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USHER: All rise. | 0:00:36 | 0:00:39 | |
We're sorry to sit late, | 0:00:48 | 0:00:51 | |
but we are conscious of just how much this appeal means to all of you | 0:00:51 | 0:00:55 | |
and we don't want to keep you waiting any longer. | 0:00:55 | 0:00:58 | |
Having listened with great care | 0:00:59 | 0:01:01 | |
to the arguments over the past three days, | 0:01:01 | 0:01:04 | |
it is our unanimous decision that this appeal | 0:01:04 | 0:01:07 | |
be refused. | 0:01:07 | 0:01:09 | |
We'll be giving our reasons in our judgment next week. | 0:01:09 | 0:01:13 | |
-Take him down. -Oh, God. That's wrong! | 0:01:13 | 0:01:17 | |
No! | 0:01:17 | 0:01:19 | |
Please! | 0:01:19 | 0:01:21 | |
No! | 0:01:29 | 0:01:31 | |
TEXT ALERT | 0:01:38 | 0:01:39 | |
She's finished. | 0:01:39 | 0:01:41 | |
-Ready, sir? -You go on. | 0:01:42 | 0:01:45 | |
I'll see you over there. | 0:01:45 | 0:01:47 | |
Miss? | 0:02:00 | 0:02:01 | |
They fitted him up. | 0:02:01 | 0:02:04 | |
And three years later, they're still fitting him up. | 0:02:04 | 0:02:08 | |
Not this one. | 0:02:37 | 0:02:39 | |
That's not what I'm saying about Clive Reader. | 0:02:39 | 0:02:42 | |
Aargh! | 0:02:51 | 0:02:53 | |
'So, now I'm gonna sing Police On My Back!' | 0:02:53 | 0:02:58 | |
ROCK MUSIC STARTS | 0:02:58 | 0:02:59 | |
Thank you. | 0:03:05 | 0:03:07 | |
Keep an eye. | 0:03:09 | 0:03:11 | |
# ..I've been hiding Police on my back... # | 0:03:13 | 0:03:16 | |
LAUGHTER | 0:03:16 | 0:03:18 | |
Welcome to your party. My God. | 0:03:18 | 0:03:20 | |
# ..Well, he won't come back I've been running Monday... # | 0:03:20 | 0:03:24 | |
It's a very late return and it's big, | 0:03:24 | 0:03:26 | |
so it's going to take someone with guts and balls. | 0:03:26 | 0:03:29 | |
Four months in Manchester, | 0:03:29 | 0:03:30 | |
-prosecuting all the men who make horse-racing corrupt. -Great. | 0:03:30 | 0:03:34 | |
Pre-trial hearing on Tuesday. | 0:03:34 | 0:03:36 | |
Great. | 0:03:36 | 0:03:38 | |
# What have I done? | 0:03:40 | 0:03:42 | |
# What have I done? | 0:03:43 | 0:03:45 | |
# What have I done? | 0:03:47 | 0:03:49 | |
# I've been running down the railway track | 0:03:49 | 0:03:52 | |
# Could you help me? Police on my back | 0:03:52 | 0:03:55 | |
# They will catch me if I dare drop back... # | 0:03:55 | 0:03:58 | |
They lied, the police. They lied and lied and lied. | 0:03:58 | 0:04:01 | |
Now, look. Forget the law, forget evidence. Sometimes you just know. | 0:04:01 | 0:04:05 | |
Johnny Foster is innocent. | 0:04:05 | 0:04:07 | |
-I think you're a bit... -What? What? -Emotional? | 0:04:07 | 0:04:10 | |
You're right, I am emotional. | 0:04:12 | 0:04:14 | |
And...and why is that? Because I'm a woman, do you think? | 0:04:14 | 0:04:16 | |
No, I didn't say that. | 0:04:16 | 0:04:18 | |
An innocent man is serving a life sentence for something he didn't do! | 0:04:18 | 0:04:22 | |
You know, standing up and bowing matters when we leave court, | 0:04:22 | 0:04:25 | |
not because of the tradition or anyone's status, | 0:04:25 | 0:04:27 | |
but because it shows that we all move on. | 0:04:27 | 0:04:29 | |
Move on? There's just been a miscarriage of justice. Move on? | 0:04:29 | 0:04:33 | |
I think you're a fearless advocate, and fearlessness goes a long way, | 0:04:33 | 0:04:37 | |
but it's not the whole story. | 0:04:37 | 0:04:39 | |
Good night, Miss Costello. | 0:04:39 | 0:04:41 | |
Mr Reader. | 0:04:41 | 0:04:43 | |
What the hell did that mean? | 0:04:50 | 0:04:52 | |
Oh, forget about it. It's a party. | 0:04:52 | 0:04:54 | |
Well, I want dancing. | 0:04:54 | 0:04:56 | |
Where's the dancing? | 0:04:56 | 0:04:58 | |
MUSIC: "Love Will Tear Us Apart" by Joy Division | 0:05:00 | 0:05:04 | |
LOUD MUSIC PLAYS | 0:05:12 | 0:05:14 | |
I love her when she loses. | 0:05:24 | 0:05:26 | |
I love her when she dances. | 0:05:27 | 0:05:29 | |
She's so very, very bad at both. | 0:05:29 | 0:05:32 | |
You should just tell her, sir. | 0:05:33 | 0:05:35 | |
# ..But emotions won't grow | 0:05:36 | 0:05:40 | |
# And we're changing our ways... # | 0:05:40 | 0:05:42 | |
I love you. | 0:05:42 | 0:05:43 | |
# ..Taking different roads... # | 0:05:43 | 0:05:47 | |
Say it again. | 0:05:47 | 0:05:48 | |
I love you, Martha Costello. | 0:05:49 | 0:05:52 | |
# ..Love Love will tear us apart... # | 0:05:53 | 0:05:57 | |
DISTANT SIREN WAILS | 0:06:10 | 0:06:12 | |
I love Joy Division. | 0:06:21 | 0:06:23 | |
I mean, with all my heart, love them. | 0:06:25 | 0:06:28 | |
Me too. | 0:06:28 | 0:06:30 | |
Yeah, right. What? Genesis, Kylie, Ian Curtis? | 0:06:30 | 0:06:34 | |
SHE LAUGHS | 0:06:34 | 0:06:37 | |
I meant what I said. | 0:06:44 | 0:06:46 | |
Did you? | 0:06:48 | 0:06:49 | |
More than The Clash? | 0:06:53 | 0:06:54 | |
THEY BOTH LAUGH | 0:06:54 | 0:06:57 | |
Mm. | 0:07:03 | 0:07:05 | |
Mm. | 0:07:08 | 0:07:10 | |
Oh, Martha! Whoa, whoa! | 0:07:20 | 0:07:23 | |
Martha? | 0:07:23 | 0:07:24 | |
Martha? | 0:07:24 | 0:07:26 | |
Martha? | 0:07:26 | 0:07:27 | |
Billy? | 0:07:30 | 0:07:32 | |
How long? | 0:07:41 | 0:07:43 | |
Your testosterone levels will come down very quickly. | 0:07:45 | 0:07:48 | |
I meant... | 0:07:48 | 0:07:51 | |
well... | 0:07:51 | 0:07:52 | |
Hm. It works, | 0:07:53 | 0:07:56 | |
the cancer stops spreading, | 0:07:56 | 0:07:58 | |
and then it doesn't work. | 0:07:58 | 0:08:00 | |
Six months, three years... every case is different. | 0:08:02 | 0:08:06 | |
How much less of a man will I be? | 0:08:11 | 0:08:13 | |
Up a couple of bra sizes. | 0:08:14 | 0:08:17 | |
Throw away the electric razor. | 0:08:17 | 0:08:20 | |
No more Mr Big Boy in the morning. | 0:08:20 | 0:08:23 | |
Do you cry easily? | 0:08:24 | 0:08:25 | |
-No. -You do now. | 0:08:26 | 0:08:29 | |
Small scratch. | 0:08:30 | 0:08:32 | |
TEXT ALERT | 0:08:37 | 0:08:38 | |
TEXT ALERT | 0:08:39 | 0:08:41 | |
HE SIGHS AND SNIFFS | 0:08:43 | 0:08:45 | |
'I knew that, er... Clive Reader was exceptional | 0:08:52 | 0:08:56 | |
'when I...I saw him cross-examine a very senior police officer...' | 0:08:56 | 0:09:00 | |
-You OK? -You go. Your moment. | 0:09:00 | 0:09:04 | |
'...courtroom door, completely unaware, | 0:09:04 | 0:09:07 | |
'with his trousers around his ankles, | 0:09:07 | 0:09:10 | |
'who was being exposed as a liar and a fraud.' | 0:09:10 | 0:09:13 | |
Ladies and gentlemen, | 0:09:13 | 0:09:15 | |
