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-THOYT: -'I attended Mr Delaney's funeral and a ghost appeared, | 0:00:02 | 0:00:05 | |
'a son we all thought dead in Africa.' | 0:00:05 | 0:00:07 | |
-SIR STRANGE: -James Keziah Delaney. | 0:00:07 | 0:00:09 | |
-THOYT: -Dear Lord Almighty, is that your brother?! | 0:00:09 | 0:00:11 | |
Your father was poisoned. | 0:00:11 | 0:00:13 | |
I would say heavy doses over a short period. | 0:00:13 | 0:00:16 | |
One thing Africa did not cure is that I still love you. | 0:00:16 | 0:00:20 | |
'Now he is returned | 0:00:20 | 0:00:21 | |
'and Delaney's will leaves him everything, including Nootka.' | 0:00:21 | 0:00:25 | |
Britain and the United States are currently at war. | 0:00:25 | 0:00:29 | |
Sell this land for a reasonable price. | 0:00:29 | 0:00:31 | |
Nootka Sound is not for sale. | 0:00:31 | 0:00:33 | |
I can give you whatever you like - boys, girls. | 0:00:33 | 0:00:36 | |
You have two hours to get out. | 0:00:36 | 0:00:38 | |
I know things about the dead. | 0:00:38 | 0:00:41 | |
I'd hoped to settle this matter in a modern way, | 0:00:41 | 0:00:43 | |
but that is not going to be possible. He's all yours. | 0:00:43 | 0:00:46 | |
This Nootka Sound is a curse. | 0:00:46 | 0:00:48 | |
It will bring the King and Empire down upon your head. | 0:00:48 | 0:00:51 | |
This programme contains some strong language and some scenes which some viewers may find upsetting. | 0:00:54 | 0:01:00 | |
DOOR CLOSES | 0:02:03 | 0:02:05 | |
Pick it up. | 0:02:17 | 0:02:18 | |
HE LAUGHS SOFTLY | 0:02:22 | 0:02:23 | |
So, you've no problem with the principle of obeying me, | 0:02:26 | 0:02:29 | |
just the execution. | 0:02:29 | 0:02:31 | |
-Execution? -Of Delaney. I told you to take care of it. | 0:02:31 | 0:02:35 | |
It is taking a little longer than I anticipated. | 0:02:35 | 0:02:38 | |
If you open up that ball of paper, | 0:02:40 | 0:02:42 | |
you'll see notice of your dismissal from the East India, | 0:02:42 | 0:02:45 | |
dated two days hence. | 0:02:45 | 0:02:47 | |
Only Delaney's death will render it obsolete. | 0:02:51 | 0:02:54 | |
THUNDER RUMBLES | 0:03:01 | 0:03:03 | |
WIND HOWLS | 0:03:19 | 0:03:21 | |
GULLS CALL | 0:03:43 | 0:03:45 | |
This is going to bring the house down around it. | 0:03:48 | 0:03:51 | |
IT THUDS | 0:03:51 | 0:03:53 | |
Damn thing! | 0:03:53 | 0:03:54 | |
Beg your pardon. | 0:03:56 | 0:03:57 | |
So what's this for? | 0:03:59 | 0:04:00 | |
To keep things safe. | 0:04:02 | 0:04:04 | |
What things? | 0:04:04 | 0:04:06 | |
BRACE SIGHS | 0:04:06 | 0:04:08 | |
And Brace? | 0:04:08 | 0:04:09 | |
Go to hell! | 0:04:13 | 0:04:15 | |
You marched with Tremain. Now you can march with me. | 0:04:15 | 0:04:17 | |
March where? For what bloody purpose? | 0:04:17 | 0:04:20 | |
For the purpose of staying alive right now. | 0:04:20 | 0:04:22 | |
HE SCOFFS | 0:04:22 | 0:04:23 | |
You may choose to leave my services if you wish, Mr Brace. | 0:04:23 | 0:04:26 | |
What is it about you bloody mad Delaneys? | 0:04:26 | 0:04:29 | |
Hang it in the meat locker. GUN CLICKS | 0:04:32 | 0:04:35 | |
Just keep the powder out of the steam. | 0:04:35 | 0:04:37 | |
Bloody madhouse again! | 0:04:38 | 0:04:39 | |
While we're on the subject of housekeeping, | 0:04:41 | 0:04:43 | |
I mean to have a word with you about food. | 0:04:43 | 0:04:46 | |
-You're hungry? -No. | 0:04:46 | 0:04:47 | |
Toward the end, you said my father rarely ate. | 0:04:49 | 0:04:52 | |
Aye, he lived on air and honey beer. | 0:04:52 | 0:04:55 | |
-From where? -From a man in Feather Lane. | 0:04:55 | 0:04:59 | |
Look, it was cheaper than the tavern and, er, | 0:05:00 | 0:05:02 | |
-your father only gave me coppers. -What man? | 0:05:02 | 0:05:05 | |
A man who's since died... | 0:05:06 | 0:05:08 | |
..and his wife since left. | 0:05:09 | 0:05:10 | |
Why do you ask? | 0:05:12 | 0:05:13 | |
Because I am more generous than my father. | 0:05:15 | 0:05:17 | |
From now on, we drink beer only from bottles and wine from flasks. | 0:05:18 | 0:05:21 | |
That's all. | 0:05:21 | 0:05:22 | |
Go. | 0:05:23 | 0:05:24 | |
DOOR SLAMS | 0:05:29 | 0:05:31 | |
-MAN: -'Gentlemen, Jardine, Matheson and Company | 0:06:07 | 0:06:10 | |
'would like to commence this candle auction | 0:06:10 | 0:06:12 | |
'with a published list of 12 items for sale.' | 0:06:12 | 0:06:16 | |
Each item on the list will be auctioned for the length of time | 0:06:16 | 0:06:19 | |
it takes for its allotted candle to burn down one inch. | 0:06:19 | 0:06:23 | |
When the inch is burned, the last bid will win. | 0:06:23 | 0:06:25 | |
First item on the list - | 0:06:25 | 0:06:27 | |
a merchantman brig commandeered from the Spanish fleet by Captain Reeves, | 0:06:27 | 0:06:32 | |
this last 12 months and one. | 0:06:32 | 0:06:34 | |
Currently, the brig is named Felice Adventurero. | 0:06:36 | 0:06:40 | |
Who will start the bidding? | 0:06:43 | 0:06:45 | |
610. 620. | 0:06:45 | 0:06:47 | |
630. 640. | 0:06:47 | 0:06:49 | |
650. 660. | 0:06:49 | 0:06:52 | |
Do I have 670? | 0:06:52 | 0:06:54 | |
680. | 0:06:54 | 0:06:55 | |
690. | 0:06:55 | 0:06:57 | |
700. | 0:06:57 | 0:06:58 | |
SOFT CHATTER | 0:06:58 | 0:07:00 | |
DELANEY: £800. | 0:07:05 | 0:07:06 | |
