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This programme contains some strong language | 0:00:02 | 0:00:06 | |
This programme contains some scenes which some viewers may find upsetting | 0:00:06 | 0:00:13 | |
Should I be jealous of the Colonel? | 0:00:15 | 0:00:18 | |
I'm in love with you, Anna. | 0:00:18 | 0:00:20 | |
I'd forgotten these feelings. | 0:00:20 | 0:00:21 | |
They took Max! | 0:00:23 | 0:00:24 | |
They just took him in the night like a common criminal. | 0:00:24 | 0:00:27 | |
I need to talk to her. I need a chance to explain. | 0:00:27 | 0:00:30 | |
My friend, she's filled with guilt and anger, | 0:00:30 | 0:00:32 | |
because what happened to Max would not have happened | 0:00:32 | 0:00:35 | |
if she had not fallen in love. | 0:00:35 | 0:00:37 | |
If I'm going to convince Paris to save your skins, I need a name. | 0:00:37 | 0:00:41 | |
Chaika! That was it! | 0:00:41 | 0:00:43 | |
There is a man who might help you. | 0:00:43 | 0:00:46 | |
He was once a professor of ancient languages. | 0:00:46 | 0:00:48 | |
Now he is hiding in Czechoslovakia because he's hunted by the Gestapo. | 0:00:48 | 0:00:52 | |
You should go there quickly. | 0:00:52 | 0:00:53 | |
I fear he may not be long for this world. | 0:00:53 | 0:00:57 | |
ENGINE ROARS | 0:01:25 | 0:01:28 | |
HE CRIES IN PAIN | 0:01:36 | 0:01:39 | |
Colonel! A phone call. | 0:01:53 | 0:01:55 | |
Won't it keep till after my morning coffee? | 0:01:55 | 0:01:57 | |
There's been a shooting. | 0:01:57 | 0:01:59 | |
SCREAMING | 0:02:09 | 0:02:13 | |
WAILING | 0:02:17 | 0:02:21 | |
You are Colonel Jean-Francois Mercier, Military Attache | 0:03:02 | 0:03:04 | |
at the French Embassy in Warsaw. | 0:03:04 | 0:03:07 | |
But that's not all you do, is it, Colonel? | 0:03:07 | 0:03:10 | |
What is it you do? | 0:03:10 | 0:03:12 | |
I go after people like you, | 0:03:12 | 0:03:15 | |
who undermine the security of my country. | 0:03:15 | 0:03:17 | |
You helped a Russian couple to defect. Why? | 0:03:17 | 0:03:20 | |
They were afraid for their lives. | 0:03:20 | 0:03:22 | |
Presumably offered information in exchange for your help? | 0:03:22 | 0:03:25 | |
That's the way things are in our business, hm? | 0:03:25 | 0:03:28 | |
I'd like to know what that information was. | 0:03:28 | 0:03:31 | |
I'm not going to tell you so this is a waste of time. | 0:03:31 | 0:03:35 | |
Hm. | 0:03:35 | 0:03:36 | |
Colonel, | 0:03:36 | 0:03:39 | |
our countries are not at war. | 0:03:39 | 0:03:41 | |
Not yet, no. | 0:03:41 | 0:03:43 | |
Let's hope never. | 0:03:45 | 0:03:47 | |
We're both men who work in the shadows. | 0:03:50 | 0:03:53 | |
You're involved with a young woman here, I believe? | 0:03:56 | 0:04:00 | |
Anna Skarbek? | 0:04:00 | 0:04:02 | |
How is that relevant? | 0:04:04 | 0:04:06 | |
My point is that we have lives to go back to. | 0:04:06 | 0:04:10 | |
Myself, I am married with a new child on the way. | 0:04:13 | 0:04:16 | |
How will you ever see your family again? | 0:04:16 | 0:04:18 | |
You'll never get out of Poland. | 0:04:18 | 0:04:20 | |
You have one man dead, another bleeding like a pig... | 0:04:20 | 0:04:23 | |
And your car is leaking gasoline. | 0:04:25 | 0:04:28 | |
Could you leave us, nurse? | 0:04:43 | 0:04:45 | |
Did you see that smile? She wants me. | 0:04:47 | 0:04:51 | |
How are you feeling? | 0:04:51 | 0:04:53 | |
Too early to tell. What happened? | 0:04:53 | 0:04:56 | |
We arrived when the car blew up. | 0:04:56 | 0:04:58 | |
And the Germans? | 0:04:58 | 0:05:00 | |
One in the morgue, two in our cells. | 0:05:00 | 0:05:02 | |
Their embassy wants them back. We've told them not a chance. | 0:05:02 | 0:05:06 | |
Your embassy will be paying you a visit. | 0:05:06 | 0:05:08 | |
Mm. | 0:05:08 | 0:05:09 | |
I want to be out of here before that. | 0:05:09 | 0:05:12 | |
I don't want to give them an excuse to stop me. | 0:05:12 | 0:05:15 | |
Doing what? | 0:05:15 | 0:05:16 | |
You know I can't tell you. | 0:05:16 | 0:05:19 | |
But I need to take a trip. | 0:05:19 | 0:05:21 | |
Help me out of here. | 0:05:22 | 0:05:24 | |
Looking like that? | 0:05:24 | 0:05:26 | |
Lend me your coat. | 0:05:29 | 0:05:31 | |
Here. In here. | 0:05:50 | 0:05:53 | |
I'm sorry, sir, he seems to have gone. | 0:05:53 | 0:05:55 | |
Waiting for someone? | 0:06:46 | 0:06:49 | |
Looks like she stood me up. | 0:06:49 | 0:06:51 | |
Herr Halbach. | 0:07:48 | 0:07:51 | |
Herr Halbach! | 0:07:51 | 0:07:53 | |
Can we talk in private? | 0:08:01 | 0:08:03 | |
You're not German. | 0:08:03 | 0:08:05 | |
No. Can we go inside? | 0:08:05 | 0:08:07 | |
Keep your hands where I can see them! | 0:08:21 | 0:08:23 | |
Please don't wave that around. | 0:08:23 | 0:08:24 | |
You don't look like the kind of man who's used to firearms. | 0:08:24 | 0:08:27 | |
I'm not, I'm a teacher. It doesn't mean I won't use it. | 0:08:27 | 0:08:30 | |
What do you want with me? | 0:08:30 | 0:08:32 | |
It's your politics that bring me here. | 0:08:32 | 0:08:34 | |
You won't take me alive. I'll kill you if you try. | 0:08:34 | 0:08:36 | |
-I'm not your enemy. -Then who the hell are you? | 0:08:36 | 0:08:38 | |
I'm a friend. | 0:08:38 | 0:08:39 | |
And I should point out it wasn't all that difficult to find you. | 0:08:39 | 0:08:42 | |
On your knees. Now! | 0:08:42 | 0:08:44 | |
KNOCKING | 0:08:44 | 0:08:46 | |
I'm here to offer you sanctuary, Herr Halbach. | 0:09:06 | 0:09:08 | |
How long can you stay here? Months? Years? | 0:09:08 | 0:09:12 | |
Perhaps. | 0:09:13 | 0:09:15 | |
Hitler has already marched into Austria. He'll be here next. | 0:09:15 | 0:09:18 | |
Then where will you go? | 0:09:20 | 0:09:22 | |
What exactly is this sanctuary? | 0:09:37 | 0:09:41 | |
A Swiss passport and 50,000 Swiss Francs. | 0:09:42 | 0:09:46 | |
That is a great deal of money. | 0:09:46 | 0:09:48 | |
Understand, we are not asking you to do anything against the German | 0:09:48 | 0:09:51 | |
people or your homeland. Only against the Hitler regime. | 0:09:51 | 0:09:55 | |
And what would I have to do for all this? Kill somebody? | 0:09:57 | 0:10:01 | |
Visit an old friend, with a request | 0:10:02 | 0:10:05 | |
and the same offer we're making to you. | 0:10:05 | 0:10:08 | |
Then both of you can lead new lives. | 0:10:08 | 0:10:10 | |
Wealthy, safe lives. | 0:10:10 | 0:10:12 | |
Consider this an advance. | 0:10:16 | 0:10:18 | |
How do you know I won't take this and disappear? | 0:10:20 | 0:10:24 | |
Because then you will have stolen it... From us. | 0:10:24 | 0:10:28 | |
And who is this "old friend"? | 0:10:28 | 0:10:30 | |
A comrade of yours from the Black Front who works in IN6. | 0:10:30 | 0:10:34 | |
His Russian alias is Chaika. | 0:10:34 | 0:10:36 | |
Now I see what you're after. | 0:10:38 | 0:10:40 | |
But he is in Germany. | 0:10:42 | 0:10:45 | |
I can't go there. I'm a wanted criminal in Germany. | 0:10:45 | 0:10:49 | |
You'll have a Swiss passport, as have I. | 0:10:49 | 0:10:51 | |
We're salesmen for the same company. We'll stay in a small hotel | 0:10:51 | 0:10:54 | |
and you'll be visible for only one evening. | 0:10:54 | 0:10:57 | |
When would this be? | 0:10:57 | 0:10:59 | |
We leave tomorrow. | 0:10:59 | 0:11:02 | |
Tomorrow? But I have classes. | 0:11:02 | 0:11:03 | |
The Herr Professor is indisposed. | 0:11:03 | 0:11:06 | |
