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-I know about my mother. -I have not been running Elena. | 0:00:02 | 0:00:04 | |
-Someone is posing as me. -Bullshit. | 0:00:04 | 0:00:06 | |
We have to deal with Sasha Gavrik. | 0:00:07 | 0:00:09 | |
-We can't. -Why not? -Because he's my son. | 0:00:09 | 0:00:12 | |
-To old enemies. -New friends. | 0:00:15 | 0:00:18 | |
Intelligence-sharing protocols are under review. | 0:00:20 | 0:00:22 | |
-You want me to investigate a CIA Deputy Director? -He's posing as me. | 0:00:22 | 0:00:25 | |
Emergency contact. I need to speak to Harry Pearce, right now! | 0:00:25 | 0:00:27 | |
Tariq! | 0:00:27 | 0:00:29 | |
'Flight BA8476 is now boarding at gate five.' | 0:00:56 | 0:01:01 | |
Hold on! | 0:01:18 | 0:01:19 | |
Some of you know how it feels to lose a valued colleague. Others not. | 0:01:38 | 0:01:42 | |
Tariq's parents have requested that his funeral be family only. | 0:01:42 | 0:01:46 | |
We'll have a private memorial service on Friday. | 0:01:46 | 0:01:49 | |
Then we'll discover why our friend was murdered, | 0:01:49 | 0:01:52 | |
and then we'll find his killer. | 0:01:52 | 0:01:55 | |
Yes? What is it? | 0:01:55 | 0:01:57 | |
50 minutes ago, a routine scan at London Airport | 0:02:48 | 0:02:52 | |
picked up a trace reading of 200 millisieverts on a baggage cart. | 0:02:52 | 0:02:55 | |
The 6:30pm flight from Athens. | 0:02:55 | 0:02:57 | |
That level indicates a small but powerful amount | 0:02:57 | 0:03:00 | |
of unaccounted-for, unstable radioactive material - | 0:03:00 | 0:03:03 | |
an 'orphan source'. It was too late to recall the baggage | 0:03:03 | 0:03:07 | |
or discover which bag it actually was. | 0:03:07 | 0:03:09 | |
Then we pull in everyone who was on the plane. | 0:03:09 | 0:03:11 | |
We might not need to. This man was on that flight. | 0:03:11 | 0:03:15 | |
Passport in the name of Matthew Wilkinson. | 0:03:15 | 0:03:17 | |
But the photo is John Douglas Grier... 'Johnny'. | 0:03:17 | 0:03:21 | |
Hard-line anarchist and anti-capitalist. | 0:03:21 | 0:03:23 | |
Numerous convictions for violent offences. | 0:03:23 | 0:03:26 | |
He planned a major bombing campaign | 0:03:26 | 0:03:29 | |
against industrialists in Germany in 2002. | 0:03:29 | 0:03:32 | |
We think he's been hiding out in Greece | 0:03:32 | 0:03:34 | |
with what's left of the October Sixteen anarchist terror group. | 0:03:34 | 0:03:37 | |
-We're thinking dirty bomb? -Yes. | 0:03:37 | 0:03:39 | |
All government and financial institutions and terror targets have been warned. | 0:03:39 | 0:03:43 | |
Known affiliations? | 0:03:43 | 0:03:45 | |
Anarchist pals all over. He's a hero to the new generation. | 0:03:45 | 0:03:49 | |
Grier's a lone wolf. He's hyper-paranoid, | 0:03:49 | 0:03:51 | |
very cautious, trusts no-one. | 0:03:51 | 0:03:54 | |
He's extremely volatile. We need to be careful. Only one weak spot. | 0:03:54 | 0:03:59 | |
He has a younger sister, Natalie. She's 27. | 0:03:59 | 0:04:03 | |
Admin assistant at London City Transport. | 0:04:03 | 0:04:05 | |
We suspect Grier's been sneaking back into the UK | 0:04:05 | 0:04:08 | |
once a year or so to see her. | 0:04:08 | 0:04:09 | |
She's our best bet to finding him and the source as soon as possible. | 0:04:09 | 0:04:13 | |
Any nuclear threat takes automatic precedence. The investigation into Tariq's death will be frozen. | 0:04:14 | 0:04:19 | |
All resources go into finding Grier. | 0:04:19 | 0:04:22 | |
So that's it? We're dropping it? | 0:04:26 | 0:04:29 | |
Officially, we have to. Unofficially, we can't afford to. | 0:04:30 | 0:04:33 | |
Grier takes priority, but can you work both operations simultaneously? | 0:04:33 | 0:04:38 | |
Yeah. No worries. | 0:04:38 | 0:04:40 | |
Then do it. Tariq was trawling CCTV the night he died, | 0:04:40 | 0:04:45 | |
looking for the people who stole our laptop. | 0:04:45 | 0:04:48 | |
If that's the reason he was killed, we need to know. | 0:04:48 | 0:04:51 | |
Forgive me if my mouth is dry, Harry. | 0:04:54 | 0:04:56 | |
I've just been blowing smoke up the arse of big business. | 0:04:56 | 0:04:59 | |
So what fresh new hell do you have for me today? | 0:04:59 | 0:05:02 | |
An anarchist terrorist in possession of nuclear material, whereabouts unknown. | 0:05:02 | 0:05:07 | |
Do we know what he plans to do with it? | 0:05:07 | 0:05:09 | |
He has experience with explosives. We're anticipating a dirty bomb. | 0:05:09 | 0:05:12 | |
'The right location, the correct amount of propellant,' | 0:05:12 | 0:05:15 | |
a three-mile area could be irradiated. | 0:05:15 | 0:05:17 | |
One day, you'll bring me some good news. | 0:05:17 | 0:05:20 | |
I'll convene Cobra. In the meantime, keep me extremely updated. | 0:05:20 | 0:05:24 | |
A lot of our methods won't work on Grier. | 0:05:30 | 0:05:32 | |
Going undercover with the sister is our only way in, | 0:05:32 | 0:05:35 | |
but we have to do it before Johnny makes contact. | 0:05:35 | 0:05:38 | |
How much does she know about what he's done? | 0:05:38 | 0:05:41 | |
That's something you'll need to find out. Natalie does internet dating. | 0:05:41 | 0:05:45 | |
She emailed a friend to say how badly it went last time. | 0:05:45 | 0:05:48 | |
So we're honey-trapping her? Even though she's innocent. | 0:05:48 | 0:05:51 | |
Right now, she's our only way of finding John Grier. | 0:05:51 | 0:05:54 | |
Even if she is innocent, she still might be loyal to him. | 0:05:54 | 0:05:57 | |
We have to find that radioactive material, so we need to do this now. | 0:05:57 | 0:06:02 | |
We can't have backup too close. | 0:06:05 | 0:06:07 | |
If Grier shows, he could spot them. | 0:06:07 | 0:06:09 | |