-MAN: -I say! | 0:07:06 | 0:07:07 | |
MURMURING | 0:07:07 | 0:07:09 | |
-MAN: -Who is that? | 0:07:10 | 0:07:11 | |
Felice Adventurero sold for £800 to...? | 0:07:17 | 0:07:20 | |
The Delaney Nootka Trading Company. | 0:07:20 | 0:07:22 | |
I spoke to old Grady afterwards. | 0:07:24 | 0:07:26 | |
He said Delaney told him he was going to use the ship for trade. | 0:07:26 | 0:07:29 | |
-With whom? -He said the company was called Delaney Nootka Trading. | 0:07:29 | 0:07:32 | |
He is planning to reopen up the trading post | 0:07:33 | 0:07:35 | |
to assert his ownership. That fucking man will hang for treason! | 0:07:35 | 0:07:39 | |
KNOCKING | 0:07:42 | 0:07:43 | |
Sir, I already have a strategy in my head. | 0:07:49 | 0:07:52 | |
KNOCKING CONTINUES | 0:07:54 | 0:07:55 | |
Sir. | 0:07:58 | 0:07:59 | |
Why? | 0:08:01 | 0:08:02 | |
Why wouldn't he even look at our offer? | 0:08:05 | 0:08:07 | |
Why would he defy logic and the King? | 0:08:10 | 0:08:13 | |
I believe he is simply trying to raise the price. | 0:08:13 | 0:08:14 | |
Why did he know so much about the border negotiations, hmm? | 0:08:14 | 0:08:18 | |
How did he know they were taking place in Ghent? | 0:08:20 | 0:08:22 | |
The location is a state secret. | 0:08:23 | 0:08:25 | |
And where did he get the money to BUY A SHIP?! | 0:08:31 | 0:08:34 | |
Hmm? | 0:08:38 | 0:08:39 | |
Jesus Christ! | 0:08:44 | 0:08:46 | |
Am I the only one in this company with a brain? | 0:08:47 | 0:08:49 | |
They got to him first. | 0:08:55 | 0:08:57 | |
Either in Africa or on the journey back to London. | 0:09:00 | 0:09:04 | |
One of their agents approached him, briefed him, | 0:09:04 | 0:09:07 | |
gave him money and secured his services. | 0:09:07 | 0:09:11 | |
Who, who did, sir? | 0:09:13 | 0:09:14 | |
The fucking Americans! | 0:09:17 | 0:09:18 | |
DOG BARKS | 0:09:20 | 0:09:22 | |
BUZZ OF CONVERSATION NEARBY | 0:09:22 | 0:09:24 | |
MEN SHOUT | 0:09:38 | 0:09:39 | |
HAMMERING | 0:09:39 | 0:09:41 | |
Atticus! | 0:09:41 | 0:09:43 | |
ATTICUS! | 0:09:49 | 0:09:51 | |
James Delaney. | 0:10:01 | 0:10:02 | |
Well, look at you. | 0:10:04 | 0:10:05 | |
Sit down. | 0:10:10 | 0:10:11 | |
Give me back my horse. | 0:10:22 | 0:10:24 | |
What's the biggest thing you saw? | 0:10:24 | 0:10:26 | |
For my files - my book about the world. | 0:10:26 | 0:10:28 | |
What's the biggest thing you saw in Africa? | 0:10:28 | 0:10:31 | |
An elephant. | 0:10:31 | 0:10:32 | |
How tall was it? | 0:10:33 | 0:10:35 | |
Atticus, give me my horse back. | 0:10:35 | 0:10:37 | |
100 foot high, some of them, I've heard. | 0:10:39 | 0:10:43 | |
Atticus, you stole my horse and you left your name... | 0:10:43 | 0:10:46 | |
..so what do you want? | 0:10:48 | 0:10:51 | |
As you may recall, | 0:10:54 | 0:10:56 | |
I'm going to write a book one day about all I know about the world. | 0:10:56 | 0:10:58 | |
-I don't care. -And I've been to most places, | 0:10:58 | 0:11:02 | |
but not the devil's back yard where you went. | 0:11:02 | 0:11:04 | |
What's the biggest thing you saw, and the smallest? | 0:11:04 | 0:11:07 | |
And also the money your father owed me. | 0:11:09 | 0:11:11 | |
HE SLAMS THE TABLE Ah! See, there it is. | 0:11:11 | 0:11:14 | |
Nothing changes. | 0:11:16 | 0:11:18 | |
Are you more comfortable with business than with learning, James? | 0:11:18 | 0:11:21 | |
£20 is what I'm owed. | 0:11:22 | 0:11:24 | |
I know you have gold - you just bought a ship - so pay up. | 0:11:24 | 0:11:27 | |
-For what? -Well, you know, when someone wants a man killed, | 0:11:27 | 0:11:30 | |
-they come to Dolphin. -What, still? | 0:11:30 | 0:11:33 | |
My directory of knowledge covers every fucking thing | 0:11:35 | 0:11:37 | |
from cradle to grave - birth, love, death, | 0:11:37 | 0:11:40 | |
-it all goes into the river of my book. -Hmm! | 0:11:40 | 0:11:43 | |
When someone wants a man killed, they come to Atticus. | 0:11:43 | 0:11:46 | |
Well, about a year ago, a gentleman comes in, | 0:11:47 | 0:11:50 | |
sat right there where you are now, | 0:11:50 | 0:11:52 | |
and says, "How about old Horace Delaney, | 0:11:52 | 0:11:54 | |
"the mad bastard lighting fires by the river? | 0:11:54 | 0:11:58 | |
"Say he falls in, the current takes him, how about that?" | 0:11:58 | 0:12:02 | |
So I says to the gentleman... | 0:12:03 | 0:12:05 | |
"I sailed with old Horace all around the world." | 0:12:05 | 0:12:11 | |
See? So I said, "You go or I'll slit your gizzard | 0:12:12 | 0:12:15 | |
"and drop you in the current you had planned with Captain Delaney." | 0:12:15 | 0:12:19 | |
And who was this gentleman? | 0:12:19 | 0:12:20 | |
What was the smallest thing you saw? | 0:12:27 | 0:12:29 | |
Human kindness. | 0:12:29 | 0:12:31 | |
An ant. | 0:12:33 | 0:12:34 | |
HE SNIGGERS THEN WHEEZES | 0:12:34 | 0:12:36 | |
Was he a company man? | 0:12:39 | 0:12:40 | |
I'd say he wasn't East India. | 0:12:41 | 0:12:44 | |
More from up Leadenhall. | 0:12:44 | 0:12:46 | |
I could tell by the cut of his jib. | 0:12:46 | 0:12:48 | |
-So, how much will you give me for not killing your father? -Nothing. | 0:12:48 | 0:12:51 | |
He's dead. | 0:12:51 | 0:12:52 | |
-Well, £15... -£15. -..and the return of your horse. | 0:12:52 | 0:12:55 | |
