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You are this close to extinction. | 0:00:02 | 0:00:03 | |
I'm the only reason you're allowed to carry on existing, | 0:00:03 | 0:00:06 | |
so get used to me, Billy. | 0:00:06 | 0:00:07 | |
-Well, I can't get a visitor's order. -Why? -Because David won't ask for one. | 0:00:07 | 0:00:12 | |
Probably it's too upsetting for him to see you. | 0:00:12 | 0:00:15 | |
Do you want a career prosecuting | 0:00:15 | 0:00:17 | |
or the odd bone tossed your way by a clerk running Shoe Lane on booze and bullshit? | 0:00:17 | 0:00:21 | |
I've got Nicola at the CPS all set to make you her main man. | 0:00:21 | 0:00:25 | |
-I can't be only a lawyer, Clive. -But, Martha... -Will you just leave me alone? | 0:00:25 | 0:00:28 | |
SIREN WAILS | 0:00:58 | 0:01:01 | |
Look at that, Jake. | 0:01:11 | 0:01:13 | |
Heritage to die for. | 0:01:14 | 0:01:17 | |
Absorb and aspire. | 0:01:17 | 0:01:19 | |
Elizabeth I was here, Jake, | 0:01:23 | 0:01:26 | |
the third-greatest virgin of all time. | 0:01:26 | 0:01:30 | |
-Who are the...? -The Madonna and Madonna. | 0:01:30 | 0:01:33 | |
HE CHUCKLES | 0:01:33 | 0:01:34 | |
Maybe she stood right here, Jake. | 0:01:34 | 0:01:37 | |
Hm? | 0:01:37 | 0:01:38 | |
And her thoughts? | 0:01:38 | 0:01:40 | |
"Who comes after me? I'm childless. | 0:01:40 | 0:01:44 | |
"To whom do I bequeath my throne and isle?" | 0:01:44 | 0:01:48 | |
There comes a time, Jake, | 0:01:50 | 0:01:52 | |
when a man in my position has to turn his thoughts to legacy. | 0:01:52 | 0:01:56 | |
Our two greatest inventions are today incorporated in one woman. | 0:02:00 | 0:02:05 | |
Law and football. | 0:02:06 | 0:02:10 | |
You all set, miss? Oi! | 0:02:10 | 0:02:13 | |
-Wahey! -Fancy a mortgage fraud, sir? Good. | 0:02:13 | 0:02:16 | |
Because I've got you one. | 0:02:16 | 0:02:19 | |
PHONE RINGS | 0:02:19 | 0:02:21 | |
Legacy. | 0:02:21 | 0:02:22 | |
Le-ga-cy. | 0:02:22 | 0:02:24 | |
-(Legacy.) -How do you spell it, Jake? | 0:02:24 | 0:02:27 | |
-I-T...boom! -JAKE CHUCKLES | 0:02:27 | 0:02:30 | |
-Jesus Christ. -Oh, my God. | 0:02:34 | 0:02:36 | |
What's up, Beth? Oh, time of the month? | 0:02:36 | 0:02:38 | |
-Out of her nose, Billy? -Well, it's hard being a woman, John. | 0:02:38 | 0:02:41 | |
Right, no team colours today, boys. Today we are neutral. | 0:02:41 | 0:02:45 | |
-But we're West Ham. -And we will be again. But for now...we're Swiss. | 0:02:45 | 0:02:49 | |
-Swiss? -Neutral. | 0:02:49 | 0:02:51 | |
We have a visitor this morning. You all right, Beth? | 0:02:51 | 0:02:53 | |
I tell you what, why don't you take the day off? | 0:02:53 | 0:02:55 | |
No, what is it? It's a week, isn't it, basically, give or take? | 0:02:55 | 0:02:58 | |
No, I'm fine. Really. | 0:02:58 | 0:02:59 | |
Oh, I love women! | 0:02:59 | 0:03:01 | |
-Hello, miss. -Billy, a word? | 0:03:01 | 0:03:03 | |
Yes, miss. | 0:03:03 | 0:03:06 | |
BIRDSONG | 0:03:09 | 0:03:11 | |
-I was thinking of giving up. -So was I. | 0:03:13 | 0:03:16 | |
Got down to two lighters a day. | 0:03:16 | 0:03:19 | |
But what's a life without vices? | 0:03:19 | 0:03:21 | |
Mm. | 0:03:21 | 0:03:22 | |
Talking of which, I'm off to Bury St Edmunds, Billy, | 0:03:22 | 0:03:25 | |
to avenge the newly molested of Suffolk. | 0:03:25 | 0:03:27 | |
-Then the molesters will soon regret their molesting, miss. -There's the thing. | 0:03:27 | 0:03:31 | |
-Miss? -I'm back on sex, Billy. | 0:03:32 | 0:03:34 | |
And you so loved fraud. | 0:03:34 | 0:03:35 | |
-It's a return, isn't it? -Yes, miss. | 0:03:35 | 0:03:38 | |
-And whoever it's returned from is doing something bigger and better? -Yes, miss. | 0:03:38 | 0:03:42 | |
I've been in silk six years. Sloppy seconds are a bit... | 0:03:42 | 0:03:45 | |
I'm so glad we took you on at Shoe Lane, miss. | 0:03:45 | 0:03:48 | |
It was touch and go for a while. | 0:03:48 | 0:03:50 | |
There was a small concern about one of your vices getting out of hand. | 0:03:50 | 0:03:54 | |
I was able to reassure them. "She'll be fine," I said. | 0:03:54 | 0:03:58 | |
"I'll make sure of it." | 0:03:58 | 0:04:00 | |
Beautiful cathedral in Bury, | 0:04:02 | 0:04:05 | |
should you feel like a little purifying of the soul, miss. | 0:04:05 | 0:04:09 | |
Worth a visit. | 0:04:09 | 0:04:11 | |
-Big day, miss. -It's only a con, Billy. | 0:04:14 | 0:04:17 | |
Legal and football history. My three raison d'etres. | 0:04:17 | 0:04:19 | |
Jordan Sinclair elbowed Dean Trent in the face, breaking his jaw. | 0:04:19 | 0:04:23 | |
-Jordan Sinclair here? -This very morning. | 0:04:23 | 0:04:26 | |
-Sickening. There's no place for violence on a football pitch. -Thank you, Jake. | 0:04:26 | 0:04:29 | |
Need any help, Marth? Only my grandfather played in goal for Port Vale. So, it's in the blood. | 0:04:29 | 0:04:34 | |
-Mm. And, er...who do you support, Clive? -Chelsea. | 0:04:34 | 0:04:37 | |
LAUGHTER So, er...not really in the blood, then. | 0:04:37 | 0:04:40 | |
CLOCK CHIMES | 0:04:40 | 0:04:42 | |
-Alan? -Martha. | 0:04:43 | 0:04:47 | |
Not in court? | 0:04:47 | 0:04:48 | |
No, legal conference. | 0:04:48 | 0:04:50 | |
Most people would look forward to a couple of days at Hogwarts. | 0:04:50 | 0:04:55 | |
But... | 0:04:55 | 0:04:56 | |
Most people don't have a son with schizophrenia. | 0:04:56 | 0:05:00 | |
I'm sorry. | 0:05:01 | 0:05:03 | |
I've had lots of hugs from clients who've got off over the years, | 0:05:05 | 0:05:11 | |
but none like the hug your son gave me. | 0:05:11 | 0:05:13 | |
David wants help. | 0:05:14 | 0:05:17 | |
Give it to him. | 0:05:17 | 0:05:18 | |
The trial's listed for a week. | 0:05:21 | 0:05:23 | |
Five days of famous footballers rubbing shoulders with Shoe Lane | 0:05:23 | 0:05:27 | |
all over the front pages. | 0:05:27 | 0:05:28 | |
Me against Martha. | 0:05:28 | 0:05:31 | |
Oh, um...Nicola wanted me to tell you, again, | 0:05:31 | 0:05:35 | |
just how talented she thinks you are. | 0:05:35 | 0:05:37 | |
-I didn't, by the way. -Mm-hm. | 0:05:38 | 0:05:40 | |
Ah! | 0:05:40 | 0:05:42 | |
There you go, sir - one big, fat mortgage fraud. | 0:05:42 | 0:05:46 | |
It clashes. | 0:05:46 | 0:05:48 | |
-With? -Prosecuting Jordan Sinclair. | 0:05:48 | 0:05:50 | |
-Oh. Yeah. -You didn't know? | 0:05:50 | 0:05:53 | |
-Yeah, yeah. Must have just... -Slipped your mind? -Yeah. | 0:05:53 | 0:05:56 | |
BILLY CHUCKLES | 0:05:56 | 0:05:58 | |
I'm withdrawing my offer of help. | 0:06:03 | 0:06:06 | |
Ah, no, I didn't mean it about Chelsea. They're a lovely football club. | 0:06:06 | 0:06:09 | |
-Who's your second favourite team? -I'm prosecuting you. | 0:06:09 | 0:06:12 | |
Right. | 0:06:12 | 0:06:15 | |
-Sinclair? -Yep. | 0:06:15 | 0:06:16 | |
SHE CHUCKLES Right. | 0:06:16 | 0:06:18 | |
It's Manchester City, isn't it? | 0:06:18 | 0:06:20 | |
-Your second team? -I was going to ask you - want to go for a drink later? | 0:06:20 | 0:06:23 | |
We probably shouldn't if we're against each other. | 0:06:23 | 0:06:25 | |
-There's that bar in Exmouth Market that's got table football. -SHE SNORTS | 0:06:25 | 0:06:28 | |
-Imagine if the press got hold of it. -Miss? Your client's here. | 0:06:28 | 0:06:31 | |
(He's gorgeous.) | 0:06:31 | 0:06:33 | |
-Oh, and this is Amy, the new pupil. -Hi. | 0:06:33 | 0:06:36 | |
-Hello. -She's roaming. | 0:06:36 | 0:06:37 | |
-Not attached to anyone in particular. -So, up to you. | 0:06:37 | 0:06:40 | |
We're against each other in the same trial. | 0:06:40 | 0:06:42 | |
