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He bought some land and he bought a wife. | 0:00:02 | 0:00:04 | |
Nootka was my mother's tribe. | 0:00:04 | 0:00:05 | |
This small piece of land will be incredibly valuable to the Americans. | 0:00:05 | 0:00:09 | |
Sell this land for a reasonable price. | 0:00:09 | 0:00:12 | |
Nootka Sound is not for sale. | 0:00:12 | 0:00:14 | |
I have something of great value to your nation, | 0:00:14 | 0:00:16 | |
something the British are trying to kill me for. | 0:00:16 | 0:00:19 | |
Someone has been brought to London to try and kill me, | 0:00:19 | 0:00:22 | |
and I will need your eyes and ears from now on. | 0:00:22 | 0:00:24 | |
You used to straighten your skirts | 0:00:24 | 0:00:26 | |
and march away like nothing had ever happened. | 0:00:26 | 0:00:29 | |
And what exactly is it that my father owed you? | 0:00:29 | 0:00:32 | |
All that is due from a husband to a wife. | 0:00:32 | 0:00:35 | |
This widow will have sole claim on Nootka | 0:00:35 | 0:00:37 | |
in the event of Delaney's death - | 0:00:37 | 0:00:39 | |
an event which may be imminent. | 0:00:39 | 0:00:42 | |
THRUST OF A BLADE | 0:00:43 | 0:00:45 | |
This programme contains very strong language | 0:00:48 | 0:00:52 | |
This programme contains scenes which some viewers may find upsetting | 0:00:52 | 0:00:58 | |
Over there, a body. | 0:02:04 | 0:02:06 | |
Try her pockets. | 0:02:09 | 0:02:11 | |
It's a man. | 0:02:12 | 0:02:14 | |
The fishes ate his heart out. | 0:02:16 | 0:02:18 | |
Maybe the fishes, maybe not. | 0:02:18 | 0:02:21 | |
The silver tooth is mine. | 0:02:22 | 0:02:24 | |
Who has a blade for the dentistry? | 0:02:26 | 0:02:28 | |
THRUST OF A BLADE | 0:02:45 | 0:02:47 | |
Relax, Mr Delaney. | 0:02:51 | 0:02:53 | |
You're in safe hands. Your devil saved you. | 0:02:54 | 0:02:58 | |
I had you followed. | 0:03:03 | 0:03:05 | |
My agent said that he saw some unspeakable acts. | 0:03:05 | 0:03:09 | |
THRUST OF A BLADE | 0:03:09 | 0:03:11 | |
I had to give him the day off. | 0:03:12 | 0:03:14 | |
Your man's in the river. | 0:03:15 | 0:03:17 | |
The British want you dead. | 0:03:18 | 0:03:20 | |
We want you alive though. That's something, huh? | 0:03:21 | 0:03:24 | |
You take pain like a stone. | 0:03:29 | 0:03:31 | |
Is that something you picked up in Africa, maybe? | 0:03:32 | 0:03:34 | |
How many more are left? | 0:03:35 | 0:03:38 | |
I gave your name to our friend. | 0:03:45 | 0:03:47 | |
He said something about a piece of land up there in the Pacific. | 0:03:47 | 0:03:50 | |
He said that you've been swaggering all around town with it in your hat | 0:03:51 | 0:03:55 | |
like a peacock feather. | 0:03:55 | 0:03:57 | |
Well, you don't appear to be swaggering now. | 0:04:01 | 0:04:04 | |
I need to speak to Carlsbad himself. | 0:04:05 | 0:04:08 | |
I need him to take a message to Thomas Jefferson | 0:04:09 | 0:04:13 | |
and the President of the United States. | 0:04:13 | 0:04:15 | |
In Ponta Delgada, Colonnade told me | 0:04:16 | 0:04:19 | |
that he would find me an emissary to Thomas Jefferson. | 0:04:19 | 0:04:24 | |
So just tell me what you want to say to Carlsbad, | 0:04:24 | 0:04:27 | |
and I'll stitch you up and set you loose. | 0:04:27 | 0:04:30 | |
No? | 0:04:33 | 0:04:35 | |
Interesting knife they used to carve you up. | 0:04:39 | 0:04:42 | |
Is that Chinese, you think? | 0:04:45 | 0:04:47 | |
Or Malay? | 0:04:47 | 0:04:48 | |
When you came in here with bits of a man's flesh between your teeth... | 0:05:00 | 0:05:05 | |
..we kind of had a silent deal. | 0:05:06 | 0:05:08 | |
I stitch you up and you give me information. | 0:05:09 | 0:05:12 | |
Tell me what you want in return for Nootka. | 0:05:13 | 0:05:16 | |
What's your price? | 0:05:17 | 0:05:19 | |
I don't have a price. | 0:05:19 | 0:05:22 | |
So what do you want? | 0:05:30 | 0:05:32 | |
Tea. | 0:05:34 | 0:05:36 | |
-Tea? -You tell Carlsbad that I want tea. | 0:05:37 | 0:05:41 | |
Carlsbad said, "You know, Delaney might just be crazy enough | 0:05:44 | 0:05:48 | |
"to take us all on - the King, the Company and the free fifteen." | 0:05:48 | 0:05:51 | |
Huh? | 0:05:52 | 0:05:53 | |
Maybe she was right. | 0:05:53 | 0:05:55 | |
Well, you tell Carlsbad... | 0:05:57 | 0:05:59 | |
from me... | 0:05:59 | 0:06:01 | |
that I will cede sovereignty of Nootka Sound to whichever nation | 0:06:01 | 0:06:05 | |
offers me their monopoly... | 0:06:05 | 0:06:07 | |
..on the trade of furs for tea | 0:06:08 | 0:06:11 | |
from Fort George to Canton. | 0:06:11 | 0:06:15 | |
A monopoly. | 0:06:16 | 0:06:18 | |
That's what I want. | 0:06:19 | 0:06:21 | |
All the tea in China. | 0:06:22 | 0:06:24 | |
You should have said that from the start. | 0:06:28 | 0:06:31 | |
Could have saved yourself a lot of pain. | 0:06:32 | 0:06:35 | |
And you just said... | 0:06:46 | 0:06:48 | |
.."she"... | 0:06:49 | 0:06:51 | |
didn't you, when you said Carlsbad? | 0:06:51 | 0:06:54 | |
So now I know I'm looking for a lady. | 0:06:57 | 0:07:00 | |
-Big berry, popping balls. -MIMICS GUNFIRE | 0:07:09 | 0:07:12 | |
And spitting fire, what, and she will glide over Lake Ontario | 0:07:12 | 0:07:16 | |
and blow kisses across the temporary border | 0:07:16 | 0:07:18 | |
