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I always liked you Harry... | 0:00:02 | 0:00:03 | |
Your sure moral sense... | 0:00:03 | 0:00:05 | |
Thing is, though, that kind of certainty limits a man... | 0:00:05 | 0:00:11 | |
keeps him small. | 0:00:11 | 0:00:12 | |
Betrayal is a cancer. Let it eat your soul... | 0:00:12 | 0:00:16 | |
not mine. | 0:00:16 | 0:00:17 | |
-Marry me, Ruth. -I can't, Harry. | 0:00:18 | 0:00:21 | |
We couldn't be more together than we are right now. | 0:00:21 | 0:00:25 | |
-My name isn't Lucas North. -Damn you! | 0:00:25 | 0:00:29 | |
-Time for someone else to stand on the wall. -This isn't you talking. | 0:00:29 | 0:00:32 | |
Come and meet me. | 0:00:32 | 0:00:33 | |
He blames you, Harry. He'll kill you. | 0:00:33 | 0:00:36 | |
It's my turn. | 0:00:36 | 0:00:37 | |
If you're going to shoot me, shoot me now. | 0:00:37 | 0:00:41 | |
Shoot me now. | 0:00:41 | 0:00:42 | |
The buzzards are circling. You're the spy they want to kick back into the cold. | 0:00:46 | 0:00:49 | |
I'd start preparing for life after MI5. | 0:00:49 | 0:00:53 | |
CAR HORN SOUNDS | 0:01:10 | 0:01:12 | |
-Sir... -Yes? | 0:04:31 | 0:04:32 | |
We're here. | 0:04:32 | 0:04:34 | |
Thank you. | 0:04:34 | 0:04:36 | |
Apologies for giving you the run-around this morning, | 0:04:36 | 0:04:38 | |
flattered as I am to be deemed worthy of a three-man unit. | 0:04:38 | 0:04:42 | |
It was just two officers. | 0:04:42 | 0:04:44 | |
Oh, yes. My mistake. | 0:04:45 | 0:04:47 | |
Sir. | 0:04:48 | 0:04:49 | |
Good luck today. | 0:04:49 | 0:04:52 | |
Sir Harry Pearce, | 0:05:07 | 0:05:08 | |
Over the last three days, this tribunal has had a full account | 0:05:08 | 0:05:13 | |
of your involvement in the Albany matter. | 0:05:13 | 0:05:16 | |
And the charges made against you are of the utmost severity. | 0:05:16 | 0:05:21 | |
The facts are not in dispute. | 0:05:21 | 0:05:23 | |
You traded a state secret to a foreign power | 0:05:23 | 0:05:27 | |
for the life of an officer with whom you have a personal relationship. | 0:05:27 | 0:05:31 | |
My personal relationships are not relevant. | 0:05:31 | 0:05:34 | |
-Excuse me? -I had a choice to make, | 0:05:35 | 0:05:38 | |
between two of this nation's intelligence assets - | 0:05:38 | 0:05:41 | |
the Albany deterrent and Ms Evershed. | 0:05:41 | 0:05:43 | |
There was a risk I would lose Albany. | 0:05:45 | 0:05:47 | |
But I knew the technology was worthless... | 0:05:47 | 0:05:50 | |
of little value to the nation. | 0:05:50 | 0:05:52 | |
My assessment of Ms Evershed was the reverse. | 0:05:52 | 0:05:55 | |
I've prepared a report... | 0:05:56 | 0:05:58 | |
detailing her key role in several Security Service operations. | 0:06:00 | 0:06:05 | |
The discovery of the 2009 Birmingham plot, | 0:06:06 | 0:06:09 | |
saving the life of a former section chief from far-right terrorists, | 0:06:09 | 0:06:13 | |
sacrificing her own freedom to ensure mine. | 0:06:13 | 0:06:16 | |
PHONE RINGS | 0:06:16 | 0:06:17 | |
-Hello. -Her work has saved many lives, | 0:06:17 | 0:06:22 | |
often at grave cost to herself. | 0:06:22 | 0:06:24 | |
I did not put a personal relationship above our security. | 0:06:24 | 0:06:28 | |
-(The Home Secretary...) -I made an operational decision in the nation's interest. | 0:06:28 | 0:06:33 | |
Please excuse me. | 0:06:36 | 0:06:38 | |
The tribunal needs more time to examine your submissions. | 0:06:54 | 0:07:00 | |
In light of the eight weeks enforced leave that you have already had, | 0:07:00 | 0:07:04 | |
it seems unwise to further waste your expertise while we deliberate. | 0:07:04 | 0:07:09 | |
However, any return to work must be on a probationary basis. | 0:07:09 | 0:07:14 | |
Deviation from protocol will result in immediate suspension. | 0:07:14 | 0:07:18 | |
Erin Watts has been sitting in your seat. | 0:07:21 | 0:07:25 | |
You are required to retain her as section chief. | 0:07:25 | 0:07:28 | |
Do you accept the terms? | 0:07:28 | 0:07:30 | |
I serve my country in whatever capacity asked of me. | 0:07:30 | 0:07:35 | |
Someone jammed the guillotine. | 0:07:38 | 0:07:40 | |
Yes, whoever it was, | 0:07:40 | 0:07:41 | |
no doubt they'll want me to do something in return. | 0:07:41 | 0:07:44 | |
Dimitri heard from Six in Senegal this morning. | 0:07:44 | 0:07:46 | |
They found Lucas North's remains. | 0:07:46 | 0:07:48 | |
They were where John Bateman said they'd be. | 0:07:48 | 0:07:50 | |
I've had two months to go over it. | 0:07:50 | 0:07:52 | |
I can't figure out why he wanted me on that rooftop. | 0:07:52 | 0:07:54 | |
I think he wanted forgiveness. | 0:07:54 | 0:07:56 | |
So, can I see that report? | 0:07:56 | 0:07:57 | |
Not while I still draw breath. | 0:07:57 | 0:07:59 | |
No, ma'am. | 0:09:10 | 0:09:11 | |
I've been arguing for a long time we need to do something, er... | 0:09:11 | 0:09:15 | |
decisive about the situation there. | 0:09:15 | 0:09:18 | |
Britain has been our loyal friend, | 0:09:19 | 0:09:22 | |
but we can't let sentimentality stay our hand. | 0:09:22 | 0:09:25 | |
Not when action so clearly needs to be taken. | 0:09:26 | 0:09:29 | |
Absolutely. | 0:09:32 | 0:09:34 | |
I'll be on the next flight to London. | 0:09:34 | 0:09:36 | |
Thank you, ma'am. | 0:09:38 | 0:09:39 | |
Do I have you to thank, Home Secretary, | 0:10:42 | 0:10:44 | |
