Browse content similar to Episode 1. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains some strong language and some scenes which some viewers may find upsetting. | 0:00:02 | 0:00:09 | |
MUSIC: I Walk Beside You by Beth Rowley | 0:01:52 | 0:01:54 | |
I just... | 0:02:40 | 0:02:42 | |
I don't understand how you can still love me. | 0:02:42 | 0:02:44 | |
Built for stamina, me. | 0:03:02 | 0:03:03 | |
-KNOCK ON DOOR -Cormoran? | 0:03:14 | 0:03:17 | |
KNOCK ON DOOR What's that? | 0:03:17 | 0:03:18 | |
You awake? | 0:03:18 | 0:03:20 | |
It's 9.40. | 0:03:20 | 0:03:22 | |
You've got clients waiting. I thought you'd want to... | 0:03:22 | 0:03:26 | |
I'll be five minutes. The alarm must have... | 0:03:26 | 0:03:29 | |
Can you offer them a cup of tea or something? | 0:03:29 | 0:03:31 | |
Yeah, we're on second cups already. | 0:03:31 | 0:03:34 | |
OK, offer them a biscuit. That always makes people feel special. | 0:03:34 | 0:03:36 | |
Right. | 0:03:36 | 0:03:37 | |
KNOCK ON DOOR | 0:03:57 | 0:03:58 | |
Reading it again? | 0:04:08 | 0:04:09 | |
So Daniel, I'm off. | 0:04:11 | 0:04:12 | |
I've done a letter for the HR people. | 0:04:12 | 0:04:13 | |
Don't try to dissuade me. | 0:04:13 | 0:04:15 | |
What's this about? | 0:04:15 | 0:04:16 | |
No, no. Please don't. | 0:04:16 | 0:04:18 | |
It's effective immediately, etc, etc. | 0:04:18 | 0:04:21 | |
Morning. | 0:04:36 | 0:04:38 | |
15 minutes late. Bet the army wouldn't let you get away with that. | 0:04:38 | 0:04:42 | |
If you didn't have such a good-looking secretary, | 0:04:42 | 0:04:44 | |
-I'd have left. -Good morning. How can I help you? | 0:04:44 | 0:04:46 | |
Hey, excuse me. I'm not waiting. | 0:04:46 | 0:04:48 | |
Robin, would you make up Mr Baker's final bill? | 0:04:51 | 0:04:54 | |
-But you're not finished! -We are. | 0:04:54 | 0:04:57 | |
I'm sure you can find somebody who doesn't mind having | 0:04:57 | 0:04:59 | |
a tosser for a client. | 0:04:59 | 0:05:01 | |
Come this way. | 0:05:01 | 0:05:02 | |
I need you to make a phone call. | 0:05:16 | 0:05:17 | |
One phone call? | 0:05:19 | 0:05:20 | |
I can pay. | 0:05:20 | 0:05:22 | |
Your girl said what your rates are, and if the call's not longer | 0:05:22 | 0:05:24 | |
than five minutes then I've already got the money on me. | 0:05:24 | 0:05:27 | |
My husband's gone off to a writers' retreat | 0:05:29 | 0:05:31 | |
and he'll have told 'em not to pick up to me. | 0:05:31 | 0:05:33 | |
So I just need you to get him on the line | 0:05:33 | 0:05:34 | |
and then I can tell him to come home. | 0:05:34 | 0:05:37 | |
Could a friend not do this for you? | 0:05:37 | 0:05:38 | |
My neighbour, Edna, can't do it because she's a woman. | 0:05:38 | 0:05:42 | |
He's gone off before, only this time it's been ten days | 0:05:42 | 0:05:45 | |
and our girl's missing her daddy and getting upset and we need him back. | 0:05:45 | 0:05:49 | |
Have you got the number for this retreat? | 0:05:50 | 0:05:53 | |
Bigley Hall. | 0:05:53 | 0:05:54 | |
He's always talking about that one. | 0:05:56 | 0:05:58 | |
What's his name? | 0:06:04 | 0:06:05 | |
Owen Quine. He's a very famous and good novelist. | 0:06:05 | 0:06:09 | |
Morning. I'm calling for Owen Quine. I know Mr Quine sometimes asks | 0:06:09 | 0:06:12 | |
for his calls to be screened, but these are medical test results. | 0:06:12 | 0:06:15 | |
So he really needs to take this one. | 0:06:15 | 0:06:17 | |
OK. Thanks. | 0:06:19 | 0:06:21 | |
He's not there. I believe them. | 0:06:23 | 0:06:26 | |
There's no charge. Sorry we couldn't help you. | 0:06:26 | 0:06:30 | |
I'll see you out. | 0:06:30 | 0:06:31 | |
No charge. | 0:06:33 | 0:06:34 | |
How's the day looking? | 0:06:45 | 0:06:47 | |
Well, surveillance on the Gunfrey place, | 0:06:47 | 0:06:49 | |
then I'm pulling town hall records on the Stokes while you see | 0:06:49 | 0:06:52 | |
Mrs Ingles in Chelsea. | 0:06:52 | 0:06:54 | |
And then at four o'clock, you're due to follow Mr Abingdon | 0:06:54 | 0:06:57 | |
from work, which I reckon will take about two hours, | 0:06:57 | 0:07:00 | |
which'll lead us to six o'clock and drinks. | 0:07:00 | 0:07:02 | |
Drinks? | 0:07:04 | 0:07:05 | |
With Matthew? | 0:07:05 | 0:07:07 | |
It's been pushed back twice. Please tell me you've... | 0:07:07 | 0:07:09 | |
Drinks. Great. Fine. | 0:07:09 | 0:07:11 | |
Could you text me Caroline Ingles's contact details? | 0:07:11 | 0:07:13 | |
Sure. | 0:07:13 | 0:07:15 | |
Can you find him? | 0:07:15 | 0:07:16 | |
I'm afraid we haven't the capacity to take on another client. | 0:07:17 | 0:07:21 | |
If you're worried, you could maybe try calling the police? | 0:07:21 | 0:07:23 | |
Yeah, they can trace phones and track bank card usage. | 0:07:23 | 0:07:26 | |
Things we can't do without breaking the law. | 0:07:26 | 0:07:28 | |
Yeah, but I called the police before and then he showed up in a hotel | 0:07:28 | 0:07:31 | |
with some girl and everyone got upset how I'd wasted police time. | 0:07:31 | 0:07:34 | |
I've got a photo of him. | 0:07:36 | 0:07:37 | |
His agent, Liz, will pay. | 0:07:40 | 0:07:42 | |
Owen's her best client. She loves him. | 0:07:42 | 0:07:44 | |
She can take it out of his next commission. | 0:07:44 | 0:07:47 | |
Please. | 0:07:49 | 0:07:50 | |
Absolutely not. | 0:07:53 | 0:07:55 | |