Be at the station before ten. | 0:11:06 | 0:11:08 | |
I have a friend here in Tsesin | 0:11:08 | 0:11:11 | |
who has made a great difference to me. | 0:11:11 | 0:11:15 | |
I should like to say goodbye. | 0:11:15 | 0:11:17 | |
I'm sorry, that won't be possible. Send her a postcard. | 0:11:17 | 0:11:20 | |
Your embassy has washed their hands of you. | 0:11:40 | 0:11:44 | |
They say you were acting on your own initiative, without any authority. | 0:11:44 | 0:11:48 | |
So you are not going back to Germany. You will stay here. | 0:11:48 | 0:11:53 | |
This is a prison for people who never go home. | 0:11:54 | 0:11:57 | |
This is yours, Herr Braun. And I am Herr Lombardo. | 0:12:26 | 0:12:30 | |
We must get you some more suitable clothes. | 0:12:30 | 0:12:33 | |
Your family can travel on your new passport. | 0:12:37 | 0:12:40 | |
No, no, no, that's all finished, | 0:12:40 | 0:12:43 | |
that part of my life. | 0:12:43 | 0:12:45 | |
When I went underground, I sent them away, for their safety. | 0:12:45 | 0:12:48 | |
I no longer know where they are and nor do they know where I am. | 0:12:48 | 0:12:52 | |
Does your friend Chaika have a family? | 0:12:53 | 0:12:56 | |
Yes. | 0:12:56 | 0:12:57 | |
And his real name? | 0:12:57 | 0:12:58 | |
Johannes Elter. | 0:13:01 | 0:13:03 | |
-Were you close? -Oh, yes. | 0:13:03 | 0:13:05 | |
We both loved the party at the start - the rising up | 0:13:05 | 0:13:08 | |
of a defeated nation, the return of pride, the end of poverty. | 0:13:08 | 0:13:13 | |
And then we saw what was happening. | 0:13:14 | 0:13:18 | |
And I have a Jewish grandmother. | 0:13:21 | 0:13:23 | |
What does he do in the General Staff? | 0:13:27 | 0:13:30 | |
He's a clerk. But he's in the thick of things. | 0:13:30 | 0:13:33 | |
Does he gamble? | 0:13:33 | 0:13:36 | |
No. He pinches every pfennig. | 0:13:36 | 0:13:38 | |
Visit whores? | 0:13:38 | 0:13:39 | |
And spend his own money? | 0:13:39 | 0:13:40 | |
So he should be interested in my offer. | 0:13:40 | 0:13:43 | |
Well, Herr Lombardo... | 0:13:43 | 0:13:47 | |
That depends on how afraid he is. | 0:13:47 | 0:13:51 | |
How did you know I was in Warsaw? | 0:14:10 | 0:14:12 | |
It's my business to know. Will you be here long? | 0:14:12 | 0:14:16 | |
No. I came to close the apartment. | 0:14:16 | 0:14:18 | |
There are books everywhere. Help yourself. | 0:14:19 | 0:14:23 | |
Pity Mercier is not in town. He would want to see you. | 0:14:23 | 0:14:26 | |
I have no wish to see him, Antoni. | 0:14:26 | 0:14:28 | |
Anna, I know everything that goes on in Internal Security. | 0:14:28 | 0:14:32 | |
The request to expel Max did not come from Mercier. | 0:14:32 | 0:14:35 | |
It came from the French. | 0:14:35 | 0:14:36 | |
Not from Mercier. | 0:14:36 | 0:14:37 | |
Then from whom? | 0:14:37 | 0:14:39 | |
I'm not exactly sure. | 0:14:39 | 0:14:41 | |
I thought you knew everything. Apparently you don't. | 0:14:42 | 0:14:45 | |
I know he loves you. | 0:14:45 | 0:14:48 | |
If he didn't, | 0:14:48 | 0:14:49 | |
I would try to seduce you. | 0:14:49 | 0:14:52 | |
Where do you go from here? | 0:14:58 | 0:15:00 | |
The League is sending me to Spain. | 0:15:00 | 0:15:02 | |
Spain? The country's in the middle of civil war. | 0:15:02 | 0:15:05 | |
I'll be negotiating the release of foreign nationals. I leave tomorrow. | 0:15:05 | 0:15:09 | |
Where is Jean-Francois? | 0:15:11 | 0:15:12 | |
On his way to Paris, I believe. | 0:15:12 | 0:15:15 | |
Paris? | 0:15:17 | 0:15:18 | |
Paesse, bitte. | 0:15:44 | 0:15:45 | |
You're both Swiss? You're travelling together? | 0:15:54 | 0:15:57 | |
We work for the same company. | 0:15:57 | 0:15:59 | |
Couldn't your people afford a decent hotel? | 0:16:29 | 0:16:31 | |
Too conspicuous. | 0:16:31 | 0:16:32 | |
Danke. | 0:17:13 | 0:17:15 | |
KNOCKING | 0:17:18 | 0:17:20 | |
So, you're meeting with Elter. | 0:17:32 | 0:17:35 | |
If he's reluctant, remind him - | 0:17:35 | 0:17:37 | |
it's Hitler and his clique that want to take the country into war. | 0:17:37 | 0:17:40 | |
And if it comes, it's the German people who will suffer. | 0:17:40 | 0:17:42 | |
Ah, the moral argument. | 0:17:42 | 0:17:45 | |
BOTTLE SMASHES | 0:17:45 | 0:17:47 | |
That will bring the police! | 0:17:47 | 0:17:49 | |
They're SS. The police won't bother them. | 0:17:49 | 0:17:53 | |
(WHISPERING) Why did you tell them about me? | 0:18:32 | 0:18:36 | |
I have always been a faithful friend to you. | 0:18:36 | 0:18:38 | |
That's why I'm here. | 0:18:38 | 0:18:40 | |
How long can you stay out of a Gestapo cellar? | 0:18:41 | 0:18:44 | |
And you'll only be harming Hitler. | 0:18:44 | 0:18:46 | |
KNOCKING | 0:19:31 | 0:19:34 | |
I think we have to leave. | 0:19:41 | 0:19:43 | |
There was a man in the lobby, an SS Oberscharfuehrer. | 0:19:43 | 0:19:46 | |
I think he recognised me. | 0:19:46 | 0:19:48 | |
From where? | 0:19:48 | 0:19:50 | |
I've spent many hours being questioned by the Gestapo. | 0:19:50 | 0:19:53 | |
He could have been there. | 0:19:53 | 0:19:55 | |
Pack your things. | 0:19:57 | 0:20:00 | |
-You can't do this! -Get in. | 0:20:58 | 0:21:01 | |
This is madness! | 0:21:05 | 0:21:07 | |
You can't steal this car. | 0:21:11 | 0:21:13 | |
They'll be in there for hours. | 0:21:13 | 0:21:16 | |
So, Elter. What happened? | 0:21:16 | 0:21:20 | |
He's unsure. | 0:21:20 | 0:21:21 | |
The first ferry's at eight. | 0:21:43 | 0:21:45 | |
You can get a train to Copenhagen at the other side. | 0:21:45 | 0:21:47 | |
Once you're there, you can do whatever you like. | 0:21:47 | 0:21:50 | |
I'd almost forgotten that kind of life. | 0:21:50 | 0:21:53 | |
The funds are in Zurich. We're true to our word. | 0:21:53 | 0:21:56 | |
Will all this make any difference? | 0:21:56 | 0:21:58 | |
I have to believe it will. | 0:21:58 | 0:22:00 | |
Halbach told me you always arrived first. | 0:22:44 | 0:22:47 | |
So we have a few moments before the others get here. | 0:22:48 | 0:22:53 | |
I can't do it! | 0:22:53 | 0:22:56 | |
What you're asking, it is too dangerous. | 0:22:56 | 0:22:58 | |
If there was more money, would you find it less dangerous? | 0:22:58 | 0:23:01 | |
-You must understand... -I understand greed. -You must understand... | 0:23:01 | 0:23:04 | |
It makes things very simple between us. | 0:23:04 | 0:23:06 | |
You are asking me to betray my country. | 0:23:06 | 0:23:08 | |
You've betrayed it before, to the Soviets. | 0:23:08 | 0:23:12 | |
Chaika. Wasn't that your code name? | 0:23:12 | 0:23:16 | |
The Gestapo would be interested to know that. | 0:23:18 | 0:23:21 | |
We'll meet as arranged. | 0:23:23 | 0:23:25 | |
This is not about greed. | 0:24:05 | 0:24:08 | |
One day, I will have to leave. Your money is for that. | 0:24:09 | 0:24:13 | |
For my family's safety, God willing. | 0:24:13 | 0:24:17 | |
You have children, I believe. | 0:24:17 | 0:24:20 | |
Three. | 0:24:20 | 0:24:21 | |
I cannot tell them of my feelings for Hitler, | 0:24:21 | 0:24:26 | |
for what is happening here | 0:24:26 | 0:24:29 | |
because their teachers, they believe it all. | 0:24:29 | 0:24:32 | |
My eldest, he wears the same uniform as the ones over there. | 0:24:35 | 0:24:40 | |
So, how will this work? | 0:24:46 | 0:24:50 | |
Same place, same time, | 0:24:53 | 0:24:56 | |