until they learn to toast the King once more. | 0:07:18 | 0:07:21 | |
-Your highness. -Ah, Coop. | 0:07:21 | 0:07:23 | |
Your highness, I have people within the East India Company. | 0:07:23 | 0:07:27 | |
Oh, no, no, no. | 0:07:27 | 0:07:29 | |
I'm in too fine a mood to discuss the East India. | 0:07:29 | 0:07:33 | |
James Delaney, a private individual, | 0:07:33 | 0:07:35 | |
has recently inherited a piece of land - | 0:07:35 | 0:07:38 | |
Nootka Sound. | 0:07:38 | 0:07:40 | |
Now, this piece of land naturally affords the possibility | 0:07:40 | 0:07:44 | |
of a direct trade route with China. | 0:07:44 | 0:07:48 | |
If you care to look more closely, | 0:07:51 | 0:07:53 | |
you will see that the piece of land in question | 0:07:53 | 0:07:55 | |
lies along the line of our disputed border with the Americans. | 0:07:55 | 0:07:59 | |
-Oh... -No, no, no, God's work. Good fortune. | 0:07:59 | 0:08:02 | |
If the land lies on the border, it is an issue for the Crown. | 0:08:02 | 0:08:06 | |
An issue of war. | 0:08:06 | 0:08:09 | |
-And who is this man? Is he loyal? -Erm, well, we think not. | 0:08:09 | 0:08:13 | |
A republican? | 0:08:14 | 0:08:16 | |
An adventurer of very poor repute. | 0:08:16 | 0:08:19 | |
Stories of madness, savagery, | 0:08:19 | 0:08:22 | |
theft and worse. | 0:08:22 | 0:08:25 | |
Then, Mr Coop... | 0:08:26 | 0:08:28 | |
he is a man that you will be able to do business with. | 0:08:28 | 0:08:33 | |
You slept in a bird's nest. | 0:08:42 | 0:08:44 | |
We need a carpenter. | 0:08:48 | 0:08:50 | |
Yeah, the door gets stiff in winter. | 0:08:50 | 0:08:53 | |
Shave it and it'll be loose in the summer. | 0:08:53 | 0:08:55 | |
-Oh...! -Dear God. | 0:08:58 | 0:09:00 | |
We have business at the river, you and I, | 0:09:00 | 0:09:03 | |
but first I need to put a fresh dressing on this. | 0:09:03 | 0:09:06 | |
-Give me brandy and bandages. -Who did this? | 0:09:06 | 0:09:10 | |
A Malay with a knife and then an American with his needles. | 0:09:10 | 0:09:14 | |
Brandy and bandages, man. | 0:09:15 | 0:09:17 | |
HE GROANS | 0:09:36 | 0:09:37 | |
-They'll try again. -Who, for God's sake? | 0:09:54 | 0:09:57 | |
So, when the carpenter comes, tell him I want all the windows boarded up | 0:09:57 | 0:10:02 | |
and that river hatch, I want that closed too. | 0:10:02 | 0:10:05 | |
So...we are besieged. | 0:10:05 | 0:10:07 | |
I suppose I can use the same carpenter to board up the windows | 0:10:07 | 0:10:11 | |
that your father used when he was under siege | 0:10:11 | 0:10:14 | |
and he can put the same old nails in the same old holes. | 0:10:14 | 0:10:17 | |
You can sit there with the same old gun cocked on your lap. | 0:10:18 | 0:10:22 | |
And when you sit there with that same look of defiance on your face, | 0:10:22 | 0:10:26 | |
I will ask you the same old question - | 0:10:26 | 0:10:28 | |
for what do you risk your life? | 0:10:28 | 0:10:31 | |
Can you loosen up these bindings so that I may move? | 0:10:36 | 0:10:40 | |
Get up. Come on. | 0:10:40 | 0:10:42 | |
Up. Up! | 0:10:42 | 0:10:44 | |
Bill, what are you doing? | 0:10:52 | 0:10:54 | |
-Here, take this. -Yes, boss. | 0:10:54 | 0:10:56 | |
No reason we can't laugh at each other just cos we're now partners. | 0:11:08 | 0:11:11 | |
I didn't say that you were my partner. | 0:11:11 | 0:11:13 | |
The word along the Wapping Wall is you cut up an assassin | 0:11:15 | 0:11:18 | |
and ate his giblets. | 0:11:18 | 0:11:20 | |
Did you bring me my guns? | 0:11:20 | 0:11:22 | |
Don't trust the snake. | 0:11:25 | 0:11:27 | |
10-bore Richardson Man Stoppers. | 0:11:28 | 0:11:30 | |
Same power as a musket but you can hold one in each hand. | 0:11:30 | 0:11:34 | |
Good. Better, better. | 0:11:34 | 0:11:37 | |
-All right. -So if we ain't partners, what are we? | 0:11:40 | 0:11:44 | |
Well, I'm a merchant, you're my victualler. | 0:11:44 | 0:11:48 | |
You can also be my ferryman. I can't use the roads... | 0:11:50 | 0:11:54 | |
not for now at least. | 0:11:54 | 0:11:56 | |
You see the heathen? | 0:11:57 | 0:11:59 | |
He's my brother-in-law. | 0:11:59 | 0:12:01 | |
He says the best bit of a man to eat is this. | 0:12:01 | 0:12:04 | |
It's tender. | 0:12:04 | 0:12:05 | |
-Did you bring me salt beef? -Pork. | 0:12:05 | 0:12:08 | |
-No. -Fresh from a sloop from somewhere cold. -No pork. | 0:12:08 | 0:12:10 | |
-Short notice. -We don't eat pig! -All right, all right. | 0:12:10 | 0:12:13 | |
The stuff he's brought has been on the dock for ages. | 0:12:13 | 0:12:16 | |
Yes, probably, but I trust him, so please pay him. Thank you. | 0:12:16 | 0:12:19 | |
Who are you? | 0:12:23 | 0:12:25 | |
French Bill. | 0:12:25 | 0:12:27 | |
Aargh! | 0:12:28 | 0:12:30 | |
-You all right? -No. | 0:12:31 | 0:12:34 | |
Look, may I suggest Tilbury while you heal? | 0:12:34 | 0:12:36 | |
No, I'm not leaving London. | 0:12:36 | 0:12:38 | |
-Atticus, talk sense to him. -No, I'm not leaving London. Go home. | 0:12:38 | 0:12:42 | |
-What's that? -A boat. | 0:12:42 | 0:12:43 | |
-I know it's a boat. Does it float? -Yeah, yeah, of course. | 0:12:43 | 0:12:46 | |
-How many will it take? -Us. Where are we going? -Lincoln's Inn. | 0:12:46 | 0:12:49 | |
