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My name is Cormoran Strike, private investigator. | 0:00:04 | 0:00:06 | |
I'm Robin, Robin Ellacott. I'm the new temp. | 0:00:06 | 0:00:08 | |
How can I help you, John? It's about my sister, Lula Landry... | 0:00:08 | 0:00:11 | |
I think she was murdered. | 0:00:11 | 0:00:13 | |
A chap they picked up on CCTV. They never traced him. | 0:00:13 | 0:00:16 | |
Even when she's dead, you lot don't give up. | 0:00:16 | 0:00:18 | |
So you think Lula Landry was murdered | 0:00:18 | 0:00:21 | |
and we messed up the investigation? | 0:00:21 | 0:00:22 | |
Not at all. | 0:00:22 | 0:00:23 | |
I just want to have a better picture of Lula's last hours. | 0:00:23 | 0:00:25 | |
This is the family - | 0:00:25 | 0:00:27 | |
Lady Yvette Bristow with her brother Tony Landry. | 0:00:27 | 0:00:29 | |
Family is a complex thing - | 0:00:29 | 0:00:31 | |
you of all people are surely aware of that. | 0:00:31 | 0:00:34 | |
This is Guy Some, the designer, | 0:00:34 | 0:00:35 | |
with Lula Lula's best mate, Ciara Porter, | 0:00:35 | 0:00:37 | |
Evan Duffield, her boyfriend, | 0:00:37 | 0:00:39 | |
and this is the film producer. | 0:00:39 | 0:00:40 | |
I'm guessing that's his wife. | 0:00:40 | 0:00:42 | |
That's Tansy, the neighbour who changed her statement. | 0:00:42 | 0:00:45 | |
Stay away from the Bestiguis. | 0:00:45 | 0:00:49 | |
Did Lula ever mention Rochelle Onifade? | 0:00:49 | 0:00:51 | |
Oh, my little Roch... | 0:00:51 | 0:00:53 | |
Is that Rochelle? | 0:00:53 | 0:00:54 | |
Rochelle... | 0:00:54 | 0:00:56 | |
Leave me alone! | 0:00:56 | 0:00:57 | |
Who were you talking to? | 0:00:57 | 0:00:58 | |
This programme contains some strong language | 0:00:58 | 0:01:06 | |
Come on, Rochelle. Rochelle! | 0:01:06 | 0:01:09 | |
# You and me | 0:01:12 | 0:01:16 | |
# Me and you | 0:01:16 | 0:01:18 | |
# Somehow we made it through | 0:01:18 | 0:01:24 | |
# I may be gone | 0:01:24 | 0:01:27 | |
# I may be far away | 0:01:27 | 0:01:29 | |
# But I'll walk beside you | 0:01:31 | 0:01:34 | |
# Every step of the way | 0:01:34 | 0:01:38 | |
# When you're used | 0:01:38 | 0:01:40 | |
# Bruised | 0:01:40 | 0:01:42 | |
# Black and blued | 0:01:42 | 0:01:45 | |
# Don't think about it | 0:01:45 | 0:01:49 | |
# Never doubt it | 0:01:49 | 0:01:52 | |
# I'll walk beside you. # | 0:01:52 | 0:01:54 | |
SIREN WAILS | 0:01:54 | 0:01:56 | |
It's Cormoran Strike. Have you got a cause of death yet? | 0:01:56 | 0:02:00 | |
Well, pick a card, any card. Drugs, drowning... | 0:02:00 | 0:02:03 | |
Look, when I dragged her out of that bath, | 0:02:03 | 0:02:05 | |
it was running hot. | 0:02:05 | 0:02:06 | |
The water tank hadn't emptied. | 0:02:06 | 0:02:08 | |
That gives you a clear timeframe for how long she was in there. | 0:02:08 | 0:02:11 | |
I'll send a uniform to take a statement from you in due course. | 0:02:11 | 0:02:13 | |
And check her phone records, cos she called to warn somebody | 0:02:13 | 0:02:16 | |
when I tried to talk to her. | 0:02:16 | 0:02:16 | |
A drug-dealer maybe? On a rented number? | 0:02:16 | 0:02:19 | |
Listen, I'm quite busy with real cases, so goodbye. | 0:02:19 | 0:02:21 | |
DOOR OPENS | 0:02:30 | 0:02:32 | |
Morning. | 0:02:32 | 0:02:33 | |
Morning. | 0:02:33 | 0:02:35 | |
DOOR CLOSES | 0:02:35 | 0:02:37 | |
How are the hands? | 0:02:41 | 0:02:43 | |
Still a bit sore. | 0:02:43 | 0:02:44 | |
Are you OK? | 0:02:46 | 0:02:47 | |
It's not my first dead body. | 0:02:47 | 0:02:49 | |
I just mean...it's far worse the first time. | 0:02:49 | 0:02:52 | |
So was it a coincidence, do you think, | 0:02:58 | 0:03:01 | |
Rochelle dying so close to Lula? | 0:03:01 | 0:03:03 | |
Well, she had quite a fragile existence, | 0:03:03 | 0:03:05 | |
but she had money for new designer gear and lots of drugs. | 0:03:05 | 0:03:08 | |
Where from? | 0:03:08 | 0:03:10 | |
Lula? | 0:03:10 | 0:03:11 | |
Lula's been dead for three months. She didn't leave a will. | 0:03:11 | 0:03:14 | |
Plus, why was Rochelle panicked to see me? | 0:03:14 | 0:03:17 | |
And who was she calling? | 0:03:17 | 0:03:19 | |
She was hiding something... | 0:03:19 | 0:03:20 | |
Surely the police will investigate. | 0:03:20 | 0:03:22 | |
Maybe. | 0:03:22 | 0:03:23 | |
Time to see how Lula's gang react to the news. | 0:03:25 | 0:03:28 | |
Good morning, I'm Mike Dundee from the Health and Safety Executive. | 0:03:46 | 0:03:49 | |
I'm here to carry out a Section 20 interview | 0:03:49 | 0:03:51 | |
under the statutory provisions accorded to me | 0:03:51 | 0:03:53 | |
by the 1974 Health And Safety At Work Act. | 0:03:53 | 0:03:56 | |
CAMERA SHUTTER CLICKS A few more. | 0:04:00 | 0:04:02 | |
Other side... | 0:04:07 | 0:04:08 | |
Come on, concentration! | 0:04:11 | 0:04:13 | |
Lights! BELL RINGS | 0:04:13 | 0:04:16 | |
Ciara! Late night, was it, darling? | 0:04:16 | 0:04:20 | |
MAN SPEAKS GERMAN | 0:04:20 | 0:04:22 | |
Guy Some? | 0:04:25 | 0:04:26 | |
Who are you? | 0:04:26 | 0:04:28 | |
My name is Cormoran Strike. I'm a private investigator. | 0:04:28 | 0:04:30 | |
I'm busy right now. Make an appointment with Tricia. | 0:04:30 | 0:04:32 | |
Rochelle Onifade is dead. | 0:04:32 | 0:04:33 | |
Oh, my God... How? | 0:04:33 | 0:04:35 | |
A lot of drugs and a hot bath. Beginner's error. | 0:04:35 | 0:04:37 | |
Exactly. She wasn't a beginner, was she? | 0:04:37 | 0:04:39 | |
Wait. Cormoran Strike. That's an unusual name. | 0:04:41 | 0:04:44 | |
Nobody's ever mentioned it before. | 0:04:44 | 0:04:45 | |
You're not Al Rokeby's brother? Half-brother. | 0:04:45 | 0:04:48 | |
He talked about a war-hero brother called Cormoran. | 0:04:48 | 0:04:51 | |
I met your dad a few times too. | 0:04:51 | 0:04:53 | |
Lucky you(!) | 0:04:53 | 0:04:54 | |
And why is Jonny Rokeby's son working as a private detective? | 0:04:54 | 0:04:57 | |
Because that's his job. | 0:04:57 | 0:04:59 | |
I'd like to ask you a few questions if that's OK. | 0:04:59 | 0:05:01 | |
MAN SPEAKS GERMAN | 0:05:01 | 0:05:03 | |
I'm Ciara. | 0:05:07 | 0:05:09 | |
I know. | 0:05:09 | 0:05:10 | |
Oh, I see. And when is Mr Bestigui back from...? | 0:05:11 | 0:05:14 | |
