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-This will catch on. -Those two always together. -Not for me. Just Lenny. | 0:00:02 | 0:00:06 | |
-Nah, that can't be right. -GUNSHOT | 0:00:06 | 0:00:08 | |
Don't tell me. I was there. | 0:00:08 | 0:00:10 | |
It's... All destroyed. The...the camp. Our pipeline. | 0:00:10 | 0:00:14 | |
I have other suppliers we can use for now. | 0:00:14 | 0:00:16 | |
-CAMERA SHUTTER CLICKS TEDDY: -The Colombians? | 0:00:16 | 0:00:18 | |
That's Jess, right? And him, you know, Latin Freddie Mercury. | 0:00:18 | 0:00:21 | |
You have the balls to come in here after running to Daddy? | 0:00:21 | 0:00:24 | |
You want me to run. | 0:00:24 | 0:00:26 | |
We have to talk about what's gonna happen with the business. | 0:00:27 | 0:00:32 | |
This programme contains some violent scenes, very strong language | 0:00:32 | 0:00:37 | |
and some scenes which some viewers may find upsetting. | 0:00:37 | 0:00:40 | |
BRAKES SQUEAL | 0:00:40 | 0:00:43 | |
ENGINE STOPS | 0:00:43 | 0:00:45 | |
Thanks for the lift, man, for letting me crash. | 0:00:45 | 0:00:48 | |
Any time, my brother. You give Leon my best. | 0:00:48 | 0:00:51 | |
-ZIPS BAG -If you need to talk, | 0:00:51 | 0:00:54 | |
you know I'm here for you, OK? | 0:00:54 | 0:00:56 | |
HE LAUGHS All right, man. Thanks. | 0:00:56 | 0:00:58 | |
All right. Also... | 0:00:58 | 0:01:00 | |
..you got any more of that crack stuff, | 0:01:01 | 0:01:03 | |
I'd definitely be interested. | 0:01:03 | 0:01:05 | |
I got you. | 0:01:05 | 0:01:07 | |
-Rad! -ENGINE STARTS | 0:01:07 | 0:01:08 | |
Oh, don't forget. Up there to the left. Freeway. All right? | 0:01:08 | 0:01:12 | |
-I remember. -Don't get lost again! | 0:01:12 | 0:01:16 | |
DOOR CREAKS CLOSED | 0:01:17 | 0:01:20 | |
Still going good, huh? | 0:01:24 | 0:01:26 | |
It's better than good, Nephew. | 0:01:26 | 0:01:27 | |
I don't know why you sleeping over that white boy house | 0:01:27 | 0:01:29 | |
like we ain't got a perfectly good couch. | 0:01:29 | 0:01:32 | |
I think you just answered your own question. | 0:01:32 | 0:01:36 | |
-You was out late last night. -You damn right I was. | 0:01:36 | 0:01:39 | |
And look, we got to re-up on this powder. | 0:01:39 | 0:01:43 | |
No problem. | 0:01:43 | 0:01:44 | |
You got any idea where we gonna cook up the next batch? | 0:01:44 | 0:01:48 | |
I know you ain't just look at my kitchen like you plan to use. | 0:01:51 | 0:01:55 | |
We gonna rent a place, | 0:01:55 | 0:01:57 | |
somewhere we can store it and cook the product. | 0:01:57 | 0:02:00 | |
All right, Louie. I'm gonna put you on that. | 0:02:00 | 0:02:01 | |
Go see Walter. He'll hook it up. | 0:02:01 | 0:02:04 | |
Boy, we gotta talk turkey. | 0:02:06 | 0:02:08 | |
I feel like the product's priced right. | 0:02:08 | 0:02:10 | |
I ain't talking about the product. | 0:02:10 | 0:02:12 | |
Now, when you first came to me, | 0:02:14 | 0:02:15 | |
you said we was gonna split this down the middle, 50/50. | 0:02:15 | 0:02:17 | |
Then what you do? Huh? | 0:02:17 | 0:02:20 | |
You turned me away. | 0:02:20 | 0:02:23 | |
I've done all the heavy lifting, huh? I'm not giving half away now. | 0:02:23 | 0:02:27 | |
You ain't GIVING shit. All right? | 0:02:27 | 0:02:30 | |
Now I'm EARNING it. You need a partner, not them little | 0:02:30 | 0:02:32 | |
knuckleheads you be running around with. | 0:02:32 | 0:02:35 | |
You need somebody that know the game, got some cred, | 0:02:35 | 0:02:38 | |
set your little narrow ass straight. | 0:02:38 | 0:02:40 | |
It's my connect, my product, my process. | 0:02:40 | 0:02:44 | |
I've already got Lee and Kev to take care of. | 0:02:44 | 0:02:47 | |
BILLS RUSTLE | 0:02:47 | 0:02:49 | |
HE SIGHS I can give y'all 10%. | 0:02:52 | 0:02:54 | |
-Shit, you tripping. -Woman! | 0:02:54 | 0:02:56 | |
40%. | 0:02:58 | 0:02:59 | |
20, and even that's pushing it. | 0:02:59 | 0:03:01 | |
BILLS RUSTLING | 0:03:01 | 0:03:03 | |
HE LAUGHS | 0:03:03 | 0:03:05 | |
-25%, we straight. -Deal. | 0:03:05 | 0:03:07 | |
Yeah! That's my family right there! Hey? | 0:03:07 | 0:03:10 | |
Move that. I'm gonna take a shit. Y'all gonna keep counting that. | 0:03:10 | 0:03:14 | |
BEADS RUSTLE | 0:03:14 | 0:03:15 | |
DOOR CLOSES | 0:03:15 | 0:03:18 | |
Mm... | 0:03:18 | 0:03:20 | |
Ray-Ray thinking on it. | 0:03:21 | 0:03:24 | |
