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This programme contains some strong language | 0:00:02 | 0:00:09 | |
SHOUTING IN DISTANCE | 0:00:15 | 0:00:18 | |
SHOUTING INTENSIFIES | 0:00:34 | 0:00:37 | |
How far to the border? | 0:01:00 | 0:01:02 | |
Not far. Unless they changed it again since I was here last. | 0:01:02 | 0:01:09 | |
Round here a man can rise from his bed in Poland, | 0:01:09 | 0:01:13 | |
go down to the kitchen and find himself in Germany. | 0:01:13 | 0:01:16 | |
You're getting well, they tell me. | 0:01:26 | 0:01:28 | |
-Playing football soon, eh? -I hope so, sir. | 0:01:29 | 0:01:32 | |
-You've been over there a few times? -Yes. | 0:01:32 | 0:01:35 | |
Did you see something? That made them angry enough to shoot you? | 0:01:35 | 0:01:39 | |
Soldiers. With shovels and machinery. | 0:01:40 | 0:01:44 | |
-What kind of machinery? -Moving the earth. | 0:01:44 | 0:01:46 | |
We warned Stefan not to go over after they strengthened the border. | 0:01:55 | 0:02:00 | |
-Are there patrols? -Every two hours. | 0:02:00 | 0:02:03 | |
We should take a closer look. | 0:02:05 | 0:02:06 | |
-There's a new moon in two weeks. -I'll arrange it. | 0:02:07 | 0:02:13 | |
BLADES CLANG | 0:02:53 | 0:02:55 | |
Who's the man fencing with your brother? | 0:03:06 | 0:03:08 | |
Colonel Jean-Francois Mercier. | 0:03:08 | 0:03:10 | |
And what does the gallant Colonel do? | 0:03:10 | 0:03:13 | |
He's the Military Attache at the French Embassy. | 0:03:13 | 0:03:15 | |
He's only been in Warsaw six months. | 0:03:15 | 0:03:17 | |
Married? Widowed? | 0:03:17 | 0:03:20 | |
Don't get your hopes up, Cecylia. | 0:03:20 | 0:03:22 | |
I already have my eye on him. | 0:03:23 | 0:03:25 | |
How did this happen? | 0:04:12 | 0:04:13 | |
A bayonet. | 0:04:15 | 0:04:16 | |
And this? | 0:04:19 | 0:04:20 | |
A sniper's bullet. | 0:04:22 | 0:04:23 | |
Where else should I look? | 0:04:26 | 0:04:27 | |
The doctor says there's still some shrapnel in my left knee. | 0:04:31 | 0:04:35 | |
Most men of your generation have scars of some sort. | 0:04:35 | 0:04:38 | |
Unless, like my husband, they spent the war at home and got rich. | 0:04:39 | 0:04:43 | |
Well, if there's another he'll get even richer. | 0:04:45 | 0:04:48 | |
Crazy talk, surely? | 0:04:48 | 0:04:50 | |
Countess! | 0:05:01 | 0:05:04 | |
I was... I was... I was beginning to think... | 0:05:04 | 0:05:07 | |
Champagne! You wicked boy. | 0:05:08 | 0:05:12 | |
Herr Uhl. | 0:05:37 | 0:05:39 | |
-You look pale. -Too little sleep. | 0:05:41 | 0:05:44 | |
What have you got for me? | 0:05:44 | 0:05:46 | |
The first diagrams for the new tank turret. | 0:05:46 | 0:05:50 | |
What's different? | 0:05:52 | 0:05:54 | |
-It's the same. But now the plates are to be... -One beer for you. | 0:05:54 | 0:05:57 | |
The plates are to be face-hardened. That means carbon cementation. | 0:05:57 | 0:06:03 | |
Very expensive but the strength is greatly increased. | 0:06:03 | 0:06:06 | |
Next time we'd like to see the formula | 0:06:06 | 0:06:08 | |
-for the face-hardening process. -Next time? I'm not sure | 0:06:08 | 0:06:12 | |
-I'll be able... -15th November. -There are many problems. | 0:06:12 | 0:06:15 | |
There are always problems in this sort of work | 0:06:15 | 0:06:17 | |
but you can use the money. | 0:06:17 | 0:06:18 | |
The Countess has expensive tastes. | 0:06:18 | 0:06:21 | |
A thousand zlotys. | 0:06:23 | 0:06:24 | |
Go on. Let me finish my beer. | 0:06:28 | 0:06:31 | |
BELL RINGS | 0:06:41 | 0:06:44 | |
-Morning. -Morning. | 0:06:50 | 0:06:52 | |
The embassy are holding a dinner for our people from Renault. | 0:07:00 | 0:07:03 | |
They're coming here to sell their tanks. | 0:07:03 | 0:07:05 | |
That won't be easy. | 0:07:05 | 0:07:06 | |
The information I've received suggests to me that the | 0:07:07 | 0:07:11 | |
Germans are preparing for a different kind of combat. | 0:07:11 | 0:07:13 | |
Is this another one of | 0:07:13 | 0:07:15 | |
your gloomy predictions about the likelihood of war? | 0:07:15 | 0:07:18 | |
There are certain indications. | 0:07:18 | 0:07:20 | |
If so, try to use your influence to persuade the Poles to buy French. | 0:07:20 | 0:07:24 | |
They've paired us off for this dinner, | 0:07:33 | 0:07:35 | |
but I'm fighting a cold, Jean-Francois. | 0:07:35 | 0:07:37 | |
If you give it to me we could both be excused. | 0:07:37 | 0:07:39 | |
You're not getting out of it that easily. | 0:07:39 | 0:07:42 | |
But I've found you a substitute. Anna Skarbek, a delightful girl. | 0:07:42 | 0:07:46 | |
A lawyer with the League of Nations. | 0:07:48 | 0:07:51 | |
And afterwards there will be dancing. | 0:07:51 | 0:07:54 | |
I'll try not to step on her toes. | 0:07:54 | 0:07:56 | |
I'm looking for Madame Skarbek. | 0:08:26 | 0:08:28 | |
She's almost ready. Come in. | 0:08:29 | 0:08:31 | |
-Anna, your general is here! -Coming! | 0:08:35 | 0:08:39 | |
Not quite a general. Lieutenant colonel. | 0:08:41 | 0:08:44 | |
-A brave one too by the look of it. -A lucky one. I'm alive. | 0:08:44 | 0:08:47 | |
As am I. I survived bloody Bolsheviks. | 0:08:48 | 0:08:52 | |
-I'm Maxim. -Jean-Francois. | 0:08:52 | 0:08:56 | |
-Will this do? -Splendidly. | 0:09:07 | 0:09:10 | |
I don't go to many formal dinners. | 0:09:11 | 0:09:13 | |
It's very kind of you to do this at such short notice. | 0:09:13 | 0:09:16 | |
Madame Dupin does favours for everyone so how could I refuse? | 0:09:16 | 0:09:20 | |
-Don't bring her back too late, eh? -Don't drink too much. | 0:09:21 | 0:09:24 | |
-Have you always lived in Warsaw? -No, I've been here just over a year. | 0:09:32 | 0:09:36 | |
My work means I travel a lot. | 0:09:36 | 0:09:39 | |
So where's home? | 0:09:39 | 0:09:40 | |
I'm Parisian by birth, Polish by heritage. | 0:09:40 | 0:09:44 | |
So we have Paris in common. | 0:09:44 | 0:09:46 | |
In case we run out of conversation? | 0:09:46 | 0:09:48 | |
I'm sure we won't do that, Madame Skarbek. | 0:09:48 | 0:09:50 | |
Anna, please. And it's Mam'selle. For a while anyhow. | 0:09:50 | 0:09:54 | |
Good evening. | 0:10:04 | 0:10:06 | |
Evening. | 0:10:09 | 0:10:10 | |
Anna, here you are. Would you excuse us? | 0:10:10 | 0:10:13 | |
I think they want us at table. | 0:10:13 | 0:10:15 | |
So nice talking to you, Monsieur Blanc. | 0:10:15 | 0:10:17 | |
I'm sorry, were you trapped? | 0:10:19 | 0:10:21 | |
Not at all. He's an engineer specialising in treads. | 0:10:21 | 0:10:25 | |
Fascinating. | 0:10:25 | 0:10:27 | |
Mercier, you dog! Where have you been hiding this beautiful lady? | 0:10:27 | 0:10:31 | |
Anna Skarbek, this is Colonel Antoni Pakulski. | 0:10:31 | 0:10:34 | |
That does not answer my question. | 0:10:34 | 0:10:37 | |
We met an hour ago. | 0:10:37 | 0:10:38 | |
Really? We are old friends. | 0:10:39 | 0:10:42 | |
I was with him when he won this. The Virtuti Militari. | 0:10:42 | 0:10:45 | |
How did a Frenchman win a Polish medal? | 0:10:45 | 0:10:48 | |
He was attached to my cavalry squadron in 1920. | 0:10:48 | 0:10:50 | |
We fought off the Red Army together. | 0:10:50 | 0:10:52 | |
Just the two of you? | 0:10:52 | 0:10:53 | |
There may have been others, I don't recall. | 0:10:53 | 0:10:56 | |
Promise me a dance later. | 0:10:56 | 0:10:58 | |
Dancing? | 0:11:02 | 0:11:04 | |
Yes. So I would advise against all six courses. | 0:11:04 | 0:11:08 | |
Is this something you do often? | 0:11:08 | 0:11:09 | |
Unhappily, almost every night. | 0:11:11 | 0:11:14 | |
I sip the wine, taste the food, find everyone fascinating. | 0:11:14 | 0:11:19 | |