Leonora can find her own damn husband. | 0:07:55 | 0:07:57 | |
Excuse me. | 0:08:00 | 0:08:01 | |
End of flu. | 0:08:02 | 0:08:04 | |
It's been hellish. | 0:08:04 | 0:08:05 | |
And anyway, I fired Owen. | 0:08:07 | 0:08:10 | |
I'm not sure Leonora's aware of that. | 0:08:10 | 0:08:13 | |
Was there any particular reason for it? | 0:08:13 | 0:08:15 | |
Owen has written a very thinly-disguised slandering | 0:08:15 | 0:08:18 | |
of the people who have tried to help him. | 0:08:18 | 0:08:20 | |
He attacks his publisher, his editor, me, other writers. | 0:08:20 | 0:08:24 | |
It is a thinly disguised, nasty little allegory | 0:08:24 | 0:08:29 | |
that deserves nothing but burning. | 0:08:29 | 0:08:31 | |
And I say that as someone who loves books. | 0:08:34 | 0:08:38 | |
Ralph! | 0:08:42 | 0:08:44 | |
He's out with Beau! | 0:08:44 | 0:08:45 | |
Owen would like nothing better than for a search party to be sent | 0:08:46 | 0:08:50 | |
out to find him. | 0:08:50 | 0:08:51 | |
I shan't pay for his PR. | 0:08:51 | 0:08:53 | |
-Now, if you'll excuse me... -That's him there, isn't it? | 0:08:53 | 0:08:55 | |
Oh, yeah. | 0:08:58 | 0:09:00 | |
That's... | 0:09:00 | 0:09:02 | |
me, Quine, Andrew Fancourt, Joe North. | 0:09:02 | 0:09:07 | |
My first three clients. | 0:09:08 | 0:09:11 | |
You represent Andrew Fancourt? | 0:09:11 | 0:09:12 | |
-He sells a lot of books, doesn't he? -Mmm. | 0:09:12 | 0:09:15 | |
Out of the three writers, Andrew and I have parted ways and... | 0:09:15 | 0:09:19 | |
..Joe's dead. | 0:09:21 | 0:09:22 | |
AIDS. | 0:09:23 | 0:09:25 | |
Do you think Quine might be staying with friends? | 0:09:28 | 0:09:30 | |
He hasn't got any left. | 0:09:30 | 0:09:32 | |
Well, he teaches creative writing, that supplies him. | 0:09:33 | 0:09:36 | |
What a phrase that is! | 0:09:36 | 0:09:38 | |
It supplies him with a fresh pool of wide-eyed sycophants. | 0:09:39 | 0:09:42 | |
I'm not sure he's very well. | 0:09:48 | 0:09:50 | |
I know, his poos are like boulders. | 0:09:50 | 0:09:52 | |
Get him some fibre. | 0:09:55 | 0:09:56 | |
And... | 0:09:59 | 0:10:01 | |
a mint tea. | 0:10:01 | 0:10:02 | |
For his bowl? | 0:10:05 | 0:10:06 | |
For my throat. | 0:10:09 | 0:10:10 | |
For God's sake, for the dog? | 0:10:10 | 0:10:12 | |
Apparently, he took a first in English at Warwick. | 0:10:14 | 0:10:17 | |
I'm minded to call them to check. | 0:10:17 | 0:10:19 | |
I won't waste any more of your time. Just a few more questions. | 0:10:19 | 0:10:22 | |
When was the last time you saw Quine? | 0:10:22 | 0:10:25 | |
We had lunch together. | 0:10:27 | 0:10:28 | |
We ate at Congreve's. | 0:10:28 | 0:10:30 | |
By then, I'd had some very angry calls from Daniel Chard. | 0:10:30 | 0:10:33 | |
I have never not read a manuscript before sending it off, | 0:10:33 | 0:10:36 | |
but just for once I skimmed a few pages and told Ralph to send it off. | 0:10:36 | 0:10:40 | |
Unforgivable. | 0:10:41 | 0:10:43 | |
I went to stay with a writer friend of mine, Dorcus Pengelly. | 0:10:44 | 0:10:49 | |
That's her real name. | 0:10:49 | 0:10:51 | |
Once I had read what the book contained, I fired him. | 0:10:51 | 0:10:55 | |
In the restaurant? | 0:10:56 | 0:10:58 | |
How did he take the news? | 0:11:01 | 0:11:02 | |
Poorly. | 0:11:04 | 0:11:06 | |
Before you judge me for that, I'll have you know | 0:11:06 | 0:11:10 | |
that I was one of the very few friends he had in this industry. | 0:11:10 | 0:11:13 | |
Have you met Orlando? | 0:11:16 | 0:11:18 | |
Is that the daughter? No, not yet. | 0:11:18 | 0:11:19 | |
She's sweet. | 0:11:19 | 0:11:21 | |
Had a hard start in life. | 0:11:21 | 0:11:23 | |
The state is niggardly with those needing more help than average. | 0:11:24 | 0:11:29 | |
Perhaps you've discovered that for yourself? | 0:11:31 | 0:11:33 | |
I hope you feel better soon. | 0:11:41 | 0:11:43 | |
It will tell my story, as all my books have done. | 0:11:43 | 0:11:47 | |
I draw upon my disagreement with Andrew Fancourt. | 0:11:47 | 0:11:52 | |
The end of a literary era. | 0:11:54 | 0:11:57 | |
I'm putting together a pack on Quine for you. | 0:12:01 | 0:12:03 | |
He's a very important writer, according to himself. | 0:12:03 | 0:12:07 | |
Those any good? | 0:12:09 | 0:12:10 | |
He's not a fan of short sentences. | 0:12:11 | 0:12:14 | |
I managed about ten pages then and had to take a break before I gave | 0:12:14 | 0:12:16 | |
myself a migraine. | 0:12:16 | 0:12:18 | |
Should I contact Liz Tassel about billing? | 0:12:20 | 0:12:23 | |
No, she won't be paying. I would like to help his wife, | 0:12:23 | 0:12:26 | |
but it will mean turning down some paid work. | 0:12:26 | 0:12:28 | |
Well, it's your business. | 0:12:29 | 0:12:31 | |
When we're out of debt... | 0:12:31 | 0:12:32 | |
I know you're worth more than I'm currently paying you. | 0:12:35 | 0:12:38 | |
It'll be a nice change, trying to bring a couple back together | 0:12:41 | 0:12:44 | |
instead of helping people divorce. | 0:12:44 | 0:12:46 | |
Yeah, I thought that, too. | 0:12:46 | 0:12:48 | |
Right, I'm off to Islington now. | 0:12:49 | 0:12:52 | |
Surveillance on the Gunfrey place. | 0:12:52 | 0:12:54 | |
I'll swing by Leonora Quine's first. | 0:12:54 | 0:12:57 | |
Can you make a start on those searches? | 0:12:57 | 0:12:59 | |
