The Rubicon Snowfall


The Rubicon

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Transcript


LineFromTo

-This will catch on.

-Those two always together.

-Not for me. Just Lenny.

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-Nah, that can't be right.

-GUNSHOT

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Don't tell me. I was there.

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It's... All destroyed. The...the camp. Our pipeline.

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I have other suppliers we can use for now.

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-CAMERA SHUTTER CLICKS TEDDY:

-The Colombians?

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That's Jess, right? And him, you know, Latin Freddie Mercury.

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You have the balls to come in here after running to Daddy?

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You want me to run.

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We have to talk about what's gonna happen with the business.

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This programme contains some violent scenes, very strong language

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and some scenes which some viewers may find upsetting.

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BRAKES SQUEAL

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ENGINE STOPS

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Thanks for the lift, man, for letting me crash.

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Any time, my brother. You give Leon my best.

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-ZIPS BAG

-If you need to talk,

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you know I'm here for you, OK?

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HE LAUGHS All right, man. Thanks.

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All right. Also...

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..you got any more of that crack stuff,

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I'd definitely be interested.

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I got you.

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-Rad!

-ENGINE STARTS

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Oh, don't forget. Up there to the left. Freeway. All right?

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-I remember.

-Don't get lost again!

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DOOR CREAKS CLOSED

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Still going good, huh?

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It's better than good, Nephew.

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I don't know why you sleeping over that white boy house

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like we ain't got a perfectly good couch.

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I think you just answered your own question.

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-You was out late last night.

-You damn right I was.

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And look, we got to re-up on this powder.

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No problem.

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You got any idea where we gonna cook up the next batch?

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I know you ain't just look at my kitchen like you plan to use.

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We gonna rent a place,

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somewhere we can store it and cook the product.

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All right, Louie. I'm gonna put you on that.

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Go see Walter. He'll hook it up.

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Boy, we gotta talk turkey.

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I feel like the product's priced right.

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I ain't talking about the product.

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Now, when you first came to me,

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you said we was gonna split this down the middle, 50/50.

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Then what you do? Huh?

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You turned me away.

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I've done all the heavy lifting, huh? I'm not giving half away now.

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You ain't GIVING shit. All right?

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Now I'm EARNING it. You need a partner, not them little

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knuckleheads you be running around with.

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You need somebody that know the game, got some cred,

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set your little narrow ass straight.

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It's my connect, my product, my process.

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I've already got Lee and Kev to take care of.

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BILLS RUSTLE

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HE SIGHS I can give y'all 10%.

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-Shit, you tripping.

-Woman!

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40%.

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20, and even that's pushing it.

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BILLS RUSTLING

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HE LAUGHS

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-25%, we straight.

-Deal.

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Yeah! That's my family right there! Hey?

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Move that. I'm gonna take a shit. Y'all gonna keep counting that.

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BEADS RUSTLE

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DOOR CLOSES

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Mm...

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Ray-Ray thinking on it.

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Should know soon.

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Either way, you're gonna take care of me, right?

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I got you.

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What about you? You all right? You juggling a lot of shit.

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You doing OK?

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Mm-hm.

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HE SIGHS

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I will make this go away. Just like I said that I would.

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But I do need one thing from you to make it happen.

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-What?

-Need you to leave town for a little while.

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-How long?

-Just a month. Maybe two, at the most.

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No. That's not possible.

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Look, you saw what she did with the flyers of Kristin.

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Right? This is gonna be so much worse.

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She's gonna go to the cops, if she hasn't already,

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and then to the newspapers

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and the evening news, and your face is gonna be everywhere.

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In two days, I'm making a deal with the Colombians.

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And if I disappear, so will they.

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You'll have no-one to fly the shipment.

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No, I can find another pilot.

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And you'll still deal with the Colombians, just not from here.

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Or I take care of the girl and nothing changes.