OK, right, well, I'll call then. Thank you very much. Thanks. | 0:05:17 | 0:05:20 | |
Hello? | 0:05:20 | 0:05:22 | |
Uh... Excuse me! | 0:05:22 | 0:05:25 | |
Excuse me, can I help you? | 0:05:25 | 0:05:26 | |
Where is he? Who? | 0:05:28 | 0:05:30 | |
My brother. | 0:05:30 | 0:05:31 | |
So what's my brother investigating now? | 0:05:40 | 0:05:43 | |
Well, erm... | 0:05:43 | 0:05:45 | |
It's someone who killed herself, | 0:05:47 | 0:05:49 | |
only, erm, one of her relatives thinks that she didn't. | 0:05:49 | 0:05:53 | |
What does Cormoran think? | 0:05:53 | 0:05:54 | |
I think he's keeping an open mind. Mm-hmm. | 0:05:54 | 0:05:57 | |
Did he tell you who our mother was? | 0:05:57 | 0:05:59 | |
No. | 0:05:59 | 0:06:01 | |
Do you know? | 0:06:01 | 0:06:02 | |
Yes. | 0:06:03 | 0:06:04 | |
The verdict was suicide, | 0:06:04 | 0:06:06 | |
but Cormoran always thought her death was suspicious. Oh. | 0:06:06 | 0:06:09 | |
He took her death very badly - left Oxford and joined the army. | 0:06:09 | 0:06:13 | |
He went to Oxford? | 0:06:13 | 0:06:14 | |
I know! | 0:06:14 | 0:06:15 | |
Some clever admissions tutor saw through the grumpy philistine act. | 0:06:15 | 0:06:19 | |
So how long's he been sleeping in his office? | 0:06:23 | 0:06:26 | |
So what are you actually investigating? | 0:06:29 | 0:06:31 | |
Lula Landry's brother wants me to review the police inquiry | 0:06:31 | 0:06:33 | |
into her death, and make sure they carried it out properly. | 0:06:33 | 0:06:36 | |
The Accountant? | 0:06:36 | 0:06:37 | |
No, he's a lawyer. | 0:06:37 | 0:06:38 | |
We always called John the Accountant. | 0:06:38 | 0:06:40 | |
Why? | 0:06:40 | 0:06:41 | |
It's just a nickname. How about Mommie Dearest? | 0:06:41 | 0:06:44 | |
Have you met her yet? | 0:06:44 | 0:06:45 | |
Not recently. | 0:06:45 | 0:06:46 | |
That's why Guy called her Cuckoo. | 0:06:46 | 0:06:48 | |
Such a fucked-up family... | 0:06:48 | 0:06:51 | |
Lula was in the wrong nest. | 0:06:51 | 0:06:52 | |
Guy didn't seem too upset about Rochelle. | 0:06:52 | 0:06:54 | |
He only cares about one thing when he's working. | 0:06:54 | 0:06:57 | |
Poor Roch... | 0:06:57 | 0:06:58 | |
Can you tell me a bit about her relationship with Lula? | 0:06:58 | 0:07:00 | |
Oh, well she was helping her with her issues - | 0:07:00 | 0:07:02 | |
identity, authenticity, etc. | 0:07:02 | 0:07:05 | |
Lula was obsessed with exploring her real family, | 0:07:05 | 0:07:08 | |
by which she meant black - her dad's side. | 0:07:08 | 0:07:11 | |
Ciara, darling, we need you now. | 0:07:11 | 0:07:14 | |
On the day she died, Lula spent a lot of time with Rochelle. | 0:07:14 | 0:07:17 | |
Yeah, they were always thick as thieves | 0:07:17 | 0:07:20 | |
when Rochelle wasn't having one of her "episodes". | 0:07:20 | 0:07:22 | |
Lula gave her money too. | 0:07:22 | 0:07:24 | |
Well, she would have given money to anyone, | 0:07:24 | 0:07:26 | |
but, yeah, Rochelle did well enough out of her. | 0:07:26 | 0:07:29 | |
Hey, love, Guy's getting fidgety. | 0:07:29 | 0:07:31 | |
I'd quite like to continue this conversation. | 0:07:31 | 0:07:33 | |
I won't be done here until late, and then I'm going to Uzi... | 0:07:33 | 0:07:36 | |
OK, tomorrow... ..but come? | 0:07:36 | 0:07:39 | |
Erm, get the ginger line to Dalston Kingsland | 0:07:39 | 0:07:41 | |
and I'll meet you at the station. 10.30. | 0:07:41 | 0:07:44 | |
And Matt's going all red in the face and blaming me | 0:07:48 | 0:07:50 | |
every time the tent collapses, and then it starts raining... | 0:07:50 | 0:07:53 | |
Of course. | 0:07:53 | 0:07:56 | |
At last. | 0:07:56 | 0:07:57 | |
DOOR SLAMS Robin's told me everything, so get your stuff. | 0:07:57 | 0:08:00 | |
I've got the car in the John Lewis car park | 0:08:00 | 0:08:02 | |
and you're coming to stay with us. | 0:08:02 | 0:08:03 | |
I'm not. | 0:08:03 | 0:08:04 | |
You cannot stay in there on that camp bed. | 0:08:04 | 0:08:06 | |
It's just short-term while I sort something out. | 0:08:06 | 0:08:08 | |
Tell him, Robin. | 0:08:08 | 0:08:10 | |
It's got nothing to do with Robin. | 0:08:10 | 0:08:11 | |
Anyway, I'm not stopping, I'm just picking something up. | 0:08:11 | 0:08:14 | |
Where are you going? Chelsea. | 0:08:14 | 0:08:15 | |
Well, let me give you a lift. | 0:08:15 | 0:08:18 | |
Let me go and get the car, and I'll run you down there. | 0:08:18 | 0:08:21 | |
I'll see you downstairs in ten. | 0:08:21 | 0:08:22 | |
Bye, Robin, really nice to meet you. | 0:08:26 | 0:08:28 | |
Mm-hmm. You too. | 0:08:28 | 0:08:29 | |
DOOR CLOSES | 0:08:34 | 0:08:36 | |
You need to sign this. | 0:08:44 | 0:08:45 | |
HORNS HONK | 0:08:58 | 0:09:00 | |
She's great. | 0:09:03 | 0:09:04 | |
Who? | 0:09:04 | 0:09:05 | |
It's ridiculous a girl with her figure on a diet, | 0:09:05 | 0:09:08 | |
wedding or no wedding. | 0:09:08 | 0:09:09 | |
It's none of my business, really. | 0:09:09 | 0:09:11 | |
I loved this when I was a kid. | 0:09:13 | 0:09:15 | |
So, please, tell me it's final with Charlotte this time. | 0:09:16 | 0:09:18 | |
It's final this time. | 0:09:18 | 0:09:19 | |
I'm sorry it's happened, obviously, | 0:09:19 | 0:09:21 | |
but it's much better for you that she's finally gone. | 0:09:21 | 0:09:23 | |
I left her. | 0:09:23 | 0:09:25 | |
Good. | 0:09:27 | 0:09:28 | |
Well, I'd better dash, cos Jack's got football. | 0:09:31 | 0:09:33 | |
Anywhere along here's fine. | 0:09:33 | 0:09:34 | |
Poor little sausage can't get in the A team. | 0:09:34 | 0:09:36 | |
I said, "You're in my A team, Poppet," | 0:09:36 | 0:09:38 | |
but I'm not sure that was much help... You're a good mum. | 0:09:38 | 0:09:41 | |
Thanks, Stick. | 0:09:41 | 0:09:42 | |
I want my kids to always... | 0:09:46 | 0:09:47 | |
I know. | 0:09:47 | 0:09:48 | |
HANDBRAKE SQUEAKS | 0:09:49 | 0:09:51 | |
Anything you need, just ask. | 0:09:56 | 0:09:58 | |
ENGINE PURRS | 0:10:25 | 0:10:27 | |
DOOR SLAMS | 0:10:49 | 0:10:51 | |
I'll let Mr Bristow know you're here. | 0:10:53 | 0:10:55 | |
Ah, come through. | 0:11:03 | 0:11:04 | |
Sorry, I was just sorting Mum's, erm... | 0:11:04 | 0:11:07 | |