A good motto for diplomacy. | 0:11:19 | 0:11:20 | |
It's one way to save the world. | 0:11:20 | 0:11:22 | |
JAUNTY TUNE PLAYS | 0:11:31 | 0:11:34 | |
You dance well, Jean-Francois. | 0:11:38 | 0:11:40 | |
My wife loved to dance. | 0:11:40 | 0:11:42 | |
What happened? | 0:11:43 | 0:11:44 | |
Consumption. Three years ago. | 0:11:46 | 0:11:47 | |
I'm sorry. | 0:11:47 | 0:11:49 | |
You must miss your wife. | 0:11:53 | 0:11:54 | |
I do. She made these evenings tolerable. | 0:11:55 | 0:11:58 | |
As have you. | 0:12:01 | 0:12:02 | |
It's been an unexpected pleasure. | 0:12:04 | 0:12:06 | |
And I've learned so much about this tank. | 0:12:10 | 0:12:13 | |
I worry about the armament - | 0:12:13 | 0:12:15 | |
a 37-millimetre cannon with only one machine gun? | 0:12:15 | 0:12:18 | |
You've been talking to Colonel Pakulski. | 0:12:18 | 0:12:20 | |
He thinks it's not much of a machine for Poland's money. | 0:12:20 | 0:12:23 | |
Better than nothing if German tanks roll across the border. | 0:12:23 | 0:12:26 | |
But if they do, surely the gallant French will rush to our rescue? | 0:12:26 | 0:12:30 | |
-May I? -Of course. | 0:12:33 | 0:12:36 | |
Oh, not a good idea after Scotch, claret and slivovitz. | 0:12:46 | 0:12:50 | |
Not a good idea at all. | 0:12:50 | 0:12:52 | |
You know everything, Antoni. | 0:12:56 | 0:12:58 | |
What's the story with this Russian she lives with? | 0:12:58 | 0:13:01 | |
Maxim Mostov. White Russian. | 0:13:03 | 0:13:05 | |
He's lived in many places since he left his homeland. | 0:13:06 | 0:13:09 | |
He makes a living as a political journalist. Mostly attacking Stalin. | 0:13:09 | 0:13:13 | |
Talks too much and drinks even more. | 0:13:13 | 0:13:15 | |
-Why is she with him? -Who knows with women? | 0:13:15 | 0:13:19 | |
How long have they been together? | 0:13:19 | 0:13:21 | |
Long enough, is that what you are thinking? Careful, my friend. | 0:13:22 | 0:13:27 | |
It's 3.30. I was told not to bring you back too late. | 0:13:37 | 0:13:39 | |
Max will be asleep. Don't bother to see me upstairs. | 0:13:39 | 0:13:43 | |
And thank you for a memorable evening. | 0:13:44 | 0:13:46 | |
TRAIN WHISTLE BLOWS | 0:13:59 | 0:14:03 | |
Coffee, please. | 0:15:09 | 0:15:10 | |
And another chocolate for Madame. | 0:15:12 | 0:15:16 | |
Always so punctual, Colonel. | 0:15:17 | 0:15:20 | |
Were you on time for your rendezvous with Herr Uhl? | 0:15:20 | 0:15:23 | |
For him the Countess is always late. | 0:15:23 | 0:15:26 | |
She can be difficult at times. I rather like her. | 0:15:26 | 0:15:31 | |
Of course he thinks she's penniless. | 0:15:31 | 0:15:33 | |
He loaned her some more of your money. Do you want it back? | 0:15:33 | 0:15:36 | |
No keep it, Olga. We've made your usual deposit. | 0:15:36 | 0:15:40 | |
-We're appreciative of what you do. -Perhaps I was born to be a spy. | 0:15:40 | 0:15:44 | |
We adapt to the times we live in. | 0:15:44 | 0:15:46 | |
There's a French saying, | 0:15:47 | 0:15:49 | |
"Wherever God has planted you, you must know how to flower." | 0:15:49 | 0:15:53 | |
It's certainly an improvement on what came before. | 0:15:53 | 0:15:55 | |
How did you find Herr Uhl? | 0:15:59 | 0:16:00 | |
His trips to Warsaw are the high points of his life. | 0:16:00 | 0:16:03 | |
Otherwise he labours away, the good family man. | 0:16:03 | 0:16:06 | |
He'll be back next month. Though he showed some reluctance. | 0:16:07 | 0:16:11 | |
Oh, he'll come. He may even be in love with the Countess. | 0:16:11 | 0:16:15 | |
Am I overplaying my part? | 0:16:16 | 0:16:18 | |
My scarf - I left it. | 0:17:03 | 0:17:04 | |
-Fuck these people. -Please! | 0:17:11 | 0:17:13 | |
Not yet. | 0:17:14 | 0:17:15 | |
Now. | 0:17:19 | 0:17:20 | |
They still have patrols out there. | 0:18:24 | 0:18:27 | |
The next one comes through at 9.35. | 0:18:27 | 0:18:30 | |
-They're always prompt? -Like a clock. | 0:18:30 | 0:18:33 | |
-Dogs? -Always. Sure you want to do this, Colonel? | 0:18:33 | 0:18:38 | |
If they see you they'll shoot on sight. | 0:18:38 | 0:18:42 | |
If we don't show up, do something with the car. | 0:18:42 | 0:18:44 | |
-All right? -I'm OK. | 0:19:23 | 0:19:25 | |
What is it? | 0:19:43 | 0:19:44 | |
It's a tank trap. | 0:19:45 | 0:19:47 | |
Why are they covering their tank traps? That doesn't make sense. | 0:19:51 | 0:19:54 | |
Go for the light. | 0:20:08 | 0:20:10 | |
GUNFIRE | 0:20:10 | 0:20:12 | |
Go, go, go, go, go! | 0:20:12 | 0:20:14 | |
SHOUTING IN DISTANCE | 0:20:19 | 0:20:21 | |
DOGS GROWL | 0:20:21 | 0:20:22 | |
DOGS BARK | 0:20:31 | 0:20:34 | |
SHOUTING CONTINUES | 0:20:40 | 0:20:42 | |
DOGS BARK | 0:20:45 | 0:20:47 | |
SHOUTING INTENSIFIES | 0:20:49 | 0:20:53 | |
I looked for you last night. | 0:21:15 | 0:21:17 | |
Did you forget the Prince and I were holding a soiree? | 0:21:17 | 0:21:20 | |
It was impossible to get away, Princess. Paperwork. Reams of it. | 0:21:20 | 0:21:24 | |
Hmm, and what's this, a paper cut? | 0:21:25 | 0:21:28 | |
I read your report. | 0:21:35 | 0:21:36 | |
-A near miss by the sound of it. -I was fortunate. | 0:21:36 | 0:21:39 | |
What if you were caught? Or you'd shot someone? | 0:21:39 | 0:21:41 | |
-Christ, how would we explain that? -I wasn't. And no-one was. | 0:21:41 | 0:21:44 | |
Paris will take a dim view of this. | 0:21:44 | 0:21:46 | |
What are you, what are you trying to prove? | 0:21:46 | 0:21:48 | |
I thought I made that clear. | 0:21:48 | 0:21:51 | |
They're covering traps so their own tanks won't be impeded. | 0:21:51 | 0:21:54 | |
-If they invade, you mean. -Hitler is intent on war, | 0:21:54 | 0:21:56 | |
it's only a question of who he picks a fight with first. | 0:21:56 | 0:21:59 | |
Dear Colonel! How has life been treating you? | 0:22:05 | 0:22:08 | |
Very well, Madame Rozen. And yourselves? | 0:22:08 | 0:22:11 | |
Could be better, but we can't complain. | 0:22:11 | 0:22:13 | |
Is he a friend of yours? | 0:22:19 | 0:22:20 | |
Not exactly. A compatriot, but an emigre. | 0:22:20 | 0:22:24 | |
Sad how some people abandon us. Some of the brightest. | 0:22:24 | 0:22:27 | |
Not everyone wants to build socialism, my love. | 0:22:27 | 0:22:31 | |
Well, it isn't an easy life, where we come from, why not admit it? | 0:22:31 | 0:22:34 | |
-But, Colonel, better than what we had before. -Excuse me. | 0:22:34 | 0:22:38 | |
Anna. | 0:22:49 | 0:22:51 | |
I know you find these occasions boring | 0:22:51 | 0:22:52 | |
but I'm beginning to enjoy them. | 0:22:52 | 0:22:55 | |
Or is it the champagne? | 0:22:55 | 0:22:57 | |
The champagne helps. | 0:22:57 | 0:22:58 | |
-So you know the Rozens. -Everyone knows them. | 0:22:59 | 0:23:02 | |
Do they try to recruit you? | 0:23:02 | 0:23:04 | |
Max says everyone at the Russian Embassy is a spy, even the janitor. | 0:23:04 | 0:23:08 | |
Well, Malka offers to cook me borscht from time to time. | 0:23:08 | 0:23:11 | |
They despise Max of course, because of what he writes. | 0:23:11 | 0:23:15 | |
It's not so far from the Russian experiment... | 0:23:15 | 0:23:19 | |
I'd better get him home. He's cornered the American Ambassador. | 0:23:19 | 0:23:23 | |
You Americans go weak at the knees when you hear the word | 0:23:26 | 0:23:29 | |
"socialism" but what else can you call it? | 0:23:29 | 0:23:31 | |
Why is she with this Russian? | 0:23:45 | 0:23:47 | |
You hate Russians as much as Germans, Marek? | 0:23:47 | 0:23:50 | |
Nothing to choose. One to the east, one to the west. | 0:23:52 | 0:23:55 | |
Both waiting to crush Poland like a walnut. | 0:23:56 | 0:23:59 | |
You wish to go on somewhere, boss? Restaurant? Nightclub? | 0:24:01 | 0:24:04 | |