for intervening in my tribunal? | 0:10:44 | 0:10:47 | |
Of course it was me, Harry. | 0:10:47 | 0:10:49 | |
Who else is as fond of you? | 0:10:49 | 0:10:51 | |
Unfortunately, I could only | 0:10:52 | 0:10:54 | |
get you a stay of execution, not the full pardon. | 0:10:54 | 0:10:56 | |
They want you out, Harry. They'll get their way eventually. | 0:10:56 | 0:10:59 | |
No surprises. | 0:10:59 | 0:11:00 | |
I'm aware I have not played nicely with the other children. | 0:11:00 | 0:11:03 | |
Would it have killed you to pick up a golf club? | 0:11:03 | 0:11:06 | |
It may well have done, yes. | 0:11:06 | 0:11:08 | |
Well, pragmatism wins out for the moment. | 0:11:09 | 0:11:12 | |
We need our best security people now more than ever. | 0:11:12 | 0:11:15 | |
Bin Laden's death wasn't quite the panacea we'd all hoped for. | 0:11:15 | 0:11:18 | |
You've seen the recent JIC reports? | 0:11:18 | 0:11:20 | |
Yes. And for once, they've got it right. | 0:11:20 | 0:11:23 | |
If the turmoil in the Middle East sees hardline Islamists taking power, | 0:11:24 | 0:11:28 | |
we face a nightmare scenario. | 0:11:28 | 0:11:31 | |
If we do nothing and your scenario comes to pass | 0:11:31 | 0:11:33 | |
Britain will be the whipping boy. We struggle to defend ourselves as it is, but... | 0:11:33 | 0:11:38 | |
if they have the backing of governments... | 0:11:38 | 0:11:40 | |
Is there a long-term strategy? | 0:11:40 | 0:11:42 | |
Yes, we reposition ourselves. | 0:11:42 | 0:11:44 | |
Start winning friends and influencing people. | 0:11:44 | 0:11:48 | |
Particularly the new big boys, | 0:11:48 | 0:11:50 | |
China, Russia, India, Brazil... | 0:11:50 | 0:11:51 | |
and, Harry, that includes your side of things. | 0:11:51 | 0:11:55 | |
Share our expertise. Build relationships. | 0:11:55 | 0:11:59 | |
I'm an intelligence officer. Not a diplomat. | 0:11:59 | 0:12:01 | |
We're all going to have to be diplomats in the new age, Harry. | 0:12:01 | 0:12:05 | |
Sir Harry. | 0:12:40 | 0:12:42 | |
Welcome back. | 0:12:45 | 0:12:46 | |
Erin Watts, I presume. | 0:12:46 | 0:12:48 | |
I hear you decommissioned Beth Bailey. | 0:12:48 | 0:12:50 | |
Her conduct during the Westhouse operation, | 0:12:51 | 0:12:54 | |
her links with the drug cartel, were unacceptable. | 0:12:54 | 0:12:56 | |
I expect higher standards. | 0:12:56 | 0:12:59 | |
It's an honour to serve in Section D, sir. | 0:13:00 | 0:13:02 | |
I've studied your career. | 0:13:02 | 0:13:04 | |
Just call me Harry. | 0:13:04 | 0:13:06 | |
I wouldn't associate too closely with me if I were you. | 0:13:06 | 0:13:08 | |
You're on the fast track to great things. | 0:13:08 | 0:13:11 | |
I'm on the opposite trajectory, wouldn't want any dirt to rub off. | 0:13:11 | 0:13:15 | |
Thank you for your concern. | 0:13:15 | 0:13:16 | |
But I've no interest in being a politician. | 0:13:16 | 0:13:18 | |
PHONE RINGS | 0:13:18 | 0:13:21 | |
Excuse me. | 0:13:21 | 0:13:22 | |
Ruth, | 0:13:26 | 0:13:27 | |
I'd like to see any communiques that came in for me, please. | 0:13:27 | 0:13:30 | |
She'll loosen up after a few years. | 0:13:30 | 0:13:32 | |
How was your, um...break? | 0:13:32 | 0:13:35 | |
At one particularly dark moment, I actually considered gardening. | 0:13:35 | 0:13:38 | |
She's altered my bloody chair. It took me 10 years to get that right. | 0:13:42 | 0:13:45 | |
Well, I'll get Q branch to have a look at it. | 0:13:45 | 0:13:48 | |
-You expecting something? -Yes. | 0:13:51 | 0:13:53 | |
Who processed this? | 0:13:54 | 0:13:56 | |
Er... | 0:13:56 | 0:13:58 | |
I don't know. I... | 0:13:58 | 0:14:00 | |
Who processed this? | 0:14:05 | 0:14:06 | |
Calum Reed. Nice to meet you. | 0:14:08 | 0:14:09 | |
You filed it low priority? | 0:14:09 | 0:14:11 | |
Er, yeah. | 0:14:11 | 0:14:13 | |
It was sent to a defunct Five PO Box, | 0:14:13 | 0:14:16 | |
from former cut-out, Max Witt, codenamed Sharecropper. | 0:14:16 | 0:14:19 | |
Active during the '70s and '80s. Worked for us out of London and East Berlin. | 0:14:19 | 0:14:23 | |
I decoded it, nonsense. The guy had Alzheimer's. | 0:14:23 | 0:14:26 | |
Had? | 0:14:26 | 0:14:27 | |
Yeah. Died three days ago. | 0:14:27 | 0:14:29 | |
Sorry, did you know him? | 0:14:32 | 0:14:33 | |
Give me the abridged version. | 0:14:33 | 0:14:35 | |
Just said he needed to meet you. | 0:14:35 | 0:14:37 | |
He was 71. | 0:14:37 | 0:14:38 | |
Hadn't worked for us for 20 years. | 0:14:38 | 0:14:40 | |
Low priority, was I wrong? | 0:14:40 | 0:14:41 | |
No. | 0:14:41 | 0:14:42 | |
Just young. | 0:14:42 | 0:14:45 | |
What? | 0:14:51 | 0:14:52 | |
I think he likes me. | 0:14:53 | 0:14:55 | |
-ON SPEAKER PHONE: -'Harry?' | 0:16:00 | 0:16:02 | |
Tariq. | 0:16:02 | 0:16:03 | |
Tell Calum to find out where they're holding Max Witt's body. | 0:16:04 | 0:16:08 | |
-'I want a post-mortem.' -Will do. | 0:16:08 | 0:16:12 | |
Max Witt. | 0:16:47 | 0:16:49 | |
Cold War cut-out. | 0:16:49 | 0:16:50 | |
MI6 officer. | 0:16:50 | 0:16:52 | |
Codenamed Sharecropper. | 0:16:52 | 0:16:55 | |
Murdered some time during the last 72 hours. | 0:16:55 | 0:16:58 | |
He was force-fed an overdose of his medication. | 0:16:58 | 0:17:01 | |
He'd been trying to contact me, first with the message here, | 0:17:01 | 0:17:05 | |
and then another to my home asking me to check a dead drop he used to use. | 0:17:05 | 0:17:10 | |
It had this message from Max. | 0:17:11 | 0:17:12 | |