Mr Clive "hold on to your trousers" Reader QC. | 0:09:15 | 0:09:18 | |
APPLAUSE | 0:09:18 | 0:09:20 | |
-Billy? -It's your son, sir. David. He's been arrested. | 0:09:33 | 0:09:36 | |
-What? For what? -Killing a police officer. | 0:09:36 | 0:09:40 | |
What? | 0:09:40 | 0:09:41 | |
How much do we know? | 0:09:43 | 0:09:44 | |
Er...800 demonstrators kettled into a narrow street, | 0:09:44 | 0:09:47 | |
way too small for that kind of number. People want out. | 0:09:47 | 0:09:50 | |
The police squeeze them tighter. | 0:09:50 | 0:09:51 | |
-Go on. -A team of six coppers go in. | 0:09:51 | 0:09:53 | |
-Why? -Don't know. -And then? | 0:09:53 | 0:09:55 | |
They're saying that one demonstra... They're saying he goes berserk, sir. | 0:09:55 | 0:10:00 | |
Pushes one of the coppers, two hands, hard, in the chest. | 0:10:00 | 0:10:04 | |
-But David wouldn't... -That's what they're saying. | 0:10:04 | 0:10:06 | |
PC Webster cracked his head on the bottom of a lamp post. | 0:10:06 | 0:10:09 | |
Bleed inside the skull, pressure on the brain, dies two hours later. | 0:10:09 | 0:10:13 | |
Clive, I'm...I'm sorry about all this, at your silk party. | 0:10:14 | 0:10:17 | |
Come on. | 0:10:17 | 0:10:18 | |
-Get them there as quick as you can. -Who do you want, sir? | 0:10:21 | 0:10:24 | |
Stand up, please. | 0:10:32 | 0:10:34 | |
OFFICER MUTTERS | 0:10:44 | 0:10:46 | |
This is personal, isn't it? | 0:10:54 | 0:10:56 | |
One of ours. One of yours. | 0:10:56 | 0:10:59 | |
Which makes it so important | 0:10:59 | 0:11:01 | |
that we all remain completely professional. | 0:11:01 | 0:11:04 | |
You the mum? | 0:11:05 | 0:11:06 | |
CELL DOOR OPENS | 0:11:15 | 0:11:16 | |
A barrister in a police station. | 0:11:32 | 0:11:35 | |
Isn't that against your rules? | 0:11:36 | 0:11:40 | |
A teenage boy in a cell for the first time in his life. | 0:11:40 | 0:11:43 | |
I mean, does he need me? Or does he need a lawyer at all? | 0:11:43 | 0:11:47 | |
Because, I mean, you'll look after him, won't you? | 0:11:47 | 0:11:50 | |
And then it won't cost anything. | 0:11:50 | 0:11:52 | |
Anyway, who cares about barristers and criminals? | 0:11:52 | 0:11:55 | |
Unless of course it's you or your son. | 0:11:55 | 0:11:58 | |
But then it never is, is it? | 0:11:59 | 0:12:01 | |
His mum's dead, by the way. | 0:12:01 | 0:12:04 | |
David, just tell me. | 0:12:12 | 0:12:15 | |
Because... | 0:12:16 | 0:12:17 | |
Just tell me now so I know. | 0:12:18 | 0:12:20 | |
-Did you...? -Don't. | 0:12:24 | 0:12:26 | |
No. | 0:12:28 | 0:12:30 | |
OK. Sorry. | 0:12:30 | 0:12:33 | |
Well, what...what do you want me to do? | 0:12:35 | 0:12:38 | |
Go away. | 0:12:38 | 0:12:39 | |
Will you speak to Martha? | 0:12:49 | 0:12:51 | |
Six of them. | 0:12:53 | 0:12:55 | |
Riot gear. | 0:12:58 | 0:13:00 | |
Coming for you? | 0:13:02 | 0:13:03 | |
Did you think they were going to hurt you? | 0:13:10 | 0:13:12 | |
-Can you say it for me, David? -Yes. | 0:13:19 | 0:13:22 | |
So... | 0:13:22 | 0:13:24 | |
self-defence. | 0:13:24 | 0:13:26 | |
Two hands up to defend yourself. | 0:13:27 | 0:13:30 | |
Do you want to see your dad again? | 0:13:33 | 0:13:35 | |
He's here for you, David. | 0:13:40 | 0:13:42 | |
We all are. | 0:13:43 | 0:13:45 | |
NO SOUND | 0:14:08 | 0:14:10 | |
Help! | 0:14:12 | 0:14:13 | |
Dad! | 0:14:14 | 0:14:16 | |
NO SOUND | 0:14:16 | 0:14:19 | |
-There you go. -Thank you. | 0:14:25 | 0:14:28 | |
SHE CLEARS HER THROAT | 0:14:28 | 0:14:30 | |
KEYBOARD BEEPS | 0:14:31 | 0:14:33 | |
Huh. Don't Look Now. | 0:14:34 | 0:14:36 | |
-What? -Schindler's List. | 0:14:36 | 0:14:38 | |
Children in red. | 0:14:38 | 0:14:40 | |
So, what's he saying? | 0:14:42 | 0:14:44 | |
He was attacked by six men. He defended himself. | 0:14:44 | 0:14:47 | |
The six men happened to be police officers. | 0:14:47 | 0:14:50 | |
Why? Why would they do that? | 0:14:50 | 0:14:52 | |
CCTV? That'll tell us. | 0:14:52 | 0:14:54 | |
There isn't any, not in the kettle. | 0:14:54 | 0:14:57 | |
They set it up where there was no CCTV. | 0:14:57 | 0:15:00 | |
Little bit convenient, don't you think? | 0:15:00 | 0:15:02 | |
You and the Old Bill toe to toe at the Bailey. | 0:15:02 | 0:15:06 | |
You should sell tickets. | 0:15:06 | 0:15:07 | |
Your bail app, miss. | 0:15:09 | 0:15:11 | |
Who's prosecuting? | 0:15:11 | 0:15:13 | |
Oh, Hugo Milson. | 0:15:13 | 0:15:16 | |
What's he like - Milson? | 0:15:23 | 0:15:25 | |
Like a sherbet lemon suppository. Acid, sharp, surprising. | 0:15:27 | 0:15:31 | |
There's a prosecution witness, one of the demonstrators. | 0:15:31 | 0:15:34 | |
-Right. From? -Peckham. | 0:15:34 | 0:15:37 | |
-What kind of Peckham? -Peckham Peckham. | 0:15:37 | 0:15:40 | |
So, not naturally pro-police, then? | 0:15:40 | 0:15:42 | |
Yeah. Thanks, Clive. | 0:15:42 | 0:15:44 | |
You'll get bullied. | 0:15:46 | 0:15:48 | |
What? | 0:15:48 | 0:15:50 | |
In Manchester, with your funny accent. | 0:15:50 | 0:15:52 | |
You mean you'll miss me. | 0:15:52 | 0:15:55 | |
Will I get bail? | 0:16:03 | 0:16:04 | |
It won't be easy in there, David. | 0:16:06 | 0:16:08 | |
The police witnesses are all saying the same thing | 0:16:08 | 0:16:11 | |
about the death of their colleague - | 0:16:11 | 0:16:13 | |
that you went berserk. | 0:16:13 | 0:16:15 | |
I was taking pictures of them. They don't like that. | 0:16:15 | 0:16:17 | |
They came for the camera. | 0:16:17 | 0:16:20 | |
And it was obvious they'd use physical force to get it. | 0:16:21 | 0:16:25 | |
What about the boy from Peckham? | 0:16:28 | 0:16:30 | |
-Darren Goodchild. -He's in it too. | 0:16:30 | 0:16:33 | |
In it? | 0:16:33 | 0:16:35 | |
Your friends were on the march too, weren't they? | 0:16:38 | 0:16:41 | |
So, they'll be, er... | 0:16:41 | 0:16:42 | |
they will be able to be witnesses for us. | 0:16:42 | 0:16:45 | |
-David? -Leave me alone. | 0:16:48 | 0:16:52 | |
Please get me bail. | 0:16:59 | 0:17:01 | |
It was obvious they'd use physical force? You're coaching him. | 0:17:01 | 0:17:05 | |
Confirming instructions. | 0:17:05 | 0:17:06 | |
Confirming what you've decided he should say. | 0:17:06 | 0:17:09 | |
-Coaching, and feeding his paranoia. -Why are you being like this? | 0:17:09 | 0:17:12 | |
We win cases by seeing what the other side sees, | 0:17:12 | 0:17:14 | |
not by putting blinkers on and getting angry with the police. | 0:17:14 | 0:17:17 | |