No, I want to go home and get this bloody collar off. | 0:24:07 | 0:24:09 | |
Countess, since you introduced me to the Frenchman, my life has changed. | 0:24:40 | 0:24:47 | |
It has brought us closer, of course, | 0:24:49 | 0:24:52 | |
but, I am caught up in a dangerous game and these are dangerous times. | 0:24:52 | 0:24:59 | |
-You don't wish to see me again? -Oh, no, of course I do. | 0:24:59 | 0:25:02 | |
You know how I feel about you. | 0:25:03 | 0:25:05 | |
But perhaps we have to think of our future. | 0:25:07 | 0:25:10 | |
Together? | 0:25:11 | 0:25:12 | |
Why not? | 0:25:13 | 0:25:14 | |
Edvard, I have already fled the country of my birth. | 0:25:16 | 0:25:19 | |
I don't know where is safe any more. | 0:25:19 | 0:25:23 | |
Safe would be with me. | 0:25:27 | 0:25:29 | |
Here it is. | 0:25:52 | 0:25:53 | |
The final blueprints should be complete by next month. | 0:25:59 | 0:26:03 | |
Then that's when we'll meet next. | 0:26:03 | 0:26:05 | |
Ah, that's difficult. | 0:26:05 | 0:26:07 | |
On the eighth me and two other engineers, | 0:26:07 | 0:26:09 | |
-we have to go to Schramberg in the Black Forest. -What for? | 0:26:09 | 0:26:13 | |
To observe tank exercises. We're being asked for our recommendations. | 0:26:13 | 0:26:17 | |
Exercises? You mean manoeuvres? | 0:26:17 | 0:26:19 | |
Manoeuvres, yes, I suppose so. | 0:26:19 | 0:26:21 | |
Tanks don't go in forests, Herr Uhl. There are trees in forests. | 0:26:21 | 0:26:25 | |
I'm not a military man. How would I know what they're up to? | 0:26:27 | 0:26:31 | |
Let's meet a week later. | 0:26:34 | 0:26:35 | |
I will do that. But then it ends. | 0:26:36 | 0:26:41 | |
Last time, the Gestapo were at the border. I had to elude them, | 0:26:41 | 0:26:43 | |
scramble down the tracks and take a taxi to the next station. | 0:26:43 | 0:26:46 | |
What were you frightened of? | 0:26:46 | 0:26:47 | |
What if they asked me what I was doing in Warsaw?! | 0:26:47 | 0:26:50 | |
Tell them you were seeing a lady. | 0:26:50 | 0:26:52 | |
Adultery is not yet a crime. | 0:26:52 | 0:26:53 | |
Herr Uhl? | 0:27:15 | 0:27:17 | |
Yes? | 0:27:17 | 0:27:18 | |
I'm Renata. The Countess's niece. | 0:27:19 | 0:27:21 | |
She wanted me to catch you before you went to the station. | 0:27:21 | 0:27:25 | |
-Is she unwell? -No, no, no. | 0:27:25 | 0:27:28 | |
She says it's important that she tells you something | 0:27:28 | 0:27:30 | |
before you catch your train. | 0:27:30 | 0:27:32 | |
-Who is the girl? -What girl? | 0:28:11 | 0:28:14 | |
The blonde who met your man. He went off with her. | 0:28:14 | 0:28:18 | |
Hard to blame him, she was very pretty. | 0:28:18 | 0:28:20 | |
Was she a prostitute? | 0:28:20 | 0:28:21 | |
Why would he want a tart after a night with his Countess? | 0:28:21 | 0:28:24 | |
Which way did they go? | 0:28:26 | 0:28:27 | |
Towards Muranow. | 0:28:27 | 0:28:29 | |
Let's get after them. | 0:28:29 | 0:28:30 | |
The Countess lives here? | 0:29:09 | 0:29:10 | |
She tells me without your help it would be somewhere worse. | 0:29:11 | 0:29:15 | |
I don't like this. Something isn't right. | 0:30:23 | 0:30:25 | |
What's going on? | 0:30:40 | 0:30:41 | |
The man is sick. | 0:30:41 | 0:30:43 | |
He's not sick, he's drugged. | 0:30:43 | 0:30:44 | |
It's chloroform. | 0:31:15 | 0:31:17 | |
Is he dead? | 0:31:17 | 0:31:18 | |
There's a pulse. | 0:31:18 | 0:31:19 | |
It's faint, but it's there. | 0:31:19 | 0:31:21 | |
An abduction in public, brawling in the streets! | 0:31:23 | 0:31:26 | |
Are we to look forward to this in the morning papers? | 0:31:26 | 0:31:28 | |
No, Jourdain, I made some calls and put the lid on it. | 0:31:28 | 0:31:31 | |
Who was this man? | 0:31:31 | 0:31:32 | |
A contact. | 0:31:32 | 0:31:33 | |
You mean a spy. Will he live? | 0:31:33 | 0:31:36 | |
Yes, but he can't go back to Germany. | 0:31:36 | 0:31:38 | |
I'd like to assure him that we can help with some kind of relocation. | 0:31:38 | 0:31:41 | |
On what grounds? | 0:31:41 | 0:31:42 | |
He's earned it. | 0:31:42 | 0:31:43 | |
And I intend to follow up on what he told me. | 0:31:44 | 0:31:46 | |
Try to remember, Colonel, that your function here is covert, | 0:31:46 | 0:31:49 | |
which means we want to hear as little as possible | 0:31:49 | 0:31:51 | |
about what you get up to. | 0:31:51 | 0:31:54 | |
You don't look well - are you all right? | 0:31:54 | 0:31:56 | |
A slight headache. | 0:31:56 | 0:31:58 | |
Well, I presume you're in some sort of disguise. | 0:31:58 | 0:32:01 | |
If not, let me get you the name of my tailor. | 0:32:01 | 0:32:04 | |
I was hoping for South Africa. I already applied for a visa. | 0:32:09 | 0:32:13 | |
That was unwise. | 0:32:13 | 0:32:15 | |
If the Gestapo found out, that might explain why | 0:32:15 | 0:32:17 | |
they tried to snatch you when they did. | 0:32:17 | 0:32:19 | |
But you can get me there? Yes? A new life? | 0:32:19 | 0:32:23 | |
No. German agents will be waiting for you. | 0:32:23 | 0:32:27 | |
It has to be somewhere French. | 0:32:27 | 0:32:28 | |
Canada perhaps. | 0:32:28 | 0:32:30 | |
Canada? | 0:32:30 | 0:32:32 | |
Would it be possible for the Countess to join me there? | 0:32:32 | 0:32:36 | |
Herr Uhl... | 0:32:39 | 0:32:41 | |
she's not a Countess. | 0:32:41 | 0:32:43 | |
Nor was she ever in love with you. | 0:32:43 | 0:32:45 | |
He's awake, then? | 0:32:53 | 0:32:55 | |
Awake to the facts of life. | 0:32:55 | 0:32:57 | |
Officially, he died of cardiac arrest, brought on by asphyxiation. | 0:32:57 | 0:33:01 | |
That should throw the Germans off the trail. | 0:33:01 | 0:33:03 | |
Thank you. | 0:33:03 | 0:33:04 | |
Have you noticed how young these nurses are? | 0:33:07 | 0:33:09 | |
Or is it just that we're getting older? | 0:33:09 | 0:33:11 | |
I'm afraid so, Antoni. | 0:33:11 | 0:33:12 | |
Ich habe so eben ein Telegramm aus Warschau erhalten. | 0:33:27 | 0:33:31 | |
Uhl ist tot. | 0:33:31 | 0:33:33 | |
Sie haben also nicht nur seine Entfuehrung versaut. | 0:33:33 | 0:33:37 | |
Sie haben ihn verdammt nochmal getoetet! | 0:33:37 | 0:33:40 | |
Vollidiot. | 0:33:40 | 0:33:42 | |
Ich kann das nicht glauben, Herr Sturmbannfuehrer. | 0:33:42 | 0:33:45 | |
Gehen Sie zu seiner Witwe. | 0:33:45 | 0:33:47 | |
Um unser Beileid auszusprechen? | 0:33:47 | 0:33:49 | |
Nein, Sie Koffer. | 0:33:49 | 0:33:51 | |
Stellen Sie das Haus auf den Kopf. | 0:33:51 | 0:33:53 | |
Was versteckst du, Zoller? | 0:33:56 | 0:33:58 | |
Bist du Jude? | 0:33:58 | 0:34:00 | |
Some pieces are missing. | 0:34:10 | 0:34:12 | |
I can't find this one, I can't find it anywhere. | 0:34:12 | 0:34:15 | |
Are you sleeping better? | 0:34:17 | 0:34:19 | |
Not really. | 0:34:21 | 0:34:22 | |
They don't treat me very well here, you know. | 0:34:22 | 0:34:26 | |
The younger ones seem to forget that this was my house once. | 0:34:26 | 0:34:29 | |
And if it was, I'd dismiss most of them. | 0:34:29 | 0:34:32 | |
How's Warsaw? | 0:34:34 | 0:34:36 | |
Cold and wet. | 0:34:36 | 0:34:38 | |
Is there a man in your life? | 0:34:38 | 0:34:41 | |
I've told you about Max. | 0:34:41 | 0:34:43 | |
Oh, he's still in the picture? | 0:34:43 | 0:34:46 | |
Yes, Mother. | 0:34:46 | 0:34:48 | |
Well, I wonder why it is you've never brought him here to see me. | 0:34:48 | 0:34:51 | |
Because you don't like Russians. | 0:34:51 | 0:34:53 | |
Well, that's true. Or Germans. | 0:34:53 | 0:34:55 | |
If we'd stayed in Paris, you'd be married to a Frenchman by now. | 0:34:56 | 0:35:00 | |
I met one recently. | 0:35:02 | 0:35:04 | |
He seemed quite taken with me. | 0:35:04 | 0:35:06 | |