Should know soon. | 0:03:24 | 0:03:26 | |
Either way, you're gonna take care of me, right? | 0:03:26 | 0:03:28 | |
I got you. | 0:03:28 | 0:03:30 | |
What about you? You all right? You juggling a lot of shit. | 0:03:31 | 0:03:35 | |
You doing OK? | 0:03:37 | 0:03:39 | |
Mm-hm. | 0:03:39 | 0:03:41 | |
HE SIGHS | 0:03:43 | 0:03:44 | |
I will make this go away. Just like I said that I would. | 0:04:02 | 0:04:05 | |
But I do need one thing from you to make it happen. | 0:04:05 | 0:04:07 | |
-What? -Need you to leave town for a little while. | 0:04:07 | 0:04:11 | |
-How long? -Just a month. Maybe two, at the most. | 0:04:11 | 0:04:15 | |
No. That's not possible. | 0:04:15 | 0:04:17 | |
Look, you saw what she did with the flyers of Kristin. | 0:04:17 | 0:04:19 | |
Right? This is gonna be so much worse. | 0:04:19 | 0:04:22 | |
She's gonna go to the cops, if she hasn't already, | 0:04:22 | 0:04:24 | |
and then to the newspapers | 0:04:24 | 0:04:25 | |
and the evening news, and your face is gonna be everywhere. | 0:04:25 | 0:04:28 | |
In two days, I'm making a deal with the Colombians. | 0:04:28 | 0:04:31 | |
And if I disappear, so will they. | 0:04:31 | 0:04:33 | |
You'll have no-one to fly the shipment. | 0:04:33 | 0:04:35 | |
No, I can find another pilot. | 0:04:35 | 0:04:36 | |
And you'll still deal with the Colombians, just not from here. | 0:04:36 | 0:04:39 | |
Or I take care of the girl and nothing changes. | 0:04:40 | 0:04:43 | |
UTENSIL CLATTERS | 0:04:43 | 0:04:46 | |
Look... HE SIGHS | 0:04:46 | 0:04:48 | |
..if she goes missing, especially now, | 0:04:48 | 0:04:50 | |
after finding this, that's gonna look terrible. | 0:04:50 | 0:04:53 | |
They'll think she ran away, like her sister. | 0:04:53 | 0:04:55 | |
No, it is too big of a risk. We're not there yet. | 0:04:55 | 0:04:57 | |
And what if you're wrong, hmm? And you can't stop her? | 0:04:57 | 0:04:59 | |
I can control this. | 0:04:59 | 0:05:01 | |
I can. I-I... I'll ramp up surveillance on her apartment. | 0:05:01 | 0:05:04 | |
I'll put a full tap on her phone. | 0:05:04 | 0:05:06 | |
I will use all of the company resources to discredit her | 0:05:06 | 0:05:08 | |
and steer her off the path. | 0:05:08 | 0:05:10 | |
I just need you to please help me do my job. | 0:05:10 | 0:05:13 | |
OK. | 0:05:17 | 0:05:18 | |
Might have something for you, Ray. | 0:05:42 | 0:05:44 | |
I have something to share with you folks, OK? | 0:05:45 | 0:05:48 | |
Come inside. I'm gonna have one of my guys call you. | 0:05:48 | 0:05:51 | |
Nothing heavy. Take a look. | 0:05:51 | 0:05:54 | |
Here. | 0:05:54 | 0:05:55 | |
HE EXHALES DEEPLY | 0:05:56 | 0:05:59 | |
Remember your cousin Antonio from San Diego? | 0:06:06 | 0:06:08 | |
Yeah, I remember his breath stank something awful. | 0:06:09 | 0:06:12 | |
Graduated from San Diego State. Business and accounting. | 0:06:14 | 0:06:19 | |
You're doing this now? | 0:06:19 | 0:06:21 | |
You said you were fine. | 0:06:21 | 0:06:24 | |
And just because your father has passed away | 0:06:24 | 0:06:26 | |
-does not mean business stops. -It's not stopping. | 0:06:26 | 0:06:29 | |
I'm handling the books. | 0:06:31 | 0:06:34 | |
When I'm ready to take on someone new, I'll let you know. | 0:06:34 | 0:06:36 | |
You're gonna let me know? | 0:06:38 | 0:06:40 | |
QUIET CONVERSATIONS IN SPANISH | 0:06:45 | 0:06:47 | |
-MAN: -Senora. | 0:06:47 | 0:06:49 | |
Senora. | 0:06:50 | 0:06:52 | |
SHE SIGHS | 0:07:02 | 0:07:04 | |
HE PATS HER SHOULDER | 0:07:30 | 0:07:32 | |
SHE SOBS | 0:08:00 | 0:08:03 | |
SHE SNIFFLES | 0:08:03 | 0:08:05 | |
DOORS CREAK OPEN | 0:08:10 | 0:08:13 | |
DOORS CLOSE | 0:08:17 | 0:08:19 | |
KEYS JINGLE | 0:08:23 | 0:08:24 | |
Mom? What you doing home? | 0:08:24 | 0:08:27 | |
I could ask you the same question. Where you been sleeping? Jerome's? | 0:08:27 | 0:08:32 | |
Volpe's. | 0:08:32 | 0:08:34 | |
I just came home to shower, grab some clothes. You all right? | 0:08:34 | 0:08:39 | |
SHE SCOFFS | 0:08:39 | 0:08:40 | |
Listen, Mom, I'm sorry I lied to you. It was disrespectful, | 0:08:40 | 0:08:44 | |
and I should've treated you better than that. | 0:08:44 | 0:08:47 | |
Talk to me. | 0:08:48 | 0:08:50 | |
Tulf fired me. | 0:08:52 | 0:08:55 | |
What? | 0:08:55 | 0:08:56 | |
W-Why? | 0:08:57 | 0:08:59 | |
I called his ass out. | 0:08:59 | 0:09:02 | |