-If things turn nasty, you'll be on your own. Do you want a weapon? -No. | 0:06:09 | 0:06:13 | |
It's just another thing we risk him finding. | 0:06:13 | 0:06:15 | |
Pre-loaded with your legend, but it also detects radiation. | 0:06:15 | 0:06:19 | |
The spray's a cobalt solution we can use to track Grier. | 0:06:19 | 0:06:22 | |
It's not that reliable, but we can't risk using a conventional tracker. He'd find it. | 0:06:22 | 0:06:26 | |
-Got me a date? -Bumped your profile to the top of her match list. | 0:06:26 | 0:06:29 | |
She's been gazing at photos of you for the last 40 minutes. | 0:06:29 | 0:06:33 | |
So, are you free tonight, Ryan? | 0:06:33 | 0:06:36 | |
Natalie! | 0:06:49 | 0:06:50 | |
Ryan? | 0:06:50 | 0:06:51 | |
-Hi. -Hi. | 0:06:53 | 0:06:55 | |
It said on your profile you liked red, | 0:06:55 | 0:06:57 | |
so I asked for the reddest one they had. | 0:06:57 | 0:06:59 | |
I've been sat here for ten minutes. I could have come up with better than that. | 0:07:00 | 0:07:04 | |
Shall I give you another ten, yeah? | 0:07:04 | 0:07:06 | |
How about you? You got brothers, sisters? | 0:07:39 | 0:07:42 | |
Er... No. | 0:07:42 | 0:07:44 | |
No, it's just me. | 0:07:45 | 0:07:47 | |
-Another one? -Mmm... | 0:07:49 | 0:07:52 | |
Or we could, um... | 0:07:52 | 0:07:53 | |
We could just get one from the offy. | 0:07:54 | 0:07:56 | |
PHONE RINGS | 0:07:57 | 0:07:59 | |
Dimitri? | 0:07:59 | 0:08:01 | |
She's denying that she has a brother. | 0:08:01 | 0:08:04 | |
But I don't think she's covering for him. | 0:08:04 | 0:08:06 | |
It's more like she's ashamed. | 0:08:06 | 0:08:08 | |
You need her trust. | 0:08:08 | 0:08:09 | |
Just do whatever you can to get close. | 0:08:09 | 0:08:11 | |
I thought we didn't do that. | 0:08:11 | 0:08:13 | |
Erin, I'm not comfortable with this. | 0:08:13 | 0:08:16 | |
Dimitri, men are lying to women all over the world right now to get them into bed. Don't over-think it. | 0:08:16 | 0:08:21 | |
Understood. | 0:08:22 | 0:08:23 | |
Thank you. | 0:08:49 | 0:08:51 | |
So... | 0:09:00 | 0:09:02 | |
..are you a dancer, Ryan? | 0:09:04 | 0:09:05 | |
Well, I'm only doing it to put myself through college. | 0:09:05 | 0:09:08 | |
SHE LAUGHS | 0:09:08 | 0:09:10 | |
TEXT ALERT | 0:09:19 | 0:09:21 | |
Don't you want to get that? | 0:09:21 | 0:09:24 | |
Don't you think we're a bit drunk for that? | 0:09:27 | 0:09:30 | |
Well, I'm not. | 0:09:30 | 0:09:32 | |
And if you are... | 0:09:32 | 0:09:34 | |
...hard luck. | 0:09:36 | 0:09:38 | |
Ooh, sorry. I need to sit down. | 0:09:43 | 0:09:46 | |
Too much red wine. | 0:09:46 | 0:09:48 | |
One of your friends checking up on me? | 0:10:04 | 0:10:06 | |
SHE TURNS THE MUSIC OFF | 0:10:09 | 0:10:10 | |
You OK? | 0:10:16 | 0:10:18 | |
Yeah... | 0:10:18 | 0:10:20 | |
Look, Ryan, I don't... I don't really know what we're doing here. | 0:10:23 | 0:10:28 | |
I mean, you don't seem very... | 0:10:28 | 0:10:31 | |
It's just we're both a little drunk, and I wouldn't want to ruin... | 0:10:31 | 0:10:35 | |
Yeah. I've heard this one before. I'll get you a cab number. | 0:10:35 | 0:10:40 | |
HE TURNS THE MUSIC ON | 0:11:00 | 0:11:05 | |
I got a... | 0:11:10 | 0:11:11 | |
You've changed your tune... | 0:11:18 | 0:11:19 | |
Not really. | 0:11:19 | 0:11:21 | |
You just weren't listening. | 0:11:21 | 0:11:23 | |
Harry, I'm going home. Was there anything? | 0:11:32 | 0:11:36 | |
Yes, come in. Close the door. | 0:11:36 | 0:11:39 | |
Elena's communiques, from whoever's posing as me. | 0:11:40 | 0:11:44 | |
I need to collect them from her tomorrow, | 0:11:44 | 0:11:45 | |
but I can't risk being seen with her again. | 0:11:45 | 0:11:48 | |
And you're the last person I want to ask. | 0:11:48 | 0:11:50 | |
But you're the only one I can. Believe me, I... | 0:11:50 | 0:11:54 | |
Don't. It's fine. I'll do it. | 0:11:54 | 0:11:57 | |
I need your help today. | 0:12:15 | 0:12:17 | |
I have to meet Harry, to give him the messages I received, | 0:12:17 | 0:12:20 | |
so he can find out who really wrote them. | 0:12:20 | 0:12:23 | |
-Why did you do it? -HE SOBS | 0:12:25 | 0:12:28 | |
-Sasha, what's wrong? Daragoj. -Did you know about the... | 0:12:28 | 0:12:36 | |
the missing officer? Anatoly... | 0:12:36 | 0:12:41 | |
He saw you with Harry. | 0:12:41 | 0:12:45 | |
-He was your friend. -I had to stop him. | 0:12:51 | 0:12:54 | |
He was going to tell Kuzin. It would have been the end. | 0:12:54 | 0:12:58 | |
So I need to know why you betrayed us? | 0:12:59 | 0:13:02 | |
My mother and father, the grandparents you never knew, | 0:13:21 | 0:13:27 | |
they told me their coffins were closed | 0:13:27 | 0:13:31 | |
because their car had caught fire. | 0:13:31 | 0:13:35 | |
Three months before they died, they were photographed in a park, | 0:13:38 | 0:13:44 | |
talking with some dissidents who were under surveillance. | 0:13:44 | 0:13:50 | |
My parents didn't die in a car accident. | 0:13:50 | 0:13:55 | |
They were executed by the KGB. | 0:13:55 | 0:13:59 | |
Their crime was to ask the wrong person. | 0:14:04 | 0:14:06 | |
I'm so sorry, Sasha. I am so sorry. | 0:14:10 | 0:14:16 | |
Morning. | 0:15:21 | 0:15:23 | |
Morning. Are you Natalie's flatmate? | 0:15:24 | 0:15:26 | |
No. I'm her brother. And you are? | 0:15:26 | 0:15:33 | |
I'm Ryan. She said she didn't have any brothers or sisters. | 0:15:33 | 0:15:39 | |
I'm the black sheep. | 0:15:42 | 0:15:44 | |
When d'you two meet? | 0:15:47 | 0:15:49 | |
Not that that's any of your business, but, erm, last night... | 0:15:49 | 0:15:54 | |
Get off me! | 0:15:56 | 0:15:58 | |
-Are you Special Branch? -Johnny! | 0:15:58 | 0:16:00 | |
Johnny, stop it! | 0:16:00 | 0:16:02 | |