Does he have land? | 0:35:06 | 0:35:08 | |
I've no idea. | 0:35:08 | 0:35:10 | |
Well, they often pretend they do and then they turn out to be penniless. | 0:35:10 | 0:35:13 | |
I mean, your Russian doesn't have money. | 0:35:13 | 0:35:15 | |
I need a piece of blue sky with a little bit of green. | 0:35:20 | 0:35:23 | |
The Germans tried to snatch Herr Uhl. | 0:35:35 | 0:35:37 | |
It could be the Gestapo is onto him. | 0:35:37 | 0:35:39 | |
They may know about you. | 0:35:39 | 0:35:41 | |
If so, they'll be looking for the Countess Potocki, not Olga Musser. | 0:35:41 | 0:35:46 | |
Even so, we should take precautions. | 0:35:46 | 0:35:48 | |
A bodyguard, perhaps? | 0:35:48 | 0:35:50 | |
Tall and handsome with a soft spot for women of a certain age? | 0:35:50 | 0:35:53 | |
Olga, please treat this seriously. | 0:35:53 | 0:35:55 | |
Take some things, move to this hotel for a few days. | 0:35:55 | 0:35:58 | |
It's on Sienna Street, not far from the Cafe Cleo. | 0:35:59 | 0:36:03 | |
The reservation's under your real name. | 0:36:03 | 0:36:05 | |
So no more Countess? | 0:36:07 | 0:36:08 | |
I shall miss her. | 0:36:09 | 0:36:11 | |
PIANO PLAYS | 0:36:15 | 0:36:17 | |
I haven't seen you of late, Dr Lapp. Have you been travelling? | 0:36:23 | 0:36:26 | |
Berlin, for my company's sales conference. | 0:36:26 | 0:36:30 | |
While I was there, | 0:36:30 | 0:36:32 | |
the Duke and Duchess of Windsor visited Herr Hitler. | 0:36:32 | 0:36:35 | |
Smiles, handshakes and waves. | 0:36:35 | 0:36:38 | |
Are the English falling under his spell too? | 0:36:38 | 0:36:41 | |
You don't approve of the present regime? | 0:36:41 | 0:36:43 | |
The culture of old Europe, civility, stability... | 0:36:43 | 0:36:47 | |
was not such a bad thing for Germany. | 0:36:47 | 0:36:49 | |
Some of us Germans may not be | 0:36:49 | 0:36:52 | |
so much the enemy of France as you might think. | 0:36:52 | 0:36:56 | |
Sorry - you were saying? | 0:37:01 | 0:37:02 | |
Don't worry. A beautiful woman always catches my eye too. | 0:37:02 | 0:37:06 | |
You know her? | 0:37:06 | 0:37:08 | |
We met recently. I...I should say hello. | 0:37:08 | 0:37:09 | |
Of course. And if it goes well, I will say goodbye. | 0:37:09 | 0:37:12 | |
Always good to see you, Dr Lapp. | 0:37:12 | 0:37:14 | |
May I? Or is Max joining you? | 0:37:19 | 0:37:22 | |
No. Max is finishing an article. | 0:37:22 | 0:37:25 | |
I came here to get out of the rain. | 0:37:28 | 0:37:31 | |
I've been to the cinema. | 0:37:31 | 0:37:32 | |
To see what? | 0:37:32 | 0:37:33 | |
Laurel and Hardy. Babes In Toyland. | 0:37:33 | 0:37:36 | |
I needed a laugh. | 0:37:36 | 0:37:38 | |
What made you sad? | 0:37:38 | 0:37:39 | |
My mother is unwell. | 0:37:40 | 0:37:43 | |
She's never been quite right since my father died. | 0:37:43 | 0:37:45 | |
She misses the grand old days. | 0:37:46 | 0:37:49 | |
She can't believe she has a daughter who works. | 0:37:49 | 0:37:51 | |
So you had a privileged childhood? | 0:37:51 | 0:37:54 | |
Not compared to you. | 0:37:54 | 0:37:55 | |
Doesn't this ring mean you're nobility? | 0:37:57 | 0:38:00 | |
Oh, just a lowly chevalier. | 0:38:00 | 0:38:02 | |
A knight in service to the king - when France had a king. | 0:38:02 | 0:38:05 | |
Still...the only one I've ever known. | 0:38:05 | 0:38:08 | |
You've been checking up on me. | 0:38:08 | 0:38:11 | |
MIAOWING | 0:38:15 | 0:38:17 | |
Yes, I'm home, my darlings. | 0:38:17 | 0:38:18 | |
These letters - bills mostly - | 0:38:28 | 0:38:31 | |
are addressed to Olga Musser. | 0:38:31 | 0:38:34 | |
So whose idea was it to make you a Countess? | 0:38:39 | 0:38:42 | |
I can't believe how late it is. | 0:38:50 | 0:38:53 | |
Will Max be upset? | 0:38:55 | 0:38:56 | |
He might be upset that you took me to such a fine restaurant | 0:38:58 | 0:39:02 | |
and that you ordered some very good wine. | 0:39:02 | 0:39:06 | |
Life's too short to drink bad wine. | 0:39:06 | 0:39:09 | |
Thank you. | 0:39:11 | 0:39:13 | |
And thank you for making me smile. | 0:39:13 | 0:39:16 | |
When can I see you again? | 0:39:19 | 0:39:21 | |
Maybe it's better if we don't. | 0:39:24 | 0:39:27 | |
I think it might be better if we do. | 0:39:29 | 0:39:31 | |
Good night, Jean-Francois. | 0:39:39 | 0:39:42 | |
Did you finish it? | 0:40:18 | 0:40:20 | |
For what it's worth. | 0:40:20 | 0:40:22 | |
Chit-chat. I don't have the chance to write anything serious any more. | 0:40:24 | 0:40:29 | |
And if I did, would I have anything to say? | 0:40:29 | 0:40:31 | |
You're a brilliant writer, Max. Just bide your time. | 0:40:34 | 0:40:38 | |
Maybe I should go to England. | 0:40:38 | 0:40:41 | |
They might give me a soapbox in the park. | 0:40:41 | 0:40:43 | |
On Saturdays, I can rage against Stalin. On Sundays, Hitler. | 0:40:43 | 0:40:48 | |
Who brought you home? I saw you from the window. | 0:40:50 | 0:40:54 | |
Colonel Mercier. | 0:40:55 | 0:40:57 | |
Should I be jealous of the Colonel? | 0:40:57 | 0:41:00 | |
Get to bed, you old bear. I'll bring you some hot milk. | 0:41:03 | 0:41:06 | |
Who found her? | 0:41:25 | 0:41:26 | |
A neighbour. | 0:41:26 | 0:41:28 | |
She hadn't seen her for a couple of days, | 0:41:28 | 0:41:30 | |
and the cat was making a racket. | 0:41:30 | 0:41:32 | |
How did she die? | 0:41:32 | 0:41:33 | |
Strangled. | 0:41:33 | 0:41:34 | |
Why did the police bring you into this? | 0:41:39 | 0:41:41 | |
Another neighbour heard men leaving and thought they were German voices. | 0:41:41 | 0:41:46 | |
That makes this an internal security matter. | 0:41:46 | 0:41:48 | |
I know she was one of your contacts, Jean-Francois. | 0:41:48 | 0:41:51 | |
That's why I called you. | 0:41:51 | 0:41:52 | |
What a horrible way to die. | 0:41:54 | 0:41:56 | |
Poor bloody Olga. | 0:42:02 | 0:42:04 | |
Was she tortured? | 0:42:05 | 0:42:07 | |
I imagine she told them what they wanted to know fairly quickly. | 0:42:10 | 0:42:13 | |
This is the terrible part of what we do, Antoni. | 0:42:15 | 0:42:18 | |
Recruit someone, gain their trust, use them, and then one day... | 0:42:18 | 0:42:23 | |
-It was easier when we were simply soldiers. -Hmm. | 0:42:23 | 0:42:26 | |
Black and white. Now everything is grey. | 0:42:26 | 0:42:30 | |
Shadows. Secrets. | 0:42:30 | 0:42:32 | |
Do you have a file on me? | 0:42:36 | 0:42:38 | |
A thin one. I'm sure you have more on me. | 0:42:38 | 0:42:40 | |
I presume Marek reports to you. | 0:42:43 | 0:42:45 | |
He's a good man to have at your back. | 0:42:45 | 0:42:48 | |
You're in danger yourself now. | 0:42:48 | 0:42:50 | |
I think Paris has sent everything for your jaunt into Germany. | 0:43:00 | 0:43:05 | |
Maps, weather reports. Oh, have you used one of these before? | 0:43:05 | 0:43:10 | |
No. | 0:43:10 | 0:43:12 | |
The directions for reloading are somewhere here. | 0:43:12 | 0:43:15 | |
There's a film in the camera and ten more in the knapsack. | 0:43:16 | 0:43:19 | |
You'll pick up a car in Basel and drive over the border. | 0:43:19 | 0:43:23 | |
You're Albert Ducasse, from Lausanne. | 0:43:23 | 0:43:27 | |
Paris wants you to leave your own passport here. | 0:43:27 | 0:43:29 | |
Do try not to be caught, because, technically speaking, you're a spy. | 0:43:29 | 0:43:33 | |
And in that situation could be shot. | 0:43:33 | 0:43:35 | |
What is the purpose of your visit, Herr Ducasse? | 0:43:56 | 0:43:58 | |
A wedding in Freiburg. | 0:43:58 | 0:43:59 | |
ENGINE REVS | 0:45:02 | 0:45:04 | |
Aufstehen! Aufstehen! | 0:46:57 | 0:46:59 | |
Ich bin nur Ornithologe. | 0:47:16 | 0:47:18 | |
