Browse content similar to Trauma. Check below for episodes and series from the same categories and more!
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This programme contains some violent scenes and very strong language. | 0:00:02 | 0:00:05 | |
-Open up the door, homie. -Shit! Whoa, God! | 0:00:05 | 0:00:06 | |
-Hey, what we talkin' about, man? -Couple grand. -Couple grand, huh? | 0:00:06 | 0:00:09 | |
You take that gun out of this house, you better be ready to use it. | 0:00:09 | 0:00:12 | |
-They're decommissioned, they're on their way to destruction. -No deal. | 0:00:12 | 0:00:15 | |
You have a problem with the serial numbers? | 0:00:15 | 0:00:17 | |
OK, before we go, you and I, we get power tools, | 0:00:17 | 0:00:19 | |
we grind the numbers out ourselves. | 0:00:19 | 0:00:21 | |
-Tomas o Enrique? -It should be Enrique. | 0:00:30 | 0:00:32 | |
No, I told you, Enrique's a killer. | 0:00:32 | 0:00:34 | |
He's big, el vato. | 0:00:34 | 0:00:35 | |
I'll make sure the door's unlocked. | 0:00:35 | 0:00:37 | |
You two go in behind me. | 0:00:37 | 0:00:38 | |
CAR DOORS CREAK AND SLAM | 0:00:43 | 0:00:46 | |
KEYS JANGLE | 0:00:53 | 0:00:55 | |
Right there. | 0:01:21 | 0:01:23 | |
TAP RUNS | 0:01:37 | 0:01:39 | |
TAP TURNS OFF WITH A CREAK | 0:01:39 | 0:01:40 | |
What? | 0:01:57 | 0:01:58 | |
BULLET RICOCHETS | 0:03:02 | 0:03:03 | |
Hey! | 0:03:14 | 0:03:15 | |
Don't shoot. | 0:03:15 | 0:03:16 | |
Found out where Karvel's staying. | 0:03:17 | 0:03:20 | |
Word is he been spendin' too. | 0:03:20 | 0:03:22 | |
Nasty down here. | 0:03:26 | 0:03:28 | |
Smell like my cousin's mattress. | 0:03:28 | 0:03:30 | |
BULLET RICOCHETS Shit! | 0:03:30 | 0:03:33 | |
We go over there, hope you do better than that. | 0:03:33 | 0:03:35 | |
What you need to do is shoot something real. | 0:03:35 | 0:03:37 | |
Get the fuck outta here, man. | 0:03:37 | 0:03:39 | |
You can't kill nothin' living, how you going to kill Karvel? | 0:03:39 | 0:03:41 | |
You real enough? You want me to shoot you? Huh? | 0:03:41 | 0:03:44 | |
Hey, give me that shit. | 0:03:44 | 0:03:46 | |
-Don't want that booty bandit near me. -Nah, man. | 0:03:46 | 0:03:48 | |
Come on, square ass, let me get that shit. | 0:03:48 | 0:03:49 | |
Man, back up, fake-ass Tookie. | 0:03:49 | 0:03:51 | |
-Hey, come on, let me get it. -Let go! -Shit! | 0:03:51 | 0:03:53 | |
Shit. My bad, nigga. | 0:03:55 | 0:03:56 | |
This is a loaded fucking gun! What the hell is wrong with you, man?! | 0:03:57 | 0:04:00 | |
All right, you ain't gotta be doing all that yelling. | 0:04:00 | 0:04:02 | |
You want to be the triggerman, go ahead. It's all you. | 0:04:02 | 0:04:05 | |
Just... | 0:04:06 | 0:04:08 | |
GUNSHOT ECHOES | 0:04:16 | 0:04:18 | |
MUSIC: One Thing Leads To Another by The Fixx | 0:04:18 | 0:04:23 | |
# The deception with tact | 0:04:29 | 0:04:32 | |
# Just what are they trying to say? | 0:04:32 | 0:04:34 | |
# They've got a blank face | 0:04:36 | 0:04:38 | |
# Which irritates | 0:04:38 | 0:04:39 | |
# Communicate pull out their party piece | 0:04:39 | 0:04:42 | |
# They see dimensions in two | 0:04:42 | 0:04:46 | |
# State their case in black or white | 0:04:46 | 0:04:49 | |
# But when one little cross leads to shots, grit your teeth... # | 0:04:49 | 0:04:53 | |
INSECT BUZZES | 0:04:53 | 0:04:54 | |