-Lincoln's Inn. -What the hell for? | 0:12:49 | 0:12:51 | |
There is a hand-written note on my desk in the attic. | 0:12:55 | 0:13:00 | |
I need you to deliver it to the secretary of His Majesty the King. | 0:13:00 | 0:13:03 | |
Hand deliver it. | 0:13:03 | 0:13:05 | |
Today, Brace! | 0:13:05 | 0:13:06 | |
-There's a Mr James Delaney, Sir. -Oh, God. | 0:13:14 | 0:13:17 | |
He's with some men with guns and apparently a cannibal, Sir. | 0:13:17 | 0:13:20 | |
Tell him I'm dead. | 0:13:20 | 0:13:21 | |
He says he wants to make a will. | 0:13:21 | 0:13:24 | |
KNOCK ON DOOR | 0:14:01 | 0:14:03 | |
Fuck off. | 0:14:03 | 0:14:05 | |
Sir, I have news. | 0:14:06 | 0:14:07 | |
I said, "Fuck off!" | 0:14:07 | 0:14:11 | |
News of James Delaney, Sir. | 0:14:12 | 0:14:14 | |
Come. | 0:14:15 | 0:14:16 | |
Oh, my God! | 0:14:21 | 0:14:23 | |
The whipped hounds with their apologies. | 0:14:23 | 0:14:26 | |
The assassin we sent to kill Delaney is... | 0:14:28 | 0:14:32 | |
dead. | 0:14:32 | 0:14:33 | |
Delaney lives, Sir. | 0:14:33 | 0:14:36 | |
That's not news, Mr Pettifer. I was aware of that by first light. | 0:14:36 | 0:14:40 | |
This, however, is news. | 0:14:42 | 0:14:45 | |
Delivered by hand from Thoyt an hour ago. | 0:14:46 | 0:14:48 | |
Read it. | 0:14:48 | 0:14:50 | |
"This is the last will and testament of me, James..." | 0:14:56 | 0:14:59 | |
"In the event of my death, all of my possessions and landholdings | 0:15:03 | 0:15:06 | |
"will be bequeathed..." | 0:15:06 | 0:15:08 | |
In severalty and in perpetuity | 0:15:08 | 0:15:11 | |
to the sovereign nation of the United States of America. | 0:15:11 | 0:15:15 | |
So, now we know, the savage boy is cunning too. | 0:15:16 | 0:15:21 | |
And when peace comes and this border is drawn, | 0:15:24 | 0:15:28 | |
it will not be by soldiers | 0:15:28 | 0:15:30 | |
but by more fucking lawyers... | 0:15:30 | 0:15:33 | |
hundreds of them, from both sides. | 0:15:34 | 0:15:37 | |
And every scratch and claim staked | 0:15:37 | 0:15:39 | |
will be cited as legal precedent. | 0:15:39 | 0:15:42 | |
And not only can we not resolve this disaster by killing Delaney, | 0:15:42 | 0:15:47 | |
it is now in our urgent interest to keep the bastard alive. | 0:15:47 | 0:15:51 | |
Get four nails and a wooden board | 0:15:57 | 0:16:00 | |
and a man called Solomon Coop into this room by tomorrow at noon. | 0:16:00 | 0:16:04 | |
Can you manage that? | 0:16:04 | 0:16:06 | |
By midday, Mr Pettifer. | 0:16:12 | 0:16:14 | |
LOUD BANGING | 0:16:21 | 0:16:23 | |
I do what I can with the rotten dock trash Atticus brings, | 0:16:29 | 0:16:33 | |
so the least you can do is sit before you refuse it. | 0:16:33 | 0:16:36 | |
And if that sickly youth on the doorstep is there to protect you | 0:16:38 | 0:16:41 | |
from East India assassins, | 0:16:41 | 0:16:43 | |
know that by 2:00am he's easily distracted by whores. | 0:16:43 | 0:16:46 | |
Well, you needn't worry about the East India Company. | 0:16:47 | 0:16:51 | |
No need to worry about the Crown... | 0:16:51 | 0:16:53 | |
..any longer. | 0:16:54 | 0:16:56 | |
For now I'm only in danger from the Americans | 0:16:56 | 0:16:58 | |
but I reasoned that they are the lesser of the three adversaries, | 0:16:58 | 0:17:02 | |
wouldn't you agree? | 0:17:02 | 0:17:04 | |
I've been searching every fucking room in this house | 0:17:13 | 0:17:16 | |
but not the cellar, so I must beat the tide. | 0:17:16 | 0:17:19 | |
I must beat the tide. | 0:17:20 | 0:17:22 | |
Hello? | 0:18:24 | 0:18:26 | |
Winter, what are you doing here? | 0:18:29 | 0:18:31 | |
This is where I come to sleep sometimes. | 0:18:33 | 0:18:35 | |
You sleep here? | 0:18:38 | 0:18:40 | |
I saw you. | 0:18:42 | 0:18:44 | |
I saw you do for the Malay. | 0:18:45 | 0:18:47 | |
And like a wolf you tore out his heart, | 0:18:48 | 0:18:50 | |
and then threw him into the river. | 0:18:50 | 0:18:53 | |
Splash. | 0:18:53 | 0:18:54 | |
And down he floats... | 0:18:54 | 0:18:56 | |
directly into Winter's arms. | 0:18:56 | 0:18:59 | |
So I cut out your spoils. | 0:19:03 | 0:19:05 | |
Take it. | 0:19:05 | 0:19:07 | |
It's for you. | 0:19:07 | 0:19:08 | |
Teach me about magic. | 0:19:16 | 0:19:18 | |
I want to be a wolf, too, | 0:19:19 | 0:19:22 | |
or a bird so I can fly. | 0:19:22 | 0:19:24 | |
The bird on your neck... | 0:19:25 | 0:19:26 | |
..I know what it is - | 0:19:27 | 0:19:29 | |
the Sankofa. | 0:19:29 | 0:19:31 | |
Now, you go home to Helga... | 0:19:37 | 0:19:39 | |
..because you are not safe here. | 0:19:40 | 0:19:43 | |
BIRD SQUAWKS | 0:19:56 | 0:19:58 | |
Your eggs and coffee are getting cold, Sir. | 0:22:17 | 0:22:20 | |
When was my mother last in this room? | 0:22:30 | 0:22:32 | |
When she was sick. | 0:22:36 | 0:22:38 | |
Sick? | 0:22:38 | 0:22:40 | |
For the purpose of restraint? | 0:22:45 | 0:22:46 | |
No. | 0:22:47 | 0:22:49 | |
For her own protection. | 0:22:49 | 0:22:51 | |
What's that? | 0:22:51 | 0:22:53 | |
That mark. | 0:22:58 | 0:22:59 | |
Did she make it? | 0:23:00 | 0:23:02 | |
What mark? | 0:23:02 | 0:23:04 | |
In the later days she did things... | 0:23:16 | 0:23:18 | |
..no-one understood. | 0:23:19 | 0:23:21 | |
In the later days, | 0:23:22 | 0:23:23 | |