I will give you £15, minus the heels on my boots... | 0:12:55 | 0:13:00 | |
..and I will need your eyes and ears from now on as well. | 0:13:01 | 0:13:04 | |
Yeah, well, the enemies you're stirring up, James, | 0:13:05 | 0:13:08 | |
you'll be needing them, my boy. | 0:13:08 | 0:13:09 | |
HORSES TROT NEARBY | 0:13:11 | 0:13:13 | |
CLOCK STRIKES | 0:13:18 | 0:13:20 | |
How is he this morning? | 0:13:20 | 0:13:22 | |
Toe and arse this morning, sir. | 0:13:22 | 0:13:24 | |
Oh, God. | 0:13:24 | 0:13:25 | |
I know about his toe. What happened to his arse? | 0:13:25 | 0:13:29 | |
One can only imagine. | 0:13:29 | 0:13:30 | |
Solomon Coop, your Highness. | 0:13:35 | 0:13:36 | |
How is your TOE this morning? | 0:13:42 | 0:13:44 | |
My toe is the first item of business. | 0:13:45 | 0:13:47 | |
You evidently don't read the papers. | 0:13:47 | 0:13:49 | |
Oh, you mean the blockade? | 0:13:51 | 0:13:53 | |
Fuck them! | 0:13:53 | 0:13:54 | |
Now, the red crosses are the positions of the American ships. | 0:13:55 | 0:14:00 | |
They are attempting to blockade our trading routes to the West. | 0:14:02 | 0:14:06 | |
And the blue crosses are the Royal Navy ships, | 0:14:06 | 0:14:10 | |
um, preparing to engage. | 0:14:10 | 0:14:13 | |
Why did you make the Americans red? | 0:14:13 | 0:14:15 | |
Why did you make them red? It's us who should be red. | 0:14:15 | 0:14:18 | |
We wear red. | 0:14:18 | 0:14:20 | |
The Admiralty drew up the map. | 0:14:20 | 0:14:21 | |
Now, they say that the Irish | 0:14:23 | 0:14:27 | |
are supplying the blockade with tack and pork, | 0:14:27 | 0:14:32 | |
but they will soon run short of powder. | 0:14:32 | 0:14:34 | |
Get the Admiralty to draw the map again, | 0:14:36 | 0:14:38 | |
and make the British red and the Americans... | 0:14:38 | 0:14:42 | |
green or something, since they are so new. | 0:14:42 | 0:14:46 | |
HE LAUGHS | 0:14:46 | 0:14:48 | |
But of course, your Highness. | 0:14:48 | 0:14:50 | |
I had a dream last night. | 0:14:54 | 0:14:56 | |
I was lying in the North Sea. My body was England. | 0:14:57 | 0:15:02 | |
I was an island... Coop, pay attention! | 0:15:02 | 0:15:04 | |
All these shrimps, like devils, with little bows and arrows, | 0:15:07 | 0:15:12 | |
were surrounding me, firing into my flesh. | 0:15:12 | 0:15:15 | |
You really must try and drink more from the green bottle | 0:15:15 | 0:15:18 | |
and less from the pink. | 0:15:18 | 0:15:20 | |
It wasn't just a dream. | 0:15:20 | 0:15:21 | |
It was a premonition. | 0:15:22 | 0:15:24 | |
The shrimps were the American ships. | 0:15:25 | 0:15:29 | |
Hear me, Coop. | 0:15:29 | 0:15:30 | |
I am lying in the ocean like a whale | 0:15:30 | 0:15:32 | |
and no-one in my Privy Council will raise a musket barrel! | 0:15:32 | 0:15:36 | |
You sail this close to my nose, | 0:15:37 | 0:15:40 | |
a kind of classless rebels, | 0:15:40 | 0:15:42 | |
and you show me red crosses. | 0:15:42 | 0:15:44 | |
Your Highness, they will run out of powder. | 0:15:44 | 0:15:46 | |
And I have run out of fucking patience. | 0:15:46 | 0:15:48 | |
Tell the Admiralty, although the gossips say | 0:15:49 | 0:15:52 | |
that all Prinny wants is flowers and waltzes, | 0:15:52 | 0:15:57 | |
in truth, Prinny also demands the American ships be sunk, | 0:15:57 | 0:16:01 | |
the survivors hanged, | 0:16:01 | 0:16:03 | |
the bodies of the drowned nailed to the church walls of Ireland | 0:16:03 | 0:16:07 | |
to stop their rebels making common cause. | 0:16:07 | 0:16:09 | |
-Do you want me to write this down? -YES! | 0:16:11 | 0:16:13 | |
-What the fuck is this? -Oh, it's, um, from the East India. | 0:16:16 | 0:16:19 | |
Fuck them as well. | 0:16:19 | 0:16:20 | |
I intend to. | 0:16:22 | 0:16:23 | |
MEN AND WOMEN CHATTER | 0:16:24 | 0:16:26 | |
GLASS CLINKS | 0:16:35 | 0:16:36 | |
DOG BARKS | 0:16:36 | 0:16:38 | |
-Who are you? -Winter. | 0:16:58 | 0:17:00 | |
-Miss Winter. -No, just Winter. | 0:17:00 | 0:17:02 | |
-Just Winter. -I live with the whores, but I'm a virgin. | 0:17:02 | 0:17:05 | |
-Why are you following me? -To save your life. | 0:17:07 | 0:17:10 | |
Mistress Helga gave information to a man with a silver tooth. | 0:17:13 | 0:17:16 | |
I spy on her. From the conversation, | 0:17:17 | 0:17:20 | |
he meant to do you harm, and the mistress knew it. | 0:17:20 | 0:17:23 | |
She wants you dead, so she can have her rooms back. | 0:17:24 | 0:17:27 | |
Hmm. | 0:17:27 | 0:17:28 | |
How old are you? | 0:17:30 | 0:17:31 | |
13. | 0:17:32 | 0:17:33 | |
Why would she keep you and not rent you? | 0:17:35 | 0:17:38 | |
Too ugly. She says, one day, I'll catch a man and he'll carry me away. | 0:17:38 | 0:17:42 | |
Someone like you. | 0:17:44 | 0:17:45 | |
I spied you, too. | 0:17:47 | 0:17:49 | |
Tell me about this man with the silver tooth... | 0:17:50 | 0:17:53 | |
..Winter. | 0:17:55 | 0:17:56 | |
I can show you where he's moored, if you want. | 0:17:56 | 0:17:58 | |
He sleeps on this ship alone? | 0:18:03 | 0:18:06 | |
He takes a particular girl abroad and does mean things, | 0:18:06 | 0:18:09 | |
but there's no-one else. | 0:18:09 | 0:18:11 | |
Are you tricking me? | 0:18:13 | 0:18:14 | |
No. | 0:18:16 | 0:18:17 | |