every other week, someone will pick up the drop. | 0:24:56 | 0:24:59 | |
In my heart, | 0:25:08 | 0:25:10 | |
I have always been a traitor. | 0:25:10 | 0:25:12 | |
Much of what he gave me was pointless. | 0:25:41 | 0:25:44 | |
But everything you see here is not. | 0:25:44 | 0:25:48 | |
It's a forest survey map of the Ardennes, | 0:25:48 | 0:25:50 | |
a report on the range of German tanks, | 0:25:50 | 0:25:53 | |
another on ground clearances. | 0:25:53 | 0:25:56 | |
What interests me is what's not here. | 0:25:57 | 0:26:00 | |
Nothing on the Maginot Line. | 0:26:00 | 0:26:01 | |
Nothing on our defence system on the Eastern Frontier. | 0:26:01 | 0:26:04 | |
No forts, no bunkers, no pillboxes. | 0:26:04 | 0:26:07 | |
Exactly. It confirms what we feared most. | 0:26:07 | 0:26:10 | |
They're coming with tanks through the Belgian forests. | 0:26:11 | 0:26:14 | |
Well, this should persuade the unbelievers. | 0:26:14 | 0:26:17 | |
Now we'll be ready for them. | 0:26:17 | 0:26:19 | |
You've done well, Jean-Francois. | 0:26:19 | 0:26:22 | |
I've recommended that you take up a position here in General Staff. | 0:26:22 | 0:26:26 | |
There's nothing to keep me in Warsaw anymore. | 0:26:26 | 0:26:28 | |
Thank you, sir. | 0:26:31 | 0:26:32 | |
-Hello. -Finally! | 0:26:50 | 0:26:53 | |
A visit from my big brother! | 0:26:53 | 0:26:55 | |
Welcome. | 0:26:57 | 0:26:59 | |
MUSIC PLAYS ON THE RADIO | 0:27:00 | 0:27:03 | |
How long have you worked here? | 0:27:03 | 0:27:06 | |
A while now. | 0:27:06 | 0:27:07 | |
Etienne also deals in art for private clients. | 0:27:10 | 0:27:13 | |
I could find you something vibrant and cheerful for the estate. | 0:27:13 | 0:27:16 | |
Anything's better than those gloomy ancestors on horseback. | 0:27:16 | 0:27:19 | |
I'm so out of touch with you. I don't even know where you live. | 0:27:19 | 0:27:22 | |
Oh, we only live three streets away. | 0:27:22 | 0:27:24 | |
We? | 0:27:24 | 0:27:25 | |
Armand and I. | 0:27:25 | 0:27:27 | |
Something else I didn't know about you. What does Armand do? | 0:27:27 | 0:27:30 | |
He plays piano in a nightclub, so you probably won't approve. | 0:27:30 | 0:27:34 | |
-Weren't you with, erm...? -Daniel. | 0:27:34 | 0:27:36 | |
Yes, I rather liked Daniel. What happened to him? | 0:27:36 | 0:27:39 | |
A Bluebell girl happened. | 0:27:39 | 0:27:40 | |
Which is absurd, she's four inches taller than he is. | 0:27:40 | 0:27:43 | |
So you found solace in Armand? | 0:27:45 | 0:27:47 | |
It's more serious than that. | 0:27:50 | 0:27:52 | |
There was a lady in your life the last time you wrote to me. | 0:27:53 | 0:27:56 | |
I told you to pursue her. | 0:27:56 | 0:27:58 | |
I did. | 0:27:58 | 0:28:00 | |
And? | 0:28:00 | 0:28:01 | |
I think I may have lost her. | 0:28:03 | 0:28:04 | |
PHONE RINGS | 0:28:10 | 0:28:14 | |
Anna Skarbek. | 0:28:21 | 0:28:22 | |
'It's me.' | 0:28:22 | 0:28:24 | |
Jean-Francois? | 0:28:24 | 0:28:25 | |
'How did you know I was here?' | 0:28:27 | 0:28:30 | |
I called the League. They finally gave me a number. | 0:28:30 | 0:28:33 | |
-Where are you? -'In Paris.' | 0:28:34 | 0:28:36 | |
I want you to live with me here. | 0:28:38 | 0:28:40 | |
'I can't do that. | 0:28:41 | 0:28:43 | |
'I know what happened to Max was not your fault. | 0:28:43 | 0:28:46 | |
'I thought so at the time because I was angry.' | 0:28:46 | 0:28:49 | |
Then I realised it was easier to blame you than myself. | 0:28:49 | 0:28:53 | |
Blame yourself for what? | 0:28:53 | 0:28:54 | |
I compromised you, so your Embassy had him expelled. | 0:28:54 | 0:28:59 | |
'None of that would have happened if we hadn't had an affair.' | 0:28:59 | 0:29:03 | |
We fell in love! | 0:29:03 | 0:29:04 | |
And Max is dead because we did. | 0:29:04 | 0:29:07 | |
I can't forget that. | 0:29:07 | 0:29:10 | |
'And every moment we spend together would remind me of it.' | 0:29:10 | 0:29:13 | |
I have to see you. | 0:29:14 | 0:29:16 | |
I need you, Anna. | 0:29:18 | 0:29:19 | |
You'll survive without me, Jean-Francois. | 0:29:19 | 0:29:22 | |
If any of us survive at all. | 0:29:25 | 0:29:27 | |
PHONE HANGS UP | 0:29:28 | 0:29:30 | |
Caviar! | 0:30:07 | 0:30:08 | |
Look, Viktor, such luxury! | 0:30:08 | 0:30:11 | |
How kind. Thank you so much. | 0:30:11 | 0:30:13 | |
Are you comfortable where you live? | 0:30:13 | 0:30:15 | |
They call it a safe house, but to be frank, it does not feel safe. | 0:30:17 | 0:30:22 | |
You have no protection? | 0:30:22 | 0:30:24 | |
Not since they finished the debriefing. | 0:30:24 | 0:30:26 | |
Now that they have everything they need to know, | 0:30:26 | 0:30:29 | |
we are dispensable. | 0:30:29 | 0:30:31 | |
What did you tell them about Max Mostov? | 0:30:32 | 0:30:34 | |
Nothing that we hadn't already told Moscow in our reports, | 0:30:34 | 0:30:38 | |
about his behaviour and opinions. | 0:30:38 | 0:30:40 | |
You heard he's been deported? | 0:30:40 | 0:30:42 | |
Yes. Why would they do that? | 0:30:42 | 0:30:44 | |
He wasn't dangerous. | 0:30:47 | 0:30:48 | |
Will you remind them, Colonel | 0:30:51 | 0:30:53 | |
that we should never stay in one place for too long? | 0:30:53 | 0:30:56 | |
Yes, I will. | 0:30:56 | 0:30:57 | |
We are not the Colonel's concern now, Viktor. | 0:30:57 | 0:31:00 | |
Yes, you are. I guaranteed your safety. | 0:31:00 | 0:31:02 | |
'On behalf of us all, Mercier,' | 0:31:05 | 0:31:07 | |
-congratulations are certainly in order. Bravo! -Thank you, gentlemen. | 0:31:07 | 0:31:11 | |
And I am delighted to announce that you are to be promoted | 0:31:11 | 0:31:14 | |
to the rank of full Colonel. | 0:31:14 | 0:31:16 | |
I'm honoured. | 0:31:18 | 0:31:20 | |
No more than you deserve. | 0:31:20 | 0:31:22 | |
We've been through the documents with a fine-tooth comb. | 0:31:22 | 0:31:24 | |
-They certainly seem to point in one direction. -I'm glad you agree, sir. | 0:31:24 | 0:31:28 | |
Of course, we do have to consider the possibility that we're being misled. | 0:31:28 | 0:31:34 | |
Misled? | 0:31:35 | 0:31:37 | |
Almost too good to be true, isn't he? | 0:31:37 | 0:31:39 | |
This agent - what's his name? | 0:31:39 | 0:31:41 | |
Johannes Elter. | 0:31:41 | 0:31:43 | |
Elter, yes. | 0:31:43 | 0:31:45 | |
Yes, it strikes some of us as dubious that you persuaded him so easily. | 0:31:46 | 0:31:51 | |
I threatened him with exposure if he failed to cooperate. | 0:31:51 | 0:31:54 | |
Even so, disinformation is the oldest game in the world, surely? | 0:31:54 | 0:31:58 | |
Steering your enemy away from your true intention. | 0:31:58 | 0:32:01 | |
I don't understand. You're disputing the information I've given you | 0:32:01 | 0:32:04 | |
and at the same time you're promoting me. That makes no sense. | 0:32:04 | 0:32:07 | |
My dear Mercier, this work that you've done | 0:32:07 | 0:32:10 | |
has given us an invaluable insight into the mentality of IN6. | 0:32:10 | 0:32:14 | |
This is not about mentality, this is about facts! | 0:32:14 | 0:32:16 | |
The Germans are planning to invade France through Belgium. | 0:32:20 | 0:32:24 | |
That was my conclusion after I witnessed their tank manoeuvres. | 0:32:24 | 0:32:27 | |
Elter confirms it! | 0:32:27 | 0:32:28 | |
If you ignore this, you are putting our country in peril! | 0:32:30 | 0:32:35 | |