What I'm about to tell you exceeds all your security clearances... | 0:17:15 | 0:17:18 | |
so, you didn't hear it from me. | 0:17:18 | 0:17:20 | |
Ilya Andreevich Gavrik. | 0:17:23 | 0:17:25 | |
Former KGB legend, | 0:17:25 | 0:17:27 | |
oligarch, | 0:17:27 | 0:17:29 | |
and Russia's new minister for international development. | 0:17:29 | 0:17:33 | |
And your opposite number in Berlin. | 0:17:33 | 0:17:35 | |
This is Elena Gavrik, Ilya's wife, | 0:17:37 | 0:17:40 | |
former MI6 asset, Codenamed Tourmaline. | 0:17:40 | 0:17:43 | |
She communicated via Max, | 0:17:43 | 0:17:45 | |
and became the best Soviet source of the whole 1980s. | 0:17:45 | 0:17:48 | |
We had Gavrik's wife? | 0:17:48 | 0:17:50 | |
CIA Deputy Director James Coaver. | 0:17:51 | 0:17:55 | |
We were stationed together in Berlin. | 0:17:55 | 0:17:57 | |
Jim and I turned her in '81, when I was with Six. | 0:17:57 | 0:18:01 | |
This is Cold War stuff. How come it isn't declassified? | 0:18:01 | 0:18:03 | |
Well, Tourmaline was never exposed, never extracted. | 0:18:03 | 0:18:06 | |
She's still in Russia with Gavrik. | 0:18:06 | 0:18:08 | |
Why? | 0:18:08 | 0:18:10 | |
Plans were made for her defection but it never came to fruition. | 0:18:12 | 0:18:16 | |
If Max meant she was in danger of exposure, | 0:18:16 | 0:18:19 | |
the fallout will be catastrophic. | 0:18:19 | 0:18:21 | |
The wife of a senior Russian cabinet minister, | 0:18:21 | 0:18:25 | |
exposed as a Western spy. | 0:18:25 | 0:18:27 | |
Relations with the Kremlin would simply cease. | 0:18:28 | 0:18:31 | |
We need to find out what Max knew. | 0:18:31 | 0:18:33 | |
And why it got him killed. | 0:18:33 | 0:18:34 | |
Whatever this is, it can go no further. | 0:18:34 | 0:18:37 | |
Ok, Ruth, find out whatever you can about Ilya and Elena Gavrik. | 0:18:37 | 0:18:40 | |
Sweep all dead-drops he could have used, obsolete or otherwise. | 0:18:40 | 0:18:43 | |
Calum, work with Tariq, focus on his house. | 0:18:43 | 0:18:46 | |
Find out who visited him in the last three days. | 0:18:46 | 0:18:49 | |
CCTV in Witt's street went down the day before he died. | 0:18:50 | 0:18:53 | |
How about private cameras nearby? | 0:18:53 | 0:18:55 | |
One step ahead of you. | 0:18:55 | 0:18:57 | |
Building opposite his has one that faces the street. | 0:18:57 | 0:19:01 | |
-And have you checked from three days ago? -Yep. | 0:19:01 | 0:19:03 | |
Lots of mums with prams, | 0:19:03 | 0:19:05 | |
blue-rinse brigade, | 0:19:05 | 0:19:07 | |
and then this guy. | 0:19:07 | 0:19:09 | |
Takes CCTV out, keeps his head down, | 0:19:12 | 0:19:15 | |
He's been trained. | 0:19:15 | 0:19:16 | |
There's no chance of ID-ing him at that distance, though. | 0:19:16 | 0:19:19 | |
Could try a motion analysis filter. | 0:19:20 | 0:19:23 | |
Tariq, you prepare the match fields, if I do the model? | 0:19:23 | 0:19:26 | |
-Should I be getting my hopes up? -They're rolling it out at airports. | 0:19:26 | 0:19:29 | |
Everyone moves uniquely. Footfall, weight distribution, pace. | 0:19:29 | 0:19:33 | |
Your walk's like a fingerprint. | 0:19:33 | 0:19:35 | |
OK. | 0:19:36 | 0:19:37 | |
Ready to scan for matches? | 0:19:37 | 0:19:39 | |
I'll start with a tight sample first. Just the surrounding streets. | 0:19:39 | 0:19:42 | |
Whoa, yeah. Got a possible motion match. | 0:19:55 | 0:19:57 | |
Getting into a car a mile away. | 0:19:57 | 0:19:59 | |
It's a hire car, registered to a Richard Costa. | 0:19:59 | 0:20:03 | |
-Flat 1, 8 Park Walk, Lambeth. -Hopefully Mr Costa will have some answers. | 0:20:03 | 0:20:07 | |
Come on, get Dimitri to meet us there. | 0:20:07 | 0:20:10 | |
OK, ghost sweep. Leave everything as you find it. | 0:20:41 | 0:20:46 | |
I've got a laptop. | 0:21:12 | 0:21:14 | |
I can copy the hard drive. Won't leave a trace. | 0:21:20 | 0:21:22 | |
How long will that take? | 0:21:22 | 0:21:25 | |
This bad boy can rip 2 Gigs a second. Under a minute. | 0:21:25 | 0:21:27 | |
-Damn it! -What? -There's a countdown on the password. | 0:21:31 | 0:21:34 | |
Enter the right one in ten seconds or get locked out. | 0:21:34 | 0:21:38 | |
Move! | 0:21:38 | 0:21:40 | |
-You OK? -Fine. | 0:21:49 | 0:21:52 | |
It's like we were never here! | 0:21:52 | 0:21:54 | |
-Are they all right? -Yes. But I take it personally | 0:22:01 | 0:22:04 | |
-when somebody tries to blow up my officers. -I called in a favour at Six. | 0:22:04 | 0:22:08 | |
They have someone on the inside at a housekeeping service | 0:22:08 | 0:22:10 | |
who cleans for Moscow's great and good. | 0:22:10 | 0:22:12 | |
And the word is that Ilya and Elena Gavrik left Russia over a week ago. | 0:22:12 | 0:22:17 | |
On the quiet. No-one's meant to know they're gone. | 0:22:17 | 0:22:20 | |
Gone where? | 0:22:20 | 0:22:21 | |
Here. They're in London. | 0:22:21 | 0:22:23 | |
That's impossible. He's a Russian minister. | 0:22:23 | 0:22:26 | |
We'd have been briefed. It would be on the news. | 0:22:26 | 0:22:29 | |
So he doesn't want us to know he's here. | 0:22:29 | 0:22:30 | |
Gavrik sneaks into the country doing something he doesn't want us to know about. | 0:22:30 | 0:22:34 | |
His wife, your former asset, wants to warn us. | 0:22:34 | 0:22:37 | |
The only way she knows how to contact you is via Max Witt, like she did in the '80s. | 0:22:37 | 0:22:41 | |