Told him to put me on them Westside properties | 0:09:02 | 0:09:04 | |
like he'd been promising. | 0:09:04 | 0:09:06 | |
Said things had changed, that he needed to sell it. | 0:09:06 | 0:09:10 | |
-SHE CHUCKLES -That I'd have other opportunities! | 0:09:10 | 0:09:13 | |
I don't know exactly what happened then. | 0:09:13 | 0:09:15 | |
I just know I saw red, and I went after him and... | 0:09:15 | 0:09:19 | |
..when it was done, I was being tossed out. | 0:09:19 | 0:09:22 | |
Fuck Tulfowitz. | 0:09:22 | 0:09:23 | |
SHE SCOFFS You hear me? | 0:09:23 | 0:09:26 | |
And all the shit he put you through. | 0:09:26 | 0:09:28 | |
Fuck him. | 0:09:28 | 0:09:31 | |
This is a good thing. | 0:09:31 | 0:09:33 | |
-This is a good thing? -Mm-hm. | 0:09:34 | 0:09:37 | |
That was my job, Franklin. | 0:09:37 | 0:09:39 | |
You'll get another job. One that deserves you. | 0:09:39 | 0:09:41 | |
Where? Doing what? | 0:09:41 | 0:09:44 | |
I killed myself trying to make that man happy, | 0:09:44 | 0:09:46 | |
and now I just threw it all away. | 0:09:46 | 0:09:48 | |
Tulf ain't gonna give me no references. | 0:09:48 | 0:09:50 | |
There's bills and then the mortgage. | 0:09:50 | 0:09:52 | |
You ain't gotta worry about any of that any more, Mom. | 0:09:52 | 0:09:55 | |
Huh? | 0:09:56 | 0:09:58 | |
Uh-uh. | 0:10:00 | 0:10:02 | |
I don't want your reefer money. | 0:10:02 | 0:10:04 | |
CLOSES DRAWER | 0:10:12 | 0:10:13 | |
ZIPS BAG | 0:10:27 | 0:10:29 | |
No, you can, uh, leave the robe at home this time. Just, uh, | 0:10:49 | 0:10:53 | |
keep an eye on things while I'm in there. | 0:10:53 | 0:10:55 | |
Yeah, OK. Thanks. I'll see you soon. | 0:10:55 | 0:10:57 | |
DIALLING | 0:11:09 | 0:11:12 | |
-VICTORIA: -Hi. If you have any information on Kristin, | 0:11:12 | 0:11:15 | |
please leave your name and... | 0:11:15 | 0:11:16 | |
LOCK CLICKS | 0:11:19 | 0:11:21 | |
OPENS AND CLOSES DRAWER | 0:11:26 | 0:11:28 | |
Doesn't change a thing. | 0:11:39 | 0:11:41 | |
Fuck, yeah. That's the best time. | 0:11:46 | 0:11:48 | |
Whole family in one place. Drunk, tired, easy pickings. | 0:11:48 | 0:11:53 | |
You know where they're having the velario? | 0:11:53 | 0:11:55 | |
I want you to go, Gustavo. Check the place out, | 0:11:58 | 0:12:01 | |
see how many people we're gonna need, what the layout looks like. | 0:12:01 | 0:12:04 | |
DOOR CREAKS | 0:12:04 | 0:12:07 | |
Oso? | 0:12:09 | 0:12:11 | |
Almost there, vato. Don't bitch out now. | 0:12:14 | 0:12:17 | |
TV PLAYS INSIDE | 0:12:21 | 0:12:24 | |
DOOR CREAKS | 0:12:33 | 0:12:35 | |
Victoria? | 0:12:35 | 0:12:37 | |
TV PLAYS | 0:12:37 | 0:12:40 | |
TOOL WHIRS IN NEXT ROOM | 0:12:51 | 0:12:53 | |
WHIRRING CONTINUES | 0:12:54 | 0:12:57 | |
WHIRRING CONTINUES | 0:13:09 | 0:13:12 | |
Alejandro? | 0:13:13 | 0:13:15 | |
Get out of here, Teddy. | 0:13:18 | 0:13:20 | |
No, I can't do that. | 0:13:22 | 0:13:24 | |
Of course you can. | 0:13:30 | 0:13:32 | |
It's the easiest thing in the world. Just...turn around, walk out, | 0:13:32 | 0:13:37 | |
close the door behind you. | 0:13:37 | 0:13:39 | |
HE EXHALES SHARPLY | 0:13:39 | 0:13:41 | |
-STRAINED: This isn't right. -Isn't right? | 0:13:41 | 0:13:44 | |
HE CHUCKLES | 0:13:46 | 0:13:49 | |
This is a war, Teddy. We do what is required of us, | 0:13:49 | 0:13:53 | |
which is exactly what I did that night at the house | 0:13:53 | 0:13:56 | |
and, unfortunately, what you are incapable of doing. | 0:13:56 | 0:13:59 | |
So I'm doing this for both of us. | 0:14:01 | 0:14:04 | |
This is my gift to you. All you have to do is... | 0:14:04 | 0:14:07 | |
..accept it. | 0:14:08 | 0:14:11 | |
You're doing great, Teddy. | 0:14:21 | 0:14:23 | |
-TEDDY EXHALES SHARPLY -You're a hero. | 0:14:25 | 0:14:28 | |
See you soon, OK? | 0:14:28 | 0:14:31 | |
WHIRRING RESUMES | 0:14:38 | 0:14:41 | |
WHIRRING CONTINUES | 0:15:00 | 0:15:03 | |
GUNSHOT, THUD | 0:15:05 | 0:15:07 | |
TV CONTINUES IN NEXT ROOM | 0:15:10 | 0:15:13 | |
HE EXHALES DEEPLY | 0:15:17 | 0:15:19 | |
Fucking shit! | 0:15:29 | 0:15:31 | |
What's up with these crates here? | 0:15:38 | 0:15:40 | |
What crates? | 0:15:40 | 0:15:41 | |
These crates. | 0:15:41 | 0:15:43 | |
Motherfucker! | 0:15:45 | 0:15:47 | |
-Yuda! -Huh? | 0:15:47 | 0:15:48 | |
Did you know Franklin saved Yuda's life? | 0:15:54 | 0:15:57 | |
-Did you know that? -No. | 0:15:57 | 0:15:58 | |
