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-This is Amy, the new pupil. -Hi. -Billy's going to be here forever. | 0:00:02 | 0:00:05 | |
And it's going to be John or Harriet, not you. | 0:00:05 | 0:00:07 | |
I'll leave you here with your family. | 0:00:07 | 0:00:10 | |
-I can't be only a lawyer, Clive. -But, Martha... -Will you just leave me alone?! | 0:00:10 | 0:00:14 | |
-It leaked. -But how did it get out? -I don't care! | 0:00:14 | 0:00:16 | |
You are this close to extinction. | 0:00:16 | 0:00:18 | |
I'm the only reason that you're allowed to carry on existing, so get used to me, Billy. | 0:00:18 | 0:00:23 | |
Your clients come first, but where are they, Martha? Here with you now(?) | 0:00:23 | 0:00:26 | |
Word has it Alan Cowdrey's heading upstairs. There'll be a vacancy for Head of Chambers. | 0:00:26 | 0:00:30 | |
TV: 'No, I totally disagree. Cases like this exemplify the need | 0:01:00 | 0:01:03 | |
'for a change in the law. | 0:01:03 | 0:01:05 | |
'The rights of the individual to choose | 0:01:05 | 0:01:08 | |
'the circumstances of their own death is a human-rights issue. | 0:01:08 | 0:01:13 | |
'Sarah Stephens deserves our sympathy, not our censure.' | 0:01:13 | 0:01:16 | |
Thanks. | 0:01:16 | 0:01:18 | |
She'll meet you there in an hour. | 0:01:18 | 0:01:20 | |
Get your mate from Sunday League one from me, will you? | 0:01:21 | 0:01:25 | |
Ah, where you been, Jakey boy? | 0:01:25 | 0:01:27 | |
Day's already been seized, strip-searched and sentenced. | 0:01:27 | 0:01:32 | |
Ran into Toby from Finlay Fraser. Persuaded him to put these...our way. | 0:01:32 | 0:01:37 | |
-What are they? -Remands. | 0:01:37 | 0:01:38 | |
-Court? -Balham. | 0:01:38 | 0:01:40 | |
And what type of court is Balham, Jake? | 0:01:40 | 0:01:43 | |
Youth court. | 0:01:43 | 0:01:44 | |
Baby food. | 0:01:44 | 0:01:45 | |
John, give Russell at Shepherd Row a call | 0:01:45 | 0:01:48 | |
and tell him we've got some returns coming his way. | 0:01:48 | 0:01:50 | |
Walk 'em over, would you, Jake? Good boy. | 0:01:50 | 0:01:54 | |
So will you let them know I'll leave myself free for the six o'clock and ten o'clock as well? Thanks. | 0:01:54 | 0:01:59 | |
Taxi! | 0:01:59 | 0:02:00 | |
Does she really think giving interviews on our doorstep is going to intimidate us | 0:02:00 | 0:02:03 | |
-into not prosecuting her client? -The opposite. | 0:02:03 | 0:02:06 | |
She's delighted we're prosecuting Sarah Stephens. | 0:02:06 | 0:02:08 | |
She gets to talk to the world about her favourite subject, | 0:02:08 | 0:02:11 | |
whilst fighting for a woman she believes in | 0:02:11 | 0:02:14 | |
-in a case that she thinks could force a change in the law. -A test case. -Yes, | 0:02:14 | 0:02:17 | |
-with the press and Parliament shining a great big spotlight on it. And you. -Us. | 0:02:17 | 0:02:22 | |
Us. | 0:02:22 | 0:02:23 | |
She'll have chosen her battle ground carefully. | 0:02:23 | 0:02:25 | |
Of course. | 0:02:25 | 0:02:27 | |
But it's bigger than Aisha Wiseman, a case like this. | 0:02:27 | 0:02:30 | |
It's why we do what we do. | 0:02:30 | 0:02:32 | |
It's humbling, really. | 0:02:33 | 0:02:35 | |
To be part of an argument as important as this. | 0:02:35 | 0:02:38 | |
PHONE RINGS | 0:02:38 | 0:02:40 | |
Returns from Shoe Lane. | 0:02:48 | 0:02:50 | |
Jake? | 0:02:52 | 0:02:53 | |
Jake Milner? | 0:02:54 | 0:02:56 | |
Baroness. | 0:03:00 | 0:03:02 | |
HE CHUCKLES | 0:03:04 | 0:03:05 | |
The CPS only confirmed the murder charge this morning. | 0:03:07 | 0:03:10 | |
-You know me, Aisha. -Oh, I know you, Billy. | 0:03:10 | 0:03:13 | |
First out of the traps. PHONE BEEPS | 0:03:13 | 0:03:15 | |
Well, I knew it wasn't my body you were after. | 0:03:15 | 0:03:17 | |
Although...there was a time... | 0:03:17 | 0:03:21 | |
Was? | 0:03:21 | 0:03:23 | |
Uncle Billy still using you as his errand boy? | 0:03:23 | 0:03:26 | |
Finlay Fraser? | 0:03:26 | 0:03:29 | |
Nice. | 0:03:29 | 0:03:30 | |
It's baby food. | 0:03:30 | 0:03:32 | |
But baby criminals turn into big criminals, | 0:03:32 | 0:03:34 | |
and...well, clerking is all about playing the long game, wouldn't you say, Jake? | 0:03:34 | 0:03:38 | |
Yeah, absolutely. | 0:03:39 | 0:03:42 | |
Tell you what, | 0:03:42 | 0:03:44 | |
you fancy a spot of breakfast? | 0:03:44 | 0:03:46 | |
Ah... | 0:03:47 | 0:03:49 | |
I best...be off. | 0:03:49 | 0:03:51 | |
Here. | 0:03:51 | 0:03:53 | |
In case you turn up any more work Uncle Billy doesn't want. | 0:03:54 | 0:03:57 | |
Why is this one so important to you? Your boy's prosecuting, isn't he? | 0:03:59 | 0:04:02 | |
Sympathy for a family torn apart by tragedy. | 0:04:02 | 0:04:05 | |
Not going soft in your old age, are you, Billy? | 0:04:05 | 0:04:08 | |
No, I'm still as hard as I always was, | 0:04:08 | 0:04:10 | |
Aisha, but I've got this new practice manager who's very into marketing, | 0:04:10 | 0:04:14 | |
and you are box-office gold. | 0:04:14 | 0:04:16 | |
More like UK Gold. | 0:04:16 | 0:04:18 | |
LAUGHS | 0:04:18 | 0:04:19 | |
I always thought you were a great loss to Parliament, Billy. | 0:04:19 | 0:04:22 | |
I can just see you whipping the backbenchers into voting for | 0:04:22 | 0:04:25 | |
some illegal war without them ever quite knowing what they were voting for. | 0:04:25 | 0:04:29 | |
Straight up, no bollocks, | 0:04:31 | 0:04:34 | |
you need someone who's going to fight for you all the way. | 0:04:34 | 0:04:38 | |
Get your client off, get you a landmark decision and a lead on Newsnight. | 0:04:38 | 0:04:41 | |
I've got just the silk for you. | 0:04:41 | 0:04:43 | |
She's a cross between Mother Teresa, Martin Luther King | 0:04:43 | 0:04:47 | |
and a small Rottweiler. | 0:04:47 | 0:04:48 | |
I thought that was me. | 0:04:48 | 0:04:49 | |
LAUGHS | 0:04:49 | 0:04:51 | |
What's her name? | 0:04:51 | 0:04:52 | |
Shakespeare was here. | 0:04:54 | 0:04:56 | |
And Elizabeth I. | 0:04:58 | 0:05:00 | |
You have lots in common, you and Elizabeth. | 0:05:04 | 0:05:07 | |
Brave, strong... | 0:05:07 | 0:05:08 | |
-Pale. -Pale. | 0:05:08 | 0:05:10 | |
-Surrounded by men. -Surrounded by men. | 0:05:10 | 0:05:13 | |
Saying no to all of them. | 0:05:14 | 0:05:16 | |
What do you want, Clive? | 0:05:19 | 0:05:21 | |
You know I'm prosecuting Sarah Stephens? | 0:05:29 | 0:05:31 | |
Right. | 0:05:34 | 0:05:36 | |
She admits to giving her tetraplegic daughter a fatal overdose, | 0:05:36 | 0:05:39 | |
but there's no evidence to suggest she wanted to die. | 0:05:39 | 0:05:41 | |
In fact, it looks likes the contrary. | 0:05:41 | 0:05:45 | |
Well, would she plead to assisted suicide? | 0:05:45 | 0:05:47 | |
We're not offering a deal. | 0:05:47 | 0:05:49 | |
It's murder. | 0:05:49 | 0:05:51 | |
There's clear intent to take a life. | 0:05:51 | 0:05:53 | |
You can argue about an individual's right to die, | 0:05:55 | 0:05:58 | |
but not putting murder on the indictment here would send a huge message. | 0:05:58 | 0:06:02 | |
It could open the floodgates to anyone who wants to... | 0:06:02 | 0:06:05 | |
finish off a burdensome relative. | 0:06:05 | 0:06:06 | |
We, the law, | 0:06:08 | 0:06:10 | |
can't allow that to happen. | 0:06:10 | 0:06:12 | |
HE SIGHS | 0:06:15 | 0:06:17 | |
It's going to be tough on me, Marth. | 0:06:18 | 0:06:21 | |
The whole thing's just... | 0:06:22 | 0:06:24 | |