Johnny, what are you doing?! Get off him! Get off him! | 0:16:02 | 0:16:04 | |
-He's not who he says he is, Nat. -Oh, my God, Johnny, not this shit again! Shut up! | 0:16:04 | 0:16:08 | |
-I'm sorry, Ryan, this is my brother... -Whatever. | 0:16:08 | 0:16:12 | |
You said you didn't have a brother. | 0:16:17 | 0:16:19 | |
Well, what do you expect? | 0:16:19 | 0:16:21 | |
I don't see you for months... years, sometimes. | 0:16:21 | 0:16:25 | |
I never know when you're going to show up, and when you do, you pull this paranoid crap! | 0:16:25 | 0:16:29 | |
-Don't... -Hey. | 0:16:33 | 0:16:34 | |
Oi! Nat... | 0:16:34 | 0:16:36 | |
'How am I supposed to be?' | 0:16:48 | 0:16:50 | |
Please, for me, all right? | 0:16:50 | 0:16:53 | |
Oi! Ryan, look, mate, I'm... sorry about all that. | 0:16:57 | 0:17:03 | |
I've got trust issues. | 0:17:03 | 0:17:06 | |
Come on, why don't we have a nice cup of tea together, | 0:17:06 | 0:17:08 | |
get to know each other? | 0:17:08 | 0:17:10 | |
Natalie, call me if you want to go out again. | 0:17:12 | 0:17:14 | |
Ryan. Ryan, just... | 0:17:14 | 0:17:18 | |
Grier's at Natalie's. | 0:17:19 | 0:17:21 | |
I've got a positive radiation reading from his jacket, | 0:17:21 | 0:17:24 | |
check the data. | 0:17:24 | 0:17:25 | |
It's just a trace amount. He doesn't have the source with him. | 0:17:27 | 0:17:30 | |
Well, he's had more than enough time to stash it somewhere secure. | 0:17:30 | 0:17:33 | |
-He's been in the country for 24 hours, it could be anywhere. -'I sprayed his jacket.' | 0:17:33 | 0:17:37 | |
You should be able to track him. | 0:17:37 | 0:17:39 | |
-Keep eyes on him. -'I can't.' | 0:17:39 | 0:17:41 | |
I had to walk away. | 0:17:41 | 0:17:42 | |
'He already suspects me. He attacked me.' | 0:17:42 | 0:17:45 | |
Walking will at least make him wonder if he was right. I might still be able to use this cover. | 0:17:45 | 0:17:49 | |
I've got Grier. | 0:17:49 | 0:17:51 | |
A strong signal. He's heading south. | 0:17:51 | 0:17:54 | |
But we're not surveilling anyone out that way. | 0:17:54 | 0:17:57 | |
It's where our pet estate agent is, where Dimitri works. | 0:17:57 | 0:17:59 | |
-You think he's checking up on him? -If he suspects we're on to him, he could go to ground, | 0:17:59 | 0:18:03 | |
or worse, accelerate his plan. | 0:18:03 | 0:18:05 | |
MOBILE RINGS | 0:18:07 | 0:18:08 | |
-Control? -'Grier's on his way' | 0:18:08 | 0:18:11 | |
to the estate agents. Less than ten minutes away. Be there now! | 0:18:11 | 0:18:14 | |
TYRES SCREECH | 0:18:17 | 0:18:21 | |
Control, I'm not going to make this. | 0:18:36 | 0:18:38 | |
Can I help you? | 0:18:43 | 0:18:46 | |
Yeah. Erm, is Ryan around? | 0:18:47 | 0:18:50 | |
Erm, he's at a viewing. | 0:18:50 | 0:18:51 | |
Well, that's where I'm supposed to be. Do you have an address? | 0:18:51 | 0:18:54 | |
46, Shenbourn Street. Shall I call him? | 0:18:55 | 0:18:59 | |
He's on his way. | 0:19:00 | 0:19:02 | |
Thanks, Naomi. | 0:19:02 | 0:19:03 | |
See you over there in ten minutes... OK. | 0:19:18 | 0:19:24 | |
What are you doing here? | 0:19:24 | 0:19:25 | |
How long you been an estate agent for? | 0:19:25 | 0:19:27 | |
What? Erm, ten years... | 0:19:27 | 0:19:30 | |
How did you know I was here? | 0:19:30 | 0:19:31 | |
-We all right about this morning? -Yeah. | 0:19:31 | 0:19:35 | |
You sure? | 0:19:36 | 0:19:38 | |
Come here. Come here... | 0:19:40 | 0:19:44 | |
You're insane, do you know that? | 0:19:45 | 0:19:48 | |
Y'know, it has been said before. See you later. | 0:19:48 | 0:19:51 | |
Ryan... | 0:20:05 | 0:20:07 | |
Look, Ryan, erm, if you want to see my sister, that's fine. | 0:20:10 | 0:20:14 | |
Don't let me put you off. | 0:20:14 | 0:20:16 | |
I'm not going to be around much anyway. All right? | 0:20:16 | 0:20:20 | |
All right. | 0:20:22 | 0:20:23 | |
Control... | 0:20:30 | 0:20:32 | |
I think we've got him. | 0:20:32 | 0:20:34 | |
Grier's on the move. The signal's intermittent, | 0:20:36 | 0:20:38 | |
but I've got six teams on standby ready for hands-off surveillance. | 0:20:38 | 0:20:41 | |
-And nine units already on Johnny's known associates. -Make sure they vary their patterns every 30 minutes | 0:20:41 | 0:20:47 | |
-and those on Grier never get direct eye-line to him. -Yep. | 0:20:47 | 0:20:50 | |
-Any of our teams get made and we're never finding that orphan source. -Cal, with me. | 0:20:50 | 0:20:53 | |
We'll take point on him ourselves. | 0:20:53 | 0:20:56 | |
About to have an eyeball on Grier. | 0:21:04 | 0:21:05 | |
Omega Team, stand down. We have the target. | 0:21:09 | 0:21:11 | |
Control, see if you can trace a call from a phonebox on... | 0:21:24 | 0:21:28 | |
Ah, never mind. | 0:21:28 | 0:21:30 | |
Zeta team are tailing one of Grier's old pals in Leytonstone. | 0:21:31 | 0:21:34 | |
She just got a phonecall. Looks like she's heading the same way. Could be a meet. | 0:21:34 | 0:21:38 | |
Quite a party. | 0:21:43 | 0:21:45 | |
This is bigger than we thought. | 0:21:45 | 0:21:47 | |
Control, Grier and other potential suspects are meeting | 0:21:58 | 0:22:02 | |
in the centre of West Hyatt Park. We need tails on all of them. | 0:22:02 | 0:22:05 | |
-Second from other Sections. Do we have the Osprey? -On its way. | 0:22:05 | 0:22:09 | |
-Those two seem to be getting a private audience. -Mmm. | 0:22:13 | 0:22:16 | |
Receiving images. | 0:22:25 | 0:22:27 | |
Identifying who we can. | 0:22:29 | 0:22:31 | |
OK, a few are on low-alert watch lists, | 0:22:33 | 0:22:36 | |
but the man talking to Grier is Joe Blakeson. | 0:22:36 | 0:22:39 | |
Tried, but never convicted, of supplying the detonators | 0:22:39 | 0:22:42 | |