They say you was in Africa. | 0:18:23 | 0:18:25 | |
What is it like? | 0:18:26 | 0:18:28 | |
Is everybody naked? | 0:18:28 | 0:18:29 | |
Hmm. | 0:18:29 | 0:18:31 | |
I want to go to America. | 0:18:33 | 0:18:34 | |
Promise to take me to America one day. | 0:18:38 | 0:18:40 | |
New York or Boston? | 0:18:42 | 0:18:44 | |
SHE GIGGLES | 0:18:44 | 0:18:45 | |
The current here heads for Gravesend. | 0:18:45 | 0:18:47 | |
You know navigation. | 0:18:47 | 0:18:49 | |
Yes. Us larks all want to be sailors. | 0:18:49 | 0:18:52 | |
BELL RINGS | 0:18:52 | 0:18:53 | |
-That's his sloop. -Right. | 0:18:56 | 0:18:58 | |
ANCHOR SPLASHES | 0:19:00 | 0:19:02 | |
Why do you even believe I'm telling the truth? | 0:19:04 | 0:19:07 | |
Because... | 0:19:07 | 0:19:08 | |
What are you going to do? | 0:19:09 | 0:19:11 | |
Well, I shall ask him why he's been sent to kill me... | 0:19:11 | 0:19:15 | |
..and by who. | 0:19:16 | 0:19:18 | |
Stay. | 0:19:18 | 0:19:19 | |
HE PANTS | 0:19:41 | 0:19:43 | |
METALLIC RATTLING | 0:19:47 | 0:19:49 | |
LANTERN RATTLES | 0:19:57 | 0:20:00 | |
FLOORBOARDS CREAK | 0:20:00 | 0:20:03 | |
HE SNIFFS | 0:20:32 | 0:20:33 | |
CONTENTS RATTLE | 0:20:40 | 0:20:42 | |
EXPLOSION | 0:21:21 | 0:21:23 | |
CHURCH BELL CHIMES | 0:21:50 | 0:21:51 | |
FOOTSTEPS APPROACH | 0:21:57 | 0:21:59 | |
HE SNIFFS | 0:22:11 | 0:22:13 | |
The very same smell. | 0:22:13 | 0:22:15 | |
Same smell as what? | 0:22:15 | 0:22:17 | |
As your father's clothes when he would go dancing on the foreshore | 0:22:17 | 0:22:22 | |
and light his fires. | 0:22:22 | 0:22:24 | |
BEADS RATTLE | 0:22:27 | 0:22:29 | |
Brace, where did my father keep his most important things? | 0:22:31 | 0:22:35 | |
What is it you're looking for? | 0:22:35 | 0:22:37 | |
The Nootka Sound treaty. | 0:22:39 | 0:22:41 | |
HE SNIFFS | 0:22:41 | 0:22:42 | |
It may be written on deerskin. | 0:22:46 | 0:22:48 | |
So what you're saying is... | 0:22:48 | 0:22:50 | |
"Brace, do you have any idea where I can find ma ain death warrant?" | 0:22:50 | 0:22:56 | |
I may need to prove to a tribunal | 0:22:56 | 0:22:58 | |
that the land was acquired by treaty and not by conquest. | 0:22:58 | 0:23:01 | |
Tribunal? | 0:23:01 | 0:23:03 | |
Yeah. | 0:23:03 | 0:23:05 | |
Or they'll proudly try to seize it and claim it as a spoil of war. | 0:23:05 | 0:23:10 | |
Sir, I have seen nae deerskin treaty, | 0:23:10 | 0:23:14 | |
nor have I seen fairies or water sprites. | 0:23:14 | 0:23:17 | |
But what I do have are Malay coins, enough to bury you. | 0:23:18 | 0:23:24 | |
Prayer beads, not enough to get you to heaven. | 0:23:24 | 0:23:28 | |
And hashish, enough to ease my grieving | 0:23:28 | 0:23:32 | |
when the East India Company slit your throat, | 0:23:32 | 0:23:36 | |
which, of course, they will. | 0:23:36 | 0:23:38 | |
HE CHANTS IN UNKNOWN LANGUAGE | 0:23:43 | 0:23:46 | |
CHANTING STOPS, BEADS RATTLE | 0:23:51 | 0:23:53 | |
You have appointments today. | 0:23:58 | 0:24:00 | |
Breakfast will be out in half an hour... | 0:24:01 | 0:24:03 | |
..if you can contrive to stay alive that long. | 0:24:04 | 0:24:07 | |
DOOR SLAMS | 0:24:08 | 0:24:10 | |
Ah! | 0:24:28 | 0:24:29 | |
Ah... | 0:24:32 | 0:24:33 | |
HE SIGHS | 0:24:40 | 0:24:42 | |
PEOPLE CHATTER | 0:25:32 | 0:25:34 | |
DOG BARKS | 0:25:51 | 0:25:52 | |
CHILD LAUGHS | 0:25:52 | 0:25:54 | |
MAN GASPS | 0:26:00 | 0:26:02 | |
SHE SIGHS | 0:26:02 | 0:26:04 | |
Thank you. | 0:26:06 | 0:26:07 | |
That was turning out to be a long, drawn-out process. | 0:26:07 | 0:26:11 | |
I'd benefit from a period of reflection. | 0:26:11 | 0:26:13 | |
Do you have a girl here called Winter? | 0:26:15 | 0:26:18 | |
You can have any girl you want. | 0:26:18 | 0:26:20 | |
I do not have a girl of that name. | 0:26:20 | 0:26:22 | |
No? | 0:26:22 | 0:26:24 | |
A mulatto? | 0:26:24 | 0:26:25 | |
I would kill for a mulatto - the Danish pay double. | 0:26:27 | 0:26:30 | |
Hmm... | 0:26:30 | 0:26:31 | |
I met her. | 0:26:32 | 0:26:33 | |
-People are saying you're mad. -I am. | 0:26:37 | 0:26:39 | |
MOANING AND GRUNTING IN THE NEXT ROOM | 0:26:43 | 0:26:46 | |
I like to see what lies beneath. | 0:26:52 | 0:26:54 | |
Hmm? | 0:26:56 | 0:26:57 | |
You have goodness in you. | 0:27:01 | 0:27:03 | |
-What goodness? -You do, you do. | 0:27:04 | 0:27:06 | |
You have goodness in you - I can see it in your eyes... | 0:27:06 | 0:27:09 | |
HE TUTS | 0:27:10 | 0:27:11 | |
..and you have the same eyes as her. | 0:27:13 | 0:27:15 | |
Winter, she's your daughter, isn't she? | 0:27:17 | 0:27:20 | |
And that's why you don't rent her. | 0:27:21 | 0:27:23 | |
Am I wrong? | 0:27:26 | 0:27:28 | |
I would rather that you worked with me rather than against me. | 0:27:32 | 0:27:36 | |
-Work at what? -Necessary evil. | 0:27:37 | 0:27:40 | |
And whorehouses are full of secrets, and secrets, to me, are weapons. | 0:27:41 | 0:27:44 | |
I would very much like to talk business... | 0:27:46 | 0:27:49 | |
..but I would like you inside of me, Mr Delaney. | 0:27:51 | 0:27:53 | |
It's my first condition. | 0:27:54 | 0:27:55 | |
I need to know where Mr Silver Tooth is hiding. | 0:27:56 | 0:27:59 | |
Your new friend. | 0:28:01 | 0:28:02 | |
Do you know him? | 0:28:04 | 0:28:05 | |