tragic. | 0:06:24 | 0:06:25 | |
A life not lived. | 0:06:28 | 0:06:30 | |
Tomorrow and tomorrow and tomorrow | 0:06:33 | 0:06:35 | |
creeps in this petty pace from day to day | 0:06:35 | 0:06:39 | |
to the last syllable of recorded time. | 0:06:39 | 0:06:42 | |
And all our yesterdays have lighted fools the way to dusty death. | 0:06:42 | 0:06:48 | |
Out, out, brief candle. | 0:06:48 | 0:06:50 | |
CHATTER | 0:06:56 | 0:06:58 | |
-A word, John. -Billy, we're in a meeting. | 0:07:04 | 0:07:09 | |
1995, Pomerol. | 0:07:16 | 0:07:19 | |
Reasonably good vintage | 0:07:19 | 0:07:21 | |
for what turned out to be a piss-poor decade for Bordeaux. | 0:07:21 | 0:07:25 | |
Also the same year we left Forty Five to set up Shoe Lane. | 0:07:25 | 0:07:29 | |
We had to beg, borrow and steal, | 0:07:29 | 0:07:31 | |
work 18 hours, sleep on the floor, | 0:07:31 | 0:07:33 | |
skip meals, family and friends to build this place up. | 0:07:33 | 0:07:37 | |
I'd line up the cases, and Alan Cowdrey and the two kids would knock 'em down. | 0:07:37 | 0:07:41 | |
You're a clerk, John - you can't serve two masters. | 0:07:43 | 0:07:47 | |
Yes, boss. | 0:07:47 | 0:07:49 | |
Alan Cowdrey's leaving. | 0:07:49 | 0:07:51 | |
I'd like to do something... special for him. | 0:07:51 | 0:07:54 | |
Ah, Jake. | 0:07:55 | 0:07:56 | |
Just been sent over from Aisha Wiseman's office. | 0:07:56 | 0:07:59 | |
LAUGHS | 0:07:59 | 0:08:00 | |
Now, that is what you call clerking old-style. | 0:08:00 | 0:08:05 | |
Rubbish, rubbish, tax bill, Counsel magazine - Jesus Christ. | 0:08:05 | 0:08:10 | |
Perhaps one of you may care to clerk me - | 0:08:10 | 0:08:13 | |
old style or new style, I'm easy. | 0:08:13 | 0:08:15 | |
John, perhaps you could attend to Miss Warwick's needs. | 0:08:16 | 0:08:19 | |
Jake, could you drop that off in Miss Costello's room? Thank you. | 0:08:19 | 0:08:23 | |
-I finished that piece of advice. -Ah, thank you, Amy. | 0:08:42 | 0:08:45 | |
Sorry, miss. Sir. | 0:08:45 | 0:08:47 | |
Chatline, Jake? | 0:08:47 | 0:08:49 | |
Yeah! | 0:08:49 | 0:08:51 | |
Brilliant! | 0:08:51 | 0:08:53 | |
That looks weighty. | 0:08:54 | 0:08:56 | |
Sarah Stephens. | 0:08:58 | 0:09:00 | |
Did you know about this? | 0:09:03 | 0:09:04 | |
Of course not! | 0:09:05 | 0:09:06 | |
Really? | 0:09:06 | 0:09:07 | |
It's as new to me as it is to you, Clive. | 0:09:07 | 0:09:10 | |
Bingo! How good is that? | 0:09:11 | 0:09:13 | |
Brief the size of the Titanic's arse. | 0:09:13 | 0:09:15 | |
Hello, sir. | 0:09:17 | 0:09:19 | |
Jo was 17 when she had the accident. | 0:09:21 | 0:09:24 | |
Her last year of school. | 0:09:24 | 0:09:27 | |
And her boyfriend, Luke Kemp, was driving. | 0:09:27 | 0:09:29 | |
It was McAllister's fault, the driver of the oncoming car. | 0:09:29 | 0:09:33 | |
So, a C4 tear in the spinal cord, resulting in | 0:09:47 | 0:09:52 | |
complete loss of function | 0:09:52 | 0:09:53 | |
from, and including, the shoulders down. | 0:09:53 | 0:09:56 | |
She spent five months in hospital, then returned to the family home, | 0:10:00 | 0:10:04 | |
where you and a team of carers looked after her. | 0:10:04 | 0:10:07 | |
The night of September the 30th, Sarah, | 0:10:10 | 0:10:14 | |
what happened? | 0:10:14 | 0:10:16 | |
I know this is difficult for you, | 0:10:20 | 0:10:24 | |
but the prosecution case turns on the fact | 0:10:24 | 0:10:26 | |
that there is no evidence that your daughter wanted to die. | 0:10:26 | 0:10:30 | |
She said, "If you loved me, you'd kill me." | 0:10:33 | 0:10:35 | |
That night? | 0:10:35 | 0:10:37 | |
Often. | 0:10:38 | 0:10:39 | |
And were there any other witnesses who heard her say it that night? | 0:10:39 | 0:10:43 | |
Um, wh...what about other times? | 0:10:45 | 0:10:47 | |
Maybe Harry. | 0:10:48 | 0:10:50 | |
And that's her brother? And what about the others? | 0:10:50 | 0:10:53 | |
Fraser and Grace were too little to understand. | 0:10:53 | 0:10:57 | |
Doctors, carers, your husband? | 0:10:57 | 0:10:58 | |
Do you have children, Miss Costello? | 0:10:58 | 0:11:00 | |
Erm, it's Martha, and no, no, I don't. | 0:11:00 | 0:11:04 | |
A mother knows when her child is pretending. | 0:11:04 | 0:11:07 | |
She put on a brave face for everybody else, | 0:11:07 | 0:11:10 | |
but I could see how much she was suffering. | 0:11:10 | 0:11:12 | |
When she thought no-one could hear her, she'd cry with the pain. | 0:11:13 | 0:11:16 | |
Physical? | 0:11:16 | 0:11:18 | |
Physical and emotional. | 0:11:18 | 0:11:20 | |
Normally, I'd leave her, but... that night, I couldn't. | 0:11:21 | 0:11:25 | |
I went to her, and she said that she'd had enough | 0:11:27 | 0:11:31 | |
and that she couldn't go on pretending. | 0:11:31 | 0:11:35 | |
Now, I have to ask this, Sarah, I'm sorry, | 0:11:35 | 0:11:37 | |
but you...didn't think of trying to talk her out of it? | 0:11:37 | 0:11:41 | |
Of course I did. | 0:11:41 | 0:11:43 | |
But she begged me - what could I do? | 0:11:43 | 0:11:46 | |
So it was a decision made in the moment? | 0:11:47 | 0:11:50 | |
That helps us, doesn't it? | 0:11:50 | 0:11:53 | |
I went on the internet | 0:11:54 | 0:11:56 | |
and I looked up what combination of her drugs would work | 0:11:56 | 0:11:59 | |
and then I made up a drip bag. | 0:11:59 | 0:12:02 | |
And the drugs were kept in a drug safe? | 0:12:02 | 0:12:04 | |
Yes, I didn't like having them about with the younger ones. | 0:12:04 | 0:12:06 | |
That's not what I meant. | 0:12:06 | 0:12:08 | |
So you...you didn't go to the chemist specially? | 0:12:08 | 0:12:11 | |
The whisky was already in the house as well, wasn't it, Sarah? | 0:12:11 | 0:12:15 | |
That proves that you didn't plan it. | 0:12:15 | 0:12:17 | |
And you gave her the whisky after you connected the drip? | 0:12:17 | 0:12:22 | |
To calm her down. | 0:12:22 | 0:12:23 | |
Then I sat with her. | 0:12:24 | 0:12:25 | |
And when she was gone... | 0:12:28 | 0:12:29 | |
..I called the police. | 0:12:31 | 0:12:32 | |
Immediately? | 0:12:32 | 0:12:33 | |
And your husband? | 0:12:34 | 0:12:36 | |
Mm. | 0:12:36 | 0:12:37 | |
I don't want Harry called as a witness. | 0:12:37 | 0:12:41 | |
I'm not happy about having to give evidence myself against my ex, | 0:12:41 | 0:12:46 | |
against Sarah. | 0:12:46 | 0:12:48 | |
But asking a son to go against his own mother... | 0:12:48 | 0:12:50 | |
We don't want anyone to go against anyone, Mr Stephens. | 0:12:50 | 0:12:53 | |
We just want you and him to tell us what you know. | 0:12:53 | 0:12:55 | |
He's 15 years old, Mr Reader. | 0:12:55 | 0:12:57 | |
Harry won't even have to appear in court. | 0:12:57 | 0:12:59 | |
I'll play a video of his evidence, he'll then be cross-examined via video link. | 0:12:59 | 0:13:02 | |
He won't see the jury, the court... | 0:13:02 | 0:13:04 | |
even his mother. | 0:13:04 | 0:13:06 | |
We'll see if you can sit with him too, if that's any help. | 0:13:06 | 0:13:10 | |
We need to establish whether she did or didn't express a desire to die. | 0:13:10 | 0:13:15 | |
Joanna deserves justice. | 0:13:17 | 0:13:19 | |
You don't have to tell me that. | 0:13:20 | 0:13:21 | |
I won't pretend, Sarah. | 0:13:23 | 0:13:25 | |
They have a strong case. | 0:13:25 | 0:13:28 | |
You intended to end Jo's life, | 0:13:28 | 0:13:30 | |
and there is no evidence to say she wanted you to. | 0:13:30 | 0:13:34 | |