# They run for cover so discreet why don't they | 0:04:54 | 0:04:56 | |
# Do what they say say what you mean | 0:04:56 | 0:04:59 | |
# And, baby one thing leads to another | 0:04:59 | 0:05:02 | |
# You tell me something wrong I know I listen too long | 0:05:02 | 0:05:05 | |
# But then one thing leads to another... # | 0:05:05 | 0:05:09 | |
HE PANTS | 0:05:09 | 0:05:11 | |
TWIG SNAPS | 0:05:20 | 0:05:22 | |
Um... Hola. | 0:05:31 | 0:05:32 | |
Oh, sh... | 0:05:37 | 0:05:40 | |
No, no. | 0:05:40 | 0:05:41 | |
Amigo, amigo. No, no, no! | 0:05:41 | 0:05:44 | |
Shit, wait. Er, hey! Er... | 0:05:44 | 0:05:46 | |
APPROACHING VOICES | 0:05:46 | 0:05:48 | |
-GUN COCKS -Er... | 0:05:58 | 0:06:01 | |
Paz. Paz. I come in paz. | 0:06:01 | 0:06:03 | |
Jesus Christ. | 0:06:14 | 0:06:15 | |
-Morning. -How the fucking hell did you get here? | 0:06:18 | 0:06:22 | |
Are you wondering which planes I took, specifically, | 0:06:22 | 0:06:25 | |
or what podunk towns I took them to? | 0:06:25 | 0:06:27 | |
Or you're asking how I found | 0:06:27 | 0:06:29 | |
this well-hidden haven of guerrilla warfare? | 0:06:29 | 0:06:33 | |
HE SIGHS | 0:06:33 | 0:06:34 | |
Let's put it this way, it's a good thing the Sandinistas | 0:06:34 | 0:06:36 | |
don't have access to the same satellites as the CIA. | 0:06:36 | 0:06:39 | |
So, you came here for the rockets? | 0:06:40 | 0:06:42 | |
I told you - those serial numbers are coming off. | 0:06:42 | 0:06:45 | |
Well, I've got the FSLN breathing down my neck, | 0:06:45 | 0:06:47 | |
I've got mines to set, coke to pack... | 0:06:47 | 0:06:49 | |
Then we should probably get started now. | 0:06:49 | 0:06:52 | |
Tell your men. | 0:06:52 | 0:06:53 | |
You have a leech on your bicep. | 0:06:57 | 0:06:59 | |
Oh, Je... Oh, God. Ugh! | 0:07:01 | 0:07:03 | |
THE MEN LAUGH AND CHATTER | 0:07:03 | 0:07:04 | |
You thirsty? | 0:07:22 | 0:07:23 | |
I put one of those iodine tablets in it. | 0:07:23 | 0:07:26 | |
Has it been at least 30 minutes? | 0:07:26 | 0:07:29 | |
Cos it takes at least 30 minutes for the iodine | 0:07:29 | 0:07:31 | |
-to start to kill off the pathogens. -Just drink it. -Thanks. | 0:07:31 | 0:07:35 | |
SHE LAUGHS | 0:07:48 | 0:07:50 | |
Hey, who's that kid? He belong to anyone? | 0:07:50 | 0:07:53 | |
Wandered into camp a while back, lived on a ranch nearby. | 0:07:53 | 0:07:58 | |
Said his dad got sick and died. | 0:07:58 | 0:08:01 | |
Yeah. Where did you learn such good Spanish, GI Joe? | 0:08:12 | 0:08:16 | |
Er, University. You want to play some music? | 0:08:16 | 0:08:20 | |
Don't want to waste battery. | 0:08:20 | 0:08:22 | |
Only station we get here is news, anyway. | 0:08:22 | 0:08:24 | |
-You a baseball fan? -Yeah. You? | 0:08:26 | 0:08:29 | |
Crazy kid. | 0:08:33 | 0:08:34 | |
Got any of your own? | 0:08:36 | 0:08:38 | |
No. | 0:08:38 | 0:08:39 | |
Shit, yeah. Jesus, what am I saying? Um...I have a son. | 0:08:40 | 0:08:45 | |
You remember his name? Or you forget that too? | 0:08:46 | 0:08:49 | |
His name is Paul. He is two. | 0:08:52 | 0:08:55 | |
Guessing you don't get to see him much. | 0:08:55 | 0:08:58 | |
Yeah, well, you know, travel to tropical paradises | 0:08:58 | 0:09:02 | |
-seems to keep me otherwise occupied lately. -Mm. | 0:09:02 | 0:09:04 | |
HELICOPTER WHIRS | 0:09:04 | 0:09:07 | |
Been circling for weeks. | 0:09:12 | 0:09:15 | |
Only a matter of time before they find us. | 0:09:15 | 0:09:17 | |
You don't like him? | 0:09:26 | 0:09:28 | |