-I will ask after the Malay. -Ah... | 0:28:08 | 0:28:10 | |
..the Malay? | 0:28:12 | 0:28:13 | |
Hmm. | 0:28:18 | 0:28:19 | |
Thank you for your help. | 0:28:26 | 0:28:28 | |
-MAN: -Mr Delaney? | 0:28:36 | 0:28:38 | |
GULLS CALL | 0:28:38 | 0:28:40 | |
The Felice Adventurero - it's all yours now, sir. | 0:28:40 | 0:28:42 | |
HAMMERING | 0:28:42 | 0:28:43 | |
Thank you. | 0:28:45 | 0:28:46 | |
HAMMERING CONTINUES | 0:28:52 | 0:28:54 | |
RAT SQUEAKS | 0:29:31 | 0:29:33 | |
HE GRUNTS | 0:29:56 | 0:29:58 | |
HE SIGHS | 0:30:12 | 0:30:13 | |
HE MUMBLES TO HIMSELF | 0:30:19 | 0:30:21 | |
What was this ship? | 0:30:23 | 0:30:25 | |
What was this ship? | 0:30:31 | 0:30:33 | |
Me and you. See you. Ah. | 0:30:45 | 0:30:48 | |
MUMBLING CONTINUES ..Ah! | 0:30:51 | 0:30:55 | |
SCREAMING | 0:31:02 | 0:31:03 | |
Help me! Captain! | 0:31:06 | 0:31:09 | |
MALE AND FEMALE VOICES CRY OUT | 0:31:11 | 0:31:13 | |
HE MUTTERS IN UNKNOWN LANGUAGE | 0:31:17 | 0:31:19 | |
MUTTERING CONTINUES | 0:31:23 | 0:31:26 | |
HAMMERING | 0:31:31 | 0:31:32 | |
LAUGHTER AND CHATTER ECHOES | 0:31:36 | 0:31:38 | |
LAUGHTER AND CHATTER CONTINUES | 0:31:44 | 0:31:47 | |
Holy Christ! Where the hell have you been? | 0:32:27 | 0:32:29 | |
I made a fire in your room for the mice. | 0:32:31 | 0:32:33 | |
In Parliament today, they'll be debating the beating of servants. | 0:32:35 | 0:32:39 | |
The Whigs want to protect you. | 0:32:39 | 0:32:41 | |
I believe that would lead to anarchy. | 0:32:41 | 0:32:43 | |
Are you not ever hungry? | 0:32:45 | 0:32:47 | |
I ate in the whorehouse. | 0:32:48 | 0:32:50 | |
To qualify as food, it needs to be solid. | 0:32:50 | 0:32:52 | |
LOUD SLURPING | 0:32:52 | 0:32:53 | |
I made some coffee - that'll be stone-cold. | 0:32:53 | 0:32:56 | |
Aren't we all? | 0:32:56 | 0:32:58 | |
Where the hell are you going now? | 0:32:59 | 0:33:01 | |
Someone has been brought to London to try and kill me. | 0:33:02 | 0:33:05 | |
I want to speak to them and ask them why. | 0:33:05 | 0:33:08 | |
Clean it. | 0:33:08 | 0:33:09 | |
BABY CRIES | 0:33:20 | 0:33:23 | |
-I'm looking for Dr Dumbarton. -Follow the smell inside. | 0:33:34 | 0:33:37 | |
-I'm off-duty. -I have a wound in my left shoulder. | 0:33:53 | 0:33:57 | |
-A bullet wound? -A splinter... | 0:34:02 | 0:34:04 | |
..from the mast of a ship called the Yankee Prize... | 0:34:07 | 0:34:10 | |
..that was struck by a Yankee ball. | 0:34:11 | 0:34:13 | |
So I should call you comrade? | 0:34:21 | 0:34:23 | |
We shall see. | 0:34:24 | 0:34:25 | |
How God makes his colours, I know not, | 0:34:36 | 0:34:39 | |
but I'm pursuing him through his chemicals. | 0:34:39 | 0:34:41 | |
They said you were a doctor. | 0:34:41 | 0:34:43 | |
A sheep is a sheep, but also meat and wool. | 0:34:43 | 0:34:49 | |
This is my pastime - fixing colours in cloth. | 0:34:51 | 0:34:54 | |
The demand for flags is always high in times of war. | 0:34:55 | 0:34:58 | |
So you are three things, yes? | 0:34:58 | 0:35:00 | |
You are a doctor... | 0:35:03 | 0:35:04 | |
..you are a merchant... | 0:35:06 | 0:35:07 | |
..and you are a spy. | 0:35:08 | 0:35:09 | |
Unless you tell me who sent you, | 0:35:11 | 0:35:12 | |
I will have to ask you to leave at the point of a gun. | 0:35:12 | 0:35:15 | |
A man who called himself Colonay. | 0:35:15 | 0:35:16 | |
Uh-huh. | 0:35:16 | 0:35:18 | |
Not yet in Hell? | 0:35:18 | 0:35:19 | |
No, Ponta Delgada and the Azores. | 0:35:22 | 0:35:24 | |
Similar. | 0:35:25 | 0:35:27 | |
-You should know the wound in the shoulder is no longer used by us as a signal. -No? | 0:35:27 | 0:35:31 | |
No, we change the codes when we think that perhaps | 0:35:31 | 0:35:34 | |
the scum British have overtaken it. | 0:35:34 | 0:35:37 | |
And you do not trust the name Colonay? | 0:35:37 | 0:35:40 | |
THE DOCTOR SCOFFS | 0:35:40 | 0:35:41 | |
What do you want? | 0:35:41 | 0:35:43 | |
I want a line of conference | 0:35:44 | 0:35:46 | |
with the President of the 15 states of America. | 0:35:46 | 0:35:49 | |
My name is James Delaney. | 0:35:50 | 0:35:51 | |
That name means nothing. | 0:35:52 | 0:35:53 | |
But it will to the President and his representatives, | 0:35:53 | 0:35:56 | |
who are travelling to the negotiations in Ghent. | 0:35:56 | 0:35:58 | |
The border between the United States and Canada is being drawn up | 0:35:59 | 0:36:02 | |
in a very...quiet... closed room, no? | 0:36:02 | 0:36:07 | |
You see, I have something of great value to your nation. | 0:36:09 | 0:36:12 | |
Something the British are trying to kill me for. | 0:36:14 | 0:36:17 | |
And what? | 0:36:23 | 0:36:25 | |
You seek protection? | 0:36:25 | 0:36:27 | |
I have demands. | 0:36:27 | 0:36:28 | |
-Demands? -HE LAUGHS | 0:36:28 | 0:36:30 | |
You tell Carlsbad my name. | 0:36:30 | 0:36:31 | |
-And who's Carlsbad? -Carlsbad is the head | 0:36:33 | 0:36:35 | |
of the American Society of Secret Correspondence in London. | 0:36:35 | 0:36:39 | |
I know that name, because Colonay told me it. | 0:36:41 | 0:36:44 | |
He was drunk. | 0:36:44 | 0:36:47 | |
He was trying to push his jelly up a whore. | 0:36:47 | 0:36:49 | |
Carlsbad will know my name and know my business. | 0:36:49 | 0:36:53 | |
GUN CLICKS | 0:36:55 | 0:36:57 | |