-It's true. Yeah. He's a good boy. -AVI LAUGHS | 0:15:58 | 0:16:01 | |
So every time he come here, | 0:16:01 | 0:16:03 | |
I offer him a drink, some snort, some pink. | 0:16:03 | 0:16:06 | |
He always say no. | 0:16:06 | 0:16:09 | |
Shit, I'm good with any one of those. | 0:16:09 | 0:16:11 | |
Well, I didn't offer it to you, did I? | 0:16:11 | 0:16:13 | |
BOTTLE CLATTERS | 0:16:15 | 0:16:17 | |
-Fuck did you bring them here for? -Told you. Business is ramping up. | 0:16:17 | 0:16:21 | |
Means we're gonna buy more, pay upfront. | 0:16:21 | 0:16:24 | |
That also means might not always be me here making the runs. | 0:16:24 | 0:16:26 | |
Oh, yes, it will. It's you I like, you I trust. | 0:16:26 | 0:16:31 | |
You put on the vest. | 0:16:31 | 0:16:33 | |
AVI LAUGHS | 0:16:38 | 0:16:40 | |
Hey, you know, Avi, seeing as that we gonna be... | 0:16:40 | 0:16:44 | |
..you know, buying in bulk, paying upfront, | 0:16:44 | 0:16:47 | |
how about we do a little bit better on that price? | 0:16:47 | 0:16:50 | |
-What? -I know you started the boy off at 12. | 0:16:50 | 0:16:53 | |
You fronting the shit. He don't know no better. | 0:16:53 | 0:16:56 | |
Now this shit is real. | 0:16:56 | 0:16:58 | |
How about you shave a little off that price? | 0:16:58 | 0:17:00 | |
Oh. Maybe. | 0:17:01 | 0:17:04 | |
-HE CHUCKLES -Yeah. -Yeah, maybe. | 0:17:04 | 0:17:07 | |
Or maybe I'll shave the eyebrows off your face | 0:17:07 | 0:17:10 | |
and tell you to go suck on a donkey's dick. | 0:17:10 | 0:17:13 | |
Uh, Avi, 12 is fine, all right? | 0:17:13 | 0:17:15 | |
Fuck is this? I let you bring your friends into my house, | 0:17:15 | 0:17:18 | |
and you fucking strong-arm me? | 0:17:18 | 0:17:20 | |
Hey, look, nobody trying to strong-arm nobody. | 0:17:20 | 0:17:22 | |
Hell you're not. | 0:17:26 | 0:17:28 | |
And just so you know who's in fucking charge here, | 0:17:31 | 0:17:33 | |
-it's gonna be 13 a key. -Come on, Avi. -Keep on talking, it'll be 14. | 0:17:33 | 0:17:37 | |
Or you can go someplace else. | 0:17:37 | 0:17:40 | |
You greedy motherfuckers. | 0:17:40 | 0:17:43 | |
-Now get the fuck out. -BAG ZIPS | 0:18:01 | 0:18:03 | |
HE KISSES | 0:18:10 | 0:18:12 | |
I asked y'all to be cool. | 0:18:18 | 0:18:20 | |
Hey, man, it ain't our fault the dude is crazy, cuz. | 0:18:20 | 0:18:22 | |
Hey, he more than crazy. Motherfucker's racist. | 0:18:22 | 0:18:25 | |
It doesn't matter! | 0:18:25 | 0:18:27 | |
Unless y'all know where I can get pure product | 0:18:27 | 0:18:29 | |
at those prices, Avi's our guy. | 0:18:29 | 0:18:30 | |
I know where you get a better price | 0:18:30 | 0:18:32 | |
and you ain't gotta deal with no crazy-ass Jew. | 0:18:32 | 0:18:34 | |
Look, he getting it from somewhere, and it's much less than 12 a key. | 0:18:34 | 0:18:37 | |
Now, you have somebody stake out his little crib, | 0:18:37 | 0:18:39 | |
see who comes and goes... | 0:18:39 | 0:18:41 | |
..get right to the source. | 0:18:41 | 0:18:43 | |
Can't just sit outside his house and wait. | 0:18:45 | 0:18:48 | |
Be arrested in five minutes in this neighbourhood. | 0:18:48 | 0:18:51 | |
You right. We can't. But you know someone who can. | 0:18:51 | 0:18:55 | |
LOCK TURNS | 0:18:59 | 0:19:01 | |
BIRD CAWS | 0:19:02 | 0:19:04 | |
KEYS JANGLE AND THUD | 0:19:04 | 0:19:06 | |
DOOR CREAKS CLOSED | 0:19:06 | 0:19:08 | |
OBJECT CLATTERS | 0:19:17 | 0:19:19 | |
TRAIN WHISTLE BLOWS IN DISTANCE | 0:19:29 | 0:19:32 | |
MACHINE BEEPS, CLICK JULIA: Hey, it's me. | 0:19:37 | 0:19:40 | |
Uh, haven't heard from you in a couple of days. | 0:19:40 | 0:19:42 | |
Starting to get a little worried. | 0:19:42 | 0:19:44 | |
Could you please give me a call when you get a chance? | 0:19:44 | 0:19:46 | |
BABY WHINES | 0:19:46 | 0:19:48 | |
Are you OK, honey? You a little bit hungry? | 0:19:48 | 0:19:50 | |
Oh, you wanna say hi? Wanna say hi? SHOWER RUNS | 0:19:50 | 0:19:53 | |
-Dada! -Uh, all right. I hope you're OK. | 0:19:53 | 0:19:58 | |
Um...love you. Bye. | 0:19:58 | 0:20:02 | |
MACHINE BEEPS AND CLICKS | 0:20:02 | 0:20:03 | |
SHOWER CONTINUES RUNNING | 0:20:03 | 0:20:06 | |
MUSIC PLAYS IN BACKGROUND | 0:20:14 | 0:20:17 | |
QUIET CONVERSATIONS IN SPANISH | 0:20:17 | 0:20:20 | |
No. | 0:20:36 | 0:20:37 | |
Hmm! | 0:20:43 | 0:20:44 | |
No, mi amor. | 0:20:54 | 0:20:55 | |
SHE SCOFFS | 0:21:03 | 0:21:05 | |
Mija... | 0:21:36 | 0:21:39 | |