You think I should plead guilty to murder? | 0:13:34 | 0:13:37 | |
I can't tell you how to plead, | 0:13:37 | 0:13:38 | |
but I think we can make a defence to the murder charge. | 0:13:38 | 0:13:42 | |
See you in court. | 0:13:45 | 0:13:47 | |
Yes. | 0:13:47 | 0:13:48 | |
Whatever you do to keep them sweet, I don't want to know. | 0:13:52 | 0:13:56 | |
There's nothing to know. | 0:13:57 | 0:13:58 | |
Present for you. Facts and figures. | 0:13:59 | 0:14:02 | |
Everything you need to know to become the next Head of Chambers. | 0:14:02 | 0:14:06 | |
Harriet. | 0:14:09 | 0:14:10 | |
Drink? | 0:14:10 | 0:14:12 | |
I've love to, but...I can't. | 0:14:13 | 0:14:17 | |
Work to do. | 0:14:17 | 0:14:18 | |
LAUGHS QUIETLY | 0:14:21 | 0:14:23 | |
Nine-handed violent disorder. | 0:14:26 | 0:14:28 | |
Lots of serious villains fighting in a pub. | 0:14:28 | 0:14:30 | |
Good for three weeks. | 0:14:30 | 0:14:32 | |
You know, John, I think I've underestimated you. | 0:14:32 | 0:14:35 | |
Ah, Amy Lang. | 0:14:44 | 0:14:46 | |
Good night, Billy. | 0:14:46 | 0:14:48 | |
Sometimes, there is a God. | 0:14:50 | 0:14:52 | |
Still here, Billy? | 0:14:53 | 0:14:54 | |
Just as evening touches night. | 0:14:54 | 0:14:57 | |
The number of times that members of chambers have wandered in here | 0:14:57 | 0:15:00 | |
at this time of night | 0:15:00 | 0:15:02 | |
without realising they want to tell me what's on the mind or in their heart... | 0:15:02 | 0:15:07 | |
Sarah Stephens. | 0:15:08 | 0:15:10 | |
I can't imagine her pain. | 0:15:12 | 0:15:15 | |
No. | 0:15:15 | 0:15:16 | |
Are you all right, Billy? | 0:15:21 | 0:15:23 | |
Mr Cowdrey's leaving do next week. | 0:15:24 | 0:15:27 | |
Er, he believes in democracy being active, | 0:15:27 | 0:15:32 | |
which, in plain English, | 0:15:32 | 0:15:34 | |
means you and Mr Reader standing for Head of Chambers. | 0:15:34 | 0:15:39 | |
Making everything a bit more complicated. | 0:15:39 | 0:15:43 | |
How's Amy getting on? | 0:15:43 | 0:15:45 | |
She's lots to learn, but she's got it. | 0:15:45 | 0:15:47 | |
Good. Got to look to the future, miss. | 0:15:47 | 0:15:50 | |
Hm, you're starting to sound like Harriet. | 0:15:50 | 0:15:52 | |
Our future, not hers. | 0:15:52 | 0:15:53 | |
Making plans for everyone? | 0:15:53 | 0:15:56 | |
It's my job, miss. | 0:15:56 | 0:15:57 | |
Spreadsheets... | 0:16:05 | 0:16:07 | |
financial planning from my accountant. | 0:16:07 | 0:16:09 | |
In the pub, on your own, eight o'clock at night? | 0:16:09 | 0:16:13 | |
OK, OK. The chambers' accounts. | 0:16:14 | 0:16:18 | |
Harriet thought I should get an overview. | 0:16:21 | 0:16:24 | |
Head of Chambers? | 0:16:24 | 0:16:26 | |
Are you interested? | 0:16:30 | 0:16:32 | |
Flattered. | 0:16:32 | 0:16:34 | |
Not sure. | 0:16:34 | 0:16:35 | |
Listen, I'm sorry about earlier. | 0:16:36 | 0:16:38 | |
I was angry that you were defending Sarah Stephens. | 0:16:38 | 0:16:42 | |
I'm just sick of us always being... against each other. | 0:16:42 | 0:16:45 | |
Well, maybe we don't always have to be. | 0:16:45 | 0:16:47 | |
Sarah Stephens is not a murderer. | 0:16:49 | 0:16:52 | |
She ended her daughter's life. She's admitted to it. | 0:16:52 | 0:16:55 | |
She will plead guilty to assisted suicide. | 0:16:55 | 0:16:58 | |
After all she's been through, | 0:16:59 | 0:17:01 | |
if you could just get the CPS to drop the murder charge... | 0:17:01 | 0:17:04 | |
I've told you... | 0:17:06 | 0:17:07 | |
I think it's a tragedy. | 0:17:07 | 0:17:10 | |
I can't do a deal on this one. | 0:17:11 | 0:17:12 | |
Why not? | 0:17:15 | 0:17:16 | |
Some of you will have elderly relatives in full-time care, | 0:17:17 | 0:17:21 | |
or disabled relatives, or friends. | 0:17:21 | 0:17:24 | |
What protects these vulnerable people who are dependent on others | 0:17:24 | 0:17:29 | |
for their most basic needs? | 0:17:29 | 0:17:31 | |
It is the law, ladies and gentlemen. | 0:17:31 | 0:17:33 | |
Now, the defence will argue that Joanna Stephens wanted to die. | 0:17:35 | 0:17:40 | |
There's no clear evidence of this. | 0:17:40 | 0:17:43 | |
And, without the victim's consent, the law says that this is murder. | 0:17:43 | 0:17:48 | |
Even with consent, the law states that it's assisted suicide. | 0:17:48 | 0:17:52 | |
The defence may even argue that the law itself contravenes Joanna's human right | 0:17:53 | 0:17:59 | |
to take her own life. | 0:17:59 | 0:18:01 | |
But remember, | 0:18:01 | 0:18:03 | |
these are the very laws that protect our elderly loved ones... | 0:18:03 | 0:18:09 | |
those who are mentally and physically disabled. | 0:18:09 | 0:18:12 | |
Your relatives and mine. | 0:18:12 | 0:18:14 | |
While none of us can be anything but profoundly moved | 0:18:16 | 0:18:19 | |
by the tragedy of the situation that Joanna Stephens found herself in, | 0:18:19 | 0:18:23 | |
or by the desperately hard situation that Sarah Stephens faced... | 0:18:23 | 0:18:28 | |
no-one, | 0:18:28 | 0:18:31 | |
ladies and gentlemen of the jury, | 0:18:31 | 0:18:34 | |
has the right...to play God. | 0:18:34 | 0:18:37 | |
What would the life expectancy of someone with Joanna's injuries be, Dr Bell? | 0:18:43 | 0:18:47 | |
With round-the-clock care, Joanna could easily have lived | 0:18:47 | 0:18:50 | |
for another 20 or 30 years. | 0:18:50 | 0:18:52 | |
With advances in medical science - | 0:18:52 | 0:18:54 | |
stem cell research, exoskeletons - | 0:18:54 | 0:18:58 | |
she might even have recovered some form of mobility. | 0:18:58 | 0:19:00 | |
Er, speculation, my Lord. These options do not currently exist. | 0:19:00 | 0:19:05 | |
Did Joanna ever express to you a desire to die? | 0:19:12 | 0:19:16 | |
No, she did not. | 0:19:16 | 0:19:18 | |
Can I refer you to the evidence folder, Dr Bell? | 0:19:23 | 0:19:27 | |
Er, Page 7. It's Jo's prescription at the time of her death. | 0:19:27 | 0:19:34 | |
Now, Jo was on a lot of drugs, Dr Bell, | 0:19:34 | 0:19:38 | |
so can you tell us what some of them are, starting with Item 7.1, please? | 0:19:38 | 0:19:44 | |
It's an anti-spasmodic. | 0:19:45 | 0:19:47 | |
The severed nerve endings can cause the paralysed limbs to spasm. | 0:19:47 | 0:19:53 | |
And 7.2 and 7.3, please? | 0:19:53 | 0:19:56 | |
Painkillers. | 0:19:56 | 0:19:58 | |
She was in pain? | 0:19:59 | 0:20:00 | |
Almost constant. Again, the severed nerve endings. | 0:20:00 | 0:20:05 | |
So constant pain, with no current treatments, | 0:20:05 | 0:20:09 | |
resulting in a lifetime of 24 hours a day dependency. | 0:20:09 | 0:20:14 | |
Did you discuss assisted suicide? | 0:20:16 | 0:20:19 | |
Joanna was...adjusting to her new circumstances. | 0:20:20 | 0:20:25 | |
I have no doubt, in time, she would have come to accept them. | 0:20:25 | 0:20:28 | |
Did you discuss assisted suicide, Dr Bell? | 0:20:28 | 0:20:32 | |
I explained to her...that doctors take an oath to help heal people | 0:20:36 | 0:20:42 | |
and that it would be contrary to everything we believe in | 0:20:42 | 0:20:45 | |
to help a patient die. | 0:20:45 | 0:20:47 | |
I also explained to her why it was against the law. | 0:20:47 | 0:20:52 | |
Your ethical opposition would mean it was very unlikely | 0:20:52 | 0:20:56 | |
that Jo would confide in you her desire to die. | 0:20:56 | 0:21:00 | |
My Lord, the witness cannot answer for what the deceased would or would not do. | 0:21:00 | 0:21:04 | |