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UTENSIL CLATTERS

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Look... HE SIGHS

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..if she goes missing, especially now,

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after finding this, that's gonna look terrible.

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They'll think she ran away, like her sister.

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No, it is too big of a risk. We're not there yet.

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And what if you're wrong, hmm? And you can't stop her?

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I can control this.

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I can. I-I... I'll ramp up surveillance on her apartment.

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I'll put a full tap on her phone.

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I will use all of the company resources to discredit her

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and steer her off the path.

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I just need you to please help me do my job.

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OK.

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Might have something for you, Ray.

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I have something to share with you folks, OK?

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Come inside. I'm gonna have one of my guys call you.

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Nothing heavy. Take a look.

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Here.

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HE EXHALES DEEPLY

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Remember your cousin Antonio from San Diego?

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Yeah, I remember his breath stank something awful.

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Graduated from San Diego State. Business and accounting.

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You're doing this now?

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You said you were fine.

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And just because your father has passed away

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-does not mean business stops.

-It's not stopping.

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I'm handling the books.

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When I'm ready to take on someone new, I'll let you know.

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You're gonna let me know?

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QUIET CONVERSATIONS IN SPANISH

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-MAN:

-Senora.

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Senora.

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SHE SIGHS

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HE PATS HER SHOULDER

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SHE SOBS

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SHE SNIFFLES

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DOORS CREAK OPEN

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DOORS CLOSE

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KEYS JINGLE

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Mom? What you doing home?

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I could ask you the same question. Where you been sleeping? Jerome's?

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Volpe's.

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I just came home to shower, grab some clothes. You all right?

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SHE SCOFFS

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Listen, Mom, I'm sorry I lied to you. It was disrespectful,

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and I should've treated you better than that.

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Talk to me.

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Tulf fired me.

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What?

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W-Why?

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I called his ass out.

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Told him to put me on them Westside properties

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like he'd been promising.

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Said things had changed, that he needed to sell it.

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-SHE CHUCKLES

-That I'd have other opportunities!

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I don't know exactly what happened then.

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I just know I saw red, and I went after him and...

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..when it was done, I was being tossed out.

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Fuck Tulfowitz.

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SHE SCOFFS You hear me?

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And all the shit he put you through.

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Fuck him.

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This is a good thing.

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-This is a good thing?

-Mm-hm.

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That was my job, Franklin.

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You'll get another job. One that deserves you.

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Where? Doing what?

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I killed myself trying to make that man happy,

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and now I just threw it all away.

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Tulf ain't gonna give me no references.

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There's bills and then the mortgage.

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You ain't gotta worry about any of that any more, Mom.

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Huh?

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Uh-uh.

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I don't want your reefer money.

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CLOSES DRAWER

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ZIPS BAG

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No, you can, uh, leave the robe at home this time. Just, uh,

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keep an eye on things while I'm in there.

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Yeah, OK. Thanks. I'll see you soon.

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DIALLING

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-VICTORIA:

-Hi. If you have any information on Kristin,

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please leave your name and...

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LOCK CLICKS

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OPENS AND CLOSES DRAWER

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Doesn't change a thing.

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Fuck, yeah. That's the best time.

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Whole family in one place. Drunk, tired, easy pickings.

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You know where they're having the velario?

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I want you to go, Gustavo. Check the place out,

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see how many people we're gonna need, what the layout looks like.

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DOOR CREAKS

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Oso?

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Almost there, vato. Don't bitch out now.

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TV PLAYS INSIDE

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DOOR CREAKS

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Victoria?

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TV PLAYS

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TOOL WHIRS IN NEXT ROOM

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WHIRRING CONTINUES

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WHIRRING CONTINUES

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Alejandro?

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Get out of here, Teddy.

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No, I can't do that.

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Of course you can.

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It's the easiest thing in the world. Just...turn around, walk out,

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close the door behind you.

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HE EXHALES SHARPLY

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-STRAINED: This isn't right.

-Isn't right?