Who do you want to be with? | 0:06:42 | 0:06:44 | |
I think that's an unfair question, don't you? How is she supposed to decide? | 0:06:44 | 0:06:48 | |
Would you like to meet Jordan Sinclair? | 0:06:48 | 0:06:51 | |
PHONE RINGS | 0:06:55 | 0:06:57 | |
Harriet! A word. | 0:06:59 | 0:07:01 | |
Billy? | 0:07:10 | 0:07:11 | |
There are things you need to understand. | 0:07:11 | 0:07:13 | |
Whenever you talk to someone, you talk to me afterwards, | 0:07:15 | 0:07:18 | |
because if I'm not in the loop, then we're dead in the water. | 0:07:18 | 0:07:20 | |
That's a lot of metaphors. | 0:07:20 | 0:07:22 | |
When you get silk, your caseload goes just like that, | 0:07:22 | 0:07:26 | |
and all your old junior work goes to feed the huddled masses who missed out. | 0:07:26 | 0:07:29 | |
I'm getting famine, death and violins, Billy. | 0:07:29 | 0:07:32 | |
I'm killing myself to keep Clive Reader busy. | 0:07:32 | 0:07:36 | |
-In the pub. -Where I got him a nice, big mortgage fraud. -So? | 0:07:36 | 0:07:40 | |
When I come back and find that Clive Reader is already doing a case, | 0:07:40 | 0:07:44 | |
all my work is wasted, and all because you didn't tell anyone! | 0:07:44 | 0:07:49 | |
It's the 21st century. Computers do the talking. | 0:07:49 | 0:07:52 | |
The case is in the system, logged and booked. You can see it on your phone, even in the pub. | 0:07:52 | 0:07:56 | |
-You undermined me. -You went to the pub. | 0:07:56 | 0:07:58 | |
Because if you're a serious clerk, that's what you do. | 0:07:58 | 0:08:02 | |
Do you think I like doing what I do to my liver? I do it for chambers. | 0:08:02 | 0:08:07 | |
So, all the clerks together, drinking selflessly, | 0:08:07 | 0:08:10 | |
scribbling in diaries like you're all in Bleak House. | 0:08:10 | 0:08:13 | |
I made two phone calls to Nicola at the CPS, | 0:08:13 | 0:08:15 | |
got the brief, logged it on the system, | 0:08:15 | 0:08:18 | |
and if we don't all start operating like that, then we're all dead. | 0:08:18 | 0:08:22 | |
Oh... | 0:08:23 | 0:08:24 | |
You don't have to be in the pub to see it on your phone, | 0:08:24 | 0:08:28 | |
because, unlike you, it works without a drink. | 0:08:28 | 0:08:31 | |
You're unique, Jordan, | 0:08:35 | 0:08:37 | |
the first footballer in this jurisdiction to face criminal proceedings | 0:08:37 | 0:08:40 | |
for something physical that happened on the pitch. | 0:08:40 | 0:08:42 | |
You elbowed Dean Trent in the face, and they throw the kitchen sink at you. | 0:08:42 | 0:08:46 | |
-Why me? -Wrong question. | 0:08:46 | 0:08:49 | |
We won't be going anywhere near the fairness issue. | 0:08:49 | 0:08:51 | |
Why's that? | 0:08:51 | 0:08:53 | |
Because English juries have waited a very long time to try a footballer... | 0:08:53 | 0:08:59 | |
TEXT ALERT ..for the kind of bad behaviour | 0:08:59 | 0:09:00 | |
that everyone else goes to prison for. | 0:09:00 | 0:09:03 | |
They look at you and your money... | 0:09:04 | 0:09:07 | |
TEXTING ..and your attitude, | 0:09:07 | 0:09:10 | |
and they say, "About bloody time!" | 0:09:10 | 0:09:13 | |
-TEXTING -So, self-defence. | 0:09:13 | 0:09:16 | |
Yeah, I knew he was coming. | 0:09:16 | 0:09:17 | |
-KEYPAD CLICKS -Big lump like that. And I knew he was going to do me. | 0:09:17 | 0:09:20 | |
-KEYPAD CLICKS -And that's when your elbow... | 0:09:20 | 0:09:22 | |
-Yeah. Self-protection. -PHONE BEEPS | 0:09:22 | 0:09:26 | |
"I've done your mum and I'm going to do you." Trent was threatening you earlier. | 0:09:26 | 0:09:30 | |
-I went to take a throw-in and he was off the bench, warming up. -TEXT ALERT | 0:09:30 | 0:09:33 | |
And? | 0:09:33 | 0:09:35 | |
Well, he gave me the ball, which was a bit weird, cos they were 1-0 up and in no hurry... | 0:09:35 | 0:09:39 | |
KEYPAD CLICKS | 0:09:39 | 0:09:40 | |
..but as he did, he said that thing about my mum. | 0:09:40 | 0:09:42 | |
KEYPAD CLICKS And he smiled as he did it? | 0:09:42 | 0:09:45 | |
There's cameras everywhere. He's not stupid. | 0:09:45 | 0:09:47 | |
-KEYPAD CLICKS -And when he came on... | 0:09:47 | 0:09:49 | |
-PHONE BEEPS -You won't know this. No disrespect... -Look, | 0:09:49 | 0:09:51 | |
why don't you put your phone away and try me? | 0:09:51 | 0:09:53 | |
There's a difference when an opponent's going to hurt you. | 0:09:58 | 0:10:01 | |
You can sense 'em looking for the right kind of 50/50 challenge | 0:10:01 | 0:10:04 | |
so they can break your leg. | 0:10:04 | 0:10:05 | |
The right kind, meaning a tackle that can be made to look, | 0:10:05 | 0:10:08 | |
what, clumsy or committed or wholehearted? | 0:10:08 | 0:10:12 | |
And you can't know the difference unless you've been there and felt it. | 0:10:12 | 0:10:15 | |
Now, did you do anything to provoke him? | 0:10:15 | 0:10:18 | |
TEXT ALERT | 0:10:18 | 0:10:19 | |
I mean, was there a moment when you made him feel, "You know what? | 0:10:19 | 0:10:22 | |
"I really, really hate this cocky little bastard." | 0:10:22 | 0:10:27 | |
PHONE BEEPS | 0:10:27 | 0:10:28 | |
Well...after he came on, I did this trick. | 0:10:28 | 0:10:31 | |
Right, you know that...that drag-back thing that Johan Cruyff did? | 0:10:31 | 0:10:34 | |
Well, I made a bit of a mess of it, actually, | 0:10:34 | 0:10:36 | |
but it sort of worked and it made him look stupid. | 0:10:36 | 0:10:39 | |
Players like Trent think that's taking the mickey. | 0:10:39 | 0:10:43 | |
There's no call for skill like that in his book. | 0:10:43 | 0:10:45 | |
He got angry and he started intimidating you? | 0:10:45 | 0:10:47 | |
I know what you're saying. | 0:10:49 | 0:10:51 | |
"Tell the jury that you were scared of Trent, | 0:10:51 | 0:10:53 | |
"and it will help self-defence stand up better in court." | 0:10:53 | 0:10:56 | |
Dean Trent... | 0:10:56 | 0:10:57 | |
doesn't scare me. | 0:10:57 | 0:10:59 | |
Hm. | 0:10:59 | 0:11:01 | |
PHONE RINGS Prison will. | 0:11:01 | 0:11:03 | |
-PHONE RINGS -I need to take this. | 0:11:05 | 0:11:08 | |
It must be important. | 0:11:08 | 0:11:11 | |
DOOR SHUTS | 0:11:11 | 0:11:12 | |
SHE CLEARS HER THROAT | 0:11:15 | 0:11:18 | |
Sorry. He's...young. | 0:11:19 | 0:11:21 | |
Yeah, and it's very hard for him earning 90 grand a week at his age. | 0:11:21 | 0:11:25 | |
I mean, how much do you earn, Amy? | 0:11:25 | 0:11:28 | |
Um...well, nothing. | 0:11:28 | 0:11:31 | |
Not yet. | 0:11:31 | 0:11:33 | |
Trent's a psycho. | 0:11:33 | 0:11:36 | |
-But Madden doesn't let it get out. -His agent? | 0:11:36 | 0:11:39 | |
No-one wants to hear it, because they're all in his pocket. | 0:11:39 | 0:11:42 | |
So...so he and Trent share the same agent? | 0:11:42 | 0:11:46 | |
They did, along with half of football, until he dropped him. | 0:11:46 | 0:11:51 | |
Why? | 0:11:51 | 0:11:53 | |
Jordan wouldn't plead, and Madden wanted to protect Trent. | 0:11:53 | 0:11:56 | |
Who was that? | 0:11:59 | 0:12:01 | |
No-one. | 0:12:01 | 0:12:02 | |
-Yeah, but who was it? -Nobody. | 0:12:02 | 0:12:05 | |
So, Jordan, who's more important in your life than me right now? | 0:12:05 | 0:12:08 | |
My mum. | 0:12:08 | 0:12:11 | |
Caroline? | 0:12:17 | 0:12:18 | |
Yes? | 0:12:19 | 0:12:20 | |
Anthony Ashton. Tony. | 0:12:20 | 0:12:23 | |
-Sorry. Have we met? -Probably, in passing. | 0:12:24 | 0:12:26 | |
We're against each other. | 0:12:26 | 0:12:28 | |
Oh, darling, I'm sorry. | 0:12:28 | 0:12:31 | |
I didn't know. | 0:12:31 | 0:12:33 | |
Don't you start young these days? | 0:12:33 | 0:12:36 | |
David, it's Dad. | 0:12:40 | 0:12:42 | |
