0:46:08 | |
Well, let's see if he does, shall we? | 0:46:08 | 0:46:10 | |
They're yellow. | 0:46:13 | 0:46:15 | |
How do you know? | 0:46:15 | 0:46:16 | |
I just know. | 0:46:16 | 0:46:18 | |
Is it coincidence that you're all wearing yellow socks? | 0:46:18 | 0:46:20 | |
-No. -Because you had an agreement to wear them, | 0:46:20 | 0:46:22 | |
a plan? | 0:46:22 | 0:46:24 | |
Yes. | 0:46:24 | 0:46:25 | |
-Made when? -Start of the trial. | 0:46:27 | 0:46:29 | |
Signifying what? | 0:46:29 | 0:46:31 | |
-Well, they're socks. -No, they're not. They're club socks, aren't they? | 0:46:31 | 0:46:35 | |
McFarland? | 0:46:37 | 0:46:39 | |
Yes. | 0:46:39 | 0:46:40 | |
Yes. | 0:46:40 | 0:46:42 | |
And wearing them now is a statement of solidarity. | 0:46:42 | 0:46:45 | |
-If you like. -If I like or yes? | 0:46:45 | 0:46:48 | |
-Yes. -And a clear indication that you all intend to remain in the club, | 0:46:50 | 0:46:53 | |
whatever happens here. | 0:46:53 | 0:46:54 | |
It's the three individuals on trial here, Mr Reader, | 0:46:54 | 0:46:57 | |
not the club and its codes of practice. | 0:46:57 | 0:47:00 | |
The purpose of the club is to conspire to commit crime. | 0:47:00 | 0:47:04 | |
My learned friend is getting a little overexcited. | 0:47:04 | 0:47:06 | |
Wild and unsustainable allegation. | 0:47:06 | 0:47:08 | |
What else do you do, apart from smash up restaurants? | 0:47:08 | 0:47:11 | |
It was set up as a cricket club. | 0:47:11 | 0:47:13 | |
When was the last cricket match involving the club? | 0:47:13 | 0:47:16 | |
No conferring. | 0:47:16 | 0:47:18 | |
The coronation. | 0:47:19 | 0:47:21 | |
I'm sorry? | 0:47:21 | 0:47:23 | |
1953. | 0:47:23 | 0:47:25 | |
So, 58 years of smashing up restaurants. (My God.) | 0:47:25 | 0:47:28 | |
If you like. | 0:47:28 | 0:47:29 | |
And after this trial, regardless of the outcome, | 0:47:31 | 0:47:33 | |
you hope to continue with your life of crime? | 0:47:33 | 0:47:38 | |
You know, some people, maybe even this jury, | 0:47:40 | 0:47:42 | |
might consider that to be an act of shocking arrogance. | 0:47:42 | 0:47:45 | |
Is it nature or nurture? | 0:47:47 | 0:47:49 | |
I...I don't understand the premise of the question. | 0:47:49 | 0:47:52 | |
Well, not everyone born into a fantastically privileged position | 0:47:52 | 0:47:56 | |
goes on to lead a life of crime. | 0:47:56 | 0:47:58 | |
Lots of very rich boys go on to live blameless, | 0:47:59 | 0:48:02 | |
even constructive existences, despite their backgrounds. | 0:48:02 | 0:48:07 | |
Ricky Armitage has had a hell of a life. | 0:48:11 | 0:48:15 | |
And he's made quite a few other lives hell. | 0:48:15 | 0:48:19 | |
I've heard that when you go to judge school | 0:48:19 | 0:48:22 | |
they tell you to ignore the fact that the defendant | 0:48:22 | 0:48:26 | |
has had a childhood filled with abuse, neglect and misery. | 0:48:26 | 0:48:31 | |
But I think that's wrong. | 0:48:31 | 0:48:34 | |
And I think there are judges with the independence of mind | 0:48:34 | 0:48:39 | |
to agree with me. | 0:48:39 | 0:48:41 | |
You see, aged four, Ricky Armitage had his uncle in bed with him | 0:48:41 | 0:48:47 | |
most nights for nine months. | 0:48:47 | 0:48:49 | |