when she wasn't allowed to walk the streets, nor show her face in public, | 0:23:23 | 0:23:29 | |
nor speak in English, nor her savage tongue because she was a mad woman. | 0:23:29 | 0:23:34 | |
James. | 0:23:34 | 0:23:35 | |
No. | 0:23:35 | 0:23:37 | |
Explain this. | 0:23:38 | 0:23:40 | |
I have the very same mark on me... | 0:23:41 | 0:23:44 | |
..from when I was taken prisoner in Africa. | 0:23:45 | 0:23:48 | |
What is it? | 0:23:56 | 0:23:57 | |
You tell me. | 0:24:00 | 0:24:02 | |
You don't speak but you do have answers. | 0:24:05 | 0:24:08 | |
You do. | 0:24:09 | 0:24:11 | |
And you will give me answers. | 0:24:12 | 0:24:14 | |
SCREAMING | 0:24:26 | 0:24:27 | |
LAUGHTER | 0:24:27 | 0:24:29 | |
It's unconsecrated ground. | 0:24:31 | 0:24:33 | |
It's for heathens, pagans | 0:24:33 | 0:24:34 | |
and those damned by suicide. | 0:24:34 | 0:24:37 | |
They're clearing Bedlam out now. | 0:24:38 | 0:24:40 | |
Won't be anyone left here before long. | 0:24:40 | 0:24:42 | |
Mr Solomon Coop, Sir, | 0:25:11 | 0:25:12 | |
private secretary to His Majesty King George. | 0:25:12 | 0:25:15 | |
Thank you, Godfrey. | 0:25:15 | 0:25:17 | |
Unless we find common cause. | 0:25:25 | 0:25:28 | |
Well, none of the King's causes are "common" | 0:25:29 | 0:25:32 | |
and at the moment one only has to say "the Company" | 0:25:32 | 0:25:35 | |
with a certain degree of disgust to get his undivided attention. | 0:25:35 | 0:25:39 | |
Forget India. | 0:25:39 | 0:25:41 | |
Tell him to put India to one side. | 0:25:41 | 0:25:43 | |
The King will not move on India. | 0:25:43 | 0:25:45 | |
The Regent does what you and your coven say. | 0:25:45 | 0:25:48 | |
You seriously underestimate him. | 0:25:48 | 0:25:50 | |
I underestimated Delaney. | 0:25:51 | 0:25:54 | |
Look at this. | 0:25:55 | 0:25:56 | |
He's written a will. | 0:25:56 | 0:25:58 | |
-You knew? -You have 104 spies in London... | 0:26:01 | 0:26:04 | |
and we have 202. | 0:26:05 | 0:26:08 | |
So who the hell do you have in Thoyt's chambers? | 0:26:08 | 0:26:12 | |
They're all mine. | 0:26:12 | 0:26:13 | |
Don't spoil the bloody game, Stuart. | 0:26:13 | 0:26:15 | |
I just know everything. Always assume I just know. | 0:26:16 | 0:26:19 | |
Then you know we have a problem | 0:26:19 | 0:26:23 | |
that cannot be solved with a musket or a knife. | 0:26:23 | 0:26:27 | |
You have a problem - the King really does not. | 0:26:27 | 0:26:29 | |
I received a letter from Delaney this morning. | 0:26:31 | 0:26:35 | |
I suppose you would call it a pincer movement. | 0:26:36 | 0:26:39 | |
He says he's happy for the Nootka trading post, the smoke house | 0:26:39 | 0:26:42 | |
and the tanning factory | 0:26:42 | 0:26:44 | |
to be incorporated into the territory of the British Crown, | 0:26:44 | 0:26:47 | |
but only if we give him a monopoly on the trade | 0:26:47 | 0:26:50 | |
in smoked sea otter pelts from... | 0:26:50 | 0:26:52 | |
Vancouver coast to Canton. | 0:26:52 | 0:26:55 | |
Canton? | 0:26:55 | 0:26:57 | |
Curiously, the word "tea" does not appear in the letter. | 0:26:57 | 0:27:01 | |
So you'll write back to him and tell him to go to hell. | 0:27:01 | 0:27:04 | |
Well, perhaps, before I write to Delaney, | 0:27:04 | 0:27:06 | |
we should speak about India. | 0:27:06 | 0:27:07 | |
You'll allow this savage to determine our American policy? | 0:27:10 | 0:27:14 | |
Our American policy is simple - | 0:27:14 | 0:27:16 | |
restitution of all lands taken by force. | 0:27:16 | 0:27:18 | |
West of Michigan, | 0:27:18 | 0:27:20 | |
the line of the border will be determined by lawyers, | 0:27:20 | 0:27:23 | |
which means almost certainly that Delaney can give us Vancouver. | 0:27:23 | 0:27:27 | |
And, in return, you would sell out the East India? | 0:27:28 | 0:27:32 | |
Settle your dispute with the King regarding Bombay and we can talk. | 0:27:32 | 0:27:36 | |
It all seems rather neat and terribly simple to me. | 0:27:36 | 0:27:39 | |
You do realise this whole business is about revenge. | 0:27:39 | 0:27:43 | |
And why would James Delaney hate the India so? | 0:27:45 | 0:27:48 | |
What the hell did you do to him, Stuart? | 0:27:51 | 0:27:54 | |
Always assume I just know. | 0:27:55 | 0:27:57 | |
Then know this. | 0:27:59 | 0:28:01 | |
Delaney will as easily sell Nootka to the Americans | 0:28:05 | 0:28:10 | |
if they offer him the same monopoly. | 0:28:10 | 0:28:12 | |
Now, there, the King and the Company may be able to find | 0:28:14 | 0:28:18 | |
our common cause. | 0:28:18 | 0:28:20 | |
My spies tell me there is a widow. | 0:28:21 | 0:28:24 | |
My Lady, I am so sore to have to bring you this news. | 0:28:28 | 0:28:32 | |
The death of my father was not the work of fate but of one man. | 0:28:32 | 0:28:37 | |
The cursed dwarf Frenchman with a bullet head. | 0:28:38 | 0:28:42 | |
Napoleon! | 0:28:42 | 0:28:43 | |
CROWD BOO | 0:28:43 | 0:28:46 | |
..that shames the hearts of a weary nation. | 0:28:46 | 0:28:49 | |
-Their heads cut away... -Fuck the French! | 0:28:49 | 0:28:52 | |
Fuck Napoleon! | 0:28:52 | 0:28:53 | |
..like carcasses into the Seine. | 0:28:53 | 0:28:56 | |
And out in the streets... | 0:28:57 | 0:28:59 | |
there are still those that say that only a beast can tame a beast. | 0:28:59 | 0:29:05 | |