I'm afraid you've used the wrong words. | 0:36:57 | 0:37:00 | |
Get out. | 0:37:00 | 0:37:01 | |
Do you treat sickness of the mind, Doctor? | 0:37:07 | 0:37:09 | |
Just keep walking. | 0:37:09 | 0:37:11 | |
You're mad to have even come here. | 0:37:13 | 0:37:15 | |
We are an angry nation. | 0:37:18 | 0:37:19 | |
Yeah. | 0:37:21 | 0:37:22 | |
I'm counting on it. | 0:37:23 | 0:37:24 | |
Good day. | 0:37:28 | 0:37:29 | |
KNOCK ON DOOR | 0:37:41 | 0:37:42 | |
Post for you, madam. | 0:37:48 | 0:37:49 | |
I intend to begin by reading your father's last will and testament, | 0:38:30 | 0:38:33 | |
and then I shall try to reason with his creditors. | 0:38:33 | 0:38:38 | |
Have you decided yet what you will do with Nootka? | 0:38:38 | 0:38:42 | |
-Yes, I will use it for trade. -With whom? | 0:38:42 | 0:38:45 | |
-There are only savages at Nootka. -Then I will trade with them. | 0:38:45 | 0:38:49 | |
-I hear you bought a ship. -I did, | 0:38:51 | 0:38:53 | |
then I discovered that it was formerly used for carrying slaves. | 0:38:53 | 0:38:57 | |
I checked the vessel's log and, before it was taken by the Spanish, | 0:38:57 | 0:39:00 | |
it was once owned by the Honourable East India Company. | 0:39:00 | 0:39:03 | |
The shackles were all cast in London. | 0:39:03 | 0:39:05 | |
-The East India don't deal slaves. -No, no, they don't. | 0:39:07 | 0:39:10 | |
But they do run cloth and trade beads to Tangiers | 0:39:12 | 0:39:15 | |
with the Scarfe family, | 0:39:15 | 0:39:16 | |
and then slaves to Trinidad... | 0:39:16 | 0:39:18 | |
..from Bunce Island... | 0:39:19 | 0:39:21 | |
..through Spanish privateers. | 0:39:22 | 0:39:24 | |
For one with such close connections, I am surprised that you don't know. | 0:39:29 | 0:39:33 | |
And what connections are they? | 0:39:34 | 0:39:35 | |
Mr Thoyt... | 0:39:37 | 0:39:38 | |
..you have been my father's lawyer for the past 40 years. | 0:39:40 | 0:39:45 | |
And in all that time, you reported every detail | 0:39:45 | 0:39:48 | |
of his most intimate business to his enemies at the East India Company. | 0:39:48 | 0:39:52 | |
You are their whore. | 0:39:55 | 0:39:57 | |
The same as almost everyone else in this city, | 0:39:58 | 0:40:02 | |
apart from those who are actually labelled a whore. | 0:40:02 | 0:40:05 | |
Come on, James. | 0:40:09 | 0:40:10 | |
When you left London, the East India was a trading company. | 0:40:14 | 0:40:18 | |
Now it is God Almighty. | 0:40:18 | 0:40:19 | |
The Prince Regent fears it. | 0:40:21 | 0:40:23 | |
No government in the world dares to stand up to it. | 0:40:23 | 0:40:26 | |
It owns the land, the ocean, the fucking sky above our heads. | 0:40:26 | 0:40:30 | |
It has more men and weapons and ships | 0:40:31 | 0:40:35 | |
than all the Christian nations combined. | 0:40:35 | 0:40:38 | |
You think all who submit are evil. | 0:40:38 | 0:40:41 | |
No. | 0:40:41 | 0:40:42 | |
We are submitting to the way the world has become. | 0:40:44 | 0:40:46 | |
All the good men in London... | 0:40:55 | 0:40:57 | |
..who fight them are washed up at Tilbury. | 0:40:58 | 0:41:00 | |
They could hold a congress. | 0:41:02 | 0:41:05 | |
Or perhaps they could simply board a ship and sail to Boston, | 0:41:06 | 0:41:09 | |
where the Company dare not go. | 0:41:09 | 0:41:12 | |
So... | 0:41:16 | 0:41:18 | |
you'll add treason to the list? | 0:41:18 | 0:41:20 | |
The King and Company after your head. | 0:41:21 | 0:41:24 | |
It's all rabble - pitch makers, carpenters. | 0:41:30 | 0:41:33 | |
Your father didn't pay any bills for four years. | 0:41:33 | 0:41:36 | |
They feel deeply aggrieved and talk of seizures. | 0:41:36 | 0:41:39 | |
I'm not being at all fanciful when I ask if you are armed. | 0:41:39 | 0:41:43 | |
I am armed. | 0:41:43 | 0:41:45 | |
MEN GRUMBLE | 0:41:48 | 0:41:51 | |
-There he is! -Shame on you! | 0:41:51 | 0:41:53 | |
VOICE SHOUT OVER EACH OTHER | 0:41:53 | 0:41:55 | |
Let the man through! | 0:41:55 | 0:41:57 | |
Where's the money, Delaney?! | 0:41:57 | 0:41:59 | |
SHOUTING CONTINUES | 0:41:59 | 0:42:00 | |
Gentleman! You are all here, | 0:42:07 | 0:42:09 | |
subsequent to a written notice of Horace Delaney's death. | 0:42:09 | 0:42:11 | |
DERISORY LAUGHTER | 0:42:11 | 0:42:14 | |
I'll deal first... | 0:42:14 | 0:42:15 | |
-GAVEL BANGS -..with the beneficiaries and then | 0:42:15 | 0:42:17 | |
with the division straight after. | 0:42:17 | 0:42:19 | |
I said straight after! | 0:42:19 | 0:42:21 | |
-CANE BANGING -Shut up! Let them get on with it. | 0:42:21 | 0:42:23 | |
-THEY QUIETEN DOWN -We've waited long enough. | 0:42:23 | 0:42:25 | |
MURMURS OF AGREEMENT | 0:42:25 | 0:42:27 | |
Mr Delaney died a widower. | 0:42:31 | 0:42:33 | |
He is survived by two children, both present at this division. | 0:42:33 | 0:42:38 | |
Of his daughter, Zilpha Annabel Delaney, now Zilpha Annabel Geary, | 0:42:38 | 0:42:44 | |
there is no mention in this last will and testament. | 0:42:44 | 0:42:48 | |
GASPS AND CHATTER | 0:42:48 | 0:42:50 | |
To his son, James Keziah Delaney, | 0:42:51 | 0:42:55 | |
is left the only existing assets of the Delaney estate, | 0:42:55 | 0:43:00 | |
including the Nootka trading post and landing ground on the Pacific | 0:43:00 | 0:43:05 | |