Ah... | 0:11:07 | 0:11:08 | |
Erm... We mustn't be too long. | 0:11:10 | 0:11:13 | |
The, er, the medicines make her very confused. | 0:11:13 | 0:11:15 | |
Tony? | 0:11:24 | 0:11:25 | |
No, it's not Uncle Tony, Mumsie. It's Mr Strike. | 0:11:25 | 0:11:29 | |
We've met before, a long time ago. | 0:11:29 | 0:11:32 | |
I was a friend of your son Charlie. | 0:11:32 | 0:11:34 | |
Charlie's dead - rode his bicycle into a quarry. | 0:11:35 | 0:11:40 | |
Yes. | 0:11:41 | 0:11:43 | |
Now Lula too. | 0:11:43 | 0:11:45 | |
It's a terrible thing when all your children die. | 0:11:45 | 0:11:51 | |
Of course. But not... | 0:11:51 | 0:11:53 | |
People used to say Lula was so beautiful, | 0:11:55 | 0:11:58 | |
but I never saw her like that. | 0:11:58 | 0:12:01 | |
Charlie was the handsome one. | 0:12:01 | 0:12:05 | |
She was the clever one - always had an answer to everything. | 0:12:06 | 0:12:12 | |
It's such a shame she spent so much time fighting with Tony | 0:12:13 | 0:12:19 | |
over that lovely boy. | 0:12:19 | 0:12:22 | |
Evan Duffield came to visit her, after she died. | 0:12:22 | 0:12:27 | |
He said he wished he had been there to try and stop her. | 0:12:27 | 0:12:33 | |
Huh! | 0:12:33 | 0:12:35 | |
No, I think that too, Johnny. | 0:12:35 | 0:12:39 | |
Lula was up there in her flat that night, | 0:12:39 | 0:12:46 | |
in such a terrible state, | 0:12:46 | 0:12:49 | |
all alone, while we were here watching silly old movies. | 0:12:49 | 0:12:56 | |
Erm... Mum's a big fan of Cary Grant. | 0:12:56 | 0:12:59 | |
We watched Bringing Up Baby the night that Lula died. | 0:12:59 | 0:13:02 | |
Time for your medicine. | 0:13:02 | 0:13:03 | |
Thank you, Marsha. | 0:13:07 | 0:13:08 | |
MACHINE BEEPS | 0:13:11 | 0:13:14 | |
MACHINE HUMS | 0:13:14 | 0:13:16 | |
That's the morphine, so... | 0:13:20 | 0:13:21 | |
She said she was frightened of him... | 0:13:27 | 0:13:31 | |
Who? Frightened of who? | 0:13:33 | 0:13:36 | |
What did she say to you, Mother? Frightened of Evan? | 0:13:43 | 0:13:46 | |
Bring some macaroons the next time you come, Mr Bone. | 0:13:49 | 0:13:54 | |
The leopard never changes his spots. | 0:13:54 | 0:13:58 | |
I want to know what Tansy Bestigui was lying about that night. | 0:14:09 | 0:14:11 | |
And the chap on the CCTV? | 0:14:11 | 0:14:14 | |
That's going to take a bit of time. | 0:14:14 | 0:14:15 | |
That's where the answer lies, I'm sure of it. | 0:14:15 | 0:14:18 | |
How much do you know much about your uncle's movements on that day? | 0:14:18 | 0:14:20 | |
Er, he was in the office all day, and then he went to | 0:14:20 | 0:14:24 | |
Oxford for a conference, er, popped in here on the way out to see Mum... | 0:14:24 | 0:14:28 | |
Why? | 0:14:28 | 0:14:30 | |
I just need to be absolutely sure we know exactly who Lula | 0:14:30 | 0:14:32 | |
saw on the day she died. | 0:14:32 | 0:14:33 | |
Tony didn't see her. | 0:14:33 | 0:14:35 | |
He didn't visit Kentigern Gardens that day, I am sure of that. | 0:14:35 | 0:14:38 | |
OK. | 0:14:40 | 0:14:41 | |
What...? | 0:14:41 | 0:14:43 | |
Oh, no, wait. Hold the camera, hold the camera, hold the camera... | 0:15:01 | 0:15:04 | |
Oh, no! Hold the pet there. | 0:15:04 | 0:15:05 | |
Oh, oh... I've got her, I've got her... | 0:15:05 | 0:15:08 | |
Oh... | 0:15:08 | 0:15:09 | |
Oh, no. Oh, no, I've got something on my lips! | 0:15:09 | 0:15:11 | |
Oh, my little Roch. | 0:15:11 | 0:15:13 | |
Mwah! This is my little Roch. | 0:15:13 | 0:15:15 | |
My little Roch knows more about me than you lot ever will. | 0:15:15 | 0:15:19 | |
Mmm! Mmm! | 0:15:19 | 0:15:22 | |
Oh, wow! Like... Like, like... LAUGHTER | 0:15:22 | 0:15:24 | |
HE STOPS THE VIDEO | 0:15:24 | 0:15:26 | |
TRAIN RUMBLES | 0:15:34 | 0:15:35 | |
If you see anything suspicious... | 0:15:47 | 0:15:49 | |
CAMERA SHUTTERS CLICK | 0:16:03 | 0:16:05 | |
Over here, now! Over here, darling! | 0:16:07 | 0:16:10 | |
Over here! | 0:16:10 | 0:16:11 | |
God, did you hear about poor Rochelle? | 0:16:42 | 0:16:44 | |
Course I did. | 0:16:44 | 0:16:45 | |
Every time somebody dies, the cops are on my case. | 0:16:45 | 0:16:48 | |
Who are you? Evan, this is Cormoran Strike. | 0:16:48 | 0:16:51 | |
He's Jonny Rokeby's son. | 0:16:51 | 0:16:52 | |
I know your old man a bit, as it goes. | 0:16:52 | 0:16:54 | |
Still got it, hasn't he? | 0:16:54 | 0:16:55 | |
Yeah, full of it. I don't think he'll ever lose it. | 0:16:55 | 0:16:59 | |
Oi, not there. Out! | 0:17:03 | 0:17:06 | |
So, Cormoran is a private investigator... | 0:17:07 | 0:17:10 | |
I thought you said he was Rokeby's son. | 0:17:10 | 0:17:12 | |
The two aren't incompatible. | 0:17:12 | 0:17:14 | |
What are you investigating? | 0:17:14 | 0:17:15 | |
I've been hired by Lula Landry's family to review | 0:17:15 | 0:17:17 | |
the circumstances of her death. | 0:17:17 | 0:17:19 | |
Being a size zero, it was easy enough for me to | 0:17:20 | 0:17:22 | |
get her out the window. Oh, stop it, Evan. | 0:17:22 | 0:17:24 | |
Honestly, I don't like it when... | 0:17:24 | 0:17:25 | |
It's what they say on the internet, isn't it? | 0:17:25 | 0:17:28 | |
"Must have been Evan." | 0:17:28 | 0:17:30 | |
This is breaking my buzz completely. | 0:17:31 | 0:17:34 | |
I don't want to break your buzz, Evan. | 0:17:34 | 0:17:36 | |
But you are, though - | 0:17:36 | 0:17:37 | |
ambushing me, asking me questions about Lula... | 0:17:37 | 0:17:39 | |
I haven't asked you anything. | 0:17:39 | 0:17:41 | |
He didn't even know you were going to be here. | 0:17:41 | 0:17:43 | |
Get him away from me. Get the fuck away from me! | 0:17:43 | 0:17:46 | |
Listen, I want him out! Get him out. | 0:17:46 | 0:17:49 | |
He's harassing me! | 0:17:49 | 0:17:50 | |
CAMERA SHUTTERS CLICK | 0:17:55 | 0:17:57 | |
MATCH SCRAPES | 0:18:04 | 0:18:07 | |
Ciara called me. She's coming out in a sec. | 0:18:20 | 0:18:22 | |
CAMERA SHUTTERS CLICK Ciara! Hey, Ciara, over here now! | 0:18:30 | 0:18:32 | |
Ciara, who's the new fella?! | 0:18:32 | 0:18:34 | |
Over here, darling, please! To me, please! | 0:18:34 | 0:18:37 | |
I'm so sorry about that. | 0:18:38 | 0:18:41 | |