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HE CHUCKLES

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This is a war, Teddy. We do what is required of us,

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which is exactly what I did that night at the house

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and, unfortunately, what you are incapable of doing.

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So I'm doing this for both of us.

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This is my gift to you. All you have to do is...

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..accept it.

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You're doing great, Teddy.

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-TEDDY EXHALES SHARPLY

-You're a hero.

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See you soon, OK?

0:14:280:14:31

WHIRRING RESUMES

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WHIRRING CONTINUES

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GUNSHOT, THUD

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TV CONTINUES IN NEXT ROOM

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HE EXHALES DEEPLY

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Fucking shit!

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What's up with these crates here?

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What crates?

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These crates.

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Motherfucker!

0:15:450:15:47

-Yuda!

-Huh?

0:15:470:15:48

Did you know Franklin saved Yuda's life?

0:15:540:15:57

-Did you know that?

-No.

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-It's true. Yeah. He's a good boy.

-AVI LAUGHS

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So every time he come here,

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I offer him a drink, some snort, some pink.

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He always say no.

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Shit, I'm good with any one of those.

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Well, I didn't offer it to you, did I?

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BOTTLE CLATTERS

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-Fuck did you bring them here for?

-Told you. Business is ramping up.

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Means we're gonna buy more, pay upfront.

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That also means might not always be me here making the runs.

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Oh, yes, it will. It's you I like, you I trust.

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You put on the vest.

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AVI LAUGHS

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Hey, you know, Avi, seeing as that we gonna be...

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..you know, buying in bulk, paying upfront,

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how about we do a little bit better on that price?

0:16:470:16:50

-What?

-I know you started the boy off at 12.

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You fronting the shit. He don't know no better.

0:16:530:16:56

Now this shit is real.

0:16:560:16:58

How about you shave a little off that price?

0:16:580:17:00

Oh. Maybe.

0:17:010:17:04

-HE CHUCKLES

-Yeah.

-Yeah, maybe.

0:17:040:17:07

Or maybe I'll shave the eyebrows off your face

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and tell you to go suck on a donkey's dick.

0:17:100:17:13

Uh, Avi, 12 is fine, all right?

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Fuck is this? I let you bring your friends into my house,

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and you fucking strong-arm me?

0:17:180:17:20

Hey, look, nobody trying to strong-arm nobody.

0:17:200:17:22

Hell you're not.

0:17:260:17:28

And just so you know who's in fucking charge here,

0:17:310:17:33

-it's gonna be 13 a key.

-Come on, Avi.

-Keep on talking, it'll be 14.

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Or you can go someplace else.

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You greedy motherfuckers.

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-Now get the fuck out.

-BAG ZIPS

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HE KISSES

0:18:100:18:12

I asked y'all to be cool.

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Hey, man, it ain't our fault the dude is crazy, cuz.

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Hey, he more than crazy. Motherfucker's racist.

0:18:220:18:25

It doesn't matter!

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Unless y'all know where I can get pure product

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at those prices, Avi's our guy.

0:18:290:18:30

I know where you get a better price

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and you ain't gotta deal with no crazy-ass Jew.

0:18:320:18:34

Look, he getting it from somewhere, and it's much less than 12 a key.

0:18:340:18:37

Now, you have somebody stake out his little crib,

0:18:370:18:39

see who comes and goes...

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..get right to the source.

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Can't just sit outside his house and wait.

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Be arrested in five minutes in this neighbourhood.

0:18:480:18:51

You right. We can't. But you know someone who can.

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LOCK TURNS

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BIRD CAWS

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KEYS JANGLE AND THUD

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DOOR CREAKS CLOSED

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OBJECT CLATTERS

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TRAIN WHISTLE BLOWS IN DISTANCE

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MACHINE BEEPS, CLICK JULIA: Hey, it's me.

0:19:370:19:40

Uh, haven't heard from you in a couple of days.

0:19:400:19:42

Starting to get a little worried.