And that to avenge the death of the good people, like my dear father, | 0:29:05 | 0:29:11 | |
we must find our own monster and call him Napoleon! | 0:29:11 | 0:29:15 | |
God save the King! | 0:29:15 | 0:29:17 | |
# God save our gracious King | 0:29:17 | 0:29:20 | |
# Long live our noble... # | 0:29:20 | 0:29:22 | |
Begging pardon, Sir, the show is almost done. | 0:29:22 | 0:29:25 | |
Should any girl in the chorus have taken your eye, Sir, | 0:29:25 | 0:29:28 | |
they're sixpence each for one hour. | 0:29:28 | 0:29:30 | |
Any girls who spoke are a half crown. | 0:29:31 | 0:29:33 | |
There are boys in the chorus too, Sir, if you prefer. | 0:29:34 | 0:29:38 | |
The unfortunate lady whose father was... | 0:29:39 | 0:29:42 | |
somehow killed by Napoleon. | 0:29:42 | 0:29:44 | |
-What of her? -Her name is Lorna Bow. | 0:29:44 | 0:29:47 | |
Yes, well, I'm afraid Miss Bow is unavailable. | 0:29:47 | 0:29:51 | |
Always or tonight? | 0:29:51 | 0:29:52 | |
Always, Sir, on account of her being a fussy, stuck up bitch, Sir. | 0:29:52 | 0:29:56 | |
I am here on behalf of His Majesty the King. | 0:29:58 | 0:30:01 | |
Give it to Miss Bow | 0:30:02 | 0:30:04 | |
and only Miss Bow... | 0:30:04 | 0:30:06 | |
..on pain of execution. | 0:30:07 | 0:30:10 | |
You bad, bad man. | 0:30:32 | 0:30:34 | |
-Keep doing that. -Tickle, tickle! | 0:30:35 | 0:30:38 | |
# I gave it to a bonnie lad | 0:30:38 | 0:30:40 | |
# A bonnie lad, a bonnie lad | 0:30:40 | 0:30:43 | |
# I gave it to a bonnie lad | 0:30:43 | 0:30:45 | |
# For just as good again | 0:30:45 | 0:30:48 | |
# How can I keep my maidenhead...? # | 0:30:49 | 0:30:51 | |
Spoken for, Sir. | 0:30:51 | 0:30:53 | |
# How can I keep my maidenhead | 0:30:53 | 0:30:56 | |
# Among so many men? # | 0:30:56 | 0:30:58 | |
Dear, God. | 0:30:59 | 0:31:00 | |
# The boring out, the riving out | 0:31:02 | 0:31:05 | |
# But, oh, the double driving out | 0:31:05 | 0:31:07 | |
# Oh, for the Lord again... # | 0:31:07 | 0:31:10 | |
HOWLS OF PAIN AND PLEASURE | 0:31:14 | 0:31:17 | |
Spoken for, Sir. | 0:31:21 | 0:31:23 | |
You haven't changed a bit, Godders. | 0:31:23 | 0:31:25 | |
Ah, I need to speak to you. | 0:31:25 | 0:31:27 | |
Your secret won't remain a secret for very long in the East India Company. | 0:31:28 | 0:31:33 | |
-Blackmail? -Yes. | 0:31:34 | 0:31:36 | |
But between friends, so where's the harm? | 0:31:36 | 0:31:40 | |
Now, you take the minutes, don't you, of every meeting | 0:31:47 | 0:31:50 | |
and you also hear everything they say when they raise their hand? | 0:31:50 | 0:31:54 | |
I want that information. | 0:31:56 | 0:31:58 | |
I will pay you for it. | 0:32:00 | 0:32:02 | |
I'll pay you a pound every month. | 0:32:02 | 0:32:05 | |
How did you know about me? | 0:32:07 | 0:32:10 | |
Because I have eyes and ears everywhere throughout the city | 0:32:10 | 0:32:14 | |
in many places, much like the Company itself. | 0:32:14 | 0:32:17 | |
I honestly mean you no harm, Godders. | 0:32:22 | 0:32:25 | |
-If I were caught... -What? | 0:32:25 | 0:32:28 | |
If I were caught passing company secrets to a Delaney... | 0:32:28 | 0:32:31 | |
You're not going to get caught because I will protect you. | 0:32:31 | 0:32:35 | |
You know, at the seminary, I was in love with you. | 0:32:39 | 0:32:42 | |
Of course you do. | 0:32:44 | 0:32:46 | |
Of course. | 0:32:47 | 0:32:48 | |
And there was I thinking that we were just brothers in arms. | 0:32:50 | 0:32:53 | |
Didn't we share a bed sometimes in the great hall? | 0:32:56 | 0:32:59 | |
It was torture. | 0:33:00 | 0:33:02 | |
Exquisite. | 0:33:03 | 0:33:04 | |
Mm. | 0:33:05 | 0:33:07 | |
So you can trust me... | 0:33:08 | 0:33:10 | |
..and I will protect you. | 0:33:11 | 0:33:13 | |
Your work starts now. | 0:33:26 | 0:33:29 | |
Oh, God. | 0:33:29 | 0:33:30 | |
How fair is the split between the East India and the King? | 0:33:30 | 0:33:33 | |
I'm a little drunk for business. | 0:33:33 | 0:33:36 | |
Have they found common cause or are they still divided? | 0:33:36 | 0:33:39 | |
Talk to me, for fuck sake. | 0:33:41 | 0:33:43 | |
'Dear, Sister... | 0:33:48 | 0:33:50 | |
'I am restoring our father's offices | 0:33:50 | 0:33:53 | |
'I have registered the Delaney Trading Company | 0:33:53 | 0:33:55 | |
'with Lloyds of London and I will ready my ship | 0:33:55 | 0:33:58 | |
'so that when the time is right and the Company has fallen | 0:33:58 | 0:34:03 | |
'we can leave. | 0:34:03 | 0:34:05 | |
'I am accruing a band of loyal servants, | 0:34:05 | 0:34:08 | |
'none of whom have any value to me | 0:34:08 | 0:34:10 | |
'beyond the facilitation of this greater good. | 0:34:10 | 0:34:14 | |
'When I left England, I was just a boy. | 0:34:14 | 0:34:17 | |
'Now I am back, much has changed.' | 0:34:17 | 0:34:19 | |
'Your leaving England was the click of the hypnotist's fingers. | 0:34:19 | 0:34:24 | |
'I woke from a trance and realised the depth of our sin. | 0:34:24 | 0:34:28 | |
'I have found forgiveness in God and in my husband, | 0:34:28 | 0:34:31 | |
'and I want no part in your plans or your future.' | 0:34:31 | 0:34:35 | |
'But we are the future. | 0:34:35 | 0:34:37 | |
'Your husband is already passed | 0:34:38 | 0:34:40 | |