CAR DOOR CLOSES Evan always gets a bit fretty when he's off the gear. | 0:18:41 | 0:18:44 | |
Where do you want to go now? | 0:18:46 | 0:18:47 | |
Do you mind terribly if we have a nightcap at mine? | 0:18:47 | 0:18:49 | |
I have an early start tomorrow. | 0:18:49 | 0:18:51 | |
MUSIC: God Knows by Dornik | 0:18:53 | 0:18:54 | |
# God knows that I love you | 0:18:54 | 0:18:57 | |
# Too bad you don't have to | 0:18:59 | 0:19:02 | |
# No, no | 0:19:02 | 0:19:04 | |
# You're the girl that I... # | 0:19:04 | 0:19:05 | |
GLASSES CLINK | 0:19:05 | 0:19:07 | |
CIARA LAUGHS | 0:19:10 | 0:19:11 | |
You've actually read Proust? | 0:19:11 | 0:19:14 | |
In French, too. | 0:19:14 | 0:19:16 | |
He's often quite funny. | 0:19:16 | 0:19:18 | |
I have a deferred place at Cambridge to read modern languages, | 0:19:18 | 0:19:21 | |
I'll have you know. | 0:19:21 | 0:19:22 | |
Your mum's in there, | 0:19:25 | 0:19:27 | |
wearing the most fabulous Ossie Clark buttermilk dress. | 0:19:27 | 0:19:31 | |
This is more the sort of place I imagined a supermodel would live... | 0:19:34 | 0:19:38 | |
than Kentigern Gardens. | 0:19:38 | 0:19:39 | |
Yeah, it was a bit of a luxury prison. | 0:19:39 | 0:19:42 | |
Sientete. | 0:19:42 | 0:19:44 | |
But Lula could really hide herself away from everybody there. | 0:19:44 | 0:19:47 | |
Sometimes she'd open the window, | 0:19:47 | 0:19:49 | |
and she'd call me... HE EXHALES | 0:19:49 | 0:19:51 | |
..and we'd pretend to bark across the city to each other | 0:19:51 | 0:19:53 | |
like in 101 Dalmatians. | 0:19:53 | 0:19:55 | |
It was funny at the time. | 0:19:55 | 0:19:58 | |
Evan came here the night she died. | 0:19:58 | 0:20:02 | |
The tabloids obviously tried to make out he came here for a revenge shag. | 0:20:02 | 0:20:05 | |
Did he? We listened to some demos for his album, | 0:20:05 | 0:20:07 | |
smoked some weed and went to sleep. | 0:20:07 | 0:20:09 | |
Lula was my friend. | 0:20:09 | 0:20:11 | |
Yeah... Sorry. | 0:20:11 | 0:20:12 | |
Guy's marvellous detachable linings - | 0:20:22 | 0:20:26 | |
very handy for models in clubs. | 0:20:26 | 0:20:29 | |
No, thanks. | 0:20:36 | 0:20:37 | |
SHE COUGHS GENTLY | 0:20:43 | 0:20:44 | |
Besides, Evan's not really my type. | 0:20:45 | 0:20:49 | |
No? Mm-mm. | 0:20:49 | 0:20:51 | |
I don't usually go for pretty boys. | 0:20:51 | 0:20:54 | |
That's a shame - I thought I might be in with a chance. | 0:20:54 | 0:20:56 | |
SHE LAUGHS | 0:20:56 | 0:20:59 | |
The other leg's the one with nerve endings, by the way. | 0:20:59 | 0:21:02 | |
I know about your leg. | 0:21:03 | 0:21:06 | |
I'm quite amputee-curious, actually. | 0:21:06 | 0:21:09 | |
You'll be disappointed. | 0:21:09 | 0:21:11 | |
There's literally nothing to see. | 0:21:11 | 0:21:13 | |
SHE LAUGHS | 0:21:13 | 0:21:15 | |
You know you said you know my dad and my brother... | 0:21:19 | 0:21:23 | |
I haven't. | 0:21:23 | 0:21:24 | |
DISTANT SIREN WAILS | 0:21:28 | 0:21:30 | |
DRILL SCREECHES | 0:21:48 | 0:21:50 | |
Morning! | 0:22:20 | 0:22:21 | |
DOOR SLAMS | 0:22:22 | 0:22:24 | |
Hmm... | 0:22:28 | 0:22:29 | |
CORMORAN GROANS | 0:22:40 | 0:22:42 | |
What? | 0:22:57 | 0:22:58 | |
HE EXHALES | 0:23:25 | 0:23:27 | |
I went and sat at William Blake's grave last night. | 0:23:36 | 0:23:39 | |
OK. Any particular reason? | 0:23:39 | 0:23:45 | |
I like to check in on him from time to time. | 0:23:45 | 0:23:49 | |
You see, Blake was into free love - | 0:23:49 | 0:23:51 | |
don't restrict your desires. | 0:23:51 | 0:23:53 | |
Was he? | 0:23:55 | 0:23:56 | |
Has anybody told you, you are absolutely gorgeous? | 0:24:00 | 0:24:02 | |
Here he is. | 0:24:07 | 0:24:08 | |
Enjoy yourself with Ciara, did you? | 0:24:08 | 0:24:11 | |
The girl's pure filth. | 0:24:11 | 0:24:12 | |
Come on through to my office. | 0:24:14 | 0:24:16 | |
Does the family think it was me? No, I don't think so. | 0:24:22 | 0:24:25 | |
Do you? | 0:24:25 | 0:24:26 | |
Well, you've got a nasty temper, but your alibi's strong. | 0:24:26 | 0:24:29 | |
Yeah, well, I was lucky someone saw me | 0:24:29 | 0:24:30 | |
without the wolf-head on because... | 0:24:30 | 0:24:32 | |
the Old Bill would love to get me sent down. | 0:24:32 | 0:24:34 | |
You're probably right about that. | 0:24:34 | 0:24:37 | |
I miss Lules, you know. | 0:24:37 | 0:24:39 | |
We had some fights, but we also had a laugh together. | 0:24:39 | 0:24:43 | |
You came here to tell me more than that. | 0:24:43 | 0:24:46 | |
Freddie Bestigui... What about him? | 0:24:46 | 0:24:48 | |
He was always pestering Lula to be in his films. | 0:24:48 | 0:24:50 | |
Could she act? | 0:24:50 | 0:24:51 | |
Let's just say talent isn't a number-one requirement, | 0:24:51 | 0:24:54 | |
but Lula, she's box office. | 0:24:54 | 0:24:57 | |
She turned him down? | 0:24:59 | 0:25:00 | |
Well, she hated him. | 0:25:00 | 0:25:02 | |
Then he wanted to do a biopic with me in it, | 0:25:02 | 0:25:04 | |
but, I mean, it never came to nothing | 0:25:04 | 0:25:06 | |
cos the Bristow family went full cease and desist. | 0:25:06 | 0:25:09 | |
We had lunch and I got friendly with one of his assistants... | 0:25:09 | 0:25:12 | |
I'm guessing that's a girl. | 0:25:12 | 0:25:13 | |
See, this Georgia, she tells me he's, like, a massive control freak, | 0:25:15 | 0:25:19 | |
obsessed with his wife's coke habit, | 0:25:19 | 0:25:21 | |
like it's personal. | 0:25:21 | 0:25:23 | |
In restaurants, if Tansy doesn't order three courses plus cheese, | 0:25:23 | 0:25:26 | |
he takes her pulse to check she ain't using. | 0:25:26 | 0:25:29 | |
Anyway, this one time, Georgia says, the worm's turned. | 0:25:29 | 0:25:34 | |
Even Tansy's had enough, and she goes to him, | 0:25:34 | 0:25:37 | |
"Stop it, Freddie. | 0:25:37 | 0:25:38 | |
"Let go of my wrist, unless you want me to tell the police | 0:25:38 | 0:25:41 | |
"where I really was the night Lula died." | 0:25:41 | 0:25:43 | |
Bye, Robin. Sorry I gave you a fright. | 0:25:49 | 0:25:51 | |
That's all right. I'm doing a secret gig next month. | 0:25:51 | 0:25:54 | |
You're on the guest list with a minus-one. | 0:25:54 | 0:25:56 | |