Er...they don't let you out of these places once you're in. | 0:12:42 | 0:12:47 | |
So, I won't be around for a couple of days. | 0:12:47 | 0:12:50 | |
But you can ring me and, um... | 0:12:50 | 0:12:52 | |
OK. Bye. | 0:12:52 | 0:12:54 | |
It's me again. Um... | 0:13:01 | 0:13:04 | |
I love you. | 0:13:04 | 0:13:06 | |
PHONE BEEPS | 0:13:07 | 0:13:08 | |
So, why are you doing a bog-standard rape out in the sticks? | 0:13:08 | 0:13:13 | |
I'm sorry? | 0:13:13 | 0:13:14 | |
I wasn't expecting to be up against a silk. | 0:13:14 | 0:13:16 | |
A favour to my senior clerk. | 0:13:16 | 0:13:20 | |
I'm hoping sex leads to money. | 0:13:21 | 0:13:23 | |
Hm. Much like Stacey Grant. | 0:13:23 | 0:13:26 | |
Really? | 0:13:26 | 0:13:28 | |
Oh, please. | 0:13:28 | 0:13:30 | |
A girl from the back office has a few too many, makes eyes at the boss, | 0:13:30 | 0:13:33 | |
and then cries rape when he doesn't want to get engaged the next morning. | 0:13:33 | 0:13:37 | |
A toast. | 0:13:38 | 0:13:41 | |
To first impressions. | 0:13:41 | 0:13:43 | |
If she looks like she'd drop her knickers for an alcopop, | 0:13:43 | 0:13:47 | |
he may live to pull another day. | 0:13:47 | 0:13:50 | |
If she turns up like Miss Jean Brodie at a job interview, | 0:13:50 | 0:13:53 | |
you're as screwed as she was. | 0:13:53 | 0:13:55 | |
I couldn't have put it better. | 0:13:56 | 0:13:58 | |
I've been hearing those jokes for as long as I can remember. | 0:13:58 | 0:14:02 | |
The reaction is like a litmus test. | 0:14:03 | 0:14:05 | |
So, what does this one tell you? | 0:14:06 | 0:14:09 | |
That you've never been up against a silk before. | 0:14:09 | 0:14:12 | |
Come on, we're off. | 0:14:12 | 0:14:14 | |
Oh, I can't. I'm in court. | 0:14:14 | 0:14:16 | |
Right. OK. | 0:14:16 | 0:14:18 | |
-First time? -Yeah. | 0:14:18 | 0:14:21 | |
What is it? | 0:14:21 | 0:14:23 | |
Everything. Um...warrants, lots of shoplifting and no instructions. | 0:14:23 | 0:14:28 | |
It's going to be fine. | 0:14:28 | 0:14:30 | |
Absolutely, yeah. | 0:14:30 | 0:14:32 | |
Um...what's a warrant? | 0:14:32 | 0:14:34 | |
An arrest warrant's issued when someone fails to turn up at court. | 0:14:34 | 0:14:38 | |
Right, yeah. | 0:14:38 | 0:14:40 | |
Now, listen. Just get the basics right. Everything else will follow. | 0:14:40 | 0:14:44 | |
Go and see your client, ask for instructions, | 0:14:44 | 0:14:47 | |
and if you don't feel ready, get an adjournment. | 0:14:47 | 0:14:50 | |
OK. | 0:14:50 | 0:14:52 | |
Don't rush, deep breaths... | 0:14:52 | 0:14:54 | |
-Mm. -..stand up for yourself. | 0:14:54 | 0:14:57 | |
You'll be great. | 0:14:57 | 0:14:59 | |
Clive, read this. | 0:15:05 | 0:15:07 | |
HE CHUCKLES | 0:15:11 | 0:15:13 | |
-Are you staying? -Just for the kick-off. | 0:15:13 | 0:15:15 | |
Nicola, listen. I've just got to say thank you for this brief. Honestly. It really means a lot. | 0:15:15 | 0:15:19 | |
-My grandfather played for Port Vale, so it's in the blood. -Wow. Really? Wow. | 0:15:19 | 0:15:23 | |
Who do you support? | 0:15:23 | 0:15:25 | |
-Chelsea. -Brilliant. Me too. | 0:15:25 | 0:15:27 | |
HE CHUCKLES | 0:15:27 | 0:15:29 | |
I'm just going to, um... My opponent. | 0:15:29 | 0:15:32 | |
HE CHUCKLES | 0:15:32 | 0:15:34 | |
-Bit senior to come to court. -Jealous, Marth? | 0:15:36 | 0:15:39 | |
-What was she saying? -Oh, um... | 0:15:40 | 0:15:44 | |
Six weeks before this incident, | 0:15:53 | 0:15:55 | |
you go to a hotel, hire a suite, trash it, | 0:15:55 | 0:15:59 | |
and the manager who tries to get you removed gets punched. | 0:15:59 | 0:16:01 | |
-Yeah, that wasn't... -Ah, no, hang on. It gets better. | 0:16:01 | 0:16:05 | |
Your agent, who is now giving evidence against you, | 0:16:05 | 0:16:09 | |
takes out an injunction to stop it getting in the papers. | 0:16:09 | 0:16:12 | |
I mean, why didn't you tell me? | 0:16:12 | 0:16:15 | |
I cannot work in the dark. | 0:16:15 | 0:16:17 | |
They said it couldn't be mentioned. | 0:16:17 | 0:16:19 | |
From now on, you tell me everything and you say it as it is. | 0:16:20 | 0:16:26 | |
OK? | 0:16:27 | 0:16:29 | |
That wasn't how it looks. Right. | 0:16:29 | 0:16:32 | |
I treated some mates from back home, | 0:16:32 | 0:16:34 | |
only some of them got rowdy and people complained. | 0:16:34 | 0:16:37 | |
Oh, how unreasonable of them(!) | 0:16:37 | 0:16:38 | |
Well, it wasn't me. I tried to calm them down. | 0:16:38 | 0:16:41 | |
Then Madden paid off the hotel manager but only to be quiet about me. | 0:16:41 | 0:16:44 | |
So, my mates got done, and I didn't. | 0:16:44 | 0:16:47 | |
We fell out, they went to the papers, and Madden got an injunction. | 0:16:47 | 0:16:50 | |
TEXT ALERT | 0:16:50 | 0:16:52 | |
How do you feel about home? | 0:16:53 | 0:16:55 | |
Do you miss it? | 0:16:57 | 0:16:59 | |
You've come a long way fast. | 0:17:01 | 0:17:05 | |
When I first came to London, it was in my early days at the Bar. | 0:17:08 | 0:17:12 | |
I was frightened of everyone - judges, other barristers, clerks. | 0:17:13 | 0:17:19 | |
So, I put on this kind of angry front to compensate. | 0:17:21 | 0:17:26 | |
PHONE RINGS | 0:17:27 | 0:17:30 | |
RINGING STOPS | 0:17:39 | 0:17:40 | |
Thanks. | 0:17:44 | 0:17:46 | |
Mr Rankin? | 0:17:48 | 0:17:50 | |
I'm Amy. | 0:17:50 | 0:17:52 | |
-I'm Amy. -Yes. | 0:17:53 | 0:17:54 | |
Your barrister. | 0:17:54 | 0:17:56 | |
HE PANTS | 0:17:58 | 0:18:00 | |
Sort my warrants and my methadone. | 0:18:00 | 0:18:03 | |
Get my script, yeah? | 0:18:03 | 0:18:05 | |
-Right. Script? -Yeah. | 0:18:05 | 0:18:07 | |
-Script? -Yeah. | 0:18:07 | 0:18:09 | |
Right. | 0:18:09 | 0:18:11 | |
OK. | 0:18:11 | 0:18:12 | |
How many warrants are there? And from where? | 0:18:15 | 0:18:18 | |
Yeah. Methadone, yeah... | 0:18:18 | 0:18:21 | |
Er...why did you fail to appear at court last time? | 0:18:21 | 0:18:25 | |
Um...too ill. | 0:18:25 | 0:18:28 | |
When was the last time? | 0:18:28 | 0:18:30 | |
The 16th at Camberwell Green? | 0:18:30 | 0:18:33 | |
Right. | 0:18:33 | 0:18:35 | |
My methadone. Thanks. | 0:18:35 | 0:18:37 | |
HE GRUNTS | 0:18:37 | 0:18:38 | |
DOOR SLAMS | 0:18:38 | 0:18:40 | |
I need a doctor. | 0:18:40 | 0:18:42 | |
Christopher Rankin. Cell four. | 0:18:42 | 0:18:45 | |
He's been seen. | 0:18:45 | 0:18:47 | |
-When? -This morning. Fit to attend court. | 0:18:47 | 0:18:49 | |
Yeah, but he's not well. | 0:18:49 | 0:18:51 | |
-Has he collapsed? -No, but... | 0:18:51 | 0:18:53 | |
Self-harm, suicide, vomiting, threats or fainting? | 0:18:53 | 0:18:57 | |
No. | 0:18:57 | 0:18:58 | |
Then he's well. | 0:18:58 | 0:19:00 | |
Do I look like a social worker? | 0:19:00 | 0:19:02 | |
Do I? | 0:19:03 | 0:19:05 | |
-You can't use this. -Similar fact evidence. Shows how he loses his temper. | 0:19:07 | 0:19:11 | |
It's never similar fact. | 0:19:11 | 0:19:12 | |
I know. | 0:19:12 | 0:19:14 | |
What? | 0:19:14 | 0:19:16 | |
Your client's not talking to you, is he? | 0:19:16 | 0:19:18 | |
-See you later, Clive. -Yeah. | 0:19:18 | 0:19:19 | |
-We're doing all right, wouldn't you say? -Sorry? | 0:19:19 | 0:19:23 | |
Keeping the professional and the personal separate. | 0:19:23 | 0:19:26 | |
I just felt it. | 0:19:30 | 0:19:32 | |
Bang on the side of my jaw, and I went down, sparko. | 0:19:32 | 0:19:36 | |
Broken jaw, fractured cheekbone, lost three teeth. | 0:19:36 | 0:19:40 | |
-You've seen the pictures. -You were hit by something? | 0:19:40 | 0:19:43 | |
Jordan Sinclair's elbow. | 0:19:43 | 0:19:46 | |