Are you telling me how to do my job, Clive? | 0:17:17 | 0:17:20 | |
Why did Johnny Foster lose in the Court of Appeal? | 0:17:20 | 0:17:23 | |
Eight straight hours, stood there in the freezing rain. | 0:17:27 | 0:17:30 | |
No lavatory, no food, no choice. Can you imagine? | 0:17:30 | 0:17:34 | |
I suppose, to be fair, it was the same for the demonstrators. | 0:17:35 | 0:17:39 | |
Very funny. | 0:17:39 | 0:17:41 | |
Here to hold your hand? | 0:17:41 | 0:17:43 | |
Are you objecting to bail? | 0:17:44 | 0:17:46 | |
18 years old. No form. | 0:17:46 | 0:17:49 | |
Poor David Cowdrey, | 0:17:49 | 0:17:51 | |
all alone in a big scary place with big scary criminals. | 0:17:51 | 0:17:55 | |
Worth remembering John Webster's daughter, | 0:17:55 | 0:17:58 | |
who's been telling her teacher that she wants to go to heaven | 0:17:58 | 0:18:02 | |
to be with her daddy. | 0:18:02 | 0:18:04 | |
She's five years old. | 0:18:04 | 0:18:06 | |
I bet you don't even know her name. | 0:18:06 | 0:18:08 | |
I'm objecting to bail. | 0:18:08 | 0:18:11 | |
Dogs, horses and the TSG | 0:18:14 | 0:18:16 | |
preventing people from exercising their democratic right to protest. | 0:18:16 | 0:18:21 | |
Er, not sure if this is a... | 0:18:21 | 0:18:23 | |
a jury speech or a plea in mitigation, | 0:18:23 | 0:18:26 | |
but unless we've all been transported to South Africa, | 0:18:26 | 0:18:28 | |
it certainly doesn't sound like a bail application. | 0:18:28 | 0:18:31 | |
Interesting, though, | 0:18:31 | 0:18:33 | |
that my learned friend says her client was stressed and angry. | 0:18:33 | 0:18:36 | |
All the more likely, one might think, | 0:18:36 | 0:18:38 | |
to act in the shockingly violent manner | 0:18:38 | 0:18:40 | |
we say brought about the death of this police officer. | 0:18:40 | 0:18:42 | |
That's all based on supposition and speculation. | 0:18:42 | 0:18:46 | |
And, um...confession. | 0:18:46 | 0:18:48 | |
"I had to do it. | 0:18:53 | 0:18:55 | |
"I'm sorry." | 0:18:55 | 0:18:58 | |
"Did you mean to hurt him? Yes." | 0:18:58 | 0:19:00 | |
It still fits with self-defence. | 0:19:02 | 0:19:04 | |
If you're defending yourself, sometimes you hurt your attacker. | 0:19:04 | 0:19:08 | |
"I had to do it." No choice. Imperative. | 0:19:08 | 0:19:10 | |
It fits a lot better with guilty. | 0:19:10 | 0:19:12 | |
Look, Milson got under your skin, and you didn't perform. | 0:19:12 | 0:19:15 | |
You know why else you didn't perform? David's not talking to you. | 0:19:15 | 0:19:18 | |
Why not? You're asking none of the hard questions. | 0:19:18 | 0:19:20 | |
-You're being his mother. -He needs help, not bullying. | 0:19:20 | 0:19:22 | |
Asking none of the hard questions | 0:19:22 | 0:19:24 | |
means you'll be sending him naked into the witness box. | 0:19:24 | 0:19:26 | |
Milson will tear him apart. | 0:19:26 | 0:19:28 | |
CLIVE SIGHS, BUZZER SOUNDS | 0:19:28 | 0:19:31 | |
She, um... | 0:19:42 | 0:19:44 | |
seemed a bit fragile - | 0:19:44 | 0:19:46 | |
blondie. | 0:19:46 | 0:19:48 | |
-Piss off, Milson. -Or what? | 0:19:48 | 0:19:50 | |
You'll send your stone-age clerk round to beat me up? | 0:19:50 | 0:19:54 | |
What happened to the camera, David? | 0:20:12 | 0:20:14 | |
They took it. | 0:20:15 | 0:20:16 | |
-Who did? -I'm not sure. | 0:20:16 | 0:20:18 | |
-Maybe an EG. -Evidence gatherer. | 0:20:18 | 0:20:21 | |
Let's go, son. | 0:20:25 | 0:20:28 | |
Come on, let's go. | 0:20:30 | 0:20:32 | |
Go on, David. | 0:20:32 | 0:20:33 | |
-Come on. -Whoa, whoa, whoa. | 0:20:35 | 0:20:37 | |
What's that on your arm? What's happened to your ar... | 0:20:37 | 0:20:39 | |
Is that a cigarette burn? It is... Leave him alone! | 0:20:39 | 0:20:42 | |
-Let's go! -David, who did that to you? David? -Let's go. | 0:20:42 | 0:20:45 | |
ALARM BLARES | 0:20:46 | 0:20:49 | |
-Oh, whoa, whoa! Take it easy! -Leave me alone! Leave me alone! | 0:20:49 | 0:20:52 | |
Leave me alone! Leave me alone! | 0:20:52 | 0:20:56 | |
CELL DOOR SHUTS | 0:21:02 | 0:21:04 | |
ALAN SOBS | 0:21:09 | 0:21:11 | |
-Get me out of Manchester. -That's not possible. | 0:21:18 | 0:21:21 | |
-I need to be here for David. -He has Martha Costello. | 0:21:21 | 0:21:24 | |
-Billy would try and... -Billy would lie. | 0:21:24 | 0:21:26 | |
The CPS would know he was lying and they'd stop briefing us. | 0:21:26 | 0:21:28 | |
That's what Billy would do. | 0:21:28 | 0:21:30 | |
-That's what I'm not doing. -David's going down. | 0:21:30 | 0:21:32 | |
There's too much love and not enough lawyering. | 0:21:32 | 0:21:34 | |
-Get me the CPS. -No, put the phone down, John. | 0:21:34 | 0:21:38 | |
-What did you do before this job? -Eight years at Amnesty. | 0:21:38 | 0:21:41 | |
What next? A fighter pilot? Neurosurgeon? | 0:21:41 | 0:21:44 | |
-What? -I've always been here. | 0:21:44 | 0:21:47 | |
Shoe Lane is all of my life. | 0:21:47 | 0:21:50 | |
-I took my first breath here... -PHONE RINGS | 0:21:50 | 0:21:52 | |
..and I will take my last. | 0:21:52 | 0:21:54 | |
David Cowdrey is my godson, | 0:21:56 | 0:21:58 | |
and if Clive Reader wants to stay here because his gut tells him... | 0:21:58 | 0:22:01 | |
But you wouldn't get that, would you? This is family! | 0:22:01 | 0:22:05 | |
The Corleone family, maybe. | 0:22:05 | 0:22:07 | |
Oh, yeah, you're using this. | 0:22:07 | 0:22:09 | |
Yeah, this is you making your move. | 0:22:09 | 0:22:12 | |
I was brought in as practice manager to clean this place up, | 0:22:12 | 0:22:15 | |
and that's what I'm doing. | 0:22:15 | 0:22:17 | |
And I will not take lectures in chambers politics | 0:22:17 | 0:22:19 | |
from a man who took £50,000 in backhanders from Mickey Joy, | 0:22:19 | 0:22:23 | |
-the most corrupt solicitor of all time. -I did that for chambers. | 0:22:23 | 0:22:26 | |
-None of that money... -Are you deaf? | 0:22:26 | 0:22:30 | |
You are this close to extinction. | 0:22:30 | 0:22:32 | |
I'm the only reason that you're allowed to carry on existing, | 0:22:32 | 0:22:35 | |
so get used to me, Billy. | 0:22:35 | 0:22:37 | |
Evolve. You'll be swimming with the dodos. | 0:22:37 | 0:22:41 | |
It's up to you. | 0:22:46 | 0:22:47 | |
Do you want a career prosecuting everything that matters, | 0:22:49 | 0:22:53 | |
or the odd bone tossed your way by a clerk running Shoe Lane | 0:22:53 | 0:22:56 | |
-on booze and bullshit? -Billy's... -Billy does defence. | 0:22:56 | 0:22:59 | |