Well, thank you very much. | 0:25:56 | 0:25:57 | |
Are those Guy Some gloves? | 0:25:57 | 0:25:59 | |
God, yeah. I must have picked them up somewhere. | 0:26:01 | 0:26:03 | |
DOOR OPENS | 0:26:09 | 0:26:11 | |
Could you look up the train times to Iver Heath please? | 0:26:15 | 0:26:17 | |
Mm-hmm. Are you planning on going to Freddie's office at Pinewood? | 0:26:17 | 0:26:21 | |
Yeah, I'm just going to try and blag my way in somehow. | 0:26:21 | 0:26:23 | |
Well, there's not much point. | 0:26:23 | 0:26:25 | |
I finally got hold of his PA. | 0:26:25 | 0:26:27 | |
He left for the Miami Film Festival this morning, | 0:26:27 | 0:26:29 | |
and from there he's going to LA for a few days. | 0:26:29 | 0:26:31 | |
I'm still going out. | 0:26:31 | 0:26:33 | |
I'm hoping to catch Tansy Bestigui, | 0:26:33 | 0:26:35 | |
so I'll be gone the rest of the day. | 0:26:35 | 0:26:37 | |
Well, I won't be around early afternoon anyway. | 0:26:37 | 0:26:41 | |
Why not? | 0:26:41 | 0:26:42 | |
Job interview. | 0:26:44 | 0:26:46 | |
I did write it in the diary. | 0:26:46 | 0:26:49 | |
Fine. | 0:26:49 | 0:26:50 | |
DRAWER OPENS | 0:26:53 | 0:26:55 | |
SHE EXHALES | 0:26:58 | 0:27:00 | |
Oh, yes, I'm definitely a people person. | 0:27:02 | 0:27:04 | |
Oh, that was amazing. Yeah, finally. | 0:27:22 | 0:27:25 | |
ENGINE PURRS | 0:27:27 | 0:27:29 | |
I've been talking about it for God knows how long... | 0:27:31 | 0:27:34 | |
That's it. That's it, and so, erm... | 0:27:55 | 0:27:59 | |
Thank you so much for that. That was fantastic. | 0:28:07 | 0:28:09 | |
We'll do it again. Have a good one. | 0:28:09 | 0:28:12 | |
CAR DOOR SLAMS | 0:28:12 | 0:28:13 | |
CAMERA BEEPS | 0:29:12 | 0:29:14 | |
CAMERA BEEPS | 0:29:32 | 0:29:35 | |
So you didn't finish your university degree... | 0:29:45 | 0:29:47 | |
No. | 0:29:47 | 0:29:49 | |
And you were studying psychology? | 0:29:49 | 0:29:51 | |
That's right. | 0:29:51 | 0:29:52 | |
Why did you leave? | 0:29:52 | 0:29:53 | |
Sorry? | 0:29:55 | 0:29:56 | |
Why did you leave university before your final exams? | 0:29:56 | 0:29:59 | |
I had... It was a personal reason. | 0:29:59 | 0:30:03 | |
Oh, that's fine. That's fine. You don't have to... | 0:30:03 | 0:30:06 | |
It wasn't academic, though? | 0:30:06 | 0:30:07 | |
No, not academic. No. | 0:30:07 | 0:30:08 | |
No, I loved my course. I was hoping for a first. | 0:30:08 | 0:30:12 | |
Well, psychology plays a big part in human resources. | 0:30:12 | 0:30:15 | |
So, Robin, just to kick us off, | 0:30:16 | 0:30:19 | |
could you tell us three people you consider inspirational? | 0:30:19 | 0:30:22 | |
SHE EXHALES | 0:30:25 | 0:30:27 | |
INAUDIBLE | 0:30:28 | 0:30:30 | |
I can't believe you're even thinking about not taking it. | 0:31:03 | 0:31:05 | |
It...it was just so bland and corporate. | 0:31:05 | 0:31:09 | |
Like where I work, you mean? | 0:31:09 | 0:31:11 | |
No, I didn't mean that. | 0:31:11 | 0:31:13 | |
You love your job. | 0:31:13 | 0:31:15 | |
When I was a kid, I wanted to be an astronaut, | 0:31:15 | 0:31:17 | |
but, you know, Robin... | 0:31:17 | 0:31:21 | |
Obviously, I can't make you take a job you don't want. | 0:31:21 | 0:31:23 | |
Well, that's good to know. | 0:31:23 | 0:31:25 | |
I'm not eating courgetti, by the way. | 0:31:27 | 0:31:29 | |
Fine, you can have pasta. | 0:31:29 | 0:31:31 | |
Fine. | 0:31:33 | 0:31:34 | |
CAR HORN HONKS Well, yes, thank you. | 0:31:40 | 0:31:43 | |
That's very kind of you to say so. | 0:31:43 | 0:31:45 | |
Yes, I will certainly do that. | 0:31:45 | 0:31:47 | |
Thank you, bye. | 0:31:47 | 0:31:50 | |
SHE EXHALES | 0:31:50 | 0:31:53 | |
So, how did the job interview go? | 0:31:53 | 0:31:56 | |
Well, that was them just calling to say I got the job. | 0:31:56 | 0:31:59 | |
That was quick. You must have really impressed them. | 0:31:59 | 0:32:02 | |
Mm-hmm. I said I was passionate about people. | 0:32:02 | 0:32:05 | |
HE CHUCKLES | 0:32:05 | 0:32:06 | |
Yeah, well, we all need to jump through the hoops from time to time. | 0:32:06 | 0:32:11 | |
They'll be lucky to have you. | 0:32:11 | 0:32:12 | |
I don't gossip. | 0:32:14 | 0:32:16 | |
When your sister came in to the office, | 0:32:16 | 0:32:17 | |
she said that I told her everything... | 0:32:17 | 0:32:19 | |
Half-sister. Don't worry, I know what Lucy can be like. | 0:32:19 | 0:32:23 | |
I understand about confidentiality, especially in this job. | 0:32:23 | 0:32:27 | |
I told Matt a tiny bit about Lula Landry, but... | 0:32:27 | 0:32:30 | |
Robin, don't worry about it. You're discreet, I can see that. | 0:32:30 | 0:32:33 | |
SHE BREATHES DEEPLY | 0:32:33 | 0:32:35 | |
When do you start? | 0:32:36 | 0:32:38 | |
Next week. | 0:32:38 | 0:32:39 | |
Do you want to see something interesting? | 0:32:42 | 0:32:44 | |
Mm-hmm. | 0:32:44 | 0:32:45 | |
CAMERA BEEPS | 0:32:48 | 0:32:50 | |
Bloody hell. Is that...? | 0:32:53 | 0:32:54 | |
John Bristow's uncle, with his hand on Tansy Bestigui's arse. | 0:32:54 | 0:32:57 | |
I hate it when men do that in public. | 0:32:57 | 0:33:00 | |
So, what does this mean for...? | 0:33:00 | 0:33:02 | |
I don't fully know yet. | 0:33:02 | 0:33:03 | |
What are you going to do with it? | 0:33:03 | 0:33:05 | |
Use it for a bit of shock and awe. | 0:33:05 | 0:33:07 | |
HE KNOCKS ON DOOR | 0:33:32 | 0:33:34 | |
Go away or I'll call... | 0:33:37 | 0:33:38 | |
Tony Landry again? Get him to meet me in a restaurant? | 0:33:38 | 0:33:41 | |
I've got nothing to say to you. | 0:33:41 | 0:33:42 | |
HIS FOOT STOPS THE DOOR Or perhaps a hotel? | 0:33:42 | 0:33:44 | |
Move your foot. | 0:33:49 | 0:33:50 | |
DOOR CLOSES | 0:33:51 | 0:33:52 | |
I can tell you straight away that my husband will both see | 0:33:52 | 0:33:55 | |
and query any money I give you, so... | 0:33:55 | 0:33:57 | |
I don't want money. Information. | 0:33:57 | 0:34:00 | |
And unless you get it... | 0:34:00 | 0:34:01 | |
No, only paying clients get to see evidence of their cheating partners. | 0:34:01 | 0:34:05 | |
How very moral of you... | 0:34:05 | 0:34:06 | |
Well, not everybody in my profession would be so scrupulous, Tansy, | 0:34:06 | 0:34:10 | |