He waited for me and he flung it. I didn't even see it coming. | 0:19:46 | 0:19:48 | |
-Was it thrown deliberately? -Er...don't lead. | 0:19:48 | 0:19:51 | |
Your Honour, I apologise. My learned friend is quite right. | 0:19:53 | 0:19:56 | |
I'll rephrase the question. | 0:19:56 | 0:19:57 | |
What were you thinking at the time? | 0:19:57 | 0:19:59 | |
That it was deliberate. | 0:20:01 | 0:20:03 | |
Did you do anything to, er...provoke the attack? | 0:20:05 | 0:20:08 | |
Nothing. | 0:20:08 | 0:20:09 | |
You spoke to him from the touchline before you came on, when you were giving him the ball back. | 0:20:09 | 0:20:13 | |
It was just banter. | 0:20:13 | 0:20:15 | |
You've been a footballer at the very top level for over a decade. | 0:20:16 | 0:20:20 | |
Has anything like this ever happened to you before? | 0:20:20 | 0:20:22 | |
Never. It's cowardly. | 0:20:22 | 0:20:25 | |
Not what the game should be about. The game's better than that. | 0:20:25 | 0:20:28 | |
So, a bottle of white wine... | 0:20:31 | 0:20:34 | |
four cocktails, that you can remember, | 0:20:34 | 0:20:37 | |
and six or maybe seven shots? | 0:20:37 | 0:20:39 | |
-Yes. -You made it up, didn't you? Embarrassed and needing to save face. | 0:20:40 | 0:20:45 | |
You've invented this rape allegation. | 0:20:45 | 0:20:48 | |
No. I didn't. I didn't! | 0:20:48 | 0:20:50 | |
Miss Grant, have you ever suggested that you weren't drunk? | 0:20:50 | 0:20:54 | |
-Never. -Thank you. | 0:20:54 | 0:20:57 | |
Could it have been more shots? | 0:20:57 | 0:20:59 | |
Might it have been eight or nine? | 0:20:59 | 0:21:03 | |
It could have been. | 0:21:06 | 0:21:08 | |
Thank you. | 0:21:08 | 0:21:10 | |
MARTHA: "I've done your mum and I'm going to do you." | 0:21:12 | 0:21:15 | |
-Do you recognise those words? -No. | 0:21:15 | 0:21:18 | |
That's what you said to Jordan Sinclair, isn't it? | 0:21:18 | 0:21:21 | |
Here's the ball, big smile, vicious insult. | 0:21:21 | 0:21:25 | |
I wouldn't use a phrase like that. It's offensive. | 0:21:25 | 0:21:29 | |
When were you coached on what to say in that witness box? | 0:21:29 | 0:21:33 | |
I've not been coached. | 0:21:33 | 0:21:35 | |
So, no sitting around discussing the evidence with, say, Ben Madden? | 0:21:35 | 0:21:41 | |
I've not spoken to Ben about this. | 0:21:41 | 0:21:44 | |
You turn questions round, don't you, into denials? | 0:21:45 | 0:21:50 | |
I don't turn them round into denials. | 0:21:50 | 0:21:52 | |
You threaten people you're playing against. | 0:21:54 | 0:21:56 | |
I don't do threats. | 0:21:56 | 0:21:58 | |
How did you feel when he did that Johann Cruyff trick on you? | 0:21:58 | 0:22:02 | |
50,000 people in the ground. Millions on the telly. | 0:22:02 | 0:22:06 | |
Embarrassed, Mr Trent? | 0:22:06 | 0:22:09 | |
-Humiliated? -I know what you're after. | 0:22:09 | 0:22:12 | |
I wasn't wound up by him and I didn't try and use threats to control him. | 0:22:12 | 0:22:16 | |
Like I say, the game's better than that. | 0:22:16 | 0:22:18 | |
Ben likes that phrase, doesn't he? | 0:22:18 | 0:22:20 | |
He's right. | 0:22:20 | 0:22:22 | |
So, it WAS his phrase? | 0:22:23 | 0:22:24 | |
He might have said it first. | 0:22:24 | 0:22:26 | |
And you repeated it... but you weren't coached? | 0:22:26 | 0:22:30 | |
No, I wasn't. | 0:22:30 | 0:22:32 | |
I was elbowed. | 0:22:32 | 0:22:34 | |
We need to nail Madden. | 0:22:36 | 0:22:37 | |
Him and Trent are as tight as you like. He's more than just an agent. | 0:22:37 | 0:22:42 | |
We need an angle. You said he's got journalists in his pocket? | 0:22:42 | 0:22:45 | |
Yeah, loads. | 0:22:45 | 0:22:48 | |
Tonight, find me a story about yourself that you can't explain, | 0:22:48 | 0:22:52 | |
that got in the paper by magic. | 0:22:52 | 0:22:54 | |
BIRDSONG | 0:22:56 | 0:22:58 | |
I'm just very quietly tipping you off. | 0:23:02 | 0:23:05 | |
I'm sorry? | 0:23:05 | 0:23:07 | |
You've got a big decision to make. | 0:23:07 | 0:23:10 | |
Your shoulder is about to be tapped, as they used to say. | 0:23:11 | 0:23:14 | |
How do you know? | 0:23:15 | 0:23:17 | |
Terrible gossips, judges, when it comes to new colleagues. | 0:23:17 | 0:23:20 | |
Oh... | 0:23:20 | 0:23:22 | |
-PHONE RINGS -Oh. | 0:23:22 | 0:23:24 | |
David. It's Dad. | 0:23:26 | 0:23:28 | |
Yes, sorry, of course, you know it's Dad cos you're calling me. | 0:23:29 | 0:23:33 | |
Miss Grant was drunk, wasn't she? | 0:23:33 | 0:23:36 | |
-FLINDERS: -She was. -Very drunk? | 0:23:36 | 0:23:38 | |
Yes. | 0:23:38 | 0:23:40 | |
Unsteady? Red-eyed? Slurring? | 0:23:40 | 0:23:43 | |
She was, yes. | 0:23:43 | 0:23:44 | |
In fact, she'd drunk so much, she'd been sick on her dress. | 0:23:44 | 0:23:48 | |
To be fair to you, that's the sort of witness we're dealing with, isn't it? | 0:23:48 | 0:23:53 | |
I think it's important that we get that clear. | 0:23:53 | 0:23:56 | |
And of all the women in that bar, she was the one you wanted to have sex with? | 0:23:58 | 0:24:02 | |
The slurring, drunk, weepy one, who smelled of vomit? | 0:24:02 | 0:24:05 | |
No, no, it wasn't like that. She was drunk, OK... | 0:24:05 | 0:24:08 | |
And you chose her because of her drunken state, not despite it. | 0:24:08 | 0:24:12 | |
She wasn't attractive, she was a mess. | 0:24:12 | 0:24:15 | |
But she was vulnerable, | 0:24:15 | 0:24:17 | |
and because of that, you hunted her down and you raped her, | 0:24:17 | 0:24:20 | |
didn't you, Mr Flinders? | 0:24:20 | 0:24:22 | |
-Um...Your Honour. -Madam. | 0:24:27 | 0:24:31 | |
You are not wearing a wig, nor am I. | 0:24:31 | 0:24:34 | |
This is not the crown court. You call me madam. | 0:24:34 | 0:24:36 | |
Madam, um... | 0:24:36 | 0:24:39 | |
..a number of pieces of information have come to light | 0:24:40 | 0:24:44 | |
which, um...which mean I've been unable | 0:24:44 | 0:24:47 | |
to take full instructions and I...I... | 0:24:47 | 0:24:50 | |
You've had all day. | 0:24:50 | 0:24:52 | |
But there have been, um...difficulties. | 0:24:53 | 0:24:57 | |
Let me give you some advice, Miss Lang. | 0:24:57 | 0:25:00 | |
Don't dress up what you say in court | 0:25:00 | 0:25:02 | |
by making it sound like how you think lawyers are supposed to sound in court. | 0:25:02 | 0:25:06 | |
Try and sound like yourself, or your career won't work. | 0:25:06 | 0:25:09 | |
Plain speech, Miss Lang. | 0:25:10 | 0:25:12 | |
Can I have an adjournment, please? | 0:25:12 | 0:25:15 | |
No. | 0:25:15 | 0:25:17 | |
SHE RUSTLES PAPERS | 0:25:19 | 0:25:21 | |
Um... | 0:25:21 | 0:25:23 | |
Christopher Rankin, I've been told, is in need of a DIP and a PSR. | 0:25:26 | 0:25:30 | |
An FDR is a possibility and maybe a DDR too. | 0:25:30 | 0:25:34 | |
I don't know what they're on about and I'm the barrister. | 0:25:34 | 0:25:37 | |
Mr Rankin, as a-a-a long-term heavy heroin user, | 0:25:38 | 0:25:42 | |
finds it hard to take on board. | 0:25:42 | 0:25:44 | |
Frankly, he finds it hard to take anything on board. | 0:25:44 | 0:25:48 | |
He neither knows nor cares if it's day or night, | 0:25:48 | 0:25:51 | |
or whether he's remanded in custody or released on bail. | 0:25:51 | 0:25:54 | |
There are far too many lawyers in his life, madam, and not enough doctors. | 0:25:54 | 0:25:58 | |
-I'll adjourn this case for a week. -Thank you. | 0:25:59 | 0:26:02 | |
Thank you very much. | 0:26:04 | 0:26:06 | |
And when you come back, | 0:26:06 | 0:26:07 | |
as you insist you have insufficient instructions to proceed today, | 0:26:07 | 0:26:10 | |