It's all he knows. | 0:22:59 | 0:23:01 | |
He believes he's got the angels on his side, | 0:23:01 | 0:23:04 | |
defending the dispossessed and the disempowered. | 0:23:04 | 0:23:07 | |
And the bottom line? Very soon, there'll be no defence work left. | 0:23:07 | 0:23:12 | |
-Shoe Lane has to redefine itself. -Which means prosecuting. | 0:23:12 | 0:23:16 | |
I've got Nicola at the CPS all set to make you her main man, | 0:23:16 | 0:23:21 | |
send your career into prosecuting heaven. | 0:23:21 | 0:23:23 | |
HE SIGHS | 0:23:23 | 0:23:24 | |
But let her down here, and she will move on. | 0:23:24 | 0:23:28 | |
Defining moment, Clive. | 0:23:28 | 0:23:31 | |
Old life... | 0:23:32 | 0:23:34 | |
or new? | 0:23:34 | 0:23:35 | |
Billy? When we saw David on the monitor in the police station, | 0:23:37 | 0:23:40 | |
did he have a burn mark on his arm? | 0:23:40 | 0:23:43 | |
-Think. -No. -We would have seen it. -Yeah. | 0:23:44 | 0:23:47 | |
So, it must have happened at the police station | 0:23:47 | 0:23:50 | |
before this so-called confession. | 0:23:50 | 0:23:52 | |
-So, why hasn't he told you about it? -Too much prosecuting, Clive. | 0:23:52 | 0:23:55 | |
You've forgotten what it's like to be a frightened human being. | 0:23:55 | 0:23:58 | |
-How is he? -Asking for you. | 0:23:59 | 0:24:02 | |
-Well, I can't get a visitor's order. -Why? | 0:24:02 | 0:24:05 | |
Because David won't ask for one. | 0:24:06 | 0:24:07 | |
Probably it's too upsetting for him to see you. | 0:24:07 | 0:24:10 | |
A list of David's friends who were on the march. | 0:24:15 | 0:24:17 | |
Now, which one of them would do best under pressure at the Bailey? | 0:24:17 | 0:24:22 | |
What about Ruby? | 0:24:23 | 0:24:24 | |
His girlfriend. | 0:24:26 | 0:24:27 | |
You didn't know? | 0:24:28 | 0:24:31 | |
See, that's the thing about boarding schools. | 0:24:31 | 0:24:34 | |
I mean, it's not like Tom Brown's School Days any more, | 0:24:35 | 0:24:37 | |
but you're still sending your child to a place where nobody loves them, | 0:24:37 | 0:24:40 | |
and the biggest lesson they learn is how to do without parents. | 0:24:40 | 0:24:46 | |
Prosecute me. | 0:24:53 | 0:24:55 | |
Every night in chambers during the trial, be Hugo Milson. | 0:24:55 | 0:24:59 | |
No holds barred. | 0:24:59 | 0:25:00 | |
I can't really do that from Manchester. | 0:25:01 | 0:25:04 | |
Line one, sir. | 0:25:07 | 0:25:08 | |
Hello? | 0:25:12 | 0:25:13 | |
Love to. Yeah, see you then. | 0:25:15 | 0:25:18 | |
Penny for your thoughts. | 0:25:26 | 0:25:27 | |
Mo Farah, London 2012. | 0:25:31 | 0:25:34 | |
Steve Cram's commentary. | 0:25:34 | 0:25:36 | |
Oh, yeah. | 0:25:37 | 0:25:39 | |
BACKGROUND CHATTER | 0:25:39 | 0:25:42 | |
"Kelly Holmes, you are the double Olympic champion." | 0:25:42 | 0:25:46 | |
What? | 0:25:46 | 0:25:48 | |
The other one that always gets me. | 0:25:48 | 0:25:50 | |
Olga Korbut, David Wilkie. | 0:25:50 | 0:25:51 | |
I don't go that far back. | 0:25:51 | 0:25:53 | |
-HE CHUCKLES -Nor did I. | 0:25:53 | 0:25:55 | |
Are you all right, Billy? | 0:25:59 | 0:26:01 | |
Yeah. | 0:26:02 | 0:26:03 | |
No. | 0:26:08 | 0:26:09 | |
What is it? | 0:26:12 | 0:26:13 | |
You have to win this for us. | 0:26:23 | 0:26:25 | |
There has to be a very good reason. | 0:26:30 | 0:26:32 | |
-Yes. -So, what is it? | 0:26:32 | 0:26:34 | |
I can't go because I have to be here for Alan and his son. | 0:26:38 | 0:26:42 | |
I think David Cowdrey will go to prison for life | 0:26:42 | 0:26:45 | |
if I'm not here to stop it from happening. | 0:26:45 | 0:26:48 | |
I respect that. | 0:26:50 | 0:26:51 | |
Enough to brief you next time. | 0:26:53 | 0:26:56 | |
I'm all yours. Manchester, I'm not going. | 0:26:58 | 0:27:02 | |
It's a big trial you're returning. | 0:27:03 | 0:27:05 | |
Your first in silk. | 0:27:05 | 0:27:07 | |
Priorities. | 0:27:07 | 0:27:09 | |
Evidence gatherers mixing in with marchers. | 0:27:11 | 0:27:15 | |
He had a right to be paranoid. | 0:27:15 | 0:27:18 | |
EG. And this is before the kettle. | 0:27:20 | 0:27:23 | |
This is a boy who takes on six police officers. | 0:27:24 | 0:27:28 | |
And how does he look to you, Clive? Aggressive? | 0:27:28 | 0:27:31 | |
Violent? | 0:27:31 | 0:27:32 | |
He's a vulnerable child. | 0:27:32 | 0:27:34 | |
What the jury will want is to hear from people who were | 0:27:34 | 0:27:37 | |
actually there when it happened. That's what matters. | 0:27:37 | 0:27:40 | |
How many witnesses have you got? | 0:27:40 | 0:27:42 | |
They're slow in coming forward. | 0:27:42 | 0:27:44 | |
Well, why? Some of them are his friends. | 0:27:44 | 0:27:47 | |
Surely they'd stand up for him if they could. | 0:27:47 | 0:27:49 | |
What? You want me to stop now? | 0:27:51 | 0:27:53 | |
You think Milson won't do this to you? | 0:27:53 | 0:27:56 | |
At the moment, the only civilian witness | 0:27:56 | 0:27:59 | |
is Darren from Peckham, and he's for the prosecution. | 0:27:59 | 0:28:02 | |
Let's try his girlfriend, then. | 0:28:02 | 0:28:05 | |
Tell me about David on the march, Ruby. | 0:28:06 | 0:28:08 | |
He took photographs. | 0:28:08 | 0:28:10 | |
Anything the police did, he'd grab a picture. | 0:28:11 | 0:28:14 | |
Were the police aware of what he was doing? | 0:28:14 | 0:28:16 | |
Of course. They hate the camera being turned around. | 0:28:16 | 0:28:20 | |
And then the kettle... | 0:28:20 | 0:28:21 | |
I didn't see what happened. | 0:28:23 | 0:28:25 | |
-None of it? -We had an argument just before. | 0:28:25 | 0:28:28 | |
David wanted to talk to the police about being allowed out. | 0:28:28 | 0:28:32 | |
I said that was giving them what they wanted. | 0:28:32 | 0:28:35 | |
And was he taking pictures in the kettle? | 0:28:36 | 0:28:38 | |
How was he in the kettle, Ruby? | 0:28:40 | 0:28:43 | |
According to you, the six police come in like it's Apocalypse Now, | 0:28:47 | 0:28:50 | |
and Ruby sees nothing. | 0:28:50 | 0:28:52 | |
This is what you asked me to do! | 0:28:56 | 0:28:58 | |
-You all right? -Of course. | 0:29:01 | 0:29:04 | |
Do you want a hug? | 0:29:04 | 0:29:06 | |
Yes, please. | 0:29:06 | 0:29:07 | |
Mm. | 0:29:07 | 0:29:09 | |
-Snog? -Get off! HE LAUGHS | 0:29:12 | 0:29:16 | |
Hm. It's like the early days. | 0:29:21 | 0:29:24 | |
You two up half the night with a bottle of Scotch. | 0:29:24 | 0:29:27 | |
Couple of street robberies that I'd killed myself to clerk you into. | 0:29:27 | 0:29:30 | |