DOOR CLOSES | 0:21:53 | 0:21:55 | |
CONVERSATION IN NEXT ROOM | 0:21:59 | 0:22:01 | |
SHE INHALES DEEPLY | 0:22:33 | 0:22:36 | |
Smoke with me? | 0:22:36 | 0:22:38 | |
Maybe you're smoking the wrong shit. | 0:22:45 | 0:22:47 | |
Yeah, maybe. | 0:22:47 | 0:22:49 | |
SHE INHALES SHARPLY | 0:22:49 | 0:22:51 | |
SHE EXHALES DEEPLY | 0:22:54 | 0:22:56 | |
SIREN WAILS IN DISTANCE | 0:22:56 | 0:22:59 | |
Ramiro's bringing someone in to learn the books. | 0:22:59 | 0:23:01 | |
HE LAUGHS | 0:23:01 | 0:23:03 | |
You laugh cos you know you were right. | 0:23:05 | 0:23:08 | |
Mm. | 0:23:08 | 0:23:09 | |
Why are you still here? | 0:23:16 | 0:23:19 | |
Because I have faith in you, chola. | 0:23:19 | 0:23:23 | |
Yeah, seriously. We can run this business together. | 0:23:23 | 0:23:27 | |
What if I told you I don't believe you? | 0:23:35 | 0:23:37 | |
..or paranoid. | 0:23:40 | 0:23:43 | |
SHE INHALES SHARPLY | 0:23:43 | 0:23:47 | |
SHE EXHALES DEEPLY | 0:23:47 | 0:23:49 | |
..that if I go through with this, I'm not doing it for you. | 0:23:53 | 0:23:57 | |
I know. | 0:23:57 | 0:23:59 | |
SHE SIGHS | 0:24:00 | 0:24:03 | |
And I have to be there. | 0:24:03 | 0:24:06 | |
So they won't think I had anything to do with it. | 0:24:06 | 0:24:09 | |
OK. | 0:24:21 | 0:24:24 | |
Call Stomper. Tell him I wanna meet. | 0:24:24 | 0:24:27 | |
SHE EXHALES DEEPLY | 0:24:41 | 0:24:43 | |
Sure you good to be out here? | 0:24:47 | 0:24:49 | |
Yeah. Need to get out that madhouse for a minute. | 0:24:49 | 0:24:52 | |
That laid-up shit getting old already. | 0:24:52 | 0:24:56 | |
What? | 0:24:56 | 0:24:57 | |
Nothing. | 0:24:57 | 0:24:58 | |
Bullshit. You got something, don't you? | 0:24:58 | 0:25:01 | |
Made a couple moves with Ray-Ray. Think I got everything set up. | 0:25:04 | 0:25:08 | |
-All right, then, I'll be there. -No, man. | 0:25:08 | 0:25:10 | |
You're gonna be a liability, and you know it. | 0:25:10 | 0:25:12 | |
I mean, fuck that shit, cuz. | 0:25:12 | 0:25:14 | |
Look, man, for real. Sit this one out. I got it. | 0:25:16 | 0:25:21 | |
Hey, Franklin. | 0:25:27 | 0:25:30 | |
When you had that gun on Carvel, | 0:25:30 | 0:25:31 | |
what were you thinking about? What stopped you? | 0:25:31 | 0:25:34 | |
I don't know. A lot of shit, I guess. | 0:25:34 | 0:25:37 | |
Well, when you dealing with Ray-Ray and Lenny, | 0:25:39 | 0:25:41 | |
I want you to think about taking care of your people, your folk. | 0:25:41 | 0:25:45 | |
Your moms, your uncle, Louie, Melody. | 0:25:45 | 0:25:48 | |
I even want you to think about me bleeding on that fucking ground, | 0:25:48 | 0:25:51 | |
and you pull that trigger. You hear me? | 0:25:51 | 0:25:53 | |
You eat them or they eat you, that's all. | 0:25:56 | 0:25:59 | |
We gonna be good, man. | 0:26:03 | 0:26:06 | |
FAST CLASSICAL PIANO PIECE PLAYS | 0:26:14 | 0:26:17 | |
KNOCK ON DOOR | 0:26:31 | 0:26:33 | |
Teddy? | 0:26:35 | 0:26:36 | |
POUNDING ON DOOR | 0:26:39 | 0:26:41 | |
BUTTON CLICKS, MUSIC STOPS | 0:26:44 | 0:26:46 | |
DOOR CREAKS | 0:26:52 | 0:26:54 | |
H-hey. HE CLEARS THROAT | 0:26:56 | 0:26:58 | |
You don't answer your phone? | 0:27:00 | 0:27:02 | |
-TEDDY SIGHS -Julia called. | 0:27:08 | 0:27:11 | |
Said she hadn't heard from you in a couple of days | 0:27:11 | 0:27:13 | |
and was worried there might be something wrong. | 0:27:13 | 0:27:17 | |
HE SIGHS Things, um, um... | 0:27:17 | 0:27:21 | |
Get dressed, Teddy. | 0:27:27 | 0:27:29 | |
OK. | 0:27:32 | 0:27:34 | |
I didn't know you were a classical fan. | 0:27:35 | 0:27:37 | |
Who was that? Chopin? | 0:27:37 | 0:27:39 | |
James, I don't think... I'm the guy for this. | 0:27:42 | 0:27:45 | |
I went to bat for you, Teddy. | 0:27:48 | 0:27:51 | |
I'm sorry. | 0:27:51 | 0:27:53 | |
You want my advice? | 0:27:53 | 0:27:55 | |
You need to learn to let things go. | 0:27:55 | 0:27:58 | |
I mean, come on, this is just like Tehran all over again. | 0:27:58 | 0:28:00 | |
Sometimes shit just goes wrong in our business. | 0:28:00 | 0:28:03 | |
I could've prevented Tehran. I should've pulled my agent out. | 0:28:03 | 0:28:07 | |
-I knew he was in trouble, and nobody would listen. -So what? It happened. | 0:28:07 | 0:28:10 | |
It wasn't your fault. But you came back to DC wound way too tight, | 0:28:10 | 0:28:13 | |
and you took a samurai sword | 0:28:13 | 0:28:16 | |