Aged 10, his foster father tied a lit cigarette to his penis | 0:48:49 | 0:48:55 | |
with an elastic band and made him dance around the coffee table to Leo Sayer. | 0:48:55 | 0:48:59 | |
Am I wrong in thinking that these two events | 0:49:02 | 0:49:05 | |
have something to do with why Ricky is a violent man? | 0:49:05 | 0:49:09 | |
Ricky has two things in his life that he cares about. | 0:49:11 | 0:49:14 | |
His girlfriend and his daughter. | 0:49:14 | 0:49:17 | |
He loves them both. | 0:49:17 | 0:49:20 | |
This...this man, this violent, angry, damaged man, | 0:49:20 | 0:49:22 | |
who smacks a baseball bat down on another man's fingers, | 0:49:22 | 0:49:26 | |
has love in his heart for two human beings, | 0:49:26 | 0:49:28 | |
and, well, I think that's extraordinary. | 0:49:28 | 0:49:31 | |
I mean, how can a man with so much brutality in his life feel love? | 0:49:31 | 0:49:36 | |
Well, Ricky can. | 0:49:36 | 0:49:38 | |
And not only is that extraordinary, | 0:49:38 | 0:49:42 | |
it also means there's one thing inside him that any judge doing his job well has to recognise. | 0:49:42 | 0:49:50 | |
And that's hope. | 0:49:50 | 0:49:51 | |
Don't take that away. | 0:49:53 | 0:49:54 | |
Don't send him to prison for a length of time that will extinguish hope. | 0:49:54 | 0:49:59 | |
Because when you extinguish hope, | 0:49:59 | 0:50:02 | |
there's nothing. | 0:50:02 | 0:50:04 | |
And when there's nothing, | 0:50:04 | 0:50:05 | |
well, we'd better all watch out. | 0:50:07 | 0:50:08 | |
Am I allowed in here? | 0:50:24 | 0:50:26 | |
No. | 0:50:26 | 0:50:28 | |
What are you doing here? | 0:50:28 | 0:50:29 | |
All my exam certificates, all my tennis trophies and squash cups, | 0:50:29 | 0:50:33 | |
they're all in the big middle drawer of my father's old desk at home. | 0:50:33 | 0:50:37 | |
-Ed, enough schmaltz. -Schmaltz? | 0:50:37 | 0:50:39 | |
Sorry. | 0:50:40 | 0:50:42 | |
I'm trying not to lose a really big trial. | 0:50:42 | 0:50:45 | |
People keep things. | 0:50:46 | 0:50:48 | |
Clubs keep things. | 0:50:48 | 0:50:50 | |
Clubs have trophy cabinets. | 0:50:50 | 0:50:53 | |
Secret clubs have secret trophy cabinets. | 0:50:53 | 0:50:56 | |
Yes, they do. | 0:50:56 | 0:50:57 | |
-What, you...? -Shush. | 0:51:03 | 0:51:05 | |
I'm not even allowed in here, right? | 0:51:05 | 0:51:07 | |
Why didn't you leave with the other nine when they left? | 0:51:17 | 0:51:21 | |
We were enjoying ourselves. The waitress was flirting with us. | 0:51:21 | 0:51:25 | |
Did you talk about her in a sexual way? | 0:51:25 | 0:51:28 | |
Just, you know, normal remarks. | 0:51:28 | 0:51:31 | |
-Such as? -About her legs. | 0:51:31 | 0:51:33 | |
What about her legs? | 0:51:33 | 0:51:35 | |
That she had good legs for... | 0:51:36 | 0:51:38 | |
For? | 0:51:38 | 0:51:39 | |
For what, a girl? | 0:51:39 | 0:51:42 | |
For someone her age. | 0:51:42 | 0:51:43 | |
-How old are you? -19. | 0:51:43 | 0:51:46 | |
How old is she? | 0:51:46 | 0:51:47 | |
19. | 0:51:47 | 0:51:49 | |
You weren't going to say that, were you, about her age? | 0:51:49 | 0:51:52 | |
-Say what? -Well, just now, | 0:51:52 | 0:51:55 | |
right then, | 0:51:55 | 0:51:57 | |
you lied to me. | 0:51:57 | 0:51:59 | |