Remember? | 0:29:30 | 0:29:32 | |
Higher stakes tomorrow, Billy. If only it was just a robbery. | 0:29:32 | 0:29:35 | |
What's that? | 0:29:35 | 0:29:36 | |
Copies of police notebooks. | 0:29:36 | 0:29:39 | |
Hm, that's interesting. | 0:29:39 | 0:29:41 | |
There's no record in here | 0:29:41 | 0:29:43 | |
of why the six coppers went in. Nothing. | 0:29:43 | 0:29:45 | |
Not even from the bronze commander. | 0:29:45 | 0:29:48 | |
So, why do you think...? | 0:29:48 | 0:29:50 | |
They spotted a boy in red taking all the embarrassing photographs. | 0:29:50 | 0:29:54 | |
"Come on, boys, let's get him." | 0:29:54 | 0:29:56 | |
And that's why there's no record in the notebook. | 0:29:56 | 0:29:59 | |
Night, miss. | 0:29:59 | 0:30:02 | |
Night, sir. | 0:30:04 | 0:30:06 | |
They spotted me in the kettle. | 0:30:12 | 0:30:14 | |
Taking pictures? | 0:30:14 | 0:30:17 | |
Who? | 0:30:17 | 0:30:18 | |
"The boy in red. The boy in red needs to be taken out." | 0:30:18 | 0:30:21 | |
OK. Listen to me. | 0:30:21 | 0:30:24 | |
There were no evidence gatherers in the kettle. If you make things up, | 0:30:24 | 0:30:27 | |
a prosecutor this good will be on it, and it'll finish us. | 0:30:27 | 0:30:29 | |
They pretended to be us. | 0:30:29 | 0:30:31 | |
They? | 0:30:31 | 0:30:33 | |
Undercover officers. CELL DOOR SLAMS | 0:30:34 | 0:30:35 | |
-Where's Dad? -In chambers. | 0:30:37 | 0:30:39 | |
-Do you want us to call him? -No. | 0:30:39 | 0:30:41 | |
-David... -No. | 0:30:41 | 0:30:44 | |
We were in the middle of the kettle when the man in red came at us. | 0:30:52 | 0:30:56 | |
He went berserk, basically. | 0:30:56 | 0:30:58 | |
-"Came at us?" -Running. | 0:30:58 | 0:31:01 | |
And then a two-handed big shove into PC Webster's chest. | 0:31:01 | 0:31:06 | |
He fell backwards and cracked the back of his head on a lamp post. | 0:31:06 | 0:31:09 | |
WOMAN COUGHS | 0:31:09 | 0:31:12 | |
So, after six hours of kettling 800 people, | 0:31:13 | 0:31:19 | |
you decided to, er...press them? | 0:31:19 | 0:31:22 | |
Pressing the space makes people stand closer to each other, | 0:31:22 | 0:31:25 | |
which keeps them safer. | 0:31:25 | 0:31:27 | |
I haven't seen copies of any of the police notebooks. | 0:31:27 | 0:31:31 | |
So, could I just... | 0:31:31 | 0:31:33 | |
FOOTSTEPS APPROACH | 0:31:33 | 0:31:35 | |
WOMAN COUGHS | 0:31:38 | 0:31:40 | |
Thank you. | 0:31:42 | 0:31:43 | |
There's no record in here of why you went in, | 0:31:47 | 0:31:51 | |
and who the information came from, | 0:31:51 | 0:31:54 | |
-but then there wouldn't be. -Well, exactly. | 0:31:54 | 0:31:57 | |
That record will be with your bronze. | 0:31:57 | 0:32:00 | |
CLOCK CHIMES OUTSIDE | 0:32:06 | 0:32:08 | |
Not at the Bailey? | 0:32:12 | 0:32:14 | |
He doesn't want me there. | 0:32:14 | 0:32:16 | |
When I was 18, I was in love, | 0:32:19 | 0:32:22 | |
overwhelmingly, furiously in love | 0:32:22 | 0:32:25 | |
with a man who was 30-something, married | 0:32:25 | 0:32:27 | |
and, like I was then, Catholic. | 0:32:27 | 0:32:30 | |
I got pregnant, had a late abortion, | 0:32:30 | 0:32:34 | |
and there was a problem. | 0:32:34 | 0:32:36 | |
23rd of January 1979, I gave up my God, | 0:32:36 | 0:32:41 | |
motherhood, | 0:32:41 | 0:32:43 | |
and the love of my life | 0:32:43 | 0:32:45 | |
in a day. | 0:32:45 | 0:32:46 | |
I wish I could do it again. | 0:32:50 | 0:32:53 | |
I wish I had the chance you've still got with your son. | 0:32:54 | 0:32:57 | |
No, I don't think PC Webster saw him. | 0:33:00 | 0:33:03 | |
I think he felt him coming towards him and just had time to turn... | 0:33:03 | 0:33:07 | |
..before... | 0:33:08 | 0:33:11 | |
HE SIGHS | 0:33:11 | 0:33:13 | |
I know this is hard for you. | 0:33:14 | 0:33:16 | |
I heard the sound. | 0:33:18 | 0:33:19 | |
His head on the... | 0:33:21 | 0:33:22 | |
I knew it wasn't good. | 0:33:24 | 0:33:26 | |
Sorry. I'm sorry. | 0:33:29 | 0:33:32 | |
-JUDGE: -This might be the moment to adjourn for the day. | 0:33:32 | 0:33:36 | |
No conferring with fellow witnesses. | 0:33:37 | 0:33:40 | |
David... DOOR OPENS | 0:33:42 | 0:33:43 | |
-JAILER: -Two minutes. | 0:33:43 | 0:33:45 | |
Will you leave us alone? Nobody comes in here until I say! | 0:33:45 | 0:33:48 | |
DOOR SLAMS | 0:33:48 | 0:33:50 | |
Lick the bowl. | 0:33:55 | 0:33:57 | |
What? | 0:33:59 | 0:34:00 | |
The toilet bowl in my cell at the...the police station. | 0:34:02 | 0:34:05 | |
Lick the bowl or else... | 0:34:05 | 0:34:07 | |
Who said it? | 0:34:08 | 0:34:10 | |
Was it the person who burnt your arm? Is that how they got your confession? | 0:34:11 | 0:34:16 | |
Or else what? | 0:34:16 | 0:34:18 | |
What was the threat, David? | 0:34:20 | 0:34:22 | |
How's fraud? | 0:34:30 | 0:34:31 | |
Well, I failed my maths O level twice, and that was 30 years ago, | 0:34:31 | 0:34:35 | |
so I'm rusty. | 0:34:35 | 0:34:37 | |
There. | 0:34:38 | 0:34:39 | |
Someone at the cell door? | 0:34:46 | 0:34:48 | |
Who? | 0:34:48 | 0:34:50 | |
-Custody record? -Er... | 0:34:50 | 0:34:52 | |
-Time? -23.30. | 0:34:54 | 0:34:57 | |
-30 years ago? -I got a D in the summer, | 0:34:57 | 0:35:00 | |
cos I cheated off the genius boy next to me. | 0:35:00 | 0:35:03 | |
Ray Kelly, sensationally handsome, very accommodating. | 0:35:03 | 0:35:06 | |
Went on to be a top urologist and my fifth favourite boyfriend. | 0:35:06 | 0:35:09 | |
MARTHA CHUCKLES | 0:35:09 | 0:35:11 | |
-You were 16? -Mm-hm. | 0:35:11 | 0:35:14 | |
So, 30 years later, that makes you 46 now. | 0:35:14 | 0:35:18 | |
Oh, look. | 0:35:18 | 0:35:19 | |
Police custody sergeant does a cell check every 30 minutes | 0:35:19 | 0:35:22 | |
through the night, but no record of one at 11.30, | 0:35:22 | 0:35:25 | |
which is when David is talking to whoever it is at the cell door. | 0:35:25 | 0:35:28 | |
Interesting. | 0:35:28 | 0:35:30 | |
Leave me alone. | 0:35:31 | 0:35:33 | |
-What? -Read his lips. | 0:35:33 | 0:35:36 | |
Bingo. | 0:35:40 | 0:35:42 | |
Who's bullying him? | 0:35:42 | 0:35:43 | |
Miss? | 0:36:05 | 0:36:07 | |
The two police witnesses. | 0:36:11 | 0:36:14 | |
-My God. When was this taken? -Two minutes ago. | 0:36:14 | 0:36:17 | |
-Now we're in this trial. -Go get 'em, miss. | 0:36:17 | 0:36:20 | |
You stay with the police station. I'll look at the boy from Peckham. | 0:36:20 | 0:36:24 | |
John. Oh, John! 15 copies, please. | 0:36:25 | 0:36:29 | |