Will do. | 0:12:59 | 0:13:01 | |
Don't forget drinks. | 0:13:01 | 0:13:02 | |
I won't. See you at eight. | 0:13:03 | 0:13:05 | |
Six! We're meeting at six! | 0:13:05 | 0:13:08 | |
Six! | 0:13:08 | 0:13:09 | |
Leonora, dear, I really must... | 0:13:31 | 0:13:33 | |
Cormoran Strike, private investigator. | 0:13:40 | 0:13:43 | |
God, has it come to that already? | 0:13:43 | 0:13:45 | |
Jerry's Owen's editor. | 0:13:45 | 0:13:47 | |
He's one of the good ones. | 0:13:47 | 0:13:49 | |
Of course we all do worry about him. | 0:13:51 | 0:13:52 | |
You ring me as soon as he shows up, right? | 0:13:56 | 0:13:59 | |
Nice to meet you. | 0:13:59 | 0:14:00 | |
Did you smell the wine on him? | 0:14:12 | 0:14:14 | |
I got woozy just talking to him. | 0:14:14 | 0:14:17 | |
Nice he popped round, though. | 0:14:17 | 0:14:19 | |
Andrew. | 0:14:47 | 0:14:49 | |
Have you read it? Did he send it to you? | 0:14:49 | 0:14:52 | |
What do you want? | 0:14:53 | 0:14:54 | |
I fired Owen. | 0:14:56 | 0:14:57 | |
As soon as I read Bombyx, I told him it was despicable. | 0:14:59 | 0:15:02 | |
-I wanted you to know that. -I haven't read it. | 0:15:02 | 0:15:05 | |
Your dog is shitting on my lavender. | 0:15:07 | 0:15:09 | |
It's possible your husband is | 0:15:17 | 0:15:18 | |
seeking publicity for his new manuscript, | 0:15:18 | 0:15:20 | |
or he could be genuinely upset at being fired by his agent. | 0:15:20 | 0:15:24 | |
He's her best client, though. He's really good. | 0:15:24 | 0:15:26 | |
Liz came over to see him last week an 'all. | 0:15:26 | 0:15:29 | |
Back in the day, she chose him over Andrew Fancourt. | 0:15:29 | 0:15:32 | |
Why'd she go and fire him now? | 0:15:32 | 0:15:33 | |
I think he insulted a lot of the people she works with. | 0:15:33 | 0:15:36 | |
A hotel for ten days would be expensive. | 0:15:38 | 0:15:40 | |
Can you think of anyone he might be staying with? | 0:15:40 | 0:15:43 | |
He's had girlfriends as well as flings. | 0:15:43 | 0:15:46 | |
He always says, "That's that, no more," every time, | 0:15:46 | 0:15:48 | |
and I always believe him. | 0:15:48 | 0:15:50 | |
So, yeah. He's probably shagging some girlfriend. | 0:15:53 | 0:15:56 | |
And I still want him home. | 0:15:58 | 0:15:59 | |
You're stinking my flat out! | 0:17:07 | 0:17:08 | |
-Matthew, hi. -Cormoran. | 0:17:29 | 0:17:31 | |
-Who needs a drink? -No, it's table service here. | 0:17:32 | 0:17:35 | |
In a pub? | 0:17:36 | 0:17:37 | |
Matt comes here quite a lot. | 0:17:38 | 0:17:39 | |
Yeah, the food's all right. It's no Mango Tree, but it passes. | 0:17:39 | 0:17:43 | |
Mango Tree? | 0:17:43 | 0:17:44 | |
Yeah, Thai place. | 0:17:44 | 0:17:45 | |
-Any good? -Yeah, if Thai's your thing. | 0:17:45 | 0:17:48 | |
Did you watch the rugby? | 0:17:52 | 0:17:53 | |
No. What happened? | 0:17:53 | 0:17:54 | |
England Wales. | 0:17:54 | 0:17:57 | |
-Do you want to know the score? -OK. | 0:17:57 | 0:17:59 | |
England 16, Wales 5. | 0:17:59 | 0:18:01 | |
Matt played rugby for Yorkshire under-16s. | 0:18:04 | 0:18:06 | |
Aah. | 0:18:07 | 0:18:09 | |
Do you play anything? Erm, like, did you before you...? | 0:18:09 | 0:18:12 | |
Oh, well, I used to be the European hop-scotch champion, | 0:18:13 | 0:18:16 | |
but can't do that any more. | 0:18:16 | 0:18:18 | |
Funny. | 0:18:20 | 0:18:21 | |
We'd like to invite you to... | 0:18:26 | 0:18:27 | |
In eight weeks? | 0:18:37 | 0:18:38 | |
Yeah, it's exciting. | 0:18:39 | 0:18:41 | |
So... | 0:18:44 | 0:18:46 | |
how long have you two been together? | 0:18:46 | 0:18:48 | |
Nine years. Yeah. | 0:18:48 | 0:18:50 | |
Yeah, we went to school together. | 0:18:50 | 0:18:52 | |
Yeah, she was the only half-fit girl with a brain, really. | 0:18:52 | 0:18:55 | |
So I had no choice. | 0:18:55 | 0:18:56 | |
What about you? Have you got a girlfriend? | 0:18:58 | 0:19:01 | |
No, no. | 0:19:01 | 0:19:02 | |
Not for a while. | 0:19:04 | 0:19:05 | |
I might head to the bar. | 0:19:06 | 0:19:07 | |
We're working on a missing person's case. | 0:19:09 | 0:19:11 | |
Sounds like most of the work's watching married people cop off. | 0:19:13 | 0:19:16 | |
I said to Robin, you should be called privates investigators. | 0:19:16 | 0:19:19 | |
That's not all we do. | 0:19:19 | 0:19:20 | |
We're actually quite busy at the moment, aren't we? | 0:19:20 | 0:19:22 | |
Yeah, yeah, yeah. Going to have to take on a new investigator. | 0:19:22 | 0:19:26 | |
How do you find one? | 0:19:26 | 0:19:27 | |
We advertise. Probably go with ex-police. | 0:19:27 | 0:19:29 | |
They tend to have useful relationships. | 0:19:29 | 0:19:32 | |
I'm going to go to the bar. | 0:19:36 | 0:19:37 | |
What can I get you? | 0:19:37 | 0:19:39 | |
Yeah, same again, please. | 0:19:39 | 0:19:40 | |
Yeah. Robin? | 0:19:40 | 0:19:41 | |
Oh, erm, white wine, please. | 0:19:44 | 0:19:45 | |
White wine and one of those Czech beers | 0:19:53 | 0:19:56 | |
and can I get a pint of that? | 0:19:56 | 0:19:58 | |
I felt a bit sorry for him, to be honest. | 0:20:05 | 0:20:08 | |
He's not an easy conversationalist, is he? | 0:20:08 | 0:20:10 | |
What's up with you? | 0:20:13 | 0:20:14 | |
Nothing. Just... | 0:20:14 | 0:20:16 | |
..him talking about taking someone else on. | 0:20:17 | 0:20:19 | |