especially seeing as you are perverting the course of justice. | 0:34:10 | 0:34:13 | |
You have no idea... | 0:34:13 | 0:34:16 | |
About what? | 0:34:16 | 0:34:18 | |
Anything. | 0:34:18 | 0:34:19 | |
Where were you on the night Lula died? | 0:34:26 | 0:34:28 | |
I was here. I was here with my husband. | 0:34:28 | 0:34:32 | |
I told the truth. | 0:34:32 | 0:34:33 | |
Well, I believe you were here, | 0:34:34 | 0:34:35 | |
I believe you were with your husband, but I'd like to know | 0:34:35 | 0:34:38 | |
why you were shivering with the cold when you ran into the lobby. | 0:34:38 | 0:34:41 | |
I'd just seen Lula fall. | 0:34:41 | 0:34:44 | |
Derrick came running. | 0:34:44 | 0:34:45 | |
It was shock. | 0:34:45 | 0:34:47 | |
Had Freddie found something in your handbag? | 0:34:47 | 0:34:50 | |
Had he caught you doing a sneaky line in the bathroom? | 0:34:50 | 0:34:52 | |
Or did he check your pulse as you were getting ready for bed? | 0:34:52 | 0:34:56 | |
He locked you out on that balcony in your underwear on a freezing night. | 0:34:56 | 0:35:01 | |
That's where you were when Lula fell. No. | 0:35:03 | 0:35:05 | |
Yes, because you heard something, | 0:35:05 | 0:35:07 | |
and that's the only place you could have heard something. | 0:35:07 | 0:35:11 | |
He likes punishments, doesn't he? | 0:35:11 | 0:35:13 | |
Confining somebody to a small, uncomfortable space - | 0:35:13 | 0:35:16 | |
that's the first weapon in the torturer's handbook. | 0:35:16 | 0:35:19 | |
My husband isn't a torturer. | 0:35:19 | 0:35:21 | |
Do you have children? | 0:35:37 | 0:35:38 | |
No. | 0:35:44 | 0:35:46 | |
Ever wanted any children? | 0:35:46 | 0:35:48 | |
Not really. | 0:35:48 | 0:35:50 | |
I have. | 0:35:50 | 0:35:52 | |
A little, er, girl I could sing to each night, | 0:35:52 | 0:35:56 | |
and brush her hair, | 0:35:56 | 0:36:01 | |
and later, when I got old, | 0:36:01 | 0:36:07 | |
we could have tea together and talk about our lives. | 0:36:07 | 0:36:11 | |
SHE WHIMPERS | 0:36:17 | 0:36:19 | |
SHE CLEARS HER THROAT | 0:36:19 | 0:36:20 | |
He didn't want me to have a job, | 0:36:20 | 0:36:25 | |
he didn't want us to have kids, | 0:36:25 | 0:36:28 | |
so this is what I have. | 0:36:28 | 0:36:33 | |
Tony... | 0:36:38 | 0:36:39 | |
Mm-mm. | 0:36:41 | 0:36:44 | |
SHE SNIFFLES Family image is everything to him. | 0:36:46 | 0:36:50 | |
He'd never leave them. | 0:36:52 | 0:36:53 | |
Just tell me what you heard out there, Tansy. | 0:37:00 | 0:37:03 | |
Tell me because, by protecting a sadist, you might be letting | 0:37:03 | 0:37:07 | |
a murderer go free. | 0:37:07 | 0:37:08 | |
Talk to me, Tansy. | 0:37:13 | 0:37:14 | |
Two voices shouting. | 0:37:18 | 0:37:19 | |
The only thing she remembers hearing clearly is, | 0:37:19 | 0:37:21 | |
"It's too late. I've already done it." | 0:37:21 | 0:37:24 | |
Lula? | 0:37:24 | 0:37:25 | |
Done what? | 0:37:26 | 0:37:28 | |
I don't know yet. | 0:37:28 | 0:37:30 | |
And she didn't recognise the other voice? | 0:37:30 | 0:37:32 | |
No. | 0:37:32 | 0:37:33 | |
Well, it can't have been Freddie. | 0:37:35 | 0:37:37 | |
You wouldn't lock your wife on the balcony and then run upstairs | 0:37:37 | 0:37:40 | |
and push another woman from the one straight overhead. | 0:37:40 | 0:37:42 | |
Agreed. | 0:37:42 | 0:37:44 | |
So Evan was... | 0:37:44 | 0:37:45 | |
Was pointing the finger, for whatever reason. | 0:37:45 | 0:37:48 | |
Hmm... | 0:37:48 | 0:37:50 | |
God, her life sounds awful. | 0:37:50 | 0:37:52 | |
Yeah, she should leave him. | 0:37:52 | 0:37:54 | |
Do you think she will? | 0:37:54 | 0:37:56 | |
No. | 0:37:57 | 0:37:59 | |
PHONE BUZZES | 0:38:11 | 0:38:13 | |
It's me. | 0:38:22 | 0:38:23 | |
Charlotte, what do you want? | 0:38:25 | 0:38:30 | |
Come back now, or you lose me for good. | 0:38:30 | 0:38:32 | |
HE SIGHS | 0:38:41 | 0:38:43 | |
What time is it? | 0:38:50 | 0:38:51 | |
Early. | 0:38:51 | 0:38:52 | |
I've got a man cave, too, you know, but it's attached to a house. | 0:38:55 | 0:39:00 | |
Let's get some breakfast. | 0:39:00 | 0:39:01 | |
Annoyingly, some of your questions about Rochelle Onifade | 0:39:07 | 0:39:10 | |
got stuck in my head. | 0:39:10 | 0:39:11 | |
Well, I thought so. | 0:39:11 | 0:39:14 | |
That point about the size of the water tank - you were right. | 0:39:14 | 0:39:18 | |
That was a good call. That was smart. | 0:39:18 | 0:39:19 | |
The water was still running hot. | 0:39:19 | 0:39:21 | |
No, it doesn't stack up at all with the breakdown of | 0:39:21 | 0:39:23 | |
the drugs in her body. | 0:39:23 | 0:39:25 | |
She was murdered. So...? | 0:39:25 | 0:39:27 | |
Well, that doesn't mean anything to Lula Landry. | 0:39:27 | 0:39:30 | |
HE TAKES A DEEP BREATH | 0:39:30 | 0:39:32 | |
Could be just some dealer Rochelle pissed off. | 0:39:32 | 0:39:35 | |
Could be, although it's a lot of trouble to go to | 0:39:35 | 0:39:37 | |
when a knife would have done the job. | 0:39:37 | 0:39:39 | |
Yeah. | 0:39:39 | 0:39:41 | |
WAITER SPEAKS OWN LANGUAGE, CORMORAN REPLIES | 0:39:41 | 0:39:44 | |
Anstis said you were a good cop. | 0:39:44 | 0:39:45 | |
Yeah? He told me you saved his life and support the Arsenal - | 0:39:45 | 0:39:49 | |
I'm not sure which is the bigger error of judgment. | 0:39:49 | 0:39:52 | |
He exaggerates about the former. | 0:39:52 | 0:39:53 | |
HE EXHALES | 0:39:53 | 0:39:55 | |
I don't want to make anybody look, you know, | 0:39:57 | 0:40:00 | |
but you made a mistake with Tansy Bestigui... | 0:40:00 | 0:40:03 | |
WARDLE SCOFFS ..cos she was on the balcony | 0:40:03 | 0:40:06 | |
and she did hear somebody else upstairs. | 0:40:06 | 0:40:08 | |
Now, I'd like to see the full CCTV from around Kentigern Gardens. | 0:40:08 | 0:40:11 | |
Would you, now? Well, what do I get? | 0:40:11 | 0:40:15 | |
Credit. Shared information. I can do stuff you can't. | 0:40:15 | 0:40:20 | |
It's not too late to be on the right side of this one. | 0:40:20 | 0:40:23 | |
HE CHUCKLES | 0:40:27 | 0:40:30 | |