One each for the jury, one for the judge, one for Miss Costello | 0:36:29 | 0:36:31 | |
and one for the lemon sherbet. | 0:36:31 | 0:36:34 | |
Third day lucky for Jakey boy. | 0:36:34 | 0:36:37 | |
Good old-fashioned clerking, that. | 0:36:37 | 0:36:39 | |
Would Mrs Squeaky Knickers have got us a game changer like this? No. | 0:36:39 | 0:36:43 | |
Do practice managers go anywhere near the coalface? I don't think so. | 0:36:43 | 0:36:47 | |
Thank God for hot-desking. | 0:36:47 | 0:36:50 | |
Ah, now, I need you to go through everyone in that police station. | 0:36:52 | 0:36:55 | |
Pin down where they were at 11.30. | 0:36:55 | 0:36:57 | |
Get hold of the night duty roster, front desk officer. | 0:36:57 | 0:36:59 | |
-Oh, you know what to do. -The thing about throwing mud, Marth, | 0:36:59 | 0:37:02 | |
is you have to have your own story to back it up, | 0:37:02 | 0:37:04 | |
-otherwise it just looks like you're throwing mud. -Do the work, Clive. | 0:37:04 | 0:37:07 | |
I hate you too. | 0:37:07 | 0:37:09 | |
What was the last thing His Lordship said to you last night? | 0:37:10 | 0:37:15 | |
Not to talk to anyone about the case. | 0:37:15 | 0:37:17 | |
Because a witness, halfway through his evidence, | 0:37:17 | 0:37:20 | |
talking to another witness, who's just finished his... | 0:37:20 | 0:37:22 | |
..Breaks all the rules. | 0:37:24 | 0:37:25 | |
At 7.55pm last night, | 0:37:27 | 0:37:32 | |
did you and PC Lewis go to an address, | 0:37:32 | 0:37:36 | |
11 Raveley Street, Kentish Town? | 0:37:36 | 0:37:41 | |
I must warn you that perverting the course of justice | 0:37:48 | 0:37:52 | |
is a very serious offence, | 0:37:52 | 0:37:53 | |
and you should be extremely careful | 0:37:53 | 0:37:56 | |
about saying anything now that might incriminate you. | 0:37:56 | 0:37:59 | |
I think we've said enough, haven't we, PC Butcher? | 0:38:01 | 0:38:05 | |
Who lives at 11 Raveley Street? | 0:38:12 | 0:38:14 | |
Mary. | 0:38:20 | 0:38:22 | |
Mary? | 0:38:22 | 0:38:23 | |
Webster. | 0:38:25 | 0:38:26 | |
John's wife. | 0:38:26 | 0:38:28 | |
She's too upset to come to court, | 0:38:29 | 0:38:32 | |
so we promised we'd visit her | 0:38:32 | 0:38:34 | |
at the end of every day during the trial. | 0:38:34 | 0:38:36 | |
You'd better put your case to the witness, Miss Costello. | 0:38:41 | 0:38:44 | |
I suggest that you identified David Cowdrey earlier in the march. | 0:38:52 | 0:38:59 | |
He took your picture, and others, which you didn't like, | 0:38:59 | 0:39:03 | |
because it showed you being violent and nasty. | 0:39:03 | 0:39:06 | |
You marked him out, the boy in red, | 0:39:07 | 0:39:12 | |
and when he was kettled, you targeted him | 0:39:12 | 0:39:15 | |
and you went in to take him out with mob-like aggression. | 0:39:15 | 0:39:19 | |
OK, so where's the camera? | 0:39:19 | 0:39:20 | |
You've either destroyed it or hidden it. | 0:39:20 | 0:39:24 | |
That's a hell of a conspiracy theory, isn't it? | 0:39:24 | 0:39:28 | |
PC Lewis told us that pressing the kettle makes it safer | 0:39:28 | 0:39:33 | |
for the demonstrators. | 0:39:33 | 0:39:36 | |
Yeah, if they're packed tightly, they're more calm. | 0:39:36 | 0:39:38 | |
They don't climb up on things. | 0:39:38 | 0:39:40 | |
They're like sardines. | 0:39:41 | 0:39:43 | |
Yeah, you could say that. | 0:39:44 | 0:39:45 | |
Lewis says David Cowdrey came at Webster fast. He ran at him. | 0:39:45 | 0:39:52 | |
The word he used... | 0:39:52 | 0:39:54 | |
was "berserk". | 0:39:54 | 0:39:56 | |
Well, can sardines run, Officer? | 0:39:59 | 0:40:02 | |
Can tightly packed fish go berserk? | 0:40:02 | 0:40:07 | |
Or was PC Lewis mistaken? | 0:40:11 | 0:40:13 | |
-No, he's not mistaken. -Then he must be lying. | 0:40:13 | 0:40:17 | |
And you're agreeing with him, so that makes it a conspiracy to lie. | 0:40:17 | 0:40:22 | |
DISTANT SIREN WAILS | 0:40:24 | 0:40:27 | |
Miss Costello? Two minutes. | 0:40:31 | 0:40:34 | |
I've eliminated everyone who was at the police station that night | 0:40:37 | 0:40:40 | |
at 11.30. No-one had a go at David through his cell door. | 0:40:40 | 0:40:43 | |
There has to be someone. | 0:40:43 | 0:40:45 | |
Well, there isn't, however much you want there to be. | 0:40:45 | 0:40:48 | |
She needs to be completely focused, so don't tell her. | 0:41:00 | 0:41:04 | |
Don't tell her what? | 0:41:04 | 0:41:06 | |
Billy? | 0:41:08 | 0:41:09 | |
Johnny Foster killed himself last night. | 0:41:10 | 0:41:13 | |
-WOMAN: -'Will Miss Costello of counsel | 0:41:14 | 0:41:16 | |
'please come to court one immediately.' | 0:41:16 | 0:41:19 | |
Inspector Wright's next up. | 0:41:19 | 0:41:21 | |
Don't lose it in there, Martha. | 0:41:21 | 0:41:23 | |
I'm the bronze, so I'm on the ground, | 0:41:24 | 0:41:27 | |
but I'm a step back from things, | 0:41:27 | 0:41:29 | |
so I have an...an overall picture of everything that's going on. | 0:41:29 | 0:41:33 | |
David Cowdrey saw a man mumbling into his collar. | 0:41:33 | 0:41:37 | |
Was that man talking to you? | 0:41:38 | 0:41:40 | |
I can't comment on that. | 0:41:40 | 0:41:42 | |
Is he making it up? | 0:41:42 | 0:41:45 | |
I can't comment. | 0:41:45 | 0:41:46 | |
David Cowdrey took pictures of the man mumbling into his collar. | 0:41:46 | 0:41:51 | |
That's why he became a target of your snatch team. | 0:41:51 | 0:41:55 | |
-HE SNORTS -Snatch team? Pure fiction. | 0:41:55 | 0:41:58 | |
The product of too many years at the criminal bar, | 0:41:58 | 0:42:01 | |
bashing the police. | 0:42:01 | 0:42:02 | |
Sorry, I think you're getting confused, Officer. | 0:42:02 | 0:42:05 | |
I'm only working on instructions. | 0:42:05 | 0:42:07 | |
It's, er...it's not me who said you did this. It's my client. | 0:42:07 | 0:42:11 | |
This is professional, | 0:42:11 | 0:42:14 | |
not personal, Inspector Wright. | 0:42:14 | 0:42:16 | |
Are you staring at me? | 0:42:19 | 0:42:21 | |
I'm waiting for a question. | 0:42:22 | 0:42:24 | |
If you're the bronze, | 0:42:30 | 0:42:32 | |
then maybe you can tell me why the team of six officers went in? | 0:42:32 | 0:42:37 | |
Yes. | 0:42:37 | 0:42:39 | |
And is that record in your notebook? | 0:42:41 | 0:42:44 | |
HE SIGHS | 0:42:45 | 0:42:47 | |
Thank you. | 0:42:52 | 0:42:54 | |
Now, these notes are signed and dated by you, | 0:42:57 | 0:43:02 | |
having been written up at the earliest possible opportunity? | 0:43:02 | 0:43:06 | |