you can explain to the court in plain speech, | 0:26:10 | 0:26:13 | |
why your solicitors should not pay the cost of today's hearing. | 0:26:13 | 0:26:17 | |
I'm sorry I punched you in the face. | 0:26:24 | 0:26:26 | |
Can we be honest with each other? | 0:26:28 | 0:26:30 | |
I like you, Jake. | 0:26:30 | 0:26:32 | |
-I like you. -Yeah, but not the way that I like you. | 0:26:34 | 0:26:38 | |
You're my friend. Let's not mess that up. | 0:26:38 | 0:26:41 | |
We could try. | 0:26:44 | 0:26:46 | |
Let's not try to mess it up, OK? | 0:26:48 | 0:26:51 | |
But one day I'll be... | 0:26:55 | 0:26:57 | |
It's a family thing. | 0:26:58 | 0:26:59 | |
Billy and me. | 0:27:00 | 0:27:02 | |
Family. | 0:27:04 | 0:27:06 | |
No, Jake. Billy's going to be here for ever. | 0:27:06 | 0:27:10 | |
Then it's going to be John or Harriet, not you. | 0:27:10 | 0:27:13 | |
Work, family. | 0:27:13 | 0:27:15 | |
Not family, family. | 0:27:15 | 0:27:16 | |
-You're winning, aren't you? -Sorry. | 0:27:25 | 0:27:28 | |
Is it really awkward when celebrities come to chambers, and we send them to prison? | 0:27:28 | 0:27:31 | |
Don't feel awkward, sir. It's me. It's unconditional. | 0:27:31 | 0:27:34 | |
Out of interest, why do you dislike Dean Trent? | 0:27:34 | 0:27:36 | |
I'm West Ham, sir. We pass. We love players who can pass. | 0:27:36 | 0:27:41 | |
Dean Trent can't. He stops people passing. | 0:27:41 | 0:27:44 | |
He's anti-football. | 0:27:44 | 0:27:47 | |
I can't love him. | 0:27:47 | 0:27:49 | |
-Night, sir. -Yeah, night. | 0:27:49 | 0:27:51 | |
And the real reason? He didn't get you the brief. | 0:27:57 | 0:28:00 | |
So, like the big child he can sometimes be, he's not on your side. | 0:28:00 | 0:28:05 | |
What's going on? | 0:28:06 | 0:28:08 | |
Word has it Alan Cowdrey's heading upstairs...the bench, full-time. | 0:28:08 | 0:28:12 | |
Right. Really? | 0:28:12 | 0:28:14 | |
So, there'll be a vacancy for head of chambers. | 0:28:14 | 0:28:18 | |
Another drink? | 0:28:20 | 0:28:22 | |
William Lamb. | 0:28:23 | 0:28:26 | |
Er...the results, please. | 0:28:26 | 0:28:28 | |
The PSA is down? That's great! Thank you. | 0:28:32 | 0:28:36 | |
Thank you. When...when do I have to come in for the next test? | 0:28:36 | 0:28:40 | |
Great. OK. Thank you. Bye. | 0:28:40 | 0:28:42 | |
Liverpool Football Club have played over 5,000 matches in their history. | 0:28:44 | 0:28:48 | |
Only once ever have they come back from three goals down at half-time to win. | 0:28:48 | 0:28:53 | |
-Istanbul. -Mm. The miracle of. | 0:28:53 | 0:28:55 | |
So... | 0:28:55 | 0:28:57 | |
Whatever Rafa Benitez said to them at half-time, that's you now. | 0:28:57 | 0:29:00 | |
Oh, I'm a dumpy Spaniard? | 0:29:00 | 0:29:02 | |
-HE LAUGHS -With a shot at ultimate glory. | 0:29:02 | 0:29:05 | |
Are you all right, Billy? | 0:29:06 | 0:29:08 | |
Yeah. | 0:29:08 | 0:29:10 | |
To summarise, then, Mr Madden, | 0:29:12 | 0:29:14 | |
Jordan Sinclair told you that he'd attacked Dean Trent deliberately, | 0:29:14 | 0:29:17 | |
that Trent was history now, | 0:29:17 | 0:29:19 | |
and that you should concentrate all your efforts on his career instead? | 0:29:19 | 0:29:23 | |
He did, and I was shocked. | 0:29:23 | 0:29:26 | |
Thank you. | 0:29:26 | 0:29:29 | |
(Boom.) | 0:29:29 | 0:29:31 | |
How long have you represented Dean Trent? | 0:29:31 | 0:29:34 | |
Since he was a kid, more than a decade now. | 0:29:34 | 0:29:38 | |
-Very successfully. -Very. | 0:29:38 | 0:29:41 | |
And he has some huge sponsorship deals, doesn't he? | 0:29:41 | 0:29:45 | |
You probably helped broker them? | 0:29:45 | 0:29:48 | |
I think I did more than just help. | 0:29:48 | 0:29:51 | |
And doubtless... they've got morality clauses in them? | 0:29:51 | 0:29:54 | |
So, if he's found to, say, well, hurl foul abuse at someone | 0:29:54 | 0:30:00 | |
or be publicly offensive, | 0:30:00 | 0:30:03 | |
he'd be seen as toxic in the eyes of the people who pay him, | 0:30:03 | 0:30:06 | |
and those contracts could be null and void? | 0:30:06 | 0:30:10 | |
He didn't, though, did he? | 0:30:10 | 0:30:13 | |
That's you, or Jordan, mud-slinging. | 0:30:13 | 0:30:16 | |
I don't represent thugs. | 0:30:16 | 0:30:18 | |
Your evidence about Jordan Sinclair inventing Dean Trent's threats | 0:30:18 | 0:30:24 | |
is completely manufactured and self-serving. | 0:30:24 | 0:30:29 | |
No. | 0:30:29 | 0:30:30 | |
Your suggestion's a smear, and you know it. | 0:30:30 | 0:30:34 | |
Sinclair admitted it to me, and I wasn't having it. | 0:30:34 | 0:30:37 | |
Dean Trent's been with you a long time, hasn't he? | 0:30:39 | 0:30:42 | |
He's seen you in action. Is it that he knows where the bodies are buried? | 0:30:42 | 0:30:46 | |
Hm? | 0:30:46 | 0:30:48 | |
Best keep him happy, because he knows everything, | 0:30:48 | 0:30:51 | |
whereas Jordan Sinclair, new kid on the block, knows nothing? | 0:30:51 | 0:30:55 | |
Look, I've got no bodies. You've got no defence. | 0:30:55 | 0:30:58 | |
-Right pair, aren't we? -RIPPLE OF LAUGHTER | 0:30:58 | 0:31:01 | |
If we could let Miss Costello ask the questions, Mr Madden? | 0:31:01 | 0:31:05 | |
Last year, according to FIFA, | 0:31:06 | 0:31:09 | |
28% of all transfer fees went to football agents. | 0:31:09 | 0:31:13 | |
Footballers aren't the only people with agents, Miss Costello. | 0:31:13 | 0:31:17 | |
If I broke the law, or told lies, and needed your services, | 0:31:17 | 0:31:22 | |
I could contact Billy Lamb to negotiate your fee. | 0:31:22 | 0:31:25 | |
Talented people need agents. Fact of life. | 0:31:25 | 0:31:29 | |
But barristers prefer to call 'em clerks. | 0:31:29 | 0:31:32 | |
Dean Trent's got one. You've got one. Same thing. | 0:31:32 | 0:31:37 | |
Your Honour, if I could just take instructions for a moment? | 0:31:40 | 0:31:44 | |
Please. | 0:31:44 | 0:31:46 | |
I'm talking to you for effect. Nod. | 0:31:49 | 0:31:51 | |
Did you find the story? | 0:31:53 | 0:31:54 | |
Yeah, me out at four in the morning the night before a game, | 0:31:54 | 0:31:57 | |
drinking and kissing some girl. | 0:31:57 | 0:31:59 | |
And you couldn't explain it? | 0:31:59 | 0:32:01 | |
-No, it didn't happen. -Sure? | 0:32:01 | 0:32:03 | |
-I'm positive. -He's slippery. | 0:32:03 | 0:32:06 | |
He is. | 0:32:06 | 0:32:08 | |
-Well, two can play at that game. -Do it. | 0:32:08 | 0:32:10 | |
Mr Madden, you keep stories out of the papers, don't you? | 0:32:15 | 0:32:18 | |
You also put them there. | 0:32:18 | 0:32:21 | |
I influence it. | 0:32:21 | 0:32:23 | |
I can't control it. | 0:32:23 | 0:32:25 | |
Have you ever given a journalist a smear story about Jordan Sinclair? | 0:32:25 | 0:32:32 | |
Not that I can remember. | 0:32:32 | 0:32:34 | |
Are you sure? | 0:32:36 | 0:32:38 | |
Mr Madden? | 0:32:40 | 0:32:42 | |
Maybe...once. Like I say, it's, er...my job to take care of things. | 0:32:45 | 0:32:52 | |
You're smearing, I'm smearing? | 0:32:53 | 0:32:56 | |
We're a right pair, aren't we? | 0:32:56 | 0:32:58 | |
JOHN: 'Interesting, the two of them, Mr Reader and Miss Costello.' | 0:33:01 | 0:33:04 | |
They're like cat and dog in court. | 0:33:04 | 0:33:07 | |
-And? -Well, maybe not when they're outside. | 0:33:07 | 0:33:12 | |
You know, | 0:33:12 | 0:33:14 | |
-or...? -I just heard. | 0:33:14 | 0:33:17 | |
You heard because you're a clerk. | 0:33:17 | 0:33:19 | |
You hear things before people even say 'em. | 0:33:20 | 0:33:24 | |
Is it awkward, if the cat-and-dog thing doesn't leave court with them? | 0:33:24 | 0:33:29 | |