into the country co-ordinator's office. | 0:28:16 | 0:28:19 | |
It was a Civil War sabre. | 0:28:19 | 0:28:21 | |
I don't understand. I thought that | 0:28:22 | 0:28:24 | |
you'd be relieved that I'm out of this. | 0:28:24 | 0:28:27 | |
The director's very proud of you. | 0:28:29 | 0:28:32 | |
You know, money and supplies are flowing south. | 0:28:32 | 0:28:34 | |
Contra fighters are back on the offensive. | 0:28:34 | 0:28:36 | |
This thing is starting to work just like you knew it would. | 0:28:36 | 0:28:40 | |
He's extremely pleased. | 0:28:40 | 0:28:42 | |
So is the President. | 0:28:43 | 0:28:45 | |
You're full of shit. | 0:28:51 | 0:28:53 | |
He asked us to, uh, pass on his appreciation | 0:28:54 | 0:28:57 | |
to the responsible parties. | 0:28:57 | 0:28:59 | |
When I was eight... | 0:29:12 | 0:29:14 | |
..my dad took me to the White House, | 0:29:15 | 0:29:17 | |
where he was being... honoured for his service, | 0:29:17 | 0:29:20 | |
and we had lunch, and I met Kennedy, and... | 0:29:20 | 0:29:24 | |
..it was the proudest moment of his whole life. | 0:29:27 | 0:29:30 | |
I mean, it's in my file. I know you read it. | 0:29:33 | 0:29:37 | |
Look, I am not manipulating you, Teddy. | 0:29:37 | 0:29:41 | |
I am just passing on the, uh, sentiment. | 0:29:42 | 0:29:45 | |
This is working. OK? But the question is, | 0:29:45 | 0:29:48 | |
is it gonna keep working because of you, or do I find somebody else? | 0:29:48 | 0:29:51 | |
-Su-ey! -HE LAUGHS | 0:30:03 | 0:30:07 | |
Hey, this place dope, man! I mean, a few couches, some lava lamps, | 0:30:07 | 0:30:12 | |
a big-screen TV. Hey, we could put a waterbed in this motherfucker, too! | 0:30:12 | 0:30:15 | |
This ain't no motherfucking bachelor pad. | 0:30:15 | 0:30:18 | |
It's a goddamn cook house. Just calm your ass down. | 0:30:18 | 0:30:20 | |
We need to get the gas on right away. The stove, the whole point. | 0:30:20 | 0:30:23 | |
Can get that done as early as tomorrow. | 0:30:23 | 0:30:26 | |
HE CHUCKLES | 0:30:26 | 0:30:28 | |
BEEPING | 0:30:28 | 0:30:31 | |
BEEPING STOPS | 0:30:31 | 0:30:32 | |
Ray-Ray. | 0:30:32 | 0:30:35 | |
HE SIGHS | 0:30:35 | 0:30:37 | |
CHATTER | 0:30:38 | 0:30:41 | |
We need to talk. | 0:31:13 | 0:31:14 | |
What about? | 0:31:16 | 0:31:18 | |
How to avert a war. | 0:31:25 | 0:31:27 | |
Yeah, there we go. | 0:31:46 | 0:31:48 | |
ENGINE OFF | 0:31:53 | 0:31:54 | |
Didn't know you was bringing somebody. | 0:32:05 | 0:32:08 | |
Just my uncle. | 0:32:08 | 0:32:10 | |
Hold up here and you ain't got nothing to worry about. | 0:32:11 | 0:32:15 | |
Let's just be clear, I'm not the bitch here. | 0:32:15 | 0:32:18 | |
Whatever the fuck y'all did to Lenny fucked him up. | 0:32:18 | 0:32:21 | |
Would've got us all killed. | 0:32:21 | 0:32:22 | |
We know. You're doing the right thing, man. | 0:32:22 | 0:32:26 | |
-Get them out. -I'm gonna help you. | 0:32:28 | 0:32:32 | |
Get your ass up. | 0:32:51 | 0:32:54 | |
Get up! | 0:32:54 | 0:32:56 | |
HE GROANS | 0:32:57 | 0:32:59 | |
Motherfucking Judas. | 0:33:15 | 0:33:17 | |
-All right, we good? -I'm afraid we ain't. | 0:33:17 | 0:33:21 | |
Need to know word of this shit never gonna leave this spot. | 0:33:21 | 0:33:24 | |
Nah, man. Fuck that, man. You told me to bring him here. I did. | 0:33:27 | 0:33:30 | |
Either do it so I know you'll keep your mouth shut or you both dead. | 0:33:30 | 0:33:34 | |
-Ray-Ray... -That wasn't the deal! | 0:33:35 | 0:33:37 | |
-Well, it's the deal now. -Come on, man! | 0:33:37 | 0:33:40 | |
Hey, man, I understand this ain't an easy ask. | 0:33:41 | 0:33:45 | |
I know. | 0:33:45 | 0:33:47 | |
Plenty more where that came from. | 0:33:48 | 0:33:50 | |
We use men who know how to handle theyselves. | 0:33:50 | 0:33:53 | |
Future could be bright. | 0:33:54 | 0:33:56 | |
Hey! | 0:33:56 | 0:33:57 | |
Hey, hey! Don't you do this shit for him. | 0:33:57 | 0:34:02 | |
I told you to let this shit go. | 0:34:02 | 0:34:03 | |
Man, you ain't never gonna forget this shit. | 0:34:03 | 0:34:05 | |
You won't and you know it. Look at me, nigger. | 0:34:05 | 0:34:09 | |
Hey! Oh, he thinking because he doing this shit for you | 0:34:10 | 0:34:13 | |
that this blood ain't gonna be on your hands, | 0:34:13 | 0:34:15 | |
-but it is, nigger. Ray-Ray! -HE GROANS | 0:34:15 | 0:34:19 | |
Yeah, you better watch your back! | 0:34:19 | 0:34:20 | |