We'll continue the payments to Elter | 0:32:35 | 0:32:37 | |
and the other arrangements that you set up. | 0:32:37 | 0:32:39 | |
But we do not recommend changing our entire military strategy. | 0:32:39 | 0:32:44 | |
Good day, Colonel. | 0:32:44 | 0:32:46 | |
PIANO PLAYS | 0:32:56 | 0:32:59 | |
LAUGHTER | 0:33:01 | 0:33:04 | |
Scotch. | 0:33:12 | 0:33:14 | |
Not champagne? | 0:33:14 | 0:33:16 | |
I have nothing to celebrate. | 0:33:16 | 0:33:19 | |
LAUGHTER | 0:33:19 | 0:33:21 | |
Why did you choose this place? | 0:33:21 | 0:33:23 | |
-Because I want you to meet Armand. -Where is he? | 0:33:23 | 0:33:26 | |
Oh, for God's sake, there's only one piano player. | 0:33:29 | 0:33:32 | |
He's too old for you. | 0:33:35 | 0:33:37 | |
-He's 36. -Too old! | 0:33:37 | 0:33:39 | |
Why are you in such a foul mood? | 0:33:39 | 0:33:41 | |
All sorts of reasons. Where's that Scotch? | 0:33:41 | 0:33:44 | |
# Go down, Moses, | 0:33:52 | 0:33:56 | |
# Way down in Egypt's land | 0:33:56 | 0:34:00 | |
# Tell old Pharaoh | 0:34:00 | 0:34:04 | |
# To let my people go | 0:34:04 | 0:34:07 | |
# When Israel was in Egypt's land | 0:34:07 | 0:34:12 | |
# Let my people go | 0:34:12 | 0:34:16 | |
# Oppressed so hard they could not stand... # | 0:34:16 | 0:34:19 | |
Lady Angela. | 0:34:19 | 0:34:20 | |
I think we can dispense with "Lady". | 0:34:20 | 0:34:23 | |
I hear you're staying in Paris. I'd like to give you a party. | 0:34:23 | 0:34:26 | |
I'm not really a party person. | 0:34:26 | 0:34:28 | |
I didn't think you were a nightclub person. | 0:34:28 | 0:34:31 | |
My sister brought me. | 0:34:31 | 0:34:32 | |
Ah, so she isn't the woman in your life. | 0:34:32 | 0:34:35 | |
I've heard there is one. An amour fou, so they say. | 0:34:36 | 0:34:40 | |
Not anymore. | 0:34:40 | 0:34:42 | |
Oh, dear. Was she too young? | 0:34:42 | 0:34:44 | |
Do I look like the sort of man who preys on younger women? | 0:34:44 | 0:34:47 | |
I don't know. | 0:34:47 | 0:34:48 | |
You've given no hint that you prey on women of my age. | 0:34:48 | 0:34:51 | |
Perhaps I don't understand women of any age. | 0:34:53 | 0:34:55 | |
You're a little drunk, Jean-Francois. | 0:34:55 | 0:34:59 | |
Do you think you could stagger as far as the Rue Bonaparte? | 0:35:00 | 0:35:04 | |
What's there? | 0:35:04 | 0:35:05 | |
My apartment. | 0:35:06 | 0:35:08 | |
# Let my people go. # | 0:35:10 | 0:35:12 | |
Prairie oyster, never fails. | 0:35:18 | 0:35:20 | |
Never fails to what? | 0:35:22 | 0:35:24 | |
Clear your head. Drink it down like a good boy. | 0:35:24 | 0:35:27 | |
Last night I was in a strange mood. I drank too much. | 0:35:35 | 0:35:38 | |
Oh, Jean-Francois, we had fun in a boozy nightclub and then we fucked. | 0:35:38 | 0:35:42 | |
It's nothing more complicated than that. What are your plans? | 0:35:42 | 0:35:45 | |
I'm taking unpaid leave. | 0:35:45 | 0:35:48 | |
I've neglected my estate too long. | 0:35:48 | 0:35:51 | |
We must stay in touch. | 0:35:51 | 0:35:53 | |
I think we can be of use to our countries. | 0:35:53 | 0:35:55 | |
I don't know if my country feels I'm any use at all. | 0:35:55 | 0:35:59 | |
Well, that's because Lessard and half your general staff | 0:35:59 | 0:36:02 | |
are with that bunch of fascists in the Action Francaise. | 0:36:02 | 0:36:05 | |
They want France in bed with Germany. | 0:36:05 | 0:36:07 | |
Anything that buffers them from the red menace. | 0:36:07 | 0:36:11 | |
We have plenty of idiots in England who feel the same way. | 0:36:11 | 0:36:15 | |
I'll make coffee. | 0:36:18 | 0:36:19 | |
INAUDIBLE | 0:36:39 | 0:36:41 | |
GUNSHOT | 0:36:42 | 0:36:43 | |
DOOR OPENS | 0:37:00 | 0:37:02 | |
We were supposed to look after the Rozens. | 0:37:04 | 0:37:07 | |
We did. We gave them money, an apartment. | 0:37:07 | 0:37:09 | |
They expected to live in some degree of safety, | 0:37:09 | 0:37:11 | |
not afraid to walk down the street. | 0:37:11 | 0:37:13 | |
So you'd have me sanction what, precisely? | 0:37:13 | 0:37:15 | |
24-hour protection with a team of bodyguards | 0:37:15 | 0:37:18 | |
for a couple of tired old Bolsheviks? | 0:37:18 | 0:37:20 | |
They gave us everything they knew. | 0:37:20 | 0:37:22 | |
And when they did, they knew the life they were getting into. | 0:37:22 | 0:37:26 | |
A bullet in broad daylight? Occupational hazard. | 0:37:26 | 0:37:29 | |
Should be grateful the Russians can't shoot straight. | 0:37:35 | 0:37:38 | |
How ironic, Viktor, | 0:38:14 | 0:38:16 | |
that die-hard communists should end up living in bourgeois splendour. | 0:38:16 | 0:38:20 | |
Nah, there's nothing very splendid about the plumbing. | 0:38:20 | 0:38:23 | |
Fernand, this is Viktor and Malka Rozen. | 0:38:23 | 0:38:25 | |
-How long will they be staying, Monsieur? -Not sure. | 0:38:25 | 0:38:28 | |
Be on guard for strangers in the village, in the field. | 0:38:28 | 0:38:31 | |
Because of our visitors? | 0:38:31 | 0:38:33 | |
I understand. | 0:38:33 | 0:38:35 | |
Thank you. | 0:38:39 | 0:38:40 | |
My brother won't take phone calls or answer my letters. | 0:39:34 | 0:39:37 | |
You have a fight? | 0:39:37 | 0:39:39 | |
No. | 0:39:40 | 0:39:41 | |
He was like this when his wife died. | 0:39:42 | 0:39:45 | |
He went into this dark place and stayed there for a long time. | 0:39:45 | 0:39:49 | |
I'd like us to visit him. | 0:39:52 | 0:39:55 | |
Well, seeing me won't improve his mood. | 0:39:55 | 0:39:58 | |
I don't like the country. I don't like dogs. | 0:39:58 | 0:40:01 | |
I play jazz piano and I smoke 40 Gauloises a day. | 0:40:01 | 0:40:03 | |
Please, do this for me. | 0:40:06 | 0:40:08 | |
Why haven't you been to see me? | 0:40:28 | 0:40:29 | |
Is the night life of Warsaw so enticing? | 0:40:31 | 0:40:34 | |
I haven't been in Warsaw, Mother. | 0:40:35 | 0:40:37 | |
Hmm. You can't settle anywhere, can you? | 0:40:37 | 0:40:40 | |
Which makes me think you're unhappy. | 0:40:42 | 0:40:45 | |
My work is important. | 0:40:45 | 0:40:46 | |
I've never quite understood what it is. | 0:40:46 | 0:40:50 | |
Is this my colour? | 0:40:50 | 0:40:51 | |
Of course it is. | 0:40:57 | 0:40:58 | |
I thought you might need it. | 0:40:59 | 0:41:02 | |
I know how you feel the cold. | 0:41:02 | 0:41:03 | |
They'll steal it. | 0:41:03 | 0:41:05 | |
No, they won't. | 0:41:05 | 0:41:07 | |
How's your officer? He's not Polish, you said. | 0:41:12 | 0:41:15 | |
French. | 0:41:17 | 0:41:18 | |
Your Frenchman's a gentleman? | 0:41:18 | 0:41:20 | |
He's not my gentleman anymore. | 0:41:28 | 0:41:30 | |
DOG BARKS | 0:41:46 | 0:41:49 | |
I'm sorry - who are you? | 0:41:59 | 0:42:00 | |
I'm Armand. The piano player. And yours needs tuning, by the way. | 0:42:00 | 0:42:05 | |
Oh, you're Gabrielle's friend. | 0:42:05 | 0:42:08 | |
A little more than that, Colonel. | 0:42:08 | 0:42:10 | |
What are you doing here? Why didn't I know you were coming? | 0:42:12 | 0:42:15 | |
Because you'd have found some excuse not to see us. | 0:42:15 | 0:42:18 | |
How are you? | 0:42:18 | 0:42:21 | |
You look terrible. | 0:42:21 | 0:42:22 | |
James Joyce said that | 0:42:30 | 0:42:33 | |
Ireland is the only country that has never persecuted the Jews. | 0:42:33 | 0:42:38 | |
Do you know why? | 0:42:38 | 0:42:39 | |
No, why? | 0:42:39 | 0:42:41 | |
-BOTH ROZENS: -Because they never let them in! | 0:42:41 | 0:42:44 | |