for Grier's previous terror effort. | 0:22:42 | 0:22:44 | |
The last we heard, he was in Germany, waging a campaign against | 0:22:44 | 0:22:46 | |
big pharmaceuticals with the animal rights groups. | 0:22:46 | 0:22:49 | |
They're leaving. | 0:22:49 | 0:22:51 | |
I'll take Blakeson on foot. Hand Johnny over to Kappa team. | 0:22:51 | 0:22:55 | |
You get back to the Grid. | 0:22:55 | 0:22:57 | |
Harry thought it was better not to risk another meet with you so soon. | 0:24:10 | 0:24:14 | |
And you are the one he sends. | 0:24:14 | 0:24:18 | |
Do you have the communiques? | 0:24:18 | 0:24:19 | |
My name's Ruth. | 0:24:35 | 0:24:37 | |
I saw how you were together at the reception, Ruth. | 0:24:38 | 0:24:42 | |
Harry loves you, doesn't he? | 0:24:42 | 0:24:44 | |
I have no idea how to answer that question. Or why I ever would. | 0:24:48 | 0:24:55 | |
But he trusts you though? | 0:24:55 | 0:24:57 | |
-Not completely. -You can't expect | 0:24:58 | 0:25:01 | |
complete trust from a man like Harry. | 0:25:01 | 0:25:05 | |
He can't even give that to himself. | 0:25:05 | 0:25:09 | |
FOOTSTEPS APPROACH | 0:25:13 | 0:25:16 | |
It's OK. He brought me. | 0:25:16 | 0:25:18 | |
Where's Pearce? | 0:25:18 | 0:25:20 | |
It wasn't safe for him to come. | 0:25:21 | 0:25:23 | |
I want to know, when you find out about the messages, Harry comes to me. | 0:25:23 | 0:25:28 | |
He owes me that... We have to go. | 0:25:28 | 0:25:31 | |
Thank you, Ruth. | 0:25:33 | 0:25:35 | |
So, we've got Grier's trust. | 0:25:44 | 0:25:46 | |
The question is, how do we use it to find the orphan source? | 0:25:46 | 0:25:49 | |
Calum and I saw Grier use a notebook. We have to get a look at it. | 0:25:49 | 0:25:53 | |
It's the only place he probably writes everything down. Dimitri, find a pretext to get back there tonight. | 0:25:53 | 0:25:58 | |
-But I only met the guy this morning, if I go back in this soon, it'll look suspicious. -Agreed. | 0:25:58 | 0:26:03 | |
But we can't afford to play the long game. | 0:26:03 | 0:26:05 | |
We still face the threat of an imminent dirty bomb attack. | 0:26:05 | 0:26:08 | |
Grier may be the only person who knows where the source is. We can't pull him in. | 0:26:08 | 0:26:12 | |
Especially now there's a second serious operator like Blakeson in the mix. We'll have to push it, | 0:26:12 | 0:26:17 | |
and accept the risk of doing so. | 0:26:17 | 0:26:19 | |
MOBILE PHONE RINGS Hello? | 0:26:19 | 0:26:23 | |
Special Security Adviser, Home Office Security Analyst, Grand Vizier, | 0:26:23 | 0:26:26 | |
'whatever title you like. | 0:26:26 | 0:26:28 | |
'We'll create a new role for you. | 0:26:28 | 0:26:30 | |
'Discuss it over dinner with me tonight?' | 0:26:30 | 0:26:33 | |
I expect a warmly patriotic reply. | 0:26:33 | 0:26:36 | |
Of course, Home Secretary. | 0:26:36 | 0:26:38 | |
Someone will be in touch. | 0:26:38 | 0:26:40 | |
DOORBELL RINGS | 0:26:54 | 0:26:56 | |
Ryan. | 0:27:02 | 0:27:04 | |
I, um... | 0:27:05 | 0:27:07 | |
I was supposed to be having dinner at my parents' house, | 0:27:07 | 0:27:10 | |
but they cancelled on me. | 0:27:10 | 0:27:12 | |
-So, new low. -Ha! | 0:27:12 | 0:27:14 | |
What are you doing here? | 0:27:14 | 0:27:17 | |
-I just thought I'd swing by. This morning was a bit... -Yeah. | 0:27:19 | 0:27:23 | |
Is there somewhere nice we could have a drink round here? | 0:27:25 | 0:27:28 | |
No! Erm, but let's go anyway. Just give me a sec. Come in. | 0:27:28 | 0:27:35 | |
Are you looking for something? | 0:28:09 | 0:28:11 | |
Dropped a quid. | 0:28:14 | 0:28:17 | |
Well, it's nice to see you again... so soon. | 0:28:19 | 0:28:22 | |
Nat and I are going for a drink. | 0:28:25 | 0:28:26 | |
Join us, if you like. | 0:28:26 | 0:28:29 | |
As long as you promise not to attack me again. | 0:28:29 | 0:28:35 | |
Yeah. Why not? | 0:28:35 | 0:28:36 | |
I thought it'd be a good idea to get your mad brother onside if, um... | 0:28:43 | 0:28:47 | |
we're going to see each other. | 0:28:47 | 0:28:50 | |
Right. | 0:28:52 | 0:28:53 | |
17th November, 1982. | 0:29:25 | 0:29:28 | |
The mists aren't parting. | 0:29:28 | 0:29:31 | |
The Kiselow Ballet only performed in West Berlin once. | 0:29:32 | 0:29:37 | |
On that date. | 0:29:37 | 0:29:39 | |
Yes, it was Elena's cover, where Ilya thought she was going for the evening. | 0:29:41 | 0:29:46 | |
There's no mention of it in the records. | 0:29:46 | 0:29:49 | |
It wasn't an official operation. | 0:29:49 | 0:29:51 | |
One of the messages does mention that night. | 0:29:55 | 0:29:59 | |
And as it wasn't a sanctioned op, | 0:29:59 | 0:30:01 | |
I'm assuming not that many people knew about it? | 0:30:01 | 0:30:04 | |
Just me, Elena...and Jim Coaver. | 0:30:04 | 0:30:09 | |
Harry, if Jim Coaver wrote these messages, | 0:30:10 | 0:30:13 | |
if he tricked Elena into thinking he was you, | 0:30:13 | 0:30:16 | |
then we need to consider that he was involved in the attempted hit on Gavrik. | 0:30:16 | 0:30:21 | |
MOBILE PHONE RINGS | 0:30:23 | 0:30:24 | |
-Got the notebook? -'No.' | 0:30:26 | 0:30:28 | |
I looked in his jacket, he must have hidden it somewhere. | 0:30:28 | 0:30:31 | |
'Look, I've got them out of the house.' | 0:30:31 | 0:30:33 | |
Give you a chance to do a search. | 0:30:33 | 0:30:36 | |
He's really got it sewn up. No, seriously. | 0:30:37 | 0:30:40 | |
Talking about the arms dealers, right? | 0:30:40 | 0:30:42 | |
You've got Dictator A, who plays ball. | 0:30:42 | 0:30:44 | |
Great, so we sell him our bombs. Now, Dictator B's not toeing the line. | 0:30:44 | 0:30:48 | |
So what do we do? | 0:30:48 | 0:30:49 | |
We drop 'em on his head. No, either way, the bastards always make sure | 0:30:49 | 0:30:53 | |