-Uh-huh. -Get the fuck... | 0:34:20 | 0:34:23 | |
-Come on, Ray-Ray. -Ray-Ray, man, come on! | 0:34:25 | 0:34:28 | |
What the fuck you doing? Look at me, man! | 0:34:28 | 0:34:30 | |
-Do it, motherfucker! -All right! | 0:34:30 | 0:34:31 | |
-Ray-Ray! -Do it! | 0:34:31 | 0:34:33 | |
Ray-Ray! Ray... | 0:34:33 | 0:34:35 | |
For Leon, motherfucker. | 0:34:55 | 0:34:57 | |
You ever wanna make some ends, you know where to find me. | 0:35:14 | 0:35:17 | |
ENGINE STARTS | 0:35:27 | 0:35:28 | |
Mm. | 0:36:43 | 0:36:45 | |
Diego... | 0:36:46 | 0:36:47 | |
-PAPER RUSTLES -Diego... | 0:37:05 | 0:37:07 | |
UTENSIL CLATTERS | 0:37:07 | 0:37:08 | |
-Hi. -Hi. How are you? | 0:37:20 | 0:37:24 | |
I'm fantastic. How are you? | 0:37:24 | 0:37:27 | |
-American? -Oh, absolutely! | 0:37:27 | 0:37:30 | |
-OK, OK, hold on, hold on. -Explain this shit! | 0:37:34 | 0:37:36 | |
Obviously, you're upset. OK, you have every right to be. | 0:37:36 | 0:37:40 | |
But just... OK, please just put the gun down and we could talk. | 0:37:40 | 0:37:44 | |
ALL SHOUTING IN SPANISH | 0:37:49 | 0:37:50 | |
Alejandro Esteves. HE EXHALES DEEPLY | 0:37:50 | 0:37:54 | |
What was that? | 0:37:54 | 0:37:56 | |
Alejandro Esteves. | 0:37:56 | 0:37:59 | |
OK. HE EXHALES DEEPLY | 0:37:59 | 0:38:01 | |
You're here to make a deal with him, right? | 0:38:01 | 0:38:03 | |
Alejandro was already bringing cocaine into the United States. | 0:38:05 | 0:38:08 | |
He just needed DEA assistance to get it across the border. | 0:38:08 | 0:38:10 | |
You two were gonna be bargaining chips. He was setting you up. | 0:38:10 | 0:38:15 | |
I know that the same way I know everything about you two. | 0:38:22 | 0:38:25 | |
I know that you like being in the United States. | 0:38:26 | 0:38:30 | |
And I know that the Orejuelas trust you and leave you alone | 0:38:30 | 0:38:32 | |
as long as the money keeps rolling in. | 0:38:32 | 0:38:34 | |
And I can ensure that that continues to happen. | 0:38:34 | 0:38:37 | |
Keep the DEA and local law enforcement off your ass, | 0:38:37 | 0:38:40 | |
provide you with intel about your competitors | 0:38:40 | 0:38:42 | |
and security at certain border points. | 0:38:42 | 0:38:45 | |
What do we have to do for you? | 0:38:45 | 0:38:47 | |
Well, you have to provide me with absolutely pure cocaine | 0:38:48 | 0:38:51 | |
at prices that's going to make your balls hurt. | 0:38:51 | 0:38:53 | |
Who the fuck are you, man? | 0:38:53 | 0:38:56 | |
Doesn't matter who I am. | 0:38:56 | 0:38:57 | |
Only matters who I represent. | 0:38:59 | 0:39:00 | |
And who's that? | 0:39:00 | 0:39:03 | |
The United States government. | 0:39:03 | 0:39:05 | |
HE COUGHS AND SNIFFLES | 0:39:11 | 0:39:14 | |
ELEVATOR BELL DINGS | 0:39:14 | 0:39:17 | |
CHATTER | 0:39:17 | 0:39:20 | |
QUIET CONVERSATIONS IN SPANISH | 0:39:24 | 0:39:26 | |
WOMAN SINGS IN SPANISH | 0:39:26 | 0:39:29 | |
Si. | 0:40:10 | 0:40:11 | |
You have to help me out. You have to back me up. | 0:40:28 | 0:40:30 | |
-I can't do that. -Why not? | 0:40:30 | 0:40:33 | |
Mija... | 0:41:02 | 0:41:03 | |
MUSIC: Fantasy by Earth, Wind & Fire | 0:41:34 | 0:41:38 | |
All right, all right, all right, give it up, give it up. | 0:41:38 | 0:41:40 | |
-How much we make today? Brothers? -Oh... -Man, what'd I tell you? | 0:41:40 | 0:41:44 | |
Put the ones in front of the fives, right? And the twenties in the back. | 0:41:44 | 0:41:48 | |
Hey, y'all paying attention? This is where it starts, you hear me? | 0:41:48 | 0:41:51 | |
All right, then. | 0:41:51 | 0:41:53 | |
Which one of y'all messed up my count? | 0:41:53 | 0:41:55 | |
# In his heart there's a space | 0:41:55 | 0:41:58 | |
# And the world can't erase his fantasies | 0:41:58 | 0:42:03 | |
# Take a ride in the sky | 0:42:03 | 0:42:05 | |
# On our ship fantasise | 0:42:05 | 0:42:08 | |
# All your dreams will come true right away | 0:42:08 | 0:42:13 | |
# And we will live together | 0:42:13 | 0:42:18 | |
# Until the twelfth of never... # | 0:42:18 | 0:42:20 | |
All right, all right, all right, who's got money? | 0:42:20 | 0:42:23 | |
You got money? You got money? | 0:42:23 | 0:42:25 | |
Y'all kids gotta learn nothing in life is free. | 0:42:25 | 0:42:28 | |
Who's got money? You got money? You, you, you? | 0:42:28 | 0:42:32 | |
Broke-ass kids. Get away from my truck. | 0:42:32 | 0:42:34 | |