There's another drug here, Item 7.7. What's that for? | 0:21:11 | 0:21:16 | |
It's an anti-depressant. | 0:21:16 | 0:21:19 | |
Jo was clinically depressed? | 0:21:19 | 0:21:22 | |
She was not...clinically depressed - she was on anti-depressants. | 0:21:22 | 0:21:27 | |
You're a clinician and you prescribed her with anti-depressants. | 0:21:27 | 0:21:33 | |
It's quite common for patients such as Joanna | 0:21:34 | 0:21:37 | |
to be...low about their situation. | 0:21:37 | 0:21:40 | |
How...low? | 0:21:40 | 0:21:42 | |
This was only six months on from her accident, | 0:21:43 | 0:21:48 | |
and with all the upheavals in her and her family's life... | 0:21:48 | 0:21:50 | |
You knew of Jo's feelings, | 0:21:50 | 0:21:53 | |
you just didn't take them seriously. | 0:21:53 | 0:21:55 | |
If Joanna had really wanted to die, | 0:21:55 | 0:21:57 | |
she could have refused food and water. | 0:21:57 | 0:21:59 | |
Because she didn't starve herself to death, | 0:21:59 | 0:22:02 | |
you didn't think Jo was serious about ending her own life? | 0:22:02 | 0:22:05 | |
-What I meant was... -Thank you, Dr Bell. | 0:22:05 | 0:22:07 | |
VMS. | 0:22:09 | 0:22:11 | |
Vasomotor symptoms. | 0:22:11 | 0:22:13 | |
Hot flushes. | 0:22:17 | 0:22:18 | |
Like women of a certain age. | 0:22:20 | 0:22:22 | |
And men having hormone treatment for prostate cancer, I'm afraid. | 0:22:22 | 0:22:26 | |
But on the upside... | 0:22:26 | 0:22:28 | |
it's a sign the implants are working. | 0:22:28 | 0:22:29 | |
I just don't feel...like...a man. | 0:22:31 | 0:22:35 | |
Have you checked it out recently? | 0:22:35 | 0:22:37 | |
Too afraid to, just in case there's... | 0:22:37 | 0:22:40 | |
..nothing. | 0:22:41 | 0:22:43 | |
Billy. Hi. Erm, I got your note. | 0:22:49 | 0:22:52 | |
Ah. | 0:22:52 | 0:22:53 | |
Gustavo. Glass of your finest Sancerre, please. | 0:22:53 | 0:22:58 | |
CHUCKLES | 0:22:58 | 0:22:59 | |
Come this way. | 0:22:59 | 0:23:00 | |
Cheers. | 0:23:08 | 0:23:10 | |
Glad you had a change of heart, Jake. | 0:23:10 | 0:23:12 | |
It's only a drink, isn't it? | 0:23:14 | 0:23:16 | |
Like the mother polar bear when her cub gets stuck on an ice floe, | 0:23:18 | 0:23:22 | |
so your clerk should be into the freezing waters, | 0:23:22 | 0:23:25 | |
looking out for you. | 0:23:25 | 0:23:27 | |
SHE LAUGHS WEAKLY | 0:23:27 | 0:23:28 | |
But you paid all the costs yourself. | 0:23:28 | 0:23:30 | |
I see that as an investment. | 0:23:30 | 0:23:33 | |
Tell me, er, how are you getting on with Martha Costello, miss? | 0:23:33 | 0:23:37 | |
Um...yeah. I mean, er, I admire her enormously and... | 0:23:37 | 0:23:40 | |
Good. | 0:23:40 | 0:23:41 | |
Excellent. | 0:23:42 | 0:23:44 | |
How much?! Has he got you running up chimneys as well? | 0:23:44 | 0:23:47 | |
LAUGHS | 0:23:47 | 0:23:49 | |
I hope you don't mind, I, er... I told them we'd be here. | 0:23:49 | 0:23:52 | |
Get 'em in, fellas, and, er, one for meself and Jake, | 0:23:52 | 0:23:56 | |
or I'll send you to work for Billy Lamb! | 0:23:56 | 0:23:58 | |
No, seriously, Jake, we're a traditional set. | 0:24:01 | 0:24:04 | |
Defence is what we do. | 0:24:04 | 0:24:06 | |
We appreciate smart young clerks who've got the nose | 0:24:06 | 0:24:09 | |
and the rest of the man-tackle to get out there | 0:24:09 | 0:24:12 | |
and sniff out the new work. | 0:24:12 | 0:24:14 | |
So... | 0:24:15 | 0:24:17 | |
RUSSELL WHISPERS | 0:24:17 | 0:24:19 | |
And I'll tell you what, I'll even throw in a new suit. | 0:24:21 | 0:24:24 | |
RUSSELL LAUGHS | 0:24:24 | 0:24:26 | |
Cos we're the Shepherds, eh, lads? | 0:24:26 | 0:24:28 | |
And we look after our flock. | 0:24:28 | 0:24:30 | |
-Cheers. -ALL: Cheers. | 0:24:30 | 0:24:32 | |
See, I don't get a vote. It's up to members of chambers | 0:24:35 | 0:24:39 | |
which pupil gets in or not. | 0:24:39 | 0:24:40 | |
But... | 0:24:42 | 0:24:43 | |
..three quarters of them don't know if the pupil's good enough... | 0:24:44 | 0:24:48 | |
so they come to me. | 0:24:48 | 0:24:50 | |
And I tell them. | 0:24:50 | 0:24:52 | |
Because I know. | 0:24:52 | 0:24:54 | |
And the don't-knows vote the way I tell them they should vote. | 0:24:54 | 0:24:59 | |
What are you saying? | 0:24:59 | 0:25:00 | |
You're in. | 0:25:00 | 0:25:02 | |
On the basis of what I've seen and what all the solicitors have told me, | 0:25:02 | 0:25:06 | |
you are Shoe Lane. | 0:25:06 | 0:25:07 | |
-But I only just started... -No buts. | 0:25:10 | 0:25:12 | |
-But... -But? | 0:25:12 | 0:25:15 | |
There is one thing I'll be asking for in return... | 0:25:15 | 0:25:19 | |
Miss Amy Lang. | 0:25:19 | 0:25:22 | |
I have to go. | 0:25:24 | 0:25:25 | |
Er, my boyfriend. I... I was meant to meet him. | 0:25:26 | 0:25:30 | |
Sorry. | 0:25:35 | 0:25:36 | |
When did you last see Joanna alive, Mr Stephens? | 0:25:40 | 0:25:42 | |
Around seven on the evening she died. | 0:25:42 | 0:25:44 | |
And how would you describe her spirits? | 0:25:44 | 0:25:46 | |
Good. | 0:25:48 | 0:25:49 | |
How would you say... Sarah reacted to Joanna's accident? | 0:25:49 | 0:25:55 | |
Is there a good way to react? | 0:25:57 | 0:25:59 | |
Erm, well, how did you describe your wife to the police | 0:26:00 | 0:26:04 | |
on the night that Jo died? | 0:26:04 | 0:26:06 | |
I was angry. | 0:26:07 | 0:26:08 | |
Sarah...had an awful burden to bear. | 0:26:09 | 0:26:13 | |
Can you tell the court what you told the police? | 0:26:15 | 0:26:17 | |
I think I described her as withdrawn and cut off. | 0:26:17 | 0:26:20 | |
-And depressed. Was she depressed? -My Lord, the witness is not qualified. | 0:26:20 | 0:26:23 | |
I'll put it another way. Was Sarah on anti-depressants? | 0:26:25 | 0:26:30 | |
Mr Stephens. | 0:26:31 | 0:26:33 | |
Yes. | 0:26:34 | 0:26:37 | |
Did she find it difficult to cope? | 0:26:37 | 0:26:39 | |
We all struggled, in our own way. | 0:26:39 | 0:26:40 | |
And was she the sole carer? | 0:26:41 | 0:26:44 | |
There was a team, during the day. | 0:26:44 | 0:26:46 | |
They, er, washed Jo, | 0:26:46 | 0:26:48 | |
they changed her, fed her, | 0:26:48 | 0:26:50 | |
administered her drugs. Sarah...sometimes liked to feed Jo. | 0:26:50 | 0:26:54 | |
Who paid for them? | 0:26:54 | 0:26:56 | |
The insurance settlement. | 0:26:56 | 0:26:59 | |
And how much was that settlement for? | 0:26:59 | 0:27:01 | |
£5 million. | 0:27:02 | 0:27:03 | |
But it was to support Jo for the rest of her life. | 0:27:03 | 0:27:07 | |
What happens to the rest of that money? | 0:27:07 | 0:27:09 | |
It goes to her next of kin. | 0:27:09 | 0:27:10 | |
You and Sarah. | 0:27:13 | 0:27:15 | |
He knows it isn't about the money. | 0:27:15 | 0:27:16 | |
Why did he bring it up? | 0:27:16 | 0:27:18 | |
Because you plant it in the jury's mind, it sticks there, | 0:27:18 | 0:27:21 | |
then it colours everything else they hear. | 0:27:21 | 0:27:23 | |
Well, how do we counter it? | 0:27:23 | 0:27:24 | |
You and Jo were close prior to her accident? | 0:27:30 | 0:27:35 | |
Very. | 0:27:35 | 0:27:36 | |
So she must have been very upset | 0:27:36 | 0:27:38 | |
when you had an affair and left the family home. | 0:27:38 | 0:27:40 | |
She was upset that I moved out, yes. | 0:27:43 | 0:27:45 | |
And afterwards you saw less of Jo? | 0:27:45 | 0:27:48 | |
I saw her every day. | 0:27:48 | 0:27:51 | |