Gavrik finds out and has Witt silenced by the owner of our exploding laptop - | 0:22:41 | 0:22:46 | |
-who now knows that we're onto him. -Gavrik worships Elena. | 0:22:46 | 0:22:50 | |
But if he's found out she betrayed him, she's already dead. | 0:22:50 | 0:22:53 | |
-Calum, what about the laptop? -The hard drive's in bits, | 0:22:53 | 0:22:56 | |
Tariq's working on it. Data might be recoverable. | 0:22:56 | 0:22:58 | |
But we need to find Gavrik. Get surveillance on him. | 0:22:58 | 0:23:01 | |
No. I know this man. He's too good. He'll see you coming. | 0:23:01 | 0:23:05 | |
We have one person dead already. We have to tread carefully. | 0:23:05 | 0:23:08 | |
This is a senior politician. So... no direct surveillance on Gavrik. | 0:23:08 | 0:23:12 | |
You heard him. | 0:23:18 | 0:23:19 | |
Classified diplomatic flight from Moscow landed at RAF Brize Norton nine days ago - | 0:23:39 | 0:23:44 | |
passengers one male, one female picked up by a car with government plates. All other details redacted. | 0:23:44 | 0:23:50 | |
-We smuggled him in? -We could track him from that. | 0:23:50 | 0:23:53 | |
If Harry had the balls to let us. | 0:23:53 | 0:23:55 | |
Calum, a word. | 0:23:58 | 0:23:59 | |
Inside or outside this building, | 0:24:07 | 0:24:09 | |
you represent this nation's security services. | 0:24:09 | 0:24:11 | |
And since I brought you here, you also represent me - show some respect. | 0:24:11 | 0:24:15 | |
You knew I wouldn't be doffing my cap to dead white males | 0:24:15 | 0:24:19 | |
who still think they can run it all from their armchairs. | 0:24:19 | 0:24:22 | |
If you think Harry Pearce is one of them, | 0:24:22 | 0:24:24 | |
you need to do your homework. | 0:24:24 | 0:24:26 | |
Section Chief pet! | 0:24:34 | 0:24:35 | |
What can I say? She admires my work. | 0:24:35 | 0:24:37 | |
So, Admiral, | 0:24:39 | 0:24:41 | |
you kill anyone when you were in the SBS? | 0:24:41 | 0:24:44 | |
Yeah, and do you know what? I miss it. | 0:24:44 | 0:24:47 | |
Not another one. Come in. Knocking isn't customary around here. | 0:25:02 | 0:25:05 | |
Someone helped Gavrik into the country, | 0:25:05 | 0:25:07 | |
opened the back door for him and then covered it up. | 0:25:07 | 0:25:10 | |
We've pulled GPS data from the official car that picked him up at Brize Norton. | 0:25:10 | 0:25:14 | |
We can track it, find him. | 0:25:14 | 0:25:17 | |
Harry... | 0:25:17 | 0:25:19 | |
Let us gather live intel on Gavrik, find out what he's doing here. | 0:25:19 | 0:25:24 | |
You say that he's good. | 0:25:24 | 0:25:26 | |
So are your team. | 0:25:26 | 0:25:28 | |
So am I. | 0:25:28 | 0:25:29 | |
You get the merest inkling that he or his people are on to you... | 0:25:32 | 0:25:35 | |
..you pull back. | 0:25:36 | 0:25:38 | |
Movement by the entrance. | 0:25:47 | 0:25:48 | |
Receiving your image, Alpha Two. | 0:25:48 | 0:25:50 | |
Probable negative. | 0:25:52 | 0:25:53 | |
A woman on her own. | 0:25:53 | 0:25:55 | |
Leningrad rules. Never exit a building together. | 0:25:55 | 0:25:59 | |
Old spies, creatures of habit. | 0:25:59 | 0:26:02 | |
Stay on the woman. We need to see her face. | 0:26:02 | 0:26:05 | |
Come on, love. Give us a twirl. | 0:26:05 | 0:26:07 | |
-Confirmed. That's Tourmaline. -Alive and well. | 0:26:16 | 0:26:19 | |
No-one else coming. | 0:26:19 | 0:26:21 | |
No, hang on. | 0:26:21 | 0:26:24 | |
White male. | 0:26:24 | 0:26:25 | |
It's Gavrik. Positive ID. | 0:26:27 | 0:26:29 | |
You are a go, Alpha Three. | 0:26:29 | 0:26:31 | |
'Always when I'm on my break.' | 0:26:36 | 0:26:37 | |
-Clear signal. -Alpha One, are you receiving? | 0:27:05 | 0:27:07 | |
Pursuing. | 0:27:08 | 0:27:11 | |
Alpha One. Stay two streets away. Do not let them see you. | 0:27:12 | 0:27:16 | |
They're stopping. | 0:27:25 | 0:27:27 | |
They seem to be heading towards the Denham club. | 0:27:27 | 0:27:29 | |
OK, I'm pulling over. I'm going to follow on foot. | 0:27:29 | 0:27:32 | |
It's Towers. | 0:28:04 | 0:28:05 | |
Control, they're meeting the Home Secretary. | 0:28:05 | 0:28:09 | |
Harry! | 0:28:26 | 0:28:28 | |
My cardiologist will swing for you. | 0:28:30 | 0:28:32 | |
What the hell are you doing skulking around in my drive? | 0:28:32 | 0:28:35 | |
You smuggled a senior member of the Russian Cabinet | 0:28:35 | 0:28:37 | |
into this country without briefing the security services. | 0:28:37 | 0:28:40 | |
I'd quite like to know why. | 0:28:40 | 0:28:42 | |
How dare you challenge me like this! | 0:28:43 | 0:28:46 | |
My God, after I supported you, stood up for you. | 0:28:47 | 0:28:51 | |
I couldn't say anything, damn it. They were the terms. | 0:28:51 | 0:28:53 | |
Terms? | 0:28:53 | 0:28:55 | |
You were about to be told. | 0:28:55 | 0:28:57 | |
We're getting into bed with Russia, Harry. | 0:28:58 | 0:29:01 | |
Secret, high-level talks over the next few weeks. | 0:29:01 | 0:29:03 | |
The aim is nothing short of a new special relationship. | 0:29:03 | 0:29:06 | |
A special relationship with Russia?! | 0:29:06 | 0:29:08 | |
America is getting more isolationist by the day. We need a new friend. | 0:29:08 | 0:29:11 | |
Russia doesn't have the same image problems in the Middle East. | 0:29:11 | 0:29:14 | |
Gives us a chance to seem a little more chummy | 0:29:14 | 0:29:17 | |
with whatever new regimes pop up there. | 0:29:17 | 0:29:19 | |
Oh, get your head out of the Cold War, Harry. | 0:29:22 | 0:29:24 | |