Hey. | 0:42:34 | 0:42:37 | |
Never ride through my block without stopping, all right? | 0:42:37 | 0:42:40 | |
These kids, they want something, anything, | 0:42:40 | 0:42:42 | |
you serve 'em up, and I take care of you after. | 0:42:42 | 0:42:46 | |
-Cool? -Yeah. Cool. | 0:42:47 | 0:42:51 | |
-Here you go, baby. -Check out Franklin. | 0:42:54 | 0:42:57 | |
Y'all get what you want. CHILDREN SHOUT HAPPILY | 0:43:00 | 0:43:04 | |
# In the land called fantasy | 0:43:04 | 0:43:06 | |
# Loving life for you and me | 0:43:06 | 0:43:09 | |
# To behold to your soul is ecstasy | 0:43:09 | 0:43:13 | |
# You will find other kind | 0:43:13 | 0:43:16 | |
# That has been in search of you... # | 0:43:16 | 0:43:19 | |
Hey, Jules, it's me. | 0:43:19 | 0:43:22 | |
Yeah, I know. | 0:43:25 | 0:43:27 | |
I'm sorry. | 0:43:29 | 0:43:31 | |
It's just, um... | 0:43:32 | 0:43:34 | |
..things out here kind of... took a turn and... | 0:43:34 | 0:43:39 | |
No. It's not. | 0:43:42 | 0:43:45 | |
I got some bad news, Jules. | 0:43:47 | 0:43:49 | |
Yeah. | 0:43:56 | 0:43:58 | |
Hey, I just... I just wanted to say I'm sorry. | 0:44:16 | 0:44:21 | |
About everything. I just... | 0:44:21 | 0:44:24 | |
I love you and...I'm happy that it's just us again. | 0:44:25 | 0:44:28 | |
Just family. | 0:44:30 | 0:44:32 | |
It's late. | 0:44:36 | 0:44:38 | |
Jabali! | 0:44:40 | 0:44:42 | |
Make sure he gets home safe. | 0:44:45 | 0:44:47 | |
QUIET CONVERSATIONS IN SPANISH | 0:44:52 | 0:44:54 | |
HE CLEARS HIS THROAT | 0:44:56 | 0:44:59 | |
Ciao, Papa. | 0:44:59 | 0:45:01 | |
Hey. | 0:45:08 | 0:45:10 | |
-Wanna join me? -No, not tonight. | 0:45:12 | 0:45:14 | |
I just wanted to say, about the books... | 0:45:15 | 0:45:18 | |
..I'll call Antonio tomorrow. | 0:45:18 | 0:45:20 | |
I'll sit down with him and I'll go over everything. | 0:45:20 | 0:45:23 | |
Sounds good. | 0:45:24 | 0:45:26 | |
PHONE RINGS | 0:45:40 | 0:45:43 | |
A'rale. Man, let's do it. | 0:45:52 | 0:45:53 | |
RECEIVER CLATTERS | 0:45:56 | 0:45:58 | |
CRICKETS CHIRP | 0:46:01 | 0:46:03 | |
ENGINE STARTS | 0:46:23 | 0:46:25 | |
ENGINE STARTS | 0:46:31 | 0:46:32 | |
QUIET CHATTER | 0:46:32 | 0:46:34 | |
I'm not armed. | 0:46:54 | 0:46:55 | |
Out of respect for the dead, I'm gonna let you leave here. | 0:46:58 | 0:47:01 | |
You come near any of us again, that's it... | 0:47:01 | 0:47:04 | |
..I'm gonna kill you. | 0:47:04 | 0:47:06 | |
I just wanna say goodbye. Then I'll leave. | 0:47:11 | 0:47:14 | |
You'll never see me again. | 0:47:14 | 0:47:17 | |
Go. | 0:47:20 | 0:47:21 | |
GUNFIRE | 0:48:03 | 0:48:05 | |
SCREAMING | 0:48:05 | 0:48:07 | |
MAN SHOUTS IN SPANISH | 0:48:07 | 0:48:09 | |
SCREAMING AND SHOUTING CONTINUES | 0:48:09 | 0:48:11 | |
RAPID FOOTSTEPS | 0:48:13 | 0:48:15 | |
SHOUTING CONTINUES | 0:48:18 | 0:48:21 | |
HE GASPS | 0:48:38 | 0:48:41 | |
My God. | 0:48:41 | 0:48:43 | |
-LEE MOSES: -# All the leaves are brown... # | 0:48:48 | 0:48:53 | |
-Just like that. -Please, I do know my way around the kitchen! | 0:48:53 | 0:48:57 | |
# And the skies are grey | 0:48:57 | 0:48:59 | |
# I went for a walk, yes, I did | 0:49:03 | 0:49:07 | |
# On a winter's day... # | 0:49:09 | 0:49:10 | |
You got it. | 0:49:10 | 0:49:13 | |
# I'd be safe and warm | 0:49:14 | 0:49:20 | |
# If I were in LA | 0:49:21 | 0:49:24 | |
# California dreamin' | 0:49:26 | 0:49:31 | |
# On a winter's day | 0:49:33 | 0:49:36 | |
# Yeah | 0:49:36 | 0:49:39 | |
# Went to the church, yes, I did | 0:49:39 | 0:49:43 | |
# I stopped along the way | 0:49:44 | 0:49:48 | |
# Oh! | 0:49:48 | 0:49:50 | |
# Bent down on my knees | 0:49:51 | 0:49:55 | |
# I began to pray | 0:49:57 | 0:49:59 | |
# You know the preacher digs a call | 0:50:02 | 0:50:06 | |
# So I'm gonna stay | 0:50:08 | 0:50:10 | |
# I'm gonna stay, I told him so | 0:50:10 | 0:50:14 | |
# California dreamin' | 0:50:14 | 0:50:16 | |
# Oh, yeah | 0:50:19 | 0:50:22 | |
# Oh... | 0:50:26 | 0:50:30 | |
# Somebody help me now | 0:50:34 | 0:50:37 | |
# Gotta go so bad, yeah | 0:50:40 | 0:50:43 | |
# Oh, oh | 0:50:48 | 0:50:51 | |
# Cos the leaves are brown | 0:50:51 | 0:50:53 | |
# The skies are grey | 0:50:56 | 0:50:58 | |
# Went for a walk | 0:51:01 | 0:51:03 | |
# On a winter's day | 0:51:08 | 0:51:11 | |
# Oh, I'd be safe and warm | 0:51:11 | 0:51:16 | |
# If I was in LA... # | 0:51:19 | 0:51:21 |