# If you keep dancin' on me, girl | 0:40:41 | 0:40:43 | |
# I'll be tempted to touch Tempted to touch | 0:40:43 | 0:40:45 | |
# Tempted to touch Tempted to touch | 0:40:45 | 0:40:47 | |
# It's like we alone in this club Alone in this club | 0:40:47 | 0:40:50 | |
# If you keep dancin' on me, girl | 0:40:50 | 0:40:52 | |
# I'll be tempted to touch... # | 0:40:52 | 0:40:54 | |
HE SLAMS LAPTOP SHUT | 0:40:54 | 0:40:56 | |
Morning. | 0:41:04 | 0:41:05 | |
I'm going to Kentigern Gardens now. | 0:41:05 | 0:41:08 | |
OK. | 0:41:08 | 0:41:09 | |
And tomorrow we're going to Vashti, Lula's favourite clothes shop. | 0:41:09 | 0:41:13 | |
You'll be trying on some frocks. | 0:41:13 | 0:41:15 | |
I'll be your brother, trying to find a suitable gift | 0:41:15 | 0:41:17 | |
for my wedding anniversary. | 0:41:17 | 0:41:19 | |
How come? | 0:41:19 | 0:41:21 | |
Somebody in there's talking to the press about Lula. | 0:41:21 | 0:41:23 | |
I want to find out who it is, what they know and how they know it. | 0:41:23 | 0:41:26 | |
PHONE RINGS | 0:41:28 | 0:41:30 | |
SHE CLEARS HER THROAT | 0:41:34 | 0:41:35 | |
Cormoran Strike's office... | 0:41:35 | 0:41:37 | |
IN SCOUSE ACCENT: No, sorry, she's not here any more. | 0:41:39 | 0:41:42 | |
No, I don't, sorry. | 0:41:42 | 0:41:43 | |
My name? I'm Ashlee Jones, his new assistant, | 0:41:45 | 0:41:48 | |
and that's L-double-E, not I-G-H. | 0:41:48 | 0:41:50 | |
You're very welcome. | 0:41:50 | 0:41:52 | |
Temporary Solutions are on my case. | 0:41:55 | 0:41:57 | |
I'm not sure they quite believed me. | 0:41:57 | 0:41:58 | |
I suppose it doesn't matter if they blacklist you | 0:41:58 | 0:42:00 | |
now you've got a permanent job. | 0:42:00 | 0:42:02 | |
I'm going to pick up some lunch on the way back. Do you want anything? | 0:42:02 | 0:42:06 | |
Miso soup day. | 0:42:06 | 0:42:08 | |
Bad luck. | 0:42:08 | 0:42:09 | |
DOOR SLAMS | 0:42:12 | 0:42:14 | |
DOORBELL RINGS | 0:42:18 | 0:42:21 | |
DOOR BUZZES | 0:42:22 | 0:42:24 | |
DOOR CLOSES | 0:42:25 | 0:42:27 | |
Do you want me to let you up into Lula's flat? | 0:42:29 | 0:42:32 | |
I'd like to see the pool again. | 0:42:32 | 0:42:34 | |
That night, you gave Tansy a towel because she was cold. | 0:42:40 | 0:42:44 | |
It's handy, the way there was one just lying about at your desk. | 0:42:44 | 0:42:47 | |
I travel in every day from East Croydon. | 0:42:53 | 0:42:57 | |
Sometimes I can't sleep because of the hours | 0:42:57 | 0:42:59 | |
and all the stuff in my head, and... | 0:42:59 | 0:43:02 | |
But swimming really helps, you know? | 0:43:03 | 0:43:10 | |
Of course. | 0:43:10 | 0:43:11 | |
You left your desk, didn't you? | 0:43:12 | 0:43:14 | |
Look, I can't afford to lose this job. | 0:43:16 | 0:43:20 | |
I owe money on my credit cards, and my kids have lots | 0:43:20 | 0:43:23 | |
and lots of birthdays. | 0:43:23 | 0:43:25 | |
HE SIGHS Look, how long were you in here? | 0:43:25 | 0:43:30 | |
20 minutes? Half an hour? | 0:43:30 | 0:43:32 | |
About that. 50 laps. | 0:43:33 | 0:43:36 | |
I'm not going to tell anyone, I promise. | 0:43:36 | 0:43:40 | |
Thanks. | 0:43:40 | 0:43:41 | |
Is anybody in the Deeby Macc flat right now? | 0:43:41 | 0:43:43 | |
HE SIGHS Come on, then. | 0:43:45 | 0:43:47 | |
PHONE RINGS | 0:43:50 | 0:43:52 | |
Cormoran Strike's office... | 0:43:56 | 0:43:58 | |
Erm, I'm sorry, he's not in at the moment. Can I take a message? | 0:43:59 | 0:44:02 | |
Yeah. You may say that Charlotte Campbell called... | 0:44:02 | 0:44:05 | |
I will pass that on. | 0:44:08 | 0:44:10 | |
Please make sure you do. It's very important. | 0:44:10 | 0:44:13 | |
And this flat's been empty for three months? | 0:44:54 | 0:44:58 | |
These luxury rentals often sit empty. | 0:44:58 | 0:45:01 | |
I think some couple from Singapore are about to take the lease. | 0:45:01 | 0:45:03 | |
Ah... | 0:45:03 | 0:45:04 | |
Any deliveries here that day? | 0:45:10 | 0:45:12 | |
Yeah, erm, Freddie Bestigui sent Deeby some flowers. | 0:45:12 | 0:45:16 | |
Did Lula get any flowers as well? | 0:45:17 | 0:45:20 | |
Not that I know of. | 0:45:20 | 0:45:23 | |
Definitely didn't deliver roses up to her flat that day? | 0:45:23 | 0:45:27 | |
No. | 0:45:27 | 0:45:28 | |
CAMERA BEEPS | 0:45:28 | 0:45:31 | |
Were there any other deliveries here? | 0:45:31 | 0:45:32 | |
Yeah, all sorts - champagne, a hoodie, | 0:45:32 | 0:45:35 | |
leather gloves, some fashion designer... | 0:45:35 | 0:45:37 | |
Which one? | 0:45:37 | 0:45:38 | |
I don't know. | 0:45:38 | 0:45:40 | |
Actually, yeah, I do, cos I called him Guy Some, | 0:45:40 | 0:45:44 | |
and they all laughed and said it wasn't pronounced that way. | 0:45:44 | 0:45:46 | |
PRONOUNCING IT THE FRENCH WAY: Guy Some. | 0:45:46 | 0:45:49 | |
Yeah. OK. | 0:45:49 | 0:45:50 | |
Oh, er, somebody else, erm... | 0:45:50 | 0:45:52 | |
The Nighthawk Security came in to fix the alarm pad, | 0:45:52 | 0:45:55 | |
and Lechsinka, the cleaner, she was in for a bit. | 0:45:55 | 0:45:58 | |
Quite a bit of coming and going, then. | 0:45:58 | 0:46:00 | |
Yeah, up until the early evening, and then it all just died off. | 0:46:00 | 0:46:05 | |
Good. Well, that's all for now. | 0:46:05 | 0:46:06 | |
No offence, but I hope "now" means "ever". | 0:46:08 | 0:46:11 | |
DOOR OPENS | 0:46:15 | 0:46:16 | |
DOOR SLAMS Oh, this came for you. | 0:46:19 | 0:46:21 | |
HE CHUCKLES | 0:46:49 | 0:46:51 | |
I think Lula Landry was murdered, Robin. | 0:47:03 | 0:47:06 | |
There, white roses just like the ones Freddie sent to | 0:47:06 | 0:47:09 | |
Deeby Macc that day, | 0:47:09 | 0:47:10 | |
but this photo was taken in Lula's flat. | 0:47:10 | 0:47:12 | |
Now, how did they get there? | 0:47:12 | 0:47:14 | |
My guess is the killer took them from the flat downstairs. | 0:47:14 | 0:47:16 | |
How did they get in there? | 0:47:16 | 0:47:17 | |
I don't know, but they could've easily snuck in that day | 0:47:17 | 0:47:20 | |
amid all the hustle and bustle - | 0:47:20 | 0:47:21 | |
deliveries, cleaners... | 0:47:21 | 0:47:22 | |
The one big mistake they made was to leave the flowers in Lula's flat | 0:47:22 | 0:47:25 | |
when they fled in such a hurry. | 0:47:25 | 0:47:27 | |
Then they got lucky. | 0:47:27 | 0:47:28 | |