there's a demand going... | 0:30:53 | 0:30:54 | |
Photograph, mark and replace. Expect anti-surveillance measures. | 0:31:00 | 0:31:04 | |
Oh, Johnny knows everything. | 0:31:05 | 0:31:07 | |
His teachers always used to say... | 0:31:07 | 0:31:10 | |
he'd either change the world or end up in prison. | 0:31:10 | 0:31:12 | |
He's tried both. | 0:31:12 | 0:31:14 | |
-He's been to prison? What for? -Oh, just stupid stuff. | 0:31:14 | 0:31:19 | |
He has crazy ideas about things. | 0:31:19 | 0:31:23 | |
Our parents... | 0:31:26 | 0:31:28 | |
Well, they wasn't parents, so Johnny looked after me. | 0:31:28 | 0:31:34 | |
-So, who'd you vote for last time then, Ryan? -I didn't bother. | 0:31:35 | 0:31:39 | |
-They're all as bad as each other. There's no point. -You're not wrong. | 0:31:39 | 0:31:42 | |
Every time I come back to this country, it seems to be getting worse. It really breaks your heart. | 0:31:42 | 0:31:46 | |
The government and the banks risk everything, nearly lose it all, so what do we do? | 0:31:46 | 0:31:50 | |
Put it back into the hands of the same corrupt, vicious bastards. It's the definition of madness. | 0:31:50 | 0:31:55 | |
And next time, and the time after that, and the time after that, | 0:31:55 | 0:31:57 | |
there's not going to be any going back. The system's broken and nobody cares. I mean, what do we care? | 0:31:57 | 0:32:03 | |
We're all being trained to sit in our own little bubbles, | 0:32:03 | 0:32:06 | |
watching our plasma TVs. I mean, what do you expect... | 0:32:06 | 0:32:10 | |
when we handed the keys to that sort of...SCUM?! | 0:32:10 | 0:32:14 | |
What did you say? | 0:32:14 | 0:32:15 | |
For God's sake, Johnny, don't... Just... | 0:32:15 | 0:32:17 | |
I'm sorry, I thought you heard me the first time. I said it nice and loud so you could... SCUM! | 0:32:17 | 0:32:22 | |
Look, he's only mucking about. | 0:32:26 | 0:32:29 | |
Do you want to say something to us? | 0:32:31 | 0:32:33 | |
Yeah. | 0:32:35 | 0:32:36 | |
Johnny! | 0:32:36 | 0:32:37 | |
-Well, come on then, scum! You're still lying on the floor? -Johnny! | 0:32:42 | 0:32:45 | |
-Get out of it! -Johnny, let's go! | 0:32:45 | 0:32:47 | |
I've got the notebook. | 0:33:05 | 0:33:06 | |
OK, everything as you found it and move out. | 0:33:09 | 0:33:12 | |
PHONE BLEEPS | 0:33:13 | 0:33:15 | |
They're heading back. Cal, we need to get out of here now. | 0:33:18 | 0:33:23 | |
OK. OK. | 0:33:23 | 0:33:24 | |
Cal! | 0:33:29 | 0:33:30 | |
Nat, come on. | 0:33:32 | 0:33:34 | |
Nat, I said I'm sorry, come on. I got carried away. | 0:33:40 | 0:33:43 | |
-What do you want me to say? -Just go and sit down. I'll make tea. | 0:33:43 | 0:33:46 | |
-So, Ryan, you took a nice little slap back there. -Yeah. | 0:33:47 | 0:33:50 | |
Haven't been in a fight since school. | 0:33:50 | 0:33:52 | |
You know what, Nat, forget the tea. I've got stuff to do. | 0:33:52 | 0:33:55 | |
I'll be back in the morning, all right? | 0:33:55 | 0:33:59 | |
Johnny's on the move. | 0:34:07 | 0:34:09 | |
'Something's up. Tell surveillance teams to stand by.' | 0:34:09 | 0:34:12 | |
I don't blame you if you want to go. | 0:34:18 | 0:34:20 | |
He's what you call a 'character'. I quite like him. | 0:34:20 | 0:34:24 | |
God, don't YOU fall under his spell. | 0:34:24 | 0:34:27 | |
You're supposed to be falling under mine. | 0:34:27 | 0:34:30 | |
I know this is probably, erm, weird... | 0:34:36 | 0:34:40 | |
we just met yesterday, but... | 0:34:40 | 0:34:42 | |
..are you busy this weekend? It's just... | 0:34:43 | 0:34:46 | |
if you want to go somewhere, just me and you, I mean. | 0:34:46 | 0:34:49 | |
Leave Johnny behind... | 0:34:49 | 0:34:53 | |
Yeah... Yeah, that'd be nice. | 0:34:57 | 0:35:00 | |
Yeah? | 0:35:00 | 0:35:02 | |
So, who's been running my mother? | 0:35:22 | 0:35:25 | |
The CIA contacted her, pretending to be me, | 0:35:25 | 0:35:27 | |
to get information about the Partnership. | 0:35:27 | 0:35:31 | |
-I need a name. -No. | 0:35:31 | 0:35:33 | |
You've already killed your friend to keep this secret. | 0:35:33 | 0:35:36 | |
You don't want to continue down that road, believe me. | 0:35:36 | 0:35:39 | |
Sasha, Elena's secret is safe. I'll take care of the rest. | 0:35:40 | 0:35:45 | |
You and I, our paths need never cross again. | 0:35:45 | 0:35:49 | |
Why did you come in person? | 0:35:59 | 0:36:01 | |
You could have sent that woman. Anyone. | 0:36:03 | 0:36:06 | |
No particular reason. | 0:36:08 | 0:36:11 | |
I'm requesting secure point-to-point connection from location G99, | 0:36:49 | 0:36:54 | |
orbital Thames House... | 0:36:54 | 0:36:55 | |
Yeah. Violet 36 sigma, beta 2483. | 0:36:55 | 0:37:00 | |
I'm still not entirely sure why I'd be necessary, Home Secretary. | 0:37:06 | 0:37:09 | |
I'm a hoarder of intellects. It's how I make myself look good. | 0:37:09 | 0:37:14 | |
And the power map is being redrawn. | 0:37:14 | 0:37:16 | |
I need to be ahead of the curve. But tell me about yourself, Ruth... | 0:37:16 | 0:37:20 | |
If I may call you that? | 0:37:20 | 0:37:23 | |
Are you married? Children? | 0:37:23 | 0:37:25 | |
Well, there's not much to tell, really. | 0:37:25 | 0:37:27 | |
I'm not married, no children. | 0:37:27 | 0:37:31 | |
I did have something like that for a while, but it ended. | 0:37:31 | 0:37:36 | |
In all honesty, I suppose you'd have to say that outside of my work, | 0:37:36 | 0:37:41 | |
my life has been, erm... | 0:37:41 | 0:37:46 | |
small. | 0:37:46 | 0:37:47 | |
-You embody my pet hate, you know. -I'm sorry? | 0:37:50 | 0:37:53 | |
Stifled potential. I see it all the time. | 0:37:53 | 0:37:55 | |
Minds get blocked somewhere along the way, locked into something - | 0:37:55 | 0:37:59 | |