Yeah, but not for your job. He just needs another one of him. | 0:20:19 | 0:20:23 | |
Yeah. | 0:20:23 | 0:20:24 | |
I suppose I just thought I'd move up the ladder there. | 0:20:26 | 0:20:28 | |
I mean, I never bloody see you. | 0:21:20 | 0:21:22 | |
You bring in next to no money. | 0:21:22 | 0:21:24 | |
Fuck's sake. | 0:21:24 | 0:21:25 | |
I told you it would be tough at first building up an agency. | 0:21:28 | 0:21:31 | |
I'm pregnant. | 0:21:31 | 0:21:32 | |
Morning, Venetia. | 0:21:45 | 0:21:46 | |
Morning. | 0:21:46 | 0:21:47 | |
How did you...? | 0:21:47 | 0:21:49 | |
-It's on the invitation. -Oh. | 0:21:49 | 0:21:51 | |
I was conceived in Venice. | 0:21:51 | 0:21:53 | |
Good noodles at that pub. | 0:21:55 | 0:21:56 | |
I think I've got something. | 0:21:57 | 0:22:00 | |
You said his only friends were his students, | 0:22:00 | 0:22:02 | |
so I looked up the class he teaches. | 0:22:02 | 0:22:04 | |
They put out a publication each year showcasing the students' work, | 0:22:04 | 0:22:07 | |
with contact details and web links. | 0:22:07 | 0:22:09 | |
One of them has a blog about her erotic fiction, | 0:22:09 | 0:22:13 | |
full of cosy mentions of her and TGW. | 0:22:13 | 0:22:16 | |
The Great Writer. | 0:22:16 | 0:22:18 | |
-Her name's Kathryn Kent. -Sounds promising. | 0:22:18 | 0:22:21 | |
What did you think of Matthew? | 0:22:23 | 0:22:25 | |
Nice bloke. | 0:22:25 | 0:22:26 | |
Are you Kathryn Kent? | 0:22:54 | 0:22:55 | |
Yes? | 0:22:57 | 0:22:58 | |
I'm looking for Owen Quine. I thought he might be here? | 0:22:58 | 0:23:00 | |
-No. -Not a fan? -He can go to hell. | 0:23:00 | 0:23:03 | |
I'm an investigator. His wife's very worried for him. | 0:23:03 | 0:23:06 | |
Thought he might be staying with you. | 0:23:06 | 0:23:08 | |
You took his writing class, didn't you? | 0:23:11 | 0:23:13 | |
We were friends. | 0:23:13 | 0:23:14 | |
He said he'd write me into his new book. | 0:23:14 | 0:23:17 | |
And then he posted a copy through my door. | 0:23:17 | 0:23:20 | |
I hope I never see him again. | 0:23:20 | 0:23:21 | |
It's an odd one, though. | 0:23:30 | 0:23:32 | |
Sending it to his girlfriend, knowing it would hurt her? | 0:23:32 | 0:23:35 | |
It seems nihilistic. | 0:23:35 | 0:23:36 | |
It's like a suicide note. | 0:23:36 | 0:23:37 | |
Railing against a world that called your last novel | 0:23:37 | 0:23:40 | |
"sphincter-clenchingly awful." | 0:23:40 | 0:23:41 | |
Is that a real review? | 0:23:43 | 0:23:44 | |
That was one of the better ones. | 0:23:44 | 0:23:46 | |
I'm heading to Leonora's to ask some more questions. | 0:23:48 | 0:23:51 | |
Do you want to come? | 0:23:51 | 0:23:52 | |
I can't tonight. | 0:23:52 | 0:23:53 | |
Yeah, OK. | 0:23:55 | 0:23:56 | |
Oh. I've done the searches. | 0:23:56 | 0:23:58 | |
Might be worth asking about her husband co-owning | 0:24:00 | 0:24:02 | |
a house on Talgarth Road. | 0:24:02 | 0:24:04 | |
I know. | 0:24:06 | 0:24:08 | |
Yeah, but he never goes there. I don't even know if we've got... | 0:24:08 | 0:24:10 | |
It might have been worth mentioning, given he's been missing | 0:24:10 | 0:24:13 | |
-for nearly a fortnight now. -He owns it with Andrew Fancourt, | 0:24:13 | 0:24:15 | |
so he can't ever do anything with it. | 0:24:15 | 0:24:18 | |
Their mate, Joe, left it them when he died. | 0:24:18 | 0:24:20 | |
Sometimes they get it rented out to artists an' that, but mostly | 0:24:20 | 0:24:23 | |
Andrew won't let them make money off it, just to piss Owen off. | 0:24:23 | 0:24:26 | |
Here you are. | 0:24:30 | 0:24:31 | |
He won't be there. It's a wreck. | 0:24:34 | 0:24:36 | |
Did he leave you a copy of his new manuscript, by any chance? | 0:24:38 | 0:24:41 | |
Oh, yeah. | 0:24:41 | 0:24:42 | |
He left it for me by the front door. | 0:24:49 | 0:24:51 | |
He knows I'm not going to read it like that. | 0:24:51 | 0:24:53 | |
I only read 'em when there's a cover and it's proper, | 0:24:53 | 0:24:56 | |
even if he reckons it's good. | 0:24:56 | 0:24:57 | |
So he posted this into his own home? | 0:25:00 | 0:25:03 | |
I don't know. It was on the doormat. It was just sat there. | 0:25:03 | 0:25:06 | |
-I can't see any box-files for Bombyx Mori. -Oh, there will be. | 0:25:08 | 0:25:11 | |
He's always getting some idea and it has to go down before he forgets. | 0:25:11 | 0:25:15 | |
Apart from Jerry and Liz, have you had any visitors | 0:25:15 | 0:25:17 | |
since Owen disappeared? | 0:25:17 | 0:25:19 | |
His publisher rang, but he didn't come over. | 0:25:19 | 0:25:22 | |
People don't really. | 0:25:22 | 0:25:24 | |
Do they, Dodo? | 0:25:24 | 0:25:25 | |
Do you like to draw? | 0:25:33 | 0:25:35 | |
Yes. | 0:25:35 | 0:25:36 | |
And I take things. | 0:25:38 | 0:25:40 | |
Yeah, we talked about that didn't we, Dodo? | 0:25:40 | 0:25:42 | |
She pinches things and sticks 'em in her monkey. | 0:25:45 | 0:25:48 | |
Who's that man? | 0:25:50 | 0:25:51 | |
He's helping us find Daddy. | 0:25:52 | 0:25:54 | |
-I want Daddy. -I know you do, pet. | 0:25:55 | 0:25:58 | |
Say what you like about him, but Owen does a good bed-time story. | 0:26:01 | 0:26:04 | |
My name is Cormoran Strike. | 0:26:06 | 0:26:07 | |
That's not a name. | 0:26:09 | 0:26:11 | |
I was named after a Cornish giant. | 0:26:11 | 0:26:13 | |
Could I borrow this? | 0:26:16 | 0:26:17 | |