Derrick wasn't on his desk for the reasons I thought... | 0:47:28 | 0:47:30 | |
Swimming. Yup, so the killer scarpers. | 0:47:30 | 0:47:32 | |
Freddie lets Tansy back in to stop her screaming. | 0:47:32 | 0:47:35 | |
The killer gets out just before Tansy hits the lobby | 0:47:35 | 0:47:37 | |
and Derrick arrives back from the pool. | 0:47:37 | 0:47:40 | |
So, who do you think it is? | 0:47:40 | 0:47:42 | |
That's still a work in progress, | 0:47:42 | 0:47:44 | |
but it's the same person who killed Rochelle - | 0:47:44 | 0:47:46 | |
I just need to find out why. | 0:47:46 | 0:47:48 | |
Crispy duck with extra pancakes day for me. Are you quite sure? | 0:47:50 | 0:47:53 | |
What's up? | 0:47:56 | 0:47:58 | |
Charlotte Campbell rang. | 0:47:58 | 0:48:00 | |
What did she say? | 0:48:00 | 0:48:03 | |
She just said, "Tell him Charlotte Campbell called. | 0:48:03 | 0:48:06 | |
"Soon to be Mrs Jago Ross." | 0:48:06 | 0:48:08 | |
OK, thanks. | 0:48:10 | 0:48:12 | |
I probably won't be back until the end of the day. | 0:48:34 | 0:48:36 | |
REVERSING TRUCK BEEPS | 0:49:07 | 0:49:08 | |
Hi. | 0:49:33 | 0:49:35 | |
SLURRING: Ah, Robin. It's late. What are you doing here? | 0:49:35 | 0:49:40 | |
I was looking for you. | 0:49:40 | 0:49:43 | |
You are a very nice person. | 0:49:43 | 0:49:45 | |
Don't go anywhere. I'll just get myself a drink. | 0:49:45 | 0:49:47 | |
I won't go anywhere, cross my heart. | 0:49:47 | 0:49:49 | |
Actually, Robin, I'm a wee bit pissed. | 0:49:49 | 0:49:51 | |
I'll have a white wine, please. | 0:49:51 | 0:49:52 | |
Small or large? | 0:49:52 | 0:49:53 | |
Extra large! | 0:49:53 | 0:49:55 | |
Small, please. | 0:49:55 | 0:49:56 | |
Lightweight. | 0:49:56 | 0:49:58 | |
Put it on the super tab. | 0:49:58 | 0:49:59 | |
Thanks. | 0:50:02 | 0:50:03 | |
Do you know what I like about you, Robin? | 0:50:03 | 0:50:05 | |
You're a very decent person, and you have good skills - | 0:50:07 | 0:50:11 | |
a skill set. | 0:50:11 | 0:50:12 | |
Thanks. | 0:50:13 | 0:50:15 | |
I think... | 0:50:15 | 0:50:18 | |
you've got to know when to ask a question | 0:50:18 | 0:50:21 | |
and when to not ask a question. | 0:50:21 | 0:50:24 | |
Give people time. | 0:50:24 | 0:50:25 | |
Yeah. | 0:50:25 | 0:50:27 | |
Have you eaten anything? | 0:50:27 | 0:50:29 | |
No, I'm not hungry. | 0:50:29 | 0:50:30 | |
Oh, come on, it can't be that bad. | 0:50:30 | 0:50:33 | |
HE SNORTS SOFTLY | 0:50:33 | 0:50:35 | |
Have you got a light? | 0:50:37 | 0:50:39 | |
You can't smoke in here. | 0:50:39 | 0:50:40 | |
Oh... They're ruined, pubs. | 0:50:40 | 0:50:43 | |
Pubs used to be bloody brilliant. | 0:50:43 | 0:50:45 | |
I remember when this were all pubs. | 0:50:45 | 0:50:49 | |
Nothing but pubs. | 0:50:49 | 0:50:50 | |
Even the buses, Robin, they were mobile pubs. | 0:50:50 | 0:50:52 | |
Happy days. | 0:50:52 | 0:50:53 | |
They were happy, and you know what's ruined everything? | 0:50:53 | 0:50:56 | |
SLURRING: It's digitalisation. | 0:50:56 | 0:50:59 | |
Letters - gone. What happened to love letters? | 0:50:59 | 0:51:02 | |
Ah, digitalisation... | 0:51:02 | 0:51:03 | |
That's what I said. You're not going to write a love-mail, are you? | 0:51:03 | 0:51:06 | |
Well, I... No, you can't. Exactly. | 0:51:06 | 0:51:09 | |
Internet groceries... | 0:51:09 | 0:51:11 | |
What? What's so hard about going to the supermarket, you lazy fuckers? | 0:51:12 | 0:51:18 | |
And now you can't even have a fag in a pub, | 0:51:18 | 0:51:21 | |
and there aren't any council houses | 0:51:21 | 0:51:22 | |
or love letters any more. MAN LAUGHS | 0:51:22 | 0:51:24 | |
What are you laughing at? | 0:51:24 | 0:51:27 | |
You think it's funny that people can't afford to live | 0:51:27 | 0:51:29 | |
near their place of work any more, Beardy? Cormoran, let's go. | 0:51:29 | 0:51:33 | |
Sorry. | 0:51:34 | 0:51:36 | |
Are you all right? Let's go. | 0:51:36 | 0:51:38 | |
SLURRING: I'm a bit sad, Robin. | 0:51:41 | 0:51:43 | |
I know. | 0:51:43 | 0:51:44 | |
LIGHT SWITCH CLICKS | 0:52:23 | 0:52:26 | |
KEYS JINGLE | 0:52:34 | 0:52:36 | |
RATTLING | 0:52:38 | 0:52:39 | |
I don't need those. | 0:52:39 | 0:52:41 | |
Well, just in case. | 0:52:41 | 0:52:42 | |
KEYS CLATTER | 0:52:42 | 0:52:44 | |
Are you going to be OK for Vashti in the morning? | 0:52:44 | 0:52:46 | |
Course I am. | 0:52:46 | 0:52:48 | |
I'm a very lucky person, Robin. | 0:52:48 | 0:52:51 | |
First, I have the kind of metabolism where I can eat what I want | 0:52:51 | 0:52:56 | |
and stay pencil-thin... | 0:52:56 | 0:52:57 | |
and second, I don't... | 0:52:57 | 0:52:59 | |
I don't really get hangovers. | 0:52:59 | 0:53:01 | |
Well, that is lucky. | 0:53:01 | 0:53:03 | |
HE GROANS | 0:53:03 | 0:53:05 | |
Bastard leg's bloody killing me. | 0:53:06 | 0:53:09 | |
Cruelty or mercy? | 0:53:16 | 0:53:20 | |
Hmm? | 0:53:20 | 0:53:21 | |
Kid with a gun. | 0:53:22 | 0:53:24 | |
He could have shot me after the explosion, | 0:53:24 | 0:53:28 | |
but he looked at my leg... | 0:53:28 | 0:53:32 | |
and just winked. | 0:53:32 | 0:53:34 | |
Maybe a bit of both. | 0:53:40 | 0:53:41 | |
Maybe so. | 0:53:44 | 0:53:45 | |
You go home! | 0:53:50 | 0:53:51 | |
I'm all right now. Right. | 0:53:58 | 0:54:00 | |
I'm switching the light out. | 0:54:16 | 0:54:17 | |
Yeah. | 0:54:19 | 0:54:21 | |
LIGHT SWITCH CLICKS | 0:54:21 | 0:54:23 | |
DOOR CLOSES | 0:54:24 | 0:54:26 | |
MUFFLED MUSIC PLAYS FROM OUTSIDE | 0:54:28 | 0:54:30 | |
HE EXHALES | 0:54:34 | 0:54:36 | |
CORMORAN BREATHES HEAVILY | 0:54:59 | 0:55:01 | |
Fuck. | 0:55:39 | 0:55:40 | |
Fucking hell. | 0:55:43 | 0:55:44 | |
WHISPERING: Fuck. | 0:56:10 | 0:56:12 | |
It was you. | 0:56:28 | 0:56:31 | |
You killed Lula. | 0:56:31 | 0:56:32 | |
Lula Landry came in here a lot, didn't she? | 0:57:07 | 0:57:09 | |
The day she died - this changing room. | 0:57:09 | 0:57:12 | |
You're not the first young lady who's come asking about him. | 0:57:12 | 0:57:14 | |
What's this really about? | 0:57:14 | 0:57:16 | |
I think it was very sudden and brutal. | 0:57:16 | 0:57:17 | |
Tony didn't want us to have her. | 0:57:19 | 0:57:22 |