'and you can see that by the way that he follows you. | 0:34:40 | 0:34:43 | |
'You should let him go, poor soul. | 0:34:45 | 0:34:47 | |
'You torture him. | 0:34:47 | 0:34:49 | |
'There is enough treachery already surrounding us | 0:34:51 | 0:34:54 | |
'that there is no need for us to add to it.' | 0:34:54 | 0:34:57 | |
'The arrival of letters at this address does not go unnoticed. | 0:34:57 | 0:35:00 | |
'My husband is harsh and is a Christian. I welcome it. | 0:35:01 | 0:35:05 | |
'I deserve it.' | 0:35:05 | 0:35:07 | |
'Your husband is also a fool. | 0:35:08 | 0:35:11 | |
'He cannot see all that you are. | 0:35:11 | 0:35:13 | |
'I have sailed to places where there is no damnation. | 0:35:14 | 0:35:18 | |
'We used to talk to each other without words in dark corners. | 0:35:19 | 0:35:23 | |
'Your curiosity and hunger for all that is possible out there | 0:35:23 | 0:35:26 | |
'could never be tethered by base religious morality, | 0:35:26 | 0:35:29 | |
'ship insurance and new china.' | 0:35:29 | 0:35:32 | |
'Please understand that from this moment I will burn your letters | 0:35:33 | 0:35:37 | |
'without opening them.' | 0:35:37 | 0:35:39 | |
'Then I will visit you in your dreams, my love.' | 0:35:39 | 0:35:42 | |
'Please. I'm your sister. | 0:35:42 | 0:35:45 | |
'Let all else lie.' | 0:35:45 | 0:35:47 | |
There is a woman here to see you and I swear the only way | 0:36:00 | 0:36:03 | |
I could have stopped her would have been to use the pistol you gave me | 0:36:03 | 0:36:06 | |
and don't think I would be loathe to use it because she's mad | 0:36:06 | 0:36:09 | |
-and she claims she is my mistress. -Your mistress? | 0:36:09 | 0:36:12 | |
She says she owns this house. | 0:36:12 | 0:36:14 | |
Right. | 0:36:15 | 0:36:16 | |
I have engaged the services of the best lawyer in London. | 0:36:23 | 0:36:27 | |
Is that your lawyer? | 0:36:31 | 0:36:33 | |
My lawyer assures me that, as Horace Delaney's widow, | 0:36:34 | 0:36:38 | |
by natural law of the land, this house is therefore half mine. | 0:36:38 | 0:36:42 | |
-It's a copy. -It's now kindling. | 0:36:45 | 0:36:48 | |
My servant wants to shoot you in the face. | 0:36:49 | 0:36:52 | |
Your servant is also now half mine. | 0:36:52 | 0:36:54 | |
So did I just burn advice or did I burn speculation? | 0:36:56 | 0:37:01 | |
You actually burnt a letter of intent. | 0:37:01 | 0:37:04 | |
Ooh! And what do you intend to do... | 0:37:04 | 0:37:07 | |
with my house? | 0:37:07 | 0:37:09 | |
Firstly to change those awful boards. | 0:37:10 | 0:37:12 | |
-Miss Bow... -Mrs Delaney! | 0:37:12 | 0:37:14 | |
Miss Bow, do you know why there are boards on the windows of this house? | 0:37:14 | 0:37:18 | |
So the fortunate people outside | 0:37:18 | 0:37:20 | |
can't see inside of the state of this place, I imagine. | 0:37:20 | 0:37:23 | |
No, because there are wicked men out there who would wish me dead. | 0:37:23 | 0:37:26 | |
However, neither the East India or the King will kill you | 0:37:28 | 0:37:31 | |
because of your will. | 0:37:31 | 0:37:33 | |
The only people who would benefit from your death are the Americans, | 0:37:33 | 0:37:36 | |
but you're already in negotiations with the Americans, | 0:37:36 | 0:37:39 | |
so surely once the boards have gone we could put curtains up. | 0:37:39 | 0:37:43 | |
You seem to know such a lot for somebody who knows so very little. | 0:37:43 | 0:37:46 | |
You should know that I am a very dangerous man. | 0:37:47 | 0:37:50 | |
I was told that, too. | 0:37:50 | 0:37:52 | |
And who keeps telling you all this shit? | 0:37:54 | 0:37:56 | |
I was told the details of your situation by a representative | 0:37:56 | 0:37:59 | |
of his Majesty The King, George. | 0:37:59 | 0:38:01 | |
And indirectly it was the King who financed the drawing up of | 0:38:01 | 0:38:04 | |
that very expensive piece of paper, which you just burnt. | 0:38:04 | 0:38:07 | |
As a rule, the King's council very rarely makes business | 0:38:07 | 0:38:10 | |
with an actress unless it's up the back alley of Maiden Lane. | 0:38:10 | 0:38:14 | |
The piece of paper you just burnt also states that, | 0:38:15 | 0:38:18 | |
as Horace Delaney's widow, | 0:38:18 | 0:38:19 | |
I also own half the trading post at Nootka Sound | 0:38:19 | 0:38:22 | |
and I believe Nootka is of value to you | 0:38:22 | 0:38:25 | |
and to the King. | 0:38:25 | 0:38:26 | |
So, as you can see, it's a very simple swap, Mr Delaney. | 0:38:28 | 0:38:32 | |
Your half of the house for my half of a piece of land | 0:38:32 | 0:38:36 | |
that I have no interest in or use for. | 0:38:36 | 0:38:39 | |
I also have a trunk full of your father's belongings, | 0:38:39 | 0:38:42 | |
letters to you, to your father from your mother. | 0:38:42 | 0:38:47 | |
Paintings of Nootka, drawings... | 0:38:48 | 0:38:50 | |
No! No! | 0:38:51 | 0:38:52 | |
Brace! | 0:38:52 | 0:38:54 | |
Brace! | 0:38:54 | 0:38:55 | |
-Do I fetch the pistol? -No. Make this woman a room up right now. | 0:38:56 | 0:39:00 | |
-I'd like a river view. -Granted. | 0:39:04 | 0:39:06 | |
Go on now. Make her a fire in my mother's old room immediately. | 0:39:09 | 0:39:12 | |
I hate to see these things caged up. | 0:39:21 | 0:39:24 | |