You see and then you try and work out what those silent moments might mean, | 0:33:29 | 0:33:33 | |
whether it's good or bad. | 0:33:33 | 0:33:35 | |
I think it's manageable. | 0:33:35 | 0:33:37 | |
I don't think good or bad has to come into it. | 0:33:37 | 0:33:40 | |
-Don't do it, John. -What? | 0:33:40 | 0:33:42 | |
Shuffle papers, write business plans and all that bollocks. | 0:33:42 | 0:33:46 | |
You're a clerk. Duck, dive, prosper. | 0:33:46 | 0:33:49 | |
Don't waste your gift. | 0:33:49 | 0:33:51 | |
Back you, not Harriet? | 0:33:51 | 0:33:53 | |
When I go, I'm leaving Shoe Lane clerked. | 0:33:54 | 0:33:57 | |
Not administered. | 0:33:57 | 0:33:59 | |
Yeah? | 0:34:00 | 0:34:01 | |
DOOR OPENS | 0:34:07 | 0:34:09 | |
COURT CLERK: Will the foreman please stand? | 0:34:27 | 0:34:31 | |
Will the defendant please stand? | 0:34:31 | 0:34:33 | |
Have you reached a verdict upon which you are all agreed? | 0:34:34 | 0:34:37 | |
-FOREMAN: -We have. | 0:34:37 | 0:34:38 | |
On count one, that of rape, | 0:34:38 | 0:34:42 | |
do you find the defendant, Gary Flinders, guilty or not guilty? | 0:34:42 | 0:34:47 | |
-Guilty. -Thank you. | 0:34:48 | 0:34:51 | |
I thought you were good with Madden. | 0:35:02 | 0:35:05 | |
He's tough. | 0:35:05 | 0:35:07 | |
We didn't hurt him enough. | 0:35:08 | 0:35:11 | |
But, well, thank you. | 0:35:11 | 0:35:13 | |
Well, I think you're being hard on yourself. | 0:35:13 | 0:35:15 | |
I thought I was the one who gave the team talks. | 0:35:15 | 0:35:17 | |
I'm just saying you stood up for me. | 0:35:17 | 0:35:19 | |
Thank you. | 0:35:19 | 0:35:21 | |
Jordan, it's my job. | 0:35:22 | 0:35:25 | |
Now, when you go in the witness box, there is nothing I can do. | 0:35:25 | 0:35:30 | |
So, if you want to thank me, help yourself. | 0:35:30 | 0:35:34 | |
It's hard. You don't understand football. | 0:35:34 | 0:35:36 | |
I used to go with my dad to Burnden Park, see Bolton... | 0:35:38 | 0:35:43 | |
..and we used to talk about life through talking about football, | 0:35:45 | 0:35:50 | |
and then I went to university, moved away, and he got ill... | 0:35:50 | 0:35:54 | |
..and after going for four seasons every fortnight, | 0:35:56 | 0:36:00 | |
we never went again, which meant we never spoke again, really. | 0:36:00 | 0:36:06 | |
See, our common language had gone. | 0:36:07 | 0:36:10 | |
So, no, I don't. I...I...you know, | 0:36:10 | 0:36:13 | |
and I don't think I want to know about the business of it. | 0:36:13 | 0:36:18 | |
But I do understand football and what it means. | 0:36:19 | 0:36:23 | |
OK? | 0:36:24 | 0:36:26 | |
Yeah, my dad used to watch me play when I was a kid, | 0:36:30 | 0:36:34 | |
all the time, every week. | 0:36:34 | 0:36:36 | |
And then he just left... | 0:36:37 | 0:36:39 | |
..left us, me and my mum, | 0:36:41 | 0:36:43 | |
didn't come back. | 0:36:43 | 0:36:45 | |
And then I got signed, and then I got signed, like, big, | 0:36:46 | 0:36:51 | |
and the money came, and I got a house and a car. | 0:36:51 | 0:36:54 | |
Four cars. | 0:36:54 | 0:36:57 | |
Mad. | 0:36:57 | 0:36:58 | |
And then he came back or he tried to. | 0:37:00 | 0:37:03 | |
My mum wouldn't have it. She said he wanted to know the money and not me. | 0:37:03 | 0:37:07 | |
So, she made me choose. | 0:37:10 | 0:37:12 | |
So, obviously I had to choose her, cos I owed her. | 0:37:12 | 0:37:15 | |
I wish that was different. | 0:37:18 | 0:37:20 | |
You know what? What Trent said... | 0:37:28 | 0:37:31 | |
-About your mum. -Mm. | 0:37:32 | 0:37:35 | |
It wasn't just that. | 0:37:35 | 0:37:37 | |
What? | 0:37:38 | 0:37:40 | |
Well, he...he said, | 0:37:43 | 0:37:46 | |
"I've done your mum and I'm going to do you." | 0:37:46 | 0:37:48 | |
And one more word. | 0:37:50 | 0:37:52 | |
What was the word? | 0:37:56 | 0:37:57 | |
About a year ago, | 0:38:05 | 0:38:08 | |
er...I was... | 0:38:08 | 0:38:10 | |
out with a friend. | 0:38:10 | 0:38:12 | |
We left the bar... | 0:38:14 | 0:38:16 | |
..and out of nowhere, from behind us... | 0:38:20 | 0:38:23 | |
..there they were, | 0:38:25 | 0:38:27 | |
screaming abuse. | 0:38:27 | 0:38:29 | |
About ten of 'em. | 0:38:31 | 0:38:34 | |
What did you do? | 0:38:34 | 0:38:36 | |
Well, I can do about 10.4 on the 100 metres. | 0:38:36 | 0:38:42 | |
And your friend? | 0:38:43 | 0:38:45 | |
He's... | 0:38:51 | 0:38:52 | |
..he's not so quick. | 0:38:53 | 0:38:55 | |
What kind of bar? | 0:38:58 | 0:39:00 | |
What was the abuse? | 0:39:07 | 0:39:10 | |
What Trent said... | 0:39:14 | 0:39:16 | |
..what was the word? | 0:39:18 | 0:39:20 | |
Faggot. | 0:39:24 | 0:39:26 | |
It's a very ugly word, but it's the 21st century. | 0:39:29 | 0:39:33 | |
Is it such a terrible secret? | 0:39:34 | 0:39:37 | |
It is if you're a footballer. | 0:39:38 | 0:39:41 | |
Football's 21st century when it comes to money... | 0:39:43 | 0:39:47 | |
..18th century when it comes to being gay. | 0:39:48 | 0:39:51 | |
And Trent doesn't even know. | 0:39:54 | 0:39:57 | |
It's just a normal insult in his world, you know. | 0:39:57 | 0:40:01 | |
If you've got quick feet, you're a faggot. | 0:40:03 | 0:40:05 | |
If you read the Guardian, you're a poof. | 0:40:05 | 0:40:08 | |
If you go to the theatre, you're...you're queer. | 0:40:08 | 0:40:11 | |
That's how his brain works. That's how football's brain works. | 0:40:13 | 0:40:17 | |
I mean, if I get "faggot" when he doesn't even know... | 0:40:19 | 0:40:24 | |
..what do I get when he does? | 0:40:27 | 0:40:29 | |
Right, Manchester City because of their away kit, you know, the red and black stripes. | 0:40:31 | 0:40:34 | |
And I was Chelsea a long time before the money came. | 0:40:34 | 0:40:37 | |
Ah, the romance of football. HE SNORTS | 0:40:37 | 0:40:39 | |
What's he like? Sinclair? | 0:40:41 | 0:40:43 | |
Shall we stay away from talking about the case? | 0:40:43 | 0:40:46 | |
No, I mean as a person. | 0:40:46 | 0:40:48 | |
Well... | 0:40:48 | 0:40:49 | |
..he's fond of his phone and his mum. | 0:40:50 | 0:40:54 | |
You always end up liking them, don't you? | 0:40:54 | 0:40:56 | |
Spoiled-brat footballers. Nasty armed robbers. | 0:40:56 | 0:40:59 | |
Martha Costello sees the good side in everyone. | 0:40:59 | 0:41:02 | |
You can't generalise like that. | 0:41:02 | 0:41:03 | |
Oh, what? Not all armed robbers are horrible? | 0:41:03 | 0:41:05 | |
Lots of Premiership footballers are kind, sensitive human beings? | 0:41:05 | 0:41:10 | |
Not all Chelsea supporters are wilfully blind. | 0:41:10 | 0:41:14 | |
Manchester City play very attractive football in a very attractive kit... | 0:41:14 | 0:41:18 | |
and are still everyone's second-favourite team. | 0:41:18 | 0:41:21 | |
-I'll see you in the morning. -OK. | 0:41:26 | 0:41:29 | |
I love it, you know, how deep you go, | 0:41:35 | 0:41:38 | |
how much passion and conviction you put into everything you do... | 0:41:38 | 0:41:41 | |
when you've got a wig on. | 0:41:41 | 0:41:43 | |
DOOR OPENS | 0:41:51 | 0:41:54 | |
DOOR CLOSES | 0:41:54 | 0:41:56 | |
I want you to listen very carefully... | 0:41:59 | 0:42:02 | |
..and when I'm finished, I don't want you to say anything. | 0:42:03 | 0:42:06 | |
You elbowed Dean Trent in the face, | 0:42:07 | 0:42:10 | |
because you'd had enough of him and everything he stood for. | 0:42:10 | 0:42:15 | |
There might have been a dangerous tackle coming your way, | 0:42:15 | 0:42:18 | |
but that's not why you hit out. | 0:42:18 | 0:42:21 | |
It's bigger than that. | 0:42:21 | 0:42:23 | |