Go for your life. | 0:26:19 | 0:26:20 | |
Hey, babes, how was work? | 0:26:28 | 0:26:30 | |
The FSA are bringing in new regs, | 0:26:30 | 0:26:32 | |
so we have to get on top of that along with the client business. | 0:26:32 | 0:26:36 | |
I've had Mum on the phone complaining about a headache. | 0:26:36 | 0:26:39 | |
Is she all right? | 0:26:39 | 0:26:40 | |
Yeah, just short on attention. | 0:26:41 | 0:26:43 | |
That's a good-looking omelette. | 0:26:47 | 0:26:48 | |
Come on, then. | 0:28:31 | 0:28:32 | |
Robin, I'm going to Quine's house on Talgarth road. | 0:28:39 | 0:28:43 | |
Give Bombyx a read, would you? See if you can make any sense of it. | 0:28:43 | 0:28:46 | |
PHONE RINGS | 0:28:51 | 0:28:54 | |
Cormoran Strike's office. | 0:28:57 | 0:28:58 | |
Yes, I am so sorry, he was detained on another case. | 0:29:01 | 0:29:04 | |
Yeah, well, he can still see you tomorrow. | 0:29:06 | 0:29:09 | |
OK, I'm so sorry about that, bye. | 0:29:09 | 0:29:10 | |
He's dead. | 0:31:18 | 0:31:19 | |
I found his body at that address. | 0:31:19 | 0:31:21 | |
-Police are there now. -Oh, my God. | 0:31:21 | 0:31:24 | |
-Does his wife know? -Police are there, too. | 0:31:25 | 0:31:28 | |
Really odd murder scene. | 0:31:29 | 0:31:31 | |
It's quite disturbing. Pictures are pretty grim. | 0:31:32 | 0:31:34 | |
PHONE RINGS | 0:31:34 | 0:31:35 | |
Sorry. | 0:31:37 | 0:31:38 | |
Jesus. | 0:31:48 | 0:31:49 | |
It's demented. | 0:31:53 | 0:31:54 | |
Gutting someone and taking their intestines away. | 0:31:54 | 0:31:56 | |
You have to read this. | 0:31:59 | 0:32:00 | |
Look at the last chapter. | 0:32:02 | 0:32:03 | |
You finished it already? | 0:32:05 | 0:32:06 | |
I skipped to the end. I always do. | 0:32:06 | 0:32:09 | |
Read it. Go on. | 0:32:09 | 0:32:10 | |
The hero dies in exactly the same way Quine did. | 0:32:57 | 0:33:01 | |
Tied up, guts torn out. | 0:33:01 | 0:33:03 | |
It must be the grimmest part of the book, | 0:33:03 | 0:33:05 | |
and someone made him re-enact it. | 0:33:05 | 0:33:06 | |
PHONE RINGS | 0:33:08 | 0:33:11 | |
Sorry, I'm just going to... | 0:33:11 | 0:33:13 | |
Hi, are you OK? | 0:33:14 | 0:33:15 | |
When? | 0:33:19 | 0:33:21 | |
Where are you now? | 0:33:24 | 0:33:25 | |
Right, I'll come straightaway. | 0:33:26 | 0:33:28 | |
OK. I love you. | 0:33:29 | 0:33:30 | |
Everything OK? | 0:33:31 | 0:33:33 | |
Matt's mum just died. | 0:33:35 | 0:33:37 | |
Erm... | 0:33:40 | 0:33:41 | |
She had a stroke. | 0:33:43 | 0:33:46 | |
Tell him I'm sorry, will you? | 0:33:46 | 0:33:47 | |
Yeah. | 0:33:47 | 0:33:48 | |
I'm going to get the tube, then I'll call you later. | 0:33:49 | 0:33:53 | |
Mystic Bob! Hello, mate. | 0:34:18 | 0:34:21 | |
It's good to see you. | 0:34:21 | 0:34:23 | |
I pulled a few strings to get the case once | 0:34:23 | 0:34:25 | |
I heard it was one of yours. How are you? How's the fiance? | 0:34:25 | 0:34:28 | |
-We broke up. -No? | 0:34:28 | 0:34:30 | |
Shit, sorry, mate. What...? | 0:34:31 | 0:34:34 | |
How's the case looking, Rich? How about forensics? | 0:34:34 | 0:34:37 | |
Time of death's going to be a bastard. | 0:34:37 | 0:34:40 | |
Guts are missing, so there's no last meal to date, | 0:34:40 | 0:34:42 | |
and then there's acid everywhere. | 0:34:42 | 0:34:44 | |
Even the flies stayed off the body, so we've got no maggots. | 0:34:44 | 0:34:47 | |
Neighbour saw a woman in a burqa coming | 0:34:47 | 0:34:49 | |
out the property about ten days ago with a sports bag. | 0:34:49 | 0:34:51 | |
Burqa's not a bad disguise. | 0:34:51 | 0:34:53 | |
Do we assume the bag was full of Quine's intestines? | 0:34:53 | 0:34:55 | |
Assume so, yeah. | 0:34:55 | 0:34:57 | |
We'll have the dogs search the rubbish dumps. | 0:34:57 | 0:34:59 | |
We've got a suspect as well, the wife. | 0:34:59 | 0:35:01 | |
He was having an affair, probably going to leave her. | 0:35:01 | 0:35:04 | |
But if he dies, she gets a nice insurance pay-out. | 0:35:04 | 0:35:07 | |
She's got a key to this place. All adds up. | 0:35:07 | 0:35:09 | |
I don't think she had the ingenuity to pull off | 0:35:09 | 0:35:11 | |
something like this. | 0:35:11 | 0:35:12 | |
And she hired me to find him. | 0:35:12 | 0:35:14 | |
You don't have the full picture, mate. | 0:35:14 | 0:35:16 | |
We talked to the neighbours. | 0:35:16 | 0:35:17 | |
Massive argument in the street the night before he goes. | 0:35:17 | 0:35:19 | |
Did she tell you that? And get this, before she married him? | 0:35:19 | 0:35:22 | |
-Worked in her uncle's butcher shop in Hay-on-Wye. -Oh. | 0:35:22 | 0:35:26 | |
-Gutting pigs, the works. -Oh. | 0:35:26 | 0:35:28 | |
This is my mate, Cormoran. | 0:35:30 | 0:35:32 | |
-Ex-SIB. The bloke that saved my life. -Hi. | 0:35:32 | 0:35:35 | |
I've heard lots about you from Richard. | 0:35:35 | 0:35:37 | |
He'd just finished a manuscript for his new book. | 0:35:37 | 0:35:40 | |
It makes some very unpleasant allegations about people he knew. | 0:35:40 | 0:35:43 | |
Each of them has a motive, if that's what you're looking for. | 0:35:43 | 0:35:46 | |
-But only if they read it. -The killer definitely did. | 0:35:46 | 0:35:48 | |
Quine was killed in the exact same way as the hero from his book. | 0:35:48 | 0:35:51 | |
Tied up, gutted, laid out to be eaten. | 0:35:51 | 0:35:54 | |