Isn't personal. | 0:09:28 | 0:09:29 | |
No, but you still don't like him. | 0:09:31 | 0:09:33 | |
He wasn't always so difficult. | 0:09:34 | 0:09:36 | |
You lose enough, changes you. | 0:09:37 | 0:09:40 | |
Underneath it all, he just wants his life back, same as the rest of us. | 0:09:42 | 0:09:45 | |
-Sounds like you know him pretty well. -Yeah, well... | 0:09:46 | 0:09:49 | |
..he's my husband. | 0:09:51 | 0:09:52 | |
DOGS BARK | 0:09:59 | 0:10:02 | |
No, he didn't! | 0:10:08 | 0:10:10 | |
There's your money. | 0:10:10 | 0:10:13 | |
Those rims is 800 bucks apiece. | 0:10:13 | 0:10:15 | |
FRANKLIN EXHALES | 0:10:15 | 0:10:18 | |
QUIETLY: Fuck. | 0:10:19 | 0:10:21 | |
At least his punk-ass know how to get down. | 0:10:25 | 0:10:28 | |
-Sure he in here? -I don't know. | 0:10:31 | 0:10:33 | |
Hey, hold up. You ready to smoke his ass, right? | 0:10:36 | 0:10:39 | |
Cos if we take that car, he going to hunt us down | 0:10:39 | 0:10:41 | |
and rape our asses like a couple of bitches too. | 0:10:41 | 0:10:44 | |
Stay with me, man. | 0:10:45 | 0:10:46 | |
DOOR CREAKS | 0:11:08 | 0:11:11 | |
Nigga so turnt out, he turnt over. | 0:11:16 | 0:11:18 | |
Man, what the fuck? | 0:11:18 | 0:11:20 | |
WOMAN GRUNTS | 0:11:20 | 0:11:21 | |
HEAVY THUD, BOTTLE CLINK | 0:11:21 | 0:11:23 | |
GUN COCKS | 0:11:25 | 0:11:26 | |
-Ugh... -HEAVY THUD | 0:11:27 | 0:11:28 | |
HE SNIFFS AND COUGHS | 0:11:37 | 0:11:39 | |
Puta madre! | 0:11:39 | 0:11:41 | |
How much longer do we have to wait? | 0:11:45 | 0:11:48 | |
Till dark. | 0:11:48 | 0:11:49 | |
Dark like... Like 7:30? Or...? | 0:11:49 | 0:11:52 | |
-Midnight. -Midnight? | 0:11:53 | 0:11:55 | |
But it gets dark at like... | 0:11:57 | 0:11:58 | |
DOOR OPENS | 0:12:01 | 0:12:02 | |
PEDRO SNORTS | 0:12:02 | 0:12:03 | |
DOOR CLOSES | 0:12:03 | 0:12:04 | |
Aw, I don't like this kind. | 0:12:07 | 0:12:08 | |
The caramel...gets stuck in my teeth. | 0:12:10 | 0:12:13 | |
My hands are dirty. | 0:12:20 | 0:12:21 | |
TAP RUNS | 0:12:26 | 0:12:29 | |
-WHISPERING: -We gotta watch her. Keep an eye. | 0:12:31 | 0:12:34 | |
I mean, look at her. | 0:12:34 | 0:12:36 | |
She's not handling this well. | 0:12:36 | 0:12:39 | |
She takes spiders outside, yells at me if I kill one. | 0:12:39 | 0:12:43 | |
Can't even handle spider guts - how's she supposed to...? | 0:12:43 | 0:12:46 | |
Do you think it was weird Enrique had that poster on his wall? | 0:13:01 | 0:13:04 | |
Que? | 0:13:06 | 0:13:09 | |
It was near where I found his hand when we were cleaning. | 0:13:09 | 0:13:13 | |
This guy's good. | 0:13:13 | 0:13:15 | |
I like the way he draws tits. | 0:13:15 | 0:13:17 | |
It was for some movie called Prom Night. | 0:13:17 | 0:13:19 | |
"If you're not back by midnight, you won't be coming home." | 0:13:19 | 0:13:22 | |
How bad is it? | 0:13:36 | 0:13:38 | |
I've seen worse. | 0:13:39 | 0:13:40 | |
You know what you're doing, right? | 0:13:44 | 0:13:46 | |
Why would Enrique have a poster like that on his wall? | 0:13:46 | 0:13:49 | |
I don't see him liking a movie enough to buy the poster. | 0:13:49 | 0:13:53 | |
Maybe he found it? | 0:13:53 | 0:13:55 | |
Or somebody gave it to him? | 0:13:55 | 0:13:57 | |
-Agh! -Perdon! | 0:14:05 | 0:14:06 | |
HE GRUNTS IN PAIN | 0:14:08 | 0:14:10 | |
HE BREATHES HEAVILY | 0:14:10 | 0:14:13 | |
Sorry. | 0:14:18 | 0:14:20 | |
What you going to do? | 0:14:37 | 0:14:38 | |