They're not all that different from us these days. | 0:29:24 | 0:29:26 | |
Gavrik is their lead negotiator. | 0:29:26 | 0:29:28 | |
That man has personally executed British assets. | 0:29:28 | 0:29:31 | |
He asked for you. | 0:29:32 | 0:29:34 | |
What?! | 0:29:34 | 0:29:35 | |
He admires you greatly. | 0:29:35 | 0:29:37 | |
That's why he wants you involved on the security operation during the talks. | 0:29:37 | 0:29:41 | |
It's why you were reinstated. | 0:29:42 | 0:29:44 | |
Now, there's a bash for the Russians tomorrow night. | 0:29:48 | 0:29:52 | |
Diplomatic reception doo-dah to give them a cover reason to be here. | 0:29:52 | 0:29:55 | |
Can't keep them holed up for ever. | 0:29:55 | 0:29:57 | |
I want you there, making nice with the old enemy. | 0:29:57 | 0:30:00 | |
Can I rely on you, Harry? | 0:30:00 | 0:30:02 | |
You can rely on me, Home Secretary. | 0:30:03 | 0:30:05 | |
I know you and Gavrik were... | 0:30:06 | 0:30:08 | |
..intertwined. | 0:30:10 | 0:30:11 | |
Anything I should know? | 0:30:13 | 0:30:14 | |
Nothing springs to mind. | 0:30:16 | 0:30:19 | |
Good. | 0:30:20 | 0:30:22 | |
There are people already on their way. | 0:31:39 | 0:31:42 | |
I've triggered an alarm. | 0:31:42 | 0:31:44 | |
No, you haven't. | 0:31:46 | 0:31:47 | |
Hello again. | 0:31:52 | 0:31:53 | |
You were in the park. | 0:31:53 | 0:31:56 | |
I didn't expect you'd recognise me. | 0:31:56 | 0:31:58 | |
The last time you saw me I was a child. | 0:31:59 | 0:32:02 | |
I know about my mother, | 0:32:07 | 0:32:11 | |
Tourmaline. | 0:32:11 | 0:32:13 | |
Sasha? | 0:32:13 | 0:32:14 | |
That's a Stechkin. | 0:32:16 | 0:32:17 | |
You're FSB. | 0:32:18 | 0:32:20 | |
Tell me one thing... | 0:32:20 | 0:32:21 | |
before I kill you. | 0:32:21 | 0:32:23 | |
Do you ever think about the lives you ruin? | 0:32:25 | 0:32:27 | |
I don't know what you mean. | 0:32:27 | 0:32:29 | |
Stop! | 0:32:29 | 0:32:30 | |
She's a spy for the West. | 0:32:31 | 0:32:33 | |
Turned by you, to spy on her country... | 0:32:33 | 0:32:36 | |
..on her husband, my father. | 0:32:37 | 0:32:39 | |
Your best Russian asset since '81. | 0:32:41 | 0:32:44 | |
Someone's spun you quite a yarn. | 0:32:46 | 0:32:48 | |
I found this, six weeks ago. | 0:32:50 | 0:32:53 | |
She'd hidden it. | 0:32:54 | 0:32:56 | |
A request for information... | 0:32:57 | 0:33:00 | |
from you. | 0:33:00 | 0:33:01 | |
Your codes, your cipher, your MI5 codename. | 0:33:02 | 0:33:05 | |
It led me to everything else. | 0:33:06 | 0:33:08 | |
Do you deny you wrote it? | 0:33:08 | 0:33:11 | |
I don't think I can. | 0:33:12 | 0:33:13 | |
You could have shot me the moment I came in here, | 0:33:16 | 0:33:20 | |
which makes me think that perhaps killing me is not your only option. | 0:33:20 | 0:33:24 | |
No. | 0:33:24 | 0:33:26 | |
Just the most attractive. | 0:33:26 | 0:33:29 | |
And, of course, you're not stupid enough to believe | 0:33:29 | 0:33:31 | |
that I'm the only person who knows that your mother is still active. | 0:33:31 | 0:33:35 | |
You burn her file, | 0:33:39 | 0:33:41 | |
sever all contact and then you can live. | 0:33:41 | 0:33:43 | |
I've told no-one else what I know. | 0:33:46 | 0:33:49 | |
Yet. | 0:33:49 | 0:33:50 | |
If you've discovered a spy, | 0:33:50 | 0:33:52 | |
you really should report it to your superiors. | 0:33:52 | 0:33:55 | |
I'm part of my parents' protection detail. | 0:34:01 | 0:34:04 | |
I'll be watching you. | 0:34:05 | 0:34:07 | |
Now, you send her a message. | 0:34:08 | 0:34:10 | |
You tell her that her work for you is complete | 0:34:10 | 0:34:13 | |
and you say goodbye. | 0:34:13 | 0:34:14 | |
She has given you 30 years. | 0:34:17 | 0:34:20 | |
Let her go. | 0:34:20 | 0:34:21 | |
Or I'll be seeing you again. | 0:34:24 | 0:34:26 | |
DOOR OPENS | 0:34:36 | 0:34:38 | |
DOOR CLOSES | 0:34:39 | 0:34:41 | |
You feeling too British for a hug? | 0:34:56 | 0:34:58 | |
Too American for a handshake? | 0:34:58 | 0:34:59 | |
My goodness, diplomacy in action. | 0:35:02 | 0:35:05 | |
You look well, Jim. | 0:35:05 | 0:35:06 | |
Well, younger wife. | 0:35:06 | 0:35:08 | |
Gianna's 39. | 0:35:08 | 0:35:10 | |
I see her talking to guys her age... | 0:35:10 | 0:35:12 | |
Next thing you know, | 0:35:12 | 0:35:14 | |
I'm on something called an elliptical trainer. | 0:35:14 | 0:35:17 | |
Now, I know it's early, | 0:35:17 | 0:35:18 | |
but I am damned if I'm going to toast our reunion with pub coffee. | 0:35:18 | 0:35:22 | |
Single malt? | 0:35:22 | 0:35:23 | |
With water, as a concession to the youth of the hour. | 0:35:23 | 0:35:27 | |
I've missed that shit. | 0:35:27 | 0:35:29 | |
And a vodka tonic on the tab. | 0:35:29 | 0:35:32 | |
So I was surprised to hear you were in London. | 0:35:34 | 0:35:36 | |
Has the interrogation begun already? | 0:35:36 | 0:35:39 | |
Not at all. I'm just feeling slighted that you didn't look me up. | 0:35:39 | 0:35:42 | |
Ah, we're still buddies, hell. | 0:35:42 | 0:35:44 | |
Shall we? | 0:35:44 | 0:35:46 | |
Langley just doesn't want our hands in each other's pockets any more. | 0:35:47 | 0:35:53 | |
The Middle East is turning itself inside out. | 0:35:53 | 0:35:56 | |
My bosses think you guys are too close to the action. | 0:35:56 | 0:35:59 | |
That's ridiculous. | 0:35:59 | 0:36:01 | |
Yeah, maybe. But Tripoli to London's only a three hour flight. | 0:36:01 | 0:36:05 | |