More and more Jewish people are coming to Paris. | 0:42:48 | 0:42:51 | |
Many of them come to my stall, trying to sell paintings, jewellery. | 0:42:51 | 0:42:56 | |
And when they've sold them, where do they plan to go? Hmm? | 0:42:56 | 0:43:00 | |
Palestine? America? | 0:43:00 | 0:43:02 | |
I don't have an art collection to sell. | 0:43:02 | 0:43:05 | |
I guess I could always play piano on an ocean liner | 0:43:05 | 0:43:08 | |
if the war breaks out, jump ship in Havana. | 0:43:08 | 0:43:11 | |
You could play in a casino and I'll be the cigarette girl. | 0:43:11 | 0:43:14 | |
For God's sake, you two, be serious. | 0:43:14 | 0:43:17 | |
This life we have, this life we love, you take for granted. | 0:43:19 | 0:43:23 | |
It could all vanish. Just like that. | 0:43:25 | 0:43:27 | |
So what do you suggest? | 0:43:29 | 0:43:31 | |
We live every day afraid of tomorrow? | 0:43:33 | 0:43:35 | |
-MALKA: -That's how we were living. | 0:43:35 | 0:43:38 | |
A little less now, thanks to your brother. | 0:43:38 | 0:43:42 | |
At least be aware of what tomorrow might be. | 0:43:42 | 0:43:45 | |
People act as though the worst will never happen. | 0:43:47 | 0:43:50 | |
That's just how you act yourself. | 0:43:50 | 0:43:52 | |
How can you say that? | 0:43:56 | 0:43:58 | |
You don't do anything about anything. | 0:43:59 | 0:44:03 | |
Apart from drink your way through Father's cellar. | 0:44:03 | 0:44:06 | |
Do you think your father would mind if we, er, drank another one? | 0:44:07 | 0:44:11 | |
Help yourself. | 0:44:13 | 0:44:14 | |
If you'll excuse me. | 0:44:22 | 0:44:24 | |
Good night. | 0:44:25 | 0:44:26 | |
-Good night. -Good night. | 0:44:26 | 0:44:29 | |
Emile saw the pair of them. | 0:45:30 | 0:45:31 | |
Driving up to the woods above the south meadow. | 0:45:31 | 0:45:34 | |
The two you described to me. | 0:45:34 | 0:45:36 | |
You stay here. | 0:45:41 | 0:45:42 | |
Of course, sir. | 0:45:42 | 0:45:44 | |
Where's the Colonel going? | 0:45:55 | 0:45:57 | |
We'll find out at dinner tonight. | 0:45:57 | 0:45:59 | |
TWIG SNAPS | 0:46:13 | 0:46:15 | |
TWO GUNSHOTS | 0:46:29 | 0:46:31 | |
We need shovels. | 0:46:37 | 0:46:39 | |
I blame myself. | 0:46:44 | 0:46:45 | |
The Soviets knew it was me you approached in Warsaw. | 0:46:45 | 0:46:49 | |
They were bound to make the connection sooner or later. | 0:46:49 | 0:46:52 | |
So these men who came...? | 0:46:52 | 0:46:53 | |
I've dealt with that situation. | 0:46:53 | 0:46:56 | |
Fernand is driving their car to Lyon. He'll dump it somewhere. | 0:46:56 | 0:46:59 | |
And us? | 0:46:59 | 0:47:00 | |
I spoke to Paris last night and again this morning. | 0:47:02 | 0:47:05 | |
You're going to Brittany, a pretty village, apparently, on the sea. | 0:47:05 | 0:47:09 | |
I'll drive you as far as Paris. | 0:47:09 | 0:47:12 | |
You're leaving too? | 0:47:12 | 0:47:13 | |
Yes. My sister's right. | 0:47:13 | 0:47:17 | |
I've been buried here for too long. | 0:47:17 | 0:47:19 | |
I brought you these. | 0:47:30 | 0:47:32 | |
Oh. | 0:47:33 | 0:47:34 | |
I was rather hoping for truffles. | 0:47:35 | 0:47:37 | |
Don't they come from your neck of the woods? | 0:47:37 | 0:47:39 | |
You don't look like you need them. What was it? | 0:47:39 | 0:47:42 | |
Gallstones. How on earth does one get gallstones? | 0:47:42 | 0:47:46 | |
-50 years of foie gras and charcuterie? -Rubbish. | 0:47:46 | 0:47:50 | |
So why are you here? | 0:47:50 | 0:47:51 | |
I need to go to work, General. | 0:47:53 | 0:47:55 | |
I need to get back in the game. | 0:47:55 | 0:47:57 | |
Recently, we reached an agreement with the Poles | 0:47:58 | 0:48:01 | |
in the event of their being invaded. | 0:48:01 | 0:48:03 | |
We're talking about a very dangerous mission. | 0:48:03 | 0:48:06 | |
It's essential to their sovereignty and long-term survival. | 0:48:06 | 0:48:10 | |
It's only known to a few at the highest possible level. | 0:48:10 | 0:48:13 | |
I had a man leaving in two days. | 0:48:13 | 0:48:16 | |
But you know the Poles better. You can replace him. | 0:48:16 | 0:48:20 | |
Thank you. | 0:48:20 | 0:48:21 | |
I'd like to see whatever you've received from Elter in the last few months. | 0:48:23 | 0:48:27 | |
Rather dull reading recently, | 0:48:27 | 0:48:28 | |
but I'll arrange it with Lessard. | 0:48:28 | 0:48:31 | |
And when you get back from Warsaw, I'll be out of this place | 0:48:31 | 0:48:34 | |
and we can enjoy a really good lunch. | 0:48:34 | 0:48:36 | |
Will your doctors allow it? | 0:48:36 | 0:48:38 | |
I won't invite them. | 0:48:38 | 0:48:40 | |
So, you think you can find things in here that we missed, is that it? | 0:48:43 | 0:48:47 | |
Not at all. I just want to get back in the picture. It's been a while. | 0:48:47 | 0:48:51 | |
And yet you're off on a high-priority mission | 0:48:51 | 0:48:53 | |
which is classified to us mere mortals. | 0:48:53 | 0:48:55 | |
I know Poland. I have contacts and connections. | 0:48:55 | 0:48:59 | |
And Beauvilliers behind you. | 0:48:59 | 0:49:01 | |
That won't last long if war breaks out. | 0:49:01 | 0:49:04 | |
You still say "if". | 0:49:05 | 0:49:07 | |
I've set the meeting in here. | 0:49:23 | 0:49:25 | |
Your old apartment's empty so you can stay there. | 0:49:25 | 0:49:28 | |
No housekeeper, I'm afraid. | 0:49:29 | 0:49:31 | |
How long will you be with us? | 0:49:31 | 0:49:33 | |
Two days, perhaps. | 0:49:33 | 0:49:35 | |
Oh, what a shame. It's not the same without you. | 0:49:35 | 0:49:38 | |
Have you been in touch with Anna? | 0:49:38 | 0:49:40 | |
She's in New York at the moment. | 0:49:40 | 0:49:41 | |
-New York! Goodness. -The League has a pavilion at the World's Fair. | 0:49:41 | 0:49:46 | |
Ah, Mercier! Couldn't stay away, huh? | 0:49:46 | 0:49:48 | |
Erm, do you want me to sit in on this meeting? | 0:49:48 | 0:49:51 | |
Thank you, that won't be necessary. | 0:49:51 | 0:49:53 | |
Ah, I see. So there's nothing that you need? | 0:49:53 | 0:49:56 | |
Coffee would be nice. | 0:49:56 | 0:49:57 | |
Obviously the Germans will attack from the west, | 0:50:02 | 0:50:05 | |
so our route has to be south-east, into Romania. | 0:50:05 | 0:50:07 | |
Our Foreign Ministry has already made overtures with Bucharest. | 0:50:07 | 0:50:11 | |
There'll be a freighter at Constanza on the Black Sea. | 0:50:11 | 0:50:15 | |
It will fly a neutral flag but have a French crew and an armed escort. | 0:50:15 | 0:50:19 | |
It will take the consignment to Marseilles. | 0:50:22 | 0:50:24 | |
Ultimate destination - Zurich. | 0:50:24 | 0:50:26 | |
I want you to be the person who sees it through. | 0:50:26 | 0:50:30 | |
I'll insist on it. | 0:50:30 | 0:50:32 | |
Of course, I hope it never comes to this. | 0:50:32 | 0:50:34 | |
We both know it will. | 0:50:34 | 0:50:36 | |
When I was last here, | 0:50:42 | 0:50:43 | |
I got a tip that led to me setting up an informant in IN6 in Berlin. | 0:50:43 | 0:50:49 | |
Anything to share with me? | 0:50:49 | 0:50:51 | |
You wouldn't want it. | 0:50:51 | 0:50:52 | |
I've been over all the recent material in the last two days. | 0:50:52 | 0:50:55 | |
I think it's tainted. | 0:50:55 | 0:50:57 | |
Is Doctor Lapp in Warsaw? | 0:50:58 | 0:50:59 | |
He is. Why? | 0:50:59 | 0:51:01 | |
It was Lapp who gave me the tip. | 0:51:03 | 0:51:05 | |