north-west coast of the Americas, in what was formerly Spanish America. | 0:43:05 | 0:43:11 | |
-Whatever you have, you will sell... -GAVEL BANGS | 0:43:11 | 0:43:14 | |
There must be order for me to continue! | 0:43:14 | 0:43:16 | |
-We can leave now. -No. We will haunt this nigger to justice! | 0:43:16 | 0:43:22 | |
-GAVEL BANGS -He's already haunted. | 0:43:22 | 0:43:24 | |
Come. | 0:43:24 | 0:43:26 | |
GAVEL BANGS REPEATEDLY, SHOUTING | 0:43:26 | 0:43:30 | |
Be sure of this, Delaney! | 0:43:34 | 0:43:36 | |
That legacy is your death sentence! | 0:43:36 | 0:43:40 | |
SHOUTING CONTINUES | 0:43:40 | 0:43:42 | |
-GAVEL BANGS REPEATEDLY -Out of my way! | 0:43:43 | 0:43:47 | |
I must have order in order to continue! | 0:43:47 | 0:43:51 | |
I dug new foundations for that old bastard... | 0:43:51 | 0:43:53 | |
-GAVEL BANGS -..and I never got a penny. | 0:43:53 | 0:43:56 | |
The son does not inherit the debts of the father. | 0:43:56 | 0:43:59 | |
SHOUTING | 0:43:59 | 0:44:01 | |
James Delaney has declared a new trading company in his own name. | 0:44:01 | 0:44:07 | |
COIN RATTLES ON THE FLOOR | 0:44:10 | 0:44:12 | |
And my father's debts amounted to a sum total of £215 and 17 shillings. | 0:44:14 | 0:44:21 | |
Behold, £215 and 17 shillings. | 0:44:23 | 0:44:28 | |
Mr Thoyt will pay each one of you exactly what you are due, | 0:44:30 | 0:44:33 | |
but you will form an orderly line. | 0:44:33 | 0:44:36 | |
You will form an orderly line. | 0:44:41 | 0:44:44 | |
MOVEMENT | 0:44:44 | 0:44:46 | |
QUIET CHATTER | 0:44:46 | 0:44:48 | |
-MAN: -Orderly! | 0:44:48 | 0:44:49 | |
I didn't expect that. He's a better man than his father. | 0:44:51 | 0:44:54 | |
Hurry up! | 0:44:54 | 0:44:56 | |
At least he's sorting his father's debts. | 0:44:56 | 0:44:58 | |
What I'm owed isn't in that pile of coins... | 0:45:00 | 0:45:02 | |
..since I'm not listed on the final division notice. | 0:45:04 | 0:45:07 | |
You see? The old skinflint didn't even pay for his whores! | 0:45:07 | 0:45:11 | |
LAUGHTER | 0:45:11 | 0:45:14 | |
And what exactly is it that my father owed you? | 0:45:14 | 0:45:16 | |
He owed me a lifetime of care. | 0:45:19 | 0:45:21 | |
A lifetime of devotion. | 0:45:23 | 0:45:25 | |
He owed me kisses and love. | 0:45:26 | 0:45:28 | |
He owed me a home and a fire and perhaps children some day. | 0:45:30 | 0:45:34 | |
In short, he owed me all that is due from a husband to a wife. | 0:45:34 | 0:45:40 | |
My name is Lorna Delaney, formerly Lorna Bow, | 0:45:43 | 0:45:47 | |
and, two years ago in Dublin, | 0:45:47 | 0:45:48 | |
-Horace Delaney and I were married. -MURMURING | 0:45:48 | 0:45:50 | |
And I have proof that I am his widow. | 0:45:50 | 0:45:53 | |
I'll have my clerks divide up the silver. | 0:45:56 | 0:45:58 | |
Madam? | 0:45:58 | 0:46:00 | |
Come to my office. | 0:46:01 | 0:46:03 | |
Calm, pretty, certain, fragrant. | 0:46:07 | 0:46:09 | |
Calm, pretty, certain, fragrant. | 0:46:11 | 0:46:13 | |
This is an Irish document. | 0:46:19 | 0:46:22 | |
It may take a little time to validate. | 0:46:22 | 0:46:26 | |
I can wait. | 0:46:26 | 0:46:27 | |
But Mr Delaney's son knew nothing of any marriage. | 0:46:27 | 0:46:32 | |
How would he? He was in Africa. | 0:46:32 | 0:46:35 | |
But he often spoke of you. He was very, very proud. | 0:46:35 | 0:46:37 | |
-Why Dublin? -Well, he was on business. | 0:46:37 | 0:46:40 | |
Yes, but your business is here, isn't it? | 0:46:40 | 0:46:42 | |
You're an actress who appeared on stage at the Theatre Royal | 0:46:42 | 0:46:45 | |
in Covent Garden in a play called The Painted Savage. | 0:46:45 | 0:46:48 | |
I found a programme with an illustration in an empty drawer. | 0:46:48 | 0:46:53 | |
Well, if my likeness was in there, the drawer wasn't empty. | 0:46:53 | 0:46:56 | |
If the paperwork from Dublin is validated, | 0:46:56 | 0:46:58 | |
Miss Bow will have a legal claim against his estate | 0:46:58 | 0:47:01 | |
-as widow. -Mrs Delaney is my name. | 0:47:01 | 0:47:04 | |
Bow was the name that I used for the stage. | 0:47:04 | 0:47:06 | |
-Are you a good actress? -Your father thought so. | 0:47:06 | 0:47:08 | |
And was that before or after he lost his mind? | 0:47:08 | 0:47:12 | |
Well, love is a kind of madness, isn't it, Mr Thoyt? | 0:47:12 | 0:47:16 | |
Or have you never experienced it? | 0:47:16 | 0:47:18 | |
My father was a very sick and old man. | 0:47:20 | 0:47:24 | |
Do you have proof of consummation? | 0:47:25 | 0:47:27 | |
I have letters, many letters professing his feelings for me. | 0:47:27 | 0:47:31 | |
A line from memory is... | 0:47:31 | 0:47:34 | |
"Oh, Lorna, it is in a moment | 0:47:34 | 0:47:37 | |
"that I would leave this cursed house by the river | 0:47:37 | 0:47:40 | |
"and go to the Americas with you and live there, naked and savage, | 0:47:40 | 0:47:44 | |
"and yet, we would have each other and be together." | 0:47:44 | 0:47:47 | |
That kind of thing. | 0:47:48 | 0:47:50 | |
Do you possess any other documents of his? | 0:47:50 | 0:47:52 | |
-I have letters. -Other than letters? | 0:47:52 | 0:47:54 | |
Well, what kind of documents? | 0:47:57 | 0:47:59 | |
Well, proof will come from pen and ink. | 0:48:02 | 0:48:04 | |