0:19:420:19:44

Could you please give me a call when you get a chance?

0:19:440:19:46

BABY WHINES

0:19:460:19:48

Are you OK, honey? You a little bit hungry?

0:19:480:19:50

Oh, you wanna say hi? Wanna say hi? SHOWER RUNS

0:19:500:19:53

-Dada!

-Uh, all right. I hope you're OK.

0:19:530:19:58

Um...love you. Bye.

0:19:580:20:02

MACHINE BEEPS AND CLICKS

0:20:020:20:03

SHOWER CONTINUES RUNNING

0:20:030:20:06

MUSIC PLAYS IN BACKGROUND

0:20:140:20:17

QUIET CONVERSATIONS IN SPANISH

0:20:170:20:20

No.

0:20:360:20:37

Hmm!

0:20:430:20:44

No, mi amor.

0:20:540:20:55

SHE SCOFFS

0:21:030:21:05

Mija...

0:21:360:21:39

DOOR CLOSES

0:21:530:21:55

CONVERSATION IN NEXT ROOM

0:21:590:22:01

SHE INHALES DEEPLY

0:22:330:22:36

Smoke with me?

0:22:360:22:38

Maybe you're smoking the wrong shit.

0:22:450:22:47

Yeah, maybe.

0:22:470:22:49

SHE INHALES SHARPLY

0:22:490:22:51

SHE EXHALES DEEPLY

0:22:540:22:56

SIREN WAILS IN DISTANCE

0:22:560:22:59

Ramiro's bringing someone in to learn the books.

0:22:590:23:01

HE LAUGHS

0:23:010:23:03

You laugh cos you know you were right.

0:23:050:23:08

Mm.

0:23:080:23:09

Why are you still here?

0:23:160:23:19

Because I have faith in you, chola.

0:23:190:23:23

Yeah, seriously. We can run this business together.

0:23:230:23:27

What if I told you I don't believe you?

0:23:350:23:37

..or paranoid.

0:23:400:23:43

SHE INHALES SHARPLY

0:23:430:23:47

SHE EXHALES DEEPLY

0:23:470:23:49

..that if I go through with this, I'm not doing it for you.

0:23:530:23:57

I know.

0:23:570:23:59

SHE SIGHS

0:24:000:24:03

And I have to be there.

0:24:030:24:06

So they won't think I had anything to do with it.

0:24:060:24:09

OK.

0:24:210:24:24

Call Stomper. Tell him I wanna meet.

0:24:240:24:27

SHE EXHALES DEEPLY

0:24:410:24:43

Sure you good to be out here?

0:24:470:24:49

Yeah. Need to get out that madhouse for a minute.

0:24:490:24:52

That laid-up shit getting old already.

0:24:520:24:56

What?

0:24:560:24:57

Nothing.

0:24:570:24:58

Bullshit. You got something, don't you?

0:24:580:25:01

Made a couple moves with Ray-Ray. Think I got everything set up.

0:25:040:25:08

-All right, then, I'll be there.

-No, man.

0:25:080:25:10

You're gonna be a liability, and you know it.

0:25:100:25:12

I mean, fuck that shit, cuz.

0:25:120:25:14

Look, man, for real. Sit this one out. I got it.

0:25:160:25:21

Hey, Franklin.

0:25:270:25:30

When you had that gun on Carvel,

0:25:300:25:31

what were you thinking about? What stopped you?

0:25:310:25:34

I don't know. A lot of shit, I guess.

0:25:340:25:37

Well, when you dealing with Ray-Ray and Lenny,

0:25:390:25:41

I want you to think about taking care of your people, your folk.

0:25:410:25:45

Your moms, your uncle, Louie, Melody.

0:25:450:25:48

I even want you to think about me bleeding on that fucking ground,

0:25:480:25:51

and you pull that trigger. You hear me?

0:25:510:25:53

You eat them or they eat you, that's all.