Late that same night. | 0:43:06 | 0:43:08 | |
So, will you just read the, er... last three lines for me, please? | 0:43:08 | 0:43:13 | |
"I received information from members of the public | 0:43:18 | 0:43:21 | |
"that there was a disturbance inside the kettle. | 0:43:21 | 0:43:24 | |
"In order to preserve the safety of those in the kettle, | 0:43:24 | 0:43:27 | |
"I sent in a team of officers to deal with it." | 0:43:27 | 0:43:30 | |
Thank you. Now, this is a copy of your notebook. | 0:43:30 | 0:43:35 | |
And I asked it to be sent to me just before the trial started, | 0:43:35 | 0:43:38 | |
so they should be - this copy and your notebook - | 0:43:38 | 0:43:40 | |
-should be identical. -Yes. | 0:43:40 | 0:43:43 | |
Only they're not. There's something not there. | 0:43:43 | 0:43:46 | |
Can you tell me what's missing in the copy? | 0:43:46 | 0:43:48 | |
-The last bit. -The last three lines. | 0:43:51 | 0:43:53 | |
The bit about the disturbance. | 0:43:53 | 0:43:56 | |
What are you saying? | 0:43:57 | 0:43:59 | |
That you've added these lines, and...and I bet you did it | 0:43:59 | 0:44:03 | |
during the trial, once you heard what the defence was. | 0:44:03 | 0:44:07 | |
You know, I'll tell you exactly what I'm saying, Officer. | 0:44:07 | 0:44:11 | |
You're bent. | 0:44:11 | 0:44:12 | |
I didn't go home last night. | 0:44:33 | 0:44:34 | |
I went to see my new squeeze from the CPS. | 0:44:34 | 0:44:37 | |
Their Peckham boy, Darren Goodchild, | 0:44:37 | 0:44:40 | |
is the younger brother of the better-known Jason Goodchild. | 0:44:40 | 0:44:44 | |
What does DWB mean? | 0:44:50 | 0:44:52 | |
Driving whilst black. | 0:44:52 | 0:44:54 | |
-Does it happen to you? -No. I just know about it. | 0:44:54 | 0:44:59 | |
From your brother...Jason? | 0:44:59 | 0:45:01 | |
Does it happen to him, Darren? | 0:45:03 | 0:45:05 | |
15 times he's been stopped in the past two years. | 0:45:09 | 0:45:12 | |
-Why? -No reason. | 0:45:13 | 0:45:15 | |
They wreck his life because he's black, | 0:45:15 | 0:45:17 | |
and he's got a good-looking car. | 0:45:17 | 0:45:19 | |
So, why are you here, Darren? I mean, what are you doing? | 0:45:21 | 0:45:24 | |
I got asked to come cos I was on the demo and what happened | 0:45:24 | 0:45:28 | |
to the officer. They knew me cos of my name. | 0:45:28 | 0:45:31 | |
And what did they say to you? | 0:45:31 | 0:45:33 | |
I'd say the most important thing to think about | 0:45:42 | 0:45:46 | |
is not that David Cowdrey will go to prison | 0:45:46 | 0:45:50 | |
for a very long time if he's found guilty... | 0:45:50 | 0:45:53 | |
..but what the rest of your life will feel like | 0:45:54 | 0:45:58 | |
if you do the wrong thing now. | 0:45:58 | 0:46:00 | |
Now, I'm going to sit down, | 0:46:04 | 0:46:06 | |
because it's not about me. | 0:46:06 | 0:46:08 | |
It's about you. | 0:46:08 | 0:46:10 | |
They told me if...if I co-operate on this, they'd leave my brother alone. | 0:46:18 | 0:46:23 | |
Have you been...lying... | 0:46:26 | 0:46:30 | |
..about how you came to be a witness in this trial? | 0:46:31 | 0:46:34 | |
Yes. | 0:46:34 | 0:46:35 | |
You wouldn't be here if it weren't for your brother... | 0:46:35 | 0:46:38 | |
..and the offer the police made to you? | 0:46:39 | 0:46:42 | |
No. | 0:46:42 | 0:46:44 | |
But that's not the big question. | 0:46:44 | 0:46:46 | |
I don't understand. | 0:46:48 | 0:46:50 | |
You were on the demo, | 0:46:50 | 0:46:53 | |
you're here now, you're under oath... | 0:46:53 | 0:46:56 | |
..and this is the question that actually matters. | 0:46:58 | 0:47:02 | |
Is it true? | 0:47:03 | 0:47:05 | |
What you saw? | 0:47:06 | 0:47:07 | |
Did David Cowdrey attack PC Webster? | 0:47:09 | 0:47:13 | |
Yes, he did. | 0:47:16 | 0:47:18 | |
The jury might believe that these police officers lied | 0:47:23 | 0:47:26 | |
and cheated, and that would be enough, | 0:47:26 | 0:47:28 | |
if it wasn't for Darren Goodchild. | 0:47:28 | 0:47:31 | |
It's 50/50, David. | 0:47:32 | 0:47:34 | |
I really need more from you. | 0:47:35 | 0:47:38 | |
Who was it who told you to lick your toilet bowl? | 0:47:40 | 0:47:43 | |
Wright? | 0:47:45 | 0:47:46 | |
Look, I know you spoke to whoever it was. "Leave me alone," you said. | 0:47:50 | 0:47:55 | |
Now look at me. David, look at me. | 0:47:55 | 0:47:57 | |
I've never pushed you | 0:48:01 | 0:48:02 | |
when I didn't think you could take it, | 0:48:02 | 0:48:05 | |
but right now... | 0:48:05 | 0:48:06 | |
..I need you to help me. Why won't you tell me? | 0:48:08 | 0:48:11 | |
Sorry. | 0:48:15 | 0:48:16 | |
Sorry. | 0:48:18 | 0:48:19 | |
BACKGROUND CHATTER | 0:48:23 | 0:48:26 | |
Ruby? | 0:48:32 | 0:48:34 | |
"The boy in red. He needs taking out." | 0:48:37 | 0:48:41 | |
-You heard this? -Yes. | 0:48:41 | 0:48:43 | |
So, there was an undercover copper. | 0:48:45 | 0:48:48 | |
-Did David take his picture? -Yes. | 0:48:48 | 0:48:52 | |
And the camera? | 0:48:52 | 0:48:54 | |
When the uniform police came for him, he took it. | 0:48:54 | 0:48:57 | |
So, they came for the camera. | 0:48:57 | 0:48:59 | |
Will you give evidence about this? | 0:49:01 | 0:49:03 | |
No. | 0:49:03 | 0:49:04 | |
Why not? Look, Ruby, you have to. If the jury hear this from you... | 0:49:04 | 0:49:09 | |
-I can't. -Why not? | 0:49:09 | 0:49:12 | |
Because of David. | 0:49:12 | 0:49:13 | |
-What do you mean? -He was losing it. | 0:49:13 | 0:49:16 | |
He went completely crazy. | 0:49:16 | 0:49:19 | |
I think that's why the police came for him. | 0:49:19 | 0:49:22 | |
I've got to go. | 0:49:23 | 0:49:24 | |
Who's that? A client? | 0:49:27 | 0:49:29 | |
-Yes. -Hm. | 0:49:29 | 0:49:31 | |
SOBBING | 0:49:38 | 0:49:40 | |
No. No. | 0:49:41 | 0:49:43 | |
-DOOR OPENS -Please. Please. | 0:49:43 | 0:49:45 | |
David? David, David. I'm here. David? | 0:49:45 | 0:49:48 | |
What, you...you didn't see that? You didn't hear him? | 0:49:48 | 0:49:50 | |
No. Who? | 0:49:50 | 0:49:52 | |
-(SOBS) -He tells me what to do. | 0:49:52 | 0:49:55 | |
-Go away! Go... -He? Who's he? | 0:49:55 | 0:49:59 | |
And I have to do it. | 0:49:59 | 0:50:01 | |
And what will happen if you don't? | 0:50:01 | 0:50:04 | |
HE CRIES | 0:50:04 | 0:50:05 | |
Oh, I...I'm not allowed to tell anyone and... | 0:50:05 | 0:50:09 | |
HE SNIFFS | 0:50:09 | 0:50:12 | |
...I must do what he says and I'm not allowed to...to tell anyone. | 0:50:12 | 0:50:18 | |