The world has not improved | 0:51:22 | 0:51:26 | |
since we saw each other last, I fear. | 0:51:26 | 0:51:29 | |
When I saw you in Berlin, | 0:51:30 | 0:51:32 | |
I was grateful for your discretion. | 0:51:32 | 0:51:34 | |
If war does break out, | 0:51:37 | 0:51:39 | |
you will understand that I must serve my country, | 0:51:39 | 0:51:42 | |
-whoever its leaders. -Of course. | 0:51:42 | 0:51:44 | |
I wanted to thank you for the Halbach connection. | 0:51:50 | 0:51:53 | |
As far as I know, he's safe. | 0:51:53 | 0:51:54 | |
Yes, I had heard that. | 0:51:54 | 0:51:56 | |
And did it lead you to his contact? | 0:51:56 | 0:51:59 | |
Or am I asking too much? | 0:51:59 | 0:52:01 | |
It did. He's been very useful. | 0:52:01 | 0:52:03 | |
Except I think he's been exposed. | 0:52:04 | 0:52:07 | |
Turned. | 0:52:07 | 0:52:09 | |
-Feeding us what the Nazis want us to believe. -Really? | 0:52:10 | 0:52:13 | |
What makes you think so? | 0:52:14 | 0:52:16 | |
The quality of his intelligence. | 0:52:17 | 0:52:20 | |
You have powerful connections in Berlin, Doctor. | 0:52:21 | 0:52:24 | |
Would it be possible to confirm my suspicions? | 0:52:25 | 0:52:28 | |
-Are they shared by the Deuxieme Bureau? -No. | 0:52:28 | 0:52:31 | |
So far I've kept this to myself. | 0:52:31 | 0:52:33 | |
I suggest you do, | 0:52:33 | 0:52:35 | |
until I have made some enquiries. | 0:52:35 | 0:52:39 | |
I will be discreet, but... | 0:52:39 | 0:52:42 | |
we are on dangerous ground, you and I. | 0:52:42 | 0:52:44 | |
FLOORBOARDS CREAK | 0:53:19 | 0:53:21 | |
MORE CREAKING | 0:53:34 | 0:53:36 | |
GUNSHOT | 0:54:14 | 0:54:15 | |
HE PANTS | 0:54:22 | 0:54:25 | |
A few hours after I confided in Doctor Lapp, | 0:54:35 | 0:54:37 | |
someone came to kill me. | 0:54:37 | 0:54:39 | |
So I can only assume he was trying to silence me. | 0:54:39 | 0:54:42 | |
If I convinced my superiors of my suspicions, | 0:54:42 | 0:54:44 | |
then the Elter pipeline would be useless to the Nazis. | 0:54:44 | 0:54:47 | |
You think Lapp set you up in the first place | 0:54:47 | 0:54:50 | |
-to discover Elter's identity? -Convinced of it. | 0:54:50 | 0:54:52 | |
Did you get Pakulski to arrest him? | 0:54:52 | 0:54:54 | |
There's no evidence. Nothing they can hold him on. | 0:54:54 | 0:54:57 | |
Besides, if you know who your enemy is, | 0:54:57 | 0:54:59 | |
it's sometimes best to keep him in play. | 0:54:59 | 0:55:02 | |
What a tortured, twisted business this espionage is. | 0:55:02 | 0:55:05 | |
Do you want to add gout to gallstones? | 0:55:07 | 0:55:09 | |
I dreamed of this when I was in hospital. | 0:55:10 | 0:55:13 | |
How seriously do you regard Lady Angela? | 0:55:16 | 0:55:19 | |
She may seem frivolous but she has very good connections | 0:55:19 | 0:55:23 | |
-with people who have Churchill's ear. -Can you put things in motion? | 0:55:23 | 0:55:26 | |
Oh, sooner than you think. | 0:55:26 | 0:55:28 | |
-I'm sure he is. -But clearly, | 0:55:32 | 0:55:34 | |
-discretion is called for at this point. -Yes. | 0:55:34 | 0:55:37 | |
Colonel Mercier, I'd like to introduce Duff Cooper. | 0:55:39 | 0:55:42 | |
You have sympathetic ears here, Colonel. | 0:55:42 | 0:55:45 | |
This is my analysis of the Belgian scenario. | 0:55:45 | 0:55:48 | |
Though I should add that some of my superiors don't give it much credence. | 0:55:48 | 0:55:52 | |
We'll meet again, Colonel, possibly later tonight. | 0:55:52 | 0:55:55 | |
I leave that to you, Angela. | 0:55:55 | 0:55:57 | |
Duff is Churchill's Private Secretary, | 0:56:05 | 0:56:08 | |
so your report won't gather dust in an in-tray. | 0:56:08 | 0:56:10 | |
If they respond well, | 0:56:10 | 0:56:12 | |
you might want to follow this up with a trip across the Channel. | 0:56:12 | 0:56:15 | |
Not too onerous a mission? | 0:56:15 | 0:56:17 | |
A midnight sleeper to London with Her Ladyship. | 0:56:17 | 0:56:20 | |
I think it might be safer if we flew. | 0:56:20 | 0:56:23 | |
By the way, who was that man who didn't say anything? | 0:56:23 | 0:56:26 | |
He's in our game. I think his name's Philby. | 0:56:26 | 0:56:28 | |
INAUDIBLE | 0:56:37 | 0:56:40 | |
LAUGHTER | 0:56:47 | 0:56:49 | |
What is it? | 0:56:55 | 0:56:57 | |
Max Mostov! | 0:57:16 | 0:57:18 | |
God in heaven! The dashing Colonel. | 0:57:20 | 0:57:23 | |
Handsome as ever, I see. | 0:57:23 | 0:57:25 | |
I assumed you were dead. Or in a gulag. | 0:57:27 | 0:57:30 | |
I was fortunate. They gave me a rap on the knuckles, | 0:57:30 | 0:57:34 | |
then threw me in jail for a few months. | 0:57:34 | 0:57:36 | |
And then they send you to Paris to recuperate? You're a liar. | 0:57:36 | 0:57:41 | |
You're one of theirs. You always were. | 0:57:42 | 0:57:45 | |
You had us all fooled, I give you that. | 0:57:47 | 0:57:49 | |
You know, when you are always with people who don't know who you really are, | 0:57:49 | 0:57:54 | |
who do not know that secret part of you, | 0:57:54 | 0:57:59 | |
it makes you feel, in a way, above them. | 0:57:59 | 0:58:02 | |
Do you think that's the appeal? | 0:58:03 | 0:58:05 | |
Nothing about that appeals to me. | 0:58:05 | 0:58:07 | |
Water under the bridge. | 0:58:07 | 0:58:11 | |
This is a crazy business of ours, hey? | 0:58:11 | 0:58:13 | |
Look at us. | 0:58:13 | 0:58:15 | |
Now we are comrades in arms, | 0:58:15 | 0:58:17 | |
Soviets and French united against the dreaded Hitler. | 0:58:17 | 0:58:21 | |
HE CHUCKLES | 0:58:21 | 0:58:24 | |
We should drink to this. | 0:58:24 | 0:58:26 | |
I don't want to drink with you, Max. | 0:58:26 | 0:58:28 | |
Suit yourself. | 0:58:28 | 0:58:29 | |
I hear it did not go so well with you and the lovely Anna. | 0:58:31 | 0:58:36 | |
She wasted a lot of pointless tears on you. | 0:58:36 | 0:58:38 | |
DOOR OPENS | 0:58:38 | 0:58:41 | |
And I tell you something. | 0:58:41 | 0:58:42 | |
I would have her back. | 0:58:44 | 0:58:46 | |
Just like that! | 0:58:46 | 0:58:48 | |
I wanted to strangle him with my bare hands. | 0:59:02 | 0:59:04 | |
Then I calmed down and realised, I have to tell Anna. | 0:59:04 | 0:59:07 | |
-It's going to make all the difference. -And have you? | 0:59:07 | 0:59:10 | |
Not yet. She's on her way back from New York. | 0:59:10 | 0:59:12 | |
Is this the love of your life? | 0:59:12 | 0:59:14 | |
The second love of my life. | 0:59:14 | 0:59:16 | |
Armand's my third. The first two don't really count. | 0:59:16 | 0:59:20 | |
Thank you. | 0:59:20 | 0:59:21 | |
Your love will be put to the test if there's a war. | 0:59:21 | 0:59:24 | |
Because Armand's a Jew? | 0:59:24 | 0:59:26 | |
Maybe he should take that boat to Havana. | 0:59:27 | 0:59:30 | |
He won't leave Paris. And he won't leave me. | 0:59:30 | 0:59:33 | |
Forgive the intrusion. | 0:59:33 | 0:59:35 | |
May I join you for a moment? | 0:59:35 | 0:59:36 | |
Of course, please. | 0:59:36 | 0:59:38 | |
Do you want to talk in private? | 0:59:38 | 0:59:39 | |
No, my dear. | 0:59:39 | 0:59:41 | |
The whole world will know when it wakes up in the morning. | 0:59:41 | 0:59:44 | |
The Deuxieme Bureau has picked up an intercept to the German Embassy. | 0:59:45 | 0:59:50 | |
Hitler has signed a non-aggression pact with Stalin. | 0:59:51 | 0:59:55 | |
What? | 0:59:55 | 0:59:56 | |
Two men who vilified each other for years. | 0:59:56 | 0:59:58 | |