You hit out at the prejudice, | 0:42:23 | 0:42:25 | |
ignorance and the silence that football demands from you. | 0:42:25 | 0:42:30 | |
In law... Now, forget about life and fairness and justice. | 0:42:32 | 0:42:36 | |
In law, that's an admission of guilt. | 0:42:36 | 0:42:39 | |
So, if those were your instructions, | 0:42:41 | 0:42:42 | |
I would have to advise you to plead guilty, | 0:42:42 | 0:42:45 | |
in which case, being who you are, | 0:42:45 | 0:42:49 | |
doing what you did... | 0:42:49 | 0:42:51 | |
..you would go to prison. | 0:42:52 | 0:42:53 | |
So, what do we do? | 0:42:58 | 0:43:00 | |
You're the client. I'm the lawyer. | 0:43:02 | 0:43:04 | |
Now I'm going to ask you, | 0:43:06 | 0:43:08 | |
what are your instructions? | 0:43:08 | 0:43:11 | |
He was going to hurt me. | 0:43:16 | 0:43:18 | |
I feared for my safety, | 0:43:20 | 0:43:22 | |
and although the results were regrettable... | 0:43:22 | 0:43:27 | |
..my response was proportionate. | 0:43:28 | 0:43:30 | |
I was...scared. | 0:43:32 | 0:43:35 | |
I do listen sometimes, you know. | 0:43:36 | 0:43:39 | |
-CLIVE: -Putting the extraordinary evolution of your defence to one side, | 0:43:40 | 0:43:45 | |
and the change from "I ain't scared of him" in interview | 0:43:45 | 0:43:49 | |
to fully fledged terror in the witness box, | 0:43:49 | 0:43:52 | |
self-defence based on what? | 0:43:52 | 0:43:55 | |
Maybe you thought a few lies, | 0:43:57 | 0:44:00 | |
smearing the victim, blaming the agent, might provide the basis for it? | 0:44:00 | 0:44:04 | |
Nobody else backs up your story, do they? | 0:44:04 | 0:44:06 | |
Loads of people heard him threaten me. But nobody will speak out. | 0:44:06 | 0:44:11 | |
What, so Dean Trent and Ben Madden can silence players, | 0:44:11 | 0:44:15 | |
the coaching staff and the whole of the media, | 0:44:15 | 0:44:18 | |
-can they? -Yes, and they do. | 0:44:18 | 0:44:20 | |
Er...you invented a story... | 0:44:21 | 0:44:25 | |
about Dean Trent abusing your mother. | 0:44:25 | 0:44:28 | |
Where would you get something like that from? | 0:44:29 | 0:44:32 | |
I haven't got it from anywhere. It's true. | 0:44:32 | 0:44:35 | |
Well, even if it is true, it wouldn't have scared you, would it? | 0:44:35 | 0:44:38 | |
-It would make you angry. -No. | 0:44:39 | 0:44:42 | |
Dean Trent was going to hurt me. | 0:44:42 | 0:44:45 | |
I felt threatened, so I defended myself. | 0:44:45 | 0:44:48 | |
Nonsense. You were angry. | 0:44:48 | 0:44:50 | |
Right, come on, then, what... | 0:44:50 | 0:44:53 | |
what did he say or do | 0:44:53 | 0:44:56 | |
that scared you? | 0:44:56 | 0:44:58 | |
What? | 0:45:01 | 0:45:02 | |
Is this where it all falls apart? | 0:45:03 | 0:45:06 | |
Jordan? Anything? | 0:45:11 | 0:45:13 | |
Anything at all? | 0:45:14 | 0:45:17 | |
I won't let him win. | 0:45:18 | 0:45:21 | |
HARRIET: Clive. | 0:45:23 | 0:45:25 | |
I've, um...I've drafted a press release. | 0:45:25 | 0:45:28 | |
-What for? -Well, there'll be publicity. | 0:45:28 | 0:45:30 | |
One trip out in silk, and one win. I can trade on that. | 0:45:30 | 0:45:33 | |
I'm not done yet. I've still got a speech to do. | 0:45:33 | 0:45:35 | |
It's a draft. It can sit and wait, like Jordan Sinclair. | 0:45:35 | 0:45:38 | |
Only it'll be released tomorrow, and he won't. | 0:45:38 | 0:45:41 | |
-Seems a bit premature. -We own the story. | 0:45:42 | 0:45:45 | |
The story doesn't own us. It's about communication. | 0:45:45 | 0:45:48 | |
I didn't do enough yesterday. | 0:45:50 | 0:45:52 | |
No. | 0:45:54 | 0:45:55 | |
-And they have to believe I was scared? -Yes. | 0:45:57 | 0:46:01 | |
What if... | 0:46:01 | 0:46:03 | |
What if there's someone who can explain why I was scared? | 0:46:03 | 0:46:06 | |
-Why didn't you say? -Well, he's gagged. | 0:46:08 | 0:46:11 | |
He's signed away his right to speak out. | 0:46:11 | 0:46:13 | |
Uh-uh-uh. In there, in court, democracy. | 0:46:13 | 0:46:17 | |
If the judge says they can talk, they can talk. | 0:46:17 | 0:46:21 | |
Who is it, Jordan? | 0:46:21 | 0:46:23 | |
-I want to call another witness. -What? Now? | 0:46:25 | 0:46:29 | |
-Who? -A footballer. | 0:46:30 | 0:46:31 | |
It's just a character witness, OK? | 0:46:31 | 0:46:34 | |
Clutching at straws, Martha? | 0:46:34 | 0:46:36 | |
MARTHA: Your Honour, the defence calls Tom Stephenson. | 0:46:37 | 0:46:41 | |
LOW CHATTER | 0:46:41 | 0:46:43 | |
Mr Stephenson, | 0:46:48 | 0:46:50 | |
on the day this incident took place, | 0:46:50 | 0:46:53 | |
um...could you tell the court where you were? | 0:46:53 | 0:46:56 | |
I was in the dugout, next to Dean Trent. We were warming up on the touchline. | 0:46:56 | 0:47:01 | |
(You said he was a character witness.) | 0:47:01 | 0:47:03 | |
He is, the character of football. | 0:47:03 | 0:47:05 | |
-JUDGE BARNABY: -Miss Costello? | 0:47:05 | 0:47:08 | |
Your Honour. | 0:47:08 | 0:47:10 | |
And it's agreed that, at some stage, | 0:47:10 | 0:47:13 | |
Jordan Sinclair came over to take a throw. | 0:47:13 | 0:47:17 | |
Did you hear anything? | 0:47:17 | 0:47:19 | |
Trent just started at him. The usual stuff. | 0:47:19 | 0:47:22 | |
Abuse about his mum. His usual routine. | 0:47:22 | 0:47:26 | |
Is Dean Trent often abusive? | 0:47:26 | 0:47:28 | |
Dean Trent is always abusive. | 0:47:28 | 0:47:30 | |
Now, what was your view of the incident at the heart of this case? | 0:47:32 | 0:47:35 | |
-He tried to do him, tried to break his leg. -Why? | 0:47:35 | 0:47:40 | |
He's jealous. Jordan is the future. | 0:47:40 | 0:47:43 | |
He can pass. He's got good feet. | 0:47:43 | 0:47:45 | |
Trent's the past. He's all blood and thunder. He can't play. | 0:47:45 | 0:47:49 | |
Jordan plays like he's Spanish. Trent plays like an Englishman in the 1950s. | 0:47:49 | 0:47:55 | |
And are you the only one who thinks like this? | 0:47:55 | 0:47:57 | |
Of course not. They all do. | 0:47:57 | 0:48:00 | |
They're all scared of him cos he's a bully. | 0:48:00 | 0:48:02 | |
Even the club's scared. | 0:48:02 | 0:48:04 | |
If they upset him, Madden will cut 'em out of transfers in the future. | 0:48:04 | 0:48:07 | |
It's a stitch-up. | 0:48:07 | 0:48:09 | |
And will you be part of that future? | 0:48:09 | 0:48:11 | |
No. | 0:48:11 | 0:48:12 | |
My knee's gone. | 0:48:12 | 0:48:14 | |
What happened? | 0:48:14 | 0:48:16 | |
Dean Trent happened. | 0:48:16 | 0:48:18 | |
We had an argument before training, and then he said he'd do me, and he did. | 0:48:19 | 0:48:23 | |
But the press won't print it, so the public don't know it. | 0:48:24 | 0:48:28 | |
But the players talk. We all know. | 0:48:28 | 0:48:32 | |
Five years in the limelight and then oblivion. | 0:48:41 | 0:48:44 | |
One more big headline, now you're finished? | 0:48:46 | 0:48:49 | |
Well, I didn't think I was allowed to talk about it until yesterday, | 0:48:49 | 0:48:52 | |
because I'd signed this. | 0:48:52 | 0:48:55 | |
They said I'd never be able to discuss it. | 0:48:55 | 0:48:57 | |
But in here, it might be OK. | 0:48:57 | 0:49:00 | |
Might I take a look? | 0:49:00 | 0:49:02 | |
Very interesting. | 0:49:10 | 0:49:12 | |
It would appear, Mr Stephenson, | 0:49:12 | 0:49:15 | |
that, standing there, you can indeed talk about it. | 0:49:15 | 0:49:19 | |
LOW CHATTER | 0:49:19 | 0:49:21 | |
So, that's a financial arrangement you've reached? | 0:49:21 | 0:49:23 | |
A bit of the commercial stuff you... you claim to dislike so much? | 0:49:23 | 0:49:27 | |
Dean Trent said, "I'll do you, you bastard," | 0:49:27 | 0:49:29 | |