Komm her. Bring die Kamera! | 0:47:24 | 0:47:27 | |
Los. | 0:47:27 | 0:47:29 | |
Vorwaerts. | 0:47:29 | 0:47:30 | |
Vorwaerts! | 0:47:30 | 0:47:32 | |
The post made the motorcycle exactly the same width as a tank. | 0:47:55 | 0:47:58 | |
I watched them measure it. | 0:47:58 | 0:48:01 | |
The officer was trying to prove that if that could find a way | 0:48:01 | 0:48:04 | |
through the trees, then so could a Panzer division. | 0:48:04 | 0:48:06 | |
You were discovered? | 0:48:18 | 0:48:19 | |
Regrettably. I took care of him. | 0:48:19 | 0:48:21 | |
You killed him? | 0:48:21 | 0:48:24 | |
He was no more than 18 years old. | 0:48:24 | 0:48:26 | |
I gagged him and tied him up with his rifle strap. | 0:48:26 | 0:48:29 | |
You're getting soft, Mercier. | 0:48:29 | 0:48:30 | |
We're not at war, Colonel Lessard. Not yet. | 0:48:30 | 0:48:34 | |
Your previous report concerned tank traps on the Polish border. | 0:48:39 | 0:48:43 | |
Which as you may have noticed, is flat. | 0:48:43 | 0:48:46 | |
Polish steppes are tailor-made for tank invasion. | 0:48:46 | 0:48:49 | |
So why are they holding manoeuvres in a forest? | 0:48:49 | 0:48:52 | |
Possibly Poland is not their sole objective. | 0:48:52 | 0:48:55 | |
You think they'll invade us? | 0:48:55 | 0:48:56 | |
They could come through the Ardennes from Belgium. | 0:48:56 | 0:48:58 | |
They'd run into the Maginot Line forts - it would be suicide. | 0:48:58 | 0:49:00 | |
I believe that's what they were trying to refine in Schramberg. | 0:49:00 | 0:49:03 | |
What information took you there? | 0:49:03 | 0:49:04 | |
My contact, Herr Uhl. | 0:49:04 | 0:49:06 | |
Oh, yes, the man we're now obliged to relocate, at some expense. | 0:49:06 | 0:49:10 | |
Of course, living in Quebec is somewhat preferable | 0:49:10 | 0:49:13 | |
to being dead in Warsaw, the fate of your woman agent. | 0:49:13 | 0:49:17 | |
Your other little foray over the border ended in gunshots. | 0:49:19 | 0:49:22 | |
Perhaps cloak and dagger isn't your strong suit, Mercier. | 0:49:22 | 0:49:25 | |
Would you prefer a new assignment? | 0:49:25 | 0:49:28 | |
No, Colonel. My preference is to remain in Poland. | 0:49:28 | 0:49:31 | |
That is up to General Beauvilliers. | 0:49:32 | 0:49:35 | |
He wants to have lunch with you. | 0:49:36 | 0:49:38 | |
Oh, don't worry about Lessard. | 0:49:49 | 0:49:51 | |
I want you in Warsaw | 0:49:51 | 0:49:53 | |
to reassure the Poles that we'll come to their aid | 0:49:53 | 0:49:55 | |
if the worst happens. | 0:49:55 | 0:49:57 | |
Are you sure the politicians will honour the treaties? | 0:49:57 | 0:49:59 | |
No... | 0:49:59 | 0:50:00 | |
but for God's sake, don't tell them that. | 0:50:00 | 0:50:04 | |
Daladier and that English moron Chamberlain are keen | 0:50:04 | 0:50:07 | |
to strike a deal with Hitler. | 0:50:07 | 0:50:09 | |
To them, the Czechs and the Poles are entirely dispensable. | 0:50:09 | 0:50:13 | |
LAUGHTER | 0:50:13 | 0:50:14 | |
That's Lady Angela Hope, a pillar of Parisian society. | 0:50:15 | 0:50:19 | |
General! Everything to your satisfaction? | 0:50:19 | 0:50:23 | |
The oysters were excellent as usual, Papa. | 0:50:23 | 0:50:25 | |
So glad we could offer your favourite table. | 0:50:25 | 0:50:28 | |
The choucroute is on its way. | 0:50:28 | 0:50:30 | |
With two glasses of your best Pilsner. | 0:50:30 | 0:50:32 | |
Why is this table so special? | 0:50:34 | 0:50:36 | |
A Bulgarian head waiter was assassinated here. | 0:50:36 | 0:50:39 | |
Bullets all over the place. | 0:50:39 | 0:50:41 | |
All the mirrors were replaced except this one. | 0:50:41 | 0:50:44 | |
It's a good story. | 0:50:45 | 0:50:47 | |
Personally, I come here for the gossip. | 0:50:47 | 0:50:49 | |
So... | 0:50:52 | 0:50:54 | |
Poland. | 0:50:54 | 0:50:56 | |
They're doing their best to buy weapons, | 0:50:56 | 0:50:58 | |
though the Depression crippled their economy. | 0:50:58 | 0:51:00 | |
And the Germans are building tanks... | 0:51:00 | 0:51:03 | |
and more tanks and modifying the ones they've got. | 0:51:03 | 0:51:06 | |
Invasion plans. | 0:51:06 | 0:51:08 | |
There are many gems in this murky business, | 0:51:09 | 0:51:12 | |
all sorts of emeralds and rubies. | 0:51:12 | 0:51:15 | |
But find those plans, and you have the jewel in the crown. | 0:51:15 | 0:51:19 | |
And they come from only one mine, General - IN6. | 0:51:19 | 0:51:23 | |
The planning section of the German General Staff. | 0:51:23 | 0:51:26 | |
Impossible, would you say? | 0:51:26 | 0:51:28 | |
Perhaps not. The right person, the right moment. | 0:51:28 | 0:51:32 | |
Does the name Dr Lapp mean anything to you? | 0:51:33 | 0:51:35 | |
No. Who is he? | 0:51:35 | 0:51:37 | |
He claims to represent a German pharmaceutical company, | 0:51:37 | 0:51:40 | |
but I doubt he's ever sold a pill. | 0:51:40 | 0:51:42 | |
He makes remarks. | 0:51:43 | 0:51:46 | |
Hints. | 0:51:46 | 0:51:47 | |
As if he wants to make more than small talk. | 0:51:47 | 0:51:50 | |
I'll check him for you. | 0:51:50 | 0:51:52 | |
Oh, yes, this looks excellent. | 0:51:54 | 0:51:58 | |
-I definitely think we should do that. -Open house. | 0:51:58 | 0:52:01 | |
-Quite soon. -Absolutely. | 0:52:01 | 0:52:03 | |
Good afternoon. | 0:52:03 | 0:52:05 | |
Arnaud, who is this delicious man? | 0:52:05 | 0:52:08 | |
Colonel Mercier, Lady Angela Hope. | 0:52:08 | 0:52:11 | |
Roddy Fitzware. | 0:52:12 | 0:52:14 | |
You can't live in Paris, Colonel, | 0:52:14 | 0:52:15 | |
or I'd have made it my business to meet you. | 0:52:15 | 0:52:17 | |
I'm flattered, but at present, I live in Warsaw. | 0:52:17 | 0:52:19 | |
Oh? That sounds cold and dull. | 0:52:19 | 0:52:21 | |
Well, a party this evening might lift your spirits. | 0:52:21 | 0:52:23 | |
An exhibition of a new artist. | 0:52:23 | 0:52:25 | |
He's something of an enfant terrible, | 0:52:25 | 0:52:27 | |
so the evening is bound to end in drunkenness and violence. | 0:52:27 | 0:52:30 | |
It's tempting, but I'm on a train tonight. | 0:52:30 | 0:52:33 | |
I'm spending Christmas with my sister in the country. | 0:52:33 | 0:52:35 | |
Oh? What a pity. Then I hope we meet again next year. | 0:52:35 | 0:52:38 | |
A pleasure. | 0:52:38 | 0:52:40 | |
It doesn't take a genius to guess Herr Hitler's intentions. | 0:52:55 | 0:52:58 | |
Know his favourite saying? | 0:53:00 | 0:53:02 | |
"The world wants to be deceived, therefore let it be deceived." | 0:53:02 | 0:53:07 | |
And he's not wrong. Just read the newspapers. | 0:53:09 | 0:53:13 | |
Are you listening to a word I'm saying? | 0:53:15 | 0:53:18 | |
I've heard it all before, Max. | 0:53:19 | 0:53:21 | |
For God's sake, it's Christmas. | 0:53:21 | 0:53:23 | |
Ah, good to see you. And you, you look very well. | 0:53:31 | 0:53:34 | |
How was your holiday, Colonel? | 0:53:47 | 0:53:50 | |
Very pleasant. | 0:53:50 | 0:53:52 | |
I was with my sister in the country and also Paris. | 0:53:52 | 0:53:54 | |
I envy you Paris. | 0:53:54 | 0:53:56 | |
How are things in the motherland? | 0:53:56 | 0:53:58 | |
Difficult at present. | 0:53:58 | 0:54:00 | |
The trials. | 0:54:00 | 0:54:01 | |
We have been recalled. | 0:54:01 | 0:54:04 | |
Promotion, perhaps? | 0:54:05 | 0:54:07 | |
More likely a bullet. | 0:54:07 | 0:54:09 | |
Stalin is purging all the old Bolsheviks. | 0:54:09 | 0:54:13 | |
Can you help us? | 0:54:13 | 0:54:14 | |
We like you, as you know, Colonel. | 0:54:14 | 0:54:17 | |
But we always felt... | 0:54:17 | 0:54:19 | |
that your function here was more... | 0:54:19 | 0:54:23 | |
clandestine than diplomatic. | 0:54:23 | 0:54:25 | |