They'd make Machiavelli proud. | 0:59:58 | 1:00:01 | |
Only days ago, the Russians were at that conference | 1:00:01 | 1:00:04 | |
with their bland smiles and bad suits. | 1:00:04 | 1:00:07 | |
They signed an agreement with us! | 1:00:07 | 1:00:08 | |
-And what does this mean? -It's a vile and cynical tactic so that Russia | 1:00:08 | 1:00:12 | |
and Germany can carve up Poland between them. | 1:00:12 | 1:00:15 | |
War is inevitable, a matter of days. | 1:00:17 | 1:00:20 | |
You must leave as soon as possible. | 1:00:20 | 1:00:22 | |
TRAIN WHISTLE BLOWS | 1:00:27 | 1:00:28 | |
Oh, my dear girl, what a terrible time for Poland, terrible. | 1:00:39 | 1:00:43 | |
What are you doing here? | 1:00:43 | 1:00:45 | |
Colonel Mercier asked me to meet you. | 1:00:45 | 1:00:47 | |
He should be in Warsaw in a day or so and he's desperate to see you. | 1:00:47 | 1:00:51 | |
I don't wish to see him. | 1:00:51 | 1:00:53 | |
I think you might, my dear, when you hear what he's asked me to tell you. | 1:00:54 | 1:00:58 | |
It's about Max. | 1:00:58 | 1:01:00 | |
Malka, we will always be afraid. | 1:01:17 | 1:01:22 | |
Either as defectors or Jews. | 1:01:22 | 1:01:28 | |
We live among strangers. | 1:01:32 | 1:01:33 | |
Who knows who will be the first to point the finger? | 1:01:34 | 1:01:37 | |
This way we will be together, always. | 1:01:39 | 1:01:46 | |
Good to see you, Colonel. | 1:02:12 | 1:02:13 | |
You too, Marek. What's the mood here? | 1:02:13 | 1:02:15 | |
Everyone under 40 has to collect call-up papers. | 1:02:15 | 1:02:18 | |
-Plus all reservists and ex-soldiers. -Not you? | 1:02:18 | 1:02:21 | |
The Colonel wants me on this assignment you're on. | 1:02:21 | 1:02:24 | |
He won't tell me what it is. | 1:02:24 | 1:02:27 | |
What do you want from me? | 1:02:38 | 1:02:40 | |
First, your silence about everything you see and hear from now on. | 1:02:40 | 1:02:44 | |
I need all the seats ripped out of those coaches | 1:02:45 | 1:02:47 | |
and the floorboards taken up to make room for some crates. | 1:02:47 | 1:02:50 | |
Everything needs to be back in place by tomorrow morning. | 1:02:50 | 1:02:55 | |
Is it ammunition? | 1:02:55 | 1:02:56 | |
I mean, I need to know if this thing could blow up at any minute. | 1:02:56 | 1:03:00 | |
I can't tell you what it is. | 1:03:00 | 1:03:02 | |
And I'm supposed to drive it? | 1:03:02 | 1:03:04 | |
That's what you do, isn't it? | 1:03:04 | 1:03:06 | |
For 40 years, yes. | 1:03:06 | 1:03:07 | |
Was this the original plan? | 1:03:12 | 1:03:14 | |
Everything's changed since those bastards took us by surprise. | 1:03:16 | 1:03:19 | |
We're improvising. | 1:03:19 | 1:03:21 | |
So when will we leave? | 1:03:21 | 1:03:23 | |
Not before morning. | 1:03:23 | 1:03:25 | |
I'll check in with the Embassy. | 1:03:25 | 1:03:26 | |
Oh! Last night. Bold as brass in the Cafe Cleo. | 1:03:26 | 1:03:30 | |
Dr Lapp, with his coffee and his cognac, expressing his regret | 1:03:30 | 1:03:34 | |
that these things have come to pass between our two great nations. | 1:03:34 | 1:03:36 | |
He's still here? | 1:03:36 | 1:03:38 | |
Yes. | 1:03:38 | 1:03:39 | |
What have you heard? | 1:03:55 | 1:03:57 | |
German tanks are heading for Poland. | 1:03:57 | 1:03:59 | |
52 divisions, that's a million and a half men. | 1:03:59 | 1:04:01 | |
And Stalin has 40 divisions on our eastern border. | 1:04:01 | 1:04:04 | |
They'll bomb the airfields first. Then telephone exchanges. | 1:04:04 | 1:04:07 | |
When will you get out? | 1:04:07 | 1:04:08 | |
We're waiting for Paris to tell us. You were right all along. | 1:04:08 | 1:04:11 | |
I'll take this to the Ambassador. | 1:04:13 | 1:04:15 | |
-Anna? -I saw her. I told her about Max. | 1:04:17 | 1:04:21 | |
And? | 1:04:21 | 1:04:22 | |
Shock. Tears. Regret. | 1:04:22 | 1:04:23 | |
I have to see her. Where is she? | 1:04:25 | 1:04:27 | |
She went to the country to be with her mother. | 1:04:27 | 1:04:29 | |
I have an address. | 1:04:29 | 1:04:30 | |
Why have I been brought to this dreadful place? | 1:04:42 | 1:04:45 | |
You're accused of espionage, Dr Lapp. | 1:04:54 | 1:04:56 | |
Accused by whom? | 1:04:56 | 1:04:57 | |
Colonel Mercier. | 1:04:57 | 1:04:58 | |
That's outrageous. | 1:05:01 | 1:05:03 | |
He has no evidence. | 1:05:03 | 1:05:04 | |
We don't need evidence. | 1:05:04 | 1:05:05 | |
We are not arresting you. | 1:05:05 | 1:05:07 | |
We are detaining you under the Emergency Powers Act. | 1:05:07 | 1:05:10 | |
There's no such thing! | 1:05:10 | 1:05:11 | |
It's what we enact when we're | 1:05:11 | 1:05:13 | |
about to be invaded by a hostile foreign power. | 1:05:13 | 1:05:15 | |
I demand to speak to someone from my Embassy. | 1:05:15 | 1:05:18 | |
Your demand is duly noted. | 1:05:18 | 1:05:20 | |
Now, give me your belt and shoes. | 1:05:20 | 1:05:22 | |
How many more of those are there? | 1:05:32 | 1:05:34 | |
Another two truckloads. | 1:05:34 | 1:05:36 | |
What's the total weight? | 1:05:43 | 1:05:45 | |
About 40,000 kilograms. | 1:05:45 | 1:05:47 | |
That's more than the average train packed with passengers. | 1:05:49 | 1:05:52 | |
We don't need to be fast, we just need to look like an ordinary train. | 1:05:52 | 1:05:55 | |
TRAIN WHISTLE BLOWS | 1:06:09 | 1:06:11 | |
KNOCKING ON DOOR | 1:06:44 | 1:06:46 | |
Did you sleep? | 1:06:51 | 1:06:53 | |
Hardly. | 1:06:53 | 1:06:55 | |
It's started. | 1:06:55 | 1:06:57 | |
German commando units have crossed the border, | 1:06:57 | 1:06:59 | |
backed up by six armoured and eight motorized divisions. | 1:06:59 | 1:07:02 | |
God preserve us, we're at war. | 1:07:02 | 1:07:04 | |
We could have some of your decent Scotch if there's any left. | 1:07:04 | 1:07:08 | |
I'll bring it with me. | 1:07:08 | 1:07:10 | |
Let's go. Car's outside. | 1:07:10 | 1:07:11 | |
Anna's mother's estate is just 30 minutes from a station on our route. | 1:07:11 | 1:07:17 | |
A place called Borek. | 1:07:17 | 1:07:18 | |
I'm going to get her and meet you there. | 1:07:20 | 1:07:22 | |
You are not. You have orders. | 1:07:22 | 1:07:24 | |
I'm asking for a few hours, Antoni. | 1:07:24 | 1:07:26 | |
Request denied. You know what we have to do here. | 1:07:26 | 1:07:28 | |
My official mission begins at the Romanian border. | 1:07:28 | 1:07:31 | |
No, your official mission begins here, now, with me. | 1:07:31 | 1:07:33 | |
And if you jeopardise it, I'll see you are court-martialled. | 1:07:33 | 1:07:37 | |
I will make it back to the train. | 1:07:37 | 1:07:39 | |
If something goes wrong, you'll be stranded in the middle of Poland | 1:07:43 | 1:07:46 | |
with Russians coming one way and Germans the other. | 1:07:46 | 1:07:49 | |
So you die in your lover's arms, that will console you? | 1:07:49 | 1:07:53 | |
I have to do this. | 1:07:53 | 1:07:54 | |
Jean-Francois, you are my friend. | 1:07:58 | 1:08:00 | |
We've been friends for 20 years. | 1:08:02 | 1:08:04 | |
But if you're not at that station, I won't wait even a minute. | 1:08:05 | 1:08:09 | |
I understand. | 1:08:11 | 1:08:12 | |
TRAIN WHISTLE BLOWS | 1:08:20 | 1:08:22 | |
Where did these children come from? | 1:09:06 | 1:09:09 | |
From the city, Mother. It's safer for them here. | 1:09:09 | 1:09:12 | |
I used to love the sound of the servants' children | 1:09:14 | 1:09:17 | |