So what brings you to London? | 0:36:05 | 0:36:07 | |
I'm keeping an eye on your deal with the Russians. What do you think? | 0:36:07 | 0:36:11 | |
How did you find out about that? | 0:36:11 | 0:36:13 | |
I'll pass on that one, Mr Quizmaster. | 0:36:13 | 0:36:16 | |
Yeah, I don't know how much you know about this, Harry. | 0:36:17 | 0:36:20 | |
But if this thing goes through, | 0:36:20 | 0:36:22 | |
you guys are going to be more of a poodle to Moscow than you ever were to us. | 0:36:22 | 0:36:25 | |
So what's it to Uncle Sam? I thought he wanted out of this relationship. | 0:36:25 | 0:36:29 | |
It doesn't mean he wants you to start seeing other people. | 0:36:29 | 0:36:32 | |
It'll knock the whole thing off-balance. | 0:36:32 | 0:36:34 | |
-Have the President call the Prime Minister. -He will, when the time's right. | 0:36:34 | 0:36:38 | |
Right now, we're hoping your government's going | 0:36:39 | 0:36:42 | |
to come to its senses on its own. We don't want to... | 0:36:42 | 0:36:45 | |
play the bully-boys. | 0:36:45 | 0:36:46 | |
Well, not this time, anyway. | 0:36:46 | 0:36:49 | |
Now, why don't you stop flirting, | 0:36:49 | 0:36:53 | |
introduce me to the monkey you've got on your back. | 0:36:53 | 0:36:55 | |
Elena Gavrik. | 0:36:55 | 0:36:57 | |
Now that is a blast from the past. | 0:36:59 | 0:37:02 | |
That's what I'm keen to ascertain. | 0:37:02 | 0:37:04 | |
Excuse me? | 0:37:04 | 0:37:06 | |
Have you had recent contact with her? | 0:37:06 | 0:37:08 | |
We burnt her file in '84. | 0:37:08 | 0:37:09 | |
You were none too pleased. | 0:37:09 | 0:37:11 | |
I don't recall there being much of a consultation process, | 0:37:11 | 0:37:14 | |
but I wouldn't go back on it. | 0:37:14 | 0:37:16 | |
And, hey, it was you that had the "connection" to her. | 0:37:16 | 0:37:20 | |
HE CHUCKLES | 0:37:20 | 0:37:23 | |
I have to go. | 0:37:23 | 0:37:25 | |
Harry... | 0:37:25 | 0:37:27 | |
I really do still think of us as friends, you know. | 0:37:29 | 0:37:32 | |
I know. | 0:37:32 | 0:37:33 | |
You shaved two years off your wife's age. | 0:37:35 | 0:37:37 | |
Gianna is 41. | 0:37:37 | 0:37:39 | |
You still trying to impress me, James? | 0:37:39 | 0:37:42 | |
Harry. I've reformed data from the remains of the laptop. | 0:38:00 | 0:38:04 | |
It's Ilya Gavrik, his itineraries, likely protection measures, | 0:38:07 | 0:38:10 | |
blood type, distinguishing features. | 0:38:10 | 0:38:12 | |
All the information you need for an assassination. This is a kill order. | 0:38:12 | 0:38:17 | |
Our target took out Witt, now he's coming for Gavrik. | 0:38:17 | 0:38:19 | |
This was on the drive too. | 0:38:19 | 0:38:21 | |
Architectural blueprint. Pull it out. | 0:38:21 | 0:38:25 | |
I've just seen this. | 0:38:25 | 0:38:26 | |
I've just been reviewing the security schematic. | 0:38:26 | 0:38:30 | |
It's Bannon Hall, the venue for the Russian reception. | 0:38:30 | 0:38:33 | |
They're going to move on Gavrik tonight. | 0:38:33 | 0:38:36 | |
Inform the FSB that this will be a joint security op. | 0:38:36 | 0:38:39 | |
Don't let them give you any jurisdictional bollocks. | 0:38:39 | 0:38:42 | |
This should be interesting. | 0:38:42 | 0:38:45 | |
There's a lot of people who'd want Gavrik dead. | 0:38:48 | 0:38:51 | |
But I still don't see where Max Witt fits in. | 0:38:51 | 0:38:53 | |
I think I do. | 0:38:53 | 0:38:55 | |
You're still running Elena?! | 0:39:00 | 0:39:02 | |
Harry, if Gavrik finds out that his wife is still spying for us... | 0:39:03 | 0:39:07 | |
I'm not running Elena. | 0:39:07 | 0:39:08 | |
I didn't write that. | 0:39:08 | 0:39:10 | |
Someone posing as me contacted Elena via Max. | 0:39:10 | 0:39:14 | |
That means they know all your codes. | 0:39:14 | 0:39:16 | |
That's all your MI5 communique protocols. | 0:39:16 | 0:39:19 | |
It's a breach at the highest level. | 0:39:19 | 0:39:22 | |
How did you get this? | 0:39:23 | 0:39:25 | |
Sasha Gavrik. Elena's son, | 0:39:25 | 0:39:27 | |
he's an FSB officer. | 0:39:27 | 0:39:29 | |
He was waiting for me at home last night. | 0:39:29 | 0:39:31 | |
Put a gun in my face. | 0:39:31 | 0:39:32 | |
He found that message and believes what it suggests - | 0:39:32 | 0:39:36 | |
that I'm still running her. | 0:39:36 | 0:39:37 | |
He's demanded I break off all contact immediately, | 0:39:37 | 0:39:40 | |
Which I'm powerless to do. | 0:39:40 | 0:39:41 | |
So someone wants information from Elena | 0:39:41 | 0:39:45 | |
to get to her husband. | 0:39:45 | 0:39:47 | |
Max Witt realises it isn't the real Harry Pearce, tries to contact you | 0:39:47 | 0:39:51 | |
and he gets killed for his trouble. | 0:39:51 | 0:39:54 | |
I have to talk to Elena. | 0:39:54 | 0:39:56 | |
See what other intel she's passed on to my impersonator. | 0:39:56 | 0:39:59 | |
That's risky. | 0:39:59 | 0:40:00 | |
If she's exposed, the partnership falls through. | 0:40:00 | 0:40:03 | |
What choice do we have? | 0:40:03 | 0:40:04 | |
Look, I have to go tonight as a guest. | 0:40:05 | 0:40:07 | |
It'll be a chance to talk to Elena. | 0:40:07 | 0:40:09 | |
I have a plus one, will you help? | 0:40:09 | 0:40:11 | |
-Sure. -I'm sorry, I realise it's hardly the perfect night out but... | 0:40:11 | 0:40:15 | |
Well, we've had worse. | 0:40:15 | 0:40:18 | |
-Shall I brief the team? -No. | 0:40:19 | 0:40:22 | |