And we understand you would expect something in return. | 0:54:25 | 0:54:29 | |
For getting you out of Poland? | 0:54:29 | 0:54:30 | |
Are you being watched? Here? | 0:54:31 | 0:54:34 | |
We can't say. | 0:54:34 | 0:54:36 | |
They're very good at it when they don't want you to know. | 0:54:36 | 0:54:39 | |
I have to go to Belgrade for a few days. | 0:54:39 | 0:54:41 | |
-Let's talk when I return. -Don't wait too long. | 0:54:41 | 0:54:44 | |
Was this trip Jourdain's idea? | 0:54:47 | 0:54:50 | |
Of course. He'll do anything to get you out of the office. | 0:54:50 | 0:54:52 | |
But there is one consolation. | 0:54:52 | 0:54:55 | |
For Belgrade in January? | 0:54:55 | 0:54:56 | |
It's a League of Nations conference. So Anna will be there. | 0:54:56 | 0:55:00 | |
She may even be on your train. | 0:55:00 | 0:55:02 | |
Would you prefer the first or second seating for dinner, Colonel? | 0:55:42 | 0:55:46 | |
Which seating is Mademoiselle Skarbek down for? | 0:55:46 | 0:55:50 | |
The lady's not listed, sir. | 0:55:52 | 0:55:54 | |
The second, then. | 0:55:54 | 0:55:55 | |
You prefer something else, sir? | 0:56:18 | 0:56:20 | |
Just a Remy Martin. | 0:56:20 | 0:56:22 | |
Anna! | 0:56:30 | 0:56:33 | |
I looked for you. Where were you? | 0:56:33 | 0:56:35 | |
I got on at Krakow with some colleagues. | 0:56:35 | 0:56:37 | |
And I dined alone. What a waste. | 0:56:37 | 0:56:39 | |
Please... | 0:56:40 | 0:56:42 | |
Where are you going? | 0:56:48 | 0:56:49 | |
The same conference as you. | 0:56:49 | 0:56:51 | |
I doubt it will do any good. | 0:56:51 | 0:56:53 | |
Does anyone listen to the League any more? | 0:56:53 | 0:56:55 | |
Especially now Mussolini's pulled Italy out. | 0:56:55 | 0:56:59 | |
What do you hope to learn? | 0:56:59 | 0:57:00 | |
To be honest, I intended to bow out till I heard you'd be there. | 0:57:02 | 0:57:05 | |
What did you have in mind? An adventure on a train? | 0:57:06 | 0:57:10 | |
No. | 0:57:10 | 0:57:12 | |
More. | 0:57:12 | 0:57:14 | |
I'm pursuing you, Anna. | 0:57:14 | 0:57:16 | |
You know my situation. | 0:57:19 | 0:57:21 | |
Yes, I do. | 0:57:21 | 0:57:22 | |
Makes no difference. | 0:57:23 | 0:57:25 | |
We hardly know each other. | 0:57:29 | 0:57:31 | |
Where do you think we are? | 0:58:30 | 0:58:33 | |
The next stop's Budapest. | 0:58:33 | 0:58:34 | |
I'd rather talk about Warsaw. | 0:58:35 | 0:58:38 | |
I'm in love with you, Anna. | 0:58:40 | 0:58:43 | |
I'd forgotten these feelings. | 0:58:44 | 0:58:46 | |
Are you sure about this? | 0:58:48 | 0:58:50 | |
With the way things are in the world, | 0:58:50 | 0:58:52 | |
it's the only thing I AM sure about. | 0:58:52 | 0:58:54 | |
And I don't believe you're in love with Max. | 0:58:56 | 0:58:59 | |
You have no idea about my feelings for Max! | 0:59:02 | 0:59:06 | |
I was adrift. | 0:59:07 | 0:59:08 | |
He pushed me to take this job. | 0:59:10 | 0:59:12 | |
He made me feel useful... | 0:59:14 | 0:59:17 | |
relevant. | 0:59:17 | 0:59:19 | |
Max is my anchor. | 0:59:21 | 0:59:23 | |
Then it's me who's adrift. | 0:59:26 | 0:59:28 | |
You must give me time. | 0:59:30 | 0:59:32 | |
To end it my way. | 0:59:34 | 0:59:36 | |
You're under surveillance, my friend. | 0:59:51 | 0:59:53 | |
Not very high-grade, we spotted them quite easily. | 0:59:53 | 0:59:57 | |
"Them"? | 0:59:57 | 0:59:59 | |
A team of four, so they are taking it seriously. | 0:59:59 | 1:00:02 | |
One's Ukrainian, the other three are Poles, of German extraction. | 1:00:03 | 1:00:07 | |
Does one of them have a pinched face, like a fierce weasel? | 1:00:07 | 1:00:11 | |
-You've seen him before? -Yeah. The day Uhl was abducted. | 1:00:11 | 1:00:15 | |
That's him. They are watching your apartment and tailing you when you go out. | 1:00:15 | 1:00:19 | |
I suppose you know things are heating up between Anna Skarbek | 1:00:19 | 1:00:23 | |
and me. | 1:00:23 | 1:00:25 | |
I had heard. Didn't she stay over twice last week? | 1:00:25 | 1:00:29 | |
I want her to move in with me. | 1:00:30 | 1:00:32 | |
A woman who was formerly living in sin with a Russian emigre | 1:00:34 | 1:00:37 | |
of dubious reputation? | 1:00:37 | 1:00:39 | |
That should make your superiors piss their pantaloons! | 1:00:39 | 1:00:42 | |
HE LAUGHS | 1:00:42 | 1:00:44 | |
Max is fragile. Can't you understand? | 1:00:50 | 1:00:54 | |
He feels...displaced. | 1:00:54 | 1:00:58 | |
Dispossessed. When I leave, he'll be completely alone. | 1:00:58 | 1:01:02 | |
So you still haven't told him? | 1:01:02 | 1:01:04 | |
Not yet, I have to pick my moment. | 1:01:04 | 1:01:07 | |
Our lives aren't as simple as they are in your bed. | 1:01:07 | 1:01:11 | |
Our lives will never be simple. | 1:01:11 | 1:01:13 | |
SHE GASPS | 1:01:13 | 1:01:15 | |
KNOCKING ON DOOR | 1:01:17 | 1:01:19 | |
KNOCKING ON DOOR | 1:01:22 | 1:01:25 | |
Who is it? | 1:01:25 | 1:01:27 | |
Malka Rozen. Please, Colonel, let me in! | 1:01:27 | 1:01:30 | |
Oh, God! He's hurt! | 1:01:36 | 1:01:39 | |
Viktor. We were on our way here. They know! | 1:01:39 | 1:01:44 | |
-He fell on the ice and hurt his ankle. -Where? | 1:01:44 | 1:01:46 | |
-In the small park. -In the square by the church? | 1:01:46 | 1:01:49 | |
Yes, yes, there is a church! | 1:01:49 | 1:01:51 | |
Wlada, take Madame Rozen into the kitchen and make some tea. | 1:01:51 | 1:01:55 | |
-Who is it? What's going on? -There's a problem. I have to go out. | 1:01:59 | 1:02:02 | |
When I leave, lock the door behind me and don't open it for anyone. | 1:02:06 | 1:02:09 | |
-It's all right, it's all right, Viktor. -They know, Colonel. They know. | 1:03:08 | 1:03:12 | |
All right, all right, all right. Come on. | 1:03:12 | 1:03:14 | |
Don't worry. Don't worry. I'll take care of it. | 1:03:14 | 1:03:18 | |
Thank you. | 1:03:22 | 1:03:23 | |
Why tonight, Viktor? What happened? | 1:03:34 | 1:03:36 | |
A late meeting was called at the Embassy. | 1:03:38 | 1:03:42 | |
One of our friends... | 1:03:42 | 1:03:44 | |
a good friend from the old days... | 1:03:44 | 1:03:48 | |
suddenly wouldn't talk to us. | 1:03:48 | 1:03:50 | |
It was in his eyes. | 1:03:50 | 1:03:52 | |
He'd been questioned, we could feel it. | 1:03:52 | 1:03:55 | |
We knew. We didn't even go home to get our things. | 1:03:56 | 1:04:00 | |
Right, keep walking. Not far. | 1:04:00 | 1:04:02 | |
You work half your life for them. | 1:04:04 | 1:04:05 | |
25 years of service, faith and obedience. | 1:04:05 | 1:04:09 | |
And still you're afraid of the knock on the door at midnight. | 1:04:09 | 1:04:13 | |
Why have we stopped? | 1:04:15 | 1:04:18 | |
Who was he, Viktor? | 1:04:46 | 1:04:48 | |
I wouldn't know. | 1:04:48 | 1:04:50 | |
KNOCKING ON DOOR | 1:04:55 | 1:04:57 | |
Anna, it's me. | 1:04:57 | 1:04:59 | |
-Viktor! Are you all right? -He's frozen. Wlada, run a hot bath. | 1:05:03 | 1:05:06 | |
As hot as you can get it. And some dry clothes. | 1:05:06 | 1:05:09 | |
What can I do? Can I help? | 1:05:09 | 1:05:11 | |
You must go home now, Anna. And you saw none of this. | 1:05:12 | 1:05:15 | |
For God's sake, bring them to the Embassy! | 1:05:36 | 1:05:38 | |
Risk a diplomatic confrontation with the Soviets? | 1:05:38 | 1:05:41 | |
Paris will want to handle this. | 1:05:41 | 1:05:43 | |
Paris will get them soon enough. Find a private plane to get them there. | 1:05:43 | 1:05:46 | |
We have to keep this to ourselves. We can't risk embarrassing the Poles. | 1:05:46 | 1:05:49 | |
-You shouldn't be running this alone. -They came to me. They trust me. | 1:05:49 | 1:05:53 | |
So did your Countess. | 1:05:53 | 1:05:55 | |