when the house was ours. | 1:09:17 | 1:09:19 | |
Sometimes they forget about our lunch. | 1:09:22 | 1:09:25 | |
Most of the nurses have left. | 1:09:25 | 1:09:27 | |
We're at war, Mother. It's started. | 1:09:31 | 1:09:35 | |
My two brothers died in the last one. | 1:09:38 | 1:09:42 | |
Patryk was only 18. | 1:09:42 | 1:09:43 | |
But they said there would never be another one. | 1:09:46 | 1:09:48 | |
The soup was cold yesterday. | 1:09:51 | 1:09:53 | |
What are you doing here? | 1:10:37 | 1:10:39 | |
I've come for you, Anna. | 1:10:39 | 1:10:41 | |
You wasted a year on guilt and tears. | 1:10:43 | 1:10:46 | |
A year of our lives we should have spent with each other. | 1:10:46 | 1:10:50 | |
What a stupid woman I was. I believed it all. | 1:10:51 | 1:10:55 | |
I thought Max was a soul that needed saving. | 1:10:55 | 1:10:58 | |
It was all a deception. I've missed you. | 1:10:58 | 1:11:02 | |
You'd better introduce me to your mother. | 1:11:10 | 1:11:12 | |
Mother, this is Colonel Jean-Francois Mercier. | 1:11:27 | 1:11:31 | |
An honour, Ma'am. | 1:11:33 | 1:11:35 | |
A gentleman indeed. | 1:11:35 | 1:11:38 | |
How kind of you to come and visit us. | 1:11:38 | 1:11:40 | |
No-one else ever does. | 1:11:40 | 1:11:41 | |
I want you both to come with me. | 1:11:43 | 1:11:44 | |
-Where to? -Out of Poland. | 1:11:45 | 1:11:47 | |
We have to pick up a train 20 kilometres from here. | 1:11:47 | 1:11:51 | |
So be as quick as you can, take as little as you need. | 1:11:51 | 1:11:54 | |
Are you from Paris? I loved it when we lived in Paris. | 1:11:54 | 1:11:58 | |
We were near that famous bakery. | 1:11:58 | 1:12:00 | |
Mother, you heard the Colonel. We have to leave. | 1:12:00 | 1:12:03 | |
I don't have the clothes for Paris. | 1:12:03 | 1:12:04 | |
It will be all new fashions. You must go, Anna. | 1:12:04 | 1:12:08 | |
No! I won't leave you here. | 1:12:09 | 1:12:11 | |
But you should. | 1:12:11 | 1:12:13 | |
You're in love. | 1:12:14 | 1:12:15 | |
You have a life ahead of you. | 1:12:20 | 1:12:22 | |
Mine's behind me. | 1:12:25 | 1:12:26 | |
I can see smoke. Look! | 1:13:12 | 1:13:15 | |
Do we slow down? | 1:13:47 | 1:13:49 | |
Not if he's not there. | 1:13:49 | 1:13:51 | |
He's not stopping! | 1:14:00 | 1:14:01 | |
The car. It's the car, Colonel. | 1:14:20 | 1:14:25 | |
Colonel? | 1:14:44 | 1:14:45 | |
Hit the brakes! | 1:14:47 | 1:14:49 | |
You cut it fine. | 1:15:12 | 1:15:13 | |
Thank God I had a French car. | 1:15:13 | 1:15:15 | |
Good to see you, Anna. | 1:15:15 | 1:15:16 | |
OK, let's go. | 1:15:19 | 1:15:20 | |
We're heading for the border. You, Pakulski, armed guards. | 1:15:53 | 1:15:58 | |
What's going on? | 1:15:58 | 1:15:59 | |
We have a hidden cargo. | 1:16:02 | 1:16:03 | |
Under our feet? | 1:16:05 | 1:16:06 | |
What is it? | 1:16:08 | 1:16:10 | |
We're evacuating the entire Polish national bullion reserve. | 1:16:15 | 1:16:18 | |
Before the Nazis can get their hands on it. | 1:16:20 | 1:16:22 | |
Gold? | 1:16:24 | 1:16:25 | |
40 cases. 10 ingots in every case. | 1:16:27 | 1:16:31 | |
-To Romania? -And beyond. | 1:16:33 | 1:16:35 | |
Vladimir Herschensohn. | 1:17:09 | 1:17:11 | |
Principal violinist of the Polish National Symphony Orchestra. | 1:17:12 | 1:17:17 | |
Roman Kosinksi. | 1:17:17 | 1:17:19 | |
Oh, a student? | 1:17:19 | 1:17:21 | |
I was. Now I've no idea what I am. | 1:17:21 | 1:17:24 | |
And I may never see my family again. | 1:17:24 | 1:17:27 | |
You must believe that you will. | 1:17:27 | 1:17:29 | |
That they will survive and so will you. | 1:17:29 | 1:17:32 | |
You survived polio. | 1:17:33 | 1:17:36 | |
Is it true we are headed for Romania? | 1:17:39 | 1:17:42 | |
So they say. | 1:17:42 | 1:17:43 | |
Ah, I have cousins there. | 1:17:43 | 1:17:46 | |
They have a fine orchestra. | 1:17:46 | 1:17:48 | |
If they won't have me, it will mean a cap on the pavement. | 1:17:48 | 1:17:53 | |
Will you go back to fight this war, Colonel? | 1:18:00 | 1:18:02 | |
We both will. | 1:18:05 | 1:18:06 | |
THEY SPEAK GERMAN | 1:18:21 | 1:18:22 | |
Stop! Stop! | 1:18:47 | 1:18:48 | |
Good of you to let us know. We're Polish. | 1:18:53 | 1:18:55 | |
What's happening? | 1:19:56 | 1:19:57 | |
There's a girl. | 1:19:57 | 1:19:58 | |
What's happened? | 1:20:04 | 1:20:05 | |
I'm not sure, stay here. | 1:20:07 | 1:20:09 | |
You two with me. | 1:20:09 | 1:20:10 | |
Here, take this. | 1:20:15 | 1:20:16 | |
I don't know how to use this. | 1:20:22 | 1:20:23 | |
I'll show you. I didn't always play the violin. | 1:20:24 | 1:20:29 | |
Get in. | 1:20:32 | 1:20:33 | |
Is something wrong? | 1:20:35 | 1:20:38 | |
Please, Excellency. | 1:20:38 | 1:20:40 | |
Take me with you. | 1:20:44 | 1:20:46 | |
Stay here, don't leave the bullion. | 1:20:48 | 1:20:51 | |
I'm going to see what's happening. | 1:20:51 | 1:20:53 | |
You don't have to pay me. | 1:20:59 | 1:21:01 | |
Where do you live? Where is your family? | 1:21:01 | 1:21:03 | |
Gone. | 1:21:03 | 1:21:04 | |
HE SPEAKS OWN LANGUAGE | 1:21:10 | 1:21:12 | |
I don't speak your language. | 1:21:18 | 1:21:20 | |
Who are you? | 1:21:28 | 1:21:29 | |
I work for the railroad. | 1:21:29 | 1:21:31 | |
You don't look like railroad worker. Anything valuable on this train? | 1:21:31 | 1:21:35 | |
Just people, heading for the border. | 1:21:35 | 1:21:38 | |
Running, huh? | 1:21:39 | 1:21:41 | |
Why not? | 1:21:41 | 1:21:42 | |
The Poles are finished. | 1:21:42 | 1:21:44 | |
What do you want from us? | 1:22:01 | 1:22:02 | |
Money. Jewellery. Women. | 1:22:02 | 1:22:05 | |
Don't worry, we won't take ugly ones. | 1:22:06 | 1:22:09 | |
Give me that watch. | 1:22:09 | 1:22:10 | |
You don't get this working for railroad. | 1:22:21 | 1:22:23 | |
What do you see down there? | 1:22:24 | 1:22:26 | |
HE SPEAKS OWN LANGUAGE | 1:22:33 | 1:22:34 | |
GUNSHOT | 1:22:50 | 1:22:51 | |
TRAIN WHISTLE BLOWS | 1:22:54 | 1:22:55 | |
Are you all right? | 1:23:14 | 1:23:15 | |
Fine. There's two more back in the carriage, | 1:23:15 | 1:23:18 | |
they're not going anywhere. | 1:23:18 | 1:23:19 | |
I'm sorry. They make me. | 1:23:19 | 1:23:22 | |
Why don't we settle in a cabin in the wild - | 1:23:47 | 1:23:50 | |
a well, a few goats | 1:23:50 | 1:23:54 | |
and hundreds of miles from the war? | 1:23:54 | 1:23:56 | |
I'd need dogs. And some books. | 1:23:58 | 1:24:01 | |
And a good cellar. | 1:24:02 | 1:24:03 | |
And I'd learn to sew. | 1:24:05 | 1:24:07 | |
Where are we anyway? | 1:24:07 | 1:24:09 | |
We'll reach the border tomorrow. | 1:24:09 | 1:24:12 | |
And then? | 1:24:12 | 1:24:13 | |
I'll never let you out of my sight. | 1:24:14 | 1:24:16 | |
Could be in France in four or five weeks, we'll get married. | 1:24:19 | 1:24:22 | |
If you want to make a respectable woman of me, | 1:24:24 | 1:24:26 | |
I'm afraid you're too late. | 1:24:26 | 1:24:28 | |
I can still try. | 1:24:29 | 1:24:30 | |
Looks like we're expected. | 1:25:41 | 1:25:43 | |
If it goes well with the Romanians, the rest is up to you. | 1:25:44 | 1:25:47 | |
The future is uncertain, to say the least. | 1:25:54 | 1:25:57 | |
Whatever it may be, you two face it together. | 1:25:57 | 1:26:00 | |
What now? | 1:26:56 | 1:26:58 | |
We do our best to stay alive. | 1:26:58 | 1:27:00 | |
Subtitles by Red Bee Media Ltd | 1:27:52 | 1:27:55 |