Bloody hell. | 0:35:54 | 0:35:56 | |
Is Leonora Quine in it? | 0:35:56 | 0:35:58 | |
Yes. | 0:35:59 | 0:36:00 | |
Not hard for her to get a look at his work in progress. | 0:36:02 | 0:36:05 | |
She's upset. | 0:36:53 | 0:36:54 | |
It's all the coming and going. They asked her questions. | 0:36:54 | 0:36:58 | |
I told 'em what she's like, but they still did. | 0:36:58 | 0:37:01 | |
-I'm sorry for your loss. -Yeah, that's what they said as well, | 0:37:01 | 0:37:04 | |
but with them you can see it's like they have to say it. | 0:37:04 | 0:37:06 | |
I can't do much more for you now, Leonora. | 0:37:08 | 0:37:10 | |
This is a murder case. | 0:37:10 | 0:37:12 | |
There's no charge for the work we've done, | 0:37:12 | 0:37:14 | |
-so please don't worry about that. -Shush. | 0:37:14 | 0:37:16 | |
They dug out photos. | 0:37:18 | 0:37:21 | |
These were private photos, | 0:37:21 | 0:37:23 | |
and they were all like, "Look, there's him tied up by you," | 0:37:23 | 0:37:25 | |
and I'm saying, "Yeah, but that's what he likes." | 0:37:25 | 0:37:27 | |
How's that mean anything to anyone? | 0:37:27 | 0:37:29 | |
I can recommend a good lawyer. She's an old friend of mine. | 0:37:29 | 0:37:32 | |
If they question you again... | 0:37:32 | 0:37:33 | |
Why have I got to pay for a lawyer now?! | 0:37:33 | 0:37:36 | |
All I ever done was look for him! | 0:37:36 | 0:37:37 | |
I want it quiet! | 0:37:37 | 0:37:39 | |
It's all right, Dodo. | 0:37:39 | 0:37:40 | |
It's all right. | 0:37:42 | 0:37:43 | |
Let's do...a cloud. | 0:37:44 | 0:37:48 | |
I want Daddy! | 0:37:48 | 0:37:49 | |
What goes on in a cloud? | 0:37:49 | 0:37:53 | |
-Daddy! -A bird? | 0:37:53 | 0:37:54 | |
A blue bird? | 0:37:57 | 0:37:58 | |
-Or a red bird? -Red. | 0:38:01 | 0:38:04 | |
There's a red pencil for you then, Dodo. | 0:38:04 | 0:38:07 | |
Now, you put it there. | 0:38:07 | 0:38:08 | |
I'm a bit scared they're going to take me away from her. | 0:38:23 | 0:38:25 | |
She can't manage it. | 0:38:27 | 0:38:28 | |
It's only ever been me and Owen. | 0:38:30 | 0:38:32 | |
That's great, thank you. | 0:38:56 | 0:38:57 | |
What time's your train? | 0:39:02 | 0:39:04 | |
11. | 0:39:04 | 0:39:06 | |
Do you think you could get the day off? | 0:39:06 | 0:39:08 | |
Yeah, I'd like to. | 0:39:08 | 0:39:09 | |
I'll ask. | 0:39:11 | 0:39:12 | |
KNOCK ON DOOR | 0:39:26 | 0:39:27 | |
How long have you been up? You sent me an e-mail at 5am. | 0:39:29 | 0:39:32 | |
The police think Leonora killed Quine. She needs our help. | 0:39:32 | 0:39:35 | |
How's Matthew? | 0:39:36 | 0:39:38 | |
Funeral's already arranged. | 0:39:40 | 0:39:42 | |
He's going up today. | 0:39:42 | 0:39:43 | |
Take whatever time you need. | 0:39:46 | 0:39:47 | |
We've been getting a lot of complaints from clients. | 0:39:52 | 0:39:55 | |
The work with Leonora's really put us back. | 0:39:55 | 0:39:57 | |
I'm making a list of people we know who've been ridiculed | 0:40:00 | 0:40:03 | |
or slandered in the book. | 0:40:03 | 0:40:04 | |
Leonora, Liz Tassel. | 0:40:04 | 0:40:06 | |
Succuba and the Tick. | 0:40:06 | 0:40:08 | |
Yeah, judging by how angry she is, | 0:40:08 | 0:40:10 | |
I'm guessing Kathryn Kent's in there, too. | 0:40:10 | 0:40:12 | |
I think she's Harpy. | 0:40:12 | 0:40:13 | |
I know what he says about the three of them is really cruel, | 0:40:15 | 0:40:18 | |
but there are others that come off a lot worse. | 0:40:18 | 0:40:20 | |
Liz mentioned the book was attacking his publisher, Daniel Chard. | 0:40:20 | 0:40:23 | |
He could be The Cutter? Phallus Impudicus. | 0:40:23 | 0:40:27 | |
-Vainglorious. -One of the really nasty ones. | 0:40:27 | 0:40:30 | |
Chard called me this morning. | 0:40:30 | 0:40:31 | |
He doesn't want to risk meeting us in London and he's paranoid | 0:40:31 | 0:40:34 | |
about his phone being tapped, which is probably sensible. | 0:40:34 | 0:40:36 | |
So I'm going to have to meet him in bloody Devon. | 0:40:36 | 0:40:38 | |
I'll need a hire car booked for tomorrow. | 0:40:38 | 0:40:40 | |
I'll drive us. | 0:40:40 | 0:40:41 | |
Are you sure? I can probably manage with an automatic... | 0:40:43 | 0:40:46 | |
No, I'm sure. I'll drive us, definitely. | 0:40:46 | 0:40:49 | |
I'm really sorry, I'm not going to be able to get away today. | 0:41:01 | 0:41:04 | |
We're just so over-stretched on this case we're working on and I've | 0:41:04 | 0:41:08 | |
got a meeting at the British Library tomorrow | 0:41:08 | 0:41:10 | |
that I tried to move, but... | 0:41:10 | 0:41:12 | |
Anyway, the good news is it's round the corner from the station | 0:41:12 | 0:41:15 | |
and I've got a ticket for the 8pm. | 0:41:15 | 0:41:17 | |
So, I will be with you all as soon as I can. | 0:41:17 | 0:41:19 | |
I'm sorry, Matt. Give my love to your dad, and I love you. | 0:41:21 | 0:41:26 | |
Why does he have to live in Devon? | 0:41:45 | 0:41:47 | |
At least it's not Cornwall. | 0:41:47 | 0:41:49 | |
Thanks for coming. | 0:42:22 | 0:42:24 | |
Hi. | 0:42:24 | 0:42:26 | |
Would you...? | 0:42:28 | 0:42:30 | |
-We're shoes off, if you don't mind. -Oh, no problem. | 0:42:30 | 0:42:32 | |
Oh, sorry. I'd forgotten. | 0:42:38 | 0:42:41 | |
Why don't you leave yours on? | 0:42:41 | 0:42:42 | |
Is your foot all right? | 0:42:45 | 0:42:47 | |