-How many are with you? -Two. | 1:05:57 | 1:05:59 | |
Put one in the back alley, one on the stairs and you out front. Do you have a weapon? | 1:05:59 | 1:06:03 | |
Good. Don't hesitate. | 1:06:04 | 1:06:06 | |
Who are we expecting? Our German friends? | 1:06:08 | 1:06:11 | |
No, these are Russians. NKVD. | 1:06:11 | 1:06:13 | |
Oh. It will be a pleasure. | 1:06:13 | 1:06:16 | |
We had little to do with France. | 1:06:57 | 1:06:59 | |
Our operations were centred on the Poles. | 1:06:59 | 1:07:02 | |
Especially penetration of the socialist parties. | 1:07:02 | 1:07:06 | |
Moscow Central is obsessed with this. | 1:07:06 | 1:07:09 | |
We did what everyone does. | 1:07:09 | 1:07:11 | |
War plans, arms production, political personalities, | 1:07:11 | 1:07:15 | |
border defences. | 1:07:15 | 1:07:17 | |
I doubt it's much different from what you do, Colonel. | 1:07:17 | 1:07:21 | |
Any German networks? | 1:07:21 | 1:07:23 | |
We didn't handle them. That was the preserve of the elite. | 1:07:23 | 1:07:28 | |
Not you? | 1:07:28 | 1:07:30 | |
The Jews in the service aren't so favoured these days. | 1:07:30 | 1:07:33 | |
No German information? You're sure? | 1:07:33 | 1:07:37 | |
Only gossip. | 1:07:37 | 1:07:39 | |
Such as? | 1:07:39 | 1:07:40 | |
A camp, in Pomerania where they train spies to work in Poland. | 1:07:40 | 1:07:45 | |
-Surely you know already. -Of course I know! | 1:07:45 | 1:07:47 | |
If I'm to convince Paris to save your skins, I need more than this. | 1:07:47 | 1:07:50 | |
What do you know about IN6? | 1:07:56 | 1:07:59 | |
IN6? Was that Kovak's operation? | 1:07:59 | 1:08:04 | |
No, it wasn't Kovak...it was Morozov. | 1:08:04 | 1:08:08 | |
She's right, it WAS Morozov. | 1:08:08 | 1:08:11 | |
What was it? | 1:08:11 | 1:08:13 | |
He had a contact who worked in the IN6 office. | 1:08:13 | 1:08:17 | |
-Someone who had concealed his political affiliation to the Black Front. -They were... | 1:08:17 | 1:08:21 | |
I know. Hitler's opponents in the Nazi Party. The left wing. | 1:08:21 | 1:08:24 | |
-Go on. -This man was pressured to become a Soviet agent. | 1:08:24 | 1:08:28 | |
It worked for a while, then... | 1:08:28 | 1:08:31 | |
Morozov was purged, so the operation stalled. | 1:08:31 | 1:08:35 | |
And this man still works in the heart of German intelligence? | 1:08:37 | 1:08:40 | |
Yes. And he is no friend of Hitler. | 1:08:40 | 1:08:42 | |
A name? | 1:08:44 | 1:08:47 | |
I need a name. | 1:08:49 | 1:08:51 | |
It was a code name. | 1:08:51 | 1:08:53 | |
A...a bird. I think it was a bird. | 1:08:55 | 1:08:58 | |
Kanarejka? Something like that? | 1:08:58 | 1:09:00 | |
-No, it wasn't. -Well, what then? | 1:09:00 | 1:09:04 | |
It was a seabird, dear. | 1:09:04 | 1:09:06 | |
In harbours everywhere. | 1:09:08 | 1:09:10 | |
"Chaika," that was it! | 1:09:10 | 1:09:13 | |
Seagull. | 1:09:14 | 1:09:16 | |
Isn't she something? | 1:09:16 | 1:09:18 | |
So you intend to fly to Paris with the Rozens? | 1:09:25 | 1:09:28 | |
-I do, yes. -Is that really necessary? | 1:09:28 | 1:09:30 | |
We have to follow up on this information. | 1:09:30 | 1:09:32 | |
This is opposition to Hitler inside his own party. | 1:09:32 | 1:09:35 | |
If we can tap into that, it could be invaluable. | 1:09:35 | 1:09:37 | |
Hmm. When Madame Rozen came to your apartment, you weren't alone? | 1:09:37 | 1:09:43 | |
No. My maid was there. And also a young lady. | 1:09:43 | 1:09:47 | |
-Anna Skarbek. -Yes. We'd been to dinner. | 1:09:47 | 1:09:50 | |
This was after one in the morning, so presumably you'd had more than dinner. | 1:09:50 | 1:09:54 | |
-Is that any of your business? -The Ambassador thinks it is. | 1:09:54 | 1:09:57 | |
Because you're now seriously compromised. | 1:09:57 | 1:09:59 | |
-The woman is Maxim Mostov's mistress. -That relationship is at an end. | 1:09:59 | 1:10:02 | |
It's possible she's more than a hapless mistress but a willing accomplice. | 1:10:02 | 1:10:06 | |
That's ridiculous! | 1:10:06 | 1:10:08 | |
The Ambassador feels very strongly in the circumstances | 1:10:08 | 1:10:11 | |
it would be best to terminate this liaison. | 1:10:11 | 1:10:13 | |
I'm not prepared to do that. | 1:10:14 | 1:10:17 | |
Perhaps you should think very carefully about that. | 1:10:17 | 1:10:21 | |
The Rozens were defecting, presumably? | 1:10:24 | 1:10:28 | |
You know I can't comment on that. | 1:10:28 | 1:10:30 | |
Max feels certain that's it. | 1:10:30 | 1:10:32 | |
You discussed it with him? | 1:10:32 | 1:10:34 | |
He's heard about it. Who hasn't? | 1:10:34 | 1:10:37 | |
Anna, this is a very tricky situation. | 1:10:42 | 1:10:46 | |
The Embassy doesn't want me to see you any more. | 1:10:47 | 1:10:51 | |
Why? Cos they think I'm a spy? Or a slut? | 1:10:51 | 1:10:56 | |
If they insist, I'll resign. | 1:10:56 | 1:10:58 | |
I have to go away for a few days. | 1:11:02 | 1:11:04 | |
By the time I get back, I want it all over between you and Max. | 1:11:04 | 1:11:08 | |
I don't like ultimatums. | 1:11:08 | 1:11:10 | |
I need you to be free. | 1:11:10 | 1:11:12 | |
Keep your heads down. | 1:13:56 | 1:13:58 | |
Go on! | 1:14:11 | 1:14:13 | |
HE SHOUTS | 1:14:22 | 1:14:25 | |
He seems upset. | 1:14:25 | 1:14:27 | |
Wouldn't you be? | 1:14:27 | 1:14:28 | |
Hey! What?! | 1:14:28 | 1:14:31 | |
BIKE BELL RINGS | 1:15:00 | 1:15:02 | |
I don't mind if you screw him a few times | 1:15:08 | 1:15:10 | |
and get it out of your system. | 1:15:10 | 1:15:12 | |
It's not like that. | 1:15:12 | 1:15:14 | |
I can see the attraction. The war hero. | 1:15:14 | 1:15:18 | |
Killed lots of my countrymen 20 years ago. | 1:15:18 | 1:15:21 | |
And he looks good in a uniform, even if | 1:15:22 | 1:15:25 | |
he walks like he has a poker up his arse. | 1:15:25 | 1:15:28 | |
Max, don't do this. | 1:15:28 | 1:15:30 | |
Well, I suppose I knew this would happen one day. | 1:15:32 | 1:15:36 | |
You are young, you are alive. | 1:15:36 | 1:15:38 | |
I'm just a sad, miserable old bastard. | 1:15:38 | 1:15:43 | |
I see it in people's faces when we go to parties. | 1:15:43 | 1:15:47 | |
"What DOES she see in him?" | 1:15:47 | 1:15:49 | |
Max, you're a wonderful man and I chose to be with you. | 1:15:49 | 1:15:53 | |
And now you choose to go. | 1:15:53 | 1:15:55 | |
I'm going out. Just be gone when I get back. | 1:15:57 | 1:16:01 | |
And don't hide the goddamn vodka! | 1:16:02 | 1:16:05 | |
Do you think there's any value | 1:16:14 | 1:16:16 | |
in what the Rozens told you...or is it just some fiction to save their skins? | 1:16:16 | 1:16:21 | |
I believe them. I want to follow up on it. | 1:16:21 | 1:16:24 | |
That'll have to wait until we've had a go at them ourselves. | 1:16:24 | 1:16:27 | |
I'm anxious to get back to Warsaw as soon as possible. | 1:16:27 | 1:16:30 | |
The city seems to have attractions for you. | 1:16:32 | 1:16:35 | |
Certainly not your attitude when we posted you there. | 1:16:35 | 1:16:37 | |
I believe it's the right place for me...and the right time. | 1:16:37 | 1:16:40 | |
And I agree. | 1:16:40 | 1:16:42 | |
And you handled this whole episode most commendably, Colonel. | 1:16:42 | 1:16:47 | |
I'll leave you to your coffee. | 1:16:50 | 1:16:53 | |
Why doesn't he like you? | 1:17:01 | 1:17:04 | |
He hates de Gaulle and knows I served with him. | 1:17:04 | 1:17:08 | |
He missed the war, that's his problem. | 1:17:08 | 1:17:10 | |
Can't bear the thought of all your medals. | 1:17:10 | 1:17:13 | |
Last time you were here, you mentioned a Dr Lapp. | 1:17:16 | 1:17:19 | |
Your instincts were right. | 1:17:19 | 1:17:22 | |