Cocaine's an anaesthetic. | 0:14:40 | 0:14:42 | |
Oh. | 0:14:42 | 0:14:43 | |
Is that better? | 0:14:57 | 0:14:58 | |
Yeah. | 0:14:59 | 0:15:01 | |
The pain is all gone. | 0:15:06 | 0:15:08 | |
You kidding me? | 0:15:16 | 0:15:17 | |
All I'm sayin' is the car's yours. | 0:15:18 | 0:15:20 | |
You're kidding me? | 0:15:22 | 0:15:24 | |
It's in mint condition, brand-new. It just comes with a slight hitch. | 0:15:24 | 0:15:28 | |
"Slight hitch"? | 0:15:28 | 0:15:31 | |
And he's in there right now? | 0:15:31 | 0:15:33 | |
-This ice cream cake boy? -Karvel, yeah. | 0:15:33 | 0:15:37 | |
You bring this bullshit to my house? | 0:15:37 | 0:15:40 | |
To my driveway? | 0:15:40 | 0:15:42 | |
It's only cos we know the astute kind of businessman you are, | 0:15:43 | 0:15:46 | |
and you appreciate a cool-ass deal. | 0:15:46 | 0:15:48 | |
Why is he fucking talking to me? | 0:15:48 | 0:15:50 | |
I'm disappointed. This is pea-brains. | 0:15:56 | 0:15:59 | |
What you think, I got some kind of barter system set up here? | 0:15:59 | 0:16:02 | |
And bringing me your enemies - what, so I gotta deal with them? | 0:16:02 | 0:16:06 | |
-Nah, more like an offering. -Yeah, maybe try out | 0:16:06 | 0:16:09 | |
-some of the bulletproof vests on him or something. -Enough. | 0:16:09 | 0:16:12 | |
-Get out of my sight with this, and get my money. Otherwise... -Baby? | 0:16:12 | 0:16:16 | |
When we going to finish our game? | 0:16:18 | 0:16:20 | |
-These are my children. Say hi, children. -S'up. -Hey. | 0:16:20 | 0:16:24 | |
I've adopted them. I'm raising them up to be men. | 0:16:24 | 0:16:26 | |
I'll be a second. | 0:16:28 | 0:16:30 | |
OK. | 0:16:30 | 0:16:31 | |
It's a project I've been working on, so...begone, children. | 0:16:35 | 0:16:39 | |
Wait. | 0:16:43 | 0:16:45 | |
-Man, that's some bullshit. -Just be patient. | 0:16:48 | 0:16:50 | |
Be patient? I've been patient like a goose, motherfucker. | 0:16:50 | 0:16:53 | |
-How is a goose patient? -You know what I mean. -What? | 0:16:53 | 0:16:56 | |
The Mojave Desert... is my burial spot of choice. | 0:17:01 | 0:17:05 | |
I suggest you dig deep so that the coyotes don't get him. | 0:17:06 | 0:17:09 | |
MOTOR BUZZES | 0:17:15 | 0:17:18 | |
Hola. | 0:17:34 | 0:17:36 | |
-Hola. -Hola. | 0:17:53 | 0:17:55 | |
Hola. | 0:18:01 | 0:18:03 | |
Um... | 0:18:18 | 0:18:19 | |
I'm sorry, sorry. Er, sorry, sorry... Er... | 0:18:45 | 0:18:47 | |
She likes you. | 0:19:07 | 0:19:08 | |
She doesn't like anyone. | 0:19:08 | 0:19:10 | |
Can I show you something? | 0:19:12 | 0:19:13 | |
American baseball big in my town. | 0:19:21 | 0:19:23 | |
Red Sox my favourite. | 0:19:23 | 0:19:25 | |
Mm. Kansas City for me. | 0:19:25 | 0:19:27 | |
-The Royals suck ass. -Come on! | 0:19:27 | 0:19:30 | |
So, you're CIA, right? | 0:19:32 | 0:19:34 | |
You, er...know about the CIA? | 0:19:37 | 0:19:40 | |
I know you help us. | 0:19:40 | 0:19:41 | |
Fuck the commies, right? | 0:19:41 | 0:19:44 | |
That's right. | 0:19:44 | 0:19:46 | |
You go to other camps too? | 0:19:46 | 0:19:48 | |
No, not yet. | 0:19:48 | 0:19:50 | |
But you might? | 0:19:50 | 0:19:52 | |
You know, I don't know. | 0:19:52 | 0:19:54 | |
And you will bring them guns and stuff too? | 0:19:54 | 0:19:57 | |
-MONKEY CHITTERS -Hey! | 0:19:57 | 0:19:59 | |
I hate them. Always same dumb joke. | 0:20:02 | 0:20:05 | |
-What town? -What? | 0:20:07 | 0:20:09 | |