an institution, a relationship - that freezes them where they are. | 0:37:59 | 0:38:03 | |
-Home Secretary, I really... -If you do work for me, | 0:38:03 | 0:38:07 | |
you'll call me William. | 0:38:07 | 0:38:09 | |
And you'll stop looking at your feet. | 0:38:09 | 0:38:12 | |
Am I unable to free you from Harry's tentacles? | 0:38:14 | 0:38:18 | |
I don't want to be the homewrecker. | 0:38:20 | 0:38:22 | |
It's not that. | 0:38:23 | 0:38:26 | |
Harry and I will always be... important to each other, but... | 0:38:26 | 0:38:29 | |
I know this is an odd thing to complain about in my line of work, | 0:38:35 | 0:38:40 | |
but I'm sick of secrets. They stop you ever knowing people. | 0:38:40 | 0:38:45 | |
Everyone ends up feeling alone. | 0:38:48 | 0:38:50 | |
HE SIGHS | 0:39:01 | 0:39:03 | |
BEEPING | 0:39:05 | 0:39:07 | |
What did you find, mate? | 0:39:12 | 0:39:14 | |
Grier spent the night at a friend's squat. Nothing suspicious. | 0:39:22 | 0:39:25 | |
Then he's back at Natalie's this morning. But I've got something from your comms bug in the van. | 0:39:25 | 0:39:30 | |
Transcripts...between Blakeson and his female counterpart. | 0:39:30 | 0:39:32 | |
Now, they've been talking about a target using a codeword. Crucible. | 0:39:32 | 0:39:36 | |
She slipped up. Just once. | 0:39:36 | 0:39:40 | |
-Velanon. -It's a multinational. | 0:39:41 | 0:39:44 | |
Energy, retail, currency trading, | 0:39:44 | 0:39:46 | |
and arms. | 0:39:46 | 0:39:48 | |
They acquired lots of Eastern Bloc energy companies. | 0:39:48 | 0:39:52 | |
-One of the big three the government's persuaded to move back to London. -We need to talk to their CEO. | 0:39:52 | 0:39:56 | |
But what makes this lot so deserving of a dirty bomb? | 0:39:56 | 0:39:58 | |
We got a lot of numbers from Grier's notebook. Nothing helpful, we're on most of his contacts. | 0:39:58 | 0:40:03 | |
No clue as to where he's keeping the source, but there was this. | 0:40:03 | 0:40:07 | |
Practice letters to Natalie. Goodbye letters. | 0:40:07 | 0:40:12 | |
It's a suicide mission. | 0:40:14 | 0:40:15 | |
Tell Dimitri, from now on, Johnny Grier does not leave his sight. | 0:40:17 | 0:40:21 | |
MOBILE PHONE BEEPS | 0:40:23 | 0:40:25 | |
Mr Reddon? | 0:40:37 | 0:40:39 | |
Ah, my people told me you were coming. Take a seat. | 0:40:40 | 0:40:44 | |
Thank you. | 0:40:44 | 0:40:46 | |
So, we have intelligence that suggests an anarchist terrorist | 0:40:46 | 0:40:49 | |
is planning an attack on the Velanon group company. | 0:40:49 | 0:40:53 | |
Something worse than throwing a brick through the window then, eh? What, with you lot here. | 0:40:53 | 0:40:57 | |
We believe there may be a radiological element to the attack. | 0:40:57 | 0:41:01 | |
What we can't work out is...why you? | 0:41:01 | 0:41:04 | |
Why did I ever agree to come back to this shithole? | 0:41:04 | 0:41:06 | |
Look, Velanon trades currency to take advantage of... | 0:41:06 | 0:41:11 | |
well, unfortunate events abroad. | 0:41:11 | 0:41:14 | |
A few months ago, we made almost a billion, trading the yen. | 0:41:14 | 0:41:18 | |
So, you profit on a nuclear accident? | 0:41:18 | 0:41:21 | |
The anarchists find out and want to give you a little back. | 0:41:21 | 0:41:25 | |
Rather droll of them, wouldn't you say? | 0:41:25 | 0:41:27 | |
Disaster capitalism. | 0:41:27 | 0:41:28 | |
And our government fell over itself to woo you back here. | 0:41:28 | 0:41:33 | |
Insulting me isn't wise. I'll see that comes back to you. | 0:41:33 | 0:41:36 | |
What's your name? Your real one?! | 0:41:36 | 0:41:40 | |
I will make sure you get one of our customer comments cards. | 0:41:40 | 0:41:43 | |
We always appreciate feedback. | 0:41:43 | 0:41:45 | |
We've got a major problem. Gold and silver targets | 0:41:50 | 0:41:53 | |
-just dumped their surveillance. Co-ordinated move. -Erin's comms bug in the van's gone dead too! | 0:41:53 | 0:41:58 | |
The attack's underway. Grier may not be the bomber. | 0:41:58 | 0:42:00 | |
Call CO19, have them bring him in. Tell Dimitri | 0:42:00 | 0:42:03 | |
he's got until then to break him. | 0:42:03 | 0:42:05 | |
-PHONE BLEEPS -Ah, it's the boss. | 0:42:07 | 0:42:09 | |
Take it. I'm going to jump in the shower. | 0:42:09 | 0:42:12 | |
-Ryan speaking. -Blakeson and the woman have gone dark. | 0:42:12 | 0:42:16 | |
The attacks are happening right now. Have you been briefed on | 0:42:16 | 0:42:18 | |
-'Velanon and Peter Reddon?' -Yeah, yeah. I got Ruth's message. -'See if you can get the target off Grier.' | 0:42:18 | 0:42:23 | |
Push him. CO19 are ten minutes away. | 0:42:23 | 0:42:25 | |
'You have that time before your cover's blown.' | 0:42:25 | 0:42:27 | |
I was thinking about what you said last night. | 0:42:41 | 0:42:44 | |
-Yeah? What about it? -Well... | 0:42:44 | 0:42:49 | |
what can we do about it? How can we change people? | 0:42:49 | 0:42:53 | |
One mind at a time. There's a term in anarchist thought. | 0:42:53 | 0:42:59 | |
'Propaganda of the deed'. Every action has its own message. | 0:42:59 | 0:43:02 | |
As long as people need to control other people, | 0:43:10 | 0:43:13 | |
there'll always be a state. There'll be censorship, there'll be taxes, there'll be secret police. | 0:43:13 | 0:43:17 | |
I mean, what am I going to do about it? | 0:43:17 | 0:43:19 | |
Rage, rage against the dying light? | 0:43:19 | 0:43:27 | |
No. | 0:43:27 | 0:43:28 | |
These are cancer drugs, Johnny. What are you doing with these? | 0:43:40 | 0:43:44 | |
It's pancreatic. | 0:43:48 | 0:43:50 | |
Terminal. | 0:43:52 | 0:43:53 | |
Where is it? The stuff you smuggled into the country. | 0:43:58 | 0:44:02 | |