The good doctor is in the German military intelligence. | 1:17:22 | 1:17:26 | |
He and Admiral Canaris and his Abwehr loathe the SD | 1:17:26 | 1:17:30 | |
and Hitler, the whole nasty business. | 1:17:30 | 1:17:33 | |
It's as much social as political. | 1:17:33 | 1:17:36 | |
They see themselves as gentlemen, the Nazis as gangsters. | 1:17:36 | 1:17:40 | |
Then he could be useful. | 1:17:40 | 1:17:42 | |
BANGING ON DOOR | 1:17:44 | 1:17:46 | |
MORE BANGING | 1:17:46 | 1:17:48 | |
All right. | 1:17:48 | 1:17:50 | |
-BANGING ON DOOR -All right! | 1:17:50 | 1:17:53 | |
-BANGING ON DOOR -I'm coming! | 1:17:53 | 1:17:57 | |
-Who's that? -Klaus and Frida. | 1:18:00 | 1:18:03 | |
Fled from Frankfurt with only the clothes on their backs. | 1:18:03 | 1:18:07 | |
Do they pose a threat to the government? They're CELLISTS, for God's sake. | 1:18:07 | 1:18:11 | |
By German law now, persons of more than 25% non-Aryan blood are forbidden to play | 1:18:11 | 1:18:15 | |
Beethoven, Mozart and Bach. | 1:18:15 | 1:18:19 | |
Leaves them Gershwin, I suppose. | 1:18:19 | 1:18:21 | |
SHE LAUGHS | 1:18:21 | 1:18:22 | |
What on earth was the Duke of Windsor doing visiting Hitler? | 1:18:22 | 1:18:26 | |
Probably Mrs Simpson's idea, he always does what she says. | 1:18:26 | 1:18:30 | |
What sort of hold does she have over him? | 1:18:30 | 1:18:32 | |
I imagine she spanks him and reminds him of his nanny(!) | 1:18:32 | 1:18:35 | |
SHE LAUGHS That's a very English thing. | 1:18:35 | 1:18:37 | |
-Your call to Warsaw at last, Colonel. -Do excuse me. | 1:18:37 | 1:18:41 | |
Don't be TOO long. | 1:18:41 | 1:18:44 | |
-Hello? -SHE SOBS | 1:18:53 | 1:18:55 | |
Anna, where were you? I've been trying to reach you all day. | 1:18:55 | 1:18:59 | |
-SHE SOBS -What's the matter? -They took Max! | 1:18:59 | 1:19:02 | |
They just took him in the night like a common criminal! | 1:19:02 | 1:19:05 | |
Wait, what are you saying? Who took Max? | 1:19:05 | 1:19:07 | |
You know who took him, for God's sake! I went to visit your friend Pakulski. | 1:19:07 | 1:19:11 | |
He said the Poles had no problem with his visa, | 1:19:11 | 1:19:14 | |
it was the French that wanted him out. | 1:19:14 | 1:19:16 | |
You couldn't wait for me to deal with it like I asked! | 1:19:16 | 1:19:19 | |
-Anna, you're not making sense. -They won't even let me see him! | 1:19:19 | 1:19:23 | |
They're sending him back to Moscow. It's...it's a death sentence! | 1:19:23 | 1:19:27 | |
Anna? Anna, hello? | 1:19:27 | 1:19:31 | |
Colonel Mercier sends his regrets, but he was obliged to leave. | 1:19:53 | 1:19:57 | |
-Oh. -Affairs of state, General? | 1:19:57 | 1:20:02 | |
-Or the heart, perhaps. -Why would you say that? | 1:20:02 | 1:20:05 | |
Well, I've met him twice now and on both occasions he's shown | 1:20:05 | 1:20:09 | |
not the slightest inclination to take me to bed. | 1:20:09 | 1:20:12 | |
THEY LAUGH | 1:20:12 | 1:20:15 | |
You must realise, the Ambassador had no choice! You were compromised, it was imperative. | 1:20:50 | 1:20:55 | |
It was vindictive, unnecessary and cowardly of you to wait until after I left. | 1:20:55 | 1:20:59 | |
We have other priorities now. What did you learn from the Rozen debriefing? | 1:20:59 | 1:21:03 | |
I have leads I've been authorised to act upon. | 1:21:03 | 1:21:05 | |
What are they? | 1:21:05 | 1:21:07 | |
-Like I said, -I -have been authorised. Paris feels the fewer people in the know, the better. | 1:21:08 | 1:21:12 | |
If she wants to disappear for a while, so be it. | 1:21:23 | 1:21:26 | |
I need to talk to her. | 1:21:26 | 1:21:30 | |
I need a chance to explain. | 1:21:30 | 1:21:32 | |
She's filled with guilt and anger. | 1:21:32 | 1:21:35 | |
Because what happened to Max would not have happened if she had not fallen in love. | 1:21:35 | 1:21:39 | |
Her heart is closed to you. | 1:21:39 | 1:21:41 | |
My advice? Bide your time. | 1:21:43 | 1:21:46 | |
How much time do any of us have? | 1:21:47 | 1:21:49 | |
Hitler will march into Austria any minute. And he won't stop there. | 1:21:49 | 1:21:54 | |
So we must fight any way we can. | 1:21:54 | 1:21:58 | |
KNOCKING ON DOOR | 1:22:46 | 1:22:49 | |
Askenazy. One of Poland's great historians. | 1:22:53 | 1:22:56 | |
Please. | 1:22:57 | 1:22:59 | |
-Can we talk privately here? -Yes. That's why I suggested it. | 1:23:00 | 1:23:04 | |
It belongs to a friend, and no-one comes here at this time of day. | 1:23:04 | 1:23:09 | |
On the occasions when we talked, you gave me | 1:23:12 | 1:23:15 | |
reason to believe you're no friend to your country's leaders. | 1:23:15 | 1:23:18 | |
I also know you're a member of the Abwehr. | 1:23:19 | 1:23:22 | |
As I know that you are connected to the Deuxieme Bureau | 1:23:22 | 1:23:26 | |
and General Beauvilliers. | 1:23:26 | 1:23:28 | |
Surprising how few secrets there are in our secret world. | 1:23:28 | 1:23:32 | |
Were you ever a member of the Black Front? | 1:23:34 | 1:23:36 | |
No. I never joined Nazi organisations, of whatever shade. | 1:23:36 | 1:23:40 | |
But they were amongst Hitler's most determined enemies. | 1:23:40 | 1:23:43 | |
Yes, that's why the ones that aren't dead are either in hiding or exile. | 1:23:43 | 1:23:47 | |
I have been told a former member still works at the heart of IN6. | 1:23:47 | 1:23:52 | |
KNOCKING ON DOOR | 1:23:54 | 1:23:55 | |
Just leave them on the table, young man. | 1:23:57 | 1:24:00 | |
DOOR SHUTS | 1:24:07 | 1:24:09 | |
There is a man who might help you. | 1:24:09 | 1:24:11 | |
He was once a professor of ancient languages. | 1:24:11 | 1:24:14 | |
Now he's in hiding in Czechoslovakia because he's hunted by the Gestapo. | 1:24:14 | 1:24:17 | |
You should move quickly. | 1:24:17 | 1:24:20 | |
He still writes anti-Nazi pamphlets that are smuggled into Germany, | 1:24:20 | 1:24:23 | |
which infuriates them. | 1:24:23 | 1:24:26 | |
So I fear he may not be long for this world. | 1:24:26 | 1:24:30 | |
I'm crossing a line here, Colonel. | 1:24:31 | 1:24:33 | |
If I give you his name, you must make me a promise. | 1:24:35 | 1:24:38 | |
You may offer him money but you may not threaten him, because we still talk to him. | 1:24:38 | 1:24:43 | |
So do not bruise him. Agreed? | 1:24:44 | 1:24:49 | |
Agreed. | 1:24:49 | 1:24:51 | |
The courier goes back on the morning express, so look through this now. And you have to sign for it. | 1:24:51 | 1:24:56 | |
Count it, by all means. | 1:25:02 | 1:25:04 | |
And there's a message from General Beauvilliers. | 1:25:04 | 1:25:06 | |
"Please do try very hard not to get caught. | 1:25:06 | 1:25:09 | |
"And best to avoid a visit to the casino." | 1:25:09 | 1:25:11 | |
I'll be away for at least a week, Wlada. | 1:25:21 | 1:25:24 | |
Take some time off, see your family. | 1:25:24 | 1:25:27 | |
I want to make a stop on the way to the station. | 1:25:39 | 1:25:42 | |
Book him. | 1:26:11 | 1:26:14 | |
Rest in peace, Countess. | 1:27:04 | 1:27:06 | |
SHOTS RING OUT | 1:27:12 | 1:27:14 | |
Marek? What happened? | 1:27:29 | 1:27:33 | |
He was following you. So I followed him. | 1:27:33 | 1:27:36 | |
Then he saw me and aimed his pistol. So I shot him. | 1:27:37 | 1:27:39 | |
We should go, boss. | 1:27:42 | 1:27:44 | |
What the hell do we do with the body?! | 1:27:45 | 1:27:47 | |
Good place to die. If only we had a shovel. | 1:27:47 | 1:27:50 | |
OK. You take the car... and I'll take care of this. | 1:27:52 | 1:27:56 | |
Sie kommen mit uns. | 1:28:05 | 1:28:07 | |
Sehr schoen. | 1:28:10 | 1:28:12 | |
Subtitles by Red Bee Media Ltd | 1:28:57 | 1:28:59 |