and then broke my leg in training. | 0:49:29 | 0:49:32 | |
Madden made the club keep it quiet, | 0:49:32 | 0:49:34 | |
so they paid me off, some on the top, | 0:49:34 | 0:49:37 | |
just so I'd sign a confidentiality clause, | 0:49:37 | 0:49:39 | |
so nobody would see what Trent's like. | 0:49:39 | 0:49:41 | |
But, standing here, I can talk about it, and he can't stop me, | 0:49:41 | 0:49:47 | |
and that's killing him, trust me. | 0:49:47 | 0:49:49 | |
A press release? | 0:49:51 | 0:49:54 | |
-Are you for real? -It's a draft. | 0:49:54 | 0:49:56 | |
-It leaked. -How? | 0:49:56 | 0:49:59 | |
I've spent 20 years building Clive Reader. | 0:49:59 | 0:50:01 | |
Five minutes after he gets silk, you make him look stupid. | 0:50:01 | 0:50:04 | |
-But how did it get out? -I don't care! | 0:50:04 | 0:50:08 | |
I'm not the idiot who wrote it! | 0:50:08 | 0:50:10 | |
You don't understand. It's about winning. It's all about winning! | 0:50:10 | 0:50:15 | |
So, it just magically got out? | 0:50:31 | 0:50:34 | |
You play the hand you've got, John. | 0:50:35 | 0:50:38 | |
It's called clerking. | 0:50:38 | 0:50:39 | |
BACKGROUND CHATTER | 0:50:44 | 0:50:46 | |
TANNOY: 'Will all parties in Sinclair please go to Court 1?' | 0:50:48 | 0:50:52 | |
If it's guilty, I promise I'll try and keep you out on bail until sentencing. | 0:50:58 | 0:51:03 | |
-JUDGE: -The jury in, please. | 0:51:05 | 0:51:07 | |
-COURT CLERK: -Would the foreman please stand? | 0:51:15 | 0:51:19 | |
Would the defendant please stand? | 0:51:19 | 0:51:21 | |
On count one, that of grievous bodily harm with intent, | 0:51:23 | 0:51:28 | |
have you reached a verdict on which you are all agreed? | 0:51:28 | 0:51:31 | |
-FOREWOMAN: -We have. | 0:51:31 | 0:51:33 | |
Do you find the defendant Jordan Sinclair | 0:51:33 | 0:51:37 | |
guilty | 0:51:37 | 0:51:39 | |
or not guilty? | 0:51:39 | 0:51:41 | |
PHONE RINGS | 0:51:44 | 0:51:46 | |
Oh, yes. | 0:51:47 | 0:51:50 | |
-Yes. -PHONE BEEPS | 0:51:50 | 0:51:52 | |
Yes. Yes. | 0:51:52 | 0:51:54 | |
Top class. | 0:51:54 | 0:51:56 | |
Top bloody class. | 0:51:56 | 0:51:59 | |
DOOR OPENS | 0:52:11 | 0:52:13 | |
MARTHA: So, what now? DOOR CLOSES | 0:52:16 | 0:52:19 | |
You can play again. | 0:52:19 | 0:52:22 | |
If I want to. | 0:52:22 | 0:52:24 | |
Do you? | 0:52:25 | 0:52:27 | |
Well, if I play, I can't be me, and I've made enough to leave it behind. | 0:52:28 | 0:52:33 | |
-You'd give it up? -Maybe. | 0:52:34 | 0:52:37 | |
I've been someone else since I was 15. | 0:52:37 | 0:52:40 | |
I want to find out... | 0:52:42 | 0:52:44 | |
..who I am. | 0:52:45 | 0:52:47 | |
-Thank you. -A pleasure. | 0:52:51 | 0:52:54 | |
I sounded off like a ranting idiot and I'm going to get costs awarded against me. | 0:53:02 | 0:53:06 | |
Sounding off sounds good to me. | 0:53:06 | 0:53:09 | |
-Billy. -You hid from me. | 0:53:11 | 0:53:14 | |
-I'm sorry. I... -And we never hide, miss. | 0:53:14 | 0:53:16 | |
I told her to ask for an adjournment. | 0:53:16 | 0:53:19 | |
It's my fault, Billy, and I'll speak to the solicitor. | 0:53:19 | 0:53:21 | |
I've spoken to her. It's sorted. | 0:53:21 | 0:53:24 | |
Your pupil took your advice, miss. | 0:53:24 | 0:53:26 | |
She was brave enough to tell the judge too, | 0:53:26 | 0:53:29 | |
and if there's costs to be paid, I'll pay them. | 0:53:29 | 0:53:32 | |
Now, get your learned pupil mistress a proper drink | 0:53:33 | 0:53:37 | |
to celebrate a proper result. | 0:53:37 | 0:53:41 | |
-Are you not joining us? -Places to be, miss. | 0:53:41 | 0:53:44 | |
Manana. | 0:53:44 | 0:53:46 | |
-Do you mind if I...? -Yeah, go home. | 0:53:46 | 0:53:49 | |
Take that for a taxi. | 0:53:50 | 0:53:52 | |
Thank you. | 0:53:54 | 0:53:56 | |
No hard feelings? | 0:54:11 | 0:54:13 | |
-Character witness? -Yeah, well... | 0:54:13 | 0:54:16 | |
You tricked me. | 0:54:16 | 0:54:18 | |
Actually, you lied to me. | 0:54:18 | 0:54:21 | |
I thought we could leave court in court, you and me. | 0:54:21 | 0:54:24 | |
Exactly. Trial's over. You'll never see Jordan Sinclair again. Nor will I. | 0:54:24 | 0:54:28 | |
So, now you can tell me what was going on with him. Wigs are off. Talk to me, Martha. | 0:54:28 | 0:54:32 | |
I can't. | 0:54:32 | 0:54:34 | |
You know what? I'll see you later. | 0:54:34 | 0:54:36 | |
I said I can't tell you, Clive. | 0:54:36 | 0:54:38 | |
Your clients come first every time. | 0:54:38 | 0:54:40 | |
They always have. But where are they, Martha? Here with you now? | 0:54:40 | 0:54:44 | |
Or are you on your own? | 0:54:44 | 0:54:46 | |
FOOTSTEPS APPROACH | 0:55:08 | 0:55:09 | |
Hello, sir. | 0:55:12 | 0:55:13 | |
The best days stay in your head. | 0:55:13 | 0:55:16 | |
Sharp. | 0:55:16 | 0:55:18 | |
-They don't fade. -Mm. You've had a few of those, sir. | 0:55:18 | 0:55:22 | |
I've had my shoulder tapped. | 0:55:22 | 0:55:24 | |
Congratulations...I think. | 0:55:27 | 0:55:30 | |
GLASS CLINKS | 0:55:30 | 0:55:32 | |
If being a judge for the rest of your career is what you want. | 0:55:32 | 0:55:35 | |
It's time, Billy. | 0:55:35 | 0:55:38 | |
I need to be there for David... and myself. | 0:55:38 | 0:55:41 | |
-Do one thing for me, sir. -What's that? | 0:55:41 | 0:55:45 | |
Be sure... | 0:55:45 | 0:55:47 | |
before you jump. | 0:55:47 | 0:55:49 | |
Be very, very sure. | 0:55:49 | 0:55:51 | |
For your sake. | 0:55:51 | 0:55:53 | |
I've loved being head of chambers, Billy. | 0:55:54 | 0:55:56 | |
I love this place. Always will. | 0:55:56 | 0:55:59 | |
But things change. | 0:56:00 | 0:56:03 | |
Things...happen. | 0:56:03 | 0:56:05 | |
We'll miss you...sir. | 0:56:07 | 0:56:11 | |
You'll always be Shoe Lane, sir. | 0:56:15 | 0:56:17 | |
Wherever you go, whatever you do. | 0:56:18 | 0:56:21 | |
Thank you, Billy. | 0:56:23 | 0:56:24 | |
Good night. | 0:56:25 | 0:56:27 | |
Good night, sir. | 0:56:27 | 0:56:29 | |
-SLURRED SPEECH: -I've never seen him round our house at Christmas. | 0:56:39 | 0:56:42 | |
Who? | 0:56:42 | 0:56:44 | |
John. | 0:56:44 | 0:56:46 | |
-What? -It's a time for family. | 0:56:46 | 0:56:49 | |
Christmas. He should have been there. | 0:56:51 | 0:56:55 | |
More family than me. | 0:56:57 | 0:57:00 | |
Who's been talking, Jake? | 0:57:00 | 0:57:02 | |
Everyone. | 0:57:03 | 0:57:06 | |
-Except me. -You're drunk, mate. | 0:57:07 | 0:57:09 | |
-You need to get home. -Yeah. | 0:57:09 | 0:57:11 | |
I'll leave you here... with your family. | 0:57:11 | 0:57:16 | |
I'll get you a cab. | 0:57:16 | 0:57:18 | |
I've got my Oyster. | 0:57:18 | 0:57:20 | |
It's all right for you, isn't it? | 0:57:26 | 0:57:28 | |
You'll be here for ever. | 0:57:30 | 0:57:31 | |
DOOR SHUTS | 0:57:33 | 0:57:35 | |
It's going to be tough for me, Marth. | 0:57:38 | 0:57:39 | |
Did you know about this? | 0:57:39 | 0:57:41 | |
-BILLY: -'I just don't feel like a man.' | 0:57:41 | 0:57:45 | |
I'm just sick of us always being against each other. | 0:57:45 | 0:57:47 | |
How dare you do that to my husband? | 0:57:47 | 0:57:49 | |
-What are you saying? -You're in. | 0:57:49 | 0:57:51 | |
There is one thing I'll be asking for in return. | 0:57:51 | 0:57:55 | |
Facts and figures. Everything you need to know | 0:57:55 | 0:57:57 | |
to become the next head of chambers. | 0:57:57 | 0:57:59 | |
We appreciate smart young clerks | 0:57:59 | 0:58:00 | |
who've got the nose to get out there and sniff out the new work. | 0:58:00 | 0:58:03 | |
I'll tell you what, I'll even throw in a new suit. | 0:58:03 | 0:58:06 | |
So...? | 0:58:06 | 0:58:08 |