But you weren't in a position to judge her frame of mind, hour by hour. | 0:27:51 | 0:27:54 | |
Did you ever talk to Sarah about Jo wanting to end her life? | 0:27:58 | 0:28:01 | |
Yes. | 0:28:01 | 0:28:03 | |
She was set against it. | 0:28:03 | 0:28:05 | |
And Jo? | 0:28:05 | 0:28:07 | |
The counsellor helped her greatly. | 0:28:08 | 0:28:11 | |
And it was your idea to go to the St Jude's Centre for a counsellor? | 0:28:11 | 0:28:17 | |
Sarah and I agreed it would be a good idea | 0:28:17 | 0:28:19 | |
for Jo to talk to someone with expertise. | 0:28:19 | 0:28:22 | |
I am a practising Catholic. | 0:28:22 | 0:28:24 | |
I asked our priest for advice. | 0:28:25 | 0:28:28 | |
And you believed that, by last September, Jo was in a better frame of mind? | 0:28:28 | 0:28:32 | |
Oh, yes. | 0:28:32 | 0:28:33 | |
Nor had Sarah come round to supporting the view | 0:28:34 | 0:28:38 | |
that Jo might want to take her own life? | 0:28:38 | 0:28:40 | |
Not to the best of my knowledge, no. | 0:28:40 | 0:28:42 | |
Which suggests Sarah's actions, at the very least, | 0:28:42 | 0:28:46 | |
-was not premeditated. -My Lord... | 0:28:46 | 0:28:49 | |
How did you feel when you arrived at the house | 0:28:53 | 0:28:55 | |
of the morning of October the 1st? | 0:28:55 | 0:28:57 | |
My little girl was dead. | 0:28:57 | 0:29:00 | |
But you described your feelings as anger to my learned friend. | 0:29:00 | 0:29:05 | |
Yes, I was. | 0:29:05 | 0:29:06 | |
After everything she'd suffered... | 0:29:07 | 0:29:10 | |
..to end like that. | 0:29:11 | 0:29:12 | |
Nobody has the right... | 0:29:14 | 0:29:15 | |
I never even got to say goodbye to her. | 0:29:21 | 0:29:24 | |
Were you angry with your wife? | 0:29:25 | 0:29:27 | |
And myself. | 0:29:27 | 0:29:29 | |
If I could have persuaded them not to... | 0:29:29 | 0:29:32 | |
"Them"? So Jo and Sarah? | 0:29:32 | 0:29:35 | |
Whoever decided. | 0:29:35 | 0:29:36 | |
So you admit that, in spite of the counselling, | 0:29:36 | 0:29:41 | |
Jo might have wanted this? | 0:29:41 | 0:29:43 | |
No, I mean Sarah. | 0:29:43 | 0:29:45 | |
She was the adult. | 0:29:46 | 0:29:48 | |
Sarah did it. | 0:29:49 | 0:29:51 | |
She gave her the drugs. | 0:29:53 | 0:29:54 | |
Do you not think Jo might have put on a front for you? | 0:29:54 | 0:29:57 | |
I beg your pardon? | 0:29:57 | 0:29:59 | |
Well, maybe she was frightened | 0:29:59 | 0:30:01 | |
of losing the little bit she had left of you, | 0:30:01 | 0:30:03 | |
-after you'd run off with your new girlfriend. -We're not together. | 0:30:03 | 0:30:06 | |
And she knew that you, like her counsellor, | 0:30:06 | 0:30:09 | |
rejected her right to want to die. | 0:30:09 | 0:30:12 | |
That's not how it was. | 0:30:12 | 0:30:14 | |
You were angry, weren't you, Mr Stephens? | 0:30:14 | 0:30:16 | |
Angry with your God for Jo's cruel accident. | 0:30:16 | 0:30:19 | |
-No! -And angry with yourself | 0:30:19 | 0:30:22 | |
for running into the arms of another woman. | 0:30:22 | 0:30:24 | |
And, however much | 0:30:24 | 0:30:26 | |
you say you are a reluctant witness, | 0:30:26 | 0:30:30 | |
you were angry with your wife for being... | 0:30:30 | 0:30:32 | |
-My Lord, my learned friend is badgering the witness. -..so caught up in her own grief | 0:30:32 | 0:30:36 | |
that she couldn't support you in yours, | 0:30:36 | 0:30:39 | |
and this is the bottom line, Mr Stephens - | 0:30:39 | 0:30:43 | |
Jo wanted to die, you were just too angry to hear her. | 0:30:43 | 0:30:47 | |
How dare you?! | 0:30:49 | 0:30:51 | |
How dare you do that to my husband? | 0:30:51 | 0:30:54 | |
All you did was belittle him. He's still the father of my children, | 0:30:54 | 0:30:57 | |
and he's all they'll have when I'm sent to prison. | 0:30:57 | 0:31:00 | |
Are you all right? | 0:31:05 | 0:31:06 | |
Yeah...yeah, I'm fine. | 0:31:06 | 0:31:09 | |
Miss? | 0:31:19 | 0:31:20 | |
My favourite clerk. | 0:31:20 | 0:31:23 | |
All right, Billy boy? | 0:31:28 | 0:31:30 | |
Hmm... | 0:31:30 | 0:31:31 | |
Must be a chilli or something. | 0:31:31 | 0:31:33 | |
In an egg and cress?! | 0:31:33 | 0:31:35 | |
Have to have a word with Chef. | 0:31:35 | 0:31:36 | |
All right, Billy? | 0:31:41 | 0:31:44 | |
Are you behaving yourself? | 0:31:44 | 0:31:45 | |
CHUCKLES | 0:31:45 | 0:31:47 | |
Chance would be a fine thing, Russell. | 0:31:47 | 0:31:49 | |
Thanks for sending over your unwanteds. | 0:31:49 | 0:31:51 | |
Oh, well, my mother always told me to look out for | 0:31:51 | 0:31:54 | |
those who are...less fortunate than myself. | 0:31:54 | 0:31:56 | |
Well... | 0:31:56 | 0:31:58 | |
..any more like him, and we'll be happy to take 'em. | 0:31:59 | 0:32:02 | |
It's like Al Capone... your nine-hander. | 0:32:11 | 0:32:15 | |
Meaning, John? | 0:32:16 | 0:32:17 | |
They can't get them for the big crimes, these boys. | 0:32:17 | 0:32:20 | |
But they can put them away for kicking the hell out of each other | 0:32:20 | 0:32:23 | |
in a pub on a Saturday night. | 0:32:23 | 0:32:25 | |
Same result - horrible men go to prison. | 0:32:25 | 0:32:28 | |
If they're convicted. | 0:32:28 | 0:32:30 | |
That's down to you, miss. | 0:32:30 | 0:32:32 | |
But we're not here to talk about me. | 0:32:32 | 0:32:35 | |
We're here to talk about us. | 0:32:35 | 0:32:38 | |
You were Joanna's counsellor, Mr Luckhurst? | 0:32:40 | 0:32:42 | |
I'd like to think that Jo and I became friends. | 0:32:42 | 0:32:46 | |
What sort of conversations did you have? | 0:32:47 | 0:32:49 | |
Frank and open. | 0:32:49 | 0:32:51 | |
Jo had begun to find her life... meaningful, | 0:32:52 | 0:32:56 | |
in a much fuller way. | 0:32:56 | 0:32:58 | |
Only three days before she died, | 0:32:58 | 0:33:00 | |
she'd agreed to take a trip the following year to France. | 0:33:00 | 0:33:03 | |
Was she, in your professional opinion, suicidal? | 0:33:03 | 0:33:06 | |
No. | 0:33:06 | 0:33:08 | |
And her mother, Sarah? | 0:33:09 | 0:33:10 | |
Well, I talked with the whole family. | 0:33:12 | 0:33:15 | |
Sarah seemed firmly against Jo ending her life. | 0:33:15 | 0:33:19 | |
Were you surprised when you heard what she'd done? | 0:33:20 | 0:33:23 | |
Yes. | 0:33:25 | 0:33:27 | |
I'd have to say I was. | 0:33:27 | 0:33:29 | |
France? | 0:33:30 | 0:33:31 | |
Yes. | 0:33:31 | 0:33:33 | |
Where? | 0:33:33 | 0:33:34 | |
Lourdes. | 0:33:34 | 0:33:35 | |
The Stephens are Catholic. | 0:33:35 | 0:33:38 | |
Mr Stephens and the children, at least. | 0:33:38 | 0:33:41 | |
And was Lourdes Jo's idea? | 0:33:41 | 0:33:43 | |
The St Jude's Centre organises trips. | 0:33:43 | 0:33:46 | |
It was they who recommended me to Mr Stephens. | 0:33:46 | 0:33:49 | |
And this is a Catholic organisation? | 0:33:49 | 0:33:52 | |
I am a fully qualified counsellor. | 0:33:52 | 0:33:54 | |
But you practise within the boundaries of the Catholic faith? | 0:33:54 | 0:33:57 | |
You see, I...I don't see them as boundaries. | 0:33:57 | 0:34:01 | |
I think Mr Stephens wanted a counsellor who would stress | 0:34:01 | 0:34:04 | |
the importance, the...the gift of life. | 0:34:04 | 0:34:09 | |
The Catholic Church believes suicide to be a sin, | 0:34:10 | 0:34:15 | |
because it's to despair of God's love. | 0:34:15 | 0:34:17 | |
My Lord, the Catholic doctrine is not on trial. | 0:34:17 | 0:34:20 | |
The witness's moral code is completely based on Catholic teaching. | 0:34:20 | 0:34:24 | |