If you are in contact with the King then you are already in grave danger. | 0:39:25 | 0:39:29 | |
You may stay here whilst we work out our business. | 0:39:30 | 0:39:33 | |
Good evening, Miss Bow. | 0:39:35 | 0:39:37 | |
I was passing, | 0:39:55 | 0:39:56 | |
from Greenwich. | 0:39:56 | 0:39:58 | |
I have business. | 0:39:59 | 0:40:01 | |
Hm. | 0:40:02 | 0:40:03 | |
-I see in the Gazette you now have a ship. -Mm-hm. | 0:40:28 | 0:40:31 | |
At 7:00am every day I read the Gazette. | 0:40:31 | 0:40:34 | |
My wife eats toast. | 0:40:34 | 0:40:37 | |
I look for newly purchased ships. | 0:40:39 | 0:40:41 | |
-I underwrite for Lloyds. -Coffee? | 0:40:44 | 0:40:46 | |
No. | 0:40:47 | 0:40:49 | |
I'm willing to take care of the insurance of your ship. | 0:40:49 | 0:40:52 | |
I can make sure the hull is tarred properly - | 0:40:52 | 0:40:55 | |
they don't miss a layer and pocket the change. | 0:40:55 | 0:40:58 | |
The salt and worms will get through and you'll sink off Africa. | 0:40:58 | 0:41:01 | |
Ah, but my business is not in Africa, it's out west. | 0:41:02 | 0:41:06 | |
That letter there is from my carpenter. | 0:41:07 | 0:41:10 | |
In my profession, we believe in luck. | 0:41:12 | 0:41:15 | |
In the business of ship insurance, luck is the Goddess of Profit. | 0:41:15 | 0:41:19 | |
Your luck, Mr Delaney, is poor. | 0:41:19 | 0:41:22 | |
Your record is poor. | 0:41:22 | 0:41:24 | |
You sink ships. | 0:41:24 | 0:41:27 | |
You're as good as a hole in the hull. | 0:41:28 | 0:41:30 | |
I did check the records. | 0:41:31 | 0:41:33 | |
You were aboard a ship that sank off Africa. | 0:41:33 | 0:41:36 | |
A slave ship? | 0:41:37 | 0:41:38 | |
I believe that a man is capable of change... | 0:41:43 | 0:41:46 | |
..and I also believe that that is of no consequence to you. | 0:41:47 | 0:41:53 | |
And whilst you're here, | 0:41:56 | 0:41:58 | |
this document will show you... | 0:41:58 | 0:42:00 | |
..that my ship is already insured by an insurance broker | 0:42:01 | 0:42:05 | |
by the name of Cope. | 0:42:05 | 0:42:06 | |
And, if you look very closely, | 0:42:08 | 0:42:10 | |
you will probably recognise my handwriting. | 0:42:10 | 0:42:13 | |
I wonder, does the offer of coffee still stand? | 0:42:30 | 0:42:33 | |
Mm. | 0:42:34 | 0:42:36 | |
You know... | 0:42:48 | 0:42:50 | |
..it excites me, | 0:42:51 | 0:42:53 | |
the thought of it... | 0:42:53 | 0:42:54 | |
..when I realise the woman beneath me... | 0:42:55 | 0:42:58 | |
..is capable of what she did. | 0:42:59 | 0:43:01 | |
She can seem so cold, | 0:43:03 | 0:43:06 | |
at least, she used to. | 0:43:06 | 0:43:08 | |
Now I know the secret in her head. | 0:43:09 | 0:43:11 | |
And it makes me so hard... | 0:43:14 | 0:43:16 | |
and so angry. | 0:43:16 | 0:43:18 | |
Mm. | 0:43:21 | 0:43:22 | |
And she likes it. | 0:43:22 | 0:43:24 | |
Since you came back, our fucking has become almost murderous. | 0:43:26 | 0:43:31 | |
It exhausts us. | 0:43:32 | 0:43:34 | |
To think I have this wicked... | 0:43:34 | 0:43:37 | |
..wicked thing beneath me and it's my lifelong duty to punish her. | 0:43:38 | 0:43:43 | |
It exhausts us both. | 0:43:46 | 0:43:48 | |
A beautiful exhaustion. | 0:43:50 | 0:43:52 | |
And in the morning I read the Gazette | 0:43:53 | 0:43:56 | |
and she eats her toast... | 0:43:56 | 0:43:58 | |
..like a sweet little bird. | 0:43:59 | 0:44:01 | |
I didn't come to sell you insurance, Mr Delaney. | 0:44:09 | 0:44:12 | |
I came to thank you. | 0:44:14 | 0:44:16 | |
You summoned me. | 0:45:13 | 0:45:15 | |
I am here now. What do you want? | 0:45:16 | 0:45:18 | |
Shall we pray? | 0:45:24 | 0:45:26 | |
I used to think we were the same person. | 0:45:32 | 0:45:35 | |
We are. | 0:45:35 | 0:45:37 | |
We're not. | 0:45:38 | 0:45:39 | |
Now... | 0:46:06 | 0:46:08 | |
..I never want to see you again. | 0:46:09 | 0:46:11 | |
We will speak again. | 0:46:12 | 0:46:14 | |
No, we won't. | 0:46:14 | 0:46:16 | |
Oh, but we will. | 0:46:16 | 0:46:18 | |
-Madam. -Mrs Delaney. -Do you drink wine? | 0:46:58 | 0:47:02 | |
-Not before a performance. -There'll be no performance tonight. | 0:47:03 | 0:47:06 | |
There will be a performance or there will be a riot in Covent Garden. | 0:47:06 | 0:47:10 | |
Until the necessary arrangements have been made, | 0:47:10 | 0:47:13 | |
I advise that you go absolutely nowhere. | 0:47:13 | 0:47:15 | |
As of now, you are a weakness. | 0:47:15 | 0:47:18 | |
These fantasies elude me... | 0:47:18 | 0:47:20 | |
If you go outside, they will find you and they will find a use for you. | 0:47:20 | 0:47:25 | |
I am seldom used. | 0:47:25 | 0:47:27 | |
There is no "they" and there will be a performance. | 0:47:28 | 0:47:31 | |
Are you armed? | 0:47:32 | 0:47:34 | |
Get me a carriage to Drury Lane, would you? | 0:47:35 | 0:47:38 | |
You have to get that woman out of this house | 0:47:40 | 0:47:42 | |
or I swear I will kill her and her bloody canary. | 0:47:42 | 0:47:45 | |
Brace... | 0:47:49 | 0:47:51 | |
..get two carriages. | 0:47:52 | 0:47:54 | |
I see that you're bleeding again. | 0:48:05 | 0:48:08 | |
I saw blood. | 0:48:09 | 0:48:11 | |
How? | 0:48:12 | 0:48:14 | |
Where? You searching the laundry? | 0:48:15 | 0:48:18 | |
It is equally my business. | 0:48:18 | 0:48:20 | |