0:25:560:25:59

We gonna be good, man.

0:26:030:26:06

FAST CLASSICAL PIANO PIECE PLAYS

0:26:140:26:17

KNOCK ON DOOR

0:26:310:26:33

Teddy?

0:26:350:26:36

POUNDING ON DOOR

0:26:390:26:41

BUTTON CLICKS, MUSIC STOPS

0:26:440:26:46

DOOR CREAKS

0:26:520:26:54

H-hey. HE CLEARS THROAT

0:26:560:26:58

You don't answer your phone?

0:27:000:27:02

-TEDDY SIGHS

-Julia called.

0:27:080:27:11

Said she hadn't heard from you in a couple of days

0:27:110:27:13

and was worried there might be something wrong.

0:27:130:27:17

HE SIGHS Things, um, um...

0:27:170:27:21

Get dressed, Teddy.

0:27:270:27:29

OK.

0:27:320:27:34

I didn't know you were a classical fan.

0:27:350:27:37

Who was that? Chopin?

0:27:370:27:39

James, I don't think... I'm the guy for this.

0:27:420:27:45

I went to bat for you, Teddy.

0:27:480:27:51

I'm sorry.

0:27:510:27:53

You want my advice?

0:27:530:27:55

You need to learn to let things go.

0:27:550:27:58

I mean, come on, this is just like Tehran all over again.

0:27:580:28:00

Sometimes shit just goes wrong in our business.

0:28:000:28:03

I could've prevented Tehran. I should've pulled my agent out.

0:28:030:28:07

-I knew he was in trouble, and nobody would listen.

-So what? It happened.

0:28:070:28:10

It wasn't your fault. But you came back to DC wound way too tight,

0:28:100:28:13

and you took a samurai sword

0:28:130:28:16

into the country co-ordinator's office.

0:28:160:28:19

It was a Civil War sabre.

0:28:190:28:21

I don't understand. I thought that

0:28:220:28:24

you'd be relieved that I'm out of this.

0:28:240:28:27

The director's very proud of you.

0:28:290:28:32

You know, money and supplies are flowing south.

0:28:320:28:34

Contra fighters are back on the offensive.

0:28:340:28:36

This thing is starting to work just like you knew it would.

0:28:360:28:40

He's extremely pleased.

0:28:400:28:42

So is the President.

0:28:430:28:45

You're full of shit.

0:28:510:28:53

He asked us to, uh, pass on his appreciation

0:28:540:28:57

to the responsible parties.

0:28:570:28:59

When I was eight...

0:29:120:29:14

..my dad took me to the White House,

0:29:150:29:17

where he was being... honoured for his service,

0:29:170:29:20

and we had lunch, and I met Kennedy, and...

0:29:200:29:24

..it was the proudest moment of his whole life.

0:29:270:29:30

I mean, it's in my file. I know you read it.

0:29:330:29:37

Look, I am not manipulating you, Teddy.

0:29:370:29:41

I am just passing on the, uh, sentiment.

0:29:420:29:45

This is working. OK? But the question is,

0:29:450:29:48

is it gonna keep working because of you, or do I find somebody else?

0:29:480:29:51

-Su-ey!

-HE LAUGHS

0:30:030:30:07

Hey, this place dope, man! I mean, a few couches, some lava lamps,

0:30:070:30:12

a big-screen TV. Hey, we could put a waterbed in this motherfucker, too!

0:30:120:30:15

This ain't no motherfucking bachelor pad.

0:30:150:30:18

It's a goddamn cook house. Just calm your ass down.

0:30:180:30:20

We need to get the gas on right away. The stove, the whole point.

0:30:200:30:23

Can get that done as early as tomorrow.

0:30:230:30:26

HE CHUCKLES

0:30:260:30:28

BEEPING

0:30:280:30:31

BEEPING STOPS

0:30:310:30:32

Ray-Ray.