Carry on, Miss Costello. | 0:34:24 | 0:34:26 | |
After her accident, when you visited Jo... | 0:34:32 | 0:34:36 | |
..she was in despair. | 0:34:37 | 0:34:39 | |
Well, it is common in such cases, but... | 0:34:39 | 0:34:44 | |
she was a bright girl. | 0:34:44 | 0:34:46 | |
I think she came to a clear understanding and acceptance of her position. | 0:34:46 | 0:34:52 | |
And did you report your conversations to anyone? | 0:34:52 | 0:34:55 | |
Yes, I...discussed her progress with her parents. | 0:34:55 | 0:34:59 | |
Mr Luckhurst, do you not think a bright girl like Jo | 0:34:59 | 0:35:02 | |
would have guessed that you were telling her father? | 0:35:02 | 0:35:05 | |
And that she knew both you and he, as Catholics, | 0:35:05 | 0:35:10 | |
considered suicide to be a sin? | 0:35:10 | 0:35:12 | |
-My Lord, how can the witness possibly answer that question? -Well, of course he can. | 0:35:12 | 0:35:17 | |
It's his job to know what people are thinking | 0:35:17 | 0:35:19 | |
and if he can't then he's not much cop as a counsellor. | 0:35:19 | 0:35:22 | |
I'm not a clairvoyant. | 0:35:22 | 0:35:24 | |
Do you pray? | 0:35:24 | 0:35:25 | |
Every day. | 0:35:26 | 0:35:27 | |
I take instructions from my client, | 0:35:27 | 0:35:31 | |
whereas you take instructions from a supernatural entity | 0:35:31 | 0:35:34 | |
that can't be cross-examined, | 0:35:34 | 0:35:36 | |
but whose wisdom you ask us to take as read? | 0:35:36 | 0:35:41 | |
That's a question, Mr Luckhurst. | 0:35:42 | 0:35:44 | |
Miss Costello. | 0:35:44 | 0:35:45 | |
Beef Wellington, rare but not bloody. | 0:36:05 | 0:36:08 | |
Like you ordered, boss, best of British. | 0:36:08 | 0:36:10 | |
That is Alan Cowdrey. | 0:36:10 | 0:36:14 | |
When Alan arrives, stick with him. | 0:36:19 | 0:36:21 | |
You need to look like the anointed one. | 0:36:21 | 0:36:23 | |
And you make the presentation speech. | 0:36:23 | 0:36:25 | |
It's the starting pistol for the campaign. | 0:36:25 | 0:36:27 | |
Boyfriend OK? | 0:36:27 | 0:36:29 | |
Er...yeah, yeah, he's fine, thank you. | 0:36:29 | 0:36:32 | |
I should really... | 0:36:32 | 0:36:33 | |
Of course, Miss Lang. Just a moment. | 0:36:33 | 0:36:36 | |
I think we need to get something straight between us. | 0:36:36 | 0:36:39 | |
-I really don't... -No, no, I understand | 0:36:39 | 0:36:41 | |
that you're young and inexperienced. | 0:36:41 | 0:36:43 | |
You haven't seen close up how this world works. | 0:36:43 | 0:36:46 | |
But we're both grown-ups. | 0:36:46 | 0:36:48 | |
Perhaps I didn't make myself clear before. It's quite simple. | 0:36:48 | 0:36:51 | |
You give me what I want, and I'll give you what you want. | 0:36:51 | 0:36:56 | |
It's win/win. | 0:36:56 | 0:36:58 | |
I'm the gift horse, | 0:36:58 | 0:37:00 | |
and you're staring straight in his mouth. | 0:37:00 | 0:37:02 | |
So, put your application for tenancy in. | 0:37:02 | 0:37:06 | |
When I consider where we started from... | 0:37:13 | 0:37:16 | |
me and Billy with a telephone, a chair, a desk, | 0:37:16 | 0:37:19 | |
all of which he got. | 0:37:19 | 0:37:22 | |
And a very big overdraft, which I got. | 0:37:22 | 0:37:25 | |
And where we are now, I take immense pride in that. | 0:37:25 | 0:37:29 | |
But much as you are my family, I have a real family. | 0:37:29 | 0:37:35 | |
And it's long overdue that I focused on them. | 0:37:35 | 0:37:39 | |
It's also time that a younger person | 0:37:39 | 0:37:41 | |
took over the reins here, with the energy to...fight the fight | 0:37:41 | 0:37:45 | |
that the Criminal Bar has on its hands. | 0:37:45 | 0:37:48 | |
And we are very lucky to have, in Martha Costello and Clive Reader, | 0:37:48 | 0:37:53 | |
two outstanding candidates... | 0:37:53 | 0:37:54 | |
Three. | 0:37:54 | 0:37:56 | |
Three candidates. | 0:37:57 | 0:37:59 | |
I'd like to throw my wig into the ring, | 0:37:59 | 0:38:01 | |
offer the electorate a real choice - a third way, so to speak. | 0:38:01 | 0:38:06 | |
Quite. | 0:38:07 | 0:38:09 | |
Well, this is a democracy, after all. | 0:38:09 | 0:38:10 | |
Whoever wins will have a hard act to follow in this man. | 0:38:12 | 0:38:16 | |
One of the greats. | 0:38:16 | 0:38:17 | |
The other thing we had in chambers when we first started | 0:38:19 | 0:38:21 | |
and one of the reasons for your overdraft was... | 0:38:21 | 0:38:25 | |
this. | 0:38:25 | 0:38:26 | |
A good vintage for a good man, who it's been a privilege to clerk. | 0:38:28 | 0:38:34 | |
Thank you, Billy. | 0:38:35 | 0:38:37 | |
KNOCKING | 0:38:45 | 0:38:47 | |
Boss. | 0:38:49 | 0:38:51 | |
You forget, Jake, I know everything. | 0:38:57 | 0:38:59 | |
I've been offered First Junior. | 0:39:04 | 0:39:06 | |
Well, you've ducked and you've dived. | 0:39:06 | 0:39:08 | |
You've become a clerk, a true clerk. Now go. | 0:39:08 | 0:39:11 | |
But... | 0:39:12 | 0:39:13 | |
You broke my heart, Jake. | 0:39:13 | 0:39:15 | |
Now get out. | 0:39:17 | 0:39:18 | |
How often did you visit Joanna? | 0:39:50 | 0:39:52 | |
A few times a week. She was my girlfriend. | 0:39:52 | 0:39:56 | |
And how did you find it? | 0:39:56 | 0:39:58 | |
There were fights, before Mr Stephens left. | 0:39:58 | 0:40:01 | |
-Fights? -More like aggressive silences, you know? | 0:40:02 | 0:40:06 | |
And after Mr Stephens left? | 0:40:06 | 0:40:07 | |
I think she found it hard... Sarah...Mrs Stephens. | 0:40:08 | 0:40:12 | |
She got angry at the others for nothing. Jo said the carers, or even Harry, | 0:40:12 | 0:40:16 | |
often had to cook them dinner. | 0:40:16 | 0:40:18 | |
And when you were there? | 0:40:18 | 0:40:19 | |
She was always upstairs. | 0:40:19 | 0:40:22 | |
What about Joanna? | 0:40:22 | 0:40:23 | |
She was amazing. So positive. | 0:40:23 | 0:40:26 | |
Who's Liane, Luke? | 0:40:35 | 0:40:36 | |
My girlfriend. Now. | 0:40:38 | 0:40:41 | |
And when did you start going out with her? | 0:40:41 | 0:40:44 | |
A while back. | 0:40:44 | 0:40:45 | |
Before Jo died? | 0:40:45 | 0:40:48 | |
A week or two. | 0:40:49 | 0:40:50 | |
And did Jo know you were going out with someone else? | 0:40:50 | 0:40:53 | |
No. | 0:40:53 | 0:40:55 | |
How do you know? | 0:40:55 | 0:40:56 | |
She never said anything. | 0:40:56 | 0:40:59 | |
Why didn't you tell her? | 0:40:59 | 0:41:01 | |
Because...you know... it's not nice to find out. | 0:41:01 | 0:41:04 | |
Especially in Jo's position? | 0:41:04 | 0:41:06 | |
Yeah. I suppose. | 0:41:06 | 0:41:07 | |
And you don't think she could have found out? | 0:41:07 | 0:41:10 | |
She didn't say anything. | 0:41:10 | 0:41:12 | |
Well, she was a smart girl, Luke. | 0:41:12 | 0:41:14 | |
She was sensitive and emotionally mature. | 0:41:14 | 0:41:17 | |
She must have known. Or are you just a very, very good liar? | 0:41:17 | 0:41:21 | |
She never said she knew. | 0:41:21 | 0:41:23 | |
You were playing at being her boyfriend. | 0:41:23 | 0:41:25 | |
That's not true! | 0:41:25 | 0:41:26 | |
Sarah, why didn't you tell me Luke had a new girlfriend? | 0:41:29 | 0:41:33 | |
I'm sorry, I didn't... | 0:41:33 | 0:41:35 | |
You didn't know, did you? | 0:41:36 | 0:41:39 | |
Why is that important? | 0:41:44 | 0:41:46 | |
Because something happened to push Jo over the edge | 0:41:46 | 0:41:48 | |
and convince Sarah to help her. | 0:41:48 | 0:41:50 | |
Finding out about Luke. | 0:41:50 | 0:41:52 | |