It seems that jointly we are unable to stop the moon from rising. | 0:48:23 | 0:48:26 | |
Could you fetch some oranges? I would like some oranges. | 0:48:26 | 0:48:30 | |
Is it the goose or the gander who has bad sauce? | 0:48:37 | 0:48:41 | |
Do you know we can't even afford new china? | 0:48:53 | 0:48:56 | |
So that's your reason for not taking. | 0:48:56 | 0:48:58 | |
The dock boys I pay in pennies have litters of children - | 0:49:00 | 0:49:04 | |
I just get blood. | 0:49:04 | 0:49:07 | |
My dearest Zilpha... | 0:49:21 | 0:49:22 | |
..I apologise... | 0:49:23 | 0:49:26 | |
..that I am not related to you. | 0:49:27 | 0:49:29 | |
But you could allow your cunt to swallow the work of an honest man, | 0:49:30 | 0:49:34 | |
who will promise to buy you the finest china... | 0:49:34 | 0:49:37 | |
..if you just agree to stop fucking bleeding. | 0:49:38 | 0:49:44 | |
-Oranges, madam. -She doesn't want fucking oranges! | 0:49:44 | 0:49:47 | |
We all know what she wants. | 0:49:52 | 0:49:54 | |
How like you the young German, the Duke of Saxony's nephew? | 0:50:05 | 0:50:09 | |
Very vilely in the morning when he's sober | 0:50:09 | 0:50:12 | |
and most vilely in the afternoon when he's drunk. | 0:50:12 | 0:50:15 | |
LAUGHTER | 0:50:15 | 0:50:16 | |
When he's best he's little worse than a man, | 0:50:16 | 0:50:19 | |
and when he's worst he's little better than a beast. | 0:50:19 | 0:50:23 | |
-Hurry up! -Vestris! | 0:50:24 | 0:50:26 | |
Vestris! | 0:50:26 | 0:50:28 | |
Hey! Hey! If you're here just for a wank, | 0:50:28 | 0:50:31 | |
pull your pudding and get it over with | 0:50:31 | 0:50:33 | |
and let the rest of us enjoy Shakespeare! | 0:50:33 | 0:50:36 | |
You can't fetch up until you bring Vestris! | 0:50:37 | 0:50:40 | |
Vestris! | 0:50:40 | 0:50:41 | |
-CROWD: -Vestris! Vestris! Vestris! Vestris! Vestris! | 0:50:41 | 0:50:45 | |
Hey! Hey! | 0:50:45 | 0:50:47 | |
CHEERING | 0:50:47 | 0:50:50 | |
Lorna Bow? | 0:51:37 | 0:51:39 | |
I am an admirer of your work. | 0:51:40 | 0:51:42 | |
Please, share my carriage. | 0:51:42 | 0:51:44 | |
Come, come. | 0:51:48 | 0:51:50 | |
If you could take me to Old Street, I'll find a cab. | 0:51:57 | 0:52:00 | |
You looked to be fleeing from someone. | 0:52:01 | 0:52:03 | |
You were following me? | 0:52:04 | 0:52:06 | |
You have many suitors among the rabble, I imagine, | 0:52:07 | 0:52:10 | |
and I, for the longest time, have been one of them. | 0:52:10 | 0:52:13 | |
I am a lady of particular tastes. | 0:52:17 | 0:52:20 | |
An admirer from the darkness and from on high. | 0:52:22 | 0:52:26 | |
Ooh... | 0:52:29 | 0:52:30 | |
I'm sorry... | 0:52:30 | 0:52:32 | |
but you'll have to remain in the darkness. | 0:52:32 | 0:52:35 | |
Why have we turned? | 0:52:35 | 0:52:37 | |
We were given your name. | 0:52:37 | 0:52:39 | |
The price was two sovereigns. | 0:52:39 | 0:52:41 | |
I'm not a courtesan. | 0:52:41 | 0:52:44 | |
But we are here and there is a room with a bed and fire. | 0:52:44 | 0:52:48 | |
Now this gentleman is a Duke. | 0:52:48 | 0:52:51 | |
He asked for you particularly and he was told by your theatre manager | 0:52:51 | 0:52:55 | |
you would comply. | 0:52:55 | 0:52:56 | |
He will pay to be in the room with us while we play. | 0:52:56 | 0:52:59 | |
-Then you were given the wrong name. -There she is. | 0:53:02 | 0:53:05 | |
Give her to me. | 0:53:06 | 0:53:08 | |
Very well. | 0:53:10 | 0:53:11 | |
Your manager sold me the costume you wore | 0:53:13 | 0:53:17 | |
when you played The Little Princess. | 0:53:17 | 0:53:20 | |
You will wear it for me tonight. | 0:53:20 | 0:53:22 | |
GUNSHOT | 0:53:25 | 0:53:26 | |
There appears to have been a misunderstanding. | 0:53:27 | 0:53:30 | |
Somebody has given you the wrong name. | 0:53:30 | 0:53:33 | |
I'm the fucking Duke of Richmond. | 0:53:33 | 0:53:35 | |
That bitch is dead. | 0:53:35 | 0:53:37 | |
That bitch is on the gallows... | 0:53:39 | 0:53:42 | |
before Mass! | 0:53:42 | 0:53:44 | |
Down there. | 0:53:46 | 0:53:48 | |
Perhaps now you will listen to me. | 0:53:51 | 0:53:53 | |
This diamond... | 0:53:54 | 0:53:56 | |
this is yours. | 0:53:56 | 0:53:57 | |
I have a man that will take you to Paris | 0:53:58 | 0:54:01 | |
and you will stay there until this business is done. | 0:54:01 | 0:54:03 | |
You are a weakness. | 0:54:04 | 0:54:07 | |
She's just come back. | 0:54:21 | 0:54:23 | |
She went straight up to bed. | 0:54:23 | 0:54:25 | |
I didn't light the fire in her room, so she can dry in the draught. | 0:54:25 | 0:54:29 | |
How many people know that she's here? | 0:54:31 | 0:54:34 | |
Apart from me and the canary, no-one. | 0:54:34 | 0:54:36 | |
What's wrong? | 0:54:37 | 0:54:39 | |
Delivery boys, hmm? | 0:54:40 | 0:54:42 | |
Only Atticus delivers. | 0:54:43 | 0:54:44 | |
She's only ever taken one coach. Why? | 0:54:45 | 0:54:48 | |
Because tonight she stabbed the Duke of Richmond. | 0:54:49 | 0:54:53 | |
For what reason? | 0:54:53 | 0:54:54 | |
Because that was their plan. | 0:54:54 | 0:54:56 | |
They knew that she was not a whore and that she would fight back, | 0:54:56 | 0:55:00 | |
and now they have a good reason to come for her. | 0:55:00 | 0:55:02 | |
And they will come. | 0:55:05 | 0:55:07 |