-I'm sorry! I'm sorry! -Shh, shh, shh, shh. | 0:50:18 | 0:50:21 | |
-I'm sorry! You've got to believe me! -Shh, shh, shh. | 0:50:21 | 0:50:25 | |
HE SOBS | 0:50:25 | 0:50:27 | |
Help me. Help... | 0:50:27 | 0:50:29 | |
Mummy. | 0:50:32 | 0:50:34 | |
Shh, shh, shh, shh, shh, shh, shh. | 0:50:34 | 0:50:36 | |
-Voices? -One voice. | 0:50:36 | 0:50:39 | |
-Schizophrenia? -I don't know what to do. | 0:50:39 | 0:50:41 | |
-It's over. New trial. -Can you win? | 0:50:41 | 0:50:44 | |
-From where you are in the trial? -What? You can't carry on. | 0:50:44 | 0:50:47 | |
Have you asked him if the voice was speaking to him | 0:50:47 | 0:50:50 | |
during the demonstration? | 0:50:50 | 0:50:51 | |
Yes. It...it's touch and go. | 0:50:51 | 0:50:54 | |
I got lucky with the notebooks. But, yes. | 0:50:54 | 0:50:58 | |
And if you pull out now and there's a new trial with a new brief, | 0:50:58 | 0:51:01 | |
running diminished? | 0:51:01 | 0:51:02 | |
-Mental health disposal. -Martha. | 0:51:02 | 0:51:04 | |
Have you been inside a psychiatric unit? | 0:51:04 | 0:51:08 | |
Have you any idea what that does to a young person? | 0:51:08 | 0:51:10 | |
Look at me, Clive. What do you see? | 0:51:10 | 0:51:13 | |
I'm still not over it 35 years later. | 0:51:13 | 0:51:15 | |
How would David Cowdrey get on in hell? | 0:51:15 | 0:51:18 | |
Every other question, | 0:51:18 | 0:51:19 | |
every other consideration is completely irrelevant. | 0:51:19 | 0:51:22 | |
Bugger being a lawyer and taking instructions and rules. | 0:51:22 | 0:51:25 | |
Do the right thing for that boy. | 0:51:25 | 0:51:27 | |
What are you going to do? | 0:51:44 | 0:51:46 | |
-I'm going to make a speech. -Why? | 0:51:46 | 0:51:48 | |
Because an 18-year-old boy needs me to get him out of a system | 0:51:48 | 0:51:52 | |
which will only make him much, much worse if he stays in it. | 0:51:52 | 0:51:55 | |
But it won't be the truth, though, will it? | 0:51:55 | 0:51:57 | |
The jury won't be hearing about schizophrenia, voices. | 0:51:57 | 0:52:00 | |
Well, right now I've got one thing that I care about, | 0:52:00 | 0:52:03 | |
saving David Cowdrey, | 0:52:03 | 0:52:05 | |
and that...well, that feels pretty honest to me, | 0:52:05 | 0:52:08 | |
and I don't care if you or anyone else thinks it's not my job to try. | 0:52:08 | 0:52:12 | |
What about the truth of how PC Webster died, | 0:52:13 | 0:52:15 | |
that the police only went in because David went berserk? | 0:52:15 | 0:52:19 | |
Don't you have responsibility towards that? | 0:52:19 | 0:52:21 | |
I can't be only a lawyer, Clive. | 0:52:21 | 0:52:24 | |
-But, Martha... -Will you just leave me alone? | 0:52:24 | 0:52:27 | |
Two nights ago, a man I represented walked out of his cell in prison | 0:52:36 | 0:52:43 | |
and jumped from his landing | 0:52:43 | 0:52:45 | |
onto the safety net that's there to prevent suicides. | 0:52:45 | 0:52:48 | |
At that moment, he took a razor blade to his wrists. | 0:52:51 | 0:52:56 | |
That man, Johnny Foster, died. | 0:52:56 | 0:53:00 | |
He was serving a life sentence for something he didn't do, | 0:53:00 | 0:53:04 | |
and that made his life intolerable. | 0:53:04 | 0:53:07 | |
Now, why was he in prison? | 0:53:08 | 0:53:10 | |
Because the police had fitted him up? Yes. | 0:53:10 | 0:53:14 | |
But also because a jury and then the Court of Appeal | 0:53:14 | 0:53:18 | |
had failed to see what the police had done. | 0:53:18 | 0:53:22 | |
Juries have a duty to look very hard into police evidence. | 0:53:23 | 0:53:29 | |
You are our protection against police corruption. | 0:53:29 | 0:53:35 | |
Inspector Wright is guilty of deliberately misleading you. | 0:53:35 | 0:53:40 | |
How? | 0:53:40 | 0:53:41 | |
By altering his notebook, once the trial had begun, | 0:53:41 | 0:53:44 | |
to create a version of why the police went in. | 0:53:44 | 0:53:48 | |
Darren Goodchild was induced into giving evidence by the police. | 0:53:48 | 0:53:53 | |
The prosecution bring this case. They have to prove it. | 0:53:53 | 0:53:58 | |
Now, the defendant doesn't have to prove anything. | 0:53:58 | 0:54:01 | |
If you think the police have lied and cheated, | 0:54:02 | 0:54:07 | |
then you must find David Cowdrey not guilty | 0:54:07 | 0:54:12 | |
of the unlawful killing of PC Webster. | 0:54:12 | 0:54:15 | |
How long have the jury been out? | 0:54:42 | 0:54:44 | |
Five minutes longer than when you last asked me. | 0:54:44 | 0:54:48 | |
Who is it? | 0:54:49 | 0:54:51 | |
Dad. | 0:54:53 | 0:54:55 | |
-"Do what I say or..." -It's your dad? | 0:54:55 | 0:54:58 | |
No, no. | 0:54:58 | 0:55:00 | |
Um... | 0:55:00 | 0:55:02 | |
"Lick the bowl. Burn yourself. | 0:55:02 | 0:55:06 | |
"Take a cigarette, stab it into your flesh. | 0:55:06 | 0:55:08 | |
"Or...or I'll get him. | 0:55:08 | 0:55:10 | |
"I'll kill him. I'm going to... | 0:55:12 | 0:55:15 | |
"Your dad's going to die." | 0:55:16 | 0:55:18 | |
CELL DOOR OPENS | 0:55:31 | 0:55:34 | |
COURT CLERK: Will the defendant please stand? | 0:56:27 | 0:56:30 | |
Will the jury foreman please stand? | 0:56:34 | 0:56:37 | |
Have you reached a verdict upon which you are all agreed? | 0:56:38 | 0:56:42 | |
Yes. | 0:56:42 | 0:56:44 | |
COURT CLERK: Do you find the defendant guilty or not guilty | 0:56:44 | 0:56:47 | |
of manslaughter? | 0:56:47 | 0:56:48 | |
CHATTER | 0:56:56 | 0:56:58 | |
ALAN SIGHS | 0:57:03 | 0:57:05 | |
You go. Your moment. | 0:57:10 | 0:57:12 | |
Thank you. | 0:57:30 | 0:57:31 | |
I'm done. The boys are finished. | 0:57:35 | 0:57:38 | |
He needs you. Go and be a father. | 0:57:38 | 0:57:40 | |
I love it, you know, how much passion and conviction you put | 0:58:08 | 0:58:11 | |
into everything you do, when you've got a wig on. | 0:58:11 | 0:58:13 | |
-And this is Amy, the new pupil. -Hi. | 0:58:13 | 0:58:15 | |
-I'm prosecuting you. -Right. | 0:58:15 | 0:58:17 | |
You don't have to be in the pub to see it on your phone. | 0:58:17 | 0:58:20 | |
-It works without a drink. -We're doing all right, wouldn't you say? | 0:58:20 | 0:58:23 | |
Keeping the professional and the personal separate. | 0:58:23 | 0:58:25 | |
I'll leave you here with your family. | 0:58:25 | 0:58:27 | |
-It leaked. -But how did it get out? | 0:58:27 | 0:58:29 | |
I don't care! | 0:58:29 | 0:58:31 | |
Your clients come first, but where are they, Martha? Here with you now? | 0:58:31 | 0:58:34 |