And it would have been as all her friends went off to uni. | 0:41:52 | 0:41:55 | |
Leaving Jo behind. | 0:41:55 | 0:41:56 | |
Mum went to bed early. | 0:42:01 | 0:42:03 | |
Me and Frase hung out with Jo for a while. | 0:42:03 | 0:42:06 | |
I put Gracey to bed and then I watched the Arsenal match. | 0:42:06 | 0:42:10 | |
Were you the last to go to bed? | 0:42:10 | 0:42:12 | |
And Jo was still alive then? | 0:42:14 | 0:42:16 | |
When you woke up? | 0:42:19 | 0:42:21 | |
There were police and doctors all over, and... | 0:42:21 | 0:42:25 | |
Mum was crying and telling them what she'd done. | 0:42:25 | 0:42:28 | |
And Fraser and Grace? | 0:42:28 | 0:42:30 | |
Frase had got up too. Er, he was crying. | 0:42:31 | 0:42:36 | |
I... I told him to stop, but he wouldn't. | 0:42:36 | 0:42:38 | |
But... But then Dad came. | 0:42:39 | 0:42:41 | |
How was he? | 0:42:41 | 0:42:43 | |
'He was upset, and...and angry. | 0:42:44 | 0:42:49 | |
'He... He told us to get upstairs.' | 0:42:49 | 0:42:51 | |
'Thank you very much, Harry.' | 0:42:53 | 0:42:55 | |
The end of Harry Stephens' recorded evidence? | 0:42:57 | 0:43:01 | |
Yes, my Lord. | 0:43:01 | 0:43:02 | |
Is the live link ready for the cross-examination? | 0:43:02 | 0:43:04 | |
Hello, Harry. Bear with us while we get things in order at this end. | 0:43:07 | 0:43:12 | |
CLEARS THROAT | 0:43:18 | 0:43:20 | |
Hello, Harry. | 0:43:20 | 0:43:22 | |
Now, my name's Martha, | 0:43:22 | 0:43:24 | |
and I'm going to be asking you some questions. | 0:43:24 | 0:43:27 | |
-OK. -OK. | 0:43:27 | 0:43:29 | |
Now, when did Jo find out that Luke had another girlfriend, Harry? | 0:43:29 | 0:43:35 | |
Fraser had told her a week before. | 0:43:35 | 0:43:38 | |
I...I beat him up for that. | 0:43:38 | 0:43:40 | |
-Why? -Because with all the other shit in her life she didn't need that. | 0:43:40 | 0:43:44 | |
Was she upset about it? | 0:43:44 | 0:43:47 | |
No. She was cool. | 0:43:47 | 0:43:49 | |
Now, Harry, did Jo tell you that she wanted to die? | 0:43:51 | 0:43:56 | |
No! | 0:43:56 | 0:43:58 | |
Look, Harry, we have to ask you these questions, | 0:43:59 | 0:44:02 | |
because you were the last person to see Jo alive. | 0:44:02 | 0:44:06 | |
I...don't know! She... She never said. I...I told you. | 0:44:06 | 0:44:11 | |
Now, your father...and Jo's doctor have both said that | 0:44:12 | 0:44:18 | |
in the early days after the accident, that Jo was very low. | 0:44:18 | 0:44:21 | |
Now, your mother has said | 0:44:21 | 0:44:24 | |
that Jo might have told you she wanted to die then. | 0:44:24 | 0:44:28 | |
Maybe then, early on. But...not later. | 0:44:28 | 0:44:33 | |
So when was the last time? | 0:44:33 | 0:44:34 | |
I don't... I don't know. | 0:44:34 | 0:44:37 | |
A few weeks before? | 0:44:37 | 0:44:38 | |
Yeah. Weeks. | 0:44:38 | 0:44:39 | |
So she did tell you? | 0:44:39 | 0:44:41 | |
Um... | 0:44:41 | 0:44:42 | |
Could I have Patrick's evidence? | 0:44:44 | 0:44:46 | |
Thank you. | 0:44:46 | 0:44:47 | |
Now, your father said that the carers gave Jo her drugs. Is that correct? | 0:44:52 | 0:44:56 | |
Mum didn't like to, | 0:44:56 | 0:44:58 | |
in case she got it wrong, she said. | 0:44:58 | 0:45:00 | |
And if there was an emergency and the carers weren't there to give Jo her drugs, | 0:45:00 | 0:45:03 | |
would your mum do it? | 0:45:03 | 0:45:05 | |
No. I did. | 0:45:05 | 0:45:06 | |
You did? | 0:45:06 | 0:45:09 | |
So the drug safe... Now, did your mother give you the code? | 0:45:09 | 0:45:12 | |
No, I, um... | 0:45:12 | 0:45:14 | |
-Harry? -I texted the carers. | 0:45:15 | 0:45:18 | |
What the hell was that? | 0:45:21 | 0:45:23 | |
Her story doesn't add up. | 0:45:23 | 0:45:25 | |
Your job is to make it add up, not to undermine it. | 0:45:25 | 0:45:28 | |
If you would just let me call Fraser and Grace. | 0:45:28 | 0:45:32 | |
When Fraser showed Jo the photograph of Luke, | 0:45:32 | 0:45:34 | |
maybe she said something to him then. | 0:45:34 | 0:45:37 | |
-No. -Well, surely, she must | 0:45:37 | 0:45:39 | |
have told somebody else about how she felt. | 0:45:39 | 0:45:41 | |
Look, I'm sorry, Sarah, but things just don't add up. | 0:45:44 | 0:45:46 | |
Do you know what Clive Reader will do with you in cross-examination? | 0:45:46 | 0:45:51 | |
It is his job to tear you apart. | 0:45:51 | 0:45:54 | |
I've given you my instructions. | 0:45:54 | 0:45:56 | |
And what was it that changed your mind that night? | 0:46:01 | 0:46:04 | |
I'd listened to her crying enough. | 0:46:05 | 0:46:08 | |
I'd watched Jo suffer enough. | 0:46:09 | 0:46:11 | |
Thank you. | 0:46:14 | 0:46:15 | |
Enough? | 0:46:27 | 0:46:29 | |
I beg your pardon? | 0:46:30 | 0:46:32 | |
You'd watched her enough? You'd listened to her enough? | 0:46:32 | 0:46:35 | |
Yes. | 0:46:35 | 0:46:37 | |
Enough for who - you or her? | 0:46:37 | 0:46:39 | |
No. | 0:46:40 | 0:46:41 | |
You weren't coping, were you, Sarah? | 0:46:41 | 0:46:43 | |
Witness after witness has told us - your husband, Joanna's boyfriend, | 0:46:43 | 0:46:48 | |
even your own son. | 0:46:48 | 0:46:49 | |
I was doing my best. | 0:46:49 | 0:46:52 | |
We can only imagine how difficult that must have been for you... | 0:46:52 | 0:46:55 | |
..this terrible, terrible accident, | 0:46:57 | 0:46:58 | |
leaving your lovely daughter as helpless as she was when she was a...a baby. | 0:46:58 | 0:47:04 | |
And you, on your own, without your husband, | 0:47:04 | 0:47:09 | |
facing the rest of your life looking at your child in pain. | 0:47:09 | 0:47:11 | |
Jo was trapped, but... you were trapped with her. | 0:47:13 | 0:47:16 | |
Joanna's death freed you, didn't it? | 0:47:17 | 0:47:19 | |
No. | 0:47:19 | 0:47:21 | |
On the 30th of September, after you came downstairs | 0:47:21 | 0:47:25 | |
and found your daughter crying in pain, | 0:47:25 | 0:47:27 | |
did you look up a combination of her drugs that would kill her? | 0:47:27 | 0:47:31 | |
Sarah? | 0:47:35 | 0:47:36 | |
I mixed the drugs. | 0:47:38 | 0:47:40 | |
Not only that, did you take the drugs from the drug safe? | 0:47:40 | 0:47:43 | |
Yes. | 0:47:43 | 0:47:45 | |
You see, both these things, and the connecting of the bag to the drip, | 0:47:45 | 0:47:50 | |
without witnesses, or proof that Joanna wanted to die, | 0:47:50 | 0:47:53 | |
all add up to murder in the eyes of the law. | 0:47:53 | 0:47:57 | |
"If you loved me, you'd kill me", that's what she said. | 0:48:00 | 0:48:05 | |
We have only your word for that. | 0:48:11 | 0:48:13 | |
(Don't ever do what I'm about to.) | 0:48:26 | 0:48:29 | |
What's the code for the drug safe, Sarah? | 0:48:36 | 0:48:39 | |
Well, is it letters? Or is it numbers? | 0:48:42 | 0:48:45 | |
Numbers. | 0:48:46 | 0:48:47 | |
A combination of letters and numbers. | 0:48:47 | 0:48:50 | |
Why did you give her a glass of whisky? | 0:48:50 | 0:48:53 | |
To calm her down, in case the drugs... | 0:48:53 | 0:48:55 | |
Well, the website you say you consulted | 0:48:55 | 0:48:58 | |
says alcohol should be given to accelerate the effects of the drugs. | 0:48:58 | 0:49:02 | |
What are you doing? Why are you doing this? Stop! | 0:49:02 | 0:49:06 | |
You're supposed to be on my side. | 0:49:08 | 0:49:10 | |
I am on your side. | 0:49:10 | 0:49:12 | |
That's why I don't want you convicted of something you didn't do. | 0:49:12 | 0:49:15 | |