0:30:320:30:35

HE SIGHS

0:30:350:30:37

CHATTER

0:30:380:30:41

We need to talk.

0:31:130:31:14

What about?

0:31:160:31:18

How to avert a war.

0:31:250:31:27

Yeah, there we go.

0:31:460:31:48

ENGINE OFF

0:31:530:31:54

Didn't know you was bringing somebody.

0:32:050:32:08

Just my uncle.

0:32:080:32:10

Hold up here and you ain't got nothing to worry about.

0:32:110:32:15

Let's just be clear, I'm not the bitch here.

0:32:150:32:18

Whatever the fuck y'all did to Lenny fucked him up.

0:32:180:32:21

Would've got us all killed.

0:32:210:32:22

We know. You're doing the right thing, man.

0:32:220:32:26

-Get them out.

-I'm gonna help you.

0:32:280:32:32

Get your ass up.

0:32:510:32:54

Get up!

0:32:540:32:56

HE GROANS

0:32:570:32:59

Motherfucking Judas.

0:33:150:33:17

-All right, we good?

-I'm afraid we ain't.

0:33:170:33:21

Need to know word of this shit never gonna leave this spot.

0:33:210:33:24

Nah, man. Fuck that, man. You told me to bring him here. I did.

0:33:270:33:30

Either do it so I know you'll keep your mouth shut or you both dead.

0:33:300:33:34

-Ray-Ray...

-That wasn't the deal!

0:33:350:33:37

-Well, it's the deal now.

-Come on, man!

0:33:370:33:40

Hey, man, I understand this ain't an easy ask.

0:33:410:33:45

I know.

0:33:450:33:47

Plenty more where that came from.

0:33:480:33:50

We use men who know how to handle theyselves.

0:33:500:33:53

Future could be bright.

0:33:540:33:56

Hey!

0:33:560:33:57

Hey, hey! Don't you do this shit for him.

0:33:570:34:02

I told you to let this shit go.

0:34:020:34:03

Man, you ain't never gonna forget this shit.

0:34:030:34:05

You won't and you know it. Look at me, nigger.

0:34:050:34:09

Hey! Oh, he thinking because he doing this shit for you

0:34:100:34:13

that this blood ain't gonna be on your hands,

0:34:130:34:15

-but it is, nigger. Ray-Ray!

-HE GROANS

0:34:150:34:19

Yeah, you better watch your back!

0:34:190:34:20

-Uh-huh.

-Get the fuck...

0:34:200:34:23

-Come on, Ray-Ray.

-Ray-Ray, man, come on!

0:34:250:34:28

What the fuck you doing? Look at me, man!

0:34:280:34:30

-Do it, motherfucker!

-All right!

0:34:300:34:31

-Ray-Ray!

-Do it!

0:34:310:34:33

Ray-Ray! Ray...

0:34:330:34:35

For Leon, motherfucker.

0:34:550:34:57

You ever wanna make some ends, you know where to find me.

0:35:140:35:17

ENGINE STARTS

0:35:270:35:28

Mm.

0:36:430:36:45

Diego...

0:36:460:36:47

-PAPER RUSTLES

-Diego...

0:37:050:37:07

UTENSIL CLATTERS

0:37:070:37:08

-Hi.

-Hi. How are you?

0:37:200:37:24

I'm fantastic. How are you?

0:37:240:37:27

-American?

-Oh, absolutely!

0:37:270:37:30

-OK, OK, hold on, hold on.

-Explain this shit!

0:37:340:37:36

Obviously, you're upset. OK, you have every right to be.

0:37:360:37:40

But just... OK, please just put the gun down and we could talk.

0:37:400:37:44

ALL SHOUTING IN SPANISH

0:37:490:37:50

Alejandro Esteves. HE EXHALES DEEPLY

0:37:500:37:54

What was that?

0:37:540:37:56

Alejandro Esteves.

0:37:560:37:59

OK. HE EXHALES DEEPLY

0:37:590:38:01

You're here to make a deal with him, right?