You said baseball was big in your town - what town are you from? | 0:20:09 | 0:20:12 | |
Jinotega. San Jose de Bocay. | 0:20:12 | 0:20:14 | |
So how'd you come here? | 0:20:14 | 0:20:15 | |
My dad died. Then I came. | 0:20:15 | 0:20:17 | |
What happened to him? | 0:20:19 | 0:20:20 | |
You're no fucking fun, man. | 0:20:22 | 0:20:23 | |
MUSIC: The Chicago Party Theme by Jesus Wayne | 0:20:31 | 0:20:35 | |
-Hey, let's roll his ass off a cliff and split, man. -What? | 0:20:50 | 0:20:54 | |
-Let the wolves eat his ass. -Just leave his body out in the open? | 0:20:54 | 0:20:57 | |
That's the dumbest thing I ever heard. | 0:20:57 | 0:20:58 | |
Don't hear you offering up anything better. | 0:20:58 | 0:21:01 | |
THUMPING | 0:21:05 | 0:21:07 | |
-LOUD THUMP BOTH: -Shit! | 0:21:10 | 0:21:12 | |
-KARVEL: -You locked me in the trunk?! | 0:21:12 | 0:21:14 | |
-This is not happening. -This my trunk?! | 0:21:14 | 0:21:15 | |
-LOUD THUMPS -He sounds really mad right now. | 0:21:15 | 0:21:17 | |
We gotta pull over and deal with this shit. | 0:21:17 | 0:21:19 | |
-We're not far enough out yet. -How far we gotta be? | 0:21:19 | 0:21:23 | |
Get me the fuck up out of here. | 0:21:23 | 0:21:25 | |
Pull this car over. Shit! | 0:21:25 | 0:21:28 | |
You're going to need some antibiotics. | 0:21:34 | 0:21:36 | |
It's going to get infected. | 0:21:36 | 0:21:37 | |
-What's wrong? -Nada. Thinking about my gym. | 0:21:41 | 0:21:44 | |
Not a wrestling gym, no mas. A boxing gym, too. | 0:21:45 | 0:21:49 | |
And in two months... | 0:21:49 | 0:21:51 | |
-Where's Pedro? -I'll paint the floor red. | 0:21:53 | 0:21:56 | |
It'll be purita quality. | 0:21:56 | 0:21:58 | |
All steel frame, corner cushions, ring padding, ring skirts. | 0:21:58 | 0:22:03 | |
Double-level... HE SPEAKS IN SPANISH | 0:22:04 | 0:22:07 | |
GUNSHOTS | 0:22:11 | 0:22:13 | |
Pedro! | 0:22:16 | 0:22:17 | |
Pedro, what did you do? | 0:22:18 | 0:22:20 | |
I shot a rat. | 0:22:20 | 0:22:21 | |
Why? | 0:22:23 | 0:22:24 | |
It was coming at me. | 0:22:24 | 0:22:25 | |
That's not a rat. | 0:22:26 | 0:22:28 | |
Fuck you, it's not a rat - look at it! | 0:22:28 | 0:22:30 | |
This is a possum, pendejo. | 0:22:30 | 0:22:31 | |
Possums are nocturnal. | 0:22:31 | 0:22:32 | |
Who gives a shit what it is? | 0:22:32 | 0:22:34 | |
We have a house full of coke and a body in your trunk. | 0:22:34 | 0:22:37 | |
What if somebody calls the cops? | 0:22:37 | 0:22:40 | |
You got his blood on you. | 0:22:40 | 0:22:42 | |
Go change. | 0:22:42 | 0:22:44 | |
Why? | 0:22:44 | 0:22:45 | |
Just going to get all dirty again. | 0:22:45 | 0:22:47 | |
Oso? Can you... | 0:22:49 | 0:22:53 | |
Can you put in in the trunk? | 0:22:53 | 0:22:54 | |
We'll bury it with Enrique. | 0:22:54 | 0:22:56 | |
You have a bag? | 0:23:05 | 0:23:07 | |
THUMPING CONTINUES | 0:23:08 | 0:23:10 | |
-Man, let me up outta here! -Shit. -Yeah, yeah, crank it. | 0:23:10 | 0:23:12 | |
-RADIO BLARES: -# I used to think I was tied to a heartache | 0:23:12 | 0:23:17 | |
# That was the heartbreak | 0:23:17 | 0:23:19 | |
# But now that I found you | 0:23:19 | 0:23:21 | |
# Even the nights are better... # | 0:23:21 | 0:23:23 | |
QUIET THUMPING AND MUFFLED SHOUTS | 0:23:23 | 0:23:25 | |
# Now that we're here together | 0:23:25 | 0:23:29 | |
# Even the nights are better | 0:23:29 | 0:23:32 | |
# Since I found you... # | 0:23:32 | 0:23:34 | |
-MUFFLED: -Get me up outta this trunk! | 0:23:34 | 0:23:36 | |