Relatively speaking. | 0:42:47 | 0:42:48 | |
Relative to mine? | 0:42:48 | 0:42:49 | |
Oh, no, I mean, it's a sprain, that's all. | 0:42:50 | 0:42:53 | |
Tea? Coffee? | 0:42:54 | 0:42:56 | |
Coffee would be great. | 0:42:56 | 0:42:57 | |
Manny! | 0:42:57 | 0:42:58 | |
Would you please make coffee for our guests? | 0:43:02 | 0:43:04 | |
He doesn't like it down here. | 0:43:09 | 0:43:11 | |
He wants to be back in London. | 0:43:11 | 0:43:12 | |
Horrible news about Quine. | 0:43:14 | 0:43:16 | |
How are his sales? | 0:43:16 | 0:43:18 | |
Oh, improving. | 0:43:18 | 0:43:19 | |
Look, what I have to say is confidential. | 0:43:21 | 0:43:24 | |
Would you mind waiting in the kitchen? | 0:43:27 | 0:43:29 | |
Sure. | 0:43:31 | 0:43:32 | |
Look, I am fairly confident... | 0:43:43 | 0:43:46 | |
Well, I mean, almost certain | 0:43:46 | 0:43:48 | |
that Bombyx Mori is not the work of one person. | 0:43:48 | 0:43:52 | |
Quine must have had an accomplice. | 0:43:52 | 0:43:54 | |
How can you tell? | 0:43:55 | 0:43:56 | |
The style seems like his, certainly, | 0:43:56 | 0:43:59 | |
but some things in it I doubt he could possibly have known. | 0:43:59 | 0:44:03 | |
And I've been in books all my life. | 0:44:07 | 0:44:09 | |
A writer's voice is particular. | 0:44:09 | 0:44:11 | |
Hard to substantiate. | 0:44:13 | 0:44:15 | |
I know. | 0:44:15 | 0:44:16 | |
If you can prove, definitively, | 0:44:19 | 0:44:21 | |
who authored the book... | 0:44:21 | 0:44:23 | |
I'll pay you £10,000. | 0:44:23 | 0:44:25 | |
I hate gossip. | 0:44:32 | 0:44:34 | |
And believing that maybe someone I know told Quine | 0:44:35 | 0:44:40 | |
private things about me... | 0:44:40 | 0:44:42 | |
-Have you read Bombyx? -I have. | 0:44:44 | 0:44:48 | |
It's especially savage about me and about the writer Andrew Fancourt. | 0:44:48 | 0:44:51 | |
I asked Andrew to join me in suing to prevent publication, | 0:44:53 | 0:44:57 | |
but that seems moot, since Quine has been... | 0:44:57 | 0:45:01 | |
-..you know. -Disembowelled. | 0:45:03 | 0:45:05 | |
Yeah. | 0:45:07 | 0:45:09 | |
What does Quine allege about you both? | 0:45:13 | 0:45:15 | |
In Andrew's case, he implies that Andrew himself wrote | 0:45:17 | 0:45:22 | |
a nasty parody of his late wife's novel. | 0:45:22 | 0:45:25 | |
She killed herself over it. | 0:45:25 | 0:45:27 | |
Andrew found her on the kitchen floor, | 0:45:27 | 0:45:29 | |
with the parody pinned to her chest. | 0:45:29 | 0:45:31 | |
Has Mr Fancourt read Bombyx? | 0:45:33 | 0:45:35 | |
No, but I gave him the gist. | 0:45:35 | 0:45:37 | |
Fancourt and Quine were close before they fell out? | 0:45:39 | 0:45:42 | |
Who have you been talking to? | 0:45:44 | 0:45:45 | |
Liz Tassel. | 0:45:45 | 0:45:47 | |
She represented them both... | 0:45:49 | 0:45:50 | |
for a while. | 0:45:50 | 0:45:53 | |
Liz told everyone that Quine was a genius... | 0:45:53 | 0:45:55 | |
..and she had a huge crush on Andrew. | 0:45:57 | 0:45:59 | |
Not a woman who always gets it right... | 0:46:00 | 0:46:03 | |
..and not least in sending out Bombyx Mori. | 0:46:05 | 0:46:08 | |
I'm just going to use the loo. | 0:46:15 | 0:46:17 | |
Are you friends of his? | 0:46:17 | 0:46:18 | |
We're private investigators. | 0:46:18 | 0:46:20 | |
I didn't push him down the stairs. He fell. | 0:46:21 | 0:46:24 | |
OK. Are the toilets this way? | 0:46:25 | 0:46:28 | |
It's downstairs. | 0:46:28 | 0:46:29 | |
I'm just trying to think if there's anything else I need to ask. Er... | 0:46:36 | 0:46:39 | |
Look, I have a call with New York. | 0:46:42 | 0:46:44 | |
I'm sorry the coffee didn't materialise. Manny's a little bit... | 0:46:47 | 0:46:50 | |
Well... | 0:46:52 | 0:46:54 | |
Oh, take a look at Jerry Waldegrave. | 0:46:54 | 0:46:58 | |
He'll be at our centennial party. I'll put you on the list. | 0:46:59 | 0:47:02 | |
Need to retrieve my assistant. | 0:47:05 | 0:47:07 | |
Oh, yes. Manny! | 0:47:07 | 0:47:09 | |
Forget about the coffee. | 0:47:15 | 0:47:17 | |
Would you please fetch Mr Strike's assistant? | 0:47:17 | 0:47:20 | |
All done, Mr Strike? | 0:47:20 | 0:47:21 | |
I think so. | 0:47:23 | 0:47:24 | |
Come on, then. Speak your mind. | 0:48:04 | 0:48:07 | |
Really, I'm fine. | 0:48:08 | 0:48:09 | |
Chard ended up telling me a lot of useful things. | 0:48:13 | 0:48:15 | |
The book might have had multiple authors. | 0:48:15 | 0:48:18 | |
I get the impression Quine knew a lot of damaging stuff, | 0:48:18 | 0:48:21 | |
so maybe he was killed to stop further revelations. | 0:48:21 | 0:48:24 | |
Chard avoiding telling me what Quine knew about him. | 0:48:24 | 0:48:27 | |
I can guess, though. | 0:48:27 | 0:48:28 | |
I wasn't going to stop him talking by picking him up on his manners. | 0:48:32 | 0:48:35 | |
No, it's really... It's not about that. It's just.. | 0:48:35 | 0:48:37 | |
What do you want from me? | 0:48:40 | 0:48:41 | |
As in...? | 0:48:42 | 0:48:44 | |
I mean, what were you intending when you hired me? | 0:48:44 | 0:48:47 | |
Because I've been working really hard. | 0:48:47 | 0:48:51 | |
I know, I've noticed. | 0:48:51 | 0:48:53 | |
You said you're going to take on another investigator. | 0:48:56 | 0:48:59 | |
OK, OK. Listen. Just... | 0:49:02 | 0:49:04 | |
You mightn't like what I'm going to say, but just let me get it out. | 0:49:04 | 0:49:08 | |