You ARE a copper. | 0:44:02 | 0:44:04 | |
You need to tell me, Johnny, what have you done with it? | 0:44:04 | 0:44:08 | |
The heroin? | 0:44:10 | 0:44:12 | |
-Her... Heroin? -Yeah, my friends paid for my flight over here. | 0:44:13 | 0:44:17 | |
To return the favour, I smuggled some smack in for them. | 0:44:17 | 0:44:21 | |
Did you look at it? | 0:44:21 | 0:44:23 | |
No, of course not. It was sealed up. | 0:44:24 | 0:44:26 | |
That wasn't heroin. | 0:44:28 | 0:44:30 | |
It was radioactive material. | 0:44:30 | 0:44:33 | |
What are you talking about? | 0:44:37 | 0:44:39 | |
If you're lying to me, | 0:44:41 | 0:44:42 | |
I'll go straight up those stairs and I'll tell Natalie exactly what we're both doing here. | 0:44:42 | 0:44:47 | |
She was planning to take you away for the weekend, you heartless bastard. | 0:44:47 | 0:44:51 | |
Radiation? I don't know nothing about no radiation. | 0:44:51 | 0:44:56 | |
The only reason I came back was to say goodbye to Nat. | 0:44:56 | 0:44:58 | |
Your friends are making a dirty bomb. | 0:45:00 | 0:45:02 | |
Did they say anything to you about it? | 0:45:02 | 0:45:07 | |
No. I mean, they knew I was dying, | 0:45:07 | 0:45:12 | |
I guess they figured it didn't matter if I brought this stuff over. | 0:45:12 | 0:45:17 | |
Control... Johnny Grier's not part of the bomb plot. | 0:45:31 | 0:45:34 | |
'He didn't know what he was smuggling in.' | 0:45:34 | 0:45:37 | |
Are you sure about this? | 0:45:37 | 0:45:38 | |
It's my judgement that Johnny wouldn't be part of a plot | 0:45:38 | 0:45:41 | |
to kill innocent people. | 0:45:41 | 0:45:43 | |
The other anarchists have dumped us. If Grier's not involved, | 0:45:43 | 0:45:46 | |
we're out of options. | 0:45:46 | 0:45:48 | |
Maybe not. | 0:45:52 | 0:45:54 | |
Your friends, do you have a way to contact them? | 0:45:54 | 0:45:58 | |
-Might have. -They're really going to do this. | 0:45:58 | 0:46:01 | |
Help us. | 0:46:03 | 0:46:04 | |
Find out where. If you don't help, | 0:46:04 | 0:46:07 | |
innocent people will die today. | 0:46:07 | 0:46:10 | |
All right. I'll do it, but you stay here. | 0:46:23 | 0:46:27 | |
I'll call you when I've spoken to them. When I come back, | 0:46:27 | 0:46:30 | |
you and I are going to have a little talk about how you used my sister. | 0:46:30 | 0:46:35 | |
Fair enough. | 0:46:37 | 0:46:39 | |
Control, call off CO19. | 0:46:51 | 0:46:53 | |
'Johnny's going to help us.' | 0:46:53 | 0:46:55 | |
BLEEPING | 0:47:03 | 0:47:05 | |
We've got him. Signal's strong from Johnny. | 0:47:05 | 0:47:07 | |
He's been stationary for the last two minutes. | 0:47:07 | 0:47:11 | |
He's at a phonebox in the city. | 0:47:11 | 0:47:13 | |
'Ryan, it's Johnny, I've got it. The target is Velanon's' | 0:47:16 | 0:47:20 | |
hedge fund office in Canary Wharf. The bomb's in a van | 0:47:20 | 0:47:23 | |
'and it's on its way there now. | 0:47:23 | 0:47:25 | |
'You've got about 20 minutes.' | 0:47:25 | 0:47:27 | |
'We've got that, Alpha Two.' | 0:47:28 | 0:47:29 | |
Stay there and rendezvous with Grier. | 0:47:29 | 0:47:32 | |
Get CO19 to meet us there. Biohazard units too. | 0:47:32 | 0:47:35 | |
SIRENS WAIL | 0:47:56 | 0:48:00 | |
-Armed police! Get down! -Stop! | 0:48:00 | 0:48:03 | |
Get down on the floor now! | 0:48:03 | 0:48:04 | |
Drop it! On the floor! | 0:48:04 | 0:48:06 | |
-Drop it now! -Get down! Get down! | 0:48:06 | 0:48:11 | |
The van's empty... There's no bomb. | 0:48:32 | 0:48:35 | |
'The van's empty, it was a diversion. Alpha Two, do you copy? | 0:48:35 | 0:48:40 | |
'Either Grier's been played by his friends, or he lied to you!' | 0:48:40 | 0:48:45 | |
-Nat... -Mmm? | 0:48:45 | 0:48:46 | |
-When did you tell your brother about us spending the weekend together? -What? Oh, I didn't. | 0:48:46 | 0:48:51 | |
'Dimitri, Grier's driving back' | 0:48:54 | 0:48:56 | |
towards you. He's two streets away | 0:48:56 | 0:48:58 | |
'from the house.' HE SIGHS | 0:48:58 | 0:49:02 | |
Erm... I've forgot about a viewing. I'll call you later. | 0:49:03 | 0:49:07 | |
Oh... Er, bye. | 0:49:07 | 0:49:10 | |
-Who are you? -What? -Where's Johnny? | 0:49:16 | 0:49:19 | |
Now, look, calm down! | 0:49:19 | 0:49:20 | |
Some bloke just gave me 50 quid to take his car home, all right? | 0:49:20 | 0:49:23 | |
Control, | 0:49:26 | 0:49:27 | |
'he's dumped me too. He'd bugged me.' | 0:49:27 | 0:49:30 | |
He's known who I am all along. | 0:49:30 | 0:49:32 | |
Alpha Two, you're the one that knows him. Think. | 0:49:32 | 0:49:35 | |
'What's he doing?' | 0:49:35 | 0:49:38 | |
OK. He wants to send the clearest message. Propaganda... | 0:49:38 | 0:49:43 | |
'of the deed. He'll have picked up the source. | 0:49:43 | 0:49:46 | |
'He wanted us to think that he was attacking a Velanon building.' | 0:49:46 | 0:49:49 | |
He knew we'd protect every site, send all the staff home... | 0:49:49 | 0:49:52 | |
Where's Reddon? | 0:49:54 | 0:49:55 | |
'Are we protecting him?' | 0:49:55 | 0:49:57 | |
Er, no, he has his own security. | 0:49:57 | 0:49:59 | |
He's gone to a group office in West London. | 0:49:59 | 0:50:03 | |
Alpha Two, he wasn't supposed to go. | 0:50:03 | 0:50:05 | |
-'We told him to stay away from his offices.' -That's what Johnny wanted! | 0:50:05 | 0:50:08 | |
'He's going after Reddon. It's an assassination.' | 0:50:08 | 0:50:11 | |
Warn him. Send me the address. | 0:50:11 | 0:50:14 | |
TYRES SCREECH | 0:50:14 | 0:50:16 | |
LIFT PINGS | 0:50:36 | 0:50:39 | |
I'm sorry, sir, this is a restricted area. | 0:50:43 | 0:50:45 | |
MOBILE PHONE RINGS | 0:50:49 | 0:50:51 | |
-Peter Reddon. -'Your friend' | 0:50:53 | 0:50:55 | |
from the Security Services here. The anarchist knows where you are. | 0:50:55 | 0:50:59 | |