I will dispatch an enquiry to the Trinity Church in Dublin | 0:48:04 | 0:48:07 | |
and request a personal account from the priest. Until then, | 0:48:07 | 0:48:11 | |
I suggest you two refrain from any further contact with each other. | 0:48:11 | 0:48:15 | |
Well, I have no love for the theatre. | 0:48:15 | 0:48:18 | |
And I spend very little time in German brothels. | 0:48:18 | 0:48:21 | |
MEN CHATTER | 0:48:25 | 0:48:27 | |
MEN SNIGGER | 0:48:35 | 0:48:37 | |
Was he in there? The man - did you see him in the room? | 0:48:40 | 0:48:44 | |
Yeah. It was him that came to the door and was indeed in the room. | 0:48:44 | 0:48:47 | |
He was the one who declared your legacy a death sentence. | 0:48:48 | 0:48:52 | |
Hmm. You, er... | 0:48:53 | 0:48:56 | |
You want him to fall into the river, James? | 0:48:56 | 0:48:58 | |
No, the river will take him of its own accord. | 0:49:00 | 0:49:02 | |
Here. | 0:49:06 | 0:49:07 | |
BUZZ OF CONVERSATION | 0:49:20 | 0:49:23 | |
DOOR CLOSES | 0:49:30 | 0:49:31 | |
Ah, Thoyt, sit down. | 0:49:31 | 0:49:34 | |
So, gentlemen... | 0:49:37 | 0:49:39 | |
..tell us of this widow. | 0:49:40 | 0:49:42 | |
Can none of you read? | 0:49:47 | 0:49:50 | |
Or are you all too busy trying to catch my eye and only pretending | 0:49:50 | 0:49:55 | |
to read the agenda before stretching your necks again? | 0:49:55 | 0:49:59 | |
You, what's your name? | 0:50:00 | 0:50:01 | |
-Godfrey, Sir. -Well... | 0:50:03 | 0:50:05 | |
..Godfrey, read aloud item nine on the agenda list of ten. | 0:50:07 | 0:50:13 | |
"During the final division of the estate of Horace Delaney, | 0:50:14 | 0:50:17 | |
"there appeared...an actress." | 0:50:17 | 0:50:20 | |
An actress. | 0:50:20 | 0:50:22 | |
Who claims to be the widow. | 0:50:22 | 0:50:25 | |
A dispatch arrived from Dublin. The marriage is confirmed | 0:50:25 | 0:50:30 | |
-and is legal. -CANE TAPPING | 0:50:30 | 0:50:33 | |
What is the significance of this, Mr Godfrey? | 0:50:34 | 0:50:38 | |
It's not written down. You have to work it out. | 0:50:40 | 0:50:44 | |
HE SCOFFS | 0:50:45 | 0:50:46 | |
-Pettifer. -Hmm? | 0:50:46 | 0:50:49 | |
The girl is an opportunity. | 0:50:49 | 0:50:51 | |
Thoyt, tell them the possibilities of this "opportunity". | 0:50:53 | 0:50:58 | |
She would have a claim against James Delaney for | 0:50:59 | 0:51:03 | |
shared ownership of Nootka. | 0:51:03 | 0:51:06 | |
Bravo. | 0:51:06 | 0:51:07 | |
A whore actress to the rescue of the mighty East. | 0:51:08 | 0:51:14 | |
It is not a foregone conclusion. She would need to file suit. | 0:51:14 | 0:51:19 | |
Oh, Mr Thoyt. | 0:51:19 | 0:51:21 | |
This widow will have sole claim on Nootka | 0:51:22 | 0:51:26 | |
in the event of James Delaney's death. | 0:51:26 | 0:51:29 | |
An event which may be imminent. | 0:51:36 | 0:51:38 | |
MUSICIANS TUNING UP | 0:51:41 | 0:51:43 | |
-MAN: -Ladies and gentlemen, please, welcome to London | 0:51:48 | 0:51:50 | |
violin virtuoso Nicolas Mori. | 0:51:50 | 0:51:54 | |
Tonight, composer Ludwig van Beethoven's Sixth Symphony. | 0:51:59 | 0:52:04 | |
MUSICIANS BEGIN | 0:52:04 | 0:52:06 | |
ECHOED LAUGHTER AND CONVERSATION | 0:52:46 | 0:52:48 | |
SHE SIGHS | 0:53:09 | 0:53:11 | |
James, please, don't. | 0:53:11 | 0:53:13 | |
What? | 0:53:13 | 0:53:14 | |
I missed you. I couldn't bear to see you alone. | 0:53:14 | 0:53:16 | |
Do you know, this is so old, I could even laugh at you? | 0:53:16 | 0:53:20 | |
And yet you came outside to see me. | 0:53:20 | 0:53:21 | |
Because, otherwise, you would've come to me | 0:53:21 | 0:53:23 | |
-and made very loud declarations. -I would, yes. | 0:53:23 | 0:53:26 | |
Is it my loudness that troubles you? | 0:53:26 | 0:53:28 | |
In the forest, no. | 0:53:28 | 0:53:29 | |
In the jungle, no. | 0:53:31 | 0:53:32 | |
You used to straighten your skirt | 0:53:35 | 0:53:38 | |
and march away like nothing had ever happened. | 0:53:38 | 0:53:42 | |
Who marched away? | 0:53:43 | 0:53:44 | |
And thank God you did. | 0:53:48 | 0:53:49 | |
God? | 0:53:50 | 0:53:52 | |
-This is very simple, James. -Hmm? -Take away a little ancient history. | 0:53:53 | 0:53:57 | |
-You live in the East, I live in the West. -Mm-hm. | 0:53:57 | 0:53:59 | |
There are no practical difficulties. | 0:53:59 | 0:54:02 | |
Apart from that great big river that connects us. | 0:54:02 | 0:54:06 | |
Did you really eat flesh? | 0:54:09 | 0:54:10 | |
Why don't you tell your friends that you're sick | 0:54:16 | 0:54:20 | |
and you can come and hear everything? | 0:54:20 | 0:54:22 | |
BUZZ OF CONVERSATION INSIDE | 0:54:22 | 0:54:24 | |
APPLAUSE INSIDE | 0:54:25 | 0:54:27 | |
I would laugh at you, but you're not well. | 0:54:29 | 0:54:31 | |
-Ah, ah, ah! -And I can't stand to have you | 0:54:31 | 0:54:34 | |
-this close to me... -Well, that is a shame, isn't it? | 0:54:34 | 0:54:36 | |
Because I will always be this close to you. | 0:54:36 | 0:54:40 | |
Won't I? | 0:54:42 | 0:54:44 | |
MUSICIANS PLAY INSIDE | 0:54:50 | 0:54:53 | |
BEETHOVEN'S SYMPHONY NO 6 CONTINUES ON SOUNDTRACK | 0:55:03 | 0:55:06 | |
BLADES SWIPE, STABBING THUDS | 0:55:38 | 0:55:41 | |
LOUD CRACK | 0:55:44 | 0:55:46 | |
CRIES OF PAIN | 0:55:50 | 0:55:52 | |
TRIBAL SINGING | 0:56:24 | 0:56:27 |