They need to focus on protecting Gavrik. | 0:40:22 | 0:40:24 | |
This is my problem for now. | 0:40:24 | 0:40:27 | |
Very glamorous. | 0:40:49 | 0:40:50 | |
Yes. | 0:40:50 | 0:40:51 | |
We'll fit in perfectly. | 0:40:51 | 0:40:54 | |
'Report.' | 0:41:06 | 0:41:09 | |
Perimeter secure. Got you all on GPS. | 0:41:09 | 0:41:11 | |
-Calum. -'The Russians are vetting the staff.' | 0:41:11 | 0:41:14 | |
On site scans are clear. | 0:41:14 | 0:41:16 | |
No trace of explosives or weapons coming in. | 0:41:16 | 0:41:19 | |
Every guest and staff member cleared on a database. | 0:41:19 | 0:41:22 | |
'Can you believe there's no-one here by the name of Assassin?' | 0:41:22 | 0:41:26 | |
Alpha teams, Delta One and Two have arrived. | 0:41:43 | 0:41:46 | |
Momma Bear and Poppa Bear. | 0:41:46 | 0:41:48 | |
-OK? -I'm fine. | 0:42:12 | 0:42:14 | |
Ilya. | 0:42:14 | 0:42:15 | |
Harry Pearce. | 0:42:17 | 0:42:18 | |
I thought we'd grow old and die without ever meeting. | 0:42:18 | 0:42:22 | |
Thought or hoped? | 0:42:22 | 0:42:24 | |
Elena, I've been unfaithful to you. | 0:42:24 | 0:42:27 | |
I thought about this man every day, every night, for many years. | 0:42:27 | 0:42:31 | |
Am I supposed to know what my husband is talking about? | 0:42:34 | 0:42:37 | |
Forgive me, I'm Harry Pearce. | 0:42:37 | 0:42:38 | |
And this was all a very long time ago. | 0:42:38 | 0:42:41 | |
Should I introduce myself? | 0:42:42 | 0:42:44 | |
Oh, sorry. Rachel Wallace, this is Ilya and Elena Gavrik. | 0:42:44 | 0:42:47 | |
-Rachel. -Lovely to meet you, Rachel. | 0:42:47 | 0:42:49 | |
These two are making eyes at each other. | 0:42:49 | 0:42:51 | |
You and I should get a drink, leave them to their nostalgia. | 0:42:51 | 0:42:55 | |
You see the door in the corner of the room? | 0:43:13 | 0:43:16 | |
You need to go through it at, um, | 0:43:17 | 0:43:20 | |
exactly two minutes past eight by the main wall clock. | 0:43:20 | 0:43:24 | |
Fresh peaches. That is the difference. | 0:43:24 | 0:43:28 | |
To your health. | 0:43:28 | 0:43:29 | |
It's been at least six months since someone wanted to kill me. | 0:44:10 | 0:44:14 | |
I was beginning to feel under appreciated. | 0:44:14 | 0:44:16 | |
-It's not too late to cancel. -Oh, no. I won't be intimidated. | 0:44:16 | 0:44:19 | |
I never have been, I never will be. | 0:44:19 | 0:44:22 | |
I hear you've had problems recently, Harry. | 0:44:23 | 0:44:26 | |
I hope they're behind you. | 0:44:26 | 0:44:28 | |
Standing here talking to you, I don't feel as if anything is behind me. | 0:44:28 | 0:44:32 | |
But you've done rather better, Ilya. | 0:44:33 | 0:44:35 | |
-Couple of hundred million, wasn't it? -Oh, I was lucky. | 0:44:35 | 0:44:38 | |
Like so many former KGB men. | 0:44:39 | 0:44:41 | |
Strange how the guardians of the Soviet state | 0:44:41 | 0:44:44 | |
were the first to loot its corpse. | 0:44:44 | 0:44:45 | |
Friends shouldn't judge each other. | 0:44:47 | 0:44:49 | |
And it looks like we are to be close friends. | 0:44:49 | 0:44:53 | |
-Well, will you excuse me? -Yes, of course. | 0:44:53 | 0:44:55 | |
Delta One, everything all right? | 0:45:13 | 0:45:15 | |
I admire your attention to detail, but I refuse to put my hand up | 0:45:15 | 0:45:18 | |
every time I want to leave the room. Concentrate on Minister Gavrik. | 0:45:18 | 0:45:22 | |
Miss Evershed. | 0:45:25 | 0:45:26 | |
Ah, actually it's Miss Wallace tonight, Home Secretary. | 0:45:26 | 0:45:31 | |
-Oh, balls, have I ruined everything? -No, not at all. | 0:45:31 | 0:45:33 | |
Just...speak normally, please. | 0:45:33 | 0:45:36 | |
Right. Yes, of course. | 0:45:36 | 0:45:38 | |
I just wanted to say, that report our mutual friend prepared on you. | 0:45:38 | 0:45:41 | |
It's an impressive read. | 0:45:41 | 0:45:43 | |
It strikes me that you've been somewhat under-promoted. | 0:45:43 | 0:45:47 | |
I've never really thought about it. | 0:45:48 | 0:45:50 | |
-Home Secretary? -(Yes.) | 0:45:50 | 0:45:53 | |
Once more unto the breach. | 0:45:54 | 0:45:56 | |
Do think about it. | 0:45:56 | 0:45:57 | |
Sir, this area is off-limits to guests. | 0:46:28 | 0:46:30 | |
Sorry, I'm looking for the bathroom. | 0:46:30 | 0:46:32 | |
It's this way. | 0:46:32 | 0:46:34 | |
SHE YELLS OUT | 0:46:40 | 0:46:42 | |
RADIO PICKS UP THE STRUGGLE | 0:46:44 | 0:46:46 | |
All units, check in. | 0:46:46 | 0:46:48 | |
HE GRUNTS | 0:46:49 | 0:46:51 | |
That could be something. | 0:47:01 | 0:47:03 | |
Everything's something tonight. Go. | 0:47:03 | 0:47:06 | |
Easy there, Vlad. | 0:47:11 | 0:47:12 | |
-No running in the corridors. -One of our units isn't responding. | 0:47:12 | 0:47:15 | |
Oh, my God! | 0:47:51 | 0:47:52 | |
I am so sorry. Oh... | 0:47:52 | 0:47:55 | |
Sorry. | 0:47:55 | 0:47:57 | |
We have to meet. | 0:48:05 | 0:48:06 | |
On Friday. At the opera house, for day rehearsals. | 0:48:06 | 0:48:10 | |
I can be there alone. | 0:48:10 | 0:48:12 | |
Don't try to contact me through the old method, it's too dangerous. | 0:48:12 | 0:48:17 | |
Call this number using a clean phone. | 0:48:17 | 0:48:19 | |
Don't say anything. | 0:48:19 | 0:48:21 | |
Wait for ten seconds if the meeting's on, then hang up. | 0:48:21 | 0:48:26 | |
Am I in danger? | 0:48:26 | 0:48:28 | |
Yes. | 0:48:29 | 0:48:31 | |
I'm with the FSB team leader. | 0:48:54 | 0:48:56 | |
There's a non-responsive unit down here. | 0:48:56 | 0:48:58 | |