'He's coming after you. You need to warn your protection detail' | 0:50:59 | 0:51:02 | |
and leave immediately. | 0:51:02 | 0:51:03 | |
Security services... Wait! | 0:51:18 | 0:51:21 | |
It's not safe to go up. Code Seven Titan. | 0:51:21 | 0:51:25 | |
Give me your weapon. Get everyone out, and wait for the bomb squad. | 0:51:25 | 0:51:28 | |
This is a radioactive isotope. Radium 226. | 0:51:38 | 0:51:42 | |
Get it anywhere near you and you're dead within 48 hours. | 0:51:42 | 0:51:46 | |
Now, this man here made a lot of money from the misery, | 0:51:46 | 0:51:49 | |
pain and fear this stuff causes people. | 0:51:49 | 0:51:52 | |
I'm here on these people's behalf. | 0:51:52 | 0:51:55 | |
Think of it as a dividend, Pete. | 0:51:56 | 0:51:58 | |
LIFT PINGS | 0:51:58 | 0:51:59 | |
-Please, don't do this! -Go on, you parasites, piss off! | 0:52:03 | 0:52:05 | |
For God's sake! Everything I did was legal... Please don't do this! | 0:52:06 | 0:52:12 | |
You can't do this to me! | 0:52:18 | 0:52:20 | |
Johnny, not another step! | 0:52:22 | 0:52:24 | |
Ryan... | 0:52:27 | 0:52:29 | |
I almost feel proud of you. | 0:52:29 | 0:52:31 | |
Reddon, get out of here. | 0:52:31 | 0:52:34 | |
-Is it stable? -I'm afraid not. | 0:52:37 | 0:52:40 | |
Don't worry. It's safe for now, | 0:52:40 | 0:52:42 | |
-until it gets in the open air. -Johnny, don't do it. | 0:52:42 | 0:52:47 | |
Please, put it down. | 0:52:47 | 0:52:52 | |
You know, I stole this from a cancer clinic in Greece. | 0:53:01 | 0:53:04 | |
Same sort of stuff the docs used to try and save my life. | 0:53:04 | 0:53:09 | |
Funny that, isn't it? | 0:53:11 | 0:53:13 | |
Have you told Natalie what you are yet? | 0:53:16 | 0:53:19 | |
Do me a favour, don't tell her. | 0:53:23 | 0:53:25 | |
Break off with her some other way. | 0:53:25 | 0:53:28 | |
OK... I won't tell her who I really am. Ever. | 0:53:28 | 0:53:33 | |
As long as you put that down and come with me. | 0:53:34 | 0:53:38 | |
Killing Reddon with radiation, after what he did, I get it. | 0:53:40 | 0:53:43 | |
Sends a message. But you, dying alone in here, it means nothing. | 0:53:43 | 0:53:51 | |
It won't get reported for what it is, you know that. | 0:53:51 | 0:53:54 | |
No-one's going to learn anything. No-one's watching, Johnny. | 0:53:54 | 0:54:02 | |
You are. | 0:54:07 | 0:54:09 | |
'Several office buildings in West London' | 0:54:23 | 0:54:25 | |
were evacuated today following a chemical leak | 0:54:25 | 0:54:27 | |
at a nearby technology park. Police say a small amount of | 0:54:27 | 0:54:31 | |
chlorine gas was released into the atmosphere. | 0:54:31 | 0:54:33 | |
Surrounding residential areas | 0:54:33 | 0:54:35 | |
were also cleared as a precautionary measure. | 0:54:35 | 0:54:37 | |
-What's the latest on Johnny? -He's in a coma. | 0:55:11 | 0:55:15 | |
There's nothing they can do. Be dead before the end of the week. | 0:55:16 | 0:55:20 | |
Here... | 0:55:20 | 0:55:22 | |
What's this? | 0:55:28 | 0:55:29 | |
It's the best 'Dear John' letter ever written. | 0:55:29 | 0:55:33 | |
If someone was breaking up with me, it's what I'd want to get. | 0:55:33 | 0:55:36 | |
You wrote this? | 0:55:39 | 0:55:40 | |
Yeah. | 0:55:40 | 0:55:42 | |
MOBILE PHONE BLEEPS | 0:55:56 | 0:55:59 | |
You all need to see this. | 0:56:27 | 0:56:29 | |
-What is it? -The night Tariq died, | 0:56:30 | 0:56:33 | |
he'd traced the muggers who stole our laptop. | 0:56:33 | 0:56:35 | |
They were meeting this woman. Someone was monitoring him. | 0:56:35 | 0:56:38 | |
This was in his pocket. He saw something they didn't want him to, | 0:56:38 | 0:56:42 | |
so they attacked his system, then killed him. | 0:56:42 | 0:56:46 | |
Who is she? | 0:56:46 | 0:56:47 | |
I don't have a name, but her face crops up | 0:56:47 | 0:56:50 | |
in a file that speculates she's a deniable asset | 0:56:50 | 0:56:52 | |
for a little outfit called the Central Intelligence Agency. | 0:56:52 | 0:56:58 | |
That's not all. I found her somewhere else. | 0:57:00 | 0:57:04 | |
The assassination attempt on Gavrik, at the reception. | 0:57:06 | 0:57:09 | |
She was there. | 0:57:10 | 0:57:12 | |
Harry, what is it? | 0:57:14 | 0:57:17 | |
Tell them, Ruth. | 0:57:17 | 0:57:19 | |
Jim Coaver has been posing as Harry | 0:57:24 | 0:57:28 | |
to get information from Elena Gavrik. He may have had something | 0:57:28 | 0:57:32 | |
to do with the hit on her husband. | 0:57:32 | 0:57:34 | |
What?! Why weren't we told? | 0:57:34 | 0:57:37 | |
Harry has history with these people. | 0:57:37 | 0:57:40 | |
He wanted to deal with it himself. | 0:57:40 | 0:57:42 | |
But if this woman's working for Coaver, | 0:57:45 | 0:57:47 | |
he wasn't just behind the hit on Gavrik. | 0:57:47 | 0:57:50 | |
He's responsible for stealing our intel too. | 0:57:51 | 0:57:54 | |
That would mean... | 0:57:54 | 0:57:55 | |
..the CIA killed Tariq. | 0:57:58 | 0:57:59 | |
I know these people. They have one purpose - | 0:58:14 | 0:58:16 | |
killing. | 0:58:16 | 0:58:18 | |
-They're planning a revenge attack, here in London. -Do the Americans | 0:58:18 | 0:58:21 | |
-know we are discussing intelligence sharing? -Huh! | 0:58:21 | 0:58:25 | |
Do you know what it's like to feel something for someone, | 0:58:25 | 0:58:28 | |
then realise you don't even know them? | 0:58:28 | 0:58:29 | |
24 hours, Jim, then I'm coming after you. | 0:58:29 | 0:58:32 | |
-TYRES SCREECH -Shit, I've lost him! | 0:58:32 | 0:58:35 | |
Think not of those who are slain | 0:58:38 | 0:58:41 | |
in Allah's way | 0:58:41 | 0:58:43 | |
as dead. | 0:58:43 | 0:58:44 | |
-Give me an update! I need an update! -Proceed. | 0:58:44 | 0:58:46 |