# Even the days are brighter... # | 0:23:37 | 0:23:40 | |
MUSIC: Breakout by Arnie Love & The Lovettes | 0:23:43 | 0:23:50 | |
Hey, listen. | 0:23:50 | 0:23:52 | |
RADIO CONTINUES QUIETLY | 0:23:54 | 0:23:57 | |
Did he pass out? | 0:23:57 | 0:23:58 | |
HEAVY THUMPING | 0:24:00 | 0:24:03 | |
-Oh, shit! Oh, shit! -He's got a crowbar! | 0:24:03 | 0:24:06 | |
Gimme the gun, gimme the gun, gimme the gun. Hurry up! Gimme that shit! | 0:24:06 | 0:24:09 | |
-GUNSHOT AND RINGING -Ow! Fuck! | 0:24:09 | 0:24:11 | |
GUNSHOTS | 0:24:11 | 0:24:13 | |
-Shit! -Get off me! | 0:24:15 | 0:24:17 | |
Oh, shit no. | 0:24:17 | 0:24:19 | |
ALL SHOUT AND CURSE | 0:24:19 | 0:24:22 | |
TYRES SCREECH | 0:24:22 | 0:24:23 | |
Shoot! GUNSHOTS | 0:24:37 | 0:24:38 | |
KARVEL SHOUTS | 0:24:38 | 0:24:39 | |
Shit. | 0:24:41 | 0:24:42 | |
I ain't jumpin' down that. | 0:24:44 | 0:24:45 | |
Coke's ready. Help me load the Jeep. | 0:24:58 | 0:25:00 | |
Hey. | 0:25:03 | 0:25:04 | |
We need a better way. | 0:25:05 | 0:25:07 | |
Why? | 0:25:10 | 0:25:12 | |
The guy transporting the coke leaves from Colombia or Peru | 0:25:12 | 0:25:15 | |
or wherever the fuck. | 0:25:15 | 0:25:16 | |
Processing it here doesn't make any sense. | 0:25:16 | 0:25:18 | |
We should be synthesising it where it's grown, transporting it after. | 0:25:18 | 0:25:21 | |
It means dealing with Colombians. Trying to avoid that. | 0:25:21 | 0:25:25 | |
What's that? | 0:25:25 | 0:25:27 | |
Wait. Just give me a minute, will you? | 0:25:27 | 0:25:29 | |
I saw the kid coming out of this tree when I first arrived. | 0:26:19 | 0:26:21 | |
I climbed up there later and I found this. | 0:26:21 | 0:26:23 | |
It's called a firefly, an infrared transmitter - | 0:26:25 | 0:26:28 | |
anybody with a receiver can locate it, | 0:26:28 | 0:26:31 | |
and thus the camp. | 0:26:31 | 0:26:33 | |
Someone in a helicopter, say. | 0:26:34 | 0:26:36 | |
Only reason they haven't attacked yet | 0:26:37 | 0:26:39 | |
is he didn't attach the battery properly. | 0:26:39 | 0:26:41 | |
I can't believe I didn't see this. | 0:26:41 | 0:26:43 | |
The Sandinistas are smart, using a kid, but... | 0:26:43 | 0:26:46 | |
..he asked a lot of questions... | 0:26:48 | 0:26:50 | |
..and he knew about the CIA... | 0:26:51 | 0:26:52 | |
..and he was from Bocay... | 0:26:52 | 0:26:54 | |
..but, er...mostly I can tell when someone's lying to me. | 0:26:56 | 0:26:59 | |
Give it to me. | 0:27:02 | 0:27:03 | |
We'll put it in a tree five miles east. | 0:27:09 | 0:27:12 | |
When the helicopters come, we'll shoot them down. | 0:27:12 | 0:27:15 | |
He could be useful. You could turn him into a double. | 0:27:21 | 0:27:23 | |
Can't risk it. | 0:27:23 | 0:27:24 | |
He's just a kid. | 0:27:24 | 0:27:26 | |
A kid who tried to kill us all. | 0:27:26 | 0:27:28 | |
Still low? | 0:27:47 | 0:27:48 | |
You've seen people die before. | 0:28:14 | 0:28:16 | |
Max, Enrique... | 0:28:20 | 0:28:23 | |
One other. | 0:28:26 | 0:28:27 | |
You, too? | 0:28:31 | 0:28:32 | |
You've seen someone die before? | 0:28:32 | 0:28:34 | |
No. | 0:28:36 | 0:28:37 | |
Nunca. | 0:28:38 | 0:28:40 | |
PAGER BUZZES AND BEEPS | 0:28:45 | 0:28:51 | |
Fuck. Fuck! 911! My dad. I gotta go. | 0:28:52 | 0:28:57 | |
Give me your keys. | 0:28:59 | 0:29:00 | |
I can't take my car - there's all this shit in the trunk. Come on! | 0:29:00 | 0:29:03 | |