No exterior breaches. Must be someone already on the inside. | 0:48:58 | 0:49:02 | |
I'm running guest and staff logs against CCTV. | 0:49:02 | 0:49:04 | |
All units, missing staff member. | 0:49:04 | 0:49:06 | |
He's a wine waiter. | 0:49:06 | 0:49:08 | |
They're everywhere. | 0:49:15 | 0:49:18 | |
Pull all staff off the floor. Now. | 0:49:18 | 0:49:20 | |
Success? | 0:49:28 | 0:49:30 | |
Shall we? | 0:49:30 | 0:49:31 | |
There you are. Let us have a drink together. | 0:49:36 | 0:49:39 | |
Now, who has a good toast? | 0:49:39 | 0:49:40 | |
To old enemies. | 0:49:40 | 0:49:42 | |
New friends. | 0:49:42 | 0:49:43 | |
Nadia? | 0:49:56 | 0:49:58 | |
Code Six! Get the Minister and his wife out of here now! | 0:50:07 | 0:50:10 | |
Russian officer down. Attack in progress. | 0:50:10 | 0:50:12 | |
He's not a waiter anymore. Repeat, | 0:50:12 | 0:50:15 | |
'the assassin's changed clothes.' | 0:50:15 | 0:50:17 | |
All units, stop moving. | 0:50:18 | 0:50:20 | |
I repeat, stand still. | 0:50:20 | 0:50:23 | |
Harry, behind Gavrik, right shoulder! | 0:50:27 | 0:50:29 | |
SCREAMING | 0:50:30 | 0:50:31 | |
Drop the weapon! | 0:50:31 | 0:50:33 | |
GUNSHOT | 0:50:33 | 0:50:34 | |
SCREAMING AND PANIC | 0:50:34 | 0:50:37 | |
Go! Go, go! | 0:50:42 | 0:50:44 | |
Are you all right? | 0:50:44 | 0:50:46 | |
I'm fine. | 0:50:46 | 0:50:48 | |
He's in the east wing service corridor. | 0:51:17 | 0:51:19 | |
Stop! | 0:51:34 | 0:51:35 | |
GUNSHOTS | 0:51:41 | 0:51:43 | |
Target down. | 0:52:04 | 0:52:06 | |
It's me. | 0:52:40 | 0:52:42 | |
Collison's dead. | 0:52:42 | 0:52:44 | |
No, no trail. | 0:52:44 | 0:52:46 | |
Yes. | 0:52:46 | 0:52:48 | |
Otherwise, a complete success. | 0:52:48 | 0:52:51 | |
Marcus Collison. Ex-services, | 0:52:55 | 0:52:57 | |
British-born mercenary of the most expensive kind. | 0:52:57 | 0:53:00 | |
Whoever wanted Gavrik killed outsourced it. | 0:53:00 | 0:53:04 | |
The phone we found on him had five recent calls from Chechnya. | 0:53:04 | 0:53:07 | |
So, in terms of exactly who ordered the hit, | 0:53:07 | 0:53:09 | |
it's a case of "pick a warlord". | 0:53:09 | 0:53:10 | |
Well done, everyone, tonight. Thank you. | 0:53:10 | 0:53:13 | |
Calum, Six need a full debrief before they can act in Chechnya. | 0:53:36 | 0:53:39 | |
-Make sure they get everything we have on this. -Already done. | 0:53:39 | 0:53:43 | |
Got to give it to him. He's good. | 0:53:47 | 0:53:49 | |
Yeah. | 0:53:50 | 0:53:51 | |
I sort of hate him for it. | 0:53:51 | 0:53:53 | |
Why do we do it? | 0:54:08 | 0:54:10 | |
-Hmm? -This job? | 0:54:10 | 0:54:12 | |
You first. | 0:54:15 | 0:54:17 | |
I actually enjoy it. But there's probably something wrong with me. | 0:54:17 | 0:54:20 | |
Probably? | 0:54:20 | 0:54:22 | |
Let me guess what your evening has in store. | 0:54:24 | 0:54:26 | |
You're going to go home to your spotless, minimalist flat. | 0:54:26 | 0:54:30 | |
Steamed fish, then brush up on your Ukrainian economic history, | 0:54:30 | 0:54:36 | |
a quick thousand abdominal crunches, | 0:54:36 | 0:54:38 | |
and then your usual, what, three hours sleep? | 0:54:38 | 0:54:41 | |
I guess I must be pretty easy to read. | 0:54:43 | 0:54:45 | |
-Mummy! -Hey! | 0:55:42 | 0:55:44 | |
Hey, have you been a good girl for Granny? | 0:55:48 | 0:55:51 | |
-Yes. -Do you promise? -Yes. | 0:55:51 | 0:55:53 | |
Come here, you. | 0:55:53 | 0:55:55 | |
I love you, Mummy. | 0:55:55 | 0:55:56 | |
Oh, God, I love you, too. | 0:55:56 | 0:56:00 | |
They say the past is a foreign country. | 0:56:21 | 0:56:24 | |
One that's difficult to leave, it would seem. | 0:56:25 | 0:56:27 | |
I've been wondering how a contract killer, | 0:56:35 | 0:56:38 | |
or his, er, Chechen warlord employer, | 0:56:38 | 0:56:41 | |
would go about obtaining the top-level intel | 0:56:41 | 0:56:43 | |
that they would need to pose as you. | 0:56:43 | 0:56:46 | |
What aren't you telling me, Harry? | 0:56:50 | 0:56:53 | |
Elena wasn't just an asset. | 0:56:55 | 0:56:57 | |
We were lovers. | 0:56:59 | 0:57:00 | |
You burnt her because of your relationship? | 0:57:05 | 0:57:07 | |
-Sounds simple when you put it like that. -Nothing about this is simple, Harry. | 0:57:09 | 0:57:13 | |
But we can unpick it. Together. | 0:57:20 | 0:57:24 | |
But the first thing we have to do is deal with Sasha Gavrik, put him out of action. | 0:57:24 | 0:57:28 | |
We can't. | 0:57:33 | 0:57:35 | |
Why not? | 0:57:37 | 0:57:39 | |
Because he's my son. | 0:58:00 | 0:58:02 | |
Did I fail to make it clear how vital this partnership is? | 0:58:16 | 0:58:21 | |
You're compromised with the Gavriks. | 0:58:21 | 0:58:23 | |
-I have not been running Elena. -Bullshit. | 0:58:23 | 0:58:26 | |
-We've lost a computer. -It's a direct attack on MI5. | 0:58:26 | 0:58:28 | |
Whoever has the laptop claims | 0:58:28 | 0:58:30 | |
they'll decrypt the files, then release them. | 0:58:30 | 0:58:32 | |
One of the assets is spying on the Russians. | 0:58:32 | 0:58:35 | |
If they're exposed, their lives will be at risk. | 0:58:35 | 0:58:37 | |
-I want you to look into Jim Coaver. -Investigate a CIA director? | 0:58:37 | 0:58:40 | |
-I need to speak to Harry Pearce. -What are you going to do? | 0:58:40 | 0:58:43 | |
What I must. It's just you and me, Harry. | 0:58:43 | 0:58:46 | |
Email: [email protected] | 0:58:46 | 0:58:49 |