Good legs for someone her age?! | 0:51:59 | 0:52:02 | |
Why don't you finish the sentence the way that it came out that night? | 0:52:02 | 0:52:06 | |
-Good legs for...? -A slag. | 0:52:06 | 0:52:08 | |
MURMURS FROM GALLERY | 0:52:08 | 0:52:10 | |
It's a long way from evensong, isn't it, | 0:52:13 | 0:52:16 | |
a word that ugly? | 0:52:16 | 0:52:17 | |
We're none of us just one thing, are we? | 0:52:19 | 0:52:22 | |
Define slag. | 0:52:27 | 0:52:30 | |
A girl who sleeps around. | 0:52:30 | 0:52:32 | |
Does Izzy Calvin sleep around? | 0:52:32 | 0:52:33 | |
-I don't know. -You don't know? So why did you call her that? | 0:52:33 | 0:52:37 | |
OK. One more time. | 0:52:37 | 0:52:39 | |
Why did three of you stay behind? | 0:52:39 | 0:52:43 | |
I'll make it easier. | 0:52:45 | 0:52:46 | |
Why was it the three new members of the club who stayed behind? | 0:52:46 | 0:52:50 | |
It was your induction, wasn't it? | 0:52:53 | 0:52:54 | |
Get the knickers, join the club. | 0:52:54 | 0:52:57 | |
-No. -Something you felt you could do because of your own innate sense of entitlement. -No! | 0:52:57 | 0:53:01 | |
Without regard for your victim. Cold, brutal, unfeeling. | 0:53:01 | 0:53:05 | |
Well, where are they, then, if we took them off her? | 0:53:05 | 0:53:08 | |
I bet they're in her drawer in her bedroom at home. | 0:53:08 | 0:53:10 | |
How much would you like to bet? | 0:53:10 | 0:53:12 | |
Sorry? | 0:53:13 | 0:53:15 | |
Your scholarship? | 0:53:15 | 0:53:17 | |
Your inheritance? | 0:53:18 | 0:53:20 | |
What are you saying? | 0:53:22 | 0:53:24 | |
Shall we share the information on that piece of paper with the police? | 0:53:36 | 0:53:40 | |
Shall we tell them where your club hides its trophies? | 0:53:46 | 0:53:50 | |
What do we think? | 0:53:50 | 0:53:52 | |
Do we want the unedifying spectacle of waving a pair of pants around in court? | 0:53:52 | 0:53:56 | |
Do you want Izzy Calvin to suffer the humiliation of having | 0:53:56 | 0:53:59 | |
her pants in an exhibits bag being examined by the jury? | 0:53:59 | 0:54:02 | |
Or shall we get it over with now, | 0:54:02 | 0:54:05 | |
the honourable way? | 0:54:05 | 0:54:07 | |
Telford? | 0:54:15 | 0:54:16 | |
Sorry. | 0:54:22 | 0:54:24 | |
Don't say it to me. | 0:54:24 | 0:54:26 | |
I'm sorry. | 0:54:31 | 0:54:32 | |
I take into account your early pleas of guilty, | 0:54:39 | 0:54:43 | |
your good character, | 0:54:43 | 0:54:44 | |
the fact that each of you have written to the owner of the restaurant to apologise, | 0:54:44 | 0:54:49 | |
that you have paid for the damage you caused, | 0:54:49 | 0:54:52 | |
and that you have very promising futures in front of you all. | 0:54:52 | 0:54:56 | |
This was mindless violence | 0:54:57 | 0:55:00 | |
and it's disgraceful behaviour from young men who should know better. | 0:55:00 | 0:55:05 | |
It is an attack on the community, | 0:55:05 | 0:55:07 | |
and it came about because you thought you were above the community, | 0:55:07 | 0:55:12 | |
not part of it, better than it. | 0:55:12 | 0:55:14 | |
Well, you're not. | 0:55:14 | 0:55:17 | |
And I want you to understand that, | 0:55:17 | 0:55:19 | |
which is why I'm sentencing you each to 120 hours of community service. | 0:55:19 | 0:55:24 | |