0:38:010:38:03

Alejandro was already bringing cocaine into the United States.

0:38:050:38:08

He just needed DEA assistance to get it across the border.

0:38:080:38:10

You two were gonna be bargaining chips. He was setting you up.

0:38:100:38:15

I know that the same way I know everything about you two.

0:38:220:38:25

I know that you like being in the United States.

0:38:260:38:30

And I know that the Orejuelas trust you and leave you alone

0:38:300:38:32

as long as the money keeps rolling in.

0:38:320:38:34

And I can ensure that that continues to happen.

0:38:340:38:37

Keep the DEA and local law enforcement off your ass,

0:38:370:38:40

provide you with intel about your competitors

0:38:400:38:42

and security at certain border points.

0:38:420:38:45

What do we have to do for you?

0:38:450:38:47

Well, you have to provide me with absolutely pure cocaine

0:38:480:38:51

at prices that's going to make your balls hurt.

0:38:510:38:53

Who the fuck are you, man?

0:38:530:38:56

Doesn't matter who I am.

0:38:560:38:57

Only matters who I represent.

0:38:590:39:00

And who's that?

0:39:000:39:03

The United States government.

0:39:030:39:05

HE COUGHS AND SNIFFLES

0:39:110:39:14

ELEVATOR BELL DINGS

0:39:140:39:17

CHATTER

0:39:170:39:20

QUIET CONVERSATIONS IN SPANISH

0:39:240:39:26

WOMAN SINGS IN SPANISH

0:39:260:39:29

Si.

0:40:100:40:11

You have to help me out. You have to back me up.

0:40:280:40:30

-I can't do that.

-Why not?

0:40:300:40:33

Mija...

0:41:020:41:03

MUSIC: Fantasy by Earth, Wind & Fire

0:41:340:41:38

All right, all right, all right, give it up, give it up.

0:41:380:41:40

-How much we make today? Brothers?

-Oh...

-Man, what'd I tell you?

0:41:400:41:44

Put the ones in front of the fives, right? And the twenties in the back.

0:41:440:41:48

Hey, y'all paying attention? This is where it starts, you hear me?

0:41:480:41:51

All right, then.

0:41:510:41:53

Which one of y'all messed up my count?

0:41:530:41:55

# In his heart there's a space

0:41:550:41:58

# And the world can't erase his fantasies

0:41:580:42:03

# Take a ride in the sky

0:42:030:42:05

# On our ship fantasise

0:42:050:42:08

# All your dreams will come true right away

0:42:080:42:13

# And we will live together

0:42:130:42:18

# Until the twelfth of never... #

0:42:180:42:20

All right, all right, all right, who's got money?

0:42:200:42:23

You got money? You got money?

0:42:230:42:25

Y'all kids gotta learn nothing in life is free.

0:42:250:42:28

Who's got money? You got money? You, you, you?

0:42:280:42:32

Broke-ass kids. Get away from my truck.

0:42:320:42:34

Hey.

0:42:340:42:37

Never ride through my block without stopping, all right?

0:42:370:42:40

These kids, they want something, anything,

0:42:400:42:42

you serve 'em up, and I take care of you after.

0:42:420:42:46

-Cool?

-Yeah. Cool.

0:42:470:42:51

-Here you go, baby.

-Check out Franklin.

0:42:540:42:57

Y'all get what you want. CHILDREN SHOUT HAPPILY

0:43:000:43:04

# In the land called fantasy

0:43:040:43:06

# Loving life for you and me

0:43:060:43:09

# To behold to your soul is ecstasy

0:43:090:43:13

# You will find other kind

0:43:130:43:16

# That has been in search of you... #

0:43:160:43:19

Hey, Jules, it's me.

0:43:190:43:22

Yeah, I know.

0:43:250:43:27

I'm sorry.

0:43:290:43:31

It's just, um...

0:43:320:43:34

..things out here kind of... took a turn and...