-You're not right, ese. -Ramiro pages him, he has to go. | 0:29:03 | 0:29:06 | |
-Be suspicious if he doesn't. -Yeah. | 0:29:06 | 0:29:08 | |
Hand over your keys, you fuckin' oaf. | 0:29:08 | 0:29:09 | |
I know what happened. | 0:29:27 | 0:29:28 | |
The fuck you talkin' about? | 0:29:30 | 0:29:31 | |
In Enrique's kitchen... | 0:29:31 | 0:29:33 | |
..when Gustavo was knocked out... | 0:29:35 | 0:29:37 | |
..and that fuckin' animal was on top of me, | 0:29:38 | 0:29:42 | |
with his hands round my neck, choking me to death... | 0:29:42 | 0:29:46 | |
..and you just stood there, with that fuckin' knife, staring. | 0:29:48 | 0:29:54 | |
-No, you don't know what you're saying. -You froze. | 0:29:54 | 0:29:56 | |
If Gustavo hadn't woken up, Pedro, I'd be dead. | 0:29:59 | 0:30:02 | |
You know it, and I know it. | 0:30:04 | 0:30:06 | |
Before you go to your father's, you have to go home, | 0:30:10 | 0:30:12 | |
and put on your own clothes first - | 0:30:12 | 0:30:14 | |
and once you're there, keep your head up... | 0:30:14 | 0:30:16 | |
..just like that, and look him in the eye. | 0:30:18 | 0:30:21 | |
Speak normally. | 0:30:21 | 0:30:23 | |
Be calm. | 0:30:23 | 0:30:25 | |
Say it. | 0:30:26 | 0:30:28 | |
I have to go home first, put on my own clothes. | 0:30:29 | 0:30:34 | |
Keep my head up. | 0:30:34 | 0:30:35 | |
Look him in the eye. | 0:30:35 | 0:30:37 | |
Be normal. | 0:30:37 | 0:30:39 | |
You fuck this up, and I'm going to kill you. | 0:30:42 | 0:30:45 | |
HE SCOFFS | 0:30:45 | 0:30:46 | |
Gustavo. | 0:30:49 | 0:30:50 | |
KEYS JANGLE | 0:30:58 | 0:31:01 | |
Come back after it's done. | 0:31:05 | 0:31:07 | |
How the hell this motherfucker still alive? | 0:31:22 | 0:31:25 | |
I don't know, maybe he zombified. | 0:31:25 | 0:31:28 | |
You're stupid. You're stupid. | 0:31:28 | 0:31:29 | |
You know he like an animal. | 0:31:29 | 0:31:31 | |
I can't see no more blood. | 0:31:33 | 0:31:35 | |
Where'd he go? | 0:31:35 | 0:31:36 | |
Nigga, I don't know! What am I, a fuckin' Navajo? | 0:31:36 | 0:31:40 | |
Shit! | 0:31:40 | 0:31:41 | |
Hey, Saint! | 0:31:47 | 0:31:48 | |
Found the trail. | 0:31:49 | 0:31:50 | |
COUGHING | 0:31:59 | 0:32:01 | |
Please... | 0:32:39 | 0:32:41 | |
GUNSHOT | 0:32:56 | 0:32:57 | |
GUNSHOT ECHOES | 0:33:02 | 0:33:04 | |
Lucia... | 0:33:21 | 0:33:22 | |
SHOUTING AND SCREAMING | 0:33:26 | 0:33:29 | |
GUNSHOT | 0:33:41 | 0:33:43 | |
SCREAMING | 0:33:43 | 0:33:46 | |
SHE PUFFS | 0:33:50 | 0:33:52 | |
You should sleep. | 0:33:53 | 0:33:54 | |
Are you telling me what to do? | 0:33:56 | 0:33:58 | |
No. | 0:34:00 | 0:34:02 | |
Cos, you know... | 0:34:02 | 0:34:03 | |
..technically, I'm your boss. | 0:34:06 | 0:34:08 | |
Sorry, patrona. | 0:34:11 | 0:34:12 | |
I'm just kidding. | 0:34:15 | 0:34:16 | |
I just saw you... | 0:34:19 | 0:34:21 | |
..crush a man's skull with your bare hands. | 0:34:23 | 0:34:27 | |
I think that boss-employee relationship flew out the window. | 0:34:27 | 0:34:32 | |
What's going on with that? | 0:34:37 | 0:34:38 | |
I don't know. | 0:34:41 | 0:34:42 | |
Do you have any brothers or sisters? | 0:34:52 | 0:34:55 | |
No. | 0:34:57 | 0:34:58 | |
How did it go? | 0:35:25 | 0:35:26 | |
Arturo went to Enrique's house, | 0:35:33 | 0:35:35 | |
three hours after we left. | 0:35:35 | 0:35:38 | |
Fuck. | 0:35:38 | 0:35:39 | |