GASPS FROM THE GALLERY | 0:55:24 | 0:55:25 | |
Clear the dock. | 0:55:25 | 0:55:27 | |
I want to deal with the three defendants in the trial separately. | 0:55:27 | 0:55:30 | |
This was an act of mindless violence. | 0:55:35 | 0:55:38 | |
It had a trigger but that excuses nothing. | 0:55:38 | 0:55:42 | |
It has two victims - a father and a daughter who, | 0:55:43 | 0:55:48 | |
I have seen for myself, | 0:55:48 | 0:55:51 | |
have suffered and will suffer terribly. | 0:55:51 | 0:55:56 | |
You could be proposed for membership, be rejected | 0:56:02 | 0:56:05 | |
and never even know that you were proposed in the first place. | 0:56:05 | 0:56:08 | |
It's all very secretive. | 0:56:08 | 0:56:10 | |
Not much natural justice. | 0:56:10 | 0:56:12 | |
Judicially reviewable, probably. | 0:56:12 | 0:56:15 | |
-What sort of thing would you be rejected for? -I don't know. If you went to Harrow and not Eton? | 0:56:15 | 0:56:19 | |
If how angry you were somehow interfered with good manners, you know, that kind of thing. | 0:56:19 | 0:56:23 | |
Reader! | 0:56:23 | 0:56:25 | |
What do you want, Milson? | 0:56:25 | 0:56:27 | |
Do people like you eat humble pie? | 0:56:27 | 0:56:29 | |
Journalist named Slotover. | 0:56:31 | 0:56:33 | |
Would I care to comment? | 0:56:33 | 0:56:35 | |
I'll see you in the Court of Appeal | 0:56:36 | 0:56:39 | |
and I'll see you in front of the Bar Standards Board. | 0:56:39 | 0:56:41 | |
This is the end of your career, Reader. | 0:56:41 | 0:56:43 | |
The real world, huh? | 0:56:45 | 0:56:47 | |
I didn't disclose them. | 0:56:56 | 0:56:58 | |
Well, say something. | 0:57:06 | 0:57:08 | |
Eight years. | 0:57:08 | 0:57:09 | |
-My God, Marth, that's... -Right at the top end, but completely unappealable. | 0:57:11 | 0:57:16 | |
And, coming from our Head of Chambers? | 0:57:16 | 0:57:18 | |
Unbearable. | 0:57:18 | 0:57:20 | |
What about you? | 0:57:22 | 0:57:23 | |
Eight months. | 0:57:23 | 0:57:24 | |
And how do you feel about that? | 0:57:27 | 0:57:29 | |
I haven't stopped being angry since it happened. | 0:57:29 | 0:57:32 | |
-Then, you're a prosecutor. -It feels like it fits, Marth. | 0:57:34 | 0:57:37 | |
Like I fit with it. | 0:57:39 | 0:57:40 | |
Mr Reader, sir. | 0:57:43 | 0:57:44 | |
You survived. | 0:57:44 | 0:57:46 | |
The new Mrs Reader's none the wiser | 0:57:46 | 0:57:49 | |
and you're back on the pink ribbons. | 0:57:49 | 0:57:51 | |
Night. | 0:57:54 | 0:57:56 | |
When you're dealing with an escape situation, you keep the van locked. | 0:58:12 | 0:58:15 | |
That wasn't fighting your own corner. It was cutting his throat. | 0:58:15 | 0:58:19 | |
-He's dead because of me. -But that doesn't make you guilty of murder. | 0:58:19 | 0:58:22 | |
I'm really counting on you here. | 0:58:22 | 0:58:24 | |
I'd need to be sure of feeling the love in the clerks' room. | 0:58:24 | 0:58:26 | |
But, if we were looking for prosecutors, Caroline Warwick may not be the way to go. | 0:58:26 | 0:58:30 | |
You know what, Billy? To be honest, I expected better. | 0:58:30 | 0:58:33 | |
-I've had a letter from the Bar Standards Board. I really need your help. -Jesus, Clive. | 0:58:33 | 0:58:38 | |
Subtitles by Red Bee Media Ltd | 0:58:58 | 0:59:02 |