I did it. I told you. | 0:49:15 | 0:49:18 | |
Murder carries a mandatory life sentence, Sarah. | 0:49:18 | 0:49:22 | |
You won't see your children grow up. | 0:49:22 | 0:49:25 | |
-Can I have a word? -I'm talking with my client. | 0:49:25 | 0:49:28 | |
Three years ago, I got pregnant. | 0:49:35 | 0:49:38 | |
And I'd always said, if the time wasn't right, | 0:49:38 | 0:49:43 | |
then I'd terminate the pregnancy. | 0:49:43 | 0:49:45 | |
But when it came to it I couldn't do it. | 0:49:45 | 0:49:48 | |
So I can't begin to imagine what it must feel like | 0:49:48 | 0:49:52 | |
having your teenage daughter begging you to help her to die. | 0:49:52 | 0:49:55 | |
-Are you covering for someone? -No. | 0:49:58 | 0:50:01 | |
I think you're covering for your son. | 0:50:02 | 0:50:05 | |
I can't bear to lose another child. | 0:50:05 | 0:50:08 | |
I can't represent you if I know you're lying. | 0:50:09 | 0:50:13 | |
-But I'm willing to take the blame. -Sarah... | 0:50:13 | 0:50:15 | |
Our justice system doesn't work like that. | 0:50:15 | 0:50:17 | |
Please, Sarah, let me recall Harry. | 0:50:17 | 0:50:21 | |
Harry... | 0:50:21 | 0:50:23 | |
He had the code. | 0:50:23 | 0:50:25 | |
It wasn't him? | 0:50:27 | 0:50:30 | |
Fraser, my name is Martha, | 0:50:30 | 0:50:33 | |
and I'm trying to help your mummy. | 0:50:33 | 0:50:35 | |
Now, she told me that you made a deal | 0:50:35 | 0:50:39 | |
about what happened the night Jo died. | 0:50:39 | 0:50:41 | |
And that you weren't to tell anyone what you did. | 0:50:41 | 0:50:45 | |
But...she's in a lot of trouble now... | 0:50:45 | 0:50:49 | |
..and she needs you to tell us. | 0:50:50 | 0:50:53 | |
Can you do that for me... and your mum? | 0:50:53 | 0:50:58 | |
Could you tell us... what happened that night? | 0:51:00 | 0:51:04 | |
Harry went to watch the football, | 0:51:11 | 0:51:14 | |
but Jo asked me to stay...and look up something for her on her laptop. | 0:51:14 | 0:51:18 | |
I could see it was about killing and stuff. | 0:51:22 | 0:51:25 | |
I...I told her I didn't think we should be looking at this. | 0:51:25 | 0:51:29 | |
But she said, I'd see, when she was gone. | 0:51:29 | 0:51:32 | |
She said everything would be better... | 0:51:35 | 0:51:37 | |
Dad would come back. | 0:51:39 | 0:51:40 | |
Mum would be happier. | 0:51:41 | 0:51:43 | |
She was lying. | 0:51:46 | 0:51:48 | |
That was never going to happen. | 0:51:48 | 0:51:51 | |
It's OK, Fraser. Now... | 0:51:51 | 0:51:54 | |
can you tell me how you got into the drug safe? | 0:51:54 | 0:51:59 | |
She told me Harry had a code on his phone. | 0:52:03 | 0:52:05 | |
And then? | 0:52:07 | 0:52:08 | |
And how much of her medicines to put in one of the bags. | 0:52:09 | 0:52:13 | |
The drip bags? | 0:52:13 | 0:52:15 | |
But Harry was still watching football, | 0:52:17 | 0:52:20 | |
so...she told me to go to bed, | 0:52:20 | 0:52:23 | |
pretend to be asleep | 0:52:23 | 0:52:25 | |
and wait for him to go to sleep. | 0:52:25 | 0:52:28 | |
And later you got up | 0:52:28 | 0:52:31 | |
and you connected the drip? | 0:52:31 | 0:52:33 | |
And I...I gave her whisky too, cos it...it told me to. | 0:52:35 | 0:52:38 | |
Where was your mum? | 0:52:40 | 0:52:42 | |
'Jo told me not to wake her up | 0:52:42 | 0:52:44 | |
'until I was sure she wasn't breathing any more. | 0:52:44 | 0:52:47 | |
'She told me this trick, with her breath on a mirror, so I could tell.' | 0:52:49 | 0:52:53 | |
'Do you know why Jo didn't want your mum | 0:52:56 | 0:52:58 | |
'to know what you were doing? | 0:52:58 | 0:53:01 | |
'She said she'd only try and stop her. | 0:53:01 | 0:53:03 | |
'Jo and Mum were always arguing. | 0:53:05 | 0:53:07 | |
'Mum said she was too young, and...too many people loved her. | 0:53:10 | 0:53:15 | |
'Fraser... | 0:53:17 | 0:53:19 | |
'did you film her on your phone that night? | 0:53:19 | 0:53:23 | |
'I didn't want to, but...she told me to.' | 0:53:26 | 0:53:29 | |
And do we have this film? | 0:53:41 | 0:53:42 | |
Yes, my Lord. | 0:53:42 | 0:53:44 | |
'Is it recording? | 0:53:52 | 0:53:53 | |
'Fraser, it's important. | 0:53:54 | 0:53:56 | |
'Mum, Dad, I love you both. | 0:53:57 | 0:53:59 | |
'But this is what I want. | 0:54:00 | 0:54:03 | |
'For a long time... | 0:54:04 | 0:54:06 | |
'but most especially now. | 0:54:06 | 0:54:08 | |
'And don't blame Fraser - he's only doing what I've asked him to. | 0:54:09 | 0:54:12 | |
'And Harry and Grace and Fraser, I love you too, | 0:54:12 | 0:54:17 | |
'but I just can't do it any more. | 0:54:17 | 0:54:19 | |
'Don't cry, baby bro. | 0:54:20 | 0:54:22 | |
'Turn it off.' | 0:54:24 | 0:54:25 | |
SHE WHISPERS | 0:54:29 | 0:54:30 | |
AISHA CLEARS THROAT | 0:54:33 | 0:54:35 | |
The Crown has considered its position and, in all circumstances, | 0:54:41 | 0:54:45 | |
we will not be offering any more evidence. | 0:54:45 | 0:54:48 | |
The defendant is free to go. | 0:54:49 | 0:54:52 | |
And, in the light of Fraser Stephens' confession, we will... | 0:54:52 | 0:54:56 | |
review the case. | 0:54:56 | 0:54:58 | |
No! | 0:54:58 | 0:54:59 | |
Mr Reader, it's not my job to advise the CPS, but might I express the court's view | 0:54:59 | 0:55:04 | |
that this case be reviewed as a matter of urgency? | 0:55:04 | 0:55:06 | |
Yes, my Lord. | 0:55:06 | 0:55:08 | |
They're back. | 0:55:34 | 0:55:36 | |
It's over. | 0:55:43 | 0:55:45 | |
We won't prosecute Fraser. | 0:55:45 | 0:55:47 | |
Yeah... | 0:56:06 | 0:56:08 | |
I've known for months, but, um... | 0:56:08 | 0:56:10 | |
..haven't told anyone... | 0:56:12 | 0:56:14 | |
Er...it's not easy to say this... | 0:56:17 | 0:56:20 | |
I got your message. | 0:56:22 | 0:56:24 | |
You won, miss! | 0:56:24 | 0:56:26 | |
Everyone should have control over the manner of their departure. | 0:56:31 | 0:56:37 | |
Jake's resignation for Shepherds Row. | 0:56:39 | 0:56:41 | |
In one move, he's raised the IQ of both establishments. | 0:56:41 | 0:56:45 | |
CHUCKLES | 0:56:45 | 0:56:47 | |
Ah, kids grow up, Billy. | 0:56:47 | 0:56:49 | |
You've got to let them get on with their own lives. | 0:56:49 | 0:56:53 | |
I, um... | 0:56:54 | 0:56:56 | |
..I want you to be the next Head of Chambers. | 0:56:58 | 0:57:01 | |
No, no, you don't need me to do that. | 0:57:01 | 0:57:03 | |
I do, miss... | 0:57:03 | 0:57:05 | |
..because I won't be here. | 0:57:06 | 0:57:08 | |
Because I'm dying. | 0:57:13 | 0:57:15 | |
I've said it now. | 0:57:27 | 0:57:29 | |
That wasn't so bad. | 0:57:31 | 0:57:33 | |
You promising her tenancy... | 0:57:48 | 0:57:50 | |
-So? -With your hand on her knee? | 0:57:50 | 0:57:53 | |
-Sorry, I'm just a bit stressed. -We're all stressed, duckie - it's the Criminal Bar. | 0:57:53 | 0:57:56 | |
-The US want to extradite my nephew, Rashid. -I'm not an extradition lawyer. | 0:57:56 | 0:57:59 | |
Clive, you've done extradition. | 0:57:59 | 0:58:01 | |
Never again, because you lose. | 0:58:01 | 0:58:03 | |
I'm professionally embarrassed. | 0:58:03 | 0:58:05 | |
-He's lying! -You know what you said! | 0:58:05 | 0:58:08 | |
I'm warning both of you. | 0:58:08 | 0:58:09 | |
What if I told you that Rashid was involved? | 0:58:09 | 0:58:12 | |
I wouldn't believe you. | 0:58:12 | 0:58:13 | |
I'd like to make an official complaint against Billy. | 0:58:13 | 0:58:15 | |
Help me, please. | 0:58:15 | 0:58:17 |