-That was close. We could've still been there. -Yeah, but it worked. | 0:35:41 | 0:35:44 | |
Ramiro thinks Enrique ran off after stealing the money. | 0:35:45 | 0:35:49 | |
Good. | 0:35:49 | 0:35:50 | |
Come on. It's time. Let's go. | 0:35:52 | 0:35:55 | |
I heard you wanted to let the kid go. | 0:36:13 | 0:36:15 | |
You know how much damage that would've done? | 0:36:19 | 0:36:22 | |
We're not flying into Hawthorne. | 0:36:23 | 0:36:25 | |
What? | 0:36:28 | 0:36:29 | |
Didn't have time to vet the customs guys. | 0:36:30 | 0:36:32 | |
Where are we going to land, then? | 0:36:34 | 0:36:36 | |
GUNSHOT | 0:36:36 | 0:36:37 | |
I'll come back in ten to pick you up. | 0:36:54 | 0:36:56 | |
ENGINE STARTS | 0:36:56 | 0:36:58 | |
-Go. Get the fuck out of here. -MONKEY CHITTERS | 0:37:25 | 0:37:27 | |
In a few weeks, you should start receiving shipments, | 0:37:32 | 0:37:36 | |
supplies and weapons and... | 0:37:36 | 0:37:38 | |
..whatever you need. | 0:37:39 | 0:37:41 | |
Give this to Alejandro. | 0:37:47 | 0:37:50 | |
Tell him, "Don't forget." | 0:37:53 | 0:37:55 | |
Y'all had an animal back there? | 0:38:19 | 0:38:22 | |
Er, yeah. | 0:38:22 | 0:38:23 | |
I'll give you 23K. | 0:38:25 | 0:38:26 | |
-Twenty...?! I bought it yesterday, it's brand-new. -And the custom rims. | 0:38:26 | 0:38:31 | |
Maybe. | 0:38:31 | 0:38:33 | |
But you sure can fuck up an upholstery job in 24 hours. | 0:38:33 | 0:38:36 | |
-All right, man. -Wait one sec. Let me confer with my business associate. | 0:38:39 | 0:38:43 | |
You the one that went to that fancy school, | 0:38:47 | 0:38:49 | |
but my math tell me that ain't enough to pay that Israeli. | 0:38:49 | 0:38:53 | |
Mm. | 0:38:53 | 0:38:54 | |
I got somethin' else I could sell. | 0:38:57 | 0:38:59 | |
You are full of surprises. | 0:39:04 | 0:39:07 | |
Scraggly-ass kid. | 0:39:07 | 0:39:09 | |
A Caddy and a crotch rocket. | 0:39:11 | 0:39:13 | |
Hey. Can I have this? | 0:39:13 | 0:39:14 | |
All right. I'll take it. | 0:39:16 | 0:39:19 | |
I'll give you 800. | 0:39:21 | 0:39:22 | |
What a kid like you going to do with all that money anyway? | 0:39:24 | 0:39:27 | |
Now we re-up. | 0:39:31 | 0:39:33 | |
Listen, er, thanks for, man, er... | 0:39:36 | 0:39:39 | |
Hey, don't worry about it. | 0:39:39 | 0:39:41 | |
Hey, where you goin'? | 0:39:49 | 0:39:51 | |
Saint! | 0:39:51 | 0:39:53 | |
Hit me tomorrow. | 0:39:53 | 0:39:54 | |
Should invest in your own shovel if you're in it for the long haul. | 0:40:12 | 0:40:16 | |
And always keep plenty of heavy-duty garbage bags | 0:40:17 | 0:40:21 | |
in the trunk of your car. | 0:40:21 | 0:40:23 | |
And rubber gloves. | 0:40:27 | 0:40:28 | |
Rubbing alcohol. | 0:40:30 | 0:40:31 | |
Air freshener. | 0:40:34 | 0:40:35 | |
-Yo, Muir! -Huh? | 0:40:35 | 0:40:37 | |
Set the kid up with three more kilos. | 0:40:41 | 0:40:43 | |
Er, actually, um... | 0:40:43 | 0:40:44 | |
..I'm good. | 0:40:46 | 0:40:47 | |
What? | 0:40:50 | 0:40:52 | |
I'm out. | 0:40:53 | 0:40:54 | |
Thank you. | 0:40:57 | 0:40:59 | |
HE CHUCKLES | 0:41:01 | 0:41:03 | |
Well... | 0:41:03 | 0:41:04 | |
..you lasted longer than I thought you would, kid. | 0:41:06 | 0:41:09 | |
This isn't for everybody. | 0:41:10 | 0:41:12 | |
Hey, girl! | 0:41:14 | 0:41:16 | |
Why don't you get out of the pool, and bring your tight ass over here? | 0:41:16 | 0:41:20 | |
WOMAN GIGGLES | 0:41:20 | 0:41:21 | |
AVI CHUCKLES | 0:41:21 | 0:41:23 |