0:43:340:43:39

No. It's not.

0:43:420:43:45

I got some bad news, Jules.

0:43:470:43:49

Yeah.

0:43:560:43:58

Hey, I just... I just wanted to say I'm sorry.

0:44:160:44:21

About everything. I just...

0:44:210:44:24

I love you and...I'm happy that it's just us again.

0:44:250:44:28

Just family.

0:44:300:44:32

It's late.

0:44:360:44:38

Jabali!

0:44:400:44:42

Make sure he gets home safe.

0:44:450:44:47

QUIET CONVERSATIONS IN SPANISH

0:44:520:44:54

HE CLEARS HIS THROAT

0:44:560:44:59

Ciao, Papa.

0:44:590:45:01

Hey.

0:45:080:45:10

-Wanna join me?

-No, not tonight.

0:45:120:45:14

I just wanted to say, about the books...

0:45:150:45:18

..I'll call Antonio tomorrow.

0:45:180:45:20

I'll sit down with him and I'll go over everything.

0:45:200:45:23

Sounds good.

0:45:240:45:26

PHONE RINGS

0:45:400:45:43

A'rale. Man, let's do it.

0:45:520:45:53

RECEIVER CLATTERS

0:45:560:45:58

CRICKETS CHIRP

0:46:010:46:03

ENGINE STARTS

0:46:230:46:25

ENGINE STARTS

0:46:310:46:32

QUIET CHATTER

0:46:320:46:34

I'm not armed.

0:46:540:46:55

Out of respect for the dead, I'm gonna let you leave here.

0:46:580:47:01

You come near any of us again, that's it...

0:47:010:47:04

..I'm gonna kill you.

0:47:040:47:06

I just wanna say goodbye. Then I'll leave.

0:47:110:47:14

You'll never see me again.

0:47:140:47:17

Go.

0:47:200:47:21

GUNFIRE

0:48:030:48:05

SCREAMING

0:48:050:48:07

MAN SHOUTS IN SPANISH

0:48:070:48:09

SCREAMING AND SHOUTING CONTINUES

0:48:090:48:11

RAPID FOOTSTEPS

0:48:130:48:15

SHOUTING CONTINUES

0:48:180:48:21

HE GASPS

0:48:380:48:41

My God.

0:48:410:48:43

-LEE MOSES:

-# All the leaves are brown... #

0:48:480:48:53

-Just like that.

-Please, I do know my way around the kitchen!

0:48:530:48:57

# And the skies are grey

0:48:570:48:59

# I went for a walk, yes, I did

0:49:030:49:07

# On a winter's day... #

0:49:090:49:10

You got it.

0:49:100:49:13

# I'd be safe and warm

0:49:140:49:20

# If I were in LA

0:49:210:49:24

# California dreamin'

0:49:260:49:31

# On a winter's day

0:49:330:49:36

# Yeah

0:49:360:49:39

# Went to the church, yes, I did

0:49:390:49:43

# I stopped along the way

0:49:440:49:48

# Oh!

0:49:480:49:50

# Bent down on my knees

0:49:510:49:55

# I began to pray

0:49:570:49:59

# You know the preacher digs a call

0:50:020:50:06

# So I'm gonna stay

0:50:080:50:10

# I'm gonna stay, I told him so

0:50:100:50:14

# California dreamin'

0:50:140:50:16

# Oh, yeah

0:50:190:50:22

# Oh...

0:50:260:50:30

# Somebody help me now

0:50:340:50:37

# Gotta go so bad, yeah

0:50:400:50:43

# Oh, oh

0:50:480:50:51

# Cos the leaves are brown

0:50:510:50:53

# The skies are grey

0:50:560:50:58

# Went for a walk

0:51:010:51:03

# On a winter's day

0:51:080:51:11

# Oh, I'd be safe and warm

0:51:110:51:16

# If I was in LA... #

0:51:190:51:21

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