I did take you on thinking I could train you. | 0:49:10 | 0:49:13 | |
'Course I didn't have the money for that, | 0:49:13 | 0:49:15 | |
but I reckoned you could learn on the job... | 0:49:15 | 0:49:18 | |
until. | 0:49:18 | 0:49:19 | |
But you're getting married to someone who hates you doing this. | 0:49:22 | 0:49:25 | |
I'm not going to ask you to ruin your marriage over a job. | 0:49:31 | 0:49:34 | |
Have you told Matthew about today? | 0:49:36 | 0:49:39 | |
No, not yet. | 0:49:39 | 0:49:40 | |
I need a partner who can share the long hours, | 0:49:40 | 0:49:42 | |
who can give up their weekend at the drop of a hat. | 0:49:42 | 0:49:45 | |
I wouldn't ask that of an assistant, but I'd demand it of a partner. | 0:49:45 | 0:49:48 | |
That's what broke me and Charlotte up in the end. | 0:49:50 | 0:49:52 | |
Amongst other things. | 0:49:52 | 0:49:54 | |
She hated what I do. | 0:49:54 | 0:49:56 | |
Hated that when she finally demanded I choose, I chose the job over her. | 0:49:56 | 0:50:00 | |
If it's what you really want, | 0:50:05 | 0:50:06 | |
I'll put you on a surveillance course when I get the money. | 0:50:06 | 0:50:09 | |
But I'm not spending that on an assistant. | 0:50:09 | 0:50:10 | |
That is what I want. | 0:50:10 | 0:50:13 | |
This is what I love. | 0:50:13 | 0:50:14 | |
Then cheer the fuck up and give me that sandwich | 0:50:20 | 0:50:22 | |
-if you're not going to eat it. -It's not a good sandwich. | 0:50:22 | 0:50:25 | |
-Too much onion. -There's no such thing. | 0:50:25 | 0:50:27 | |
Can we get going? | 0:50:33 | 0:50:34 | |
If I don't make my train, I'll miss the funeral. | 0:50:34 | 0:50:37 | |
Don't. | 0:50:37 | 0:50:39 | |
Let's just go. | 0:50:39 | 0:50:40 | |
-Bollocks. -I'll see what's happening. | 0:51:01 | 0:51:03 | |
Sorry about this. | 0:51:21 | 0:51:22 | |
They're not going to be able to get in to tow it out. | 0:51:22 | 0:51:25 | |
It's an idiotic place to break down. | 0:51:25 | 0:51:27 | |
Can you open that gate? | 0:51:38 | 0:51:39 | |
-Why? -Just, can you? | 0:51:40 | 0:51:43 | |
Hey. This is a bit... | 0:52:15 | 0:52:16 | |
I've got this, trust me. | 0:52:16 | 0:52:18 | |
-Where did you learn to drive like that? -Oh, I've always loved driving. | 0:53:20 | 0:53:24 | |
I used to practise in the field with my uncle doing the pedals | 0:53:24 | 0:53:27 | |
-before I could reach them. -Yeah, but that wasn't just enjoying driving. | 0:53:27 | 0:53:30 | |
I did an advanced driving course... | 0:53:30 | 0:53:33 | |
-PHONE BEEPS -..the year I left uni. | 0:53:33 | 0:53:35 | |
Something to do. Got me out of the house a bit. | 0:53:35 | 0:53:37 | |
Signal's back. | 0:53:40 | 0:53:41 | |
Andrew Fancourt here. | 0:53:44 | 0:53:46 | |
I have no comment to make on Bombyx Mori. | 0:53:46 | 0:53:48 | |
I haven't read it and I don't intend to. | 0:53:48 | 0:53:51 | |
And nor do I have any valedictory words for Owen Quine. | 0:53:51 | 0:53:54 | |
I disliked him both as a man and as a writer. | 0:53:54 | 0:53:57 | |
I hope that helps. | 0:53:57 | 0:53:58 | |
Oh. | 0:53:58 | 0:54:00 | |
I can't just leave her, can I?! | 0:54:13 | 0:54:14 | |
Is there anyone you can call? | 0:54:14 | 0:54:16 | |
Oh, God! This isn't happening! | 0:54:16 | 0:54:18 | |
Come inside, loveheart. You have to. | 0:54:20 | 0:54:22 | |
Be good for Edna. Be a good girl. | 0:54:22 | 0:54:23 | |
-Call him! Tell him what's happened! -I will, I promise. | 0:54:25 | 0:54:28 | |
I'll be home soon, Dodo. I promise. | 0:54:29 | 0:54:32 | |
Thank you. Thanks. | 0:55:11 | 0:55:12 | |
Bye! | 0:55:14 | 0:55:15 | |
Excuse me. Do you know how to drive? | 0:55:53 | 0:55:56 | |
Yeah. | 0:55:56 | 0:55:57 | |
I'll pay you 20 quid if you drive me home in this car. | 0:55:57 | 0:56:01 | |
And why can't you do it? | 0:56:01 | 0:56:02 | |
I've only got one leg and my driver had to go home. | 0:56:05 | 0:56:09 | |
Do you want more money or is it the situation as a whole | 0:56:09 | 0:56:11 | |
that's making you hesitate? | 0:56:11 | 0:56:12 | |
PHONE RINGS | 0:56:14 | 0:56:17 | |
Excuse me. | 0:56:17 | 0:56:18 | |
Arrested or charged? | 0:56:21 | 0:56:22 | |
I'm asking you these questions to try to keep you out of prison. | 0:56:57 | 0:56:59 | |
Well, I didn't do anything. That's enough, innit? | 0:56:59 | 0:57:02 | |
-The ugly truth is, it might not be. -What's she mean, "It might not be"? | 0:57:02 | 0:57:05 | |
You were supposed to keep me out of here. You promised. | 0:57:05 | 0:57:07 | |
Fancourt's in Bombyx Mori. You'd have thought... | 0:57:08 | 0:57:11 | |
I'm not sure the Met's literary criticism unit | 0:57:11 | 0:57:13 | |
was brought in on this one. | 0:57:13 | 0:57:14 | |
He's certainly got the imagination for it. | 0:57:14 | 0:57:16 | |
Lots of the profile pieces you read on him | 0:57:16 | 0:57:18 | |
talk about how he writes violence. | 0:57:18 | 0:57:20 | |
Could Fancourt kill a man? | 0:57:20 | 0:57:23 | |
He's very good at writing hate. | 0:57:23 | 0:57:26 | |
The one-legged detective. I've read about you, Mr Strike. | 0:57:26 | 0:57:29 | |
I've been looking into Owen Quine's death. | 0:57:29 | 0:57:31 | |
I was hoping we'd have a chance to talk. | 0:57:31 | 0:57:33 | |
Well...here we are. | 0:57:33 | 0:57:35 | |
Oi! | 0:57:35 | 0:57:36 |